1 00:00:00,040 --> 00:00:23,320 Speaker 1: Yeah, ye, this have no fear. The I Am Wrapping 2 00:00:23,360 --> 00:00:26,480 Speaker 1: Ports Stereo podcast is here on today's brand new Banging 3 00:00:26,640 --> 00:00:30,840 Speaker 1: I Am Wrapping Ports Stereo podcast line from San Antonio, Texas. 4 00:00:31,600 --> 00:00:37,120 Speaker 1: I am Rapports Stereo podcast, Museum quality podcasting, the ramifications 5 00:00:37,120 --> 00:00:39,879 Speaker 1: of going to see the here a k A the 6 00:00:39,920 --> 00:00:44,400 Speaker 1: breuha a k A the good which got the Sultan 7 00:00:44,440 --> 00:00:50,360 Speaker 1: of sniff sniffing, plus the NFL is happening, got predictions, 8 00:00:51,479 --> 00:00:55,600 Speaker 1: got more breakdowns and some recommendations. I highly recommend the 9 00:00:55,760 --> 00:00:59,960 Speaker 1: f X show Fleischmann's In Trouble. I break that down, 10 00:01:00,000 --> 00:01:04,440 Speaker 1: plus some memories of the iconic cultural game changing film 11 00:01:04,560 --> 00:01:07,440 Speaker 1: Kids from which I love and tell some good stories 12 00:01:07,480 --> 00:01:10,640 Speaker 1: about that All that morning. Fantastic, hard hitting I Am 13 00:01:10,680 --> 00:01:12,960 Speaker 1: Wrapped Ports Stereo podcast coming up right now. Miles Jordan 14 00:01:13,040 --> 00:01:15,480 Speaker 1: Ak the Briefs aka the Dignity Dust Better start to 15 00:01:15,520 --> 00:01:17,360 Speaker 1: puppy off with something real nice yest, start to puppy 16 00:01:17,400 --> 00:01:20,560 Speaker 1: off with something real, loud guests, the most important to 17 00:01:20,560 --> 00:01:22,679 Speaker 1: start to puppy off with something real funky. I am 18 00:01:22,800 --> 00:01:37,800 Speaker 1: rapp reports stereo pods coming at you now, boom, Yes, 19 00:01:40,200 --> 00:01:41,600 Speaker 1: I have no fear of the the I am wrapp reports 20 00:01:41,640 --> 00:01:46,960 Speaker 1: stereo podcast. It's here. My name is Michael Rappaport a K. 21 00:01:47,080 --> 00:01:51,200 Speaker 1: The Gringo Man, Dignity Dingo a K. The Salt of 22 00:01:51,280 --> 00:01:57,240 Speaker 1: Sniff a K. The inflamed Oscar Nazzi a k. The 23 00:01:57,280 --> 00:02:02,639 Speaker 1: Disruptive Warrior. I hope everybody's feeling good. Hope everybody's feeling safe, 24 00:02:02,760 --> 00:02:09,360 Speaker 1: Hope everybody is feeling sane. I am wrapped Coort Stereo Pockets. 25 00:02:09,400 --> 00:02:11,639 Speaker 1: Welcome to the Iron Dome of Disruption. Welcome to the 26 00:02:11,720 --> 00:02:17,760 Speaker 1: Ziggity Zone, the Ziggity Zone, the Ziggity Zone of Disruption. 27 00:02:19,160 --> 00:02:21,600 Speaker 1: I am Rapport Stereo Pockets, coming live and direct from 28 00:02:21,600 --> 00:02:24,800 Speaker 1: San Antonio, Texas. I am doing this solo, solo and 29 00:02:24,880 --> 00:02:34,800 Speaker 1: San Antonio, enjoying the city. I appreciate all the suggestions, food, riverwalk, 30 00:02:36,040 --> 00:02:37,880 Speaker 1: so forth and so on. I've got a lot of 31 00:02:37,960 --> 00:02:40,799 Speaker 1: d m s, a lot of suggestions out here. I'm 32 00:02:40,800 --> 00:02:43,520 Speaker 1: trying to keep it healthy. I feel like I am 33 00:02:43,520 --> 00:02:49,160 Speaker 1: coming down with a little, uh little sniffle. Obviously, I 34 00:02:49,160 --> 00:02:51,880 Speaker 1: always have my patent sniff. That's why they called me 35 00:02:51,880 --> 00:02:54,960 Speaker 1: the Salton Sniff. But I like this city. The weather 36 00:02:55,040 --> 00:02:57,040 Speaker 1: is nice, nice to be in Because I'm gonna tell 37 00:02:57,040 --> 00:03:01,280 Speaker 1: you something it's starting to get cold, or in New York. 38 00:03:01,480 --> 00:03:06,320 Speaker 1: It's not brick brick, like serious, serious brick and mortar brick, 39 00:03:07,240 --> 00:03:11,000 Speaker 1: but it's you know, that's sort of consistent thirty degrees. 40 00:03:11,840 --> 00:03:14,000 Speaker 1: Although it was fit out. Who knows, Maybe that's why 41 00:03:14,040 --> 00:03:17,920 Speaker 1: I'm getting sick. I don't know, but I'm just trying 42 00:03:17,960 --> 00:03:21,399 Speaker 1: to keep that fucking inflammation down, trying to keep Maybe 43 00:03:21,440 --> 00:03:23,399 Speaker 1: it was the Brewer, you know, I want to say. 44 00:03:23,440 --> 00:03:27,240 Speaker 1: I mean, you know, I'm thinking, you know, when you 45 00:03:27,240 --> 00:03:30,640 Speaker 1: go to these witch doctors, the brew hahas like I 46 00:03:30,680 --> 00:03:33,040 Speaker 1: went to the other day, and that was for real. 47 00:03:33,120 --> 00:03:37,160 Speaker 1: You guys know, I bullshit around a lot. But when 48 00:03:37,200 --> 00:03:39,560 Speaker 1: I told you that I went to the witch, the healer. 49 00:03:40,520 --> 00:03:41,920 Speaker 1: And when I say which, I don't mean it in 50 00:03:41,920 --> 00:03:44,600 Speaker 1: a bad way. I mean it in a good way. 51 00:03:44,720 --> 00:03:48,400 Speaker 1: There's a stigma around witches that they're all bad. I 52 00:03:48,520 --> 00:03:52,640 Speaker 1: truly went there to get help because you know that 53 00:03:52,880 --> 00:03:55,920 Speaker 1: I have this these health issues whatever. I don't want 54 00:03:55,920 --> 00:03:57,880 Speaker 1: to bore you with the health issues. But what I'm 55 00:03:57,880 --> 00:04:03,400 Speaker 1: thinking is is because I hadn't been touched up, massage comped, 56 00:04:04,480 --> 00:04:08,119 Speaker 1: like I said, they were kicking me, smacking me, poking 57 00:04:08,200 --> 00:04:13,000 Speaker 1: at me, pride and at me, pulling at me, hit 58 00:04:13,120 --> 00:04:15,360 Speaker 1: me on the back, praying on me. Hit me with 59 00:04:15,400 --> 00:04:20,880 Speaker 1: the oils, the lotions, the potions, the juices, hit me 60 00:04:20,920 --> 00:04:23,240 Speaker 1: with it like the part of the broom, you know, 61 00:04:23,320 --> 00:04:25,640 Speaker 1: the sweeping part, like they had a handful of like 62 00:04:25,720 --> 00:04:28,760 Speaker 1: soft band. But nothing hurt. I mean I felt it 63 00:04:28,800 --> 00:04:32,520 Speaker 1: a little bit, but it didn't hurt. Maybe that brought 64 00:04:32,560 --> 00:04:38,600 Speaker 1: out the slight cold that I'm feeling right now. Anyway, 65 00:04:38,839 --> 00:04:43,200 Speaker 1: I am in San Antonio and I am performing here 66 00:04:43,240 --> 00:04:48,400 Speaker 1: the rest of the weekend in San Antonio, and then 67 00:04:48,400 --> 00:04:51,719 Speaker 1: I will be in Orlando the year. If you're in Orlando, 68 00:04:51,800 --> 00:04:55,400 Speaker 1: comes see me next week in the twentie and the 69 00:04:55,480 --> 00:05:01,040 Speaker 1: twenty one, and then in February I will be performing 70 00:05:01,040 --> 00:05:05,680 Speaker 1: in Phoenix, which I can't wait. I'll be performing in 71 00:05:05,800 --> 00:05:09,880 Speaker 1: Phoenix a couple of different shows. In Phoenix. I'll be 72 00:05:10,240 --> 00:05:16,160 Speaker 1: at the CB Live on February two, and then I'll 73 00:05:16,200 --> 00:05:20,400 Speaker 1: be at Stand Up Live the third and the fourth. 74 00:05:20,440 --> 00:05:25,000 Speaker 1: All tickets, all information is available at Michael Rappaport Comedy 75 00:05:25,200 --> 00:05:28,680 Speaker 1: dot com. I told you I'm coming to Milwaukee in March, 76 00:05:29,960 --> 00:05:34,159 Speaker 1: which I had to cancel I think maybe once or 77 00:05:34,240 --> 00:05:37,560 Speaker 1: twice because of who the funk knows, and then I'll 78 00:05:37,600 --> 00:05:42,440 Speaker 1: be in Cleveland in March. Um, I'll be in Indianapolis 79 00:05:43,400 --> 00:05:46,920 Speaker 1: in March. All tickets, all information is available at Michael 80 00:05:47,000 --> 00:05:56,920 Speaker 1: Rappaport Comedy dot com. I have had a busy week. Um. 81 00:05:56,920 --> 00:05:59,279 Speaker 1: We're getting ready to start shooting Life and Beth The 82 00:05:59,360 --> 00:06:02,479 Speaker 1: Amy Schumer Show Season two. I don't know if you 83 00:06:02,480 --> 00:06:07,000 Speaker 1: guys watched the show. It's a dope show. And the 84 00:06:07,000 --> 00:06:09,200 Speaker 1: first part of the shooting is going to be in 85 00:06:09,240 --> 00:06:13,040 Speaker 1: New Orleans. So I'm heading down to New Orleans for 86 00:06:13,080 --> 00:06:16,960 Speaker 1: about a week and a half. I don't know if 87 00:06:16,960 --> 00:06:19,920 Speaker 1: I've ever done comedy in New Orleans, but I've been 88 00:06:19,960 --> 00:06:21,800 Speaker 1: down there. We had a great fucking time in New 89 00:06:21,880 --> 00:06:24,760 Speaker 1: Orleans with the All Star Game. I am Wrapper Stereo podcast. 90 00:06:25,440 --> 00:06:29,680 Speaker 1: I believe it was Janice's second season or his third. 91 00:06:29,920 --> 00:06:33,359 Speaker 1: I don't remember, but I remember Janice in New Orleans 92 00:06:33,400 --> 00:06:35,799 Speaker 1: at the All Star Game. Was like a fucking bancie 93 00:06:35,800 --> 00:06:40,520 Speaker 1: out there. Yo. I had to leave. I couldn't go 94 00:06:40,520 --> 00:06:43,200 Speaker 1: to the game, but I remember watching that game. I 95 00:06:43,240 --> 00:06:46,520 Speaker 1: know the Dust Brothers went to the game live in 96 00:06:46,560 --> 00:06:49,120 Speaker 1: New Orleans, but that motherfucker when he played in the 97 00:06:49,160 --> 00:06:51,160 Speaker 1: All Star Game in New Orleans. I'm at five six 98 00:06:51,279 --> 00:06:55,120 Speaker 1: years ago. It was crazy, but I'm We're shooting down 99 00:06:55,160 --> 00:06:58,559 Speaker 1: there the first week or two of production in New Orleans. 100 00:06:58,560 --> 00:07:00,440 Speaker 1: So I'm heading to New New Orleans and a couple 101 00:07:00,440 --> 00:07:04,480 Speaker 1: of who the funk I don't know who knows. I 102 00:07:04,520 --> 00:07:07,720 Speaker 1: don't know what the funk is going on. I know 103 00:07:07,839 --> 00:07:10,640 Speaker 1: that uh they hit me with the the bruaha and 104 00:07:10,720 --> 00:07:13,000 Speaker 1: the other day and I feel like, oh, maybe all 105 00:07:13,000 --> 00:07:15,320 Speaker 1: the rot is coming out of me. But I'm excited 106 00:07:15,360 --> 00:07:16,840 Speaker 1: to go to New Orleans. I like that city. It's 107 00:07:16,840 --> 00:07:20,880 Speaker 1: a dope city. It's such a weird, unique, cool, one 108 00:07:20,920 --> 00:07:26,280 Speaker 1: of a kind old city. And I have some days off, 109 00:07:26,480 --> 00:07:30,880 Speaker 1: so I really want to try to explore some interesting 110 00:07:30,920 --> 00:07:33,600 Speaker 1: things about New Orleans. If you guys have anything interesting 111 00:07:35,520 --> 00:07:38,160 Speaker 1: where you've seen or any of the New Orleans Wrappa 112 00:07:38,160 --> 00:07:42,480 Speaker 1: pack the Louisiana Wrappa back Yo, d m me on 113 00:07:42,520 --> 00:07:48,560 Speaker 1: Instagram or email us at Iron Rapport Podcast at gmail 114 00:07:48,640 --> 00:07:52,200 Speaker 1: dot com. I am wrapp port Podcast at gmail dot com. 115 00:07:52,200 --> 00:07:55,960 Speaker 1: With any suggestions Outside of Bourbon Street and the French Quarters, 116 00:07:56,000 --> 00:07:58,240 Speaker 1: I've walked around there. I love going to the uh, 117 00:07:58,440 --> 00:08:01,800 Speaker 1: the French Quarters or League in the morning when there's 118 00:08:01,840 --> 00:08:03,440 Speaker 1: no one there. That's when you really kind of like 119 00:08:04,160 --> 00:08:06,760 Speaker 1: feel the history when you go there at night and 120 00:08:06,800 --> 00:08:16,280 Speaker 1: the people are drinking, smoking, boozing, horroring, you know, gambling, debauchery, degeneration. 121 00:08:16,520 --> 00:08:18,480 Speaker 1: I have no problem with it. I just don't want 122 00:08:18,520 --> 00:08:22,000 Speaker 1: to be around it. I don't like being around drunk strangers. 123 00:08:22,000 --> 00:08:23,720 Speaker 1: I don't like being around drunk people that I know, 124 00:08:24,880 --> 00:08:28,640 Speaker 1: let alone strangers that are drunk and people get it in. 125 00:08:29,120 --> 00:08:32,440 Speaker 1: No disrespect, no judgment for the people that get it in, 126 00:08:33,520 --> 00:08:35,920 Speaker 1: get it in. I just don't want to be around it. 127 00:08:35,920 --> 00:08:39,480 Speaker 1: But I funk with the French Quarters during the day before, 128 00:08:39,800 --> 00:08:41,640 Speaker 1: you know, people get it on and popping, and you 129 00:08:41,679 --> 00:08:45,280 Speaker 1: really get to see and feel the uniqueness of the area. 130 00:08:45,320 --> 00:08:47,800 Speaker 1: But if you have any suggestions of things other than 131 00:08:47,840 --> 00:08:50,800 Speaker 1: that that I should do, restaurants or just you know, 132 00:08:50,880 --> 00:08:53,760 Speaker 1: go check this place, go check that out, please let 133 00:08:53,760 --> 00:08:55,320 Speaker 1: me know, because I really want to try to have 134 00:08:55,520 --> 00:08:59,040 Speaker 1: a fun time in New Orleans. The other day I 135 00:08:59,160 --> 00:09:04,199 Speaker 1: was I'm gonna talk about two shows, actually three shows 136 00:09:04,840 --> 00:09:07,320 Speaker 1: that I watched, and I mentioned it, but then I 137 00:09:07,360 --> 00:09:10,240 Speaker 1: forgot to bring it up, which I really really liked. 138 00:09:10,360 --> 00:09:13,120 Speaker 1: There's a show on f X which I haven't seen 139 00:09:13,240 --> 00:09:18,199 Speaker 1: much press about I haven't seen many ads for it. 140 00:09:19,200 --> 00:09:22,920 Speaker 1: Jesse Eisenberg, the actor, the kid who started Social Network 141 00:09:22,960 --> 00:09:25,480 Speaker 1: and a bunch of other things, who was a really 142 00:09:25,520 --> 00:09:30,920 Speaker 1: good actor. And Claire Danes, who you know, fucking Claire Danes. 143 00:09:31,679 --> 00:09:37,120 Speaker 1: They star in a show called Fleishman's in Trouble. Fleishman's 144 00:09:37,800 --> 00:09:40,640 Speaker 1: in Trouble, which is based on a book that I 145 00:09:40,720 --> 00:09:44,320 Speaker 1: happened to read, which I really liked. It's very New York, 146 00:09:45,200 --> 00:09:50,440 Speaker 1: very sort of Woody Allen, very sort of dark. Curb 147 00:09:50,520 --> 00:09:55,800 Speaker 1: your enthusiasm. Let's just call it very good, high end 148 00:09:56,240 --> 00:10:01,560 Speaker 1: Jewish New York East Coast humor New York City, not 149 00:10:01,600 --> 00:10:04,920 Speaker 1: even East coast. I hate that fucking term because with 150 00:10:05,200 --> 00:10:07,880 Speaker 1: this East Coast. You know, I can't speak on the 151 00:10:07,880 --> 00:10:11,160 Speaker 1: West Coast, but East Coast, like New York and Philly 152 00:10:11,240 --> 00:10:16,480 Speaker 1: are very different. New York and Boston are very very different, 153 00:10:16,480 --> 00:10:20,360 Speaker 1: New York and Vermont. New York City and Long Island 154 00:10:20,400 --> 00:10:24,720 Speaker 1: are very different. New York City and Buffalo are very different. 155 00:10:24,760 --> 00:10:30,080 Speaker 1: Buffalo and Pittsburgh, well that's sort of whatever, you know 156 00:10:30,080 --> 00:10:34,200 Speaker 1: what I'm saying. But Atlanta, Virginia, d c. That every 157 00:10:34,240 --> 00:10:38,880 Speaker 1: place has its specific sort of vibe and New York 158 00:10:38,920 --> 00:10:43,600 Speaker 1: City obviously has the most specific, most unique vibe out 159 00:10:43,640 --> 00:10:46,079 Speaker 1: of any place on the planet, and I'll argue in 160 00:10:46,200 --> 00:10:50,840 Speaker 1: debate anybody about that. But I saw the show. I 161 00:10:50,880 --> 00:10:53,720 Speaker 1: watched the episode of the season of Fleischmann's in Trouble. 162 00:10:53,760 --> 00:10:56,960 Speaker 1: I believe it's ten episodes or eight episodes. Like I said, 163 00:10:56,960 --> 00:10:59,920 Speaker 1: it's based on a book, and I'm probably not gonna 164 00:11:00,000 --> 00:11:02,920 Speaker 1: do it justice in explaining what the book is about. 165 00:11:03,320 --> 00:11:08,240 Speaker 1: But it's about this character who's about forty years old, 166 00:11:08,520 --> 00:11:13,360 Speaker 1: sort of nebishy, neurotic New York Jew, which is a 167 00:11:13,440 --> 00:11:16,920 Speaker 1: standard New York character that sometimes I feel like it's 168 00:11:16,960 --> 00:11:21,120 Speaker 1: a stereotype, which I don't necessarily love. So I went 169 00:11:21,160 --> 00:11:22,760 Speaker 1: into it with a little bit of like, Okay, here, 170 00:11:22,760 --> 00:11:26,360 Speaker 1: we're gonna have another pussy jew character be the lead 171 00:11:26,400 --> 00:11:30,280 Speaker 1: of a show. YadA YadA YadA. H Jesse Eisenberg, who 172 00:11:30,320 --> 00:11:32,640 Speaker 1: I really like as an actor, um, But it's about 173 00:11:32,679 --> 00:11:37,440 Speaker 1: his character, Fleischmann, who's a doctor UM and the parent 174 00:11:37,600 --> 00:11:40,640 Speaker 1: of two uh younger kids, probably like eight and ten 175 00:11:40,800 --> 00:11:43,800 Speaker 1: something like that, and he gets divorced. He's going through 176 00:11:43,800 --> 00:11:47,319 Speaker 1: a divorce, a hard divorce from his wife, Claire Danes, 177 00:11:48,200 --> 00:11:53,800 Speaker 1: and it really depicted what it's like to go through 178 00:11:53,800 --> 00:11:56,760 Speaker 1: a certain kind of divorce. You know, for me, divorce, 179 00:11:57,440 --> 00:11:59,840 Speaker 1: When I think of divorce, I can only reference my own, 180 00:12:00,600 --> 00:12:04,760 Speaker 1: which sucked. You know, my first divorce sucked. It sucked 181 00:12:05,120 --> 00:12:08,080 Speaker 1: for me. I'm sure my ex wife would say it 182 00:12:08,120 --> 00:12:10,480 Speaker 1: sucked for her, but most of all, it sucked for 183 00:12:10,600 --> 00:12:17,960 Speaker 1: my kids. And I wasn't great at getting divorced. I 184 00:12:18,080 --> 00:12:21,120 Speaker 1: was not good at it. They don't teach a class 185 00:12:21,160 --> 00:12:28,920 Speaker 1: on it. It played into all of my flaws and vulnerabilities. 186 00:12:29,760 --> 00:12:34,840 Speaker 1: And I was not good at getting divorced. And I 187 00:12:34,880 --> 00:12:38,240 Speaker 1: say that because I think some people probably are and 188 00:12:38,320 --> 00:12:42,520 Speaker 1: have been better at getting divorced than I was. So 189 00:12:42,559 --> 00:12:44,160 Speaker 1: I could just really speak for myself. I know it 190 00:12:44,240 --> 00:12:48,200 Speaker 1: sucked for my kids, and I know that that's something 191 00:12:48,280 --> 00:12:52,440 Speaker 1: that I regret. I did not handle getting divorced the 192 00:12:52,480 --> 00:12:57,280 Speaker 1: process of divorce very well, and um it's not something 193 00:12:57,280 --> 00:13:02,560 Speaker 1: that I'm happy about. But this, this show on FFX, 194 00:13:02,880 --> 00:13:09,480 Speaker 1: Fleishman's in Trouble really articulated what it's like to go 195 00:13:09,600 --> 00:13:15,000 Speaker 1: through a fucked up, tenuous divorce. There's levels, there's variations. 196 00:13:15,080 --> 00:13:19,400 Speaker 1: Everybody's situation is going to be different, but it really, um, 197 00:13:19,440 --> 00:13:22,040 Speaker 1: I related to it. On a lot of levels. Uh, 198 00:13:22,040 --> 00:13:25,040 Speaker 1: it's a New York character. And um, the woman, the 199 00:13:25,120 --> 00:13:27,440 Speaker 1: character that he's getting divorced from, the Clara Janes character, 200 00:13:28,240 --> 00:13:33,320 Speaker 1: she is going through a mental breakdown, whether or not 201 00:13:33,400 --> 00:13:35,640 Speaker 1: she's going through a mental breakdown because of the divorce, 202 00:13:35,760 --> 00:13:39,840 Speaker 1: because of postpartum. Really really, it is a such an 203 00:13:39,880 --> 00:13:45,800 Speaker 1: incredible depiction of a woman dealing with postpartum mental health issues, 204 00:13:45,880 --> 00:13:51,160 Speaker 1: true blue mental health issues, maybe a midlife crisis and 205 00:13:51,240 --> 00:13:54,840 Speaker 1: just you know, going through like a manic episode. Claire 206 00:13:54,880 --> 00:13:58,920 Speaker 1: Danes destroyed it. She fucking it's the best thing she's 207 00:13:58,920 --> 00:14:00,720 Speaker 1: ever done. And Claire Danes the a lot of good work. 208 00:14:01,320 --> 00:14:05,120 Speaker 1: She's excellent in it. She's excellent in it. And it 209 00:14:05,280 --> 00:14:09,400 Speaker 1: really is just about life. It's about getting older. It's 210 00:14:09,440 --> 00:14:11,840 Speaker 1: about like, you know, life in your forties, looking back 211 00:14:12,320 --> 00:14:15,520 Speaker 1: on what your life has turned into, what you thought 212 00:14:15,520 --> 00:14:18,080 Speaker 1: your life was gonna turn out to be, you know, 213 00:14:18,160 --> 00:14:22,240 Speaker 1: sort of becoming an adult, trying to become an adult, 214 00:14:22,480 --> 00:14:26,960 Speaker 1: failing at becoming an adult, and you know, like everybody else, 215 00:14:27,080 --> 00:14:31,640 Speaker 1: picking yourself off the dirt and you know, living to 216 00:14:31,640 --> 00:14:38,320 Speaker 1: see another day. And it's just an excellent, excellent, really good, funny, subtle, 217 00:14:40,160 --> 00:14:48,520 Speaker 1: well written emotional depiction of these three or four people 218 00:14:48,520 --> 00:14:50,320 Speaker 1: because they're a couple of their friends are in it, 219 00:14:50,800 --> 00:14:53,720 Speaker 1: and it's just it's dope. It's fucking really good. Like 220 00:14:53,760 --> 00:14:57,320 Speaker 1: I was watching it, like funk, this is fucking good. 221 00:14:57,320 --> 00:14:59,880 Speaker 1: And the writing is good, and like I said, it's funny. 222 00:15:00,000 --> 00:15:04,680 Speaker 1: It it's dark, it's funny, but it's emotional. And you 223 00:15:04,680 --> 00:15:08,720 Speaker 1: know the depiction of Claire Danes character and what she's 224 00:15:08,760 --> 00:15:11,640 Speaker 1: going through after she has a baby, and there's some 225 00:15:11,760 --> 00:15:15,880 Speaker 1: really specific things about you know, a woman having kids 226 00:15:15,880 --> 00:15:18,720 Speaker 1: and you know, the delivery and all these things that 227 00:15:18,760 --> 00:15:21,560 Speaker 1: I can relate to that I really really could relate to. 228 00:15:21,960 --> 00:15:24,400 Speaker 1: And then watching this woman go through a mental breakdown, 229 00:15:24,440 --> 00:15:26,720 Speaker 1: and not like a lighthearted one, like a true blue 230 00:15:26,760 --> 00:15:30,120 Speaker 1: mental breakdown. She's going through a fucking mental breakdown and 231 00:15:30,200 --> 00:15:32,200 Speaker 1: she's fighting it and she's trying to figure out what's 232 00:15:32,200 --> 00:15:35,320 Speaker 1: happening to her and she just kicks ass and they 233 00:15:35,400 --> 00:15:38,200 Speaker 1: both kick ass, and the whole cast kicks ass. And 234 00:15:38,240 --> 00:15:40,880 Speaker 1: the writing in the direction and it's so New York 235 00:15:40,960 --> 00:15:42,720 Speaker 1: City and it was shot all on the Upper East 236 00:15:42,720 --> 00:15:46,120 Speaker 1: Side where I'm from. And I was actually seeing them 237 00:15:46,160 --> 00:15:51,720 Speaker 1: shoot the show this past summer in spring in my 238 00:15:51,760 --> 00:15:55,240 Speaker 1: neighborhood in New York, which I always resent. Honestly, whenever 239 00:15:55,240 --> 00:15:58,760 Speaker 1: I see people shooting a movie, a TV show, commercial 240 00:15:59,720 --> 00:16:01,760 Speaker 1: where I live, whether it was in Los Angeles or 241 00:16:01,800 --> 00:16:03,920 Speaker 1: whether it's in New York, if it's in my neighborhood, 242 00:16:03,960 --> 00:16:07,600 Speaker 1: I'm like, why the funk ain't I in it? What 243 00:16:07,640 --> 00:16:09,840 Speaker 1: the funk are y'all doing up here in my neighborhood? 244 00:16:10,520 --> 00:16:14,080 Speaker 1: What are you guys shooting that I'm not in? Honestly, 245 00:16:15,080 --> 00:16:17,080 Speaker 1: the first thing that I ever saw a shot, I'll 246 00:16:17,080 --> 00:16:22,120 Speaker 1: tell you a story, cool story. The first movie that 247 00:16:22,160 --> 00:16:25,160 Speaker 1: I ever saw a shot on the Upper east Side 248 00:16:25,280 --> 00:16:31,320 Speaker 1: in my neighborhood was the very, very disappointing Staying Alive, 249 00:16:31,440 --> 00:16:34,920 Speaker 1: the sequel to Saturday Night Fever. And you guys know 250 00:16:35,000 --> 00:16:41,000 Speaker 1: how I feel about John Travolta and Sylvester Stallone. I 251 00:16:41,000 --> 00:16:45,440 Speaker 1: don't need to explain that. But in the building that 252 00:16:45,520 --> 00:16:50,680 Speaker 1: I used to live in across the street from where 253 00:16:51,560 --> 00:16:59,520 Speaker 1: I grew up, they were filming a scene from Staying Alive, 254 00:17:00,240 --> 00:17:03,040 Speaker 1: which is not a good movie. It's the sequel to 255 00:17:03,280 --> 00:17:08,919 Speaker 1: Saturday Night Fever, and it's directed by Sylvester Stallone. And 256 00:17:09,119 --> 00:17:13,560 Speaker 1: one afternoon, like word got around that they're filming this 257 00:17:13,960 --> 00:17:19,320 Speaker 1: scene there and it must have been five people. Five. 258 00:17:19,480 --> 00:17:23,160 Speaker 1: I mean, this is at the height of Sylvester Stallone 259 00:17:23,200 --> 00:17:28,239 Speaker 1: and John Travolta's fame. I'm freaking the funk out And 260 00:17:28,359 --> 00:17:31,240 Speaker 1: I watched them. Film basically was like an exterior shot 261 00:17:31,280 --> 00:17:35,919 Speaker 1: where the character, the woman that Travolta was dating, she 262 00:17:36,000 --> 00:17:37,960 Speaker 1: walks into this building. But you gotta shoot it, you 263 00:17:38,000 --> 00:17:41,240 Speaker 1: gotta shoot it somewhere, and they shot that scene outside 264 00:17:42,160 --> 00:17:45,400 Speaker 1: and into this building that I actually used to live 265 00:17:45,440 --> 00:17:47,760 Speaker 1: in um and then we moved whatever. But I got 266 00:17:47,800 --> 00:17:49,760 Speaker 1: to see that. But I remember being like, oh, funck. 267 00:17:49,760 --> 00:17:52,040 Speaker 1: And I saw Sylvester Stallone. He had on a big 268 00:17:52,040 --> 00:17:55,359 Speaker 1: fur jacket and sunglasses. He was directing the movie. And 269 00:17:55,440 --> 00:17:58,639 Speaker 1: John Travolta, Uh, he had on his leather jacket, and 270 00:17:58,680 --> 00:18:00,520 Speaker 1: you know, he was in the movie. Although the movie sucks, 271 00:18:00,760 --> 00:18:03,400 Speaker 1: it's not good. I've tried to rewatch it and maybe 272 00:18:03,440 --> 00:18:05,080 Speaker 1: I was like, maybe it was me. It's not a 273 00:18:05,119 --> 00:18:09,240 Speaker 1: good movie. It's a it sucks, But it was cool 274 00:18:09,280 --> 00:18:11,159 Speaker 1: seeing that, especially like when I was like eleven or 275 00:18:11,200 --> 00:18:14,760 Speaker 1: twelve years old and those guys were fucking like huge stars. 276 00:18:16,320 --> 00:18:19,280 Speaker 1: The other time, on the Upper East Side of Manhattan 277 00:18:20,520 --> 00:18:23,160 Speaker 1: that I saw something being filmed and I knew it 278 00:18:23,240 --> 00:18:27,320 Speaker 1: was good. I just can't tell it was good. But 279 00:18:27,400 --> 00:18:32,199 Speaker 1: it was four or I feel like maybe it was 280 00:18:34,560 --> 00:18:38,240 Speaker 1: my brother and I were home. My brother had already 281 00:18:38,280 --> 00:18:40,680 Speaker 1: moved out. I was in New York for whatever reason. 282 00:18:40,680 --> 00:18:44,800 Speaker 1: Who then knows. I might have been filming Mighty after Diety. 283 00:18:45,000 --> 00:18:47,639 Speaker 1: I don't know, but I was, you know, staying in 284 00:18:47,720 --> 00:18:51,000 Speaker 1: my apartment, my father's apartment, the apartment that I grew 285 00:18:51,040 --> 00:18:54,159 Speaker 1: up in. And my brother goes, Yo, they're filming a 286 00:18:54,200 --> 00:18:55,679 Speaker 1: movie outside. And I was like, what is it? And 287 00:18:55,680 --> 00:18:57,359 Speaker 1: he goes, I don't know, but they're filming right outside 288 00:18:57,359 --> 00:18:58,720 Speaker 1: the window. So we looked out the one that they're 289 00:18:58,720 --> 00:19:02,199 Speaker 1: filming a movie. So I'd go outside. I was like, 290 00:19:02,600 --> 00:19:03,920 Speaker 1: you know, I think I was going to the park 291 00:19:03,960 --> 00:19:06,199 Speaker 1: to play basketball. And they had moved, you know, to 292 00:19:06,240 --> 00:19:09,600 Speaker 1: another street, actually the same street. The stay in front 293 00:19:09,600 --> 00:19:13,119 Speaker 1: of the same building that they filmed, staying alive, And 294 00:19:13,200 --> 00:19:17,959 Speaker 1: I see these two kids skateboarding looking kids, you know, 295 00:19:18,080 --> 00:19:21,040 Speaker 1: kind of hip hoppy looking kids. And I'm walking on 296 00:19:21,080 --> 00:19:22,679 Speaker 1: the other side of the street from where they're filming, 297 00:19:23,240 --> 00:19:27,679 Speaker 1: and this little kid, teenager year old kid comes up 298 00:19:27,680 --> 00:19:30,320 Speaker 1: to me, He's like, yo, what's up, Mike Rapport. You 299 00:19:30,400 --> 00:19:33,120 Speaker 1: know my name is Harmony. I was like, oh ship, 300 00:19:33,200 --> 00:19:34,919 Speaker 1: I was. He's like, yo, I wrote this movie. And 301 00:19:34,920 --> 00:19:36,920 Speaker 1: I was like really, and he was like yeah. He's 302 00:19:36,960 --> 00:19:38,560 Speaker 1: like I'm a fan out of out of and I'm like, 303 00:19:38,800 --> 00:19:43,280 Speaker 1: you wrote this. He looked like he was fucking sixteen, 304 00:19:44,520 --> 00:19:47,600 Speaker 1: but it was twenty one year old or nineteen year 305 00:19:47,600 --> 00:19:51,359 Speaker 1: old Harmony Corene who wrote the movie Kids, which I 306 00:19:51,600 --> 00:19:55,240 Speaker 1: love that film Kids. So I stand in there and 307 00:19:55,240 --> 00:19:57,439 Speaker 1: started talking to him. I'm asking him about this, asking 308 00:19:57,480 --> 00:20:00,600 Speaker 1: about that. He's like, yo, it's gonna be the best 309 00:20:00,640 --> 00:20:03,119 Speaker 1: movie ever made. Literally, he's saying it's gonna be the 310 00:20:03,160 --> 00:20:05,560 Speaker 1: best movie ever made. And I was like, who's in it. 311 00:20:05,600 --> 00:20:08,160 Speaker 1: He's like, just a bunch of kids out. He's like, yo, 312 00:20:08,240 --> 00:20:11,840 Speaker 1: read the script. He handed me, like the script. He's like, 313 00:20:11,880 --> 00:20:13,880 Speaker 1: read the script. And I'm like all right. I'm looking 314 00:20:13,920 --> 00:20:17,639 Speaker 1: through the scenes and across the street I saw of 315 00:20:17,720 --> 00:20:22,960 Speaker 1: the actors, Justin Pierce, who played Casper and tell me 316 00:20:23,040 --> 00:20:27,560 Speaker 1: the Virgin surgeon from the movie Kids, and uh, you know, 317 00:20:27,640 --> 00:20:31,359 Speaker 1: me and Harmony exchange phone numbers. We stayed in touch, 318 00:20:32,320 --> 00:20:36,879 Speaker 1: and I remember watching the movie Kids. I believe it 319 00:20:36,920 --> 00:20:40,000 Speaker 1: was at the I'm not good with the dates. I'm 320 00:20:40,000 --> 00:20:43,440 Speaker 1: not fact checking. I believe it was at the Sundance 321 00:20:43,520 --> 00:20:48,400 Speaker 1: Film Festival at a midnight screening. It was released by 322 00:20:48,480 --> 00:20:52,200 Speaker 1: Mirror Max and my friend the producer Carrie Woods, who 323 00:20:52,240 --> 00:20:56,479 Speaker 1: produced Tons of Ship, He produced, Rudy produced, Copland produced, 324 00:20:56,480 --> 00:20:59,760 Speaker 1: Beautiful Girls, produced a bunch of movies. He was like, Yo, 325 00:20:59,840 --> 00:21:01,800 Speaker 1: you gotta come see this movie. And at this point, 326 00:21:01,880 --> 00:21:04,640 Speaker 1: me and Harmony had you know, hung out a few 327 00:21:04,640 --> 00:21:07,679 Speaker 1: times his girlfriend at the time, Chloe seven Ye, we 328 00:21:07,760 --> 00:21:12,040 Speaker 1: had hung out a few times, and um. He was like, Carrie, 329 00:21:12,080 --> 00:21:15,400 Speaker 1: the producer, was like, Yo, this Harmonies movies, fucking it's 330 00:21:15,440 --> 00:21:17,320 Speaker 1: bugged out. You're gonna trip out when you see it. 331 00:21:19,320 --> 00:21:22,399 Speaker 1: And I went to a midnight screening of Kids and 332 00:21:22,440 --> 00:21:27,119 Speaker 1: I was fucking blown away. I was blown away. I 333 00:21:27,119 --> 00:21:30,800 Speaker 1: had never seen anything like that. That little motherfucker Harmony Kareem. 334 00:21:31,119 --> 00:21:33,040 Speaker 1: He said, it's gonna be the best movie ever made. It. 335 00:21:33,040 --> 00:21:34,720 Speaker 1: I don't think it's the best movie ever made, but 336 00:21:34,800 --> 00:21:37,800 Speaker 1: it's one of the best movies of its kind ever made, 337 00:21:37,800 --> 00:21:41,520 Speaker 1: and it inspired all sorts of films about it. I 338 00:21:41,640 --> 00:21:43,920 Speaker 1: love that movie. I had become friends with the late 339 00:21:44,080 --> 00:21:48,600 Speaker 1: Justin Pierce, who played Casper, and a bunch of I 340 00:21:48,640 --> 00:21:53,440 Speaker 1: met Rosario, I met Chloe obviously, Um, and I never 341 00:21:53,480 --> 00:21:57,920 Speaker 1: forget I never ever forgot the feeling I had after 342 00:21:57,960 --> 00:22:01,080 Speaker 1: watching that movie. I was just like, Wow, what the 343 00:22:01,160 --> 00:22:04,200 Speaker 1: fuck is this? And just like the character in the movie, 344 00:22:04,240 --> 00:22:07,160 Speaker 1: Casper says at the end, what the funk happened? That's 345 00:22:07,160 --> 00:22:09,000 Speaker 1: how I felt after I saw the movie. I thought 346 00:22:09,000 --> 00:22:11,720 Speaker 1: it was gritty, I thought it was real. I thought 347 00:22:11,760 --> 00:22:14,080 Speaker 1: it was unique. I thought it was so New York 348 00:22:14,119 --> 00:22:18,160 Speaker 1: and I thought it just shot through all the bullshit 349 00:22:18,240 --> 00:22:23,720 Speaker 1: and captured a really realistic sort of vibe of a 350 00:22:23,800 --> 00:22:26,879 Speaker 1: group of kind of kids that were sort of coming 351 00:22:26,920 --> 00:22:29,480 Speaker 1: of age at that time in New York and throughout 352 00:22:29,520 --> 00:22:31,760 Speaker 1: the country. Obviously this to pick the New York kids. 353 00:22:31,800 --> 00:22:34,880 Speaker 1: But I love that movie kids, and I love Harmony. 354 00:22:34,920 --> 00:22:36,440 Speaker 1: You know, I haven't spoken to him in a while. 355 00:22:36,600 --> 00:22:39,880 Speaker 1: You know, we remained friends, Chloe seven Yer and I 356 00:22:39,920 --> 00:22:43,280 Speaker 1: remained friends, and um, I remember them filming that movie 357 00:22:43,320 --> 00:22:45,720 Speaker 1: on the Upper east Side. Um, you know where I 358 00:22:45,760 --> 00:22:47,720 Speaker 1: grew up and where I live now, on the Upper 359 00:22:47,720 --> 00:22:50,119 Speaker 1: East Side of New York City. And uh, but I 360 00:22:50,160 --> 00:22:51,960 Speaker 1: do remember being like, what the funk? Are they doing 361 00:22:52,000 --> 00:22:53,800 Speaker 1: filming up here? Like why are they up here? And 362 00:22:54,160 --> 00:22:57,280 Speaker 1: and that experience I'll never forget meeting Harmony and him 363 00:22:57,320 --> 00:22:58,520 Speaker 1: tell me, you know, this is gonna be the best 364 00:22:58,520 --> 00:23:02,480 Speaker 1: movie ever made, directed by Larry Clark, the filmmaker, the photographer, 365 00:23:03,119 --> 00:23:05,640 Speaker 1: and Um, what a good fucking movie, What a good 366 00:23:05,720 --> 00:23:08,760 Speaker 1: unique movie, and what a good unique show this Fleishman's 367 00:23:08,760 --> 00:23:12,720 Speaker 1: in Trouble, which I really really liked. And if you're 368 00:23:12,760 --> 00:23:15,199 Speaker 1: looking for something new to watch, I'm sure it's on 369 00:23:15,280 --> 00:23:18,080 Speaker 1: Hulu or f X plaus or the FX app or 370 00:23:18,080 --> 00:23:21,240 Speaker 1: the Hulu app or somewhere. It's really good and I 371 00:23:21,359 --> 00:23:26,520 Speaker 1: really really enjoyed that. And shout out to uh Jesse Eisenberg, 372 00:23:26,600 --> 00:23:30,520 Speaker 1: Claire Dames. Shout out to Chloe's seven eight friend, Um, 373 00:23:30,560 --> 00:23:31,920 Speaker 1: I need to get her on the Iron Wrap or 374 00:23:32,000 --> 00:23:35,399 Speaker 1: Stereo podcast. I need to get her and Natasha Leone, 375 00:23:35,400 --> 00:23:38,040 Speaker 1: who are now BFFs and I introduced them in my 376 00:23:38,080 --> 00:23:41,080 Speaker 1: old apartment. I'm gonna get them on the podcast. Shout 377 00:23:41,080 --> 00:23:42,880 Speaker 1: out to them. Shout out to my friend, the late 378 00:23:42,960 --> 00:23:49,280 Speaker 1: great Justin Pierce, who um killed it as Casper and 379 00:23:49,640 --> 00:23:53,360 Speaker 1: got the opportunity to work on some other things as 380 00:23:53,359 --> 00:23:56,040 Speaker 1: it acted as such. A cool young man and that 381 00:23:56,160 --> 00:23:59,720 Speaker 1: was sad when he passed away. But that's a strong suggestion. 382 00:23:59,760 --> 00:24:03,920 Speaker 1: You know, you should rewatch kids. I want to rewatch kids, 383 00:24:03,960 --> 00:24:09,760 Speaker 1: and you should definitely watch Fleischmann's in Trouble on FX podcast. 384 00:24:34,560 --> 00:24:38,159 Speaker 1: What else is going on? Um, I don't know. I 385 00:24:38,160 --> 00:24:39,880 Speaker 1: feel like I got a little fucking cold. I don't 386 00:24:40,119 --> 00:24:43,479 Speaker 1: funk's going on. You know, at the end of the day, 387 00:24:43,520 --> 00:24:44,920 Speaker 1: when you got a cold, you know what you need. 388 00:24:45,600 --> 00:24:49,280 Speaker 1: You need medicine because I funk with my my achinsia, 389 00:24:50,600 --> 00:24:54,359 Speaker 1: my achinesia, funk with my my Golden Seal, Mackanesia, my 390 00:24:54,400 --> 00:24:57,600 Speaker 1: super Ackanesha, my Golden Seal, my orange juice, all this 391 00:24:57,760 --> 00:24:59,160 Speaker 1: fucking ship. At the end of the day, when you're 392 00:24:59,200 --> 00:25:03,880 Speaker 1: fucking sick, give me something, Give me something to take 393 00:25:03,920 --> 00:25:07,960 Speaker 1: this feeling of having water in my fucking ears and 394 00:25:08,080 --> 00:25:11,359 Speaker 1: my nose. I gotta go to the store. I need 395 00:25:11,440 --> 00:25:15,119 Speaker 1: some pilot all, some flu, some night quill, give me 396 00:25:15,160 --> 00:25:18,240 Speaker 1: some flu medication, some night quake. Give me something. And 397 00:25:18,280 --> 00:25:20,640 Speaker 1: if that don't work, give me that z peck. Hit 398 00:25:20,640 --> 00:25:24,280 Speaker 1: me with that motherfucking z pizzak. But it's gonna be 399 00:25:24,320 --> 00:25:27,840 Speaker 1: a great weekend of football, and I'm looking for smoke. 400 00:25:28,560 --> 00:25:32,760 Speaker 1: I am Rapports stereopocas. We're looking for smoke. We're always 401 00:25:32,960 --> 00:25:37,400 Speaker 1: always looking for smoke. And of course, if you want 402 00:25:37,600 --> 00:25:43,240 Speaker 1: tips on how to win some motherfucking money with the NFL, 403 00:25:43,840 --> 00:25:49,840 Speaker 1: NBA games going on, okay, n h L, we do 404 00:25:49,920 --> 00:25:55,440 Speaker 1: it all at captain picks captain picks dot com, NBA, 405 00:25:55,840 --> 00:26:01,520 Speaker 1: NFL playoffs, UFC college basketball prop bets. Come rock with 406 00:26:01,600 --> 00:26:04,520 Speaker 1: us at captain picks dot com with the promo code 407 00:26:04,600 --> 00:26:11,160 Speaker 1: kickoff k I C k O F f off on 408 00:26:11,200 --> 00:26:17,399 Speaker 1: all packages captain picks dot Com. Also a couple of 409 00:26:17,400 --> 00:26:21,600 Speaker 1: people said, oh, Mike Rap, there's a lot of commercials 410 00:26:21,640 --> 00:26:27,960 Speaker 1: at the beginning of the podcast. Guys, ladies, gentlemen. If 411 00:26:27,960 --> 00:26:32,080 Speaker 1: there's commercials at the beginning of the podcast, and they 412 00:26:32,080 --> 00:26:34,040 Speaker 1: annoy you, just like they annoy me when I listen 413 00:26:34,080 --> 00:26:38,080 Speaker 1: to other people's pockets, fast forward. But just know this, 414 00:26:39,440 --> 00:26:44,960 Speaker 1: we're a professional podcasting organization. Me, the Dust Brothers, the 415 00:26:45,000 --> 00:26:51,280 Speaker 1: Bleached Brothers were a professional podcasting organization. All right. If 416 00:26:51,280 --> 00:26:53,880 Speaker 1: there's commercials, you should just be like yo, Mike Rap 417 00:26:53,920 --> 00:26:56,920 Speaker 1: and the Dust Brothers, the Iron rappor stereo podcasts, they're 418 00:26:56,960 --> 00:27:02,000 Speaker 1: doing good. We put out consistent the hits week after 419 00:27:02,080 --> 00:27:04,879 Speaker 1: week after week. We got some of the best episodes 420 00:27:04,960 --> 00:27:08,640 Speaker 1: coming up in the next few weeks. I got Chris 421 00:27:08,800 --> 00:27:12,000 Speaker 1: Mullen joining me on the im Wrapp Reports Stereo Pokis 422 00:27:12,000 --> 00:27:18,280 Speaker 1: Hall of Famer, Brooklyn Legend. What do you think of Brooklyn? 423 00:27:18,320 --> 00:27:22,280 Speaker 1: You think of jay Z? Do you think of Biggie Smalls? 424 00:27:23,200 --> 00:27:26,119 Speaker 1: Do you think of Chris Mullen? You think of Brooklyn basketball? 425 00:27:26,320 --> 00:27:29,800 Speaker 1: One of the faces of Brooklyn Basketball is Chris Mullen 426 00:27:30,600 --> 00:27:33,240 Speaker 1: with me on the im Wrap Reports Stereo Pokis. We 427 00:27:33,280 --> 00:27:37,600 Speaker 1: have the sick fuck whisper Chris Hansen to catch a Predator. 428 00:27:39,600 --> 00:27:42,359 Speaker 1: We got one of the best, most controversial, one of 429 00:27:42,400 --> 00:27:47,240 Speaker 1: the most unique personalities in Hollywood, one of the great 430 00:27:47,400 --> 00:27:51,520 Speaker 1: great actors in Hollywood. Alec Baldwin is with me on 431 00:27:51,600 --> 00:27:55,040 Speaker 1: an upcoming I Am Wrapp Reports Stereo podcast. All right, 432 00:27:55,160 --> 00:28:01,479 Speaker 1: we're a professional podcasting organization. All right, blood on the 433 00:28:01,480 --> 00:28:05,800 Speaker 1: floor every episode like clockwork. So if we got ads, 434 00:28:06,040 --> 00:28:08,400 Speaker 1: fast forward through the fucking ads. Trust me, I listened 435 00:28:08,400 --> 00:28:13,320 Speaker 1: to podcasts. They annoy me. But just know that person, 436 00:28:13,600 --> 00:28:18,480 Speaker 1: that group that you're listening to, the ads mean they're 437 00:28:18,480 --> 00:28:21,560 Speaker 1: doing good and their shows doing good. Other than that. 438 00:28:21,800 --> 00:28:24,240 Speaker 1: I don't know to tell you hit that motherfucking fast 439 00:28:24,960 --> 00:28:28,480 Speaker 1: forward button, but we got the n f L. It's 440 00:28:28,520 --> 00:28:30,960 Speaker 1: popping off. And let me tell you something. We made 441 00:28:31,000 --> 00:28:36,560 Speaker 1: predictions on episode nine fifty two from September September five. 442 00:28:36,960 --> 00:28:40,360 Speaker 1: We made predictions on how things were gonna go down 443 00:28:40,600 --> 00:28:44,320 Speaker 1: in the NFL. I said, in the a f C East, 444 00:28:44,560 --> 00:28:47,360 Speaker 1: the Bills, and they got it. I said, the dark 445 00:28:47,400 --> 00:28:50,120 Speaker 1: horse is gonna be the Dolphins. They got it. In 446 00:28:50,160 --> 00:28:53,280 Speaker 1: the a f C North, the Bengals, we predicted them 447 00:28:53,560 --> 00:28:57,240 Speaker 1: got it the dark horse. The Ravens got it. We missed. 448 00:28:57,240 --> 00:28:59,720 Speaker 1: The a f C South had the Colts to win 449 00:29:00,040 --> 00:29:03,400 Speaker 1: and the Titans as the dark horse. Okay, I apologize 450 00:29:03,440 --> 00:29:06,920 Speaker 1: to the Jacksonville Rappapack and Trevor with the good hair. 451 00:29:07,840 --> 00:29:11,400 Speaker 1: A f C West, we got it. The Chiefs, we 452 00:29:11,520 --> 00:29:15,040 Speaker 1: picked the chiefs, We picked the charges. I need the 453 00:29:15,120 --> 00:29:17,520 Speaker 1: charges to run the table from my a f C 454 00:29:17,760 --> 00:29:22,520 Speaker 1: prediction to win. Herbert and Ekeler are up to it. 455 00:29:23,760 --> 00:29:28,120 Speaker 1: Their defense looks healthy. They got to guard receiver Big 456 00:29:28,280 --> 00:29:33,120 Speaker 1: Mike Williams. He's banged up, but I hope to see 457 00:29:33,280 --> 00:29:35,920 Speaker 1: him out there in the NFC. I got to the 458 00:29:35,920 --> 00:29:39,120 Speaker 1: Eagles got it. My dark horse was the Giants. I 459 00:29:39,240 --> 00:29:43,520 Speaker 1: got it. Now. Who the funk knew that the Cowboys 460 00:29:43,560 --> 00:29:47,160 Speaker 1: will be playing against the Tampa Bay Buccaneers. NFC North, 461 00:29:47,640 --> 00:29:51,080 Speaker 1: we got at the Vikings and I picked the Packers, 462 00:29:51,160 --> 00:29:53,720 Speaker 1: who fell short. And I don't mind that. I love 463 00:29:53,720 --> 00:29:56,360 Speaker 1: seeing Aaron Rodgers win and I love seeing him lose. 464 00:29:56,800 --> 00:29:59,640 Speaker 1: Either way, it's a win win for me. The NFC 465 00:29:59,680 --> 00:30:04,720 Speaker 1: West pick the Rams didn't happen. Okay, we know that 466 00:30:04,760 --> 00:30:08,040 Speaker 1: didn't happen. But we did pick the dark horse as 467 00:30:08,040 --> 00:30:10,800 Speaker 1: the forty Niners, and we had got it. And I 468 00:30:10,840 --> 00:30:14,480 Speaker 1: apologize again to the Seattle Rappa Pack and Ben Bohler. 469 00:30:14,720 --> 00:30:18,680 Speaker 1: You now face your rivals with the San Francisco forty Niners. 470 00:30:18,720 --> 00:30:22,000 Speaker 1: They're out for blood. They're gonna stomp that, asked the 471 00:30:22,080 --> 00:30:26,200 Speaker 1: NFC South. We got at the Buccaneers. The dark horse 472 00:30:26,440 --> 00:30:30,840 Speaker 1: with the Panthers almost had that. I made my predictions 473 00:30:30,840 --> 00:30:37,600 Speaker 1: the other day. It's gonna be a fantastic weekend of football. Okay, 474 00:30:37,840 --> 00:30:40,760 Speaker 1: just to lay the fucking the lay of the land here, 475 00:30:40,800 --> 00:30:43,480 Speaker 1: the a f C, the first seed, the number one seeds, 476 00:30:43,560 --> 00:30:46,760 Speaker 1: the Kansas City Chiefs, they got to buy the number 477 00:30:46,760 --> 00:30:49,800 Speaker 1: two seed, are the Bills. The number three seed are 478 00:30:49,800 --> 00:30:53,000 Speaker 1: the mad as Hell Cincinnati Bengals, the fourth seed of 479 00:30:53,040 --> 00:30:58,280 Speaker 1: the Jacksonville Duval Jaguars, the five seat of the Chargers, 480 00:30:58,480 --> 00:31:01,240 Speaker 1: the sixth seed of the Ravens Lamar Jackson ain't playing 481 00:31:02,200 --> 00:31:09,400 Speaker 1: he done, Lamar Jacksons, fuck you pay me as he 482 00:31:09,480 --> 00:31:13,120 Speaker 1: should be, And the seventh seed is the Miami Dolphins NFC. 483 00:31:13,960 --> 00:31:16,560 Speaker 1: The first seed the Philadelphia Eagles with their first round 484 00:31:16,560 --> 00:31:18,760 Speaker 1: by the second seed are the forty nine is The 485 00:31:18,800 --> 00:31:21,719 Speaker 1: third seed are the Vikings. We're gonna get their asses 486 00:31:21,760 --> 00:31:23,840 Speaker 1: beaten by the Giants. Yes, it's going to happen. I 487 00:31:23,880 --> 00:31:27,480 Speaker 1: said it on Live TV on undisputed. The fourth seed 488 00:31:27,520 --> 00:31:30,480 Speaker 1: are the Buccaneers, the fifth seed are the Cowboys, the 489 00:31:30,560 --> 00:31:33,240 Speaker 1: sixth seed are the New York Football Giants, and the 490 00:31:33,320 --> 00:31:38,920 Speaker 1: seventh seed are the aforementioned Seattle Seahawks. I got the 491 00:31:38,960 --> 00:31:42,440 Speaker 1: forty Niners to win big. I got the Charges to 492 00:31:42,560 --> 00:31:45,240 Speaker 1: cut out the wind. I got the Bills to win big. 493 00:31:45,400 --> 00:31:48,600 Speaker 1: I got the Giants to win twenty four to twenty one, 494 00:31:49,000 --> 00:31:53,040 Speaker 1: verse the Vikings. I got the Bengals to win big. 495 00:31:53,160 --> 00:31:59,719 Speaker 1: Monday Night, Monday Night Football, Monday Night Madness. The Dallas Cowboys, 496 00:31:59,840 --> 00:32:04,680 Speaker 1: very Tom Brady and the Buccaneers. I got the Buccaneers 497 00:32:05,040 --> 00:32:08,600 Speaker 1: to win those games. It's gonna be a fantastic weekend 498 00:32:08,600 --> 00:32:15,480 Speaker 1: of football, fantastic weekend of playoff wild card football, Fantastic 499 00:32:15,520 --> 00:32:18,440 Speaker 1: shows for me in San Antonio, Rock with the best 500 00:32:18,440 --> 00:32:22,240 Speaker 1: at Captain Picks. You should definitely check out the TV 501 00:32:22,360 --> 00:32:26,920 Speaker 1: show Fleishman's in Trouble on FFX, and I'm gonna rewatch 502 00:32:26,920 --> 00:32:30,880 Speaker 1: the movie kids haven't watched it in years. Other than that, 503 00:32:31,000 --> 00:32:35,400 Speaker 1: I'm Out, Came Saw Conquered, Came Saw Disrupted. I'm going 504 00:32:35,400 --> 00:32:39,120 Speaker 1: to get myself some tile It all flu and cold medicine. 505 00:32:39,600 --> 00:32:41,760 Speaker 1: Miles Jordan Ak, The Bleach Brothers, a K. The Dust, 506 00:32:42,040 --> 00:32:43,920 Speaker 1: take me at it with something real. Nice, yest, take 507 00:32:43,960 --> 00:32:46,360 Speaker 1: me at it with something real. Loud guests, but most importantly, 508 00:32:46,640 --> 00:32:49,800 Speaker 1: and this puppy with something real fucky. I am Rapports 509 00:32:49,800 --> 00:32:51,640 Speaker 1: stereo podcast. I'm Out,