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Speaker 1: Hey guys.

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Speaker 2: Support for today's show comes from dash Lane. Dashlane makes

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Speaker 2: everything you do online easier, fill forms fast, remember all

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Speaker 2: your passwords, and keep your online data accessible and safe

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Speaker 2: with this all in one app.

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Speaker 1: And it's so exciting.

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Speaker 2: We have a new partnership and this is one that

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Speaker 2: is very close to my heart and.

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Speaker 1: My mind as well and my money. Mm hmm. And

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Speaker 1: let's talk about that.

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Speaker 3: Well.

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Speaker 1: Obviously I had some issues with being hacked. I thought

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Speaker 1: that my passwords and I had a different password for

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Speaker 1: every website and sometimes two or three. I thought that

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Speaker 1: I was safe and they were super secure, and I

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Speaker 1: got my ass hacked. I got hacked real hard. And

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Speaker 1: until I got dash Lane, it was happening constantly, and

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Speaker 1: people would be able to read my messages to my

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Speaker 1: sweetie or see pictures of me that I would send

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Speaker 1: you my sweetie or whatever else. And so now that

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Speaker 1: I do have Dashline, you can't see that anymore, you

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Speaker 1: naughty hackers. And I can tell you what some of

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Speaker 1: my are that won't even work. And you do you

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Speaker 1: have some of the same issue. Oh yeah, absolutely.

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Speaker 2: I was getting absolutely savage by hackers every single day.

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Speaker 2: But now I have so like for example, and I

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Speaker 2: also had a different password for every site. My password

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Speaker 2: for the bank was let me into this bank. My

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Speaker 2: password for my music was waiting for Tonight, which was

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Speaker 2: the song that I will have to be listening to.

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Speaker 2: It was the song of my music which was stolen,

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Speaker 2: by the way, and I have actually filed a report

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Speaker 2: with Interpol and they are they have like actually a

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Speaker 2: major clue to getting this song back and returned to me.

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Speaker 1: And I had on IMDb pro, where I go to

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Speaker 1: see who reps everyone who I enjoy I had a

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Speaker 1: password that was Jack and Joe movie starting I'msandler dot com,

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Speaker 1: specifically the scene at the end with the Dunkin Donuts

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Speaker 1: commercial where he's drinking like the frappuccino or whatever it was,

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Speaker 1: and uh and al Pacino is alba duncccino al Pacino duncancino,

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Speaker 1: And that was my password for that, and I thought,

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Speaker 1: no one will guess this. Boom log in the next day.

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Speaker 1: What happened. They adjusted my star meter down and that's

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Speaker 1: why it's so low because I'm not famous.

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Speaker 2: So you can stick around later in the show to

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Speaker 2: hear how dash Lane has helped us out. We did

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Speaker 2: say some of it already but we can actually say

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Speaker 2: some more later. Uh and but apparently all the ads

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Speaker 2: are out of order now, so maybe this will happen

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Speaker 2: another time and we'll say or maybe we'll be saying

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Speaker 2: stick around later in the show and the show.

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Speaker 1: Will be ending, or maybe or maybe not.

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Speaker 2: But this is better for some reason, this is don't worry.

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Speaker 1: We are playing out.

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Speaker 2: We are jamming. It was me and Joey to Yes,

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Speaker 2: we are having basically a bass blowout where I'm on bass,

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Speaker 2: face blast, he is on face face face face blast

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Speaker 2: face he's on but let me get it.

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Speaker 1: But let me get it because I'm close.

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Speaker 2: Yeah, you can see it. No, I'm close. It's coming

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Speaker 2: up over the horizons.

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Speaker 1: I'm close. But I need to start over. I said,

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Speaker 1: you're bas You said your bass. You guys are bass

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Speaker 1: blasting one another.

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Speaker 2: I said, we were having a bass blowout, bass blowout.

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Speaker 1: That's better than what I'm gonna do. Go ahead.

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Speaker 2: I am on bass guitar, he is on bass drums.

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Speaker 2: H wait, there's like a like another. This guy who's

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Speaker 2: like his friend is on bass trumpet.

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Speaker 1: A and a and uh and and oh I'm going

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Speaker 1: to have one now. And I'm in the back with

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Speaker 1: a lady getting a third third base. Okay, I f fingerstuff.

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Speaker 1: Have you played bass trumpet? No, it's to tell me

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Speaker 1: about it.

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Speaker 2: There's a part of the bass on the side that's

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Speaker 2: like flat, you know where you can put your lips

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Speaker 2: on like the flat part and do like a hair.

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Speaker 1: I can kind of do it.

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Speaker 2: So we're doing a march like that. We're playing like

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Speaker 2: classic marches.

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Speaker 1: Anything for that the month of March. I do something

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Speaker 1: with March the month and I get I get my

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Speaker 1: joke in. Do you not come back to me? Okay,

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Speaker 1: we can come back at it. We can. We can

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Speaker 1: like get into this later and you want to do here,

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Speaker 1: let's do the guest Yeah, and then we can get

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Speaker 1: into this stuff. Yeah. Hey, book and inside this kind

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Speaker 1: kicking on dropping as always. And then we called show biz,

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Speaker 1: what up?

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Speaker 3: What up?

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Speaker 1: And Rob Hubole is back.

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Speaker 4: It's great to be back, cubes and he did this show.

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Speaker 4: I wanted to just go over the base because there

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Speaker 4: seemed to be to your show. But no, what what

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Speaker 4: you guys are talking about getting the third base? Yeah?

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Speaker 4: And so I thought I heard some whispering about.

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Speaker 1: Somebody said I heard somebody saying fingering.

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Speaker 4: Which made me just because It's been so long since

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Speaker 4: I've gone over the bases, and so just to backtrack

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Speaker 4: a little bit, what what are the bases?

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Speaker 1: Okay, yeah, no, let's go through. Uh. First basis saying

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Speaker 1: I love you.

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Speaker 4: That's first.

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Speaker 1: First bases, I love you.

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Speaker 2: Uh.

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Speaker 5: Second bases, sex, intercourse, full yes, full out, both kinds.

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Speaker 1: You watch cheers, you go full out?

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Speaker 4: Sure?

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Speaker 1: Seen cheer? Yeah, yeah, full out.

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Speaker 4: I haven't seen cheer yet. Watch it? You love it?

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Speaker 1: I love going full out. Uh, Monica is the coach.

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Speaker 1: So second base is sex, full out sex. Third base

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Speaker 1: as you whisper fingering.

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Speaker 2: You just whisper like finger fingering, fingers.

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Speaker 4: Yeah, you just whisper the word fingers.

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Speaker 1: And then home base is saying I never really loved.

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Speaker 4: You, I didn't love you.

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Speaker 1: And that's the the story circle you know about this

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Speaker 1: just can'ell well, Yeah, of course it's hair of one

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Speaker 1: hundred faces or so.

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Speaker 4: Yeah that I mean, just through the the mythology of

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Speaker 4: it is is, uh, everybody, I feel like everybody knows

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Speaker 4: how that lays out.

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Speaker 1: You know it even if you don't know it because

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Speaker 1: of literature. Yeah, it's like having sex. That's the visit

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Speaker 1: from the goddess, right, whispering, fingering. Yep, that's entering a

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Speaker 1: mystical land, right.

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Speaker 2: Would you guys like, we have this thing now to

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Speaker 2: make your microphone stink? Would you You can spray it

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Speaker 2: on like this? Get that makes a sound?

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Speaker 4: Is that real? Spray to spray?

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Speaker 1: Yeah?

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Speaker 2: Makes your microphone really be stinky Stobi labs. And but

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Speaker 2: it's what's it's it's a clean the microphone.

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Speaker 4: Is that B flavor? What flavor is up this one?

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Speaker 1: No? This has a This has the mud skipper from

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Speaker 1: the Red and Stimpy cartoons on it. If you recall, Oh, so,

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Speaker 1: I guess it is a fish favor fish. Yeah.

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Speaker 2: They won't tell us exactly what's going on, but there

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Speaker 2: is an issue with sanitation in this in.

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Speaker 4: The facility, in the microphones.

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Speaker 2: Tompkins has taken to bringing his own headphones. I don't

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Speaker 2: know if you've done a record with him recently. So

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Speaker 2: word has gotten out to some people about like what

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Speaker 2: kinds of uh like basically.

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Speaker 1: Hydroon pathogens we are discovering in here.

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Speaker 4: This is I didn't know.

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Speaker 1: Medical police the first time.

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Speaker 4: It sounds like you guys are pitching at it sounds

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Speaker 4: like you're pitching an episode of Medical.

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Speaker 1: I don't know it would do that podcast. I think

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Speaker 1: I can get a deal on the location and the

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Speaker 1: talent as well.

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Speaker 2: Yeah, I would shoot it here with you, just to

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Speaker 2: be on TV.

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Speaker 1: I do anything.

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Speaker 4: Yeah, Well the thing is right now. Uh you know,

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Speaker 4: I don't. I'm sure you guys are aware of that

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Speaker 4: because you can watch it right now that we've already

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Speaker 4: finished production production works.

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Speaker 1: Yeah, but no, yes on that one. And I've seen

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Speaker 1: and I'm seeing this, and I am thinking it's actually

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Speaker 1: very clever, Robert, because I've seen medical yeah, and I've

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Speaker 1: seen police.

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Speaker 4: Yeah, but you've never seen a medical police, right, Yeah,

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Speaker 4: they make that's your idea. I was not my idea. No,

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Speaker 4: I think that was just you know, it came from

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Speaker 4: Children's Hospital, which was a show that we did for

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Speaker 4: a long time.

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Speaker 1: I had seen children Yeah, of course I've seen hospital.

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Speaker 4: Yeah, and then they put those two together. Yes, but

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Speaker 4: so I think they just wanted to kind of keep

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Speaker 4: doing that show and change a name, change the name. Yeah, yeah,

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Speaker 4: take it.

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Speaker 2: Whose idea was the different things? Whose idea was Children's Hospital?

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Speaker 2: Whose idea was to change the name?

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Speaker 4: Uh, you know, I don't I have to look on Wikipedia.

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Speaker 4: I don't even really know not your idea, No, not me,

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Speaker 4: but I will go on wikipedia dot com and check

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Speaker 4: it out or Wikipedia.

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Speaker 1: You're giving them money when you're there.

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Speaker 4: They need your support, Robert, I haven't to be one

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Speaker 4: percent honest. I have never given money to Wikipedia, but

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Speaker 4: now that I say it out loud, it feels like

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Speaker 4: stealing a little.

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Speaker 1: Bit, a little bit of a call to action here

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Speaker 1: for our listeners.

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Speaker 4: Yeah, do we do have much? How much have you given?

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Speaker 4: What's appropriate? I just don't know. I don't know how

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Speaker 4: much to give.

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Speaker 1: It's it's on a per article basis of your Is

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Speaker 1: it like a my income.

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Speaker 4: I've yeah, ten percent of your income. That seems like

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Speaker 4: a lot.

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Speaker 2: Yeah, i's per article. You can do it, you know,

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Speaker 2: of course there's money. There's also like you can provide

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Speaker 2: your labor.

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Speaker 4: Oh, you can give they'll take services in trade.

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Speaker 2: By like updating the different articles and stuff going and

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Speaker 2: say funny updates.

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Speaker 1: Yeah that like certain people are like married to me, like.

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Speaker 4: For example, oh that's funny, that is really funny.

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Speaker 1: They smell funny or something that's great.

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Speaker 4: That's great too.

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Speaker 1: I like that they love Garfield stuff. That's like you

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Speaker 1: can't confirm it, but it's like so random. We do

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Speaker 1: a lot of random humor on Wikipedia, and I think

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Speaker 1: it actually some of the humor would fit in pretty

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Speaker 1: well at medical Beliefs.

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Speaker 4: At what oh at the show? Yeah, well again just

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Speaker 4: a kind of double back. They already finished shooting. So

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Speaker 4: I mean definitely if you could, if you want to

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Speaker 4: email the Netflix people or whatever and just say, hey,

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Speaker 4: you know.

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Speaker 1: What's that email and write that down?

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Speaker 4: I think it's just uh, you know Netflix dot com.

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Speaker 4: And if you just go to probably human resources at

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Speaker 4: Netflix dot com. Yeah, and you're writing it down right now?

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Speaker 2: Is that how it happens with all this stuff? Like

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Speaker 2: if I'm watching this thing, it, I know it's not

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Speaker 2: going to happen when I'm seeing it, like obviously it's

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Speaker 2: not happening later, but sometimes it is happening right now.

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Speaker 4: Right. Some of this stuff has to be you're talking about,

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Speaker 4: like the algorithm at Netflix, how does it?

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Speaker 3: No?

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Speaker 1: Yikes? No, Actually, Algore has no rhythm. If you've seen him,

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Speaker 1: he's very stiff. That's classic, And that's sort of thing

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Speaker 1: I might put in is Wikipedia, then in your past

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Speaker 1: slat I might have done that. Well SNL has done it, Yeah,

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Speaker 1: but it might one step ahead of me. But No.

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Speaker 2: Actually, what I'm talking about, if you sort of listen

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Speaker 2: to what I'm saying, is like the stuff that I'm watching,

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Speaker 2: like I know it is not going to happen later

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Speaker 2: like some other way going forward that or if it does,

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Speaker 2: it's happening again, Yes, exactly, yes, but some of it,

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Speaker 2: like when I'm watching something online or whatever, like it

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Speaker 2: is happening at the same.

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Speaker 4: Time currently, right, No, No, it's not everything nothing, Nope,

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Speaker 4: none of it unless you're looking at a window, do

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Speaker 4: you know what I mean?

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Speaker 2: Like, okay, so that is something. Okay, so right now,

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Speaker 2: I just heard you say nothing but now and then

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Speaker 2: you said okay, but also this could be happening.

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Speaker 4: Well, I'm hearing your point, and I'm trying to I'm

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Speaker 4: trying to react appropriately to.

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Speaker 1: It without okay, maybe try a little harder, I.

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Speaker 4: Guess some trying to under also understand your po V

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Speaker 4: because everyone's POV is important, right, you know in general

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Speaker 4: when you're yes, when you're interacting so important. When you're

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Speaker 4: interfacing with people, you have to be thinking like what

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Speaker 4: is their POV? What is my POV?

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Speaker 1: Right, I'm trying to figure out yours.

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Speaker 2: I'm I'm seeing it from a different angle than you are,

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Speaker 2: and when I look away, you disappear, and when I

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Speaker 2: look back, like you.

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Speaker 1: Exist arrived again. Yes, but I don't know where you

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Speaker 1: were in the meantime or if you were ever coming back.

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Speaker 4: Well, uh, I'm confused. I guess about your consumption habits

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Speaker 4: of entertainment. For example, do you like what platforms?

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Speaker 3: Uh?

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Speaker 4: What are your favorite platforms? Just name some free meter.

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Speaker 2: I have one that kind of attaches with suction cups

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Speaker 2: to a big window in my house that I can

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Speaker 2: kind of perch on.

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Speaker 4: I'm talking but entertainment, Uh, there's so streamers.

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Speaker 1: Interesting stuff going on out there.

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Speaker 4: Yes, that's okay, Now we're all on the same page. Yes,

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Speaker 4: so in Hollywood as far as like entertainment is concerned,

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Speaker 4: and and and I'm talking about all kinds dramas, comedies, reality.

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Speaker 1: And it's not and it's not that simple, is it anymore?

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Speaker 4: It's not that simple. There's hybrids, there's you know, there's.

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Speaker 1: There's actuality, not just reality.

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Speaker 4: Well, there's a lot of line crossing and a lot

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Speaker 4: of like envelope pushing. Now, like that's what that is

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Speaker 4: what they talk about and what they love, you know, brash.

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Speaker 1: Yeah, some of the characters are outrageous. Bosh and you

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Speaker 1: hear your name, friend.

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Speaker 4: But you're right that a lot of the characters are.

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Speaker 4: That is where it's going. As far as my POV

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Speaker 4: is concerned, they are trying to get brasher characters, outrage culture,

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Speaker 4: outrage culture. So but to double back, so as far

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Speaker 4: as platform and what you guys, spend your time when

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Speaker 4: you're not doing this.

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Speaker 1: I don't remember a time when I'm not doing this.

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Speaker 4: So you're here most of the most of the time.

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Speaker 1: For better or worse. I mean, you're looking at me.

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Speaker 1: This is a fish and water right now. This is water.

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Speaker 1: This is water.

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Speaker 2: You here, there's a little bit of a squeaky microphone today,

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Speaker 2: and it like hear.

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Speaker 1: That, yeah, yeah, yeah, yeah.

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Speaker 2: It sounds a little bit like uh, screwing, like that

293
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Speaker 2: like the bed spring, like the neighbors are screwing, which

294
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Speaker 2: is not like we.

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Speaker 1: Can all talk about that, but uh and maybe.

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Speaker 4: It does. It does kind of sound like that someone's

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Speaker 4: someone's totally effing.

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Speaker 1: Dude, and that is happening right now.

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Speaker 4: Get a room. Yeah, that's what someone would.

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Speaker 1: And that's the first time i've well, like you loosened

301
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Speaker 1: up and had some fun on the show. So it

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Speaker 1: could be like and it.

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Speaker 4: Could be Sam Nerve wracking the show. For me, Well,

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Speaker 4: it's pressure. It's a pressure situation because when because when

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Speaker 4: you come in here, you guys are so on point

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00:16:17,080 --> 00:16:21,200
Speaker 4: that to uh, to a newbie or or someone that

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Speaker 4: is just popping in, you know, it's like you really

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Speaker 4: got to bring your a game.

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Speaker 1: Well, so an oily machine and and if you stick

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Speaker 1: your hand in the machine might get gobbled up and

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Speaker 1: pull back a stump.

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Speaker 2: And it's an institution that's greater than any single person

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Speaker 2: at this point. And even I can sort of stand

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Speaker 2: in awe of it, and it find it extremely intimidating.

315
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Speaker 1: How it is I'm terrified of show?

316
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Speaker 4: How is airline travel? Or just like public appearances stuff

317
00:16:49,200 --> 00:16:52,840
Speaker 4: like that can't do you? Are you getting flashed?

318
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Speaker 1: Are proper on stage?

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Speaker 4: So so so people do recognize you, like if you

320
00:17:00,680 --> 00:17:02,760
Speaker 4: if you're walking down the street and you're talking, people

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Speaker 4: recognize your voice or they they're whispering.

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Speaker 1: A lot of times when I if I walk by

323
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Speaker 1: and I'm on the phone with not throw it up

324
00:17:13,640 --> 00:17:17,040
Speaker 1: random example, crazy example, we make up a funny phone

325
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Speaker 1: call give me a minute, SpongeBob, right funny that idea

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Speaker 1: that I'm talking to.

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Speaker 2: Sam, will you cut out that like that, that that

328
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Speaker 2: twenty minute gap. Is it possible to cut that out

329
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Speaker 2: and make it look like you thought of it right

330
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Speaker 2: away that he just said SpongeBob right after he said

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Speaker 2: give me a minute.

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Speaker 4: Yeah, I see, this is interesting to me. Sorry, we'll

333
00:17:38,640 --> 00:17:42,679
Speaker 4: keep going. But now that we're talking to uh, you know,

334
00:17:42,720 --> 00:17:45,000
Speaker 4: the behind the scenes of the show. Yeah, I've never

335
00:17:45,040 --> 00:17:47,840
Speaker 4: seen gaffs like that on a I didn't know that

336
00:17:47,840 --> 00:17:50,320
Speaker 4: that's that. There was even editing on the podcast, right.

337
00:17:50,400 --> 00:17:54,760
Speaker 1: It feels so natural, feels so yeah now well and tight,

338
00:17:54,840 --> 00:17:58,040
Speaker 1: but also shaggy in an authentic way. For sure. Are

339
00:17:58,119 --> 00:17:59,280
Speaker 1: sometimes little pause.

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00:17:59,359 --> 00:18:03,439
Speaker 4: Oh it's organic, it's totally organic, but fully edited, fully

341
00:18:03,560 --> 00:18:04,280
Speaker 4: edited so.

342
00:18:04,400 --> 00:18:06,320
Speaker 2: That we might also want to cut the part where

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00:18:06,359 --> 00:18:09,200
Speaker 2: we were saying that it was a squeaky mic and

344
00:18:09,280 --> 00:18:11,879
Speaker 2: not like like the like the neighbor.

345
00:18:11,960 --> 00:18:14,880
Speaker 1: Maybe it's you that like you are like doing it.

346
00:18:15,040 --> 00:18:16,800
Speaker 1: Do you want me to cut in saying that joke

347
00:18:16,840 --> 00:18:19,480
Speaker 1: that maybe it's me doing it. No, maybe you could

348
00:18:19,520 --> 00:18:23,400
Speaker 1: say that it's like the tin man jacket off. Oh wow, well,

349
00:18:23,720 --> 00:18:26,879
Speaker 1: I mean like that's not good. No, it's good. But

350
00:18:27,200 --> 00:18:30,280
Speaker 1: do you want it. I was hoping that I could

351
00:18:30,280 --> 00:18:31,520
Speaker 1: do it.

352
00:18:30,840 --> 00:18:33,320
Speaker 3: Why don't you want to step back up for that

353
00:18:33,359 --> 00:18:34,359
Speaker 3: and give me a clean cut?

354
00:18:34,520 --> 00:18:35,240
Speaker 4: Give them a clean cut.

355
00:18:35,359 --> 00:18:37,760
Speaker 2: I'll do I'll say, okay, because I want like the

356
00:18:38,480 --> 00:18:40,919
Speaker 2: listener to have like the experience of really thinking that,

357
00:18:41,000 --> 00:18:44,240
Speaker 2: like someone is doing it during the show and so well,

358
00:18:44,240 --> 00:18:46,200
Speaker 2: like make the noise and then I'll say it sounds

359
00:18:46,200 --> 00:18:48,240
Speaker 2: like the tin man jacking off. And then Sam, you'll

360
00:18:48,280 --> 00:18:50,919
Speaker 2: be like, oh, sorry, like I was doing it, Like

361
00:18:51,680 --> 00:18:55,240
Speaker 2: is it okay? If I keep going, oh sure, okay,

362
00:18:55,359 --> 00:18:59,560
Speaker 2: it's fun like for the listener's like really exciting. Yeah yeah,

363
00:18:59,560 --> 00:19:03,359
Speaker 2: oh that every step of it is like really like exciting, and.

364
00:19:03,320 --> 00:19:07,120
Speaker 1: That's really cool. Am I Rob and I doing anything?

365
00:19:07,359 --> 00:19:08,959
Speaker 4: I think we're just we're studying.

366
00:19:08,960 --> 00:19:09,719
Speaker 1: We're laughing.

367
00:19:09,760 --> 00:19:12,119
Speaker 4: He's going to get a clean I mean you had

368
00:19:12,160 --> 00:19:12,960
Speaker 4: a pretty big laugh.

369
00:19:14,320 --> 00:19:17,120
Speaker 1: Yeah, yes, So you don't have to do it now.

370
00:19:17,200 --> 00:19:21,760
Speaker 1: I'll react, but something small, right, just with an eye dropper.

371
00:19:21,880 --> 00:19:23,080
Speaker 1: I'll distribute my reaction.

372
00:19:23,160 --> 00:19:26,119
Speaker 4: I'll tell you what I'll do. I will throw it away.

373
00:19:27,280 --> 00:19:29,080
Speaker 4: Ah do you know what I mean?

374
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Speaker 1: Completely disposable.

375
00:19:31,440 --> 00:19:38,840
Speaker 4: Well, I'm just saying that my I'll minimize my go ahead, Okay.

376
00:19:37,680 --> 00:19:39,560
Speaker 1: Okay, and I'll do something so small.

377
00:19:44,280 --> 00:19:48,240
Speaker 2: Oh that that noise sounds like that could be that

378
00:19:48,320 --> 00:19:49,760
Speaker 2: sounds like it could be the tin.

379
00:19:49,680 --> 00:19:56,040
Speaker 1: Man whacking himself. Is that's actually me? Wait? Let him?

380
00:19:56,640 --> 00:19:59,760
Speaker 1: I thought I'm doing just the tiniest reaction. Okay, I'm sorry.

381
00:20:00,080 --> 00:20:01,639
Speaker 1: Back to one. Yeah, something so small.

382
00:20:03,680 --> 00:20:06,200
Speaker 2: Oh, it sounds like the deniman could be in here.

383
00:20:08,280 --> 00:20:14,520
Speaker 2: Let me say that he he's and he's uh whacking

384
00:20:14,560 --> 00:20:20,560
Speaker 2: his metal meat. No, stop, that's actually me.

385
00:20:22,480 --> 00:20:24,560
Speaker 1: And you say like I'm doing it. Oh, I'm sorry,

386
00:20:24,600 --> 00:20:26,560
Speaker 1: that's actually me. I'm the one doing it. I'm this

387
00:20:26,600 --> 00:20:29,520
Speaker 1: is embarrassing. No not? Can I keep going?

388
00:20:30,440 --> 00:20:31,840
Speaker 4: Does anyone to mention the tin man?

389
00:20:31,960 --> 00:20:38,000
Speaker 1: Or so that's what I did. I didn't hear it either. Okay,

390
00:20:38,040 --> 00:20:39,560
Speaker 1: I did say I think I said it a couple

391
00:20:39,600 --> 00:20:41,000
Speaker 1: of times. I didn't hear it either.

392
00:20:41,280 --> 00:20:42,159
Speaker 4: I think we might go.

393
00:20:42,400 --> 00:20:44,159
Speaker 1: I was waiting. I think that's why I was.

394
00:20:44,520 --> 00:20:48,439
Speaker 4: Maybe if you take earlier, you could edit that.

395
00:20:48,920 --> 00:20:52,680
Speaker 1: Yeah. I think we have all the pieces and get

396
00:20:53,119 --> 00:20:56,399
Speaker 1: do you want? Can I get a couple just as well?

397
00:20:56,440 --> 00:20:58,199
Speaker 2: And I just want to clarify, use him, you're not

398
00:20:58,359 --> 00:21:00,760
Speaker 2: when you say you're doing it like you're you're not

399
00:21:00,800 --> 00:21:04,560
Speaker 2: like making the noise like you're having sex during the show.

400
00:21:05,400 --> 00:21:11,359
Speaker 1: Oh okay, okay, that's doing it. Am I proud of it?

401
00:21:11,359 --> 00:21:16,719
Speaker 1: It may, but I'm sure it away.

402
00:21:17,160 --> 00:21:20,240
Speaker 3: Okay, how many people can throw away? We just have

403
00:21:20,320 --> 00:21:22,640
Speaker 3: to supersede mind. Yeah, then we'll have to take out

404
00:21:22,680 --> 00:21:23,760
Speaker 3: the trash.

405
00:21:24,600 --> 00:21:29,000
Speaker 1: You can do like, I mean, what do you say? Well,

406
00:21:29,040 --> 00:21:30,800
Speaker 1: you had an alt idea? Is that right?

407
00:21:32,440 --> 00:21:35,399
Speaker 4: I was just saying that. I was asking if you

408
00:21:35,400 --> 00:21:38,040
Speaker 4: guys wanted to get some alts besides the tin man.

409
00:21:38,119 --> 00:21:40,960
Speaker 1: I would like, did you have a bitch? I mean,

410
00:21:41,080 --> 00:21:44,320
Speaker 1: often when someone like gives a note like they have.

411
00:21:44,520 --> 00:21:47,760
Speaker 4: Well, when I was driving over, I didn't know what

412
00:21:47,760 --> 00:21:49,560
Speaker 4: we were going to be doing yet, I didn't think

413
00:21:49,600 --> 00:21:52,480
Speaker 4: of any alts. But yeah, I mean I guess it

414
00:21:52,480 --> 00:21:52,920
Speaker 4: could be.

415
00:21:53,200 --> 00:21:57,080
Speaker 1: Does how it works on medical police? Go home to

416
00:21:57,080 --> 00:21:59,720
Speaker 1: do your al drive and you think about nothing at all?

417
00:22:00,200 --> 00:22:04,520
Speaker 4: Good point, Okay, I'll take that. I just I gotta

418
00:22:04,520 --> 00:22:05,919
Speaker 4: be in the moment here. I got to come up

419
00:22:05,920 --> 00:22:11,840
Speaker 4: with what does that sound like? That squeaky thing? What

420
00:22:11,880 --> 00:22:16,280
Speaker 4: about like you know those dogs, those robot dogs like

421
00:22:16,359 --> 00:22:19,560
Speaker 4: the Boston Dynamics, uh that beat down the doors and

422
00:22:19,880 --> 00:22:22,960
Speaker 4: you know, arrest people and kill people and what I like,

423
00:22:23,040 --> 00:22:27,600
Speaker 4: there's killer robot dogs and it's them fucking Sam.

424
00:22:27,680 --> 00:22:29,720
Speaker 2: And do you never like get a new SD card

425
00:22:29,920 --> 00:22:32,520
Speaker 2: with like the time that that shok Unfortunately?

426
00:22:32,600 --> 00:22:35,640
Speaker 3: Yeah, the recordings we do about ten minutes per card. Okay,

427
00:22:35,720 --> 00:22:37,000
Speaker 3: so I got to swap out real quick.

428
00:22:37,080 --> 00:22:39,439
Speaker 4: Okay, so do we go back to one or what

429
00:22:39,480 --> 00:22:39,840
Speaker 4: do we do?

430
00:22:40,040 --> 00:22:42,439
Speaker 3: Well, we can put that together. Yeah, I can assemble

431
00:22:42,480 --> 00:22:45,040
Speaker 3: it together. I just need ten minutes which I can

432
00:22:45,040 --> 00:22:46,560
Speaker 3: then edit out to change the card.

433
00:22:46,760 --> 00:22:48,000
Speaker 1: And it was a robot dog.

434
00:22:48,400 --> 00:22:52,840
Speaker 4: Well I'm talking about the Yes, yeah, I think you've

435
00:22:52,880 --> 00:22:57,159
Speaker 4: seen viral videos of those robot dogs that like, you know,

436
00:22:57,200 --> 00:22:58,920
Speaker 4: they're like police dogs that they use now to like

437
00:22:59,800 --> 00:23:00,440
Speaker 4: ire all.

438
00:23:00,359 --> 00:23:03,040
Speaker 2: Andy said, police and this is like that is how

439
00:23:03,119 --> 00:23:05,640
Speaker 2: you plug Okay, we're swapping alcohol police.

440
00:23:05,640 --> 00:23:06,879
Speaker 1: Well it's an eye dropper.

441
00:23:07,480 --> 00:23:10,919
Speaker 4: ABP. Always be plugging, you know that, because once you

442
00:23:10,960 --> 00:23:15,760
Speaker 4: start to work in your your project into your own lingo,

443
00:23:16,440 --> 00:23:19,200
Speaker 4: you can drop plugs all over the place and people

444
00:23:19,240 --> 00:23:21,440
Speaker 4: will find them later like easter eggs, you know.

445
00:23:21,640 --> 00:23:24,160
Speaker 1: No, yes, we like to say that on our show.

446
00:23:24,600 --> 00:23:27,560
Speaker 1: We drop the plug off and let the audience come

447
00:23:27,600 --> 00:23:28,920
Speaker 1: and collected themselves.

448
00:23:28,960 --> 00:23:29,280
Speaker 4: Man.

449
00:23:29,400 --> 00:23:31,399
Speaker 2: Yes, And Sam, did you also want to plug that

450
00:23:31,440 --> 00:23:33,879
Speaker 2: you were on vander Pumper. I mean it's like, you know,

451
00:23:34,080 --> 00:23:37,160
Speaker 2: Rob has a show, Sam and Away has a show

452
00:23:37,200 --> 00:23:37,679
Speaker 2: as well.

453
00:23:37,840 --> 00:23:38,119
Speaker 1: You know what.

454
00:23:38,200 --> 00:23:39,680
Speaker 3: I actually I don't feel I need to. I feel

455
00:23:39,720 --> 00:23:42,399
Speaker 3: the crossover between these two shows. I can't imagine anyone

456
00:23:42,400 --> 00:23:44,960
Speaker 3: wouldn't know that. What listens to this? I imagine they

457
00:23:44,960 --> 00:23:45,480
Speaker 3: already know.

458
00:23:46,320 --> 00:23:49,200
Speaker 2: You were on vander pump rolls listening to Stassi do

459
00:23:49,320 --> 00:23:52,280
Speaker 2: a reading of what of her book?

460
00:23:53,640 --> 00:23:55,760
Speaker 1: So it's basic, bitch, I think.

461
00:23:55,880 --> 00:23:59,680
Speaker 4: Why why were did you go there? By choice? Yeah?

462
00:23:59,680 --> 00:24:02,359
Speaker 1: I went to the to watch her read from her book?

463
00:24:02,960 --> 00:24:05,400
Speaker 4: Okay, and what what? Why did you do that?

464
00:24:05,800 --> 00:24:07,879
Speaker 3: I was curious to see what it would be like

465
00:24:07,880 --> 00:24:09,720
Speaker 3: if I want to see her read from her book?

466
00:24:10,000 --> 00:24:13,679
Speaker 1: So curiosity, Yeah, it was good. What was some of

467
00:24:13,720 --> 00:24:14,400
Speaker 1: the stuff?

468
00:24:14,560 --> 00:24:15,720
Speaker 4: Curiosity is good.

469
00:24:16,320 --> 00:24:20,280
Speaker 3: Curiosity is good, Listening is good, Being around people is good.

470
00:24:20,520 --> 00:24:21,880
Speaker 3: Book books books are good.

471
00:24:21,960 --> 00:24:22,560
Speaker 4: Books is good.

472
00:24:22,600 --> 00:24:26,240
Speaker 1: Books is good. Uh, you guys, lots of pictures.

473
00:24:26,280 --> 00:24:30,160
Speaker 3: In the book. I know that's important, you guys will appreciate.

474
00:24:30,640 --> 00:24:32,840
Speaker 3: Do you look right at him? There's lots of She

475
00:24:32,880 --> 00:24:36,480
Speaker 3: talks about ranch a lot ranch dressing.

476
00:24:37,920 --> 00:24:41,479
Speaker 1: That was the excerpt that she read was about Ranch dressing.

477
00:24:42,440 --> 00:24:44,480
Speaker 1: I don't know that she read a lot from it.

478
00:24:44,560 --> 00:24:46,280
Speaker 4: They did you hear a little bit of the book?

479
00:24:46,480 --> 00:24:46,720
Speaker 1: Sure?

480
00:24:47,920 --> 00:24:53,520
Speaker 3: Chapter one? Uh, thank you for buying this book. I

481
00:24:53,560 --> 00:24:54,840
Speaker 3: hope that you're enjoying it.

482
00:24:54,960 --> 00:24:59,720
Speaker 1: Going from memory. Yeah, you're off book. Yeah, that's a

483
00:24:59,720 --> 00:25:02,520
Speaker 1: different podcast. We don't talk about my podcast on this show.

484
00:25:02,560 --> 00:25:03,440
Speaker 1: That's a different podcast.

485
00:25:04,320 --> 00:25:06,360
Speaker 4: I don't know that podcast.

486
00:25:06,800 --> 00:25:08,600
Speaker 1: I'm gonna have to pause you guys to change cards.

487
00:25:09,880 --> 00:25:12,320
Speaker 4: I'll go back to one. I did not know we

488
00:25:12,359 --> 00:25:14,760
Speaker 4: can edit this out. I didn't. I didn't even I'm

489
00:25:14,800 --> 00:25:17,280
Speaker 4: so sorry, guys. I didn't know there was another podcast.

490
00:25:16,880 --> 00:25:21,000
Speaker 2: That's okay, And honestly, the show should be called off

491
00:25:21,119 --> 00:25:23,560
Speaker 2: the premises, which is what I wish they would.

492
00:25:23,400 --> 00:25:26,120
Speaker 4: Get kick him off. Yes, I didn't even know there

493
00:25:26,160 --> 00:25:27,520
Speaker 4: was another podcast.

494
00:25:27,160 --> 00:25:30,040
Speaker 1: Okay, sow Rockers with Betty White, because that's what I

495
00:25:30,080 --> 00:25:32,000
Speaker 1: wish would replace. I have to reuse one of the

496
00:25:32,040 --> 00:25:32,760
Speaker 1: other cards.

497
00:25:32,960 --> 00:25:35,920
Speaker 3: So is there a section you'd like to lose?

498
00:25:35,920 --> 00:25:41,879
Speaker 1: It will be taped over. What about the uh hmm,

499
00:25:42,840 --> 00:25:45,320
Speaker 1: I don't want it this time, just not to be rude.

500
00:25:45,359 --> 00:25:47,520
Speaker 1: Can it be mostly rob stuff?

501
00:25:47,680 --> 00:25:50,679
Speaker 4: I would agree, I could, but I.

502
00:25:50,680 --> 00:25:55,280
Speaker 1: Feel like Hayes has been on really funny today and

503
00:25:55,320 --> 00:25:56,840
Speaker 1: a lot of supporting him.

504
00:25:57,119 --> 00:25:59,399
Speaker 2: A lot of my best stuff historically has been getting

505
00:25:59,440 --> 00:26:02,720
Speaker 2: taped over. I just want to point out I don't

506
00:26:02,840 --> 00:26:05,320
Speaker 2: I'm not saying that's intentional, but it is happening.

507
00:26:05,680 --> 00:26:08,360
Speaker 1: We can do at least another hour if we lose Rob.

508
00:26:08,480 --> 00:26:16,439
Speaker 4: Can I can I suggest that is there? Do we

509
00:26:16,560 --> 00:26:19,040
Speaker 4: have to record over stuff? Because I feel like a

510
00:26:19,080 --> 00:26:21,320
Speaker 4: lot of it has been super solid.

511
00:26:22,680 --> 00:26:23,719
Speaker 1: It's been really good.

512
00:26:23,840 --> 00:26:26,119
Speaker 2: Yeah, and it has a kind of an arc that

513
00:26:26,200 --> 00:26:29,960
Speaker 2: I worry will not make sense if it's been so

514
00:26:30,200 --> 00:26:32,640
Speaker 2: clearly here in one second is removed.

515
00:26:33,400 --> 00:26:40,040
Speaker 4: Well, the the base off at the very beginning, could

516
00:26:40,119 --> 00:26:42,440
Speaker 4: we trim? Is there any fat in there?

517
00:26:42,560 --> 00:26:45,040
Speaker 2: No? It kind of ties in. First of all, it

518
00:26:45,200 --> 00:26:49,119
Speaker 2: wasn't the base off. It was a base base blowout.

519
00:26:49,640 --> 00:26:50,800
Speaker 1: We did it. Yeah, we're back in.

520
00:26:50,920 --> 00:26:51,560
Speaker 4: Oh great.

521
00:26:53,600 --> 00:26:56,480
Speaker 1: Hey. Support for today's show comes from dash Lane. I

522
00:26:56,560 --> 00:26:59,920
Speaker 1: am personally living life in the dash Lane and it's

523
00:27:00,119 --> 00:27:02,639
Speaker 1: not making me lose my mind. It's actually making me

524
00:27:02,720 --> 00:27:07,119
Speaker 1: be safe online. So dash Lene makes everything you do

525
00:27:07,200 --> 00:27:11,479
Speaker 1: online easier. Pill forms fast, remember all your passwords, keep

526
00:27:11,520 --> 00:27:13,919
Speaker 1: your online data accessible and safe. With this all in

527
00:27:14,000 --> 00:27:17,040
Speaker 1: one app, dash Lene even safely remembers and auto fills

528
00:27:17,040 --> 00:27:19,080
Speaker 1: all your loged information, so you won't get slowed down

529
00:27:19,119 --> 00:27:22,879
Speaker 1: by forgotten or misspelled passwords. Plus it works across devices,

530
00:27:22,920 --> 00:27:25,000
Speaker 1: so you can access your accounts no matter what device

531
00:27:25,040 --> 00:27:29,040
Speaker 1: you're using, computer or phone or asis transformer pad. So

532
00:27:29,800 --> 00:27:34,520
Speaker 1: I know that we explained in the pre roll ad

533
00:27:34,640 --> 00:27:40,480
Speaker 1: that we were getting completely slammed by hackers and they

534
00:27:40,560 --> 00:27:44,639
Speaker 1: were going into my LinkedIn account and they were putting

535
00:27:44,720 --> 00:27:47,760
Speaker 1: extremely unprofessional photos in. So in my normal photo I

536
00:27:47,800 --> 00:27:51,240
Speaker 1: had on a tie and a snappy beret, and then

537
00:27:51,240 --> 00:27:53,240
Speaker 1: they put in a photo where I had no beret on,

538
00:27:53,520 --> 00:27:56,840
Speaker 1: and I stopped getting hired by businesses, and I was like,

539
00:27:57,000 --> 00:28:01,520
Speaker 1: I gotta be able to protect this password. And then,

540
00:28:02,000 --> 00:28:05,400
Speaker 1: of course the one I used to have before dash

541
00:28:05,480 --> 00:28:09,480
Speaker 1: Lane helped me was business is my business, and business

542
00:28:09,560 --> 00:28:15,479
Speaker 1: is good major pain reference we're in major pain. If

543
00:28:15,520 --> 00:28:19,639
Speaker 1: you recall David Wayne said killing is my business. A

544
00:28:19,720 --> 00:28:22,480
Speaker 1: business is good, but killing is not my business. My

545
00:28:22,600 --> 00:28:24,119
Speaker 1: business was business.

546
00:28:25,400 --> 00:28:28,920
Speaker 2: My password for LinkedIn was I'm not a businessman. I'm

547
00:28:28,960 --> 00:28:34,120
Speaker 2: a businessman, which you are not allowed to have spaces

548
00:28:34,400 --> 00:28:37,720
Speaker 2: or commas, and so it did sort.

549
00:28:37,520 --> 00:28:40,000
Speaker 1: Of look like just the same businessman. I'm a businessman thing.

550
00:28:40,960 --> 00:28:42,960
Speaker 2: And so while I wasn't like really sharing it with

551
00:28:43,000 --> 00:28:48,080
Speaker 2: anyone else, I was personally confused by it. And I

552
00:28:48,160 --> 00:28:51,760
Speaker 2: hate to think that the hackers saw this and they

553
00:28:51,760 --> 00:28:52,640
Speaker 2: could think like, oh.

554
00:28:52,600 --> 00:28:55,800
Speaker 1: There's no apostrophes or anything. You're not like it said,

555
00:28:57,520 --> 00:28:59,360
Speaker 1: I'm not a businessman. I'm a businessman.

556
00:29:02,320 --> 00:29:07,080
Speaker 2: So that you know, I'm glad to be that that's

557
00:29:07,160 --> 00:29:08,080
Speaker 2: not part of my life.

558
00:29:08,120 --> 00:29:11,320
Speaker 1: I glad too. I'm glad too because major pain is

559
00:29:11,360 --> 00:29:13,200
Speaker 1: not as relevant as it was when I started my

560
00:29:13,280 --> 00:29:18,840
Speaker 1: LinkedIn account. Unfortunately. Yeah, we forget our history. And so

561
00:29:19,600 --> 00:29:23,680
Speaker 1: dash Lane has protected me. So I am grateful to them,

562
00:29:23,760 --> 00:29:25,640
Speaker 1: and I am happy to be living life in the

563
00:29:25,720 --> 00:29:28,600
Speaker 1: dash lane not making me lose my mind, it's protecting

564
00:29:28,640 --> 00:29:29,400
Speaker 1: me online.

565
00:29:29,800 --> 00:29:30,040
Speaker 3: Uh.

566
00:29:30,120 --> 00:29:32,640
Speaker 1: You can start dashing through the internet and help support

567
00:29:32,680 --> 00:29:36,120
Speaker 1: the show by visiting www dot dash lane dot com today.

568
00:29:36,360 --> 00:29:39,040
Speaker 1: That's dash lane dot com. And we did learn a

569
00:29:39,040 --> 00:29:47,160
Speaker 1: little something about dynamic insertion after the first ad where

570
00:29:47,200 --> 00:29:49,960
Speaker 1: we said, maybe you'll be hearing this one out of order. Actually,

571
00:29:50,400 --> 00:29:55,280
Speaker 1: this company is so rich and strong that they were

572
00:29:55,320 --> 00:30:00,960
Speaker 1: able to force Stitcher's wicked hands and chef Kevin and

573
00:30:00,960 --> 00:30:04,280
Speaker 1: they made him hit himself and they told him to

574
00:30:04,280 --> 00:30:07,600
Speaker 1: stop hitting himself, but really he had no choice. Uh,

575
00:30:07,640 --> 00:30:10,000
Speaker 1: and told him that he can't play these ones out

576
00:30:10,040 --> 00:30:18,160
Speaker 1: of order. So take that colin hand, Buckywood hand up. Okay,

577
00:30:18,200 --> 00:30:21,360
Speaker 1: So Rob, we wanted to talk to you about little

578
00:30:21,520 --> 00:30:25,040
Speaker 1: whispers we've heard in the hallways lately that there's going

579
00:30:25,120 --> 00:30:29,440
Speaker 1: to be a medical police, the new class.

580
00:30:30,040 --> 00:30:33,960
Speaker 2: What some people there's some people say finger like some

581
00:30:33,960 --> 00:30:36,280
Speaker 2: sometimes you hear, sometimes you hear.

582
00:30:37,120 --> 00:30:42,360
Speaker 1: There's gonna be pos the new class gonna be give

583
00:30:42,400 --> 00:30:43,520
Speaker 1: you an audition for it?

584
00:30:44,400 --> 00:30:46,560
Speaker 4: Oh, is that your idea?

585
00:30:46,720 --> 00:30:49,120
Speaker 1: Throw us a case, you know, throw us a case

586
00:30:49,160 --> 00:30:51,400
Speaker 1: and and just see, Hey, maybe these guys would be

587
00:30:51,440 --> 00:30:51,920
Speaker 1: right for it.

588
00:30:52,040 --> 00:30:54,840
Speaker 4: Well, I mean to be.

589
00:30:54,880 --> 00:30:56,720
Speaker 1: Did the dog do something? You just looked at the dog?

590
00:30:56,880 --> 00:30:58,320
Speaker 4: No, not at all. I just want to make sure

591
00:30:58,360 --> 00:31:01,120
Speaker 4: I'm not stepping on him. But I want to be

592
00:31:01,720 --> 00:31:04,960
Speaker 4: I want to manage everybody's expectations in this room.

593
00:31:05,080 --> 00:31:05,360
Speaker 1: Yeah.

594
00:31:05,400 --> 00:31:09,240
Speaker 4: Absolutely, And B because I don't. I don't. I don't

595
00:31:09,320 --> 00:31:10,160
Speaker 4: like disappointment.

596
00:31:10,400 --> 00:31:12,880
Speaker 1: I don't. I have no expectation. I don't know that

597
00:31:12,960 --> 00:31:14,040
Speaker 1: you will exceed my question.

598
00:31:14,480 --> 00:31:17,000
Speaker 4: I haven't heard these rumors that you're talking about. But

599
00:31:17,280 --> 00:31:20,160
Speaker 4: if you if you want to lay it down. We can,

600
00:31:20,280 --> 00:31:22,840
Speaker 4: we can, we can, we can try it out.

601
00:31:23,000 --> 00:31:25,520
Speaker 1: Honestly, if once you see what we do with it.

602
00:31:26,680 --> 00:31:28,960
Speaker 1: I think even if there wasn't a rumor prior that

603
00:31:29,160 --> 00:31:31,400
Speaker 1: probably the executives and I wrote down that email you

604
00:31:31,440 --> 00:31:35,640
Speaker 1: gave me of human resources at dot com ms, and

605
00:31:35,720 --> 00:31:39,040
Speaker 1: that I think is going to be something we could

606
00:31:39,040 --> 00:31:41,080
Speaker 1: send them as like just an audio file of this.

607
00:31:41,400 --> 00:31:44,640
Speaker 4: Great. Okay, well, yeah, we'll send them the audio files

608
00:31:44,720 --> 00:31:48,280
Speaker 4: and uh, but to be honest, their algorithm will automatically

609
00:31:48,320 --> 00:31:53,680
Speaker 4: be scan and uh they're always scanning for mentions and

610
00:31:53,760 --> 00:31:57,600
Speaker 4: hashtags and uh, so they're going to know about this

611
00:31:57,720 --> 00:32:00,080
Speaker 4: once we do it anyway, so we have to submit it.

612
00:32:00,120 --> 00:32:03,280
Speaker 2: But yeah, okay, so if if the fans did hashtag,

613
00:32:03,360 --> 00:32:05,880
Speaker 2: let me do medical police and the me in this

614
00:32:05,960 --> 00:32:06,480
Speaker 2: case is.

615
00:32:08,040 --> 00:32:10,240
Speaker 1: Well yes, and myself as well. Right, I guess it

616
00:32:10,280 --> 00:32:11,680
Speaker 1: would depend on who's saying it.

617
00:32:11,800 --> 00:32:17,280
Speaker 4: But like it'll the algorithm, their algorithms is constantly scanning

618
00:32:17,600 --> 00:32:22,680
Speaker 4: and highlighting and so it'll it'll hear this and factor

619
00:32:22,720 --> 00:32:26,840
Speaker 4: it into their decision making process. And so yeah, so okay,

620
00:32:27,000 --> 00:32:30,680
Speaker 4: let's just say, uh, there's gonna be a brand new

621
00:32:30,760 --> 00:32:33,120
Speaker 4: class and it's uh, you know, they're looking for a

622
00:32:33,120 --> 00:32:39,840
Speaker 4: couple of new medical police. And you know, let's say

623
00:32:39,880 --> 00:32:43,120
Speaker 4: it's like, uh, don't make it hard. Okay, let's say

624
00:32:43,960 --> 00:32:50,640
Speaker 4: something mysterious is killing older people at like it grows well,

625
00:32:51,200 --> 00:32:54,720
Speaker 4: I mean, it's gonna be some sort of medical situation,

626
00:32:56,040 --> 00:32:56,720
Speaker 4: but let's just.

627
00:32:57,080 --> 00:32:59,440
Speaker 1: Don't have like bathroom stuff or anything like that.

628
00:33:00,480 --> 00:33:05,320
Speaker 4: Yeah, we're not going to So it's let's just say, okay, fine,

629
00:33:05,760 --> 00:33:08,560
Speaker 4: old people in a in a nursing home are dying

630
00:33:08,600 --> 00:33:11,960
Speaker 4: of natural causes, and they send in the new nurses house.

631
00:33:12,800 --> 00:33:13,440
Speaker 4: Nursing home.

632
00:33:14,320 --> 00:33:15,240
Speaker 1: I'm making sure, you.

633
00:33:15,200 --> 00:33:18,600
Speaker 4: Know, a nursing home a facility.

634
00:33:18,120 --> 00:33:21,800
Speaker 1: For the major you know, yes, yea, And they.

635
00:33:21,680 --> 00:33:24,080
Speaker 4: Send in the new class to figure out, you know,

636
00:33:24,080 --> 00:33:25,040
Speaker 4: what's killing these.

637
00:33:24,880 --> 00:33:28,040
Speaker 1: Old people death old.

638
00:33:28,200 --> 00:33:31,440
Speaker 4: So that's the auditions situation I'm presenting you.

639
00:33:31,480 --> 00:33:33,120
Speaker 1: Good, good, Hey, do you want to talk about it

640
00:33:33,120 --> 00:33:34,160
Speaker 1: for a minute? You just want to go right in.

641
00:33:34,360 --> 00:33:39,640
Speaker 1: Let's just go right into it. Driving up, there is

642
00:33:39,720 --> 00:33:51,440
Speaker 1: a house, you drop by it, yeah, past it now

643
00:33:51,480 --> 00:33:55,840
Speaker 1: the other way here we are.

644
00:33:57,440 --> 00:34:02,040
Speaker 2: Getting out walking up. Hey, guys, what's up. My name

645
00:34:02,120 --> 00:34:05,000
Speaker 2: is Hayes. I'm here to help everyone today.

646
00:34:05,240 --> 00:34:10,200
Speaker 4: Sorry to even disrupt the flow, but are you going

647
00:34:10,280 --> 00:34:12,440
Speaker 4: to use your real name on the show if they

648
00:34:12,600 --> 00:34:15,640
Speaker 4: cast you. Do you think that your character's name will be.

649
00:34:15,600 --> 00:34:20,799
Speaker 1: Hayes could be good for branding this well for me,

650
00:34:22,800 --> 00:34:26,560
Speaker 1: just to attach his name to something else other than

651
00:34:26,600 --> 00:34:27,959
Speaker 1: what it's normally.

652
00:34:28,040 --> 00:34:31,280
Speaker 2: Help me like where to look at different times and

653
00:34:31,680 --> 00:34:32,080
Speaker 2: like to.

654
00:34:32,800 --> 00:34:35,040
Speaker 4: Drill down a little bit. Is that something that happens

655
00:34:35,560 --> 00:34:39,600
Speaker 4: between the two of you. Do you guys find yourselves

656
00:34:39,800 --> 00:34:44,280
Speaker 4: trying to get other projects going? And does that cause tension?

657
00:34:44,520 --> 00:34:48,279
Speaker 1: I would not say that we have gotten any other

658
00:34:48,320 --> 00:34:55,640
Speaker 1: projects going, he said, try try to. I feel like

659
00:34:55,680 --> 00:34:58,040
Speaker 1: I've caught this guy doing it before. Am I wrong?

660
00:34:58,200 --> 00:34:59,400
Speaker 4: Trying to get other projects?

661
00:35:00,840 --> 00:35:06,239
Speaker 2: I wouldn't say, like, you know, sometimes I will be, uh,

662
00:35:07,080 --> 00:35:10,040
Speaker 2: just like hanging out in the yard, like kind of

663
00:35:10,080 --> 00:35:14,760
Speaker 2: sitting down in the yard and like imagining like different worlds,

664
00:35:15,680 --> 00:35:20,359
Speaker 2: and sometimes that can expand in a way that like, yes,

665
00:35:20,480 --> 00:35:23,880
Speaker 2: suddenly I am I have like built this whole universe

666
00:35:23,920 --> 00:35:25,440
Speaker 2: and I have like some of these guys that I

667
00:35:25,480 --> 00:35:27,800
Speaker 2: can move around, and I'm like okay, like well maybe

668
00:35:27,840 --> 00:35:30,120
Speaker 2: this could be something else.

669
00:35:30,520 --> 00:35:33,120
Speaker 1: This could like have other formats.

670
00:35:32,600 --> 00:35:35,680
Speaker 2: And I can't stop doing that, And I felt I understand,

671
00:35:36,080 --> 00:35:39,480
Speaker 2: I understand and I have read these uh.

672
00:35:41,080 --> 00:35:45,320
Speaker 1: Comic books, and the way I escape into these things,

673
00:35:45,840 --> 00:35:52,400
Speaker 1: oh man, where I am becoming you know, the green

674
00:35:52,520 --> 00:35:59,160
Speaker 1: man or the strong you know, friend of the main guy.

675
00:35:59,719 --> 00:36:04,799
Speaker 1: And the dreams I even have of doing this I

676
00:36:04,800 --> 00:36:06,680
Speaker 1: think would be sort of its own project.

677
00:36:06,760 --> 00:36:08,719
Speaker 2: I will say, also, I'm sorry you felt excluded. You

678
00:36:08,800 --> 00:36:11,000
Speaker 2: do not like to be on the grass. When I

679
00:36:11,000 --> 00:36:12,560
Speaker 2: set you down on the grass, you kind of like

680
00:36:12,600 --> 00:36:15,400
Speaker 2: lift your feet up in a way that like and

681
00:36:15,480 --> 00:36:17,160
Speaker 2: you make a face like you don't really want to

682
00:36:17,200 --> 00:36:21,839
Speaker 2: be put down there. Uh, And so that's part of

683
00:36:21,880 --> 00:36:24,400
Speaker 2: the reason why you haven't been involved in some of

684
00:36:24,440 --> 00:36:26,799
Speaker 2: those projects. If I could just like I was kind

685
00:36:26,800 --> 00:36:30,839
Speaker 2: of doing something blanket like I was, I had kind

686
00:36:30,840 --> 00:36:32,480
Speaker 2: of started doing the audition.

687
00:36:32,719 --> 00:36:34,520
Speaker 1: That's true, Like I just wanted.

688
00:36:34,320 --> 00:36:36,080
Speaker 2: To Well, what I was trying to say that is,

689
00:36:36,120 --> 00:36:38,719
Speaker 2: if you feel like threatened or whatever at all, but

690
00:36:38,719 --> 00:36:41,600
Speaker 2: if there is a real probability, now that we're talking

691
00:36:41,600 --> 00:36:43,520
Speaker 2: about it, that they cast.

692
00:36:43,440 --> 00:36:45,560
Speaker 4: One of you and not the other one.

693
00:36:45,400 --> 00:36:48,160
Speaker 1: So that's where okay, and so I should also call myself.

694
00:36:48,200 --> 00:36:52,120
Speaker 4: Has I don't know that that's going to help.

695
00:36:52,400 --> 00:36:53,880
Speaker 1: Well, because if they call and they say, well, we

696
00:36:53,960 --> 00:36:57,759
Speaker 1: definitely know we want Hayes, then I can show up

697
00:36:57,800 --> 00:36:59,960
Speaker 1: to set even if they didn't want me and say like, well,

698
00:37:00,000 --> 00:37:00,840
Speaker 1: this is what you said.

699
00:37:01,280 --> 00:37:05,840
Speaker 4: Yeah, I mean, I'm just trying to My POV is always,

700
00:37:06,960 --> 00:37:10,600
Speaker 4: you know, trying to look around the people around the corner,

701
00:37:10,719 --> 00:37:13,080
Speaker 4: if you will, And so I'm trying to see what's

702
00:37:13,120 --> 00:37:16,359
Speaker 4: going to happen between you guys if one of.

703
00:37:16,280 --> 00:37:20,640
Speaker 1: You takes off, takes off because his you feel that

704
00:37:20,680 --> 00:37:22,120
Speaker 1: his introduction was so strong.

705
00:37:22,239 --> 00:37:27,320
Speaker 4: I'm not even saying that I preferred his performance.

706
00:37:26,960 --> 00:37:29,160
Speaker 1: Over your mind. But I'm done. Let's just do.

707
00:37:29,320 --> 00:37:32,200
Speaker 2: Let's just do and yeah, I'm not a competition, so

708
00:37:32,280 --> 00:37:33,000
Speaker 2: let's just do it.

709
00:37:33,480 --> 00:37:34,600
Speaker 1: Hey, what's up. I'm Haes.

710
00:37:34,640 --> 00:37:37,960
Speaker 2: I'm here everyone today, and I already found it. I

711
00:37:37,960 --> 00:37:40,200
Speaker 2: already found the poison and I found it.

712
00:37:40,440 --> 00:37:43,359
Speaker 1: I realized that was a fake poison, and I have

713
00:37:43,480 --> 00:37:44,719
Speaker 1: the real poison here.

714
00:37:44,960 --> 00:37:49,920
Speaker 2: No, I actually, so that poison is like a mirror.

715
00:37:50,000 --> 00:37:53,080
Speaker 1: What is he pointing at. He's pointing at a an

716
00:37:53,520 --> 00:37:55,920
Speaker 1: banana and he's saying it's poisoned. But I have a

717
00:37:55,960 --> 00:38:00,279
Speaker 1: real bottle with skull and crossbones. That is poison. And

718
00:38:00,440 --> 00:38:04,120
Speaker 1: the bad guy is him actually, and let's get him, everybody.

719
00:38:04,160 --> 00:38:07,239
Speaker 2: I was doing that as to trick the real bad

720
00:38:07,239 --> 00:38:09,680
Speaker 2: guy into coming out, which he did. I arrested him

721
00:38:09,719 --> 00:38:12,399
Speaker 2: and I killed him. He is dead. The bad guy

722
00:38:12,719 --> 00:38:13,280
Speaker 2: has been.

723
00:38:13,280 --> 00:38:15,719
Speaker 1: Killed, checking in his trunk and it's not a dead

724
00:38:15,760 --> 00:38:20,520
Speaker 1: bad guy and it is actually, uh, just another banana.

725
00:38:20,719 --> 00:38:24,720
Speaker 1: And so this guy's got two bananas where I've got poison.

726
00:38:24,800 --> 00:38:27,200
Speaker 1: He's the bad guy. Let's kill him. He's dead. Don't

727
00:38:27,200 --> 00:38:31,400
Speaker 1: talk anymore. I'm not dead, Okay. And that's money Python.

728
00:38:31,400 --> 00:38:34,440
Speaker 1: You're not allowed to do that. I already so, elthough,

729
00:38:34,440 --> 00:38:37,960
Speaker 1: we're all doing money python, aren't we, Robert, And let's

730
00:38:38,000 --> 00:38:38,640
Speaker 1: talk about terror.

731
00:38:38,680 --> 00:38:41,160
Speaker 4: I'm looking to see if the card is full, because

732
00:38:41,160 --> 00:38:41,520
Speaker 4: that was.

733
00:38:41,600 --> 00:38:42,720
Speaker 1: You're looking at Sam.

734
00:38:42,800 --> 00:38:45,839
Speaker 3: Yeah, now the car card's still going. I haven't picked

735
00:38:45,920 --> 00:38:47,560
Speaker 3: up anything from rob Do you guys want to go

736
00:38:47,600 --> 00:38:48,520
Speaker 3: back and grab anything.

737
00:38:50,000 --> 00:38:51,399
Speaker 4: I'm good, I'm good not.

738
00:38:51,840 --> 00:38:54,040
Speaker 1: Being a part of it, not being a part of it.

739
00:38:54,120 --> 00:38:55,160
Speaker 1: Do you want to just talk?

740
00:38:55,760 --> 00:38:55,840
Speaker 2: What?

741
00:38:56,239 --> 00:38:57,719
Speaker 1: Uh?

742
00:38:58,239 --> 00:38:59,759
Speaker 2: And I'm sure a lot of people ask you this,

743
00:38:59,800 --> 00:39:03,960
Speaker 2: but like, what was it like working with Warner Horizon?

744
00:39:05,040 --> 00:39:07,239
Speaker 2: I know there are stories.

745
00:39:08,239 --> 00:39:12,759
Speaker 4: Well you'll be surprised that people don't ask that that much,

746
00:39:12,800 --> 00:39:13,359
Speaker 4: but it is.

747
00:39:13,360 --> 00:39:16,080
Speaker 1: A great philistines.

748
00:39:15,640 --> 00:39:18,800
Speaker 4: I'm glad that you did, because one thing that I

749
00:39:18,880 --> 00:39:23,960
Speaker 4: always love in showbiz are behind the scenes anecdotes.

750
00:39:24,160 --> 00:39:26,360
Speaker 1: You know, yes, yes, that's what the show is about.

751
00:39:26,760 --> 00:39:28,840
Speaker 1: You know, well that's the joy.

752
00:39:29,000 --> 00:39:31,920
Speaker 4: Yeah. And like also just bloopers. You know when you

753
00:39:31,960 --> 00:39:33,480
Speaker 4: see like at the end of a movie and.

754
00:39:34,000 --> 00:39:36,799
Speaker 1: They say they fucked up. Yeah, so the people too

755
00:39:36,880 --> 00:39:37,719
Speaker 1: and they fucked.

756
00:39:37,520 --> 00:39:39,160
Speaker 4: Up humanizes the situation.

757
00:39:39,480 --> 00:39:43,319
Speaker 5: I laugh my fucking off when I see that ship

758
00:39:43,560 --> 00:39:46,799
Speaker 5: makes it so much more relatable. But so yeah, So

759
00:39:46,920 --> 00:39:52,239
Speaker 5: working with Warner Horizon, they love to prank. Uh, they'd

760
00:39:52,280 --> 00:39:55,600
Speaker 5: love to pull pranks. Wow, And so.

761
00:39:55,560 --> 00:39:57,640
Speaker 1: The studio is doing pranks on set.

762
00:39:57,760 --> 00:40:02,040
Speaker 4: Yeah, they have representatives that heading to sneeze or well,

763
00:40:02,120 --> 00:40:04,840
Speaker 4: they'll do more stuff, like they'll go into your trailer.

764
00:40:05,239 --> 00:40:07,680
Speaker 4: This is just a hypothetical, but like they would take

765
00:40:07,800 --> 00:40:10,480
Speaker 4: a you know, like Soranne rap is you know, like

766
00:40:10,520 --> 00:40:11,399
Speaker 4: a clear.

767
00:40:11,400 --> 00:40:12,840
Speaker 1: I don't but keep going.

768
00:40:12,840 --> 00:40:16,879
Speaker 4: Okay, if you take Soranne wrap, it's like a thing,

769
00:40:17,160 --> 00:40:24,399
Speaker 4: it's a clear. So they'll have they'll have a guy,

770
00:40:24,400 --> 00:40:26,920
Speaker 4: for example, that'll come into your trailer and take a

771
00:40:26,960 --> 00:40:29,520
Speaker 4: thing a Soran wrap and put that over your toilet,

772
00:40:30,200 --> 00:40:33,720
Speaker 4: put the seat down so you can't see that there's

773
00:40:33,760 --> 00:40:38,680
Speaker 4: a barrier there, and you'll stand up to urinate and

774
00:40:38,719 --> 00:40:41,360
Speaker 4: you'll pee, thinking you're going to pee into the toilet,

775
00:40:41,400 --> 00:40:45,680
Speaker 4: but then it'll splatter and bounce everywhere, bounce, p yeah,

776
00:40:45,680 --> 00:40:48,400
Speaker 4: and it'll make a big mess. So that's just an

777
00:40:48,480 --> 00:40:50,919
Speaker 4: example of pranks that.

778
00:40:50,960 --> 00:40:54,160
Speaker 1: They they'll do on set.

779
00:40:54,360 --> 00:40:56,879
Speaker 4: Or you could poll. Yeah, you could poop on it.

780
00:40:56,960 --> 00:41:00,000
Speaker 1: Poop on it, you know, pubes or what have you.

781
00:41:00,120 --> 00:41:02,839
Speaker 1: But they could be but that's a sort of long

782
00:41:02,880 --> 00:41:06,359
Speaker 1: day on set. You could be what's that doing something?

783
00:41:06,360 --> 00:41:07,720
Speaker 1: What the tin man was doing earlier?

784
00:41:08,000 --> 00:41:08,160
Speaker 3: There?

785
00:41:08,239 --> 00:41:09,200
Speaker 4: Huh what do you mean?

786
00:41:09,360 --> 00:41:10,719
Speaker 1: Could not? Could not?

787
00:41:12,600 --> 00:41:16,640
Speaker 4: Oh? Oh yeah, yeah, sorry, yeah, take out my confusion

788
00:41:16,680 --> 00:41:19,040
Speaker 4: about that, because I think it would be cooler if

789
00:41:19,080 --> 00:41:20,600
Speaker 4: I knew exactly what you meant by.

790
00:41:20,520 --> 00:41:23,319
Speaker 2: Not yeah do you want to do like oh yeah?

791
00:41:23,400 --> 00:41:25,840
Speaker 2: It was just like a knowing a knowing reaction.

792
00:41:25,880 --> 00:41:28,480
Speaker 4: I don't want to pick it up read but yeah

793
00:41:28,600 --> 00:41:31,680
Speaker 4: yeah baby, but the hit say, oh yeah, I a case,

794
00:41:31,800 --> 00:41:36,480
Speaker 4: Oh yeah, we like that. Oh yeah baby, and uh

795
00:41:36,520 --> 00:41:38,360
Speaker 4: so yeah you could do that. But so all of

796
00:41:38,360 --> 00:41:43,400
Speaker 4: these pranks loop that samp are. They'll do pranks like

797
00:41:43,440 --> 00:41:45,600
Speaker 4: that just to boost morale with the town.

798
00:41:45,760 --> 00:41:47,000
Speaker 1: Now we're having fun on set.

799
00:41:47,160 --> 00:41:49,160
Speaker 4: That's right, that's right, because it is a long day,

800
00:41:49,600 --> 00:41:51,239
Speaker 4: and but pranks are fun.

801
00:41:51,360 --> 00:41:53,160
Speaker 1: You gotta find ways to keep the energy up.

802
00:41:53,239 --> 00:41:55,320
Speaker 4: Yeah, So that's that's one of the many benefits of

803
00:41:55,360 --> 00:41:59,560
Speaker 4: Warner Horizon on set pranks, stuff like that, you know,

804
00:41:59,840 --> 00:42:03,239
Speaker 4: just to you know there. There was another day where

805
00:42:03,239 --> 00:42:06,279
Speaker 4: we came to set and they had put gift baskets

806
00:42:06,800 --> 00:42:11,799
Speaker 4: in everyone's trailer and then you opened it up and

807
00:42:11,880 --> 00:42:16,360
Speaker 4: it was all the the spicy candies like pepper and

808
00:42:16,360 --> 00:42:20,040
Speaker 4: pepper candies, no spicy.

809
00:42:20,120 --> 00:42:23,399
Speaker 5: Yeah, and you know me, I was like, yes, yes,

810
00:42:23,880 --> 00:42:25,400
Speaker 5: we do too spicy.

811
00:42:25,520 --> 00:42:29,480
Speaker 4: Yes, so but that again fucked up. Yeah, but again

812
00:42:29,719 --> 00:42:34,960
Speaker 4: at that level to have that sort of like, you know,

813
00:42:35,280 --> 00:42:37,360
Speaker 4: a camaraderie like for them, there's.

814
00:42:37,160 --> 00:42:39,920
Speaker 1: A reason The Joker such a big movie, right, right.

815
00:42:40,040 --> 00:42:43,600
Speaker 1: It's as sick and fucked up as it is.

816
00:42:43,640 --> 00:42:44,279
Speaker 4: People like to.

817
00:42:44,640 --> 00:42:46,920
Speaker 1: We see it reflected in real life, and a lot

818
00:42:46,960 --> 00:42:50,440
Speaker 1: of working relationships are to a lesser extent. We're obviously

819
00:42:50,520 --> 00:42:52,799
Speaker 1: not at all people like to shooting talk show hosts

820
00:42:52,800 --> 00:42:55,080
Speaker 1: played by Robert Neir, the most charismatic man. Of course,

821
00:42:55,080 --> 00:42:56,080
Speaker 1: he plays the talk show host.

822
00:42:57,560 --> 00:43:01,439
Speaker 4: I didn't see the the movie. I didn't see joke.

823
00:43:02,360 --> 00:43:05,920
Speaker 4: But I saw the reviews. Yes, and so I feel

824
00:43:06,000 --> 00:43:08,759
Speaker 4: like I have seen it and now I want to

825
00:43:08,800 --> 00:43:09,160
Speaker 4: see it.

826
00:43:09,600 --> 00:43:15,200
Speaker 1: Yes, and permission to watch, permission granted.

827
00:43:15,400 --> 00:43:18,440
Speaker 4: Your commission accepted. Yes, permission accepted.

828
00:43:18,520 --> 00:43:20,919
Speaker 1: But we're not all necessarily doing that. But we are

829
00:43:20,920 --> 00:43:26,360
Speaker 1: doing things where we're bouncing, piss on everyone, right, Yeah,

830
00:43:26,440 --> 00:43:28,360
Speaker 1: we're taking a ship on the thing. I can't remember

831
00:43:28,400 --> 00:43:31,200
Speaker 1: the name of what it is. So the stuff you made.

832
00:43:31,040 --> 00:43:32,840
Speaker 4: Us so ran wrap, it's not made up. It's a

833
00:43:32,880 --> 00:43:35,640
Speaker 4: real kitchen product. If you go to any grocery store,

834
00:43:36,920 --> 00:43:39,160
Speaker 4: you can. It's just to preserve food, you know, like

835
00:43:39,239 --> 00:43:42,520
Speaker 4: let's say you ate. Let's say you ate dinner and

836
00:43:42,560 --> 00:43:44,600
Speaker 4: then you couldn't finish it and you wanted to have

837
00:43:44,640 --> 00:43:48,359
Speaker 4: it the next day for leftovers, you would take a

838
00:43:48,360 --> 00:43:50,560
Speaker 4: sheet of this stuff, you know, you just rip off

839
00:43:50,560 --> 00:43:53,720
Speaker 4: a little piece and you wrap the b for stick

840
00:43:53,800 --> 00:44:00,120
Speaker 4: or meat or what have you, and you oh yeah, baby,

841
00:44:00,680 --> 00:44:04,040
Speaker 4: oh yeah yeah, hold on, uh yeah, oh yeah baby.

842
00:44:05,200 --> 00:44:08,040
Speaker 1: So yeah, and the spicy candy and all these things.

843
00:44:08,120 --> 00:44:11,520
Speaker 2: Yeah, so Sarane rap Now, I mean, and this is

844
00:44:11,560 --> 00:44:16,920
Speaker 2: why the reason today I miss Funnier Die, because like

845
00:44:16,960 --> 00:44:19,680
Speaker 2: you could do something where like Susan Sarandon.

846
00:44:20,000 --> 00:44:24,279
Speaker 1: As Susan is doing a rap that's she's Susan saran.

847
00:44:24,080 --> 00:44:27,759
Speaker 2: And so that's the first time today I've said, well,

848
00:44:27,800 --> 00:44:29,200
Speaker 2: I'm sure, what's funny your die?

849
00:44:29,239 --> 00:44:32,280
Speaker 1: We're still here to do many to make a viral

850
00:44:32,360 --> 00:44:35,040
Speaker 1: video like that. Well, yeah, she could be rapping over

851
00:44:35,239 --> 00:44:39,279
Speaker 1: the Succession theme song the credits to that, and she

852
00:44:39,400 --> 00:44:43,320
Speaker 1: Susan Sarane, and she could be dressed in this plastic

853
00:44:44,040 --> 00:44:46,440
Speaker 1: and that Susan Saran wrap. And the rap is about

854
00:44:46,480 --> 00:44:49,439
Speaker 1: like keeping your meat fresh, right, And there's a couple

855
00:44:49,480 --> 00:44:52,560
Speaker 1: of different ways we could play with that, but can't

856
00:44:52,560 --> 00:44:52,880
Speaker 1: do it.

857
00:44:53,000 --> 00:44:56,480
Speaker 4: No, are there where what are the outlets now for

858
00:44:57,239 --> 00:44:59,440
Speaker 4: comedy videos? Like if you want to if you had

859
00:44:59,440 --> 00:45:02,000
Speaker 4: an idea like the one you just had, where would

860
00:45:02,000 --> 00:45:04,560
Speaker 4: you what even platform is appropriate?

861
00:45:04,600 --> 00:45:09,759
Speaker 1: Oh there's MetaCafe, daily motion, daily motion, Yeah.

862
00:45:09,560 --> 00:45:13,200
Speaker 4: Daily motion. Okay, so you just upload it.

863
00:45:14,600 --> 00:45:17,239
Speaker 1: I don't know. I'm not the technical side of it.

864
00:45:17,680 --> 00:45:22,480
Speaker 1: I like I we're usually using Hayes's computer, so but

865
00:45:22,719 --> 00:45:26,799
Speaker 1: I would say that it must be right that you

866
00:45:26,960 --> 00:45:27,480
Speaker 1: upload it.

867
00:45:27,640 --> 00:45:33,040
Speaker 2: Yeah, uh, there is, Like there's certainly a button involves

868
00:45:33,480 --> 00:45:37,040
Speaker 2: where are the where are most of when when you're

869
00:45:37,680 --> 00:45:38,840
Speaker 2: just in your Daily Lives.

870
00:45:39,520 --> 00:45:42,200
Speaker 4: I'm always trying to get a handle on, like where

871
00:45:42,280 --> 00:45:45,759
Speaker 4: are the eyeballs? Like where in? Like where the where

872
00:45:45,800 --> 00:45:46,400
Speaker 4: it's going?

873
00:45:46,760 --> 00:45:49,240
Speaker 1: You know, I tell you where it's going. And I'm

874
00:45:50,000 --> 00:45:52,640
Speaker 1: basically haven't slept a wink in about a month. Right,

875
00:45:53,320 --> 00:45:59,120
Speaker 1: I can't fucking wait for HBO Max, Right, I mean,

876
00:45:59,160 --> 00:46:00,600
Speaker 1: are you losing it? Freaking out?

877
00:46:01,880 --> 00:46:02,719
Speaker 4: When does it come out?

878
00:46:03,200 --> 00:46:07,560
Speaker 1: Yeah? Exactly when is this going to get here? Because

879
00:46:07,600 --> 00:46:10,759
Speaker 1: that's going to be Christmas, New Year's Eve, Valentine's Day,

880
00:46:10,800 --> 00:46:13,080
Speaker 1: and my birthday about wrapped in a one when that

881
00:46:13,200 --> 00:46:13,839
Speaker 1: shows up.

882
00:46:14,000 --> 00:46:18,560
Speaker 4: So you are looking forward to like Friends? I don't know,

883
00:46:19,080 --> 00:46:21,759
Speaker 4: because I think that's going to be I think that's

884
00:46:21,840 --> 00:46:26,880
Speaker 4: one of the main titles for h Creative even better friends,

885
00:46:26,960 --> 00:46:29,560
Speaker 4: even better on there? Do you have you seen Friends before?

886
00:46:30,120 --> 00:46:34,440
Speaker 1: No, I haven't watched the show, but not unlike your

887
00:46:34,480 --> 00:46:38,440
Speaker 1: experienced joker, I've read the reviews. Yeah, I've read. I've

888
00:46:38,440 --> 00:46:41,800
Speaker 1: read it excerpts. I've read the excerpts from the book

889
00:46:43,000 --> 00:46:46,600
Speaker 1: about how they would work rather late, wouldn't they?

890
00:46:47,280 --> 00:46:49,200
Speaker 4: Yeah? Yeah, yeah, they worked and they worked late. But

891
00:46:49,200 --> 00:46:51,280
Speaker 4: there's also a funny naybe you would give him permission?

892
00:46:52,000 --> 00:46:54,920
Speaker 4: Oh yeah, because he if I remember he actually did

893
00:46:54,920 --> 00:46:59,400
Speaker 4: give you. You said, permission, permission granted to watch.

894
00:47:00,040 --> 00:47:03,759
Speaker 1: Mission, accept it. You go movie, You're going to enjoy it.

895
00:47:03,880 --> 00:47:05,080
Speaker 4: You will enjoy Friends.

896
00:47:05,120 --> 00:47:06,279
Speaker 1: What movie? And what movie?

897
00:47:06,280 --> 00:47:08,480
Speaker 4: The Friends movie? It was. The TV show is based

898
00:47:08,520 --> 00:47:12,840
Speaker 4: on the original movie the movie from the movie Friends. Yes,

899
00:47:13,880 --> 00:47:17,880
Speaker 4: was then spun off into the hit sitcom TV show

900
00:47:18,360 --> 00:47:23,720
Speaker 4: with Yes, Jennifer Anistons Yes, and Matthew.

901
00:47:24,000 --> 00:47:26,080
Speaker 1: Matthew as we said it at the same time.

902
00:47:26,200 --> 00:47:30,880
Speaker 4: YEA. So, but you brother, you have a lot of

903
00:47:31,000 --> 00:47:32,720
Speaker 4: entertainment ahead of you.

904
00:47:32,640 --> 00:47:36,000
Speaker 1: You're part of why I've been unable to sleep at.

905
00:47:35,880 --> 00:47:37,480
Speaker 4: All because of your anticipation.

906
00:47:37,560 --> 00:47:39,080
Speaker 1: Because hboxis on its way.

907
00:47:39,280 --> 00:47:43,040
Speaker 2: In terms of where the eyeballs are going, people are

908
00:47:44,120 --> 00:47:49,640
Speaker 2: watching TV now outside the gym, which you are allowed

909
00:47:50,040 --> 00:47:54,239
Speaker 2: to do. It's like crazy how people are doing this

910
00:47:54,360 --> 00:47:54,759
Speaker 2: right now.

911
00:47:54,800 --> 00:47:56,839
Speaker 4: So they're outside, they're looking into the gym.

912
00:47:56,880 --> 00:47:59,319
Speaker 2: They're looking into the gym gym. You can see the TV.

913
00:47:59,840 --> 00:48:02,799
Speaker 2: It is public property. It is a free country. You

914
00:48:02,840 --> 00:48:06,640
Speaker 2: are a sovereign citizen. You do not have to obey

915
00:48:06,840 --> 00:48:09,560
Speaker 2: the law enforcement. You ask them if you are being

916
00:48:09,640 --> 00:48:12,080
Speaker 2: detained and they have to let you go, and it

917
00:48:12,200 --> 00:48:15,440
Speaker 2: is entrapment. If they try to lay hands on you,

918
00:48:15,680 --> 00:48:17,400
Speaker 2: and you can ask them if they are a cup.

919
00:48:17,719 --> 00:48:21,000
Speaker 4: So the screens are in front of the treadmills, in

920
00:48:21,040 --> 00:48:21,600
Speaker 4: front of.

921
00:48:21,600 --> 00:48:25,360
Speaker 1: The screen on the treadmill, and people are watching their own.

922
00:48:25,239 --> 00:48:27,440
Speaker 4: And then you can look in the window and you

923
00:48:27,440 --> 00:48:30,320
Speaker 4: can also enjoy whatever they're watching.

924
00:48:30,440 --> 00:48:33,640
Speaker 1: And you can bring binoculars and it's that and it's

925
00:48:33,680 --> 00:48:35,400
Speaker 1: okay to have those on the sidewalk, and.

926
00:48:35,440 --> 00:48:37,960
Speaker 2: You can bring food and so that's and they have

927
00:48:38,040 --> 00:48:40,080
Speaker 2: to give you some food, yes.

928
00:48:39,960 --> 00:48:42,120
Speaker 4: And so this is where it is going. This is

929
00:48:42,120 --> 00:48:42,759
Speaker 4: where people are.

930
00:48:42,920 --> 00:48:46,719
Speaker 1: Oh my god, Oh my gosh. If you live but.

931
00:48:46,760 --> 00:48:48,360
Speaker 4: You have to live near a gym, yeah, you definitely

932
00:48:48,400 --> 00:48:49,520
Speaker 4: have to live near a gym.

933
00:48:50,640 --> 00:48:55,359
Speaker 1: Well, or you know, you take a truck or something hmm.

934
00:48:55,480 --> 00:48:58,840
Speaker 4: Yeah, I mean you could take public transport to where

935
00:48:58,920 --> 00:49:03,000
Speaker 4: the gyms are. But also you're restricted to the.

936
00:49:02,840 --> 00:49:05,040
Speaker 1: Hour the truck, by the way they have to drive.

937
00:49:05,160 --> 00:49:07,480
Speaker 1: If you see a truck, they have to take you

938
00:49:07,520 --> 00:49:09,759
Speaker 1: to the gym. They have to take you wherever you

939
00:49:09,800 --> 00:49:10,399
Speaker 1: want to go.

940
00:49:10,680 --> 00:49:12,840
Speaker 4: Yeah, this is a public truck.

941
00:49:12,960 --> 00:49:17,120
Speaker 1: Will you are a sovereign citizen if you find the

942
00:49:17,160 --> 00:49:19,080
Speaker 1: truck and you are able to get into the cab

943
00:49:19,160 --> 00:49:22,600
Speaker 1: of the truck you are now effectively that's I mean,

944
00:49:22,640 --> 00:49:25,240
Speaker 1: they're a public employee. They are government employees.

945
00:49:24,920 --> 00:49:27,400
Speaker 4: So they have to take you. Yeah, you pay.

946
00:49:27,280 --> 00:49:32,800
Speaker 1: Your taxes, right, well yeah, yeah, yeah, yeah. I'm talking

947
00:49:32,800 --> 00:49:33,600
Speaker 1: more to the listeners.

948
00:49:33,680 --> 00:49:36,040
Speaker 4: Right, I'm still on the fence about that because of

949
00:49:36,080 --> 00:49:36,640
Speaker 4: the government.

950
00:49:37,640 --> 00:49:39,279
Speaker 1: Yeah, you want to talk about that at all?

951
00:49:39,400 --> 00:49:47,280
Speaker 4: The government. Yeah. I get worried about the government because

952
00:49:47,600 --> 00:49:52,120
Speaker 4: of their algorithm and their ability to scan podcasts and

953
00:49:52,239 --> 00:49:56,200
Speaker 4: broadcasts and target us.

954
00:49:57,280 --> 00:50:00,480
Speaker 1: It's happening with psychological warfare. That happened to.

955
00:50:00,560 --> 00:50:04,239
Speaker 2: Jake Fogelnest and all the fogs files were burned.

956
00:50:03,880 --> 00:50:06,640
Speaker 4: By the government by the government. Yeah. See, that's the

957
00:50:06,640 --> 00:50:09,480
Speaker 4: sort of thing is if you I think.

958
00:50:09,560 --> 00:50:14,160
Speaker 1: The file Cabinet was first put into a cyber world,

959
00:50:14,360 --> 00:50:18,640
Speaker 1: not on like the one in the film Disclosure. Do

960
00:50:18,680 --> 00:50:19,440
Speaker 1: you have you seen this?

961
00:50:19,880 --> 00:50:20,800
Speaker 4: I haven't seen Disclosure.

962
00:50:20,840 --> 00:50:24,360
Speaker 1: In a long timmission to watch, he goes into a

963
00:50:24,440 --> 00:50:27,960
Speaker 1: virtual reality world to find a file. He sort of

964
00:50:28,000 --> 00:50:31,080
Speaker 1: finds himself in this sort of grand Central station like computer.

965
00:50:30,760 --> 00:50:33,279
Speaker 4: On a hallway Michael Douglas.

966
00:50:34,320 --> 00:50:37,120
Speaker 1: And then he goes and to get the evidence, he

967
00:50:37,520 --> 00:50:42,080
Speaker 1: sort of minority report like and a drawer.

968
00:50:41,719 --> 00:50:44,600
Speaker 4: Opens, Oh so pull out the file and then.

969
00:50:46,440 --> 00:50:49,359
Speaker 1: And they did this with fogalness files and then they

970
00:50:49,400 --> 00:50:53,040
Speaker 1: set them all on virtual fire. Halton catch fired them.

971
00:50:53,400 --> 00:50:56,359
Speaker 4: So that's the sort of thing that I don't want.

972
00:50:56,840 --> 00:51:01,920
Speaker 1: And I and I could not agree more right because freedom,

973
00:51:02,200 --> 00:51:03,799
Speaker 1: like I just want to be as afraid to live

974
00:51:03,840 --> 00:51:05,560
Speaker 1: my life and freedom isn't free.

975
00:51:06,600 --> 00:51:08,799
Speaker 4: And so you know, you got to stand up.

976
00:51:08,960 --> 00:51:12,680
Speaker 1: You think you're starting a nation? What are you believing that?

977
00:51:12,760 --> 00:51:15,319
Speaker 1: Maybe you should because you do know and participate in

978
00:51:15,320 --> 00:51:19,400
Speaker 1: this government and have them have rights to your those files.

979
00:51:19,560 --> 00:51:21,560
Speaker 4: I'm not going to start a nation, don't.

980
00:51:21,800 --> 00:51:24,080
Speaker 1: I don't know a hard nation or otherwise.

981
00:51:24,120 --> 00:51:26,520
Speaker 4: I'm not gonna I'm not going to succeed and start

982
00:51:26,560 --> 00:51:29,840
Speaker 4: my own nation. There's so there's so much work involved.

983
00:51:29,840 --> 00:51:32,640
Speaker 1: You're not going to start another country, a Scarleborough country

984
00:51:32,719 --> 00:51:33,120
Speaker 1: or anything.

985
00:51:33,480 --> 00:51:36,120
Speaker 4: No, I would start a currency. I would. I am

986
00:51:36,160 --> 00:51:41,440
Speaker 4: interested in starting torypto. Maybe crypto? Are you familiar?

987
00:51:42,320 --> 00:51:45,480
Speaker 1: I know too much about crypto? You do?

988
00:51:45,480 --> 00:51:47,360
Speaker 4: Do you currently? Are you mining?

989
00:51:48,120 --> 00:51:48,359
Speaker 1: Yes?

990
00:51:48,640 --> 00:51:52,040
Speaker 2: I's actually forgotten more about crypto than you have ever

991
00:51:52,160 --> 00:51:53,080
Speaker 2: known about anything.

992
00:51:53,400 --> 00:51:56,480
Speaker 1: Yeah, I've spilled more crypto than you've drank.

993
00:51:56,560 --> 00:51:59,640
Speaker 4: Sonny boy, where do you how do you get so

994
00:51:59,719 --> 00:52:05,120
Speaker 4: much crypto, you know, do I tell him? Well, you don't,

995
00:52:05,200 --> 00:52:05,720
Speaker 4: I mean.

996
00:52:06,400 --> 00:52:09,520
Speaker 1: I tell him, do you know how how like how

997
00:52:09,560 --> 00:52:10,000
Speaker 1: it worked?

998
00:52:10,320 --> 00:52:12,000
Speaker 4: I don't. I don't even know how it works.

999
00:52:12,200 --> 00:52:15,319
Speaker 2: There are games on your computer that come with it,

1000
00:52:16,080 --> 00:52:18,880
Speaker 2: computer games, and you got to unlock it. You play

1001
00:52:19,320 --> 00:52:24,440
Speaker 2: the games and you accumulate these points that are crypto,

1002
00:52:24,480 --> 00:52:27,720
Speaker 2: crypto points. They're right there on the computer. It comes

1003
00:52:27,760 --> 00:52:29,200
Speaker 2: with the computer.

1004
00:52:29,600 --> 00:52:30,920
Speaker 4: So it's already built in.

1005
00:52:31,680 --> 00:52:34,879
Speaker 1: It's in computer points. It's in the computer. You have

1006
00:52:34,960 --> 00:52:36,880
Speaker 1: to know how to find it.

1007
00:52:37,000 --> 00:52:40,799
Speaker 4: Right, and then how do you folder titled? But then

1008
00:52:41,040 --> 00:52:44,520
Speaker 4: is it? Can I use it? Like I like if

1009
00:52:44,560 --> 00:52:46,319
Speaker 4: I went into a coffee shop to buy it.

1010
00:52:46,320 --> 00:52:50,080
Speaker 1: They have to accept that. They must everybody. You're sovereign citizen.

1011
00:52:50,440 --> 00:52:55,000
Speaker 1: This is currency, right, I mean, well it's interesting for

1012
00:52:55,040 --> 00:52:56,400
Speaker 1: you because you don't pay your taxes.

1013
00:52:57,520 --> 00:53:00,359
Speaker 4: Well, I'm currently withholding non Yeah.

1014
00:53:00,480 --> 00:53:04,640
Speaker 1: No, I'm not going to points a crypto legal tendler.

1015
00:53:10,200 --> 00:53:14,440
Speaker 4: I think we should edit out the And I felt

1016
00:53:14,440 --> 00:53:17,200
Speaker 4: to me like an outburst, do you know what I mean?

1017
00:53:17,239 --> 00:53:21,000
Speaker 4: Like it felt like uh that just that very last part,

1018
00:53:21,080 --> 00:53:22,960
Speaker 4: Sam felt super aggressive.

1019
00:53:23,560 --> 00:53:26,560
Speaker 2: I can do that. I need to that, I screamed

1020
00:53:26,719 --> 00:53:28,000
Speaker 2: my headphones also went out.

1021
00:53:28,040 --> 00:53:30,399
Speaker 1: I just want to say that was part of why

1022
00:53:30,440 --> 00:53:31,680
Speaker 1: you were getting louder and louder.

1023
00:53:31,760 --> 00:53:34,720
Speaker 2: I thought I was scared that there was no noise

1024
00:53:34,719 --> 00:53:36,040
Speaker 2: coming out of my mouth at all.

1025
00:53:36,239 --> 00:53:40,600
Speaker 1: Well, I can do recording or headphones, Okay, Huh I

1026
00:53:40,600 --> 00:53:41,400
Speaker 1: didn't realize.

1027
00:53:43,480 --> 00:53:46,759
Speaker 4: Man, there's so many difficult choices that.

1028
00:53:47,080 --> 00:53:47,560
Speaker 1: Uh.

1029
00:53:48,080 --> 00:53:50,040
Speaker 4: I don't even know how you guys balance it. It

1030
00:53:50,160 --> 00:53:52,840
Speaker 4: is a balancing act.

1031
00:53:53,080 --> 00:53:58,279
Speaker 1: Yeah, we're gymnasts, where crypto experts were medical police, you know,

1032
00:53:58,360 --> 00:54:00,920
Speaker 1: hopefully fingers crossed. I think that the audition, did.

1033
00:54:00,760 --> 00:54:01,800
Speaker 4: You say the next class?

1034
00:54:02,040 --> 00:54:04,800
Speaker 1: That was that the new class, new class, new class,

1035
00:54:05,520 --> 00:54:09,720
Speaker 1: wood hamdullywood hamd bock.

1036
00:54:09,800 --> 00:54:14,000
Speaker 2: A work life balance is talk about that so critical

1037
00:54:14,040 --> 00:54:15,360
Speaker 2: about it is so critical?

1038
00:54:15,480 --> 00:54:20,520
Speaker 4: Well for me, you know, now that I know about crypto,

1039
00:54:20,640 --> 00:54:24,120
Speaker 4: it's gonna it will shift now because I don't.

1040
00:54:24,160 --> 00:54:25,960
Speaker 1: Have to scales have been tipped.

1041
00:54:26,040 --> 00:54:28,239
Speaker 4: Yeah, I don't have I don't feel the pressure if

1042
00:54:28,239 --> 00:54:31,880
Speaker 4: it's if what you say is true, that crypto is

1043
00:54:32,000 --> 00:54:35,560
Speaker 4: already built into our devices, to our computers, uh, to

1044
00:54:35,600 --> 00:54:37,279
Speaker 4: our screens, and all I have to do is go

1045
00:54:37,640 --> 00:54:41,480
Speaker 4: harvest it. That takes a lot of the pressure off

1046
00:54:41,680 --> 00:54:47,320
Speaker 4: of me. As far as uh, work life balance. Do

1047
00:54:47,320 --> 00:54:49,440
Speaker 4: you know what I mean? I can spend now I

1048
00:54:49,480 --> 00:54:52,760
Speaker 4: feel like I can spend more time, more time with friends,

1049
00:54:52,800 --> 00:54:53,680
Speaker 4: like yeah.

1050
00:54:53,800 --> 00:54:56,719
Speaker 2: Life activities, and you could marry the computer because the

1051
00:54:56,719 --> 00:55:01,919
Speaker 2: computer in a way that like now it is your family. Yes, yeah,

1052
00:55:02,239 --> 00:55:05,600
Speaker 2: and so now it's like now it will spend time

1053
00:55:05,640 --> 00:55:07,640
Speaker 2: together while doing work.

1054
00:55:08,640 --> 00:55:11,480
Speaker 4: Yeah. I mean I think that that is also important,

1055
00:55:11,640 --> 00:55:17,920
Speaker 4: is to accept technology, you know, and to uh to

1056
00:55:18,040 --> 00:55:20,200
Speaker 4: embrace it because no.

1057
00:55:20,239 --> 00:55:22,600
Speaker 1: It is important. No, it is important, and we don't

1058
00:55:22,600 --> 00:55:24,880
Speaker 1: always get into big issues like this, but it is

1059
00:55:24,960 --> 00:55:29,399
Speaker 1: time to Hey, if I'm marrying my computer, get out

1060
00:55:29,400 --> 00:55:33,239
Speaker 1: of my way. You know, I'm embracing technology, and I'm

1061
00:55:33,400 --> 00:55:36,880
Speaker 1: embracing technology, right, Yeah.

1062
00:55:36,680 --> 00:55:39,600
Speaker 4: I agree. And you know it's like Surrogates.

1063
00:55:39,600 --> 00:55:40,880
Speaker 1: Have you seen the film Surrogates?

1064
00:55:41,040 --> 00:55:44,760
Speaker 4: I saw the sitcom. I have not seen the film

1065
00:55:44,840 --> 00:55:45,319
Speaker 4: part of it.

1066
00:55:45,320 --> 00:55:47,400
Speaker 1: It's also a lot like S one, M zero N

1067
00:55:47,520 --> 00:55:49,560
Speaker 1: three that movie.

1068
00:55:50,800 --> 00:55:54,880
Speaker 4: I don't know if I'm even a familiar permission to

1069
00:55:54,960 --> 00:55:57,360
Speaker 4: watch to watch the movie provoked.

1070
00:55:57,120 --> 00:56:01,920
Speaker 1: To permission denied for this particular film sort of hazen

1071
00:56:02,040 --> 00:56:03,040
Speaker 1: my private film.

1072
00:56:03,239 --> 00:56:04,960
Speaker 4: Can I we can edit this part out. But I

1073
00:56:05,000 --> 00:56:08,120
Speaker 4: did want to talk when we were talking about technology.

1074
00:56:08,200 --> 00:56:11,319
Speaker 4: I started to get curious, because my mind is a

1075
00:56:11,320 --> 00:56:12,080
Speaker 4: curious one.

1076
00:56:12,400 --> 00:56:13,359
Speaker 1: Yes, I saw that.

1077
00:56:13,520 --> 00:56:19,160
Speaker 4: Where do you guys stand on search engines? Well?

1078
00:56:19,200 --> 00:56:20,759
Speaker 1: It's a sticky wicked isn't it.

1079
00:56:21,680 --> 00:56:24,520
Speaker 4: Well that's why I asked, because there are so many

1080
00:56:24,520 --> 00:56:28,080
Speaker 4: different people telling me to use this search engine. Yeah,

1081
00:56:28,239 --> 00:56:29,640
Speaker 4: use that search engine.

1082
00:56:29,760 --> 00:56:33,360
Speaker 2: I'm sort of looking into the legal parameters around this

1083
00:56:33,440 --> 00:56:38,359
Speaker 2: and what recourse an individual has and this kind of thing.

1084
00:56:38,480 --> 00:56:41,320
Speaker 2: So my stance on it is that only I should

1085
00:56:41,360 --> 00:56:46,600
Speaker 2: be allowed on there, Like when people are looking for something,

1086
00:56:47,120 --> 00:56:50,720
Speaker 2: it should be that my stuff shows up only.

1087
00:56:50,960 --> 00:56:53,200
Speaker 1: Yes, So you have to ask me if you want

1088
00:56:53,239 --> 00:56:59,600
Speaker 1: to see it, and that what I'm looking for. Don't peak, right, Oh,

1089
00:56:59,640 --> 00:57:02,359
Speaker 1: I say, nobody peek what I'm looking for.

1090
00:57:03,360 --> 00:57:08,000
Speaker 4: So you're saying that you would, you would be the

1091
00:57:08,040 --> 00:57:10,399
Speaker 4: only thing on the search engine that people.

1092
00:57:10,360 --> 00:57:12,680
Speaker 2: People are searching for stuff, So like you can do it,

1093
00:57:12,760 --> 00:57:14,560
Speaker 2: Like you can find my stuff on there, but you

1094
00:57:14,560 --> 00:57:18,000
Speaker 2: can also find all this other fucking shit right that

1095
00:57:18,400 --> 00:57:19,200
Speaker 2: sucks by.

1096
00:57:19,080 --> 00:57:20,840
Speaker 4: The way, Yeah, an.

1097
00:57:20,920 --> 00:57:26,240
Speaker 1: Official suckage and all this shit dog shit that's out

1098
00:57:26,280 --> 00:57:28,960
Speaker 1: there that fucking come up on the search engine.

1099
00:57:29,040 --> 00:57:31,640
Speaker 4: You're just talking about information. You're talking about information that

1100
00:57:31,760 --> 00:57:35,760
Speaker 4: is not talking about you. I'm talking about bullshit information.

1101
00:57:35,880 --> 00:57:38,240
Speaker 4: You get a little too much credit. Oh okay, I'm

1102
00:57:38,280 --> 00:57:40,120
Speaker 4: talking about the trash that's out there. You got to

1103
00:57:40,160 --> 00:57:41,800
Speaker 4: sift through to find some of my ship. So it

1104
00:57:41,800 --> 00:57:42,720
Speaker 4: should be my video.

1105
00:57:42,760 --> 00:57:44,760
Speaker 2: Yeah, I was gonna say it should be my videos

1106
00:57:45,080 --> 00:57:48,400
Speaker 2: should be uh, it can be my stuff and the Landlord,

1107
00:57:49,240 --> 00:57:52,080
Speaker 2: the original Landlord, the viral video.

1108
00:57:52,160 --> 00:57:54,920
Speaker 1: And there's a separate segment that could have pictures of

1109
00:57:54,960 --> 00:57:55,560
Speaker 1: me or.

1110
00:57:55,480 --> 00:57:57,920
Speaker 4: Not headshots but you.

1111
00:57:58,000 --> 00:58:01,600
Speaker 1: But you can go to that separate lee if you're

1112
00:58:01,640 --> 00:58:04,000
Speaker 1: trying to do a little what the tin man was

1113
00:58:04,040 --> 00:58:04,720
Speaker 1: doing earlier.

1114
00:58:05,640 --> 00:58:09,200
Speaker 4: Oh okay, so there would be different photographs of you

1115
00:58:09,520 --> 00:58:10,720
Speaker 4: or situation or not.

1116
00:58:11,880 --> 00:58:16,320
Speaker 1: Right that at that point is your business. Yeah, government

1117
00:58:16,360 --> 00:58:16,960
Speaker 1: doesn't touch that.

1118
00:58:17,240 --> 00:58:20,120
Speaker 3: Right at about an hour, I need to know if

1119
00:58:20,160 --> 00:58:23,120
Speaker 3: you want me to record Rob Soch.

1120
00:58:23,240 --> 00:58:25,080
Speaker 4: So I haven't been recorded at all.

1121
00:58:25,760 --> 00:58:27,720
Speaker 1: Not yet. I this has been a warm up for you.

1122
00:58:27,840 --> 00:58:29,760
Speaker 2: We didn't and you did ask, and we didn't really

1123
00:58:29,760 --> 00:58:30,800
Speaker 2: say one way or the other.

1124
00:58:31,440 --> 00:58:32,280
Speaker 1: But why why?

1125
00:58:32,520 --> 00:58:34,640
Speaker 4: What is the what is this mic for? What is

1126
00:58:34,680 --> 00:58:37,800
Speaker 4: mine for? For? If we don't have the bandwidth.

1127
00:58:38,160 --> 00:58:41,080
Speaker 1: That's like the heavy bat that you swing over, you

1128
00:58:41,120 --> 00:58:44,280
Speaker 1: know before you get up to the on deck circle

1129
00:58:44,400 --> 00:58:45,080
Speaker 1: or whatever. Yeah.

1130
00:58:45,120 --> 00:58:48,360
Speaker 4: Yeah, oh, like like a warm up like a yeah.

1131
00:58:48,240 --> 00:58:50,400
Speaker 1: It's a warm up mic. I mean you you felt

1132
00:58:50,440 --> 00:58:52,360
Speaker 1: that it's a little harder to score on that mic.

1133
00:58:52,560 --> 00:58:54,720
Speaker 4: Yeah, it's definitely like putting like I think you mean,

1134
00:58:54,760 --> 00:58:57,600
Speaker 4: like a doughnut, like you put that on the bat. Yah. Yeah,

1135
00:58:57,600 --> 00:59:00,880
Speaker 4: it's definitely harder. You're swinging harder for the fences.

1136
00:59:00,960 --> 00:59:02,960
Speaker 1: They get harder and get then you're not and it's

1137
00:59:03,000 --> 00:59:04,320
Speaker 1: going slower and it's not.

1138
00:59:04,560 --> 00:59:08,480
Speaker 4: Yeah, it feels like you're kind of wading through molasses.

1139
00:59:09,080 --> 00:59:12,160
Speaker 4: But then when you get up to the when you

1140
00:59:12,160 --> 00:59:17,600
Speaker 4: get up to the to the bat toothpick. So yeah,

1141
00:59:17,840 --> 00:59:22,880
Speaker 4: I just had I known that I'm not even being recorded.

1142
00:59:23,280 --> 00:59:24,680
Speaker 1: I just would have What would you have done different?

1143
00:59:24,720 --> 00:59:29,080
Speaker 4: I would have I would have reevaluated my call time

1144
00:59:29,360 --> 00:59:31,120
Speaker 4: for the for the podcast.

1145
00:59:30,920 --> 00:59:33,600
Speaker 2: Because do you want to get so so let's record him?

1146
00:59:33,600 --> 00:59:35,400
Speaker 2: Do you want to just like break one off now?

1147
00:59:35,560 --> 00:59:37,959
Speaker 2: And well, why don't we do some alts? Why don't

1148
00:59:38,000 --> 00:59:42,680
Speaker 2: I do just I mean, I'll do some of the

1149
00:59:42,760 --> 00:59:43,760
Speaker 2: funny voices.

1150
00:59:43,800 --> 00:59:47,160
Speaker 1: Wild yeah, funny voice, wild alts, and just stuff thrust

1151
00:59:47,200 --> 00:59:47,760
Speaker 1: to plug in.

1152
00:59:48,760 --> 00:59:59,400
Speaker 4: Here we go, Oh yeah, baby, thank you? Hello, I'm

1153
00:59:59,400 --> 01:00:01,160
Speaker 4: trying to think of it another one that's and that

1154
01:00:01,240 --> 01:00:03,120
Speaker 4: we can put anywhere because you could plug that in

1155
01:00:03,160 --> 01:00:06,240
Speaker 4: it you could plug it in if you drop it in,

1156
01:00:06,640 --> 01:00:09,040
Speaker 4: you could drop it into a few different spots. Let

1157
01:00:09,080 --> 01:00:17,360
Speaker 4: me do one more, let me please, This sandwich is gross.

1158
01:00:18,840 --> 01:00:21,400
Speaker 1: And I like that. I thought you were enjoying the

1159
01:00:21,440 --> 01:00:25,280
Speaker 1: sandwich at first, or you were tired. It's interesting that

1160
01:00:25,360 --> 01:00:27,800
Speaker 1: you you know, you initially said you were going to

1161
01:00:27,840 --> 01:00:33,120
Speaker 1: do some funny voices. Yeah, And I love how healthy

1162
01:00:33,160 --> 01:00:35,240
Speaker 1: your self esteem is that it really was your voice

1163
01:00:35,280 --> 01:00:35,920
Speaker 1: the whole time.

1164
01:00:36,320 --> 01:00:40,000
Speaker 4: Yeah, I'm just saying different things I didn't, which means like, hey,

1165
01:00:40,360 --> 01:00:43,320
Speaker 4: what you're saying is I rob have a pretty funny

1166
01:00:43,360 --> 01:00:46,160
Speaker 4: voice on being funny, right my voice. It's also throwing

1167
01:00:46,160 --> 01:00:48,320
Speaker 4: it away. I mean, you know, we talked throwing it

1168
01:00:48,360 --> 01:00:50,760
Speaker 4: away at length, you know.

1169
01:00:50,760 --> 01:00:53,160
Speaker 1: To log maybe it's really really long.

1170
01:00:53,040 --> 01:00:56,800
Speaker 4: On our preferences of throwing it away. And I just

1171
01:00:56,880 --> 01:01:01,680
Speaker 4: feel that's that is my sweet spot. Is just just

1172
01:01:01,960 --> 01:01:05,160
Speaker 4: you know, because when you everyone has a different approach

1173
01:01:05,240 --> 01:01:08,360
Speaker 4: to their craft, and mine is throwing it away.

1174
01:01:08,240 --> 01:01:12,800
Speaker 1: Throwing it away, and it's risking a little less, isn't

1175
01:01:12,840 --> 01:01:14,320
Speaker 1: it emotionally?

1176
01:01:15,440 --> 01:01:15,960
Speaker 4: Yeah?

1177
01:01:16,120 --> 01:01:19,120
Speaker 1: Do you want going on that and dig in on that.

1178
01:01:20,680 --> 01:01:23,480
Speaker 4: On the emotionality of it, or the funny voices.

1179
01:01:24,720 --> 01:01:28,280
Speaker 1: Simultaneous. Do a funny voice talking about the emotionality.

1180
01:01:29,720 --> 01:01:32,200
Speaker 4: Yeah, great, okay, let me go back to one real quick.

1181
01:01:38,800 --> 01:01:47,360
Speaker 1: Yeah, so you're coming, he's finding it, he's got it.

1182
01:01:48,040 --> 01:01:53,680
Speaker 1: Oh my god, we do have to go and hold on.

1183
01:02:00,040 --> 01:02:08,080
Speaker 1: Mhm keep okay, we really he's so close.

1184
01:02:11,480 --> 01:02:14,440
Speaker 4: Well, here you go some of that.

1185
01:02:14,680 --> 01:02:18,080
Speaker 1: Yes, that's great that I feel like that.

1186
01:02:18,120 --> 01:02:24,040
Speaker 2: We can go Goodbye, Hollywood, Hamburg,