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Speaker 1: A hi family drama queens here. As you know, our

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Speaker 1: union SAGAFTRA is on strike now.

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Speaker 2: We are no strangers to pushing back against imbalances and

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Speaker 2: abuses of power. It is the very basis of our

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Speaker 2: podcast here, so we're reclaiming a really pivotal chapter in

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Speaker 2: our lives.

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Speaker 3: We are in full support of the strike as well

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Speaker 3: as the writer's strike, and we've checked in personally with

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Speaker 3: multiple representatives and have had our teams do the same

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Speaker 3: so that we maintain an active line of communication.

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Speaker 1: Right now, we have been given the greenlight to honor

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Speaker 1: our iHeart contract, but we are taking this walk down

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Speaker 1: memory lane in an old school way and encourage you

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Speaker 1: to do the same.

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Speaker 2: Bust out those DVD's, okay.

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Speaker 1: We've signed thousands of box sets, so we know you

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Speaker 1: have them, get together with friends and have watched parties

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Speaker 1: like we did back in the day.

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Speaker 2: This community has always been supportive and proactive whenever we've

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Speaker 2: been in a tough spot, and this moment is no exception.

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Speaker 2: We are grateful to you and encourage all of you

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Speaker 2: to post your pictures with your box set and use

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Speaker 2: those hashtags SAG after Strong and w g A Strong

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Speaker 2: and We're gonna post your pictures in our feed let

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Speaker 2: folks know.

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Speaker 3: That you support the artists who bring you your favorite

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Speaker 3: shows like One Tree Hill, And if you're able, please

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Speaker 3: donate to the Entertainment Community Fund. Our fans are the

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Speaker 3: very best fans, So thank you, and thank you to

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Speaker 3: our reps at sag AFTRA for helping us navigate this

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Speaker 3: complicated moment. We are so proud to be union members.

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Speaker 3: Now onto the drama.

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Speaker 2: First of all, you don't know.

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Speaker 4: All about that high school drama, Girl Drama girl, all

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Speaker 4: about them high school queens.

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Speaker 3: We'll take you for a ride.

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Speaker 5: And our comic girl shared for the right teams.

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Speaker 4: Drama Queens, my cough girl, fashion mich your tough girl,

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Speaker 4: you could.

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Speaker 5: Sit with us, Girl Drama, Queens Drama, queise Drama, Queens Drama, Drama,

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Speaker 5: Queens Drama, Queens.

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Speaker 2: Drama, Queens. Hello, how was it to watch this on

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Speaker 2: DVD this week?

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Speaker 3: I'm obsessed by the way. There's something I got like

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Speaker 3: a little spicy about it. I was like, well, am

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Speaker 3: I in my petty era because we obviously are reclaiming

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Speaker 3: our territory with this show, and we've clued in our

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Speaker 3: listeners about how crazy current events are in our industry

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Speaker 3: and how artists and creators really get boned and it's

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Speaker 3: not okay. And it's felt so good to take our

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Speaker 3: show back on this podcast. And then we got our

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Speaker 3: DVDs and I was like, damn the man, the streamers,

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Speaker 3: I'm gonna take this out and watch it on a

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Speaker 3: little plastic disc. And it made me feel like we

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Speaker 3: were doing something a little sparkly.

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Speaker 2: When you said, damn the man. Fyi Empire Records, where

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Speaker 2: that movie is quoted from, was shot in Wilmington, Like

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Speaker 2: we're on those same main drag that Karen's Cafe existed.

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Speaker 2: And I love that notion.

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Speaker 6: Of like save save, like DVDs, save CDs, Like we

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Speaker 6: had these tangible things that were eradicated by technology.

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Speaker 2: And it's really sad because so many shows that were

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Speaker 2: only being put on streamers have now been erased and

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Speaker 2: were never put out on DVDs, so there's no way

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Speaker 2: to watch those. So I appreciate that our show is

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Speaker 2: old enough that these still exist.

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Speaker 5: I know.

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Speaker 2: And my son thought it was so cool in retro,

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Speaker 2: like he's got a record player. He is Peyton Sawyer, right,

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Speaker 2: and so he sees the DVD player and it's like,

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Speaker 2: whoa can I can I have that when you're done

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Speaker 2: with it, don't stage us. Loved it. I loved it

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Speaker 2: because it comes with like the liner notes, and I like,

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Speaker 2: I don't know, I just like tangible things. That's why

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Speaker 2: I like books instead of like a kindle.

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Speaker 3: I also loved like, you know, when we would do

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Speaker 3: events and even still now, like you meet fans at

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Speaker 3: things and then they you know, they do this and

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Speaker 3: it's like, hey, Hillary, willis him my DVD?

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Speaker 2: And it's your kidding Will, Right. So before watching the

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Speaker 2: episode I had, I had a moment yesterday. I was

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Speaker 2: out with my kids and there were a group of

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Speaker 2: other kids that all clearly were cousins and knew each other.

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Speaker 2: And George was trying to infiltrate this group of kids,

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Speaker 2: and one of the dads was really cool. He was like, hey, girls,

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Speaker 2: like this little girl wants to play with you and

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Speaker 2: include her. And so these kids are playing together for

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Speaker 2: like an hour and a half, two hours, right, and

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Speaker 2: all you know, everyone's just kind of sitting around being chill,

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Speaker 2: and then the older of the kids goes off and

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Speaker 2: you hear the mom who I've been talking to off

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Speaker 2: and on for the last hour and a half. Yeall,

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Speaker 2: Peyton Sawyer get over here, and I'm like, this lady's

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Speaker 2: this lady's absolutely punking me. And then I realized, like

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Speaker 2: I have a hat and sunglasses and all of that on,

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Speaker 2: and I'm like, is she making fun of Like I couldn't.

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Speaker 2: I couldn't wrap my head around did you say this

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Speaker 2: child was? So it wasn't until Jeff showed up later

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Speaker 2: that they were like, oh my god, we're so impaired.

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Speaker 2: But they'd been like so wonderful to my kids, having

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Speaker 2: no idea that I was standing right there. And so

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Speaker 2: I meet this little girl and I'm like, hey, I'm

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Speaker 2: Peyton Sawyer too, and she's just like, what in the

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Speaker 2: world are you and my mom talking about? And it

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Speaker 2: was such a sweet interaction and like such a good girl.

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Speaker 2: And I was like, listen, Peyton Sawyer's are tough girls.

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Speaker 2: But I love that we work in an industry where

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Speaker 2: like your character can have kids named after them, Like,

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Speaker 2: no one is naming their children after the land barons

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Speaker 2: that own the studios and things like that, No, but

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Speaker 2: they they are naming their children after things that are

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Speaker 2: created by writers and there so for anyone out there

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Speaker 2: that is named a child after our show. Thank you

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Speaker 2: so much. That is like the most flattering thing that

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Speaker 2: you can do. It's so I loved the Payton I

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Speaker 2: met yesterday. She was awesome. She sounds like a cool kid,

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Speaker 2: She's tough. I loved it, loved it. Good family, well.

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Speaker 3: Well, good families, good people. Let's talk about families. Our

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Speaker 3: episode this week really revolves around this, and as you

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Speaker 3: all have heard us alluding to, we're watching the show

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Speaker 3: on DVD because we are not supporting streamers at this time.

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Speaker 3: It's a blast from the past in every way, and

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Speaker 3: the family drama is high in this one season five

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Speaker 3: episode eleven, You are Gonna Need Someone on your Side,

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Speaker 3: aired March eleventh, two thousand and eight. Originally tell the

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Speaker 3: fans what they've won today, Hillary oh Man, I remember

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Speaker 3: filming this like it was yes.

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Speaker 2: Do you Yeah? On the eve of Lucas and Lindsay's

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Speaker 2: marriage h they conspire to get Nathan and Haley in

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Speaker 2: the same room by planning a combined bachelor and bachelorette party.

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Speaker 2: Jamie Sweet Jamie tries many attempts to get his mom

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Speaker 2: and dad to make up. At the party, Brook arranges

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Speaker 2: a hot blind date for Peyton that's why I remember

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Speaker 2: this so well.

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Speaker 7: But the joke is on her, as Owen's chosen mate

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Speaker 7: is Chase Brook's former clean teen lover love that they

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Speaker 7: put I'm so uncomfortable.

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Speaker 2: Rachel returns to Tree Hill, only to be pushed out

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Speaker 2: by Victoria, which pushes Brooke to her breaking point. Yes,

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Speaker 2: you're absolutely right. This is a family episode. I think

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Speaker 2: we did that really really well. Which family do you

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Speaker 2: want to start with? Oh?

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Speaker 3: Man, I mean it's it's a bummer that we don't

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Speaker 3: have joy this week because our schedules have just been

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Speaker 3: so crazy all and she had something come up today.

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Speaker 3: But it was such a good episode for Nathan and Haley. Yeah,

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Speaker 3: and I kind of want to jump into that dynamic

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Speaker 3: right off the bat because I saw it differently at

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Speaker 3: this age than I saw it then. And I loved

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Speaker 3: skills in this episode. I loved the dynamic that he

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Speaker 3: had really looking out for Jamie. I thought a lot

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Speaker 3: of it was really great. But I have a little

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Speaker 3: bone to pick. They do it and listen. Of course,

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Speaker 3: especially when kids are young and there's tension in a family,

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Speaker 3: you have to figure out a way to protect them

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Speaker 3: their children. They have these little developing brains. They need

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Speaker 3: care and safety, they need to know things are going

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Speaker 3: to be okay. And I was a little bugged that

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Speaker 3: there was this idea that somehow, in particular, Haley wasn't

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Speaker 3: being a good mom because she was and just letting

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Speaker 3: this thing roll off her back, this potential infidelity. This

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Speaker 3: you know, the woman kissed you and was nude in

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Speaker 3: front of you and got in the shower with you,

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Speaker 3: and clearly something's going on to egg her on. And

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Speaker 3: we've watched the something going on for a long time now.

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Speaker 2: And I don't know.

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Speaker 3: At this stage in my life, I was like, I

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Speaker 3: don't like that Hailey choosing herself, even if she's going

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Speaker 3: to choose to do the work on her marriage, that

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Speaker 3: her needing a moment of space is essentially being convoluted

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Speaker 3: with her being a less than mother.

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Speaker 2: It really bumped me. I feel exactly the way that

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Speaker 2: you felt, because I was like, oh God, this hits

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Speaker 2: different as a grown up, because I think when we

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Speaker 2: were kids, we all read the script and we were like, oh, man,

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Speaker 2: Nathan's really fighting for this, and like Jamie is fighting

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Speaker 2: for like everyone is fighting for it except Haley, and

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Speaker 2: we knew all the information. We knew that Nathan had

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Speaker 2: rebuffed the girl's advances and was in kind of like

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Speaker 2: a complicated situation and had tried to be a good

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Speaker 2: guy and then get rid of her and all that

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Speaker 2: kind of stuff. Haley doesn't have any of that information.

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Speaker 2: All she knows is that this person keeps putting the

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Speaker 2: safety of their family in danger over and over and

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Speaker 2: over again. And as an adult, it's like yeah. And

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Speaker 2: as an adult, there's this moment at the party where

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Speaker 2: Jamie is just like, over and over and over again,

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Speaker 2: like Mommy, can we play? Mommy? Can we play? Mommy?

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Speaker 2: Can we play? Mommy? Can we play? And boy, I

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Speaker 2: have been in that boat. And I make a point

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Speaker 2: of playing barbies with my daughter at least once a day.

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Speaker 2: But if you ask me eight thousand times, I'll lose

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Speaker 2: my mind like every other person on the planet, Like,

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Speaker 2: I don't know. I don't like that that was vilified.

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Speaker 3: I didn't either, and I really could. I could see

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Speaker 3: my younger self having this almost like Pollyanna feeling about,

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Speaker 3: you know, make it right and do the whatever. But yeah,

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Speaker 3: the fact that last week all Nathan said was I

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Speaker 3: wasn't even into her, Like, no, you have to sit

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Speaker 3: down you have to have a conversation. You got to

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Speaker 3: run you got to run through it. You got to,

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Speaker 3: you know, talk about why because of how your kid feels.

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Speaker 3: You didn't want to make it awkward until it got awkward,

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Speaker 3: and then you told her to stop, and you thought

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Speaker 3: she would like, you really have to let your partner

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Speaker 3: in on reality and care for them. If you don't

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Speaker 3: care for each other in the same way, you're never

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Speaker 3: gonna make it. And my god, as an adult sitting

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Speaker 3: here understanding how complex it is to be in relationships,

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Speaker 3: I was like, ooh, I don't like the way that

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Speaker 3: the woman got treated in this whole dynamic because she

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Speaker 3: literally is the innocent one here.

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Speaker 2: Well, you know, for those of you guys who haven't

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Speaker 2: seen the episode, it starts with Nathan sleeping on the

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Speaker 2: couch at Lucas and Lindsay's house, and then there's like

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Speaker 2: this very weird kind of reference to like why he's

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Speaker 2: not in a bedroom. It's like, oh, I haven't cleared

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Speaker 2: out my mom's stuff, so you have to sleep on

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Speaker 2: the couch. It was, it was weird, It was very uncomfortable.

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Speaker 2: But then Nathan makes a point of saying to Lucas

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Speaker 2: while they're playing basketball together. He's like, I got nothing

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Speaker 2: going on. I'm sleeping on your couch. I got nothing

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Speaker 2: going on. And in my head, I'm like, a week

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Speaker 2: has passed. We know that. Why hasn't his mother written

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Speaker 2: her a letter? Hollo, Why isn't he sat down and said,

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Speaker 2: point by point, I know you're mad about this. This

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Speaker 2: is the reality of what happened. This is what I

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Speaker 2: tried to do. This is what she did. Why hasn't

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Speaker 2: there been a restraining order like filed against that girl? Like,

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Speaker 2: if I'm him, I go and I file a restraining

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Speaker 2: order just to show my wife, like I don't want

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Speaker 2: this around. There is like work that you can do

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Speaker 2: over the course of a week, and Nathan instead playing

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Speaker 2: in basketball the River cour insane.

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Speaker 3: Insane, Yeah it was. It was really no effort on

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Speaker 3: his part. And then she gets you know, she kind

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Speaker 3: of gets her ass handed to her a little bit.

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Speaker 3: I will say, you know, divesting from how I feel

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Speaker 3: about the way the story was carried out. God Skills

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Speaker 3: was so good in that scene. Antoine delivered that so beautifully.

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Speaker 3: I was like, give that man a show immediately. I

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Speaker 3: guess when the strike is over and nobody's working but god,

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Speaker 3: he was so great, and I loved the points he

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Speaker 3: made about, you know, the way he's showing up for

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Speaker 3: this kid that he cares about, and how potentially the

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Speaker 3: drama between the adults is making them forget a little bit.

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Speaker 3: But I was like, she hasn't forgotten. All she's done

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Speaker 3: this year is fight for this family.

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Speaker 2: Mm hmm and ugh.

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Speaker 3: It bugged me. He was beautiful, but it bugged me.

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Speaker 2: Yeah, he took what he was given, and I wish

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Speaker 2: he would have had a similar conversation with Nathan where

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Speaker 2: he was like, exactly, dude, do the work. Do the work.

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Speaker 2: We're all here to distract your kid while you're sorting

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Speaker 2: it out. All your friends love you, we will take

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Speaker 2: care of Jamie. But like, do the work.

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Speaker 3: You gotta do the work.

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Speaker 2: Yeah, yeah, Why didn't they have that.

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Speaker 3: Conversation with him. I don't know, But this is what

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Speaker 3: I mean, is I see it now? And look, it's

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Speaker 3: no secret that we had issues with the way that

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Speaker 3: many of the writers on our show treated women on

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Speaker 3: our show. But God, that it's only her who gets

264
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Speaker 3: the kind of end of the stick over and over

265
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Speaker 3: again doesn't feel good, especially when they've grown Nathan into

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Speaker 3: this character who really does show up for people and

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Speaker 3: who will have hard conversations and who will you know,

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Speaker 3: really put himself on the line. And all that he

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Speaker 3: said is I'm not even into her, Like I just can't.

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Speaker 3: It's like he's it's like he's fifteen again.

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Speaker 2: Didn't he write Dan Scott a letter in prison? He

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Speaker 2: went out and bought stamps to send Dan Scott a

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Speaker 2: letter and send him his child's photo. He can't write

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Speaker 2: his wife a letter and be like, baby, come on, baby, uh,

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Speaker 2: if there are boys listening, if we're mad at you,

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Speaker 2: write us a letter, like, just like, make it really

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Speaker 2: clean and focused to the point, and just explain yourself

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Speaker 2: so that I can pick it apart.

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Speaker 3: I want to be able to reread it. Yeah, points

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Speaker 3: made come up with counterpoints.

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Speaker 2: I do love that both Nathan and Haley totally know

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Speaker 2: what Lucas and Lindsay are up to in this episode.

283
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Speaker 2: They're like, yeah, we absolutely knew that you guys were padding.

284
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Speaker 2: It's the least subtle set up ever ever. Also, why

285
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Speaker 2: is the party at that happening? Like, girl, that's it's

286
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Speaker 2: if it were at a neutral location. And Haley came

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Speaker 2: in and Nathan came in and the setup happened on

288
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Speaker 2: like neutral turf, makes sense. But she's the one that

289
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Speaker 2: had to clean the whole house before the party happened.

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Speaker 2: You know, she's gonna be the one cleaning up all

291
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Speaker 2: the empty cups and like doing all the dirty work after,

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Speaker 2: and so she's expected to do the emotional labor and

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Speaker 2: the physical labor. It's sucky. Hello, Yeah, she just wants

294
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Speaker 2: to like go to bed and watch Dateline and drink

295
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Speaker 2: a glass of wine. Leave that woman alone, Give.

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Speaker 3: Her a glass of red God and some socks. Let

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Speaker 3: her go, I will say, because there was obviously no

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Speaker 3: pay off with that surprise, because everybody knew what was

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Speaker 3: going on. I Hillary, I forgot. I did, but this

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Speaker 3: was the episode that Stephen came back. I forgot about

301
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Speaker 3: the chase. I had no idea. I was like, oh,

302
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Speaker 3: one's gonna have a friend, Peyte's gonna get set up.

303
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Speaker 3: And the door opened and I gasped on camera.

304
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Speaker 2: And in his house, I went I loved it, because

305
00:17:26,960 --> 00:17:29,399
Speaker 2: I loved it. I was with my boyfriend for the

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Speaker 2: first five seasons of One Tree Hill, and when we

307
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Speaker 2: broke up, the first thing I did was go home

308
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Speaker 2: and like kiss anyone from high school that I had

309
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Speaker 2: an outstanding crush on. It was like you line up,

310
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Speaker 2: come here, like this needs to happen. And so I

311
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Speaker 2: loved the Chase showed up because there was unfinished business there.

312
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Speaker 2: He was such a good guy in season four, like

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Speaker 2: I loved him in season four standing up for Brook,

314
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Speaker 2: like sticking with her.

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Speaker 3: He really did evolve into such a special guy. Yeah,

316
00:18:05,800 --> 00:18:10,080
Speaker 3: and Steven is just so sweet and he's so enjoyable

317
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Speaker 3: to watch, and it was it was fun to have

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Speaker 3: him back and fun to have that scene with the

319
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Speaker 3: four of us in the car where Owen's putting it

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Speaker 3: all together.

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Speaker 2: That scene was so fun. It was so fun because

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Speaker 2: it was so real, Like, yeah, I know that we've

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Speaker 2: walked through these kinds of points before where we're like, hey,

324
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Speaker 2: remember that thing that I told you about? Right right?

325
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Speaker 2: The realization on everyone's face is so fun. And I

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Speaker 2: love that they immediately felt like friends, Like it didn't

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Speaker 2: It was not hard to imagine that they'd been bros

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Speaker 2: for like years. How do we think those two men?

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Speaker 3: It's so weird, But you know, part of me is like, well,

330
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Speaker 3: was Chase bartending or you know, like are they college friends?

331
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Speaker 1: Yeah?

332
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Speaker 2: I like to imagine that they met like in one

333
00:19:09,320 --> 00:19:14,600
Speaker 2: of those dorky adult kickball leagues, and they don't choke.

334
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Speaker 3: I just I just almost made my smoothie right out

335
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Speaker 3: of my nose.

336
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Speaker 2: No, but you know what I mean. Oh my god,

337
00:19:21,560 --> 00:19:24,000
Speaker 2: those were such a big deal in the early two thousands,

338
00:19:24,040 --> 00:19:26,399
Speaker 2: Like everybody was in a I'm in a rec league

339
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Speaker 2: kickball club, or we had remember our crew was on

340
00:19:30,840 --> 00:19:35,840
Speaker 2: a dodgeball league and we would like play competitively.

341
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Speaker 3: Yeah, you know what I really like. I like when

342
00:19:46,440 --> 00:19:50,040
Speaker 3: I'm driving through the city at night and I see

343
00:19:50,080 --> 00:19:53,479
Speaker 3: like a soccer league, like an amateur soccer league. I'm

344
00:19:53,520 --> 00:19:55,359
Speaker 3: always like, I want to pull over and go play

345
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Speaker 3: with those people.

346
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Speaker 2: Yeah, what are they about? I passed little league fields

347
00:19:59,240 --> 00:20:02,600
Speaker 2: with Gus yesterday. Gus was like, can we just come

348
00:20:02,600 --> 00:20:05,520
Speaker 2: and watch a game? Like there's something kind of voyeuristic

349
00:20:05,560 --> 00:20:09,159
Speaker 2: about watching people revert back to childhood and just be

350
00:20:09,240 --> 00:20:13,520
Speaker 2: their most primal selves. Yeah, that's how I want to believe.

351
00:20:13,640 --> 00:20:15,120
Speaker 2: Chase and Owen know each other.

352
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Speaker 3: And there's a fun dynamic at work in this episode

353
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Speaker 3: that feels like that. Because Brooke gets pulled back to

354
00:20:23,800 --> 00:20:27,360
Speaker 3: high school, Peyton is being pulled back to this high

355
00:20:27,400 --> 00:20:31,560
Speaker 3: school love with Lucas, you know, even Chase asking you

356
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Speaker 3: you know about him and like do you still love him?

357
00:20:34,920 --> 00:20:36,639
Speaker 3: And then he kisses you. It's like it's all it

358
00:20:36,760 --> 00:20:38,240
Speaker 3: all feels like high school.

359
00:20:38,800 --> 00:20:42,560
Speaker 2: Yeah, and Haley and Nathan too, I mean they go

360
00:20:42,600 --> 00:20:45,080
Speaker 2: all the way back to like I shouldn't have tried

361
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Speaker 2: to change you. Oh my god, Like if she had

362
00:20:49,520 --> 00:20:54,399
Speaker 2: had that realization junior year in high school of maybe

363
00:20:54,440 --> 00:20:59,200
Speaker 2: trying to change someone isn't the best deal. Like this

364
00:20:59,240 --> 00:21:03,399
Speaker 2: whole show doesn't happen, the whole thing. I love a

365
00:21:03,480 --> 00:21:09,399
Speaker 2: walk down memory lane and the idea that, like the

366
00:21:09,440 --> 00:21:12,920
Speaker 2: idea that you can go back home and you can

367
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Speaker 2: engage with the people who have known you forever, and

368
00:21:18,720 --> 00:21:21,760
Speaker 2: you can develop new feelings for old people.

369
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Speaker 1: You know.

370
00:21:24,359 --> 00:21:29,800
Speaker 2: I I can only speak from experience, but I love

371
00:21:30,840 --> 00:21:32,679
Speaker 2: staying in touch with my friends from high school. And

372
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Speaker 2: I love when they're like all married to each other.

373
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Speaker 2: And I love when they're like our kids are old

374
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Speaker 2: enough now that they also hang out and I'm like,

375
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Speaker 2: oh my god, if there's another generation of like perfew

376
00:21:43,920 --> 00:21:46,000
Speaker 2: high school kids kissing each other, I am just going

377
00:21:46,080 --> 00:21:51,679
Speaker 2: to be so happy, like it just yeah. The crossover

378
00:21:51,720 --> 00:21:56,479
Speaker 2: between fact and fiction is delicious. No. Haley saying that

379
00:21:56,520 --> 00:21:59,639
Speaker 2: I shouldn't have tried to change you was my favorite

380
00:21:59,680 --> 00:22:02,840
Speaker 2: part of the episode because that felt the most real

381
00:22:04,240 --> 00:22:10,159
Speaker 2: and the most grounded because she really did. She worked

382
00:22:10,160 --> 00:22:13,639
Speaker 2: on that dude for years. Remember he was like watching

383
00:22:13,760 --> 00:22:16,359
Speaker 2: porn on the internet when they were like first together

384
00:22:16,720 --> 00:22:21,600
Speaker 2: and Peyton videos and hooking up with her sister. He's

385
00:22:21,640 --> 00:22:25,399
Speaker 2: doing crazy stuff. Yeah, I get it.

386
00:22:25,560 --> 00:22:27,439
Speaker 3: You're right. I think that was my favorite line in

387
00:22:27,440 --> 00:22:30,680
Speaker 3: the episode two. And it is the reality of that,

388
00:22:31,240 --> 00:22:36,399
Speaker 3: the sort of graveness of saying everything in such a

389
00:22:36,400 --> 00:22:39,200
Speaker 3: simple sentence. I love you and I'm not going to

390
00:22:39,280 --> 00:22:43,359
Speaker 3: do this anymore. I love you, but not enough to

391
00:22:43,440 --> 00:22:46,960
Speaker 3: be tortured in my home. I you know whatever, whatever,

392
00:22:47,040 --> 00:22:51,159
Speaker 3: the sort of energy underneath it, it feels big to

393
00:22:51,200 --> 00:22:54,360
Speaker 3: say I just shouldn't. I shouldn't have done all this work.

394
00:22:55,040 --> 00:22:59,320
Speaker 3: You are who you are and oh man, it really

395
00:22:59,359 --> 00:22:59,920
Speaker 3: that got me.

396
00:23:00,760 --> 00:23:04,760
Speaker 2: And she's like and it's okay, Like go be that guy,

397
00:23:05,160 --> 00:23:08,159
Speaker 2: be the guy that has girls running around naked, Like,

398
00:23:08,920 --> 00:23:11,639
Speaker 2: I just want you to be happy, be free, my friend.

399
00:23:12,119 --> 00:23:15,000
Speaker 2: There's nothing worse than an apathetic woman. As long as

400
00:23:15,000 --> 00:23:18,040
Speaker 2: a woman still hates you, you've got a chance but

401
00:23:18,160 --> 00:23:20,680
Speaker 2: the second she turns to apathy, you're like.

402
00:23:20,840 --> 00:23:24,919
Speaker 3: Oh, oh yeah, apathy is the stage you want to

403
00:23:24,920 --> 00:23:27,920
Speaker 3: be in when you realize you're done with something, because

404
00:23:27,960 --> 00:23:33,560
Speaker 3: you go, oh, I'm not affected, I'm just done.

405
00:23:33,840 --> 00:23:37,960
Speaker 2: Yeah, it's so clear. Maybe that's what I liked so

406
00:23:38,040 --> 00:23:40,600
Speaker 2: much about Joy's performance is that she was just so clear.

407
00:23:40,960 --> 00:23:41,280
Speaker 3: Yeah.

408
00:23:41,320 --> 00:23:44,320
Speaker 2: It was like, look, I see how much work everyone's

409
00:23:44,359 --> 00:23:47,880
Speaker 2: putting into this, Lucas Lindsey change their whole game plan.

410
00:23:49,000 --> 00:23:51,720
Speaker 2: You obviously showed up tonight thinking we were gonna have

411
00:23:51,800 --> 00:23:54,159
Speaker 2: some happy reunion. I'm gonna be polite to you, but no,

412
00:23:54,920 --> 00:23:58,119
Speaker 2: all your friends are in on this, our child is

413
00:23:58,160 --> 00:23:58,640
Speaker 2: in on this.

414
00:24:00,040 --> 00:24:04,760
Speaker 8: Feeling very clear, Yeah, it's just brutal. Clarity is such

415
00:24:04,800 --> 00:24:08,880
Speaker 8: a gift. And I think, you know what, I think

416
00:24:08,880 --> 00:24:12,720
Speaker 8: it's that clarity that feels so real and authentic that

417
00:24:13,000 --> 00:24:16,439
Speaker 8: made me feel really irked about the the other stuff

418
00:24:16,440 --> 00:24:18,560
Speaker 8: that we were talking about at the beginning of the episode,

419
00:24:19,320 --> 00:24:23,280
Speaker 8: because we got honesty about this sort of a situation,

420
00:24:23,880 --> 00:24:26,399
Speaker 8: but then we also got this weird glossing over of

421
00:24:26,440 --> 00:24:29,640
Speaker 8: it and shame for the woman, and I just went, oh,

422
00:24:29,720 --> 00:24:32,479
Speaker 8: it bogs me because you did part of it so well,

423
00:24:32,600 --> 00:24:34,879
Speaker 8: what if the other parts had been done this well,

424
00:24:35,240 --> 00:24:35,760
Speaker 8: the only.

425
00:24:35,600 --> 00:24:38,720
Speaker 2: Thing I can think is like, Haley is not a

426
00:24:38,760 --> 00:24:42,520
Speaker 2: pettych like I am, and has it like has it

427
00:24:42,560 --> 00:24:46,320
Speaker 2: amplified this right? Like if it's me, I'm getting all

428
00:24:46,359 --> 00:24:49,040
Speaker 2: my text thread and I'm like, y'all motherfuckers better stand

429
00:24:49,040 --> 00:24:50,840
Speaker 2: by me because you have no idea what he did

430
00:24:50,840 --> 00:24:54,960
Speaker 2: and blah blahlah. This is this this Haley clearly is

431
00:24:55,000 --> 00:24:59,159
Speaker 2: above that and hasn't told all of his boys the

432
00:24:59,320 --> 00:25:03,320
Speaker 2: dumb that he's been doing. And they haven't really asked either.

433
00:25:03,640 --> 00:25:06,080
Speaker 2: It's not like Skills has gone to her and been like, what,

434
00:25:06,160 --> 00:25:10,280
Speaker 2: maybe what's going on? What happened? How can I support you?

435
00:25:10,640 --> 00:25:12,840
Speaker 3: Wait, I'm dying to think about you doing that in

436
00:25:12,880 --> 00:25:15,719
Speaker 3: a text thread. I would never I I am at

437
00:25:15,760 --> 00:25:20,680
Speaker 3: a point where like, I mean shit, I think sometimes

438
00:25:20,720 --> 00:25:23,600
Speaker 3: with friends like us, you know where you're at a distance,

439
00:25:23,640 --> 00:25:25,760
Speaker 3: so we catch up like we get on a FaceTime,

440
00:25:25,800 --> 00:25:27,960
Speaker 3: we do it, and so we really dive in. My

441
00:25:28,040 --> 00:25:32,000
Speaker 3: friends at home sometimes are like, you can't tell us

442
00:25:32,200 --> 00:25:35,280
Speaker 3: about things when you've already solved the problem a year

443
00:25:35,320 --> 00:25:39,239
Speaker 3: into it, Like you have to, you gotta tell us

444
00:25:39,240 --> 00:25:41,000
Speaker 3: in real time. And I'm like, I don't know how

445
00:25:41,040 --> 00:25:41,600
Speaker 3: that works.

446
00:25:41,760 --> 00:25:43,360
Speaker 2: They want to workshop the problem.

447
00:25:43,520 --> 00:25:46,679
Speaker 3: I'm in my little crabshell, in my little cancer crabshell,

448
00:25:46,720 --> 00:25:49,040
Speaker 3: and I'm like, I'm in here figuring it out, and

449
00:25:49,320 --> 00:25:51,000
Speaker 3: I'll come out. I'll come out of the rocks when

450
00:25:51,040 --> 00:25:51,680
Speaker 3: I'm ready.

451
00:25:51,840 --> 00:25:54,639
Speaker 2: No, my trauma response is to turn everything into like

452
00:25:54,680 --> 00:25:57,680
Speaker 2: a narrative. Yeah, let me just tell this story, tell

453
00:25:57,720 --> 00:25:58,120
Speaker 2: you right?

454
00:25:58,200 --> 00:25:59,440
Speaker 3: He did? I love that?

455
00:26:00,440 --> 00:26:03,840
Speaker 2: Yeah. No. I like to weave a tale because then

456
00:26:04,080 --> 00:26:06,600
Speaker 2: there's a little bit of distance. Then it's like softened.

457
00:26:07,119 --> 00:26:09,880
Speaker 2: When you keep something like deep inside in a secret,

458
00:26:09,920 --> 00:26:13,879
Speaker 2: it's like, oh god, this is yeah painful, this is hurty.

459
00:26:14,280 --> 00:26:16,440
Speaker 2: But the second you turn it into a funny anecdote

460
00:26:16,480 --> 00:26:19,080
Speaker 2: over like a drink, it doesn't hurt as much anymore.

461
00:26:19,119 --> 00:26:22,119
Speaker 2: And so Haley could do She should do that. She

462
00:26:22,160 --> 00:26:25,720
Speaker 2: should just go out drinking with everyone. Yeah, and be like,

463
00:26:26,359 --> 00:26:30,480
Speaker 2: let me tell you a tale of your friend Nathan. Yes,

464
00:26:31,240 --> 00:26:33,800
Speaker 2: m she's too classy, what a bum out?

465
00:26:34,200 --> 00:26:39,640
Speaker 3: Oh, I'm telling you. I'm here for the Petty era.

466
00:26:40,960 --> 00:26:43,880
Speaker 2: I love petty Man, and I never grow out of it.

467
00:26:44,320 --> 00:26:48,040
Speaker 2: I'm that high school again. I just love staying in

468
00:26:48,080 --> 00:26:50,840
Speaker 2: touch and acting like I'm still fifteen. I'm gonna write

469
00:26:50,880 --> 00:26:52,800
Speaker 2: a note and fold it up all cute and tell

470
00:26:52,800 --> 00:26:54,639
Speaker 2: you about all the crazy shit that's going on.

471
00:26:54,840 --> 00:26:55,400
Speaker 5: I like that.

472
00:26:56,080 --> 00:26:59,959
Speaker 3: You know who is the scariest petty bitch? Victoria?

473
00:27:00,840 --> 00:27:01,800
Speaker 2: Yeah, she was.

474
00:27:04,040 --> 00:27:07,560
Speaker 3: Horrifying in this episode. Like I want to know if

475
00:27:07,600 --> 00:27:09,600
Speaker 3: she was okay when we shot this. I feel like

476
00:27:09,680 --> 00:27:11,359
Speaker 3: it would have been so hard for her.

477
00:27:11,880 --> 00:27:16,720
Speaker 2: Well, because we know it's informed by this fierce protection

478
00:27:16,840 --> 00:27:20,760
Speaker 2: of her daughter. Yeah, but there's something darker here that's

479
00:27:20,840 --> 00:27:24,920
Speaker 2: like what happened to her? Yeah, Like who screwed her

480
00:27:25,040 --> 00:27:28,800
Speaker 2: over so bad that she's convinced the same thing is

481
00:27:28,800 --> 00:27:29,720
Speaker 2: going to happen to Brook.

482
00:27:31,040 --> 00:27:35,320
Speaker 3: Yes. Well, and why do you have to win so

483
00:27:35,560 --> 00:27:39,600
Speaker 3: badly that you want to win if it means somebody

484
00:27:39,640 --> 00:27:44,919
Speaker 3: winds up overdosing destroying, like you want to push someone

485
00:27:45,000 --> 00:27:49,800
Speaker 3: into self harm to prove a point. It is so

486
00:27:50,119 --> 00:27:51,520
Speaker 3: dark it takes my breath away.

487
00:27:52,160 --> 00:27:56,840
Speaker 2: Yeah, but Brooke is doing the same thing that Hayley's

488
00:27:56,840 --> 00:28:00,680
Speaker 2: doing this episode. I really love the parallel of I'm

489
00:28:00,720 --> 00:28:04,840
Speaker 2: in a toxic situation and I might really love this person,

490
00:28:05,240 --> 00:28:08,720
Speaker 2: and I might really want this person's attention, and I

491
00:28:08,760 --> 00:28:13,440
Speaker 2: have enjoyed the good times, but we have reached the

492
00:28:13,640 --> 00:28:20,520
Speaker 2: end of this arrangement, like, yeah, it's heavy, We have

493
00:28:20,680 --> 00:28:25,720
Speaker 2: reached the end of this arrangement. Oh man, can't you

494
00:28:25,760 --> 00:28:28,879
Speaker 2: imagine Nathan and Victoria just drinking together being like, so

495
00:28:28,960 --> 00:28:32,200
Speaker 2: you got the boot too, yep to your arrangement?

496
00:28:32,320 --> 00:28:35,080
Speaker 3: Cool, same, same.

497
00:28:35,400 --> 00:28:41,480
Speaker 2: Same, No. I mean like Victoria was so like like

498
00:28:41,680 --> 00:28:45,600
Speaker 2: mustache twirling evil. This was her Dan Scott moment. It

499
00:28:45,720 --> 00:28:47,720
Speaker 2: was like, I'm going to destroy you at all costs.

500
00:28:49,200 --> 00:28:53,040
Speaker 2: And it made me wonder, like, what did Rachel do?

501
00:28:53,760 --> 00:28:57,200
Speaker 2: What did Rachel do in the year before. We had

502
00:28:57,240 --> 00:29:03,600
Speaker 2: a great moment of mill in this episode informing us like, oh,

503
00:29:03,680 --> 00:29:07,320
Speaker 2: I know Rachel and she describes a person that we

504
00:29:07,400 --> 00:29:11,080
Speaker 2: haven't gotten to see. But girl, what was your what

505
00:29:11,160 --> 00:29:13,600
Speaker 2: was your sense memory? When she said I've had to

506
00:29:13,680 --> 00:29:17,600
Speaker 2: guard the door? I was dying.

507
00:29:18,560 --> 00:29:21,240
Speaker 3: Oh Hillary, it took me right back there. I was like,

508
00:29:21,280 --> 00:29:22,280
Speaker 3: we had some times.

509
00:29:23,520 --> 00:29:26,240
Speaker 2: Well, yeah, explain to the folks at home who weren't

510
00:29:26,280 --> 00:29:29,000
Speaker 2: born When Bungalow aid was around.

511
00:29:29,120 --> 00:29:33,560
Speaker 3: Bungalow eight was this very cool club in New York.

512
00:29:33,680 --> 00:29:36,760
Speaker 3: You needed a key to get in, or to know

513
00:29:36,880 --> 00:29:41,480
Speaker 3: someone who had one who would bring you it. It opened.

514
00:29:41,880 --> 00:29:45,800
Speaker 3: Essentially it became a big deal in the later seasons

515
00:29:45,800 --> 00:29:47,760
Speaker 3: of Sex and the City, it was like one of

516
00:29:47,800 --> 00:29:51,440
Speaker 3: the clubs Carrie Bradshaw went too, and then we started

517
00:29:51,480 --> 00:29:57,560
Speaker 3: our show, I mean so quickly after and Bungalow eight

518
00:29:57,680 --> 00:30:00,360
Speaker 3: was still very hot and we were going there and

519
00:30:00,440 --> 00:30:03,120
Speaker 3: it was very you know, to be a young twenty

520
00:30:03,160 --> 00:30:05,600
Speaker 3: something in New York and be like this is her

521
00:30:05,680 --> 00:30:09,800
Speaker 3: spot and now I'm here. It was naughty and viby

522
00:30:09,840 --> 00:30:10,840
Speaker 3: and really fun.

523
00:30:11,280 --> 00:30:15,360
Speaker 2: It was naughty, you know. There was like celebrity in

524
00:30:15,360 --> 00:30:17,440
Speaker 2: the early two thousands was very different than it is

525
00:30:17,480 --> 00:30:21,240
Speaker 2: now because there was no social media, and the paparazzi

526
00:30:21,360 --> 00:30:24,080
Speaker 2: was like, like that was the peak of their power

527
00:30:24,320 --> 00:30:27,000
Speaker 2: because they were the only people that could get kind

528
00:30:27,000 --> 00:30:31,800
Speaker 2: of these candid interactions with famous people. And it was

529
00:30:31,840 --> 00:30:35,800
Speaker 2: the rise of like, you know, socialite culture in New

530
00:30:35,880 --> 00:30:39,160
Speaker 2: York City. And so there were so many of these

531
00:30:39,240 --> 00:30:44,240
Speaker 2: kind of bungalowit places that were velvet rope clubs where

532
00:30:44,280 --> 00:30:49,200
Speaker 2: like you could not get in unless you had some pull.

533
00:30:49,920 --> 00:30:54,480
Speaker 2: And now looking back on it, I'm like, y'all, mother

534
00:30:54,480 --> 00:30:58,280
Speaker 2: firs want me to stand in line for a thing. No, no, no,

535
00:30:58,840 --> 00:31:01,200
Speaker 2: I will go to a dive where I just walk

536
00:31:01,240 --> 00:31:03,600
Speaker 2: in and go straight to the bar. I don't want

537
00:31:03,640 --> 00:31:06,239
Speaker 2: to have to be on a clipboard. Don't look for

538
00:31:06,280 --> 00:31:09,680
Speaker 2: my name. But at the time it was serious business

539
00:31:09,760 --> 00:31:14,160
Speaker 2: and the idea that Rachel Rachel of course would be

540
00:31:14,160 --> 00:31:17,000
Speaker 2: a part of that scene, of course so spicy.

541
00:31:17,080 --> 00:31:18,400
Speaker 3: It really tracked Who.

542
00:31:18,200 --> 00:31:20,760
Speaker 2: Do we think Rachel was in the bathroom with. I'm

543
00:31:20,840 --> 00:31:24,840
Speaker 2: so curious if you had to pick two celebrities for

544
00:31:24,960 --> 00:31:26,840
Speaker 2: Rachel to have hung out in the bathroom with.

545
00:31:27,920 --> 00:31:30,840
Speaker 3: It's like, in my head thinking about Rachel as a

546
00:31:30,880 --> 00:31:35,280
Speaker 3: model in New York and the fashion Week scenes there,

547
00:31:35,920 --> 00:31:39,240
Speaker 3: I feel like it would be like a model from

548
00:31:39,240 --> 00:31:41,760
Speaker 3: one of the shows, and then an actor who had

549
00:31:41,920 --> 00:31:45,240
Speaker 3: sat front row, like some handsome guy who was sitting

550
00:31:45,240 --> 00:31:47,719
Speaker 3: from a row at Calvin Klein and a Calvin Klein model.

551
00:31:48,240 --> 00:31:55,080
Speaker 2: Yeah, I remember what a big deal. Like Leonardo DiCaprio

552
00:31:55,160 --> 00:31:58,440
Speaker 2: and Toby maguire and David Blaine their little club was

553
00:31:59,000 --> 00:32:01,480
Speaker 2: because they would always have a corner table in all

554
00:32:01,520 --> 00:32:05,120
Speaker 2: of those kinds of clubs, yep. And I remember being

555
00:32:05,120 --> 00:32:09,160
Speaker 2: told like, don't go near that car, like they are

556
00:32:09,320 --> 00:32:12,440
Speaker 2: just there to pull chicks. And I was like, yeah,

557
00:32:12,560 --> 00:32:16,680
Speaker 2: oh weird, interesting, not my energy. But we know that

558
00:32:16,800 --> 00:32:21,960
Speaker 2: Leo loves models. I'm sure Rachial track she would have

559
00:32:21,960 --> 00:32:24,560
Speaker 2: had a moment at least just like a real flirty

560
00:32:24,680 --> 00:32:25,320
Speaker 2: night with him.

561
00:32:25,600 --> 00:32:29,280
Speaker 3: Yeah. That actually, I didn't think about how connected those

562
00:32:29,280 --> 00:32:32,960
Speaker 3: moments were until you just said that. But that moment

563
00:32:33,880 --> 00:32:38,640
Speaker 3: where she hits on mouth, aside from being the most

564
00:32:38,720 --> 00:32:41,440
Speaker 3: ridiculous thing that was written by a man, I could

565
00:32:41,480 --> 00:32:46,040
Speaker 3: just really use the release. I'm like the relief No,

566
00:32:46,040 --> 00:32:51,640
Speaker 3: no girl has ever my God, but you know, her

567
00:32:51,960 --> 00:32:55,440
Speaker 3: hitting on him and him having the wherewithal to say,

568
00:32:56,480 --> 00:32:58,520
Speaker 3: you can have anyone you want and anything you want,

569
00:32:58,560 --> 00:33:01,640
Speaker 3: but you don't know that you need to know that.

570
00:33:02,520 --> 00:33:09,400
Speaker 3: It is interesting that he knew to remind her, potentially

571
00:33:09,440 --> 00:33:13,480
Speaker 3: because of what Millicent shared with him, potentially because he

572
00:33:13,640 --> 00:33:18,040
Speaker 3: got he got a window into who Rachel was, you know,

573
00:33:18,960 --> 00:33:23,440
Speaker 3: at her quote unquote height, you know, her prime as

574
00:33:23,480 --> 00:33:27,000
Speaker 3: she might define herself, like her most successful and he's

575
00:33:27,120 --> 00:33:30,920
Speaker 3: just like, none of that matters. Actually, and I thought

576
00:33:30,920 --> 00:33:32,400
Speaker 3: that it was really a nice moment.

577
00:33:33,160 --> 00:33:35,480
Speaker 2: There's a discovery process to realizing that none of that

578
00:33:35,520 --> 00:33:38,760
Speaker 2: stuff matters. Because when you are young, everybody wants to

579
00:33:38,760 --> 00:33:41,040
Speaker 2: be invited to the party, of course, right whether you're

580
00:33:41,040 --> 00:33:44,320
Speaker 2: in high school, and there's like the party happening after

581
00:33:44,360 --> 00:33:47,840
Speaker 2: the football game, and like who gets invited becomes like

582
00:33:48,000 --> 00:33:51,160
Speaker 2: a big deal. You go to college, I still.

583
00:33:50,960 --> 00:33:52,640
Speaker 3: Want to be invited. I don't want to go, but

584
00:33:52,680 --> 00:33:53,680
Speaker 3: I want to be invited.

585
00:33:54,400 --> 00:33:56,880
Speaker 2: But that's the discovery process. It said, we all want

586
00:33:56,880 --> 00:33:58,760
Speaker 2: to be invited when we're young. Well, most of us

587
00:33:58,840 --> 00:34:00,840
Speaker 2: want to be invited when we're young, and when we

588
00:34:00,840 --> 00:34:03,160
Speaker 2: were young, those velvet rope clubs were like the thing

589
00:34:03,240 --> 00:34:06,200
Speaker 2: to do, and we have gotten to go through the

590
00:34:06,320 --> 00:34:09,480
Speaker 2: natural discovery process of being like, oh, we did it

591
00:34:10,320 --> 00:34:15,000
Speaker 2: enough to realize it wasn't fulfilling, It wasn't that great.

592
00:34:15,120 --> 00:34:16,720
Speaker 2: You know, there were parts of it that were actually

593
00:34:16,800 --> 00:34:20,440
Speaker 2: kind of creepy and weird. Rachel doesn't get to do

594
00:34:20,480 --> 00:34:24,760
Speaker 2: that because she's cut off. She's dismissed from the party,

595
00:34:25,360 --> 00:34:27,960
Speaker 2: and she's been dismissed from high school parties on our show.

596
00:34:28,160 --> 00:34:31,200
Speaker 2: She's now being dismissed from the cultural party that is

597
00:34:31,239 --> 00:34:35,399
Speaker 2: New York City it and now she's being dismissed from

598
00:34:35,400 --> 00:34:37,279
Speaker 2: like the one thing she's always been able to do

599
00:34:37,400 --> 00:34:41,040
Speaker 2: is like pull a dude, and how many times can

600
00:34:41,080 --> 00:34:43,200
Speaker 2: you punch a chick? Before she reverts back to her

601
00:34:43,239 --> 00:34:47,000
Speaker 2: bad coping mechanisms. Yeah, I thought for sure she was

602
00:34:47,040 --> 00:34:50,960
Speaker 2: going to take off when Mouth rejected her, and she doesn't.

603
00:34:51,080 --> 00:34:54,239
Speaker 2: In this episode, Mouth rejects her and she stays there,

604
00:34:54,320 --> 00:34:56,640
Speaker 2: even after getting a text message from some old party

605
00:34:56,719 --> 00:35:01,319
Speaker 2: buddies like hey, let's get messed up. And I thought

606
00:35:01,360 --> 00:35:04,319
Speaker 2: that was a really important thing to show that she

607
00:35:04,480 --> 00:35:07,799
Speaker 2: took a hit, and she stayed on the couch and

608
00:35:07,840 --> 00:35:11,280
Speaker 2: she just took a nap. And it wasn't until Victoria

609
00:35:11,400 --> 00:35:14,239
Speaker 2: showed up and really pushed and pushed and pushed and

610
00:35:14,280 --> 00:35:18,920
Speaker 2: pushed that she fell apart. Yeah, I don't know. I

611
00:35:18,960 --> 00:35:22,000
Speaker 2: fully expected her to leave when Mouth was like sorry,

612
00:35:22,160 --> 00:35:22,719
Speaker 2: and she did it.

613
00:35:22,920 --> 00:35:25,080
Speaker 3: She did it, and I liked that. I liked her

614
00:35:25,200 --> 00:35:30,200
Speaker 3: saying I'm going to beat this. You see, you see

615
00:35:30,200 --> 00:35:32,760
Speaker 3: the effort she's putting in. You see that she wants

616
00:35:32,800 --> 00:35:35,200
Speaker 3: to be different. And in a way, I think that's

617
00:35:35,200 --> 00:35:39,880
Speaker 3: what Victoria sees too. She can identify it, and she lasers,

618
00:35:40,120 --> 00:35:45,560
Speaker 3: she layser focuses on it to eviscerate that hope, and

619
00:35:45,600 --> 00:35:47,239
Speaker 3: it's it's just so.

620
00:35:47,400 --> 00:35:52,520
Speaker 2: Dark, yeah, and it it becomes like death by a

621
00:35:52,600 --> 00:35:56,960
Speaker 2: thousand paper cuts the episode, because you know, there's the

622
00:35:56,960 --> 00:36:00,200
Speaker 2: whole conversation with Brooke and Rachel where it's like, hey,

623
00:36:00,400 --> 00:36:02,120
Speaker 2: I know you gave Peyton a shot with her business.

624
00:36:02,200 --> 00:36:05,200
Speaker 2: Can I model again? And Brooke has to tell her, like, baby,

625
00:36:05,239 --> 00:36:11,200
Speaker 2: that wasn't the offer, Like sorry, you misinterpreted this. Yeah,

626
00:36:11,560 --> 00:36:14,320
Speaker 2: I and it it's just a hitter hit after hitten.

627
00:36:14,600 --> 00:36:18,200
Speaker 2: And then Victoria is a tsunami, like she just wipes

628
00:36:18,239 --> 00:36:18,799
Speaker 2: everything out.

629
00:36:18,960 --> 00:36:23,480
Speaker 3: Yeah, she really does. She really clears the dining room table.

630
00:36:24,680 --> 00:36:27,839
Speaker 3: But I loved the scene. That's the one that I

631
00:36:27,880 --> 00:36:33,200
Speaker 3: really remembered shooting that scene with Danille and I. I

632
00:36:33,280 --> 00:36:37,520
Speaker 3: loved that they gave me space to be gentle with her.

633
00:36:38,520 --> 00:36:41,640
Speaker 3: You know, so often on an ensemble show, an important

634
00:36:41,640 --> 00:36:46,440
Speaker 3: moment happens in like four sentences in a scene. And

635
00:36:46,480 --> 00:36:49,160
Speaker 3: the fact that we got to sit and talk and

636
00:36:49,200 --> 00:36:53,960
Speaker 3: you really got to see Brooke taking Rachel through her

637
00:36:54,000 --> 00:36:56,319
Speaker 3: own logic. I don't want to put you in a

638
00:36:56,360 --> 00:37:01,680
Speaker 3: scene that's been bad for you. Yeah, it's it's temptation everywhere,

639
00:37:01,680 --> 00:37:05,680
Speaker 3: it's dangerous. Let's do something else. I'll support you in

640
00:37:05,719 --> 00:37:11,520
Speaker 3: another way. But it's of course it's crushing for Rachel

641
00:37:12,200 --> 00:37:17,000
Speaker 3: to realize that she's just not going to get what

642
00:37:17,080 --> 00:37:18,920
Speaker 3: she wants. Or what she thought she was getting.

643
00:37:19,480 --> 00:37:22,240
Speaker 2: I have strong sense memory of shooting that scene between

644
00:37:22,520 --> 00:37:25,520
Speaker 2: Peyton and Rachel out on the deck because it was

645
00:37:25,600 --> 00:37:28,480
Speaker 2: kind of this sense of like, we're giving you your

646
00:37:28,480 --> 00:37:32,160
Speaker 2: friend back, We're giving you your gift back, right, And

647
00:37:32,200 --> 00:37:37,239
Speaker 2: I was so like, oh, she's here, fantastic. It felt

648
00:37:37,280 --> 00:37:40,320
Speaker 2: like a dangling carrot, like you want this, and I did.

649
00:37:40,600 --> 00:37:43,839
Speaker 2: I was so happy to have her there, and then

650
00:37:43,840 --> 00:37:45,840
Speaker 2: we were all I remember all of us like hanging

651
00:37:45,880 --> 00:37:50,720
Speaker 2: out in the apartment set because that scene where Chase

652
00:37:50,719 --> 00:37:54,160
Speaker 2: first shows up and it's Rachel, Brooke and Peyton, Yeah,

653
00:37:54,719 --> 00:37:58,240
Speaker 2: really enjoying it so fun. I remember that so well

654
00:37:58,320 --> 00:38:00,560
Speaker 2: because it felt like high school again. I felt real.

655
00:38:00,600 --> 00:38:02,960
Speaker 2: It was like the gang is back together, and that

656
00:38:03,200 --> 00:38:05,640
Speaker 2: energy I think is a tease for the audience because

657
00:38:05,680 --> 00:38:08,320
Speaker 2: they're like, oh my god, we're gonna have the girls,

658
00:38:08,560 --> 00:38:11,000
Speaker 2: like the cheoting squad back together. And by the end

659
00:38:11,040 --> 00:38:15,719
Speaker 2: of the episode, Rachel is caput. She's gone. I know.

660
00:38:15,760 --> 00:38:18,839
Speaker 3: It makes me so sad. I thought about that for you.

661
00:38:19,719 --> 00:38:22,680
Speaker 3: When I saw you walk out onto that balcony, I

662
00:38:22,760 --> 00:38:25,080
Speaker 3: was like, Oh, they're having one of those moments like

663
00:38:27,000 --> 00:38:29,920
Speaker 3: where they give you your real life friend on screen.

664
00:38:30,880 --> 00:38:37,200
Speaker 2: Yeah, there was no reason for that scene. Yeah, Nune No.

665
00:38:37,280 --> 00:38:39,560
Speaker 2: I had a great time. I had my friend back.

666
00:38:39,560 --> 00:38:42,160
Speaker 2: In this episode. I got to kiss Kaletti a couple times.

667
00:38:42,640 --> 00:38:44,120
Speaker 3: How is that?

668
00:38:44,120 --> 00:38:44,960
Speaker 2: That was awesome?

669
00:38:45,080 --> 00:38:45,239
Speaker 4: You know?

670
00:38:45,280 --> 00:38:47,680
Speaker 2: It was so weird because it was like he and

671
00:38:47,719 --> 00:38:54,120
Speaker 2: I were buddies, and I didn't want to be like

672
00:38:54,160 --> 00:38:56,400
Speaker 2: a creeper, but I was really excited to kiss someone

673
00:38:56,440 --> 00:38:59,120
Speaker 2: new because I've been doing so much belly ache and

674
00:38:59,200 --> 00:39:02,839
Speaker 2: over Lucas that I was like, yeah, maybe this will

675
00:39:02,840 --> 00:39:05,520
Speaker 2: be a thing, and then it clearly wasn't. But I

676
00:39:05,760 --> 00:39:08,040
Speaker 2: like that they're being cool with each other in that way.

677
00:39:08,200 --> 00:39:11,560
Speaker 2: I like that they both like Peyton finally has someone

678
00:39:12,040 --> 00:39:16,040
Speaker 2: that validates like, hey, it's okay, like you can still

679
00:39:16,040 --> 00:39:17,560
Speaker 2: have a crush on that person because I have a

680
00:39:17,600 --> 00:39:18,320
Speaker 2: crush on Brook.

681
00:39:18,880 --> 00:39:19,280
Speaker 3: Yeah.

682
00:39:19,840 --> 00:39:23,520
Speaker 2: Cool, I feel like having a cohort in a way.

683
00:39:25,360 --> 00:39:28,280
Speaker 2: I was into that. I like that. And then later

684
00:39:29,920 --> 00:39:34,200
Speaker 2: later in like season six, life imitated Art because I

685
00:39:34,239 --> 00:39:37,240
Speaker 2: got dumped by this dude I was seeing and Colletti

686
00:39:37,320 --> 00:39:39,600
Speaker 2: is who took me out and like we went out

687
00:39:39,640 --> 00:39:42,680
Speaker 2: to a bar and he's such a good wingman. He

688
00:39:42,840 --> 00:39:44,520
Speaker 2: was just like, I am not going to let you

689
00:39:44,600 --> 00:39:47,560
Speaker 2: wallow in this we are gonna dance and we went

690
00:39:47,600 --> 00:39:53,360
Speaker 2: to go see Bibbis sing, oh yeah, yeah, he's a

691
00:39:53,360 --> 00:39:56,520
Speaker 2: good wingman. He's a good, good party buddy when you're

692
00:39:56,520 --> 00:40:02,200
Speaker 2: down and out. So yeah, I I think that moment

693
00:40:02,239 --> 00:40:04,879
Speaker 2: at the party was great, and I think that there's

694
00:40:04,880 --> 00:40:08,560
Speaker 2: still a spark between Brooke and Chase. Is that what

695
00:40:08,600 --> 00:40:11,200
Speaker 2: the plan was? Were they gonna remove Owen and like,

696
00:40:11,239 --> 00:40:12,520
Speaker 2: have you hooked back up a Chase?

697
00:40:12,640 --> 00:40:16,400
Speaker 3: I don't know. I really don't remember. I don't know

698
00:40:16,440 --> 00:40:22,080
Speaker 3: if maybe it was like like was Joe was true

699
00:40:22,080 --> 00:40:24,200
Speaker 3: blood in the mix at this point, like did we

700
00:40:24,280 --> 00:40:25,320
Speaker 3: know he was leaving?

701
00:40:26,160 --> 00:40:27,520
Speaker 2: I feel like there was a tingle.

702
00:40:28,360 --> 00:40:32,880
Speaker 3: Yeah, I don't know. That's sort of what I what

703
00:40:33,080 --> 00:40:35,200
Speaker 3: my brain is pulling up. But I don't know if

704
00:40:35,239 --> 00:40:40,600
Speaker 3: the timeline is accurate or not. They would always just

705
00:40:40,640 --> 00:40:43,640
Speaker 3: be so mad when guest stars would get other work.

706
00:40:43,800 --> 00:40:46,080
Speaker 3: So maybe I'm a little truck.

707
00:40:46,200 --> 00:40:48,920
Speaker 2: We're not going to offer you a full contract, but

708
00:40:48,920 --> 00:40:51,759
Speaker 2: but we will be thoroughly pissed if someone else hires you.

709
00:40:53,080 --> 00:40:55,840
Speaker 3: I was like, you know, these people have bills to pay, right, Hello,

710
00:40:55,880 --> 00:40:57,240
Speaker 3: that's why we're still striking.

711
00:40:58,080 --> 00:41:01,080
Speaker 2: You two are so cute in this episode.

712
00:41:00,640 --> 00:41:02,120
Speaker 3: Oh, Joe and I are Stephen and I.

713
00:41:02,680 --> 00:41:06,959
Speaker 2: You and Joe You sitting in his lap eating birthday cake.

714
00:41:07,040 --> 00:41:13,200
Speaker 2: Oh my gosh, wasn't it. Yeah? Yeah, it was so innocent.

715
00:41:13,840 --> 00:41:17,640
Speaker 3: Yeah. We always had like a very easy chemistry. And

716
00:41:17,760 --> 00:41:22,799
Speaker 3: Joe is so kind and he really he's got that

717
00:41:22,880 --> 00:41:24,640
Speaker 3: like protector energy.

718
00:41:25,440 --> 00:41:27,920
Speaker 2: You would have to at his size. Can you imagine

719
00:41:28,320 --> 00:41:31,879
Speaker 2: I'm not having protector energy? But Joe just always.

720
00:41:31,520 --> 00:41:34,600
Speaker 3: Made me feel really safe, and you know, we were

721
00:41:34,600 --> 00:41:37,600
Speaker 3: in an environment where we didn't always feel safe, and

722
00:41:37,680 --> 00:41:41,680
Speaker 3: it was easy and it was nice. And you know,

723
00:41:41,719 --> 00:41:43,759
Speaker 3: he wasn't one of those guys who like showed up

724
00:41:43,760 --> 00:41:45,759
Speaker 3: at work trying to hit on everybody. He was like

725
00:41:45,800 --> 00:41:47,439
Speaker 3: a good dude.

726
00:41:47,680 --> 00:41:50,279
Speaker 2: He was probably the most platonic dude that we ever

727
00:41:50,320 --> 00:41:52,839
Speaker 2: had come on the show. Like, yeah, I never feel

728
00:41:52,960 --> 00:41:55,760
Speaker 2: any weirdness from him ever ever ever.

729
00:41:56,920 --> 00:42:01,759
Speaker 3: Truly such a like good sweet dude. Oh I wish

730
00:42:01,840 --> 00:42:03,920
Speaker 3: we had I wish we had a little mole in

731
00:42:03,960 --> 00:42:08,600
Speaker 3: the writer's room because I would love to know if

732
00:42:08,640 --> 00:42:12,000
Speaker 3: they were putting him in his place by bringing Colletti back,

733
00:42:12,080 --> 00:42:14,000
Speaker 3: or if they were just trying to figure out how

734
00:42:14,040 --> 00:42:16,400
Speaker 3: to bring Colleti back because we missed him like, I

735
00:42:16,400 --> 00:42:16,759
Speaker 3: don't know.

736
00:42:17,760 --> 00:42:21,640
Speaker 2: I don't know either, but it feels pointed. It's a

737
00:42:21,680 --> 00:42:24,719
Speaker 2: great story point. I love it. I love that it

738
00:42:24,760 --> 00:42:27,919
Speaker 2: puts Brooke in the same position that like Lucas is in,

739
00:42:28,560 --> 00:42:31,360
Speaker 2: because it's like, we've made so much fun of Lucas

740
00:42:31,440 --> 00:42:36,080
Speaker 2: for how poorly he's doing in this situation, and so

741
00:42:36,120 --> 00:42:38,160
Speaker 2: it's like, well, let's see if a woman can handle

742
00:42:38,200 --> 00:42:41,800
Speaker 2: this any better, and so far, so good. I like

743
00:42:41,880 --> 00:42:43,960
Speaker 2: that Brooke is just like, hey man, what do you

744
00:42:44,040 --> 00:42:46,560
Speaker 2: want from me? I'm adorable. Of course they're all in

745
00:42:46,560 --> 00:42:50,320
Speaker 2: love with me. Yeah, yeah, yeah. I like that tactic,

746
00:42:50,719 --> 00:42:53,319
Speaker 2: and I like that I don't know. I just like

747
00:42:53,360 --> 00:42:55,880
Speaker 2: the energy between Peyton and Brooke in this episode. I

748
00:42:55,880 --> 00:42:59,200
Speaker 2: feel like we were so in lockstep with one another

749
00:43:00,040 --> 00:43:03,080
Speaker 2: and everything felt really safe, and even when we're making

750
00:43:03,200 --> 00:43:06,120
Speaker 2: jokes about like oh I'm gonna kiss your boyfriend whatever,

751
00:43:07,640 --> 00:43:09,919
Speaker 2: it's easy, it's fun. You know that they're taking care

752
00:43:09,960 --> 00:43:20,560
Speaker 2: of one another. So I'm going through here and I'm

753
00:43:20,600 --> 00:43:24,000
Speaker 2: looking at my notes about what I remember from this episode.

754
00:43:24,719 --> 00:43:30,239
Speaker 2: The Lucas and Lindsay stuff is sweet in this episode.

755
00:43:30,320 --> 00:43:34,360
Speaker 2: I like the idea that she finally makes the connection

756
00:43:34,600 --> 00:43:36,279
Speaker 2: for all of us because I hadn't thought about it before.

757
00:43:36,320 --> 00:43:39,839
Speaker 2: Where She's like, if my dad and uncle Keith were

758
00:43:39,880 --> 00:43:41,680
Speaker 2: hanging out at a bar in heaven, what do you

759
00:43:41,680 --> 00:43:44,480
Speaker 2: think they would talk about? Like that's a connection point

760
00:43:44,560 --> 00:43:48,080
Speaker 2: that we really haven't seen addressed on the show. And

761
00:43:48,680 --> 00:43:50,879
Speaker 2: I like that she does that for us.

762
00:43:52,200 --> 00:43:56,680
Speaker 3: That like ruined me. I needed to search for a word.

763
00:43:56,840 --> 00:44:00,960
Speaker 3: It just and again we've talked about this gap between

764
00:44:01,000 --> 00:44:05,400
Speaker 3: our life experience then and our life experience now. It

765
00:44:05,560 --> 00:44:13,120
Speaker 3: hits different now because we all have those experiences. We

766
00:44:13,160 --> 00:44:15,759
Speaker 3: think about those things, We think about the people that

767
00:44:15,800 --> 00:44:19,960
Speaker 3: we love that aren't here anymore, and are they all

768
00:44:20,000 --> 00:44:23,800
Speaker 3: together somewhere? Like oh, and I don't know it. I

769
00:44:24,719 --> 00:44:28,040
Speaker 3: went from like watching the episode taking notes to just

770
00:44:28,080 --> 00:44:33,120
Speaker 3: like choking on an ugly sob it really it just

771
00:44:33,160 --> 00:44:33,480
Speaker 3: got me.

772
00:44:34,480 --> 00:44:36,640
Speaker 2: Yeah, it's a connection point for the two of them.

773
00:44:36,719 --> 00:44:41,000
Speaker 2: That's really serious, because to lose a parent is awful.

774
00:44:41,800 --> 00:44:45,440
Speaker 2: To lose a parent in your teens, in your early twenties,

775
00:44:46,239 --> 00:44:49,560
Speaker 2: before you get married, before you have kids, before you

776
00:44:49,640 --> 00:44:53,399
Speaker 2: hit all these like professional milestones, before before like all

777
00:44:53,400 --> 00:44:58,720
Speaker 2: the stuff is a pain that thankfully not everyone knows.

778
00:44:58,800 --> 00:45:01,960
Speaker 2: And so to find another human that gets it and

779
00:45:02,000 --> 00:45:05,480
Speaker 2: can hold your hand through it. I like that Lucas

780
00:45:05,480 --> 00:45:11,400
Speaker 2: and Lindsay have each other. That's a great connection. It

781
00:45:11,440 --> 00:45:13,880
Speaker 2: was a connection that he had with Peyton, you know,

782
00:45:14,680 --> 00:45:17,280
Speaker 2: So it makes sense if it ain't broke, don't fix

783
00:45:17,320 --> 00:45:19,120
Speaker 2: it well.

784
00:45:19,160 --> 00:45:22,279
Speaker 3: And I think there's something as a viewer, you know,

785
00:45:22,320 --> 00:45:24,960
Speaker 3: who's not in the dynamic of that relationship and that

786
00:45:25,040 --> 00:45:30,399
Speaker 3: triangle for the three of you. As as beautiful as

787
00:45:30,440 --> 00:45:34,440
Speaker 3: the question is and the ensuing conversation, you can't help

788
00:45:35,360 --> 00:45:37,520
Speaker 3: five years into this thing when you've been rooting for

789
00:45:37,640 --> 00:45:43,279
Speaker 3: Lucas and Peyton having that little itch going. But Keith

790
00:45:43,320 --> 00:45:49,160
Speaker 3: and Peyton's mom, like they've shared this stuff already. This

791
00:45:49,160 --> 00:45:51,400
Speaker 3: this is new for Lindsay, but you know it's not

792
00:45:51,520 --> 00:45:56,040
Speaker 3: for him because of you, and it's and it's a

793
00:45:56,800 --> 00:45:58,680
Speaker 3: I don't know it really it put me deep in

794
00:45:58,760 --> 00:45:59,440
Speaker 3: my feelings.

795
00:46:00,760 --> 00:46:04,319
Speaker 2: Yeah, Oh I loved the moon bounce. Let me just

796
00:46:04,360 --> 00:46:07,320
Speaker 2: tell you how much I loved that moon bounce because

797
00:46:08,160 --> 00:46:10,400
Speaker 2: we got to have it for the duration of filming

798
00:46:11,040 --> 00:46:14,840
Speaker 2: and so we would wrap work and just bounce in

799
00:46:14,920 --> 00:46:20,000
Speaker 2: the moon bounce. The idea that this kid through this

800
00:46:20,120 --> 00:46:25,000
Speaker 2: party is fantastic because I like all the things that

801
00:46:25,080 --> 00:46:28,480
Speaker 2: five year olds like and yeah, I like that it

802
00:46:28,480 --> 00:46:30,680
Speaker 2: worked out this way because then our crew got to

803
00:46:30,719 --> 00:46:34,680
Speaker 2: actually use all of these party things, Like someone had

804
00:46:34,719 --> 00:46:39,799
Speaker 2: to eat all that cotton candy. It was us amazing. Yeah,

805
00:46:39,840 --> 00:46:42,359
Speaker 2: grown up moon bounces should be more of a thing.

806
00:46:43,000 --> 00:46:46,560
Speaker 3: I'm so into it, like and look, I was a

807
00:46:46,560 --> 00:46:50,840
Speaker 3: camp counselor. I love watching other people's kids. I also

808
00:46:50,960 --> 00:46:53,080
Speaker 3: shamelessly when there is a moon bounce at a thing,

809
00:46:53,120 --> 00:46:54,239
Speaker 3: I'm like, I'll watch the kids.

810
00:46:54,280 --> 00:46:56,680
Speaker 2: I want to get in there. Yeah yeah, yeah, yeah,

811
00:46:56,760 --> 00:46:57,080
Speaker 2: let me in.

812
00:46:57,200 --> 00:46:59,239
Speaker 3: I got I got it, I got it. You go

813
00:46:59,239 --> 00:47:01,200
Speaker 3: get a beer. I'll be over there with.

814
00:47:01,120 --> 00:47:03,520
Speaker 2: Them, dude. I volunteered for field day at my son's

815
00:47:03,520 --> 00:47:06,959
Speaker 2: school and they had all these inflatable things and one

816
00:47:07,000 --> 00:47:08,880
Speaker 2: of them was a slip and slide, but it was

817
00:47:08,920 --> 00:47:12,320
Speaker 2: like two slides, so you were racing against the person

818
00:47:12,400 --> 00:47:13,000
Speaker 2: next to you.

819
00:47:13,400 --> 00:47:14,280
Speaker 3: That's so fun.

820
00:47:14,320 --> 00:47:16,160
Speaker 2: And one of the teachers was like, do you want

821
00:47:16,160 --> 00:47:18,680
Speaker 2: to race? And I did, I really really did, but

822
00:47:18,719 --> 00:47:20,480
Speaker 2: I wouldn't do it. I was like, no, I have

823
00:47:20,560 --> 00:47:24,720
Speaker 2: to be the adult here. Oh man, no, I couldn't listen. Listen,

824
00:47:24,719 --> 00:47:28,880
Speaker 2: I'm an authoritative figure with those seventh graders. I gotta

825
00:47:29,400 --> 00:47:32,160
Speaker 2: be an adult also, I just didn't want to be

826
00:47:32,200 --> 00:47:34,680
Speaker 2: wet all day. Yeah, with kids, Like if it was

827
00:47:34,719 --> 00:47:36,760
Speaker 2: like a grown up party and we were drinking blue

828
00:47:36,760 --> 00:47:40,160
Speaker 2: Moon and having a good time, Like yeah, yes, but

829
00:47:40,280 --> 00:47:44,040
Speaker 2: like hanging out in the school baseball field. No, I

830
00:47:44,040 --> 00:47:48,680
Speaker 2: don't think that, not for me, not the vibe. No,

831
00:47:48,880 --> 00:47:51,360
Speaker 2: but it did seem like a dope party. And remember

832
00:47:51,360 --> 00:47:55,040
Speaker 2: what a big deal Guitar Hero was. Oh well, we.

833
00:47:54,880 --> 00:47:57,440
Speaker 3: Were all really playing that at that stage. Remember that's

834
00:47:57,480 --> 00:48:00,920
Speaker 3: when we all got the consoles because of jack So

835
00:48:00,960 --> 00:48:03,440
Speaker 3: everybody got a we everybody got a Guitar Hero. We

836
00:48:03,520 --> 00:48:07,520
Speaker 3: had it in the office and it it The fact

837
00:48:07,560 --> 00:48:09,239
Speaker 3: that it worked its way into the episode I thought

838
00:48:09,280 --> 00:48:10,080
Speaker 3: was very sweet.

839
00:48:10,640 --> 00:48:13,359
Speaker 2: Yeah, that's it. That's how you knew we were also

840
00:48:13,920 --> 00:48:15,960
Speaker 2: in a writer's strike, because they're like, what can we

841
00:48:16,080 --> 00:48:20,920
Speaker 2: just farm? Real? Yeah, we know that Jackson's into this.

842
00:48:21,320 --> 00:48:24,799
Speaker 2: Jackson's performance in this episode is my favorite because I

843
00:48:25,040 --> 00:48:28,839
Speaker 2: have a five year old and I saw so much

844
00:48:28,840 --> 00:48:31,480
Speaker 2: of my daughter in him this episode, especially in the

845
00:48:31,520 --> 00:48:34,520
Speaker 2: scene where Brooke and Owen go to his bedroom and

846
00:48:34,600 --> 00:48:39,640
Speaker 2: he does this real sly little is this your boyfriend? Yeah?

847
00:48:39,640 --> 00:48:44,560
Speaker 2: And that's exactly how my daughter asks questions. It's always like, hmmm,

848
00:48:46,800 --> 00:48:48,319
Speaker 2: I'm suspicious of you.

849
00:48:49,200 --> 00:48:50,160
Speaker 3: That's so cute.

850
00:48:50,239 --> 00:48:51,640
Speaker 2: I love a suspicious child.

851
00:48:51,840 --> 00:48:55,800
Speaker 3: I do too, and I love this whole phase. Getting

852
00:48:55,800 --> 00:48:59,000
Speaker 3: to be Jamie's godmother was just the best I had

853
00:48:59,000 --> 00:49:02,440
Speaker 3: the best. Season five was so fun for me.

854
00:49:03,400 --> 00:49:07,080
Speaker 2: Frankly, I'm surprised that brooken skills never get together because

855
00:49:07,080 --> 00:49:13,000
Speaker 2: they're the most like pro Jamie godparents. That would have

856
00:49:13,000 --> 00:49:14,160
Speaker 2: been an interesting turn.

857
00:49:14,600 --> 00:49:16,520
Speaker 3: It would have been fun, just.

858
00:49:16,480 --> 00:49:20,160
Speaker 2: A little like let's play house. We both love this

859
00:49:20,280 --> 00:49:26,440
Speaker 2: child well. I think that Jackson had to do a

860
00:49:26,480 --> 00:49:28,319
Speaker 2: lot of heavy lifting here, and he.

861
00:49:28,360 --> 00:49:30,399
Speaker 3: Did, and he did it really, really well.

862
00:49:31,800 --> 00:49:33,959
Speaker 2: Yeah, because he's not being a brat with his mom,

863
00:49:34,080 --> 00:49:38,319
Speaker 2: but he's be needy. Yeah, and there's a fine line there,

864
00:49:38,640 --> 00:49:41,680
Speaker 2: and I feel so much for him while also being like, hey,

865
00:49:42,400 --> 00:49:43,480
Speaker 2: moms need a minute.

866
00:49:43,560 --> 00:49:44,440
Speaker 3: Yeah, give her a minute.

867
00:49:44,520 --> 00:49:48,120
Speaker 2: But the thing that got me was like Nathan's having

868
00:49:48,160 --> 00:49:52,000
Speaker 2: all the fun with the kid because he's glossing over

869
00:49:52,040 --> 00:49:56,840
Speaker 2: those big questions and Haley's so honest with Jamie in

870
00:49:56,880 --> 00:49:59,160
Speaker 2: the episode and it's like, baby, I don't know the answers,

871
00:49:59,239 --> 00:50:02,799
Speaker 2: I don't know the answer, and Nathan is like, yeah,

872
00:50:02,840 --> 00:50:05,520
Speaker 2: I sure, hope I get to come home right after

873
00:50:05,560 --> 00:50:08,680
Speaker 2: Haley's told him like you're not coming home, like we're

874
00:50:08,719 --> 00:50:12,680
Speaker 2: done done, and so yeah, this poor little boy is

875
00:50:12,719 --> 00:50:18,239
Speaker 2: getting very mixed messages. Yeah, but he gets to he

876
00:50:18,280 --> 00:50:21,839
Speaker 2: gets to bounce. They got a party out of the dude. Well.

877
00:50:22,080 --> 00:50:26,360
Speaker 2: How did we feel about the scene between you and Victoria?

878
00:50:26,400 --> 00:50:28,160
Speaker 2: Because that was epic.

879
00:50:29,160 --> 00:50:31,480
Speaker 3: I just felt like it was such a long time coming.

880
00:50:32,440 --> 00:50:37,719
Speaker 3: I it's visceral for me remembering that, and I don't know,

881
00:50:37,960 --> 00:50:42,880
Speaker 3: in many ways, I feel like getting to stand up

882
00:50:42,880 --> 00:50:47,520
Speaker 3: to her as Brooke in that moment was also cathartic

883
00:50:47,680 --> 00:50:50,160
Speaker 3: for every time I've never stood up for myself in

884
00:50:50,200 --> 00:50:53,160
Speaker 3: my real life. You know, I don't know it does

885
00:50:53,200 --> 00:50:55,520
Speaker 3: it feels like it feels close? What was it like

886
00:50:55,560 --> 00:50:56,480
Speaker 3: for you watching it?

887
00:50:57,040 --> 00:50:58,640
Speaker 2: Like, I don't know if I can talk about it, you.

888
00:50:58,520 --> 00:50:59,319
Speaker 6: Talk about it. Yeah.

889
00:50:59,520 --> 00:51:04,440
Speaker 2: What I loved is that she's she tells Brooke over

890
00:51:04,480 --> 00:51:07,520
Speaker 2: and over again. She's like, brook you have to remove

891
00:51:07,640 --> 00:51:11,000
Speaker 2: emotion from business. You have to remove emotion from business,

892
00:51:11,360 --> 00:51:15,520
Speaker 2: not realizing that the only thing keeping her in Brooks

893
00:51:15,560 --> 00:51:20,680
Speaker 2: business is emotional and so the second that Brooke takes

894
00:51:20,719 --> 00:51:26,880
Speaker 2: her advice and removes the emotion from the business, She's gone, Yeah,

895
00:51:26,960 --> 00:51:29,440
Speaker 2: I just loved that little turn where it was like,

896
00:51:29,480 --> 00:51:31,440
Speaker 2: all right, I'm gonna do exactly what she told me to.

897
00:51:32,560 --> 00:51:37,400
Speaker 2: You win, You're gone. That's the kind of emotional docy

898
00:51:37,480 --> 00:51:41,279
Speaker 2: dough I want in my series. I'm like, yeah, you

899
00:51:41,440 --> 00:51:42,640
Speaker 2: got what you wanted.

900
00:51:43,680 --> 00:51:46,280
Speaker 3: Suck at Victoria, I I got a lot.

901
00:51:46,480 --> 00:51:48,800
Speaker 2: What are we missing? What else? What else happened?

902
00:51:49,440 --> 00:51:52,680
Speaker 3: Oh Peyton, seeing Lindsay in her wedding dress was a moment.

903
00:51:53,440 --> 00:51:55,480
Speaker 2: Girl. Was it weird?

904
00:51:55,520 --> 00:51:58,359
Speaker 3: Did you have like do you feel jealousy about it

905
00:51:58,400 --> 00:52:02,839
Speaker 3: because like and Lucas or your territory? What did it

906
00:52:02,880 --> 00:52:03,319
Speaker 3: feel like?

907
00:52:03,760 --> 00:52:07,120
Speaker 2: I mean, I'm sure at the time I felt like

908
00:52:07,160 --> 00:52:11,080
Speaker 2: it was weird, like oh cool, I'm sure that's fun

909
00:52:11,080 --> 00:52:15,720
Speaker 2: for you. Then you're a ball gown. But now thinking

910
00:52:15,719 --> 00:52:18,759
Speaker 2: about it, I'm just really glad I didn't do that

911
00:52:18,840 --> 00:52:21,720
Speaker 2: like tucked ball you know that like kind of like tucking.

912
00:52:21,880 --> 00:52:23,840
Speaker 2: That's not like the skirt of the ball gown that

913
00:52:23,960 --> 00:52:28,680
Speaker 2: was very two thousands. Bridal fashion is so easy to

914
00:52:28,760 --> 00:52:33,520
Speaker 2: fuck up. And so while I love it for Brooke

915
00:52:33,600 --> 00:52:37,799
Speaker 2: Davis and closeover Bros. That she got to design this dress, aesthetically,

916
00:52:37,880 --> 00:52:40,160
Speaker 2: it was not a Peyton vibe. It's not a vibe

917
00:52:40,280 --> 00:52:40,759
Speaker 2: I would have.

918
00:52:40,760 --> 00:52:42,880
Speaker 3: Worn, not my vibe aesthetically either.

919
00:52:43,640 --> 00:52:43,960
Speaker 1: Yeah.

920
00:52:44,320 --> 00:52:47,040
Speaker 2: Yeah, there was like a it was like a like

921
00:52:47,080 --> 00:52:51,960
Speaker 2: a a fake pinning that was happening on the ball

922
00:52:52,000 --> 00:52:55,360
Speaker 2: gowns of skirts back then, where it was supposed to look.

923
00:52:55,680 --> 00:52:59,000
Speaker 2: I don't know, like a lemon merangue, like you know

924
00:52:59,040 --> 00:53:02,080
Speaker 2: when merangue is bait and it just stays in its

925
00:53:02,080 --> 00:53:04,880
Speaker 2: shaves in his shape. Yeah, yeah, yeah yeah, or like

926
00:53:04,920 --> 00:53:08,200
Speaker 2: a like an ice cream cone, right, like the skirt

927
00:53:08,360 --> 00:53:14,279
Speaker 2: half that kind of soft, sir. I wasn't mad about

928
00:53:14,280 --> 00:53:16,719
Speaker 2: that dress. If it had been all like angular and

929
00:53:16,840 --> 00:53:20,440
Speaker 2: bitchy like my wedding dress in real life was, then yeah,

930
00:53:20,560 --> 00:53:23,880
Speaker 2: I would have been jealous. But I didn't want that dress.

931
00:53:24,080 --> 00:53:26,520
Speaker 2: So I guess you were asking me about the boy

932
00:53:26,600 --> 00:53:30,439
Speaker 2: part of it. I can all I'm just like the dress.

933
00:53:30,520 --> 00:53:31,799
Speaker 3: You're like, whatever, I don't care.

934
00:53:32,600 --> 00:53:35,359
Speaker 2: I don't even care. No. I thought. There was an

935
00:53:35,360 --> 00:53:38,080
Speaker 2: awkward moment in the episode where Peyton goes to see

936
00:53:38,160 --> 00:53:41,360
Speaker 2: Lucas at the basketball court and is like, are you

937
00:53:41,400 --> 00:53:43,440
Speaker 2: gonna yell at me for being mean to Lindsay yeah,

938
00:53:43,440 --> 00:53:47,600
Speaker 2: and he's like, I didn't hear anything about it. That

939
00:53:47,719 --> 00:53:52,520
Speaker 2: was awkward, But I don't know twenty two how old

940
00:53:52,520 --> 00:53:56,520
Speaker 2: are our characters? Twenty one two? Awkward? Let's be graceful

941
00:53:56,520 --> 00:54:00,560
Speaker 2: about it. Lucas, for his part, though, don't do any

942
00:54:00,600 --> 00:54:04,440
Speaker 2: weird shit with Peyton at the party. Congratulations, he's like

943
00:54:04,719 --> 00:54:06,120
Speaker 2: focused on his bride.

944
00:54:06,640 --> 00:54:11,560
Speaker 3: Finally, it's very different than the clothover bros. Opening My god.

945
00:54:12,000 --> 00:54:13,720
Speaker 2: Right, No, he's doing it.

946
00:54:14,480 --> 00:54:17,960
Speaker 3: You can do better. I'm still still icked about that. No,

947
00:54:18,120 --> 00:54:21,280
Speaker 3: he was good, and getting to see them be together

948
00:54:22,960 --> 00:54:25,720
Speaker 3: in a nice way was nice.

949
00:54:26,560 --> 00:54:29,959
Speaker 2: I bought it. It's what they probably were pre Brook

950
00:54:29,960 --> 00:54:35,400
Speaker 2: and Peyton coming home. Yes, now we're finally getting to

951
00:54:35,440 --> 00:54:42,480
Speaker 2: see it. Well, well, well, Brooke was convinced earlier, Peyton's convinced. Now.

952
00:54:42,520 --> 00:54:44,400
Speaker 2: I guess Lucas and Lindsay are going to be happily

953
00:54:44,440 --> 00:54:49,000
Speaker 2: over after whatever. It's fine, I'll just go kiss all

954
00:54:49,000 --> 00:54:54,240
Speaker 2: of Brook's other ex boyfriends, right, yeah, sorry, I guess

955
00:54:54,360 --> 00:54:59,000
Speaker 2: Peyton never kisses Owen, does she? No? Trying to think

956
00:54:59,000 --> 00:55:00,959
Speaker 2: if there are any other Brook quest that we didn't

957
00:55:00,960 --> 00:55:01,680
Speaker 2: cross over on.

958
00:55:02,400 --> 00:55:05,920
Speaker 3: No, I don't think you do. And in later years,

959
00:55:07,160 --> 00:55:10,160
Speaker 3: you know, once you had left and they made poor

960
00:55:10,200 --> 00:55:14,280
Speaker 3: sweet Jana do it. So like Alex goes for Julian

961
00:55:15,280 --> 00:55:18,840
Speaker 3: almost like Nanny Carey goes for Nathan. I mean, obviously

962
00:55:18,880 --> 00:55:21,680
Speaker 3: pre us finding out she's a sociopath. But yeah, it

963
00:55:21,719 --> 00:55:24,160
Speaker 3: was gnarly and I was just like, why is everybody

964
00:55:24,160 --> 00:55:26,760
Speaker 3: always trying to own Brooks boyfriends? What's happened?

965
00:55:27,400 --> 00:55:31,760
Speaker 2: Irritating? You said, Carrie, One thing I forgot in this episode,

966
00:55:31,840 --> 00:55:36,040
Speaker 2: you guys, is that the amazing woman who was my

967
00:55:36,160 --> 00:55:40,480
Speaker 2: stand in on the show, Carrie Moscow please, the store

968
00:55:40,520 --> 00:55:42,920
Speaker 2: clerk that ends up sleeping with Dan, right, But she

969
00:55:43,239 --> 00:55:46,680
Speaker 2: also played the prostitute that went home with Matt Barr.

970
00:55:47,400 --> 00:55:49,760
Speaker 3: Yeah, the one that Derek dressed up to look like Peyton.

971
00:55:50,440 --> 00:55:54,359
Speaker 2: And I love that this one character sleeps with Matt

972
00:55:54,440 --> 00:55:57,640
Speaker 2: Barr and gets assaulted and then sleeps with Dan Scott

973
00:55:57,680 --> 00:55:59,799
Speaker 2: the second he gets out of prison. And she's just

974
00:56:00,560 --> 00:56:03,759
Speaker 2: she's part of the folklore of Tree Hill.

975
00:56:04,200 --> 00:56:05,560
Speaker 3: She is a bad man magnet.

976
00:56:06,080 --> 00:56:09,360
Speaker 2: Mm hmm, that's spicy. Patty. What was her name Patty?

977
00:56:09,400 --> 00:56:12,560
Speaker 3: In the episode Patty, what time do you get off

978
00:56:13,040 --> 00:56:15,160
Speaker 3: to pass? When do you want to pick me up?

979
00:56:15,440 --> 00:56:18,359
Speaker 2: I was like, Okay, I just love that they cast

980
00:56:18,440 --> 00:56:20,200
Speaker 2: carry for these parts because she's so great.

981
00:56:20,239 --> 00:56:21,760
Speaker 3: I love it. She is great.

982
00:56:22,680 --> 00:56:27,600
Speaker 2: I liked the episode all in all. It made me

983
00:56:27,640 --> 00:56:30,040
Speaker 2: want to go home and have an all class reunion

984
00:56:30,200 --> 00:56:31,360
Speaker 2: with my high school friends.

985
00:56:32,680 --> 00:56:35,640
Speaker 3: Yeah, I liked it. I'm gonna be curious when we

986
00:56:35,680 --> 00:56:37,799
Speaker 3: get on for the next one and we get joy back.

987
00:56:38,120 --> 00:56:40,320
Speaker 3: I feel like I'm going to have some follow up questions,

988
00:56:40,600 --> 00:56:43,120
Speaker 3: you know, when we watch the episodes and it's like previously,

989
00:56:43,520 --> 00:56:45,480
Speaker 3: I want to next week. I want to have a

990
00:56:45,480 --> 00:56:47,880
Speaker 3: little previously on with her.

991
00:56:48,040 --> 00:56:49,680
Speaker 2: Because she was so good in this episode.

992
00:56:49,800 --> 00:57:00,440
Speaker 3: Oh so good. Do we want to do a fan question?

993
00:57:00,920 --> 00:57:01,680
Speaker 2: I think we ought to.

994
00:57:02,040 --> 00:57:05,399
Speaker 3: I've got one for us from Tanya. She says, how

995
00:57:05,400 --> 00:57:07,520
Speaker 3: far ahead do you know the plot lines when acting?

996
00:57:07,960 --> 00:57:10,239
Speaker 3: For example, that Lindsay leaves Lucas at the altar, that

997
00:57:10,320 --> 00:57:15,240
Speaker 3: Nanny Carey is actually crazy? Oh, Tanya, buckle up, babe.

998
00:57:15,719 --> 00:57:19,480
Speaker 2: Like the week before maybe if you're lucky.

999
00:57:19,400 --> 00:57:21,680
Speaker 3: Sometimes a day before if you're not lucky.

1000
00:57:22,800 --> 00:57:25,080
Speaker 2: We were getting into binds where we would get the

1001
00:57:25,120 --> 00:57:29,120
Speaker 2: script like two days before we'd have to start it, yeah,

1002
00:57:29,840 --> 00:57:33,120
Speaker 2: because it has to go through so many revisions and

1003
00:57:33,160 --> 00:57:37,680
Speaker 2: then like network notes and then tone meetings and a

1004
00:57:37,720 --> 00:57:43,000
Speaker 2: lot of executive level blooney before it gets to the

1005
00:57:43,040 --> 00:57:45,560
Speaker 2: actors that are like, oh cool, let me just memorize

1006
00:57:45,560 --> 00:57:46,360
Speaker 2: sixty pages.

1007
00:57:47,000 --> 00:57:52,000
Speaker 3: Yeah, by tomorrow. And you know you've got to prep,

1008
00:57:52,040 --> 00:57:55,280
Speaker 3: you've got to figure out how to make things work.

1009
00:57:55,320 --> 00:57:58,640
Speaker 3: It's not just memorizing, it's all the other building of

1010
00:57:58,680 --> 00:58:01,880
Speaker 3: the world you have to do. And yeah, it can

1011
00:58:01,920 --> 00:58:05,160
Speaker 3: be really crazy making when you know, let's say we'd

1012
00:58:05,200 --> 00:58:09,160
Speaker 3: be starting a new episode. This is five eleven, for example,

1013
00:58:09,160 --> 00:58:11,640
Speaker 3: we're starting five eleven on a Thursday, and we don't

1014
00:58:11,640 --> 00:58:14,760
Speaker 3: get the script until Tuesday night, and it's like, well,

1015
00:58:14,800 --> 00:58:17,440
Speaker 3: I wish I'd have known that Chase was gonna be

1016
00:58:17,480 --> 00:58:20,840
Speaker 3: Owen's friend, because I would have done this thing differently

1017
00:58:20,880 --> 00:58:23,440
Speaker 3: in the scene we shot yesterday in five ten, like,

1018
00:58:23,840 --> 00:58:26,040
Speaker 3: you know, that wouldn't have been the one obviously that

1019
00:58:26,120 --> 00:58:29,479
Speaker 3: was a surprise. But yeah, if you know Lindsay's gonna

1020
00:58:29,520 --> 00:58:31,880
Speaker 3: leave him at the altar, or you know that someone's

1021
00:58:31,920 --> 00:58:37,000
Speaker 3: gonna get arrested, that can inform a lot about your work. Yeah,

1022
00:58:37,040 --> 00:58:40,480
Speaker 3: and they just don't always tell you.

1023
00:58:41,160 --> 00:58:46,480
Speaker 2: Well, even for me in this narrative right where it's

1024
00:58:46,480 --> 00:58:51,800
Speaker 2: like Peyton said, I love you and you're getting married. Cool. Great,

1025
00:58:51,800 --> 00:58:55,880
Speaker 2: I'm gonna deal with it. If I'd have known that

1026
00:58:56,160 --> 00:58:59,000
Speaker 2: Lindsay was gonna leave him at the altar. I probably

1027
00:58:59,000 --> 00:59:02,200
Speaker 2: would have paid, like played the panic a little bit

1028
00:59:02,240 --> 00:59:05,919
Speaker 2: more right of like, oh my god, he's actually gonna

1029
00:59:05,920 --> 00:59:10,280
Speaker 2: go through with this, like he's actually gonna do this. Instead,

1030
00:59:10,960 --> 00:59:13,280
Speaker 2: in my mind, Lucas was getting married, so Peyton was

1031
00:59:13,280 --> 00:59:15,800
Speaker 2: gonna go off in a different direction. Yes, I kind

1032
00:59:15,800 --> 00:59:18,120
Speaker 2: of played it like I'm the cool girl, I'm gonna

1033
00:59:18,160 --> 00:59:20,240
Speaker 2: get over it, and like I don't care.

1034
00:59:20,840 --> 00:59:24,040
Speaker 3: I have to get over it. What's my choice? Yeah, yeah, yeah,

1035
00:59:24,080 --> 00:59:24,520
Speaker 3: So I was.

1036
00:59:24,520 --> 00:59:26,400
Speaker 2: Kind of more apathetic about it, But I feel like

1037
00:59:26,400 --> 00:59:28,680
Speaker 2: it would have enhanced the drama if Peyton had been

1038
00:59:28,720 --> 00:59:31,360
Speaker 2: a little bit more like, oh I care, I care,

1039
00:59:31,640 --> 00:59:35,320
Speaker 2: I care. Yeah, but I didn't know. I legitimately thought

1040
00:59:35,320 --> 00:59:37,720
Speaker 2: they were gonna get married and have babies and do

1041
00:59:37,840 --> 00:59:41,480
Speaker 2: the thing. So I was I mean, frankly, I was

1042
00:59:41,520 --> 00:59:43,200
Speaker 2: just looking at the call sheets to see if someone

1043
00:59:43,680 --> 00:59:46,919
Speaker 2: knew was coming in that I could kiss. Wow, what's

1044
00:59:46,960 --> 00:59:53,680
Speaker 2: happening next? Is Greenberg back? He wasn't. They teased us

1045
00:59:53,680 --> 00:59:56,480
Speaker 2: with that this season though. I remember them being like, oh,

1046
00:59:56,520 --> 01:00:00,000
Speaker 2: we're trying to get him. Yeah he said that every year.

1047
01:00:00,880 --> 01:00:04,040
Speaker 2: But yeah, Tanya, it's uh, it's not like a movie

1048
01:00:04,080 --> 01:00:06,240
Speaker 2: where we know what's gonna happen. We have to play

1049
01:00:06,240 --> 01:00:12,040
Speaker 2: everything super open ended. They're gonna throw it us. I

1050
01:00:12,080 --> 01:00:13,919
Speaker 2: love it, all right. What's your honorable mention?

1051
01:00:16,560 --> 01:00:20,600
Speaker 3: I liked that line of joys. That's mine. I shouldn't

1052
01:00:20,600 --> 01:00:26,400
Speaker 3: have tried to change you. Oh god, that's my honorable mention. Sorry,

1053
01:00:26,440 --> 01:00:27,040
Speaker 3: it's a downer.

1054
01:00:28,960 --> 01:00:33,480
Speaker 2: Yeah, my honorable mention is in the car with Chase

1055
01:00:33,560 --> 01:00:38,959
Speaker 2: and Owen and Brooke and Peyton. Yeah, when he says,

1056
01:00:39,040 --> 01:00:42,160
Speaker 2: do you remember the fake virgin chick? And we don't

1057
01:00:42,200 --> 01:00:44,800
Speaker 2: get mad at the fake virgin part? No, we are

1058
01:00:44,920 --> 01:00:50,280
Speaker 2: we go chick? He called me a chip fake virgin,

1059
01:00:50,400 --> 01:00:55,720
Speaker 2: yes chick, No, no, sir. Yeah, we should make t

1060
01:00:55,840 --> 01:00:58,280
Speaker 2: shirts that say that, do you remember the fake virgin chick?

1061
01:00:58,520 --> 01:00:58,840
Speaker 1: All right?

1062
01:01:00,240 --> 01:01:03,280
Speaker 2: Into it? Do it all right, We're gonna spin a wheel.

1063
01:01:03,440 --> 01:01:05,480
Speaker 3: Spin, We'll send you home.

1064
01:01:06,720 --> 01:01:08,840
Speaker 2: Oh my god, Bevin was so good in this episode.

1065
01:01:08,960 --> 01:01:14,160
Speaker 2: Bevin was so good in this episode. Honorable Yeah, yeah,

1066
01:01:14,240 --> 01:01:16,240
Speaker 2: just putting her foot in her mouth over and over

1067
01:01:16,280 --> 01:01:16,959
Speaker 2: and over again.

1068
01:01:17,360 --> 01:01:18,000
Speaker 3: So funny.

1069
01:01:18,240 --> 01:01:18,800
Speaker 2: Oh.

1070
01:01:19,080 --> 01:01:20,760
Speaker 3: Most likely to own a food truck?

1071
01:01:21,280 --> 01:01:24,520
Speaker 2: Okay, character, which character is most likely to own a

1072
01:01:24,520 --> 01:01:25,120
Speaker 2: food truck?

1073
01:01:25,640 --> 01:01:26,080
Speaker 3: Tim?

1074
01:01:26,560 --> 01:01:30,919
Speaker 2: Yeah? I was yeah, yes, because he's gonna put He's

1075
01:01:30,960 --> 01:01:34,400
Speaker 2: gonna have one of those like Ponzi scheme ideas where

1076
01:01:34,400 --> 01:01:39,080
Speaker 2: he gets some dumb investor where he's like, guys, it's nachos,

1077
01:01:39,280 --> 01:01:41,760
Speaker 2: but it's made out of beer, you know, like yeah,

1078
01:01:41,920 --> 01:01:45,080
Speaker 2: some stupid yeah, and someone's gonna invest in that.

1079
01:01:45,280 --> 01:01:47,320
Speaker 3: Someone's gonna invest in it, and he's just gonna be

1080
01:01:47,400 --> 01:01:49,280
Speaker 3: driving around town making people snacks.

1081
01:01:49,680 --> 01:01:52,720
Speaker 2: Mm hmm track. I like that. Where I'm at right now,

1082
01:01:52,760 --> 01:01:55,360
Speaker 2: we have ice cream trucks all over the place and

1083
01:01:55,840 --> 01:01:59,680
Speaker 2: they are not playing old school songs anymore. They've got

1084
01:01:59,680 --> 01:02:03,200
Speaker 2: this you're kind of electronic like music, but it sounds

1085
01:02:03,240 --> 01:02:07,360
Speaker 2: like horror film music, like it sounds like a stranger thing. No,

1086
01:02:09,760 --> 01:02:11,560
Speaker 2: I'm just out there going for a walk and you

1087
01:02:11,640 --> 01:02:15,800
Speaker 2: hear like soundtrack of doom coming up behind you, so

1088
01:02:15,960 --> 01:02:20,480
Speaker 2: like crazy, that's a Tim move. Oh my god, for

1089
01:02:20,600 --> 01:02:23,600
Speaker 2: sure a Tim move. Who in real life? I mean,

1090
01:02:23,680 --> 01:02:27,760
Speaker 2: Daneil has food trucks at family business brewing company, at

1091
01:02:27,760 --> 01:02:29,480
Speaker 2: the distillery, they have food trucks.

1092
01:02:29,560 --> 01:02:33,720
Speaker 3: Well, there you go. I a food truck for me

1093
01:02:33,920 --> 01:02:40,840
Speaker 3: is the kind of dream that surfing is. I think

1094
01:02:40,880 --> 01:02:43,400
Speaker 3: I would love it if I did it, and I'm

1095
01:02:43,440 --> 01:02:48,040
Speaker 3: never gonna do it, But in my head, I'm just

1096
01:02:48,440 --> 01:02:52,440
Speaker 3: I'm a month away from having a taco truck or

1097
01:02:52,560 --> 01:02:55,320
Speaker 3: being a girl who knows how to work a surfboard.

1098
01:02:55,400 --> 01:02:57,960
Speaker 3: I don't even like the ocean, but I think I

1099
01:02:58,000 --> 01:02:59,920
Speaker 3: think about it, and I'm like, I could do that someday.

1100
01:03:00,080 --> 01:03:02,960
Speaker 3: I never will. I love that, but God, I would

1101
01:03:03,000 --> 01:03:04,240
Speaker 3: love to have a food truck.

1102
01:03:06,280 --> 01:03:10,080
Speaker 2: Oh my saxt could be my business. Hell yeah, in

1103
01:03:10,160 --> 01:03:14,560
Speaker 2: our next lifetime, that's happening, all right, you guys. Next

1104
01:03:14,560 --> 01:03:20,000
Speaker 2: episode we have season five, episode twelve. It's called hundred,

1105
01:03:20,480 --> 01:03:22,960
Speaker 2: one hundred, very Antoine. Antoine used to say that he

1106
01:03:23,000 --> 01:03:25,720
Speaker 2: still says that all the time. One hundred. All right,

1107
01:03:25,760 --> 01:03:27,720
Speaker 2: Thank you guys for hanging in with us.

1108
01:03:28,000 --> 01:03:28,960
Speaker 3: See you next time.

1109
01:03:29,680 --> 01:03:30,840
Speaker 2: Hey, thanks for listening.

1110
01:03:30,960 --> 01:03:33,200
Speaker 3: Don't forget to leave us a review. You can also

1111
01:03:33,240 --> 01:03:36,280
Speaker 3: follow us on Instagram at Drama Queen's ot.

1112
01:03:36,360 --> 01:03:41,040
Speaker 2: H or email us at Drama Queens at iHeartRadio dot com.

1113
01:03:41,320 --> 01:03:42,320
Speaker 2: See you next time.

1114
01:03:43,560 --> 01:03:46,960
Speaker 4: We all about that high school drama girl, drama girl,

1115
01:03:47,000 --> 01:03:50,120
Speaker 4: all about them high school queens. We'll take you for

1116
01:03:50,240 --> 01:03:53,360
Speaker 4: a ride at our comic girl shared for the right

1117
01:03:53,760 --> 01:03:56,440
Speaker 4: drama queens. My girl girl

1118
01:03:56,480 --> 01:03:58,800
Speaker 5: Fashion, but your tough girl, you could sit with US,

1119
01:03:58,880 --> 01:04:03,320
Speaker 5: Girl Drama, Queens ra Mcqueens Drama, Queens Drama Drawn, Mcqueens Drama,

1120
01:04:03,400 --> 01:04:03,920
Speaker 5: Queens