WEBVTT - Part One: Josephine Baker: The Actor and Spy Who Mighta Saved the World

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<v Speaker 1>Hello, and welcome to Cool People. Did Cool Stuff? Your

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<v Speaker 1>podcast about Stuff Today? Obviously we're going to be talking

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<v Speaker 1>about the nineteen ninety five film Hackers, starring Angeline and Jolie.

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<v Speaker 1>There might be other characters, but I don't see why

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<v Speaker 1>anyone would notice or care. I'm your host, Margaret Kiljoy.

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<v Speaker 1>Actually I'm not your host. I'm my host. I'm my

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<v Speaker 1>own host. I'm Margaret Kiljoy and with me today is

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<v Speaker 1>my guest Lori Penny Laurie, how are you?

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<v Speaker 2>Hellom? All right, pretty late here in London, but it's

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<v Speaker 2>nice to be in the podcast.

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<v Speaker 1>Yeah. So, Laurie, how would you describe yourself if I

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<v Speaker 1>was too lazy to have written a bio?

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<v Speaker 2>Well, I'm a writer and I'm a screenwriter, a journalist

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<v Speaker 2>and an essays and various other things that all mean

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<v Speaker 2>I'm a writer, who have it? Who has the Can

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<v Speaker 2>I do that again? Sorry? I'm sorry, Ian. So I'm

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<v Speaker 2>a writer, I'm a journalist, a screenwriter and author and

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<v Speaker 2>essayist and various other things that just mean I know

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<v Speaker 2>a lot of different words from writer, but it sounds

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<v Speaker 2>professional if you listen them that way. And I've been

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<v Speaker 2>writing on writing on TV shows most recently. But I've

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<v Speaker 2>also done a lot of column and journalist work in

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<v Speaker 2>the US and the UK, and I write a lot

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<v Speaker 2>about protest and about politics and philosophy and gender and

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<v Speaker 2>but my my fiction work tends to be that plus

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<v Speaker 2>a whole lot of spoopy, nerdy, intricate, haunty stuff general

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<v Speaker 2>goblin logic. There's a general goblin logic underlying most of

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<v Speaker 2>my professional work.

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<v Speaker 3>Hell yeah, Now, since you've said that you write for television,

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<v Speaker 3>I am assuming that you are friends with George Clooney.

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<v Speaker 3>That's that's just my head canon, now, definitely, that's how

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<v Speaker 3>it works. Who I call cluone peg.

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<v Speaker 1>And I sort of know who is. He's the guy

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<v Speaker 1>from r oh great m hm, that's the place that

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<v Speaker 1>you go and give a fake name and social Security

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<v Speaker 1>number two.

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<v Speaker 3>That's right, that's right, that's right. You also.

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<v Speaker 1>Cool? Well, you know who else had pet pigs?

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<v Speaker 3>That's exactly why I brought it up, all right, Baker

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<v Speaker 3>might have gotten along. Ah, So Margaret, hi h. I

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<v Speaker 3>have I have carried out a vicious coup against Sophie Lichterman,

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<v Speaker 3>your normal producer. My my troops are inside the palace.

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<v Speaker 3>We have taken the major railway stations. Uh, and and

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<v Speaker 3>the broadcasting towers and so you know, I I wanted

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<v Speaker 3>to suggest a new name for your podcast. Uh huh

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<v Speaker 3>who did coup stuff? It's interesting get the joke.

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<v Speaker 1>Yeah, because you you did a coup. I actually just

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<v Speaker 1>thought you were Sophie the Cold.

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<v Speaker 3>No. No, A lot of people say that, and it.

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<v Speaker 2>Makes much more sense when it's written down.

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<v Speaker 3>Yeah, that was my entire preparation for today, Laurie was

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<v Speaker 3>writing two people who did coop stuff, nodding and satisfaction

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<v Speaker 3>and then going to play video games.

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<v Speaker 2>That's that is That is very cue.

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<v Speaker 1>And that is actually all that anyone needs to do

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<v Speaker 1>to make it on this show is make one clever

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<v Speaker 1>joke like the guest today who No, they actually did

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<v Speaker 1>more than Okay, So I will continue as if nothing

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<v Speaker 1>had happened and Sophie was still our producer, because clearly

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<v Speaker 1>Sophie will return and free us from this tyrannical Okay,

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<v Speaker 1>So Ian is our audio engineer. I like saying hi, Ian,

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<v Speaker 1>even though Ian can't say back. So yeah, hi Ian.

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<v Speaker 1>Our theme music was written for usd by unwoman, So Laurie, Oh.

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<v Speaker 2>Yeah, yeah that's amazing.

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<v Speaker 1>Yeah, No, I'm I quite like it, Laura. Have you

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<v Speaker 1>ever heard of World War Two?

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<v Speaker 2>Yes, slightly. I think I saw a film about it once.

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<v Speaker 3>Yeah, in America we call it dub Dub dose. But

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<v Speaker 3>but similar.

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<v Speaker 2>Yeah.

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<v Speaker 1>Yeah, I'm trying to I'm trying to translate things into

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<v Speaker 1>British question.

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<v Speaker 3>It's kind of like we got the British Office in

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<v Speaker 3>the US Office. There's some differences, but you know, similar basis.

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<v Speaker 2>Yeah. Yeah, yeah, well it's more optimistic, but I don't

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<v Speaker 2>know not actually, you know what, I objected that comparison

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<v Speaker 2>because that's probably the one show where the American version

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<v Speaker 2>is better.

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<v Speaker 3>Yeah. In the American version of World War Two, only

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<v Speaker 3>Tom Hanks dies, if I'm remembering correctly.

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<v Speaker 1>So yeah, and the regular version a lot more people died,

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<v Speaker 1>that's true.

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<v Speaker 3>The regular version was nasty.

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<v Speaker 1>So there's this war. It's called World War Two. It's

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<v Speaker 1>the lesser than sequel of the Great War. And one

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<v Speaker 1>thing that happened in this war is that France got

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<v Speaker 1>got by Germany and some sort of takeover, much like

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<v Speaker 1>what Robert has done to us here. This is a

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<v Speaker 1>good comparison, like problems, no problem.

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<v Speaker 2>I can see nothing that could possibly go wrong.

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<v Speaker 1>Now tell me some people tried to stop that takeover

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<v Speaker 1>and then helped retake Europe. That's true. Yeah, no, I'm sorry, Robert,

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<v Speaker 1>I'm sorry to say this. Some people tried to retake

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<v Speaker 1>it successfully retook Europe from fascism. Some of those people

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<v Speaker 1>were spies. Have you ever heard of Josephine Baker.

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<v Speaker 2>Yes, she was a dancer and she was in Paris

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<v Speaker 2>in the twenties and thirties, was it Yep? I feel

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<v Speaker 2>like I could know more about Josephine Baker. I've got

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<v Speaker 2>a friendly meant a daughter after Josephine Baker.

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<v Speaker 1>Oh that's awesome, which.

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<v Speaker 2>Is why I mugged up on it a little bit.

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<v Speaker 1>Well, good for you. You're going to learn more about Josephine

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<v Speaker 1>Baker today.

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<v Speaker 2>I'm very excited.

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<v Speaker 1>And Robert will hear about Justphine Baker. Actually, yeah, we'll see,

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<v Speaker 1>we'll see. This week, we're going to talk about a

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<v Speaker 1>bisexual black woman from Missouri who got the fuck out

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<v Speaker 1>of the US, became one of the most famous people

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<v Speaker 1>in the world, then burned her entire fortune to become

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<v Speaker 1>one of the most effective spies the world has ever seen.

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<v Speaker 1>And that's Justphine Baker.

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<v Speaker 3>So pretty good person to name your kid after But

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<v Speaker 3>I guess that's one of the conclusions we have today.

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<v Speaker 2>Yeah, pretty cool kid.

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<v Speaker 1>Yeah her one. The one weird spot is her kids,

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<v Speaker 1>but we'll get to that the way she chose to

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<v Speaker 1>raise her kids. M On June, I like to judge

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<v Speaker 1>people based on people who probably like it's possible that

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<v Speaker 1>if Josephine Baker didn't exist, like not, the Nazis would

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<v Speaker 1>have won the war. That's like not outside the realm

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<v Speaker 1>of possibility. I'm going to ask y'all's opinion about that

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<v Speaker 1>when we get to some of the crucial rights, correct,

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<v Speaker 1>because I feel like y'all's combination of knowledge, Robert knowing

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<v Speaker 1>an ungodly amount about World War Two and you Laurie

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<v Speaker 1>knowing about being from England, these all related.

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<v Speaker 2>Well. Actually, the thing about World War two and being

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<v Speaker 2>British is that I don't know how much World War

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<v Speaker 2>two history you all learn in school, but we I

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<v Speaker 2>think I look World War two history every single year

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<v Speaker 2>in my education, I think, And it's funny British history education.

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<v Speaker 2>There's quite a lot of it. Most of it is

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<v Speaker 2>just about British history, but for some reason, they teach

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<v Speaker 2>us World War two history every single year. But the

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<v Speaker 2>other history teaching mysteriously stops sometime in the mid sixteen

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<v Speaker 2>hundreds and just picks up again in World War One. Honestly, seriously,

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<v Speaker 2>ask any British person who has studied the history at

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<v Speaker 2>school if they learned a line of imperial history. And

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<v Speaker 2>I remember being taught like in the kind of post

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<v Speaker 2>war period that we somehow lost the empire, you know, and.

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<v Speaker 1>It was you'll find it just like if it was like.

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<v Speaker 2>You know, just down in the back of the sofa

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<v Speaker 2>or something. It was never quite it was never explained

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<v Speaker 2>how we came to have this empire, and losing it

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<v Speaker 2>was just from like, oh you know, oh terribly sorry,

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<v Speaker 2>oh Chap, was this yours? So here have it back,

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<v Speaker 2>if it was meant at all, But really it's very conspicuous,

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<v Speaker 2>like several century gap, then just World War two again

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<v Speaker 2>and again and again. The last time that we can

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<v Speaker 2>be reasonably sure and maybe the only time we could

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<v Speaker 2>be reasonably sure we were the good guys.

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<v Speaker 3>Kind of yeah, I mean the US, I think we're

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<v Speaker 3>a little less extreme than that, but like there's definitely

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<v Speaker 3>huge amount of history, everything up to the Revolution and

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<v Speaker 3>then more or less blow over everything until we get

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<v Speaker 3>to the Civil War, right.

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<v Speaker 1>Because we have two moments of good. The US can

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<v Speaker 1>be like, well, we defeat did the Confederacy and we

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<v Speaker 1>defeated the Nazis. Those are the only things that we

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<v Speaker 1>can say positively in US history.

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<v Speaker 2>Yeah, I mean, isn't defeating like my lot kind of

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<v Speaker 2>up there with those tourises not count Okay, So from

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<v Speaker 2>from the US, then I've seen Hamilton. It may be

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<v Speaker 2>very proud to be an American city. I'm not which

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<v Speaker 2>I'm not.

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<v Speaker 1>My opinions about the American Revolutionary War is that it's

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<v Speaker 1>a lateral move from one imperial power to another. But

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<v Speaker 1>that's not a popular take. And yes, it's true that

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<v Speaker 1>the US educational system believes that it was positive.

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<v Speaker 2>All right, off topic already, that.

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<v Speaker 3>Is that is not how mel Gibson described it in

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<v Speaker 3>the movie The Patriot Margaret.

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<v Speaker 1>But oh interesting, interesting, Yeah, that's the one where he

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<v Speaker 1>paints himself blue and grabs a broadsword.

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<v Speaker 2>Yeah, that's that's what that's what women want, okay.

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<v Speaker 3>Oh yeah, no, of course. Yeah.

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<v Speaker 1>So speaking of anti Semitism, that'll come up later in

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<v Speaker 1>the thing. Not actually not our protagonist. Okay. So on

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<v Speaker 1>June third, nineteen oh six, FRIEDA Josephine McDonald was born

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<v Speaker 1>in a real poor part of Saint Louis, Missouri, like

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<v Speaker 1>a no running water part of town, where half the

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<v Speaker 1>businesses were crime businesses, brothels and other people doing various crime.

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<v Speaker 1>The other half were factories whose primary production seems to

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<v Speaker 1>be pollution. And her and her three siblings, they're all younger.

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<v Speaker 1>They all slept on one mattress on the floor in

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<v Speaker 1>her parents' bedroom. One of her sisters, one of her

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<v Speaker 1>younger sisters, was graced with the single best name that

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<v Speaker 1>anyone can have, which I'm sure you all already know

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<v Speaker 1>what is.

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<v Speaker 3>Here's we are you Harry?

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<v Speaker 1>No Margaret?

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<v Speaker 2>Oh right right? Yeah yeah, yeah yeah.

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<v Speaker 1>So it's just really important that everyone knows that just

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<v Speaker 1>fantas sister named Margaret and her mother, her mother used

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<v Speaker 1>to say things to her like I wish she'd never

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<v Speaker 1>been born.

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<v Speaker 3>Oh that's no good.

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<v Speaker 1>Yeah, she didn't have a good childhood, like an awful

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<v Speaker 1>lot of self made folks and folks for marginalized communities,

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<v Speaker 1>et cetera. She played real fast and loose with details

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<v Speaker 1>about her early life, and a lot is clouded in

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<v Speaker 1>mystery of her early life because she hated her early life,

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<v Speaker 1>and then a lot is clouded in history of her

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<v Speaker 1>war years because she was a spy. And she didn't

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<v Speaker 1>talk about this until like, she never talked about it.

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<v Speaker 1>Really she died in seventy five or something. She survives

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<v Speaker 1>the war spoiler and yeah, and this the details about

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<v Speaker 1>her her spying and stuff didn't come out until a

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<v Speaker 1>couple of years ago. One time, an interviewer was like,

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<v Speaker 1>every time you write a memoir, do an interview, you

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<v Speaker 1>change your story about your family background. So what is

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<v Speaker 1>your family background? And her defense of her actions, as

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<v Speaker 1>she said, I don't lie. I improve on life.

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<v Speaker 3>Oh yeah, yeah, oh yeah, love it. Yeah, that's exactly

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<v Speaker 3>what I say every time I get pulled over by

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<v Speaker 3>the police. Yeah.

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<v Speaker 1>Yes, that and it probably works for you, right, that's

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<v Speaker 1>where you don't have a driver's license.

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<v Speaker 3>Well, I don't need a driver's license because I'm a

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<v Speaker 3>sovereign citizen traveling on the land. Margaret.

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<v Speaker 1>Yeah, the Constitution is your driver's license.

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<v Speaker 3>Yeah.

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<v Speaker 1>So we're going to do our best with putting together

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<v Speaker 1>her young history. And by our best, I mean I

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<v Speaker 1>will include the stories that I find the most interesting.

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<v Speaker 2>Which is probably what she would have wanted. It's funny

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<v Speaker 2>isn't it trying to Like, you're trying to put together

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<v Speaker 2>a history of somebody who probably didn't want her history

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<v Speaker 2>put together. So it's a little pressure.

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<v Speaker 1>I know. Well, the worst is when they're alive. I yeah.

0:12:45.440 --> 0:12:47.560
<v Speaker 1>Her mother was a black woman who washed clothes for

0:12:47.559 --> 0:12:49.640
<v Speaker 1>a living, who was who had been adopted into a

0:12:49.640 --> 0:12:54.680
<v Speaker 1>black and indigenous family, or was indigenous herself. There's a

0:12:54.679 --> 0:12:58.920
<v Speaker 1>lot of uncertainty about that lineage. Her father was probably

0:12:58.960 --> 0:13:01.599
<v Speaker 1>a random white guy, but she has claimed to have

0:13:01.640 --> 0:13:04.040
<v Speaker 1>a ton of different fathers, like this fancy guy from

0:13:04.120 --> 0:13:07.120
<v Speaker 1>Spain or this other black man or you know, just

0:13:07.160 --> 0:13:08.080
<v Speaker 1>like lots of different people.

0:13:08.240 --> 0:13:08.880
<v Speaker 3>She's claimed it.

0:13:10.679 --> 0:13:17.760
<v Speaker 1>Her childhood nickname was Humpty Dumpty, yeah, which got shortened

0:13:17.800 --> 0:13:22.400
<v Speaker 1>to tumpty I don't know how. And she worked since

0:13:22.400 --> 0:13:24.640
<v Speaker 1>she was young as hell in all kinds of different fields.

0:13:25.160 --> 0:13:28.199
<v Speaker 1>For example, when she was eight, she cleaned and babysat

0:13:28.240 --> 0:13:31.200
<v Speaker 1>for this rich fuck named missus Kaiser. There's no and

0:13:31.320 --> 0:13:35.679
<v Speaker 1>his naming here. One time she put too much soap

0:13:35.679 --> 0:13:38.600
<v Speaker 1>in her boss's laundry, so her white boss burned her hands.

0:13:39.240 --> 0:13:39.680
<v Speaker 3>Wow.

0:13:40.200 --> 0:13:43.440
<v Speaker 1>Yeah, yeah, she's not very nice. She got mad at

0:13:43.520 --> 0:13:46.640
<v Speaker 1>one at Josephine at one point and started keeping Josephine

0:13:46.640 --> 0:13:50.520
<v Speaker 1>in the basement with the family dog, who Josephine loved

0:13:50.559 --> 0:13:53.640
<v Speaker 1>and called three legs for reasons that are probably self evident.

0:13:53.720 --> 0:13:55.120
<v Speaker 1>Has to do with the number of legs that the

0:13:55.120 --> 0:13:55.600
<v Speaker 1>dog had.

0:13:56.000 --> 0:13:58.040
<v Speaker 3>Oh fascinating, Yeah, a.

0:13:58.000 --> 0:14:00.720
<v Speaker 1>Little bit more self evident than Humpty dumpty. She shared

0:14:00.720 --> 0:14:02.520
<v Speaker 1>her little bits of food with that dog. She grew

0:14:02.600 --> 0:14:05.080
<v Speaker 1>very close. She loved animals, This is a lifelong thing

0:14:05.120 --> 0:14:08.800
<v Speaker 1>for her. Missus Kaiser had a white rooster whom Josephine

0:14:08.840 --> 0:14:13.160
<v Speaker 1>named Tiny Tim, and once Tiny Tim was big enough,

0:14:13.200 --> 0:14:17.120
<v Speaker 1>missus Kaiser made Josephine kill it with scissors. Josephine's like eight,

0:14:18.679 --> 0:14:24.800
<v Speaker 1>Oh god, yeah, well, so Josephine the whole time, and

0:14:24.880 --> 0:14:27.400
<v Speaker 1>then ran away and never went back to missus Kaiser.

0:14:29.080 --> 0:14:31.440
<v Speaker 1>The first time she ever made money dancing, she was

0:14:31.440 --> 0:14:35.680
<v Speaker 1>about eight or so also, and this snake oil salesman

0:14:35.720 --> 0:14:38.680
<v Speaker 1>came through town selling fake medicine and he'd use theater

0:14:38.800 --> 0:14:42.040
<v Speaker 1>to attract a crowd on the street. This culminated in

0:14:42.080 --> 0:14:45.880
<v Speaker 1>a dance competition in which young Josephine won, and the

0:14:45.920 --> 0:14:48.760
<v Speaker 1>prize was a dollar, which is about twenty five dollars today.

0:14:48.760 --> 0:14:52.760
<v Speaker 1>So this was like a fairly big deal. She styled

0:14:52.840 --> 0:14:55.200
<v Speaker 1>her dancing based on the animals that she loved, like

0:14:55.240 --> 0:14:58.720
<v Speaker 1>she would like consciously mimic the dancing the movements of

0:14:58.760 --> 0:15:02.960
<v Speaker 1>different animals, which later led to really weird shit because

0:15:03.320 --> 0:15:05.720
<v Speaker 1>she's this black woman dancing for mostly a white audience

0:15:05.720 --> 0:15:08.240
<v Speaker 1>and people keep referring to her dances as like animalistic

0:15:08.280 --> 0:15:12.840
<v Speaker 1>in this like very fetishizing, shitty way. But it's like that, yeah,

0:15:12.880 --> 0:15:15.800
<v Speaker 1>but it's also awkward because she is also consciously styling

0:15:16.280 --> 0:15:18.920
<v Speaker 1>her dancing on animals.

0:15:18.880 --> 0:15:20.120
<v Speaker 2>Her favorite animals.

0:15:20.320 --> 0:15:25.760
<v Speaker 1>Yeah, And so she loves theaters since she's really small.

0:15:26.040 --> 0:15:28.800
<v Speaker 1>Theaters were around even in her neighborhood, including one that

0:15:28.800 --> 0:15:31.040
<v Speaker 1>would have different like ethnicity nights, like there was like

0:15:31.080 --> 0:15:34.480
<v Speaker 1>an Egypt thing, an Egypt themed night and stuff like that,

0:15:35.760 --> 0:15:38.680
<v Speaker 1>and Josephine wasn't going to those, but they influenced the

0:15:38.680 --> 0:15:41.720
<v Speaker 1>culture of the part of town she lived in. So

0:15:41.760 --> 0:15:43.800
<v Speaker 1>one of her friend's older brothers set up a basement

0:15:43.840 --> 0:15:46.280
<v Speaker 1>theater and charged a penny for attendance, and so she

0:15:46.560 --> 0:15:49.360
<v Speaker 1>danced in the chorus line and later set up a

0:15:49.400 --> 0:15:53.680
<v Speaker 1>similar club in her own basement. And then in nineteen seventeen,

0:15:53.720 --> 0:15:57.200
<v Speaker 1>when she was eleven, she saw some white people burning

0:15:57.240 --> 0:16:00.000
<v Speaker 1>a whole lot of black people's stuff in the East

0:16:00.000 --> 0:16:04.200
<v Speaker 1>Saint Lewis massacre, when white pieces of shit murdered between

0:16:04.240 --> 0:16:06.520
<v Speaker 1>thirty nine and one hundred and fifty black people and

0:16:06.640 --> 0:16:08.520
<v Speaker 1>burned a fuck ton of the houses and left six

0:16:08.560 --> 0:16:10.720
<v Speaker 1>thousand people homeless. And this is out of a fairly

0:16:10.800 --> 0:16:15.520
<v Speaker 1>small black population at the time. White cops in the

0:16:15.600 --> 0:16:18.640
<v Speaker 1>National Guard just let it happen. They got told not

0:16:18.760 --> 0:16:20.680
<v Speaker 1>to shoot the white rioters and so they just like

0:16:20.720 --> 0:16:23.080
<v Speaker 1>stepped back, and I suspect a lot of them were

0:16:23.240 --> 0:16:27.440
<v Speaker 1>joining in, and maybe a third of the black people

0:16:27.520 --> 0:16:30.760
<v Speaker 1>left Saint Louis after that. And one of the reasons

0:16:30.760 --> 0:16:32.480
<v Speaker 1>to bring it up is because it's a dark period

0:16:32.520 --> 0:16:36.360
<v Speaker 1>of labor history, because unions have never done anything wrong right.

0:16:37.200 --> 0:16:39.480
<v Speaker 1>Unions in the US were often white only, and so

0:16:39.600 --> 0:16:41.640
<v Speaker 1>owners used that to break the working class. They would

0:16:41.680 --> 0:16:45.400
<v Speaker 1>import black strike breakers who were desperate for work. So

0:16:45.680 --> 0:16:48.200
<v Speaker 1>the strikers just decided to attack all the black people

0:16:48.240 --> 0:16:51.040
<v Speaker 1>moving to the city. So it is actually a union

0:16:51.600 --> 0:16:56.760
<v Speaker 1>thing that caused all of this. And this is one

0:16:56.800 --> 0:17:01.200
<v Speaker 1>of Josephine's earliest memories. She said about it later, I

0:17:01.200 --> 0:17:03.280
<v Speaker 1>can still see myself standing on the west bank of

0:17:03.320 --> 0:17:06.399
<v Speaker 1>the Mississippi, looking over into East Saint Louis and watching

0:17:06.400 --> 0:17:08.640
<v Speaker 1>the glow of the burning Negro homes lighting the sky.

0:17:09.240 --> 0:17:13.040
<v Speaker 1>We children stood huddled together in bewilderment, rightened to death

0:17:13.080 --> 0:17:15.439
<v Speaker 1>with the screams of the Negro families running across this

0:17:15.520 --> 0:17:17.480
<v Speaker 1>bridge with nothing but what they had on their backs

0:17:17.520 --> 0:17:21.560
<v Speaker 1>as their worldly belongings. She worked other jobs in addition

0:17:21.640 --> 0:17:26.040
<v Speaker 1>to watching horrible things happen and dancing. The coolest job,

0:17:26.040 --> 0:17:27.560
<v Speaker 1>from my point of view, is that she was a

0:17:27.560 --> 0:17:30.119
<v Speaker 1>coal thief. I don't know if you've either of you

0:17:30.200 --> 0:17:31.360
<v Speaker 1>have ever had this job.

0:17:31.200 --> 0:17:34.320
<v Speaker 2>But she ran so the job a person can have.

0:17:34.800 --> 0:17:37.160
<v Speaker 1>Yeah, Yeah, and certainly in Saint Louis at the time.

0:17:39.000 --> 0:17:41.000
<v Speaker 1>She ran with a gang of street kids in Saint Louis,

0:17:41.040 --> 0:17:43.320
<v Speaker 1>and so they'd steal from the coal trains. Josephine would

0:17:43.320 --> 0:17:45.240
<v Speaker 1>climb up on the trains while they were moving slow

0:17:45.280 --> 0:17:46.520
<v Speaker 1>and just like climb up to the top of the

0:17:46.560 --> 0:17:48.600
<v Speaker 1>cars and just start tossing hunks of coal down for

0:17:48.680 --> 0:17:51.640
<v Speaker 1>them to sell. Yeah, And she would do that until

0:17:51.680 --> 0:17:53.640
<v Speaker 1>the train started picking up too much speed and she'd

0:17:53.720 --> 0:17:55.639
<v Speaker 1>jump off. And there's all these like dramatic tellings of

0:17:55.640 --> 0:17:58.600
<v Speaker 1>this where yeah, yeah.

0:17:58.280 --> 0:18:01.119
<v Speaker 3>Like what that is. That's like an orange story job.

0:18:01.280 --> 0:18:03.960
<v Speaker 3>That's like at the start of her Jones movie, Like

0:18:04.000 --> 0:18:06.879
<v Speaker 3>that's the first scene is her like hopping on a

0:18:06.920 --> 0:18:09.560
<v Speaker 3>train to Jack Cole, and then we like cut to

0:18:09.640 --> 0:18:10.600
<v Speaker 3>her in World War.

0:18:10.920 --> 0:18:13.040
<v Speaker 2>Some other sort of train which she's having a fight

0:18:13.160 --> 0:18:16.520
<v Speaker 2>in the root of the train with somebody with really

0:18:16.560 --> 0:18:20.240
<v Speaker 2>improbable parkourse skills who happens to be a Nazi, and

0:18:20.240 --> 0:18:22.080
<v Speaker 2>the music's kind of like yeah.

0:18:22.040 --> 0:18:24.680
<v Speaker 3>Yeah, yeah, yeah, she's fistfighting a guy with the kind

0:18:24.720 --> 0:18:27.040
<v Speaker 3>of abs you only get when you're you're putting seven

0:18:27.080 --> 0:18:29.440
<v Speaker 3>thousand dollars a trend into your butt every month.

0:18:29.840 --> 0:18:33.600
<v Speaker 1>Yeah. Absolutely, And what's so great about that is that

0:18:33.600 --> 0:18:35.879
<v Speaker 1>that's actually literally what I said to someone who was

0:18:35.920 --> 0:18:38.640
<v Speaker 1>reading this is I was like, I was like, this

0:18:38.680 --> 0:18:41.320
<v Speaker 1>is the first scene if I filmed, if I filmed this,

0:18:41.320 --> 0:18:42.520
<v Speaker 1>this is the first scene.

0:18:42.680 --> 0:18:44.280
<v Speaker 3>Yeah, absolutely, yeah.

0:18:44.280 --> 0:18:47.400
<v Speaker 1>Yeah, So this is the kinds of jobs that she has.

0:18:47.480 --> 0:18:50.280
<v Speaker 1>Right when she's thirteen, she was a waitress and a

0:18:50.320 --> 0:18:53.520
<v Speaker 1>street kid. She got I've heard different versions of this,

0:18:53.600 --> 0:18:56.040
<v Speaker 1>of course, she told different versions. She might have gotten

0:18:56.119 --> 0:18:58.240
<v Speaker 1>kicked out of her house by her parents for having

0:18:58.280 --> 0:19:01.440
<v Speaker 1>too many pets, like filling family's house with like all

0:19:01.480 --> 0:19:05.159
<v Speaker 1>of the strays and stuff. So she was living in

0:19:05.200 --> 0:19:08.119
<v Speaker 1>cardboard boxes and picking food from trash cans, and she

0:19:08.160 --> 0:19:11.000
<v Speaker 1>would make her money busking by dancing on street corners.

0:19:11.560 --> 0:19:14.119
<v Speaker 1>Soon she joined a busking crew called the Jones Family

0:19:14.200 --> 0:19:17.280
<v Speaker 1>Band that traveled around the US. And she got married

0:19:17.280 --> 0:19:19.679
<v Speaker 1>at the time. And I cannot find how old this

0:19:19.720 --> 0:19:22.439
<v Speaker 1>person was, so I'm just out of the goodness of

0:19:22.440 --> 0:19:25.919
<v Speaker 1>my heart guessing it's another thirteen year old. That is

0:19:26.400 --> 0:19:29.280
<v Speaker 1>what I wish to believe. Because when she's thirteen, she

0:19:29.320 --> 0:19:31.840
<v Speaker 1>gets married for the first time to someone named Willie Wells.

0:19:32.880 --> 0:19:33.800
<v Speaker 2>But is that legal?

0:19:35.160 --> 0:19:35.600
<v Speaker 1>I don't know.

0:19:35.720 --> 0:19:38.560
<v Speaker 3>Yeah, I mean that's legal still in some states with

0:19:38.640 --> 0:19:42.520
<v Speaker 3>your parents' approval. Maybe it's Dane now, but yeah, like.

0:19:42.880 --> 0:19:46.680
<v Speaker 1>Yeah, And it's the new right wing thing as well.

0:19:46.680 --> 0:19:49.640
<v Speaker 1>They're busy calling us groomers. They're actually literally working.

0:19:49.359 --> 0:19:51.679
<v Speaker 2>To get rid of let's sell off children.

0:19:52.000 --> 0:19:54.520
<v Speaker 1>Yeah, they're trying to lower the age of marriage or whatever.

0:19:55.359 --> 0:19:58.480
<v Speaker 1>So she marries Willy Wells. It's an unhappy marriage, as

0:19:58.560 --> 0:20:02.159
<v Speaker 1>probably any two thirteen years all time. Again, benefit of

0:20:02.160 --> 0:20:05.520
<v Speaker 1>the doubt here, assuming it was a thirteen year old.

0:20:05.520 --> 0:20:08.879
<v Speaker 3>When you're like slightly young to really handle the moral

0:20:08.960 --> 0:20:12.119
<v Speaker 3>complexities of the original Pokemon games, you probably shouldn't be

0:20:12.240 --> 0:20:13.399
<v Speaker 3>navigating marriage.

0:20:15.040 --> 0:20:18.400
<v Speaker 1>That is a controversial take to Christian nationalists. They might

0:20:18.440 --> 0:20:19.600
<v Speaker 1>not like you anymore, Robert.

0:20:20.040 --> 0:20:22.800
<v Speaker 3>Yeah, I'm gonna lose like thirty percent of our audience.

0:20:23.240 --> 0:20:28.720
<v Speaker 1>Yeah, well, don't worry, because when she's fifteen, she finds

0:20:28.760 --> 0:20:29.399
<v Speaker 1>another Willi.

0:20:29.480 --> 0:20:29.680
<v Speaker 2>Oh.

0:20:29.680 --> 0:20:32.080
<v Speaker 1>She divorces this guy right and doesn't last a year.

0:20:32.680 --> 0:20:35.199
<v Speaker 1>But when she's fifteen, she finds another Willy Willie Baker,

0:20:35.640 --> 0:20:37.840
<v Speaker 1>and she's like, look, I've got this thing where I

0:20:37.880 --> 0:20:41.320
<v Speaker 1>marry people named Willi. So she marries him. This marriage

0:20:41.320 --> 0:20:45.600
<v Speaker 1>doesn't last either, but she keeps his name, and it's

0:20:45.840 --> 0:20:48.640
<v Speaker 1>possible that she's never legally divorced. In everything she's doing

0:20:48.680 --> 0:20:50.840
<v Speaker 1>after this is like various forms of bigamy.

0:20:51.320 --> 0:20:53.440
<v Speaker 3>Yeah yeah, but I don't care.

0:20:54.480 --> 0:20:58.399
<v Speaker 2>So, like double double divorce at fifteen is kind of

0:20:58.400 --> 0:20:59.720
<v Speaker 2>a flex in a weird way.

0:21:00.119 --> 0:21:02.960
<v Speaker 3>Yeah, that's true. This was a lot more common back

0:21:03.000 --> 0:21:05.439
<v Speaker 3>then too, the whole like people being technically big and

0:21:05.440 --> 0:21:10.320
<v Speaker 3>miskally married, because the way that like different states handled

0:21:10.359 --> 0:21:12.560
<v Speaker 3>the sharing of information meant that it was really a

0:21:12.600 --> 0:21:14.640
<v Speaker 3>lot of shit just out like lost in the male

0:21:14.720 --> 0:21:18.440
<v Speaker 3>effectively totally. I've been dealing with this talking reading about

0:21:18.440 --> 0:21:20.919
<v Speaker 3>like Vince McMahon's family, but this is like around the

0:21:20.920 --> 0:21:23.360
<v Speaker 3>same period of time, and his mom had another thing

0:21:23.400 --> 0:21:26.160
<v Speaker 3>where like she was, she had tried to get divorced,

0:21:26.200 --> 0:21:28.639
<v Speaker 3>but like it didn't go through for years. Not an

0:21:28.720 --> 0:21:29.520
<v Speaker 3>uncommon story.

0:21:29.800 --> 0:21:33.199
<v Speaker 1>Yeah, no, that makes sense. And yeah, she doesn't want to.

0:21:33.320 --> 0:21:35.480
<v Speaker 1>She actually gets big fights, big fights with her mom,

0:21:35.560 --> 0:21:38.080
<v Speaker 1>her mom, who's again not the hero of this story,

0:21:38.200 --> 0:21:40.399
<v Speaker 1>because her mom is like, why don't you just go

0:21:40.480 --> 0:21:42.919
<v Speaker 1>be good to Willie Baker? Why do you keep running

0:21:42.920 --> 0:21:46.600
<v Speaker 1>around doing vaudeville and making something of yourself or whatever.

0:21:47.720 --> 0:21:51.040
<v Speaker 1>But if you want to make something for yourself, probably

0:21:51.080 --> 0:21:54.920
<v Speaker 1>the way to do it is to buy objects.

0:21:55.320 --> 0:21:56.600
<v Speaker 3>Uh huh, that's the only way.

0:21:57.200 --> 0:22:01.760
<v Speaker 1>Yes, And so this podcast is proudly brought to you

0:22:01.800 --> 0:22:08.760
<v Speaker 1>by objects, the only thing that is real according to materialists.

0:22:10.200 --> 0:22:13.199
<v Speaker 2>How do I obtain these objects? They sound great? I

0:22:13.280 --> 0:22:14.800
<v Speaker 2>must bring more of them to my house.

0:22:16.200 --> 0:22:19.159
<v Speaker 3>Yeah, it's the it's the new trend that's sweeping the

0:22:19.200 --> 0:22:24.760
<v Speaker 3>world using wow presentations of time and effort, generally in

0:22:24.800 --> 0:22:28.480
<v Speaker 3>the form of paper or increasingly numbers on a computer

0:22:28.800 --> 0:22:31.000
<v Speaker 3>that you can then trade for physical objects.

0:22:32.280 --> 0:22:35.240
<v Speaker 2>But I feel like that would like that decrease my

0:22:35.280 --> 0:22:38.480
<v Speaker 2>overall feeling of alienation in the world, and let's send

0:22:38.480 --> 0:22:39.520
<v Speaker 2>me up for objects.

0:22:39.600 --> 0:22:42.480
<v Speaker 3>Yeah, that's what That's what everyone says about currency. It's

0:22:42.520 --> 0:22:43.679
<v Speaker 3>the cure for alienation.

0:22:44.119 --> 0:22:48.720
<v Speaker 2>Yeah, wait, will this convict? Will this convict with the items?

0:22:50.280 --> 0:22:52.199
<v Speaker 1>Oh? Interesting? Are you saying that it should be objects

0:22:52.240 --> 0:22:53.240
<v Speaker 1>and items?

0:22:53.600 --> 0:22:55.760
<v Speaker 2>Yeah? I'm doing Can I have objects and items? Is

0:22:55.760 --> 0:22:56.320
<v Speaker 2>what I'm asking.

0:22:56.960 --> 0:23:01.280
<v Speaker 3>That really depends on the amount of currency you have, Okay, yeah,

0:23:01.760 --> 0:23:02.560
<v Speaker 3>and the.

0:23:02.640 --> 0:23:03.160
<v Speaker 2>Law and.

0:23:04.880 --> 0:23:08.240
<v Speaker 1>Mhm yeah, well if you what you really want to

0:23:08.240 --> 0:23:10.280
<v Speaker 1>do is you want to exploit other people's labor.

0:23:10.800 --> 0:23:17.480
<v Speaker 3>That's where the real current is, right Okay, yeah, yeah.

0:23:16.720 --> 0:23:23.359
<v Speaker 1>Or just buy this stuff objects, items and stuff. Here's

0:23:23.359 --> 0:23:31.679
<v Speaker 1>some uds and we're back. So the ages that Justphine

0:23:31.680 --> 0:23:34.800
<v Speaker 1>Baker does things don't line up because she's re rewriting

0:23:34.840 --> 0:23:37.400
<v Speaker 1>her life story. So I'm just going to go ahead

0:23:37.400 --> 0:23:39.720
<v Speaker 1>and use her numbers and things, even though they don't work.

0:23:40.240 --> 0:23:42.240
<v Speaker 1>When she was fifteen or so, she joined the Saint

0:23:42.280 --> 0:23:45.360
<v Speaker 1>Louis Chorus, maybe the Saint Louis Chorus to her, I'm

0:23:45.400 --> 0:23:49.480
<v Speaker 1>not entirely certain, joined a vaudevilsham and she was off.

0:23:50.359 --> 0:23:52.560
<v Speaker 1>Soon she makes her way up to Harlem and starts

0:23:52.560 --> 0:23:56.719
<v Speaker 1>working in musicals. She has aforementioned ditched her husband at

0:23:56.720 --> 0:24:01.159
<v Speaker 1>this point, and sometimes she's presented as being the Harlem Renaissance,

0:24:01.680 --> 0:24:05.440
<v Speaker 1>which is worth it's a black led revival of black

0:24:05.480 --> 0:24:09.240
<v Speaker 1>culture as compared to like just black culture being promoted

0:24:09.440 --> 0:24:12.640
<v Speaker 1>for a white audience, which is we'll get to that later.

0:24:14.119 --> 0:24:16.680
<v Speaker 1>And it was created by a ton of black folks

0:24:16.680 --> 0:24:19.200
<v Speaker 1>who are fleeing Jim Crow and the Red Summer in

0:24:19.280 --> 0:24:23.680
<v Speaker 1>nineteen nineteen, when race riots spread across the country. A

0:24:23.720 --> 0:24:25.639
<v Speaker 1>bunch of people come up and wind up in Harlem,

0:24:25.720 --> 0:24:27.600
<v Speaker 1>and they're pushing for civil rights and they're doing awesome

0:24:27.600 --> 0:24:30.439
<v Speaker 1>cultural stuff. There's a lot of it starts and centers

0:24:30.480 --> 0:24:33.840
<v Speaker 1>around theater and music. No more blackface and minstrel shows,

0:24:33.880 --> 0:24:37.200
<v Speaker 1>but shows that were earnest expressions done by black artists.

0:24:38.240 --> 0:24:40.040
<v Speaker 1>And there's a there's a poem that I'm not going

0:24:40.119 --> 0:24:41.800
<v Speaker 1>to read, but I will suggest to people to read

0:24:41.840 --> 0:24:44.520
<v Speaker 1>called if We Must Die by Claude McKay that was

0:24:44.560 --> 0:24:48.439
<v Speaker 1>part of inspiring all of this. And I'm really just

0:24:48.480 --> 0:24:50.399
<v Speaker 1>mad that this wasn't part of my public school education,

0:24:50.520 --> 0:24:52.840
<v Speaker 1>and that when people talk about Harlem Renaissance, they just

0:24:52.840 --> 0:24:57.800
<v Speaker 1>talk about it culturally, at least white public education or whatever, so.

0:24:57.760 --> 0:25:00.880
<v Speaker 2>You don't actually look at the culture know that it happened.

0:25:02.000 --> 0:25:04.800
<v Speaker 1>Yeah, exactly, it's like, oh, it's about plays without the

0:25:04.800 --> 0:25:07.439
<v Speaker 1>fact that the plays are about like, hey, we should

0:25:07.680 --> 0:25:12.359
<v Speaker 1>fucking fight for what's ours, you know, right, And this

0:25:12.400 --> 0:25:14.280
<v Speaker 1>poem is basically like, look, if we're going to die anyway,

0:25:14.320 --> 0:25:15.359
<v Speaker 1>we should fucking fight back.

0:25:16.440 --> 0:25:19.240
<v Speaker 2>I'm looking it up right now.

0:25:19.320 --> 0:25:22.879
<v Speaker 1>And so, so this is the Harlem that Josephine Baker

0:25:22.920 --> 0:25:26.040
<v Speaker 1>shows up into, or she was never really part of

0:25:26.040 --> 0:25:29.359
<v Speaker 1>the Harlem Renaissance and went immediately to Broadway. I don't know.

0:25:30.160 --> 0:25:33.400
<v Speaker 1>Her goal is Broadway. The only way to break into

0:25:33.440 --> 0:25:35.720
<v Speaker 1>show business from her point of view is Broadway. And

0:25:35.760 --> 0:25:38.199
<v Speaker 1>since she's fourteen, I know, I just said she's fifteen,

0:25:38.200 --> 0:25:42.680
<v Speaker 1>But now she's fourteen. She's in New York and she's

0:25:42.680 --> 0:25:45.199
<v Speaker 1>too young to apply to be a chorus girl. You

0:25:45.240 --> 0:25:47.399
<v Speaker 1>have to be sixteen to be a chorus girl. But

0:25:47.440 --> 0:25:49.560
<v Speaker 1>she doesn't know that. She just knows she's probably too young.

0:25:49.640 --> 0:25:52.240
<v Speaker 1>And the show is called Shuffle Along, so she lies

0:25:52.280 --> 0:25:54.600
<v Speaker 1>and she says she's fifteen, and they're like, no, sorry,

0:25:54.600 --> 0:25:56.200
<v Speaker 1>you have to be sixteen, and they kick her out.

0:25:57.040 --> 0:25:59.560
<v Speaker 1>So she comes back and she lies again and she says,

0:25:59.560 --> 0:26:02.840
<v Speaker 1>I'm seven, and so they put her in. When she's fourteen,

0:26:02.880 --> 0:26:06.840
<v Speaker 1>probably she becomes a chorus girl. She gets the job

0:26:06.880 --> 0:26:08.879
<v Speaker 1>of being on the end of the line, which is

0:26:08.960 --> 0:26:12.080
<v Speaker 1>like the comedy dancer role who intentionally stumbles and such

0:26:12.080 --> 0:26:14.600
<v Speaker 1>for comedic effect. So it's kind of like the it's

0:26:14.640 --> 0:26:17.800
<v Speaker 1>a pretty good position in the chorus line, you know,

0:26:19.400 --> 0:26:22.440
<v Speaker 1>And she tours with it around the country, and she's

0:26:22.480 --> 0:26:25.119
<v Speaker 1>a chorus girl for years. She can't move up beyond

0:26:25.200 --> 0:26:28.000
<v Speaker 1>that because of racism, but it's still enough that she

0:26:28.040 --> 0:26:30.480
<v Speaker 1>starts sending money home to her family constantly, And this

0:26:30.560 --> 0:26:32.760
<v Speaker 1>is going to be a big part of Josephine Baker.

0:26:32.800 --> 0:26:36.800
<v Speaker 1>Does not remember, does not forget where she comes from.

0:26:37.040 --> 0:26:38.879
<v Speaker 2>Even though her family has been terrible to her, she

0:26:38.920 --> 0:26:40.160
<v Speaker 2>still sends all this money back.

0:26:40.359 --> 0:26:43.760
<v Speaker 1>Yeah, exactly, And like it's possible that her relationship with

0:26:43.800 --> 0:26:45.960
<v Speaker 1>her mother gets better at some point. I don't know,

0:26:46.119 --> 0:26:52.760
<v Speaker 1>you know. So France gets really excited about her La

0:26:52.880 --> 0:26:57.360
<v Speaker 1>Revue Negre, an all black club in Paris, was like, hell, yeah,

0:26:57.400 --> 0:26:59.040
<v Speaker 1>we want you. I don't think it's black owned to

0:26:59.040 --> 0:27:03.320
<v Speaker 1>be clear, but we want you. Everyone here in France

0:27:03.400 --> 0:27:06.320
<v Speaker 1>is obsessed with jazz and black culture, and we'll pay

0:27:06.359 --> 0:27:09.560
<v Speaker 1>you seriously good money. They pay her one thousand dollars

0:27:09.600 --> 0:27:12.080
<v Speaker 1>a month, which is about seventeen thousand dollars a month today,

0:27:12.200 --> 0:27:14.400
<v Speaker 1>which is wow, seriously good money.

0:27:14.520 --> 0:27:15.159
<v Speaker 3>Good money.

0:27:15.640 --> 0:27:16.520
<v Speaker 2>Yeah.

0:27:16.960 --> 0:27:21.080
<v Speaker 1>Yeah, so that's the like, it's like kind of messy,

0:27:21.160 --> 0:27:25.320
<v Speaker 1>right because she leaves segregated us to go to France

0:27:25.359 --> 0:27:28.439
<v Speaker 1>that claims to be anti racist, where they put her

0:27:28.480 --> 0:27:34.880
<v Speaker 1>in racist tropes constantly, right, but she is in Yeah.

0:27:34.200 --> 0:27:36.840
<v Speaker 3>It's also like they're putting her in racist tropes, but

0:27:37.359 --> 0:27:40.240
<v Speaker 3>everyone else doing those tropes is like having white people

0:27:40.280 --> 0:27:43.199
<v Speaker 3>do them in black face. So totally you have to

0:27:43.280 --> 0:27:44.000
<v Speaker 3>go her.

0:27:44.600 --> 0:27:49.960
<v Speaker 2>Yeah, yeah, an attempt, An attempt was made.

0:27:50.359 --> 0:27:53.560
<v Speaker 3>Yeah, it's they're not having a Humphrey Bogert do it.

0:27:53.680 --> 0:27:55.760
<v Speaker 3>So Cas is a win.

0:27:56.240 --> 0:28:03.040
<v Speaker 1>Yeah, and again it possibly saves the world. So when

0:28:03.040 --> 0:28:06.000
<v Speaker 1>she's nineteen, in nineteen twenty five, she moves to Paris

0:28:07.200 --> 0:28:10.080
<v Speaker 1>and being celebrated by a racist culture can be good money.

0:28:10.359 --> 0:28:13.160
<v Speaker 1>France was having a craze. White people were all about

0:28:13.280 --> 0:28:18.600
<v Speaker 1>jazz and dancing. The Charleston Modern Black author Morgan Jerkins

0:28:18.600 --> 0:28:21.879
<v Speaker 1>put it like this. When she swung on stage in

0:28:21.960 --> 0:28:26.080
<v Speaker 1>that fiercely swinging banana skirt in nineteen twenty six, Baker

0:28:26.160 --> 0:28:30.359
<v Speaker 1>brilliantly manipulated the white male imagination, crossing her eyes, waving

0:28:30.400 --> 0:28:33.600
<v Speaker 1>her arms, swaying her hips, poking out her backside. She

0:28:33.760 --> 0:28:38.360
<v Speaker 1>clowned and seduced and subverted stereotypes by reclaiming her image,

0:28:38.440 --> 0:28:41.600
<v Speaker 1>she advanced her career in ways unprecedented for a woman

0:28:41.640 --> 0:28:44.840
<v Speaker 1>of that time. Yeah, because her iconic outfit as soon

0:28:44.880 --> 0:28:47.520
<v Speaker 1>as she got there was a skirt made out of

0:28:47.560 --> 0:28:50.720
<v Speaker 1>bananas and a tiny brawl if any braw at all,

0:28:50.920 --> 0:28:55.840
<v Speaker 1>and a large pearl necklace. Hang on, not real banas, No,

0:28:56.320 --> 0:28:59.640
<v Speaker 1>they were fake bananas. Yeah if that sounds really hard

0:28:59.680 --> 0:28:59.800
<v Speaker 1>to do.

0:29:00.240 --> 0:29:02.760
<v Speaker 2>But I don't know. Maybe she was just an amazing dancer.

0:29:03.000 --> 0:29:05.800
<v Speaker 2>I love the idea that she was. She was clowning still,

0:29:06.360 --> 0:29:08.280
<v Speaker 2>that she'd taken that being on the end of the

0:29:08.360 --> 0:29:10.480
<v Speaker 2>chorus line and made it part of the thing.

0:29:11.160 --> 0:29:16.040
<v Speaker 1>That is absolutely Yeah, that is absolutely what's happening. And

0:29:16.120 --> 0:29:20.680
<v Speaker 1>her dance savage as I can't pronounce French is at

0:29:20.720 --> 0:29:24.200
<v Speaker 1>Le Revie Negra, was a huge hit. She's an overnight sensation.

0:29:25.520 --> 0:29:28.920
<v Speaker 1>This causes thousands of banana skirt dolls to be sold

0:29:28.960 --> 0:29:33.520
<v Speaker 1>around Europe. Magazines advised white ladies to rub walnut oil

0:29:33.520 --> 0:29:35.360
<v Speaker 1>onto their skin to darken it.

0:29:35.480 --> 0:29:37.440
<v Speaker 3>Oh boy, okay, there we go.

0:29:37.840 --> 0:29:43.400
<v Speaker 1>Yeah. Baker herself cashed in on it, selling Baker's Skin. Okay,

0:29:43.680 --> 0:29:44.920
<v Speaker 1>a skin darkening lotion.

0:29:48.200 --> 0:29:53.479
<v Speaker 3>When life gives you weird racists, sell wallet. What are

0:29:53.480 --> 0:29:54.040
<v Speaker 3>you going to do?

0:29:54.680 --> 0:29:59.600
<v Speaker 1>Yeah, And it's like at a time when everyone else,

0:29:59.640 --> 0:30:01.400
<v Speaker 1>you know, Pe, we're trying to sell the opposite people

0:30:01.440 --> 0:30:02.600
<v Speaker 1>trying to sell skin lightning.

0:30:02.960 --> 0:30:03.160
<v Speaker 2>You know.

0:30:04.720 --> 0:30:07.360
<v Speaker 1>She also sells Baker Fix, which is a hair palmade.

0:30:07.480 --> 0:30:10.760
<v Speaker 1>She had that signature twenty slick down hair, look like.

0:30:10.720 --> 0:30:12.560
<v Speaker 2>Betty Boop, the liddle wave at the front.

0:30:13.360 --> 0:30:14.440
<v Speaker 1>She would do the little curl.

0:30:15.320 --> 0:30:18.840
<v Speaker 3>You weren't hot back then unless your hair could ignite

0:30:18.880 --> 0:30:21.600
<v Speaker 3>your entire body like a candle with a single spark

0:30:21.680 --> 0:30:22.120
<v Speaker 3>got on it.

0:30:22.360 --> 0:30:23.080
<v Speaker 1>Yeah, exactly.

0:30:23.120 --> 0:30:29.400
<v Speaker 2>If you coven in woolnut, yeah, how burnable, it'll go

0:30:29.920 --> 0:30:32.200
<v Speaker 2>in something very very deliciously smell.

0:30:32.640 --> 0:30:35.800
<v Speaker 1>Yeah exactly.

0:30:36.840 --> 0:30:38.840
<v Speaker 3>This is why this is why we don't really talk

0:30:38.840 --> 0:30:42.040
<v Speaker 3>about spontaneous human combustion when it was like a huge,

0:30:42.520 --> 0:30:44.920
<v Speaker 3>you know, conspiracy theory back then. It's because everyone was

0:30:45.000 --> 0:30:47.440
<v Speaker 3>drenched in oil and shade, smoking at all times.

0:30:47.680 --> 0:30:51.360
<v Speaker 2>Yeah, I wonder what it must be, Witch Crumb.

0:30:55.000 --> 0:30:57.720
<v Speaker 3>I'm gonna go pour gasoline on my head and fall

0:30:57.760 --> 0:31:01.360
<v Speaker 3>asleep with three cigars.

0:31:02.600 --> 0:31:05.200
<v Speaker 1>It's part of the selling point is that everyone hated

0:31:05.240 --> 0:31:10.800
<v Speaker 1>their lives anyway. She also sold banana things like shoes

0:31:10.880 --> 0:31:11.840
<v Speaker 1>and stuff.

0:31:12.600 --> 0:31:13.400
<v Speaker 2>Banana shoes.

0:31:13.600 --> 0:31:15.480
<v Speaker 1>Yeah, I think so. I know she sold banana things

0:31:15.480 --> 0:31:17.760
<v Speaker 1>and shoes. It might be that she sold these might

0:31:17.800 --> 0:31:22.440
<v Speaker 1>be separate objects. I'm not entirely certain. And so she

0:31:22.520 --> 0:31:26.640
<v Speaker 1>becomes fuck off famous and rich and kind of an

0:31:26.680 --> 0:31:32.040
<v Speaker 1>inverse Coco Chanel. I'm just gonna say, who became fuck

0:31:32.040 --> 0:31:34.760
<v Speaker 1>off rich and picked the opposite side of the upcoming war.

0:31:36.600 --> 0:31:39.560
<v Speaker 1>She becomes fuck off famous, She buys a fucking mansion, sorry,

0:31:39.600 --> 0:31:44.160
<v Speaker 1>a chateau. This is friends. It has twenty four rooms,

0:31:45.360 --> 0:31:47.880
<v Speaker 1>and she does classic rich bit shit like she gets

0:31:47.920 --> 0:31:49.800
<v Speaker 1>a cheetah, which she names Chiquita.

0:31:50.920 --> 0:31:52.200
<v Speaker 3>Oh that's that's awesome.

0:31:52.360 --> 0:31:55.440
<v Speaker 1>That who has a diamond collar.

0:31:56.200 --> 0:31:58.280
<v Speaker 3>I hear. They're the best big cats to have as

0:31:58.480 --> 0:32:00.400
<v Speaker 3>I mean, you shouldn't have any big cats as but

0:32:00.440 --> 0:32:02.120
<v Speaker 3>if you a pet, but if you are going to,

0:32:02.760 --> 0:32:05.360
<v Speaker 3>they're like the most anxious and the most receptive to

0:32:05.440 --> 0:32:06.120
<v Speaker 3>human affection.

0:32:06.760 --> 0:32:09.920
<v Speaker 1>Okay, okay, noted for future self.

0:32:09.960 --> 0:32:15.200
<v Speaker 2>I mean, hm, the most anxious, possibly illegal exubit pet

0:32:15.240 --> 0:32:17.360
<v Speaker 2>you can buy. I'm really glad that I know this now.

0:32:17.720 --> 0:32:19.680
<v Speaker 3>Yeah, I like that.

0:32:19.800 --> 0:32:22.400
<v Speaker 2>She's she's she's she's filling her house with too many

0:32:22.440 --> 0:32:24.160
<v Speaker 2>animals and now nobody can stop it.

0:32:24.320 --> 0:32:29.560
<v Speaker 1>Oh, it's going to get just wait, No, it's good.

0:32:29.800 --> 0:32:30.520
<v Speaker 2>There's more of them.

0:32:30.560 --> 0:32:35.640
<v Speaker 1>Oh, there's more animals. So I think she basically invents

0:32:35.680 --> 0:32:38.080
<v Speaker 1>the like rich motherfucker gets a cheetah trope. But I'm

0:32:38.080 --> 0:32:38.560
<v Speaker 1>not sure.

0:32:39.760 --> 0:32:46.120
<v Speaker 3>Mike Tyson like just just walking in her shadow exactly

0:32:46.280 --> 0:32:46.920
<v Speaker 3>like all of us.

0:32:47.120 --> 0:32:49.640
<v Speaker 2>Yeah, I want to hear the other animals.

0:32:50.240 --> 0:32:53.360
<v Speaker 1>We'll get to them because I don't have their names

0:32:53.400 --> 0:32:54.600
<v Speaker 1>in front of me at this point in the script.

0:32:54.600 --> 0:32:56.120
<v Speaker 1>They're further in the script, so that's why we're going

0:32:56.160 --> 0:32:59.560
<v Speaker 1>to get to them. I'm sorry, I'm sorry.

0:33:00.200 --> 0:33:03.080
<v Speaker 2>On into its time. I'm just envisioning a version of

0:33:03.120 --> 0:33:06.400
<v Speaker 2>Homeward Bound. Now, this is this is, this is the

0:33:06.440 --> 0:33:08.760
<v Speaker 2>movie I want to write where Jospey and Bakers off

0:33:08.800 --> 0:33:11.520
<v Speaker 2>being a spy or whatever, and then Tiki to the

0:33:11.600 --> 0:33:15.640
<v Speaker 2>Cheetah and various other of Jodophine Baker's amazing animals have

0:33:15.680 --> 0:33:18.000
<v Speaker 2>to go on some kind of homeward bound trip across

0:33:18.120 --> 0:33:19.960
<v Speaker 2>Nazi Germany. I think this could work.

0:33:20.800 --> 0:33:24.000
<v Speaker 1>I'm pretty into this, Robert, do you think we can

0:33:24.000 --> 0:33:25.880
<v Speaker 1>get greenlit Netflix?

0:33:27.840 --> 0:33:31.400
<v Speaker 3>Yeah, I'll work on that. In the background, we'll hollered,

0:33:32.480 --> 0:33:36.240
<v Speaker 3>which I mean, I'm going to email my guy in

0:33:36.720 --> 0:33:39.440
<v Speaker 3>Central Africa and see if I can smuggle some cheetahs

0:33:39.440 --> 0:33:40.800
<v Speaker 3>in this fucking country. Yeah.

0:33:40.880 --> 0:33:45.320
<v Speaker 2>Yeah, no, I actually wasn't thinking live action, but but

0:33:45.400 --> 0:33:47.320
<v Speaker 2>this is a strong, strong pitch. I love it.

0:33:48.280 --> 0:33:53.400
<v Speaker 3>DHL is delivering my cheetah tomorrow, and.

0:33:53.360 --> 0:33:55.479
<v Speaker 1>We got you a couple too, louring mhm.

0:33:56.040 --> 0:33:59.920
<v Speaker 2>Oh yeah, you can't get them because the Brexit you.

0:34:00.040 --> 0:34:03.040
<v Speaker 3>Get a shipping break. You order at six pack. I'll

0:34:03.120 --> 0:34:05.160
<v Speaker 3>check one when I fly to the UK next. You

0:34:05.160 --> 0:34:05.720
<v Speaker 3>don't worry.

0:34:05.880 --> 0:34:07.800
<v Speaker 4>Yeah.

0:34:07.840 --> 0:34:10.800
<v Speaker 1>So she gets Chakdah nineteen thirty from an exotic animal breeder,

0:34:11.000 --> 0:34:13.520
<v Speaker 1>and it's sort of on the advice of her pr folks.

0:34:13.520 --> 0:34:15.600
<v Speaker 1>I think this is her idea, but they're like, yeah, yeah, yeah,

0:34:15.680 --> 0:34:19.520
<v Speaker 1>do it because this puts her in the medium even more.

0:34:20.400 --> 0:34:23.000
<v Speaker 1>She goes to the opera and brings her cheetah and

0:34:23.120 --> 0:34:25.399
<v Speaker 1>he gets loose and he gets into the orchestra pit

0:34:25.800 --> 0:34:29.120
<v Speaker 1>and he causes havoc. He doesn't eat anybody, and this

0:34:29.200 --> 0:34:34.280
<v Speaker 1>causes international headlines as she disrupts the orchestra at the opera.

0:34:34.640 --> 0:34:37.200
<v Speaker 1>And this is good for her because it's international headlines.

0:34:37.239 --> 0:34:43.840
<v Speaker 1>It's just more fame. Soon she has her own club. Say, Josephine,

0:34:43.920 --> 0:34:50.640
<v Speaker 1>I really can't pronounce French. It's really bad house of Josephine's. Yeah, exactly,

0:34:50.640 --> 0:34:50.920
<v Speaker 1>thank you.

0:34:51.080 --> 0:34:52.760
<v Speaker 3>Yeah, sound like a giant asshole.

0:34:52.880 --> 0:34:56.040
<v Speaker 1>Yeah, okay, I'll just I'll just highlight the stuff I

0:34:56.040 --> 0:34:58.759
<v Speaker 1>need written read out in French in the script for you.

0:35:01.840 --> 0:35:03.839
<v Speaker 1>She is the store attraction at her own club. This

0:35:03.920 --> 0:35:07.160
<v Speaker 1>makes sense some of the other pets that were there

0:35:07.200 --> 0:35:09.040
<v Speaker 1>and included in the acts, And don't worry, this is

0:35:09.040 --> 0:35:10.759
<v Speaker 1>not all of her pets, but some of them are

0:35:11.920 --> 0:35:16.840
<v Speaker 1>the goat, Oh yes, great goat name. And Albert the pig,

0:35:17.080 --> 0:35:19.840
<v Speaker 1>or possibly Albert the pig, depending on how French the

0:35:19.880 --> 0:35:20.319
<v Speaker 1>pig is.

0:35:21.160 --> 0:35:24.160
<v Speaker 3>I would say Albert's a good pig name, but Albert not.

0:35:24.960 --> 0:35:27.200
<v Speaker 2>So let's go with Albert.

0:35:28.640 --> 0:35:31.080
<v Speaker 1>Yeah, Albert the bear would be Yeah.

0:35:30.840 --> 0:35:33.640
<v Speaker 3>Albert is a great name for a bear. Yeah, because

0:35:33.640 --> 0:35:35.760
<v Speaker 3>it reminds me of owl Bears, one of my favorite

0:35:35.800 --> 0:35:36.640
<v Speaker 3>D and D monsters.

0:35:37.640 --> 0:35:39.880
<v Speaker 1>Yeah, exactly. She actually has a pet, Albert.

0:35:40.640 --> 0:35:41.240
<v Speaker 3>Oh awesome.

0:35:41.320 --> 0:35:45.480
<v Speaker 1>Yeah, she stole it from a Nazi breeding program.

0:35:45.800 --> 0:35:48.719
<v Speaker 3>Wow. Yeah, brave to keep a CR three pet in

0:35:48.760 --> 0:35:50.439
<v Speaker 3>your in your in your house.

0:35:50.560 --> 0:35:53.400
<v Speaker 1>Oh she's she can handle up to see R twelve

0:35:53.400 --> 0:35:54.239
<v Speaker 1>at least at this point.

0:35:54.320 --> 0:35:57.360
<v Speaker 3>Wow. Oh wow. Yeah, that's yeah.

0:35:57.440 --> 0:36:02.720
<v Speaker 1>So she wasn't the most famous Black American woman in France,

0:36:02.760 --> 0:36:05.160
<v Speaker 1>she's the most famous American in France and one of

0:36:05.160 --> 0:36:09.160
<v Speaker 1>the most famous Americans in Europe at this point. She's

0:36:09.160 --> 0:36:13.080
<v Speaker 1>also like, she's at least called the most photographed woman

0:36:13.120 --> 0:36:17.640
<v Speaker 1>in the world, and she becomes the first black woman

0:36:17.680 --> 0:36:20.200
<v Speaker 1>to star in a movie. In nineteen twenty seven, she

0:36:20.280 --> 0:36:23.920
<v Speaker 1>stars in Siren of the Tropics, which.

0:36:23.719 --> 0:36:27.160
<v Speaker 2>Is that sounds super unproblematic.

0:36:27.239 --> 0:36:29.680
<v Speaker 1>It's completely unproblematic. It's let me let me just put

0:36:29.680 --> 0:36:31.640
<v Speaker 1>this past you. This is actually I think this would

0:36:31.640 --> 0:36:34.600
<v Speaker 1>fly really well today. It's about a fictional colony that's

0:36:34.680 --> 0:36:38.200
<v Speaker 1>vaguely Polynesian. She's cast as an indigenous woman who falls

0:36:38.200 --> 0:36:41.160
<v Speaker 1>in love with a Frenchman moves to France, only to

0:36:41.160 --> 0:36:43.640
<v Speaker 1>be heartbroken by the fact that he's already engaged so

0:36:43.680 --> 0:36:46.120
<v Speaker 1>she goes out and is happier as a music hall performer.

0:36:46.160 --> 0:36:53.560
<v Speaker 4>Anyway, that's not as bad as a really expecting ID,

0:36:53.840 --> 0:36:56.560
<v Speaker 4>but the one where it's where the teacher and the

0:36:56.560 --> 0:36:58.880
<v Speaker 4>goat in the peg go on a journey across Europe

0:36:58.880 --> 0:37:00.640
<v Speaker 4>and like discover the treating the friendship.

0:37:00.760 --> 0:37:04.399
<v Speaker 1>But no, no, I agree the positive reviews of it

0:37:04.480 --> 0:37:06.680
<v Speaker 1>will all include the racist things like wow, she moves

0:37:06.680 --> 0:37:11.160
<v Speaker 1>like a wild animal or whatever. This increases her fame.

0:37:11.520 --> 0:37:14.600
<v Speaker 1>She goes on to star in Zazao in nineteen thirty

0:37:14.600 --> 0:37:18.160
<v Speaker 1>four as an and then I think, once again she

0:37:18.440 --> 0:37:20.480
<v Speaker 1>isn't allowed to love the white guy she's in love

0:37:20.520 --> 0:37:22.879
<v Speaker 1>with as like the central part of it. Then she's

0:37:23.000 --> 0:37:25.680
<v Speaker 1>Princess Tam Tam, in which she's a Tunisian woman who

0:37:25.719 --> 0:37:29.680
<v Speaker 1>winds up in Paris. Basically there is a trope named

0:37:29.680 --> 0:37:33.800
<v Speaker 1>after her of primitive to Parisian. However, this last one,

0:37:34.200 --> 0:37:36.520
<v Speaker 1>Hollywood sensors refuse to show it in the US, so

0:37:36.560 --> 0:37:39.640
<v Speaker 1>it only plays in select black theaters in the US

0:37:39.640 --> 0:37:42.839
<v Speaker 1>that are ignoring the Hollywood Code or whatever the fuck

0:37:42.840 --> 0:37:48.120
<v Speaker 1>that thing is called. She's an astoundingly good performer. She

0:37:48.239 --> 0:37:50.920
<v Speaker 1>sings opera, she spends a ton of her time driving

0:37:50.920 --> 0:37:53.880
<v Speaker 1>a fancy car into slums with prepared packages for folks,

0:37:54.200 --> 0:37:56.520
<v Speaker 1>like food, blankets, closed, that kind of shit. She just

0:37:56.560 --> 0:37:58.960
<v Speaker 1>like piles high her car with all this stuff and

0:37:59.360 --> 0:38:01.840
<v Speaker 1>shows up and passes it out to everyone because she

0:38:01.840 --> 0:38:05.640
<v Speaker 1>never forgets where she's from. She's also a terrible driver,

0:38:06.120 --> 0:38:11.880
<v Speaker 1>just absolutely awful driver. The driving school passed her because

0:38:11.880 --> 0:38:13.640
<v Speaker 1>they wanted to be able to claim that they were

0:38:13.640 --> 0:38:16.800
<v Speaker 1>the school who taught her, not because they had actually

0:38:16.800 --> 0:38:20.120
<v Speaker 1>successfully taught her. And so at one point she crashes

0:38:20.160 --> 0:38:24.160
<v Speaker 1>her car into a light post and gets out dazed

0:38:24.200 --> 0:38:26.680
<v Speaker 1>and signs autographs and then walks away and takes a

0:38:26.719 --> 0:38:27.400
<v Speaker 1>cab home.

0:38:31.160 --> 0:38:32.800
<v Speaker 2>Where any of the animals in the car.

0:38:33.640 --> 0:38:37.520
<v Speaker 1>I hope not none seemed to be harmed. They are

0:38:37.520 --> 0:38:41.120
<v Speaker 1>no animals harmed in the making of this script. She

0:38:41.320 --> 0:38:45.960
<v Speaker 1>was probably bisexual. She's like famously, she was bisexual. She

0:38:46.000 --> 0:38:48.799
<v Speaker 1>was sleeping like famously with other chorus girls and also

0:38:48.800 --> 0:38:52.080
<v Speaker 1>the other famous you know, performers and stuff. At her time.

0:38:52.400 --> 0:38:54.040
<v Speaker 1>She also had a lover who was a gay man,

0:38:54.880 --> 0:38:57.880
<v Speaker 1>and it's very likely that she was doing high end

0:38:57.920 --> 0:39:03.800
<v Speaker 1>sex work, but not everywhere, and everyone loved her in Paris,

0:39:03.960 --> 0:39:06.520
<v Speaker 1>the reigning star now in her fifties was a white

0:39:06.560 --> 0:39:10.319
<v Speaker 1>woman named misting Get, whose name I can't pronounce, whose

0:39:10.360 --> 0:39:20.280
<v Speaker 1>real name was Gian bourgeoisie or bourgeois gian bourgeois. Uh yeah,

0:39:20.480 --> 0:39:23.520
<v Speaker 1>Josephine was starting to replace this lady. This lady was

0:39:23.520 --> 0:39:27.799
<v Speaker 1>also a racist. She'd say things like, how is I

0:39:27.840 --> 0:39:32.600
<v Speaker 1>forget her name? That colored girl my substitute. That was

0:39:32.640 --> 0:39:37.000
<v Speaker 1>like basically how she constantly referred to to Josephine. One time,

0:39:37.040 --> 0:39:40.200
<v Speaker 1>at a fancy movie premiere, misting Get called Josephine an

0:39:40.239 --> 0:39:45.040
<v Speaker 1>old timey racist word, a pickaninny. So Josephine walked over,

0:39:45.239 --> 0:39:47.200
<v Speaker 1>dug her nails into the woman's arm and spat in

0:39:47.239 --> 0:39:54.360
<v Speaker 1>her face. Huh yeah, that's good, legit. Yeah. And she

0:39:54.400 --> 0:39:58.560
<v Speaker 1>also like is like literally this this older lady now

0:39:58.640 --> 0:40:00.960
<v Speaker 1>is like just literally being replaced.

0:40:01.120 --> 0:40:01.319
<v Speaker 2>You know.

0:40:01.360 --> 0:40:03.480
<v Speaker 1>It's like she'll be the star of something and they'll

0:40:03.520 --> 0:40:05.839
<v Speaker 1>be like never mind and just phenill come in, right,

0:40:06.600 --> 0:40:09.760
<v Speaker 1>And that's good because fuck that lady because she's old

0:40:09.800 --> 0:40:14.640
<v Speaker 1>and racist. But you know what is never racist? Capitalism?

0:40:14.960 --> 0:40:15.200
<v Speaker 2>Is it?

0:40:15.400 --> 0:40:15.640
<v Speaker 3>Right?

0:40:16.200 --> 0:40:18.000
<v Speaker 2>Is its items? Yeah?

0:40:18.080 --> 0:40:20.839
<v Speaker 3>Capitalism is not racist as long as you have enough

0:40:20.880 --> 0:40:23.239
<v Speaker 3>money to make not being racist worthwhile.

0:40:23.800 --> 0:40:28.240
<v Speaker 2>Yeah right, Yeah, And so it makes total sense.

0:40:28.960 --> 0:40:31.920
<v Speaker 1>We would like you, the listener, to peruse this fine

0:40:31.960 --> 0:40:37.919
<v Speaker 1>collection of what is it? Items, objects and stuff. Yeah,

0:40:38.120 --> 0:40:43.400
<v Speaker 1>so so what not tossed in there? Probably that's a

0:40:43.400 --> 0:40:46.319
<v Speaker 1>little bit far. I guess we would take we would

0:40:46.320 --> 0:40:49.000
<v Speaker 1>take what not Okay money, I think, I know, I

0:40:49.000 --> 0:40:50.200
<v Speaker 1>think we could take what not money?

0:40:50.320 --> 0:40:52.640
<v Speaker 3>That's okay, stuff things, whatnot.

0:40:52.840 --> 0:41:03.680
<v Speaker 1>Yeah, here you go and we're back. So there's two more.

0:41:03.840 --> 0:41:06.720
<v Speaker 1>There's two places that she runs into trouble besides random

0:41:06.719 --> 0:41:09.880
<v Speaker 1>movie premieres with random racists. Didn't. I don't know if

0:41:09.960 --> 0:41:12.040
<v Speaker 1>y'all knew this, but there are a couple places in

0:41:12.080 --> 0:41:16.880
<v Speaker 1>time and geography where instead of individual racists, there's entirely

0:41:17.080 --> 0:41:25.000
<v Speaker 1>large systems of racism. One of those was Germany.

0:41:26.800 --> 0:41:29.960
<v Speaker 2>I think we learned this in school. Yeah, the thing

0:41:30.000 --> 0:41:30.760
<v Speaker 2>gets personally.

0:41:30.880 --> 0:41:35.320
<v Speaker 1>Yeah, so Germany the only racist country in history.

0:41:35.960 --> 0:41:36.160
<v Speaker 2>Yeah.

0:41:36.920 --> 0:41:39.239
<v Speaker 1>In nineteen twenty six, she showed up and she was like, whoa,

0:41:39.280 --> 0:41:42.360
<v Speaker 1>it rules here because it is bymar Germany, and it rules.

0:41:42.880 --> 0:41:45.319
<v Speaker 1>And she plays a bunch of cabarets or whatever, has

0:41:45.320 --> 0:41:48.799
<v Speaker 1>a good time. Two years later, she's planning six months

0:41:48.840 --> 0:41:52.600
<v Speaker 1>in Berlin and doing shows the whole time, and first

0:41:52.640 --> 0:41:55.360
<v Speaker 1>she shows up in Austria, which is undergrowing Nazi influence,

0:41:56.239 --> 0:41:59.480
<v Speaker 1>and was met with angry mobs and had to be

0:41:59.600 --> 0:42:04.360
<v Speaker 1>escorted around by armed guards because she is the fucking

0:42:04.360 --> 0:42:08.800
<v Speaker 1>living embodiment of not Nazi. She is a slightly black,

0:42:09.000 --> 0:42:14.360
<v Speaker 1>she is unashamedly sexual and bisexual. So basically they're like

0:42:14.440 --> 0:42:18.640
<v Speaker 1>this is yeah, this I mean, and that's actually like

0:42:18.680 --> 0:42:20.319
<v Speaker 1>literally part of it. It's funny because it's like you

0:42:20.360 --> 0:42:22.319
<v Speaker 1>look at this, like, Okay, she's playing up to these

0:42:22.320 --> 0:42:24.839
<v Speaker 1>like kind of racist tropes, you know this, like dulcavage

0:42:24.960 --> 0:42:28.279
<v Speaker 1>or whatever. But literally the fact that the French were

0:42:28.320 --> 0:42:31.120
<v Speaker 1>okay with that was part of why Germany was like

0:42:31.280 --> 0:42:35.360
<v Speaker 1>we fucking hate the degenerate French because they're okay with

0:42:35.440 --> 0:42:40.520
<v Speaker 1>a black woman. So yeah, there's a.

0:42:40.480 --> 0:42:43.200
<v Speaker 3>Really funny story from kind of the early era of

0:42:43.239 --> 0:42:45.920
<v Speaker 3>the Third Reich when they held Gebels. I think is

0:42:45.960 --> 0:42:48.000
<v Speaker 3>going to put it together this big exhibition that was

0:42:49.560 --> 0:42:55.640
<v Speaker 3>the degenerate art Exhibition. I actually know the German but

0:42:55.719 --> 0:42:57.360
<v Speaker 3>I know I'll pronounce it wrong if I say it,

0:42:58.680 --> 0:43:01.279
<v Speaker 3>but it's like they did this big exhibition that was

0:43:01.320 --> 0:43:03.239
<v Speaker 3>supposed to be I think it was contrast with like,

0:43:03.560 --> 0:43:05.759
<v Speaker 3>you know, decent you know, Arian art.

0:43:05.840 --> 0:43:09.800
<v Speaker 2>Roper German arts proper Arean art which which all looks

0:43:09.840 --> 0:43:10.800
<v Speaker 2>like Tom of Finland.

0:43:11.280 --> 0:43:14.080
<v Speaker 3>People kept hanging out listening to the jazz and looking

0:43:14.080 --> 0:43:16.479
<v Speaker 3>at like the degenerate art because it was good.

0:43:17.400 --> 0:43:23.760
<v Speaker 1>Yeah, yeah, actually, and gebels Uh definitely know Josephine Baker

0:43:23.800 --> 0:43:27.400
<v Speaker 1>by name, and multiple times was specifically like Josephine Baker

0:43:27.560 --> 0:43:33.440
<v Speaker 1>is the enemy. That's which is a yeah, it speaks

0:43:33.480 --> 0:43:34.040
<v Speaker 1>well of you.

0:43:34.040 --> 0:43:34.239
<v Speaker 3>You know.

0:43:34.600 --> 0:43:36.680
<v Speaker 1>There's actually a part I didn't put it in a script.

0:43:36.719 --> 0:43:40.839
<v Speaker 1>At one point, Hitler goes to ah fuck, he goes

0:43:40.880 --> 0:43:43.840
<v Speaker 1>to some country and he goes to like the fanciest hotel,

0:43:44.160 --> 0:43:45.880
<v Speaker 1>and they put him in the fanciest room in the

0:43:45.920 --> 0:43:49.440
<v Speaker 1>fanciest hotel and there's a giant portrait of Josephine Baker

0:43:49.440 --> 0:43:53.600
<v Speaker 1>above the bed, and he's angry. He's so angry.

0:43:54.880 --> 0:43:55.880
<v Speaker 2>Was it there before her?

0:43:57.120 --> 0:44:02.400
<v Speaker 1>Oh my god? Yeah, And I hope whoever did that

0:44:02.400 --> 0:44:09.080
<v Speaker 1>to him survives. Yeah, So there's angry mobs. She has

0:44:09.120 --> 0:44:12.040
<v Speaker 1>to be escorted around. She goes to Berlin planning the

0:44:12.080 --> 0:44:15.080
<v Speaker 1>six month run of a show. She's stalked and harassed

0:44:15.080 --> 0:44:17.759
<v Speaker 1>and jeered people yell, go back to Africa and a

0:44:17.760 --> 0:44:22.040
<v Speaker 1>lot of other less nice things. Nazi papers are mad

0:44:22.040 --> 0:44:24.320
<v Speaker 1>that she was like ruining her co star this like

0:44:24.440 --> 0:44:29.160
<v Speaker 1>nice blonde lady. After three weeks she leaves, she flees,

0:44:29.320 --> 0:44:32.160
<v Speaker 1>She's like, I can't fucking do this, and she goes

0:44:32.200 --> 0:44:36.279
<v Speaker 1>back to Paris. But so the Nazis didn't like her.

0:44:37.160 --> 0:44:39.560
<v Speaker 1>Do you know where else struggled with racism only for

0:44:39.600 --> 0:44:42.640
<v Speaker 1>a brief moment, obviously, it's never had racism before after

0:44:42.680 --> 0:44:43.120
<v Speaker 1>this place?

0:44:43.600 --> 0:44:43.799
<v Speaker 2>Right?

0:44:44.280 --> 0:44:44.720
<v Speaker 3>Canada?

0:44:45.680 --> 0:44:51.160
<v Speaker 1>Similar the United States in the nineteen twenties thirties.

0:44:51.239 --> 0:44:53.440
<v Speaker 3>Really Mexico's Canada.

0:44:53.560 --> 0:44:56.279
<v Speaker 1>Yeah, yeah, yeah, Mexico's Canada.

0:44:57.200 --> 0:45:00.600
<v Speaker 2>So I'm trying really hard to do this. U isn't here, Yeah, practicing, No,

0:45:00.680 --> 0:45:02.920
<v Speaker 2>I appreciate. How's it doing? Thank you?

0:45:03.160 --> 0:45:05.080
<v Speaker 1>It's great because actually what you're doing is you're changing

0:45:05.120 --> 0:45:07.280
<v Speaker 1>the tone of your sarcasm to go from British sarcasm

0:45:07.280 --> 0:45:11.120
<v Speaker 1>which goes above the heads of all Americans and instead

0:45:11.160 --> 0:45:12.000
<v Speaker 1>trying to do amza.

0:45:12.040 --> 0:45:15.200
<v Speaker 2>No, no, no, it's because you think that, because that's just

0:45:15.239 --> 0:45:16.320
<v Speaker 2>because I'm never doing it.

0:45:17.440 --> 0:45:19.360
<v Speaker 1>Ah, okay, okay, good to know.

0:45:19.600 --> 0:45:22.120
<v Speaker 2>Yeah, yeah it's not. I've let you were in a

0:45:22.160 --> 0:45:26.439
<v Speaker 2>little secret there, which is sometimes like it's British people

0:45:26.440 --> 0:45:29.200
<v Speaker 2>are not. We just sound like if it doesn't actually

0:45:29.360 --> 0:45:31.919
<v Speaker 2>mean we're clever. And you have to know British people

0:45:31.960 --> 0:45:34.160
<v Speaker 2>for a little bit before you realize this, and then

0:45:34.200 --> 0:45:36.200
<v Speaker 2>it's just slightly worse for us. And then we go

0:45:36.239 --> 0:45:37.960
<v Speaker 2>home and come back and try to find some new

0:45:38.000 --> 0:45:41.799
<v Speaker 2>Americans who haven't yet been nam on this trick that.

0:45:41.760 --> 0:45:43.759
<v Speaker 1>Makes a lot of sense and explains a lot of

0:45:43.760 --> 0:45:48.920
<v Speaker 1>things so great. In nineteen thirty six, she goes back

0:45:48.920 --> 0:45:51.480
<v Speaker 1>to Broadway and she's hoping for this whole I mean,

0:45:51.520 --> 0:45:52.920
<v Speaker 1>she's like one of the most famous people in the

0:45:52.960 --> 0:45:56.799
<v Speaker 1>fucking world, right, She's a millionaire, she owns goddamn mansion, sorry,

0:45:56.800 --> 0:46:00.200
<v Speaker 1>a chateau, like most photographed woman in the world. Like,

0:46:00.760 --> 0:46:05.520
<v Speaker 1>clearly the US's racism will like make some exceptions for

0:46:05.600 --> 0:46:10.040
<v Speaker 1>Josephine Baker. She can't find a hotel to let her

0:46:10.080 --> 0:46:15.760
<v Speaker 1>stay in New York City. Whoa her Japanese friends, chauffeur

0:46:16.640 --> 0:46:19.319
<v Speaker 1>from the from the Japanese embassy. He's afraid of being

0:46:19.360 --> 0:46:23.280
<v Speaker 1>seen driving around a black woman. The New York Times

0:46:23.360 --> 0:46:29.600
<v Speaker 1>calls her a negro wench Oh boy, yeah, she opens up.

0:46:30.400 --> 0:46:34.719
<v Speaker 1>She opens up her own club, also called Josephine. Sorry,

0:46:34.719 --> 0:46:39.000
<v Speaker 1>I should have highlighted that for you, Robert, thank you,

0:46:40.239 --> 0:46:41.840
<v Speaker 1>But it wasn't really working the same way to a

0:46:41.920 --> 0:46:45.680
<v Speaker 1>US audience. It's just like, didn't the US audience was

0:46:45.719 --> 0:46:51.320
<v Speaker 1>segregated essentially, you know, And.

0:46:50.360 --> 0:46:53.160
<v Speaker 2>This is really sad. It's just really sad, like you're

0:46:53.160 --> 0:46:55.600
<v Speaker 2>suddenly facing all this stuff like Germany, and then you

0:46:55.680 --> 0:46:58.680
<v Speaker 2>come home and it's even worse. I don't know, it's

0:46:59.320 --> 0:47:02.120
<v Speaker 2>something that sorry, I'm not being very clever. No, no,

0:47:02.200 --> 0:47:05.920
<v Speaker 2>I mean it's like the the having like I don't know,

0:47:05.960 --> 0:47:08.640
<v Speaker 2>you must she must have felt like, you know, having

0:47:08.680 --> 0:47:10.799
<v Speaker 2>been in France for that time, that she finally got

0:47:10.840 --> 0:47:13.719
<v Speaker 2>away from some stuff well, that things could be all right,

0:47:13.800 --> 0:47:15.719
<v Speaker 2>but then it was just this one place that was

0:47:15.800 --> 0:47:17.560
<v Speaker 2>just a little bit better, even though she had to

0:47:17.560 --> 0:47:20.560
<v Speaker 2>make those but it kind of sounds like in France

0:47:20.640 --> 0:47:24.320
<v Speaker 2>she got to she got to choose which compromises.

0:47:23.719 --> 0:47:28.440
<v Speaker 1>To make, yeah, totally totally, and the US won't let

0:47:28.480 --> 0:47:31.319
<v Speaker 1>her make those decisions, and then Germany wants to just

0:47:31.600 --> 0:47:36.480
<v Speaker 1>murder her. Right, so she's like, all right, fuck you.

0:47:37.000 --> 0:47:39.680
<v Speaker 1>She leaves, she goes and she becomes a French citizen.

0:47:39.719 --> 0:47:42.080
<v Speaker 1>She goes back to France, she becomes a French citizen

0:47:42.920 --> 0:47:46.960
<v Speaker 1>maybe depending on the specifics of some bigamy stuff. But

0:47:47.040 --> 0:47:50.360
<v Speaker 1>she marries this Jewish sugar magnate whose name is Jean

0:47:50.440 --> 0:47:53.600
<v Speaker 1>Lyon or Jean Lyon or something.

0:47:53.800 --> 0:47:58.520
<v Speaker 2>Oh like from like, yeah, yeah, that's the brand of

0:47:58.560 --> 0:48:02.480
<v Speaker 2>sugar that like we have in the oh really yeah, yeah,

0:48:02.560 --> 0:48:03.120
<v Speaker 2>Lions Sugar.

0:48:03.200 --> 0:48:07.480
<v Speaker 1>Oh that's funny. Yeah, that's that's what family she marries into.

0:48:07.960 --> 0:48:11.720
<v Speaker 1>And she doesn't take the name Lion, even though everything

0:48:11.760 --> 0:48:15.520
<v Speaker 1>she does is animal themed, which is like kind of

0:48:15.520 --> 0:48:18.879
<v Speaker 1>good on her, you know. And apparently he proposed while

0:48:18.880 --> 0:48:21.400
<v Speaker 1>the two of them were flying in a plane, sorry,

0:48:21.400 --> 0:48:24.600
<v Speaker 1>he was flying a plane that she was in, because

0:48:24.600 --> 0:48:26.360
<v Speaker 1>he's a bored rich guy and so he wanted to

0:48:26.400 --> 0:48:30.120
<v Speaker 1>learn how to fly, so he went again. Yeah, but

0:48:32.040 --> 0:48:33.920
<v Speaker 1>he teaches her how to fly, and this is going

0:48:34.000 --> 0:48:36.759
<v Speaker 1>to come up in really cool ways in World War Two.

0:48:37.800 --> 0:48:40.000
<v Speaker 1>The marriage was always a bit rocky because they're both

0:48:40.080 --> 0:48:44.640
<v Speaker 1>uncompromising about their own careers, his business and politics, hers

0:48:44.640 --> 0:48:47.279
<v Speaker 1>his show business. But he teaches her how to fly,

0:48:48.200 --> 0:48:52.520
<v Speaker 1>and it's possible. She never technically divorced Willie Baker, but

0:48:52.719 --> 0:48:56.600
<v Speaker 1>it's a different country. Who fucking cares. Everyone is obsessed

0:48:56.600 --> 0:48:59.960
<v Speaker 1>with her. Hemingway spends hours chatting her up and right

0:49:00.160 --> 0:49:02.200
<v Speaker 1>her about her. Picasso paints her.

0:49:02.280 --> 0:49:07.920
<v Speaker 2>Oh my god. Yeah, yeah, that must have been so crazy.

0:49:08.120 --> 0:49:13.960
<v Speaker 2>I can just imagine it being naked constantly and it's

0:49:14.040 --> 0:49:15.640
<v Speaker 2>aving away. See.

0:49:16.040 --> 0:49:18.520
<v Speaker 1>I like to imagine that it's while Picasso's painting her,

0:49:18.520 --> 0:49:20.640
<v Speaker 1>and they're both just like sort of taking turns trying

0:49:20.640 --> 0:49:21.200
<v Speaker 1>to hit on her.

0:49:23.760 --> 0:49:28.680
<v Speaker 3>Wow, that's like the Battle of the Problematic Kings. Yeah,

0:49:30.000 --> 0:49:33.040
<v Speaker 3>the two most problematic men in our history both hitding

0:49:33.120 --> 0:49:33.800
<v Speaker 3>on you at once.

0:49:34.280 --> 0:49:40.040
<v Speaker 1>Oh Dolly, isn't there Oh yeah, yeah, you're right.

0:49:40.320 --> 0:49:42.600
<v Speaker 3>They are all retroactively canceled.

0:49:42.680 --> 0:49:48.640
<v Speaker 1>Yeah, so this is her life. She now lives in,

0:49:48.760 --> 0:49:51.480
<v Speaker 1>I think, still the same chateau with the Lion family,

0:49:52.760 --> 0:49:55.440
<v Speaker 1>all of the ship rules. She's amazing, she's doing cool stuff.

0:49:55.480 --> 0:49:57.160
<v Speaker 1>But that's not what we're here to talk about with her.

0:49:57.640 --> 0:49:59.080
<v Speaker 1>We're going to talk about how she was a badass,

0:49:59.080 --> 0:50:01.719
<v Speaker 1>fucking spy, crucial part of the machine that ripped apart

0:50:01.760 --> 0:50:08.040
<v Speaker 1>fascism limb by limb, but one messy part. In nineteen

0:50:08.080 --> 0:50:14.240
<v Speaker 1>thirty five, she vocally supported Mussolini's invasion of Ethiopia because

0:50:14.400 --> 0:50:16.759
<v Speaker 1>that's because he said he was going in there to

0:50:16.840 --> 0:50:20.920
<v Speaker 1>end slavery, and she was like, sick, I hate slavery. Yeah,

0:50:20.960 --> 0:50:24.200
<v Speaker 1>well grandparents I think maybe great maybe great grandparents. I

0:50:24.200 --> 0:50:26.719
<v Speaker 1>don't remember which, but don't worry. Not only is she

0:50:26.840 --> 0:50:30.040
<v Speaker 1>more than make up for this mistake. Oddly it works

0:50:30.040 --> 0:50:34.719
<v Speaker 1>out against Mussolini that she did so that she like

0:50:34.880 --> 0:50:38.160
<v Speaker 1>supported him to begin with. And we'll talk about that

0:50:39.280 --> 0:50:41.200
<v Speaker 1>on Wednesday. That's my cliffhanger.

0:50:41.920 --> 0:50:47.279
<v Speaker 3>Oh wow, yeah, exciting man, old purbageous.

0:50:48.160 --> 0:50:50.319
<v Speaker 1>All right, Laurie, do you have any plugs you want

0:50:50.360 --> 0:50:54.759
<v Speaker 1>to plug here at the end of the first episode.

0:50:54.480 --> 0:50:59.120
<v Speaker 2>Well, you could good buy any of my more recent books.

0:50:59.480 --> 0:51:03.359
<v Speaker 2>Got a bit doctrine. I've got Sexual Revolution, and they're

0:51:03.360 --> 0:51:06.600
<v Speaker 2>available from lots of different bookshops. And although I don't

0:51:06.640 --> 0:51:08.880
<v Speaker 2>mind if you steal one, that's that's fair, I think

0:51:08.920 --> 0:51:14.120
<v Speaker 2>for this podcast, and honestly I don't mind. It's you

0:51:14.120 --> 0:51:16.880
<v Speaker 2>don't write books to make money? Come on, we'll not No,

0:51:17.160 --> 0:51:19.479
<v Speaker 2>I shouldn't say that you should write books to make money,

0:51:19.480 --> 0:51:22.120
<v Speaker 2>but just in case, I think people should read them anyway.

0:51:22.760 --> 0:51:25.560
<v Speaker 2>And if you want to read my work entirely for

0:51:25.640 --> 0:51:29.520
<v Speaker 2>free above board and the distimately, just like search them

0:51:29.560 --> 0:51:30.879
<v Speaker 2>my articles and wired.

0:51:32.080 --> 0:51:34.719
<v Speaker 1>Or go to a library, and don't steal it from

0:51:34.760 --> 0:51:35.320
<v Speaker 1>the library.

0:51:35.480 --> 0:51:38.239
<v Speaker 2>Oh yeah, yeah, we don't really have those anymore in

0:51:38.280 --> 0:51:41.080
<v Speaker 2>the UK for thirteen years of conservative all over here.

0:51:41.160 --> 0:51:43.200
<v Speaker 2>So you forgetting.

0:51:43.120 --> 0:51:48.360
<v Speaker 1>Yeah, yeah, I mean I guess, yeah, fair enough.

0:51:49.120 --> 0:51:51.680
<v Speaker 2>The nurses are on strike today.

0:51:51.920 --> 0:51:52.399
<v Speaker 3>That's good.

0:51:52.800 --> 0:51:56.759
<v Speaker 2>Oh yeah, it's also a bit dangerous, but you know

0:51:56.800 --> 0:51:57.720
<v Speaker 2>they should be on strike.

0:51:58.560 --> 0:52:01.520
<v Speaker 1>Yeah, Sophie, do you have anything you want to plug?

0:52:02.600 --> 0:52:02.719
<v Speaker 4>Uh?

0:52:02.960 --> 0:52:07.520
<v Speaker 3>Yeah, you know the get a pig. Get a pet, pig,

0:52:08.520 --> 0:52:11.359
<v Speaker 3>steal it from one of those horrible places where they

0:52:11.560 --> 0:52:15.239
<v Speaker 3>keep thousands of pigs pinned together above rivers of shit,

0:52:15.719 --> 0:52:17.640
<v Speaker 3>and then take it home and make it your friend.

0:52:18.440 --> 0:52:20.920
<v Speaker 1>That's what just bad would I think that is what

0:52:21.000 --> 0:52:25.239
<v Speaker 1>it would do. Yeah, and I want to plug that.

0:52:25.840 --> 0:52:29.120
<v Speaker 1>People should plant trees. No, actually, the way that people

0:52:29.160 --> 0:52:31.160
<v Speaker 1>go out and randomly plant trees and large numbers doesn't

0:52:31.160 --> 0:52:36.000
<v Speaker 1>always actually work. Do good things instead of bad things.

0:52:36.239 --> 0:52:38.960
<v Speaker 1>That's my search. How to plant trees in a way

0:52:39.000 --> 0:52:42.359
<v Speaker 1>that helps and then do that? Yeah, do that and

0:52:42.400 --> 0:52:46.520
<v Speaker 1>we will talk to you all on Wednesday. Cool People

0:52:46.640 --> 0:52:49.560
<v Speaker 1>Who Did Cool Stuff is a production of cool Zone Media.

0:52:49.719 --> 0:52:52.600
<v Speaker 2>For more podcasts from cool Zone Media, visit our website

0:52:52.680 --> 0:52:56.359
<v Speaker 2>Coolzonemedia Dot com or check us out on the iHeartRadio app,

0:52:56.400 --> 0:53:00.920
<v Speaker 2>Apple podcasts, or wherever you get your podcasts of