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Speaker 1: Okay, podcast starts. Now, what's up everybody globally around the world.

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Speaker 1: Everybody globally, what is up globally? Um? Hey, Miami to

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Speaker 1: E Pizza. Hey, let's get loud, Let's get how Um

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Speaker 1: it's the year anniversary of Let's Get Loud. Well, shout

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Speaker 1: out my My coworker Claire Carrouselo wrote um a piece

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Speaker 1: about the one year anniversary of Jennifer lopezing Let's Get Loud,

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Speaker 1: I mean, and honestly, it was an absolutely stunning piece

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Speaker 1: and I highly recommend every'll google it. Her assertion was

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Speaker 1: that this was the year Jennifer has got her loud back. Wow,

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Speaker 1: And in any ways, she's right, and she's right. That

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Speaker 1: was one of the weirdest things I've ever seen to

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Speaker 1: plug an old song at an inauguration, I mean, but

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Speaker 1: hear me out, Yeah, that to me was the best part. Like,

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Speaker 1: and I'm saying this as someone who like, don't get

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Speaker 1: me wrong, the lady got guys a better artist than

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Speaker 1: Jennifer Lopez. Don't comment me with pitchforks and literally, uh,

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Speaker 1: what's the thing where you decapitate? Um guillotines. Don't come

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Speaker 1: at me with any kind of medieval weapons, but leave

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Speaker 1: the middle val weaponry at home, believe the medieval weaponry

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Speaker 1: at home. Just this one so I can finish this

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Speaker 1: one sentence in my gay podcast, which is that I

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Speaker 1: think j lo in like saying let's get loud in

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Speaker 1: the middle of this land as your land is, is

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Speaker 1: the best possible encapsulation of the political process in America

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Speaker 1: I've ever seen on screen. It is the American spirit.

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Speaker 1: It is all politics wrapped into one. It is it's

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Speaker 1: It shows our emptiness, it shows our fullness, and it

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Speaker 1: shows it so much more I'm sorry to say it

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Speaker 1: than like like Lady Gaga. Of course there's something to

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Speaker 1: be said about her going there is though she's in

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Speaker 1: the Hunger Games, and then like talking about her, she's

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Speaker 1: going to investigate the insurrection herself. All that. Of course,

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Speaker 1: I kind of in a different way we have to stand.

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Speaker 1: I mean, I'm obviously, you know, get her sign my

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Speaker 1: Insurrection with more abilia. But but I do think the

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Speaker 1: simplicity of Jennifer Lopez saying let's get loud in the

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Speaker 1: middle of my land is your life. There's nothing like it.

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Speaker 1: I mean, I even want to just double down on

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Speaker 1: that one sentence. The simplicity of Jennifer Lopez, like can

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Speaker 1: you stop there? There's it's it's so simple, the whole

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Speaker 1: whole being simple. Yeah, in a way, that's like actually

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Speaker 1: very helpful, especially in our current society where you know,

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Speaker 1: sometimes down is up and oh left and you look

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Speaker 1: at Jennifer or if someone's like what is a celebrity?

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Speaker 1: You can be like this and don't get it, like yeah,

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Speaker 1: and they're like what did she do? And it's like, well,

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Speaker 1: a little bit of everything, everything, and what does she do?

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Speaker 1: Like is she great at any of it? And it's

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Speaker 1: like she's fine, She's not bad. I did recently get

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Speaker 1: j Lo pilled when I decided I always thought that

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Speaker 1: what you're saying now, that was always how I viewed her.

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Speaker 1: I recently decided I think she's actually a very good actress.

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Speaker 1: Really yes, because I watched that movie, the SB movie

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Speaker 1: with her and George Clooney. What is it called You're

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Speaker 1: asking the wrong bitch? Do you know? No? I can

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Speaker 1: look at crap truly. I the thing is I should

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Speaker 1: know that, yeah, like, okay, okay, film except for one

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Speaker 1: I'm so sorry, okay. I watched Out of Sight and

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Speaker 1: she's just like there's something about that movie where were like,

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Speaker 1: they don't make I'm like this anymore, Like it's there

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Speaker 1: really are just two beautiful, gorgeous movie stars. And I'm

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Speaker 1: generally skeptical about George Queen, but he really shines there. Anyway.

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Speaker 1: The point is you are right generally that she doesn't

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Speaker 1: do anything well. Yeah, but you know she kind of

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Speaker 1: freaked it in Hustlers well, and that's kind of the

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Speaker 1: thing about That's also part of the charm is that

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Speaker 1: because she's not great, when she is great in something,

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Speaker 1: it's like, oh, she tried really hard and like that

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Speaker 1: really well, So you feel happy. You feel joy when

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Speaker 1: she does well because you know it's totally above and beyond.

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Speaker 1: I also like how her iconic moments are very like

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Speaker 1: there's also simplicity in that it's like her economy moments

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Speaker 1: like she wore her dress or like ums or or

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Speaker 1: like Jenny from the block, so literal, so literal. So

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Speaker 1: I mean there's also the staying power that she has. Yes,

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Speaker 1: they say that, like, I you know, I think it's

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Speaker 1: so powerful that to have a gay podcast is to

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Speaker 1: create a safe space to talk exclusively about Jennifer Lopez

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Speaker 1: for ten minutes. I agree, But I also want to.

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Speaker 1: I really, I actually think you're so correct to point

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Speaker 1: to the staying power and I and I think that

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Speaker 1: is similar to the staying power of America, Like it

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Speaker 1: is a fallen empire that's still You're like, yeah, I

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Speaker 1: guess it's a list, you know what I mean as

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Speaker 1: far as countries go, Like we're kind of still, we're

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Speaker 1: kind of still chasing the high of love, don't constantly. Yeah,

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Speaker 1: America is always returning to the it's the dress. It's

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Speaker 1: like always going back to and be like into it,

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Speaker 1: and it's like yeah, but it's not the same thing.

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Speaker 1: It doesn't have the shock. America's output is constantly like

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Speaker 1: it is constantly movies like that movie she did call

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Speaker 1: the Boy next Door where she gives someone a quote

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Speaker 1: unquote original copy of the Iliad and then it's like

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Speaker 1: bad reviews, flops, everyone hates her, and then she comes

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Speaker 1: out with the dress. It's like every two years she

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Speaker 1: has to wear the Versacci dress. And for America, I

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Speaker 1: guess the Versaci dress is like maybe War War maybe

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Speaker 1: America's Versaci dress, the Versacci dress of America. I mean,

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Speaker 1: and she she she struts her stuff and every couple

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Speaker 1: of years and quite Frankly, her story is very American.

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Speaker 1: I mean, didn't grow up with a lot. She was,

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Speaker 1: in fact, simply Jenny from the box. She did not

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Speaker 1: have rocks and and and then you know, made quite

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Speaker 1: a name for herself. I mean, I'm still stuck on

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Speaker 1: the war being the Versacci dress. That that's one of

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Speaker 1: the most intelligent things you've ever that is. Um, I'm like,

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Speaker 1: this is this is rough? What space are we in today? What?

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Speaker 1: I think that's so funny? No, I think it's so funny,

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Speaker 1: But it's it's problematic, that's for sure, is it not.

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Speaker 1: I don't know. I think it's kind of literally like

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Speaker 1: a Marxist critique, but I guess it's also problematic. Yeah,

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Speaker 1: I guess sometimes the truth and it hurts more than

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Speaker 1: I wanted to. Um. It's kind of like when we said,

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Speaker 1: I can't remember which one of us said it in

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Speaker 1: the Patreon episode that good lighting is the new laugh

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Speaker 1: track that now people It's like it used to be

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Speaker 1: that people were hypnotized by a laugh track and thought

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Speaker 1: the show was good, and now they're hypnotized by good

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Speaker 1: lighting and think bad prestige shows are good. I mean,

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Speaker 1: first of all, I want to thank you for um

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Speaker 1: taking that thought from out from behind the paywall, because

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Speaker 1: that was such a good thought, and yeah, people need

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Speaker 1: to know that that's what you get if you pay

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Speaker 1: us a monthly. And I was like, you know, I

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Speaker 1: was up at night unable to sleep thinking about how

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Speaker 1: people weren't going to be able to hear that if

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Speaker 1: they weren't paying the five dollars a month. Well, whenever

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Speaker 1: we record a Patreon episode, you then can't say for

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Speaker 1: a week, it's so it's so traumatic actually, and trounds

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Speaker 1: about trauma. Really, Patron is about trauma, and you know,

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Speaker 1: where's our real episodes are sort of a celebration of life,

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Speaker 1: that's right, and a reflection. Real episodes are a celebration

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Speaker 1: of life. Patreon episodes or a celebration of deep seated

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Speaker 1: PTSD because I because we have trauma from in fact,

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Speaker 1: participating in capitalism by charging people for our content, and

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Speaker 1: we're so sensitive to that. We're so sensitive to that

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Speaker 1: that it actually has an emotional impact on us. Well yeah,

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Speaker 1: we're empaths. And so they find the people pay, we

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Speaker 1: cannot help but feel like, oh my god, that's almost

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Speaker 1: as if we are paying for us, right, yes, exactly,

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Speaker 1: like we you know, we know we're in technically making money,

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Speaker 1: but we actually feel like we're losing money every time

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Speaker 1: we're Patreon. Every time a payment comes in, we feel

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Speaker 1: it a physical pay. It hurts, and and you can

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Speaker 1: see it in our faces. It's we're laughing through the tears. Honey,

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Speaker 1: Oh my god. Um. You know what I love. I

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Speaker 1: love when I came in with like kind of backup

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Speaker 1: topics that I could bring up in case we didn't

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Speaker 1: we didn't get on a roll. And guess what, I'm

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Speaker 1: throwing those in the damn trap. Take out the fucking

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Speaker 1: try a bitch. I never roll in with the topic ever, ever, ever,

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Speaker 1: because I think you're more confident than I am. No, no, no,

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Speaker 1: I'm I'm reckless. You're reckless. But I just I'm like,

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Speaker 1: we're gonna talk about something. Something's gonna come up. Whether

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Speaker 1: we like it, we know, we know it's a success

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Speaker 1: when we don't resort to like, how is your weekend? Yeah,

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Speaker 1: when we're asking how the weekend is? I mean, which

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Speaker 1: is sometimes a very valid conversation. It's it's valid. But

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Speaker 1: but here's what I'll say. It's because something is valid

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Speaker 1: doesn't mean you should do celebrated or do it, And

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Speaker 1: that's actually one of the biggest misconceptions of the LGBTQ community. Yeah,

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Speaker 1: you can be valid and also not good. Should we

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Speaker 1: bring it our guest? I think so. I think. I

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Speaker 1: think it's tv H time. I think it's t v

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Speaker 1: H time. Um, George, you do. Let me tell you something.

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Speaker 1: I'm so excited to have Ron truly one of my

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Speaker 1: old as friends and not oldest age wise. She's actually

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Speaker 1: very young. But when of the people I have the longest,

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Speaker 1: I mean, we came up in Boston together. We once

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Speaker 1: roomed together at a comedy festival in Portland, Oregon. If

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Speaker 1: you can even wrap your stupid little brain around that,

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Speaker 1: that wasn't directly at you, Sama was directed our listeners. No, no,

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Speaker 1: I'm I took it personally. Know that anyway? Please put

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Speaker 1: your ears together? Is that No, that's something our colleagues say.

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Speaker 1: We can't say it. Okay, please welcome to the lab.

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Speaker 1: Cannie can the mobli to my name? She told us

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Speaker 1: to say that. Yes, it's controversial. I know so peoplen't

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Speaker 1: like it, but I think it really emphasizes who I

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Speaker 1: am saying. Yeah, how about hell is it going? It

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Speaker 1: is coming along? I hate winter, and so that's stuff.

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Speaker 1: But outside of that, I want to jump off. I

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Speaker 1: want to add to that. San's inspired already. I'm I'm

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Speaker 1: so inspired by that sentence. Last week, which was what

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Speaker 1: the third week of January, I was like, I actually

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Speaker 1: love winter, and I'm like I love gearing up and

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Speaker 1: I love like wearing my long underwear and like committing.

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Speaker 1: But then this was literally one week later, I'm like, okay,

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Speaker 1: I'm done, Like I'm ready for spring now. Like last

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Speaker 1: week I was like this could go forever and I

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Speaker 1: would be happy actually, and then this week it's like, no,

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Speaker 1: actually it needs to be like may yeah, well you

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Speaker 1: have a way of taking it. I think the reason

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Speaker 1: you were excited because you wore your long Johns for

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Speaker 1: the first time and then felt very erotic in them.

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Speaker 1: Sure would you say that's accurate? There's something to it?

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Speaker 1: Oh can I don't know if you know this. I

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Speaker 1: can erontize almost anything. That's exactly. I respect that so much.

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Speaker 1: I think that is a fantastic skill. And tell yeah,

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Speaker 1: I don't own Long Johns, but if I did own them,

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Speaker 1: I would would. Yeah. I try to be like, look

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Speaker 1: at I know, do you get your butt when you're

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Speaker 1: wearing because I look at any damn things. Your eyes

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Speaker 1: can land anywhere. It was not a bad spot to

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Speaker 1: look at. S. Well, you just got back from l A,

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Speaker 1: so you're really like getting Yeah. Yeah, I was out

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Speaker 1: there for a week. It rained on the first day

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Speaker 1: and I was like, Okay, that's not what I came

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Speaker 1: here for, Like why I'm trying to go hiking. But

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Speaker 1: every other day it was sunny. I went to the beach,

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Speaker 1: I sweated outside. It was wow, that does sound nice. Yeah, well,

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Speaker 1: sorry you go no, no, nor oh. I actually have

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Speaker 1: nothing to say. Okay, I mean either you really were

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Speaker 1: ready for the okay, wait ready? Yes? So did you

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Speaker 1: like l A? Or oh my god, Sam, I'm gonna

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Speaker 1: literally leave my zoom window and enter yours. And So

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Speaker 1: what are the differences between l A and New York.

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Speaker 1: I've lived in both. Love both. Both have good restaurants,

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Speaker 1: A lot of them are cheaper in a way. Love driving.

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Speaker 1: A lot of people don't like it. I love it.

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Speaker 1: I find it calming and centering, except for when I

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Speaker 1: have bouts of road rage, which I do. The beach

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Speaker 1: is fantastic. I don't know. I don't know if I

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Speaker 1: give off beach lady in New York. But when at

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Speaker 1: the moment I get to l A, I'm like, I'm

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Speaker 1: going to the beach. Wow. Interesting, I like, uh, I

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Speaker 1: like the idea of you having slightly different personalities in

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Speaker 1: New York and l A. Yeah, which I kind of

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Speaker 1: feel too, like I really, especially because I spend time

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Speaker 1: in California doing very formative years. When I go to California,

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Speaker 1: suddenly I am Callie girl, like, whereas when I'm in

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Speaker 1: New York, I'm like, I'm going to the Whitney like

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Speaker 1: I really like, like I like cosplaying Yorker, And then

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Speaker 1: when I go to l A, I'm like, why is

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Speaker 1: everyone so uptight in the East Coast? Agree? I wish

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Speaker 1: I could adapt better. L A is like such a

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Speaker 1: block for me. I do not adapt well. When I'm there,

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Speaker 1: I like spiral and like like get mad for no

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Speaker 1: reason and be like I'm gonna walk. Of course I'm

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Speaker 1: gonna walk even though I can't, And I'm just like

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Speaker 1: mad because you're not supposed to walk, and they don't

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Speaker 1: have an infrastructure for it. They literally don't have sidebolgs

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Speaker 1: and you'll die. I was on the damn Road. It

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Speaker 1: was not the song was walking on the freeway. He's like,

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Speaker 1: I need to walk. I think what you need sam

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Speaker 1: to to like l A better. And in fact, it's

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Speaker 1: not even l A. It's California because l A whatever.

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Speaker 1: But you need to like do a nature California trip. Yeah,

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Speaker 1: you need to go to Big Surp, you need to

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Speaker 1: go to Joshua Tree, you need to go to Marin.

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Speaker 1: I think you need to go to coach Lla. I

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Speaker 1: really think need to have to going to Coachella. Up um,

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Speaker 1: but I really think that is what makes California click,

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Speaker 1: going somewhere where there are like redwoods and doing like

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Speaker 1: and then coming out and then there's a store that

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Speaker 1: sells jam My podcast co host prescribed me to go

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Speaker 1: to Coachella. No, I would say, don't go to Coachella.

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Speaker 1: I know, I was just to be clear, don't do that.

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Speaker 1: But but for sure, go to the red Woods. Yes,

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Speaker 1: go to the red Woods. There's like fifteen trails in

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Speaker 1: Los Angeles alone that you can hike and you can

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Speaker 1: always see the city. So I am a I will say,

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Speaker 1: even though it's not clear that I am a beach person,

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Speaker 1: it is deep within my core that I am a

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Speaker 1: city person. And I love that I'm hiking and then

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Speaker 1: I get above some trees and oh, thank exactly, I

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Speaker 1: feel the same lake. It's like the nature is um

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Speaker 1: is incorporated into the city, and not just in nature,

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Speaker 1: but like random It's like people go and like look

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Speaker 1: through a telescope and it's like, okay, sure, like you

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Speaker 1: can do and then but you're never but you can

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Speaker 1: always see a view of what looks kind of like

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Speaker 1: a city. Yes, it's it's like you're at the beach,

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Speaker 1: but then you look back and there's you know, just

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Speaker 1: Galba perfect. She's always, She's always. I don't feel safe

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Speaker 1: if I can't see Jessicalba. You also need the only

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Speaker 1: thing you need, SAMMI, sorry to keep prescribing. La is

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Speaker 1: a city that you need to force yourself to romanticize.

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Speaker 1: You have to read a book. You have to like

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Speaker 1: read Joan Didion. You have to read a book that's

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Speaker 1: like about California and then honestly be reading it as

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Speaker 1: you're walking in California. No, that makes a lot of sense.

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Speaker 1: I do need a I need to find my fantasy

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Speaker 1: in California because right now I don't. Part of me

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Speaker 1: like the only fantasy I could have in my mind

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Speaker 1: is it involves being wealthy, and I'm not there yet,

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Speaker 1: so it's sort of the fantasy work. Yeah, Whereas honestly,

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Speaker 1: that's kind of how I feel about New York really.

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Speaker 1: To me, New York, I'm like, my fantasy is I mean,

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Speaker 1: I'm sure this kind of like fake nostalgic fantasy of

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Speaker 1: what I imagine basically like eighties and nineties New York

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Speaker 1: to be like, like, my fantasy is like going to

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Speaker 1: like you know, it's like you're trying to be like

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Speaker 1: coke off a mirror or something. No, no, not even that,

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Speaker 1: just like doing the classic like just like classic like

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Speaker 1: going to like film Forum and then to like this

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Speaker 1: French restaurant that everyone knows about, and then like and

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Speaker 1: then going to a gala and then going to like

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Speaker 1: just like going to Broadway. Like it's nothing like not

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Speaker 1: having to track to a ticks for discounted tickets, just

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Speaker 1: being like, yeah, I'm seeing this new production of you know,

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Speaker 1: Tennessee Williams. You know I I that's whereas in l A.

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Speaker 1: I actually what I romanticize is more like a hippie

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Speaker 1: esque vibe. Like yeah, like hiking and having a dinner

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Speaker 1: party in l A. It's so easy to like entertain

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Speaker 1: Like when my family would come and visit, it'd be like, Okay,

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Speaker 1: we're gonna go to this cheap taco restaurant that's the

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Speaker 1: best tacos in town, and then we go to the beach,

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Speaker 1: and then we go to the mountains, and then we

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Speaker 1: go to like Randy's. Don't it's just like a bunch

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Speaker 1: of things that you don't have to be rich for.

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Speaker 1: Are they be wrong being rich? There better? I hear?

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Speaker 1: I wouldn't know perstly, but it seems like but here truly,

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Speaker 1: it's like, if you don't have money, where are you

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Speaker 1: going go? Exactly like I guess you go to Central Park.

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Speaker 1: It's also like New York wealth has always felt more

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Speaker 1: appealing to me than l A wealth. It's it's intellectual wealth.

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Speaker 1: It's yeah, it's like you know in them in Succession

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Speaker 1: where it's like they when they meet with the Liberal

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Speaker 1: family that's also really wealthy and also evil, but they

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Speaker 1: pretend they're good people. That's what New York wealth is. Totally. Yeah, Um, well,

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Speaker 1: I think we've gotten to the bottom of New York

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Speaker 1: versus A Finally. Wow, I can't believe we did it.

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Speaker 1: Dare I say one of the more enjoyable New Yorkers

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Speaker 1: that conversations I've had in my life. I really feel

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Speaker 1: like we got to the bottom of that. I mean,

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Speaker 1: there was nuanced, it was subtle, it was it was

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Speaker 1: dealing in in terms that most people couldn't fathom exactly.

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Speaker 1: We're also, I mean, we're in the trenches. Can he

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Speaker 1: just got back from she? Literally? Um wait? Like yeah, okay,

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Speaker 1: how do I ask this? Actually? What was can he?

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Speaker 1: What was George like in Boston? Be honest? Oh god, okay,

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Speaker 1: this is a great question. Now I want to know

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Speaker 1: up and coming, like I started a little bit before you,

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Speaker 1: and I think you arrived like maybe halfway through my tenure. Yeah,

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Speaker 1: I think feels like I went to Uh it feels

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Speaker 1: I mean, it does feel like comedy high school versus

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Speaker 1: New York, which is comedy college, grad school, etcetera. People

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00:19:55,080 --> 00:19:56,440
Speaker 1: listening to this are going to be so mad. You

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Speaker 1: just sit back. But oh, come on, they know, oh

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Speaker 1: they know me, Like that's the end. Okay, fine, yeah,

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Speaker 1: all right, I mean if that is the end for you,

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Speaker 1: that I mean in the same way that some people

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Speaker 1: don't go to totally Okay, I saw that. Okay, Okay,

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Speaker 1: keep going, keep going, digging myself through a deeper hole. Um,

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Speaker 1: you were cool, thank you. I knew you were cool quickly,

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Speaker 1: and some people it took a while. Yeah, scratch that.

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Speaker 1: Most people took a while to be like, what's this

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Speaker 1: whole person's deal? Yes, but you I was like, oh,

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Speaker 1: he's cool, right right right, So it was a quick acceptance.

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Speaker 1: There was no quick I mean I was Also it

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Speaker 1: was very flash in the pant. I mean it was

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Speaker 1: in Boston for two years. Of those two years, I

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Speaker 1: did comedy for essentially a year and a half, and

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Speaker 1: then like after that I would go back kind of

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Speaker 1: quarterly because I would always go back and like plan

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Speaker 1: a lot of shows and do like a weekend, especially

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Speaker 1: if I like had new material or you know, just

358
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Speaker 1: because like it was impossible to get on show in

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Speaker 1: New York, whereas I knew everyone in Boston. So I

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Speaker 1: do feel like it feels like more than hosted one

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Speaker 1: of the figures. Yes, I I hosted. I co hosted. Yes, Um, Yes,

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Speaker 1: I co hosted a show that was incredibly helpful in

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Speaker 1: my Boston career because it was like a show that

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Speaker 1: had a reputation before me, So then people learned who

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Speaker 1: I was because they would like, do this show that

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Speaker 1: they already we're doing before I started co hosting it. Um,

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Speaker 1: but I also thought can also I was like, I

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Speaker 1: also thought you were very cool, and I also thought

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Speaker 1: you had this kind of like almost business bitch mentality

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Speaker 1: of like I'm here, it's like I'm here to win,

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Speaker 1: like and like, which I really appreciate it, because there

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Speaker 1: was a certain inertia sometimes where I feel like so

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Speaker 1: many people, how do I put this, I've never heard

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Speaker 1: this before, and I love it. Well, there's a certain

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Speaker 1: kind of there's a certain um repetition that I actually

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Speaker 1: found very nice in Boston, Whereas, like you know, I

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Speaker 1: kind of within six months I found the places that

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Speaker 1: I liked. I found the people that I liked, and

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Speaker 1: then they were my friends and those are my spots.

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Speaker 1: And you know, whereas I felt like you were always

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Speaker 1: trying something new or you were like one of the

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Speaker 1: first people I knew who was constantly like applying to

383
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Speaker 1: comedy festivals, like you were always like looking for the

384
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Speaker 1: next step rather than being satisfied doing the same thing.

385
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Speaker 1: Would say that I am never satisfied. I will not

386
00:22:32,720 --> 00:22:35,280
Speaker 1: know happiness because I am always looking to the next thing.

387
00:22:35,760 --> 00:22:38,440
Speaker 1: Versus experiencing the thing that I'm doing. But also I

388
00:22:38,520 --> 00:22:40,280
Speaker 1: think you met me after I had already come to

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Speaker 1: New York, Like I came to New York for one weekend,

390
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Speaker 1: and I want to say, and I was like, okay,

391
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Speaker 1: I'm moving here. This is this is what I think.

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Speaker 1: I think you moved maybe like a year after room

393
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Speaker 1: at or something. Yeah, because I was like, Okay, nope,

394
00:22:53,560 --> 00:22:56,600
Speaker 1: I see, I see where this could go. And this

395
00:22:56,800 --> 00:23:00,520
Speaker 1: is not the way I am not trying to the people.

396
00:23:00,720 --> 00:23:05,320
Speaker 1: I mean, not for that. Yeah, I know. I just

397
00:23:05,440 --> 00:23:10,040
Speaker 1: want to say I disagree with everything Conn said about Boston. Okay, okay,

398
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Speaker 1: like this is an ideal place. I just like, I

399
00:23:14,680 --> 00:23:16,840
Speaker 1: don't know, let's all go around and say one nice

400
00:23:16,880 --> 00:23:21,560
Speaker 1: thing about people of Boston just to make them they

401
00:23:21,640 --> 00:23:24,719
Speaker 1: think that they're nice. That's the thing. Many of them,

402
00:23:25,040 --> 00:23:27,240
Speaker 1: many of them are. It's the thing with Boston is

403
00:23:27,359 --> 00:23:30,960
Speaker 1: there's something about I mean, I'm sorry, like this is

404
00:23:31,760 --> 00:23:34,000
Speaker 1: and I was. I have a kind of long history

405
00:23:34,280 --> 00:23:36,200
Speaker 1: in Boston because I didn't live there for a while,

406
00:23:36,320 --> 00:23:38,159
Speaker 1: but I happened to be born there just because my

407
00:23:38,240 --> 00:23:39,800
Speaker 1: parents happened to be there for a few years when

408
00:23:39,800 --> 00:23:41,800
Speaker 1: I was born, So like it has like a big

409
00:23:41,880 --> 00:23:46,320
Speaker 1: place in my heart. My grandparents who are Greek, like

410
00:23:46,840 --> 00:23:49,560
Speaker 1: came from Greece and like helped raise me for the

411
00:23:49,560 --> 00:23:51,920
Speaker 1: first two years because my parents had to work, and

412
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Speaker 1: like my grandfather would know he would still ask me,

413
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Speaker 1: like how those Celtics doing. Meanwhile, he's like Greek and

414
00:23:59,200 --> 00:24:01,000
Speaker 1: does not follow and be a like there's just like

415
00:24:01,320 --> 00:24:04,720
Speaker 1: it has a special place in our family. So I

416
00:24:04,760 --> 00:24:06,359
Speaker 1: have a lot of affection for it. But there is

417
00:24:06,480 --> 00:24:11,719
Speaker 1: something about the do you think it creates some kind

418
00:24:11,720 --> 00:24:15,320
Speaker 1: of vortex, Like there's a certain like it doesn't allow

419
00:24:15,359 --> 00:24:18,800
Speaker 1: you to leave or something, and then it looks to

420
00:24:18,920 --> 00:24:23,320
Speaker 1: and then it like mistrusts people outsiders, either people who

421
00:24:23,400 --> 00:24:26,440
Speaker 1: leave or people who come in. Yes, yes, you think

422
00:24:26,480 --> 00:24:31,440
Speaker 1: you're fancy exactly, yes, exactly. Yeah. Yeah. I feel like

423
00:24:32,040 --> 00:24:34,760
Speaker 1: about Boston. I lived there for a total of six

424
00:24:34,880 --> 00:24:37,320
Speaker 1: years and I got so much out of it. But

425
00:24:37,480 --> 00:24:39,560
Speaker 1: I also feel like I was being gas lit the

426
00:24:39,800 --> 00:24:43,119
Speaker 1: entire time. Yes, I would like other places exist and

427
00:24:43,160 --> 00:24:46,920
Speaker 1: they're like, no, they don't write other things are nice. No,

428
00:24:47,200 --> 00:24:48,760
Speaker 1: this is the nicest it could be. In You're like

429
00:24:49,000 --> 00:24:55,800
Speaker 1: this was voted the least fashionable city in a marriage. Um, yeah,

430
00:24:56,119 --> 00:25:00,200
Speaker 1: it's um, it's tough because I do. I would say

431
00:25:00,200 --> 00:25:04,640
Speaker 1: I almost have like incredibly positive and incredibly negative association.

432
00:25:04,720 --> 00:25:07,160
Speaker 1: Like it's not I wouldn't say I'm down the middle.

433
00:25:07,200 --> 00:25:09,200
Speaker 1: It's just like on the one hand, it was it

434
00:25:09,320 --> 00:25:11,080
Speaker 1: was also like the most I've ever felt part of

435
00:25:11,160 --> 00:25:13,120
Speaker 1: a not ever, but like I felt so much part

436
00:25:13,119 --> 00:25:16,159
Speaker 1: of a community, like even just like especially because we

437
00:25:16,359 --> 00:25:19,440
Speaker 1: did you live in Cambridge. Yeah, Like in Cambridge, you're

438
00:25:19,480 --> 00:25:21,840
Speaker 1: like it's like there's a small village vibe and you

439
00:25:21,920 --> 00:25:23,760
Speaker 1: have your like local bar and your local coffee shop

440
00:25:23,840 --> 00:25:29,000
Speaker 1: and it's walkable and everything's easy. Yeah, and that I

441
00:25:29,160 --> 00:25:32,680
Speaker 1: haven't really even now living in Brooklyn for four or

442
00:25:32,720 --> 00:25:36,080
Speaker 1: five years, like I haven't really access that yet of

443
00:25:36,200 --> 00:25:40,240
Speaker 1: like the local neighborhood. And yeah, I think you gotta

444
00:25:40,320 --> 00:25:42,560
Speaker 1: make it. You gotta make it. And yet, you know,

445
00:25:43,720 --> 00:25:45,320
Speaker 1: you try to go to a restaurant in Boxton and

446
00:25:45,359 --> 00:25:52,359
Speaker 1: it's like, are you kidding? Wait, what do you mean?

447
00:25:52,800 --> 00:25:55,160
Speaker 1: It's I mean, I'm sorry. I also and I don't

448
00:25:55,200 --> 00:25:57,840
Speaker 1: have this. I'm gonna sound it's gonna sound somehow elatest,

449
00:25:57,920 --> 00:25:59,840
Speaker 1: but like I also moved from San Francisco and cow

450
00:26:00,000 --> 00:26:03,520
Speaker 1: for you, as you know, has just like incredibly fresh

451
00:26:03,640 --> 00:26:06,480
Speaker 1: food and like it's a center for food whatever. And

452
00:26:06,560 --> 00:26:08,399
Speaker 1: then I would try to go to like these. I

453
00:26:08,440 --> 00:26:11,000
Speaker 1: would be like read something about some new American restaurant

454
00:26:11,040 --> 00:26:12,920
Speaker 1: in Boston and be like, oh great, this will be good,

455
00:26:13,160 --> 00:26:14,399
Speaker 1: and then I would go and it would be like

456
00:26:15,119 --> 00:26:19,399
Speaker 1: the worst thing I've ever It was always like to

457
00:26:19,520 --> 00:26:21,480
Speaker 1: go to. There was like a couple of places where

458
00:26:21,480 --> 00:26:23,720
Speaker 1: it was a little bit elevated, but I had like

459
00:26:23,840 --> 00:26:25,960
Speaker 1: a called it like a dinner club, and we'd go

460
00:26:26,160 --> 00:26:29,119
Speaker 1: to like the list of best restaurants in Boston and

461
00:26:29,160 --> 00:26:31,040
Speaker 1: we go to one of them each month. It was

462
00:26:31,080 --> 00:26:34,440
Speaker 1: like a thing that we did. And looking back, so

463
00:26:34,600 --> 00:26:38,240
Speaker 1: many of those restaurants, those new American restaurants tasted exactly

464
00:26:38,320 --> 00:26:41,439
Speaker 1: like Chillen exactly had like I think it is graphic

465
00:26:41,560 --> 00:26:44,200
Speaker 1: design for the menus. Yeah, I felt like I was

466
00:26:44,240 --> 00:26:47,200
Speaker 1: being lied to. And in fact, what that what that

467
00:26:47,320 --> 00:26:50,080
Speaker 1: empowered me to do, is to abandon the concept of

468
00:26:50,160 --> 00:26:52,359
Speaker 1: luxury and be like I am going to go to

469
00:26:52,640 --> 00:26:56,240
Speaker 1: legal seafoods, like which is delicious? Why not that? Really

470
00:26:56,400 --> 00:26:59,000
Speaker 1: that was like an embowering thing for me. But it

471
00:26:59,160 --> 00:27:01,320
Speaker 1: was like not really taking any risk and just being

472
00:27:01,359 --> 00:27:03,840
Speaker 1: like I know what the good things are and I'm

473
00:27:03,840 --> 00:27:07,040
Speaker 1: going to go there and that's my life. That's it. Yeah,

474
00:27:07,400 --> 00:27:09,320
Speaker 1: you know what you like. I went to Boston one

475
00:27:09,440 --> 00:27:13,919
Speaker 1: time and I said, I said, never again. I went

476
00:27:14,000 --> 00:27:18,520
Speaker 1: on exerience. I went for like this was in like

477
00:27:19,440 --> 00:27:25,560
Speaker 1: twenty for like some improv festival. This was when I

478
00:27:25,640 --> 00:27:33,879
Speaker 1: was in my improv Yes. Yeah, And it was like

479
00:27:34,520 --> 00:27:37,920
Speaker 1: just the town was so like I was like, what

480
00:27:38,119 --> 00:27:42,000
Speaker 1: do you guys do? Like like this is the bar?

481
00:27:42,600 --> 00:27:44,879
Speaker 1: Like every bar was like an Irish pub in a

482
00:27:44,920 --> 00:27:48,119
Speaker 1: way that was like grow up. I could not I

483
00:27:48,240 --> 00:27:51,080
Speaker 1: could not enjoy myself in those spaces. I'm shocked you

484
00:27:51,200 --> 00:27:54,000
Speaker 1: don't like that because that seems so your vibe. That's

485
00:27:54,000 --> 00:27:57,400
Speaker 1: actually a good point. Let me unpack that and in fact,

486
00:27:57,440 --> 00:27:59,240
Speaker 1: you know what you love Sam the Bar I used

487
00:27:59,280 --> 00:28:01,760
Speaker 1: to host my I show at with my friend Zach

488
00:28:01,760 --> 00:28:07,360
Speaker 1: and Pamela. Um Is it's kind of it's Kennie. Would

489
00:28:07,359 --> 00:28:09,879
Speaker 1: you say it's I'd say it's a dive bar that

490
00:28:10,440 --> 00:28:12,520
Speaker 1: has a backward like there was a back room that

491
00:28:12,680 --> 00:28:14,240
Speaker 1: actually when we set it up for the show was

492
00:28:14,280 --> 00:28:16,880
Speaker 1: like a perfect size for a show. It was like, honestly,

493
00:28:17,200 --> 00:28:19,159
Speaker 1: to this day, the best show I've ever been a

494
00:28:19,240 --> 00:28:23,040
Speaker 1: part of, but but it is. It was a dive

495
00:28:23,119 --> 00:28:26,040
Speaker 1: bar hosted by all It was like all Irish straight guys.

496
00:28:27,119 --> 00:28:30,480
Speaker 1: I'm pretty sure a couple of them are maga. Oh yeah,

497
00:28:30,600 --> 00:28:32,920
Speaker 1: there's Stevie's hell because they said some things that were

498
00:28:33,280 --> 00:28:36,600
Speaker 1: out off to me. Yes, it was like one of

499
00:28:36,640 --> 00:28:38,560
Speaker 1: those things that we have to kind of look look

500
00:28:38,680 --> 00:28:42,000
Speaker 1: the other way. Um, but anyway, it's like the kind

501
00:28:42,040 --> 00:28:46,440
Speaker 1: of bar that I think you would fetish. It is

502
00:28:46,560 --> 00:28:50,120
Speaker 1: called the campus I want to be You? You want

503
00:28:50,160 --> 00:28:51,880
Speaker 1: to be YouTube? No I didn't go to be you,

504
00:28:51,960 --> 00:28:53,800
Speaker 1: but I spent a lot of time there because of that.

505
00:28:53,880 --> 00:28:55,560
Speaker 1: But you want to be you for grad school? Yeah,

506
00:28:55,560 --> 00:28:56,880
Speaker 1: I went to be you for grad school. Wit which

507
00:28:56,880 --> 00:28:58,040
Speaker 1: school did you go to? I went to M I

508
00:28:58,120 --> 00:29:01,320
Speaker 1: t for this your because all the only people who

509
00:29:01,600 --> 00:29:03,440
Speaker 1: don't say it when they say were they went to

510
00:29:03,520 --> 00:29:05,640
Speaker 1: school are Harvard and MT people, so I was like,

511
00:29:05,720 --> 00:29:07,520
Speaker 1: we went to one of those. I also feel weird

512
00:29:07,520 --> 00:29:10,040
Speaker 1: about it because every it's like everyone always assumed it

513
00:29:10,120 --> 00:29:12,560
Speaker 1: was really expensive, but it was actually a fully funded program.

514
00:29:12,680 --> 00:29:15,760
Speaker 1: And then I but I don't. I don't want anyone

515
00:29:15,800 --> 00:29:19,120
Speaker 1: to be like, oh yeah, he's like his you know, whatever.

516
00:29:19,280 --> 00:29:21,320
Speaker 1: His parents paid two hundred thousand dollars for him to

517
00:29:21,360 --> 00:29:23,480
Speaker 1: go to grad school. So then I end up preempting

518
00:29:23,560 --> 00:29:25,480
Speaker 1: that by like talking about it. It's fully funded, and

519
00:29:25,520 --> 00:29:30,560
Speaker 1: then everyone's like no one asked, like so that's why

520
00:29:30,600 --> 00:29:32,280
Speaker 1: I don't say it. Anyway, it doesn't matter. But yes,

521
00:29:32,360 --> 00:29:33,800
Speaker 1: I went to m I t you went to be

522
00:29:33,920 --> 00:29:37,720
Speaker 1: you go off. No, that is the bar that we

523
00:29:37,840 --> 00:29:41,640
Speaker 1: studied it, So I wasn't even doing common really yeah,

524
00:29:41,760 --> 00:29:44,200
Speaker 1: so like I have, I was drunk in the Dugout

525
00:29:44,280 --> 00:29:46,640
Speaker 1: ply before that show started because I was there for

526
00:29:46,720 --> 00:29:49,080
Speaker 1: grad school and I would like bring we'd bring our

527
00:29:49,160 --> 00:29:51,200
Speaker 1: books and like sit around a table with beers and

528
00:29:51,360 --> 00:29:53,640
Speaker 1: just like that's where we did our work. And also

529
00:29:53,760 --> 00:29:55,560
Speaker 1: it is featured. I don't know if you saw this

530
00:29:56,160 --> 00:30:01,240
Speaker 1: Manchester by the yeah c affleck uh he was probably

531
00:30:01,240 --> 00:30:04,880
Speaker 1: a bad person is wearing the Dugout Cafe T shirt

532
00:30:05,000 --> 00:30:07,920
Speaker 1: and it's yeah, And I'm pretty sure they then hung

533
00:30:08,000 --> 00:30:13,080
Speaker 1: a photo of that still in the Dugout Cafe. They Kennie,

534
00:30:13,160 --> 00:30:15,920
Speaker 1: you're talking about like going to a bar with all

535
00:30:16,000 --> 00:30:18,520
Speaker 1: your books and sort of like studying while having beers

536
00:30:18,720 --> 00:30:21,880
Speaker 1: is so like sit call me. It's like I love

537
00:30:22,000 --> 00:30:23,880
Speaker 1: that so much because it's something that I feel like

538
00:30:23,960 --> 00:30:27,440
Speaker 1: only happens in fantasies. But it's very how I make

539
00:30:27,480 --> 00:30:29,080
Speaker 1: your mother. I mean, I guess they're not in college,

540
00:30:29,160 --> 00:30:32,960
Speaker 1: but but yeah, it's it's it's there's something c W

541
00:30:33,080 --> 00:30:35,280
Speaker 1: about it. There's something almost still more girls about it.

542
00:30:35,760 --> 00:30:39,520
Speaker 1: I see, I was going to say Neverdale. Yeah, I

543
00:30:39,560 --> 00:30:43,200
Speaker 1: feel like Riverdale. Okay. Actually Pat was talking about this recently.

544
00:30:43,240 --> 00:30:45,320
Speaker 1: It's like, you know how many movies and TV there's

545
00:30:45,320 --> 00:30:49,080
Speaker 1: always like a huge lounge in every school. Yeah. Yeah,

546
00:30:49,520 --> 00:30:52,760
Speaker 1: Like it's like what schools have these like fully, like

547
00:30:53,440 --> 00:30:57,480
Speaker 1: you know, they're very It's like you're in the w hotel. Yeah,

548
00:30:58,960 --> 00:31:01,400
Speaker 1: where they just there's just stuff around and no one's

549
00:31:01,440 --> 00:31:04,040
Speaker 1: like ushroom, you out of it, and like nothing's broken

550
00:31:04,280 --> 00:31:06,280
Speaker 1: or raddy in the way that things that are used

551
00:31:06,320 --> 00:31:08,800
Speaker 1: by college students are. Yeah, there's like a barista. They're

552
00:31:08,800 --> 00:31:13,680
Speaker 1: like do you want of course? Yeah? I like, um, wait,

553
00:31:13,760 --> 00:31:15,240
Speaker 1: we have to do our first segment. Oh we have

554
00:31:15,400 --> 00:31:17,120
Speaker 1: to wait. I want to say one more thing. We

555
00:31:17,200 --> 00:31:18,560
Speaker 1: literally have to and then we have to get to

556
00:31:18,640 --> 00:31:20,760
Speaker 1: our one thing that I feel like we're really tied

557
00:31:20,800 --> 00:31:25,000
Speaker 1: all together. Okay. Similar to that, I think when schools.

558
00:31:25,440 --> 00:31:28,120
Speaker 1: L A schools are depicted on film. It really takes

559
00:31:28,160 --> 00:31:30,200
Speaker 1: me out of it and confuses me because they have

560
00:31:30,360 --> 00:31:32,920
Speaker 1: like a full campus, and I was always kind of like, well,

561
00:31:32,960 --> 00:31:34,280
Speaker 1: that's not real in the same way that like a

562
00:31:34,320 --> 00:31:36,040
Speaker 1: big school lounge is not real. But then you hear

563
00:31:36,040 --> 00:31:37,280
Speaker 1: about people that go to school in l A and

564
00:31:37,320 --> 00:31:40,480
Speaker 1: they're like, no, that is real. High school. High schools

565
00:31:40,520 --> 00:31:46,680
Speaker 1: have like campuses. Oh interesting, okay, and high schools and

566
00:31:47,440 --> 00:31:49,720
Speaker 1: other places that campuses. Like I'm from the South and

567
00:31:49,800 --> 00:31:54,120
Speaker 1: it was like several acres in different buildings when and

568
00:31:54,200 --> 00:31:56,520
Speaker 1: we had a campus. Okay, well like yeah, I mean

569
00:31:56,600 --> 00:31:59,240
Speaker 1: we have property that the schools on and I wouldn't

570
00:31:59,240 --> 00:32:01,520
Speaker 1: like we were like well around outside most of the time,

571
00:32:01,680 --> 00:32:04,240
Speaker 1: like they were like you were mostly in the building

572
00:32:04,440 --> 00:32:09,320
Speaker 1: in Okay, Okay, I'm being at time. Surely you had

573
00:32:09,400 --> 00:32:12,800
Speaker 1: like sports fields and things like. Of course, I'm not

574
00:32:13,040 --> 00:32:15,440
Speaker 1: disputing the fact that the school owns on the land.

575
00:32:16,920 --> 00:32:22,640
Speaker 1: I'm disputing the structure of consess alright, that you would

576
00:32:22,840 --> 00:32:26,480
Speaker 1: walk outside for like for me walking we had to

577
00:32:26,520 --> 00:32:29,920
Speaker 1: walk outside between every class, so like the science classes

578
00:32:29,920 --> 00:32:33,320
Speaker 1: were over here where we're here, we were walking outside

579
00:32:33,360 --> 00:32:36,360
Speaker 1: atween every class. This is insane unless you had back

580
00:32:36,360 --> 00:32:38,400
Speaker 1: to back science or something. I wouldn't go that far.

581
00:32:38,520 --> 00:32:40,040
Speaker 1: We had a main building and then we had like

582
00:32:40,160 --> 00:32:43,960
Speaker 1: a couple more buildings that like, this is I'm making

583
00:32:43,960 --> 00:32:45,680
Speaker 1: this up because I don't remember, but I'm sure there

584
00:32:45,760 --> 00:32:48,240
Speaker 1: was like some kind of art building or like when

585
00:32:48,240 --> 00:32:49,520
Speaker 1: I went to high school, there was a building that

586
00:32:49,600 --> 00:32:51,600
Speaker 1: had all the science labs. George, if you could please

587
00:32:51,640 --> 00:32:53,320
Speaker 1: just not make stuff up. But we're trying to have

588
00:32:53,400 --> 00:33:01,040
Speaker 1: a conversation. Oh my god, um um, well, let's do

589
00:33:01,160 --> 00:33:05,760
Speaker 1: our first segment. That's that you're like, I think this

590
00:33:05,800 --> 00:33:08,760
Speaker 1: will really tie everything together. Actually, this is the worst

591
00:33:08,840 --> 00:33:12,320
Speaker 1: thing I've ever heard. I've never heard any more disputable

592
00:33:12,360 --> 00:33:16,600
Speaker 1: in my life. Okay. Our first segment is called straight Shooters,

593
00:33:16,640 --> 00:33:19,680
Speaker 1: and in this segment, we gauge your familiarity with and

594
00:33:19,760 --> 00:33:23,040
Speaker 1: complicity and straight culture by asking a series of honestly

595
00:33:23,120 --> 00:33:26,320
Speaker 1: nonsensical questions where you have to choose between one thing

596
00:33:26,480 --> 00:33:28,720
Speaker 1: and another thing. And the one rule is that you

597
00:33:28,800 --> 00:33:31,200
Speaker 1: can't ask any follow up questions about how the game works,

598
00:33:31,240 --> 00:33:34,800
Speaker 1: even though it makes no sense. Okay, Okay, Sam, okay,

599
00:33:35,040 --> 00:33:40,760
Speaker 1: nice claiming a dependent or being an independent woman? Being

600
00:33:40,800 --> 00:33:44,720
Speaker 1: an independent woman, I love New York or I love Lamb,

601
00:33:49,440 --> 00:33:53,400
Speaker 1: I love New York. Um, okay, speaking revenge or seeking

602
00:33:53,480 --> 00:33:57,680
Speaker 1: local singles in your area. Oh, that's tough. That's tough.

603
00:33:58,040 --> 00:34:04,880
Speaker 1: Both of those equally, is what's because thinking revenge sounds

604
00:34:04,880 --> 00:34:09,040
Speaker 1: like dramatic. I'm imagining it shot very well. It looks good.

605
00:34:09,120 --> 00:34:10,680
Speaker 1: You can tell she went to grads for for film

606
00:34:13,480 --> 00:34:15,480
Speaker 1: I did. Oh my god. I don't talk about it,

607
00:34:17,640 --> 00:34:21,319
Speaker 1: but seeking what is it? Local singles in your area?

608
00:34:23,480 --> 00:34:27,560
Speaker 1: I am single, and I it wouldn't be the worst

609
00:34:27,600 --> 00:34:30,239
Speaker 1: thing to meet other single people as long as they're

610
00:34:30,239 --> 00:34:32,160
Speaker 1: not single in that way that you're like, Oh, it's

611
00:34:32,239 --> 00:34:35,680
Speaker 1: very clear why you are single. I see it fair,

612
00:34:36,640 --> 00:34:40,640
Speaker 1: You're not like other singles. Oh, no, I I can see.

613
00:34:40,680 --> 00:34:43,520
Speaker 1: I think it's obvious why I'm single. I would like

614
00:34:43,560 --> 00:34:47,440
Speaker 1: the other singles I'm around for not to be obvious. Well,

615
00:34:47,520 --> 00:34:49,400
Speaker 1: that is the eternal question of dating, I guess, or

616
00:34:49,440 --> 00:34:53,800
Speaker 1: the eternal kind of dilemma. Yeah, exactly. M Kenny's kettle corn,

617
00:34:54,080 --> 00:34:59,840
Speaker 1: kettle chips or ketamine. Oh, I love kettle corn. I

618
00:35:00,040 --> 00:35:03,719
Speaker 1: have never I've never done Kennedy and I wasn't gonna

619
00:35:03,719 --> 00:35:07,800
Speaker 1: say I've never done kettle ship Kenneman seems like intense,

620
00:35:07,920 --> 00:35:09,960
Speaker 1: but then all these people are like I love it,

621
00:35:10,080 --> 00:35:12,160
Speaker 1: and people who surprised me who I'm like, I was

622
00:35:12,200 --> 00:35:15,000
Speaker 1: pretty like straight arrows, square person, and they're like, no,

623
00:35:15,120 --> 00:35:17,880
Speaker 1: I got high in a back room in Thailand, And

624
00:35:17,960 --> 00:35:19,880
Speaker 1: I'm like, I don't know what you're talking about. So

625
00:35:20,040 --> 00:35:23,359
Speaker 1: I'm gonna go with kettle corn because I am square. Great,

626
00:35:23,640 --> 00:35:27,520
Speaker 1: okay um calling the pandemic a whole as panini or

627
00:35:27,640 --> 00:35:34,560
Speaker 1: calling coronavirus ms rohna, oh my god, miss ron when

628
00:35:34,600 --> 00:35:37,920
Speaker 1: people call it to panina, I don't know why. I

629
00:35:38,040 --> 00:35:40,080
Speaker 1: just stopped listening to what they're saying, and I have

630
00:35:40,280 --> 00:35:43,520
Speaker 1: such a hard time getting back on track to be like, yes,

631
00:35:43,640 --> 00:35:46,560
Speaker 1: I am here, I am in this conversation. Also, Panini

632
00:35:46,680 --> 00:35:56,160
Speaker 1: is a good thing, like yeah, just like broken brained. Yes,

633
00:35:58,200 --> 00:36:00,839
Speaker 1: I mean the whole thing is really revealed so many

634
00:36:00,960 --> 00:36:04,640
Speaker 1: deep issues within our society. And one of them is like,

635
00:36:04,800 --> 00:36:07,120
Speaker 1: if you're telling me I need to call it a

636
00:36:07,200 --> 00:36:17,319
Speaker 1: whole last panini, it's so absurd, ye pandemic? Well yeah,

637
00:36:17,360 --> 00:36:20,799
Speaker 1: it undermines your point is actually like a pretty kind

638
00:36:20,840 --> 00:36:23,759
Speaker 1: of I don't know, like it's like a lunch. It's

639
00:36:23,800 --> 00:36:25,719
Speaker 1: not even like it's not even like a steak freight.

640
00:36:26,960 --> 00:36:28,880
Speaker 1: It's like you can't say a whole last panini, like

641
00:36:28,920 --> 00:36:33,280
Speaker 1: a panini is not like a large thing anyway. Okay,

642
00:36:33,400 --> 00:36:36,520
Speaker 1: can we live in a simulation or he lives in

643
00:36:36,560 --> 00:36:40,319
Speaker 1: a pineapple under the sea. We live in a simulation

644
00:36:41,440 --> 00:36:47,320
Speaker 1: because I am older dam SpongeBob in the way that

645
00:36:47,520 --> 00:36:51,400
Speaker 1: like it didn't come on until after I was like, already, like,

646
00:36:51,600 --> 00:36:56,560
Speaker 1: not Coloni anymore. So I know everyone loves it. I

647
00:36:56,640 --> 00:36:59,320
Speaker 1: know that. I know that, and it's probably good. And

648
00:36:59,360 --> 00:37:01,080
Speaker 1: I think there was like a ride I went to

649
00:37:01,320 --> 00:37:03,080
Speaker 1: a theme park or something and that was lovely. But

650
00:37:03,320 --> 00:37:05,880
Speaker 1: outside of that, I know nothing interesting. H I actually

651
00:37:05,920 --> 00:37:07,759
Speaker 1: feel like I've done this one before maybe, but I

652
00:37:08,000 --> 00:37:11,160
Speaker 1: was needing a last one and um struggling, so I

653
00:37:11,239 --> 00:37:15,000
Speaker 1: typed this very quickly. So with all that being said,

654
00:37:15,680 --> 00:37:19,040
Speaker 1: if I repeat myself, I'm sorry. But here it goes lips,

655
00:37:19,120 --> 00:37:21,480
Speaker 1: the teeth, the tip of the tongue or neck back,

656
00:37:21,640 --> 00:37:27,319
Speaker 1: pussy crack, crack. I don't even know what the first thing. Okay,

657
00:37:28,440 --> 00:37:31,720
Speaker 1: the blood and body of Christ or a cops salad.

658
00:37:31,760 --> 00:37:34,759
Speaker 1: Hold the bacon dressing on the side. It's not a

659
00:37:34,840 --> 00:37:41,600
Speaker 1: Cops salad without like, I'm not even a Christian, but

660
00:37:41,760 --> 00:37:44,840
Speaker 1: like what you do believe in a cops sound? I

661
00:37:44,960 --> 00:37:47,840
Speaker 1: do believe in a cops out. A cops sound means something,

662
00:37:47,920 --> 00:37:50,120
Speaker 1: okayn't just like if you take it out, if you're like,

663
00:37:50,200 --> 00:37:53,600
Speaker 1: oh I want to blp hold the bat, then it's

664
00:37:53,600 --> 00:38:01,000
Speaker 1: a healthy God. Even just saying the words cobs salad

665
00:38:01,360 --> 00:38:06,160
Speaker 1: really brings you right back. Yeah. I went to a

666
00:38:06,239 --> 00:38:08,680
Speaker 1: gay resort this summer and they had a sandwich that

667
00:38:08,880 --> 00:38:14,279
Speaker 1: was the LGBT. That was I've seen that before, which

668
00:38:14,320 --> 00:38:16,840
Speaker 1: I thought was so funny and how lame it is.

669
00:38:17,800 --> 00:38:21,520
Speaker 1: They add guacamole, that was what they were saying, and

670
00:38:21,560 --> 00:38:24,960
Speaker 1: it was like, okay, what about ques? They should add

671
00:38:29,600 --> 00:38:36,160
Speaker 1: actually for the nighttime. Yeah, um, Kenny, let's get into

672
00:38:36,200 --> 00:38:39,719
Speaker 1: the topic. Now that we have ten minutes more. Wow,

673
00:38:40,040 --> 00:38:42,960
Speaker 1: we've really been going. Um, I know, but I mean

674
00:38:43,000 --> 00:38:44,440
Speaker 1: I kind of love it. This harkens back to our

675
00:38:44,440 --> 00:38:46,560
Speaker 1: early episodes where we would never touch on the topic,

676
00:38:46,680 --> 00:38:49,920
Speaker 1: which a lot of people miss. So this is kind

677
00:38:49,960 --> 00:38:54,200
Speaker 1: of for the old for the old old Hills, the

678
00:38:54,280 --> 00:38:56,840
Speaker 1: ones over there from the beginning. Can you brought a

679
00:38:56,920 --> 00:39:01,160
Speaker 1: topic that I think is so? What's you? Um? What's

680
00:39:01,200 --> 00:39:06,799
Speaker 1: the word? I'm looking for. It's so rich, rich, transcendent

681
00:39:06,920 --> 00:39:10,919
Speaker 1: and rich. Um, what is the topic kness? And why

682
00:39:11,520 --> 00:39:13,160
Speaker 1: is it straight? Why did it come to mind when

683
00:39:13,160 --> 00:39:14,560
Speaker 1: I asked you when we asked you to pick a

684
00:39:14,600 --> 00:39:18,880
Speaker 1: straight topic? Okay, Uh, the topic is and Taylor. It

685
00:39:19,040 --> 00:39:22,479
Speaker 1: came to mind because I thought of the straightest people

686
00:39:22,520 --> 00:39:27,239
Speaker 1: I know, uh, mainly my mother, and she loves Ann

687
00:39:27,320 --> 00:39:30,839
Speaker 1: Taylor so much. I like Ann Taylor in a way

688
00:39:30,880 --> 00:39:34,279
Speaker 1: that I have to accept. Okay, I've never been in

689
00:39:34,360 --> 00:39:37,720
Speaker 1: an Ann Taylor and never like didn't utter the words,

690
00:39:37,760 --> 00:39:41,399
Speaker 1: oh I could wear that like it's never happened. Um,

691
00:39:41,840 --> 00:39:44,480
Speaker 1: it's something. How do I put this? It's at once

692
00:39:44,960 --> 00:39:51,240
Speaker 1: not at all aspirational, yeah, but imbued with middle class snobbery.

693
00:39:51,360 --> 00:39:53,799
Speaker 1: And I don't know how it manages to do both

694
00:39:53,880 --> 00:39:57,759
Speaker 1: of those things simultaneous. Yeah, yeah, well it's it's a

695
00:39:57,880 --> 00:40:02,719
Speaker 1: part of mall culture, but it is the more like reserved,

696
00:40:03,040 --> 00:40:07,880
Speaker 1: Like it's the intellectual side of mall culture. It is

697
00:40:07,920 --> 00:40:11,520
Speaker 1: the definition of the phrase upper middle class. Yes, yes,

698
00:40:12,160 --> 00:40:15,680
Speaker 1: like it is. It is not mains. It's not fully

699
00:40:15,760 --> 00:40:18,520
Speaker 1: down the middle, but it's I don't think act, I

700
00:40:18,560 --> 00:40:20,680
Speaker 1: don't think like one per centers where like it is,

701
00:40:21,120 --> 00:40:24,440
Speaker 1: it is up. It is um client what's the word like,

702
00:40:25,320 --> 00:40:29,840
Speaker 1: not up and coming? Oh my god, mobile, upwardly mobile,

703
00:40:30,120 --> 00:40:34,480
Speaker 1: upwardly mobile. People that have you know, let's say that

704
00:40:34,560 --> 00:40:38,600
Speaker 1: are in their forties and have one or two young children. Yes,

705
00:40:39,040 --> 00:40:44,080
Speaker 1: it says function sort of but not. I think they

706
00:40:44,160 --> 00:40:48,359
Speaker 1: did an SNL sketch that I really liked with um,

707
00:40:48,800 --> 00:40:50,560
Speaker 1: what's your face? Or eyes are too big? There's the

708
00:40:50,640 --> 00:40:56,440
Speaker 1: right side. No, one's eyes are stone yes? Yes, yes,

709
00:40:57,360 --> 00:41:01,880
Speaker 1: having small eyes And I'm tired of people acting like

710
00:41:02,000 --> 00:41:06,200
Speaker 1: big eyed people are the way that we exact. Yeah,

711
00:41:06,680 --> 00:41:13,640
Speaker 1: let's reconsider what sizes. Eyes can be, eyes can be small, yes, anything.

712
00:41:15,960 --> 00:41:17,960
Speaker 1: But they did this thing. It was like fashion coward

713
00:41:18,000 --> 00:41:20,800
Speaker 1: and it was so accurate. It's like these shirts that

714
00:41:20,960 --> 00:41:25,000
Speaker 1: have like a button closure, but it only goes halfway down,

715
00:41:25,400 --> 00:41:27,479
Speaker 1: so maybe you wear it with a skirt, or maybe

716
00:41:27,520 --> 00:41:31,240
Speaker 1: you don't tuck it in or something. It never looks great,

717
00:41:32,320 --> 00:41:35,960
Speaker 1: but it never looks bad. I have a question, what

718
00:41:36,239 --> 00:41:42,280
Speaker 1: is the difference between and Taylor and Eileen Fisher. Eileen

719
00:41:42,400 --> 00:41:46,600
Speaker 1: Fisher is not where I grew up, but Eileen Fisher

720
00:41:47,320 --> 00:41:49,320
Speaker 1: is Island Fisher a brand that they would sell it

721
00:41:49,480 --> 00:41:52,840
Speaker 1: like Macy's or Dillard's or J. C. Penney or is

722
00:41:52,880 --> 00:41:57,160
Speaker 1: it its own? Yeah, and it is. I think maybe

723
00:41:57,200 --> 00:42:01,120
Speaker 1: Eileen Fisher is more elevated. But here so I lend

724
00:42:01,160 --> 00:42:05,280
Speaker 1: Fisher's whole thing is it's more like flowey and boxy.

725
00:42:05,960 --> 00:42:10,200
Speaker 1: It's like minimalist, cheek kind of for women who have

726
00:42:10,440 --> 00:42:14,919
Speaker 1: naturally gray hair, whereas I think and Taylor is more

727
00:42:16,280 --> 00:42:19,000
Speaker 1: is like I mean, I don't know now, I don't

728
00:42:19,000 --> 00:42:20,400
Speaker 1: know what I'm saying. I just in my mind they

729
00:42:20,520 --> 00:42:23,800
Speaker 1: live those two ladies live in the same part of

730
00:42:23,840 --> 00:42:26,840
Speaker 1: them all. And Taylor, I would say, it is like

731
00:42:27,000 --> 00:42:29,680
Speaker 1: the Gap. It is not like because the Gap is

732
00:42:29,719 --> 00:42:31,800
Speaker 1: owned by the same company that owns Banana Republic and

733
00:42:32,080 --> 00:42:37,120
Speaker 1: Old Navy. It is not Banana Republic, but it is

734
00:42:37,200 --> 00:42:40,320
Speaker 1: not Old Navy. It's like, hey, we're if you like

735
00:42:40,400 --> 00:42:41,640
Speaker 1: Old Navy, you need to get the funk out of

736
00:42:41,680 --> 00:42:46,239
Speaker 1: the store. But it is like, yeah, it's it's again.

737
00:42:46,239 --> 00:42:48,719
Speaker 1: It's upper middle class. It's like it is and it's

738
00:42:48,840 --> 00:42:53,560
Speaker 1: very worry It's like it's worried about being middle class. Yes,

739
00:42:53,840 --> 00:42:55,560
Speaker 1: it's as like, do not let me in with those

740
00:42:55,560 --> 00:42:58,440
Speaker 1: other people. Okay, we're not doing anything that is associated

741
00:42:58,480 --> 00:43:00,640
Speaker 1: with the poores. We're not doing that, okay, so like

742
00:43:01,560 --> 00:43:03,600
Speaker 1: maybe like a splash of color, but nothing too bright.

743
00:43:03,840 --> 00:43:08,400
Speaker 1: Nothing if you were trying to disguise yourself as like

744
00:43:09,440 --> 00:43:13,040
Speaker 1: a mom somewhere, like I'm surprised, okay, here me in

745
00:43:13,320 --> 00:43:16,880
Speaker 1: Oceans eight. Right. It was all these women and they're like,

746
00:43:16,960 --> 00:43:20,080
Speaker 1: we need to be invisible for a period of time

747
00:43:20,320 --> 00:43:23,279
Speaker 1: to secure what we need to secure, and then we

748
00:43:23,400 --> 00:43:25,480
Speaker 1: need to become visible. What they could have done has

749
00:43:25,520 --> 00:43:28,360
Speaker 1: gone to truly any and Taylor, because it is like

750
00:43:29,040 --> 00:43:34,640
Speaker 1: nondescript neutrals that you'd be like, I don't remember what

751
00:43:34,800 --> 00:43:36,279
Speaker 1: she was wearing. I have not, like you could not

752
00:43:36,400 --> 00:43:41,080
Speaker 1: describe it to the cops. And that's perfect honestly. Yeah. Okay, yes,

753
00:43:41,920 --> 00:43:47,000
Speaker 1: it's camouflage for upper middle class white women. Yes exactly.

754
00:43:47,520 --> 00:43:49,759
Speaker 1: You will blend in seamlessly. You won't have to think

755
00:43:49,760 --> 00:43:52,520
Speaker 1: about it too much. Everything kind of goes with everything

756
00:43:52,560 --> 00:43:57,160
Speaker 1: because nothing is so specific that it would clash. Yeah.

757
00:43:57,680 --> 00:44:05,800
Speaker 1: Is it fear based dressing, Yes, it is it is.

758
00:44:05,920 --> 00:44:07,719
Speaker 1: Please do God, Please do God. Let me hold onto

759
00:44:07,719 --> 00:44:09,120
Speaker 1: the status that I have. I could lose everything at

760
00:44:09,160 --> 00:44:11,080
Speaker 1: every moment. My husband just don't look at me, but

761
00:44:11,160 --> 00:44:15,280
Speaker 1: not so much like, wow, it really kind of tells

762
00:44:15,360 --> 00:44:23,279
Speaker 1: the story of suburban sprawl and it is. I would say,

763
00:44:23,520 --> 00:44:27,279
Speaker 1: I feel like I have been called tragically straight and

764
00:44:27,480 --> 00:44:31,439
Speaker 1: it has been a part of my life this whole time.

765
00:44:31,600 --> 00:44:34,759
Speaker 1: So yeah, I think it's quite straight. What would you say,

766
00:44:35,000 --> 00:44:37,640
Speaker 1: first of all, who called you tragically straight? I have

767
00:44:37,719 --> 00:44:44,200
Speaker 1: been called tragically straight and tragically horny. Yeah, wow, so's

768
00:44:44,280 --> 00:44:48,560
Speaker 1: quite called me tragically straight? Okay. Sam Morrison has called

769
00:44:48,640 --> 00:44:51,239
Speaker 1: me both. He constantly says I'm going to out you

770
00:44:51,320 --> 00:44:54,080
Speaker 1: canice because you're gay, and then he also says that

771
00:44:54,120 --> 00:44:57,120
Speaker 1: I am tragically straight. So I don't know. I feel

772
00:44:57,160 --> 00:44:59,719
Speaker 1: like you are someone who correct me if I'm wrong.

773
00:45:00,400 --> 00:45:03,440
Speaker 1: I think of you as someone who enjoys dating. I

774
00:45:03,480 --> 00:45:06,200
Speaker 1: don't know if I enjoy it as like does cigarette

775
00:45:06,239 --> 00:45:13,520
Speaker 1: smokers enjoy smoking. I think you're addicted to It's so

776
00:45:13,600 --> 00:45:21,160
Speaker 1: you're addicted to dating. I mean it's like, yeah, it's

777
00:45:21,200 --> 00:45:22,440
Speaker 1: like a thing where I'm like, oh, I don't know

778
00:45:22,520 --> 00:45:24,440
Speaker 1: what else to do, so I guess I'll doing this.

779
00:45:24,680 --> 00:45:27,720
Speaker 1: But I wouldn't say that I enjoy Okay, okay, okay,

780
00:45:28,200 --> 00:45:32,000
Speaker 1: but yeah, I remember one time and sorry, this is

781
00:45:32,040 --> 00:45:34,279
Speaker 1: like years ago. We got brunched truly like four years ago,

782
00:45:34,440 --> 00:45:36,400
Speaker 1: and I remember we were talking about yours asolutions and

783
00:45:36,480 --> 00:45:37,759
Speaker 1: one of you and we can cut this out if

784
00:45:37,760 --> 00:45:38,960
Speaker 1: you don't want me to say it. One of yours

785
00:45:39,080 --> 00:45:41,759
Speaker 1: was like it was like a specific number. It was

786
00:45:41,840 --> 00:45:44,399
Speaker 1: like two dates a week or something. Oh yeah, yeah

787
00:45:44,640 --> 00:45:46,800
Speaker 1: right like that. To me, I'm like, oh, this is

788
00:45:47,080 --> 00:45:49,880
Speaker 1: it's like you enjoy the lifestyle and days with the

789
00:45:50,000 --> 00:45:54,880
Speaker 1: same person, Like I would love to have a person

790
00:45:54,920 --> 00:45:58,840
Speaker 1: that I am dating and we go on dates, versus

791
00:45:59,080 --> 00:46:01,400
Speaker 1: me like, truly, not, this is not I have. I

792
00:46:01,520 --> 00:46:05,440
Speaker 1: actually took January off dating. Um, I'll start again in

793
00:46:05,520 --> 00:46:09,040
Speaker 1: a week. We'll see what happens. Um. But yeah, it's uh,

794
00:46:09,440 --> 00:46:11,600
Speaker 1: it is more so been like Okay, I go on

795
00:46:11,719 --> 00:46:13,520
Speaker 1: one day to week, but it's with a different person

796
00:46:13,640 --> 00:46:18,520
Speaker 1: every time. So yeah. Interesting. My sister says I don't

797
00:46:18,560 --> 00:46:23,239
Speaker 1: like anybody, which she says is my underline high standards

798
00:46:23,320 --> 00:46:27,399
Speaker 1: for people. For sure. I certainly feel like wow when

799
00:46:27,520 --> 00:46:30,160
Speaker 1: talking to you, know, but I'm I'm like when talking

800
00:46:30,160 --> 00:46:31,759
Speaker 1: to you, I'm like, Okay, I'm gonna bring my a game.

801
00:46:32,160 --> 00:46:35,520
Speaker 1: I'm not gonna I'm not gonna be like kind of

802
00:46:35,600 --> 00:46:39,400
Speaker 1: half in, half out what George, Okay, let me. Okay,

803
00:46:39,480 --> 00:46:42,080
Speaker 1: let's do you think so? Sam? I put it all

804
00:46:42,280 --> 00:46:45,360
Speaker 1: all the cards on the table. George, you're like hipper

805
00:46:45,440 --> 00:46:50,479
Speaker 1: than hell. Okay, it is so frustrating, Like, oh God,

806
00:46:50,560 --> 00:46:53,040
Speaker 1: Like if I run into you and I look not

807
00:46:54,080 --> 00:46:57,279
Speaker 1: like at my best dressing, I feel bad about it

808
00:46:57,320 --> 00:47:00,080
Speaker 1: because I'm like, but George is cool and he's to

809
00:47:00,239 --> 00:47:03,080
Speaker 1: fucking know what he's like. Do you want to know something?

810
00:47:03,239 --> 00:47:06,120
Speaker 1: I sort of, God, this is true. About two months ago,

811
00:47:06,320 --> 00:47:08,479
Speaker 1: I saw you across the street and you were wearing

812
00:47:08,680 --> 00:47:10,320
Speaker 1: you have, like I think it's like a bright colored

813
00:47:10,400 --> 00:47:14,680
Speaker 1: jacket that you have. You have. Yeah, it's something I recognized.

814
00:47:14,760 --> 00:47:17,040
Speaker 1: And I literally didn't stay high because I didn't look

815
00:47:17,160 --> 00:47:19,200
Speaker 1: good and I didn't want to, like, I didn't want

816
00:47:19,239 --> 00:47:23,280
Speaker 1: to interact. Wow, you guys are in like an arms

817
00:47:23,360 --> 00:47:26,040
Speaker 1: race with each other. You know, it's like who can

818
00:47:26,120 --> 00:47:30,359
Speaker 1: intimidate the other? I have intimidated Elexid. All right, well,

819
00:47:31,080 --> 00:47:32,520
Speaker 1: and now and you know what, now we have to

820
00:47:32,600 --> 00:47:35,000
Speaker 1: make a pack. Neither of us can know, like, isn't

821
00:47:35,000 --> 00:47:38,160
Speaker 1: inmidated any longer. You have to let it, let it go. Yeah,

822
00:47:38,480 --> 00:47:41,400
Speaker 1: you're still very cool. And I listened to an old episode,

823
00:47:41,440 --> 00:47:43,800
Speaker 1: Like an old episode was the episode Withal and you

824
00:47:43,920 --> 00:47:47,960
Speaker 1: do sound like you are being sarcastic and every I'm sorry,

825
00:47:48,640 --> 00:47:52,040
Speaker 1: especially with It's like it's like imagine me wanting to

826
00:47:52,120 --> 00:47:57,520
Speaker 1: ever be like Mockalia. It's hard. I just like, I mean,

827
00:47:57,600 --> 00:47:59,600
Speaker 1: I can't. I can't help it. And this is what

828
00:47:59,719 --> 00:48:02,840
Speaker 1: its out like. This is how I was raised to

829
00:48:02,960 --> 00:48:09,000
Speaker 1: sound condescending to everyone anyway, Sam, Yeah, I just want

830
00:48:09,040 --> 00:48:10,719
Speaker 1: to go on the record and say I've always been

831
00:48:10,760 --> 00:48:17,880
Speaker 1: normal to both of you. I've never put you on

832
00:48:17,960 --> 00:48:20,840
Speaker 1: a pedestal, nor have I put you in a lower position.

833
00:48:21,560 --> 00:48:24,960
Speaker 1: I've seen you as you are and yeah, nothing more,

834
00:48:25,080 --> 00:48:27,560
Speaker 1: nothing less, you kind of. I think a good way

835
00:48:27,640 --> 00:48:30,319
Speaker 1: to be less intimidated of someone is to imagine them

836
00:48:30,360 --> 00:48:34,880
Speaker 1: wearing Ant Taylor. That works. That works. To return to it,

837
00:48:35,400 --> 00:48:38,120
Speaker 1: do you have you? Do you own things from Ann Taylor?

838
00:48:38,360 --> 00:48:43,240
Speaker 1: Do you and you like them? They are utility players

839
00:48:43,719 --> 00:48:45,520
Speaker 1: is what I would call them in a wardrobe. And

840
00:48:45,760 --> 00:48:47,520
Speaker 1: the thing is, I don't even think I've paid for

841
00:48:47,680 --> 00:48:53,000
Speaker 1: Ann Taylor loft or you stole it. Yeah, I have

842
00:48:53,160 --> 00:48:59,040
Speaker 1: clothing swaps every six months. We drink, we serve, serve

843
00:48:59,120 --> 00:49:01,719
Speaker 1: food like I have a bunch of clothing racks. We

844
00:49:01,760 --> 00:49:03,680
Speaker 1: set it up. It's a shopping I'm sorry, but this

845
00:49:03,800 --> 00:49:12,759
Speaker 1: again is more girls. I don't know. You're okay, you're

846
00:49:12,800 --> 00:49:15,680
Speaker 1: constantly dating, You're high school of the campus, and you're

847
00:49:15,719 --> 00:49:21,640
Speaker 1: doing You're literally doing You're like, you're literally I like this.

848
00:49:22,640 --> 00:49:25,279
Speaker 1: I don't know how else does. I've never watched that show,

849
00:49:25,360 --> 00:49:27,480
Speaker 1: but I don't feel good about you saying I've never

850
00:49:27,560 --> 00:49:30,560
Speaker 1: wanted to do the like, um, I actually love that show.

851
00:49:30,680 --> 00:49:38,120
Speaker 1: But but sorry, continue on your clothing. But sometimes you

852
00:49:38,200 --> 00:49:40,719
Speaker 1: have to. But you'll see something and you're like, oh,

853
00:49:40,840 --> 00:49:44,120
Speaker 1: I guess that's like okay, I need something where it's

854
00:49:44,560 --> 00:49:46,760
Speaker 1: like now, like where it's like, okay, it's twenty degrees.

855
00:49:46,960 --> 00:49:48,919
Speaker 1: I'm a dress lady, but I'm gonna wear pants because

856
00:49:48,920 --> 00:49:51,400
Speaker 1: I don't want my vagina to freeze off. So I

857
00:49:51,480 --> 00:49:54,360
Speaker 1: need some pants that are like gonna go with like

858
00:49:54,480 --> 00:49:57,239
Speaker 1: a bright top or something that's more of a statement piece,

859
00:49:57,560 --> 00:50:01,719
Speaker 1: not contradict with just like sit there and it just

860
00:50:01,840 --> 00:50:04,880
Speaker 1: comes into my wardrobe because of that. And oh, I

861
00:50:05,040 --> 00:50:06,879
Speaker 1: take clothes from my sister. I have a twin sister,

862
00:50:07,480 --> 00:50:09,640
Speaker 1: and she and I whenever she comes to visit me,

863
00:50:09,719 --> 00:50:11,440
Speaker 1: she holds out her hand and I have to put

864
00:50:11,440 --> 00:50:13,279
Speaker 1: an item of clothing in her hand, and that's now

865
00:50:13,400 --> 00:50:16,480
Speaker 1: her item. And similarly, I go down to where she

866
00:50:16,600 --> 00:50:19,560
Speaker 1: lives and she will put an item of clothing in

867
00:50:19,600 --> 00:50:22,479
Speaker 1: my hand, and it is often an Taylor. Wow, that's nice.

868
00:50:23,239 --> 00:50:25,960
Speaker 1: I have a question. What is Anne Taylor a loft?

869
00:50:26,160 --> 00:50:27,839
Speaker 1: And that's thank you for asking that because you guys

870
00:50:27,840 --> 00:50:29,520
Speaker 1: have not heard of answer. I haven't heard of it,

871
00:50:29,640 --> 00:50:32,080
Speaker 1: and I couldn't tell you like I've heard of it.

872
00:50:32,360 --> 00:50:33,920
Speaker 1: It's it's such I feel like it's such a kind

873
00:50:33,960 --> 00:50:36,239
Speaker 1: of like even just like in stand up it's such

874
00:50:36,239 --> 00:50:38,800
Speaker 1: a common punchline. It's like when someone wants to denote

875
00:50:38,880 --> 00:50:41,959
Speaker 1: that someone is a white woman, they're like, Aunt Taylor loft.

876
00:50:42,200 --> 00:50:44,279
Speaker 1: But I couldn't tell you what, Like what does the

877
00:50:44,440 --> 00:50:49,160
Speaker 1: loft ad? Okay, so you like Ann Taylor? Sometimes things

878
00:50:49,280 --> 00:50:54,440
Speaker 1: don't like it's like Nordstrom rack. Oh okay, okay, so

879
00:50:54,560 --> 00:50:58,520
Speaker 1: it's cheaper, Yes, it's the cheaper like here's like even

880
00:50:58,640 --> 00:51:01,719
Speaker 1: like kind of with this, like Target will sometimes pair

881
00:51:01,800 --> 00:51:05,320
Speaker 1: with designers to make something that's a little bit more interesting.

882
00:51:06,120 --> 00:51:08,279
Speaker 1: Those things if they don't sell at all, like the

883
00:51:08,400 --> 00:51:12,120
Speaker 1: worst part of those collaborations that would go to like

884
00:51:12,200 --> 00:51:14,279
Speaker 1: the Target version of an ant Taylor Loft. So like

885
00:51:14,520 --> 00:51:16,560
Speaker 1: things when like they step outside of the box and

886
00:51:16,600 --> 00:51:18,040
Speaker 1: they're like, actually, you know what, we do need to

887
00:51:18,080 --> 00:51:20,480
Speaker 1: stay right in our lane. Those things will end up

888
00:51:20,560 --> 00:51:24,440
Speaker 1: at and Taylor Loft. If they made like forty million

889
00:51:24,840 --> 00:51:27,879
Speaker 1: pairs of jeans and only thirty million of them sold

890
00:51:27,920 --> 00:51:30,640
Speaker 1: the restaurant and Taylor Loft. Yeah, it's it is the

891
00:51:30,760 --> 00:51:34,160
Speaker 1: discount slightly like Okay, I don't want to get a

892
00:51:34,200 --> 00:51:36,719
Speaker 1: find here, but this is interesting. Okay, maybe it was

893
00:51:36,760 --> 00:51:38,800
Speaker 1: tried on one too many times to me. A loft

894
00:51:39,200 --> 00:51:43,080
Speaker 1: I imagine fancy, Well, it's it's New York. It's it's

895
00:51:43,160 --> 00:51:48,879
Speaker 1: New York. I think aloft in like a deserted mill

896
00:51:49,480 --> 00:51:55,680
Speaker 1: loft in Albuquerque. Yes, yes, St. Louis okay, so kind

897
00:51:55,719 --> 00:52:00,040
Speaker 1: of a secondary American. We got the main ones and

898
00:52:01,400 --> 00:52:05,319
Speaker 1: it's something that like I think it's meant to be, like, oh,

899
00:52:05,800 --> 00:52:08,960
Speaker 1: in those I feel like such a bit Boston. Is

900
00:52:09,040 --> 00:52:12,640
Speaker 1: Boston a secondary I'm not going you can dig this

901
00:52:12,719 --> 00:52:16,400
Speaker 1: all further if you're watching no please go in. I mean,

902
00:52:16,480 --> 00:52:18,880
Speaker 1: but there's famously that Onion article that's like people of

903
00:52:18,960 --> 00:52:23,040
Speaker 1: Boston wake up and play another game of Big City. Yes,

904
00:52:23,280 --> 00:52:26,640
Speaker 1: I love that. Um yeah, I feel like that is

905
00:52:26,640 --> 00:52:29,880
Speaker 1: supposed to make like Ann Taylor, you put that on

906
00:52:30,200 --> 00:52:32,279
Speaker 1: and you get to be like in this small town

907
00:52:32,520 --> 00:52:38,160
Speaker 1: high and the Queen Bee versus like actually, yes, you

908
00:52:38,239 --> 00:52:42,640
Speaker 1: know what I mean. Yeah, okay, you know. Sometimes I

909
00:52:42,719 --> 00:52:45,800
Speaker 1: feel that New York has um skewed my perspective in

910
00:52:45,880 --> 00:52:52,759
Speaker 1: a way that is um not right. Like like I

911
00:52:52,840 --> 00:52:56,719
Speaker 1: remember thinking like j Crew was like the fanciest store

912
00:52:56,800 --> 00:52:59,400
Speaker 1: on earth and being like, well, I can maybe afford

913
00:52:59,520 --> 00:53:01,759
Speaker 1: one shirt from a Jay Crew, And now it's like

914
00:53:02,239 --> 00:53:07,960
Speaker 1: Jay Crew like okay, like midwestern mom, and it's like

915
00:53:08,600 --> 00:53:11,600
Speaker 1: it's so weird. How now I'm like, well, real clothes

916
00:53:11,640 --> 00:53:16,000
Speaker 1: are this and I don't necessarily like how um um

917
00:53:16,320 --> 00:53:23,600
Speaker 1: unrelatable we are becoming I will okay, I still wear

918
00:53:23,880 --> 00:53:30,120
Speaker 1: And if I don't even like I am poor, I'm

919
00:53:30,160 --> 00:53:32,520
Speaker 1: not poor. I just don't have a lot of money

920
00:53:32,520 --> 00:53:35,840
Speaker 1: and not a lot of disposable income. So like still,

921
00:53:35,960 --> 00:53:38,080
Speaker 1: to me, if someone was like pay full retail at

922
00:53:38,160 --> 00:53:39,759
Speaker 1: Jake Crew would be like, I don't know about that.

923
00:53:39,920 --> 00:53:43,680
Speaker 1: How about how did I get a thrift store of that? Yeah,

924
00:53:43,880 --> 00:53:45,920
Speaker 1: And it's that's a very good point because it's not

925
00:53:46,000 --> 00:53:48,960
Speaker 1: even that I'm like rich and like over it. It's

926
00:53:49,000 --> 00:53:51,719
Speaker 1: more like conceptually, I just know now that it's like

927
00:53:51,960 --> 00:53:56,120
Speaker 1: look down on by people who are and and it's

928
00:53:56,120 --> 00:54:00,239
Speaker 1: hard to like be forget that when you're Yeah, York

929
00:54:00,360 --> 00:54:04,200
Speaker 1: is largely about having strong opinions about brands. That's true,

930
00:54:04,239 --> 00:54:07,400
Speaker 1: stronger than everything. Just like I like this and this

931
00:54:07,600 --> 00:54:09,320
Speaker 1: is the way it should be, and I will demand

932
00:54:09,400 --> 00:54:11,799
Speaker 1: that from everyone around me. But there's also a way

933
00:54:11,840 --> 00:54:14,920
Speaker 1: to like, having strong opinions about brands is easier than

934
00:54:15,000 --> 00:54:17,759
Speaker 1: having strong opinions about like I don't know, you know,

935
00:54:18,320 --> 00:54:20,359
Speaker 1: art or books or you know whatever. So I feel

936
00:54:20,360 --> 00:54:24,360
Speaker 1: like that's like then it's a way for everyone to

937
00:54:24,400 --> 00:54:27,439
Speaker 1: feel like they're part of a conversation. I get that. Yeah,

938
00:54:28,160 --> 00:54:30,440
Speaker 1: I mean, what are some brands that you guys like

939
00:54:30,960 --> 00:54:36,759
Speaker 1: that you know? And I brought a j Crew because

940
00:54:36,760 --> 00:54:39,320
Speaker 1: I do. I actually like Jake Crew and like I

941
00:54:39,400 --> 00:54:42,120
Speaker 1: think the clothes are fun, that Jacre is good. And

942
00:54:42,160 --> 00:54:44,719
Speaker 1: also Sam, you have you have those quarters from Jay

943
00:54:44,719 --> 00:54:47,360
Speaker 1: Crew that I went and tried on and they looked awful.

944
00:54:50,239 --> 00:54:53,920
Speaker 1: They're pleaded, they're a little wide legged. Yeah. There, And

945
00:54:54,000 --> 00:54:57,160
Speaker 1: I a bit of a challenge that please back back

946
00:54:58,480 --> 00:55:01,560
Speaker 1: form for men at least but I also think for women,

947
00:55:01,560 --> 00:55:04,320
Speaker 1: because I think for women right now, and correct me

948
00:55:04,360 --> 00:55:07,480
Speaker 1: if I'm wrong, But I feel like the row is

949
00:55:07,640 --> 00:55:11,759
Speaker 1: very in and very much like tailored. Oversized men's wear

950
00:55:11,880 --> 00:55:17,160
Speaker 1: for women is whatever one's gonna be wearing good for them.

951
00:55:17,360 --> 00:55:20,040
Speaker 1: I can't, I won't. I'm stuck in the past. I

952
00:55:20,120 --> 00:55:22,600
Speaker 1: accept it. Don't you think you look great and kind

953
00:55:22,600 --> 00:55:25,960
Speaker 1: of oversized? David Byrne. I can see it. I can

954
00:55:26,040 --> 00:55:29,640
Speaker 1: absolutely see it. I think that, Okay, that works if

955
00:55:29,719 --> 00:55:33,279
Speaker 1: you are shaped in a hangar like way, like if

956
00:55:33,320 --> 00:55:37,440
Speaker 1: you're like some like you have shoulders that existed, like

957
00:55:37,560 --> 00:55:39,680
Speaker 1: I have fixed shoulders, but the rest of me is

958
00:55:39,800 --> 00:55:42,920
Speaker 1: equally there. They want you to have like drapiness, and

959
00:55:43,320 --> 00:55:48,120
Speaker 1: it's not called drap you gotta drink, Yeah, it's gotta

960
00:55:48,200 --> 00:55:51,320
Speaker 1: like look how flowing it is around this person, not like,

961
00:55:51,600 --> 00:55:54,760
Speaker 1: oh wow, men's clothes just fit her. That that's sorry,

962
00:55:56,400 --> 00:55:59,680
Speaker 1: that's not that's not the look. You know. Whenever I

963
00:56:00,080 --> 00:56:04,200
Speaker 1: the gamele misogyny really jumps out whenever we start thinking

964
00:56:04,239 --> 00:56:07,960
Speaker 1: about like women's fashion for me, like, because I'm always like, okay,

965
00:56:08,080 --> 00:56:16,600
Speaker 1: imagine this, this is the look You're topless and but

966
00:56:16,640 --> 00:56:19,399
Speaker 1: you're wearing suit pants and like it's like in little

967
00:56:19,440 --> 00:56:22,680
Speaker 1: pasteis and it's so it's so toxic. It's like, imagine this,

968
00:56:22,880 --> 00:56:27,120
Speaker 1: you're a dog. Yeah, you're a Barbie, but you're Gucci.

969
00:56:28,520 --> 00:56:31,759
Speaker 1: It's truly, I'm like, wow, my perception of what it

970
00:56:31,920 --> 00:56:34,160
Speaker 1: is to be a woman is like so messed up,

971
00:56:35,680 --> 00:56:38,000
Speaker 1: like someone being like do this but not like that,

972
00:56:39,360 --> 00:56:42,359
Speaker 1: and they just keep saying not like that. Yeah, yeah,

973
00:56:43,200 --> 00:56:46,600
Speaker 1: it's yeah, it's really Um, it's really tough because it

974
00:56:46,680 --> 00:56:51,959
Speaker 1: is inherently objectifying, Like I don't know, it's yeah, yeah,

975
00:56:52,080 --> 00:56:56,680
Speaker 1: I'm constantly repenting from my my unconscious misogyny. So in

976
00:56:56,840 --> 00:57:01,920
Speaker 1: that respect, is Ann Taylor. Um, and Taylor is a

977
00:57:02,560 --> 00:57:07,960
Speaker 1: feminist brand. It is not speaking to the gay mail gaze. No, no,

978
00:57:08,600 --> 00:57:12,120
Speaker 1: you know what. I like this, It is not It

979
00:57:12,239 --> 00:57:14,919
Speaker 1: is not speaking to the game at all. I feel

980
00:57:14,960 --> 00:57:19,000
Speaker 1: like yeah, no, no, yeah, it's a woman saying I

981
00:57:19,080 --> 00:57:21,080
Speaker 1: am me and I'm going to shop for me, and

982
00:57:21,160 --> 00:57:26,600
Speaker 1: I'm and I'm getting what's comfortable and looks good for me. Okay. Also,

983
00:57:26,720 --> 00:57:32,240
Speaker 1: I am afraid to step out of my lane. I

984
00:57:32,320 --> 00:57:35,680
Speaker 1: could never wear that shop at Antony. Okay, let me

985
00:57:35,960 --> 00:57:38,320
Speaker 1: hear so. Sam. At some point you asked if it

986
00:57:38,440 --> 00:57:41,560
Speaker 1: was fear based, and I'm like, Okay, if you're not empowered,

987
00:57:41,600 --> 00:57:43,880
Speaker 1: it's fear based because you're trying to hide. But if

988
00:57:43,960 --> 00:57:48,000
Speaker 1: you are empowered, it is empowering because you don't care

989
00:57:48,000 --> 00:57:51,840
Speaker 1: about the mail gaze, which kind of complicates the whole narrative.

990
00:57:52,120 --> 00:57:55,360
Speaker 1: It does, and I like this complication right, Like it

991
00:57:55,480 --> 00:57:59,000
Speaker 1: can be. It's either empowering or it's like, don't look

992
00:57:59,040 --> 00:58:06,240
Speaker 1: at me, I'm a dumby. I mean, intention is everything,

993
00:58:06,440 --> 00:58:10,240
Speaker 1: I guess, yeah, And we should screen every single person

994
00:58:10,320 --> 00:58:13,000
Speaker 1: that enters an Taylor Loft and and sort of hit

995
00:58:13,040 --> 00:58:15,160
Speaker 1: them with that. We should ask are you empowered? Are you?

996
00:58:15,720 --> 00:58:21,160
Speaker 1: Are you empowered? Are you afraid? I guess that is

997
00:58:21,280 --> 00:58:24,760
Speaker 1: kind of like the condition of the upper middle class

998
00:58:24,880 --> 00:58:30,400
Speaker 1: white woman is it's constantly wavering between empowered and afraid. Yeah.

999
00:58:30,880 --> 00:58:33,800
Speaker 1: I mean I don't know personally, but I think it is. Yeah,

1000
00:58:35,400 --> 00:58:40,080
Speaker 1: because as we're literally talking to a consumer of these products,

1001
00:58:40,480 --> 00:58:47,120
Speaker 1: and yet I keep I keep whitewashing the clientele. I think,

1002
00:58:47,920 --> 00:58:50,960
Speaker 1: how do I put this? My mom, like other people,

1003
00:58:51,480 --> 00:58:55,680
Speaker 1: was trying to assimilate in certain ways. She worked in tech,

1004
00:58:56,080 --> 00:58:59,280
Speaker 1: she worked in management, and it is like, yes, I

1005
00:58:59,440 --> 00:59:02,560
Speaker 1: fit in with you. All right, And so she had

1006
00:59:03,400 --> 00:59:07,480
Speaker 1: a collection of cardigans that she wore the and she

1007
00:59:07,640 --> 00:59:12,240
Speaker 1: had like the weird sleeveless under the sweater and then

1008
00:59:12,280 --> 00:59:15,360
Speaker 1: the cardigan that goes over it. And she had enough

1009
00:59:15,480 --> 00:59:20,960
Speaker 1: of these that my older sister wrote the Queen Latifa

1010
00:59:21,040 --> 00:59:27,320
Speaker 1: Show and had them fly my mom to the and

1011
00:59:27,440 --> 00:59:29,880
Speaker 1: they gave her a makeover and sent her on dates

1012
00:59:30,200 --> 00:59:35,360
Speaker 1: and on National TV. My older sister just roasted my

1013
00:59:35,480 --> 00:59:38,960
Speaker 1: mom about all of these and Taylor Cars, I can't

1014
00:59:38,960 --> 00:59:41,600
Speaker 1: believe to bring this. I know this is the lead,

1015
00:59:44,840 --> 00:59:47,000
Speaker 1: but yeah, I think it is for that like I am,

1016
00:59:47,280 --> 00:59:50,720
Speaker 1: I can assimilate. I am like all and I think

1017
00:59:51,120 --> 00:59:53,360
Speaker 1: so that like it is mostly thought of like as

1018
00:59:53,400 --> 00:59:57,640
Speaker 1: white women, but women from other places, women of other

1019
00:59:57,760 --> 01:00:01,560
Speaker 1: groups are also like, oh ship, I gotta make these

1020
01:00:01,560 --> 01:00:04,360
Speaker 1: white people feel comfortable, right, you got to hit up

1021
01:00:04,360 --> 01:00:07,320
Speaker 1: and Taylor, Yeah, gotta hit up and Taylor, I can't

1022
01:00:07,360 --> 01:00:09,400
Speaker 1: believe your mom was on TV going on dates and

1023
01:00:09,440 --> 01:00:13,240
Speaker 1: getting a makeover. Was she was she upset about better?

1024
01:00:13,280 --> 01:00:15,280
Speaker 1: Or was it fun? Or I mean she was like,

1025
01:00:15,400 --> 01:00:18,960
Speaker 1: okay for a trip to New York. Okay, Like that

1026
01:00:19,160 --> 01:00:22,280
Speaker 1: sounds doable. It sounds much more doable than like Queer Eye,

1027
01:00:22,440 --> 01:00:26,760
Speaker 1: like Queen Latifa would be supportive. She was, although I mean,

1028
01:00:26,800 --> 01:00:28,760
Speaker 1: I don't love the makeup choices that they made. But

1029
01:00:30,160 --> 01:00:32,360
Speaker 1: it was the nineties. Was the late nineties of the

1030
01:00:32,360 --> 01:00:35,440
Speaker 1: early two thousands, I can't remember, um, but yeah, she

1031
01:00:35,520 --> 01:00:37,680
Speaker 1: went on a date with this guy and then she

1032
01:00:37,880 --> 01:00:39,760
Speaker 1: was like talking about how like he was nice, but

1033
01:00:39,840 --> 01:00:41,520
Speaker 1: she wasn't really into him, she didn't really feel it.

1034
01:00:42,080 --> 01:00:44,800
Speaker 1: And then they like did a big reveal that she

1035
01:00:44,920 --> 01:00:53,160
Speaker 1: went on a date with Queen Latifa's dade on her

1036
01:00:53,240 --> 01:00:54,880
Speaker 1: Like the guy that you went on a date with

1037
01:00:55,200 --> 01:01:03,880
Speaker 1: is my day? That is so insane, saying the fuck

1038
01:01:05,040 --> 01:01:08,360
Speaker 1: this story keeps getting so much weirder. Can not believe this.

1039
01:01:08,640 --> 01:01:11,760
Speaker 1: Queen Lativa needs to be on trial at the Hey,

1040
01:01:13,960 --> 01:01:20,480
Speaker 1: what the hell did how did it conclude? Did they

1041
01:01:20,600 --> 01:01:25,040
Speaker 1: like did they keep in touch? They hope? I'm sorry

1042
01:01:25,080 --> 01:01:28,120
Speaker 1: it's also played pool on their date. I imagine your

1043
01:01:28,240 --> 01:01:30,080
Speaker 1: mom and I mean, I don't want to spect it

1044
01:01:30,080 --> 01:01:32,240
Speaker 1: about anyone's age, but like, I imagine your mom is

1045
01:01:32,280 --> 01:01:35,160
Speaker 1: closer to age and Queen with Queen Latifa than with

1046
01:01:35,200 --> 01:01:42,280
Speaker 1: her dad. No, her dad was older than my mom,

1047
01:01:42,360 --> 01:01:46,120
Speaker 1: but like not that much. Maybe, Okay, okay, Okay. There's

1048
01:01:46,120 --> 01:01:50,160
Speaker 1: just something about like to me, if I'm your mom

1049
01:01:50,280 --> 01:01:53,960
Speaker 1: and I'm talking to Queen Latifa, I'm like, okay, we're girls.

1050
01:01:54,040 --> 01:01:57,720
Speaker 1: Were gabbing like we're equals. So it really fucks up

1051
01:01:57,720 --> 01:02:00,600
Speaker 1: the paradynamic to be like I'm your step daughter now

1052
01:02:00,800 --> 01:02:06,440
Speaker 1: bit or like you can't talk bad about this person

1053
01:02:06,640 --> 01:02:13,520
Speaker 1: because my dad. What a fucking twist. That is insane.

1054
01:02:14,120 --> 01:02:17,160
Speaker 1: That's incredible. Wow. You know there's a new m Yvonne

1055
01:02:17,280 --> 01:02:21,680
Speaker 1: Orgy is hosting a new show where the kids of

1056
01:02:21,840 --> 01:02:25,960
Speaker 1: divorced parents set up their parents. So it's like or

1057
01:02:26,080 --> 01:02:29,320
Speaker 1: either divorced or widowed or whatever like single parents. So

1058
01:02:29,480 --> 01:02:33,480
Speaker 1: it's like some guys dad is being set up with

1059
01:02:33,600 --> 01:02:37,200
Speaker 1: some girls mom and then like that's the premise of

1060
01:02:37,240 --> 01:02:39,960
Speaker 1: the show. I love it already, I'll watch it, which

1061
01:02:40,000 --> 01:02:41,840
Speaker 1: I do think is it's actually it's one of those

1062
01:02:41,840 --> 01:02:44,000
Speaker 1: things where it's like how has that, how has this

1063
01:02:44,120 --> 01:02:52,960
Speaker 1: not been done already? Like it's so inherently heartwarming. Yeah. Anyway, well, Television,

1064
01:02:53,680 --> 01:02:57,320
Speaker 1: huge shout out to television. Just keep making it, just

1065
01:02:57,480 --> 01:03:01,840
Speaker 1: keep making it. Um the final yeah, I think so,

1066
01:03:02,280 --> 01:03:03,640
Speaker 1: I mean, can you have to go to the theater? So,

1067
01:03:03,720 --> 01:03:06,400
Speaker 1: I mean she literally has to get to the theater. Um,

1068
01:03:07,120 --> 01:03:16,720
Speaker 1: get her to the Greek. Get me, Well, you haven't

1069
01:03:16,760 --> 01:03:21,800
Speaker 1: been hanging out with me? Well with George, everything's Greek,

1070
01:03:21,880 --> 01:03:25,080
Speaker 1: am I. Everything's great to me. But it's about the movie.

1071
01:03:25,120 --> 01:03:30,840
Speaker 1: Get into the Greek. Um. Okay. Well, final segment it's

1072
01:03:30,840 --> 01:03:33,080
Speaker 1: called Shoutouts. In it, we pay homage to the classic

1073
01:03:33,080 --> 01:03:35,320
Speaker 1: street edition of a radio shout out and shout out

1074
01:03:35,360 --> 01:03:38,600
Speaker 1: to anything that we are enjoying. Um, you know, sort

1075
01:03:38,640 --> 01:03:40,600
Speaker 1: of in the style of t r L. It's two

1076
01:03:40,600 --> 01:03:43,680
Speaker 1: thousand one and you're shouting out to your squad back home. Um,

1077
01:03:43,800 --> 01:03:46,919
Speaker 1: just about anything that we like. Um, George, you don't

1078
01:03:46,920 --> 01:03:49,040
Speaker 1: happen to have one, do you? I'll do one. It'll

1079
01:03:49,040 --> 01:03:50,800
Speaker 1: be earnest. I don't have like a funny woman play

1080
01:03:51,880 --> 01:03:54,000
Speaker 1: what's up freaks and losers out there? I want to

1081
01:03:54,040 --> 01:03:57,200
Speaker 1: give a quick shout out to Bridget Everett. Bridget Everett's

1082
01:03:57,200 --> 01:03:58,920
Speaker 1: new show just premiered on HBO. And let me tell

1083
01:03:58,920 --> 01:04:02,000
Speaker 1: you something about this woman. I saw her live one

1084
01:04:02,040 --> 01:04:04,240
Speaker 1: in San Francisco at a dive bar, and she literally

1085
01:04:04,360 --> 01:04:06,480
Speaker 1: got this was fully a dive bar. She got up

1086
01:04:06,520 --> 01:04:09,480
Speaker 1: on the bar and stage dove in a dive bar

1087
01:04:10,080 --> 01:04:12,440
Speaker 1: to approximately twelve people that were at that show. It

1088
01:04:12,560 --> 01:04:14,640
Speaker 1: was one of the most exhilarating things I've ever seen

1089
01:04:14,680 --> 01:04:16,800
Speaker 1: in my life. I literally decided I was going to

1090
01:04:16,920 --> 01:04:20,120
Speaker 1: pursue comedy that night. She is an absolute genius. She

1091
01:04:20,240 --> 01:04:23,440
Speaker 1: is maybe my favorite live performer of any medium. I

1092
01:04:23,880 --> 01:04:27,680
Speaker 1: worship the ground she walks on and stradios. We have

1093
01:04:27,800 --> 01:04:29,280
Speaker 1: to make the show a hit. We have to make

1094
01:04:29,320 --> 01:04:31,800
Speaker 1: the show a hit. We're counting on you go watch

1095
01:04:32,120 --> 01:04:36,360
Speaker 1: Bridget Ever It's new HBO show to It also has

1096
01:04:36,400 --> 01:04:41,960
Speaker 1: Jeff Hiller. Is a nice person. Yes, we love Jeff Hiller. Um, okay,

1097
01:04:43,560 --> 01:04:47,720
Speaker 1: what's up everybody out there. I am Sam first and foremost,

1098
01:04:47,840 --> 01:04:51,760
Speaker 1: and I just want to give a huge, ernest shout

1099
01:04:51,800 --> 01:04:55,320
Speaker 1: out to um f K A Twigs. I just want

1100
01:04:55,360 --> 01:04:58,200
Speaker 1: to say she has new music out and I'm so

1101
01:04:58,320 --> 01:05:01,720
Speaker 1: grateful for it. I consider myself an FK twigs Head

1102
01:05:01,880 --> 01:05:03,480
Speaker 1: until I listened to her music and I'm like, oh,

1103
01:05:03,520 --> 01:05:06,360
Speaker 1: I'm fully an FK twigs Head. Every album I love,

1104
01:05:06,760 --> 01:05:11,000
Speaker 1: and this one is um playful, accessible. It's I can

1105
01:05:11,080 --> 01:05:13,200
Speaker 1: recommend it to my brother and not be like he's

1106
01:05:13,200 --> 01:05:16,160
Speaker 1: gonna find this annoying, and I think that is powerful

1107
01:05:16,560 --> 01:05:19,439
Speaker 1: and I love watching videos of her dance, I wish

1108
01:05:19,600 --> 01:05:22,680
Speaker 1: my body moves like that. She is an icon, she

1109
01:05:22,880 --> 01:05:25,560
Speaker 1: is a legend, and for some reason she seems humble.

1110
01:05:26,000 --> 01:05:31,800
Speaker 1: I love you fka Twigs. I would I would like to, hey,

1111
01:05:31,880 --> 01:05:34,920
Speaker 1: what's up people in the universe? I would like to

1112
01:05:34,960 --> 01:05:38,800
Speaker 1: shout out loungeware and sleepwear, which I didn't really invest

1113
01:05:38,880 --> 01:05:42,040
Speaker 1: in before, but now I have matching posama sets in

1114
01:05:42,200 --> 01:05:45,240
Speaker 1: several robes and kimonos and it's pretty fucking dope. I

1115
01:05:45,360 --> 01:05:49,880
Speaker 1: love it. Uh, they're comfortable there, they look good, I think.

1116
01:05:50,680 --> 01:05:52,200
Speaker 1: But I also like in Taylor, so you can tell

1117
01:05:52,200 --> 01:05:55,680
Speaker 1: me that I'm dommediate, but yeah, shout out to loungeware.

1118
01:05:55,720 --> 01:05:59,800
Speaker 1: What's up? Who Oh? I love what A wide variety

1119
01:05:59,800 --> 01:06:02,880
Speaker 1: of that out today, kind of a little bit of everything. God,

1120
01:06:02,920 --> 01:06:05,480
Speaker 1: I do love loungewear. Do you know what? When I

1121
01:06:05,560 --> 01:06:08,560
Speaker 1: best friends from college at some point founded that they

1122
01:06:08,600 --> 01:06:12,120
Speaker 1: have since folded, but founded a company, and the premise

1123
01:06:12,400 --> 01:06:15,680
Speaker 1: was it's pajamas that you can also wear outside, So

1124
01:06:15,720 --> 01:06:17,800
Speaker 1: it's like matching pajama sets, but they're also makes and

1125
01:06:17,880 --> 01:06:23,640
Speaker 1: match and you can wear the shirts outside. Yeah, I'm

1126
01:06:23,840 --> 01:06:25,840
Speaker 1: sorry to your friend, nothing but respect, I'm sure it's

1127
01:06:25,840 --> 01:06:30,120
Speaker 1: hard to start a business, but I hate it you're

1128
01:06:30,120 --> 01:06:34,640
Speaker 1: already here at first fo. Yeah. Sorry, you know I'm

1129
01:06:34,640 --> 01:06:40,040
Speaker 1: treating everyone like an equal. I'm being honest Sam Taggard

1130
01:06:40,080 --> 01:06:43,240
Speaker 1: against female entrepreneurs. Okay, well now I know that she's

1131
01:06:43,280 --> 01:06:45,040
Speaker 1: a woman, and um, I love it. I think it's

1132
01:06:45,040 --> 01:06:49,080
Speaker 1: an incredible for him. You think it's a sli it's

1133
01:06:49,120 --> 01:06:52,760
Speaker 1: a slid and um yeah whatever, I'm not gonna make

1134
01:06:52,800 --> 01:07:00,560
Speaker 1: that all right, Okay, well, thank you, absolute joy f