WEBVTT - How the Rosetta Stone Works

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<v Speaker 1>Brought to you by the all new Toyota Corolla. Welcome

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<v Speaker 1>to Stuff You Should Know from House Stuff Works dot com. Hey,

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<v Speaker 1>and welcome to the podcast. I'm Josh Clark, There's Charles W.

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<v Speaker 1>Chuck Bryant, and this is Stuff you Should Know, the

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<v Speaker 1>Overly Hot Studio Edition. I have a bit of a chill. No,

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<v Speaker 1>you don't, I do. I'm not at all hot. Yeah.

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<v Speaker 1>You also said that it hurt when our new coworker

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<v Speaker 1>shook your hand. So what does that say that it

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<v Speaker 1>is a strong hand shape. Okay, and you're always cold? Yeah,

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<v Speaker 1>it's always lamps in here. Well, Jerry's decorated. It's nice.

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<v Speaker 1>It is nice. It's just like an Ikea cattalog. That's right. Um, Chuck,

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<v Speaker 1>how many times have you been to Egypt? Um? Kinding

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<v Speaker 1>that trip in high school? Zero? Same here? Yeah, and

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<v Speaker 1>yet we know an awful lot about Egypt. Yeah, it's popular,

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<v Speaker 1>especially ancient Egypt. Like I would wager that we probably

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<v Speaker 1>know more about ancient Egypt than modern Egypt most people

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<v Speaker 1>in the West. Yeah, is there a modern Egypt? There is?

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<v Speaker 1>And uh, it's undergoing quite a bit of turmoil right now. Um, Okay,

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<v Speaker 1>I just wanted to make sure that you knew that

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<v Speaker 1>Egypt was still around. Kay Um. Well, the reason that

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<v Speaker 1>you and I know a lot about Egypt is thanks

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<v Speaker 1>to a soft science one of the humanities. You would

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<v Speaker 1>call it um called egyptology, pretty on the nose name

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<v Speaker 1>for the study of ancient Egypt. It's a real popular

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<v Speaker 1>thing and has been for a while a while, but

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<v Speaker 1>not too terribly long, I would say, about the beginning

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<v Speaker 1>of the nineteenth century. Uh. And the reason that all

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<v Speaker 1>of it was foster than that all of it came

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<v Speaker 1>about and that we you and me know about Egypt

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<v Speaker 1>was because of the discovery of a tablet known as

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<v Speaker 1>the Rosetta stone. Right. But you can also go back

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<v Speaker 1>even further and make the case that if it wasn't

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<v Speaker 1>for Napoleon Bonaparte, we may not understand Egypt to this day. Yeah,

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<v Speaker 1>that little guy, he wasn't that little though, is that right? Right?

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<v Speaker 1>He was average height? Why why does why do people

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<v Speaker 1>say that? Then? Where that come from? Because some doctor

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<v Speaker 1>wrote down I think upon his death that he was

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<v Speaker 1>five ft two. But what a lot of people don't

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<v Speaker 1>realize is that the doctor was using the French inch,

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<v Speaker 1>which is longer than the British Imperial inch. So when

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<v Speaker 1>you translate five ft two from the French inch to

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<v Speaker 1>the imperial he was about five six, which is average height.

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<v Speaker 1>And uh. The other reason why he was called like

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<v Speaker 1>the little Emperor by his armies was because compared to

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<v Speaker 1>most of his bodyguards and his people he had around him,

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<v Speaker 1>he was shorter than them. Yeah. I guess when you're

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<v Speaker 1>five six, he wants some six four dudes or on you. Right. So,

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<v Speaker 1>but the idea that he was a very short man

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<v Speaker 1>is is not correct. Yeah, I'd always heard that, but

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<v Speaker 1>I did another story, the French Inch. There's your band

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<v Speaker 1>name for the day. Although I typically don't like rhyming names,

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<v Speaker 1>French inch doesn't rhyme. It's just it sounds similar. I

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<v Speaker 1>wouldn't call it a rhyme. French and inch, Yeah, French

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<v Speaker 1>of the e and the eye. Yeah, that's nippicky. Well yeah,

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<v Speaker 1>it's the vowels that rhyme, that the confidence. Yeah. But

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<v Speaker 1>if you're Steve Maltmous and you put French at the

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<v Speaker 1>end of the line and an inch at the end

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<v Speaker 1>of another, it would be it would be rhymy and

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<v Speaker 1>you'd sell a lot of records. That's right. Yeah. Um, yeah, Well,

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<v Speaker 1>there was our pavement reference episode. That's becoming a daily

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<v Speaker 1>thing too. So you want to get on with this, Yeah,

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<v Speaker 1>let's do it. We're gonna be talking Rosetta Stone, not

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<v Speaker 1>the language software, which neither one of us has ever used. No,

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<v Speaker 1>we're talking about the the real thing, which is actually

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<v Speaker 1>bigger than I thought. You know, many things are smaller

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<v Speaker 1>for me, like when you see him in person, Lisa,

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<v Speaker 1>of course, mona Lisa small. Like I went to England,

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<v Speaker 1>I was like, big Ben, that ain't so big. Yeah,

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<v Speaker 1>I don't think I had the impression of big Bembo.

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<v Speaker 1>It's kind of underwhelmed. It definitely didn't seem big. Whereas

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<v Speaker 1>the Eiffel Tower that was bigger than I thought. That

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<v Speaker 1>is where I developed a fear of heights that still

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<v Speaker 1>plagues me to this day. Like it literally happened to

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<v Speaker 1>me on the Eiffel Tower on the way up. Never

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<v Speaker 1>had a fear of heights in my entire life. On

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<v Speaker 1>the way down, I like was hanging on to the

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<v Speaker 1>fence and it took me forever to get down because

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<v Speaker 1>I was suddenly deathly afraid of height. Just hit me

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<v Speaker 1>my brain Uh changed? How old were you? Uh? Seventeen

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<v Speaker 1>is wow? Yeah? I didn't go up to the top.

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<v Speaker 1>I probably missed out. I didn't either. It was the

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<v Speaker 1>first level that got me really wow. Alright, so, um, anyway,

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<v Speaker 1>where was I going? Oh, it's bigger than I thought

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<v Speaker 1>it was. It is um black basalt, and it weighs

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<v Speaker 1>about three quarters of a ton um inches high point

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<v Speaker 1>five inches wide and twelve inches deep. And it's it's large,

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<v Speaker 1>it's heavy, it's um. You didn't write this, did you? No? Um,

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<v Speaker 1>it's about the size of a heavy coffee table. Were

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<v Speaker 1>you about to make fun of something? I was just

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<v Speaker 1>gonna say. Whoever wrote this ref referenced an l c

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<v Speaker 1>D TV of medium size. Yeah, a medium screen l

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<v Speaker 1>c D television. Oh, by the way, thank you to

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<v Speaker 1>Teresa Dove fan request. That's who requested this one. Yeah. Okay, so, um,

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<v Speaker 1>it's larger than I thought. And I learned a lot

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<v Speaker 1>about this. I thought the Rosetta stone because I'm a dummy.

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<v Speaker 1>Um was literally like, here's what our alphabet is, and

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<v Speaker 1>here's what everything means, and now that you found it,

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<v Speaker 1>you can decipher everything. Yeah. I think I had the

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<v Speaker 1>same impression as well. Until I read this, I thought

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<v Speaker 1>it was like created as a key to higher glyphics,

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<v Speaker 1>not at all. Not so it was a government document. Basically,

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<v Speaker 1>it's a stella stella. Stella is the plural. And uh,

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<v Speaker 1>it's not just the Egyptians that use stella stella um.

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<v Speaker 1>The Mayans have largely been figured out their language has

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<v Speaker 1>from old stella. Yeah. Um. Well, and that's it. Those

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<v Speaker 1>are the two that use stella. Yeah. In this case,

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<v Speaker 1>it's an inscription carved in three different languages, Greek, hieroglyphics

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<v Speaker 1>and demotic with the t not demonic. Yeah, demotic. But

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<v Speaker 1>since I'm from the South, I saw it in my tea,

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<v Speaker 1>so it might sound like I'm saying demonic um. And

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<v Speaker 1>basically it was in the three languages to ensure that

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<v Speaker 1>everybody could read it because it was an official government decree.

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<v Speaker 1>Not super exciting though. No, it wasn't basically what the

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<v Speaker 1>Rosetta stone says. And like you said, it's in three languages.

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<v Speaker 1>There's a degree that says um. Essentially that Ptolemy the

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<v Speaker 1>fifth is a great ruler and he is a righteous

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<v Speaker 1>worship or of all the right gods. So he's okay

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<v Speaker 1>in our book. And this decree was made by some

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<v Speaker 1>priests who gathered at Memphis and they um inscribed the

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<v Speaker 1>stoner had and inscribed and dated March, and it's not.

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<v Speaker 1>It doesn't actually say March hieroglyphics. It says eighteen must Shire,

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<v Speaker 1>which on the Egyptian calendar translates to something like um

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<v Speaker 1>March uh. And then they got the because somewhere in

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<v Speaker 1>there the references the ninth year of Ptolemy, the fifth reign,

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<v Speaker 1>which is about so that's where they got the date

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<v Speaker 1>from the what we would in the West equate it to. Yeah,

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<v Speaker 1>so um, like we said, it doesn't say anything of

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<v Speaker 1>particular interest at the time, it was an important message.

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<v Speaker 1>But it's not the Rosetta stone because of what is

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<v Speaker 1>transcribed upon that stone. No, it's the fact that it's

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<v Speaker 1>in three different languages. So there's like you said, hieroglyphics,

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<v Speaker 1>Demotic and Greek, and hieroglyphics were a sacred um alphabet. Yeah,

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<v Speaker 1>they used that for really important stuff. I didn't know

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<v Speaker 1>this either. I thought just any old thing they wanted

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<v Speaker 1>to write was a hieroglyphics. Now that's what they had

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<v Speaker 1>demiotic for or demotic that was kind of like an

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<v Speaker 1>abbreviated shorthand more vulgar version of hieroglyphics. Yeah, and in

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<v Speaker 1>between that was hieratic um, which was slightly more complicated

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<v Speaker 1>than demotic, but less complicated and not sacred like hieroglyphics. Yeah,

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<v Speaker 1>it was like a kind of a transition between Um

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<v Speaker 1>demotic and hieroglyphics. Curve right, so you can UM, so

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<v Speaker 1>you could use um hieratic for like a business transaction.

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<v Speaker 1>But if you were saying the king is a very

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<v Speaker 1>righteous ruler and you mentioned the gods, you're to use hieroglyphics.

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<v Speaker 1>That's so to have it written in Greek UH demotic,

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<v Speaker 1>which was an offshoot of hieratic, which was an off

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<v Speaker 1>shoot of hieroglyphics, and UM hieroglyphics. These priests that gathered

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<v Speaker 1>and issued this decree that was written on the Rosetta stone,

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<v Speaker 1>they made sure that everyone in Egypt two was literate

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<v Speaker 1>could read this one way or another. Yeah, And it

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<v Speaker 1>was sort of not a stroke of luck. I mean,

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<v Speaker 1>it was just smart thinking at the time, but ended

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<v Speaker 1>up being a stroke of luck because the three languages,

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<v Speaker 1>I mean, without that, I don't think we we may

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<v Speaker 1>have never been able to figure out hieroglyphics. No agreed,

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<v Speaker 1>And I've been lost forever exactly. Um. And that's that's

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<v Speaker 1>not the only way that the Rosetta Stone was kind

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<v Speaker 1>of a bit of fortune. But UM. So the reason

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<v Speaker 1>that it was lost was up until the fourth century

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<v Speaker 1>a d any average Egyptian could have read the Rosetta

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<v Speaker 1>Stone one way or another. But after that the egypt

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<v Speaker 1>it left the pharonic stage. Cleopatra is the last pharaoh

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<v Speaker 1>of Egypt, and then it came to be ruled by

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<v Speaker 1>the Greeks, later on the Romans, the Tlamites, UM, and

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<v Speaker 1>a bunch of different foreigners or different groups. And with

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<v Speaker 1>these groups came the introduction of new gods and the

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<v Speaker 1>suppression of old gods. And since hieroglyphics were um very

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<v Speaker 1>much religious in nature. They're sacred or holy, but associated

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<v Speaker 1>with those old gods, hieroglyphics itself came to be cut

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<v Speaker 1>off stop suppressed. Yeah, especially Christianity. Um. They tended to

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<v Speaker 1>want to get rid of other competing gods and languages

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<v Speaker 1>that are tied to those gods. Right, But luckily we

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<v Speaker 1>still had Demotic, that's right, and Demotic wasn't taboo. UM.

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<v Speaker 1>That eventually became what's known as Coptic, and Coptic used

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<v Speaker 1>UM some Greek um and in a little bit of

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<v Speaker 1>still of the hieroglyphic symbols. So there's still like this,

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<v Speaker 1>just a little bit, very tenuous link between Coptic and hieroglyphics.

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<v Speaker 1>But then Coptic is lost, it's pushed out by Arabic,

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<v Speaker 1>and then that was like way gone, goodbye hieroglyphics. That's it.

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<v Speaker 1>That was like the hieroglyphics is no longer understood by

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<v Speaker 1>anyone walking planet Earth. And that means that all of

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<v Speaker 1>the ancient Egyptian civilization itself was lost thousand years aside

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<v Speaker 1>from its structures, um, the the thought put into it,

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<v Speaker 1>the reasoning behind it, all the explanations, all of the inscriptions,

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<v Speaker 1>all the writing all over these ancient buildings are understood

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<v Speaker 1>by no one now. And then as a result of that,

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<v Speaker 1>the buildings themselves, the last vestiges of this ancient civilization,

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<v Speaker 1>are deconstructed and used for the next wave by new rulers,

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<v Speaker 1>and so ancient Egyptian culture is lost to the mists

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<v Speaker 1>of time. Yeah, wow, thanks very nice. Yeah, there was

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<v Speaker 1>no love lost. They were basically like, we don't need

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<v Speaker 1>this language anymore, we don't need these sacred buildings anymore.

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<v Speaker 1>They're pagan anyway. Yeah, let's tear them all down, build

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<v Speaker 1>up new ones. And oddly, the Rosetta stone was actually

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<v Speaker 1>used as a buttress in a wall of a new building. Yes,

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<v Speaker 1>so part of the construction. Right, that's how this is

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<v Speaker 1>another way that this is all just stroke of luck

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<v Speaker 1>after stroke of luck. So the first stroke of luck,

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<v Speaker 1>as you pointed out, is that they just happened to

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<v Speaker 1>decree that this thing be written in three languages, same

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<v Speaker 1>message in three languages. Then it's used for a building

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<v Speaker 1>a wall, right, Yeah, Then it happens to be discovered

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<v Speaker 1>by some French who are marooned in Egypt because they

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<v Speaker 1>got crushed by the British right when they tried to invade. Yeah,

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<v Speaker 1>I guess let's talk about that person. The French thought, hey,

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<v Speaker 1>we need to we need to get a stronghold on

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<v Speaker 1>India eventually, and Napoleon said, I think a good way

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<v Speaker 1>to do that is to start a little further away,

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<v Speaker 1>and let's say Egypt. Let's cut off the the Brits

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<v Speaker 1>access to the Nile River and that will really help

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<v Speaker 1>our cause. Unfortunately, the Brits at a great navy and

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<v Speaker 1>pretty much destroyed all their ships and stranded them in

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<v Speaker 1>Egypt for what nineteen years? Yeah. Yeah. And so for

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<v Speaker 1>the French, whose ships were now at the bottom of

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<v Speaker 1>Abu Kir bay Um, they decided that they really kind

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<v Speaker 1>of needed to set themselves to creating forts, like since

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<v Speaker 1>we're here, right, um. And it wasn't just military that

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<v Speaker 1>was there part of this invasion, this um strategy that

0:13:46.800 --> 0:13:50.520
<v Speaker 1>Napoleon had come up with to take over Egypt, it

0:13:50.720 --> 0:13:53.440
<v Speaker 1>was kind of a hearts and mind strategy too, and

0:13:53.520 --> 0:13:56.400
<v Speaker 1>so he created something called the Institute of Egypt, also

0:13:56.440 --> 0:14:00.040
<v Speaker 1>known as the Scientific and Artistic Commission uh mineral a.

0:14:00.240 --> 0:14:04.680
<v Speaker 1>Just mathematicians, art historians, a lot of engineers, chemists, all

0:14:04.720 --> 0:14:07.320
<v Speaker 1>of like, all of these people from the letters and

0:14:07.400 --> 0:14:13.559
<v Speaker 1>sciences UM brought together to understand and study Egypt. Yeah,

0:14:13.600 --> 0:14:16.640
<v Speaker 1>they were actually given military rank, but they weren't. I

0:14:16.679 --> 0:14:19.960
<v Speaker 1>think that was just more of a here just so

0:14:20.080 --> 0:14:23.880
<v Speaker 1>we'll call you military, Like, they weren't from military backgrounds,

0:14:23.960 --> 0:14:27.400
<v Speaker 1>so they were thinkers. But they were among this invading

0:14:27.520 --> 0:14:30.840
<v Speaker 1>force that was left stranded in France. So as the

0:14:31.240 --> 0:14:34.520
<v Speaker 1>real military guys were billing the forts, the people from

0:14:34.520 --> 0:14:38.040
<v Speaker 1>the Institute Egypt starts studying Egypt. Yeah, I guess they

0:14:38.040 --> 0:14:43.720
<v Speaker 1>were the first Egyptologist. Yeah, boy, it was close. Uh,

0:14:43.760 --> 0:14:47.640
<v Speaker 1>they definitely were. Uh, and it was very covert operation,

0:14:47.680 --> 0:14:49.840
<v Speaker 1>like they weren't really allowed to talk about what they

0:14:49.840 --> 0:14:52.480
<v Speaker 1>were doing that much except to just say, hey, we're

0:14:52.960 --> 0:14:55.760
<v Speaker 1>following Napoleon's orders, acting on behalf of the good of

0:14:55.800 --> 0:14:58.320
<v Speaker 1>the French Republic. This is what we're doing. Don't ask

0:14:58.320 --> 0:15:00.840
<v Speaker 1>any questions, yeah, that's what. Don't ask why I have

0:15:00.920 --> 0:15:04.560
<v Speaker 1>this measuring tape out or why I'm transcribing things from papyrus.

0:15:04.600 --> 0:15:08.640
<v Speaker 1>But they did, um, they did become I guess embedded

0:15:08.640 --> 0:15:11.160
<v Speaker 1>with the local population as well to help learn as

0:15:11.200 --> 0:15:13.960
<v Speaker 1>much as they could. And so it's under this climate

0:15:14.000 --> 0:15:19.359
<v Speaker 1>that French soldier one day, um finds this very polished

0:15:19.480 --> 0:15:24.840
<v Speaker 1>black stone that's inscribed and something about it told him

0:15:24.880 --> 0:15:27.080
<v Speaker 1>that it was pretty important. So we took it to

0:15:27.200 --> 0:15:33.320
<v Speaker 1>these um early egyptologists, the French, and said, you guys

0:15:33.400 --> 0:15:36.200
<v Speaker 1>think this is important and they said yes, yeah. That

0:15:36.240 --> 0:15:40.480
<v Speaker 1>was Lieutenant Pierre Francois Bouchard, and uh, he took it

0:15:40.480 --> 0:15:42.960
<v Speaker 1>to his boss and they they said, okay, this is

0:15:43.040 --> 0:15:45.640
<v Speaker 1>weird that this is built into a wall, but it's

0:15:45.680 --> 0:15:48.800
<v Speaker 1>clearly something of note and maybe we should take a

0:15:48.800 --> 0:15:52.400
<v Speaker 1>closer look at it, and UM, immediately they started to

0:15:52.400 --> 0:15:55.800
<v Speaker 1>get to work on trying to transcribe it. Super difficult

0:15:55.800 --> 0:15:59.080
<v Speaker 1>at the time, UM, and would prove to be difficult

0:15:59.160 --> 0:16:02.920
<v Speaker 1>over the years. UM. It eventually ended up in the

0:16:02.960 --> 0:16:07.040
<v Speaker 1>hands of England, of course, but luckily these uh, the

0:16:07.080 --> 0:16:11.080
<v Speaker 1>Institute of Egypt people made copies of it. Yeah, I

0:16:11.120 --> 0:16:14.320
<v Speaker 1>think that like etchings or in the plaster molds and things.

0:16:14.400 --> 0:16:18.480
<v Speaker 1>I'm sure, yeah, But they had readable copies of the

0:16:18.600 --> 0:16:21.000
<v Speaker 1>Rosetta Stone, so when they did give it up to

0:16:21.040 --> 0:16:24.480
<v Speaker 1>the British, it wasn't entirely lost to them, that's right,

0:16:24.560 --> 0:16:27.640
<v Speaker 1>and give it up as in not here have this.

0:16:28.280 --> 0:16:31.520
<v Speaker 1>It was more like here, we're taking this in the

0:16:31.560 --> 0:16:33.960
<v Speaker 1>Treaty of Alexandria. We're gonna take this in a bunch

0:16:33.960 --> 0:16:38.280
<v Speaker 1>of other stuff. So now basically you have the French

0:16:38.600 --> 0:16:42.280
<v Speaker 1>and the British both have the Rosetta Stone. The one

0:16:42.280 --> 0:16:47.360
<v Speaker 1>group that doesn't are the Egyptians. We'll get to that later. UM.

0:16:47.480 --> 0:16:50.800
<v Speaker 1>And both of them recognized that this is a very

0:16:51.000 --> 0:16:56.080
<v Speaker 1>very important something. They know that it's some sort of decree.

0:16:56.360 --> 0:16:58.800
<v Speaker 1>They recognize that it's in three different languages, and I

0:16:58.840 --> 0:17:01.720
<v Speaker 1>think it becomes obvious to them that this could be

0:17:01.800 --> 0:17:07.760
<v Speaker 1>the key to understanding hieroglyphics, which people have tried to understand.

0:17:07.760 --> 0:17:11.720
<v Speaker 1>This is not new people going back to a fellow

0:17:12.040 --> 0:17:19.040
<v Speaker 1>named um Horapolo, who was a fifth century scholar. Supposedly

0:17:19.119 --> 0:17:24.160
<v Speaker 1>he may not have actually existed. Um he created basically

0:17:24.200 --> 0:17:28.960
<v Speaker 1>what was a translation for hieroglyphics, right, but it was

0:17:29.160 --> 0:17:32.520
<v Speaker 1>a false translation, as we'll see. But you know, dating

0:17:32.560 --> 0:17:37.840
<v Speaker 1>back basically from the moment that hieroglyphics were lost to history,

0:17:38.320 --> 0:17:41.400
<v Speaker 1>people have tried to understand them. So these this this

0:17:41.520 --> 0:17:43.840
<v Speaker 1>was the British and the French were aware of this,

0:17:44.000 --> 0:17:47.320
<v Speaker 1>like this may be the key to these mysterious hieroglyphics,

0:17:47.400 --> 0:17:49.879
<v Speaker 1>and this is important, so we're going to try to

0:17:49.920 --> 0:17:52.919
<v Speaker 1>translate it. Yeah. Well it became a race really because

0:17:53.600 --> 0:17:55.360
<v Speaker 1>they didn't like each other very much and they both

0:17:55.400 --> 0:17:57.920
<v Speaker 1>wanted to be the first ones to figure out what

0:17:57.960 --> 0:18:01.879
<v Speaker 1>these hieroglyphics meant and how to unlock this history and

0:18:02.200 --> 0:18:04.720
<v Speaker 1>um so they sent their best, in their brightest on

0:18:04.760 --> 0:18:07.480
<v Speaker 1>the English side, the British side, it was a scholar

0:18:07.560 --> 0:18:10.800
<v Speaker 1>named Thomas Young, and then on the French side we

0:18:10.880 --> 0:18:16.720
<v Speaker 1>had Jean Francois Champollon who he was sort of born

0:18:16.920 --> 0:18:19.639
<v Speaker 1>to do this. Apparently he was way into Egypt as

0:18:19.680 --> 0:18:22.960
<v Speaker 1>a kid even and as a young child said I'm

0:18:22.960 --> 0:18:25.600
<v Speaker 1>gonna I'm gonna figure out hieroglyphics one day. Yeah. He

0:18:25.680 --> 0:18:28.120
<v Speaker 1>was even called the Egyptian because he had dark skin

0:18:28.200 --> 0:18:32.040
<v Speaker 1>and dark hair. And um, I think a magician like

0:18:32.359 --> 0:18:35.080
<v Speaker 1>foretold his fame one day. Yeah, when he was born.

0:18:35.119 --> 0:18:38.160
<v Speaker 1>Supposedly a magician said this guy's can be famous, and

0:18:38.440 --> 0:18:41.240
<v Speaker 1>and he was and um, yeah, he was a very

0:18:41.320 --> 0:18:49.080
<v Speaker 1>talented linguist. He studied under a guy named Um Sylvester

0:18:49.520 --> 0:18:54.560
<v Speaker 1>de Sassy. Yeah, Antoine Isaac Sylvester de Saucy. Uh he um,

0:18:55.119 --> 0:18:57.480
<v Speaker 1>who would take a crack at the Rosetta stone. But

0:18:57.560 --> 0:19:02.920
<v Speaker 1>he trained uh Champolion. Is that how we're saying it. Yeah,

0:19:02.960 --> 0:19:08.360
<v Speaker 1>sure he trained him. Um, but Champolion quickly became went

0:19:08.400 --> 0:19:11.960
<v Speaker 1>from student to master. He applied for he applied to

0:19:11.960 --> 0:19:14.840
<v Speaker 1>be a student at an institute in Paris, and they

0:19:14.880 --> 0:19:18.080
<v Speaker 1>were impressed enough with his application that they said, how

0:19:18.119 --> 0:19:19.920
<v Speaker 1>about you just skipped the school part and come beyond

0:19:19.920 --> 0:19:23.920
<v Speaker 1>the faculty. That's pretty good. Yeah, that's a talented linguist. Yeah.

0:19:23.920 --> 0:19:25.880
<v Speaker 1>They did the same thing when I applied to Georgia.

0:19:26.080 --> 0:19:27.240
<v Speaker 1>Is that right? Like you just want to go and

0:19:27.280 --> 0:19:31.080
<v Speaker 1>be an English teacher? Na, Oh really you turned it down. Huh. Sure,

0:19:31.119 --> 0:19:34.760
<v Speaker 1>I wanted to be a student. Oh gotcha. Um. So

0:19:35.200 --> 0:19:38.439
<v Speaker 1>before all this happens, Um, we we have the Greek

0:19:38.520 --> 0:19:42.479
<v Speaker 1>inscription transcribed, which that was Reverend Stephen Watson in eighteen

0:19:42.480 --> 0:19:44.919
<v Speaker 1>o two. And I don't want to say it was

0:19:44.960 --> 0:19:48.240
<v Speaker 1>no big deal, but there were quite a few people

0:19:48.280 --> 0:19:51.080
<v Speaker 1>that could have done this. It wasn't like unlocking hieroglyphics,

0:19:51.600 --> 0:19:54.639
<v Speaker 1>but it was a necessary part of the process. Right,

0:19:54.720 --> 0:19:56.240
<v Speaker 1>So we want to give him his due. So we

0:19:56.280 --> 0:19:59.119
<v Speaker 1>have a we have a translation and accurate translation of

0:19:59.160 --> 0:20:03.280
<v Speaker 1>what the says exactly. So that's step one. And if

0:20:03.320 --> 0:20:07.200
<v Speaker 1>you have one translated, then if you're a linguist, I guess.

0:20:07.200 --> 0:20:09.600
<v Speaker 1>I mean it sounds really difficult to do too. I

0:20:09.600 --> 0:20:14.199
<v Speaker 1>mean it's I can't imagine the painstaking the process of

0:20:14.240 --> 0:20:17.200
<v Speaker 1>figuring out and alphabet. Yeah, I mean, I think about

0:20:17.240 --> 0:20:20.640
<v Speaker 1>how hard it is to translate a well known language

0:20:20.640 --> 0:20:25.040
<v Speaker 1>and a language that you speak. Imagine translating uh, language

0:20:25.040 --> 0:20:30.240
<v Speaker 1>that's totally lost into something understandable. Um. So we had

0:20:30.240 --> 0:20:34.399
<v Speaker 1>the Greek and then eventually we had the demotic as well. Um. Yeah,

0:20:34.400 --> 0:20:39.760
<v Speaker 1>thanks to Yeah Antoine Uh and that same year at

0:20:39.760 --> 0:20:44.199
<v Speaker 1>the same time as Swedish diplomat named Aker balade Um

0:20:44.240 --> 0:20:48.280
<v Speaker 1>also translated the demotic um and they both went about

0:20:48.320 --> 0:20:51.000
<v Speaker 1>it two different ways. I thought this was pretty interesting. Yeah,

0:20:51.040 --> 0:20:54.160
<v Speaker 1>so do saucy Um figured out that there were two

0:20:54.200 --> 0:20:58.520
<v Speaker 1>proper names at least in there, Ptolemy and Alexander, and

0:20:58.640 --> 0:21:02.760
<v Speaker 1>he used those two match up sounds and symbols. Um

0:21:02.920 --> 0:21:07.560
<v Speaker 1>Awker Blode probably had the bigger breakthrough. He used a

0:21:07.600 --> 0:21:12.360
<v Speaker 1>different technique. He recognized that there was something similar between

0:21:12.400 --> 0:21:15.600
<v Speaker 1>demotic and coptic, and he was well schooled and coptic,

0:21:15.960 --> 0:21:19.320
<v Speaker 1>which helped obviously. Yeah, that that was his big breakthrough.

0:21:19.359 --> 0:21:23.159
<v Speaker 1>He he figured out what words spelled love, temple, and Greek,

0:21:23.280 --> 0:21:27.040
<v Speaker 1>and he used that to form basically this rough uh

0:21:27.240 --> 0:21:31.080
<v Speaker 1>structure for Demotic based on his awareness of coptic. Yeah,

0:21:31.080 --> 0:21:34.239
<v Speaker 1>that's only eleven letters. It's pretty impressive. Yeah, but I mean,

0:21:34.280 --> 0:21:37.199
<v Speaker 1>if you've got eleven letters, it's a decent I think

0:21:37.240 --> 0:21:39.480
<v Speaker 1>they called it a skeletal outline. I guess that's what

0:21:39.520 --> 0:21:42.000
<v Speaker 1>you'd have. Well, yeah, I mean, especially since Coptic was

0:21:42.040 --> 0:21:45.119
<v Speaker 1>only what twenty two plus a couple more from hieroglyphics.

0:21:45.400 --> 0:21:48.080
<v Speaker 1>It's like a big wheel of fortune game. Yes after that, right.

0:21:48.400 --> 0:21:51.880
<v Speaker 1>So the thing is though, this established connection now between

0:21:52.240 --> 0:21:56.440
<v Speaker 1>coptic and demotic and then demonic and hieroglyphics, since they're

0:21:56.440 --> 0:21:59.920
<v Speaker 1>side by side, that kind of opened up this meant

0:22:00.040 --> 0:22:03.879
<v Speaker 1>reality that would be needed to finally crack the hieroglyphics

0:22:03.920 --> 0:22:08.280
<v Speaker 1>for for um, the Rosetta stone. And Thomas Young was

0:22:08.320 --> 0:22:10.640
<v Speaker 1>the first to really try it. He was the British guy,

0:22:11.359 --> 0:22:16.080
<v Speaker 1>and he got somewhat far, but he gave up. Yeah,

0:22:16.119 --> 0:22:19.560
<v Speaker 1>he in eighteen fourteen. His big breakthrough was figuring out

0:22:19.640 --> 0:22:24.440
<v Speaker 1>what a cartouche was, and that is um, it's they

0:22:24.480 --> 0:22:27.119
<v Speaker 1>say oval, but it's a little more squared away with

0:22:27.240 --> 0:22:31.400
<v Speaker 1>round edges, but it's a loop basically with hieroglyphic characters

0:22:31.400 --> 0:22:35.239
<v Speaker 1>in it. And he figured out that these are not

0:22:35.280 --> 0:22:38.320
<v Speaker 1>only proper names, but royal names. Anything in pain and

0:22:38.440 --> 0:22:41.280
<v Speaker 1>containing a cartouche is a royal name, which was a

0:22:41.280 --> 0:22:45.639
<v Speaker 1>big breakthrough because he identified Tolemy, the pharaoh's name in

0:22:45.640 --> 0:22:53.280
<v Speaker 1>one of the car cartouches cartouche cartouches, and uh, his

0:22:53.400 --> 0:22:56.040
<v Speaker 1>Queen Baronica was in there as well, so he said

0:22:56.080 --> 0:22:58.440
<v Speaker 1>you know what again, I've got these two names now

0:22:58.480 --> 0:23:01.760
<v Speaker 1>to work with hum but he was still working on

0:23:02.440 --> 0:23:07.320
<v Speaker 1>Roppolo's false premise that hieroglyphics was not phonetic in nature

0:23:07.480 --> 0:23:09.840
<v Speaker 1>and that it was based just on symbols. Right, That's

0:23:09.920 --> 0:23:15.800
<v Speaker 1>what Horopolo's big contribution was to confuse a centuries worth

0:23:15.840 --> 0:23:19.280
<v Speaker 1>of scholars bad for young because he was onto something

0:23:19.320 --> 0:23:21.960
<v Speaker 1>and if he wasn't using that the fake or or

0:23:22.119 --> 0:23:24.120
<v Speaker 1>not fake but just the poor system, then he might

0:23:24.119 --> 0:23:26.840
<v Speaker 1>have figured it out. Right. So this is the thing

0:23:26.880 --> 0:23:31.520
<v Speaker 1>like everyone believed for Apolo, because Popolo claimed that his

0:23:31.640 --> 0:23:36.280
<v Speaker 1>translation was a direct translation from hieroglyphic. It was written

0:23:36.280 --> 0:23:39.720
<v Speaker 1>in the fifth century a d. Right around the time

0:23:39.920 --> 0:23:44.320
<v Speaker 1>we lost hieroglyphics, so it was considered to be a

0:23:44.480 --> 0:23:51.760
<v Speaker 1>primary source and basically completely reasonable. Yeah, but it was wrong.

0:23:51.880 --> 0:23:56.320
<v Speaker 1>It was wrong because it said that hieroglyphics are symbolic.

0:23:56.920 --> 0:24:00.119
<v Speaker 1>So like, if you see a cart a picture that

0:24:00.119 --> 0:24:02.880
<v Speaker 1>looks like a cart next to a cat and then

0:24:02.960 --> 0:24:07.359
<v Speaker 1>a lizard, what that should say under a Hiropolos translation

0:24:07.560 --> 0:24:13.000
<v Speaker 1>is cart, cat lizard. This kept throwing everybody off because

0:24:13.200 --> 0:24:16.399
<v Speaker 1>it didn't make sense, especially right, especially when compared to

0:24:16.440 --> 0:24:19.520
<v Speaker 1>the Greek translation and the translation of Demotic that didn't

0:24:19.560 --> 0:24:23.040
<v Speaker 1>make any sense whatsoever. So, like you said, Young gave up,

0:24:23.040 --> 0:24:26.000
<v Speaker 1>but he published his findings, and you can really strongly

0:24:26.040 --> 0:24:29.560
<v Speaker 1>make a case that had it not been for Young's breakthrough, Uh,

0:24:29.800 --> 0:24:34.680
<v Speaker 1>Champolion would not have cracked the Rosetta Stone. No, which

0:24:35.000 --> 0:24:38.399
<v Speaker 1>uh we should mention here that like they should just

0:24:38.600 --> 0:24:42.240
<v Speaker 1>accept each other as as co workers and colleagues and

0:24:42.240 --> 0:24:45.119
<v Speaker 1>get along. But there was a competition that exists to

0:24:45.200 --> 0:24:50.320
<v Speaker 1>this day of who what country claims that they translated

0:24:50.359 --> 0:24:52.920
<v Speaker 1>the Rosetta Stone. The French still say that Champagnan was

0:24:52.960 --> 0:24:55.280
<v Speaker 1>really the one. The Brits obviously say no, it was

0:24:55.320 --> 0:24:58.359
<v Speaker 1>really Young. And even when they displayed it in nineteen

0:24:58.440 --> 0:25:00.840
<v Speaker 1>seventy two with the one of the times it's left

0:25:00.920 --> 0:25:04.679
<v Speaker 1>England or maybe the only time they let France display

0:25:04.720 --> 0:25:09.119
<v Speaker 1>it for like a year, um, they argued about the

0:25:09.119 --> 0:25:11.919
<v Speaker 1>size of the photos of the two on both sides

0:25:11.960 --> 0:25:14.320
<v Speaker 1>of it, when in fact the photos were the same

0:25:14.359 --> 0:25:19.160
<v Speaker 1>size of Young and Champion. Yeah, not photos but portraits. Yeah.

0:25:19.200 --> 0:25:21.080
<v Speaker 1>But the French were like, well, no, Young's is bigger.

0:25:21.359 --> 0:25:23.840
<v Speaker 1>The Brits were like, no, his is bigger, And they

0:25:23.880 --> 0:25:26.040
<v Speaker 1>were the same size, so they were really just they

0:25:26.080 --> 0:25:29.560
<v Speaker 1>never came to a common ground on who did it,

0:25:29.560 --> 0:25:31.720
<v Speaker 1>when in fact they both did. And there were rumors

0:25:31.760 --> 0:25:35.639
<v Speaker 1>apparently during that time that France was gonna to steal

0:25:35.640 --> 0:25:37.480
<v Speaker 1>the Rosetta stone and keep it and not turn it

0:25:37.520 --> 0:25:39.480
<v Speaker 1>back to England. And this is in the nineteen seventies,

0:25:39.480 --> 0:25:42.159
<v Speaker 1>so it's not like a long time ago. Um. So

0:25:42.320 --> 0:25:45.400
<v Speaker 1>Champagnon picked up in eighteen fourteen where Young left off

0:25:46.080 --> 0:25:48.840
<v Speaker 1>and started to think, you know what, I need to

0:25:48.840 --> 0:25:52.760
<v Speaker 1>think more about this, this simple thing that Harapolo like,

0:25:52.800 --> 0:25:54.640
<v Speaker 1>I don't know if he he was on base after all.

0:25:55.160 --> 0:25:58.560
<v Speaker 1>And that was actually the breakthrough he um. He got

0:25:58.600 --> 0:26:03.359
<v Speaker 1>some old cartouches and he figured out, um, that the

0:26:03.400 --> 0:26:05.680
<v Speaker 1>last two letters and one of them were identical. So

0:26:06.600 --> 0:26:08.480
<v Speaker 1>that's a good thing because you know that it's the

0:26:08.520 --> 0:26:10.840
<v Speaker 1>same letter. He figured out that it was the letter

0:26:11.119 --> 0:26:14.480
<v Speaker 1>S and um. Then the first character was a circle,

0:26:14.520 --> 0:26:17.639
<v Speaker 1>and he said, maybe that's the sun and in ancient Egypt,

0:26:17.680 --> 0:26:21.280
<v Speaker 1>the sun god was raw and coptic. Yeah, and so

0:26:21.880 --> 0:26:26.280
<v Speaker 1>basically figured out that that name was Ramseys. Yeah. Then

0:26:26.320 --> 0:26:28.359
<v Speaker 1>that was a huge breakthrough. He figured out the the

0:26:28.440 --> 0:26:31.840
<v Speaker 1>identical letters, the last two were S S, the first

0:26:31.840 --> 0:26:34.199
<v Speaker 1>one was raw and since he knew that it was

0:26:34.240 --> 0:26:37.320
<v Speaker 1>in a cartouche, that it was a royal name from

0:26:37.359 --> 0:26:39.880
<v Speaker 1>that era, the only person it could have been was Ramsey.

0:26:40.000 --> 0:26:42.840
<v Speaker 1>So that's how we cracked the code like you say yea,

0:26:42.880 --> 0:26:46.320
<v Speaker 1>and cracked it in like, hey, this is a phonetic thing.

0:26:46.640 --> 0:26:49.520
<v Speaker 1>He was wrong the whole time, and apparently he fainted

0:26:49.560 --> 0:26:53.399
<v Speaker 1>on the spot, which is dramatic, kind of cute. He

0:26:53.520 --> 0:26:59.400
<v Speaker 1>was French. Sure. Um. So out of that moment, Egyptology

0:26:59.600 --> 0:27:01.879
<v Speaker 1>was fully born, Like now we had a way to

0:27:02.000 --> 0:27:05.320
<v Speaker 1>understand all this stuff that hadn't been destroyed and re

0:27:05.560 --> 0:27:08.160
<v Speaker 1>used as building material. Just took a long time though.

0:27:08.160 --> 0:27:10.640
<v Speaker 1>It wasn't like they could just read it. It still

0:27:10.680 --> 0:27:13.520
<v Speaker 1>took a lot of translating. Oh yeah, but they had

0:27:13.520 --> 0:27:17.600
<v Speaker 1>the basis. Um. Yeah, all they've done is transcribe one

0:27:17.720 --> 0:27:22.280
<v Speaker 1>single stella. They had millennia worth of things to like

0:27:22.359 --> 0:27:29.000
<v Speaker 1>papyrus is and papyri um and building inscriptions and sarcopha

0:27:29.040 --> 0:27:34.080
<v Speaker 1>guy and all that letters. Yeah whatever. Yeah, um, And

0:27:34.160 --> 0:27:38.800
<v Speaker 1>so Egyptology is born. And now that it's understood, at

0:27:38.800 --> 0:27:42.560
<v Speaker 1>that moment, there's also a great desire to protect Egypt

0:27:42.880 --> 0:27:45.000
<v Speaker 1>and all of its treasures. Yeah, and to get things

0:27:45.119 --> 0:27:47.760
<v Speaker 1>right because previous to that in Napoleon and gang did

0:27:47.800 --> 0:27:50.920
<v Speaker 1>a pretty good job. But they also speculated a lot. Yeah,

0:27:50.920 --> 0:27:53.080
<v Speaker 1>because they couldn't read hyard glyphics. Yeah, so they ended

0:27:53.160 --> 0:27:55.080
<v Speaker 1>up correcting a lot of things about what they thought

0:27:55.119 --> 0:27:58.960
<v Speaker 1>about Egypt. And Um, like you said, they wanted to

0:27:59.000 --> 0:28:02.680
<v Speaker 1>protect things because Egypt at the time was I mean,

0:28:02.680 --> 0:28:05.359
<v Speaker 1>they were selling these things off to collectors left and

0:28:05.440 --> 0:28:07.879
<v Speaker 1>right because a they did another true value and be

0:28:08.960 --> 0:28:11.359
<v Speaker 1>there was a market for it. Sure, doctors during the

0:28:11.400 --> 0:28:15.000
<v Speaker 1>Middle Ages who were just big dummies would use mummies

0:28:15.040 --> 0:28:17.679
<v Speaker 1>from Egypt. Uh, they grind it up and use it

0:28:17.720 --> 0:28:22.080
<v Speaker 1>to cure disease, which didn't work. Um. And so there

0:28:22.160 --> 0:28:30.280
<v Speaker 1>was this move to protect Egyptian antiquities from Egyptians. There

0:28:30.320 --> 0:28:33.959
<v Speaker 1>was kind of this patriarchal mentality, especially among the British,

0:28:34.160 --> 0:28:36.600
<v Speaker 1>that we need to get everything out of Egypt and

0:28:36.680 --> 0:28:39.680
<v Speaker 1>into museums and into like the hands of us who

0:28:39.680 --> 0:28:42.600
<v Speaker 1>will preserve them and not sell them to Middle Age

0:28:42.880 --> 0:28:48.720
<v Speaker 1>or Middle Middle Ages doctors for cure alls. But to

0:28:49.240 --> 0:28:53.640
<v Speaker 1>his credit, in my opinion, Champoleon argued very strongly in

0:28:53.720 --> 0:28:57.600
<v Speaker 1>favor of keeping them in founding a museum in Egypt

0:28:57.720 --> 0:29:00.400
<v Speaker 1>to store these keeping them in Egypt. Yeah. I think

0:29:00.440 --> 0:29:02.680
<v Speaker 1>he was a little bit of a control freak, like

0:29:02.760 --> 0:29:04.400
<v Speaker 1>he knew that he could care for things in the

0:29:04.440 --> 0:29:07.520
<v Speaker 1>proper way and he I don't think he trusted even

0:29:07.560 --> 0:29:09.680
<v Speaker 1>other museums at the time to care for things in

0:29:09.720 --> 0:29:11.040
<v Speaker 1>the right way. And he was kind of right because

0:29:11.080 --> 0:29:13.480
<v Speaker 1>a lot of it was destroyed. Yeah, Like apparently to

0:29:13.640 --> 0:29:16.280
<v Speaker 1>preserve an ancient papyrus you have to store it in

0:29:16.360 --> 0:29:22.560
<v Speaker 1>a low humidity um area. Yeah, in a chamber and

0:29:23.000 --> 0:29:26.880
<v Speaker 1>in a bamboo box container. And they didn't know this,

0:29:26.960 --> 0:29:28.960
<v Speaker 1>and they shipped them by seed to the UK and

0:29:28.960 --> 0:29:33.840
<v Speaker 1>they all like crumbled the nothingness on the way. Um. Yeah.

0:29:34.280 --> 0:29:38.800
<v Speaker 1>So the Rosettason still sits in the museum in London,

0:29:39.640 --> 0:29:41.640
<v Speaker 1>where it's been since eighteen o two, except for the

0:29:41.640 --> 0:29:44.120
<v Speaker 1>time it went to France briefly. Uh. And in two

0:29:44.120 --> 0:29:47.800
<v Speaker 1>thousand three Egypt it was like, you know what, I

0:29:47.880 --> 0:29:51.400
<v Speaker 1>want this thing back, not I we want this thing

0:29:51.440 --> 0:29:54.600
<v Speaker 1>back and it's ours and it's I don't care who

0:29:54.680 --> 0:29:58.400
<v Speaker 1>found it, it's ours. And England said in two thousand

0:29:58.480 --> 0:30:02.600
<v Speaker 1>five took him two years to build a replica and say, hey,

0:30:02.640 --> 0:30:05.080
<v Speaker 1>how about this, this is just like it I guess

0:30:05.160 --> 0:30:08.280
<v Speaker 1>at least they didn't try to pass it off. Well, yeah,

0:30:08.320 --> 0:30:11.680
<v Speaker 1>that's true. UM sind him a replica and they're like,

0:30:11.960 --> 0:30:14.240
<v Speaker 1>I appreciate this, this is nice, but we really would

0:30:14.280 --> 0:30:18.200
<v Speaker 1>like the real thing. And England said no, and not

0:30:18.360 --> 0:30:21.320
<v Speaker 1>just England, but a lot of the big museums, the

0:30:21.400 --> 0:30:25.120
<v Speaker 1>LOUVERA and UM, a bunch of the world museums kind

0:30:25.120 --> 0:30:28.560
<v Speaker 1>of all got together in support of one another and said,

0:30:28.600 --> 0:30:33.000
<v Speaker 1>you know what repaid repatriotation is. We're not into it.

0:30:34.200 --> 0:30:36.280
<v Speaker 1>We're just not gonna give things back anymore because we

0:30:36.320 --> 0:30:38.240
<v Speaker 1>can care for it best. It belongs to the world now.

0:30:38.800 --> 0:30:41.360
<v Speaker 1>And they just sort of banded together and said, we're

0:30:41.440 --> 0:30:45.720
<v Speaker 1>keeping our stuff, and that's I think we're it's probably

0:30:45.720 --> 0:30:48.080
<v Speaker 1>gonna stay. They are trying to get it for a

0:30:49.800 --> 0:30:51.480
<v Speaker 1>I think in two thousand twelve they tried to get

0:30:51.520 --> 0:30:54.560
<v Speaker 1>it for a the grand opening of the Grand Egypt Museum.

0:30:54.720 --> 0:30:57.920
<v Speaker 1>Sounds didn't happen, but even then they said now they

0:30:58.040 --> 0:31:01.280
<v Speaker 1>wanted for like three weeks and they said nope, under

0:31:01.320 --> 0:31:03.400
<v Speaker 1>the guys of I don't know if it's guys, but

0:31:03.400 --> 0:31:05.560
<v Speaker 1>they said, would be too dangerous to transport it. That's

0:31:05.560 --> 0:31:09.240
<v Speaker 1>the story they have at least well. Yeah, uh so

0:31:09.400 --> 0:31:15.880
<v Speaker 1>that's uh how museums work, pillage and deny village and deny.

0:31:16.360 --> 0:31:20.160
<v Speaker 1>Um you got anything else? That is the Rosetto stone, everybody.

0:31:20.160 --> 0:31:21.800
<v Speaker 1>If you want to learn more about it, you should

0:31:21.800 --> 0:31:25.080
<v Speaker 1>type that word. Those words are O S E T T.

0:31:25.320 --> 0:31:28.200
<v Speaker 1>A stone in the search bar house to works. Uh,

0:31:28.240 --> 0:31:30.800
<v Speaker 1>and it will bring up this article. And since I

0:31:30.880 --> 0:31:40.080
<v Speaker 1>said search bar means it's time for a messagery. Uh, now, Chuck,

0:31:40.160 --> 0:31:54.480
<v Speaker 1>it's time for listener mail. Oh no, how about instead? Okay,

0:31:54.640 --> 0:31:56.200
<v Speaker 1>all right for those of you don't know, this is

0:31:56.320 --> 0:31:59.840
<v Speaker 1>at the point where we read off the people who

0:32:00.000 --> 0:32:02.160
<v Speaker 1>we're nice enough to send us little gifts and trinkets

0:32:02.160 --> 0:32:07.320
<v Speaker 1>and music and letters and all sorts of things, and um,

0:32:07.480 --> 0:32:10.360
<v Speaker 1>here we go go ahead, all right, Sarah send us

0:32:10.400 --> 0:32:13.960
<v Speaker 1>some cool graphic prints, one of which was you Can't

0:32:13.960 --> 0:32:18.600
<v Speaker 1>Take the Sky from Me from one of my favorite shows, Firefly. Yeah,

0:32:18.680 --> 0:32:22.440
<v Speaker 1>very cool prints. Uh. Amy sent us a lovely carved

0:32:22.440 --> 0:32:26.840
<v Speaker 1>wooden cicada from Timber Green Woods. Yeah, yeah, it's very cool. Uh.

0:32:26.880 --> 0:32:30.000
<v Speaker 1>And McDonough sent us a snoopy postcard and a handwritten

0:32:30.080 --> 0:32:33.680
<v Speaker 1>letter of things. Very nice. Uh. Liz from New Zealand

0:32:33.720 --> 0:32:37.120
<v Speaker 1>sent us a lot of stuff that's New Zealand candy,

0:32:37.320 --> 0:32:42.680
<v Speaker 1>New Zealand chocolate, New Zealand chifs, surfboard postcard, really lovely

0:32:42.760 --> 0:32:47.280
<v Speaker 1>framed photos from her dad Rudy Goldstein Photography. But on Facebook,

0:32:47.520 --> 0:32:51.000
<v Speaker 1>Uh it's our Goldstein photography, so check it out. Yeah,

0:32:51.000 --> 0:32:53.600
<v Speaker 1>it's very cool. I have those on my desk. Um

0:32:53.680 --> 0:32:57.200
<v Speaker 1>Sean Antonia sent us some custom vinyls, some stickers from

0:32:57.240 --> 0:33:00.400
<v Speaker 1>eight one one Graphics dot com. He and his brother. Yeah,

0:33:00.400 --> 0:33:03.680
<v Speaker 1>I have this company. It's cool stuff like skater style stuff. Right.

0:33:04.160 --> 0:33:08.000
<v Speaker 1>Um buy Costumes dot com. It's b u y Costumes

0:33:08.080 --> 0:33:11.360
<v Speaker 1>dot Com sent us a full size adult gremlin costume

0:33:11.840 --> 0:33:15.680
<v Speaker 1>which Ben Bowling wore all day yesterday in the office here. Yeah,

0:33:15.720 --> 0:33:17.280
<v Speaker 1>Ben Bowling from stuff they don't want you to know

0:33:17.320 --> 0:33:20.440
<v Speaker 1>and car stuff. He's weird. Did you see that? He

0:33:20.480 --> 0:33:22.160
<v Speaker 1>emailed me they did that? Did you actually see that?

0:33:22.240 --> 0:33:24.040
<v Speaker 1>I haven't seen a picture of him yet. I put

0:33:24.040 --> 0:33:25.480
<v Speaker 1>on the hand one day and try to creep out

0:33:25.480 --> 0:33:27.600
<v Speaker 1>strict wind, but he was played. That's not the first

0:33:27.640 --> 0:33:32.280
<v Speaker 1>Grimlin hand I've had him shoulder. Uh. Cat tpe Megan

0:33:33.040 --> 0:33:35.560
<v Speaker 1>sent a cat tpe my way because I have two

0:33:35.560 --> 0:33:38.640
<v Speaker 1>cats and uh my big boy Lauren gets in it now.

0:33:38.640 --> 0:33:40.880
<v Speaker 1>We call it his spirit tent and he just hangs

0:33:40.880 --> 0:33:43.200
<v Speaker 1>out in there, and uh, it's pretty neat. I mean

0:33:43.240 --> 0:33:45.320
<v Speaker 1>it's what you think. It's just like a little small

0:33:45.360 --> 0:33:47.960
<v Speaker 1>TP for your kiddie though. It's very cute. So if

0:33:48.000 --> 0:33:51.240
<v Speaker 1>you have a cat, I would suggest you buying one. Um,

0:33:51.400 --> 0:33:53.920
<v Speaker 1>let's see, Susan sent you a birthday card. It's a

0:33:53.960 --> 0:33:57.479
<v Speaker 1>dog drinking beer. Yeah, yeah, that was nice. Yeah, Kellum

0:33:57.480 --> 0:34:00.960
<v Speaker 1>Clark sent us some T shirts. Um, and he is

0:34:01.000 --> 0:34:04.120
<v Speaker 1>a handyman in Brooklyn, and he gifted us two hours

0:34:04.120 --> 0:34:08.640
<v Speaker 1>of handyman work to give to someone we know in Brooklyn.

0:34:08.800 --> 0:34:11.879
<v Speaker 1>That's very really cool. So I've actually texted our buddy

0:34:11.960 --> 0:34:14.799
<v Speaker 1>Joe Randazzo said, hey, you need any work done, we

0:34:14.840 --> 0:34:17.200
<v Speaker 1>have two three hours of handyman work. So if you're

0:34:17.200 --> 0:34:20.040
<v Speaker 1>in Brooklyn, you can go to not just Handyman dot

0:34:20.040 --> 0:34:22.960
<v Speaker 1>com and uh, give kill him a call. He'll fix

0:34:23.000 --> 0:34:26.120
<v Speaker 1>your sink or do whatever what you need around the house.

0:34:26.120 --> 0:34:28.600
<v Speaker 1>I guess what's he gonna do for I don't know.

0:34:28.680 --> 0:34:31.000
<v Speaker 1>Joe didn't respond. What We'll go to Hodgeman next, I guess,

0:34:31.040 --> 0:34:33.440
<v Speaker 1>and just work our way down the list all the Hodgeman.

0:34:33.480 --> 0:34:35.200
<v Speaker 1>You can afford to pay people, we should give it

0:34:35.239 --> 0:34:38.919
<v Speaker 1>to like someone else. Okay, all right, we'll figure it out. Uh.

0:34:39.000 --> 0:34:44.399
<v Speaker 1>Clive Fennessy gave us some really cool Panama Canal postcards. Yeah,

0:34:44.440 --> 0:34:47.200
<v Speaker 1>it was your neat Rachel from Uber. Have you heard

0:34:47.200 --> 0:34:49.960
<v Speaker 1>of Uber. It's a it's sort of like a taxi

0:34:50.000 --> 0:34:53.360
<v Speaker 1>cab service now but it's town cars and they have

0:34:53.360 --> 0:34:55.000
<v Speaker 1>an app and you can like say just come get

0:34:55.040 --> 0:35:00.000
<v Speaker 1>me now that. Yeah. They sent us Uber gift cards. Um,

0:35:00.000 --> 0:35:01.440
<v Speaker 1>and I will see you your gift code for us

0:35:01.600 --> 0:35:05.200
<v Speaker 1>a hundred bucks and free. Thanks a lot. I know

0:35:05.320 --> 0:35:08.520
<v Speaker 1>somebody's going to be going to the airport for free. Yeah.

0:35:08.640 --> 0:35:12.120
<v Speaker 1>Kristen Curran has been taking us along with her on

0:35:12.160 --> 0:35:15.279
<v Speaker 1>a tour of Europe. It seems like we've got postcards

0:35:15.320 --> 0:35:21.040
<v Speaker 1>from her from Edinburgh, Bruges, Amsterdam, Slovakia, Berlin all over

0:35:21.080 --> 0:35:24.040
<v Speaker 1>the place. Yeah, so thanks for those. Um. We also

0:35:24.080 --> 0:35:28.320
<v Speaker 1>got something from Threadless self designed t shirt bigfoot cradling

0:35:28.320 --> 0:35:32.080
<v Speaker 1>and alien lockness monsters in the background. Yeah. There was

0:35:32.120 --> 0:35:34.680
<v Speaker 1>also like men in black and an abduction going on,

0:35:34.760 --> 0:35:37.640
<v Speaker 1>all sorts of stuff. Very cool. Uh. And then Kira

0:35:37.840 --> 0:35:41.160
<v Speaker 1>Newron sent the wives and jewelry um and you can

0:35:41.320 --> 0:35:44.399
<v Speaker 1>visit her store. Thank you very much, Kira at um

0:35:44.840 --> 0:35:49.359
<v Speaker 1>Cariboo Classics dot Etsy dot com. So that's that's our

0:35:49.960 --> 0:35:52.480
<v Speaker 1>administrative details for now, right, Yeah, part one. We'll have

0:35:52.520 --> 0:35:54.600
<v Speaker 1>a part two, I guess on the next episode. Yes

0:35:54.640 --> 0:35:57.920
<v Speaker 1>we will, where we'll cover music in books. Nice. If

0:35:57.960 --> 0:35:59.319
<v Speaker 1>you want to get in touch with us, you can

0:35:59.360 --> 0:36:02.279
<v Speaker 1>tweet to us at s y s K podcast. You

0:36:02.360 --> 0:36:04.680
<v Speaker 1>can join us on Facebook dot com, slash stuff you

0:36:04.680 --> 0:36:07.480
<v Speaker 1>Should Know. You can send us an email to Stuff

0:36:07.520 --> 0:36:10.200
<v Speaker 1>Podcast at Discovery dot com, and you can join us

0:36:10.200 --> 0:36:12.160
<v Speaker 1>at our home on the web, Stuff you Should Know

0:36:12.400 --> 0:36:20.440
<v Speaker 1>dot com. For more on this and thousands of other topics,

0:36:20.680 --> 0:36:29.920
<v Speaker 1>is it how Stuff works dot com. Brought to you

0:36:29.960 --> 0:36:32.400
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