WEBVTT - Questlove Supreme: Erika Alexander Part 1

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<v Speaker 1>Quest Love Supreme is a production of iHeartRadio.

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<v Speaker 2>We're rolling.

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<v Speaker 1>Let's go up.

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<v Speaker 2>Primo se se Primo Robo came up.

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<v Speaker 3>Primo, so so sel Primo Roll Call, Supremo Supremo roll called.

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<v Speaker 1>So prim So Primo. It is Quest Love. Yeah, aren't

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<v Speaker 1>you glad? Yeah? Ronald timmis here. Yeah, he's gonna get mad.

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<v Speaker 1>Upremo Road Call, Prima Supremo Road. My name is Spante, Yeah,

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<v Speaker 1>that's who I am. Yeah, letting you know. I too

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<v Speaker 1>have a cousin named Pama.

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<v Speaker 4>Supremo Road Come Supremo Supremo roll Call.

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<v Speaker 1>My name is Sugar.

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<v Speaker 5>Yeah.

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<v Speaker 6>And this is my phone.

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<v Speaker 5>Yeah.

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<v Speaker 6>And if you're still living single, yeah, I live alone.

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<v Speaker 4>Supremo Rod Suprema Sou Soun Supremo Road.

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<v Speaker 1>I'm on paid bill. Yeah, now take it easy.

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<v Speaker 3>Yeah.

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<v Speaker 7>Might have drank, Yeah, a few martinis.

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<v Speaker 1>Suprema So you turn Erica Sprea Road.

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<v Speaker 8>Yeah. And let's talk style Yeah. TV couples. Yeah, it's

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<v Speaker 8>Max and Kyle.

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<v Speaker 4>Supremo Roll Suprema your Supremo role.

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<v Speaker 2>My name is Erica. Yeah, I'm the coolest. Yeah. I

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<v Speaker 2>don't know what I'm doing. Yeah, I don't hope, I

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<v Speaker 2>don't hope.

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<v Speaker 4>To Supremo Rome Suprema So Supremo Road Up, Preema Shu

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<v Speaker 4>sun Sel Primo Road call Prima sut sun self free road.

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<v Speaker 1>So much I had to do that. We gotta have

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<v Speaker 1>to dance in silhouette like.

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<v Speaker 2>Funky Fresh. I feel very welcome.

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<v Speaker 1>Thank you up from fact in doing the LL tour.

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<v Speaker 9>Whenever Latifa went on the road with us, the biggest

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<v Speaker 9>like bigger than any LL song, bigger than any song

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<v Speaker 9>than when we did live in single.

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<v Speaker 1>It was like doing smells like teen Spirit mind.

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<v Speaker 9>I believe it like Dana thought I was lying to

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<v Speaker 9>her when I said, Yo, we need to do that twice,

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<v Speaker 9>like literally as soon as it came on, yeah, check

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<v Speaker 9>and check check, whole crowd started all the way time.

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<v Speaker 8>I'm glad I got my girls.

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<v Speaker 2>I love it well that.

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<v Speaker 9>This is a new version of Quest Love Supreme, which

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<v Speaker 9>we are still in the room together, but we're doing

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<v Speaker 9>uh a virtual episode.

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<v Speaker 1>We're live in sort of live short of yeah in person. Right, Well,

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<v Speaker 1>we're here together.

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<v Speaker 8>Better than us being all on zoom.

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<v Speaker 1>This is still cool, yes exactly, but sure here the

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<v Speaker 1>team Supreme.

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<v Speaker 9>How are we good man? So we're just we're not

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<v Speaker 9>going to act like we're not going to act like

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<v Speaker 9>we weren't doing this like three hours ago.

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<v Speaker 7>No, I'm just yeah for you, Bill, fantastic. I had

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<v Speaker 7>a good afternoon, Thank you for asking. And then I

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<v Speaker 7>took myself out to dinner and I feel fantastic.

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<v Speaker 1>What did you have for dinner?

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<v Speaker 2>Uh?

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<v Speaker 7>Martinis and Sea Best.

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<v Speaker 1>It was great? Wait did y'all eat together? I wish?

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<v Speaker 9>Well, let me ask, how's it going? Did you have

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<v Speaker 9>to buy yourself date as well? You just not actually

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<v Speaker 9>meet cargo?

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<v Speaker 1>And uh we went and had some Mexican food for

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<v Speaker 1>lunch in New York. Yeah? Yo, how that turned out?

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<v Speaker 1>Shit was banging. I was surprised.

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<v Speaker 3>Won't you go the spot in the hotel, the those cominos,

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<v Speaker 3>those caminos.

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<v Speaker 9>To hear episodes in which we do not remote but

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<v Speaker 9>like in person, all of your hotel, culinary inventions adventure

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<v Speaker 9>sound awesome.

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<v Speaker 1>Like I've yet to hear a bad review.

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<v Speaker 8>And you have to have the Fante experience in a restaurant.

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<v Speaker 8>We were just talking about this earlier. There is an

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<v Speaker 8>experience with Fante. He likes to recommend things, he suggests.

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<v Speaker 8>You know, he's really good.

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<v Speaker 3>At I'm a man of husk I've been decided a

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<v Speaker 3>long time, so I don't get food wrong.

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<v Speaker 1>I know that I know snacks, speaking of which I

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<v Speaker 1>actually you know infamously.

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<v Speaker 9>Well, yeah, as a foodie, people will think that my

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<v Speaker 9>culinary choices are very hoity toity and whatever up there

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<v Speaker 9>the way that I am you right now, however, Captain Crunch,

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<v Speaker 9>no dog, you know what. I gave a chance for

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<v Speaker 9>the first time and wasn't mad. I'm not mad at Chipotle, No, no, no,

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<v Speaker 9>I mean Steve's taking.

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<v Speaker 6>I very much preferred those Toros. If you're going to

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<v Speaker 6>go that fast food, well well across the nation. I

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<v Speaker 6>can't do anything about that. But wait, those totals is

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<v Speaker 6>I like those tauruses, uh steak much more than Chipotle,

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<v Speaker 6>And that's what I normally get.

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<v Speaker 1>Let's intro our gust today.

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<v Speaker 9>So you know, it's hard to say whether or not

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<v Speaker 9>the category that you fall into is just actress or

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<v Speaker 9>character actress.

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<v Speaker 1>However, I will the way the ways you look like.

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<v Speaker 9>In my opinion, I think you are an ace character

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<v Speaker 9>actress because you often come when I don't expect you

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<v Speaker 9>to show up in any film no matter what you're in,

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<v Speaker 9>and you really have the ability, like I get excited

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<v Speaker 9>when oh damn, it's gonna be good, like I've I've

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<v Speaker 9>yet to have a actual response to like if she

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<v Speaker 9>if I'm unaware that she's part of it, Like I

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<v Speaker 9>didn't realize that she was going to be versus mother

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<v Speaker 9>in WU.

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<v Speaker 1>Tanks at that part right right that party get out

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<v Speaker 1>or whatever, like where you just don't expect to see

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<v Speaker 1>her then my ears prick up like a puppy, like,

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<v Speaker 1>oh you know that sort of thing makes the movie

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<v Speaker 1>more interesting?

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<v Speaker 2>Oh, thank you well.

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<v Speaker 9>First of all, Caroline in the in the Oscar nominated

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<v Speaker 9>American Fiction American Fiction.

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<v Speaker 1>What was your last name in that?

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<v Speaker 2>I was Coraline?

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<v Speaker 1>Yes, But did you have a last name in that?

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<v Speaker 1>Not that I know of?

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<v Speaker 2>I was just coreline.

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<v Speaker 9>Okay, side question before I say your name. If given

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<v Speaker 9>a character, are you allowed to give yourself a last name?

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<v Speaker 9>If it's not they're in your bios? Are you allowed

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<v Speaker 9>to make your character.

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<v Speaker 2>Up if you're yes, I mean I am.

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<v Speaker 5>I'm able to do what I want as long as

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<v Speaker 5>I don't put it in the lines the story.

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<v Speaker 1>I get it, okay, all right? Also, uh, barb ballot

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<v Speaker 1>and run the world, which I don't know. I enjoyed

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<v Speaker 1>it right.

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<v Speaker 9>In in the brand new Apple series of Swimming with Sharks,

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<v Speaker 9>She's a mayor to Lockhart and no, no, no, you're

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<v Speaker 9>in Shining Girls right, You're at Girls Apple right exactly.

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<v Speaker 9>I'm sorry, I'm getting my networks mixed up. But of course,

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<v Speaker 9>uh we we would be remiss, of course, uh mentioning

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<v Speaker 9>the world in which at last she entered my life,

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<v Speaker 9>even though I know you you've had a life of

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<v Speaker 9>acting before then. But of course, as cousin Pam on

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<v Speaker 9>The Cosby Show, but probably I will say that Maxine

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<v Speaker 9>Shaw is one of the most loved characters period, and

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<v Speaker 9>to this day I still wonder if her and Overton

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<v Speaker 9>not Overton k.

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<v Speaker 1>Yes, are are making it like? Yes exactly, Erica Alexander, Yes, thank.

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<v Speaker 2>You, happy, I'm proud to be with you all. Thank you. Chris.

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<v Speaker 1>So where are you right now as we speak?

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<v Speaker 5>Well, I'm zooming in on a zoom from Vancouver because

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<v Speaker 5>I'm filming for the Apple Plus series Invasion.

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<v Speaker 8>I'll watch that. Where are the second season? Second, third season,

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<v Speaker 8>third season?

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<v Speaker 1>Girl.

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<v Speaker 8>That's a good one, yea.

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<v Speaker 2>Yeah, that's a good one. A lot of secrets on

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<v Speaker 2>his set.

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<v Speaker 5>Simon kim Berg is the showrunner, and he famously did

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<v Speaker 5>a lot of well all of the X Men movies

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<v Speaker 5>and Deadpool I think or Dared Devil one of them. Yeah,

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<v Speaker 5>he's pretty awesome.

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<v Speaker 8>So you're going to be a recurring I am going.

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<v Speaker 2>To be a regular character, but only on season three.

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<v Speaker 1>So you're in Vancouver right now.

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<v Speaker 5>I am in Vancouver and we are filming, and it's

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<v Speaker 5>a big production. It's an international global production. They did

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<v Speaker 5>a lot of their filming the two previous years in

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<v Speaker 5>South Africa, Morocco, Japan, England, and now they've kind of

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<v Speaker 5>rested here in Vancouver.

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<v Speaker 1>I see how many how many weeks have you been

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<v Speaker 1>there so far?

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<v Speaker 5>I think I'm going on my fourth week. I just

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<v Speaker 5>got here just after the NDAACP Awards.

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<v Speaker 9>You know I often here, like right now. I mean Vancouver,

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<v Speaker 9>of course is an acting hub. Like how often as

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<v Speaker 9>an actress are you in Vancouver? Like how regular are so?

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<v Speaker 9>And why besides the tax reasons or whatever? Like visually,

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<v Speaker 9>like why is Vancouver the designated You know?

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<v Speaker 2>Yeah, I filmed here before in onent He sixteen. It

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<v Speaker 2>was another Side five series. I forget the name of it.

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<v Speaker 5>But I don't think there's any other reason beside the

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<v Speaker 5>tax incent here. It's actually quite beautiful and it can

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<v Speaker 5>double for New York City or maybe a European street.

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<v Speaker 5>It really matters that it's got a lot of non

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<v Speaker 5>descript places, a lot of outdoor spaces, so they can

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<v Speaker 5>do a lot of action here. They've got a really

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<v Speaker 5>great amount of crew and talent up here. So I

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<v Speaker 5>think the idea is is that the American dollar compared

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<v Speaker 5>to the Canadian dollar also helps.

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<v Speaker 2>So there's all these.

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<v Speaker 5>Factors and it's very close to La You fly here

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<v Speaker 5>two and a half hours you are here.

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<v Speaker 9>Oh, I forgot the proximity that helps. Hey, by the way,

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<v Speaker 9>are you familiar at all with Lacasa Gelato?

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<v Speaker 1>Have you heard of?

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<v Speaker 8>Oh?

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<v Speaker 2>It sounds delicious though.

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<v Speaker 9>Lacasa Gelato is a place in Vancouver. They have five

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<v Speaker 9>hundred different types of ice cream flavors. Like when you

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<v Speaker 9>first walk in, literally it's the biggest ice cream quality

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<v Speaker 9>you've ever seen in your life. However, like once you

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<v Speaker 9>get in the middle, when you get past the regularly

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<v Speaker 9>strawberry vanilla, then you get into intricate things like cheddar

0:11:04.320 --> 0:11:08.160
<v Speaker 9>cheese ice cream, but saw mc vinegar ice cream, ghost

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<v Speaker 9>pepper ice cream.

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<v Speaker 8>Alway supposed to be ice cream, chicken and ice cream.

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<v Speaker 1>It sounds awful. No, no, no, no, it's it's it's

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<v Speaker 1>it's worth it's worth it. Why y'all shaking your hand.

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<v Speaker 1>I take your word for it.

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<v Speaker 8>I believe you, right, Gravey ice cream, There.

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<v Speaker 9>Is Pickle flavor ice cream though, No, no, I highly

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<v Speaker 9>recommend it for people to you know.

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<v Speaker 2>Just.

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<v Speaker 8>Vancouver.

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<v Speaker 5>Yeah it is.

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<v Speaker 1>Yeah, I mean it's it's one of their like a

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<v Speaker 1>landmark spot in there.

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<v Speaker 5>But for sure, Well, if I ever want to have

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<v Speaker 5>diarrhea and the dribble ships, I.

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<v Speaker 1>Will, so I am not the only one that's not

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<v Speaker 1>lactose intolerant.

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<v Speaker 8>Good for you a mirror, Yeah that's great, but.

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<v Speaker 1>I feel like I can't be the only black person.

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<v Speaker 8>But y'all, I'm suggesting invasion because I gotta imagine this

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<v Speaker 8>show is like a super sci fi show, but it's

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<v Speaker 8>also like super emotional, like like it's an amazing show.

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<v Speaker 8>So I can't only imagine that it's pulling, taking all

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<v Speaker 8>your energies and whatnot, because man.

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<v Speaker 2>Well you know, it's a very big cast, so a

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<v Speaker 2>lot of that.

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<v Speaker 5>Are shifted to different people's shoulders at different times. But

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<v Speaker 5>what I imagine is that because Simon kimberb is such

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<v Speaker 5>a heavy dude. They gave him the type of money

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<v Speaker 5>that you need for to command that kind of time,

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<v Speaker 5>so he takes a lot of time to film, and

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<v Speaker 5>it's a very thoughtful sci fi exploration of what it

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<v Speaker 5>is to be invaded, you know. So that's what you feel.

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<v Speaker 2>I think you hear that sort of slow crew. And

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<v Speaker 2>by the way, whenever you feel that in a film,

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<v Speaker 2>it's because usually.

0:13:06.000 --> 0:13:12.120
<v Speaker 5>The production has more money, don't have to rush through

0:13:12.559 --> 0:13:15.240
<v Speaker 5>plots and all the types of things that other people do.

0:13:15.360 --> 0:13:17.720
<v Speaker 5>They can really just sort of linger on people's faces

0:13:17.800 --> 0:13:20.400
<v Speaker 5>and allow people to perform and or emote.

0:13:20.679 --> 0:13:21.480
<v Speaker 2>And that's what's happening.

0:13:22.360 --> 0:13:24.400
<v Speaker 1>See the way she said emote.

0:13:25.600 --> 0:13:31.480
<v Speaker 9>And see clearly tells me that acting like she's a serious,

0:13:31.960 --> 0:13:34.000
<v Speaker 9>a serious Apian.

0:13:34.160 --> 0:13:35.160
<v Speaker 1>Yes, exactly. Yes.

0:13:35.480 --> 0:13:37.679
<v Speaker 9>So one thing I do know about you, and I

0:13:37.800 --> 0:13:42.760
<v Speaker 9>never got to talk to you about You're a Philadelphian.

0:13:43.360 --> 0:13:48.599
<v Speaker 1>Come yes, and yeah she graduated. Well, I do know that.

0:13:48.920 --> 0:13:51.160
<v Speaker 9>When I first heard about you, like it was a

0:13:51.200 --> 0:13:57.160
<v Speaker 9>big deal in the newspapers, like girls high alumni, I did.

0:13:58.400 --> 0:14:00.640
<v Speaker 5>Yes, And I went to George White in high school

0:14:00.640 --> 0:14:02.959
<v Speaker 5>for a year. And that's where Kevin Hart went. But

0:14:03.080 --> 0:14:06.160
<v Speaker 5>I'm actually a transplant from Arizona and I came when

0:14:06.200 --> 0:14:09.640
<v Speaker 5>I was in seventh grade, eighth grades usually, so I

0:14:09.679 --> 0:14:12.960
<v Speaker 5>went to Roosevelt in Leeds too. Roosevelt was like going

0:14:13.000 --> 0:14:13.640
<v Speaker 5>to a prison.

0:14:14.440 --> 0:14:15.240
<v Speaker 2>Leeds was month.

0:14:15.120 --> 0:14:17.800
<v Speaker 1>Step up from prison.

0:14:18.320 --> 0:14:22.640
<v Speaker 5>Yeah, half, yeah, it wasnt one was more closer to

0:14:22.720 --> 0:14:25.520
<v Speaker 5>Germantown and that was I think they closed that down.

0:14:26.080 --> 0:14:28.600
<v Speaker 2>And then, of course the other one was more mount

0:14:28.640 --> 0:14:31.960
<v Speaker 2>Airy and that was a lot more I don't know better.

0:14:32.520 --> 0:14:35.440
<v Speaker 1>A right, what part of Philadelphia? Where are you from?

0:14:36.000 --> 0:14:37.200
<v Speaker 2>Mount Airy? Oh?

0:14:37.400 --> 0:14:39.760
<v Speaker 8>Nice, nice part of town.

0:14:40.080 --> 0:14:43.880
<v Speaker 9>See when you're from West Philly, I just think anything

0:14:43.960 --> 0:14:46.080
<v Speaker 9>that's north of City Hall is just n O R

0:14:46.280 --> 0:14:51.360
<v Speaker 9>F North Philly, even if it's Mount Airy. So what

0:14:51.640 --> 0:14:55.200
<v Speaker 9>was your beginnings in the world of acting? Like, were

0:14:55.280 --> 0:14:58.480
<v Speaker 9>you a freedom theater kid or was this stuff in

0:14:58.560 --> 0:15:00.800
<v Speaker 9>your school? Did you do you not want to go

0:15:00.880 --> 0:15:03.920
<v Speaker 9>to creative and performing arts or well, you know.

0:15:03.960 --> 0:15:05.640
<v Speaker 5>I think we had a conversation in Mire, and I

0:15:05.720 --> 0:15:07.680
<v Speaker 5>know you've had plenty of them. But you went to

0:15:07.760 --> 0:15:11.880
<v Speaker 5>school with my little sister Charlanda. Yes, he's the one

0:15:11.920 --> 0:15:14.720
<v Speaker 5>who went to the School of the Arts that you did.

0:15:15.800 --> 0:15:19.120
<v Speaker 5>But I was discovered when I was fourteen in the

0:15:19.160 --> 0:15:22.760
<v Speaker 5>basement theater called new Freedom Theater. Theater.

0:15:23.000 --> 0:15:25.640
<v Speaker 2>Freedom Theater closed. I talked to the council and the

0:15:25.680 --> 0:15:27.200
<v Speaker 2>other day we got to.

0:15:27.160 --> 0:15:28.640
<v Speaker 8>Get that back. That theater is beautiful.

0:15:29.080 --> 0:15:31.520
<v Speaker 5>It's beautiful, but it's stuffed in the middle of Temple

0:15:31.680 --> 0:15:35.880
<v Speaker 5>University and surrounded by I don't think people who understand

0:15:36.120 --> 0:15:36.720
<v Speaker 5>what it's.

0:15:37.200 --> 0:15:41.280
<v Speaker 8>Significantrification, what's going on with Howard University. I can roger

0:15:41.400 --> 0:15:43.560
<v Speaker 8>that so discovered in.

0:15:43.600 --> 0:15:46.720
<v Speaker 5>The basement theater by a movie company, merch and Ivory

0:15:46.840 --> 0:15:49.760
<v Speaker 5>Film Independent Film came to Philadelphia. They were looking for

0:15:49.840 --> 0:15:53.600
<v Speaker 5>Little Girls Back and Brown to audition for this movie.

0:15:53.800 --> 0:16:01.480
<v Speaker 5>And after nearly twelve to thirteen audition and for screen

0:16:01.840 --> 0:16:05.560
<v Speaker 5>screen tests, screen tests, Yeah, I was the one they chose.

0:16:05.600 --> 0:16:09.400
<v Speaker 1>When this is both cleared, Wow, Okay, what happened at

0:16:09.440 --> 0:16:10.080
<v Speaker 1>Freedom Theater?

0:16:10.320 --> 0:16:13.960
<v Speaker 9>Like, because that was one of the places where I

0:16:14.200 --> 0:16:17.480
<v Speaker 9>wanted to go, but instead my parents put me in

0:16:17.520 --> 0:16:21.720
<v Speaker 9>Settlement Music School. Oh and my sister went to Freedom Theater.

0:16:22.360 --> 0:16:23.720
<v Speaker 9>Like it was like, Okay, we're going to have her

0:16:23.840 --> 0:16:27.000
<v Speaker 9>act and he's going to do music. But we would

0:16:27.080 --> 0:16:29.480
<v Speaker 9>only pick her up afterwards. But I never knew, like

0:16:29.600 --> 0:16:32.200
<v Speaker 9>what happened in there, Like what was what would they

0:16:32.240 --> 0:16:32.760
<v Speaker 9>teach you there?

0:16:33.840 --> 0:16:39.520
<v Speaker 5>Well, Johnny Allen Junior and his partner they started it,

0:16:39.560 --> 0:16:40.800
<v Speaker 5>and they started in the sixties.

0:16:41.000 --> 0:16:42.960
<v Speaker 2>Sixties famously were starting.

0:16:42.680 --> 0:16:46.400
<v Speaker 5>To try to train black children the way the Black

0:16:46.520 --> 0:16:50.240
<v Speaker 5>Panthers did if they knew the schools that were primarily

0:16:50.400 --> 0:16:54.000
<v Speaker 5>white were giving them any sense of themselves. And you

0:16:54.120 --> 0:16:58.000
<v Speaker 5>had people like the great Nina Simone talking of about young,

0:16:58.040 --> 0:17:00.680
<v Speaker 5>gifted and black, so that that's really what was going on.

0:17:00.840 --> 0:17:05.320
<v Speaker 5>There was some sort of idea that if you infused

0:17:05.640 --> 0:17:09.240
<v Speaker 5>a child with the strong sense of themselves and you

0:17:09.440 --> 0:17:13.720
<v Speaker 5>also gave them creative outlets, got them in touch with

0:17:13.800 --> 0:17:20.880
<v Speaker 5>their body, discipline, voice, sound, body, all of those things performance, speech, communication,

0:17:22.359 --> 0:17:24.280
<v Speaker 5>that you could influence.

0:17:23.880 --> 0:17:24.680
<v Speaker 2>The rest of their life.

0:17:24.800 --> 0:17:27.280
<v Speaker 5>And they proved their point, like a lot of the

0:17:28.520 --> 0:17:30.400
<v Speaker 5>schools that were going around the country at the time

0:17:30.520 --> 0:17:33.200
<v Speaker 5>and new Freedom Theaters of that kind of tradition.

0:17:38.640 --> 0:17:41.240
<v Speaker 1>How old were you when you started Freedom Theater? Like,

0:17:41.320 --> 0:17:42.879
<v Speaker 1>at what age did you start?

0:17:43.359 --> 0:17:43.800
<v Speaker 2>Fourteen?

0:17:44.560 --> 0:17:48.040
<v Speaker 5>I only went there for the sixth week program, and

0:17:48.680 --> 0:17:52.800
<v Speaker 5>then I also did like two summers of a play

0:17:53.560 --> 0:17:58.679
<v Speaker 5>called under Pressure, which was their resident production that they

0:17:58.760 --> 0:18:00.760
<v Speaker 5>put on every year every summer.

0:18:01.400 --> 0:18:03.159
<v Speaker 9>Is the Hoope where I guess the goal of the

0:18:03.200 --> 0:18:07.160
<v Speaker 9>school to draw people, notable people to see the kids

0:18:07.200 --> 0:18:10.280
<v Speaker 9>and have them work with someone notable. Or is it

0:18:10.440 --> 0:18:12.119
<v Speaker 9>just like we teach you the craft of acting and

0:18:12.200 --> 0:18:14.239
<v Speaker 9>then you're out there in the world, Like, are they

0:18:14.359 --> 0:18:16.760
<v Speaker 9>like this how you get an agent?

0:18:16.960 --> 0:18:18.600
<v Speaker 1>Or this is how you you know this?

0:18:19.400 --> 0:18:23.080
<v Speaker 9>Commercial casting directors come into our thing tonight, Like is

0:18:23.119 --> 0:18:24.800
<v Speaker 9>it any of those things involved?

0:18:25.600 --> 0:18:25.639
<v Speaker 8>No?

0:18:25.960 --> 0:18:27.879
<v Speaker 2>Not. When I was going it might have changed.

0:18:28.000 --> 0:18:33.119
<v Speaker 5>It really was about self love, self reverence, power, black power,

0:18:33.280 --> 0:18:36.359
<v Speaker 5>young gifted and black, A sense of yourself inside of

0:18:36.400 --> 0:18:37.119
<v Speaker 5>a white world.

0:18:37.359 --> 0:18:39.000
<v Speaker 2>How can you move through it?

0:18:39.480 --> 0:18:44.119
<v Speaker 5>How do you stand lifting your head, your skins, making

0:18:44.520 --> 0:18:47.040
<v Speaker 5>the children go home and get undressed and look at

0:18:47.280 --> 0:18:50.800
<v Speaker 5>themselves in a mirror, all parts of themselves, the lower

0:18:50.880 --> 0:18:54.280
<v Speaker 5>parts of themselves, having some kind of regard and respect

0:18:54.440 --> 0:18:58.240
<v Speaker 5>for hygiene, The way you spoke, the way you stepped

0:18:58.400 --> 0:19:01.600
<v Speaker 5>up grammar, all of those things. It was really more

0:19:01.760 --> 0:19:05.119
<v Speaker 5>like a boot camp for life for black kids.

0:19:06.000 --> 0:19:10.119
<v Speaker 9>Did you realize that immediately or is this like in hindsight,

0:19:10.760 --> 0:19:14.000
<v Speaker 9>like I hated going to Okay, I'm sorry, I did

0:19:14.080 --> 0:19:17.080
<v Speaker 9>not hate going to Settlement Music School, but I hated

0:19:17.119 --> 0:19:21.159
<v Speaker 9>the homework assignments, However, I now realized, thank god I

0:19:21.200 --> 0:19:22.320
<v Speaker 9>went to sell them in music school.

0:19:22.359 --> 0:19:23.080
<v Speaker 1>That saved my life.

0:19:23.160 --> 0:19:25.440
<v Speaker 9>But you realize that stuff like when you're way older.

0:19:25.520 --> 0:19:29.240
<v Speaker 9>Did you realize that at the time, or because even

0:19:29.280 --> 0:19:33.680
<v Speaker 9>when we were doing those types of exercises at performing

0:19:33.800 --> 0:19:36.600
<v Speaker 9>art school whatever, like we'd be in the back laughing,

0:19:36.800 --> 0:19:40.320
<v Speaker 9>like you know, they want us to learn Elizabethan and

0:19:41.359 --> 0:19:42.800
<v Speaker 9>project with your voice.

0:19:42.520 --> 0:19:45.440
<v Speaker 1>And you know, we're just like that.

0:19:45.560 --> 0:19:48.280
<v Speaker 8>Settlement wasn't as black as freedom in that way though.

0:19:48.400 --> 0:19:49.880
<v Speaker 8>That's like a different experience, right.

0:19:49.960 --> 0:19:52.040
<v Speaker 2>Right, that's true. I think my sister went to Settlement

0:19:52.119 --> 0:19:53.080
<v Speaker 2>to my baby's sister.

0:19:53.560 --> 0:19:55.680
<v Speaker 1>How many siblings do you have, I'm one of six.

0:19:55.600 --> 0:19:58.479
<v Speaker 5>And fourth there's too younger than me. There's Charbanda who

0:19:58.560 --> 0:20:00.399
<v Speaker 5>you know, and then there's my y sh and I

0:20:00.440 --> 0:20:01.800
<v Speaker 5>think she went to Southerner.

0:20:02.440 --> 0:20:05.080
<v Speaker 1>And all of you have dabbled in the arts.

0:20:06.040 --> 0:20:10.560
<v Speaker 5>Yes, in some way, although my sister, it was a

0:20:11.480 --> 0:20:14.840
<v Speaker 5>social worker there in Philadelphia and my brother's a Philly cop.

0:20:15.800 --> 0:20:19.280
<v Speaker 8>Oh, so your family really stayed in Philadelphia, Yes, they did.

0:20:20.600 --> 0:20:22.960
<v Speaker 5>Both my parents were orphans, so we didn't necessarily have

0:20:24.359 --> 0:20:27.399
<v Speaker 5>a place to be. Wherever we were was where we

0:20:27.600 --> 0:20:32.800
<v Speaker 5>were at. But I think you were talking about, did

0:20:32.880 --> 0:20:35.120
<v Speaker 5>I recognize what it was doing.

0:20:35.280 --> 0:20:35.399
<v Speaker 2>Then?

0:20:35.640 --> 0:20:39.000
<v Speaker 5>Yes, they were very over. They kept it was like

0:20:39.040 --> 0:20:41.159
<v Speaker 5>a boot camp. It was like an officer and a gentleman.

0:20:41.640 --> 0:20:44.800
<v Speaker 5>They were going to make you understand the power of

0:20:44.920 --> 0:20:48.480
<v Speaker 5>being black and blackness, and more importantly, the power of

0:20:48.920 --> 0:20:52.680
<v Speaker 5>self love. And we needed that because at the time

0:20:52.800 --> 0:20:55.920
<v Speaker 5>I was going in there, the streets were a battleground.

0:20:56.520 --> 0:21:02.600
<v Speaker 5>It was crack incarceration, Young women were getting pregnant. It

0:21:02.800 --> 0:21:07.280
<v Speaker 5>was really like some kind of weird pathology movie. And

0:21:07.920 --> 0:21:09.720
<v Speaker 5>I think they couldn't be soft about it.

0:21:09.880 --> 0:21:10.640
<v Speaker 2>They had to be over.

0:21:11.840 --> 0:21:13.639
<v Speaker 5>They didn't have the privilege to set back and not

0:21:13.720 --> 0:21:15.040
<v Speaker 5>act like they were trying to do. They were trying

0:21:15.040 --> 0:21:18.600
<v Speaker 5>to radicalize you, and I think that it worked well.

0:21:18.720 --> 0:21:20.960
<v Speaker 9>When you said offers and a gentleman, I'm like, wait

0:21:21.000 --> 0:21:26.480
<v Speaker 9>a minute. I remember Lewis Gossigjr. Making cry in the

0:21:26.560 --> 0:21:28.359
<v Speaker 9>right in the rain. I'm like, wait a minute.

0:21:28.800 --> 0:21:29.919
<v Speaker 2>So they are a lot of.

0:21:29.880 --> 0:21:33.640
<v Speaker 5>People cried, but they were crying because it was like church.

0:21:34.800 --> 0:21:38.840
<v Speaker 5>You got in there and you had real awakenings and

0:21:38.960 --> 0:21:42.760
<v Speaker 5>you reckoned with Even though you might have thought a

0:21:42.840 --> 0:21:47.080
<v Speaker 5>lot of people had a confidence and didn't have I

0:21:47.160 --> 0:21:50.040
<v Speaker 5>guess the fears that some children have, they all had

0:21:50.119 --> 0:21:53.200
<v Speaker 5>that we weren't allowed to be children. And there I

0:21:53.320 --> 0:21:55.960
<v Speaker 5>think that they knew they were different type of child

0:21:56.880 --> 0:21:59.440
<v Speaker 5>and that they needed to break us down so we

0:21:59.480 --> 0:22:02.680
<v Speaker 5>could be wrong. Alright, not me though, by the way,

0:22:02.720 --> 0:22:05.440
<v Speaker 5>I'm a preacher's daughter. I came in already vulnerable. I

0:22:05.600 --> 0:22:10.520
<v Speaker 5>was scared of Philadelphia and the students. And I will wait,

0:22:10.760 --> 0:22:12.760
<v Speaker 5>your dad was a pretty different student. Yeah, Church of

0:22:12.800 --> 0:22:15.040
<v Speaker 5>God in Christ, baby, what's all?

0:22:15.200 --> 0:22:19.320
<v Speaker 1>Why is a kojak? Is kojak? For sure? Where where

0:22:19.480 --> 0:22:20.040
<v Speaker 1>was the church?

0:22:20.640 --> 0:22:20.840
<v Speaker 2>Well?

0:22:21.040 --> 0:22:24.320
<v Speaker 5>My parents are coming out of New Mexico, my carlosbad

0:22:24.480 --> 0:22:27.800
<v Speaker 5>Las Cruses. They were Bible students. They traveled around in

0:22:27.840 --> 0:22:30.280
<v Speaker 5>the car, and that's why I spent the first eleven

0:22:30.359 --> 0:22:31.080
<v Speaker 5>years of my life.

0:22:30.960 --> 0:22:33.760
<v Speaker 2>In a hotel called Starlight off a room sixty six.

0:22:35.240 --> 0:22:36.640
<v Speaker 1>Wow that was where you lived?

0:22:37.440 --> 0:22:39.200
<v Speaker 2>Yeah? Wow?

0:22:39.520 --> 0:22:42.199
<v Speaker 9>What was Wait let's go back even further. I mean

0:22:42.560 --> 0:22:44.480
<v Speaker 9>starting a freedom theater. Now I want to hear you

0:22:44.600 --> 0:22:45.360
<v Speaker 9>as a no man?

0:22:46.400 --> 0:22:47.119
<v Speaker 1>What was that like?

0:22:47.760 --> 0:22:53.080
<v Speaker 5>I was born in Arizona off Highway sixty six, but

0:22:53.200 --> 0:22:57.000
<v Speaker 5>don't want to be Oh those cowboys.

0:22:57.760 --> 0:23:01.760
<v Speaker 2>Yeah, I got my It was like got her Texas

0:23:01.920 --> 0:23:02.320
<v Speaker 2>hold them.

0:23:03.000 --> 0:23:06.080
<v Speaker 5>That's right, But you know that's what made me different

0:23:06.200 --> 0:23:09.600
<v Speaker 5>and a little bit a lot of trepidation in Philadelphia

0:23:09.680 --> 0:23:14.359
<v Speaker 5>because it was so bombastic and forward. And I'm coming

0:23:14.400 --> 0:23:21.760
<v Speaker 5>from Hope, Navajo, Estizio, Mexican German Lutherans. And then there

0:23:21.920 --> 0:23:25.480
<v Speaker 5>was my parents who were Kojik Baptists, and then my

0:23:25.600 --> 0:23:28.120
<v Speaker 5>brother my sorry, my father got discovered by the German

0:23:28.200 --> 0:23:31.920
<v Speaker 5>Lutherans and they sent him to the luther Theological Seminary

0:23:32.000 --> 0:23:34.360
<v Speaker 5>in Philadelphia, and that was in Chestnut Hill.

0:23:35.200 --> 0:23:38.439
<v Speaker 1>So he was going to be or is currently a preacher.

0:23:38.800 --> 0:23:43.680
<v Speaker 5>He died at fifty two. Shortly after he finished at seminary.

0:23:43.760 --> 0:23:47.960
<v Speaker 5>They sent him to Brooklyn in East New York to

0:23:48.119 --> 0:23:51.880
<v Speaker 5>start his church, mostly Puerto Rican neighborhood. Most of those

0:23:51.880 --> 0:23:54.760
<v Speaker 5>people had their churches for years. He maybe had or

0:23:54.920 --> 0:23:58.639
<v Speaker 5>or five members, but by that time he was too

0:23:58.760 --> 0:24:00.960
<v Speaker 5>sick to recover. He was born with a bad heart.

0:24:01.280 --> 0:24:03.640
<v Speaker 5>They didn't think that he would live past seventeen.

0:24:04.280 --> 0:24:04.600
<v Speaker 2>He did.

0:24:04.760 --> 0:24:07.440
<v Speaker 5>He was a miracle, and I think he lived long

0:24:07.520 --> 0:24:10.760
<v Speaker 5>enough to deliver us to Philadelphia, and that gave us

0:24:10.760 --> 0:24:11.560
<v Speaker 5>a lot more choices.

0:24:12.640 --> 0:24:16.960
<v Speaker 1>Were you expected to join the ministry?

0:24:17.760 --> 0:24:17.800
<v Speaker 2>No?

0:24:20.000 --> 0:24:23.200
<v Speaker 1>Wait, no, you said that no varia as a matter

0:24:23.240 --> 0:24:25.199
<v Speaker 1>of fact, like what was.

0:24:25.240 --> 0:24:30.479
<v Speaker 9>The home environment like, because most people of the cloth

0:24:30.840 --> 0:24:34.680
<v Speaker 9>that I know, like it's a very strict environment. And

0:24:35.840 --> 0:24:38.600
<v Speaker 9>hearing that you're a preacher's kid, but also like you

0:24:38.760 --> 0:24:41.760
<v Speaker 9>dabbled in the arts, like it's almost like oil and

0:24:41.840 --> 0:24:44.080
<v Speaker 9>water to me, because most people that I know like

0:24:44.240 --> 0:24:48.800
<v Speaker 9>try to keep their kids out of any joyous expression

0:24:48.880 --> 0:24:52.840
<v Speaker 9>like singing, dancing, anything that's deemed secular.

0:24:53.280 --> 0:24:56.479
<v Speaker 2>So well that wasn't the case for us.

0:24:57.240 --> 0:25:00.720
<v Speaker 5>My father was a boy preacher, so he didn't have

0:25:00.960 --> 0:25:03.240
<v Speaker 5>a choice. Well, let me just put it to you

0:25:03.400 --> 0:25:06.600
<v Speaker 5>like this, my story and my background are their origin

0:25:06.720 --> 0:25:11.239
<v Speaker 5>story is very Southern Gothic, and so you don't get

0:25:11.320 --> 0:25:13.800
<v Speaker 5>the feeling that these people are making these choices. They're

0:25:13.840 --> 0:25:18.200
<v Speaker 5>making choices because that's what's in front of them. And

0:25:18.280 --> 0:25:21.399
<v Speaker 5>if you look at the Black tradition, a lot of

0:25:21.440 --> 0:25:25.399
<v Speaker 5>those people were preachers. Around the end of reconstruction, the

0:25:25.440 --> 0:25:28.000
<v Speaker 5>people that they called in to ask about forty eight

0:25:28.240 --> 0:25:31.480
<v Speaker 5>of mule were pastors and were clergy union. Other than that,

0:25:31.840 --> 0:25:35.560
<v Speaker 5>you were either going to be a farmer, perhaps maybe

0:25:35.600 --> 0:25:40.639
<v Speaker 5>a teacher. But in Showpiz and so that tradition of

0:25:41.800 --> 0:25:45.399
<v Speaker 5>preachers kids becoming show biz kids like Denzel and a

0:25:45.480 --> 0:25:49.240
<v Speaker 5>lot of these people because we saw performance our entire life.

0:25:49.680 --> 0:25:53.320
<v Speaker 5>My mother sings, he plays a piano. She was trained

0:25:53.320 --> 0:25:58.760
<v Speaker 5>as an opera singer and pianist. My father played the

0:25:59.440 --> 0:26:04.360
<v Speaker 5>piano by ear. And we got along and got over

0:26:05.960 --> 0:26:07.800
<v Speaker 5>with the kindness of strangers because a lot of times

0:26:07.880 --> 0:26:09.200
<v Speaker 5>they were performing for their food.

0:26:10.160 --> 0:26:10.960
<v Speaker 2>They didn't just preach.

0:26:11.040 --> 0:26:14.600
<v Speaker 5>They got in there and said, oh and they selling

0:26:14.640 --> 0:26:16.880
<v Speaker 5>that could get you chicken and maybe some lint.

0:26:17.320 --> 0:26:19.280
<v Speaker 8>It sounds like, I mean, just based on what you

0:26:19.480 --> 0:26:21.320
<v Speaker 8>just told us in the last ten fifteen minutes, like

0:26:21.720 --> 0:26:24.080
<v Speaker 8>your family sounds pretty miraculous, Like you kind of slid

0:26:24.119 --> 0:26:27.720
<v Speaker 8>in there that both your parents were orphans, which is

0:26:28.280 --> 0:26:35.440
<v Speaker 8>a miraculous I mean, not even knowing their story, wow wow,

0:26:36.240 --> 0:26:38.840
<v Speaker 8>and them me coming together and meeting each other. So

0:26:39.200 --> 0:26:42.159
<v Speaker 8>my question also was were did they also have this

0:26:42.359 --> 0:26:45.440
<v Speaker 8>underlayer of foundation for you to even know about Freedom theater?

0:26:45.840 --> 0:26:48.240
<v Speaker 8>Did they also give you this other layer of self

0:26:48.280 --> 0:26:51.119
<v Speaker 8>awareness of blackness? Like that's a but on top of

0:26:51.240 --> 0:26:54.600
<v Speaker 8>going to this church that determines brought him so many layers,

0:26:54.720 --> 0:26:57.000
<v Speaker 8>like did you get that from them as well? Your

0:26:57.040 --> 0:26:59.919
<v Speaker 8>activism and community and knowing about blackness and who you are.

0:27:00.920 --> 0:27:02.000
<v Speaker 2>I would say the activism.

0:27:02.119 --> 0:27:04.720
<v Speaker 5>Yes, I think most black people that came from that

0:27:04.800 --> 0:27:07.959
<v Speaker 5>era thought they were being hunted and they were haunted

0:27:08.000 --> 0:27:12.800
<v Speaker 5>by whiteness. They were hunted literally by white people, and

0:27:12.920 --> 0:27:15.720
<v Speaker 5>so you always had to do that. You had to

0:27:15.800 --> 0:27:17.639
<v Speaker 5>find a place to be. It wasn't just like the

0:27:17.720 --> 0:27:20.520
<v Speaker 5>Green Book. You had to choose where you were going

0:27:20.560 --> 0:27:24.119
<v Speaker 5>to live. You had to choose the type of career

0:27:24.920 --> 0:27:28.360
<v Speaker 5>that didn't make you a threat. And so that's why

0:27:28.760 --> 0:27:34.480
<v Speaker 5>people being athletes, they're performing for white people. They're coming

0:27:34.560 --> 0:27:37.920
<v Speaker 5>in front of them and they're offering their voice and

0:27:38.040 --> 0:27:42.600
<v Speaker 5>their talents, and suddenly they may be a threat when

0:27:42.600 --> 0:27:44.600
<v Speaker 5>to go outside of that door, but inside that door

0:27:44.640 --> 0:27:47.000
<v Speaker 5>they have a certain type of privilege. And so I

0:27:47.080 --> 0:27:52.159
<v Speaker 5>think that my mother, who was twice or offended and

0:27:52.280 --> 0:27:55.680
<v Speaker 5>she had an extraordinary background.

0:27:56.080 --> 0:27:58.600
<v Speaker 2>She was raised by the richest couple.

0:27:58.359 --> 0:28:03.119
<v Speaker 5>In her town, Carlsbad, and that's why she had she

0:28:03.520 --> 0:28:08.560
<v Speaker 5>knew how to I'm here talk about enunciation. Pronunciation is

0:28:08.680 --> 0:28:11.840
<v Speaker 5>very from That's where it comes from. But then, of course,

0:28:11.960 --> 0:28:14.639
<v Speaker 5>being a child of the preacher, you.

0:28:14.760 --> 0:28:20.280
<v Speaker 2>Know that everything they do, you see, it's all.

0:28:20.240 --> 0:28:23.800
<v Speaker 5>Part and parcel. But you're also coming from respectability politics.

0:28:25.480 --> 0:28:27.639
<v Speaker 5>They were the people who did not want to look dusty.

0:28:28.480 --> 0:28:31.760
<v Speaker 5>You were coming out for plantations, you're talking about after reconstruction.

0:28:31.840 --> 0:28:34.479
<v Speaker 5>You're talking about all the things that black people were

0:28:34.520 --> 0:28:35.639
<v Speaker 5>seen as dirty and.

0:28:37.240 --> 0:28:39.320
<v Speaker 2>Unsophisticated and unlearned.

0:28:40.080 --> 0:28:45.400
<v Speaker 5>They had to immediately establish their bona fide, and so

0:28:45.560 --> 0:28:48.720
<v Speaker 5>begins the black bourgeois there you go. And then once

0:28:48.760 --> 0:28:51.040
<v Speaker 5>they found out we had money, so begins the black

0:28:51.080 --> 0:28:54.640
<v Speaker 5>middle class. Oh and the race for labels.

0:28:55.880 --> 0:28:59.360
<v Speaker 9>You saying that has already brought me back to twelve,

0:28:59.560 --> 0:29:03.400
<v Speaker 9>because there's a time where even if I wanted to

0:29:03.440 --> 0:29:06.240
<v Speaker 9>go to the movies, I would have to put a

0:29:06.360 --> 0:29:09.440
<v Speaker 9>suit on. And it's like, why do I have to

0:29:09.560 --> 0:29:11.880
<v Speaker 9>put a suit on to see Jim Kelly and black

0:29:11.920 --> 0:29:15.400
<v Speaker 9>Belt Genlemans in silent scream at the Capitol on fifty

0:29:15.480 --> 0:29:20.560
<v Speaker 9>second and they're you know, their whole thing was like, well, yeah,

0:29:20.560 --> 0:29:23.400
<v Speaker 9>it's respective of these politics, but it's also like if

0:29:23.440 --> 0:29:27.160
<v Speaker 9>you have a suit on, you won't get shot, right.

0:29:27.280 --> 0:29:29.400
<v Speaker 9>But then I thought it made me your target to bullies,

0:29:29.480 --> 0:29:31.160
<v Speaker 9>like why is he walking in with a suit on?

0:29:31.400 --> 0:29:35.600
<v Speaker 9>Like everyone else is casually dressed, but I'm the one

0:29:35.680 --> 0:29:37.680
<v Speaker 9>guy is sitting there like, well.

0:29:37.600 --> 0:29:40.400
<v Speaker 5>Maybe you remember the boy choir of Harlem. That was

0:29:40.480 --> 0:29:46.160
<v Speaker 5>the whole bithing there to put on suits suits, and

0:29:46.280 --> 0:29:49.080
<v Speaker 5>that's how they went to school. And it made them targets,

0:29:49.120 --> 0:29:52.360
<v Speaker 5>but it also made them responsible for their behavior.

0:29:53.600 --> 0:29:55.959
<v Speaker 2>They needed them to look at different.

0:29:57.320 --> 0:30:01.400
<v Speaker 9>I see after the six weeks that at Freedom Theater, Like,

0:30:02.160 --> 0:30:05.200
<v Speaker 9>what was your next move into what brought you a

0:30:05.240 --> 0:30:08.640
<v Speaker 9>step closer to your profession? Like at what point were

0:30:08.680 --> 0:30:12.600
<v Speaker 9>you like, Okay, I want to be an actress and

0:30:12.680 --> 0:30:13.960
<v Speaker 9>pursue it seriously.

0:30:14.760 --> 0:30:18.000
<v Speaker 5>I never accepted that I was an actress until maybe

0:30:18.120 --> 0:30:20.240
<v Speaker 5>my late thirties or early forties.

0:30:20.760 --> 0:30:25.800
<v Speaker 9>So even with cosbian living single, you didn't feel like

0:30:25.840 --> 0:30:26.920
<v Speaker 9>you were a full time actress.

0:30:28.040 --> 0:30:32.360
<v Speaker 5>No, nope, I would always go back to my trader

0:30:32.440 --> 0:30:34.480
<v Speaker 5>talking about I was going to write my comeback piece.

0:30:41.080 --> 0:30:44.520
<v Speaker 1>Okay, so I'm skipping. Look, since you brought it up,

0:30:44.680 --> 0:30:45.280
<v Speaker 1>let me skip it.

0:30:45.640 --> 0:30:49.600
<v Speaker 9>So the last day of living single or Betty at

0:30:49.680 --> 0:30:53.680
<v Speaker 9>a week after living single, are you feeling like do

0:30:53.840 --> 0:30:55.760
<v Speaker 9>I go back to being a civilian or do I

0:30:56.960 --> 0:30:59.680
<v Speaker 9>are you basically saying that was your mind state, like

0:31:00.120 --> 0:31:04.200
<v Speaker 9>not a full time actress until I have the next

0:31:04.880 --> 0:31:07.760
<v Speaker 9>stable job or your life is.

0:31:07.760 --> 0:31:11.000
<v Speaker 5>An actor, just as a musician is very porous. Nothing

0:31:11.040 --> 0:31:14.160
<v Speaker 5>ever ends, nothing ever really begins. You can feel a

0:31:14.200 --> 0:31:16.640
<v Speaker 5>little bit because people have rap parties and that helps

0:31:16.680 --> 0:31:17.520
<v Speaker 5>you sort of put your.

0:31:17.440 --> 0:31:18.680
<v Speaker 2>Mind around like it's done.

0:31:19.600 --> 0:31:23.640
<v Speaker 5>Yeah, but you've probably been auditioning the whole time for

0:31:23.760 --> 0:31:27.760
<v Speaker 5>other things, and I had been, and at the time,

0:31:27.840 --> 0:31:31.560
<v Speaker 5>I was dealing with a lot of heartbreak because there

0:31:31.640 --> 0:31:35.280
<v Speaker 5>was a lot of I guess, hierarchy as to who

0:31:35.480 --> 0:31:38.840
<v Speaker 5>they would allow to work other jobs, and I wasn't

0:31:39.280 --> 0:31:45.320
<v Speaker 5>that person. So yeah, and so I missed out on

0:31:45.400 --> 0:31:49.000
<v Speaker 5>a lot of things, roles that they would offer me

0:31:49.080 --> 0:31:52.080
<v Speaker 5>but I couldn't take because fox let did take it,

0:31:52.320 --> 0:31:56.200
<v Speaker 5>and they would have pushed my career forward. So once

0:31:56.280 --> 0:31:58.360
<v Speaker 5>I got out of there, and I wasn't it's like

0:31:58.480 --> 0:32:00.680
<v Speaker 5>being five years in the same timehigh school. You want

0:32:00.720 --> 0:32:04.640
<v Speaker 5>to go, you're ready to go, and unless there's something

0:32:04.720 --> 0:32:11.280
<v Speaker 5>keeping me there, some kind of overall goal you might have.

0:32:11.600 --> 0:32:14.320
<v Speaker 5>Maybe you're really bonded with the cast that's really going well,

0:32:14.400 --> 0:32:16.360
<v Speaker 5>everybody sort of signs up to do it again. But

0:32:16.480 --> 0:32:19.920
<v Speaker 5>it was breaking down on its own, so I didn't

0:32:19.920 --> 0:32:22.600
<v Speaker 5>think about it at all, like, oh, like I'm a

0:32:22.800 --> 0:32:26.680
<v Speaker 5>civilian I've always been a civilian, just one that people known,

0:32:27.720 --> 0:32:31.680
<v Speaker 5>and so I've been famous longer than I was not famous.

0:32:32.520 --> 0:32:36.479
<v Speaker 5>In Philadelphia, when Mayor Good calls you to the Mayor's

0:32:36.560 --> 0:32:39.520
<v Speaker 5>office and gives the key to the city and a proclamation,

0:32:39.840 --> 0:32:43.400
<v Speaker 5>and kids start acting weird around you that never really

0:32:43.440 --> 0:32:49.320
<v Speaker 5>paid attention to you. You see how celebrity warps things.

0:32:50.320 --> 0:32:52.360
<v Speaker 5>So all I ever wanted to do was sort of

0:32:52.400 --> 0:32:57.400
<v Speaker 5>return to a stable version of myself, but that was impossible.

0:32:57.840 --> 0:33:00.000
<v Speaker 5>So I kind of accepted that that came with the territory.

0:33:00.840 --> 0:33:04.120
<v Speaker 5>But I got to say, once I got out of there,

0:33:04.240 --> 0:33:06.120
<v Speaker 5>I thought, I'm going to be a producer and write

0:33:06.160 --> 0:33:09.360
<v Speaker 5>because I'd been trying to do that since A Cosby show.

0:33:10.400 --> 0:33:14.640
<v Speaker 5>Oh wow, And the acting thing. I'm not just being

0:33:14.760 --> 0:33:17.840
<v Speaker 5>kind of glib about it. I hadn't accepted that I

0:33:17.960 --> 0:33:20.640
<v Speaker 5>was this actress. It's just something that I can always do.

0:33:21.920 --> 0:33:25.000
<v Speaker 5>So I think as a musician or you understood that

0:33:25.120 --> 0:33:27.440
<v Speaker 5>maybe in your core competency you could always do it.

0:33:27.480 --> 0:33:28.200
<v Speaker 2>You were good at it.

0:33:28.760 --> 0:33:30.560
<v Speaker 5>It sat down and play the piano, and people said, oh,

0:33:30.560 --> 0:33:32.280
<v Speaker 5>you're good at it, But it didn't mean that you

0:33:32.400 --> 0:33:33.480
<v Speaker 5>wanted to be a pianist.

0:33:34.280 --> 0:33:35.160
<v Speaker 2>So with acting.

0:33:35.360 --> 0:33:38.560
<v Speaker 5>I had to accept later on that I just didn't

0:33:39.120 --> 0:33:41.440
<v Speaker 5>get chosen, like, hey, you can act, and here's a

0:33:41.520 --> 0:33:44.440
<v Speaker 5>career that I did enjoy it, and that I was

0:33:44.480 --> 0:33:48.480
<v Speaker 5>an actress. And when I had that sort of come

0:33:48.520 --> 0:33:50.959
<v Speaker 5>to Jesus moment, it was because a hypnotist.

0:33:51.160 --> 0:33:52.680
<v Speaker 2>A hypnotist put me under.

0:33:55.120 --> 0:33:58.280
<v Speaker 5>And when I left the office, I started to sob

0:33:58.360 --> 0:34:01.640
<v Speaker 5>because she said, Erica an actress, and I go, I

0:34:01.760 --> 0:34:04.920
<v Speaker 5>am an actress and I had not really.

0:34:04.800 --> 0:34:05.760
<v Speaker 2>Said that to myself.

0:34:07.000 --> 0:34:09.399
<v Speaker 1>How do you feel now?

0:34:11.600 --> 0:34:16.759
<v Speaker 5>I feel like I'm an artist and a creator, And

0:34:17.200 --> 0:34:21.799
<v Speaker 5>I think that best sort of says about the activism,

0:34:23.480 --> 0:34:27.520
<v Speaker 5>the fact that I have bigger ambitions than any one

0:34:27.640 --> 0:34:30.400
<v Speaker 5>production can fulfill.

0:34:31.440 --> 0:34:34.320
<v Speaker 2>But I just love the idea of people who are creators,

0:34:34.480 --> 0:34:35.160
<v Speaker 2>and I like to.

0:34:35.239 --> 0:34:40.959
<v Speaker 8>Learn what's your dream project, the one that you needed

0:34:40.960 --> 0:34:44.360
<v Speaker 8>that if you had one hundred million dollars. This is

0:34:44.480 --> 0:34:46.239
<v Speaker 8>what I'm making, you know.

0:34:46.320 --> 0:34:49.200
<v Speaker 5>I think there's a room for a new King Panther,

0:34:49.440 --> 0:34:52.000
<v Speaker 5>and I would love to do a character like that

0:34:52.360 --> 0:34:55.960
<v Speaker 5>because I'm good at physical comedy, and I'm good at comedy,

0:34:56.239 --> 0:34:58.839
<v Speaker 5>but I'm also dramatic. And I think if you look

0:34:58.920 --> 0:35:02.800
<v Speaker 5>what Peter Sellers did, he was allowed to be a

0:35:02.880 --> 0:35:07.120
<v Speaker 5>lot of different states of weirdness. I like the British

0:35:07.360 --> 0:35:10.880
<v Speaker 5>sense of comedy, and I would like to do something

0:35:11.000 --> 0:35:11.200
<v Speaker 5>like that.

0:35:12.080 --> 0:35:19.279
<v Speaker 1>All right, it manifested coming, let's do it. Okay. So

0:35:19.800 --> 0:35:22.280
<v Speaker 1>now back back to your teens.

0:35:22.920 --> 0:35:25.799
<v Speaker 9>What was the stage that you're like, okay, let's take

0:35:25.880 --> 0:35:29.000
<v Speaker 9>this serious, like your first audition.

0:35:29.280 --> 0:35:32.560
<v Speaker 2>What was that like at fourteen or just later on

0:35:32.680 --> 0:35:33.040
<v Speaker 2>after that?

0:35:34.000 --> 0:35:38.040
<v Speaker 1>How were you when Pam came into full disclosure?

0:35:38.160 --> 0:35:42.680
<v Speaker 9>Also, I kind of thought I was like maybe a

0:35:42.840 --> 0:35:46.840
<v Speaker 9>decade and a half older than you, Like what ye

0:35:48.280 --> 0:35:52.360
<v Speaker 9>you look fucking awesome by the way, But like in

0:35:52.480 --> 0:35:55.000
<v Speaker 9>my mind, I thought like, okay, well, you know eight

0:35:55.040 --> 0:35:55.680
<v Speaker 9>these kids like.

0:35:55.719 --> 0:35:57.279
<v Speaker 1>Started cousin Pam.

0:35:57.360 --> 0:35:59.800
<v Speaker 8>Wasn't a teenager that cousin Pam? What's the post?

0:36:00.520 --> 0:36:02.000
<v Speaker 9>In my mind, I'm like, wait, I was like twenty

0:36:02.040 --> 0:36:04.400
<v Speaker 9>something when the coss Okay, she was definitely like fourteen

0:36:04.480 --> 0:36:07.400
<v Speaker 9>fifteen because something on the special led episode and all

0:36:07.440 --> 0:36:11.279
<v Speaker 9>that stuff. So in my mind, you're way younger than me.

0:36:11.360 --> 0:36:14.200
<v Speaker 9>So I'm like trying to school you use words like

0:36:14.280 --> 0:36:16.040
<v Speaker 9>manifest hilarious.

0:36:18.360 --> 0:36:22.200
<v Speaker 5>No, I was older, playing younger than myself because of

0:36:22.320 --> 0:36:26.160
<v Speaker 5>the hours. You know that those things take they try

0:36:26.200 --> 0:36:29.480
<v Speaker 5>to get kids that are older, teenagers that are older

0:36:29.719 --> 0:36:33.880
<v Speaker 5>play younger. I was younger than Malcolm Jamal, but I

0:36:33.920 --> 0:36:37.200
<v Speaker 5>actually think I'm older than Malcolm Jamal in real life.

0:36:38.000 --> 0:36:38.160
<v Speaker 1>Right.

0:36:38.640 --> 0:36:40.879
<v Speaker 2>So actually I did an audition for cousin Pam.

0:36:42.080 --> 0:36:44.520
<v Speaker 1>That was your that was your first audition, but she

0:36:44.600 --> 0:36:46.879
<v Speaker 1>did an audition or you didn't.

0:36:47.160 --> 0:36:51.600
<v Speaker 5>When I was twenty years old, Okay, I had been

0:36:51.640 --> 0:36:54.800
<v Speaker 5>acting for since I was fourteen. I'd gone around the

0:36:54.800 --> 0:36:57.440
<v Speaker 5>world with Royal Shakespeare Company. I did a nine hour

0:36:57.520 --> 0:37:02.120
<v Speaker 5>play called The Mahabaratta. I did mini series and a

0:37:02.280 --> 0:37:05.640
<v Speaker 5>movie with Whoope called The Long Walk Call Wait Wait

0:37:05.640 --> 0:37:06.040
<v Speaker 5>Wait Wait.

0:37:05.960 --> 0:37:07.120
<v Speaker 8>Wait, Long Walk Wait Wait wait wait.

0:37:07.239 --> 0:37:09.960
<v Speaker 9>Yeah, so that's where that experience comes from. Okay, I

0:37:10.040 --> 0:37:10.960
<v Speaker 9>see now, Yes.

0:37:11.000 --> 0:37:13.160
<v Speaker 2>And I had done two or three plays at the

0:37:13.200 --> 0:37:14.080
<v Speaker 2>Public one.

0:37:14.000 --> 0:37:16.960
<v Speaker 5>With Joseph Papp his last play called The Forbidden City,

0:37:17.000 --> 0:37:18.080
<v Speaker 5>Big Gun's Last Play.

0:37:19.160 --> 0:37:22.080
<v Speaker 2>So I've done a lot of theater, which a lot

0:37:22.120 --> 0:37:23.239
<v Speaker 2>of black people did.

0:37:23.920 --> 0:37:26.080
<v Speaker 5>If you look at Sam Jackson and all these cats,

0:37:26.320 --> 0:37:29.040
<v Speaker 5>there were no TV and films to absorb that type

0:37:29.080 --> 0:37:29.439
<v Speaker 5>of talent.

0:37:29.560 --> 0:37:29.680
<v Speaker 1>Thing.

0:37:30.080 --> 0:37:32.040
<v Speaker 5>You had one or two things, and if you were

0:37:32.120 --> 0:37:35.839
<v Speaker 5>lucky to be those one or two people, you maybe

0:37:35.880 --> 0:37:38.600
<v Speaker 5>catch lightning in the bottle. No one expected to have

0:37:38.680 --> 0:37:41.239
<v Speaker 5>a career in film and television, certainly not a black woman.

0:37:42.000 --> 0:37:45.880
<v Speaker 5>So I was doing a play at the Public and

0:37:46.320 --> 0:37:49.120
<v Speaker 5>the story goes it was actually a play called Forbidden City,

0:37:49.239 --> 0:37:52.840
<v Speaker 5>Josephap's last play that he directed, and the great Gloria Foster.

0:37:53.640 --> 0:37:55.320
<v Speaker 2>He's the light skinned woman in the matrix.

0:37:56.560 --> 0:38:01.360
<v Speaker 5>Yeah, have a cook, that's the great glory of And

0:38:02.600 --> 0:38:05.040
<v Speaker 5>her best friend is Comille Cosby. And when I was

0:38:05.160 --> 0:38:08.400
<v Speaker 5>told that, Camille Cosby came to see the play and

0:38:08.560 --> 0:38:10.799
<v Speaker 5>then went back to her husband, Bill Cosby, and said,

0:38:10.840 --> 0:38:12.840
<v Speaker 5>you've got to see Gloria in this play. In this

0:38:13.000 --> 0:38:15.440
<v Speaker 5>little girl, little girl she was talking about with me.

0:38:16.920 --> 0:38:19.880
<v Speaker 5>He never saw the play, but I also hear that

0:38:19.960 --> 0:38:22.320
<v Speaker 5>he liked to give his wife gifts, and I was

0:38:22.320 --> 0:38:24.360
<v Speaker 5>a gift. I got a call one day, could you

0:38:24.480 --> 0:38:28.640
<v Speaker 5>be at mister Cosby's house in about an hour. And

0:38:28.880 --> 0:38:32.719
<v Speaker 5>I showed up just off of Park Avenue in the

0:38:33.320 --> 0:38:37.400
<v Speaker 5>Central Park and he made a roll up for me right.

0:38:37.320 --> 0:38:38.040
<v Speaker 2>In front of my face.

0:38:38.080 --> 0:38:41.480
<v Speaker 5>He said, so, there's this girl and her name is Pam,

0:38:42.400 --> 0:38:44.560
<v Speaker 5>and she's the cousin of Claire.

0:38:44.840 --> 0:38:48.040
<v Speaker 2>And that's how it went. And I said thank you

0:38:48.160 --> 0:38:49.640
<v Speaker 2>very much, and I was cousin Pam.

0:38:50.440 --> 0:38:53.360
<v Speaker 8>He must have loved that you were from Philly too. Together.

0:38:53.520 --> 0:38:59.279
<v Speaker 5>He called me hometown and he really put a definition in,

0:39:00.080 --> 0:39:02.120
<v Speaker 5>I don't know, kind of a premium around people who

0:39:02.160 --> 0:39:04.359
<v Speaker 5>were self made. And I think that's what he liked,

0:39:04.840 --> 0:39:06.800
<v Speaker 5>that he saw me being self made and that I

0:39:06.880 --> 0:39:10.400
<v Speaker 5>didn't need him. That's where those were his words.

0:39:11.480 --> 0:39:15.440
<v Speaker 9>How intimidating was it to enter not only like an

0:39:15.560 --> 0:39:19.520
<v Speaker 9>established institution, but I mean by that point it was

0:39:19.640 --> 0:39:21.640
<v Speaker 9>such a well oiled machine.

0:39:21.840 --> 0:39:23.160
<v Speaker 1>And oftentimes, in.

0:39:25.520 --> 0:39:28.680
<v Speaker 9>Kind of the folkal or TV shows, like adding a

0:39:28.880 --> 0:39:31.560
<v Speaker 9>new character that late in the game is often seen

0:39:31.640 --> 0:39:33.080
<v Speaker 9>as a jump in the shark moment.

0:39:33.280 --> 0:39:37.400
<v Speaker 8>Oscar, the Brady Bunch or whatever, or Oliver Oliver.

0:39:38.840 --> 0:39:42.640
<v Speaker 1>I watched right now. You mentioned Oliver from The Brady Bunch.

0:39:43.239 --> 0:39:46.399
<v Speaker 9>Yeah, So, but how did it feel just coming into

0:39:47.560 --> 0:39:52.080
<v Speaker 9>an already established, well oiled machine.

0:39:51.760 --> 0:39:52.319
<v Speaker 1>By that point?

0:39:53.360 --> 0:39:55.160
<v Speaker 5>I guess the difference is is I'm not the star.

0:39:55.280 --> 0:39:57.800
<v Speaker 5>I'm a featured character. I get to day trip, I

0:39:57.880 --> 0:39:59.720
<v Speaker 5>get to drop in at a little Salt and pepper,

0:40:00.600 --> 0:40:04.040
<v Speaker 5>but the flavor's there, and it's a new dish. It's

0:40:04.040 --> 0:40:06.719
<v Speaker 5>got a lot of juicy dark meat, you know, and

0:40:06.840 --> 0:40:10.080
<v Speaker 5>so they're adding a different flavor. But they've had the

0:40:10.239 --> 0:40:16.600
<v Speaker 5>criticism that the Cosby show was too inaccessible. The family

0:40:16.680 --> 0:40:20.319
<v Speaker 5>was inaccessible because they were too upper class. So cousin

0:40:20.400 --> 0:40:22.640
<v Speaker 5>Pam came in from the other side of the tracks.

0:40:22.960 --> 0:40:24.640
<v Speaker 1>Oh, you're supposed to be the street element.

0:40:25.480 --> 0:40:26.280
<v Speaker 2>Can you imagine?

0:40:26.560 --> 0:40:28.480
<v Speaker 1>Did they want you to be more thugged out than

0:40:29.120 --> 0:40:29.560
<v Speaker 1>you were?

0:40:29.880 --> 0:40:34.600
<v Speaker 2>Like? How did you I think that his if he

0:40:34.680 --> 0:40:38.719
<v Speaker 2>had told that to his the writer's room, they might

0:40:38.800 --> 0:40:39.160
<v Speaker 2>have thought it.

0:40:39.239 --> 0:40:43.400
<v Speaker 5>But you have to understand the king of respectability politics

0:40:43.440 --> 0:40:45.919
<v Speaker 5>back in the day was Bill Cosby. So he set

0:40:46.000 --> 0:40:48.880
<v Speaker 5>us down me caramony in the white owl pain and

0:40:49.040 --> 0:40:53.960
<v Speaker 5>gave us the speech, do not make me ashamed, just

0:40:54.080 --> 0:40:55.799
<v Speaker 5>like you get at church. Don't you go out there

0:40:55.840 --> 0:40:59.120
<v Speaker 5>and act the food, don't do all your head, don't

0:40:59.200 --> 0:41:02.880
<v Speaker 5>do you know any extra on it. And so we

0:41:03.000 --> 0:41:05.640
<v Speaker 5>were told that we were we weren't going to do it,

0:41:06.640 --> 0:41:10.040
<v Speaker 5>but it was sort of just saying, this is not

0:41:10.239 --> 0:41:13.400
<v Speaker 5>that place. I have Mary mckeeba on this show, I

0:41:13.480 --> 0:41:16.000
<v Speaker 5>have this person on that that show. We are the

0:41:16.080 --> 0:41:16.799
<v Speaker 5>talented ten.

0:41:18.840 --> 0:41:21.279
<v Speaker 8>But Karen was charmain, so oh she must have had.

0:41:23.440 --> 0:41:23.920
<v Speaker 2>That's right.

0:41:24.880 --> 0:41:26.719
<v Speaker 8>Yeah, So she must have had to constantly weigh that

0:41:26.920 --> 0:41:29.320
<v Speaker 8>that line because that's like, that's your Maine.

0:41:29.480 --> 0:41:31.279
<v Speaker 2>No, she didn't because they got her because she talked

0:41:31.320 --> 0:41:31.520
<v Speaker 2>like that.

0:41:31.880 --> 0:41:34.719
<v Speaker 5>I mean, they wanted that flavor. They didn't know what

0:41:34.800 --> 0:41:36.839
<v Speaker 5>to do to cousin Panmther. So it's like they gave

0:41:36.920 --> 0:41:40.680
<v Speaker 5>me my own posse and that helped the strain off

0:41:40.760 --> 0:41:43.720
<v Speaker 5>the show. So I got it. I was I probably

0:41:43.800 --> 0:41:46.920
<v Speaker 5>wasn't people's cup of TV, and I didn't really necessarily

0:41:47.000 --> 0:41:48.880
<v Speaker 5>know what I was doing. I didn't think I was fundy,

0:41:48.920 --> 0:41:50.800
<v Speaker 5>but I also didn't think they wrote me funny, and

0:41:50.920 --> 0:41:53.640
<v Speaker 5>I was confused a lot. By the time I got

0:41:53.680 --> 0:41:57.360
<v Speaker 5>to living single, I understood the idea of acting to

0:41:57.480 --> 0:42:01.280
<v Speaker 5>camera and having an audience. I had done them separately,

0:42:01.360 --> 0:42:04.840
<v Speaker 5>but to put them together was confusing. And then I

0:42:04.920 --> 0:42:07.040
<v Speaker 5>got it. I'd asked mister I said who do I

0:42:07.120 --> 0:42:11.080
<v Speaker 5>act to? And he said the audience, because he's stand up.

0:42:11.400 --> 0:42:14.120
<v Speaker 5>I asked the director, Ellen Gidtleson, I said who who

0:42:14.239 --> 0:42:17.440
<v Speaker 5>I act? And she said the camera. They were both right,

0:42:18.200 --> 0:42:21.040
<v Speaker 5>So I had to get that type of timing in

0:42:21.160 --> 0:42:24.600
<v Speaker 5>my head. Listen for the audience, because they were my

0:42:24.800 --> 0:42:28.600
<v Speaker 5>best they were the fourth character in the show. And

0:42:28.800 --> 0:42:31.719
<v Speaker 5>then also if they couldn't see what I was doing

0:42:31.760 --> 0:42:34.040
<v Speaker 5>because the light wasn't on the camera, because the camera

0:42:34.160 --> 0:42:38.239
<v Speaker 5>wasn't ready, it had to hold. And so there's this

0:42:38.480 --> 0:42:42.320
<v Speaker 5>dance you're doing and it's like timing, it's like music,

0:42:42.760 --> 0:42:45.160
<v Speaker 5>and if you get it, you can be funny.

0:42:46.040 --> 0:42:49.040
<v Speaker 8>Did you say dance? Because that makes me think of

0:42:49.120 --> 0:42:50.640
<v Speaker 8>the cousin Bam dance.

0:42:54.280 --> 0:42:55.440
<v Speaker 2>Do you know that's a thing? Right?

0:42:55.640 --> 0:42:58.880
<v Speaker 8>No, cousin Pam dance from the special ad episode.

0:42:59.239 --> 0:43:02.680
<v Speaker 1>Episode when you start when you do that, what that's

0:43:02.719 --> 0:43:05.320
<v Speaker 1>a thing, Like, yeah, you did not know that.

0:43:05.560 --> 0:43:07.160
<v Speaker 2>I didn't know what. Thank you for letting me know

0:43:07.280 --> 0:43:08.040
<v Speaker 2>this was a dance.

0:43:09.080 --> 0:43:12.480
<v Speaker 9>It's funny you said that because there was an episode

0:43:12.520 --> 0:43:17.640
<v Speaker 9>of Our Sineo in which de Niro, who rarely gives interviews,

0:43:18.800 --> 0:43:22.279
<v Speaker 9>was basically explaining to Our Sineo. I think it's right

0:43:22.360 --> 0:43:24.360
<v Speaker 9>around the time when Goodfellas was coming out, so this

0:43:24.440 --> 0:43:28.400
<v Speaker 9>was like eighty nine to ninety whatever, and DeNiro was

0:43:28.840 --> 0:43:29.840
<v Speaker 9>explaining to him.

0:43:29.800 --> 0:43:32.480
<v Speaker 1>Like, basically, I'm not acting.

0:43:33.080 --> 0:43:37.120
<v Speaker 9>He gave this whole thing about like if you most actors,

0:43:37.280 --> 0:43:40.160
<v Speaker 9>will you know the mistake they make is they show

0:43:40.200 --> 0:43:42.719
<v Speaker 9>emotion and all that stuff, and he's like, real life

0:43:42.719 --> 0:43:46.440
<v Speaker 9>people don't show their emotions, they hold back. So he

0:43:46.560 --> 0:43:49.360
<v Speaker 9>was basically saying that because he holds back and is

0:43:49.480 --> 0:43:52.680
<v Speaker 9>very dry in his delivery, that's what makes him the

0:43:52.800 --> 0:43:57.480
<v Speaker 9>everyday person, right, And that stuck with me a lot,

0:43:57.560 --> 0:44:01.000
<v Speaker 9>even though, like acting wasn't mine my focus back then,

0:44:01.120 --> 0:44:02.719
<v Speaker 9>but when he said that, I was like, Oh, so

0:44:03.800 --> 0:44:04.759
<v Speaker 9>it's what you hold back.

0:44:05.280 --> 0:44:06.720
<v Speaker 1>And I actually.

0:44:08.000 --> 0:44:13.160
<v Speaker 9>Liked your role because I've never seen someone of your character,

0:44:13.239 --> 0:44:16.680
<v Speaker 9>of your ilk not be a caricature, because I think

0:44:16.760 --> 0:44:21.160
<v Speaker 9>sometimes it's almost like the acting version of being a

0:44:22.960 --> 0:44:26.839
<v Speaker 9>gospel chops musician, you know, like every musician nowadays got

0:44:26.880 --> 0:44:28.040
<v Speaker 9>to show off everything they do.

0:44:30.760 --> 0:44:31.360
<v Speaker 1>Melisma.

0:44:31.560 --> 0:44:35.520
<v Speaker 9>Yes, you held back, And then I saw an interview

0:44:35.600 --> 0:44:42.640
<v Speaker 9>that you did, and because you had Felicia Rashad's you know,

0:44:42.800 --> 0:44:46.160
<v Speaker 9>like when she talks like Felicia Rashad has that that

0:44:46.360 --> 0:44:51.240
<v Speaker 9>camera meal is crazy sort of Yeah, when you spoke

0:44:51.320 --> 0:44:53.799
<v Speaker 9>like that, us like, oh, she's like a real actor's action.

0:44:54.040 --> 0:44:56.840
<v Speaker 9>And I was going to ask if you dabbled in Shakespeare,

0:44:56.920 --> 0:45:00.279
<v Speaker 9>but you already told that to us. I actually like

0:45:00.320 --> 0:45:03.480
<v Speaker 9>the fact that you were kind of nondescript in the

0:45:03.560 --> 0:45:05.440
<v Speaker 9>Cosby Show, and that you weren't.

0:45:06.800 --> 0:45:08.799
<v Speaker 1>All the way you know, you could have been JJ.

0:45:09.560 --> 0:45:11.640
<v Speaker 9>You could have been JJ or Hillary from the Fresh

0:45:11.680 --> 0:45:14.600
<v Speaker 9>Prince of bel Air, like a character I don't know

0:45:14.719 --> 0:45:15.239
<v Speaker 9>that was mine.

0:45:15.960 --> 0:45:16.719
<v Speaker 2>I appreciate that.

0:45:17.440 --> 0:45:21.160
<v Speaker 5>I think what you're seeing is that I think somehow,

0:45:21.320 --> 0:45:24.160
<v Speaker 5>even in a character, you have to express a level

0:45:24.400 --> 0:45:29.680
<v Speaker 5>of authenticity. And I'm from Arizona, so I don't have

0:45:30.680 --> 0:45:34.120
<v Speaker 5>the idea of blackness as being a set of tropes

0:45:34.320 --> 0:45:37.800
<v Speaker 5>that are like very big and laws, because that's not

0:45:37.880 --> 0:45:41.239
<v Speaker 5>what I saw. I saw black people be black, like

0:45:41.320 --> 0:45:47.200
<v Speaker 5>American fiction black. That's the idea is that we're presented

0:45:47.320 --> 0:45:50.759
<v Speaker 5>with a set of stereotypes that we don't even know

0:45:51.360 --> 0:45:55.800
<v Speaker 5>that we're pushing, and black people were probably only people

0:45:55.880 --> 0:45:56.120
<v Speaker 5>to have.

0:45:56.160 --> 0:45:56.920
<v Speaker 2>To have burden.

0:45:58.560 --> 0:46:03.160
<v Speaker 5>We're always trying to balance a version of ourselves and

0:46:03.280 --> 0:46:06.000
<v Speaker 5>we don't even know where we end or begin anymore.

0:46:06.680 --> 0:46:08.759
<v Speaker 5>But I do say this about comedy. It is a

0:46:08.960 --> 0:46:12.600
<v Speaker 5>full contact sport and you have to give to receive.

0:46:12.680 --> 0:46:14.360
<v Speaker 5>You have to embrace it, you have to channel, you

0:46:14.480 --> 0:46:15.920
<v Speaker 5>have to love it. You have to go out on

0:46:15.960 --> 0:46:18.800
<v Speaker 5>a limb. You have to be bold. You can't be scared,

0:46:19.360 --> 0:46:24.280
<v Speaker 5>you can you have to be curious, and that allows

0:46:24.360 --> 0:46:28.560
<v Speaker 5>you to be free in the moment and make improvisational

0:46:28.719 --> 0:46:31.960
<v Speaker 5>choices because I'm not necessarily changing the line, but I

0:46:32.080 --> 0:46:36.160
<v Speaker 5>am changing the inflection in the line, the delivery of it,

0:46:36.400 --> 0:46:37.040
<v Speaker 5>the delivery.

0:46:37.840 --> 0:46:41.359
<v Speaker 9>So that said, could you tell me if we're going

0:46:41.440 --> 0:46:45.960
<v Speaker 9>to the social media term, how it's going and how

0:46:46.000 --> 0:46:50.600
<v Speaker 9>it ended or whatever. When you're given Maxine Shaw, which

0:46:50.840 --> 0:46:52.520
<v Speaker 9>you know, as I said at the top of the show,

0:46:52.640 --> 0:46:56.600
<v Speaker 9>I believe that Maxine's character is the anchor of that show,

0:46:57.400 --> 0:47:03.040
<v Speaker 9>you know, like for me, Latifa is the the the.

0:47:04.880 --> 0:47:09.040
<v Speaker 1>I guess the straight man of the click and Dorothy

0:47:09.840 --> 0:47:10.480
<v Speaker 1>not mom.

0:47:12.440 --> 0:47:15.720
<v Speaker 9>Right, and both chems have to sort of be the colorful,

0:47:17.480 --> 0:47:21.320
<v Speaker 9>which really allowed you, I think a lane to really

0:47:22.040 --> 0:47:25.480
<v Speaker 9>like all your punchlines were funnier, and your physical comedy

0:47:25.560 --> 0:47:28.479
<v Speaker 9>and then your chemistry, which at the time, I don't

0:47:28.480 --> 0:47:31.680
<v Speaker 9>think you're going into this thing thinking like, Okay, by

0:47:31.760 --> 0:47:34.880
<v Speaker 9>season one, I'll be this carry and then we'll have

0:47:35.040 --> 0:47:38.239
<v Speaker 9>our sort of apart with each other, like because both

0:47:38.280 --> 0:47:42.640
<v Speaker 9>of you two basically wrote each other to glory in

0:47:43.000 --> 0:47:46.319
<v Speaker 9>my opinion, But how did you prepare for your role

0:47:46.520 --> 0:47:48.520
<v Speaker 9>as Maxine Shaw on Living Single?

0:47:50.560 --> 0:47:53.600
<v Speaker 5>I prepared for it my entire life before I got there,

0:47:54.840 --> 0:47:59.520
<v Speaker 5>and I took every little piece that I understood and

0:47:59.640 --> 0:48:03.160
<v Speaker 5>put it in a role that nobody was paying attention

0:48:03.280 --> 0:48:06.839
<v Speaker 5>to because I wasn't the star that Latifa or Kim

0:48:06.960 --> 0:48:08.960
<v Speaker 5>Cole's or Kim Fields was.

0:48:09.360 --> 0:48:10.280
<v Speaker 2>I was actually fourth.

0:48:10.400 --> 0:48:13.680
<v Speaker 5>I was the dark skinned person in there with TC Carson,

0:48:14.760 --> 0:48:18.440
<v Speaker 5>and they weren't looking at me. And I learned from

0:48:18.520 --> 0:48:22.360
<v Speaker 5>the Cosby Show, or at least I understood now the

0:48:22.520 --> 0:48:28.279
<v Speaker 5>dance of the camera, comedy and the audience. So I

0:48:28.440 --> 0:48:30.480
<v Speaker 5>knew and you can see in the first year we

0:48:30.680 --> 0:48:34.240
<v Speaker 5>kind of push those stereotypes that got us the roles

0:48:34.280 --> 0:48:37.040
<v Speaker 5>the audition, like girl, I got this this, So it's

0:48:37.080 --> 0:48:40.400
<v Speaker 5>a little amped up, but that's what you do to

0:48:40.440 --> 0:48:43.520
<v Speaker 5>get the role. Otherwise, these people who are executive executive

0:48:43.520 --> 0:48:45.719
<v Speaker 5>positions don't think you're doing anything if you come in

0:48:45.760 --> 0:48:46.560
<v Speaker 5>and do something.

0:48:46.360 --> 0:48:47.600
<v Speaker 2>That's a little bit more laid back.

0:48:47.760 --> 0:48:50.400
<v Speaker 5>We're not allowed that type of soft presence that a

0:48:50.440 --> 0:48:58.239
<v Speaker 5>lot of luance thank you that other performers get. Black

0:48:58.280 --> 0:49:03.880
<v Speaker 5>people have to come with it right way. So I

0:49:04.040 --> 0:49:09.280
<v Speaker 5>like to think that I'm in there discovering and experimenting

0:49:10.200 --> 0:49:13.000
<v Speaker 5>and it's not harming anybody as long as I deliver

0:49:13.480 --> 0:49:16.160
<v Speaker 5>the show they want. But each time I got more

0:49:16.200 --> 0:49:21.359
<v Speaker 5>information about what the audience slighted about Max, and each

0:49:21.560 --> 0:49:25.120
<v Speaker 5>time I wanted to deliver a version of her that

0:49:25.320 --> 0:49:30.359
<v Speaker 5>was authentic to me Erica, and that balanced the show

0:49:30.520 --> 0:49:33.200
<v Speaker 5>because you have to be generous with comedy. The people aren't.

0:49:33.480 --> 0:49:35.239
<v Speaker 5>That's why they don't do so well. They're trying to

0:49:35.280 --> 0:49:40.080
<v Speaker 5>get the line funny all the time, and sometime you're

0:49:40.120 --> 0:49:42.680
<v Speaker 5>there to take the hit and sort of just look

0:49:45.080 --> 0:49:47.160
<v Speaker 5>and it's not about you. It's about you just tossing

0:49:47.239 --> 0:49:50.280
<v Speaker 5>around and you got to know. But I think nobody

0:49:50.440 --> 0:49:51.759
<v Speaker 5>was looking, So that's what I want.

0:49:52.480 --> 0:49:57.360
<v Speaker 9>I think people oftentimes when they see greatness, whatever you

0:49:57.520 --> 0:50:02.080
<v Speaker 9>take it for granted, always refer to watching Steph Curry

0:50:02.120 --> 0:50:05.040
<v Speaker 9>play like he's gonna throw it in and you automatically

0:50:05.120 --> 0:50:07.239
<v Speaker 9>know it's going and no matter what. So at one

0:50:07.320 --> 0:50:09.920
<v Speaker 9>point you just take for granted that all right, yes,

0:50:10.000 --> 0:50:12.480
<v Speaker 9>he knows he's pulled enough some incredible shit, as he

0:50:12.560 --> 0:50:13.480
<v Speaker 9>does it all the time.

0:50:13.880 --> 0:50:16.040
<v Speaker 1>Right, But then then it's like, okay, they always do that.

0:50:16.440 --> 0:50:18.880
<v Speaker 9>But I don't think people really appreciate the fact that,

0:50:19.560 --> 0:50:22.520
<v Speaker 9>first of all, it's six of you, and so I

0:50:22.680 --> 0:50:25.919
<v Speaker 9>almost feel like, all right, So in jam session situations,

0:50:26.600 --> 0:50:31.240
<v Speaker 9>especially when I'm paying with musicians that aren't my guys

0:50:31.280 --> 0:50:36.280
<v Speaker 9>and the roots, I automatically have to go into, Okay,

0:50:36.400 --> 0:50:38.560
<v Speaker 9>this guy's overplayed, So let me dial it down a

0:50:38.640 --> 0:50:41.840
<v Speaker 9>little bit so that it's not too overwhelming. Because my

0:50:42.000 --> 0:50:45.160
<v Speaker 9>fear is that I always make the All Star Game

0:50:45.200 --> 0:50:49.800
<v Speaker 9>analogy that All Star games are very boring because everyone's

0:50:49.840 --> 0:50:52.279
<v Speaker 9>on a hundred, so there's really no sense of drama whatever,

0:50:52.520 --> 0:50:56.440
<v Speaker 9>like when everyone's at one hundred. To me, that's just

0:50:56.520 --> 0:51:00.480
<v Speaker 9>as boring as everyone being amateurs. So how do you

0:51:01.520 --> 0:51:05.400
<v Speaker 9>but there's such a push and pool chemistry with the

0:51:05.480 --> 0:51:08.880
<v Speaker 9>six of you when you're in scenes together, Like what

0:51:09.000 --> 0:51:11.120
<v Speaker 9>do you credit that to the writing of the show

0:51:11.520 --> 0:51:14.279
<v Speaker 9>or do you know to hold back sometimes and let

0:51:14.400 --> 0:51:16.840
<v Speaker 9>Kim get her shine or whatever? And is it like

0:51:16.920 --> 0:51:20.920
<v Speaker 9>a game of basketball in which you guys like instantly

0:51:21.080 --> 0:51:23.680
<v Speaker 9>know like what the other character is going to do,

0:51:23.800 --> 0:51:26.279
<v Speaker 9>Because there's even some moments on that show in which

0:51:27.440 --> 0:51:29.200
<v Speaker 9>I'm like, I wonder if they rehearse that ahead of

0:51:29.280 --> 0:51:31.239
<v Speaker 9>time to get that timing right or that sort of

0:51:31.280 --> 0:51:33.320
<v Speaker 9>thing like it to me, it was effortless.

0:51:33.520 --> 0:51:36.360
<v Speaker 1>So when did it gel for you.

0:51:37.160 --> 0:51:42.080
<v Speaker 5>It jeiled immediately, everybody saw real And I think the

0:51:42.200 --> 0:51:47.080
<v Speaker 5>right analogy is music. I think that if there was

0:51:47.200 --> 0:51:50.200
<v Speaker 5>genius or maybe lightning in a bottle was because they

0:51:50.280 --> 0:51:55.360
<v Speaker 5>recruited performers and other collaborators that have a pinch it

0:51:55.520 --> 0:52:02.160
<v Speaker 5>for individualism and they play well with others. They're soloists

0:52:02.200 --> 0:52:05.280
<v Speaker 5>that play well with others. If you look at Latifa

0:52:05.440 --> 0:52:09.200
<v Speaker 5>Kim Cole's Kim Fields, you could all be soloists. But

0:52:09.320 --> 0:52:13.600
<v Speaker 5>we understand the whole and you got to have your

0:52:13.640 --> 0:52:15.480
<v Speaker 5>self esteem has to be in check.

0:52:15.560 --> 0:52:17.200
<v Speaker 2>You have to know who you are.

0:52:18.560 --> 0:52:21.920
<v Speaker 5>And I think that we were at an age I

0:52:22.040 --> 0:52:25.399
<v Speaker 5>was twenty three coming in, but we had done enough

0:52:25.640 --> 0:52:28.600
<v Speaker 5>in life that we didn't have to win. We knew

0:52:28.600 --> 0:52:32.040
<v Speaker 5>we would win if we all win, if we all won.

0:52:32.360 --> 0:52:35.279
<v Speaker 5>So I think that you want soloists who play well together,

0:52:35.360 --> 0:52:37.400
<v Speaker 5>especially if they respect the ensemble.

0:52:37.320 --> 0:52:38.040
<v Speaker 2>And we did.

0:52:39.160 --> 0:52:41.360
<v Speaker 8>Hey, you talked about being a brown skinned woman and

0:52:41.440 --> 0:52:44.719
<v Speaker 8>woman on the screen. I'm so curious for Maxine Shaw

0:52:44.880 --> 0:52:46.239
<v Speaker 8>in this look. You know, I was just talking to

0:52:46.280 --> 0:52:48.640
<v Speaker 8>somebody earlier. We were talking about your braids, and somebody

0:52:48.760 --> 0:52:50.920
<v Speaker 8>was like, did you know that Erica's braids were made

0:52:50.920 --> 0:52:52.719
<v Speaker 8>out of yard. I was like, yeah, that's we used

0:52:52.719 --> 0:52:54.200
<v Speaker 8>to do that back in the day, especially because hair

0:52:54.239 --> 0:52:54.719
<v Speaker 8>cars more.

0:52:54.640 --> 0:52:55.000
<v Speaker 1>Than the yard.

0:52:55.120 --> 0:52:58.400
<v Speaker 8>But regardless, I'm so curious how you were able to

0:52:58.440 --> 0:53:00.520
<v Speaker 8>pull this off at twenty three and you and fourth

0:53:00.600 --> 0:53:02.480
<v Speaker 8>on the call sheet. This look.

0:53:04.120 --> 0:53:04.840
<v Speaker 2>I came in with that.

0:53:06.160 --> 0:53:11.160
<v Speaker 5>Okay, the white person would have ever allowed me to

0:53:11.320 --> 0:53:16.160
<v Speaker 5>come in with that, And it wasn't because that the

0:53:16.280 --> 0:53:18.160
<v Speaker 5>white thing has nothing to do with It's just that

0:53:18.680 --> 0:53:20.759
<v Speaker 5>she was the lawyer and they would have probably wanted

0:53:20.800 --> 0:53:24.800
<v Speaker 5>her hair pressed. And I came in like that because

0:53:24.840 --> 0:53:27.160
<v Speaker 5>I had worked with Wooby Goldberg. She played my mother,

0:53:30.239 --> 0:53:33.920
<v Speaker 5>I remember now, and we carry with us, all of

0:53:34.040 --> 0:53:37.680
<v Speaker 5>us in the world. Everybody somebody imprints on you. So

0:53:37.800 --> 0:53:41.520
<v Speaker 5>if you look at that hairdo mm hmm, it's jumping jack.

0:53:41.440 --> 0:53:52.800
<v Speaker 2>Flash stop that. And I had just come from that

0:53:53.320 --> 0:53:55.719
<v Speaker 2>uh tour.

0:53:56.200 --> 0:53:58.400
<v Speaker 5>I mean actually, I've just come from a series for ABC,

0:53:58.719 --> 0:54:01.120
<v Speaker 5>and the producers asked me that I shaved my hair

0:54:01.200 --> 0:54:04.080
<v Speaker 5>and I did was nothing. It was natural because my

0:54:04.360 --> 0:54:06.200
<v Speaker 5>hair kept frizzing up and I didn't have a perm

0:54:07.239 --> 0:54:08.400
<v Speaker 5>and so they asked me to shave it off. I

0:54:08.400 --> 0:54:10.239
<v Speaker 5>said I would, and I was growing it out and

0:54:10.360 --> 0:54:14.319
<v Speaker 5>I had a hairdresser in Brooklyn, ebrah Hair Bay, does

0:54:14.360 --> 0:54:16.440
<v Speaker 5>the Nray locks and she said, I know what, I

0:54:16.480 --> 0:54:19.200
<v Speaker 5>can grow your hair out, and so you see the whole.

0:54:19.040 --> 0:54:21.799
<v Speaker 2>Back is shaved and shaved to catch on the top.

0:54:22.080 --> 0:54:23.920
<v Speaker 5>She said, I'll do a cool bob and you can

0:54:24.000 --> 0:54:26.320
<v Speaker 5>do anything with his hair. And I just happen to

0:54:26.400 --> 0:54:28.840
<v Speaker 5>walk in and audition it with that hair and that's Maxine.

0:54:29.600 --> 0:54:29.799
<v Speaker 3>Wow.

0:54:29.920 --> 0:54:32.080
<v Speaker 8>And by the time you finished the show, it was

0:54:32.320 --> 0:54:35.640
<v Speaker 8>gorgeously long and layered and h and yeah.

0:54:35.800 --> 0:54:39.719
<v Speaker 2>And it was a wig. Get the fuck that's right?

0:54:40.520 --> 0:54:44.280
<v Speaker 5>Because I kept getting recognized and I couldn't go anywhere,

0:54:44.560 --> 0:54:45.279
<v Speaker 5>so I said, you got.

0:54:45.280 --> 0:54:45.799
<v Speaker 2>To make a wig.

0:54:46.200 --> 0:54:48.759
<v Speaker 3>So yeah, So that was a question earlier were talking about.

0:54:48.800 --> 0:54:51.080
<v Speaker 3>You could see the response from people.

0:54:51.520 --> 0:54:54.080
<v Speaker 1>How did you know? I mean, how did my social media?

0:54:54.760 --> 0:54:57.680
<v Speaker 1>How did you know? Like, Okay, this is really is hitting,

0:54:57.920 --> 0:54:59.480
<v Speaker 1>Like it was instant.

0:55:00.520 --> 0:55:03.920
<v Speaker 5>We were on Sundays and our leading was Martin and

0:55:04.120 --> 0:55:09.759
<v Speaker 5>we beat our leading From then on, M beat the

0:55:09.880 --> 0:55:10.799
<v Speaker 5>number one show.

0:55:12.160 --> 0:55:13.880
<v Speaker 2>And I don't like to say black show, but you

0:55:14.200 --> 0:55:18.919
<v Speaker 2>have a cast of black people and you beat the show.

0:55:19.080 --> 0:55:21.120
<v Speaker 5>They say the Black Show the number one black show

0:55:21.120 --> 0:55:24.840
<v Speaker 5>in America for Latin Latins and Blacks.

0:55:25.880 --> 0:55:27.520
<v Speaker 2>You win. So that's what happened.

0:55:28.400 --> 0:55:30.759
<v Speaker 8>Wow, I can't remember they went because it didn't that

0:55:30.880 --> 0:55:32.480
<v Speaker 8>helped Martin. I can't remember.

0:55:32.760 --> 0:55:33.680
<v Speaker 2>It was kind of messed up.

0:55:33.719 --> 0:55:36.920
<v Speaker 5>They made a Thursday Night, they put under cover New

0:55:37.000 --> 0:55:37.560
<v Speaker 5>York undercover.

0:55:38.600 --> 0:55:40.839
<v Speaker 2>They made like a Black Night, and we were all

0:55:41.120 --> 0:55:41.920
<v Speaker 2>insulted by it.

0:55:43.080 --> 0:55:47.640
<v Speaker 9>Wait a minute, so okay, because I was about to say,

0:55:47.640 --> 0:55:49.960
<v Speaker 9>I always remember Living Single as a Thursday show.

0:55:50.200 --> 0:55:51.719
<v Speaker 1>It started as a Sunday show.

0:55:51.840 --> 0:55:53.000
<v Speaker 2>It was a Sunday show.

0:55:53.200 --> 0:55:56.480
<v Speaker 1>After a Living Color. That's right, No, no, it was.

0:55:56.840 --> 0:56:01.319
<v Speaker 5>Our leading was Martin then was Living Single and Living Color.

0:56:01.600 --> 0:56:03.960
<v Speaker 5>Living Color was on. I don't know if they were

0:56:03.960 --> 0:56:04.520
<v Speaker 5>on another.

0:56:06.280 --> 0:56:07.120
<v Speaker 1>Yeah, yeah it was.

0:56:07.680 --> 0:56:12.160
<v Speaker 5>They were all Fox No no, no, yeah were But

0:56:13.000 --> 0:56:15.399
<v Speaker 5>then they decided let's put them all on the same night.

0:56:15.920 --> 0:56:19.880
<v Speaker 5>That was Black Night Thursday. Then they flipped Living Single

0:56:19.920 --> 0:56:23.800
<v Speaker 5>to first. We became Martin's leading, gotcha.

0:56:24.160 --> 0:56:27.319
<v Speaker 8>That's what Damon Walliams was fighting. Remember that he tried

0:56:27.360 --> 0:56:28.480
<v Speaker 8>to do that to him and said.

0:56:28.280 --> 0:56:31.000
<v Speaker 1>I think I did not know that.

0:56:31.280 --> 0:56:36.000
<v Speaker 6>Okay, Hi everyone, this is Sugar Steve from Questlov Supreme.

0:56:36.440 --> 0:56:38.239
<v Speaker 6>We are so sorry to do this, but we're ending

0:56:38.280 --> 0:56:41.160
<v Speaker 6>part one right there. Please come back. This Friday, or

0:56:41.239 --> 0:56:44.080
<v Speaker 6>check your podcast feed for Part two with the incredible

0:56:44.320 --> 0:56:47.880
<v Speaker 6>Erica Alexander. In that interview, Erica speaks about working on

0:56:48.080 --> 0:56:50.960
<v Speaker 6>Get Out American Fiction and her role as Riza and

0:56:51.040 --> 0:56:53.800
<v Speaker 6>Devine's mother on Wu Tang in American Saga.

0:56:54.120 --> 0:57:02.200
<v Speaker 1>See You Soon. Thank you for listening to Quest Love Supreme.

0:57:02.320 --> 0:57:04.960
<v Speaker 7>This podcast is hosted by a Mere Quest Love Thompson,

0:57:05.320 --> 0:57:08.800
<v Speaker 7>Lias Saint, Clair Fonte, Coleman Sugar, Steve Van Dell, and

0:57:08.880 --> 0:57:10.520
<v Speaker 7>myself Unfave fil Scherm.

0:57:10.840 --> 0:57:12.440
<v Speaker 1>The executive producers.

0:57:12.040 --> 0:57:15.480
<v Speaker 7>Are Meir just Walked into the Goddamn Room, Thompson, Sean

0:57:15.600 --> 0:57:19.160
<v Speaker 7>g and Brian Calhoun. Produced by Britney Benjamin, Jake Pain

0:57:19.280 --> 0:57:22.880
<v Speaker 7>and Liah Sinclair. Edited by Alex Conroy I Know Alice Conroy.

0:57:23.280 --> 0:57:25.280
<v Speaker 7>Produced for iHeart by Noel Brown.

0:57:34.520 --> 0:57:40.680
<v Speaker 1>West Love Supreme is a production of iHeart Radio. For

0:57:40.800 --> 0:57:43.880
<v Speaker 1>more podcasts from iHeart Radio, visit the iHeart Radio app,

0:57:44.120 --> 0:57:47.160
<v Speaker 1>Apple Podcasts, or wherever you listen to your favorite shows.