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Speaker 1: This is a conversation we've had on this podcast.

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Speaker 2: We did about honestly being toxic, And nowhere in there

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Speaker 2: did I see what you guys were saying, Oh, you didn't.

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Speaker 3: Have an ass as fat as the girls that I

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Speaker 3: was shitting with.

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Speaker 4: Rory, definitely, I was about to say you at you

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Speaker 4: look just at the Marason said that, So I felt

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Speaker 4: pretty good. I was like, maybe maybe I had the wagon,

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Speaker 4: didn't I didn't know?

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Speaker 3: No, I feel your wagon ain't draggon no, no.

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Speaker 1: But I need come, don't you.

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Speaker 3: Welcome to another episode of New Rory and Mall.

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Speaker 4: I'm all, I am Rory, and.

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Speaker 2: We are back after the weekend of fun filled activities.

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Speaker 3: I'm lying.

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Speaker 2: I did absolutely nothing fun this weekend, But hopefully our

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Speaker 2: listeners and our views did something fun and had a

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Speaker 2: great weekend. Hope everyone is safe, everyone is healthy, everyone

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Speaker 2: is blessed and ready to conquer another week.

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Speaker 3: Rory, are you ready?

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Speaker 4: I suppose so Demeris did a lot of fun shit.

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Speaker 5: Yeah, you know.

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Speaker 4: I like when when my friends put all the fun

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Speaker 4: things they're doing on their ig stories while they're also

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Speaker 4: texting me, but failing to mention all the fun things

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Speaker 4: that are actually going on, they'll text me everything else. Yeah,

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Speaker 4: while they're while they're out at a summer club NYC

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Speaker 4: rooftop in the pool, it's just texting or texting away,

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Speaker 4: not telling me that the feed on the pool though,

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Speaker 4: leaving that part out.

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Speaker 3: Is anything really fun anymore? Like as far as clubbing.

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Speaker 4: About to say, you said as morbid as means anything

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Speaker 4: even fun anymore? Does life even matter?

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Speaker 3: Like the club like a club scene. Is the club

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Speaker 3: scene really fun.

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Speaker 4: For the people that it's intended for. Yeah, so it's

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Speaker 4: not intended for us, not anymore? No, Okay, at one

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Speaker 4: point it.

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Speaker 2: Was, I see people partying in the clubs and I'm

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Speaker 2: just like, nobody looks like they're having fun. Everybody's on

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Speaker 2: their phone, everybody's recording everybody.

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Speaker 4: But but people find that fun now, so that's fun.

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Speaker 5: It's not the same fun as.

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Speaker 4: You're just you're the angry old guy that is mad

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Speaker 4: that they're on your grass.

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Speaker 3: I have fun.

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Speaker 2: I have fun doing nothing like to me, that's that's fun.

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Speaker 2: But I just like look at people and when they're

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Speaker 2: when they're partying and in the clubs, and I'm just like,

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Speaker 2: it's a different way to party now. Like you said,

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Speaker 2: everybody wants to record every everything is content. We gotta record.

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Speaker 2: We gotta make a TikTok, we gotta make a boomerang,

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Speaker 2: we gotta do this. We got it, And I'm just like,

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Speaker 2: is that really fun?

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Speaker 4: Well, you're again, you're viewing it from the lens of

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Speaker 4: the screen door. You're the old guy looking through his

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Speaker 4: screen front door and going like, is that really fun?

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Speaker 5: It is?

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Speaker 4: What are those kids doing? They're having a blast?

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Speaker 2: But no, I mean, I think I think if I

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Speaker 2: saw people posting videos and like, you know, people were

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Speaker 2: actually dancing, and I think that happens.

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Speaker 4: Talking to each other, and you just follow a lot

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Speaker 4: of bartenders that don't really dance. They just kind of

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Speaker 4: like move their hips while they pour patron that makes

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Speaker 4: me so yeah, I think you just need to follow more.

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Speaker 3: A lot of I don't think so well.

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Speaker 4: Someone tweeted that bartenders are just Juco strippers, and no

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Speaker 4: one but me laughed.

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Speaker 3: You guys all thought you were Juco? My ass.

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Speaker 2: I know a few strippers that got more jewelry and

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Speaker 2: more more watches than a.

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Speaker 3: Lot of rappers. What is Juco?

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Speaker 4: I'm saying bartenders are Juco strippers? Oh okay, which makes

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Speaker 4: kind of a that's still wrong.

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Speaker 3: Because a lot of bartenders make more money than strippers.

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Speaker 4: I think they're intending Juco strippers as they really are.

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Speaker 4: They're almost dressed like a stripper. Yeah, you're you're very

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Speaker 4: close as much as.

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Speaker 3: Oh ship, I'll take that Juco check with a stripper check.

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Speaker 1: Oh.

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Speaker 4: They don't have to get naked, and you don't even

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Speaker 4: have to have a bartending like.

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Speaker 3: Yeah, you don't even know what you're mixing. You don't.

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Speaker 3: You can be killing this gentleman. You don't even know

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Speaker 3: alcohol poison anything.

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Speaker 4: Can we do for content? Go to one time, go

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Speaker 4: to like either strip club or go to like one

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Speaker 4: of those types of bars where those type of bartenders

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Speaker 4: are and just like order like really really complex cocktails

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Speaker 4: and ship. Yeah, like let's let's let's look up a

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Speaker 4: cocktail menu of like the hardest cock like professional bartenders

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Speaker 4: for old.

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Speaker 1: Fashion at the Strip Club Manhattan.

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Speaker 4: Yeah. With a twist whatever that means, you know what,

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Speaker 4: twist give it to me with a twist, you just twist.

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Speaker 2: Spin around, twist like this, just spin around for you

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Speaker 2: real quick shout out to Bernie's I saw she looks she.

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Speaker 3: Still looks great.

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Speaker 4: Oh G I mean that with respect.

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Speaker 3: Absolutely, So would you do this weekend?

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Speaker 4: Nothing except yes to day. Because I stayed in the

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Speaker 4: househole weekend. I saw Kaylanie was doing like my private

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Speaker 4: before we at Peer seventeen, before you go any first,

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Speaker 4: So I threw on my best slacks.

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Speaker 2: That was that was, That was the highlight of my week,

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Speaker 2: my weekend. No, Kaylanie posted a picture. Oh and I

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Speaker 2: don't For some reason, I feel like Kaylney hasn't posted

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Speaker 2: a picture a while. Maybe she had me blocked or shadow.

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Speaker 4: Yeah, I don't know, you're not in her algorithm.

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Speaker 3: Yeah, old man. She posted a picture and she looked great.

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Speaker 4: She looked amazing yesterday at the show.

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Speaker 3: Wow.

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Speaker 4: I don't know who did her makeup, but as the

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Speaker 4: girls would say, she.

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Speaker 3: Was beat to the gods.

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Speaker 4: The face, the face was beat. Yeah, she looked Wait,

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Speaker 4: she had a show where h Pier seventeen, you know

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Speaker 4: the rooftop joint next to Cacklin Bridge.

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Speaker 3: How was it?

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Speaker 4: It was really good?

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Speaker 3: Yeah.

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Speaker 4: Her her set design is incredible. That whoever does all

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Speaker 4: her graphics and ship is ill. Her stage is fucking

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Speaker 4: all like uh monitors and ships, so it looks like

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Speaker 4: she's walking on water and shit like it was just

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Speaker 4: I wasn't expecting because it was like one of those

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Speaker 4: like private Gray Goose event type shit. Sometimes the artists

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Speaker 4: don't go like full on with their whole set, Like

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Speaker 4: they'll just be like, all right, let me show up

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Speaker 4: to a few records and leave no full band, full set,

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Speaker 4: full graphics, full choreography. Like. It was a really good

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Speaker 4: show and you can't really lose at that venue. For

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Speaker 4: those that haven't been to Pier seventeen, it's like on

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Speaker 4: a roof right on the East River next to the

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Speaker 4: Brooklyn Bridge, fucking and they do events right at sunset

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Speaker 4: and ship it's it's it's romantic. And now there's Dolph.

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Speaker 4: There's dolphins in the East River now, so now you

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Speaker 4: can look at dolphins.

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Speaker 2: Yeah, I mean they probably not there anymore. They probably

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Speaker 2: died on Sunday if they were there.

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Speaker 4: From now I was I was reading. I was reading

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Speaker 4: that that the water has improved in the East River

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Speaker 4: so more. If there's only one way to go, they

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Speaker 4: couldn't go anywhere.

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Speaker 5: For if I got a cup and got water from

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Speaker 5: the East River, would.

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Speaker 1: You drink it?

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Speaker 4: No, I wouldn't drink ocean. I wouldn't drink the cleanest

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Speaker 4: ocean water.

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Speaker 5: That's fair.

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Speaker 3: Yeah, I don't think you should drink ocean water.

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Speaker 4: So I do think you guys that jet ski in

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Speaker 4: the East River and the Hudson as well is nasty

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Speaker 4: because I've jet skis and you get soaked.

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Speaker 2: Yeah, jet skin in the Hudson River, and this is

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Speaker 2: you know, New York City based, But jet skin in

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Speaker 2: the Hudson River is equivalent to I want to say,

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Speaker 2: like looting in the swamp.

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Speaker 5: Looting in a swamp.

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Speaker 3: Yes, why are you.

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Speaker 2: Trying to This is not you shouldn't be doing this. This

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Speaker 2: is not water for like, this is not for water activities.

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Speaker 3: This is like for taxing people from New Jersey to

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Speaker 3: New York to.

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Speaker 4: This is this is a grave wars where bodies are dump.

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Speaker 4: This is where bodies decay.

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Speaker 3: This is what a mob.

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Speaker 2: Gets rid of you at, gets of the evidence. This

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Speaker 2: is not where you fish. It's not where you Yeah,

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Speaker 2: this is the Hudson River is not that body of water.

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Speaker 3: You should not be doing that.

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Speaker 4: I feel like when other cities murder people, they have

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Speaker 4: to like do certain things before they dump the body

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Speaker 4: into their river. I feel like you just dump a

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Speaker 4: body in the Hudson and the East river and it

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Speaker 4: would decay immediately, like all DNA would be gone.

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Speaker 3: You dump everything.

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Speaker 4: You don't even need weights. I think, no matter what

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Speaker 4: you sink, the moment you touched the water, you're sinking there.

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Speaker 3: People do car insurance scams.

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Speaker 2: They just dumped the whole car in the Hudson Like,

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Speaker 2: why would you drink that and just take your jet

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Speaker 2: ski and the frolic around in that water.

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Speaker 3: I just don't It's it's nasty.

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Speaker 4: But remember when I mean, I guess up more towards

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Speaker 4: the g W. This is becoming very local. It would

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Speaker 4: be a little bit cleaner. But remember when people used

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Speaker 4: to pull up to a lot of marina and jet

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Speaker 4: skis and they thought that was like a stunt. You stink,

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Speaker 4: don't don't come to my cabana. Yeah, look at your

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Speaker 4: Look at your muddy feet.

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Speaker 3: Yeah you smell like ship coming out of the Hudson River.

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Speaker 3: But good to know that ka.

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Speaker 4: Like a swamp creature. You spink at the party, stinking

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Speaker 4: up the cabana.

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Speaker 3: Shout out to Kailani. Don't on her performance.

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Speaker 2: Blue Water Road still in rotation for me, and she's

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Speaker 2: Kaylani still looks great.

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Speaker 4: Uh then uh then I you know, maybe made a

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Speaker 4: little little lap at last lap for the first time

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Speaker 4: in a while, some familiar faces in there. It was

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Speaker 4: it was it was on the way home. Okay, it

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Speaker 4: wasn't here. See here's seventeen to Jersey. I went out

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Speaker 4: of my wife. I stopped by, you know, said hello.

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Speaker 3: Even though even some babies waved a little bit to

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Speaker 3: slap pictures.

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Speaker 4: Lap is still great. But even even LAP, to me,

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Speaker 4: it's like, I think I just want to go home.

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Speaker 5: You guys are getting that age.

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Speaker 4: Yeah, I love LAB would be the place I would

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Speaker 4: still go to because it does have a calmer energy

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Speaker 4: than other ship. But even after that was like, why

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Speaker 4: didn't I just stay on the FDR and go home?

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Speaker 2: You know, for me, it's going home or traveling. Traveling

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Speaker 2: is the new going out for me. Like I like

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Speaker 2: to travel. I like to visit different places.

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Speaker 4: That's because you got money. That's like what rich people say.

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Speaker 2: No, even even even if you're not, even if you broke.

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Speaker 2: I think that people want to travel, you know. I

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Speaker 2: think traveling for me is like, you know, you get

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Speaker 2: to experience different cities. You don't really know this club

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Speaker 2: like that, you don't know how they party, you don't

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Speaker 2: know this DJ, so it's like, Okay, it's a whole

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Speaker 2: new experience.

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Speaker 3: New experiences for me was fun.

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Speaker 4: We do kind of trick ourselves though, with that, because

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Speaker 4: the clubs do be the same in other places we

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Speaker 4: just haven't been.

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Speaker 3: We just don't know.

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Speaker 4: It's like when you went to other high schools and

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Speaker 4: saw the girls and they were super fun. But to

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Speaker 4: the guys that had been there, like super like, you're

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Speaker 4: going crazy over her, like, but we don't even say,

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Speaker 4: come to our high school and I'd be like, that's

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Speaker 4: the one that you losing your mind over.

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Speaker 2: Was like that, just like when the guys from other

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Speaker 2: other neighborhoods, like the girl in your building, mm hmmm,

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Speaker 2: you're like you came all the way from Jersey to

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Speaker 2: see her.

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Speaker 4: Yeah, it's.

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Speaker 3: Oh man, listen, man.

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Speaker 4: Columbus left what beautiful Spain just to still just to

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Speaker 4: come to India, to India, to come to India.

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Speaker 3: I still don't know why he did that, but thank you.

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Speaker 4: I just can't. Like, there's so many things in white

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Speaker 4: history that I can't fathom, but to this day, the

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Speaker 4: one that just makes me laugh the most is that

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Speaker 4: we just kept calling them Indians. Yeah, they said, Wharton no, no,

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Speaker 4: this isn't India.

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Speaker 3: There's so much of it.

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Speaker 4: To go back, you're still an Indian, Like, no, well

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Speaker 4: this is not India.

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Speaker 2: If you go back and think about everything we were

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Speaker 2: taught growing up, like we just.

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Speaker 3: We just accepted anything that they told us.

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Speaker 2: Like you literally just was like okay, like if you

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Speaker 2: teach it to me, like I'll just run around for

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Speaker 2: the rest of my life with this information and just

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Speaker 2: going to the world with it.

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Speaker 4: In a public school when I was in elementary school

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Speaker 4: in the late nineties, they were still saying these are

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Speaker 4: the Indians. It's like, wait, who so in India?

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Speaker 3: What are they?

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Speaker 4: Well, they're Indians too. That's like imagine me just pulling

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Speaker 4: up to France and being like, yo, is this Nigeria

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Speaker 4: and they're like, no, this is France. You're in Nigerian

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Speaker 4: for the rest of for the rest of eternity.

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Speaker 3: Whether you like it or not, whether you like it.

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Speaker 2: In school system, what we can belong to Brent fires

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Speaker 2: for me, I don't know about in the rest of

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Speaker 2: you Heathens.

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Speaker 4: Well everyone went to London, just you and I stayed

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Speaker 4: here to listen to the Brent album. Yeah, everyone listened

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Speaker 4: to it in Brent.

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Speaker 2: I had a great time staying at home playing the album,

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Speaker 2: listening to the album, taking in the well. Brent says

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Speaker 2: it's not toxic. On the album says, this is not toxic.

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Speaker 2: That's a made up word on the internet that people

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Speaker 2: run with toxic.

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Speaker 4: Well, I like the intro of him addressing that, and

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Speaker 4: then with Shakespeare he used the word too, not just twitter.

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Speaker 4: I think I'm going to pull back a lot of

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Speaker 4: what I've said about Brent in his defense of not

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Speaker 4: being toxic. Okay, he might be pretty fucking toxic.

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Speaker 3: I just want to know.

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Speaker 4: I think he finally leaned into the toxicity before I

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Speaker 4: just thought he was being honest and sad.

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Speaker 3: I think Brent is so toxic.

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Speaker 2: I think the skit of his baby mother or his

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Speaker 2: girlfriend getting ready to commit suicide was not a skit.

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Speaker 2: I think that was a real phone call.

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Speaker 4: Damn oh. I think he pulled a lot from real

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Speaker 4: life with all that. Absolutely, I don't think those skits,

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Speaker 4: I mean outside of I hope it wasn't the case

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Speaker 4: where Brent almost died in a car accident and his

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Speaker 4: baby mother, but I do think he was pulling from

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Speaker 4: real experiences of running to stop a woman from killing myself,

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Speaker 4: which we've all done. I mean not most you know.

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Speaker 3: Women don't try to harm themselves over me.

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Speaker 4: I'm not can harm themselves over other things.

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Speaker 3: Yeah, but I mean but once you're in.

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Speaker 4: Your life like you're the stability, no one would ever

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Speaker 4: feel they need.

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Speaker 2: Once they know you, call me if you're trying to

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Speaker 2: harm you, So call like somebody that is like closer

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Speaker 2: to you.

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Speaker 3: You know what.

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Speaker 4: You know, what's funny. Mal wants ration and logic to

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Speaker 4: go through someone who's about to kill themselves head from

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Speaker 4: a woman that loves you.

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Speaker 3: I just know what it is. I just have, I

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Speaker 3: just have.

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Speaker 2: I just have so many questions for people that are

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Speaker 2: that calculated with they feel like they're about to kill themselves.

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Speaker 2: They're like, I'm gonna call this person, call that person,

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Speaker 2: call this person.

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Speaker 5: Once they're gonna do it. They're gonna do it, like right, that's.

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Speaker 4: There's people like I've heard of a suicide note before.

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Speaker 4: That's calculated. Yeah, but I feel like everyone.

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Speaker 2: I feel like when people go like to the top

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Speaker 2: of the bridge, right and they stand there and they're

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Speaker 2: just standing in that, everybody sees in the ops come

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Speaker 2: and helicopters and all of that, and then like a

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Speaker 2: negotiator comes or but that rare therapist comes and talks

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Speaker 2: them down.

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Speaker 4: It's like that rarely happened.

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Speaker 3: You're just in the city to stop for you and

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Speaker 3: just get some attention because you haven't you don't feel seen.

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Speaker 4: Do I think? Do I think there are people that

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Speaker 4: have threatened suicide and we're going to do it for

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Speaker 4: attention before. Sure, I think that's happened.

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Speaker 3: No people that have done that, but that that's not a.

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Speaker 4: Very I think more people go to that bridge quietly

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Speaker 4: and jump off than the people that do the news. Like,

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Speaker 4: I don't think that's a thing for sure.

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Speaker 2: Absolutely, I'm moving as it is, But I'm just saying.

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Speaker 2: I'm saying the people that like call people and what

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Speaker 2: I go to the bridge and then and then they

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Speaker 2: the therapist talks.

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Speaker 5: And those are cries for help though.

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Speaker 4: Yeah, absolutely, And I think some people, uh I don't

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Speaker 4: want to kill themselves but feel like they have to,

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Speaker 4: and they're calling for someone to remind them why they

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Speaker 4: should live.

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Speaker 5: Yeah, sometimes it's a call, Sometimes it's an I G.

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Speaker 3: Post.

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Speaker 5: Sometimes it's like there's little instances that really just add

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Speaker 5: to it.

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Speaker 4: And if this is triggering for people, please if we

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Speaker 4: do have these feelings, trigger warning and put the hotline.

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Speaker 1: What trigger warning before what we're talking?

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Speaker 4: Yeah, because this could make some people like bring back thoughts. Yeah,

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Speaker 4: it's a thing.

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Speaker 1: You people who have attempted to kill themselves, who are

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Speaker 1: thinking about killing themselves.

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Speaker 4: Or finally gotten over it and now it's like we're

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Speaker 4: talking about it. Yeah, it's a thing.

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Speaker 3: So we have to put a trigger warning on our show.

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Speaker 4: Ye for this type of topic, I would say that

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Speaker 4: how does the trigger warning go that I don't I

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Speaker 4: don't know what trigger warn trigger warning.

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Speaker 5: One that I have I can because it's just it's just, uh,

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Speaker 5: trigger warning, and I can't use that.

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Speaker 4: Why all right, something.

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Speaker 3: To kill myself? If I heard that on the show,

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Speaker 3: I feel like, Yo, that was try I'm killing myself.

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00:15:47,320 --> 00:15:49,200
Speaker 4: But but if we're about to do trigger warning, it

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Speaker 4: must it must mean we're talking about something serious. So

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Speaker 4: wouldn't you want to hear something funny before instead of

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Speaker 4: something like this is a trigger warning? No, that makes

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Speaker 4: me think that makes me feel more uncomfortable.

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Speaker 3: Would you pay all your it was before you decided

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Speaker 3: to kill yourself?

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Speaker 4: Oh?

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00:16:02,280 --> 00:16:02,720
Speaker 3: Hell no?

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Speaker 5: What you mean?

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Speaker 1: If I had somebody living?

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Speaker 4: What if it was on autopay.

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Speaker 3: It's even worse.

381
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Speaker 1: Caught them inside of my day.

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Speaker 3: They don't be carelling. It's gonna be late this month.

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Speaker 5: Oh my god, they're not. They don't give a fuck.

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Speaker 5: Can I actually tell you something really morbid? When my

385
00:16:17,880 --> 00:16:20,360
Speaker 5: mom passed away and like I took her like ax,

386
00:16:20,400 --> 00:16:22,120
Speaker 5: they were like just letting you know, you know, there's

387
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Speaker 5: a balance. They don't give a fuck.

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Speaker 3: Yeah. I was like, I was like, yeah, I'll pay

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Speaker 3: you thought that. You thought that that means like the

390
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Speaker 3: bills were.

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Speaker 5: Just they have but it's funny.

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Speaker 4: No, no, you have to pay off your loved ones

393
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Speaker 4: credit card balance. Oh yeah, what, well, I'm not their responsibility.

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Speaker 5: Isn't that crazy?

395
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Speaker 3: I mean, not that they're not here anymore?

396
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Speaker 4: Yeah, okay, that's your fault. You shouldn't give a credit

397
00:16:45,400 --> 00:16:47,360
Speaker 4: card to Some people are going to die eventually.

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Speaker 5: They have like a post death like hotline and like

399
00:16:50,960 --> 00:16:52,680
Speaker 5: you just call them and you let them know what's

400
00:16:52,720 --> 00:16:53,600
Speaker 5: the deal, and like that.

401
00:16:53,680 --> 00:16:56,560
Speaker 3: They actually stupid. She like what day the person die?

402
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Speaker 5: Oh my god?

403
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Speaker 4: No, I mean I could definitely see the frauds you

404
00:16:58,720 --> 00:17:01,120
Speaker 4: could do with it with a dead and I understand

405
00:17:01,120 --> 00:17:02,120
Speaker 4: that for sure.

406
00:17:02,120 --> 00:17:04,280
Speaker 3: Still Social Security numbers all yea dead people.

407
00:17:04,440 --> 00:17:08,840
Speaker 4: But wait, there's no way a credit card company could

408
00:17:08,880 --> 00:17:11,199
Speaker 4: call me and be like, hey, your loved one that passed.

409
00:17:11,240 --> 00:17:13,000
Speaker 4: Oh that's this all right, we'll go get it from them.

410
00:17:13,080 --> 00:17:16,440
Speaker 4: It was more of like get it in blood x right.

411
00:17:17,440 --> 00:17:18,439
Speaker 4: It was me trying to close it.

412
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Speaker 3: I love how we got down this, this whole of

413
00:17:20,720 --> 00:17:23,080
Speaker 3: death talking about this. This is how you know this

414
00:17:23,119 --> 00:17:26,520
Speaker 3: Brent album is great. We're talking about amex cards to

415
00:17:26,640 --> 00:17:29,399
Speaker 3: dead People coming off of Brent. Brent, listen, this is

416
00:17:29,440 --> 00:17:36,600
Speaker 3: a great fucking album, a great project. To me, this

417
00:17:36,680 --> 00:17:37,800
Speaker 3: might be Brent's best album.

418
00:17:38,240 --> 00:17:43,720
Speaker 2: Really really yeah, I think so this is the best album,

419
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Speaker 2: his best I don't.

420
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Speaker 3: Think I think so.

421
00:17:45,760 --> 00:17:49,040
Speaker 2: I think it's the best alb to me, you know, subjective,

422
00:17:49,080 --> 00:17:52,360
Speaker 2: it's you know, to me, I enjoyed this album thoroughly,

423
00:17:52,480 --> 00:17:53,159
Speaker 2: like from.

424
00:17:53,080 --> 00:17:55,000
Speaker 5: Start to give me two songs that stood out for you.

425
00:17:55,200 --> 00:18:07,639
Speaker 2: I love Rolling Stone, Uh Addictions, Oh mine love that record,

426
00:18:09,080 --> 00:18:14,119
Speaker 2: uh Gravity still loved that record with Tyler Ghetto Gashpi

427
00:18:14,280 --> 00:18:17,440
Speaker 2: was a good record. The Alicia Keys featured kind of

428
00:18:17,480 --> 00:18:17,840
Speaker 2: threw me.

429
00:18:17,800 --> 00:18:20,040
Speaker 4: Off though, because I didn't like it at all.

430
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Speaker 2: Because of what Brent was talking about. And then it's

431
00:18:21,960 --> 00:18:23,280
Speaker 2: like to bring a married woman.

432
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Speaker 4: I just didn't like and didn't like people like I.

433
00:18:26,840 --> 00:18:29,600
Speaker 2: Just didn't understand that that was a little I wasn't

434
00:18:29,600 --> 00:18:32,679
Speaker 2: expecting Alicia Keys and Brent to you know globe.

435
00:18:32,880 --> 00:18:33,800
Speaker 3: Yeah, I just wasn't.

436
00:18:33,920 --> 00:18:35,919
Speaker 4: I see the idea of, like, let's not do the

437
00:18:35,960 --> 00:18:39,320
Speaker 4: obvious duet that we would expect from Brent and Alicia,

438
00:18:39,520 --> 00:18:41,119
Speaker 4: let's have a rap. I get that idea. I just

439
00:18:41,160 --> 00:18:44,280
Speaker 4: don't think it was executed well at all. I just

440
00:18:44,320 --> 00:18:47,800
Speaker 4: don't think it's the verse was delivered well. And this

441
00:18:47,840 --> 00:18:49,879
Speaker 4: is coming from an Alicia Keys fan, I'm not should

442
00:18:49,880 --> 00:18:52,520
Speaker 4: I just just don't think it hit the mark this.

443
00:18:52,800 --> 00:18:57,320
Speaker 4: I like this album in parts, like it confused me

444
00:18:57,400 --> 00:19:01,560
Speaker 4: sometimes sonically I hate using that word, but certain records

445
00:19:01,560 --> 00:19:05,000
Speaker 4: felt like they were The music was very demoy like

446
00:19:05,000 --> 00:19:06,320
Speaker 4: it was an idea that Brent had that he was

447
00:19:06,359 --> 00:19:09,679
Speaker 4: going to go back to. Whereas some are complete and

448
00:19:09,800 --> 00:19:12,560
Speaker 4: mixed really really well and sound like final records, but

449
00:19:12,640 --> 00:19:14,800
Speaker 4: not like demos the way like Scissa does it. It

450
00:19:14,840 --> 00:19:16,800
Speaker 4: felt like an actual fucking demo, like it was two

451
00:19:16,840 --> 00:19:18,800
Speaker 4: tracked and he was like, this was a good idea,

452
00:19:18,800 --> 00:19:20,960
Speaker 4: I like to start, Let's go back and really do it.

453
00:19:21,280 --> 00:19:24,919
Speaker 4: And some records on here just feel that way to me,

454
00:19:24,960 --> 00:19:28,080
Speaker 4: and they become automatic skips just from my ear because

455
00:19:28,080 --> 00:19:32,520
Speaker 4: it's it sounds. Yeah, it just sounded like a two

456
00:19:32,560 --> 00:19:34,199
Speaker 4: track ship that he was going to come back to.

457
00:19:35,840 --> 00:19:37,720
Speaker 4: So there's really there's highs on this and then the

458
00:19:37,760 --> 00:19:40,360
Speaker 4: lows I think are those type of records, which there

459
00:19:40,440 --> 00:19:46,040
Speaker 4: is a handful of, but the highs are super high. Again,

460
00:19:46,800 --> 00:19:49,600
Speaker 4: I listened to his straight through. I love the intro.

461
00:19:49,800 --> 00:19:52,320
Speaker 4: Louse Change is really dope. Price of Fame, of course,

462
00:19:52,359 --> 00:19:59,320
Speaker 4: is great. All minus fire. Those were probably my three favorite.

463
00:20:00,000 --> 00:20:03,360
Speaker 4: I don't count Wasting Time or the Tyler one because

464
00:20:03,359 --> 00:20:06,800
Speaker 4: I had heard that and it's still oh for sure

465
00:20:06,880 --> 00:20:08,480
Speaker 4: that account Oh yeah, I mean I just don't because

466
00:20:08,480 --> 00:20:11,000
Speaker 4: they've they've been out for a while and we reviewed them,

467
00:20:11,160 --> 00:20:13,120
Speaker 4: so I skipped them just because I've heard them so much.

468
00:20:13,240 --> 00:20:16,119
Speaker 3: Yeah. No, I'm just saying that they're still good records.

469
00:20:16,160 --> 00:20:18,040
Speaker 4: Though I say Price of Fame, I get why that

470
00:20:18,160 --> 00:20:20,679
Speaker 4: was a single. To me, it's probably the best record

471
00:20:21,119 --> 00:20:21,520
Speaker 4: on there.

472
00:20:21,960 --> 00:20:24,200
Speaker 3: Price of Fame, yeah.

473
00:20:23,880 --> 00:20:26,600
Speaker 4: And then maybe role Model, but it is one of

474
00:20:26,640 --> 00:20:28,000
Speaker 4: those I hate to say, let me live with it

475
00:20:28,040 --> 00:20:32,800
Speaker 4: more because I don't think I fully caught the entire concept.

476
00:20:33,160 --> 00:20:36,320
Speaker 4: On the first two listeners with the skits to everything,

477
00:20:36,320 --> 00:20:39,280
Speaker 4: Brent was saying, this is the most lyrical album I

478
00:20:39,280 --> 00:20:41,600
Speaker 4: think Brent has ever put out. He's saying a lot

479
00:20:41,600 --> 00:20:42,040
Speaker 4: on this ship.

480
00:20:42,200 --> 00:20:43,040
Speaker 3: He's saying a lot.

481
00:20:43,560 --> 00:20:48,280
Speaker 2: I love the production on this, and I feel like

482
00:20:48,400 --> 00:20:53,639
Speaker 2: I feel like Brent on this project. He's finally he

483
00:20:53,720 --> 00:20:57,719
Speaker 2: sounds like he's comfortable in his own skin, like I

484
00:20:57,720 --> 00:21:02,320
Speaker 2: think the first few projects he's still felt and sounded like, Yeah,

485
00:21:02,320 --> 00:21:03,680
Speaker 2: I'm the weird guy in the room. I know I'll

486
00:21:03,680 --> 00:21:07,920
Speaker 2: get it. This one, it sounds more like, Man, I

487
00:21:07,920 --> 00:21:09,240
Speaker 2: don't give a fuck. This is who I am, and

488
00:21:09,280 --> 00:21:10,800
Speaker 2: I'm lit, I'm having fun. I don't give a fuck

489
00:21:10,840 --> 00:21:11,639
Speaker 2: which'all think about me.

490
00:21:11,760 --> 00:21:15,600
Speaker 4: Well, yeah, I guess in kind of a shitty way though,

491
00:21:15,640 --> 00:21:17,520
Speaker 4: That's why I kind of like that's what Villain's theme is.

492
00:21:17,520 --> 00:21:22,359
Speaker 4: The first record, Yeah, he's comfortable. Before when Brent would sing,

493
00:21:22,440 --> 00:21:24,800
Speaker 4: it kind of sounded like he felt guilty about being

494
00:21:24,800 --> 00:21:27,560
Speaker 4: a shitty person. So where as you say he's comfortable

495
00:21:27,600 --> 00:21:31,000
Speaker 4: with who he is now in a shitty way, I

496
00:21:31,000 --> 00:21:33,440
Speaker 4: think he's comfortable with his shitty accent, Like he didn't

497
00:21:33,440 --> 00:21:37,480
Speaker 4: feel guilty in any of the records the way I

498
00:21:37,520 --> 00:21:39,640
Speaker 4: feel like he used to. Now it's just like, yeah,

499
00:21:39,720 --> 00:21:42,240
Speaker 4: it's cool, I'm a shithead. What do you want from me?

500
00:21:42,359 --> 00:21:42,719
Speaker 5: Toxic?

501
00:21:43,000 --> 00:21:45,160
Speaker 3: Yeah, toxic, I mean the toxic.

502
00:21:45,200 --> 00:21:48,360
Speaker 2: But you know, toxic is just part of life. Toxic

503
00:21:48,480 --> 00:21:50,800
Speaker 2: is something that you deal with, so you know people.

504
00:21:51,119 --> 00:21:52,840
Speaker 4: Well, that's why I didn't think he was toxic before.

505
00:21:52,880 --> 00:21:55,880
Speaker 4: I thought he was honest and up front with his

506
00:21:55,920 --> 00:21:58,600
Speaker 4: mistakes and the things that he would do. Now he's

507
00:21:58,680 --> 00:22:01,520
Speaker 4: just like, bitch, you know what time it was well

508
00:22:02,280 --> 00:22:03,600
Speaker 4: and I don't care, and I don't care.

509
00:22:03,720 --> 00:22:05,840
Speaker 2: I had a conversation with a bunch of women, and

510
00:22:06,960 --> 00:22:10,640
Speaker 2: somehow in the conversation they made me believe that being

511
00:22:10,720 --> 00:22:14,200
Speaker 2: honest is a toxic trick. I was fighting it as

512
00:22:14,240 --> 00:22:17,000
Speaker 2: long as I could, and somehow it was like at

513
00:22:17,000 --> 00:22:18,360
Speaker 2: the end of the conversation, I was like, Okay.

514
00:22:18,160 --> 00:22:23,080
Speaker 4: I understand what were some of their points that, because.

515
00:22:22,760 --> 00:22:24,800
Speaker 2: If you know what you're doing is fucked up, just

516
00:22:24,840 --> 00:22:29,240
Speaker 2: because you're honest about it doesn't mean like it makes

517
00:22:29,240 --> 00:22:34,359
Speaker 2: it any easier any better. Sure, I disagree, I did too,

518
00:22:34,640 --> 00:22:37,240
Speaker 2: but when there's three women, I can.

519
00:22:37,840 --> 00:22:40,639
Speaker 5: Well, we have a woman in the room.

520
00:22:40,320 --> 00:22:42,880
Speaker 4: And she speaks for all women. Careful with your words,

521
00:22:42,880 --> 00:22:46,120
Speaker 4: because you're you're literally speaking for everyone in the world

522
00:22:46,200 --> 00:22:46,560
Speaker 4: right now.

523
00:22:46,800 --> 00:22:51,320
Speaker 5: But even got toxic, You're mad toxic to stop.

524
00:22:51,400 --> 00:22:53,040
Speaker 4: You're probably the most toxic person in there.

525
00:22:53,040 --> 00:22:56,199
Speaker 3: You just said time not doing this, We're not doing it.

526
00:22:56,240 --> 00:22:57,240
Speaker 1: No, okay, I say.

527
00:22:59,080 --> 00:23:01,480
Speaker 3: We're not doing this. Not doing I.

528
00:23:01,480 --> 00:23:03,479
Speaker 1: Said, I'm s I N G L again out here

529
00:23:03,480 --> 00:23:04,080
Speaker 1: hanging out doing it.

530
00:23:04,119 --> 00:23:05,480
Speaker 3: No, you're not, you're not.

531
00:23:05,760 --> 00:23:06,480
Speaker 4: Let's cut it out.

532
00:23:06,520 --> 00:23:09,320
Speaker 5: That's asked me for FNF last time I was DJing.

533
00:23:09,520 --> 00:23:12,400
Speaker 1: Okay, she's right, Okay, let's let's let's be honest here.

534
00:23:12,800 --> 00:23:15,320
Speaker 1: In reality, I'm not a toxic person. I'm a very

535
00:23:15,320 --> 00:23:18,040
Speaker 1: honest person. But I'm honest to the point where if

536
00:23:18,080 --> 00:23:21,720
Speaker 1: I know something is going to trum mentally hurt you,

537
00:23:22,200 --> 00:23:25,040
Speaker 1: I'm not going to say it. I'll be honest about

538
00:23:25,080 --> 00:23:26,800
Speaker 1: everything else. But if I know that something is going

539
00:23:26,840 --> 00:23:29,520
Speaker 1: to hurt you, pass it. If it's if you being

540
00:23:29,600 --> 00:23:32,359
Speaker 1: hurt is not it's not worth this information that I

541
00:23:32,400 --> 00:23:34,280
Speaker 1: need to give you, then I'm going to just well,

542
00:23:34,280 --> 00:23:35,320
Speaker 1: I keep that to myself.

543
00:23:35,359 --> 00:23:38,720
Speaker 4: I guess it would depend on what your definition of

544
00:23:38,760 --> 00:23:40,800
Speaker 4: toxic was or what these women that you were talking

545
00:23:40,800 --> 00:23:44,560
Speaker 4: to would deem toxic behavior because to me, you could

546
00:23:44,560 --> 00:23:46,840
Speaker 4: be honest but still a fucking asshole and not a

547
00:23:46,880 --> 00:23:50,080
Speaker 4: good person. But I don't think. I think toxic is

548
00:23:50,240 --> 00:23:51,600
Speaker 4: more on the deceiving side.

549
00:23:52,040 --> 00:23:53,880
Speaker 2: To me, I think in order to be honest, when

550
00:23:53,880 --> 00:23:58,800
Speaker 2: you're being honest, I can understand how you know some

551
00:23:58,840 --> 00:24:01,800
Speaker 2: people may be offended are your honesty some people make

552
00:24:02,359 --> 00:24:04,000
Speaker 2: some people use honesty as.

553
00:24:03,880 --> 00:24:04,800
Speaker 3: A way to hurt people.

554
00:24:05,240 --> 00:24:07,960
Speaker 2: Sure, so I get I understood what the points they

555
00:24:07,960 --> 00:24:09,320
Speaker 2: were the ladies were trying to make.

556
00:24:09,359 --> 00:24:11,320
Speaker 4: I just don't think, I guess by my definition of

557
00:24:11,720 --> 00:24:16,399
Speaker 4: toxic because we have moved away from the Webster's version

558
00:24:16,560 --> 00:24:19,159
Speaker 4: of it. Uh, you know, toxic would probably just be

559
00:24:19,280 --> 00:24:22,280
Speaker 4: the water in the East River at this point. But

560
00:24:22,400 --> 00:24:23,040
Speaker 4: how we use it.

561
00:24:23,080 --> 00:24:25,000
Speaker 2: When I think relationship, I think of the ooze that

562
00:24:25,000 --> 00:24:26,320
Speaker 2: the Ninja turtles to like.

563
00:24:26,480 --> 00:24:29,960
Speaker 4: I think that was a great record.

564
00:24:30,440 --> 00:24:33,440
Speaker 5: Keep trying to come into you're straight, I am. I can't.

565
00:24:33,440 --> 00:24:36,600
Speaker 1: I can't like Brittany and be straight anyway that people

566
00:24:36,600 --> 00:24:37,160
Speaker 1: are over.

567
00:24:37,080 --> 00:24:38,600
Speaker 4: I like Britain and I think I'm straight.

568
00:24:38,840 --> 00:24:41,880
Speaker 1: Who are over using the word toxic? It's just a buzzword.

569
00:24:42,040 --> 00:24:45,760
Speaker 2: We're in an overused world. Everyone's overused relationships, over.

570
00:24:45,760 --> 00:24:51,720
Speaker 1: Used purposely detrimental, not even purposely being detrimental to somebody's

571
00:24:51,760 --> 00:24:55,040
Speaker 1: mental health in terms of either love or friendship.

572
00:24:55,520 --> 00:24:56,760
Speaker 4: Honest honesty could do that.

573
00:24:57,320 --> 00:24:59,200
Speaker 1: You can do that. Yeah, a lot of people, a lot.

574
00:24:59,119 --> 00:25:01,080
Speaker 2: Of people, which is why I said at the end

575
00:25:01,119 --> 00:25:02,920
Speaker 2: of the conversation, I kind of understood.

576
00:25:02,960 --> 00:25:05,080
Speaker 1: But when me and Rory are telling you that you

577
00:25:05,240 --> 00:25:06,840
Speaker 1: fought us to the death, so they must have been

578
00:25:06,880 --> 00:25:11,040
Speaker 1: cute girls. Well, this is a conversation we've had on

579
00:25:11,040 --> 00:25:11,480
Speaker 1: this podcast.

580
00:25:11,520 --> 00:25:13,560
Speaker 3: We did have honest being toxic.

581
00:25:14,280 --> 00:25:15,800
Speaker 2: And nowhere in there did I see what you guys

582
00:25:15,800 --> 00:25:18,000
Speaker 2: were saying, Oh, well, you didn't have ass as fat

583
00:25:18,000 --> 00:25:21,200
Speaker 2: as the girls that I was sitting with you.

584
00:25:21,320 --> 00:25:23,520
Speaker 4: Rory, definitely, I was gonna say, you look just at

585
00:25:23,560 --> 00:25:25,040
Speaker 4: the marathon said that, so I felt pretty good. I

586
00:25:25,040 --> 00:25:28,639
Speaker 4: was like, maybe maybe I had the wagon.

587
00:25:28,720 --> 00:25:32,119
Speaker 3: I didn't know, na I feel your wagon ain't draggon.

588
00:25:33,840 --> 00:25:36,199
Speaker 4: I was made fun of my whole childhood about my

589
00:25:36,200 --> 00:25:38,119
Speaker 4: curves and now I'm finally embracing them.

590
00:25:37,960 --> 00:25:42,160
Speaker 3: Good and you should as you should as become older. Yeah, exactly.

591
00:25:42,840 --> 00:25:45,439
Speaker 2: But you had the Brent album Wasteland Love It, Uh,

592
00:25:45,720 --> 00:25:47,040
Speaker 2: great project?

593
00:25:47,640 --> 00:25:49,200
Speaker 3: What is this rank? On your R and B album

594
00:25:49,240 --> 00:25:50,160
Speaker 3: so far, this ship.

595
00:25:52,600 --> 00:25:54,440
Speaker 2: I still love to give you on project I still

596
00:25:54,480 --> 00:25:56,399
Speaker 2: love the Christy is Chris Brown R and B or

597
00:25:56,480 --> 00:25:58,679
Speaker 2: R and B, So I guess that's what they still love,

598
00:25:58,720 --> 00:25:59,840
Speaker 2: the Chris Brown project.

599
00:26:01,640 --> 00:26:06,200
Speaker 1: So it would be between Chris Brown Lucky Day Lucky the.

600
00:26:06,160 --> 00:26:08,120
Speaker 3: Lucky Lucky Day came out this year or last year?

601
00:26:08,400 --> 00:26:08,800
Speaker 1: This year?

602
00:26:08,880 --> 00:26:09,840
Speaker 4: This year that was this ship.

603
00:26:10,040 --> 00:26:12,440
Speaker 1: Oh shit, n FM by the weekend.

604
00:26:14,720 --> 00:26:16,760
Speaker 4: I'm going to be a hipster here. Robert glassper Black

605
00:26:16,840 --> 00:26:18,840
Speaker 4: Radio threes is the R and B album and that's

606
00:26:19,000 --> 00:26:23,720
Speaker 4: pretty high up there for me. I don't think this

607
00:26:23,840 --> 00:26:31,399
Speaker 4: is better than Giveyon or Lucky Days. I don't know.

608
00:26:31,840 --> 00:26:34,040
Speaker 3: It's a different vibe. It's a different vibe from.

609
00:26:33,960 --> 00:26:38,440
Speaker 4: The Lucky bothers me so much. How polished some records are,

610
00:26:38,800 --> 00:26:41,760
Speaker 4: and I wish you would have just went all demo

611
00:26:41,840 --> 00:26:45,639
Speaker 4: mixes or all polished mixes. Its just and again, this

612
00:26:45,720 --> 00:26:48,280
Speaker 4: is just my personal thing. It just bothered me how

613
00:26:48,359 --> 00:26:50,040
Speaker 4: much it's switched. It was hard to get into.

614
00:26:50,119 --> 00:26:50,920
Speaker 3: I love when artists.

615
00:26:50,960 --> 00:26:53,359
Speaker 2: This is why I understand why artists hate podcasters and

616
00:26:53,440 --> 00:26:56,439
Speaker 2: hate oh for sure, because they spend a lot of

617
00:26:56,480 --> 00:26:58,760
Speaker 2: time on their art, putting us out and we sit

618
00:26:58,800 --> 00:27:00,560
Speaker 2: here and say I wish you would have that, and

619
00:27:00,600 --> 00:27:03,280
Speaker 2: just yell ya a little differently, I wish you didn't

620
00:27:03,320 --> 00:27:06,240
Speaker 2: sound as low on this part of the song, and.

621
00:27:06,400 --> 00:27:09,440
Speaker 4: Oh I love it. Part of all that, yeah, part

622
00:27:09,440 --> 00:27:12,240
Speaker 4: of me wanting to put out music was when I

623
00:27:12,280 --> 00:27:15,680
Speaker 4: talk to these artists that get mad, not like confrontational,

624
00:27:15,720 --> 00:27:18,719
Speaker 4: but like I've said poor things about certain records, and

625
00:27:19,119 --> 00:27:23,000
Speaker 4: I've had conversations with artists about it. Now they can

626
00:27:23,080 --> 00:27:26,040
Speaker 4: also say to me, your shit is trash. So I

627
00:27:26,080 --> 00:27:26,800
Speaker 4: was just trying to do it.

628
00:27:26,920 --> 00:27:27,159
Speaker 5: You know.

629
00:27:29,000 --> 00:27:30,720
Speaker 4: You know people are going to destroy it.

630
00:27:30,840 --> 00:27:32,359
Speaker 3: They cannot wait, which.

631
00:27:32,160 --> 00:27:35,320
Speaker 4: Is totally fine, and they are allowed to do that.

632
00:27:35,680 --> 00:27:37,600
Speaker 4: And art is to be judged absolutely.

633
00:27:37,640 --> 00:27:40,200
Speaker 2: Once you put it out to the world, it's now

634
00:27:40,240 --> 00:27:41,639
Speaker 2: theirs to do what they want to do with it,

635
00:27:41,720 --> 00:27:43,320
Speaker 2: say what they want to say about it, and retrieve

636
00:27:43,440 --> 00:27:43,640
Speaker 2: the way.

637
00:27:44,640 --> 00:27:48,200
Speaker 4: I actually feel more for people that create Netflix series

638
00:27:48,240 --> 00:27:50,480
Speaker 4: than I do with artists when it comes to podcasting

639
00:27:50,480 --> 00:27:53,760
Speaker 4: the internet. Why, even if people love or hate it,

640
00:27:53,800 --> 00:27:57,399
Speaker 4: you work two years to put together an entire series

641
00:27:57,440 --> 00:28:00,479
Speaker 4: that someone burns through in one afternoon, and even if

642
00:28:00,520 --> 00:28:02,840
Speaker 4: they like you, will tweet you where the fuck is

643
00:28:02,840 --> 00:28:05,879
Speaker 4: Season two. Yeah, you know, like I worked two years

644
00:28:05,880 --> 00:28:08,479
Speaker 4: on this and you burnt through it in a day.

645
00:28:08,600 --> 00:28:10,240
Speaker 1: I haven't even got this, Like.

646
00:28:11,920 --> 00:28:13,760
Speaker 4: At least at least with I mean not to say

647
00:28:13,800 --> 00:28:16,920
Speaker 4: that that series, uh, and movies and certain stuff don't

648
00:28:16,920 --> 00:28:19,840
Speaker 4: have replay value on Netflix, but music is designed more

649
00:28:19,880 --> 00:28:23,440
Speaker 4: for a replay value than TV series, So at least

650
00:28:23,440 --> 00:28:27,119
Speaker 4: with artists, like if something resonates with somebody, they're gonna

651
00:28:27,240 --> 00:28:30,640
Speaker 4: like it for years, Like you have some some time

652
00:28:30,720 --> 00:28:32,840
Speaker 4: for the consumer to just like, gosh, want to live

653
00:28:32,880 --> 00:28:34,760
Speaker 4: with this album for the whole year. I want to

654
00:28:34,800 --> 00:28:38,080
Speaker 4: see it in the winter summer. It's TV shit, bro.

655
00:28:39,920 --> 00:28:43,440
Speaker 4: Season one one day and now they pissed they gotta

656
00:28:43,440 --> 00:28:45,520
Speaker 4: wait two more years for seasons two. Was like, yeah, yeah,

657
00:28:45,600 --> 00:28:46,160
Speaker 4: well that's why.

658
00:28:46,200 --> 00:28:48,160
Speaker 2: That's why a lot of people like the fact that

659
00:28:48,160 --> 00:28:51,720
Speaker 2: they put out the episodes weekly instead of just putting

660
00:28:51,720 --> 00:28:54,200
Speaker 2: out the whole season because some people, you know, we

661
00:28:54,600 --> 00:28:57,200
Speaker 2: live we are coaching now with people binge watch a lot,

662
00:28:57,720 --> 00:29:00,560
Speaker 2: like they'll watch an entire series in the day, and

663
00:29:01,400 --> 00:29:03,880
Speaker 2: like Rory said, now they're on you know, social media

664
00:29:03,920 --> 00:29:06,960
Speaker 2: talking about it, having group chats and platforms and group

665
00:29:07,520 --> 00:29:13,240
Speaker 2: think sessions about the about the season, and as a producer, writer, executive,

666
00:29:13,280 --> 00:29:15,400
Speaker 2: it's like, well, damn, we spent two years on this

667
00:29:15,480 --> 00:29:18,640
Speaker 2: and y'all telling us within forty eight hours of it

668
00:29:18,680 --> 00:29:21,200
Speaker 2: being out on Netflix that it was terrible. Season one

669
00:29:21,280 --> 00:29:24,360
Speaker 2: was terrible, Season two was terrible. It's like, well, damn,

670
00:29:24,440 --> 00:29:27,320
Speaker 2: like you know what I mean, Like we took our times,

671
00:29:27,600 --> 00:29:29,760
Speaker 2: you know what I mean. And it doesn't have to. Everybody's

672
00:29:29,760 --> 00:29:32,600
Speaker 2: not gonna receive what you're trying to do and get

673
00:29:32,600 --> 00:29:33,320
Speaker 2: it and under you know.

674
00:29:33,360 --> 00:29:36,600
Speaker 3: That's that's subjective. Again, how people receive art is subjective.

675
00:29:36,920 --> 00:29:39,040
Speaker 4: I am curious with certain shows I have thought about,

676
00:29:39,080 --> 00:29:43,960
Speaker 4: like how Euphoria would have been received had it been

677
00:29:44,480 --> 00:29:47,240
Speaker 4: a bit released, Yeah, which not to say I don't.

678
00:29:47,320 --> 00:29:49,360
Speaker 4: I think it still would have been would have held

679
00:29:49,440 --> 00:29:52,080
Speaker 4: up great. I think it would have been received very well.

680
00:29:52,600 --> 00:29:56,840
Speaker 4: But there's just something about a scheduled Sunday show that

681
00:29:56,920 --> 00:29:59,040
Speaker 4: you talk about all week, you go into work the

682
00:29:59,080 --> 00:30:02,239
Speaker 4: next day on Monday, like, yo, did you see like that?

683
00:30:02,400 --> 00:30:05,840
Speaker 4: I just like the higher caliber shows still to this

684
00:30:05,960 --> 00:30:08,960
Speaker 4: day to do that. Like I even we'll talk to

685
00:30:08,960 --> 00:30:11,800
Speaker 4: people that watch The Wire now like for the first time,

686
00:30:11,800 --> 00:30:15,040
Speaker 4: they didn't watch it when it was out and just

687
00:30:15,160 --> 00:30:17,520
Speaker 4: everyone's opinion on it is drastically different than I think

688
00:30:17,520 --> 00:30:20,800
Speaker 4: the people that literally every Sunday and we talked about

689
00:30:20,840 --> 00:30:23,640
Speaker 4: it all fucking week. We had theories like all the shit.

690
00:30:23,840 --> 00:30:27,160
Speaker 4: It just made the show more interactive and resonate with

691
00:30:27,280 --> 00:30:31,280
Speaker 4: you rather than blowing through the shit. And like the

692
00:30:31,320 --> 00:30:35,920
Speaker 4: shit that we waited eight weeks for, you get in

693
00:30:35,960 --> 00:30:38,040
Speaker 4: one day, and I just don't think it hits the same.

694
00:30:38,120 --> 00:30:42,440
Speaker 4: Like the fact that you could see Marlow versus Barksdale

695
00:30:42,480 --> 00:30:44,720
Speaker 4: and then in the same day see Marlow in jail

696
00:30:44,960 --> 00:30:47,120
Speaker 4: and out. It's like, oh, well, yeah, you're just going

697
00:30:47,200 --> 00:30:48,640
Speaker 4: to burn through the show and not really care.

698
00:30:49,040 --> 00:30:51,960
Speaker 2: But you know, It's the thing that I find about

699
00:30:52,040 --> 00:30:55,880
Speaker 2: shows like The Wire and you know other shows that

700
00:30:55,920 --> 00:30:58,600
Speaker 2: we loved that came out years ago, is that we

701
00:30:58,920 --> 00:30:59,920
Speaker 2: obviously were younger.

702
00:30:59,720 --> 00:31:01,480
Speaker 3: When we first all these shows.

703
00:31:01,800 --> 00:31:04,360
Speaker 2: Some of us watch them again as we're older, But

704
00:31:04,520 --> 00:31:08,640
Speaker 2: you you pick up things and you understand how life is,

705
00:31:08,680 --> 00:31:10,520
Speaker 2: and you learn certain things as you get older, and

706
00:31:10,600 --> 00:31:13,400
Speaker 2: so now these shows that came out when you were younger,

707
00:31:13,640 --> 00:31:16,600
Speaker 2: it resonates differently the older you get. Sure you have

708
00:31:16,680 --> 00:31:19,040
Speaker 2: a different appreciation, Yeah, you have a different appreciation for it.

709
00:31:19,040 --> 00:31:23,520
Speaker 2: You understand it. You understand scenarios, plots in the story

710
00:31:23,560 --> 00:31:25,600
Speaker 2: and all of these things because now you're older and

711
00:31:25,760 --> 00:31:28,560
Speaker 2: you've experienced some things, so now things connect to you differently.

712
00:31:31,280 --> 00:31:35,000
Speaker 2: But I was watching We Own the City, and I

713
00:31:35,000 --> 00:31:36,480
Speaker 2: thought it was interesting because it is, I believe, the

714
00:31:36,520 --> 00:31:39,480
Speaker 2: same producers from the Wire, and it's interesting how they

715
00:31:39,560 --> 00:31:41,840
Speaker 2: use a lot of the cast.

716
00:31:41,960 --> 00:31:45,520
Speaker 4: And crew from The Wire in different positions now, but.

717
00:31:45,480 --> 00:31:46,400
Speaker 3: Now they're all cops.

718
00:31:46,640 --> 00:31:49,320
Speaker 4: That's what this is hilarious.

719
00:31:49,480 --> 00:31:53,240
Speaker 2: But in a weird way, it's like the optic of that.

720
00:31:54,080 --> 00:31:56,640
Speaker 2: It's like, Okay, these are guys that they got older,

721
00:31:57,440 --> 00:31:59,400
Speaker 2: life changed their life, turn their life around.

722
00:31:59,440 --> 00:31:59,600
Speaker 4: Whatever.

723
00:31:59,640 --> 00:32:01,640
Speaker 2: We could think of it that way, like Okay, it's

724
00:32:01,680 --> 00:32:03,400
Speaker 2: not the same person, the same role.

725
00:32:03,800 --> 00:32:05,640
Speaker 3: Yeah, but it's the same person.

726
00:32:05,680 --> 00:32:08,360
Speaker 2: It's the same optic, the same you know, God that

727
00:32:08,360 --> 00:32:10,320
Speaker 2: you're looking at and you're just seeing a different side

728
00:32:10,320 --> 00:32:13,880
Speaker 2: of that person, like oh shit, like this is life.

729
00:32:13,920 --> 00:32:15,760
Speaker 2: Like I'm young, I'm in the streets, I'm trying to

730
00:32:15,760 --> 00:32:19,200
Speaker 2: figure things out. I'm getting into trouble. We talked about

731
00:32:19,200 --> 00:32:23,120
Speaker 2: the Puff Tribute at BT. Looking at Shine now as

732
00:32:23,200 --> 00:32:27,520
Speaker 2: somebody that's sitting, you know, as an elected government official

733
00:32:28,400 --> 00:32:30,920
Speaker 2: in his in his in his in his country where he.

734
00:32:30,880 --> 00:32:33,200
Speaker 4: Was deported to where he what a beautiful story that

735
00:32:33,240 --> 00:32:34,360
Speaker 4: could have been way worse.

736
00:32:34,760 --> 00:32:38,400
Speaker 2: So it's like that really is real life, and I

737
00:32:38,440 --> 00:32:42,040
Speaker 2: think that, you know, it's it's it's good to see

738
00:32:42,080 --> 00:32:47,280
Speaker 2: people turning, you know, situations like the wire and taking

739
00:32:47,280 --> 00:32:49,440
Speaker 2: that and saying going back and grabbing these same guys

740
00:32:49,440 --> 00:32:51,880
Speaker 2: that were on the set and worked on these because

741
00:32:51,880 --> 00:32:54,240
Speaker 2: it's like they understand first of all the work schedule,

742
00:32:54,280 --> 00:32:55,400
Speaker 2: they understand.

743
00:32:55,160 --> 00:32:57,400
Speaker 3: What it takes to how you work exactly.

744
00:32:57,440 --> 00:32:59,880
Speaker 2: They understand all of these things, which is why Spike Lee,

745
00:32:59,920 --> 00:33:02,920
Speaker 2: he's a producer and director that works with the same

746
00:33:03,040 --> 00:33:05,760
Speaker 2: cast you know, for years, because you just understand it.

747
00:33:05,800 --> 00:33:07,600
Speaker 2: People understand you, how you like to work, how you

748
00:33:07,640 --> 00:33:10,360
Speaker 2: like things to come across on the film.

749
00:33:10,520 --> 00:33:12,040
Speaker 3: So it's good to see, you know, it's.

750
00:33:11,920 --> 00:33:15,640
Speaker 4: Where where the best It's not necessarily the best person

751
00:33:15,640 --> 00:33:19,640
Speaker 4: the right person exactly exactly, it's just it has for

752
00:33:19,720 --> 00:33:23,560
Speaker 4: better product. Have we ever had the best TV series

753
00:33:23,680 --> 00:33:26,680
Speaker 4: ending debate? Which we were done that the best team

754
00:33:26,680 --> 00:33:28,320
Speaker 4: because I know we did a lot of TV stuff

755
00:33:28,320 --> 00:33:30,240
Speaker 4: early in this podcast, but do we ever do best

756
00:33:30,360 --> 00:33:31,680
Speaker 4: ending ever to a TV series?

757
00:33:32,880 --> 00:33:34,160
Speaker 5: I'm curious that we're gonna say.

758
00:33:34,000 --> 00:33:40,160
Speaker 2: The best ending ever to a TV series. I'm guessing that,

759
00:33:41,920 --> 00:33:44,000
Speaker 2: what's the one that just came out a few years ago,

760
00:33:44,160 --> 00:33:44,640
Speaker 2: Your Honor?

761
00:33:45,840 --> 00:33:46,640
Speaker 4: Uh yeah, Your Honor?

762
00:33:47,520 --> 00:33:49,080
Speaker 5: That how does that end?

763
00:33:50,680 --> 00:33:51,760
Speaker 1: Don't pick tell people.

764
00:33:52,000 --> 00:33:55,080
Speaker 4: Your Honor was the one with New Orleans a ry.

765
00:33:55,160 --> 00:33:56,880
Speaker 4: I wasn't sure if it was the one that was

766
00:33:56,920 --> 00:33:57,960
Speaker 4: in the city where.

767
00:33:59,000 --> 00:33:59,840
Speaker 1: You're talking about.

768
00:34:00,160 --> 00:34:01,240
Speaker 3: That one was called.

769
00:34:01,640 --> 00:34:06,320
Speaker 4: The undoing thing you're doing. Yeah, Your Honor ended really

770
00:34:06,320 --> 00:34:06,840
Speaker 4: really well.

771
00:34:07,160 --> 00:34:08,160
Speaker 5: How does it end?

772
00:34:08,560 --> 00:34:10,080
Speaker 4: I mean, if you haven't seen Your Honor by.

773
00:34:10,040 --> 00:34:15,839
Speaker 2: Now, like a full three sixty karma, it's like that

774
00:34:15,880 --> 00:34:18,560
Speaker 2: type of energy around the ending. I don't want to

775
00:34:18,600 --> 00:34:20,000
Speaker 2: say if people haven't seen it, I don't want to

776
00:34:20,000 --> 00:34:21,279
Speaker 2: spoil it. Even though that came out years ago, you

777
00:34:21,280 --> 00:34:23,400
Speaker 2: should have watched it already if he did. But it

778
00:34:23,440 --> 00:34:27,200
Speaker 2: was like karma. It was like tables turning. Uh, now

779
00:34:27,239 --> 00:34:30,560
Speaker 2: you're in a position to fill with this family felt yeah,

780
00:34:31,080 --> 00:34:33,040
Speaker 2: you know, it was that type of ending.

781
00:34:33,000 --> 00:34:35,560
Speaker 4: And it was it wasn't like I feel like a

782
00:34:35,600 --> 00:34:37,640
Speaker 4: lot of TV series now try to do like the

783
00:34:37,680 --> 00:34:41,359
Speaker 4: realistic ending, not like the climax crazy shit. And Your

784
00:34:41,400 --> 00:34:44,560
Speaker 4: Honor did the crazy climax ending, which I thought was

785
00:34:44,600 --> 00:34:46,880
Speaker 4: cool because TV series don't do that as much anymore,

786
00:34:47,080 --> 00:34:50,040
Speaker 4: Like this is kind of non realistic, but fuck it. Yeah, Now,

787
00:34:50,040 --> 00:34:52,960
Speaker 4: I mean not as far as Kevin Hart blowing two

788
00:34:52,960 --> 00:34:56,200
Speaker 4: people's heads off that easily, but your honor one was

789
00:34:56,200 --> 00:34:57,080
Speaker 4: was good in that regard.

790
00:34:57,320 --> 00:34:59,480
Speaker 2: I'll tell you one that I just saw recently that

791
00:34:59,640 --> 00:35:04,400
Speaker 2: was probably the worst ending to a season. Watch this

792
00:35:04,800 --> 00:35:09,279
Speaker 2: series on Netflix called You Don't Know Me, Okay, and

793
00:35:09,320 --> 00:35:11,680
Speaker 2: it was about a guy in London who was a

794
00:35:11,719 --> 00:35:16,000
Speaker 2: car car salesman, meets a girl, falls in love.

795
00:35:17,320 --> 00:35:18,200
Speaker 3: She has family.

796
00:35:18,800 --> 00:35:21,800
Speaker 4: She's with a Brookie. Yeah, she has family.

797
00:35:22,360 --> 00:35:25,759
Speaker 2: She has family issues that he is now trying to,

798
00:35:25,920 --> 00:35:28,600
Speaker 2: you know, get her out of that situation because.

799
00:35:28,280 --> 00:35:31,319
Speaker 3: She has to do things to protect her brother who

800
00:35:31,360 --> 00:35:32,080
Speaker 3: was locked up.

801
00:35:32,239 --> 00:35:35,239
Speaker 2: And you know, okay, I'll say that she had to

802
00:35:36,520 --> 00:35:39,279
Speaker 2: she had to become a prostitute and work for this

803
00:35:39,400 --> 00:35:44,680
Speaker 2: gang because her brother snitched and he owed these guys money. Okay,

804
00:35:44,960 --> 00:35:46,759
Speaker 2: let me be the first to say. And she she

805
00:35:46,760 --> 00:35:48,399
Speaker 2: told a boyfriend, you know, how would this my brother?

806
00:35:48,440 --> 00:35:48,920
Speaker 3: I love him.

807
00:35:49,400 --> 00:35:51,239
Speaker 2: My sisters don't love me that much. My sisters are

808
00:35:51,280 --> 00:35:55,160
Speaker 2: not selling pussy because I snitched on the niggas I

809
00:35:55,239 --> 00:35:57,040
Speaker 2: was getting money with and now I'm locked up, and

810
00:35:57,080 --> 00:35:59,640
Speaker 2: now they talking about Yo, your brother fucked up the

811
00:35:59,680 --> 00:36:02,000
Speaker 2: bread and you owe us, Now you gotta sell it.

812
00:36:02,200 --> 00:36:03,919
Speaker 2: My sister's gonna be like, well, listen, if y'all gotta

813
00:36:03,960 --> 00:36:06,279
Speaker 2: kill that nigga and then jail, do what you gotta do.

814
00:36:06,360 --> 00:36:08,520
Speaker 2: I'm not selling no pussy. So for me, that was

815
00:36:08,600 --> 00:36:09,879
Speaker 2: just like, Wow, she loves her brother.

816
00:36:09,920 --> 00:36:12,160
Speaker 4: You already know where I stand on family members and

817
00:36:12,440 --> 00:36:15,640
Speaker 4: X cards after they passed. Yeah, I'm not selling dick

818
00:36:15,680 --> 00:36:16,120
Speaker 4: for my cer.

819
00:36:16,560 --> 00:36:19,800
Speaker 2: My sisters are not selling ass to to keep me alive.

820
00:36:19,880 --> 00:36:20,560
Speaker 3: Let's just say that.

821
00:36:21,560 --> 00:36:24,840
Speaker 4: But the way it ended, wouldn't my sister just you

822
00:36:24,840 --> 00:36:28,640
Speaker 4: can kill me, bro, It's okay my sisters out.

823
00:36:28,680 --> 00:36:31,120
Speaker 2: Y'all had my sister on the whole stro because I

824
00:36:31,120 --> 00:36:33,279
Speaker 2: sniffed like, come on, man, like we ain't doing that.

825
00:36:33,800 --> 00:36:36,040
Speaker 4: Well, how much how much did he o? Like? How

826
00:36:36,120 --> 00:36:39,920
Speaker 4: much pussy they never was? The rate of they too?

827
00:36:40,880 --> 00:36:42,360
Speaker 3: It was a lot of money. I guess that he

828
00:36:42,440 --> 00:36:44,160
Speaker 3: owed and he had fucked up. I don't know.

829
00:36:44,400 --> 00:36:47,360
Speaker 2: But the ending, which was my point, the ending, because

830
00:36:47,560 --> 00:36:49,120
Speaker 2: this is like a show that first of all, it

831
00:36:49,200 --> 00:36:50,759
Speaker 2: was a great show. If you didn't watch it you

832
00:36:50,840 --> 00:36:53,640
Speaker 2: don't know Me on Netflix. Watch it really really good,

833
00:36:53,680 --> 00:36:56,680
Speaker 2: really good season. The way they ended it, though, you

834
00:36:56,719 --> 00:37:00,520
Speaker 2: could tell it's like a complete cliffhanger because the guy,

835
00:37:00,600 --> 00:37:02,400
Speaker 2: now the boyfriend, has to go to Jet's.

836
00:37:02,480 --> 00:37:05,440
Speaker 3: He's locked up for a murder and he's staying.

837
00:37:05,200 --> 00:37:08,959
Speaker 2: At trial, and he decides that his last statement, he's

838
00:37:09,000 --> 00:37:11,560
Speaker 2: going to really tell the story about what happened. So

839
00:37:11,600 --> 00:37:14,560
Speaker 2: it's basically like he becomes his own layal, fiases his

840
00:37:14,560 --> 00:37:17,000
Speaker 2: his lawyers, and so he's just standing in the courtroom

841
00:37:17,360 --> 00:37:19,520
Speaker 2: telling the complete story. Were telling the truth, talking to

842
00:37:19,520 --> 00:37:22,600
Speaker 2: the jury, talking to the judge, singing. But the way

843
00:37:22,640 --> 00:37:26,120
Speaker 2: it ends is basically like they come to a verdict.

844
00:37:26,400 --> 00:37:30,040
Speaker 4: Okay, now he was the car salesman, then turn killer.

845
00:37:30,560 --> 00:37:33,440
Speaker 3: Well to return his girlfriend.

846
00:37:32,600 --> 00:37:35,200
Speaker 4: Well, if she would have just not been with a brokie,

847
00:37:35,280 --> 00:37:37,239
Speaker 4: he could have paid off the debt, so his girl

848
00:37:37,280 --> 00:37:37,680
Speaker 4: would have to.

849
00:37:37,640 --> 00:37:39,960
Speaker 3: Say sorry for Sophie had a nice little apartment.

850
00:37:40,120 --> 00:37:42,879
Speaker 4: You know, Well, I didn't have enough money to make

851
00:37:42,920 --> 00:37:44,160
Speaker 4: his girl not have to sell pussy.

852
00:37:44,440 --> 00:37:46,799
Speaker 3: Well, I mean, well he can't pay that table. That

853
00:37:46,840 --> 00:37:47,720
Speaker 3: tab was a little heavy.

854
00:37:47,760 --> 00:37:52,440
Speaker 4: But would you protect your girlfriend that decided to be

855
00:37:52,480 --> 00:37:53,960
Speaker 4: a prostitute? Uh?

856
00:37:54,080 --> 00:37:55,200
Speaker 3: No, I would.

857
00:37:55,440 --> 00:37:57,440
Speaker 4: And here's the thing. The way he found a very

858
00:37:57,480 --> 00:38:00,920
Speaker 4: noble actor from him, everyone's noble, no, no, and for a

859
00:38:00,960 --> 00:38:05,000
Speaker 4: deadbeat that selling pussy killing people know who is his brother?

860
00:38:05,080 --> 00:38:07,359
Speaker 2: That ill listen the way he finds out like he

861
00:38:07,440 --> 00:38:09,719
Speaker 2: literally sees her. He tried to buy some on the

862
00:38:09,719 --> 00:38:12,360
Speaker 2: whole stroll getting into the car. Like he pulled up

863
00:38:12,400 --> 00:38:15,600
Speaker 2: on the underneath the bridge. It was the known whole stroll.

864
00:38:15,760 --> 00:38:16,799
Speaker 4: But why was he over there?

865
00:38:17,040 --> 00:38:19,560
Speaker 3: Because somebody he was walking around town with pictures.

866
00:38:19,200 --> 00:38:21,800
Speaker 2: Of her and it was like, oh, like I just

867
00:38:21,840 --> 00:38:23,560
Speaker 2: saw that girl on this side of town. He goes

868
00:38:23,600 --> 00:38:26,759
Speaker 2: over there, he sees her, she gets in the car

869
00:38:26,800 --> 00:38:29,120
Speaker 2: where the guy God pulls off. You know what he does,

870
00:38:29,239 --> 00:38:31,040
Speaker 2: just like a simple he's so sick to his stomach.

871
00:38:31,080 --> 00:38:32,440
Speaker 2: He throws up outside the car.

872
00:38:35,360 --> 00:38:37,919
Speaker 3: Pussy And the first thing he did was throw up.

873
00:38:39,480 --> 00:38:40,200
Speaker 3: Are you kidding me?

874
00:38:40,200 --> 00:38:42,880
Speaker 2: If I would have followed that car, I would have

875
00:38:45,000 --> 00:38:47,279
Speaker 2: what I'm not throwing throwing up?

876
00:38:47,600 --> 00:38:49,399
Speaker 4: Well, I'm not throwing up, I'm not following the car,

877
00:38:50,200 --> 00:38:52,960
Speaker 4: I'm not answering text messages, and you're just not gonna

878
00:38:52,960 --> 00:38:53,520
Speaker 4: know me anymore.

879
00:38:54,880 --> 00:38:57,080
Speaker 3: Well, I think you would need a conversation. You would need.

880
00:38:57,640 --> 00:38:58,480
Speaker 4: You would definitely.

881
00:38:59,719 --> 00:39:00,840
Speaker 1: Like are you selling pussy?

882
00:39:00,920 --> 00:39:03,279
Speaker 3: Like, like, why are you doing this?

883
00:39:04,120 --> 00:39:08,719
Speaker 4: Didn't I provide a home. I will tolerate a lot

884
00:39:08,760 --> 00:39:11,800
Speaker 4: of bullshit if I were to see my girl literally

885
00:39:12,440 --> 00:39:17,319
Speaker 4: street walking and selling pussy. No, I'm a tolerable person.

886
00:39:17,360 --> 00:39:18,399
Speaker 4: That's a little too far from.

887
00:39:18,320 --> 00:39:20,680
Speaker 2: Me, So you wouldn't You wouldn't need a conversation with

888
00:39:20,760 --> 00:39:22,440
Speaker 2: her to stop her.

889
00:39:23,200 --> 00:39:24,560
Speaker 4: Well, she's not my girl anymore.

890
00:39:24,800 --> 00:39:28,160
Speaker 2: Whatever she disappeared, she just completely disappeared from your house.

891
00:39:28,160 --> 00:39:29,560
Speaker 2: One day, you didn't know where she was at. You

892
00:39:29,600 --> 00:39:33,600
Speaker 2: thought something happened to her, And three days later somebody

893
00:39:34,080 --> 00:39:35,719
Speaker 2: she's the flyer and says, oh, I just saw that

894
00:39:35,760 --> 00:39:37,239
Speaker 2: girl like on this side of town. You go over

895
00:39:37,280 --> 00:39:38,960
Speaker 2: there and you see her getting in the car selling pussy.

896
00:39:39,600 --> 00:39:41,480
Speaker 2: You mean to tell me like for you right then

897
00:39:41,520 --> 00:39:43,200
Speaker 2: and there, that's it. You don't need to have another

898
00:39:43,200 --> 00:39:44,600
Speaker 2: conversation with her ever again in life.

899
00:39:44,840 --> 00:39:46,920
Speaker 4: I wouldn't want to hear the explanation.

900
00:39:47,200 --> 00:39:50,960
Speaker 3: Hell the way, this is no fucking way this girl

901
00:39:51,400 --> 00:39:54,919
Speaker 3: at you? No way, man, Yeah, I'm not rory.

902
00:39:54,920 --> 00:39:57,160
Speaker 4: What type of shit you and what's the name she

903
00:39:57,200 --> 00:39:57,520
Speaker 4: lives with?

904
00:39:57,520 --> 00:39:57,640
Speaker 5: Me?

905
00:39:57,880 --> 00:39:58,239
Speaker 4: Want you?

906
00:39:58,280 --> 00:40:01,239
Speaker 2: But you'll never know what's the name of don't do that,

907
00:40:01,280 --> 00:40:02,560
Speaker 2: because we can start digging into.

908
00:40:02,440 --> 00:40:03,840
Speaker 4: Those lyrics a weekend.

909
00:40:04,520 --> 00:40:06,520
Speaker 2: Where's where's the goddamn song at the marriage? Full of

910
00:40:06,520 --> 00:40:10,000
Speaker 2: goddamn song up? But I say that to say, you

911
00:40:10,040 --> 00:40:13,520
Speaker 2: don't know me. Great, great, great show on on Netflix.

912
00:40:13,760 --> 00:40:16,000
Speaker 2: And it ended with the jury getting ready to give

913
00:40:16,040 --> 00:40:18,200
Speaker 2: the verdict, and it just cuts you know, they trying

914
00:40:18,200 --> 00:40:19,880
Speaker 2: to get the budget for season so I know what

915
00:40:19,920 --> 00:40:20,359
Speaker 2: they was doing.

916
00:40:20,400 --> 00:40:20,799
Speaker 4: I get it.

917
00:40:21,040 --> 00:40:22,520
Speaker 3: They didn't expect the show to be that big of

918
00:40:22,560 --> 00:40:22,839
Speaker 3: a hit.

919
00:40:23,120 --> 00:40:25,160
Speaker 2: It was a really good show, a really good season,

920
00:40:25,280 --> 00:40:28,360
Speaker 2: and hopefully they get well. I hope they get renewed

921
00:40:28,360 --> 00:40:30,520
Speaker 2: for season two. But I love The Messiah. And they

922
00:40:30,560 --> 00:40:33,600
Speaker 2: said that the Messiah offended h Muslim people around the world.

923
00:40:33,680 --> 00:40:35,360
Speaker 2: I don't know how because we still don't even know

924
00:40:35,400 --> 00:40:39,240
Speaker 2: if that guy was all or not or the Messiah.

925
00:40:39,719 --> 00:40:42,520
Speaker 2: So great show ended it because people were offended.

926
00:40:42,520 --> 00:40:43,000
Speaker 3: So I don't know.

927
00:40:43,800 --> 00:40:46,279
Speaker 4: Well, yeah, we can wrap up a TV conversation. I

928
00:40:46,280 --> 00:40:48,319
Speaker 4: think Breaking Bad is probably that's the best ending of

929
00:40:48,360 --> 00:40:49,160
Speaker 4: any TV series.

930
00:40:49,600 --> 00:40:51,600
Speaker 3: Breaking Bad is up there, for sure, So what do.

931
00:40:51,560 --> 00:40:53,280
Speaker 1: You consider best?

932
00:40:53,360 --> 00:40:55,279
Speaker 4: Because I have the sopranos up there too, and I

933
00:40:55,320 --> 00:40:55,880
Speaker 4: know I know.

934
00:40:55,840 --> 00:40:58,040
Speaker 3: People pople hate the Sopranos, and I'm we're.

935
00:40:58,000 --> 00:41:00,000
Speaker 4: Still talking about it to this It was a great

936
00:41:00,120 --> 00:41:02,319
Speaker 4: bad in the in the moment, I hated it, but

937
00:41:02,400 --> 00:41:06,000
Speaker 4: I grew to love it.

938
00:41:04,160 --> 00:41:08,239
Speaker 2: It's bad, but it's not bad. It's not what I

939
00:41:08,360 --> 00:41:10,480
Speaker 2: wanted it to be. Let's just say that it's not

940
00:41:10,480 --> 00:41:11,160
Speaker 2: what I wanted.

941
00:41:10,920 --> 00:41:13,440
Speaker 4: To know what everything was built up to the last Yeah.

942
00:41:13,160 --> 00:41:14,560
Speaker 2: That's what it was. That's what it was. But it

943
00:41:14,600 --> 00:41:16,440
Speaker 2: was it was a good It was a good What

944
00:41:16,480 --> 00:41:18,520
Speaker 2: do you think of all time?

945
00:41:18,600 --> 00:41:20,640
Speaker 4: No, of that ending, what happened.

946
00:41:22,160 --> 00:41:24,480
Speaker 3: I think Tony got killed in that Dina I do too.

947
00:41:24,920 --> 00:41:26,880
Speaker 5: Is that a very HBO thing for them to have?

948
00:41:26,960 --> 00:41:28,160
Speaker 5: Like really bad endings?

949
00:41:28,440 --> 00:41:31,080
Speaker 4: No, I think the Wire was a pretty good ending.

950
00:41:31,640 --> 00:41:32,439
Speaker 3: The Wire was good.

951
00:41:33,160 --> 00:41:35,480
Speaker 4: It was what the show representative. Just this is just

952
00:41:35,600 --> 00:41:37,319
Speaker 4: one big cycle that's all connected and.

953
00:41:37,840 --> 00:41:38,840
Speaker 3: Undoing was great.

954
00:41:39,760 --> 00:41:41,959
Speaker 2: It was really good only only because we had the

955
00:41:42,040 --> 00:41:44,439
Speaker 2: niggas had the son is to kill at one point.

956
00:41:45,480 --> 00:41:49,400
Speaker 4: It's like, whoever wrote that show had us? That was

957
00:41:49,440 --> 00:41:52,200
Speaker 4: such great writing with it. The things they left opening,

958
00:41:52,600 --> 00:41:54,759
Speaker 4: like the writing, they're just the premise of each part

959
00:41:54,760 --> 00:41:57,960
Speaker 4: that they left open that they had us. Yo, maybe

960
00:41:58,360 --> 00:42:01,239
Speaker 4: it's the baby Mother's side chicks wife's husband that did it.

961
00:42:01,320 --> 00:42:02,120
Speaker 3: Maybe it's my father.

962
00:42:02,400 --> 00:42:02,520
Speaker 2: Yo.

963
00:42:02,600 --> 00:42:04,400
Speaker 4: There would be people in the background walking across the

964
00:42:04,400 --> 00:42:06,120
Speaker 4: street be like yo, that's got to be the killer.

965
00:42:07,680 --> 00:42:10,440
Speaker 1: And I thought the lawyer did it. I thought the homegirl, everybody.

966
00:42:10,520 --> 00:42:12,600
Speaker 4: I thought the principal did. At one point I was like, yeah,

967
00:42:12,640 --> 00:42:13,239
Speaker 4: principal death.

968
00:42:13,320 --> 00:42:16,279
Speaker 2: I was literally the only person in the group chat

969
00:42:16,280 --> 00:42:18,359
Speaker 2: with my homies that watched it that was like, dog,

970
00:42:18,480 --> 00:42:21,759
Speaker 2: it's the husband. It was sometimes where I was like, nah,

971
00:42:21,760 --> 00:42:23,120
Speaker 2: I got to be this person. But then I go back,

972
00:42:23,160 --> 00:42:25,120
Speaker 2: I'm like, now it's the husband. Fan like they fucking

973
00:42:25,160 --> 00:42:27,480
Speaker 2: with us, Like it's the only person who it could be,

974
00:42:27,880 --> 00:42:28,720
Speaker 2: and it's the husband.

975
00:42:28,880 --> 00:42:30,759
Speaker 4: And then even when we found out it was him,

976
00:42:30,800 --> 00:42:33,040
Speaker 4: we were trying to still give him like he's like, yo,

977
00:42:33,080 --> 00:42:35,640
Speaker 4: he's just doing this to protect his son. It's like, no,

978
00:42:35,719 --> 00:42:36,359
Speaker 4: he just did that.

979
00:42:36,320 --> 00:42:39,279
Speaker 2: Shit kill this side bitch. Like he wanted to get

980
00:42:39,360 --> 00:42:40,640
Speaker 2: rid of her. He didn't want to fuck with her

981
00:42:40,640 --> 00:42:42,000
Speaker 2: no more. And the only way to calm and get

982
00:42:42,000 --> 00:42:44,480
Speaker 2: out of that she was pregnant, right, yeah, the story

983
00:42:44,520 --> 00:42:47,680
Speaker 2: she got pregnant. It's him, Like he doesn't want to

984
00:42:47,800 --> 00:42:50,200
Speaker 2: he can't have this kid, like he told her to

985
00:42:50,200 --> 00:42:50,719
Speaker 2: get rid of it.

986
00:42:50,760 --> 00:42:52,680
Speaker 3: She didn't want to. We know how this go. Nigga

987
00:42:52,719 --> 00:42:53,280
Speaker 3: he killed.

988
00:42:53,120 --> 00:42:56,279
Speaker 4: Who was more of a sociopath? Him or the son

989
00:42:56,440 --> 00:43:01,520
Speaker 4: in your honor? The son the one who this is

990
00:43:01,560 --> 00:43:03,400
Speaker 4: the first episode, so it's not a spoiler, the one

991
00:43:03,440 --> 00:43:07,359
Speaker 4: who killed the my boss's kid on the bike.

992
00:43:07,520 --> 00:43:10,280
Speaker 3: Yeah, I think he's a social, a social.

993
00:43:10,680 --> 00:43:13,399
Speaker 4: I think he was. I think we don't give enough

994
00:43:13,440 --> 00:43:16,839
Speaker 4: credit the sister. Yes, and they would like talk about

995
00:43:16,840 --> 00:43:18,920
Speaker 4: the kittie kid. He's doing the biggest. We don't talk

996
00:43:18,960 --> 00:43:20,960
Speaker 4: about how much of a sociopath he was in that show.

997
00:43:21,000 --> 00:43:22,920
Speaker 4: He was definitely like we felt bad for him. He

998
00:43:23,000 --> 00:43:24,759
Speaker 4: was innocent in the first few episodes, like this kid

999
00:43:24,840 --> 00:43:25,480
Speaker 4: is a.

1000
00:43:25,520 --> 00:43:27,440
Speaker 2: Sick of Like I think he walked up to the

1001
00:43:27,440 --> 00:43:29,480
Speaker 2: blood that in the scene if I remember, and touched

1002
00:43:29,520 --> 00:43:32,160
Speaker 2: it and like did he taste it or did he

1003
00:43:32,200 --> 00:43:32,640
Speaker 2: smell it?

1004
00:43:32,800 --> 00:43:34,319
Speaker 3: I think he did something with it. Was like, what

1005
00:43:34,360 --> 00:43:37,000
Speaker 3: the fuck? It was something where he did when he

1006
00:43:37,080 --> 00:43:40,200
Speaker 3: when he hit the uh, the kid on the motorcycle.

1007
00:43:40,239 --> 00:43:44,360
Speaker 1: But when we're talking about recent shows, I really thinks

1008
00:43:45,840 --> 00:43:48,200
Speaker 1: I like Insecure's ending a lot. Once I took away

1009
00:43:48,200 --> 00:43:50,759
Speaker 1: from the fact that Insecure was endings well, which was

1010
00:43:50,800 --> 00:43:54,879
Speaker 1: really hard for me to ending. He rapped that so well,

1011
00:43:54,920 --> 00:43:57,120
Speaker 1: I think really did a lot of justice.

1012
00:43:59,320 --> 00:44:05,200
Speaker 3: She she's she's a she's a she's a legends.

1013
00:44:06,280 --> 00:44:09,560
Speaker 2: Is she's a legend, man, because with what Insecure did,

1014
00:44:10,080 --> 00:44:12,480
Speaker 2: I think what it's done and what it's doing for

1015
00:44:12,640 --> 00:44:18,120
Speaker 2: young writers and filmmakers even like actors and actresses is.

1016
00:44:18,680 --> 00:44:20,440
Speaker 3: I think it's aspiring because you.

1017
00:44:20,440 --> 00:44:24,040
Speaker 2: Literally saw this show grow and become with it is

1018
00:44:24,800 --> 00:44:26,879
Speaker 2: like every step of the way. And then Easter being

1019
00:44:26,880 --> 00:44:29,600
Speaker 2: who she is, her personality easy to love, you have to,

1020
00:44:29,880 --> 00:44:31,600
Speaker 2: you can't. It's hard not to root for her. It's

1021
00:44:31,600 --> 00:44:34,160
Speaker 2: not hard to it's hard not to want to see

1022
00:44:34,200 --> 00:44:37,440
Speaker 2: Easa win. And then the things that they covered in

1023
00:44:37,480 --> 00:44:40,040
Speaker 2: the show, the topics and the conversations, and.

1024
00:44:39,880 --> 00:44:45,200
Speaker 4: She's the most self aware writer of her direct Yeah,

1025
00:44:45,480 --> 00:44:49,360
Speaker 4: demographic and age and like of what each single person

1026
00:44:49,440 --> 00:44:52,839
Speaker 4: goes through from that age group was represented every last

1027
00:44:52,880 --> 00:44:57,360
Speaker 4: character like she's so and what she did for so

1028
00:44:57,440 --> 00:45:01,880
Speaker 4: many other people because HBO their standards in their their boardrooms,

1029
00:45:02,160 --> 00:45:03,960
Speaker 4: that's taking a risk. You got a chick that was

1030
00:45:03,960 --> 00:45:07,840
Speaker 4: making some content on YouTube and she's gonna right direct

1031
00:45:07,880 --> 00:45:10,360
Speaker 4: it and acting it to HBO. That's taking a fucking

1032
00:45:10,400 --> 00:45:15,080
Speaker 4: crazy risk. Now we see dinning was Tracy Allman.

1033
00:45:15,520 --> 00:45:17,279
Speaker 2: That's one person that I know that we saw do

1034
00:45:17,360 --> 00:45:19,279
Speaker 2: that played different multiple roles.

1035
00:45:19,280 --> 00:45:21,319
Speaker 3: She's a she's another genius icon.

1036
00:45:21,520 --> 00:45:23,759
Speaker 4: But Issa knocked that shit out of the park. If

1037
00:45:23,800 --> 00:45:27,520
Speaker 4: Insecure failed, no network is really going to take another

1038
00:45:27,640 --> 00:45:31,600
Speaker 4: risk to do that type of show or that type

1039
00:45:31,600 --> 00:45:34,919
Speaker 4: of creator that started on online and wants to write

1040
00:45:34,920 --> 00:45:37,799
Speaker 4: everything once like to be like, hey, we we tried it.

1041
00:45:37,800 --> 00:45:41,160
Speaker 4: It failed. Issa knocked that ship out of the fucking park.

1042
00:45:41,320 --> 00:45:44,640
Speaker 4: So now more shows like that and more people like

1043
00:45:44,719 --> 00:45:47,560
Speaker 4: Issa can get that shot because it's like, oh it's proven.

1044
00:45:47,719 --> 00:45:49,920
Speaker 2: Yeah, and and and what she did even for the

1045
00:45:49,960 --> 00:45:52,960
Speaker 2: just the community of La, A lot of the restaurants

1046
00:45:53,000 --> 00:45:55,160
Speaker 2: that she went to in the show became hot spots,

1047
00:45:55,200 --> 00:45:58,960
Speaker 2: popular spots in real life, kind of sort of like

1048
00:45:59,040 --> 00:46:02,600
Speaker 2: with uh Carrie Bradshaw did with Sex and the City.

1049
00:46:02,719 --> 00:46:06,520
Speaker 2: She goes to Magnolia Bakery. Yeah, Magnolia Bakery was never

1050
00:46:06,520 --> 00:46:07,839
Speaker 2: the same after that, you know what I mean.

1051
00:46:07,880 --> 00:46:09,600
Speaker 4: And again, I won't speak for La because I'm not

1052
00:46:09,640 --> 00:46:12,920
Speaker 4: from La nor ever live there, but from an outsider,

1053
00:46:12,960 --> 00:46:15,960
Speaker 4: it gave Insecure gave a view of La that was

1054
00:46:16,040 --> 00:46:20,560
Speaker 4: never represented. I feel like with anything TV or movie related,

1055
00:46:21,440 --> 00:46:24,480
Speaker 4: LA is either all Hollywood shit or all gang shit.

1056
00:46:25,120 --> 00:46:27,799
Speaker 4: Like the regular person that just lives and grew up

1057
00:46:27,840 --> 00:46:31,120
Speaker 4: in LA. I never knew that story at all. It

1058
00:46:31,200 --> 00:46:35,600
Speaker 4: was either all the way fucking Hollywood, hidden Hills, coke Eyes,

1059
00:46:35,640 --> 00:46:39,959
Speaker 4: watch up party shit, or it was gang members killing

1060
00:46:39,960 --> 00:46:42,759
Speaker 4: each other and trying to you know, fetishize a lot

1061
00:46:42,800 --> 00:46:45,920
Speaker 4: of the gang shit. So I thought that was like

1062
00:46:45,960 --> 00:46:49,000
Speaker 4: a perfect mix. I think ATL did that too.

1063
00:46:50,280 --> 00:46:50,680
Speaker 3: ATL.

1064
00:46:51,000 --> 00:46:54,400
Speaker 4: The movie just gave a different side of like the

1065
00:46:54,440 --> 00:46:56,640
Speaker 4: type of shit that's usually put out like, oh no,

1066
00:46:56,680 --> 00:46:58,719
Speaker 4: these are just regular high school kids trying to figure

1067
00:46:58,760 --> 00:47:01,680
Speaker 4: it out. There's no, they're not gang members, they're not

1068
00:47:01,760 --> 00:47:08,920
Speaker 4: rich kids, They're just kids.

1069
00:47:08,960 --> 00:47:11,640
Speaker 2: More music came out over the weekend burn A Boy,

1070
00:47:12,560 --> 00:47:16,920
Speaker 2: Love Domini, Demani, I don't want to Domini Love Domini.

1071
00:47:17,160 --> 00:47:18,440
Speaker 4: I didn't get around to either of them, but I

1072
00:47:18,640 --> 00:47:20,400
Speaker 4: am looking forward to here heard the album and I

1073
00:47:20,440 --> 00:47:22,080
Speaker 4: didn't want to listen to Burner Boy by myself, and

1074
00:47:22,280 --> 00:47:23,040
Speaker 4: I was about.

1075
00:47:22,760 --> 00:47:24,879
Speaker 2: To say I got but I want to be out.

1076
00:47:24,920 --> 00:47:26,360
Speaker 2: When I heard that, I want to I want to

1077
00:47:26,400 --> 00:47:28,799
Speaker 2: be I want to see people moving. Yeah, I want

1078
00:47:28,800 --> 00:47:32,399
Speaker 2: to be up. But the music sounds good. His record

1079
00:47:32,880 --> 00:47:33,840
Speaker 2: Last Last.

1080
00:47:34,239 --> 00:47:36,719
Speaker 1: Might be one of the songs of the summer New York.

1081
00:47:36,880 --> 00:47:40,759
Speaker 2: It's it's, it's it's definitely heating up, definitely looking like

1082
00:47:41,360 --> 00:47:43,680
Speaker 2: that's gonna be a song that people listen to for

1083
00:47:43,719 --> 00:47:44,959
Speaker 2: a very long time.

1084
00:47:45,040 --> 00:47:49,440
Speaker 1: I was outside yesterday and they went crazy Last Last.

1085
00:47:51,120 --> 00:47:54,440
Speaker 2: No, Burning Boy is he's listen man, He's a He's

1086
00:47:54,440 --> 00:47:56,920
Speaker 2: a He's a superstar. Burning Boy is one of those

1087
00:47:57,040 --> 00:47:59,760
Speaker 2: artists that you know for sure when he hits to Stay,

1088
00:48:01,040 --> 00:48:05,200
Speaker 2: his music comes on and any party, you know, festival,

1089
00:48:05,680 --> 00:48:08,960
Speaker 2: it's you know, he's one of those artists that the

1090
00:48:09,000 --> 00:48:12,560
Speaker 2: people connect to, and he, I like to say, elevates

1091
00:48:12,600 --> 00:48:17,040
Speaker 2: the human experience, you know, people experience. I mean, honestly,

1092
00:48:17,400 --> 00:48:20,280
Speaker 2: you see Burning Boy's music comes on, I mean everybody literally,

1093
00:48:20,320 --> 00:48:23,600
Speaker 2: it's like a unanimous feeling that, Yo, this is that ship.

1094
00:48:25,800 --> 00:48:27,640
Speaker 2: So yeah, I still want to listen to it outside,

1095
00:48:27,640 --> 00:48:30,000
Speaker 2: but I listened to it in the crib, played it

1096
00:48:30,040 --> 00:48:34,759
Speaker 2: moving around in the city. It sounds good, good production, melodies,

1097
00:48:36,560 --> 00:48:38,200
Speaker 2: and it's It's weird how a lot of the lyrics

1098
00:48:38,200 --> 00:48:42,800
Speaker 2: you start to understand too, like with sometimes he doesn't.

1099
00:48:42,840 --> 00:48:50,040
Speaker 2: It's ah because he in his language dialect, his dialect. Yeah,

1100
00:48:50,080 --> 00:48:52,040
Speaker 2: some of the words we don't know, but it's like

1101
00:48:52,320 --> 00:48:54,400
Speaker 2: I know what that kind of know what that Yeah,

1102
00:48:54,440 --> 00:48:55,839
Speaker 2: you know what I mean, Like I could you could

1103
00:48:55,880 --> 00:48:57,279
Speaker 2: feel like okay, I know what that means.

1104
00:48:57,360 --> 00:48:59,399
Speaker 4: He gives context to words that you can just feel

1105
00:48:59,440 --> 00:49:02,440
Speaker 4: in like, Okay, I know exactly that sexual position he's

1106
00:49:02,440 --> 00:49:09,080
Speaker 4: talking about. I've done that burner before. Yeah, I get it,

1107
00:49:09,440 --> 00:49:10,400
Speaker 4: and I've been doing.

1108
00:49:10,280 --> 00:49:12,520
Speaker 2: I know what that does to the hamstrings. Yeah, I

1109
00:49:12,520 --> 00:49:14,279
Speaker 2: know what that does to the hamstrings. The next day,

1110
00:49:14,320 --> 00:49:16,319
Speaker 2: I know how how tight the hamstrings are.

1111
00:49:16,800 --> 00:49:17,360
Speaker 3: Uh.

1112
00:49:17,760 --> 00:49:19,080
Speaker 2: But yeah, I like the album. I just want to

1113
00:49:19,120 --> 00:49:20,400
Speaker 2: be outside. I gotta see it outside. I got to

1114
00:49:20,400 --> 00:49:23,399
Speaker 2: see people moving to it. Another album that came out,

1115
00:49:23,400 --> 00:49:26,640
Speaker 2: Peace Fly God, west Side Gun Gun Gun is Listen.

1116
00:49:26,680 --> 00:49:28,760
Speaker 2: He's gonna put album out. It seems like every six months.

1117
00:49:29,000 --> 00:49:31,000
Speaker 2: It feels like every five months or somebody from the

1118
00:49:31,000 --> 00:49:33,759
Speaker 2: camp is gonna put out a project. Peace Fly Goy,

1119
00:49:33,800 --> 00:49:36,840
Speaker 2: west Side Gun. I listened to it. I want to

1120
00:49:36,840 --> 00:49:38,480
Speaker 2: listen to some more. You got Stove God on.

1121
00:49:38,560 --> 00:49:41,360
Speaker 3: There a few other features.

1122
00:49:41,760 --> 00:49:44,080
Speaker 4: One producer or was it a bunch, No.

1123
00:49:45,040 --> 00:49:48,520
Speaker 2: It's multiple producers on on the project. It's just one producer.

1124
00:49:51,400 --> 00:49:53,319
Speaker 2: I like the big ass bracelet joint. I do remember

1125
00:49:53,480 --> 00:49:56,640
Speaker 2: like that coming on Jesus Crack the first order, it's

1126
00:49:56,680 --> 00:49:58,920
Speaker 2: the intro then Jesus Crack, Come on Stove God.

1127
00:50:00,400 --> 00:50:01,560
Speaker 3: Another dope project. Though.

1128
00:50:02,040 --> 00:50:04,280
Speaker 2: One thing West Side Gun is gonna do is be consistent.

1129
00:50:04,719 --> 00:50:07,320
Speaker 2: For sure, He's gonna be himself. He's not going straight

1130
00:50:07,320 --> 00:50:10,000
Speaker 2: too far away from his pocket and what he does,

1131
00:50:10,080 --> 00:50:12,759
Speaker 2: He's just gonna keep giving you dope shit, cool shit,

1132
00:50:13,400 --> 00:50:16,439
Speaker 2: and introducing new artists as well along the way, which

1133
00:50:16,440 --> 00:50:18,319
Speaker 2: I like. I like the fact that he gives uh,

1134
00:50:18,400 --> 00:50:22,359
Speaker 2: his platform to other artists, not just music, you know

1135
00:50:22,680 --> 00:50:26,080
Speaker 2: painters and you know fashion and things like that. Like

1136
00:50:26,120 --> 00:50:28,839
Speaker 2: he always is trying to put the next fly, uh,

1137
00:50:29,080 --> 00:50:32,680
Speaker 2: the next up and coming person in a position to shine.

1138
00:50:33,400 --> 00:50:35,160
Speaker 2: So for that alone, I mean, that's why Gun is

1139
00:50:35,160 --> 00:50:36,840
Speaker 2: one of my favorite people. Get because he gets it.

1140
00:50:36,920 --> 00:50:39,160
Speaker 2: He understands just giving people a shot to get that

1141
00:50:39,239 --> 00:50:42,440
Speaker 2: shit off. So Peace Fly God available now your DSPs.

1142
00:50:42,960 --> 00:50:45,439
Speaker 4: Lloyd Banks announced the course of The Inevitable Part two,

1143
00:50:45,600 --> 00:50:47,759
Speaker 4: coming out July fifteen. He put out a record as well,

1144
00:50:48,880 --> 00:50:52,600
Speaker 4: fell in Love. I look forward to it. He's got

1145
00:50:52,600 --> 00:50:54,239
Speaker 4: his listening on Wednesday if you want to come with me.

1146
00:50:58,280 --> 00:51:03,840
Speaker 3: No, uh, Hovan invited me?

1147
00:51:04,000 --> 00:51:07,680
Speaker 4: Okay, yeah, so yeah, I'll be your plus one then.

1148
00:51:08,719 --> 00:51:10,080
Speaker 3: Yeah, no, I think I'm gonna pull up to that.

1149
00:51:11,120 --> 00:51:13,719
Speaker 3: I just don't you know. It's just when you hear

1150
00:51:13,840 --> 00:51:15,759
Speaker 3: Lloyd Banks listening session.

1151
00:51:15,520 --> 00:51:17,799
Speaker 4: In a studio, I'm just like tis changed man.

1152
00:51:17,880 --> 00:51:20,600
Speaker 3: Yeah, it's just like, yo, it's we were backstage. Who

1153
00:51:20,680 --> 00:51:23,560
Speaker 3: else got this invite? That'd be my question And I

1154
00:51:23,560 --> 00:51:25,839
Speaker 3: don't want to send Hovain that text, like who else

1155
00:51:25,840 --> 00:51:26,320
Speaker 3: do you invite?

1156
00:51:26,360 --> 00:51:26,400
Speaker 5: It?

1157
00:51:26,640 --> 00:51:29,920
Speaker 4: All of Rochdale. Yeah, it's just like will be in attendance.

1158
00:51:30,239 --> 00:51:33,520
Speaker 2: But I love the fact that Banks is active. I

1159
00:51:33,560 --> 00:51:36,280
Speaker 2: love the fact that you know he's he's putting out projects.

1160
00:51:36,440 --> 00:51:38,880
Speaker 4: He's got a show Tony Hall again for the release

1161
00:51:39,200 --> 00:51:39,880
Speaker 4: on the fifteenth.

1162
00:51:40,160 --> 00:51:42,440
Speaker 3: Yeah. This last show we went to was Dope. Yeah.

1163
00:51:42,480 --> 00:51:44,719
Speaker 2: I had a good time there, so yeah, it's good

1164
00:51:44,719 --> 00:51:46,640
Speaker 2: to see and the end the project was Dope Fire.

1165
00:51:46,960 --> 00:51:49,000
Speaker 4: Either I'll be Mal's plus one or he'll be my

1166
00:51:49,040 --> 00:51:51,560
Speaker 4: plus one at the Banks listening session.

1167
00:51:53,400 --> 00:51:57,160
Speaker 2: I think my security will be my plus one.

1168
00:51:55,360 --> 00:51:58,279
Speaker 5: Oh I got it.

1169
00:51:58,480 --> 00:51:59,879
Speaker 3: Of course of the inevitable two.

1170
00:52:00,480 --> 00:52:03,360
Speaker 4: Of course you run around security like a punk, go

1171
00:52:03,400 --> 00:52:04,640
Speaker 4: along by myself all the.

1172
00:52:04,600 --> 00:52:07,480
Speaker 3: Time ain't security for me, security for you?

1173
00:52:07,520 --> 00:52:08,560
Speaker 4: Are you one of those people?

1174
00:52:08,800 --> 00:52:12,640
Speaker 3: Yeah? Exactly, Yo, So you put your you put your

1175
00:52:12,640 --> 00:52:13,040
Speaker 3: record out.

1176
00:52:13,080 --> 00:52:17,040
Speaker 4: Your single out is currently available on all DSPs right now. Absolutely,

1177
00:52:17,280 --> 00:52:18,600
Speaker 4: I want you that you'll never know.

1178
00:52:18,719 --> 00:52:20,080
Speaker 3: I want you, but you'll never know.

1179
00:52:20,920 --> 00:52:26,040
Speaker 2: Shelley yes ka dram in a beautiful, chalented Alex Issley.

1180
00:52:26,480 --> 00:52:26,719
Speaker 3: Yeah.

1181
00:52:27,160 --> 00:52:30,280
Speaker 4: Produced by myself and child.

1182
00:52:31,719 --> 00:52:33,200
Speaker 2: So yeah, we were breaking that. We wanted to break

1183
00:52:33,239 --> 00:52:36,360
Speaker 2: down some of these lyrics about toxicity.

1184
00:52:35,840 --> 00:52:38,120
Speaker 1: And yeah because you wrote these correct.

1185
00:52:38,480 --> 00:52:40,560
Speaker 4: Myself and Shelley, and you're calling.

1186
00:52:40,320 --> 00:52:43,000
Speaker 1: Me the most toxic member of this podcast. I really

1187
00:52:43,000 --> 00:52:44,960
Speaker 1: want to break these down and get into these lyrics.

1188
00:52:45,000 --> 00:52:48,279
Speaker 4: Well, Shelley and I split writing publishing, so half of

1189
00:52:48,320 --> 00:52:51,319
Speaker 4: this is his toxicity too, Okay, but I feel like

1190
00:52:51,480 --> 00:52:53,600
Speaker 4: I sang it beautifully. I feel like I just said

1191
00:52:53,600 --> 00:52:54,480
Speaker 4: it terribly.

1192
00:52:54,440 --> 00:52:56,160
Speaker 1: Alex's versus all you correct?

1193
00:52:57,160 --> 00:52:57,319
Speaker 4: Uh?

1194
00:52:57,719 --> 00:53:01,880
Speaker 1: The most part, Yeah, the most toxic part of the song, clarifying.

1195
00:53:02,040 --> 00:53:05,839
Speaker 4: And for everyone, because I don't know how artists get

1196
00:53:05,920 --> 00:53:09,799
Speaker 4: Alex Osley writes her own music, she trusted, which I

1197
00:53:09,840 --> 00:53:14,160
Speaker 4: really appreciate her of allowing me to put that together

1198
00:53:14,239 --> 00:53:16,839
Speaker 4: and her to sing it. But she's a much better writer.

1199
00:53:17,320 --> 00:53:22,520
Speaker 4: So this isn't like yo, her penance is way better

1200
00:53:22,560 --> 00:53:23,120
Speaker 4: than anything.

1201
00:53:23,160 --> 00:53:26,000
Speaker 3: I yeah, that's just people just not being in And so.

1202
00:53:25,960 --> 00:53:28,120
Speaker 4: I did appreciate that. When I sent her the verse,

1203
00:53:28,800 --> 00:53:29,759
Speaker 4: she was all the way with it.

1204
00:53:30,200 --> 00:53:31,879
Speaker 1: Can I just read? Can I read this verse?

1205
00:53:31,920 --> 00:53:32,600
Speaker 5: Please read?

1206
00:53:32,680 --> 00:53:35,400
Speaker 1: For everyone who's just you know, let's address the toxicity.

1207
00:53:35,680 --> 00:53:38,080
Speaker 1: I don't mean to bother, but I needed to call.

1208
00:53:38,080 --> 00:53:38,799
Speaker 4: No, no, no, no, no no.

1209
00:53:39,080 --> 00:53:41,800
Speaker 1: You start from the beginning, okay. I just wanted to

1210
00:53:41,840 --> 00:53:43,200
Speaker 1: start from the most toxic verse.

1211
00:53:43,280 --> 00:53:45,040
Speaker 5: But I mean, so how about mall does that first

1212
00:53:45,120 --> 00:53:45,560
Speaker 5: verse and you do?

1213
00:53:45,640 --> 00:53:50,000
Speaker 3: Okay? So for verse one, and I understand these words.

1214
00:53:50,000 --> 00:53:54,080
Speaker 3: These words resonate with me. Just take a breather sometimes

1215
00:53:54,360 --> 00:53:58,360
Speaker 3: because I want it but can't have it. You swear,

1216
00:53:58,400 --> 00:54:04,040
Speaker 3: I stay acting. Just believe me. Sometimes I'm really gonna

1217
00:54:04,040 --> 00:54:04,520
Speaker 3: call you.

1218
00:54:05,400 --> 00:54:06,640
Speaker 4: This is a direct argument.

1219
00:54:07,239 --> 00:54:10,880
Speaker 3: I'm really gonna call you. You just gotta stay patient, relax.

1220
00:54:11,320 --> 00:54:13,600
Speaker 3: I don't argue, No, I don't. I'm not an argument.

1221
00:54:14,840 --> 00:54:18,560
Speaker 2: I'm saying anything, right, girl, As soon as I touched down,

1222
00:54:18,600 --> 00:54:20,239
Speaker 2: I'm touching you and only you.

1223
00:54:21,560 --> 00:54:25,239
Speaker 3: But whenever I gotta go, you make it so uncomfortable.

1224
00:54:26,920 --> 00:54:27,799
Speaker 4: I ain't That's real life.

1225
00:54:28,000 --> 00:54:31,200
Speaker 2: I mean, listen, man, if we're gonna if life imitates art, right,

1226
00:54:31,400 --> 00:54:33,399
Speaker 2: art imitates life. However you want to have, you want

1227
00:54:33,400 --> 00:54:36,560
Speaker 2: to say it, this is this is how it goes.

1228
00:54:36,680 --> 00:54:39,239
Speaker 2: You have these women that you know, she lives in

1229
00:54:39,280 --> 00:54:43,200
Speaker 2: the city, You fly in, you see her. But it's like,

1230
00:54:43,200 --> 00:54:44,880
Speaker 2: I gotta move around or I gotta you know, I

1231
00:54:44,920 --> 00:54:46,360
Speaker 2: can't be here all night.

1232
00:54:46,840 --> 00:54:48,960
Speaker 3: I gotta touch the people. I gotta touch the land.

1233
00:54:49,320 --> 00:54:50,040
Speaker 1: Touch the people.

1234
00:54:50,840 --> 00:54:52,520
Speaker 3: I got to touch the people and touch the land.

1235
00:54:52,719 --> 00:54:54,400
Speaker 4: When I touch down, I'm touching you on you And

1236
00:54:54,880 --> 00:54:56,719
Speaker 4: when I touch down, I've not touched down yet.

1237
00:54:57,200 --> 00:55:01,040
Speaker 3: But whenever I gotta go, Well, this it doesn't so uncomfortable.

1238
00:55:01,120 --> 00:55:04,160
Speaker 4: This doesn't seem toxic until the record plays out and

1239
00:55:04,440 --> 00:55:08,440
Speaker 4: you see who he was talking to. It wasn't his girlfriend.

1240
00:55:09,640 --> 00:55:13,560
Speaker 1: That henceforth, can I get some to Rory's very toxic verse?

1241
00:55:13,719 --> 00:55:16,959
Speaker 2: Oh, I thought the hook was beautiful, but the hook goes,

1242
00:55:17,040 --> 00:55:18,520
Speaker 2: I want you more than you know.

1243
00:55:19,520 --> 00:55:24,120
Speaker 3: I might love you, but you'll never know. Repeat I

1244
00:55:24,200 --> 00:55:28,200
Speaker 3: want you more than you know. I might love you,

1245
00:55:28,960 --> 00:55:29,839
Speaker 3: but you'll never know.

1246
00:55:30,360 --> 00:55:32,719
Speaker 4: You've met that girl you might love, but you can't

1247
00:55:32,800 --> 00:55:35,080
Speaker 4: let her know that you You're starting to fall.

1248
00:55:35,360 --> 00:55:37,320
Speaker 3: Yeah, like when one of the like few the homies

1249
00:55:37,320 --> 00:55:37,920
Speaker 3: smashed her.

1250
00:55:38,760 --> 00:55:40,160
Speaker 4: That's not where I was going with it.

1251
00:55:40,920 --> 00:55:44,080
Speaker 3: And then you start smashing it, It's like, damn, uh no,

1252
00:55:44,480 --> 00:55:46,240
Speaker 3: you'll never know, never.

1253
00:55:46,200 --> 00:55:51,280
Speaker 4: Question whereas you may already be spoken for and loving

1254
00:55:51,320 --> 00:55:53,800
Speaker 4: someone else and maybe.

1255
00:55:53,880 --> 00:55:56,719
Speaker 2: Oh so I have a have a girlfriend, yes, and

1256
00:55:57,200 --> 00:55:59,040
Speaker 2: this is my side girl, and I'm falling in love

1257
00:55:59,080 --> 00:56:00,560
Speaker 2: with my sad girls.

1258
00:56:00,560 --> 00:56:03,400
Speaker 4: Such a negative connotation another lover.

1259
00:56:03,360 --> 00:56:07,160
Speaker 3: Another lover? Okay? Is that is that politically correct these days?

1260
00:56:07,160 --> 00:56:10,839
Speaker 4: Okay, I have another lover and I'm falling in love

1261
00:56:10,920 --> 00:56:12,760
Speaker 4: frands monogamous and I'm.

1262
00:56:12,600 --> 00:56:19,759
Speaker 3: Falling in love with my other lover. See. But I

1263
00:56:19,800 --> 00:56:23,200
Speaker 3: was always taught to love freely, right, Yeah, but I'm.

1264
00:56:23,040 --> 00:56:23,919
Speaker 1: The most toxic member.

1265
00:56:24,600 --> 00:56:25,399
Speaker 4: That's what I'm talking about.

1266
00:56:25,400 --> 00:56:28,560
Speaker 3: I was taught to love love and just to leave

1267
00:56:28,600 --> 00:56:30,320
Speaker 3: with love and respect. That's what I was taught.

1268
00:56:30,360 --> 00:56:32,560
Speaker 4: All I see is, Hey, the world needs more love.

1269
00:56:33,080 --> 00:56:35,360
Speaker 4: People need to love each other. People are broken, people

1270
00:56:35,360 --> 00:56:37,680
Speaker 4: are hurting that I can't love more than one person. Yeah,

1271
00:56:37,680 --> 00:56:39,799
Speaker 4: and it makes sense, Ma, what did you say?

1272
00:56:39,800 --> 00:56:40,520
Speaker 1: Your dream was?

1273
00:56:41,440 --> 00:56:42,000
Speaker 3: I need to.

1274
00:56:41,960 --> 00:56:45,240
Speaker 2: Wake up every day with like at least like four

1275
00:56:45,280 --> 00:56:48,920
Speaker 2: beautiful women just in my house just like it's like

1276
00:56:48,960 --> 00:56:52,160
Speaker 2: our own like move to Utah, family, our village.

1277
00:56:52,280 --> 00:56:54,280
Speaker 5: It should be a Mormon, our kingdom.

1278
00:56:54,760 --> 00:56:56,040
Speaker 3: No, I don't want to be a Mormon. I want

1279
00:56:56,040 --> 00:56:58,320
Speaker 3: to be more. But why I can't have that?

1280
00:56:58,320 --> 00:56:58,719
Speaker 5: That's true.

1281
00:56:58,800 --> 00:57:00,719
Speaker 3: I didn't say cant like.

1282
00:57:00,760 --> 00:57:03,080
Speaker 2: It's not weird until a nigga get it off. It's

1283
00:57:03,080 --> 00:57:05,600
Speaker 2: only off with like the first like a couple of months.

1284
00:57:05,719 --> 00:57:07,719
Speaker 4: I think you'll like the first couple of months, and

1285
00:57:07,760 --> 00:57:10,600
Speaker 4: then you'll be losing your mind. Four women in your house.

1286
00:57:10,560 --> 00:57:12,480
Speaker 5: No, I love I love being around women, or or

1287
00:57:12,520 --> 00:57:14,680
Speaker 5: he has a rotation of woman that he has, No,

1288
00:57:14,719 --> 00:57:16,960
Speaker 5: he wants no the same. No, I don't want them

1289
00:57:16,960 --> 00:57:19,920
Speaker 5: to be satisfied with only like let's say.

1290
00:57:19,800 --> 00:57:22,000
Speaker 3: Three women for the rest of my life.

1291
00:57:22,120 --> 00:57:24,760
Speaker 5: Yeah, yeah, only three? Yeah, no way?

1292
00:57:24,960 --> 00:57:25,200
Speaker 1: Why not?

1293
00:57:25,520 --> 00:57:27,120
Speaker 4: Some people three women life?

1294
00:57:27,120 --> 00:57:28,880
Speaker 2: That's some are satisfied with one for the rest of

1295
00:57:28,880 --> 00:57:31,560
Speaker 2: their life. Yeah yeah, sorry, Yeah, a.

1296
00:57:31,480 --> 00:57:32,600
Speaker 4: Good rope rotating three.

1297
00:57:32,920 --> 00:57:37,120
Speaker 2: If they all got along, that that's that's that's where.

1298
00:57:36,960 --> 00:57:39,440
Speaker 3: It gets tricky. Can the women get along with each other?

1299
00:57:39,600 --> 00:57:40,280
Speaker 4: No?

1300
00:57:40,280 --> 00:57:43,200
Speaker 5: No, probably not. You can't have the same type of woman.

1301
00:57:43,400 --> 00:57:46,320
Speaker 5: You can't have three of the same women in one room.

1302
00:57:46,560 --> 00:57:48,080
Speaker 2: No, you don't want three of the same women in

1303
00:57:48,160 --> 00:57:51,680
Speaker 2: one right, you want three different women but with some

1304
00:57:52,080 --> 00:57:53,240
Speaker 2: similar similar interests.

1305
00:57:53,240 --> 00:57:58,560
Speaker 4: Blue Face did it, that's true. How they already get

1306
00:57:58,560 --> 00:58:01,760
Speaker 4: down with whack.

1307
00:58:01,840 --> 00:58:03,040
Speaker 3: We shouldn't be laughing at that.

1308
00:58:03,080 --> 00:58:05,760
Speaker 1: But to Rory single, which you should be streaming on

1309
00:58:05,840 --> 00:58:07,600
Speaker 1: your DSPs as you listen.

1310
00:58:07,400 --> 00:58:09,160
Speaker 3: To this, I ain't gonna lie.

1311
00:58:09,160 --> 00:58:10,800
Speaker 2: We're pumping the ship out this album, this album, but

1312
00:58:10,840 --> 00:58:12,720
Speaker 2: it'll be good Rory.

1313
00:58:13,440 --> 00:58:15,680
Speaker 4: I'm just letting you know it ain't if it's not

1314
00:58:15,760 --> 00:58:20,360
Speaker 4: my bad. Yeah, don't do it again yet my fault.

1315
00:58:21,000 --> 00:58:23,760
Speaker 2: We don't want to hear nothing about your volume two.

1316
00:58:23,960 --> 00:58:27,160
Speaker 2: N naham The first one we turned the vibe down.

1317
00:58:29,160 --> 00:58:31,560
Speaker 4: The second single I know will be universally loved. This

1318
00:58:31,640 --> 00:58:33,160
Speaker 4: first one, I think you have to have a certain

1319
00:58:33,880 --> 00:58:35,720
Speaker 4: type of yeah, and I'm not saying that in a

1320
00:58:35,760 --> 00:58:38,400
Speaker 4: snobby way. It's just, you know, not get it left

1321
00:58:38,400 --> 00:58:39,439
Speaker 4: ship that I kind of love Rory.

1322
00:58:39,520 --> 00:58:39,760
Speaker 5: Second.

1323
00:58:39,840 --> 00:58:42,360
Speaker 4: The second one is going to be Rory makes Rory music.

1324
00:58:42,400 --> 00:58:45,160
Speaker 1: I don't think anybody, anybody who listens to you know what.

1325
00:58:45,200 --> 00:58:47,600
Speaker 3: Your Rory makes.

1326
00:58:47,680 --> 00:58:47,919
Speaker 4: Rory.

1327
00:58:49,000 --> 00:58:53,479
Speaker 3: You get one music, can make Lenny Kravitz music. Of course,

1328
00:58:53,480 --> 00:58:54,080
Speaker 3: he makes Rory.

1329
00:58:54,320 --> 00:58:55,080
Speaker 4: That's for the third album.

1330
00:58:55,120 --> 00:58:56,720
Speaker 1: If you're listening to me, you know what I mean.

1331
00:58:56,800 --> 00:58:59,680
Speaker 1: If you like Rory's picks, if you like dance around

1332
00:58:59,680 --> 00:59:02,920
Speaker 1: the house, severearfoot cleaning music, then you roll like Ory's album.

1333
00:59:02,960 --> 00:59:05,000
Speaker 1: He makes the type of music that he suggests to

1334
00:59:05,040 --> 00:59:07,360
Speaker 1: you guys, and that he's been suggesting for years.

1335
00:59:08,440 --> 00:59:10,320
Speaker 4: I like it all right that in a little description

1336
00:59:10,320 --> 00:59:11,840
Speaker 4: on Apple's I mean serious music.

1337
00:59:11,880 --> 00:59:14,840
Speaker 3: I gotta, I gotta. Or is paying to Mars right,

1338
00:59:16,400 --> 00:59:17,240
Speaker 3: we're paying her together.

1339
00:59:18,360 --> 00:59:20,320
Speaker 2: You might be getting a little action. You might be

1340
00:59:20,360 --> 00:59:23,440
Speaker 2: hitting on the side. You might be hitting with a

1341
00:59:23,440 --> 00:59:24,200
Speaker 2: little side piece.

1342
00:59:28,640 --> 00:59:30,680
Speaker 1: I don't mean to bother Yes, so me and all

1343
00:59:30,720 --> 00:59:33,840
Speaker 1: are talking to each other right now. He's on his wedding.

1344
00:59:34,440 --> 00:59:37,800
Speaker 1: He's on his way to La Okay, I don't mean

1345
00:59:37,840 --> 00:59:39,480
Speaker 1: to bother boy.

1346
00:59:40,200 --> 00:59:43,200
Speaker 3: That's exactly what I was bothering. You bother me.

1347
00:59:44,040 --> 00:59:46,640
Speaker 1: But I needed to call you, and I don't care

1348
00:59:46,640 --> 00:59:49,280
Speaker 1: that you're with her. I guess I'll try back tomorrow.

1349
00:59:50,120 --> 00:59:52,600
Speaker 1: Can't help that I miss you. Ask her? What's the

1350
00:59:52,680 --> 00:59:56,200
Speaker 1: issue with sharing your heart, your body parts and your mental.

1351
00:59:56,000 --> 00:59:56,560
Speaker 4: Like, what's the problem.

1352
00:59:56,760 --> 00:59:58,320
Speaker 3: I'm not doing that because.

1353
00:59:58,080 --> 01:00:01,080
Speaker 1: I'm feeling nasty, Maud. That's literally what you just asked.

1354
01:00:00,800 --> 01:00:01,160
Speaker 5: To do.

1355
01:00:02,680 --> 01:00:04,560
Speaker 4: So for the first woman before you get the other

1356
01:00:04,600 --> 01:00:06,760
Speaker 4: two and three, you're gonna have to ask the first one. Hey,

1357
01:00:06,800 --> 01:00:08,680
Speaker 4: I'm not We're going to share my mental with her, and.

1358
01:00:09,000 --> 01:00:12,080
Speaker 3: I'm not asking at the bitch, Like, what's what's the matter?

1359
01:00:12,120 --> 01:00:13,360
Speaker 3: What's the issue with her mental?

1360
01:00:13,880 --> 01:00:16,480
Speaker 1: No, that's not what she's asking. So what's that? What's

1361
01:00:16,560 --> 01:00:19,440
Speaker 1: the issue with ashy, bitch? What's the issue with us

1362
01:00:19,480 --> 01:00:20,040
Speaker 1: sharing you?

1363
01:00:20,760 --> 01:00:23,680
Speaker 4: That's what She's a progressive Get that off. I like

1364
01:00:23,760 --> 01:00:26,040
Speaker 4: that she's a progressive woman. What's the problem.

1365
01:00:26,080 --> 01:00:29,600
Speaker 1: Okay, I read that wrong because I'm feeling nasty, feel

1366
01:00:29,680 --> 01:00:32,800
Speaker 1: really nasty. I'll drive to you. I remember your street.

1367
01:00:32,920 --> 01:00:34,760
Speaker 1: I could really use some because it's been a long

1368
01:00:34,800 --> 01:00:37,000
Speaker 1: week and that buzz on your phone is just little old.

1369
01:00:37,280 --> 01:00:40,320
Speaker 4: So this was intentionally written as a threat, but Alex

1370
01:00:40,360 --> 01:00:42,960
Speaker 4: Asley's voice is just so beautiful that it may not

1371
01:00:43,000 --> 01:00:46,040
Speaker 4: come across as a threat. But saying I'll drive to you,

1372
01:00:46,080 --> 01:00:49,880
Speaker 4: I remember your street. When I'm gonna pull up, I

1373
01:00:49,880 --> 01:00:51,600
Speaker 4: don't care that you with your girl. I'm gonna pull.

1374
01:00:51,520 --> 01:00:54,120
Speaker 3: Up, but I'm only pulling up because I'm honey. Yeah,

1375
01:00:54,200 --> 01:00:55,080
Speaker 3: so just like give me.

1376
01:00:55,000 --> 01:00:59,000
Speaker 4: Some and you know out well, no, she wanted heart

1377
01:00:59,040 --> 01:01:00,880
Speaker 4: and mental body part.

1378
01:01:02,520 --> 01:01:04,920
Speaker 3: And that buzz on your phone is just little old me.

1379
01:01:05,400 --> 01:01:06,200
Speaker 5: That's not like Rory.

1380
01:01:06,360 --> 01:01:09,200
Speaker 3: My shit is on D and D. First of if

1381
01:01:09,200 --> 01:01:12,520
Speaker 3: my phone don't buse, my phone is not buzzing, not asking,

1382
01:01:12,680 --> 01:01:13,040
Speaker 3: that's just.

1383
01:01:12,960 --> 01:01:15,360
Speaker 4: A little old pizza hut calling ask Alex.

1384
01:01:15,400 --> 01:01:17,960
Speaker 2: You were a little aggressive here, not asking like I

1385
01:01:18,000 --> 01:01:18,760
Speaker 2: did the last time.

1386
01:01:18,840 --> 01:01:21,919
Speaker 1: I'm telling you period, but you pay me no mind.

1387
01:01:21,920 --> 01:01:25,480
Speaker 1: I'm getting triggered. Listen to this, actually, yeah, go stream this.

1388
01:01:25,680 --> 01:01:28,360
Speaker 3: Your woman is a really good one. How you laying

1389
01:01:28,360 --> 01:01:30,760
Speaker 3: with me if you're saying I want.

1390
01:01:30,600 --> 01:01:33,760
Speaker 4: You, which is just the contradiction of just women. This

1391
01:01:34,000 --> 01:01:36,520
Speaker 4: entire verse is just I think how women's brains work.

1392
01:01:37,160 --> 01:01:39,200
Speaker 2: Listen, I think I think relationships could be so much

1393
01:01:39,200 --> 01:01:41,800
Speaker 2: easier and so much more fun if we just just

1394
01:01:41,920 --> 01:01:42,880
Speaker 2: be honest with each.

1395
01:01:42,760 --> 01:01:44,840
Speaker 4: Other, like the Sidis, be with it and cool with

1396
01:01:44,880 --> 01:01:46,800
Speaker 4: it until you get in an argument. Then you throw

1397
01:01:46,800 --> 01:01:48,919
Speaker 4: it back in your face that you're cheating, and it's

1398
01:01:48,920 --> 01:01:53,840
Speaker 4: like what me, You was fine with it?

1399
01:01:53,880 --> 01:01:56,080
Speaker 1: You fuck around and tell and like say something to

1400
01:01:56,120 --> 01:01:58,520
Speaker 1: a dude or he like go to protect his girlfriend,

1401
01:01:58,560 --> 01:01:59,880
Speaker 1: like you say something about her, You go to protect

1402
01:01:59,920 --> 01:02:03,000
Speaker 1: her I'd be like, oh, now you respect her, but

1403
01:02:03,080 --> 01:02:03,480
Speaker 1: you're here.

1404
01:02:03,720 --> 01:02:07,200
Speaker 4: Yeah, And so this all sparked from how you keep.

1405
01:02:07,080 --> 01:02:09,560
Speaker 1: My wife name out of your mouth? Okay, keep my

1406
01:02:09,720 --> 01:02:12,160
Speaker 1: pussy out yours. Then your wife wouldn't have nothing to

1407
01:02:12,160 --> 01:02:13,600
Speaker 1: worry about. We wouldn't be discussing this.

1408
01:02:13,720 --> 01:02:17,240
Speaker 4: And then y'all wonder that's pretty much what you said?

1409
01:02:17,280 --> 01:02:19,800
Speaker 4: Is that is this vers in a more vulgar.

1410
01:02:20,160 --> 01:02:23,040
Speaker 2: Keep my wife's name out your mouth, keep my pussy

1411
01:02:23,040 --> 01:02:23,640
Speaker 2: out of yours.

1412
01:02:24,800 --> 01:02:27,520
Speaker 4: Yeah, and answer my call.

1413
01:02:27,600 --> 01:02:31,400
Speaker 2: I'm pulling up download and stream. I want you more

1414
01:02:31,440 --> 01:02:32,320
Speaker 2: than you'll know now.

1415
01:02:32,520 --> 01:02:35,400
Speaker 3: Off of The Rory Project self titled.

1416
01:02:36,480 --> 01:02:37,840
Speaker 4: I'm not going to give the title. No, it's not

1417
01:02:37,880 --> 01:02:41,480
Speaker 4: called the Rory Project. It's not self titled, so it's

1418
01:02:41,480 --> 01:02:43,440
Speaker 4: definitely not call that. I'm not going to say that

1419
01:02:44,080 --> 01:02:46,920
Speaker 4: I have a title, but I'm not going to say

1420
01:02:46,920 --> 01:02:47,720
Speaker 4: the album title yet.

1421
01:02:47,880 --> 01:02:51,320
Speaker 1: If Rory named his album where he's not singing on it, Rory.

1422
01:02:52,040 --> 01:02:55,200
Speaker 4: Rory Projects, that just sounds trash. But yeah, this this

1423
01:02:55,320 --> 01:02:57,480
Speaker 4: was one of my favorite records to make. Drama and

1424
01:02:57,520 --> 01:03:00,320
Speaker 4: I were in dr talking about the difference but between

1425
01:03:00,680 --> 01:03:03,640
Speaker 4: just fucking women on the side and confying into women

1426
01:03:03,640 --> 01:03:06,520
Speaker 4: on the side, and then we got to Atlanta and

1427
01:03:06,560 --> 01:03:10,800
Speaker 4: we're like, hey, let's revisit that topic again, and out

1428
01:03:10,840 --> 01:03:13,520
Speaker 4: came this beautiful side check record, which neither of us

1429
01:03:13,560 --> 01:03:15,480
Speaker 4: participated in any of that. It was just a conversation

1430
01:03:15,520 --> 01:03:19,200
Speaker 4: we were having, uh, pulling from none of our friends experience,

1431
01:03:19,200 --> 01:03:21,640
Speaker 4: absolutely absolutely in conversation.

1432
01:03:22,000 --> 01:03:24,000
Speaker 3: Just have to observe and then create the art. I

1433
01:03:24,000 --> 01:03:24,760
Speaker 3: get it, I understand.

1434
01:03:25,400 --> 01:03:28,800
Speaker 2: Shout out to Shelley Fka drum shout. Meek Mill has

1435
01:03:28,800 --> 01:03:31,880
Speaker 2: been rumored to leave rock Nation. People have called me

1436
01:03:31,920 --> 01:03:32,600
Speaker 2: text me about it.

1437
01:03:32,640 --> 01:03:37,800
Speaker 3: I don't know if why would you, Jesus.

1438
01:03:37,600 --> 01:03:40,560
Speaker 2: Christy big, I know what tissue he uses?

1439
01:03:40,760 --> 01:03:42,240
Speaker 4: I don't know. He seems like a sharman.

1440
01:03:42,560 --> 01:03:44,720
Speaker 2: He I don't know what. I don't know if Meek

1441
01:03:44,760 --> 01:03:47,480
Speaker 2: has left rock Nation. I don't know about Meek's business.

1442
01:03:47,640 --> 01:03:50,600
Speaker 2: I don't know anything about that. I know he's taking

1443
01:03:50,640 --> 01:03:53,360
Speaker 2: off the website, he's taking off the artists roster as well.

1444
01:03:53,400 --> 01:03:55,479
Speaker 4: So that would appear to me. I don't think.

1445
01:03:57,000 --> 01:03:58,320
Speaker 1: Also has a source saying that.

1446
01:03:58,720 --> 01:04:01,360
Speaker 2: Okay, so Billboard does a lot. So I guess that

1447
01:04:01,560 --> 01:04:06,840
Speaker 2: Meek Mill is no longer managed under rock Nation. And

1448
01:04:06,920 --> 01:04:08,800
Speaker 2: I mean, you know that happens sometimes you need to

1449
01:04:08,920 --> 01:04:10,960
Speaker 2: get different management. You want to go in a different direction,

1450
01:04:11,920 --> 01:04:13,560
Speaker 2: different you know, things you want to get into.

1451
01:04:15,720 --> 01:04:16,120
Speaker 3: I don't know.

1452
01:04:16,160 --> 01:04:17,640
Speaker 2: So, you know, good luck to meet and his his

1453
01:04:17,720 --> 01:04:21,200
Speaker 2: business ventures and whoever else he whoever he decides to

1454
01:04:21,400 --> 01:04:22,560
Speaker 2: go with as far as management.

1455
01:04:22,640 --> 01:04:25,760
Speaker 4: Yeah, and I'd say more so I'm more curious about

1456
01:04:25,760 --> 01:04:29,240
Speaker 4: his relationship with Atlantic than i am Rocknation. He's tweeted

1457
01:04:29,240 --> 01:04:32,440
Speaker 4: some pretty they didn't do, they didn't do much for

1458
01:04:32,840 --> 01:04:35,640
Speaker 4: Expensive Pain and that he can't release music for nine months,

1459
01:04:35,680 --> 01:04:39,680
Speaker 4: et cetera. Yeah, does he have just one more album

1460
01:04:39,760 --> 01:04:40,520
Speaker 4: left with Atlantic?

1461
01:04:41,280 --> 01:04:43,600
Speaker 3: I'm not even I'm not sure. I'm not sure.

1462
01:04:44,360 --> 01:04:47,760
Speaker 4: I think I think Meek it would make more sense

1463
01:04:47,760 --> 01:04:50,880
Speaker 4: for him to move independent, to be honest with you,

1464
01:04:51,640 --> 01:04:55,360
Speaker 4: for what he's sold on the last two I know

1465
01:04:55,400 --> 01:04:58,240
Speaker 4: he wasn't happy with Expensive Pain, but still, I mean

1466
01:04:58,360 --> 01:05:00,000
Speaker 4: still moved a good amount of units.

1467
01:05:00,160 --> 01:05:02,040
Speaker 3: Yeah, he could.

1468
01:05:01,720 --> 01:05:05,080
Speaker 4: He did that from and I know I got another label,

1469
01:05:05,080 --> 01:05:07,680
Speaker 4: exect Mad. When I said this about their record label,

1470
01:05:07,680 --> 01:05:09,440
Speaker 4: it appeared that Meek did a lot of that by himself.

1471
01:05:10,240 --> 01:05:13,040
Speaker 4: That that was his efforts as far as promoting everything,

1472
01:05:13,120 --> 01:05:15,720
Speaker 4: I mean, I saw billboards. But you can hire a

1473
01:05:15,760 --> 01:05:18,080
Speaker 4: third party company to just get you billboards. I think

1474
01:05:18,160 --> 01:05:20,640
Speaker 4: with the units meet moves in the overhead and the

1475
01:05:20,640 --> 01:05:24,000
Speaker 4: favors that he grabs with features, I highly doubt it's

1476
01:05:24,040 --> 01:05:26,959
Speaker 4: upfront money. He should be independent, he'd make a ship

1477
01:05:27,000 --> 01:05:27,520
Speaker 4: ton of money.

1478
01:05:29,160 --> 01:05:33,800
Speaker 2: I'm gonna go a different, a different route. The album

1479
01:05:33,920 --> 01:05:34,640
Speaker 2: wasn't that good.

1480
01:05:35,800 --> 01:05:38,680
Speaker 4: I mean I was on a record saying I wasn't

1481
01:05:39,040 --> 01:05:39,560
Speaker 4: a big fan.

1482
01:05:39,600 --> 01:05:43,280
Speaker 2: It wasn't that good. We love Meek obviously. I love

1483
01:05:43,360 --> 01:05:46,360
Speaker 2: Meek for reasons away from music. I think he's important

1484
01:05:46,360 --> 01:05:49,960
Speaker 2: to his generation for sure. Seeing his ascension coming from

1485
01:05:50,120 --> 01:05:53,680
Speaker 2: the street corners of Philadelphia battle rapping to the levels

1486
01:05:53,680 --> 01:05:55,840
Speaker 2: that he's made it to today is just inspirational if

1487
01:05:55,880 --> 01:05:59,160
Speaker 2: nothing else. So for that, you know, champion Meek and

1488
01:05:59,160 --> 01:06:01,760
Speaker 2: I support Meek. But Expensive Pain just wasn't It wasn't

1489
01:06:01,800 --> 01:06:04,520
Speaker 2: a good a good project. I think I was disappointed.

1490
01:06:04,520 --> 01:06:05,960
Speaker 2: It was some There was some songs on it that

1491
01:06:06,080 --> 01:06:09,120
Speaker 2: was good. But I think that Meek is a type

1492
01:06:09,160 --> 01:06:13,160
Speaker 2: of artist that has the access, he has the relationships,

1493
01:06:13,840 --> 01:06:19,000
Speaker 2: he has the skill, the talent to do better, to

1494
01:06:19,120 --> 01:06:23,800
Speaker 2: do uh you know, better projects.

1495
01:06:23,200 --> 01:06:27,200
Speaker 4: And just coming off Championships, which to me was an incredible,

1496
01:06:27,200 --> 01:06:30,040
Speaker 4: incredible album. Up there, I think with rap album of

1497
01:06:30,040 --> 01:06:34,000
Speaker 4: twenty eighteen coming off that yet Expensive Pain and waiting

1498
01:06:34,080 --> 01:06:36,240
Speaker 4: from twenty eighteen to twenty twenty one, waiting that long

1499
01:06:36,920 --> 01:06:38,760
Speaker 4: to get that, it did feel a lower But again,

1500
01:06:39,120 --> 01:06:41,800
Speaker 4: if you're not happy with your situation at the label,

1501
01:06:41,840 --> 01:06:43,920
Speaker 4: we can trickle over into the music.

1502
01:06:43,920 --> 01:06:44,440
Speaker 3: Expect the art.

1503
01:06:44,480 --> 01:06:46,680
Speaker 4: Yeah, for sure, it can have you holding on to

1504
01:06:46,760 --> 01:06:49,360
Speaker 4: records for so long that you don't know how they

1505
01:06:49,400 --> 01:06:51,000
Speaker 4: actually sound because they're so dated to you.

1506
01:06:51,160 --> 01:06:53,680
Speaker 2: Yeah, we know the things that goes on behind the

1507
01:06:53,760 --> 01:06:56,120
Speaker 2: scenes that can really fuck with you the album and

1508
01:06:56,160 --> 01:06:58,080
Speaker 2: affect the sound and things like, we get it, but

1509
01:06:58,880 --> 01:06:59,800
Speaker 2: once you put it out there.

1510
01:06:59,840 --> 01:07:01,760
Speaker 3: Now now as the consumer.

1511
01:07:02,120 --> 01:07:05,520
Speaker 2: We say and we digested and we tell you how

1512
01:07:05,560 --> 01:07:06,920
Speaker 2: we feel about it.

1513
01:07:06,920 --> 01:07:09,880
Speaker 3: It just wasn't It wasn't a good project. I think

1514
01:07:09,880 --> 01:07:10,400
Speaker 3: it was okay.

1515
01:07:10,480 --> 01:07:11,760
Speaker 2: It was like it was a couple of records on

1516
01:07:11,800 --> 01:07:16,120
Speaker 2: that that were really good. But his fan base is

1517
01:07:16,120 --> 01:07:19,800
Speaker 2: so big that they demand more, they demand better, and

1518
01:07:19,880 --> 01:07:21,480
Speaker 2: sometimes you have you have to live up to that

1519
01:07:21,520 --> 01:07:23,800
Speaker 2: as an artist, and I think Expensive Pain didn't live

1520
01:07:23,880 --> 01:07:26,920
Speaker 2: up to what his fan base expected and you know,

1521
01:07:27,000 --> 01:07:29,520
Speaker 2: want from him. But maybe again this could be a

1522
01:07:29,560 --> 01:07:32,480
Speaker 2: move to kind of like you know, business wise, it

1523
01:07:32,520 --> 01:07:34,880
Speaker 2: affected the art, It affected the album, affected you know

1524
01:07:35,160 --> 01:07:37,680
Speaker 2: what I wanted to do, my vision. So you know,

1525
01:07:37,800 --> 01:07:40,880
Speaker 2: now maybe this may be a reset and then now

1526
01:07:40,920 --> 01:07:42,959
Speaker 2: next time out we get more of what Meek wanted

1527
01:07:43,000 --> 01:07:45,280
Speaker 2: to do, how he wants to move. Like you said,

1528
01:07:45,320 --> 01:07:50,480
Speaker 2: independently might be best for him.

1529
01:07:48,680 --> 01:07:49,840
Speaker 4: Because he has that court following.

1530
01:07:49,840 --> 01:07:52,080
Speaker 2: They're gonna support him, they're gonna go, they're gonna go

1531
01:07:52,160 --> 01:07:54,320
Speaker 2: to his shows, they're gonna they're gonna stream his music.

1532
01:07:54,800 --> 01:07:57,360
Speaker 2: So he has that following, so he can definitely be independent.

1533
01:07:57,560 --> 01:07:59,960
Speaker 4: He's another one I think is that the point is

1534
01:08:00,040 --> 01:08:03,280
Speaker 4: really needed to lock in with with one executive producer.

1535
01:08:03,520 --> 01:08:06,000
Speaker 4: Let me not just say one producer, one executive producer.

1536
01:08:06,120 --> 01:08:08,760
Speaker 4: I would love for Ross just to solely EP.

1537
01:08:09,160 --> 01:08:11,600
Speaker 3: What is that relationship? Like, I don't see he's he's

1538
01:08:11,880 --> 01:08:13,400
Speaker 3: he's uh he.

1539
01:08:13,360 --> 01:08:16,240
Speaker 2: I think did he tweet some things about Ross? Maybe

1540
01:08:16,240 --> 01:08:18,760
Speaker 2: oh he was upset about something And I don't know.

1541
01:08:19,000 --> 01:08:22,519
Speaker 4: This may sound crazy, but to me it doesn't. I

1542
01:08:22,560 --> 01:08:27,040
Speaker 4: think while a Eping, a Meek Mill project would be

1543
01:08:27,120 --> 01:08:31,960
Speaker 4: amazing because I think he would look at at Meek's

1544
01:08:31,960 --> 01:08:38,240
Speaker 4: approach to the beats that Meek is gravitating towards more

1545
01:08:38,240 --> 01:08:40,599
Speaker 4: I think while they would give that a whole different perspective.

1546
01:08:40,680 --> 01:08:43,120
Speaker 4: And while a if there's one thing he knows how

1547
01:08:43,120 --> 01:08:46,639
Speaker 4: to do is make a fucking hit record, a melodic

1548
01:08:46,720 --> 01:08:50,360
Speaker 4: hit record, and pick the right singer and beats for

1549
01:08:50,439 --> 01:08:54,960
Speaker 4: those types of joints. And I think and while they

1550
01:08:55,000 --> 01:08:56,519
Speaker 4: can do the hard shit too, like, I think he'd

1551
01:08:56,520 --> 01:08:59,439
Speaker 4: be a perfect balance and a new approach for me

1552
01:08:59,640 --> 01:09:03,479
Speaker 4: to to just not go into the album the same

1553
01:09:03,479 --> 01:09:05,600
Speaker 4: way he does every last one of them.

1554
01:09:05,880 --> 01:09:08,519
Speaker 2: Well, meeke, we looking forward to the next project. You know,

1555
01:09:08,560 --> 01:09:10,800
Speaker 2: good luck in his business ventures and where he's going

1556
01:09:10,880 --> 01:09:13,240
Speaker 2: with management. I hope he lands with somebody that you know,

1557
01:09:13,479 --> 01:09:15,439
Speaker 2: is a is a good fit for him. But if

1558
01:09:15,479 --> 01:09:17,280
Speaker 2: nothing else, as just a fan of Meek, like, I'm

1559
01:09:17,320 --> 01:09:18,880
Speaker 2: just I'm ready for some.

1560
01:09:19,040 --> 01:09:21,760
Speaker 4: Uh my guess is my guess is Salento I'll go to.

1561
01:09:22,720 --> 01:09:25,000
Speaker 3: I'm not mad at that. I'm not mad at Salent coo.

1562
01:09:27,160 --> 01:09:27,599
Speaker 4: For him.

1563
01:09:27,720 --> 01:09:32,920
Speaker 3: Yeah, they would, they would. Wireless Fest was this past weekend, right.

1564
01:09:32,760 --> 01:09:34,519
Speaker 4: We were the only four, only four that didn't go.

1565
01:09:34,800 --> 01:09:35,519
Speaker 3: Yeah, we didn't go.

1566
01:09:36,160 --> 01:09:39,479
Speaker 4: A lot of I G joined him where I saw

1567
01:09:39,560 --> 01:09:42,759
Speaker 4: Heathrow all over my fucking I G stories.

1568
01:09:43,200 --> 01:09:45,400
Speaker 2: Oh no, well you know London is London is New

1569
01:09:45,439 --> 01:09:50,599
Speaker 2: York part too point. I saw a clip of Roddy

1570
01:09:50,680 --> 01:09:51,840
Speaker 2: Rich performing.

1571
01:09:53,600 --> 01:09:54,080
Speaker 5: The Box.

1572
01:09:55,880 --> 01:09:59,600
Speaker 3: They reacted to it big record. The Box was The

1573
01:09:59,600 --> 01:10:00,799
Speaker 3: Box was a huge record.

1574
01:10:02,960 --> 01:10:05,280
Speaker 2: I don't know if Roddy because I saw another clip

1575
01:10:05,400 --> 01:10:07,360
Speaker 2: he was performing another record off the album. I believe

1576
01:10:07,400 --> 01:10:11,439
Speaker 2: in the reaction wasn't as big. But I'm rude for

1577
01:10:11,520 --> 01:10:13,759
Speaker 2: Roddy because I like Roddy. I think Roddy is really talented.

1578
01:10:13,920 --> 01:10:17,120
Speaker 2: I think that you know, he came out and said

1579
01:10:17,160 --> 01:10:17,840
Speaker 2: he wasn't.

1580
01:10:19,120 --> 01:10:20,120
Speaker 3: Was it motivated or he.

1581
01:10:20,120 --> 01:10:22,640
Speaker 4: Wasn't that that because you know, we both both love

1582
01:10:22,760 --> 01:10:25,040
Speaker 4: Roaddy and both were disappointed with his project. The fact

1583
01:10:25,080 --> 01:10:26,600
Speaker 4: that he came out and was like, yeah, it just

1584
01:10:26,640 --> 01:10:30,000
Speaker 4: wasn't it makes me feel even better about his people

1585
01:10:30,040 --> 01:10:31,920
Speaker 4: because I was a little nervous. I was like when

1586
01:10:31,960 --> 01:10:33,680
Speaker 4: that came out, I was like, damn a we I

1587
01:10:33,680 --> 01:10:38,320
Speaker 4: hope Riddy wasn't kind of shit looking funny in the light,

1588
01:10:38,439 --> 01:10:40,280
Speaker 4: like maybe he just caught a few in the beginning

1589
01:10:40,320 --> 01:10:42,439
Speaker 4: and he's not really who he think he is, because

1590
01:10:42,439 --> 01:10:44,040
Speaker 4: that did cross my mind when that album came out.

1591
01:10:44,680 --> 01:10:46,280
Speaker 4: So the fact that he was like nah saying it,

1592
01:10:46,800 --> 01:10:50,639
Speaker 4: I was not focused at all makes me feel better.

1593
01:10:51,040 --> 01:10:53,840
Speaker 4: He understood that that was not the bar for what

1594
01:10:53,880 --> 01:10:54,160
Speaker 4: he needs.

1595
01:10:54,400 --> 01:10:56,760
Speaker 2: When artists know that about themselves, Like, Yo, that wasn't it.

1596
01:10:56,880 --> 01:10:58,960
Speaker 2: Like I know, like I had to get it out

1597
01:10:59,000 --> 01:11:03,280
Speaker 2: because you know, obligated to. But I wasn't really in

1598
01:11:03,320 --> 01:11:05,640
Speaker 2: my zone. I didn't really connect with the producers I

1599
01:11:05,640 --> 01:11:07,439
Speaker 2: wanted to connect with and things like that.

1600
01:11:07,320 --> 01:11:10,360
Speaker 4: Like everything sounds good in the studio, yeah.

1601
01:11:10,080 --> 01:11:12,400
Speaker 2: Like you know, and and a lot of times artists,

1602
01:11:12,600 --> 01:11:16,320
Speaker 2: I think as a creator, as artists, you need that

1603
01:11:16,320 --> 01:11:19,160
Speaker 2: that moment where you create something, you put it out

1604
01:11:19,600 --> 01:11:22,160
Speaker 2: and it's like, nah, that ain't it, Because I think

1605
01:11:22,200 --> 01:11:23,719
Speaker 2: that's when you're gonna find out if.

1606
01:11:23,640 --> 01:11:26,080
Speaker 3: You really built for this type of shit.

1607
01:11:26,240 --> 01:11:28,439
Speaker 2: Yeah, like where your creative bag is, that where your

1608
01:11:28,439 --> 01:11:31,320
Speaker 2: skill level is, because you know, you stumble, you fall,

1609
01:11:31,360 --> 01:11:33,439
Speaker 2: Like damn. They wasn't fucking with that. Ey, I gotta pivot,

1610
01:11:33,439 --> 01:11:36,280
Speaker 2: I gotta go this way, I gotta do this. So

1611
01:11:36,320 --> 01:11:38,760
Speaker 2: it's just you know, it's again. Roddy's another artist that

1612
01:11:38,920 --> 01:11:41,760
Speaker 2: was disappointed with his last project. Loved the project before that,

1613
01:11:42,600 --> 01:11:45,800
Speaker 2: disappointed with the last one. He you know, made a

1614
01:11:45,840 --> 01:11:48,880
Speaker 2: statement he wasn't himself. He was whatever was going on.

1615
01:11:49,200 --> 01:11:52,040
Speaker 2: We don't know where people be at in their personal lives. Yeah,

1616
01:11:52,240 --> 01:11:55,080
Speaker 2: but he spoke to that like he wasn't he wasn't

1617
01:11:55,080 --> 01:11:58,519
Speaker 2: happy with it. So now it's like, okay, cool, you

1618
01:11:58,600 --> 01:12:00,680
Speaker 2: recognize that, the fan base recognize that.

1619
01:12:01,360 --> 01:12:02,639
Speaker 3: Now we're waiting for the next move.

1620
01:12:02,760 --> 01:12:06,160
Speaker 2: Yeah, so this, you know, let's let's let's see because

1621
01:12:06,160 --> 01:12:08,320
Speaker 2: sometimes we throw, we get, we do away with artists

1622
01:12:08,560 --> 01:12:11,880
Speaker 2: too fast, like damn man, we didn't. We threw this

1623
01:12:11,920 --> 01:12:14,920
Speaker 2: guy away and he put out some projects after that,

1624
01:12:15,000 --> 01:12:16,439
Speaker 2: the one that we did that we hated, that were

1625
01:12:16,479 --> 01:12:16,920
Speaker 2: really good.

1626
01:12:17,080 --> 01:12:19,080
Speaker 3: Yeah, so let's just see with Roddy.

1627
01:12:19,160 --> 01:12:21,280
Speaker 4: Lands was also on that he's also a child, and I

1628
01:12:21,240 --> 01:12:23,080
Speaker 4: don't mean that disrespectful at all. He's very young.

1629
01:12:23,160 --> 01:12:23,719
Speaker 3: He's young.

1630
01:12:23,760 --> 01:12:25,000
Speaker 4: He's what twenty one.

1631
01:12:25,400 --> 01:12:28,000
Speaker 3: Nah, he's a little older than that. Roddy rich Is

1632
01:12:28,600 --> 01:12:31,280
Speaker 3: Rich is twenty three, twenty Okay, he's really young.

1633
01:12:31,680 --> 01:12:32,759
Speaker 5: Yeah, he's young, younger.

1634
01:12:34,680 --> 01:12:36,040
Speaker 3: But yeah, I like him. I like Roddy.

1635
01:12:36,040 --> 01:12:39,120
Speaker 2: I think he's I think he's talented. So we'll see

1636
01:12:39,120 --> 01:12:42,639
Speaker 2: what he does with the next project. It was something

1637
01:12:42,640 --> 01:12:43,920
Speaker 2: else that happened at Wireless.

1638
01:12:45,400 --> 01:12:47,400
Speaker 4: I just saw that everyone knew the words to every song.

1639
01:12:47,600 --> 01:12:50,760
Speaker 4: That's all it was and all the clips everyone give

1640
01:12:50,760 --> 01:12:51,519
Speaker 4: me on summer.

1641
01:12:51,640 --> 01:12:54,479
Speaker 2: What we do know that overseas they support the culture

1642
01:12:54,520 --> 01:12:56,880
Speaker 2: more than we support the culture here in America.

1643
01:12:57,240 --> 01:12:58,920
Speaker 4: I think it. I think they appreciate it more. I'll

1644
01:12:58,920 --> 01:12:59,360
Speaker 4: be honest with you.

1645
01:12:59,400 --> 01:13:04,320
Speaker 2: They appreciate it more, which is why they supported more, because.

1646
01:13:04,080 --> 01:13:06,360
Speaker 3: They don't see these artists as much over there as

1647
01:13:06,400 --> 01:13:07,559
Speaker 3: we do get over here.

1648
01:13:08,520 --> 01:13:08,640
Speaker 4: Uh.

1649
01:13:10,080 --> 01:13:10,760
Speaker 3: Just the culture of.

1650
01:13:10,720 --> 01:13:13,840
Speaker 2: Hip hop is supported and appreciated more overseas than I

1651
01:13:13,840 --> 01:13:16,880
Speaker 2: think it is in America. You have acts like Wu

1652
01:13:16,960 --> 01:13:19,439
Speaker 2: Tang and these older acts from the nineties that.

1653
01:13:19,479 --> 01:13:22,480
Speaker 3: Still do full tours, huge sellout.

1654
01:13:22,120 --> 01:13:26,280
Speaker 2: You know, stadiums and arenas overseas where I can't tell

1655
01:13:26,280 --> 01:13:28,439
Speaker 2: you the last time I saw a Wu Tang show

1656
01:13:28,520 --> 01:13:29,640
Speaker 2: in America.

1657
01:13:29,960 --> 01:13:33,960
Speaker 4: They I just feel like overseas appreciates longevity and like

1658
01:13:34,200 --> 01:13:39,240
Speaker 4: historical shit more like right like right now, Akon could

1659
01:13:39,280 --> 01:13:41,800
Speaker 4: go outside of the United States and do nothing but

1660
01:13:41,880 --> 01:13:45,960
Speaker 4: arenas and stadiums and it would be appreciated here. I'm

1661
01:13:46,000 --> 01:13:48,400
Speaker 4: not saying Akon couldn't do big shows in the US,

1662
01:13:48,479 --> 01:13:55,479
Speaker 4: but overseas, yeah, arenas sold out. Like I just feel

1663
01:13:55,640 --> 01:13:59,240
Speaker 4: like things last longer overseas, Like they appreciate hit records longer,

1664
01:13:59,360 --> 01:14:02,360
Speaker 4: like all legendary shit they can't wait to go see,

1665
01:14:02,360 --> 01:14:06,320
Speaker 4: whereas we're kind of just onto the next thing. It's

1666
01:14:06,439 --> 01:14:08,280
Speaker 4: all right, I mean, yeah, I love cream too.

1667
01:14:08,120 --> 01:14:12,519
Speaker 2: But spoil We're spoiled over here. We take the culture

1668
01:14:12,600 --> 01:14:17,360
Speaker 2: for granted, we take the artists for granted. Whereas I think, again,

1669
01:14:17,400 --> 01:14:19,000
Speaker 2: it's kind of like we spoke to earlier, kind of.

1670
01:14:18,960 --> 01:14:19,559
Speaker 3: Like a callback.

1671
01:14:19,600 --> 01:14:21,680
Speaker 2: You know, a girl from your building you see all

1672
01:14:21,680 --> 01:14:23,960
Speaker 2: the time or whatever. I don't live in your building,

1673
01:14:24,200 --> 01:14:26,000
Speaker 2: she might be the most beautiful girl I've ever seen.

1674
01:14:26,120 --> 01:14:27,880
Speaker 3: Yeah, you know what I mean. So it's like it's

1675
01:14:27,920 --> 01:14:28,360
Speaker 3: kind of like that.

1676
01:14:28,479 --> 01:14:32,280
Speaker 4: But I mean, also, I feel like American music over

1677
01:14:32,280 --> 01:14:35,320
Speaker 4: the last few years has definitely, let's say, pulled from,

1678
01:14:35,360 --> 01:14:38,559
Speaker 4: not stolen from music overseas. Like a lot of what's

1679
01:14:38,600 --> 01:14:43,679
Speaker 4: mainstream in the US now is derives in afrobeats, derives

1680
01:14:43,720 --> 01:14:48,200
Speaker 4: into the London grime scene, like so much of that

1681
01:14:48,960 --> 01:14:53,599
Speaker 4: we have taken it so overseas is appreciating and kind

1682
01:14:53,600 --> 01:14:55,200
Speaker 4: of being more innovated. Because I was gonna say, I

1683
01:14:55,240 --> 01:14:58,320
Speaker 4: guess it's kind of a catch twenty two because we're

1684
01:14:58,320 --> 01:15:00,000
Speaker 4: always moving on to the next thing. That's what keeps

1685
01:15:00,680 --> 01:15:02,920
Speaker 4: music pushing and the culture pushing because you want to

1686
01:15:03,120 --> 01:15:06,360
Speaker 4: not always just harp on the old ship. Let's keep

1687
01:15:06,600 --> 01:15:09,120
Speaker 4: the new ship going, which you know is a good mentality,

1688
01:15:09,120 --> 01:15:13,880
Speaker 4: but you still have to appreciate the old days. Overseas

1689
01:15:13,880 --> 01:15:16,960
Speaker 4: is killing with new music, we're copying them.

1690
01:15:18,040 --> 01:15:19,679
Speaker 3: But that happens every few years, though.

1691
01:15:19,920 --> 01:15:20,120
Speaker 4: Yeah.

1692
01:15:20,200 --> 01:15:22,960
Speaker 2: I think I think that we fall in love with

1693
01:15:22,960 --> 01:15:26,680
Speaker 2: the artists that's not from America, and then all the

1694
01:15:26,720 --> 01:15:30,920
Speaker 2: American artists do features with that artist, and you know,

1695
01:15:31,920 --> 01:15:32,799
Speaker 2: that's just how it happens.

1696
01:15:32,800 --> 01:15:35,679
Speaker 3: I think, you know, that's a cycle. It's nothing new.

1697
01:15:35,720 --> 01:15:38,360
Speaker 2: It's just you know, it's a rotation of events that

1698
01:15:38,479 --> 01:15:42,160
Speaker 2: just happened artistically, and you know that's what it.

1699
01:15:42,160 --> 01:15:45,559
Speaker 4: Is speaking of, not that it's overseas, but it's out

1700
01:15:45,560 --> 01:15:51,320
Speaker 4: of the United States. Anyone think Drake may be pettier

1701
01:15:51,320 --> 01:15:53,880
Speaker 4: than we have made his pettiness out to be.

1702
01:15:54,160 --> 01:15:55,400
Speaker 2: I thought we were going to make it through an

1703
01:15:55,520 --> 01:15:58,200
Speaker 2: entire episode without saying we were almost did.

1704
01:15:59,080 --> 01:16:01,400
Speaker 4: You said, you said, oh, so I'm saying Drake what

1705
01:16:01,439 --> 01:16:03,920
Speaker 4: I was saying, and we said, whack did?

1706
01:16:04,120 --> 01:16:06,000
Speaker 3: I said, Well, because of the rock Nation thing.

1707
01:16:06,400 --> 01:16:11,880
Speaker 4: Yeah, I saw the clip that Drake posted outside of

1708
01:16:11,880 --> 01:16:15,000
Speaker 4: his old building where he first heard the Weekend's music.

1709
01:16:15,560 --> 01:16:19,000
Speaker 4: He was being very motivational and like, yo, I heard

1710
01:16:19,000 --> 01:16:20,800
Speaker 4: his music standing right here. He's about to sell out

1711
01:16:20,800 --> 01:16:23,719
Speaker 4: the Rogers Center. That's what it's called, right. Sorry, they canceled,

1712
01:16:24,760 --> 01:16:27,439
Speaker 4: so all the like Wi Fi and cell service went

1713
01:16:27,479 --> 01:16:33,040
Speaker 4: out in Toronto. And it's just very odd that Drake

1714
01:16:33,160 --> 01:16:35,560
Speaker 4: was bigging up the Weekend and saying he's about to

1715
01:16:35,560 --> 01:16:38,360
Speaker 4: sell that out. And who who would have the power

1716
01:16:38,439 --> 01:16:40,360
Speaker 4: to unplug the Wi Fi in Toronto?

1717
01:16:40,520 --> 01:16:44,320
Speaker 3: The Boy, only the boy, good boy?

1718
01:16:44,560 --> 01:16:47,760
Speaker 4: Who else could reset the modem for the entire city?

1719
01:16:47,800 --> 01:16:49,080
Speaker 3: And Drake, we know what you did.

1720
01:16:49,200 --> 01:16:50,920
Speaker 4: Like, it's weird that you were talking about that show

1721
01:16:50,920 --> 01:16:54,479
Speaker 4: and then a few hours later it got canceled and

1722
01:16:54,520 --> 01:16:56,320
Speaker 4: he were talking about the Rogers Center and when you

1723
01:16:56,360 --> 01:16:58,240
Speaker 4: go to Toronto, the cell services Rogers.

1724
01:17:00,400 --> 01:17:03,200
Speaker 2: It's the boy and I and I think, if we,

1725
01:17:03,360 --> 01:17:05,120
Speaker 2: if we, if we, if we think long enough, I

1726
01:17:05,160 --> 01:17:07,600
Speaker 2: think Drake his middle name might be Rogers.

1727
01:17:08,880 --> 01:17:11,639
Speaker 4: I think Wayne said that once, I Drake Jersey Rogers

1728
01:17:11,720 --> 01:17:13,800
Speaker 4: or something, and I thought in the beginning that was

1729
01:17:14,080 --> 01:17:16,160
Speaker 4: his real name. It's just like, oh, it's Aubrey Graham.

1730
01:17:16,360 --> 01:17:17,280
Speaker 4: Where was Rogers?

1731
01:17:17,760 --> 01:17:20,280
Speaker 3: It gets spooky when you start digging for information.

1732
01:17:20,160 --> 01:17:24,439
Speaker 4: And I'll do you one better, spooky. Drake is into

1733
01:17:24,479 --> 01:17:25,559
Speaker 4: the gambling shit right.

1734
01:17:26,120 --> 01:17:31,080
Speaker 3: He won seventeen What if there was I love Drake Man,

1735
01:17:31,240 --> 01:17:33,840
Speaker 3: but it's Drake is getting some six shit off with

1736
01:17:33,880 --> 01:17:36,880
Speaker 3: this gambling site. He put posted a video of.

1737
01:17:36,880 --> 01:17:40,639
Speaker 2: Him hitting the number on Roulette and allegedly winning seventeen million.

1738
01:17:41,120 --> 01:17:42,719
Speaker 4: I want to know, but it's out of his account

1739
01:17:42,720 --> 01:17:47,080
Speaker 4: because he owns the company. He bets seventeen million against himself.

1740
01:17:47,240 --> 01:17:50,000
Speaker 4: I cannot wait for the Drake Steak bet on your

1741
01:17:50,040 --> 01:17:53,160
Speaker 4: own house money scheme that he does on the next album.

1742
01:17:53,200 --> 01:17:54,960
Speaker 4: He has to do one of those I bet on

1743
01:17:55,000 --> 01:17:57,040
Speaker 4: myself got There's got to be a way that he

1744
01:17:57,040 --> 01:17:59,360
Speaker 4: could put that scheme together on Mark. But what if

1745
01:17:59,360 --> 01:18:02,160
Speaker 4: this is the new version of shaving points. What if

1746
01:18:02,200 --> 01:18:04,960
Speaker 4: there was a bet that the weekend's concert wasn't gonna

1747
01:18:04,960 --> 01:18:08,200
Speaker 4: happen and this was the way Drake was shaving points?

1748
01:18:08,280 --> 01:18:08,840
Speaker 5: This is sick.

1749
01:18:09,400 --> 01:18:11,639
Speaker 4: He unplugged the Wi fi and bet that the weekend

1750
01:18:11,640 --> 01:18:14,479
Speaker 4: show wouldn't happened. Did the weekend And then because he

1751
01:18:14,520 --> 01:18:16,960
Speaker 4: talked about it, yeah, he said, uh, we tried everything.

1752
01:18:17,120 --> 01:18:20,040
Speaker 4: I was looking forward to this but all the equipment doesn't.

1753
01:18:19,800 --> 01:18:22,800
Speaker 3: Work, so damn what does that mean?

1754
01:18:22,840 --> 01:18:24,080
Speaker 5: That was his first if.

1755
01:18:23,960 --> 01:18:27,160
Speaker 4: You have no why A lot of things, especially with

1756
01:18:27,240 --> 01:18:29,360
Speaker 4: the weekends, music required Wi Fi.

1757
01:18:30,160 --> 01:18:33,360
Speaker 2: No, you everything requires Wi Fi. If you're doing a

1758
01:18:33,400 --> 01:18:36,280
Speaker 2: show somewhere, Wi Fi is needed.

1759
01:18:36,120 --> 01:18:38,839
Speaker 4: And sell service. I don't know if that becomes a liability.

1760
01:18:38,960 --> 01:18:40,639
Speaker 4: It was just all fucked up in Toronto that day.

1761
01:18:40,800 --> 01:18:43,519
Speaker 4: So I get it. I would, I would want to

1762
01:18:43,520 --> 01:18:45,040
Speaker 4: do the show, made the call, he.

1763
01:18:45,040 --> 01:18:47,720
Speaker 3: Had the satellites come in, create rain and thunder and

1764
01:18:47,760 --> 01:18:51,439
Speaker 3: right and you know, they shot down the grid and

1765
01:18:51,840 --> 01:18:52,800
Speaker 3: shut everything down.

1766
01:18:52,880 --> 01:18:56,760
Speaker 4: And but you gotta you have to love Drake's progression

1767
01:18:57,680 --> 01:19:00,600
Speaker 4: within Canada because at one point all could do was

1768
01:19:01,320 --> 01:19:03,200
Speaker 4: call somebody to get your homegirl in that has a

1769
01:19:03,280 --> 01:19:06,840
Speaker 4: dui charge through the border. Now he can unplug the

1770
01:19:06,880 --> 01:19:11,880
Speaker 4: whole fucking city, like he really just reset the Verizon modem.

1771
01:19:11,880 --> 01:19:15,200
Speaker 3: What's the name of Drake's last album.

1772
01:19:14,479 --> 01:19:16,840
Speaker 4: Certified lover Boy. No, honestly.

1773
01:19:18,280 --> 01:19:20,120
Speaker 3: He was, he said to the to the stadium, it

1774
01:19:20,160 --> 01:19:20,439
Speaker 3: was him.

1775
01:19:20,479 --> 01:19:23,439
Speaker 4: Before he flipped the Wi Fi off, he gave us

1776
01:19:23,439 --> 01:19:24,559
Speaker 4: the whole honestly.

1777
01:19:25,560 --> 01:19:29,120
Speaker 2: Never your show was canceled, buddy, there will be no

1778
01:19:29,400 --> 01:19:34,040
Speaker 2: Rogers nothing working here tonight, but Heed, I was that

1779
01:19:34,120 --> 01:19:36,479
Speaker 2: was all jokes aside. That was disappointing to see because

1780
01:19:36,479 --> 01:19:38,879
Speaker 2: I know a lot of people were excited to see.

1781
01:19:38,680 --> 01:19:42,320
Speaker 4: The big deal the weekend, yet that wasntown in the arena.

1782
01:19:41,960 --> 01:19:44,439
Speaker 4: Has Drake sold that out? I'm sure you guys right.

1783
01:19:45,000 --> 01:19:46,400
Speaker 4: Ovo Fest I think was in there one time.

1784
01:19:46,439 --> 01:19:48,360
Speaker 3: I'm more than sure Drake is well, but.

1785
01:19:48,320 --> 01:19:50,639
Speaker 4: That that Ovo Fest had a lineup. It wasn't just Drake.

1786
01:19:50,680 --> 01:19:53,320
Speaker 4: This could be might have been feeling a way that

1787
01:19:53,360 --> 01:19:54,200
Speaker 4: we can beat him to it.

1788
01:19:54,600 --> 01:19:58,000
Speaker 3: Yeah, we gotta look at that. No, No, the Scorpion

1789
01:19:58,040 --> 01:19:59,640
Speaker 3: Tour went went to the Rogers.

1790
01:20:00,040 --> 01:20:01,600
Speaker 4: Did I'm sure it sold out a week It may not,

1791
01:20:01,760 --> 01:20:01,960
Speaker 4: but it.

1792
01:20:01,960 --> 01:20:03,439
Speaker 3: May not have been to Rogerson. It may have been

1793
01:20:03,479 --> 01:20:04,519
Speaker 3: at another venue up there.

1794
01:20:04,840 --> 01:20:06,760
Speaker 2: I don't but I'm guessing that Rogerson is the one

1795
01:20:06,880 --> 01:20:09,280
Speaker 2: that Drake definitely sold out to Rogerson.

1796
01:20:09,320 --> 01:20:10,840
Speaker 5: I don't even know definite wife.

1797
01:20:11,560 --> 01:20:13,280
Speaker 4: I did love, and I'm not one of those people

1798
01:20:13,320 --> 01:20:15,720
Speaker 4: that said Drake did not struggle or anything that because

1799
01:20:15,720 --> 01:20:17,000
Speaker 4: I don't care and I don't know what I'll bring.

1800
01:20:17,640 --> 01:20:21,360
Speaker 4: I did love that he posted the uh his apartment

1801
01:20:21,760 --> 01:20:24,559
Speaker 4: first apartment when they recorded a bunch of stuff and

1802
01:20:24,600 --> 01:20:27,439
Speaker 4: the amount of comments that were like gutted out the mud,

1803
01:20:27,960 --> 01:20:29,680
Speaker 4: like start from the bot like, I'm like, that's a

1804
01:20:29,840 --> 01:20:33,479
Speaker 4: that's actually a beautiful luxury, but it's the type of

1805
01:20:33,520 --> 01:20:35,439
Speaker 4: mud I want to make it from.

1806
01:20:35,280 --> 01:20:36,320
Speaker 5: The luxury mudd.

1807
01:20:41,120 --> 01:20:42,080
Speaker 3: Your boy underbot it.

1808
01:20:43,240 --> 01:20:45,400
Speaker 4: Oh, yes, we're about to get high, mall and political.

1809
01:20:46,479 --> 01:20:49,320
Speaker 4: Get ready, Reddit, I'm about to get out of here.

1810
01:20:49,360 --> 01:20:51,000
Speaker 3: I'm not I'm not. I'm not gonna be too high.

1811
01:20:51,120 --> 01:20:55,240
Speaker 4: That's a large Yeah, I was gonna my god, is

1812
01:20:55,280 --> 01:21:00,679
Speaker 4: that sage like say, I don't think he smoked sage.

1813
01:21:00,800 --> 01:21:02,559
Speaker 4: Sage probably really bad for you.

1814
01:21:03,040 --> 01:21:08,559
Speaker 2: A hunter Biden uh I cloud leak, I feel like

1815
01:21:08,840 --> 01:21:11,600
Speaker 2: his eye cloud or he loses his laptop every two months.

1816
01:21:11,400 --> 01:21:14,240
Speaker 4: He does misplace his electronics a lot. And that guy

1817
01:21:14,280 --> 01:21:15,839
Speaker 4: must have a nightmare with AirPods.

1818
01:21:15,920 --> 01:21:20,599
Speaker 2: Yeah, and he always has just the wildest ship on

1819
01:21:20,720 --> 01:21:22,599
Speaker 2: his laptop or his emails.

1820
01:21:22,640 --> 01:21:25,719
Speaker 3: So is his I cloud leaked leaked? His eye cloud?

1821
01:21:25,840 --> 01:21:27,760
Speaker 4: We all have. We all have a little bit of

1822
01:21:27,760 --> 01:21:30,679
Speaker 4: porn and a little bit of Russian communication on ours.

1823
01:21:31,280 --> 01:21:34,120
Speaker 4: There's some Russian bots on my laptop, I'm sure.

1824
01:21:33,680 --> 01:21:35,080
Speaker 3: Probably from hitting support pages.

1825
01:21:35,160 --> 01:21:37,720
Speaker 4: Yeah, because with the territory.

1826
01:21:37,800 --> 01:21:41,760
Speaker 2: But he's but Hunter Biden, if your I cloud got leaked, Rory,

1827
01:21:41,800 --> 01:21:44,720
Speaker 2: I'm more than positive I would not see images or

1828
01:21:44,800 --> 01:21:46,040
Speaker 2: videos of you weighing crack.

1829
01:21:48,720 --> 01:21:51,560
Speaker 4: Say that with a lot of no there. Sure, I

1830
01:21:51,600 --> 01:21:54,240
Speaker 4: don't think there's a video on on planet Earth of

1831
01:21:54,320 --> 01:21:56,639
Speaker 4: me weighing crack. I've never weighed crack.

1832
01:21:57,120 --> 01:22:04,000
Speaker 2: So has okay, he's waited crack prostitutes and strippers. I

1833
01:22:04,000 --> 01:22:08,120
Speaker 2: don't that's you know, that's man ship, bachelor party.

1834
01:22:07,800 --> 01:22:09,760
Speaker 4: And add some cracking there. It sounds like a great night.

1835
01:22:10,120 --> 01:22:12,760
Speaker 2: Yeah, But weighing the crack, well, he wanted to make

1836
01:22:12,760 --> 01:22:14,519
Speaker 2: sure he wasn't taking the right dose and that he

1837
01:22:14,520 --> 01:22:16,200
Speaker 2: doesn't hurt himself or the young ladies.

1838
01:22:16,400 --> 01:22:19,080
Speaker 4: When you've bought weed before you've you've waited to make

1839
01:22:19,080 --> 01:22:22,679
Speaker 4: sure you're getting I have never well, I've seen people

1840
01:22:22,720 --> 01:22:24,920
Speaker 4: when the we man come, they'll weigh and to make sure.

1841
01:22:24,960 --> 01:22:27,920
Speaker 1: Never weighed your weed. You never in life.

1842
01:22:27,800 --> 01:22:29,960
Speaker 4: To make sure that you're paying for the right amount

1843
01:22:30,000 --> 01:22:30,600
Speaker 4: of redch.

1844
01:22:30,520 --> 01:22:34,479
Speaker 3: I believe, honestly, no, I believe you.

1845
01:22:34,600 --> 01:22:36,680
Speaker 4: Just plenty of people do it, and.

1846
01:22:36,800 --> 01:22:38,639
Speaker 2: I buy ounces all the time. I have never went

1847
01:22:38,680 --> 01:22:39,639
Speaker 2: home and weighed the ounce.

1848
01:22:39,960 --> 01:22:42,720
Speaker 4: Well, people that buy two grams sometimes.

1849
01:22:42,360 --> 01:22:44,679
Speaker 5: Will wait, I believe it on the two grams.

1850
01:22:44,800 --> 01:22:47,800
Speaker 2: Yeah, but like I just I don't see why you

1851
01:22:47,840 --> 01:22:49,760
Speaker 2: would be weighing crack unless.

1852
01:22:49,520 --> 01:22:53,240
Speaker 4: You're to make sure. No, if I want three grams

1853
01:22:53,240 --> 01:22:55,479
Speaker 4: of crack, I want to make sure this is three grams.

1854
01:22:55,600 --> 01:22:56,919
Speaker 3: I big dad is the president.

1855
01:22:57,200 --> 01:22:59,120
Speaker 2: You don't need to be worried about if this is

1856
01:22:59,160 --> 01:23:01,480
Speaker 2: exactly three grand Joe crack that you.

1857
01:23:01,160 --> 01:23:03,280
Speaker 4: My father's reputation is on the line right now, and

1858
01:23:03,280 --> 01:23:04,200
Speaker 4: I can't get screwed over.

1859
01:23:04,479 --> 01:23:07,280
Speaker 1: I just I don't understand. I don't record certain shit

1860
01:23:07,320 --> 01:23:09,559
Speaker 1: in my phone, and I'm just a normal ass human

1861
01:23:09,560 --> 01:23:12,080
Speaker 1: being a certain ship that I don't want like that.

1862
01:23:12,080 --> 01:23:14,919
Speaker 1: I'm terrified with leek. I don't even record in my phone.

1863
01:23:15,040 --> 01:23:17,280
Speaker 1: So I don't understand how it is the president's son

1864
01:23:18,120 --> 01:23:21,479
Speaker 1: weighing crack a video that needs to be documented in

1865
01:23:21,479 --> 01:23:23,840
Speaker 1: their phone that is consistently hacked.

1866
01:23:23,920 --> 01:23:26,519
Speaker 4: Have you're stolen? I don't understand. Have you ever been

1867
01:23:26,560 --> 01:23:28,000
Speaker 4: to Wilmington, Delaware?

1868
01:23:29,000 --> 01:23:29,200
Speaker 5: No?

1869
01:23:29,439 --> 01:23:30,640
Speaker 3: Good, don't ever go.

1870
01:23:33,080 --> 01:23:38,160
Speaker 4: Don't let the word Delaware fuck you up. You got

1871
01:23:38,160 --> 01:23:41,519
Speaker 4: you got a way the crack in Womington, Delaware. It's

1872
01:23:41,520 --> 01:23:45,639
Speaker 4: not the safest place. It's not so he's from Delaware.

1873
01:23:47,080 --> 01:23:51,600
Speaker 4: He was trained and raised to weigh his crack. Buy it.

1874
01:23:51,880 --> 01:23:54,040
Speaker 2: We're thinking way too deep into is why is the

1875
01:23:54,080 --> 01:23:55,439
Speaker 2: president's son smoking crack?

1876
01:23:55,640 --> 01:23:58,840
Speaker 4: First of all, I'm sure he's not the first uh

1877
01:23:59,400 --> 01:24:03,040
Speaker 4: first kid, no pun intended to smoke crack.

1878
01:24:03,080 --> 01:24:05,440
Speaker 5: Why does the president's son have an iPhone access?

1879
01:24:06,160 --> 01:24:07,720
Speaker 4: Well, I think he's more of a Samsung guy.

1880
01:24:07,760 --> 01:24:10,840
Speaker 5: Why didn't he have a thirteen because that was his

1881
01:24:10,960 --> 01:24:11,760
Speaker 5: that was his trap phone.

1882
01:24:11,800 --> 01:24:13,559
Speaker 3: Yeah, he's weighing crack.

1883
01:24:13,960 --> 01:24:16,040
Speaker 2: He needs you hugging the block. Sorry, I'll be here

1884
01:24:16,120 --> 01:24:17,599
Speaker 2: hustling rock. That's what he's doing.

1885
01:24:18,840 --> 01:24:20,280
Speaker 4: I think it makes it more relatable.

1886
01:24:20,520 --> 01:24:25,360
Speaker 3: M Listen, I'm not I'm not like that's a.

1887
01:24:25,439 --> 01:24:27,400
Speaker 4: That's a regular American fan. You look at that son

1888
01:24:27,479 --> 01:24:30,360
Speaker 4: smoking crack. Listen, We've all had a child that's tabbled

1889
01:24:30,400 --> 01:24:30,840
Speaker 4: into crack.

1890
01:24:31,200 --> 01:24:34,000
Speaker 3: Smoke crack, smoke crack. I just think that you should.

1891
01:24:33,960 --> 01:24:36,400
Speaker 4: Know, don't take you probably shouldn't.

1892
01:24:36,479 --> 01:24:37,640
Speaker 5: You have a platform.

1893
01:24:37,920 --> 01:24:39,080
Speaker 4: I don't tell what I'm saying.

1894
01:24:39,200 --> 01:24:41,200
Speaker 2: If you want I'm not telling people go smoke crack,

1895
01:24:41,240 --> 01:24:41,960
Speaker 2: that's not what I said.

1896
01:24:42,120 --> 01:24:42,479
Speaker 4: I said.

1897
01:24:42,520 --> 01:24:45,200
Speaker 3: If you want to smoke crack, go smoke crack. That's

1898
01:24:45,200 --> 01:24:48,519
Speaker 3: what your prerogative your life. Do what you want to do.

1899
01:24:48,920 --> 01:24:51,759
Speaker 3: I'm saying, if you're the president's son, maybe you shouldn't

1900
01:24:51,760 --> 01:24:53,799
Speaker 3: take pictures and videos of you doing it and weighing

1901
01:24:53,840 --> 01:24:54,800
Speaker 3: it is all I'm saying.

1902
01:24:55,320 --> 01:24:57,559
Speaker 4: I just feel like the amount of and you have

1903
01:24:57,600 --> 01:25:00,639
Speaker 4: an eye cloud you your dad is the president. You

1904
01:25:01,240 --> 01:25:01,880
Speaker 4: have cloud.

1905
01:25:01,960 --> 01:25:03,759
Speaker 3: You know that they can get into the cloud.

1906
01:25:03,840 --> 01:25:06,120
Speaker 4: They run the cloud, they are the cloud. I just

1907
01:25:06,280 --> 01:25:09,160
Speaker 4: don't why. He probably felt like he has the cloud.

1908
01:25:10,439 --> 01:25:13,920
Speaker 4: It's like Drake playing with house money. He has the cloud,

1909
01:25:13,960 --> 01:25:15,679
Speaker 4: like the cloud is his. He never you can't hack,

1910
01:25:15,720 --> 01:25:18,040
Speaker 4: it's his. He does the hacking.

1911
01:25:18,280 --> 01:25:21,200
Speaker 3: Drake hit for seventeen million on Roulette over the lab.

1912
01:25:21,000 --> 01:25:25,920
Speaker 4: Side he stopped pocket watching even though he posts.

1913
01:25:25,640 --> 01:25:29,000
Speaker 3: It right, I'm not pocket watching.

1914
01:25:29,080 --> 01:25:31,280
Speaker 4: No, he just draded carry out the high errs at all.

1915
01:25:31,720 --> 01:25:35,439
Speaker 2: Damn posted posting a video of you playing Roulette over

1916
01:25:35,479 --> 01:25:38,120
Speaker 2: a laptop as saying you hit for seventeen million and

1917
01:25:38,160 --> 01:25:39,799
Speaker 2: you own that gambling website.

1918
01:25:40,280 --> 01:25:43,120
Speaker 4: If if I was a resident, if I was a

1919
01:25:43,160 --> 01:25:47,760
Speaker 4: resident of Toronto and was on my phone watching Drake

1920
01:25:47,800 --> 01:25:52,040
Speaker 4: hit seventeen million and then I hit a pothole, i'n'ta

1921
01:25:52,040 --> 01:25:54,680
Speaker 4: be really mad at the iris. Sup, look at how

1922
01:25:54,720 --> 01:25:57,960
Speaker 4: much money this resident of Toronto is showing that he

1923
01:25:58,000 --> 01:25:59,599
Speaker 4: has and I'm still hitting potholes.

1924
01:25:59,680 --> 01:26:03,719
Speaker 2: Yeah, as this man absolutely absolutely are mess Hunter Biden,

1925
01:26:03,800 --> 01:26:04,639
Speaker 2: put the crack down?

1926
01:26:04,720 --> 01:26:05,240
Speaker 4: Who cares?

1927
01:26:05,400 --> 01:26:06,320
Speaker 3: Or put your phone down?

1928
01:26:06,560 --> 01:26:07,000
Speaker 4: Who cares?

1929
01:26:07,000 --> 01:26:08,080
Speaker 1: So just put your phone down.

1930
01:26:09,479 --> 01:26:10,280
Speaker 3: Like every too much.

1931
01:26:10,479 --> 01:26:13,679
Speaker 2: You're losing your your laptop, You're losing your eye cloud.

1932
01:26:14,200 --> 01:26:18,200
Speaker 4: I just think the crimes that the politicians are actually committing,

1933
01:26:18,240 --> 01:26:19,960
Speaker 4: all right, crack is just not that high on my list.

1934
01:26:20,960 --> 01:26:22,559
Speaker 4: But like, look what Epstein was doing.

1935
01:26:22,640 --> 01:26:25,719
Speaker 2: You're the president's son. It's it's just it's just it's

1936
01:26:25,720 --> 01:26:28,760
Speaker 2: it hits a little different. Why because your dad's the

1937
01:26:28,760 --> 01:26:31,720
Speaker 2: president of the United States of America, you shouldn't be

1938
01:26:31,760 --> 01:26:33,759
Speaker 2: out here recording yourself, Wayne crack?

1939
01:26:34,240 --> 01:26:37,000
Speaker 4: What Ronald Reagan put the crack in the neighborhood? A

1940
01:26:37,040 --> 01:26:37,720
Speaker 4: president did that.

1941
01:26:37,920 --> 01:26:39,200
Speaker 3: His kids weren't doing it.

1942
01:26:40,680 --> 01:26:43,519
Speaker 4: Well, see, I mean their mother said just say no

1943
01:26:43,560 --> 01:26:45,840
Speaker 4: and they listened. Hunter Biden clearly didn't see that speech.

1944
01:26:50,320 --> 01:26:52,280
Speaker 4: What sound advice? I never thought of it that way.

1945
01:26:52,400 --> 01:26:55,479
Speaker 2: Just how said he put it's a it's a clip,

1946
01:26:55,560 --> 01:26:57,479
Speaker 2: we gotta find it at in and they was asking.

1947
01:26:57,320 --> 01:26:58,719
Speaker 3: Him about him smoking crack.

1948
01:27:00,240 --> 01:27:00,880
Speaker 4: Like in an interview.

1949
01:27:01,000 --> 01:27:04,000
Speaker 3: Yeah, and he admitted to like he put any like

1950
01:27:04,120 --> 01:27:04,839
Speaker 3: he was smoking.

1951
01:27:05,040 --> 01:27:06,840
Speaker 5: Well, that clip is going to go right here.

1952
01:27:07,080 --> 01:27:10,439
Speaker 6: You would wake up some mornings, I shouldn't even say

1953
01:27:10,439 --> 01:27:12,600
Speaker 6: some mornings because you slept for like fifteen minutes at

1954
01:27:12,640 --> 01:27:16,360
Speaker 6: a time and be looking for crack and just smoke

1955
01:27:16,479 --> 01:27:17,400
Speaker 6: whatever was there.

1956
01:27:18,560 --> 01:27:20,280
Speaker 4: Yeah, well he's admitted that he did a lot of

1957
01:27:20,360 --> 01:27:22,040
Speaker 4: drugs and shit. Wasn't he an addict? To me? It's

1958
01:27:22,080 --> 01:27:23,200
Speaker 4: a little bit of cracking crazy.

1959
01:27:23,320 --> 01:27:25,160
Speaker 3: No, he's an addict. He's an addict. We know, we don't

1960
01:27:25,200 --> 01:27:25,960
Speaker 3: understand that happened.

1961
01:27:26,000 --> 01:27:28,439
Speaker 4: Damn attict Smoke Crack Shocker front.

1962
01:27:28,560 --> 01:27:28,880
Speaker 5: I knew.

1963
01:27:29,080 --> 01:27:31,360
Speaker 2: I found a clip of as you've edited this stance,

1964
01:27:31,400 --> 01:27:34,200
Speaker 2: this is a crack segment bringing it back to the ages,

1965
01:27:34,200 --> 01:27:36,519
Speaker 2: with the segment trigger warning if you smoke it, or.

1966
01:27:36,479 --> 01:27:38,040
Speaker 3: If you're thinking about smoking crack, don't do it.

1967
01:27:38,080 --> 01:27:40,160
Speaker 4: Smoking crack and listening to podcast it's hilarious.

1968
01:27:40,240 --> 01:27:44,839
Speaker 2: Yeah, you can insert the clip of Stephen A. Smith

1969
01:27:46,240 --> 01:27:50,880
Speaker 2: telling people that Lamar the Knicks Phil Jackson signed Lamar

1970
01:27:50,920 --> 01:27:55,439
Speaker 2: Odham who was on crack. Yeah, smoke crack. I thought

1971
01:27:55,439 --> 01:27:58,559
Speaker 2: that I forgot about that clip and resurfaced this weekend.

1972
01:27:58,800 --> 01:28:01,920
Speaker 3: I just thought that that was right here. I'm gonna

1973
01:28:01,920 --> 01:28:03,200
Speaker 3: do you a favor bout brother.

1974
01:28:03,360 --> 01:28:05,920
Speaker 2: I'm gonna leave it to you because if I if

1975
01:28:05,920 --> 01:28:07,599
Speaker 2: it comes out of my mouth, if it comes out

1976
01:28:07,640 --> 01:28:09,200
Speaker 2: of my mouth and I sit up there and I

1977
01:28:09,280 --> 01:28:12,960
Speaker 2: literally articulate that the stuff that this man has done

1978
01:28:13,479 --> 01:28:16,280
Speaker 2: since he has been the executive of the New York thinks.

1979
01:28:16,120 --> 01:28:16,840
Speaker 3: I'm gonna lose my mind.

1980
01:28:16,880 --> 01:28:17,920
Speaker 4: Ain't gonna be able to do the rest of this

1981
01:28:17,960 --> 01:28:18,439
Speaker 4: t I'll tell.

1982
01:28:18,320 --> 01:28:20,040
Speaker 3: You right now, it comes out of my mouth, I'm

1983
01:28:20,040 --> 01:28:22,080
Speaker 3: not gonna be able to control myself because I'm barely

1984
01:28:22,120 --> 01:28:22,719
Speaker 3: able to write.

1985
01:28:22,720 --> 01:28:22,880
Speaker 5: Now.

1986
01:28:23,360 --> 01:28:27,160
Speaker 2: His very first move as the executive wants to sign

1987
01:28:27,240 --> 01:28:31,640
Speaker 2: lamon them who was on crack? Stephen A. Smith is

1988
01:28:31,680 --> 01:28:34,680
Speaker 2: a legend. Like I don't think anyone has ever been

1989
01:28:34,720 --> 01:28:38,599
Speaker 2: on ESPN smook talking about someone smoking crack the way

1990
01:28:38,640 --> 01:28:39,040
Speaker 2: Stephen A.

1991
01:28:39,120 --> 01:28:39,479
Speaker 3: Smith did.

1992
01:28:39,520 --> 01:28:42,320
Speaker 4: Well, he does it with weed too. We get off.

1993
01:28:42,560 --> 01:28:46,599
Speaker 3: The weed, yeah, Stephen Steven Stephen A. Smith smokes weed.

1994
01:28:46,680 --> 01:28:48,400
Speaker 4: That's why I didn't like, No he needs a smoke weed.

1995
01:28:48,479 --> 01:28:49,360
Speaker 3: No, he does smoke weed.

1996
01:28:49,520 --> 01:28:53,120
Speaker 2: He ain't gonna let ESPN, ESPN know he smoked weed.

1997
01:28:54,000 --> 01:28:56,640
Speaker 2: You've seen that video. You've seen that clip of Steven A.

1998
01:28:56,720 --> 01:28:58,680
Speaker 2: Smith told to the reporter and he had a cup

1999
01:28:58,720 --> 01:28:59,439
Speaker 2: of Hindy in his hand.

2000
01:29:00,120 --> 01:29:02,320
Speaker 3: How lit he was? You know, I know when somebody

2001
01:29:02,360 --> 01:29:03,639
Speaker 3: smoked weeds take a couple of polls.

2002
01:29:03,800 --> 01:29:06,240
Speaker 2: Yeah, he definitely took a couple poles. So he was

2003
01:29:06,240 --> 01:29:09,240
Speaker 2: going crazy about the week. But the lamar Odom is

2004
01:29:09,280 --> 01:29:11,679
Speaker 2: on crack. That that sound bite?

2005
01:29:11,720 --> 01:29:15,120
Speaker 4: Who was on crack? That is the point. Speaking of crack,

2006
01:29:15,360 --> 01:29:20,000
Speaker 4: lamar Odom and queens. We were watching the Supreme doc

2007
01:29:21,200 --> 01:29:24,840
Speaker 4: Supreme Team on Showtime. We're only two episodes in, so

2008
01:29:24,880 --> 01:29:26,560
Speaker 4: I guess we'll wait and let people catch up. It

2009
01:29:26,600 --> 01:29:29,200
Speaker 4: looks really great and then we can discuss it next episode.

2010
01:29:29,240 --> 01:29:33,240
Speaker 2: But the optic of Nas interviewing Loo cool J for

2011
01:29:33,280 --> 01:29:35,200
Speaker 2: a documentary is just fucking crazy.

2012
01:29:35,360 --> 01:29:37,200
Speaker 4: It is very much the world.

2013
01:29:37,439 --> 01:29:40,120
Speaker 2: I love it. I love it so yeah. Supreme Team

2014
01:29:40,200 --> 01:29:45,040
Speaker 2: documentary on Showtime. If you haven't seen it, uh check it.

2015
01:29:45,040 --> 01:29:47,840
Speaker 4: Out by mass Appeal. Nas directed it. I thought that

2016
01:29:47,880 --> 01:29:49,920
Speaker 4: was ill because Na has been eping a lot of

2017
01:29:49,920 --> 01:29:51,840
Speaker 4: a lot of shit, obviously, But I like that Nas

2018
01:29:51,880 --> 01:29:54,000
Speaker 4: directed it. I like that he narrates it. I like

2019
01:29:54,040 --> 01:29:55,040
Speaker 4: that he's the voice of this ship.

2020
01:29:55,320 --> 01:29:55,720
Speaker 5: Mm hmm.

2021
01:29:56,320 --> 01:29:59,599
Speaker 4: It's great. But so far, I've really enjoyed the doc.

2022
01:30:00,000 --> 01:30:03,559
Speaker 2: There's so many there's so many stories unfortunately, you know,

2023
01:30:03,640 --> 01:30:06,240
Speaker 2: especially in New York City, but in any city of

2024
01:30:07,400 --> 01:30:12,600
Speaker 2: you know, the legendary drug dealers, hustlers and their stories,

2025
01:30:13,200 --> 01:30:17,720
Speaker 2: and for some reason, we only talk about like the

2026
01:30:17,800 --> 01:30:26,600
Speaker 2: same let's say five. I'm talking about like nation nationwide,

2027
01:30:27,360 --> 01:30:28,360
Speaker 2: like five.

2028
01:30:28,840 --> 01:30:29,400
Speaker 3: The top five.

2029
01:30:29,479 --> 01:30:33,240
Speaker 2: I guess, okay, but there's so many stories, and there's

2030
01:30:33,240 --> 01:30:38,400
Speaker 2: so many you know, untold stories and stories that you

2031
01:30:38,439 --> 01:30:40,960
Speaker 2: know only certain people know that. It's like I think

2032
01:30:41,000 --> 01:30:44,320
Speaker 2: if you put out there, people will be like what Yeah.

2033
01:30:44,360 --> 01:30:46,320
Speaker 2: And I think with this Master Peal thing with the

2034
01:30:46,360 --> 01:30:52,360
Speaker 2: Supreme Team doc is doing. I think it's awakening you know,

2035
01:30:52,880 --> 01:30:56,920
Speaker 2: those stories and those those producers and people that have

2036
01:30:57,000 --> 01:31:01,280
Speaker 2: access to these people to say.

2037
01:31:00,160 --> 01:31:01,799
Speaker 3: Okay, like we can tell these stories.

2038
01:31:01,840 --> 01:31:04,479
Speaker 2: We can tell no matter how they ended, how dark

2039
01:31:04,560 --> 01:31:08,479
Speaker 2: they were, how you know, depressed they were, how much

2040
01:31:08,520 --> 01:31:10,800
Speaker 2: pain it caused the community and the people. It's still

2041
01:31:10,920 --> 01:31:14,400
Speaker 2: part of the fabric of the communities. It's a part

2042
01:31:14,520 --> 01:31:18,160
Speaker 2: of the culture, unfortunately, but it is a part of

2043
01:31:18,200 --> 01:31:19,760
Speaker 2: the culture. It's a dark side of it, it's the

2044
01:31:19,800 --> 01:31:22,000
Speaker 2: sad side of it, but it is part of the culture.

2045
01:31:22,360 --> 01:31:25,400
Speaker 2: And I just like the fact that a documentary like

2046
01:31:25,439 --> 01:31:29,000
Speaker 2: the Supreme Team documentary is now showing that. Yeah, you know,

2047
01:31:29,080 --> 01:31:32,439
Speaker 2: we told the stories of the Freeway Rick Ross, and

2048
01:31:32,760 --> 01:31:35,720
Speaker 2: you know, we've told the stories of the Meaches and

2049
01:31:35,760 --> 01:31:39,919
Speaker 2: you know, now Supreme Team and you know, Cocaine Cowboys

2050
01:31:39,920 --> 01:31:42,080
Speaker 2: does that a lot with you know, the whole cocaine

2051
01:31:42,160 --> 01:31:46,240
Speaker 2: movement in Miami and things like that. But in our culture,

2052
01:31:46,439 --> 01:31:48,599
Speaker 2: you know, the black culture and the culture of hip hop,

2053
01:31:48,680 --> 01:31:52,200
Speaker 2: there are a lot of stories that you know, people

2054
01:31:52,280 --> 01:31:55,439
Speaker 2: never heard of, that people never told on camera. People

2055
01:31:55,520 --> 01:31:59,760
Speaker 2: never that if we find a way to tell our

2056
01:31:59,760 --> 01:32:04,160
Speaker 2: story worries and to shoot them and film them, that

2057
01:32:04,240 --> 01:32:08,360
Speaker 2: I think makes for great you know TV. It's educational,

2058
01:32:08,479 --> 01:32:12,400
Speaker 2: It tells the story because everybody has a story. But

2059
01:32:12,439 --> 01:32:13,840
Speaker 2: I think that there are a lot of stories that

2060
01:32:13,920 --> 01:32:15,960
Speaker 2: in our communities that don't get told. I don't know

2061
01:32:16,000 --> 01:32:19,760
Speaker 2: if it's because people don't have access to somebody that

2062
01:32:19,800 --> 01:32:22,360
Speaker 2: can tell it the right way, or you know, some

2063
01:32:22,400 --> 01:32:24,840
Speaker 2: people want a certain amount of money to tell the

2064
01:32:24,880 --> 01:32:27,320
Speaker 2: story and to share the pictures and the videos and

2065
01:32:27,360 --> 01:32:29,400
Speaker 2: things like that. I don't know what it is, but

2066
01:32:29,880 --> 01:32:31,760
Speaker 2: I do like the fact that with nads and mass

2067
01:32:31,760 --> 01:32:34,599
Speaker 2: Peel is doing is they are showing that you listen,

2068
01:32:34,640 --> 01:32:36,240
Speaker 2: we need to tell these stories. We need to shine

2069
01:32:36,280 --> 01:32:38,639
Speaker 2: the light on these people and these figures in our community.

2070
01:32:39,200 --> 01:32:41,559
Speaker 2: Even though the story is wild, it's crazy, it's a

2071
01:32:41,560 --> 01:32:44,920
Speaker 2: lot of death, and you know it's negative things, but

2072
01:32:45,880 --> 01:32:47,760
Speaker 2: it's a story that needs to be told. People need

2073
01:32:47,800 --> 01:32:49,320
Speaker 2: to know that this happened.

2074
01:32:49,320 --> 01:32:51,200
Speaker 4: And it's being told. I mean not to say obviously

2075
01:32:51,439 --> 01:32:54,920
Speaker 4: Nas was not part of Supreme team, but having someone

2076
01:32:54,920 --> 01:32:57,080
Speaker 4: like Nas and l Cooj that were around at that

2077
01:32:57,160 --> 01:33:01,640
Speaker 4: time and understand it has the story being told the

2078
01:33:01,680 --> 01:33:05,160
Speaker 4: correct way rather than and I'm not gonna say no

2079
01:33:05,160 --> 01:33:09,200
Speaker 4: disrespect advice, because I think vice sends someone that knows

2080
01:33:09,240 --> 01:33:13,439
Speaker 4: nothing about that story, that culture, that environment to go

2081
01:33:13,520 --> 01:33:17,280
Speaker 4: tell that story, and it just doesn't. It's not told

2082
01:33:17,320 --> 01:33:19,240
Speaker 4: the right way. So when you have people like Nas

2083
01:33:19,240 --> 01:33:23,559
Speaker 4: behind the shit, it's helped. When the Supreme Doc even

2084
01:33:23,560 --> 01:33:26,759
Speaker 4: two episodes in, like it's so much not about drugs,

2085
01:33:27,520 --> 01:33:31,840
Speaker 4: like it's so much about that era and how those

2086
01:33:31,880 --> 01:33:37,280
Speaker 4: guys and that time with crack shaped Police Force invented TNT,

2087
01:33:38,360 --> 01:33:40,640
Speaker 4: how it shaped how everyone was dressing. Hip hop was

2088
01:33:40,720 --> 01:33:43,519
Speaker 4: just starting to really bubble, how that affected the music,

2089
01:33:43,560 --> 01:33:45,760
Speaker 4: how that affect like it all. It sucks that it

2090
01:33:45,800 --> 01:33:48,519
Speaker 4: all starts with drugs, but you see how much it

2091
01:33:48,600 --> 01:33:52,200
Speaker 4: trickled down to the culture and what it did impact

2092
01:33:53,280 --> 01:33:55,960
Speaker 4: in a very negative way and to some degree a

2093
01:33:56,000 --> 01:33:58,040
Speaker 4: positive way with certain things.

2094
01:33:58,360 --> 01:34:01,040
Speaker 2: You know, growing up in the eighties in New York,

2095
01:34:02,760 --> 01:34:06,960
Speaker 2: you know, I saw a lot. But it's crazy how

2096
01:34:07,080 --> 01:34:10,320
Speaker 2: thinking back as a young kid, you I never really

2097
01:34:10,400 --> 01:34:13,120
Speaker 2: knew with a lot of the dudes in the hood

2098
01:34:13,120 --> 01:34:16,920
Speaker 2: that had the nice car and jewelry and the clothes

2099
01:34:17,000 --> 01:34:20,200
Speaker 2: and all the girls liked him, like you never really

2100
01:34:20,240 --> 01:34:22,200
Speaker 2: knew exactly what they were doing until you got a

2101
01:34:22,240 --> 01:34:26,040
Speaker 2: little older. For me, I'm just speaking for some kids

2102
01:34:26,040 --> 01:34:27,840
Speaker 2: see that shit at a very young age. They know

2103
01:34:27,880 --> 01:34:30,280
Speaker 2: exactly what's going on. I'm just saying for me, I

2104
01:34:30,360 --> 01:34:33,920
Speaker 2: just think that telling the stories and you know, getting

2105
01:34:33,920 --> 01:34:36,800
Speaker 2: them out there, like said, somebody like Nah's doing it,

2106
01:34:36,800 --> 01:34:42,000
Speaker 2: it is different because it shows that here's another guy

2107
01:34:42,040 --> 01:34:45,479
Speaker 2: that was around us in this environment, but he chose

2108
01:34:45,520 --> 01:34:48,760
Speaker 2: to go this way. He chose to do this and

2109
01:34:48,800 --> 01:34:50,840
Speaker 2: make it out of his situation, you know what I mean.

2110
01:34:50,880 --> 01:34:54,080
Speaker 2: And he became the storyteller. He wrote the pictures and

2111
01:34:54,120 --> 01:34:57,200
Speaker 2: the rhymes as the soundtrack to what was going on.

2112
01:34:57,680 --> 01:34:59,320
Speaker 2: I just think that you know, doing it from that

2113
01:34:59,400 --> 01:35:03,200
Speaker 2: perspective that angle is a fucking win.

2114
01:35:03,560 --> 01:35:06,599
Speaker 4: And show both sides that old footage of L COOLJ

2115
01:35:06,720 --> 01:35:09,759
Speaker 4: at like sixteen seventeen year olds at Prince's birthday party,

2116
01:35:09,840 --> 01:35:11,760
Speaker 4: right to your point of saying, people going in the

2117
01:35:11,760 --> 01:35:16,040
Speaker 4: same place, going two different different directors are directly impacted

2118
01:35:16,080 --> 01:35:18,120
Speaker 4: by what's going on at the moment.

2119
01:35:18,560 --> 01:35:22,080
Speaker 2: And you know, and deeper than that, you're a legend

2120
01:35:22,080 --> 01:35:25,400
Speaker 2: in your sport. I'm a legend of my sport. Yeah,

2121
01:35:25,479 --> 01:35:27,880
Speaker 2: we're from the same communities. You know, the same people

2122
01:35:28,280 --> 01:35:32,559
Speaker 2: go to the same schools. Sometimes you know, date the

2123
01:35:32,560 --> 01:35:34,800
Speaker 2: same women, which causes a whole different thing, you know

2124
01:35:34,800 --> 01:35:35,160
Speaker 2: what I mean.

2125
01:35:35,240 --> 01:35:38,200
Speaker 3: But you know, I just think that's it is.

2126
01:35:38,280 --> 01:35:40,519
Speaker 2: It is dope, and it is fun to watch NAS

2127
01:35:41,400 --> 01:35:44,040
Speaker 2: do this because I know that, you know, a lot

2128
01:35:44,080 --> 01:35:49,360
Speaker 2: of his rhymes were encouraged by sure the environment, which

2129
01:35:49,520 --> 01:35:53,720
Speaker 2: was affected by the people that you know he's depicting

2130
01:35:54,360 --> 01:35:55,720
Speaker 2: in his documentary, which is dope.

2131
01:35:55,760 --> 01:35:57,679
Speaker 3: So shout out to NA, Shout out to mass.

2132
01:35:57,479 --> 01:36:01,840
Speaker 2: Appeal and Supreme Team doc if you haven't watched it,

2133
01:36:03,120 --> 01:36:04,800
Speaker 2: Like I said, we just watching watched the first two

2134
01:36:04,800 --> 01:36:08,559
Speaker 2: episodes of it really good and I can't wait to

2135
01:36:08,560 --> 01:36:10,000
Speaker 2: watch what the rest of it to see.

2136
01:36:11,120 --> 01:36:11,600
Speaker 3: Is it gonna be?

2137
01:36:11,680 --> 01:36:13,439
Speaker 2: I think I'm here it's gonna be a season two

2138
01:36:13,479 --> 01:36:15,320
Speaker 2: correct or the movie is coming.

2139
01:36:15,320 --> 01:36:16,040
Speaker 4: The movie is coming.

2140
01:36:16,040 --> 01:36:16,800
Speaker 3: The movie is coming.

2141
01:36:16,960 --> 01:36:19,680
Speaker 4: Movie is coming. Yeah, this is just for a four

2142
01:36:19,680 --> 01:36:23,080
Speaker 4: part series and I think it's it's done all right?

2143
01:36:24,840 --> 01:36:26,639
Speaker 2: What else is going on for the rest of the

2144
01:36:26,680 --> 01:36:28,679
Speaker 2: rest of the week. I know you got your got

2145
01:36:28,720 --> 01:36:31,679
Speaker 2: the ship tonight, got the party tonight.

2146
01:36:32,040 --> 01:36:36,560
Speaker 4: I thank you. That's about it for me, see authentically

2147
01:36:37,439 --> 01:36:38,479
Speaker 4: all right? Cool?

2148
01:36:38,600 --> 01:36:43,759
Speaker 2: So listen, man, support your favorite artists, support your favorite uh.

2149
01:36:45,400 --> 01:36:46,040
Speaker 3: Drug dealers.

2150
01:36:46,040 --> 01:36:49,400
Speaker 1: I guess to put Rory single on your phone and

2151
01:36:49,760 --> 01:36:51,920
Speaker 1: repeat and go to sleep with it playing all night.

2152
01:36:52,160 --> 01:36:58,040
Speaker 4: Does anyone does anyone know any farmers, any stream farmers. Oh,

2153
01:36:58,320 --> 01:37:00,800
Speaker 4: if you're if you are a streaming far please reach

2154
01:37:00,840 --> 01:37:02,680
Speaker 4: out to me. I'm trying. I'm trying to cheat, just

2155
01:37:02,720 --> 01:37:03,360
Speaker 4: like every other.

2156
01:37:03,840 --> 01:37:07,639
Speaker 2: Trying to tap into our Latin community and ask Eddon

2157
01:37:07,720 --> 01:37:11,879
Speaker 2: if he in his tribal people know any farmers.

2158
01:37:14,040 --> 01:37:17,280
Speaker 5: I do, no firm. That's besides the point, though, How

2159
01:37:17,360 --> 01:37:17,720
Speaker 5: dare you?

2160
01:37:18,400 --> 01:37:20,680
Speaker 4: I'm just fucking with you, man, I've just seen edding

2161
01:37:20,720 --> 01:37:21,840
Speaker 4: son orange red lights.

2162
01:37:22,600 --> 01:37:24,800
Speaker 3: We don't know that was because where your hat to

2163
01:37:24,840 --> 01:37:26,080
Speaker 3: the back when you come here to me and we

2164
01:37:26,080 --> 01:37:28,800
Speaker 3: don't see you. He trying to get hip hop when

2165
01:37:28,800 --> 01:37:32,320
Speaker 3: he comes we know that hip hop. The hat to the.

2166
01:37:32,280 --> 01:37:36,400
Speaker 1: Bag is the typical fucking I'm trying nobody looking like

2167
01:37:36,439 --> 01:37:36,840
Speaker 1: a narc.

2168
01:37:38,680 --> 01:37:40,519
Speaker 4: Yeah, I mean Edon posted his girl on the story

2169
01:37:40,520 --> 01:37:44,160
Speaker 4: and I got a couple of tweets. Yeah, people complimenting us.

2170
01:37:44,360 --> 01:37:44,680
Speaker 3: Read it.

2171
01:37:44,720 --> 01:37:45,479
Speaker 5: I see you read it.

2172
01:37:45,800 --> 01:37:47,799
Speaker 4: They compliment his girl rightfully.

2173
01:37:47,800 --> 01:37:50,439
Speaker 1: So he ain't start posting until I pushed up on her.

2174
01:37:50,439 --> 01:37:54,559
Speaker 5: Then he start posting. Is flirting with my girl? And

2175
01:37:54,600 --> 01:37:58,360
Speaker 5: I don't know. Get me getting caught in the middle again.

2176
01:37:58,960 --> 01:38:00,680
Speaker 2: Well, let me help you out. You need to get

2177
01:38:00,680 --> 01:38:03,559
Speaker 2: out of this and go home and make sure your

2178
01:38:03,560 --> 01:38:05,240
Speaker 2: woman hasn't left you. So I'm going to close this

2179
01:38:05,320 --> 01:38:06,920
Speaker 2: out so you can get home.

2180
01:38:07,680 --> 01:38:10,719
Speaker 4: How would you feel it if Damaris took your girl

2181
01:38:11,400 --> 01:38:11,960
Speaker 4: just for the night.

2182
01:38:12,000 --> 01:38:16,160
Speaker 3: I know you can't talk that ship the confidence challenge

2183
01:38:16,320 --> 01:38:16,960
Speaker 3: me harmono.

2184
01:38:18,479 --> 01:38:22,760
Speaker 1: I'm that's bad. I'm sitting her my head like, but

2185
01:38:22,880 --> 01:38:25,240
Speaker 1: as my being that we work together, I would never

2186
01:38:25,280 --> 01:38:25,920
Speaker 1: do that to you.

2187
01:38:26,000 --> 01:38:28,240
Speaker 5: That's the only reason if if they didn't.

2188
01:38:29,920 --> 01:38:34,479
Speaker 3: Okay, losing your girl to a girl gotta hurt. That

2189
01:38:34,560 --> 01:38:37,599
Speaker 3: ship gotta hurt. I get that got hurt.

2190
01:38:38,200 --> 01:38:40,640
Speaker 4: I probably put it better than I get it, understand.

2191
01:38:40,320 --> 01:38:42,200
Speaker 2: Because if you lost, because if a woman lost her

2192
01:38:42,200 --> 01:38:45,080
Speaker 2: man to a man, that ship would hur hurt. She

2193
01:38:45,240 --> 01:38:48,400
Speaker 2: was Oh yeah, when I had that conversation, or should

2194
01:38:48,400 --> 01:38:52,680
Speaker 2: we just close this episode out here? All right, y'all

2195
01:38:52,720 --> 01:38:54,040
Speaker 2: sitting there with y'all, try to put me on a

2196
01:38:54,080 --> 01:38:58,040
Speaker 2: loan island once again, so that a woman lose her.

2197
01:38:57,960 --> 01:38:59,200
Speaker 3: Man to a man and she hurt.

2198
01:38:59,520 --> 01:38:59,880
Speaker 5: I've hurt.

2199
01:38:59,880 --> 01:39:02,960
Speaker 3: I heard of women, so rory.

2200
01:39:03,000 --> 01:39:04,880
Speaker 2: Back to what I was saying, if you lose your

2201
01:39:04,960 --> 01:39:08,519
Speaker 2: woman to a woman, you should and most likely.

2202
01:39:08,400 --> 01:39:09,840
Speaker 5: Would be I would not be happy yet.

2203
01:39:09,960 --> 01:39:12,000
Speaker 4: No, I wouldn't be, but I would say, if a

2204
01:39:12,040 --> 01:39:13,960
Speaker 4: girl loses her man to a man, I'm just going

2205
01:39:14,040 --> 01:39:15,120
Speaker 4: to tell you that was never your man.

2206
01:39:15,400 --> 01:39:17,519
Speaker 3: Yeah, sorry, you know what I'm saying.

2207
01:39:17,520 --> 01:39:19,880
Speaker 1: It's not like spicy bitch, that was never man.

2208
01:39:19,960 --> 01:39:20,120
Speaker 4: Yeah.

2209
01:39:20,120 --> 01:39:21,519
Speaker 3: I want to lose I lose my girl.

2210
01:39:21,600 --> 01:39:23,519
Speaker 2: I lose my girl to a man any day, But

2211
01:39:23,560 --> 01:39:25,400
Speaker 2: losing my girl to a girl, that shit hurt.

2212
01:39:25,840 --> 01:39:27,920
Speaker 3: That gotta hurt. Because I'm like I know I could

2213
01:39:27,960 --> 01:39:29,120
Speaker 3: eat pussy, So it ain't.

2214
01:39:28,920 --> 01:39:31,240
Speaker 5: That as good as lesbian.

2215
01:39:31,360 --> 01:39:32,439
Speaker 1: You ain't no lesbian.

2216
01:39:32,680 --> 01:39:34,040
Speaker 3: I mean, I'm not a lesbian.

2217
01:39:34,080 --> 01:39:37,160
Speaker 4: But it's like Drake said he was a lesbian.

2218
01:39:37,400 --> 01:39:40,280
Speaker 3: And do y'all think that gay people matter? Gay people?

2219
01:39:41,000 --> 01:39:42,599
Speaker 5: Excuse me, get more high.

2220
01:39:43,400 --> 01:39:47,800
Speaker 4: Stop letting, that's what I'm saying in certain states, no

2221
01:39:48,160 --> 01:39:50,160
Speaker 4: certain let me, let me let me rephrase that.

2222
01:39:50,240 --> 01:39:53,639
Speaker 3: Yes, if you see a woman that you know.

2223
01:39:55,120 --> 01:39:58,360
Speaker 2: Is a lesbian, she's she's she's gay, she's she's a little,

2224
01:39:58,400 --> 01:40:01,040
Speaker 2: she's a little. I don't want to say the word,

2225
01:40:01,080 --> 01:40:02,920
Speaker 2: but she's like you could tell, like she's like a little.

2226
01:40:03,120 --> 01:40:04,719
Speaker 3: But yeah, I don't know if.

2227
01:40:04,640 --> 01:40:06,240
Speaker 4: That's I think, are you allowed to say that?

2228
01:40:06,760 --> 01:40:08,200
Speaker 3: Well, a woman said it. I didn't say it, so

2229
01:40:08,200 --> 01:40:09,920
Speaker 3: I don't know how it is coming from a woman.

2230
01:40:10,000 --> 01:40:10,400
Speaker 4: They can't.

2231
01:40:10,800 --> 01:40:12,880
Speaker 2: But like, if you see a woman that you know, like, okay,

2232
01:40:12,880 --> 01:40:14,320
Speaker 2: and you know she's dated women.

2233
01:40:14,120 --> 01:40:16,840
Speaker 3: Before, Okay, so it's safe to say that she's gay,

2234
01:40:16,920 --> 01:40:18,200
Speaker 3: right if she.

2235
01:40:18,439 --> 01:40:21,120
Speaker 1: Identified she identifies that as what's your point?

2236
01:40:21,200 --> 01:40:24,920
Speaker 5: Yeah, if she marries a guy, okay, I think that

2237
01:40:24,960 --> 01:40:27,639
Speaker 5: happened before, y'all.

2238
01:40:27,479 --> 01:40:28,839
Speaker 3: Don't look at the god kind of funny?

2239
01:40:30,040 --> 01:40:31,919
Speaker 4: Wait is she bisexual or is she a lesbian?

2240
01:40:34,320 --> 01:40:36,040
Speaker 3: She was a lesbian at one point where she only

2241
01:40:36,040 --> 01:40:37,120
Speaker 3: for years dated women.

2242
01:40:37,280 --> 01:40:39,400
Speaker 4: Whether she would be bisexual, she was just happen to

2243
01:40:39,400 --> 01:40:42,559
Speaker 4: be dating women at that time, right, so it wouldn't

2244
01:40:42,560 --> 01:40:45,720
Speaker 4: be weird if she ended up with a man.

2245
01:40:46,560 --> 01:40:50,800
Speaker 3: But y'all, don't look at the man like because it's

2246
01:40:50,800 --> 01:40:51,320
Speaker 3: almost like.

2247
01:40:51,600 --> 01:40:54,360
Speaker 4: I think he found to keep she's women together.

2248
01:40:55,120 --> 01:40:57,320
Speaker 5: That doesn't mean every girl who like that.

2249
01:40:57,320 --> 01:41:00,120
Speaker 1: That means that she doesn't have any male bodies. Why

2250
01:41:00,120 --> 01:41:00,920
Speaker 1: don't she be white people?

2251
01:41:00,920 --> 01:41:03,160
Speaker 3: Why should be wifey material to you male bodies?

2252
01:41:03,200 --> 01:41:04,920
Speaker 1: She doesn't have any male bodies other than you.

2253
01:41:05,000 --> 01:41:07,000
Speaker 2: I don't care if a woman has male bodies or

2254
01:41:07,040 --> 01:41:09,720
Speaker 2: not as long I'm trying to after me know before.

2255
01:41:09,439 --> 01:41:12,040
Speaker 5: Me, Yeah, you got mail bodies, but how many male bodies?

2256
01:41:12,320 --> 01:41:13,960
Speaker 3: I mean, you can't be out here just covers.

2257
01:41:14,840 --> 01:41:15,959
Speaker 4: You can't be this conversation.

2258
01:41:16,120 --> 01:41:20,439
Speaker 3: You can't so much for you can't be off and

2259
01:41:20,600 --> 01:41:22,479
Speaker 3: selling that motherfucker, you know what I mean. You can't

2260
01:41:22,520 --> 01:41:23,000
Speaker 3: be doing that.

2261
01:41:23,240 --> 01:41:24,479
Speaker 4: But you wanted me to hear her out.

2262
01:41:26,200 --> 01:41:28,479
Speaker 3: I wanted you to. I'm saying that you would want

2263
01:41:28,520 --> 01:41:30,479
Speaker 3: to hear out. You're not just cutting a girl.

2264
01:41:30,240 --> 01:41:32,040
Speaker 4: Off this, No, no, no, I would cut her off, but

2265
01:41:32,040 --> 01:41:34,200
Speaker 4: I wouldn't want to know. Hey, what did you start

2266
01:41:34,200 --> 01:41:34,799
Speaker 4: selling pussy?

2267
01:41:36,400 --> 01:41:39,280
Speaker 2: You have to ask if you have to ask some questions,

2268
01:41:39,320 --> 01:41:41,599
Speaker 2: you're gonna have to ask, like, yo, so how.

2269
01:41:41,479 --> 01:41:42,439
Speaker 3: Long you been doing this?

2270
01:41:42,640 --> 01:41:46,320
Speaker 4: Okay, and we can close out with this. Would you

2271
01:41:46,360 --> 01:41:48,479
Speaker 4: be extra offended if she was selling it for a

2272
01:41:48,600 --> 01:41:49,439
Speaker 4: very discount of rate?

2273
01:41:50,000 --> 01:41:51,120
Speaker 5: How much we're talking.

2274
01:41:51,280 --> 01:41:54,160
Speaker 4: Like, what if she was selling pussy for like fifty dollars?

2275
01:41:54,640 --> 01:41:56,880
Speaker 4: That's oh no, that hurt. That was.

2276
01:41:58,520 --> 01:42:00,880
Speaker 3: I paid more than fifty dollars for that. I spent

2277
01:42:00,920 --> 01:42:02,400
Speaker 3: more than fifty dollars, right, Okay?

2278
01:42:02,479 --> 01:42:04,559
Speaker 4: Now what if she was more of like the high

2279
01:42:04,640 --> 01:42:07,920
Speaker 4: end escort and it's like, you know, she made more

2280
01:42:07,960 --> 01:42:11,120
Speaker 4: than you selling twenty grand for the night to damn?

2281
01:42:11,400 --> 01:42:15,680
Speaker 4: Oh shit, that's that's my baby to say.

2282
01:42:15,680 --> 01:42:17,680
Speaker 3: The streets might be calling back. I might get back

2283
01:42:17,680 --> 01:42:19,559
Speaker 3: into my pimp game, my nigga. You might have pulled

2284
01:42:19,600 --> 01:42:24,200
Speaker 3: the nigga out of retirement. I accidentally stumbled on Mike like, MJ,

2285
01:42:24,400 --> 01:42:27,000
Speaker 3: I gotta I gotta get back in the coaching game.

2286
01:42:27,080 --> 01:42:29,280
Speaker 4: Like what, my baby is ambitious, she's a hard worker.

2287
01:42:29,320 --> 01:42:32,960
Speaker 3: Twenty they'll give me you twenty bands. Nah, we gotta talk.

2288
01:42:33,040 --> 01:42:34,320
Speaker 4: That's a that's a boss right there.

2289
01:42:34,400 --> 01:42:36,080
Speaker 3: Yeah, I'm gonna remove my ego from this.

2290
01:42:36,360 --> 01:42:37,040
Speaker 4: We gotta talk.

2291
01:42:37,400 --> 01:42:40,000
Speaker 2: You're getting twenty niggas is paying you twenty thousand dollars

2292
01:42:40,000 --> 01:42:42,760
Speaker 2: for some pussy, and I'm sitting here, I'm up in

2293
01:42:42,800 --> 01:42:44,840
Speaker 2: here cuddling with you like like you my girl. No,

2294
01:42:44,920 --> 01:42:47,960
Speaker 2: we got to renegotiate our relationship. I'm about to We're

2295
01:42:47,960 --> 01:42:49,120
Speaker 2: about to get to the bag.

2296
01:42:49,160 --> 01:42:51,200
Speaker 5: Would you take a hick get in the same Pussy's

2297
01:42:51,200 --> 01:42:52,040
Speaker 5: gonna say she's gonna.

2298
01:42:51,880 --> 01:42:54,080
Speaker 3: Charge I'm not. You know, she ain't charging me. I'm

2299
01:42:54,120 --> 01:42:56,040
Speaker 3: not gonna pay for pussy that I was getting for free.

2300
01:42:56,560 --> 01:42:59,000
Speaker 3: What nigga does that all of a sudden, you charge

2301
01:42:59,040 --> 01:43:00,360
Speaker 3: me for the pussy you just gave me last.

2302
01:43:00,200 --> 01:43:00,720
Speaker 4: Week for free.

2303
01:43:00,800 --> 01:43:01,720
Speaker 5: You'd be surprised.

2304
01:43:01,960 --> 01:43:03,800
Speaker 3: We ain't doing that. I'm just saying, if I found

2305
01:43:03,800 --> 01:43:04,400
Speaker 3: out my girl was.

2306
01:43:04,479 --> 01:43:07,000
Speaker 4: She was she was giving you pussy for exposure. Yeah,

2307
01:43:07,080 --> 01:43:08,559
Speaker 4: but now that now that's her rate now.

2308
01:43:08,400 --> 01:43:10,680
Speaker 3: Like I was, I was scrimmaged, like she wasn't really

2309
01:43:10,760 --> 01:43:12,360
Speaker 3: fucking me for real. She was today's price.

2310
01:43:12,439 --> 01:43:15,760
Speaker 4: Yesterday's price isn't today's price. She used to she used

2311
01:43:15,760 --> 01:43:18,439
Speaker 4: to do that craft for free, but now she's professional.

2312
01:43:18,479 --> 01:43:20,840
Speaker 3: You gotta charge paying a woman twenty thousand dollars?

2313
01:43:20,880 --> 01:43:24,519
Speaker 4: Ye, sex, I'm sure. I'm sure Eddan has shot some

2314
01:43:24,560 --> 01:43:26,639
Speaker 4: stuff for free for people and not the re style.

2315
01:43:26,680 --> 01:43:28,479
Speaker 4: You'd be like, now it's my rate, Like I'm this

2316
01:43:28,600 --> 01:43:32,320
Speaker 4: is my occupation now so nah, but it wasn't an occupation.

2317
01:43:32,520 --> 01:43:36,560
Speaker 4: And now when you want the pussy, no free, expensive.

2318
01:43:36,640 --> 01:43:40,320
Speaker 3: Don't I gotta get some? Okay, It's just ash.

2319
01:43:40,479 --> 01:43:43,000
Speaker 2: I'm saying that if your woman, you didn't know she was,

2320
01:43:43,560 --> 01:43:47,720
Speaker 2: she was fucking selling pussy, and you find out and

2321
01:43:47,800 --> 01:43:51,160
Speaker 2: you find out that somebody's paying her twenty thousand.

2322
01:43:51,080 --> 01:43:53,320
Speaker 4: I'd be sick. And I'm paying all the bills here,

2323
01:43:53,600 --> 01:43:56,680
Speaker 4: I'd be sick. You got to pay a light bill

2324
01:43:56,760 --> 01:43:59,160
Speaker 4: or something at least verson.

2325
01:43:58,880 --> 01:44:00,240
Speaker 3: We gotta talk. It's all I'm saying.

2326
01:44:01,920 --> 01:44:03,960
Speaker 2: With that being said, we out of here. Y'all have fun,

2327
01:44:04,360 --> 01:44:12,200
Speaker 2: enjoy y'all week, be safe, m sure, summertime, let's have.

2328
01:44:12,240 --> 01:44:17,000
Speaker 4: Fun time all. Officially, yeah, we should do like a

2329
01:44:17,040 --> 01:44:17,960
Speaker 4: high meter high.

2330
01:44:18,600 --> 01:44:20,120
Speaker 3: I'm high, but I'm not like that.

2331
01:44:20,560 --> 01:44:21,840
Speaker 4: I'm like, do you remember the sign off?

2332
01:44:22,479 --> 01:44:25,360
Speaker 3: Yeah, I'm that nigga. You can't say it.

2333
01:44:25,520 --> 01:44:29,000
Speaker 4: Everyone in London did, right, everyone a wireless festa.

2334
01:44:29,200 --> 01:44:32,200
Speaker 3: You think you don't think like all the white kids

2335
01:44:32,240 --> 01:44:33,040
Speaker 3: didn't say that part?

2336
01:44:33,640 --> 01:44:34,920
Speaker 5: Hell no, they.

2337
01:44:34,840 --> 01:44:35,559
Speaker 4: Said it louder.

2338
01:44:35,720 --> 01:44:39,240
Speaker 3: Yeah, but who was like in the crowd checking them though?

2339
01:44:39,280 --> 01:44:41,000
Speaker 3: Wasn't the white crowd like, yo, you can't say that.

2340
01:44:41,200 --> 01:44:43,599
Speaker 3: Definitely all white, you know what I'm saying. When people

2341
01:44:43,640 --> 01:44:45,920
Speaker 3: get so it's like, yo, white people say the word

2342
01:44:46,520 --> 01:44:47,720
Speaker 3: their favorite.

2343
01:44:47,479 --> 01:44:48,880
Speaker 4: Artist, let's sign off.

2344
01:44:49,439 --> 01:44:52,040
Speaker 3: They do. Maybe not you. Well, they're trying to catch you.

2345
01:44:52,080 --> 01:44:54,839
Speaker 2: They keep trying to They chopping and screwing your vocals

2346
01:44:54,880 --> 01:44:56,760
Speaker 2: every week for your platform, trying to catch you saying

2347
01:44:56,800 --> 01:44:57,160
Speaker 2: a word.

2348
01:44:57,720 --> 01:44:59,640
Speaker 3: Oh but yeah, man, were out of here. We'll talk

2349
01:44:59,680 --> 01:45:01,360
Speaker 3: to you couple of days. Peace.

2350
01:45:01,680 --> 01:45:03,280
Speaker 5: No worran nound