1 00:00:00,080 --> 00:00:02,520 Speaker 1: The twenty seven Club is the production of I Heart 2 00:00:02,600 --> 00:00:08,680 Speaker 1: Radio and Double Elvis. Janis Joplin died at the age 3 00:00:08,680 --> 00:00:12,080 Speaker 1: of and she lived a life where a relapse and 4 00:00:12,240 --> 00:00:15,720 Speaker 1: vice were all too frequent. I can give you twenty 5 00:00:15,720 --> 00:00:19,439 Speaker 1: seven reasons why that statement is true. Twelve would be 6 00:00:19,480 --> 00:00:22,160 Speaker 1: the number of months her group, The Cosmic Blues Band, 7 00:00:22,200 --> 00:00:25,960 Speaker 1: would remain intact before the mediocrity of their playing led 8 00:00:26,000 --> 00:00:29,480 Speaker 1: them to the same defunct fate as Big Brother. One 9 00:00:29,520 --> 00:00:31,720 Speaker 1: more would be the number of days she would wait 10 00:00:31,800 --> 00:00:35,240 Speaker 1: after being treated for heroin addiction before she was out 11 00:00:35,240 --> 00:00:38,560 Speaker 1: looking for her next fix. Another five would be the 12 00:00:38,640 --> 00:00:41,040 Speaker 1: number of minutes it would take for a carnival parade 13 00:00:41,320 --> 00:00:45,360 Speaker 1: to have an unexpectedly negative effect on her fragile, detoxing state. 14 00:00:46,159 --> 00:00:48,639 Speaker 1: Two more would be the number of unexpected visitors who 15 00:00:48,680 --> 00:00:50,920 Speaker 1: showed up at her door in order to commence what 16 00:00:51,080 --> 00:00:55,480 Speaker 1: they would deem the Great Tequila Boogie. And seven would 17 00:00:55,520 --> 00:00:57,680 Speaker 1: be the number of months she had left to live 18 00:00:57,960 --> 00:01:00,600 Speaker 1: when she pulled out a bar stool at Barney's Beanery 19 00:01:00,640 --> 00:01:04,480 Speaker 1: in West Hollywood and suddenly felt strange energy that she 20 00:01:04,680 --> 00:01:09,360 Speaker 1: was unable to describe. On this our ninth episode of 21 00:01:09,400 --> 00:01:14,320 Speaker 1: season three, withdrawal, Carnival, the Great Tequila Bookie, and Janice 22 00:01:14,400 --> 00:01:19,600 Speaker 1: Joplin walking a winding path to liberation. I'm Jake Grennan 23 00:01:20,200 --> 00:02:00,760 Speaker 1: in this is the twenty seven o'clock. Ye. The shakes 24 00:02:00,800 --> 00:02:03,720 Speaker 1: were new, They came out of nowhere, and they came 25 00:02:03,760 --> 00:02:07,760 Speaker 1: at the absolute worst moments. Janice Joplin was on stage 26 00:02:07,760 --> 00:02:11,359 Speaker 1: at Madison Square Garden with the Cosmic Blues Band. They 27 00:02:11,360 --> 00:02:15,160 Speaker 1: were flanked by two guests, Paul Butterfield on one side, 28 00:02:15,440 --> 00:02:19,600 Speaker 1: Johnny Winter on the other. It was December nineteenth, nine 29 00:02:19,960 --> 00:02:23,800 Speaker 1: sixty nine, and that's when the shakes came. Johnny Winter, 30 00:02:23,960 --> 00:02:26,840 Speaker 1: dressed in black velvet and a black cape that provided 31 00:02:26,840 --> 00:02:29,680 Speaker 1: a stark contrast to his long shock of white hair, 32 00:02:30,240 --> 00:02:33,880 Speaker 1: didn't notice. He was too busy playing his gold top 33 00:02:33,960 --> 00:02:36,720 Speaker 1: less Paul held tight against the middle of his chest. 34 00:02:37,880 --> 00:02:41,160 Speaker 1: Paul Butterfield, cradling his own or harmonica and between his 35 00:02:41,240 --> 00:02:44,880 Speaker 1: lips and the microphone, also didn't notice. It was too 36 00:02:44,880 --> 00:02:47,640 Speaker 1: busy blowing air through the reads of his electrified harp. 37 00:02:48,520 --> 00:02:52,000 Speaker 1: But Janice noticed. She heard the shakes before she even 38 00:02:52,040 --> 00:02:54,920 Speaker 1: felt them. She heard all the bracelets and bangles on 39 00:02:54,960 --> 00:02:57,959 Speaker 1: her wrist jangle in their motley cacophony from down. With 40 00:02:58,160 --> 00:03:01,480 Speaker 1: her arm hung at her side, she couldn't control the shaking, 41 00:03:01,600 --> 00:03:03,800 Speaker 1: and she couldn't control the sound of her jewelry, which 42 00:03:03,840 --> 00:03:06,080 Speaker 1: cut through the stadium sized in of the rock and 43 00:03:06,160 --> 00:03:09,440 Speaker 1: roll band, and this sound cut right through everything else. 44 00:03:09,680 --> 00:03:13,680 Speaker 1: It was for her ears only. She was derailed and 45 00:03:13,720 --> 00:03:16,720 Speaker 1: the band sounded like shipped to her. Johnny Winter, Johnny 46 00:03:16,760 --> 00:03:18,600 Speaker 1: was all right, man. The dude was dressed in fucking 47 00:03:18,639 --> 00:03:21,760 Speaker 1: black velvet. Cool as fuck. What the band sounded off 48 00:03:21,880 --> 00:03:24,520 Speaker 1: felt off to Janice, and she was worried that they 49 00:03:24,560 --> 00:03:26,600 Speaker 1: only sounded off to her, and the way that she 50 00:03:26,680 --> 00:03:28,920 Speaker 1: could only hear and feel what was going on with 51 00:03:28,960 --> 00:03:33,120 Speaker 1: her own body. She was in withdrawal. She needed to score. 52 00:03:33,919 --> 00:03:37,320 Speaker 1: Her small supply of dolaphine had just run out literally 53 00:03:37,400 --> 00:03:39,600 Speaker 1: the day before the show, and she was back to 54 00:03:39,640 --> 00:03:43,440 Speaker 1: feeling that untethered sinking, feeling, back to feeling the weight, 55 00:03:43,520 --> 00:03:46,200 Speaker 1: feeling the heavy pain that sat on her head. Her 56 00:03:46,240 --> 00:03:49,240 Speaker 1: throat hurt and her eyes ached and her joints burned. 57 00:03:49,560 --> 00:03:52,760 Speaker 1: She was irritable as ship. She needed a hit, and 58 00:03:52,880 --> 00:03:57,680 Speaker 1: she found it easily backstage behind the gardens ominous curtain. 59 00:03:57,960 --> 00:04:00,240 Speaker 1: Once the show was over and Johnny and Paul had 60 00:04:00,240 --> 00:04:03,960 Speaker 1: gone off with their respective entourages. Jannis lingered a bit 61 00:04:04,320 --> 00:04:07,040 Speaker 1: lingered when she saw the familiar outline of the person 62 00:04:07,160 --> 00:04:10,960 Speaker 1: she knew would have the very medicine she needed. Fuck 63 00:04:11,040 --> 00:04:14,040 Speaker 1: that Dola, fhe bullshit and Grossman's cure. She was a 64 00:04:14,080 --> 00:04:17,719 Speaker 1: grown woman and could handle herself, always had, always would, 65 00:04:18,000 --> 00:04:21,120 Speaker 1: and she wasn't necessarily committing to a lifetime of addiction. Okay, 66 00:04:21,120 --> 00:04:23,120 Speaker 1: she just needed a goddamn fix so that her hands 67 00:04:23,120 --> 00:04:27,080 Speaker 1: would stop shaking and her bracelets would stop rattling. She 68 00:04:27,160 --> 00:04:29,839 Speaker 1: watched the outline of the dealer received further into the 69 00:04:29,880 --> 00:04:33,480 Speaker 1: shadows of the backstage expanse, past a few wooden chairs 70 00:04:33,480 --> 00:04:36,719 Speaker 1: and around the edge of the heavy curtain the cosmic 71 00:04:36,760 --> 00:04:40,880 Speaker 1: blues guys who were mingling amongst themselves, nursing calloused fingers 72 00:04:40,880 --> 00:04:44,040 Speaker 1: and blistered palms. They weren't paying much attention to Janis 73 00:04:44,080 --> 00:04:46,000 Speaker 1: at all in the moment. She didn't know it, but 74 00:04:46,040 --> 00:04:48,080 Speaker 1: they had felt what she had felt about the show. 75 00:04:48,480 --> 00:04:51,320 Speaker 1: They were off. Whether they were off because Janie was off, 76 00:04:51,320 --> 00:04:53,600 Speaker 1: they didn't know. But whatever the funk was going on, 77 00:04:53,680 --> 00:04:56,359 Speaker 1: the mojo was bad. It may have been working for 78 00:04:56,440 --> 00:04:59,359 Speaker 1: Johnny Winter and Paul Butterfield, but it sure wasn't working 79 00:04:59,360 --> 00:05:02,480 Speaker 1: for them. Janice made her way over to the dark 80 00:05:02,480 --> 00:05:05,240 Speaker 1: corner of the backstage area. She could see the whites 81 00:05:05,279 --> 00:05:07,400 Speaker 1: of the dealer's eyes, and she fumbled around in the 82 00:05:07,440 --> 00:05:10,279 Speaker 1: pocket of her jeans for some loose bills. And the 83 00:05:10,279 --> 00:05:12,640 Speaker 1: closer she got to that shadow area around the corner 84 00:05:12,640 --> 00:05:15,400 Speaker 1: of the curtain, the more her hands slowed, the more 85 00:05:15,440 --> 00:05:18,880 Speaker 1: the shaking subsided, and the anticipation of a sure high 86 00:05:19,080 --> 00:05:22,800 Speaker 1: was just as strong as the high itself. When the 87 00:05:22,800 --> 00:05:25,599 Speaker 1: Cosmic Blues guy stopped talking for a moment and looked 88 00:05:25,600 --> 00:05:28,320 Speaker 1: around for Janice, she was nowhere to be found, and 89 00:05:28,360 --> 00:05:30,320 Speaker 1: they wouldn't see her for the rest of the evening. 90 00:05:31,160 --> 00:05:34,599 Speaker 1: Just weeks earlier, Janice Choplin was beginning to realize that 91 00:05:34,680 --> 00:05:37,280 Speaker 1: the very thing she thought would liberate her was in 92 00:05:37,360 --> 00:05:41,520 Speaker 1: fact holding her back, holding her hostage. She was caged 93 00:05:41,680 --> 00:05:45,040 Speaker 1: by dope. She was sick with it, A helpless addict. 94 00:05:45,360 --> 00:05:47,720 Speaker 1: She thought of the very word addict, and was both 95 00:05:47,760 --> 00:05:50,839 Speaker 1: horrified and resigned when she finally admitted to herself that 96 00:05:50,960 --> 00:05:54,360 Speaker 1: she was won. She was locked in a vicious cycle 97 00:05:54,400 --> 00:05:56,960 Speaker 1: where one high led to another, one shot of dope 98 00:05:56,960 --> 00:05:59,760 Speaker 1: in her arm was never enough and two was too many. 99 00:06:00,320 --> 00:06:03,239 Speaker 1: She thought of Sam Andrews, he o'deed and nearly died. 100 00:06:03,560 --> 00:06:06,280 Speaker 1: She thought of Nancy Gurley, she o'deed and did die. 101 00:06:06,640 --> 00:06:10,320 Speaker 1: Goddamn Nancy in front of the goddamn kid too. Janis 102 00:06:10,320 --> 00:06:13,000 Speaker 1: ponied up twenty grand to James Gurley's legal defense when 103 00:06:13,000 --> 00:06:15,039 Speaker 1: he was put on trial for the death of his wife. 104 00:06:15,120 --> 00:06:16,679 Speaker 1: Since he was the one who gave her the fatal 105 00:06:16,720 --> 00:06:20,000 Speaker 1: shot of heroin, James was clear to the crime. And 106 00:06:20,040 --> 00:06:22,440 Speaker 1: then what did Janis do? She had her own brush 107 00:06:22,480 --> 00:06:24,560 Speaker 1: with death. She played a show with another one of 108 00:06:24,560 --> 00:06:27,280 Speaker 1: her radols, a Big Mama at a James or bb King. 109 00:06:27,360 --> 00:06:30,920 Speaker 1: She didn't even remember anymore. All she remembered was after 110 00:06:30,960 --> 00:06:33,560 Speaker 1: the show, she settled into her room somewhere with a 111 00:06:33,600 --> 00:06:36,159 Speaker 1: plastic baggy of heroin, and the next thing she knew, 112 00:06:36,240 --> 00:06:38,960 Speaker 1: her friends were slapping her blue face back to life. 113 00:06:39,360 --> 00:06:42,200 Speaker 1: And this was exactly what Albert Grossman had told her 114 00:06:42,240 --> 00:06:45,480 Speaker 1: not to do. No Schmid's he said when he first 115 00:06:45,480 --> 00:06:48,240 Speaker 1: signed Janis and Big Brother. That was the one caveat. 116 00:06:48,480 --> 00:06:50,480 Speaker 1: He didn't want Janis getting mixed up in that ship 117 00:06:50,520 --> 00:06:52,760 Speaker 1: because it was ship played and simple, and it would 118 00:06:52,880 --> 00:06:56,840 Speaker 1: end her, but Grossman wasn't stupid Janison. The others thought 119 00:06:56,839 --> 00:06:59,360 Speaker 1: they had been able to hide their habits behind Grossman's back, 120 00:06:59,440 --> 00:07:01,599 Speaker 1: but he was onto them. But when it was time 121 00:07:01,640 --> 00:07:06,920 Speaker 1: to step in, he stepped in. Grossman told Janice said 122 00:07:06,960 --> 00:07:10,280 Speaker 1: he had a guy, Dr. Ed Rothschild. He specialized in 123 00:07:10,360 --> 00:07:12,880 Speaker 1: drug addiction. He made her an appointment to see him 124 00:07:13,000 --> 00:07:15,840 Speaker 1: and get the help that she needed. Grossman worried that 125 00:07:15,880 --> 00:07:17,920 Speaker 1: he was too late, that it was too late to 126 00:07:17,960 --> 00:07:20,240 Speaker 1: make any difference with Janice, but he owed it to 127 00:07:20,280 --> 00:07:23,520 Speaker 1: her to try. Rothschild gave her a ten days supply, 128 00:07:23,640 --> 00:07:26,920 Speaker 1: a dolaphine basically methodone, and tablet for him. She took 129 00:07:26,960 --> 00:07:29,160 Speaker 1: them once a day and then they ran out, and 130 00:07:29,200 --> 00:07:30,680 Speaker 1: then she played the show at the Garden where she 131 00:07:30,720 --> 00:07:37,320 Speaker 1: couldn't stop thinking about getting astronomically high. And just like before, 132 00:07:37,680 --> 00:07:41,200 Speaker 1: chasing one high led to chasing another and another, she 133 00:07:41,360 --> 00:07:45,040 Speaker 1: was off the wagon once again. Grossman suggested some pretty 134 00:07:45,040 --> 00:07:48,040 Speaker 1: big changes. Janice should take a little time off, and 135 00:07:48,080 --> 00:07:50,280 Speaker 1: they put the Cosmic Blues Band on Ice. The boys 136 00:07:50,280 --> 00:07:52,120 Speaker 1: didn't know it at the time, but the Madison Square 137 00:07:52,120 --> 00:07:56,680 Speaker 1: Garden gig would wind up being their last. In January, 138 00:07:56,920 --> 00:08:00,880 Speaker 1: Jannie would turn seven. She should show lay off the dope, 139 00:08:01,040 --> 00:08:03,840 Speaker 1: lay off the drama of the band, recharge your batteries, 140 00:08:03,920 --> 00:08:07,160 Speaker 1: clear her mind. And then a few she Engrossman could 141 00:08:07,200 --> 00:08:10,320 Speaker 1: start talking about assembling a new band, a better band, 142 00:08:10,760 --> 00:08:13,280 Speaker 1: and she would be recharged and clear minded to lead 143 00:08:13,320 --> 00:08:16,320 Speaker 1: them into greatness. And then she thought of something else 144 00:08:16,440 --> 00:08:18,680 Speaker 1: that would help her get to that place, to a 145 00:08:18,720 --> 00:08:23,240 Speaker 1: place of self preservation and self discovery. A trip, a 146 00:08:23,320 --> 00:08:26,000 Speaker 1: big trip out of the country, out of her head, 147 00:08:26,360 --> 00:08:29,080 Speaker 1: somewhere she had always wanted to go. Who knows what 148 00:08:29,160 --> 00:08:32,280 Speaker 1: she'd find there. Grossman crossed his fingers in vain and 149 00:08:32,320 --> 00:09:05,760 Speaker 1: hoped to himself that it wasn't a bad IDEA February 150 00:09:06,640 --> 00:09:10,440 Speaker 1: seventy Rio de jan Arrow, the streets pulsed with light 151 00:09:10,559 --> 00:09:13,960 Speaker 1: and sound. Parade floats glowed as they appeared to glide 152 00:09:14,000 --> 00:09:18,280 Speaker 1: through the mass of ecstatic revelers. Dancers in matching outfits, 153 00:09:18,280 --> 00:09:21,000 Speaker 1: some with ornate hats and head dresses that leaned and 154 00:09:21,040 --> 00:09:23,960 Speaker 1: wobbled on top of their heads, moved their bodies to 155 00:09:24,000 --> 00:09:28,200 Speaker 1: the zampa music. Long white dresses swirled and twirled in 156 00:09:28,200 --> 00:09:31,240 Speaker 1: the dark, the embroideries along the edges catching the light 157 00:09:31,280 --> 00:09:35,040 Speaker 1: and sparkling with life, and the colors erupted from every 158 00:09:35,040 --> 00:09:38,679 Speaker 1: direction and every angle, oranges, reds, yellows, purples, and there 159 00:09:38,679 --> 00:09:40,880 Speaker 1: were floats made it look like horses, and others that 160 00:09:40,920 --> 00:09:44,559 Speaker 1: looked like dragons. From every block. The rapturous sound of 161 00:09:44,640 --> 00:09:48,400 Speaker 1: symbols and drums and undeniable rhythm infiltrated every ear and 162 00:09:48,440 --> 00:09:51,360 Speaker 1: every mind and every ass in the city. And there 163 00:09:51,440 --> 00:09:55,360 Speaker 1: was no escaping. The party, carnival and Rio was non stop. 164 00:09:56,040 --> 00:09:59,040 Speaker 1: And this is why Jannastopolin was here, why she made 165 00:09:59,040 --> 00:10:01,559 Speaker 1: the trip all the way to Rio. She had recently 166 00:10:01,559 --> 00:10:06,040 Speaker 1: seen Black Orpheus, Marcel Camus, film that told the story 167 00:10:06,160 --> 00:10:09,160 Speaker 1: of Orpheus and Eurtesy in the setting of the centuries 168 00:10:09,200 --> 00:10:12,480 Speaker 1: old celebration that draws hundreds of thousands to the streets 169 00:10:12,480 --> 00:10:16,400 Speaker 1: of Rio every February. She fell under the spell of 170 00:10:16,440 --> 00:10:18,520 Speaker 1: the city that she witnessed in the movie and of 171 00:10:18,600 --> 00:10:21,480 Speaker 1: the celebration that it documented. It was full of color, 172 00:10:21,559 --> 00:10:23,280 Speaker 1: full of sound, and full of some of the most 173 00:10:23,320 --> 00:10:27,640 Speaker 1: blatant liberation on planet Earth. The liberation was there in 174 00:10:27,760 --> 00:10:30,880 Speaker 1: plain sight, the colors, the outfits, the dances, the music. 175 00:10:31,200 --> 00:10:33,880 Speaker 1: To have nots dressed up like the halves, women and 176 00:10:33,920 --> 00:10:37,840 Speaker 1: barely their bikinis, men dressed in dragged, sweaty bodies gyrating 177 00:10:37,840 --> 00:10:41,040 Speaker 1: in the eighty degree heat. A mythical figure, King Momo, 178 00:10:41,160 --> 00:10:43,480 Speaker 1: giving his blessing to all in the city to cut 179 00:10:43,480 --> 00:10:47,280 Speaker 1: loose and indulge the masses, took over the streets of 180 00:10:47,360 --> 00:10:49,400 Speaker 1: Rio for a few days once a year and let 181 00:10:49,440 --> 00:10:53,680 Speaker 1: it all out, no holds barn. Janis wanted to promise 182 00:10:53,760 --> 00:10:56,280 Speaker 1: that that film laid bare. She wanted to get free. 183 00:10:56,800 --> 00:10:59,400 Speaker 1: Janis had just turned twenty seven years old. She had 184 00:10:59,440 --> 00:11:02,600 Speaker 1: disbanded the Cosmic Blues Band. She needed some time to 185 00:11:02,679 --> 00:11:05,440 Speaker 1: collect her thoughts before holding auditions for a new group. 186 00:11:05,760 --> 00:11:09,000 Speaker 1: She needed this extreme change of scenery. But she needed 187 00:11:09,040 --> 00:11:14,040 Speaker 1: something else too, She needed a fix. She was out 188 00:11:14,040 --> 00:11:16,920 Speaker 1: of her dollaphine again. She felt the shakes coming on 189 00:11:17,000 --> 00:11:20,400 Speaker 1: again as the seemingly endless parade snaked its way past 190 00:11:20,440 --> 00:11:23,400 Speaker 1: where she stood on the sidelines. Who was at chill 191 00:11:23,480 --> 00:11:25,760 Speaker 1: that she wasn't able to escape, a chill that would 192 00:11:25,800 --> 00:11:27,560 Speaker 1: hunt her down and follow her. No matter if she 193 00:11:27,640 --> 00:11:30,040 Speaker 1: was in San Francisco or New York City or Rio, 194 00:11:31,360 --> 00:11:34,200 Speaker 1: the chill would find her. The chill would find her 195 00:11:34,240 --> 00:11:36,559 Speaker 1: and remind her of all the things she missed, the 196 00:11:36,559 --> 00:11:39,920 Speaker 1: things she wanted, the things she needed. In the rhythm 197 00:11:39,960 --> 00:11:42,680 Speaker 1: of the symbols and the drums penetrated her head and 198 00:11:42,720 --> 00:11:46,599 Speaker 1: then shot lightning bolts down her spine. Her hands were vibrating, 199 00:11:46,760 --> 00:11:49,080 Speaker 1: and she could feel an oncoming migraine, like the high 200 00:11:49,080 --> 00:11:52,199 Speaker 1: beams of attractive trailer rolling on the highway at seventy miles. 201 00:11:53,160 --> 00:11:55,520 Speaker 1: She began to sweat, and not just from the humid 202 00:11:55,600 --> 00:11:58,840 Speaker 1: rio evening. She reached out and grabbed David Nyehouse's arm 203 00:11:58,920 --> 00:12:01,200 Speaker 1: to steady herself, and the feel of his skin on 204 00:12:01,240 --> 00:12:04,160 Speaker 1: hers gave her some comfort. A passing float with a 205 00:12:04,200 --> 00:12:07,120 Speaker 1: giant horace glowed with color, and then it began to 206 00:12:07,160 --> 00:12:10,600 Speaker 1: move in the torso of the oversized horse, pulsing along 207 00:12:10,600 --> 00:12:13,440 Speaker 1: with the rhythm of the samba. It was perfectly tied 208 00:12:13,440 --> 00:12:16,520 Speaker 1: with the music, imperfectly tied with the pounding she was 209 00:12:16,559 --> 00:12:20,560 Speaker 1: feeling in her head, and the synchronicity was freaky. Every 210 00:12:20,559 --> 00:12:23,520 Speaker 1: time the horse's belly would pulse inward, she could see 211 00:12:23,520 --> 00:12:26,680 Speaker 1: his rib cage poke out. She leaned her head into 212 00:12:26,760 --> 00:12:30,520 Speaker 1: David's shoulder and said, are you seeing this? David just 213 00:12:30,600 --> 00:12:32,679 Speaker 1: cradled her in his arm and tried to calm were 214 00:12:32,720 --> 00:12:35,600 Speaker 1: shaking hands. It was obvious. She thought that the two 215 00:12:35,640 --> 00:12:41,000 Speaker 1: of them were watching different parades. David was one of 216 00:12:41,040 --> 00:12:43,600 Speaker 1: the first people Janice met when she arrived in Rio 217 00:12:43,720 --> 00:12:47,840 Speaker 1: with her friend Linda Graviniti's, a fellow American. David had 218 00:12:47,880 --> 00:12:50,040 Speaker 1: done time in the Peace Corps in law school and 219 00:12:50,080 --> 00:12:53,000 Speaker 1: now was traveling the Amazon with his friend Ben Biale. 220 00:12:53,480 --> 00:12:55,800 Speaker 1: He saw her lounging on the eponym of Beach and 221 00:12:55,880 --> 00:12:58,600 Speaker 1: made the first move. He didn't even recognize her as 222 00:12:58,640 --> 00:13:00,960 Speaker 1: the Janis Joplin, and of the second day that they 223 00:13:01,000 --> 00:13:04,720 Speaker 1: hung out, David was down to earth, and Janice felt 224 00:13:04,800 --> 00:13:08,800 Speaker 1: stabilized around him, even in her unstable state. It was 225 00:13:08,840 --> 00:13:12,360 Speaker 1: his magic power, and nowhere did his magic power proved 226 00:13:12,400 --> 00:13:14,560 Speaker 1: to be more clutch than in this moment. During the 227 00:13:14,600 --> 00:13:18,200 Speaker 1: carnival parade in Rio, a samba school of kids danced 228 00:13:18,200 --> 00:13:20,720 Speaker 1: and clapped around the huge horse float as it continued 229 00:13:20,760 --> 00:13:23,280 Speaker 1: to move up the street. The greens and whites of 230 00:13:23,320 --> 00:13:25,560 Speaker 1: their outfits matched the colors of the float and on 231 00:13:25,640 --> 00:13:28,960 Speaker 1: the horse, and their rhythm became louder, more urgent. And 232 00:13:29,000 --> 00:13:31,800 Speaker 1: then Janice watched as the horse's eyes began to glow 233 00:13:31,800 --> 00:13:34,880 Speaker 1: a deep red a red so deep and so hot 234 00:13:34,920 --> 00:13:37,679 Speaker 1: that she could see smoke coming from its burning sockets. 235 00:13:38,320 --> 00:13:41,040 Speaker 1: And now the samba kid's eyes were going red too, 236 00:13:41,160 --> 00:13:43,600 Speaker 1: And every time they spun around and their shirts and 237 00:13:43,679 --> 00:13:46,800 Speaker 1: dresses pomed out, they would direct their gazes right back 238 00:13:46,840 --> 00:13:49,679 Speaker 1: to Janice, and their red eyes would sear deep into 239 00:13:49,679 --> 00:13:52,920 Speaker 1: her flesh. And the shaking of her hands intensified, and 240 00:13:53,000 --> 00:13:55,040 Speaker 1: the pounding in her head and down her spine were 241 00:13:55,080 --> 00:13:59,560 Speaker 1: becoming unbearable, and the chill had found her again. She panicked. 242 00:14:00,120 --> 00:14:02,280 Speaker 1: She had to escape the crowd and that was the 243 00:14:02,360 --> 00:14:05,160 Speaker 1: first thing she had to do. David had a holler 244 00:14:05,200 --> 00:14:07,280 Speaker 1: out of them. She was out of dolaphine. She had 245 00:14:07,280 --> 00:14:09,280 Speaker 1: no heroine. All she had was the chill and the 246 00:14:09,360 --> 00:14:12,840 Speaker 1: increasing fear that something awful is about to happen. She 247 00:14:12,960 --> 00:14:16,120 Speaker 1: needed David's help. David led her away from the demonic 248 00:14:16,160 --> 00:14:18,520 Speaker 1: horse float and the red eyed samba school, away from 249 00:14:18,559 --> 00:14:21,000 Speaker 1: the crowds and the incessant rhythm and noise, and they 250 00:14:21,040 --> 00:14:23,920 Speaker 1: got real free. Then they rolled thumb up the coast. 251 00:14:24,000 --> 00:14:26,320 Speaker 1: They slept on beaches and there were no crowds. It 252 00:14:26,400 --> 00:14:28,640 Speaker 1: was just them, the sand of water in the horizon. 253 00:14:29,080 --> 00:14:31,680 Speaker 1: David held Janice tight every time the chill grabbed hold 254 00:14:31,680 --> 00:14:34,160 Speaker 1: of her and wouldn't let go. He held her tighter 255 00:14:34,160 --> 00:14:36,880 Speaker 1: than the chill until the chill went away, and they 256 00:14:36,920 --> 00:14:39,800 Speaker 1: rented a motorcycle and tore ass up the road towards 257 00:14:39,840 --> 00:14:42,840 Speaker 1: Bahia en route by kid a medium strip and they 258 00:14:42,880 --> 00:14:46,120 Speaker 1: were both thrown onto the road and they walked away unscathed, 259 00:14:46,160 --> 00:14:48,160 Speaker 1: happy to be alive, and wound up hitching the rest 260 00:14:48,240 --> 00:14:51,000 Speaker 1: of the way to Salvador and the happy to be 261 00:14:51,040 --> 00:14:55,080 Speaker 1: alive feeling stuck with her. Eventually, Janice felt calm. She 262 00:14:55,280 --> 00:14:57,760 Speaker 1: rode the way of Calmness for a few days straight 263 00:14:57,800 --> 00:15:01,160 Speaker 1: and was hopeful that the combination of the bridge zillion countryside, 264 00:15:01,400 --> 00:15:04,800 Speaker 1: David's company in good old fashioned cold Turkey would make 265 00:15:04,800 --> 00:15:07,760 Speaker 1: her addiction a thing of the past. She had sweated 266 00:15:07,760 --> 00:15:10,160 Speaker 1: out at Carnival, throwing it out from the backseat of 267 00:15:10,200 --> 00:15:13,640 Speaker 1: the motorcycle. She was ready to go back home. She 268 00:15:13,680 --> 00:15:16,680 Speaker 1: flew back to California on her own, and David avowed 269 00:15:16,720 --> 00:15:18,560 Speaker 1: to return with her, but he realized that he had 270 00:15:18,600 --> 00:15:20,880 Speaker 1: overstayed his visa and had to stay behind for a 271 00:15:20,880 --> 00:15:24,120 Speaker 1: while to sort things out. She got back to her 272 00:15:24,160 --> 00:15:27,560 Speaker 1: house and Larkspur and Marin County, her first real house 273 00:15:27,600 --> 00:15:29,760 Speaker 1: that she had bought in the fall of nineteen sixty 274 00:15:29,840 --> 00:15:33,200 Speaker 1: nine with all that Albert Grossman money. It was still 275 00:15:33,240 --> 00:15:36,400 Speaker 1: new to her, and she unlocked the door, walked inside 276 00:15:36,480 --> 00:15:39,040 Speaker 1: and dropped her suitcase on the floor of the entryway. 277 00:15:39,440 --> 00:15:41,480 Speaker 1: She walked into the living room and sat down on 278 00:15:41,520 --> 00:15:45,200 Speaker 1: the couch. Everything was quiet. Larksburg was quiet, and the 279 00:15:45,240 --> 00:15:48,840 Speaker 1: house was quiet. Even the redwood trees still and didn't 280 00:15:48,880 --> 00:15:52,360 Speaker 1: make a peep. It was too quiet. She thought about 281 00:15:52,400 --> 00:15:55,160 Speaker 1: ringing someone up, maybe pig Pan or Sam or Linda. 282 00:15:55,400 --> 00:15:57,240 Speaker 1: Maybe she'd ring up one of the Angels. They could 283 00:15:57,320 --> 00:15:59,520 Speaker 1: rip through a bottle of something hard and sweet and 284 00:15:59,520 --> 00:16:01,680 Speaker 1: then tear her ass on the one on one, the 285 00:16:01,720 --> 00:16:06,680 Speaker 1: salty Pacific air blowing through her long hair. Days later, 286 00:16:06,760 --> 00:16:10,000 Speaker 1: when David would finally get his visa situation squared away 287 00:16:10,080 --> 00:16:13,400 Speaker 1: and make his way to Janice's doorstep, he'd encounter one 288 00:16:13,400 --> 00:16:17,000 Speaker 1: of those angels boys in the most unexpected way. David 289 00:16:17,040 --> 00:16:19,480 Speaker 1: and Janice were in bed and were startled by a 290 00:16:19,560 --> 00:16:22,760 Speaker 1: noise coming from the kitchen. David jumped up to investigate, 291 00:16:22,800 --> 00:16:24,920 Speaker 1: tiptoed his way into the kitchen in a T shirt 292 00:16:24,960 --> 00:16:27,800 Speaker 1: and underwear to find a couple of Hell's Angels going 293 00:16:27,840 --> 00:16:30,840 Speaker 1: through the fridge. One turned to face David and pulled 294 00:16:30,840 --> 00:16:33,040 Speaker 1: a gun from his thick leather belt, and then he 295 00:16:33,080 --> 00:16:35,800 Speaker 1: asked David the question that David had been thinking all along, 296 00:16:36,280 --> 00:16:40,200 Speaker 1: Who the fuck are you? Right now? Janice didn't have 297 00:16:40,280 --> 00:16:43,080 Speaker 1: David or any of the Angels boys, and the calm 298 00:16:43,160 --> 00:16:45,960 Speaker 1: that had washed over her in Brazil was withering away. 299 00:16:46,520 --> 00:16:49,520 Speaker 1: Something else was growing at his place, something coming up 300 00:16:49,600 --> 00:16:52,800 Speaker 1: fast and queasy. She picked up the phone and made 301 00:16:52,800 --> 00:16:54,800 Speaker 1: the call that she had wanted to make since the 302 00:16:54,920 --> 00:16:58,880 Speaker 1: day she left for Rio. She called her dealer and 303 00:16:58,960 --> 00:17:01,480 Speaker 1: asked him to bring around on a bag of heroin. 304 00:17:06,200 --> 00:17:15,719 Speaker 1: We'll be right back after this word word word, Janice 305 00:17:15,800 --> 00:17:19,920 Speaker 1: Joplin st Bernard Massive Mix. Thurber lifted his head from 306 00:17:19,960 --> 00:17:21,760 Speaker 1: the floor as soon as he heard the knock on 307 00:17:21,800 --> 00:17:25,760 Speaker 1: the door. A long wet blob of slobber hung from 308 00:17:25,760 --> 00:17:29,399 Speaker 1: his bottom lip. His ears perked up. He waited to 309 00:17:29,440 --> 00:17:32,920 Speaker 1: hear the knock again, and for a moment there was silence. 310 00:17:33,320 --> 00:17:35,720 Speaker 1: Theber cocked his ear in the opposite direction and wondered 311 00:17:35,720 --> 00:17:37,800 Speaker 1: if maybe there hadn't been a knock at all, Maybe 312 00:17:37,840 --> 00:17:40,200 Speaker 1: he'd imagine the whole thing He did that a lot. 313 00:17:40,520 --> 00:17:43,480 Speaker 1: He was a dog, after all. And then suddenly the 314 00:17:43,560 --> 00:17:47,720 Speaker 1: knocking resumed. This time it was louder and harder than before, 315 00:17:48,000 --> 00:17:51,720 Speaker 1: rapid and urgent. A man's voice called out Janice's name. 316 00:17:51,920 --> 00:17:54,760 Speaker 1: Thurber barked. He jumped up from the floor and scurried 317 00:17:54,800 --> 00:17:58,280 Speaker 1: towards the door, his ton nails clicking against the hardwood, 318 00:17:58,480 --> 00:18:02,320 Speaker 1: his shaggy dog frames this way and that he stuck 319 00:18:02,320 --> 00:18:04,400 Speaker 1: his head out through the four foot high dog door 320 00:18:04,440 --> 00:18:07,199 Speaker 1: that Janis had installed when she bought the house. It 321 00:18:07,320 --> 00:18:09,720 Speaker 1: was a one story wood shingled place on a cul 322 00:18:09,760 --> 00:18:13,040 Speaker 1: de sac, surrounded by redwoods and Larksburg, just north of 323 00:18:13,080 --> 00:18:16,879 Speaker 1: San Francisco. Everything about it was the exact opposite of 324 00:18:16,880 --> 00:18:19,760 Speaker 1: the places she had lived in California prior. It was 325 00:18:19,800 --> 00:18:22,240 Speaker 1: secluded in tranquil and it was about as far away 326 00:18:22,240 --> 00:18:24,320 Speaker 1: from the limelight of the party as you could get. 327 00:18:24,920 --> 00:18:27,040 Speaker 1: And that didn't mean that Janis didn't bring the party 328 00:18:27,040 --> 00:18:30,280 Speaker 1: to Larksburg. On the contrary, she still liked to party. 329 00:18:30,480 --> 00:18:33,200 Speaker 1: She still liked to be surrounded by people. She often 330 00:18:33,240 --> 00:18:35,240 Speaker 1: had them out to her place out there at three 331 00:18:35,240 --> 00:18:38,000 Speaker 1: eight West Baltimore and the creekside part of town called 332 00:18:38,040 --> 00:18:41,359 Speaker 1: Baltimore Canyon, where the neighbors weren't breathing down your neck, 333 00:18:41,440 --> 00:18:44,560 Speaker 1: or neither were the fuzz. When David Nihaus was in town, 334 00:18:44,760 --> 00:18:46,840 Speaker 1: he got a taste of that party more often than 335 00:18:46,880 --> 00:18:49,160 Speaker 1: he wanted, and those two of them would go into town. 336 00:18:49,280 --> 00:18:52,399 Speaker 1: Within minutes, their party of two became a party of twenty, 337 00:18:52,480 --> 00:18:56,520 Speaker 1: and then forty fans, friends, musicians, hippies, freaks. The party 338 00:18:56,560 --> 00:18:58,560 Speaker 1: would make its way back to Larksburg, and then the 339 00:18:58,640 --> 00:19:01,240 Speaker 1: very person David had traveled to California to see would 340 00:19:01,240 --> 00:19:05,200 Speaker 1: be virtually unattainable to him. The last straw with David 341 00:19:05,240 --> 00:19:08,119 Speaker 1: didn't involve a party per se, but it did involve 342 00:19:08,119 --> 00:19:10,720 Speaker 1: a scenario where he came back to Janice's house to 343 00:19:10,760 --> 00:19:13,639 Speaker 1: find her high on heroin. He told her he couldn't 344 00:19:13,640 --> 00:19:16,160 Speaker 1: stand to watch or do that to herself. He reminded 345 00:19:16,160 --> 00:19:18,159 Speaker 1: her of what happened to Nancy into Sam and to 346 00:19:18,280 --> 00:19:21,960 Speaker 1: Janice herself on that night after the Winterland Show. Janis 347 00:19:21,960 --> 00:19:24,760 Speaker 1: didn't listen, but she did beg him to stay. Said 348 00:19:24,800 --> 00:19:26,840 Speaker 1: she quit junk if you would stay with her forever. 349 00:19:27,280 --> 00:19:29,359 Speaker 1: He knew she didn't mean it. He told her he 350 00:19:29,400 --> 00:19:31,560 Speaker 1: was leaving to travel some more and at some point 351 00:19:31,560 --> 00:19:34,920 Speaker 1: down the line they'd find each other again. He would 352 00:19:34,960 --> 00:19:38,879 Speaker 1: return another time to knock on her door. And now 353 00:19:39,200 --> 00:19:42,480 Speaker 1: someone else was knocking on her door. Theber hoffed and 354 00:19:42,520 --> 00:19:46,000 Speaker 1: puffed some more, the slobber dripping and splattering with each 355 00:19:46,080 --> 00:19:49,720 Speaker 1: movement as he assessed the two men outside. One had 356 00:19:49,720 --> 00:19:52,359 Speaker 1: a big beard and a bulging black guitar case in 357 00:19:52,400 --> 00:19:55,560 Speaker 1: his hand. Hey there, boy, the guitar man said, in 358 00:19:55,600 --> 00:19:58,440 Speaker 1: a deep gruff voice that immediately put therber at ease. 359 00:19:59,119 --> 00:20:02,159 Speaker 1: Is your mama home? And then the door opened and 360 00:20:02,200 --> 00:20:05,800 Speaker 1: there was Janice, still groggy from a slow motion morning, 361 00:20:06,040 --> 00:20:09,159 Speaker 1: still hung over from the night before. She was surprised 362 00:20:09,200 --> 00:20:12,120 Speaker 1: to see Bob new Worth standing before her and had 363 00:20:12,160 --> 00:20:15,119 Speaker 1: his side, this bearded beauty of a man with a 364 00:20:15,160 --> 00:20:18,439 Speaker 1: guitar case in his hand and his eyes squinted nearly shut. 365 00:20:19,000 --> 00:20:21,639 Speaker 1: I've got a present for you, Bob said, and pushed 366 00:20:21,680 --> 00:20:23,960 Speaker 1: the man towards Janice, as if one of them was 367 00:20:24,000 --> 00:20:27,640 Speaker 1: a magnet and the other was steel. Janice Joplin, Meet 368 00:20:27,720 --> 00:20:32,840 Speaker 1: Chris Christofferson. Chris, this is Janice. Bob had in his 369 00:20:32,920 --> 00:20:35,639 Speaker 1: time saved Janice, saved her band, and delivered her one 370 00:20:35,680 --> 00:20:38,359 Speaker 1: of her signature songs. And now he was delivering the 371 00:20:38,359 --> 00:20:42,879 Speaker 1: man behind that song. But still she wasn't sure what 372 00:20:43,000 --> 00:20:45,879 Speaker 1: was happening. Janice asked the boys just how they found 373 00:20:45,880 --> 00:20:47,760 Speaker 1: themselves on her doorstep at the end of a cul 374 00:20:47,800 --> 00:20:50,639 Speaker 1: de sac and Marin County, and the last she had 375 00:20:50,680 --> 00:20:53,359 Speaker 1: heard Bob was hanging out in New York City with Rambon, 376 00:20:53,480 --> 00:21:00,920 Speaker 1: Jack Elliott. Well it happened like this, Chris began. We're 377 00:21:00,960 --> 00:21:04,000 Speaker 1: at this apartment in New York City, real upscale spot. 378 00:21:04,080 --> 00:21:06,200 Speaker 1: You can see the whole city laid out in front 379 00:21:06,240 --> 00:21:08,280 Speaker 1: of you, from this floor to ceiling window. You know, 380 00:21:08,320 --> 00:21:11,520 Speaker 1: all the city lights, taxi lights, flash of the public 381 00:21:11,520 --> 00:21:14,320 Speaker 1: works trucks backing down in one way, the bright blue 382 00:21:14,400 --> 00:21:16,800 Speaker 1: lights of the police. Holler and it's someone to stop. 383 00:21:17,280 --> 00:21:20,000 Speaker 1: Odetta was there, and her laugh was filling that whole 384 00:21:20,000 --> 00:21:23,200 Speaker 1: place up, and pretty soon we're all breathing in Odetta's 385 00:21:23,240 --> 00:21:26,199 Speaker 1: laughter just as much as we're breathing oxygen and rambling. 386 00:21:26,320 --> 00:21:29,600 Speaker 1: Jack was there too, Dreadnoughts strapped around his shoulder, just 387 00:21:29,760 --> 00:21:32,800 Speaker 1: loitering on a D seven chord, and Mickey Newberry too, 388 00:21:32,840 --> 00:21:35,280 Speaker 1: and Michael J. Paulard Funnier and Ship telling us all 389 00:21:35,280 --> 00:21:37,840 Speaker 1: about how hot fate done away really was how she 390 00:21:38,000 --> 00:21:40,440 Speaker 1: was hotter than she even was on the screen. You stop, 391 00:21:40,480 --> 00:21:42,840 Speaker 1: Bonny and glad right, Hell, you might just be the 392 00:21:42,840 --> 00:21:46,600 Speaker 1: best damn girl in Texas. Anyway. A bottle of tequila 393 00:21:46,680 --> 00:21:49,280 Speaker 1: is making the rounds, more laughter and d seven chords 394 00:21:49,280 --> 00:21:51,440 Speaker 1: and more stories about Fate's on away, and then the 395 00:21:51,480 --> 00:21:54,120 Speaker 1: coke is out on the table and Bob starts yelling, Hey, 396 00:21:54,240 --> 00:21:57,080 Speaker 1: range Rider. That's what Bob calls me, because we range rider. 397 00:21:57,400 --> 00:21:59,960 Speaker 1: You hear this parade of noses tooting onlines one who 398 00:22:00,119 --> 00:22:02,400 Speaker 1: or after another, you know, and Bobby's going, hey, range 399 00:22:02,480 --> 00:22:04,280 Speaker 1: Riders ship. So I knocked back a line you and 400 00:22:04,320 --> 00:22:06,600 Speaker 1: everybody's knocking back a line and two. And suddenly those 401 00:22:06,640 --> 00:22:08,720 Speaker 1: city lights, the whites and the blues and the red, 402 00:22:08,800 --> 00:22:11,840 Speaker 1: suddenly they got real wild, like fireworks. And I can 403 00:22:11,840 --> 00:22:14,240 Speaker 1: feel the tequila just coursing through my veins, you know. 404 00:22:14,280 --> 00:22:17,080 Speaker 1: And now Dead is singing something, and Jack's found the acorn, 405 00:22:17,160 --> 00:22:19,520 Speaker 1: thank the good Lord, and Bob goes, hey, range Rider, 406 00:22:19,640 --> 00:22:21,639 Speaker 1: Let's hop on a plane to San Francisco and go 407 00:22:21,720 --> 00:22:25,080 Speaker 1: pay Joan Bias a visit. Jannis stare to Chris and 408 00:22:25,119 --> 00:22:27,840 Speaker 1: Bob with a look at confusion. She didn't get it. 409 00:22:28,280 --> 00:22:31,880 Speaker 1: This wasn't San Francisco. She's sure ship wasn't Joan Bias. 410 00:22:32,720 --> 00:22:35,480 Speaker 1: Chris said things got fuzzy after that. After they left 411 00:22:35,520 --> 00:22:37,960 Speaker 1: the apartment on a whim, bought the plane tickets, got 412 00:22:37,960 --> 00:22:39,880 Speaker 1: on the plane, passed out in their seats, and woke 413 00:22:40,000 --> 00:22:43,320 Speaker 1: up somewhere over Kansas or Colorado. But when they woke up, 414 00:22:43,600 --> 00:22:46,000 Speaker 1: Bob said he had a better idea, better than Joan 415 00:22:46,040 --> 00:22:48,879 Speaker 1: Bias and San Francisco. He thought Chris should meet the 416 00:22:48,880 --> 00:22:50,840 Speaker 1: woman who had been the latest to take on me 417 00:22:50,880 --> 00:22:53,440 Speaker 1: and Bobby McGee. She was always in the mood to 418 00:22:53,480 --> 00:22:55,000 Speaker 1: whoop it up, and they were in the mood to 419 00:22:55,000 --> 00:22:57,440 Speaker 1: whoop it up to. Bob was thinking not just playing 420 00:22:57,480 --> 00:23:00,119 Speaker 1: matchmaker between a songwriter and a singer, but between a 421 00:23:00,160 --> 00:23:04,560 Speaker 1: man and a woman. So here they were, Bob Newworth 422 00:23:04,600 --> 00:23:07,320 Speaker 1: and Chris Christofferson were standing in the doorway of Janice 423 00:23:07,400 --> 00:23:10,280 Speaker 1: Choplin's single Story with her dog Thurber, working up a 424 00:23:10,280 --> 00:23:13,480 Speaker 1: pool of gooey saliva at their feet. And then Bob 425 00:23:13,560 --> 00:23:16,840 Speaker 1: spoke up, We're calling it the Great Tequila Boogie. You 426 00:23:16,840 --> 00:23:20,680 Speaker 1: want a boogie, let's boogie. Let's full tilt boogie, baby. 427 00:23:20,800 --> 00:23:22,920 Speaker 1: And then Bob had a handle of Quervo up from 428 00:23:22,920 --> 00:23:25,240 Speaker 1: behind his back, and he was inside of the house now, 429 00:23:25,320 --> 00:23:27,520 Speaker 1: rummaging around the cupboards in the kitchen and search of 430 00:23:27,600 --> 00:23:31,320 Speaker 1: some decent glassware to pass around. Chris and Janice hit 431 00:23:31,400 --> 00:23:34,600 Speaker 1: it off immediately. They sang, they talked, they bonded over 432 00:23:34,680 --> 00:23:37,639 Speaker 1: their Texas upbringing. They embarked on a full tilt boogie 433 00:23:37,680 --> 00:23:41,919 Speaker 1: bender together, and they inevitably wound up in bed. She 434 00:23:42,000 --> 00:23:44,879 Speaker 1: played me and Bobby McGee on an acoustic guitar, and 435 00:23:44,920 --> 00:23:47,920 Speaker 1: then he taught her Sunday Morning Coming Down, his hangover 436 00:23:48,000 --> 00:23:51,119 Speaker 1: song to end all hangover songs, the one that Johnny 437 00:23:51,200 --> 00:23:54,480 Speaker 1: Cash had covered on his television show. As with all 438 00:23:54,520 --> 00:23:58,160 Speaker 1: of Chris's lyrics, they cut deep into Janice. She held 439 00:23:58,200 --> 00:24:00,800 Speaker 1: the marks that they left at Bay though, whether it 440 00:24:00,880 --> 00:24:03,119 Speaker 1: was the peanut colada as they made for breakfast, or 441 00:24:03,119 --> 00:24:05,840 Speaker 1: the screwdrivers they made for lunch, or the cocktails that 442 00:24:05,880 --> 00:24:07,720 Speaker 1: would be waiting for them at the city bars when 443 00:24:07,720 --> 00:24:10,239 Speaker 1: they made their way into town each evening. But no 444 00:24:10,280 --> 00:24:12,840 Speaker 1: matter how long she held it off, no matter how 445 00:24:12,840 --> 00:24:15,520 Speaker 1: long she put it out of her mind, Sunday Morning 446 00:24:15,680 --> 00:24:18,960 Speaker 1: would come down, and it would come down hard on 447 00:24:19,200 --> 00:24:47,119 Speaker 1: Janis Joplin, and there was something about Bernie's Beanery in 448 00:24:47,200 --> 00:24:51,439 Speaker 1: West Hollywood that felt familiar to her. Janis Joplin bellied 449 00:24:51,520 --> 00:24:54,119 Speaker 1: up to the bar, Chris Christofferson by her side, and 450 00:24:54,200 --> 00:24:56,960 Speaker 1: Deja Vu took up a deep seated bar stool right 451 00:24:57,000 --> 00:24:59,760 Speaker 1: next to her. Perhaps it was the look and feel 452 00:24:59,800 --> 00:25:01,920 Speaker 1: of the place. It reminded her a little of Rio. 453 00:25:02,040 --> 00:25:04,199 Speaker 1: To be honest, it was an eruption of color in 454 00:25:04,240 --> 00:25:07,679 Speaker 1: a cramped space, and the ceiling littered with license plates 455 00:25:07,720 --> 00:25:10,600 Speaker 1: from all over the country, the plates left by patrons 456 00:25:10,640 --> 00:25:13,040 Speaker 1: who had made the pilgrimage to Los Angeles and its 457 00:25:13,040 --> 00:25:15,919 Speaker 1: fabled eateries and left behind a token of their travels. 458 00:25:16,440 --> 00:25:18,439 Speaker 1: Even the backs of the boots and seats in the 459 00:25:18,480 --> 00:25:21,280 Speaker 1: place were burst with color, like a Crayola box come 460 00:25:21,320 --> 00:25:25,080 Speaker 1: to life. Or maybe it was the grandfathered intolerance of 461 00:25:25,160 --> 00:25:27,439 Speaker 1: the place that reminded her of her early life as 462 00:25:27,480 --> 00:25:30,240 Speaker 1: a kid in Texas. If you looked in the right 463 00:25:30,320 --> 00:25:32,760 Speaker 1: spot at Barney's, right behind the bar and you're the 464 00:25:32,840 --> 00:25:36,080 Speaker 1: draft beer taps, you could still see the painted wooden 465 00:25:36,119 --> 00:25:40,160 Speaker 1: sign that read faggots stay out. And the slur itself 466 00:25:40,280 --> 00:25:43,600 Speaker 1: was misspelled. Of course, one gene instead of two, and 467 00:25:43,680 --> 00:25:46,080 Speaker 1: Janice found it fitting that a message of hatred was 468 00:25:46,160 --> 00:25:49,320 Speaker 1: penned by someone who's basic ignorance also applied the basic 469 00:25:49,359 --> 00:25:52,560 Speaker 1: grammar and the sign had been put there in ninety 470 00:25:52,640 --> 00:25:55,600 Speaker 1: by the original owner, John Barney Anthony, and the bar's 471 00:25:55,640 --> 00:25:59,119 Speaker 1: new owner, Erwin Held, had no intention of taking it down, 472 00:25:59,640 --> 00:26:03,719 Speaker 1: even that's growing gay community. West Hollywood certainly wasn't San Francisco, 473 00:26:03,800 --> 00:26:07,399 Speaker 1: Janis thought, and Berney's was not. The anxious asp the 474 00:26:07,480 --> 00:26:10,119 Speaker 1: sign and the attitudes behind the desire to hang the 475 00:26:10,160 --> 00:26:13,600 Speaker 1: sign and keep the sign reminded Janice of Port Arthur 476 00:26:13,920 --> 00:26:16,920 Speaker 1: and all the intolerant people she wanted to get away from. 477 00:26:17,000 --> 00:26:21,280 Speaker 1: And now here in this supposedly liberated state and liberated city, 478 00:26:21,480 --> 00:26:24,399 Speaker 1: a totem of repression and hate stared her in the face. 479 00:26:25,119 --> 00:26:27,960 Speaker 1: But that wasn't it. There was something else about the place, 480 00:26:28,280 --> 00:26:30,280 Speaker 1: something that made her feel like she had sat in 481 00:26:30,359 --> 00:26:33,280 Speaker 1: this particular bar stool before and that she would again, 482 00:26:33,880 --> 00:26:36,200 Speaker 1: Something that called to her that kept her coming back. 483 00:26:36,600 --> 00:26:40,000 Speaker 1: Even though she clearly disagreed with management on basic human rights. 484 00:26:40,280 --> 00:26:45,159 Speaker 1: The joint was like a car wreck to her personal constitution, loud, tacky, 485 00:26:45,520 --> 00:26:47,679 Speaker 1: off putting. If you knew where to look, but like 486 00:26:47,720 --> 00:26:50,520 Speaker 1: a car wreck. She couldn't look away and couldn't not 487 00:26:50,720 --> 00:26:53,760 Speaker 1: stop popping in for a burger and a beer. The 488 00:26:53,880 --> 00:26:56,719 Speaker 1: Great Tequila Boogie, as it was coined by Bob Neworth, 489 00:26:56,880 --> 00:27:00,359 Speaker 1: was coming to a close. Janie and Chris both felt 490 00:27:00,359 --> 00:27:04,360 Speaker 1: it winding down, this intense period of romance and whooping 491 00:27:04,359 --> 00:27:06,399 Speaker 1: it up, and they were a great fit for a 492 00:27:06,440 --> 00:27:09,159 Speaker 1: few weeks of booking, but neither was prepared for the 493 00:27:09,240 --> 00:27:12,000 Speaker 1: long haul. Bob had set them up and one on 494 00:27:12,040 --> 00:27:14,360 Speaker 1: his own merry way, but not before coining the name 495 00:27:14,480 --> 00:27:17,680 Speaker 1: for what would become Janie's new band, the Full Tilt 496 00:27:17,720 --> 00:27:21,520 Speaker 1: Boogie Band. At the bar, Janis and Chris talked about 497 00:27:21,520 --> 00:27:25,119 Speaker 1: the new roster of players, which included the cosmic blues bands, 498 00:27:25,160 --> 00:27:28,440 Speaker 1: Brad Campbell's the guy who had his blonde mustache painted black, 499 00:27:28,600 --> 00:27:31,080 Speaker 1: along with a crew of mostly Canadians hungry for the 500 00:27:31,119 --> 00:27:34,440 Speaker 1: same sort of stack slathered R and B that Janice craved. 501 00:27:35,800 --> 00:27:38,359 Speaker 1: But the more they talked and the more pines they drank, 502 00:27:38,480 --> 00:27:42,160 Speaker 1: the more their conversation turned to serious subjects, the way 503 00:27:42,240 --> 00:27:46,440 Speaker 1: conversation often turns when great spontaneous things come to their 504 00:27:46,480 --> 00:27:49,800 Speaker 1: inevitable end. She told Chris about the guy on the 505 00:27:49,840 --> 00:27:52,159 Speaker 1: Harley that she saw in her dreams, the one on 506 00:27:52,200 --> 00:27:54,880 Speaker 1: a gold bike painted with orange flames, the one who 507 00:27:54,920 --> 00:27:57,119 Speaker 1: showed up out of nowhere when she was wandering on 508 00:27:57,160 --> 00:28:01,720 Speaker 1: foot near the Vedanta Society and Alma. Chris raised an eyebrow, 509 00:28:01,960 --> 00:28:05,480 Speaker 1: just listened. Chris could tell that Janice wasn't happy, and 510 00:28:05,480 --> 00:28:07,760 Speaker 1: they had had a great time together, but she didn't 511 00:28:07,800 --> 00:28:10,480 Speaker 1: seem happy about that. Her new band was off to 512 00:28:10,520 --> 00:28:12,880 Speaker 1: a great start, but she didn't seem happy about that. 513 00:28:13,440 --> 00:28:15,359 Speaker 1: And in the span of a few short months, so 514 00:28:15,480 --> 00:28:19,760 Speaker 1: much had happened. The relapse back at Haroin Rio david Nyhouse, 515 00:28:19,840 --> 00:28:22,359 Speaker 1: the breakup of her second band, and all of it 516 00:28:22,359 --> 00:28:26,080 Speaker 1: seemed to conspire to making her own happy. Three dog Nights. 517 00:28:26,119 --> 00:28:29,280 Speaker 1: Mama told me not to come. Thudded from Barney's jukebox 518 00:28:29,560 --> 00:28:32,679 Speaker 1: and Chris settled up their bar to What's Next? Janice 519 00:28:33,040 --> 00:28:36,280 Speaker 1: Chris aster in that deep toned, gruff but intimate way 520 00:28:36,359 --> 00:28:40,040 Speaker 1: he had of talking what was next? She didn't know 521 00:28:40,200 --> 00:28:43,080 Speaker 1: what was around the corner when someone asked you that 522 00:28:43,160 --> 00:28:46,280 Speaker 1: kind of question. Inside Barney's Beanery, she was really thrown 523 00:28:46,320 --> 00:28:49,360 Speaker 1: for a loop. That place put out some weird energy, 524 00:28:49,840 --> 00:28:51,920 Speaker 1: so weird that she couldn't put her finger on it. 525 00:28:52,440 --> 00:28:54,880 Speaker 1: She knew that the good would only come with the bad. 526 00:28:55,040 --> 00:28:58,280 Speaker 1: She knew that much for sure. Around the corner, Janice 527 00:28:58,280 --> 00:29:00,720 Speaker 1: would unknowingly run into things from a pass that you 528 00:29:00,800 --> 00:29:05,160 Speaker 1: wanted to escape, not to mention more violence and self destruction, 529 00:29:05,720 --> 00:29:08,840 Speaker 1: and neither David Nihao Sir Chris Christofferson would be there 530 00:29:08,880 --> 00:29:13,280 Speaker 1: to help see her through it. Off. I'm Jake Brennan 531 00:29:13,960 --> 00:29:28,160 Speaker 1: in this This seven Club, all right? This episode of 532 00:29:28,200 --> 00:29:30,840 Speaker 1: The Seven Club is brought to you by Disgrace Land, 533 00:29:30,880 --> 00:29:33,360 Speaker 1: the award winning music and true crime podcast that I 534 00:29:33,400 --> 00:29:36,520 Speaker 1: also host. Disgrace Land is available only in the free 535 00:29:36,520 --> 00:29:39,400 Speaker 1: Amazon Music Gap. To hear tons of insane stories about 536 00:29:39,400 --> 00:29:43,760 Speaker 1: your favorite musicians getting away with murder and behaving very badly. Nirvana, Prince, 537 00:29:43,880 --> 00:29:46,600 Speaker 1: Jerry le Lewis, The Grateful Dead, The Rolling Stones, Cardi 538 00:29:46,680 --> 00:29:49,640 Speaker 1: b In, many many more. Go to Amazon dot com 539 00:29:49,760 --> 00:29:52,520 Speaker 1: slash disgrace or if you have an Echo device to 540 00:29:52,600 --> 00:29:56,960 Speaker 1: say hey Alexa, play the disgrace Land podcast. The S 541 00:29:57,160 --> 00:29:59,800 Speaker 1: Club is hosted and co written by me Jake Brennan. 542 00:30:00,280 --> 00:30:03,120 Speaker 1: Zeth Wandi is the lead writer and co producer. Not 543 00:30:03,280 --> 00:30:06,640 Speaker 1: voting mixes the show additional music and score elements by 544 00:30:06,720 --> 00:30:09,640 Speaker 1: Ryan Spreaker and Henry Lynette. The twenty seven Club is 545 00:30:09,680 --> 00:30:12,560 Speaker 1: produced by myself for Double Elvis and partnership with I 546 00:30:12,680 --> 00:30:16,280 Speaker 1: Heart Radio. Sources for this episode are available at double 547 00:30:16,320 --> 00:30:19,240 Speaker 1: Elvis dot com when the twenty seven Club series page. 548 00:30:19,680 --> 00:30:23,120 Speaker 1: The twenty seven Club is released weekly every Thursday. Our 549 00:30:23,160 --> 00:30:26,120 Speaker 1: previous seasons on Jimmie Hendricks and Jim Morrison are available 550 00:30:26,120 --> 00:30:28,960 Speaker 1: for you to binge right now wherever you get your podcasts, 551 00:30:29,280 --> 00:30:31,240 Speaker 1: and if you'd like you here, please be sure to 552 00:30:31,280 --> 00:30:33,320 Speaker 1: find and follow the twenty seven Club on the I 553 00:30:33,520 --> 00:30:36,760 Speaker 1: Heart Radio app, Apple podcast or wherever you get shows. 554 00:30:37,120 --> 00:30:38,600 Speaker 1: And if you'd like to win a free twenty seven 555 00:30:38,600 --> 00:30:42,160 Speaker 1: Club poster designed by the man himself, Nate Gonzalez, then 556 00:30:42,240 --> 00:30:44,720 Speaker 1: leave a review for twenty seven Club on Apple podcast 557 00:30:44,880 --> 00:30:48,800 Speaker 1: or hashtag subscribe to twenty seven Club on social media 558 00:30:49,040 --> 00:30:51,760 Speaker 1: and will pick two winners each week and announce them 559 00:30:51,800 --> 00:30:55,040 Speaker 1: on the Double Elvis Instagram page that's at Double Elvis. 560 00:30:55,240 --> 00:30:57,440 Speaker 1: Give that a fall. So get out there and spread 561 00:30:57,440 --> 00:30:59,000 Speaker 1: the word about the twenty seven Club and you can 562 00:30:59,000 --> 00:31:01,720 Speaker 1: talk to me per usual on Instagram and Twitter at 563 00:31:01,800 --> 00:31:07,800 Speaker 1: disgrace Land pod Rock rolla what's up for your is