WEBVTT - JT The Bigga Figga Talks Dame Dash Stealing & Much More

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<v Speaker 1>We like to welcome you to another episode Against the

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<v Speaker 1>Chronicles podcast and I'm with my dog. Yeah, and again

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<v Speaker 1>for like the umpteenth week in a row, we have

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<v Speaker 1>our special guest co host journalists extraordinary Mster Soren Baker.

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<v Speaker 2>Thank you for having me. Glad to be here and.

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<v Speaker 1>Live you know via saturllite San Francisco, not via satall

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<v Speaker 1>like it's he live here in person. Say to you

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<v Speaker 1>the bigger figure, the world's greatest hustling.

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<v Speaker 3>Come on with it, Saluke.

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<v Speaker 1>Happy to be here for sure, for sure, Man, do

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<v Speaker 1>me your favorite brother, grab the Michael a little bit

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<v Speaker 1>more towards you if you can.

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<v Speaker 4>We want to make sure we definitely hear and everything,

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<v Speaker 4>yes sir, yes, sir, make sure we're hearing everything you can.

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<v Speaker 4>So you know, we've been talking about these top fifty

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<v Speaker 4>gangster rap albums of all time. We would kind of

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<v Speaker 4>put that on pause this week because we do have

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<v Speaker 4>a special guest in the house. First thing I want

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<v Speaker 4>to ask you, man, is where did you develop your

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<v Speaker 4>work ethic.

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<v Speaker 5>I'm born and raised San Francisco, Fillmore District. I come

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<v Speaker 5>up under rapid fote hewmc as the forefathers in my neighborhood.

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<v Speaker 5>Learning the independent game. Coming from where I'm from, I

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<v Speaker 5>got to say two short e forty as the pioneers

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<v Speaker 5>of I'm pressing up my own product and I'm putting

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<v Speaker 5>it out myself. So that was my first example of

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<v Speaker 5>my pursuit in this independent game was that I had

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<v Speaker 5>to create the product which was recorded, and then I

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<v Speaker 5>had to get the money to manufacture.

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<v Speaker 3>Manufacturing.

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<v Speaker 5>My first product was in June nineteen ninety two, and

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<v Speaker 5>I always remember the price. I paid six hundred and

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<v Speaker 5>forty nine dollars for five hundred cassettes that were duplicated

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<v Speaker 5>at this place called Music Annex in the Bay Area.

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<v Speaker 5>And I never knew that manufacturing you can pay.

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<v Speaker 3>But back then I wanted.

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<v Speaker 5>A record deal because I thought the record label pressed

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<v Speaker 5>up the tapes. I didn't know there was a plant

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<v Speaker 5>that they hire.

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<v Speaker 3>So I got that knowledge at a young age.

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<v Speaker 5>So that was my first order pressing up my own

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<v Speaker 5>five hundred tapes. At that time, a cassette tape was

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<v Speaker 5>ten dollars, so to make the inserts I paid maybe

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<v Speaker 5>two hundred and fifty more dollars. I used the Polaroid camera.

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<v Speaker 5>This is all independent, This is my independent beginning. When

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<v Speaker 5>I seen that I did this myself, it put the

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<v Speaker 5>confidence in me of what I heard eve forty and

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<v Speaker 5>two sure doing. But as a teenager I paid for this.

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<v Speaker 5>It ain't a bunch of tapes, but at one time pressing.

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<v Speaker 5>Four months later I dropped another tape, and this time

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<v Speaker 5>it was fourteen songs. These fourteen songs, Now I had

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<v Speaker 5>my big homie since I put this five hundred out

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<v Speaker 5>and the hood messing with me. I give you the

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<v Speaker 5>money to press up five thousand tapes. So the five

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<v Speaker 5>thousand tapes. Now I got a full color wrapped in

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<v Speaker 5>plastic cassette tape. I went to in a minute or

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<v Speaker 5>Music People Distribution and then Walchers Zelnick at.

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<v Speaker 3>City Hall Distribution.

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<v Speaker 5>These were the two points that if you get your

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<v Speaker 5>product there, it can go to the stores.

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<v Speaker 3>But before.

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<v Speaker 5>Just going to the distributor, I knew where record stores

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<v Speaker 5>was at myself. So for me to go sell one

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<v Speaker 5>hundred cassette tapes for five hundred dollars, but I paid

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<v Speaker 5>less than a dollar for the cassette tape, but to

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<v Speaker 5>make five dollars per unit, So I'm looking at twenty

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<v Speaker 5>five thousand dollars potentially off of five thousand. My big

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<v Speaker 5>homie launched me probably seven thousand. I was able to

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<v Speaker 5>give him back his seven thousand with another five added on,

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<v Speaker 5>so he got twelve thousand out to twenty five. I

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<v Speaker 5>don't think I made the whole twenty five because I

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<v Speaker 5>was given some out. But the concept for a teenager

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<v Speaker 5>to make twenty five thousand dollars legally, that is what

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<v Speaker 5>I think stuck with me throughout all my years. That

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<v Speaker 5>no matter if I get a deal or not, I

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<v Speaker 5>learned the secret of let me go.

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<v Speaker 3>Press my own.

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<v Speaker 5>And then that same concept went to when I make films,

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<v Speaker 5>shoot my own.

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<v Speaker 4>Film, and I got to print up DVDs.

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<v Speaker 5>Back then it was dhs, then it went to DVDs,

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<v Speaker 5>so it was like casseette tapes.

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<v Speaker 4>Then now a CD costs.

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<v Speaker 5>In the store sixteen dollars, but to manufacture was a

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<v Speaker 5>dollar twenty five. So just one thousand CDs is twelve hundred.

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<v Speaker 5>That's how we did our math. Like a drug dealer.

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<v Speaker 5>Even if I don't have enough to press up a lot,

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<v Speaker 5>if I need to pay my rent or if i'm behind,

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<v Speaker 5>I can remember I don't have a job, So let

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<v Speaker 5>me make a new project and go just sell a

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<v Speaker 5>certain amount of copies to get the money, and then

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<v Speaker 5>a CD getting half the money was the concept. If

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<v Speaker 5>I take it to the store, I'm getting eight dollars,

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<v Speaker 5>so one thousand discs I can make eight thousand, and

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<v Speaker 5>I'm selling my whole thousand pack because I ain't got

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<v Speaker 5>no room no more to give them out for free.

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<v Speaker 3>To get my name.

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<v Speaker 5>Going once, your name once, you got just any kind

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<v Speaker 5>of fan base, I said, I could feed this to

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<v Speaker 5>this population to keep some money. This would kept me

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<v Speaker 5>from drugs, and this would make me have so many

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<v Speaker 5>different albums and joint albums and compilations because every one

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<v Speaker 5>of them represented a certain amount of money as soon

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<v Speaker 5>as I print them up, you know what. So that

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<v Speaker 5>that uh that that hustling, grinding't do it your self concept.

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<v Speaker 5>And I got to get credit to the Honorable Minister

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<v Speaker 5>Lewis far Khin because he had the Brothers of the

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<v Speaker 5>Nation and Islam coming out. And that's when I start

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<v Speaker 5>seeing the brothers with the papers on the corner of

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<v Speaker 5>the pies. But they will always say something about, uh,

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<v Speaker 5>do for self, black man, start a business, black man,

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<v Speaker 5>like you know, telling the young people that. But you know,

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<v Speaker 5>we in the streets, we hustling. You know, I'm part

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<v Speaker 5>time rapping. I'm still trying to sell some weed, you know,

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<v Speaker 5>a little potter try to make some coke into.

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<v Speaker 4>Some rocks or something. But it never worked good for me.

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<v Speaker 4>The music worked it good.

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<v Speaker 5>I remember printing up ten thousand discs and I'm finna

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<v Speaker 5>go pick up eighty thousand dollars. But this type of

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<v Speaker 5>number in the streets for a kilo dealer, that's that's

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<v Speaker 5>basic numbers. But to a teenager with discs, I'm going

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<v Speaker 5>to pick up kelo money. R.

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<v Speaker 4>Kelo.

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<v Speaker 5>Guys started to look up to me, and I'm younger

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<v Speaker 5>than them, but they had kilo money. The benz is

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<v Speaker 5>the plug for the powder packs and all you know

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<v Speaker 5>the weed.

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<v Speaker 3>You know how ballers get.

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<v Speaker 5>But that came a penitentiary time and the minister said, brothers,

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<v Speaker 5>you are being used as a distributor for drugs. But

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<v Speaker 5>instead of a kilo of cocaine, how about you cook a.

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<v Speaker 3>Kilo of yourself. Look at yourself as the kilo.

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<v Speaker 5>That means you have to create a product that you

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<v Speaker 5>can sell yourself, whether that's selling dimer And you know

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<v Speaker 5>how to make your chicken or your fish taste good.

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<v Speaker 5>Some people have a barbecue grill that been having smoked.

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<v Speaker 5>It been ten thousand barbecues been in there. When they

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<v Speaker 5>cook in here, it have a taste. People buy that barbecue.

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<v Speaker 5>They know when I buy this plate for the ten

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<v Speaker 5>or the fifteen or the twenty. The same concept of

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<v Speaker 5>making the album that I'm making in my mom house.

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<v Speaker 5>In my bedroom, I didn't put my bed out. I

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<v Speaker 5>don't have no furniture all. I got a studio equipment

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<v Speaker 5>in this room and I sleep on the floor because

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<v Speaker 5>I'm so excited that if this next album w't mak it,

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<v Speaker 5>I got access to make some thousands. So the concept

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<v Speaker 5>of just doing it yourself, I gotta say, Minister Farkhan

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<v Speaker 5>and the brothers when I heard them say, instead of

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<v Speaker 5>cook Aquilo of dope, cook aquilo of yourself, did you

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<v Speaker 5>know black men, brothers, did you know that you full

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<v Speaker 5>of talent and all your ideas is the money?

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<v Speaker 4>The money, not the money. It's your idea that's the money.

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<v Speaker 2>It's the currency.

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<v Speaker 4>Like literally that I say, damn okay. He said, do

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<v Speaker 4>you know when you pray to God for something that

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<v Speaker 4>he might give it to you in the dream, but

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<v Speaker 4>you still got to fulfill it. You might have had

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<v Speaker 4>the dream of yourself seeing yourself.

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<v Speaker 5>But now you might have to sleep on the floor.

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<v Speaker 5>You might have to sleep, you know, you might have

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<v Speaker 5>to h wise dishes. You might have to work at McDonald's.

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<v Speaker 5>You might can't hang on the block no more. Wire

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<v Speaker 5>My dreams so important. I can't gamble selling dope right

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<v Speaker 5>now to go to the pen in nineteen ninety three,

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<v Speaker 5>you get caught with a fifty shot a crack in

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<v Speaker 5>San Francisco, you could do five to ten years. When

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<v Speaker 5>when Bill Clinton and that Hillary Clinton made that thing

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<v Speaker 5>and something about from part of the crack or something, man,

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<v Speaker 5>I said, I'm I'm out I could sell I could

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<v Speaker 5>sell a thousand dish and make eight thousand. Now that's

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<v Speaker 5>ninety three, ninety two. I made my mind up when

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<v Speaker 5>I made them first five hundred cassette tapes. When I

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<v Speaker 5>sold that, and I probably made about maybe eighteen nineteen hundred,

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<v Speaker 5>but I literally doubled my money right from my studio time.

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<v Speaker 5>And then the fifteen hundred or the seventeen hundred that

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<v Speaker 5>my homeboy gave me. Because I'm like, I'm not selling

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<v Speaker 5>doughe I'm gonna ask somebody who got the money to

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<v Speaker 5>help me to pay for my stuff. When I was

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<v Speaker 5>able to pay them back, then one of my other

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<v Speaker 5>homeboys came and said, let me give you more money.

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<v Speaker 3>Because I want to be part of your new album.

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<v Speaker 5>But I knew I want to be on my own

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<v Speaker 5>label though, So I learned from Sugar Knight, Herry Go

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<v Speaker 5>Doctor Dre. I looked at the components. I looked at

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<v Speaker 5>the movie Crush Groove Russell Simmons. His brother is a rapper.

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<v Speaker 5>He don't got the money, his family don't believe in him.

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<v Speaker 5>But he brought five thousand from JB. But he didn't

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<v Speaker 5>pay JB back on time in the movie, and he

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<v Speaker 5>was getting beat.

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<v Speaker 4>Up onto the movie. So I learned from that movie,

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<v Speaker 4>if you bought the money, you got to pay the

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<v Speaker 4>money back. I don't know what he was thinking about.

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<v Speaker 4>They had already got some money. JB was like, I

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<v Speaker 4>want to be part of the deal. Now I'm part

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<v Speaker 4>of the whole thing now, Yeah, for sure.

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<v Speaker 5>So the concept that's the movie that taught me get

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<v Speaker 5>a money back. Mm hm, that's the movie taught me.

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<v Speaker 4>Don't play with somebody who even trust you, even if

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<v Speaker 4>it is a long shark.

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<v Speaker 3>If you agree to the terms, pay accordingly.

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<v Speaker 5>Because each person that gave me some money, I had

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<v Speaker 5>to have a conversation and an understanding, and it wasn't

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<v Speaker 5>on contract.

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<v Speaker 4>It's whatever we say right now, that's the deal words.

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<v Speaker 4>That's how going boy listen. So in my hood, I

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<v Speaker 4>didn't do no plan, but I was trusted if JT

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<v Speaker 4>need money for any one of y'all, could get JT

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<v Speaker 4>some money and he gonna bring back that plus some play.

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<v Speaker 1>And I'm pretty sure some of them ballers up there

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<v Speaker 1>and Frisco saw how you was just getting that money

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<v Speaker 1>without the stress of text when you say, dope, you

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<v Speaker 1>can't sleep at night.

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<v Speaker 5>That's the part of the dream that I had wanting

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<v Speaker 5>to be, Like, damn, I want to be like big Bro. Now, man,

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<v Speaker 5>they got the packs, they you know, the money coming in,

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<v Speaker 5>they got the guns.

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<v Speaker 4>Is yeah, they got everything that looked that be every

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<v Speaker 4>nigg little nigga's vision in the hood. You see the

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<v Speaker 4>big time nigga, it's like, man, shit, you don't be

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<v Speaker 4>like I want to be the doctor, the lawyer or

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<v Speaker 4>none of it. Like shit, them niggas down the block

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<v Speaker 4>got it all.

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<v Speaker 5>That's exactly that, just just like you say, that's in

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<v Speaker 5>every black neighborhood.

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<v Speaker 3>Whoever was popping with the packs, and I won't end

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<v Speaker 3>on that. I want to.

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<v Speaker 5>But then I started to see the avenue of people

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<v Speaker 5>that will say, well, I don't want to have to

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<v Speaker 5>wait to hustle.

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<v Speaker 3>I'm gonna break in a baller.

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<v Speaker 5>House, I'm gonna break in this dash spot or he

0:11:27.120 --> 0:11:31.559
<v Speaker 5>been fronting him, and shit, we gonna get on him because.

0:11:31.280 --> 0:11:33.480
<v Speaker 4>We know you getting it from him. That's the only

0:11:33.520 --> 0:11:34.559
<v Speaker 4>reason why you got it.

0:11:35.280 --> 0:11:38.480
<v Speaker 5>So that concept of breaking the house and find your

0:11:38.559 --> 0:11:42.200
<v Speaker 5>riches and start your career. But there was groups of

0:11:42.240 --> 0:11:46.120
<v Speaker 5>guys and I never forget this made me don't want

0:11:46.120 --> 0:11:49.680
<v Speaker 5>that life no more. A group of our young generation

0:11:49.880 --> 0:11:53.760
<v Speaker 5>sixteen seventeen eighteen, they hit a nigga that's probably thirty

0:11:54.080 --> 0:11:56.600
<v Speaker 5>twenty eight or a little older whatever, but he got

0:11:56.640 --> 0:11:57.120
<v Speaker 5>the money.

0:11:57.600 --> 0:11:59.439
<v Speaker 3>Everybody know he brought out of control.

0:12:00.080 --> 0:12:03.520
<v Speaker 5>This group of seven or eight broken the spot, hitting

0:12:03.600 --> 0:12:06.560
<v Speaker 5>for about folk kylos, about a hunting bands, some guns,

0:12:06.559 --> 0:12:08.320
<v Speaker 5>some jury and whatever other little stuff.

0:12:08.640 --> 0:12:13.160
<v Speaker 4>They get away with it. These dudes all go buy cars.

0:12:13.679 --> 0:12:16.960
<v Speaker 4>None of them had the money, and that it was known.

0:12:17.600 --> 0:12:20.160
<v Speaker 5>These the dudes that did it one by one, he

0:12:20.280 --> 0:12:24.520
<v Speaker 5>killed them niggas or sent somebody to kick however, went

0:12:24.960 --> 0:12:26.160
<v Speaker 5>until all of them was did bro.

0:12:26.280 --> 0:12:27.720
<v Speaker 3>This man killed all them.

0:12:27.640 --> 0:12:31.120
<v Speaker 5>Dudes and the hood never you know, I'm pretty sure

0:12:31.160 --> 0:12:32.680
<v Speaker 5>they family won't get back whatever.

0:12:32.720 --> 0:12:33.280
<v Speaker 4>But for the.

0:12:33.280 --> 0:12:37.400
<v Speaker 3>Concept of man, niggas hit, but you hit your own folks.

0:12:38.000 --> 0:12:40.760
<v Speaker 5>And I watched that man didn't sleep till all them

0:12:40.840 --> 0:12:43.760
<v Speaker 5>niggas was dead. All them cars and jewelry they had

0:12:43.840 --> 0:12:45.480
<v Speaker 5>because their name was pop. It might have been a

0:12:45.520 --> 0:12:49.400
<v Speaker 5>little bit more because they always able to buy cougars

0:12:49.440 --> 0:12:53.200
<v Speaker 5>in and sky larks with candy paint. Now and niggas,

0:12:53.200 --> 0:12:54.920
<v Speaker 5>where did you get candy paint money?

0:12:54.960 --> 0:12:57.560
<v Speaker 4>How did you buy such and such car? So the

0:12:57.640 --> 0:12:59.480
<v Speaker 4>word you know, it ain't no secrets in the street.

0:13:00.640 --> 0:13:02.840
<v Speaker 4>So all these niggas got money now, all of a sudden,

0:13:04.000 --> 0:13:04.920
<v Speaker 4>one by one.

0:13:06.559 --> 0:13:10.319
<v Speaker 5>That killed my thought process of because I saw a

0:13:10.360 --> 0:13:12.440
<v Speaker 5>few niggas in my hood that I felt like shit,

0:13:12.559 --> 0:13:13.480
<v Speaker 5>I breaking this shit.

0:13:14.120 --> 0:13:17.000
<v Speaker 3>That ain't the move. So I stayed on the music.

0:13:18.000 --> 0:13:21.640
<v Speaker 5>But I watched others hit licks and become, you know,

0:13:21.760 --> 0:13:23.839
<v Speaker 5>the guy that we wanted to become. They got bricks

0:13:23.920 --> 0:13:25.480
<v Speaker 5>now or they got the weed, They got the whole,

0:13:25.559 --> 0:13:27.200
<v Speaker 5>they got the druid, they got the cars, they got

0:13:27.240 --> 0:13:30.240
<v Speaker 5>the clout, They got the name buzz it, but the

0:13:30.320 --> 0:13:35.160
<v Speaker 5>price tag for that. The music definitely kept me. And

0:13:35.200 --> 0:13:37.319
<v Speaker 5>that's why I think I developed so much with people.

0:13:37.320 --> 0:13:39.240
<v Speaker 5>Be like, Bro, you just hustling that nigga. I say, Bro,

0:13:39.280 --> 0:13:41.400
<v Speaker 5>I don't sell weed. I don't sell pussy. I don't

0:13:41.400 --> 0:13:45.240
<v Speaker 5>sell credit cards. I don't steal. I want God blessing

0:13:45.320 --> 0:13:49.720
<v Speaker 5>off my talent. And sometimes you know, the hunger kicking

0:13:49.920 --> 0:13:52.600
<v Speaker 5>and things ain't going right, and then that shit do

0:13:52.720 --> 0:13:53.240
<v Speaker 5>look good.

0:13:53.440 --> 0:13:55.400
<v Speaker 4>The other option, the other word, fuck it.

0:13:55.480 --> 0:13:57.760
<v Speaker 5>Just sell weed. It's legal, yeah, but when you I

0:13:57.760 --> 0:13:59.760
<v Speaker 5>live in Atlanta, you know what I mean? CALLI niggas

0:13:59.800 --> 0:14:04.400
<v Speaker 5>got in Atlanta bringing packs. The first five they bought,

0:14:04.480 --> 0:14:09.120
<v Speaker 5>it was good, the next five it was good. The

0:14:09.160 --> 0:14:12.520
<v Speaker 5>next time it's ten, it's good. It's about to be

0:14:12.559 --> 0:14:15.560
<v Speaker 5>a twenty five pack coming in. That's when they get killed.

0:14:17.880 --> 0:14:20.280
<v Speaker 5>That's that's that's the way. And I'm pretty sure Cally

0:14:20.320 --> 0:14:22.240
<v Speaker 5>niggas do them niggas when they come here and thinking

0:14:22.280 --> 0:14:25.800
<v Speaker 5>shit sweet or whatever. But the weed at one point

0:14:26.040 --> 0:14:28.760
<v Speaker 5>was coming from right here, and one of them pounds

0:14:28.800 --> 0:14:31.000
<v Speaker 5>down there in Atlanta was going for five thousand. So

0:14:31.120 --> 0:14:34.200
<v Speaker 5>niggas saw that as the golden ticket and a lot

0:14:34.200 --> 0:14:35.200
<v Speaker 5>of men were able to.

0:14:35.240 --> 0:14:40.760
<v Speaker 4>Golden sick golden. It's always the golden ticket though coming

0:14:40.800 --> 0:14:44.040
<v Speaker 4>from here with the work, going out of state somewhere,

0:14:44.080 --> 0:14:47.280
<v Speaker 4>you can always double your money. So that that'd be

0:14:47.360 --> 0:14:52.200
<v Speaker 4>the ambition of a nigga who don't, unfortunately have that

0:14:52.480 --> 0:14:56.360
<v Speaker 4>talent to be an artist or whatever, you know, typical

0:14:56.440 --> 0:15:01.240
<v Speaker 4>or basketball nigga or yuckball or whatever. Some niggas just

0:15:01.680 --> 0:15:04.920
<v Speaker 4>and then some niggas don't know their potential. Like you say,

0:15:06.680 --> 0:15:08.880
<v Speaker 4>some niggas just be stuck in the neighborhood because that's

0:15:08.960 --> 0:15:10.920
<v Speaker 4>that be the life to them. You know what I'm saying.

0:15:10.920 --> 0:15:13.200
<v Speaker 4>It is the life, that's the life. And shit, you

0:15:13.240 --> 0:15:17.760
<v Speaker 4>know a lot of us at some point, Uh was like,

0:15:17.840 --> 0:15:20.360
<v Speaker 4>that's the life for me to be the nigga down

0:15:20.400 --> 0:15:22.840
<v Speaker 4>the block with all the work and like you say,

0:15:22.880 --> 0:15:25.560
<v Speaker 4>the bitches and he got all the cars, and he

0:15:25.640 --> 0:15:28.680
<v Speaker 4>and niggas got the nigga. Dayton's was fresh out and

0:15:28.760 --> 0:15:32.600
<v Speaker 4>niggas was on Dayton's hand paint. And you you, your

0:15:32.720 --> 0:15:35.400
<v Speaker 4>ambition is to be that nigga. Don't fucking be no

0:15:35.720 --> 0:15:38.720
<v Speaker 4>cause niggas, it'll be niggas in in your in your

0:15:38.760 --> 0:15:41.840
<v Speaker 4>click or your hood, whatever and they be like rapping

0:15:42.000 --> 0:15:45.960
<v Speaker 4>nigga making music. Nigga better get with this hustling and

0:15:46.000 --> 0:15:49.480
<v Speaker 4>its claiming the neighborhood and shit. So yeah, it's kind

0:15:49.480 --> 0:15:53.840
<v Speaker 4>of difficult to set yourself apart from you know, from

0:15:54.160 --> 0:15:57.760
<v Speaker 4>from the typical als of of the neighborhood. You feel me?

0:15:58.560 --> 0:16:02.240
<v Speaker 3>You know, go ahead, jayg No, That I was what

0:16:02.320 --> 0:16:03.040
<v Speaker 3>I was gonna say.

0:16:03.640 --> 0:16:06.760
<v Speaker 5>I think I got very lucky that I always was like,

0:16:07.000 --> 0:16:08.880
<v Speaker 5>I want to be a CEO. I want to be

0:16:08.960 --> 0:16:11.680
<v Speaker 5>like shit Night, I want to be like goddamn Eat forty.

0:16:11.760 --> 0:16:13.480
<v Speaker 5>I want to be like too short, I want to

0:16:13.520 --> 0:16:17.520
<v Speaker 5>be like ice Cube. Because this is a reality that

0:16:18.160 --> 0:16:20.720
<v Speaker 5>can happen if you pursue your shit. It happened for them,

0:16:20.760 --> 0:16:23.080
<v Speaker 5>So it was like evidence you feel me.

0:16:23.320 --> 0:16:27.320
<v Speaker 6>So then how did the vision expand from the in

0:16:27.360 --> 0:16:31.200
<v Speaker 6>a minute city hall to trying to go throughout California,

0:16:31.360 --> 0:16:36.360
<v Speaker 6>throughout you know, the Pacific Northwest.

0:16:36.560 --> 0:16:40.200
<v Speaker 5>At that point in time, you know, when cassette tapes

0:16:40.720 --> 0:16:44.880
<v Speaker 5>CDs you could see the logo of the major label

0:16:45.040 --> 0:16:47.440
<v Speaker 5>or whatever label, right, I.

0:16:47.360 --> 0:16:48.360
<v Speaker 3>Wanted to have one of it.

0:16:48.480 --> 0:16:51.440
<v Speaker 5>When I seen Eat forty slash JIB three million dollars,

0:16:51.520 --> 0:16:53.080
<v Speaker 5>He's sitting at the coffee table.

0:16:52.840 --> 0:16:53.520
<v Speaker 4>With his feet up.

0:16:53.560 --> 0:16:54.680
<v Speaker 3>I'm like, God, damn it.

0:16:55.560 --> 0:16:57.360
<v Speaker 5>But I end up doing a deal with Priority for

0:16:57.480 --> 0:17:01.560
<v Speaker 5>half a million, with no marketing, no district or only distribution.

0:17:01.560 --> 0:17:03.360
<v Speaker 4>And they just gave me a shot.

0:17:03.400 --> 0:17:06.960
<v Speaker 5>But I was so young, I didn't comprehend the workload

0:17:07.080 --> 0:17:10.359
<v Speaker 5>of having a national distribution, where now I got to

0:17:10.400 --> 0:17:14.080
<v Speaker 5>have reps or some type of asset or communication with

0:17:14.119 --> 0:17:16.640
<v Speaker 5>people in other parts of the country. But back then

0:17:16.680 --> 0:17:20.120
<v Speaker 5>it was no Internet. It was no uh, it wasn't

0:17:20.160 --> 0:17:21.840
<v Speaker 5>no Facebook or no email.

0:17:22.400 --> 0:17:24.520
<v Speaker 4>You had to do that.

0:17:24.960 --> 0:17:27.880
<v Speaker 2>You had to work, and you had.

0:17:27.800 --> 0:17:30.120
<v Speaker 5>To use a Yellow Pages and make a phone call,

0:17:30.400 --> 0:17:33.080
<v Speaker 5>and if that didn't work, you had to call the

0:17:33.160 --> 0:17:35.959
<v Speaker 5>operator and say, can you patch me to New York

0:17:36.400 --> 0:17:38.399
<v Speaker 5>I'm looking for this record label or I'm looking for

0:17:38.440 --> 0:17:40.760
<v Speaker 5>this record store. You know, can you tell me some

0:17:40.800 --> 0:17:41.720
<v Speaker 5>record stores.

0:17:41.440 --> 0:17:42.040
<v Speaker 3>In the area.

0:17:42.640 --> 0:17:46.000
<v Speaker 4>Man, that that workload is way different than somebody workload

0:17:46.040 --> 0:17:49.400
<v Speaker 4>now posting something on their page and now it's you.

0:17:49.400 --> 0:17:52.919
<v Speaker 3>You can get pre orders off of that from the

0:17:53.000 --> 0:17:56.200
<v Speaker 3>world expanding and wanting that.

0:17:56.760 --> 0:18:01.800
<v Speaker 4>Once I got that distribution, though with Priority, I felt good.

0:18:01.920 --> 0:18:04.520
<v Speaker 4>Then I felt more pressure than I ever felt because

0:18:04.520 --> 0:18:07.919
<v Speaker 4>I got the dream deal. Man, Doctor dre chronic album

0:18:07.960 --> 0:18:09.120
<v Speaker 4>came through here you.

0:18:09.040 --> 0:18:12.840
<v Speaker 3>Know nwa hes q all this shit.

0:18:12.960 --> 0:18:16.919
<v Speaker 5>You feel Me jay Z when I signed, he signed

0:18:16.960 --> 0:18:20.320
<v Speaker 5>through a company called Freeze. It wasn't even Rockefeller Records.

0:18:20.320 --> 0:18:24.320
<v Speaker 5>It was Freeze through Priority. It didn't even say Rockefeller

0:18:24.359 --> 0:18:28.520
<v Speaker 5>on it. And I remember him and Dame Dash's first

0:18:28.520 --> 0:18:31.879
<v Speaker 5>show was in film and I got that footage and

0:18:31.920 --> 0:18:34.119
<v Speaker 5>I just when I look at it and see the

0:18:34.160 --> 0:18:36.800
<v Speaker 5>little ass chain, just the beginning they trying to get

0:18:36.840 --> 0:18:43.680
<v Speaker 5>on you feel me our conversation. When that didn't go right,

0:18:44.080 --> 0:18:46.639
<v Speaker 5>I was forced to go back to what people expected

0:18:46.680 --> 0:18:50.720
<v Speaker 5>of me, JT, the bigger figure Independent. So now I'm

0:18:50.800 --> 0:18:53.119
<v Speaker 5>back in what I said that I wanted in the

0:18:53.160 --> 0:18:56.480
<v Speaker 5>first place, but now I'm actually stuck in it. But

0:18:56.720 --> 0:18:59.520
<v Speaker 5>I never lost the drive, So I continue to do

0:18:59.600 --> 0:19:04.800
<v Speaker 5>different type of products, joint albums, everything, independent, whatever type

0:19:04.800 --> 0:19:08.479
<v Speaker 5>of collaboration, compilation. Then I start spinning over to the

0:19:08.520 --> 0:19:13.240
<v Speaker 5>movies when I see going doing movies in CALLI okay.

0:19:13.240 --> 0:19:14.600
<v Speaker 3>It was a little baby impact.

0:19:14.680 --> 0:19:15.920
<v Speaker 5>It was a matter of fact, it was a big

0:19:15.960 --> 0:19:18.320
<v Speaker 5>impact because master P came out when I'm about it,

0:19:18.880 --> 0:19:21.040
<v Speaker 5>and then I came out with be Where Those a

0:19:21.080 --> 0:19:25.720
<v Speaker 5>few months later and that was the first hip hop

0:19:25.840 --> 0:19:32.040
<v Speaker 5>rap movie with a rapper from the Bay. Then moving

0:19:32.040 --> 0:19:35.880
<v Speaker 5>to Atlanta some years later and making movies down there.

0:19:36.960 --> 0:19:39.320
<v Speaker 5>That's when I got to feel like a movie star

0:19:39.440 --> 0:19:43.720
<v Speaker 5>because bootlegging movies down there. They still had stores, but

0:19:43.920 --> 0:19:45.440
<v Speaker 5>they were bootleg stores.

0:19:46.040 --> 0:19:47.480
<v Speaker 3>Some guy that got all the.

0:19:47.520 --> 0:19:50.160
<v Speaker 4>Movies and DVDs up in here and all the albums,

0:19:50.200 --> 0:19:52.440
<v Speaker 4>some of them bootlegs, some of them got plastic on it.

0:19:52.560 --> 0:19:56.000
<v Speaker 4>But he got his own burning machine right there. Any

0:19:56.040 --> 0:19:58.800
<v Speaker 4>album you want, he can make it right on the spot.

0:19:58.960 --> 0:20:01.000
<v Speaker 4>So when I would make my films at first, I

0:20:01.080 --> 0:20:04.920
<v Speaker 4>was trying to sell them to the stores. Right I

0:20:04.960 --> 0:20:06.840
<v Speaker 4>would come to the store, they got all my movies

0:20:06.880 --> 0:20:10.400
<v Speaker 4>wrapped in plastic, they burned them. Back in the day,

0:20:10.440 --> 0:20:12.200
<v Speaker 4>that would have would have been a no note. I

0:20:12.240 --> 0:20:14.320
<v Speaker 4>come to press the MC eight album and I got

0:20:14.359 --> 0:20:16.359
<v Speaker 4>it in my store, that would have been a no note.

0:20:16.720 --> 0:20:18.720
<v Speaker 4>If you would have heard if any of that going

0:20:18.760 --> 0:20:20.760
<v Speaker 4>on when you was doing it, you would have had

0:20:20.840 --> 0:20:22.679
<v Speaker 4>oh yeah, it would have been It would have been

0:20:22.760 --> 0:20:24.359
<v Speaker 4>dangerous for the person who's.

0:20:24.080 --> 0:20:27.320
<v Speaker 5>Doing it, because like nigga, you actually stealing, yeah, nigga.

0:20:27.320 --> 0:20:30.160
<v Speaker 5>But then Stanning became okay. When they made the machines,

0:20:30.200 --> 0:20:33.640
<v Speaker 5>the bootleg a cassette tape. They didn't have bootleg cassette

0:20:33.640 --> 0:20:38.480
<v Speaker 5>tape machines. We had a Panasonic with two a tape

0:20:38.480 --> 0:20:40.560
<v Speaker 5>deck right here, what you're gonna record, and this the

0:20:40.560 --> 0:20:43.520
<v Speaker 5>one you record on, and this high speed ubbing. I

0:20:43.600 --> 0:20:46.400
<v Speaker 5>remember that exactly. But you still had to wait one

0:20:46.480 --> 0:20:47.080
<v Speaker 5>at a time.

0:20:47.680 --> 0:20:50.520
<v Speaker 2>You feel it wasn't mass duplication, yeah at all.

0:20:50.520 --> 0:20:53.679
<v Speaker 5>But once it went to d DVD or CD and

0:20:53.720 --> 0:20:55.719
<v Speaker 5>they got this tower, you put ten of them in there,

0:20:55.800 --> 0:20:56.399
<v Speaker 5>hit the button, and.

0:20:58.440 --> 0:20:59.760
<v Speaker 3>Now I got your whole album.

0:21:00.359 --> 0:21:02.359
<v Speaker 5>They writing the name on it, put it in a

0:21:02.359 --> 0:21:06.000
<v Speaker 5>little slip so down South made me famous with the movies.

0:21:06.359 --> 0:21:08.840
<v Speaker 5>I didn't get the money at first, but I got

0:21:08.880 --> 0:21:11.520
<v Speaker 5>the fame because now my product is feeding them. But

0:21:11.560 --> 0:21:16.399
<v Speaker 5>they promote me because any new movie, the Bootlegger, that's

0:21:16.440 --> 0:21:19.040
<v Speaker 5>what they thrived for to get it first.

0:21:19.359 --> 0:21:22.160
<v Speaker 1>You actually put out something that actually became a really

0:21:22.200 --> 0:21:25.800
<v Speaker 1>pivotal project for independent filmmakers. You had something to do

0:21:25.840 --> 0:21:26.719
<v Speaker 1>with Snow on the Bluff.

0:21:27.000 --> 0:21:29.960
<v Speaker 5>Yes, snowing a bluff one somebody else did that was

0:21:30.000 --> 0:21:32.600
<v Speaker 5>the mecca. But for me to redo it and rehook

0:21:32.680 --> 0:21:34.800
<v Speaker 5>up with Curtis Snow and activate them back in the

0:21:34.880 --> 0:21:37.639
<v Speaker 5>game and made Part two and then Snoop played the

0:21:37.680 --> 0:21:41.880
<v Speaker 5>part up in there. It caused big controversy, it caused lawsuits,

0:21:41.880 --> 0:21:43.240
<v Speaker 5>it caused all type of shit.

0:21:43.359 --> 0:21:44.840
<v Speaker 4>But for the think the problem.

0:21:44.720 --> 0:21:49.200
<v Speaker 5>Was that the fact of that the man ran off

0:21:49.200 --> 0:21:52.280
<v Speaker 5>with all the money on Kurt for the first one

0:21:52.320 --> 0:21:55.120
<v Speaker 5>because Kurt didn't had nobody like me to talk, so

0:21:55.600 --> 0:21:58.520
<v Speaker 5>we approached him about doing part two. Then he started

0:21:58.520 --> 0:22:00.720
<v Speaker 5>talking about all his money, but Curt only did a

0:22:00.760 --> 0:22:05.159
<v Speaker 5>deal for Part one, so Part two we done, but

0:22:05.240 --> 0:22:08.280
<v Speaker 5>he put it in paperwork for trademarking it and then boom,

0:22:08.400 --> 0:22:11.320
<v Speaker 5>it caused copyright infringement. So I had to change the

0:22:11.440 --> 0:22:14.560
<v Speaker 5>name from Snowing the Bluff Too to Summertime in the

0:22:14.600 --> 0:22:19.160
<v Speaker 5>Bluff because it's like, it's not his movie, but by

0:22:19.200 --> 0:22:22.679
<v Speaker 5>calling it part two, it tied to his movie, and

0:22:22.720 --> 0:22:26.040
<v Speaker 5>that caused the problem. You feel me do the initial

0:22:26.040 --> 0:22:28.760
<v Speaker 5>project what I'm sorry, some dude I don't even know

0:22:28.800 --> 0:22:31.960
<v Speaker 5>his name, some dude helped him make that. But when

0:22:32.000 --> 0:22:34.960
<v Speaker 5>I made Part two, that was smacking smack dab as

0:22:35.000 --> 0:22:38.240
<v Speaker 5>a continuation of what you've seen in the first one.

0:22:38.760 --> 0:22:42.320
<v Speaker 5>That's what boosted me as a certified filmmaker. Like JT

0:22:42.520 --> 0:22:45.920
<v Speaker 5>shot that and I edited no Help and I shot

0:22:45.960 --> 0:22:50.200
<v Speaker 5>it on the iPhone. M whole movie, and YO was

0:22:50.240 --> 0:22:53.240
<v Speaker 5>on your way to make some ms with that and

0:22:53.240 --> 0:22:57.240
<v Speaker 5>in traf Flicks. That helped kick my trafflicks platform off.

0:22:58.800 --> 0:23:02.359
<v Speaker 5>Once I did Trafflics app, I caught the traff Flicks

0:23:02.400 --> 0:23:06.119
<v Speaker 5>because Netflix rob Kirk and he was famous from snowing

0:23:06.160 --> 0:23:07.240
<v Speaker 5>the bluff on Netflix.

0:23:07.240 --> 0:23:09.639
<v Speaker 3>So I'm like, bro, we independent man fucked them.

0:23:09.680 --> 0:23:13.399
<v Speaker 4>We're gonna start Trafflix and we gonna make an app

0:23:13.480 --> 0:23:14.120
<v Speaker 4>like they shit.

0:23:14.760 --> 0:23:16.480
<v Speaker 3>And God really blessed me to make it.

0:23:16.520 --> 0:23:18.639
<v Speaker 5>I had made all these movies and had no place

0:23:18.680 --> 0:23:22.800
<v Speaker 5>to take them because Netflix only offered fifteen thousand dollars

0:23:22.800 --> 0:23:25.280
<v Speaker 5>per film. I had ten films that I made in

0:23:25.320 --> 0:23:29.280
<v Speaker 5>twenty fourteen. When I made these films, I'm on fire

0:23:29.359 --> 0:23:32.600
<v Speaker 5>in the streets either I'm doing a deal with somebody.

0:23:33.160 --> 0:23:36.720
<v Speaker 5>When I got they offer fifteen thousand for five years

0:23:36.760 --> 0:23:39.080
<v Speaker 5>per film. That's one hundred and fifty thousand, and don't

0:23:39.080 --> 0:23:40.960
<v Speaker 5>come back and ask for no more money for five

0:23:41.200 --> 0:23:42.720
<v Speaker 5>no red and I can't go nowhere else.

0:23:42.760 --> 0:23:44.119
<v Speaker 4>I was like, man, I don't think I know what

0:23:44.160 --> 0:23:46.240
<v Speaker 4>they're gonna tell you. Will you should be happy to

0:23:46.240 --> 0:23:49.120
<v Speaker 4>have your film on Netflix. That's exactly what was the concept.

0:23:49.160 --> 0:23:51.520
<v Speaker 5>But I'm like, I want to actually, I'm from the

0:23:51.560 --> 0:23:54.040
<v Speaker 5>independent game, like we supposed to make some money still,

0:23:54.480 --> 0:23:56.760
<v Speaker 5>and to just give me one fifty, even though I

0:23:56.800 --> 0:23:59.880
<v Speaker 5>know I probably didn't even pay five thousand per movie.

0:24:00.200 --> 0:24:02.880
<v Speaker 5>I probably didn't even pay two thousand dollars per movie.

0:24:03.119 --> 0:24:06.280
<v Speaker 5>But I knew if I signed this a scept the money,

0:24:06.320 --> 0:24:08.399
<v Speaker 5>it's gonna be like a rapper signing a three sixty

0:24:08.440 --> 0:24:10.400
<v Speaker 5>deal or a rapper signing an artist deal.

0:24:10.680 --> 0:24:12.440
<v Speaker 4>You happy to get the deal, you got your big

0:24:12.520 --> 0:24:14.399
<v Speaker 4>check in front, but you know that might be the

0:24:14.480 --> 0:24:16.680
<v Speaker 4>last one for a long time, and a lot of

0:24:16.760 --> 0:24:19.560
<v Speaker 4>rappers have went through that. So me hearing them the

0:24:19.680 --> 0:24:23.560
<v Speaker 4>horror stories, I just felt, I know these movies could

0:24:23.560 --> 0:24:24.639
<v Speaker 4>be more valuable for me.

0:24:25.480 --> 0:24:26.600
<v Speaker 3>I rejected the deal.

0:24:27.280 --> 0:24:28.240
<v Speaker 4>I started track.

0:24:28.080 --> 0:24:31.760
<v Speaker 5>Fleix, I invested into a team to build me an app.

0:24:32.359 --> 0:24:36.040
<v Speaker 5>I put my movies on my app, and from there,

0:24:36.240 --> 0:24:37.520
<v Speaker 5>my reputation went up.

0:24:37.560 --> 0:24:40.960
<v Speaker 1>As this motherfucker right here, I tell you how influential

0:24:41.040 --> 0:24:45.760
<v Speaker 1>it was. This ain't a mental, no controversy or nothing,

0:24:45.840 --> 0:24:49.960
<v Speaker 1>but a lot of people have taken your intellectual liberties

0:24:50.000 --> 0:24:52.639
<v Speaker 1>with your intellectual property have taken certain liberties because I

0:24:52.720 --> 0:24:56.000
<v Speaker 1>remember when Dame Dash first came out with this app,

0:24:56.080 --> 0:24:58.680
<v Speaker 1>right we built it. I'm hearing it like he got

0:24:58.680 --> 0:25:00.720
<v Speaker 1>the technology from you, and he he just kind of.

0:25:00.840 --> 0:25:04.200
<v Speaker 5>Ran off and didn't give me a dollar. I got

0:25:04.200 --> 0:25:06.639
<v Speaker 5>to put him on blast and tell the truth. But

0:25:06.800 --> 0:25:10.080
<v Speaker 5>I don't use that as a campaign of crying about

0:25:10.080 --> 0:25:13.080
<v Speaker 5>what a nigga did to me. I made it known

0:25:13.160 --> 0:25:15.760
<v Speaker 5>to the public and then I stopped me and Snoop

0:25:15.840 --> 0:25:18.960
<v Speaker 5>had some words, but I respect Snoop and that he

0:25:18.960 --> 0:25:20.199
<v Speaker 5>helped me more than hurt me.

0:25:20.760 --> 0:25:23.000
<v Speaker 3>I don't know if it was his team, but.

0:25:24.440 --> 0:25:27.359
<v Speaker 5>Once the people who did the first and on the

0:25:27.400 --> 0:25:32.000
<v Speaker 5>bluff saw Trap Flecks was under Calvin Brotis and it

0:25:32.040 --> 0:25:34.760
<v Speaker 5>didn't had my name, he went straight at the Snoop.

0:25:35.040 --> 0:25:37.600
<v Speaker 5>He never even came back, even said a word to me.

0:25:38.440 --> 0:25:42.159
<v Speaker 5>I don't know if Snoop authorized that or did his

0:25:42.280 --> 0:25:46.240
<v Speaker 5>label or his management jumped the gun and registered the

0:25:46.359 --> 0:25:49.720
<v Speaker 5>company without my name. It looked like it was about

0:25:49.720 --> 0:25:52.919
<v Speaker 5>to be a money grab without me, right, but the

0:25:53.000 --> 0:25:56.680
<v Speaker 5>loss who came and flouded and me and Snoop never

0:25:56.720 --> 0:26:01.880
<v Speaker 5>really got to communicate as brothers again because he disappointed

0:26:02.160 --> 0:26:06.160
<v Speaker 5>at the lawsuit. I'm disappointed that my name ain't on it.

0:26:06.800 --> 0:26:09.600
<v Speaker 5>We both having something to feel some kind of way about.

0:26:10.280 --> 0:26:13.439
<v Speaker 5>But I always wanted the people to know. I thanked

0:26:13.480 --> 0:26:17.679
<v Speaker 5>Snoop for taking me around the world multiple times, showing

0:26:17.720 --> 0:26:22.000
<v Speaker 5>me how a megastar lived, showing me how a multi

0:26:22.000 --> 0:26:22.880
<v Speaker 5>millionaire had.

0:26:22.840 --> 0:26:26.880
<v Speaker 3>To move the dudes and the don'ts so I don't have.

0:26:27.359 --> 0:26:30.480
<v Speaker 5>Nothing, and I shot brother out, brother Snoop, my big

0:26:30.520 --> 0:26:33.600
<v Speaker 5>bro out, and thank you for all the help and

0:26:33.760 --> 0:26:36.400
<v Speaker 5>teaching me the things that I do know right now

0:26:36.440 --> 0:26:38.000
<v Speaker 5>and how to conduct myself.

0:26:37.880 --> 0:26:38.520
<v Speaker 4>And to be real.

0:26:38.760 --> 0:26:41.000
<v Speaker 1>When you're dealing with a mega entity that is a

0:26:41.000 --> 0:26:43.879
<v Speaker 1>Snoop Dogg bringing, it could have been very much somebody

0:26:43.920 --> 0:26:45.959
<v Speaker 1>on his team that just jumped the gun and went

0:26:46.040 --> 0:26:47.440
<v Speaker 1>and did some stuff without.

0:26:47.560 --> 0:26:51.200
<v Speaker 5>Us, without us having our agreement in place. And that's

0:26:51.240 --> 0:26:54.359
<v Speaker 5>what I was heard about. And I think when Dame

0:26:54.440 --> 0:26:57.840
<v Speaker 5>Dash saw me and Snoop had that issue right there,

0:26:58.560 --> 0:26:59.919
<v Speaker 5>He's like, oh, I don't got to respect.

0:27:00.440 --> 0:27:02.760
<v Speaker 3>I'm gonna just run off with this software. And he

0:27:02.840 --> 0:27:04.600
<v Speaker 3>did his thing, and then I.

0:27:06.080 --> 0:27:08.840
<v Speaker 5>Was vocal about it for a few days, and then

0:27:08.880 --> 0:27:10.719
<v Speaker 5>at a certain point, I say, man, it's gonna look

0:27:10.800 --> 0:27:13.560
<v Speaker 5>like I'm mad at snooping Dame, these two niggas I

0:27:13.600 --> 0:27:16.080
<v Speaker 5>look up to. I don't like how it turned out,

0:27:16.359 --> 0:27:19.600
<v Speaker 5>but I'm not that mad. And if I'm really truly

0:27:19.680 --> 0:27:22.399
<v Speaker 5>JT the bigger figure, do it again. And then and

0:27:22.480 --> 0:27:25.160
<v Speaker 5>then some time went by, and that's how I ended

0:27:25.200 --> 0:27:27.560
<v Speaker 5>up going to Africa for a number of reasons. Number one,

0:27:27.560 --> 0:27:29.359
<v Speaker 5>they invited me to come and ask for me to

0:27:29.359 --> 0:27:32.880
<v Speaker 5>bring my JT skills to Africa to help their young

0:27:32.920 --> 0:27:36.600
<v Speaker 5>population with the independent game. That was impressed with the movies.

0:27:36.600 --> 0:27:40.480
<v Speaker 5>They impressed with me making books, albums, being part of

0:27:40.520 --> 0:27:44.320
<v Speaker 5>so many influential people's careers, playing parts from the background.

0:27:45.080 --> 0:27:51.399
<v Speaker 4>But the other part. Somebody told me, JT. You know

0:27:51.440 --> 0:27:54.199
<v Speaker 4>you got trap flicks? Do you know in Africa?

0:27:54.320 --> 0:27:58.359
<v Speaker 5>They got software guys that live in the village and

0:27:58.440 --> 0:28:01.040
<v Speaker 5>he might look poor as ever, but he can make

0:28:01.560 --> 0:28:02.920
<v Speaker 5>anything with the computer.

0:28:03.520 --> 0:28:06.719
<v Speaker 1>You gotta find them that technology over there for them

0:28:06.760 --> 0:28:07.320
<v Speaker 1>young brothers.

0:28:07.359 --> 0:28:10.840
<v Speaker 3>Now nah, they definitely, they definitely they listen.

0:28:11.640 --> 0:28:16.159
<v Speaker 5>Whatever knowledge is that, whoever get to it first is

0:28:16.200 --> 0:28:19.040
<v Speaker 5>who's gonna benefit because a lot of times knowledge don't

0:28:19.040 --> 0:28:21.359
<v Speaker 5>have the money right skin.

0:28:21.560 --> 0:28:22.840
<v Speaker 3>That's like a dope ass rapper.

0:28:22.920 --> 0:28:25.399
<v Speaker 5>Some dude right now, rap better than jay Z and

0:28:25.560 --> 0:28:28.399
<v Speaker 5>Little Baby put Together and Drake. But we don't know

0:28:28.480 --> 0:28:32.360
<v Speaker 5>him yet. He raw as ever right somebody know him.

0:28:32.840 --> 0:28:35.439
<v Speaker 5>He ain't connected to the right person yet. That's what

0:28:35.520 --> 0:28:38.680
<v Speaker 5>I found in Africa, the dudes who made my software.

0:28:38.720 --> 0:28:40.920
<v Speaker 5>You would think these just some poor guys.

0:28:41.440 --> 0:28:43.480
<v Speaker 2>So how did they come to invite you? Like, how

0:28:43.480 --> 0:28:44.040
<v Speaker 2>did that happen?

0:28:44.440 --> 0:28:44.680
<v Speaker 4>Man?

0:28:44.840 --> 0:28:46.240
<v Speaker 3>Somebody I don't know.

0:28:46.640 --> 0:28:48.520
<v Speaker 4>I don't even know how to Africa because I know

0:28:48.520 --> 0:28:53.080
<v Speaker 4>nobody in Africa. But one of the big people called

0:28:53.160 --> 0:29:00.280
<v Speaker 4>for a delegation from Black America Entertainment, film, entertainment, entrepreneurship,

0:29:01.480 --> 0:29:05.680
<v Speaker 4>a basketball coach to see they basketball dudes to see

0:29:05.720 --> 0:29:08.760
<v Speaker 4>if they can get some type of thing or baseball basketball.

0:29:10.200 --> 0:29:12.680
<v Speaker 4>They had a doctor dude that was part of the

0:29:12.760 --> 0:29:16.160
<v Speaker 4>delegation to try to bring how to help them with

0:29:16.280 --> 0:29:19.920
<v Speaker 4>the malaria or different you know, illnesses, sicknesses.

0:29:20.040 --> 0:29:23.520
<v Speaker 5>So I was just part of a delegation that represent

0:29:23.720 --> 0:29:25.320
<v Speaker 5>music and entrepreneurship.

0:29:25.800 --> 0:29:28.400
<v Speaker 4>So they did their background on me. They like, we

0:29:28.440 --> 0:29:29.200
<v Speaker 4>want him.

0:29:29.480 --> 0:29:32.360
<v Speaker 5>So I'm like, shit, I'm on first class round trip,

0:29:32.560 --> 0:29:35.280
<v Speaker 5>I'm on Hotel fool everything you feel me. I wasn't

0:29:35.360 --> 0:29:37.040
<v Speaker 5>charging them, but they like we'll pay for all of

0:29:37.040 --> 0:29:39.440
<v Speaker 5>that for you. We want you their bag. So when

0:29:39.480 --> 0:29:42.280
<v Speaker 5>I go, I'm thinking I'm finna go over here and

0:29:42.320 --> 0:29:44.239
<v Speaker 5>I'm finna hit them for some money. I end up

0:29:44.240 --> 0:29:47.800
<v Speaker 5>going to a place that's really poor. I'm not finna

0:29:47.800 --> 0:29:49.680
<v Speaker 5>get the bag. I'm thinking, you know, Africa, I'm knowing.

0:29:49.680 --> 0:29:51.560
<v Speaker 5>I heard about his rich and his poor, but I

0:29:51.680 --> 0:29:55.080
<v Speaker 5>landed in the real poor. But I felt a certain

0:29:55.160 --> 0:29:57.520
<v Speaker 5>kind of way, like maybe these people need me. So

0:29:58.000 --> 0:30:00.200
<v Speaker 5>I asked them, how can I help? You know, I

0:30:00.200 --> 0:30:01.840
<v Speaker 5>got a few dollars. I wanted, you know, what can

0:30:01.880 --> 0:30:04.760
<v Speaker 5>I do to help? And he called a meeting with

0:30:04.840 --> 0:30:08.920
<v Speaker 5>the chiefs and they came back from the meeting say well,

0:30:08.920 --> 0:30:10.560
<v Speaker 5>we don't want your money, but if you want to

0:30:10.600 --> 0:30:12.280
<v Speaker 5>help us, we need water.

0:30:12.600 --> 0:30:15.400
<v Speaker 4>Look at this place. If you could help us with

0:30:15.440 --> 0:30:19.480
<v Speaker 4>a water well, all of our villages, all the tribes

0:30:19.520 --> 0:30:21.080
<v Speaker 4>could benefit off this water well.

0:30:21.160 --> 0:30:23.480
<v Speaker 3>I say, how much is it? Six thousand?

0:30:23.800 --> 0:30:26.440
<v Speaker 5>I said, Man, I can pay for that right now, Man,

0:30:26.440 --> 0:30:27.680
<v Speaker 5>I pay for that water well.

0:30:27.920 --> 0:30:28.080
<v Speaker 4>Man.

0:30:28.120 --> 0:30:30.680
<v Speaker 5>Do you know within twenty four forty eight hours, a

0:30:30.840 --> 0:30:34.040
<v Speaker 5>truck pull up. I see this big stick come out

0:30:34.360 --> 0:30:36.680
<v Speaker 5>I'm talking about. They put a thing on it instantly

0:30:36.800 --> 0:30:40.200
<v Speaker 5>straight to the ground. I'm trying to figure out how

0:30:40.840 --> 0:30:42.040
<v Speaker 5>like where the water coming from.

0:30:42.040 --> 0:30:42.760
<v Speaker 3>You know a waterwell.

0:30:42.760 --> 0:30:45.520
<v Speaker 5>I thought they dig a hole and bring the water

0:30:45.600 --> 0:30:48.720
<v Speaker 5>to fill it. They're like, no, the water's under the ground.

0:30:49.640 --> 0:30:52.280
<v Speaker 5>The water a thousand feet, we're really nine hundred feet.

0:30:52.440 --> 0:30:56.040
<v Speaker 5>We could go three hundred feet JT for three thousand dollars,

0:30:56.120 --> 0:30:58.200
<v Speaker 5>but the quality of the water might not be right.

0:30:58.240 --> 0:31:00.040
<v Speaker 5>But if we spend the six thousand, we can go

0:31:00.080 --> 0:31:04.720
<v Speaker 5>down nine thousand I mean nine hundred feet, and that's

0:31:04.720 --> 0:31:06.640
<v Speaker 5>where we could get the purest water.

0:31:06.520 --> 0:31:07.840
<v Speaker 4>Probably the best water you ever had.

0:31:07.880 --> 0:31:10.800
<v Speaker 5>And listen, I say gonna go, go, go down. I

0:31:10.800 --> 0:31:13.640
<v Speaker 5>want to get the good water. Man, when that water

0:31:13.800 --> 0:31:16.560
<v Speaker 5>taste that water, I mean it took it took him,

0:31:16.600 --> 0:31:19.040
<v Speaker 5>It took him some hours. But I'm just tripping on

0:31:19.080 --> 0:31:21.920
<v Speaker 5>how they putting this metal stick down. I'm like, damn,

0:31:22.120 --> 0:31:23.960
<v Speaker 5>so the water fing it come out from right here

0:31:23.960 --> 0:31:27.760
<v Speaker 5>in this dry ass looking like desert type. Man, if

0:31:27.800 --> 0:31:30.160
<v Speaker 5>we just had enough money to pay for all this drilling,

0:31:30.200 --> 0:31:30.960
<v Speaker 5>we could have the water.

0:31:30.960 --> 0:31:33.480
<v Speaker 4>I'm like, why y'all just don't do it for your people.

0:31:33.560 --> 0:31:35.680
<v Speaker 5>Y'all got a truck right here, because the truck man

0:31:35.760 --> 0:31:39.840
<v Speaker 5>want money, and we can't pay for it. Imagine a

0:31:39.880 --> 0:31:42.680
<v Speaker 5>whole village full of people. They can't afford six thousand

0:31:42.760 --> 0:31:45.560
<v Speaker 5>dollars to pay for a water with cause they still

0:31:45.560 --> 0:31:47.160
<v Speaker 5>got to buy food, and they got to pay for

0:31:47.200 --> 0:31:49.320
<v Speaker 5>the internet, and they still got to pay their rent.

0:31:49.640 --> 0:31:54.680
<v Speaker 5>And it's so collectively chipping in money. I would think

0:31:55.080 --> 0:31:58.600
<v Speaker 5>six thousand dollars shit. I see three four thousand people

0:31:58.640 --> 0:31:59.040
<v Speaker 5>right there.

0:32:01.440 --> 0:32:02.160
<v Speaker 3>This is poor.

0:32:02.400 --> 0:32:03.760
<v Speaker 4>This the real poor. JT.

0:32:03.960 --> 0:32:06.040
<v Speaker 5>So this water you about to donate for us? I say,

0:32:06.080 --> 0:32:07.720
<v Speaker 5>I want to put my mama name on it.

0:32:07.960 --> 0:32:10.800
<v Speaker 4>I want to call this mama Pearls water well, so

0:32:10.840 --> 0:32:12.800
<v Speaker 4>I can call my mama, tell him I'm doing something good.

0:32:12.880 --> 0:32:14.920
<v Speaker 3>I want her name to go on this. Mama.

0:32:14.920 --> 0:32:17.440
<v Speaker 4>Look all these people finna get clean water. Now. Look

0:32:17.520 --> 0:32:19.600
<v Speaker 4>right over here at this dirty water with goats and

0:32:19.640 --> 0:32:21.840
<v Speaker 4>cows and people taking baths and different shit.

0:32:21.840 --> 0:32:23.800
<v Speaker 3>They gotta get this water to cook with tonight.

0:32:25.520 --> 0:32:29.120
<v Speaker 5>I said, uh uh, So I switched my heart from

0:32:29.240 --> 0:32:32.520
<v Speaker 5>what can I get from them? To man six thousand, Bro,

0:32:32.600 --> 0:32:34.680
<v Speaker 5>you could blow that money in Atlanta on the weekend

0:32:34.760 --> 0:32:37.720
<v Speaker 5>going to get some outfits, you know, some bottles, some

0:32:37.760 --> 0:32:40.560
<v Speaker 5>sections like you could blow five thousand in California.

0:32:40.960 --> 0:32:44.600
<v Speaker 3>I'm pretty sure on it. With nothing to show for it,

0:32:45.600 --> 0:32:46.920
<v Speaker 3>but to pay for that.

0:32:46.960 --> 0:32:48.920
<v Speaker 4>I think that was what every day. You know what

0:32:48.920 --> 0:32:49.560
<v Speaker 4>I'm saying.

0:32:49.360 --> 0:32:51.440
<v Speaker 3>Every day that money disappeared into the.

0:32:51.480 --> 0:32:54.920
<v Speaker 4>Night, fucking thirty thousand in the strip club to some

0:32:55.040 --> 0:32:58.760
<v Speaker 4>naked assholes and shit like it's nothing and shit but.

0:32:58.760 --> 0:33:00.480
<v Speaker 1>Won't give a dollar if you tell if you called

0:33:00.480 --> 0:33:02.600
<v Speaker 1>over there and asked them, same cats, hey, bro, donate

0:33:02.640 --> 0:33:04.360
<v Speaker 1>five hundred dollars each, they'll look at you like you

0:33:04.440 --> 0:33:04.880
<v Speaker 1>was crazy.

0:33:05.000 --> 0:33:06.720
<v Speaker 3>Hell yeah, they'll look at you.

0:33:06.720 --> 0:33:10.240
<v Speaker 5>You know the the I think in my whole life

0:33:10.560 --> 0:33:12.680
<v Speaker 5>that was the best thing up to that point that

0:33:12.760 --> 0:33:15.200
<v Speaker 5>I ever did in my life, because I'm like, damn,

0:33:15.440 --> 0:33:18.200
<v Speaker 5>this little bit of money and they talking about this

0:33:18.280 --> 0:33:21.520
<v Speaker 5>water well should last years, not like the water do

0:33:21.680 --> 0:33:23.680
<v Speaker 5>went out? It's a lake up under there once they

0:33:23.680 --> 0:33:26.840
<v Speaker 5>put that suction thing and whatever lake is under there, man,

0:33:26.880 --> 0:33:28.120
<v Speaker 5>they putting that water up.

0:33:28.920 --> 0:33:30.640
<v Speaker 1>When did you you know I want to go back

0:33:30.640 --> 0:33:32.200
<v Speaker 1>to something I want to go back to because we

0:33:32.240 --> 0:33:35.800
<v Speaker 1>talked about Atlanta right the ground eas side. Everywhere you

0:33:35.840 --> 0:33:40.480
<v Speaker 1>went seemed like you purchased property, Yes, sir, what neighborhood

0:33:40.520 --> 0:33:40.680
<v Speaker 1>was there?

0:33:40.920 --> 0:33:41.160
<v Speaker 3>Or was that?

0:33:41.280 --> 0:33:45.120
<v Speaker 4>Alabama? Where you bought a whole city block that was Alabama.

0:33:45.480 --> 0:33:46.960
<v Speaker 4>And it wasn't a whole city block.

0:33:47.040 --> 0:33:49.000
<v Speaker 5>It was like a half and it wasn't a big block,

0:33:49.040 --> 0:33:50.800
<v Speaker 5>but it was big enough for me, you know what

0:33:50.800 --> 0:33:51.080
<v Speaker 5>I mean.

0:33:51.120 --> 0:33:52.280
<v Speaker 3>It had a building on it.

0:33:52.920 --> 0:33:57.240
<v Speaker 5>And but before that, I bought land in west side Atlanta,

0:33:57.440 --> 0:34:00.920
<v Speaker 5>Dixie Hills, Bankhead with Ti and then from and they

0:34:00.920 --> 0:34:04.240
<v Speaker 5>were selling houses for twelve thousand and eight thousand, ugly

0:34:04.280 --> 0:34:05.240
<v Speaker 5>beat up houses.

0:34:05.720 --> 0:34:09.440
<v Speaker 4>This twenty ten. I was there for two years.

0:34:09.840 --> 0:34:12.000
<v Speaker 5>I bought my first house was twenty five thousand for

0:34:12.080 --> 0:34:15.279
<v Speaker 5>my homeboy he bought ten houses. I'm like, damn, you

0:34:15.400 --> 0:34:18.640
<v Speaker 5>only uh twenty eight years old and I'm out here

0:34:18.680 --> 0:34:22.000
<v Speaker 5>struggling in the Bay paying this rent and you down

0:34:22.000 --> 0:34:24.640
<v Speaker 5>here owning ten houses. He like, bro, you should leave it,

0:34:25.080 --> 0:34:27.239
<v Speaker 5>you know, come to Atlanta, boy, because it's like you

0:34:27.239 --> 0:34:29.600
<v Speaker 5>can own a house and the music popping.

0:34:29.880 --> 0:34:32.480
<v Speaker 4>And zaytovein that's my little brother. I taught Jay tooven,

0:34:32.520 --> 0:34:34.200
<v Speaker 4>how to make beats. He knew how to play video.

0:34:35.160 --> 0:34:38.040
<v Speaker 4>Yes when and then I just said forget it, man.

0:34:38.520 --> 0:34:40.560
<v Speaker 4>I moved in the house. I paid the rent. I

0:34:40.600 --> 0:34:41.920
<v Speaker 4>remember it was one thousand dollars.

0:34:42.000 --> 0:34:44.080
<v Speaker 5>I moved out there with two thousand to my name,

0:34:44.200 --> 0:34:45.920
<v Speaker 5>I just knew I was going to the right place.

0:34:46.000 --> 0:34:47.719
<v Speaker 5>I didn't know exactly how I was gonna make it,

0:34:48.480 --> 0:34:52.080
<v Speaker 5>but I had a magazine that me and Snoops started

0:34:52.120 --> 0:34:57.000
<v Speaker 5>called Mandatory Business. I said, I gotta get my first customers.

0:34:57.160 --> 0:34:59.759
<v Speaker 5>I got some samples to show the magazine because at

0:34:59.800 --> 0:35:02.920
<v Speaker 5>that time, magazine still was popping. But I had to

0:35:02.920 --> 0:35:06.160
<v Speaker 5>get people to believe in my magazine and pay me

0:35:06.520 --> 0:35:08.840
<v Speaker 5>so I could press the magazine up. I remember it

0:35:08.880 --> 0:35:11.280
<v Speaker 5>took me about four months to get my first customer.

0:35:11.920 --> 0:35:14.120
<v Speaker 5>Once I made that firste hundred dollars, I said, boy,

0:35:14.120 --> 0:35:16.920
<v Speaker 5>I'm never gonna forget you. You the beginning stages of

0:35:16.960 --> 0:35:21.680
<v Speaker 5>me being independent in Atlanta. My first hundred dollar transaction

0:35:22.000 --> 0:35:26.480
<v Speaker 5>off of something I'm selling and it ain't dope. I'm

0:35:26.520 --> 0:35:29.360
<v Speaker 5>finna put this nigga at give him his own page

0:35:29.440 --> 0:35:32.439
<v Speaker 5>in my magazine. It costs five thousand dollars for five

0:35:32.480 --> 0:35:35.200
<v Speaker 5>thousand full color magazines.

0:35:36.160 --> 0:35:42.239
<v Speaker 3>UV coding, eighty pound paper, sixty pages. You know, I

0:35:42.280 --> 0:35:42.880
<v Speaker 3>know my math.

0:35:43.280 --> 0:35:46.120
<v Speaker 5>I'm selling pages for a hundred two hundred. I'm selling

0:35:46.120 --> 0:35:49.480
<v Speaker 5>the front cover for two three thousand. I sell it

0:35:49.520 --> 0:35:52.080
<v Speaker 5>for a thousand because I can give you your copies

0:35:52.120 --> 0:35:54.440
<v Speaker 5>with you on the front and give another guy his

0:35:54.760 --> 0:35:56.120
<v Speaker 5>with his covers on the front.

0:35:56.400 --> 0:35:59.040
<v Speaker 3>So my printer was working with.

0:35:58.920 --> 0:36:00.520
<v Speaker 5>Me, and that's how I was able to have the

0:36:00.600 --> 0:36:03.600
<v Speaker 5>extra money to feed my family. And then my catalog

0:36:03.760 --> 0:36:06.520
<v Speaker 5>was going through digital distribution, paying me a check every

0:36:06.560 --> 0:36:10.719
<v Speaker 5>thirty days. So I balanced them two things together, and

0:36:10.760 --> 0:36:14.239
<v Speaker 5>that's how I was able to maintain and build up

0:36:14.280 --> 0:36:16.120
<v Speaker 5>some money. But I'm like, I can't keep paying those

0:36:16.160 --> 0:36:18.480
<v Speaker 5>thousand dollars a rent. I'm gonna buy this house for

0:36:18.560 --> 0:36:22.640
<v Speaker 5>twenty five thousand. I built up enough. I gave him half.

0:36:22.800 --> 0:36:25.920
<v Speaker 5>I was giving them two thousand here, fifteen hundred, you know,

0:36:26.080 --> 0:36:29.000
<v Speaker 5>till it was paid off. The land across the street

0:36:29.239 --> 0:36:33.480
<v Speaker 5>they wanted nine thousand, about a little less than an

0:36:33.520 --> 0:36:37.000
<v Speaker 5>acre directly across the street. I'm like, if I buy this, boy,

0:36:37.000 --> 0:36:39.719
<v Speaker 5>I'm finna be on the man agreed to sell it

0:36:39.719 --> 0:36:41.600
<v Speaker 5>to me. Now I got a house and I got

0:36:41.640 --> 0:36:44.040
<v Speaker 5>this land right in the middle of the hood of

0:36:44.239 --> 0:36:47.359
<v Speaker 5>fucking all this gang shit dope dinner and I'm talking

0:36:47.360 --> 0:36:50.239
<v Speaker 5>about this is but I'm like, shit, I feel right

0:36:50.280 --> 0:36:52.080
<v Speaker 5>at home because this is my house, and this the

0:36:52.120 --> 0:36:55.000
<v Speaker 5>shit they say you supposed to shoot somebody fork. Now

0:36:55.040 --> 0:36:57.720
<v Speaker 5>if nobody bothered me here, I'm good. But I remember

0:36:57.760 --> 0:36:59.879
<v Speaker 5>the first niggas that came, and I remember they were

0:37:00.000 --> 0:37:02.439
<v Speaker 5>breaking in the train and my wife called me because

0:37:02.440 --> 0:37:04.560
<v Speaker 5>I put cameras up and say, babe, it's two niggas

0:37:04.600 --> 0:37:06.879
<v Speaker 5>outside in front of the house. They looking at the train.

0:37:06.960 --> 0:37:08.560
<v Speaker 5>I say, I'm on my wife. I come back over there.

0:37:08.560 --> 0:37:10.560
<v Speaker 5>I'm like, hey, bro, I bought this house and this

0:37:10.680 --> 0:37:14.120
<v Speaker 5>property right here, woo woo, and like, yeah, man, were

0:37:14.200 --> 0:37:16.480
<v Speaker 5>on the train. I say, now, that's cool, you know,

0:37:16.560 --> 0:37:18.960
<v Speaker 5>but my wife calling me bro, y'all on the side

0:37:18.960 --> 0:37:21.040
<v Speaker 5>of my house right here. You feel me like, man,

0:37:21.040 --> 0:37:23.399
<v Speaker 5>we've been robbing trains from here for years. But I say, bro,

0:37:23.560 --> 0:37:25.839
<v Speaker 5>I got kids and shit up and he like man,

0:37:25.920 --> 0:37:28.120
<v Speaker 5>I say, all right, stay right here. When the house

0:37:28.160 --> 0:37:30.000
<v Speaker 5>got my strap came out, the niggas say, come on,

0:37:30.000 --> 0:37:32.240
<v Speaker 5>bro to start walking. They start walking down the street.

0:37:32.239 --> 0:37:33.399
<v Speaker 5>I just start shooting in the air.

0:37:34.760 --> 0:37:37.680
<v Speaker 4>Don't never come back up here no more, nigga, because

0:37:37.680 --> 0:37:39.600
<v Speaker 4>the boy to have my wife call me and I

0:37:39.600 --> 0:37:42.680
<v Speaker 4>got babies in this house, man, and I'm in a

0:37:42.719 --> 0:37:43.240
<v Speaker 4>new hood.

0:37:43.320 --> 0:37:46.279
<v Speaker 5>This is my first altercation. I'll say nigga at my house.

0:37:46.320 --> 0:37:48.360
<v Speaker 5>I'm shooting, so I just want a nigga.

0:37:48.400 --> 0:37:48.520
<v Speaker 4>No.

0:37:48.520 --> 0:37:50.840
<v Speaker 5>Now, I know they could have came back, did whatever.

0:37:51.680 --> 0:37:54.160
<v Speaker 5>I'm like, Nigga, this is my land, though, Nigga, this mine.

0:37:54.200 --> 0:37:56.719
<v Speaker 5>I'm going all gas, no breaks. A couple of the

0:37:56.800 --> 0:37:59.600
<v Speaker 5>og saw what happened. They told them, niggas man fall

0:37:59.600 --> 0:38:02.040
<v Speaker 5>back from that nigga up there broke because he up there,

0:38:02.040 --> 0:38:05.040
<v Speaker 5>he gonna shoot, but he ain't been bothering nobody around here,

0:38:05.120 --> 0:38:07.520
<v Speaker 5>you feel me? So I started meeting more niggas. Then

0:38:07.560 --> 0:38:09.719
<v Speaker 5>we all kind of got cool. But I just that

0:38:09.840 --> 0:38:11.480
<v Speaker 5>was my introduction niggas.

0:38:11.480 --> 0:38:14.480
<v Speaker 1>I noticed some in Wonder films. You had all of them, dudes,

0:38:14.480 --> 0:38:17.520
<v Speaker 1>if you really wanted to, you could have probably signed

0:38:18.160 --> 0:38:20.960
<v Speaker 1>what's the boy's name? This got hot, this fish creased down.

0:38:21.000 --> 0:38:27.080
<v Speaker 5>Young dug, migosgos, all the huge shits your movies. Haven't

0:38:27.200 --> 0:38:31.239
<v Speaker 5>meeting them, dudes, They always just in the area. I'm

0:38:31.280 --> 0:38:34.640
<v Speaker 5>just a people person, so I'm a network the young

0:38:34.680 --> 0:38:35.600
<v Speaker 5>niggas like Figg.

0:38:35.400 --> 0:38:36.759
<v Speaker 4>You should work with him.

0:38:37.160 --> 0:38:39.480
<v Speaker 3>I'm like, Damn, this nigga looks strange as hell, this

0:38:39.640 --> 0:38:41.879
<v Speaker 3>young thug character. Bro.

0:38:42.160 --> 0:38:45.080
<v Speaker 5>Fuck with him. Bro, the people love him bro, like

0:38:45.120 --> 0:38:47.640
<v Speaker 5>he's somebody I'm telling you fuck with him, so I

0:38:47.680 --> 0:38:50.520
<v Speaker 5>start fucking him. I looked past the weird shit, and

0:38:50.719 --> 0:38:53.200
<v Speaker 5>you know, it was cool. Our music and the shit

0:38:53.280 --> 0:38:57.440
<v Speaker 5>we did it was impactful. The Migos. When Gucci Me

0:38:57.440 --> 0:39:00.759
<v Speaker 5>and Gucci Man did an album, he signed some dudes

0:39:00.760 --> 0:39:03.680
<v Speaker 5>called the Migos, but they was getting so much trouble

0:39:03.680 --> 0:39:06.720
<v Speaker 5>off setting them going to jail, different shit. Then Gucci

0:39:06.800 --> 0:39:10.280
<v Speaker 5>Men ended up going to jail, so he sold them

0:39:10.560 --> 0:39:11.759
<v Speaker 5>to QC P.

0:39:12.560 --> 0:39:13.879
<v Speaker 3>They had another label at.

0:39:13.760 --> 0:39:17.120
<v Speaker 5>That time, but when they signed Me Migos, they say,

0:39:17.239 --> 0:39:19.920
<v Speaker 5>these guys is good enough to put the real bag behind.

0:39:21.080 --> 0:39:24.360
<v Speaker 5>They started a new label called QC and then that

0:39:24.440 --> 0:39:27.359
<v Speaker 5>shit took flight. So just being part of this, you know,

0:39:27.680 --> 0:39:30.200
<v Speaker 5>I remember paying Future thirty five hundred to come do

0:39:30.320 --> 0:39:33.440
<v Speaker 5>my birthday party. That was in twenty thirteen. I was

0:39:33.480 --> 0:39:36.520
<v Speaker 5>turning forty years old. I had been in Atlanta for

0:39:36.560 --> 0:39:39.440
<v Speaker 5>three years. My name was going up. I got some

0:39:39.480 --> 0:39:43.880
<v Speaker 5>money coming in. It's like I'm getting planning into the

0:39:43.880 --> 0:39:47.640
<v Speaker 5>the environment. I did so much work. Niggas started thinking

0:39:47.680 --> 0:39:50.839
<v Speaker 5>I was from Atlanta. How I had motion going down there.

0:39:50.880 --> 0:39:52.879
<v Speaker 5>How I'm moving and moving through them blocks. I'm doing

0:39:52.880 --> 0:39:54.760
<v Speaker 5>all them, but they're like, man, what is this nigga.

0:39:54.880 --> 0:39:56.960
<v Speaker 5>It's just I wasn't scared. It wasn't that I'm tough

0:39:57.000 --> 0:39:59.200
<v Speaker 5>for a gangster or nothing. It was just that I'm

0:39:59.200 --> 0:40:04.200
<v Speaker 5>so hood on and I'm so comfortable with God and myself.

0:40:04.360 --> 0:40:06.360
<v Speaker 5>I'm not here to cause a problem. But I know

0:40:06.680 --> 0:40:09.239
<v Speaker 5>jealousy or a nigga pressing me by being in their hood,

0:40:09.280 --> 0:40:11.720
<v Speaker 5>it can happen at any moment. So I already signed

0:40:11.760 --> 0:40:13.879
<v Speaker 5>up for it, and nigga pressed me, I'm pressing back.

0:40:14.880 --> 0:40:16.360
<v Speaker 5>If the nigga get on me, I'm getting on the

0:40:16.440 --> 0:40:19.920
<v Speaker 5>nigga back and from them time my first altercations and

0:40:20.400 --> 0:40:23.560
<v Speaker 5>niggas seeing how I responded, it's like it wasn't like

0:40:23.640 --> 0:40:25.160
<v Speaker 5>they could have piled up on me, like nigga, you

0:40:25.160 --> 0:40:28.200
<v Speaker 5>gotta get up out of here. Nigga can't fight back, Nah, nigga,

0:40:28.360 --> 0:40:30.000
<v Speaker 5>that's between me and this nigga.

0:40:30.160 --> 0:40:33.160
<v Speaker 3>So most times the hood never added theyself.

0:40:34.000 --> 0:40:36.920
<v Speaker 4>You know, nigga's gonna disagree, or somebody try to run

0:40:37.000 --> 0:40:40.120
<v Speaker 4>off with some or a nigga stole some. You know,

0:40:40.320 --> 0:40:43.400
<v Speaker 4>like different little shit where you're getting your manhood tested.

0:40:43.800 --> 0:40:46.880
<v Speaker 4>It ain't worth crashing out. But sometimes shit happened. That

0:40:46.960 --> 0:40:49.040
<v Speaker 4>can make it easy to make you.

0:40:49.040 --> 0:40:50.960
<v Speaker 5>Be like, man, I'm finna crash out on these niggas,

0:40:51.040 --> 0:40:52.880
<v Speaker 5>But that wasn't I didn't go down there for that.

0:40:52.920 --> 0:40:54.920
<v Speaker 3>I went down there for success.

0:40:54.480 --> 0:40:58.080
<v Speaker 4>Because you had altercation down there, because you got shot down. Yeah,

0:40:58.120 --> 0:41:01.520
<v Speaker 4>I got shot two different times. Both of them attempted

0:41:01.600 --> 0:41:03.840
<v Speaker 4>robberies that I wasn't just agreeing to because I know,

0:41:03.920 --> 0:41:06.600
<v Speaker 4>once you get robbed, nigga, that's it, hang up, hang

0:41:06.680 --> 0:41:09.480
<v Speaker 4>up the street. Shit you is knew you a lunch meal.

0:41:09.560 --> 0:41:12.600
<v Speaker 5>Now every nigga who was somebody who had little studies

0:41:12.840 --> 0:41:16.080
<v Speaker 5>and once they got robbed, they start becoming the target.

0:41:16.120 --> 0:41:20.920
<v Speaker 5>With multiple robberies now, multiple attempts, niggas testing them both minds.

0:41:21.160 --> 0:41:24.400
<v Speaker 4>I wasn't going and then I wasn't tough. I just

0:41:24.560 --> 0:41:27.359
<v Speaker 4>already signed up for it. Like bro, don't just cause

0:41:27.360 --> 0:41:29.479
<v Speaker 4>a nigga got a gun, don't mean because a nigga

0:41:29.520 --> 0:41:31.520
<v Speaker 4>point you supposed to just hair up and gil shit up.

0:41:31.760 --> 0:41:34.799
<v Speaker 5>Sometimes it ain't no bulletsing the motherfucker. It's a fifty

0:41:34.840 --> 0:41:37.480
<v Speaker 5>to fifty chance. But when somebody that you showed love

0:41:37.560 --> 0:41:39.320
<v Speaker 5>to try to rob you.

0:41:38.880 --> 0:41:40.880
<v Speaker 3>You might resist a little bit more like bru, what

0:41:40.960 --> 0:41:41.399
<v Speaker 3>is you doing?

0:41:41.400 --> 0:41:41.520
<v Speaker 4>Bro?

0:41:41.520 --> 0:41:44.920
<v Speaker 5>I'm robbing you today, robbing me today. You know, imagine

0:41:44.920 --> 0:41:47.200
<v Speaker 5>the nigga you've been fucking with two three years and

0:41:47.280 --> 0:41:51.120
<v Speaker 5>one day he say, Bro, I'm robbing you today. I'm like,

0:41:51.200 --> 0:41:54.680
<v Speaker 5>hold on, You're like what the nigga, Bro? They kept

0:41:54.760 --> 0:41:57.440
<v Speaker 5>asking me for the money? Now, real robber, shoot you

0:41:57.480 --> 0:41:59.560
<v Speaker 5>in the legs, say, bitch ass niggas, ain't no game, nigga,

0:41:59.600 --> 0:42:01.960
<v Speaker 5>Come on with it. Okay, you know what it is.

0:42:02.160 --> 0:42:03.759
<v Speaker 5>But when the nigga like, Bro, you gotta give us

0:42:03.800 --> 0:42:07.480
<v Speaker 5>something for ten damn. There fifteen minutes of asking this

0:42:07.520 --> 0:42:10.080
<v Speaker 5>ain't a robbery, nigga, You're already trying to rob me

0:42:10.120 --> 0:42:11.000
<v Speaker 5>for my manhood.

0:42:12.040 --> 0:42:14.040
<v Speaker 3>So Jack could be able to say we ribe feed,

0:42:14.400 --> 0:42:15.360
<v Speaker 3>but what ended up happening.

0:42:15.400 --> 0:42:19.120
<v Speaker 4>I just kept praying our lot of one Master frod Muhammad,

0:42:19.200 --> 0:42:22.960
<v Speaker 4>the one minister Farcid told us, brother pray to how

0:42:23.000 --> 0:42:25.080
<v Speaker 4>we pray, how you Elijah Mohammed prayer? How you think

0:42:25.120 --> 0:42:25.760
<v Speaker 4>we protected?

0:42:26.040 --> 0:42:26.480
<v Speaker 3>I lie?

0:42:26.520 --> 0:42:28.879
<v Speaker 5>Real, you got the call on him, but you can't

0:42:28.960 --> 0:42:31.560
<v Speaker 5>depend on him when you think you just in trouble.

0:42:31.560 --> 0:42:34.640
<v Speaker 3>You gotta talk to him beforehand, and you gotta do

0:42:34.760 --> 0:42:35.239
<v Speaker 3>some good.

0:42:35.480 --> 0:42:37.360
<v Speaker 4>So I was feeding people. I'm trying to go do

0:42:37.440 --> 0:42:38.560
<v Speaker 4>the good work all that.

0:42:39.200 --> 0:42:42.920
<v Speaker 5>Imagine me feeding people, and right after our feed then

0:42:43.000 --> 0:42:45.680
<v Speaker 5>niggas come talking about the robbery shit. But I've been

0:42:45.719 --> 0:42:49.120
<v Speaker 5>in here for three four years, so I could have

0:42:49.200 --> 0:42:50.879
<v Speaker 5>gave it up. All they had to do was hit

0:42:50.920 --> 0:42:52.680
<v Speaker 5>me in the head a couple of times with the pistol.

0:42:53.120 --> 0:42:55.399
<v Speaker 3>Then I would have gave it up. It wasn't that.

0:42:55.640 --> 0:42:57.720
<v Speaker 4>It was the demand with the pistol and the words

0:42:57.760 --> 0:43:01.160
<v Speaker 4>and the threat of it. I had a baby the

0:43:01.239 --> 0:43:03.880
<v Speaker 4>day before. There was no way possible.

0:43:03.960 --> 0:43:06.120
<v Speaker 5>I'm going back to the hospital or bringing my wife

0:43:06.200 --> 0:43:08.600
<v Speaker 5>home or my brand new daughter and all my kids.

0:43:08.920 --> 0:43:10.240
<v Speaker 3>I got ride for our money.

0:43:10.280 --> 0:43:12.320
<v Speaker 1>And what's so cool? He threw all that in the movie.

0:43:12.600 --> 0:43:14.560
<v Speaker 1>I had to That's how I knew about it was

0:43:14.600 --> 0:43:15.520
<v Speaker 1>like the real life thing.

0:43:15.600 --> 0:43:20.040
<v Speaker 4>You saw something my real guts, the real surgery, the

0:43:20.080 --> 0:43:24.920
<v Speaker 4>real morphine, and oh we gotta do emergency surgery. They

0:43:24.920 --> 0:43:27.120
<v Speaker 4>got their cameras out. I'm like, what fuck? That gave

0:43:27.160 --> 0:43:29.839
<v Speaker 4>me my camera? Because I ain't dead right now.

0:43:29.880 --> 0:43:31.600
<v Speaker 5>I don't know what's gonna happen, but I know y'all

0:43:31.600 --> 0:43:33.960
<v Speaker 5>got y'all hands in my guts and nobody gonna believe

0:43:34.000 --> 0:43:36.719
<v Speaker 5>that my stomach split open like this, and they and

0:43:36.760 --> 0:43:37.440
<v Speaker 5>there talking about we.

0:43:37.360 --> 0:43:38.400
<v Speaker 3>Gotta stop the bleeding.

0:43:39.160 --> 0:43:40.719
<v Speaker 5>So I'm like, shit, let me put this on my

0:43:41.920 --> 0:43:46.080
<v Speaker 5>That was just another thing of my type of mentality.

0:43:45.440 --> 0:43:50.880
<v Speaker 4>Of turn it into something. You gotta turn your pain

0:43:51.239 --> 0:43:55.120
<v Speaker 4>and your ill into something. If you do that, that's

0:43:55.160 --> 0:43:58.240
<v Speaker 4>the most powerful thing. Is a man who his wife

0:43:58.280 --> 0:43:59.920
<v Speaker 4>left from or something, and now he got to use

0:44:00.080 --> 0:44:03.920
<v Speaker 4>that pain to go further. Or the Homies betrayed you,

0:44:04.000 --> 0:44:06.520
<v Speaker 4>like nah, not the bros, Like yeah, the bros played

0:44:06.520 --> 0:44:09.480
<v Speaker 4>me bro Okay, you can't call on them no more.

0:44:09.600 --> 0:44:11.720
<v Speaker 5>You actually got to do it on your own. That'll

0:44:11.800 --> 0:44:14.239
<v Speaker 5>drive a nigga to become successful exactly.

0:44:15.120 --> 0:44:16.400
<v Speaker 4>Then DJ Quick say.

0:44:16.320 --> 0:44:18.600
<v Speaker 5>Some of his song about he had the Homies and

0:44:18.680 --> 0:44:20.680
<v Speaker 5>something in the studio or something, and he came back

0:44:20.719 --> 0:44:23.120
<v Speaker 5>to the studio was gone. He's like, oh shit, I'm

0:44:23.120 --> 0:44:26.239
<v Speaker 5>gonna make me a way. Next thing, you know, we

0:44:26.360 --> 0:44:27.640
<v Speaker 5>got a whole new hit record.

0:44:27.680 --> 0:44:30.440
<v Speaker 1>And it's always those closest to you because you've seen

0:44:30.480 --> 0:44:32.600
<v Speaker 1>to always be in the right place at the right time.

0:44:32.680 --> 0:44:34.880
<v Speaker 1>Because I heard one of my partners was telling me,

0:44:34.880 --> 0:44:36.239
<v Speaker 1>I don't know, I don't remember where I heard it

0:44:36.239 --> 0:44:39.440
<v Speaker 1>from actually, But when Pe was in the Bay and

0:44:39.440 --> 0:44:42.520
<v Speaker 1>he first started doing this thing, wasn't nobody really messing

0:44:42.560 --> 0:44:44.320
<v Speaker 1>with him? They said, you was the first one to

0:44:44.360 --> 0:44:46.239
<v Speaker 1>step up and say, you know what, I'm aa fuck

0:44:46.280 --> 0:44:46.799
<v Speaker 1>with this dude.

0:44:46.800 --> 0:44:48.680
<v Speaker 5>He'm gonna give him a chance because he was garbage

0:44:48.719 --> 0:44:51.480
<v Speaker 5>and I'm gonna keep it real. He became a better

0:44:51.600 --> 0:44:55.120
<v Speaker 5>artist that we appreciated. But in the beginning, like bro,

0:44:55.239 --> 0:44:57.280
<v Speaker 5>that ain't it them songs?

0:44:57.280 --> 0:44:59.560
<v Speaker 3>Ain't it? Then? Beats? Ain't it in the way you're rapping.

0:45:00.160 --> 0:45:02.560
<v Speaker 5>He's from New Orleans, so he had We wasn't used

0:45:02.560 --> 0:45:04.280
<v Speaker 5>to a rapper with a different voice.

0:45:04.320 --> 0:45:07.400
<v Speaker 3>First of all, that's number one, you got a whole.

0:45:07.360 --> 0:45:11.279
<v Speaker 6>South was We wasn't used to that not coming out

0:45:11.280 --> 0:45:11.840
<v Speaker 6>of our section.

0:45:11.920 --> 0:45:14.239
<v Speaker 5>We was used to it coming from So we looked

0:45:14.239 --> 0:45:16.600
<v Speaker 5>at him as one of us. We didn't know you

0:45:16.760 --> 0:45:17.879
<v Speaker 5>born and raised down there.

0:45:17.880 --> 0:45:20.399
<v Speaker 4>You the gangster, You a real gang You a real

0:45:20.520 --> 0:45:21.120
<v Speaker 4>gang member.

0:45:21.200 --> 0:45:23.120
<v Speaker 3>From Nigger to Calio projects.

0:45:24.239 --> 0:45:26.760
<v Speaker 5>When I worked it with him and put the stamp

0:45:27.400 --> 0:45:29.879
<v Speaker 5>and showed him how to go get his graphics done,

0:45:30.200 --> 0:45:32.879
<v Speaker 5>how to go get his uh uh, how to put

0:45:32.880 --> 0:45:35.480
<v Speaker 5>the album covers on the inside. If you got something new,

0:45:35.719 --> 0:45:38.239
<v Speaker 5>put it on the inside. I taught him all of that.

0:45:38.239 --> 0:45:39.880
<v Speaker 5>They used the hell out of that for many years

0:45:39.880 --> 0:45:40.680
<v Speaker 5>and listen.

0:45:40.880 --> 0:45:42.360
<v Speaker 4>And that was the beautiful He was the king of

0:45:42.400 --> 0:45:45.920
<v Speaker 4>that album coming out and that concept.

0:45:46.000 --> 0:45:48.360
<v Speaker 5>I'm the first person to put out ten albums in

0:45:48.400 --> 0:45:55.400
<v Speaker 5>one year, you feel me. So that being in the

0:45:55.480 --> 0:45:57.640
<v Speaker 5>right place at the right time. I think what it

0:45:57.760 --> 0:46:00.719
<v Speaker 5>is is given a person that looked like Underdog a

0:46:00.880 --> 0:46:04.240
<v Speaker 5>chance at the right time, like the rapper of the game.

0:46:04.600 --> 0:46:07.160
<v Speaker 5>It was four hundred rappers. Minister Farcan said, I want

0:46:07.280 --> 0:46:09.200
<v Speaker 5>all the rappers to come see me with me and

0:46:09.280 --> 0:46:11.200
<v Speaker 5>Russell Simmons. We want to talk to you all about

0:46:11.440 --> 0:46:14.960
<v Speaker 5>the independent game, how not to get tricked in the industry,

0:46:16.040 --> 0:46:18.400
<v Speaker 5>some more knowledge about the hit in hand and the

0:46:18.440 --> 0:46:20.400
<v Speaker 5>plots and plans, you know, so that we could look

0:46:20.440 --> 0:46:23.319
<v Speaker 5>out and watch out. When I walked in that room,

0:46:23.400 --> 0:46:27.160
<v Speaker 5>it was four hundred rappers in this room. He the

0:46:27.200 --> 0:46:29.720
<v Speaker 5>only rapper that I got the phone number from and said,

0:46:29.800 --> 0:46:34.359
<v Speaker 5>this the next motherfucker for the West Coast. I'm the

0:46:34.440 --> 0:46:38.480
<v Speaker 5>first person to say it, but for it to actually happen,

0:46:38.760 --> 0:46:41.480
<v Speaker 5>that was and I was hurt. I wasn't part of it,

0:46:41.560 --> 0:46:44.160
<v Speaker 5>but I was happy to know that my skills set work.

0:46:44.680 --> 0:46:47.880
<v Speaker 4>I told the world. I put him with Nad's Escabar

0:46:48.040 --> 0:46:50.719
<v Speaker 4>on QB. The Compton, Me and Dad Dilling just just

0:46:50.760 --> 0:46:53.360
<v Speaker 4>did long beast to fill mo so off that buzz

0:46:53.440 --> 0:46:55.399
<v Speaker 4>finding a new artists, how do I launch them?

0:46:55.600 --> 0:46:58.719
<v Speaker 5>My man's had eight unreleased NADS songs. I say, man,

0:46:58.800 --> 0:47:00.759
<v Speaker 5>let me get them songs. I'm gonna blend it with

0:47:00.800 --> 0:47:02.920
<v Speaker 5>my new artist the game and called it QB. The

0:47:02.960 --> 0:47:07.319
<v Speaker 5>Compton Nas in the game to the people would look

0:47:07.320 --> 0:47:10.640
<v Speaker 5>like they together. But Nas was having beef with jay

0:47:10.719 --> 0:47:13.719
<v Speaker 5>Z with Ether and uh whatever them two songs and

0:47:13.840 --> 0:47:15.959
<v Speaker 5>niggas were going back and forth. Right in the middle

0:47:16.000 --> 0:47:17.919
<v Speaker 5>of that beef is when I dropped the game Shit

0:47:18.640 --> 0:47:20.000
<v Speaker 5>and it made them hot, fishing grief.

0:47:20.440 --> 0:47:25.440
<v Speaker 3>Nas was on the cover of Double XL. On that

0:47:25.560 --> 0:47:28.399
<v Speaker 3>cover is the game.

0:47:29.560 --> 0:47:32.960
<v Speaker 5>The Black Wall Street Shit that I had and the

0:47:33.000 --> 0:47:34.880
<v Speaker 5>albums that I got coming out the.

0:47:34.800 --> 0:47:39.520
<v Speaker 3>Next issue fifty cent Doctor Dre eminem on Double XL cover.

0:47:39.880 --> 0:47:42.520
<v Speaker 5>If I would have waited one mo month to put

0:47:42.560 --> 0:47:45.640
<v Speaker 5>me an Ad out because I went with the Knaves

0:47:45.680 --> 0:47:47.640
<v Speaker 5>because it was hot, I didn't know Doctor Dre. And

0:47:47.640 --> 0:47:49.760
<v Speaker 5>then was Finna grab fifty cent and it was Finna

0:47:49.760 --> 0:47:52.880
<v Speaker 5>be a cover that was their biggest cover ever. But

0:47:53.040 --> 0:47:58.200
<v Speaker 5>long story short, finding Game and marketing him in the

0:47:58.239 --> 0:48:01.920
<v Speaker 5>double XL on a national scale, he was able to

0:48:01.920 --> 0:48:05.120
<v Speaker 5>take the songs that I paid for and go shop

0:48:05.160 --> 0:48:08.120
<v Speaker 5>around and then do new songs up the mixtape circuit.

0:48:08.800 --> 0:48:11.040
<v Speaker 3>He went got his own deal. I can't claim that

0:48:11.880 --> 0:48:12.239
<v Speaker 3>he went.

0:48:12.400 --> 0:48:14.399
<v Speaker 2>He went four way with you.

0:48:16.680 --> 0:48:17.400
<v Speaker 3>Small world.

0:48:17.560 --> 0:48:18.880
<v Speaker 4>It is small world.

0:48:19.800 --> 0:48:24.800
<v Speaker 5>That that whole concept, that whole concept. How that really happened.

0:48:25.480 --> 0:48:28.160
<v Speaker 5>People got to say j T the first he predicted it.

0:48:28.680 --> 0:48:31.200
<v Speaker 5>I couldn't say it was for sure. I just said

0:48:31.520 --> 0:48:37.480
<v Speaker 5>he is the prototype. He he he tall, he rapping

0:48:37.880 --> 0:48:42.040
<v Speaker 5>like fabulous. He sounded like shine. But he talking la

0:48:42.200 --> 0:48:47.080
<v Speaker 5>gang Bang raps. To me, I thought, I'm like, this

0:48:47.239 --> 0:48:48.600
<v Speaker 5>is him sure?

0:48:48.920 --> 0:48:49.960
<v Speaker 3>And then he became that.

0:48:50.880 --> 0:48:55.480
<v Speaker 5>So when I work with young Thug, this is years later,

0:48:56.280 --> 0:48:59.520
<v Speaker 5>this is this is me and Game was two thousand

0:48:59.520 --> 0:49:03.440
<v Speaker 5>and two and Me and Thug was twenty twelve, So

0:49:03.600 --> 0:49:08.080
<v Speaker 5>like ten years later, I take a chance. He ended

0:49:08.120 --> 0:49:11.360
<v Speaker 5>up becoming something great. Me and Future. I bring Future

0:49:11.400 --> 0:49:14.000
<v Speaker 5>out here. You know, we bring the migos to the bay.

0:49:14.200 --> 0:49:15.720
<v Speaker 5>They like, who the hell is these guys?

0:49:15.760 --> 0:49:15.960
<v Speaker 3>Man?

0:49:16.520 --> 0:49:19.720
<v Speaker 5>Two months letter man, bro, what man give me another,

0:49:19.880 --> 0:49:22.960
<v Speaker 5>give me Kuavo number, give me I say, bro, I

0:49:23.000 --> 0:49:26.360
<v Speaker 5>brought Future. Y'all didn't care nothing about the future, the

0:49:26.400 --> 0:49:28.799
<v Speaker 5>migo or young Thug. But as soon as they hit

0:49:28.840 --> 0:49:31.560
<v Speaker 5>the radio station out here, that's when everybody like.

0:49:31.640 --> 0:49:33.920
<v Speaker 4>Man, that's who the dudes dig brung out here. J

0:49:34.080 --> 0:49:35.000
<v Speaker 4>T brought them dudes.

0:49:35.040 --> 0:49:35.239
<v Speaker 3>Man.

0:49:35.400 --> 0:49:38.120
<v Speaker 4>All they in the movie was, ah, that's the same dudes.

0:49:38.280 --> 0:49:42.719
<v Speaker 1>Yeah, m yeah, you didn't one thing about it though.

0:49:43.280 --> 0:49:44.919
<v Speaker 1>You ever recorded a lot of songs with the game?

0:49:45.040 --> 0:49:46.200
<v Speaker 1>You owned the Masters?

0:49:46.239 --> 0:49:46.600
<v Speaker 4>Correct?

0:49:47.200 --> 0:49:49.200
<v Speaker 5>Okay, so he was able to get some retribution. Then

0:49:49.400 --> 0:49:50.839
<v Speaker 5>I had to go. I had to go do it.

0:49:51.400 --> 0:49:53.600
<v Speaker 5>I know, whack one hundred. He wasn't happy, you know,

0:49:53.719 --> 0:49:56.520
<v Speaker 5>all these years letters saying that I was stupid. But

0:49:56.560 --> 0:49:59.160
<v Speaker 5>I was, like, I told Game, give me two hundred

0:49:59.160 --> 0:50:01.760
<v Speaker 5>and fifty thousand. When I went to Afterman, first of all,

0:50:02.040 --> 0:50:04.840
<v Speaker 5>told them bring them to the Masters in a copy

0:50:04.880 --> 0:50:05.719
<v Speaker 5>of my contract.

0:50:06.160 --> 0:50:09.719
<v Speaker 3>They seen it. They say this authentic. But we don't

0:50:09.719 --> 0:50:10.640
<v Speaker 3>want to buy this album.

0:50:10.640 --> 0:50:13.759
<v Speaker 5>Were working on a new album, and if we buy

0:50:13.760 --> 0:50:16.440
<v Speaker 5>this album from me, it's gonna come out of Game's budget.

0:50:16.760 --> 0:50:19.960
<v Speaker 5>And he don't want to authorize that. But if he

0:50:20.040 --> 0:50:22.279
<v Speaker 5>wanted to get me out the way. That was what

0:50:22.560 --> 0:50:24.839
<v Speaker 5>the smart thing to do. He didn't want to see

0:50:24.880 --> 0:50:27.120
<v Speaker 5>me get no money at all, like, oh that shit

0:50:27.200 --> 0:50:29.000
<v Speaker 5>is old man, that shit ain't nothing. Then I went

0:50:29.000 --> 0:50:34.120
<v Speaker 5>straight to Cotch sold it to them. HM Game called

0:50:34.160 --> 0:50:36.319
<v Speaker 5>me before I sold it and said I give you

0:50:36.360 --> 0:50:39.239
<v Speaker 5>seventy five thousand and just go away. I said, I

0:50:39.280 --> 0:50:41.440
<v Speaker 5>don't want seventy five. I want two fifty. That's a

0:50:41.480 --> 0:50:43.640
<v Speaker 5>fair number, nigga, they just gave you all this money.

0:50:43.640 --> 0:50:44.880
<v Speaker 5>You with the biggest people.

0:50:44.600 --> 0:50:46.440
<v Speaker 4>In the world. Two fifty ain't nothing.

0:50:47.480 --> 0:50:50.239
<v Speaker 5>So when Whack one hundred did an interview not too

0:50:50.280 --> 0:50:52.640
<v Speaker 5>long ago, he was saying JT was stupid for that,

0:50:53.200 --> 0:50:56.120
<v Speaker 5>I said, well, first of all, I invested twelve thousand

0:50:56.200 --> 0:50:59.400
<v Speaker 5>dollars to do all them songs, studio time, hotel bitches

0:50:59.440 --> 0:51:05.120
<v Speaker 5>for them, couple outfits, some weed, twelve man's forty songs.

0:51:06.560 --> 0:51:09.799
<v Speaker 5>All I wanted was two hundred and fifty thousand. I

0:51:09.960 --> 0:51:13.040
<v Speaker 5>ended up making over the life of that album over

0:51:13.200 --> 0:51:16.960
<v Speaker 5>five million dollars because I sold it to Cotch before

0:51:17.040 --> 0:51:19.680
<v Speaker 5>digital kicked in, And then when digital kicked in, I

0:51:19.719 --> 0:51:21.640
<v Speaker 5>took the album back from Cotch and I put it

0:51:21.680 --> 0:51:23.640
<v Speaker 5>back out and then I get to check every money.

0:51:24.680 --> 0:51:26.879
<v Speaker 5>They thought I was stupid. I wasn't that stupid nigga.

0:51:26.920 --> 0:51:29.560
<v Speaker 5>I only signed for albums and records and cassette tapes.

0:51:29.640 --> 0:51:33.880
<v Speaker 5>I didn't sign for iTunes and Spotify. And most people

0:51:33.960 --> 0:51:36.000
<v Speaker 5>now they try to send season and decision. But I'm like,

0:51:36.120 --> 0:51:37.759
<v Speaker 5>I ain't listening to that shit. I got the shit

0:51:37.840 --> 0:51:42.120
<v Speaker 5>loaded up. This is my shit game. Can't say nothing

0:51:42.120 --> 0:51:44.040
<v Speaker 5>to white men, not no, no prejudic shit.

0:51:44.320 --> 0:51:46.560
<v Speaker 4>But they was talking to white men power shit JT

0:51:46.719 --> 0:51:49.480
<v Speaker 4>JT thing. I say, hold on, man, I just signed it.

0:51:49.480 --> 0:51:52.719
<v Speaker 4>It don't say iTunes on my contract. It don't say

0:51:52.800 --> 0:51:58.840
<v Speaker 4>nothing about streaming. It only say records, cassette tapes, vinyl

0:51:59.080 --> 0:52:01.120
<v Speaker 4>for distribution worldwide.

0:52:02.320 --> 0:52:03.960
<v Speaker 1>And they could have kept doing that if they wanted to.

0:52:04.000 --> 0:52:05.640
<v Speaker 1>But you go take the digital rights and do what

0:52:05.640 --> 0:52:06.239
<v Speaker 1>you want to do.

0:52:06.160 --> 0:52:08.680
<v Speaker 5>Because digital I don't even care about a cassette tape

0:52:08.760 --> 0:52:10.640
<v Speaker 5>or a CD no more. Once it went to that,

0:52:11.680 --> 0:52:14.080
<v Speaker 5>I was smart, I'm like, shit, well I'm going digital.

0:52:14.719 --> 0:52:17.000
<v Speaker 5>I'm not arguing with them. But how many tapes did

0:52:17.000 --> 0:52:19.440
<v Speaker 5>we sell? How many we shipped? They line you know

0:52:19.480 --> 0:52:20.200
<v Speaker 5>how to recollect?

0:52:20.680 --> 0:52:22.719
<v Speaker 4>Oh we shipped this and we paid for that, and

0:52:22.760 --> 0:52:29.160
<v Speaker 4>we all man yeah, and then we got a whole eighty. Man.

0:52:29.280 --> 0:52:31.240
<v Speaker 4>If you don't get up out of here with this game,

0:52:31.480 --> 0:52:34.200
<v Speaker 4>shout out to digital. Whatever money be made they take,

0:52:34.239 --> 0:52:36.319
<v Speaker 4>they cuts into your rest. I like that now if

0:52:36.320 --> 0:52:39.239
<v Speaker 4>they scam it, it's working because I like a check

0:52:39.320 --> 0:52:39.799
<v Speaker 4>every month.

0:52:40.840 --> 0:52:42.799
<v Speaker 5>They don't even got to be a big one. It

0:52:42.960 --> 0:52:44.919
<v Speaker 5>just got to be a check. And it ain't even

0:52:44.920 --> 0:52:47.919
<v Speaker 5>a check, it's a direct deposit. So on the first

0:52:48.000 --> 0:52:50.600
<v Speaker 5>of the month, everybody with Digital Council, we all feel

0:52:50.600 --> 0:52:54.239
<v Speaker 5>happy because whatever's in it, something is on your in

0:52:54.280 --> 0:52:55.080
<v Speaker 5>your bank account.

0:52:55.120 --> 0:52:57.120
<v Speaker 4>So I do a lot of niggas hate digital.

0:52:57.920 --> 0:53:01.080
<v Speaker 5>They hate digital for the lack of the quick turnaround

0:53:01.120 --> 0:53:06.240
<v Speaker 5>time based upon putting your shit out digitally. There isn't

0:53:06.360 --> 0:53:13.040
<v Speaker 5>a revenue that comes in for months. A lot of times,

0:53:14.200 --> 0:53:17.560
<v Speaker 5>even if you just pay for promotion. Imagine you spend

0:53:17.560 --> 0:53:20.160
<v Speaker 5>thirty thousand dollars on promo of your new album, and

0:53:20.200 --> 0:53:23.520
<v Speaker 5>you spend ten thousand recording and making it, and so

0:53:23.640 --> 0:53:27.920
<v Speaker 5>you had about forty maybe ten more, so you had

0:53:28.040 --> 0:53:29.200
<v Speaker 5>like a fifty.

0:53:29.400 --> 0:53:31.320
<v Speaker 3>That album might not do nothing.

0:53:31.840 --> 0:53:34.640
<v Speaker 5>You might be making thousand dollars on the first month

0:53:34.719 --> 0:53:38.480
<v Speaker 5>if that, because it's still take time to catch unless

0:53:38.520 --> 0:53:41.200
<v Speaker 5>you're a person with a buzz already, so niggas without

0:53:41.239 --> 0:53:45.080
<v Speaker 5>that buzz, you not finna be getting no ten bands

0:53:45.120 --> 0:53:48.680
<v Speaker 5>every month or no fifteen bands yet, it's not gonna happen.

0:53:49.080 --> 0:53:51.759
<v Speaker 5>If you put your album out and you're thinking you're

0:53:51.800 --> 0:53:54.120
<v Speaker 5>about to make all the money from one album, then

0:53:54.160 --> 0:53:57.759
<v Speaker 5>you're mistaken if you're not working your YouTube channel in

0:53:57.800 --> 0:54:02.239
<v Speaker 5>conjunction with your digital distribution deal, which also feeds your

0:54:02.280 --> 0:54:05.680
<v Speaker 5>digital distribution deal. But if you if you turn on

0:54:06.040 --> 0:54:11.120
<v Speaker 5>your YouTube account properly, then your digital distribution check money

0:54:11.480 --> 0:54:15.120
<v Speaker 5>from this particular stream goes to that and then another

0:54:15.520 --> 0:54:19.440
<v Speaker 5>YouTube check comes to you personally as the YouTube owner.

0:54:19.680 --> 0:54:22.680
<v Speaker 5>But if you signed your whole YouTube over also, then

0:54:22.680 --> 0:54:28.239
<v Speaker 5>you don't get that. That's another downside to artists. When

0:54:28.239 --> 0:54:30.560
<v Speaker 5>you have a hot song, it ain't just paying no

0:54:30.680 --> 0:54:34.239
<v Speaker 5>DJ to play your song or pay for a playlist.

0:54:34.800 --> 0:54:37.960
<v Speaker 5>These are the other elements that I watch companies do

0:54:38.280 --> 0:54:42.840
<v Speaker 5>like Empire Orchard. If a song that you're trying to push,

0:54:43.040 --> 0:54:46.239
<v Speaker 5>they will load it on a YouTube channel four or five, six,

0:54:46.400 --> 0:54:50.959
<v Speaker 5>seven different ways. The extended version, the audio version where

0:54:50.960 --> 0:54:56.360
<v Speaker 5>the words is coming on, the actual video version, the

0:54:56.480 --> 0:54:59.759
<v Speaker 5>song planned with just some random stuff happening in the

0:54:59.760 --> 0:55:02.560
<v Speaker 5>back ground. But why do they do that because this

0:55:02.719 --> 0:55:05.319
<v Speaker 5>random stuff has a title, but it's playing your song.

0:55:05.520 --> 0:55:07.360
<v Speaker 3>But you still get credit for every spin.

0:55:07.800 --> 0:55:11.600
<v Speaker 4>So that's what you call creative marketing within your streaming

0:55:12.040 --> 0:55:13.600
<v Speaker 4>to make the money come in.

0:55:14.239 --> 0:55:17.040
<v Speaker 3>You see what I'm saying. And I have failed to

0:55:17.120 --> 0:55:18.080
<v Speaker 3>do this all the way.

0:55:18.160 --> 0:55:20.240
<v Speaker 4>But when I go in the back office and see

0:55:20.480 --> 0:55:23.480
<v Speaker 4>they got somebody sitting there and they taking this whole

0:55:23.520 --> 0:55:26.200
<v Speaker 4>album and they finish chopped, they finna make this album.

0:55:26.680 --> 0:55:28.880
<v Speaker 2>It's ten songs. They got forty five videos.

0:55:29.360 --> 0:55:32.400
<v Speaker 4>Did you just hear me? It's the same album. It's

0:55:32.440 --> 0:55:35.040
<v Speaker 4>forty five with creative type.

0:55:35.040 --> 0:55:38.040
<v Speaker 2>Lyric video like lyric video, ric video, the.

0:55:39.200 --> 0:55:43.480
<v Speaker 4>Real video, the dirty ricks with the clouds cloud that's

0:55:43.520 --> 0:55:48.000
<v Speaker 4>the lyric video. Yes, the emotional other videos to the

0:55:48.040 --> 0:55:51.120
<v Speaker 4>motherfucking song. It won't even beat the video. It'll just

0:55:51.160 --> 0:55:53.960
<v Speaker 4>be some clips of you man, and it'd be like

0:55:54.160 --> 0:55:59.919
<v Speaker 4>that is the other part that most rappers is not doing,

0:56:00.239 --> 0:56:02.720
<v Speaker 4>and or the label who has the rapper.

0:56:02.800 --> 0:56:05.200
<v Speaker 1>And you can't forget about the fan videos because fans

0:56:05.280 --> 0:56:06.920
<v Speaker 1>now sit up there and make videos.

0:56:07.680 --> 0:56:10.240
<v Speaker 3>Get credit for your money.

0:56:10.239 --> 0:56:13.920
<v Speaker 2>Come to YouTube if you register properly, did you.

0:56:13.880 --> 0:56:17.520
<v Speaker 4>Hear that the registration of the song very important because

0:56:17.560 --> 0:56:22.839
<v Speaker 4>your YouTube money and your streaming money.

0:56:21.160 --> 0:56:23.680
<v Speaker 3>On my YouTube account.

0:56:24.000 --> 0:56:26.400
<v Speaker 5>I had not set it up right, so if I

0:56:26.400 --> 0:56:29.640
<v Speaker 5>played one song, it could be my song. All the

0:56:29.680 --> 0:56:32.040
<v Speaker 5>money from this video go to that one song, even

0:56:32.080 --> 0:56:34.640
<v Speaker 5>if it only come on for ten seconds, if that

0:56:34.760 --> 0:56:39.640
<v Speaker 5>song played within your YouTube or anybody's song. So I

0:56:39.760 --> 0:56:42.840
<v Speaker 5>was like, how come I'm not getting my YouTube credit

0:56:43.280 --> 0:56:46.640
<v Speaker 5>but it's going to the distributor because I want my

0:56:46.719 --> 0:56:49.200
<v Speaker 5>YouTube money kind of like to come to me. But

0:56:49.360 --> 0:56:51.359
<v Speaker 5>my man's was like, you got to set it up right.

0:56:51.680 --> 0:56:54.160
<v Speaker 5>I want my YouTube money to come to me, and

0:56:54.200 --> 0:56:56.000
<v Speaker 5>I want to distribute money because.

0:56:55.800 --> 0:56:57.640
<v Speaker 4>That check come to me too. But I want my

0:56:57.719 --> 0:56:59.960
<v Speaker 4>shit to be separate because you're supposed to get paid off.

0:57:00.640 --> 0:57:02.320
<v Speaker 1>You know what's funny. You know what's funny about you

0:57:02.360 --> 0:57:05.400
<v Speaker 1>saying that. I told them I managed Rapping and Glasses Malone,

0:57:06.080 --> 0:57:08.520
<v Speaker 1>and I told him, I said, bro, you ain't never

0:57:08.560 --> 0:57:10.520
<v Speaker 1>got to check from your YouTube channel. He got videos

0:57:10.560 --> 0:57:13.560
<v Speaker 1>on there getting million, Tupac Munchs died two million views.

0:57:13.360 --> 0:57:14.240
<v Speaker 4>Right million.

0:57:14.320 --> 0:57:16.600
<v Speaker 1>You didn't even get that check, And I said, dog,

0:57:17.200 --> 0:57:19.640
<v Speaker 1>I asked the distributor, I said, why are you claiming

0:57:19.760 --> 0:57:22.160
<v Speaker 1>videos off of this. You didn't upload this, you didn't

0:57:22.200 --> 0:57:24.720
<v Speaker 1>do it. Well, you know we part of distribution. He

0:57:24.800 --> 0:57:25.720
<v Speaker 1>uploaded that himself.

0:57:25.720 --> 0:57:27.360
<v Speaker 3>You didn't do no work for they got access to

0:57:27.400 --> 0:57:28.200
<v Speaker 3>the channel.

0:57:28.480 --> 0:57:31.000
<v Speaker 1>So we got that fixed. We got everything snacked from

0:57:31.080 --> 0:57:32.880
<v Speaker 1>them and got them snatched off of there. Now he

0:57:32.920 --> 0:57:36.120
<v Speaker 1>getting his checks now. I said, bro, that's all your money.

0:57:36.160 --> 0:57:38.480
<v Speaker 1>I told ate the same thing I told eight when

0:57:38.520 --> 0:57:41.280
<v Speaker 1>I saw his channel, I said, bro, you got this

0:57:41.400 --> 0:57:43.200
<v Speaker 1>up there, you need to have MC eight on there.

0:57:43.280 --> 0:57:45.120
<v Speaker 1>So I'm in the process now going to go get

0:57:45.160 --> 0:57:48.960
<v Speaker 1>all these other twenty five hundred fake MC eight pages

0:57:49.240 --> 0:57:51.800
<v Speaker 1>to where somebody probably have been paying their house note, card,

0:57:51.840 --> 0:57:53.840
<v Speaker 1>note and everything else for the past few years.

0:57:54.040 --> 0:57:56.440
<v Speaker 4>You know, dinner time is over now now denter.

0:57:56.240 --> 0:57:59.360
<v Speaker 5>Time got to be over because the proper registration is

0:57:59.400 --> 0:58:04.040
<v Speaker 5>only a mistake of an artist, the lack of adding them.

0:58:04.360 --> 0:58:07.560
<v Speaker 5>That one album with ten songs, but on YouTube, that

0:58:07.560 --> 0:58:12.640
<v Speaker 5>thing got forty five different variations that all paid.

0:58:12.960 --> 0:58:17.080
<v Speaker 3>It pays the person it pays. So it's people that

0:58:17.280 --> 0:58:18.200
<v Speaker 3>have a.

0:58:18.240 --> 0:58:21.160
<v Speaker 5>Song and all they got is girl's booty shaken from

0:58:21.240 --> 0:58:23.560
<v Speaker 5>YouTube or from Instagram. You know how they got the

0:58:23.600 --> 0:58:27.360
<v Speaker 5>girls to do their They take them videos, but the

0:58:27.400 --> 0:58:33.840
<v Speaker 5>audio is what the distributors claiming. But this video, whoever

0:58:33.880 --> 0:58:36.920
<v Speaker 5>on the YouTube channel, that portion of the money goes to,

0:58:37.400 --> 0:58:40.480
<v Speaker 5>so it's a separate. But there's guys that all they're

0:58:40.480 --> 0:58:44.080
<v Speaker 5>doing is putting booty girls on a fucking song. And

0:58:45.120 --> 0:58:47.720
<v Speaker 5>I'm like, bro, these girls ain't dancing to this song.

0:58:47.800 --> 0:58:50.480
<v Speaker 5>But the way they edited it, they mixed it.

0:58:50.520 --> 0:58:54.320
<v Speaker 4>They mixing it. It's the part of the song two

0:58:54.400 --> 0:58:55.439
<v Speaker 4>hundred thousand use.

0:58:56.800 --> 0:58:59.240
<v Speaker 5>If the Booties wasn't on there, I don't think it

0:58:59.240 --> 0:59:02.080
<v Speaker 5>probably would have did them numbers. But since them Booties

0:59:02.120 --> 0:59:05.960
<v Speaker 5>on there, it's the same song. But it got the

0:59:05.960 --> 0:59:10.080
<v Speaker 5>booties playing that concept or against the song. And you

0:59:10.120 --> 0:59:12.840
<v Speaker 5>see Hella shootings or something. Somebody got the dry Bys

0:59:12.960 --> 0:59:15.840
<v Speaker 5>or something. You know, the gangster rapper, he's showing clips

0:59:15.840 --> 0:59:19.200
<v Speaker 5>from all that they downloaded, but his song is playing.

0:59:19.880 --> 0:59:20.840
<v Speaker 3>That concept.

0:59:21.120 --> 0:59:23.480
<v Speaker 5>Is like, you could take your whatever last album you

0:59:23.520 --> 0:59:25.840
<v Speaker 5>put out and do that same concept right now with

0:59:26.040 --> 0:59:30.680
<v Speaker 5>just video visuals, with your music playing on the channel,

0:59:32.160 --> 0:59:34.240
<v Speaker 5>and when you load it up money, don't putting nothing

0:59:34.280 --> 0:59:36.720
<v Speaker 5>in between a different video of something else.

0:59:36.800 --> 0:59:40.080
<v Speaker 4>Nope, take the dead two or however long to fill

0:59:40.120 --> 0:59:40.480
<v Speaker 4>it up.

0:59:40.600 --> 0:59:43.280
<v Speaker 5>So you could release them and they all stand order

0:59:43.880 --> 0:59:45.919
<v Speaker 5>like you didn't put nothing else in between it. It's

0:59:45.960 --> 0:59:49.880
<v Speaker 5>like a bundle pack for you present you representing this

0:59:50.000 --> 0:59:51.760
<v Speaker 5>album again, but it had.

0:59:51.920 --> 0:59:54.520
<v Speaker 3>A whole other video that it might be you might

0:59:54.560 --> 0:59:56.400
<v Speaker 3>not be you back in the day.

0:59:56.440 --> 0:59:58.160
<v Speaker 1>Remember how we used to do the Maxi singles. You

0:59:58.240 --> 0:59:59.840
<v Speaker 1>do a single, you might have two or three re

1:00:01.400 --> 1:00:03.840
<v Speaker 1>then you might have another version which you rapping on there.

1:00:03.880 --> 1:00:07.360
<v Speaker 1>You feel what I'm saying. It's a single off feature purposing. Yeah, yep,

1:00:07.600 --> 1:00:10.320
<v Speaker 1>repurposing the thing. You know what? It reminds me of Man.

1:00:10.400 --> 1:00:12.680
<v Speaker 1>I remember shout out to the homies that rap a Lot.

1:00:12.720 --> 1:00:12.880
<v Speaker 4>Right.

1:00:12.880 --> 1:00:14.560
<v Speaker 1>I ain't gonna say my man's names. I don't want

1:00:14.560 --> 1:00:16.520
<v Speaker 1>to get him in trouble. Yeah, but my man who

1:00:16.520 --> 1:00:18.320
<v Speaker 1>wound up waiter on going to rap a Lot. He

1:00:18.400 --> 1:00:20.160
<v Speaker 1>was telling me we was coming from Vegas. That's when

1:00:20.200 --> 1:00:21.640
<v Speaker 1>we had did to deal with high seat down there

1:00:21.680 --> 1:00:24.080
<v Speaker 1>rap a Lot. So we coming from Vegas, right, and

1:00:24.120 --> 1:00:25.800
<v Speaker 1>he was telling me, man, I miss E and my

1:00:26.360 --> 1:00:28.440
<v Speaker 1>He used to be an executive E and I and

1:00:28.520 --> 1:00:31.400
<v Speaker 1>he told me that. You remember, at one time everybody

1:00:31.440 --> 1:00:34.200
<v Speaker 1>had million dollar budgets for videos, half million dollar budget

1:00:34.200 --> 1:00:37.600
<v Speaker 1>and videos. He told me, man that it was just

1:00:37.720 --> 1:00:40.040
<v Speaker 1>him and maybe two other people worked in the LA office.

1:00:40.080 --> 1:00:43.160
<v Speaker 1>So what they started doing, they had so many people submitting,

1:00:43.480 --> 1:00:46.080
<v Speaker 1>you know, for music for deals and stuff. Remember they

1:00:46.080 --> 1:00:49.040
<v Speaker 1>had E and MY music distribution. They were signed cast

1:00:49.120 --> 1:00:51.920
<v Speaker 1>to deals, right, but there wasn't a real deal. They

1:00:51.960 --> 1:00:53.640
<v Speaker 1>never recorded album. They just let him go in the

1:00:53.640 --> 1:00:56.360
<v Speaker 1>studio and they say, oh, this didn't work out. But

1:00:56.360 --> 1:00:58.560
<v Speaker 1>in the meantime they got a budget for it. They

1:00:58.680 --> 1:01:01.480
<v Speaker 1>ran that ten fifteen times. Bro never put out no projects.

1:01:01.520 --> 1:01:03.080
<v Speaker 1>And then what he told me too that they would

1:01:03.080 --> 1:01:06.960
<v Speaker 1>do they had they had a real artist. Oh man,

1:01:07.000 --> 1:01:09.360
<v Speaker 1>you donna sold fifty sixty thousand. They get a whole

1:01:09.400 --> 1:01:13.560
<v Speaker 1>separate bar code on the record ship off forty fifty

1:01:13.600 --> 1:01:16.120
<v Speaker 1>thousand copies. Dude, don't know nothing about it because it

1:01:16.160 --> 1:01:18.840
<v Speaker 1>sound skin say okay, you so you scanning twenty five.

1:01:18.920 --> 1:01:20.120
<v Speaker 3>Yeah, it's a different bark call.

1:01:20.280 --> 1:01:23.600
<v Speaker 4>It's cool. But meantime, meanwhile they running it up over

1:01:23.600 --> 1:01:24.320
<v Speaker 4>there with the other thing.

1:01:25.160 --> 1:01:28.000
<v Speaker 5>Now that that back door in the music industry, go

1:01:28.080 --> 1:01:29.400
<v Speaker 5>back to Marvin Gay and them.

1:01:29.560 --> 1:01:32.120
<v Speaker 3>And before I was about to say this, before that,

1:01:32.400 --> 1:01:33.080
<v Speaker 3>because it's.

1:01:32.880 --> 1:01:38.840
<v Speaker 5>Always back next our generation nineteen ninety two, I remember

1:01:39.240 --> 1:01:43.880
<v Speaker 5>the news report that came out that said, uh Biz

1:01:43.920 --> 1:01:49.080
<v Speaker 5>Marquee and Rob based DJ Easy Rock two albums that

1:01:49.240 --> 1:01:52.520
<v Speaker 5>came out. They both sold a million records. The copyright

1:01:52.600 --> 1:01:55.160
<v Speaker 5>infringement came in. They didn't get none of the money.

1:01:56.640 --> 1:01:57.959
<v Speaker 4>Joy and Pain.

1:01:58.560 --> 1:02:00.840
<v Speaker 3>Who was that rank?

1:02:00.680 --> 1:02:04.520
<v Speaker 4>Okay, Frankie right. They took the whole song Frankie Beverly

1:02:04.920 --> 1:02:07.240
<v Speaker 4>and just wrapped on top of it and looped it.

1:02:07.840 --> 1:02:09.120
<v Speaker 3>They didn't change nothing.

1:02:10.400 --> 1:02:14.160
<v Speaker 5>That is when I got scared in ninety two not

1:02:14.320 --> 1:02:17.640
<v Speaker 5>to rap on samples my tape that came out in June.

1:02:18.080 --> 1:02:19.920
<v Speaker 5>My man had got a couple of old records and

1:02:19.920 --> 1:02:22.040
<v Speaker 5>we looped at how y'all was doing y'all thing right

1:02:22.960 --> 1:02:23.920
<v Speaker 5>when that happened.

1:02:24.440 --> 1:02:26.360
<v Speaker 4>That happened around July August.

1:02:26.680 --> 1:02:29.919
<v Speaker 5>By November December when I dropped my tape, I had

1:02:30.480 --> 1:02:34.120
<v Speaker 5>interpolation so I would play something over and I never

1:02:34.160 --> 1:02:35.440
<v Speaker 5>had to pay a copyright off.

1:02:35.600 --> 1:02:38.040
<v Speaker 4>So we did we you know, it laid a lot

1:02:38.040 --> 1:02:40.960
<v Speaker 4>of my shit over once that lawsuit. Shit started, like

1:02:41.000 --> 1:02:43.000
<v Speaker 4>you would put your album out, then they come take

1:02:43.040 --> 1:02:43.680
<v Speaker 4>all your money.

1:02:44.360 --> 1:02:45.160
<v Speaker 2>Oh No.

1:02:45.440 --> 1:02:47.600
<v Speaker 1>I worked for a publishing company and I remember when

1:02:47.640 --> 1:02:49.360
<v Speaker 1>they was about to hit Dre and them for the

1:02:49.360 --> 1:02:52.160
<v Speaker 1>one song, all these niggas and all those because they

1:02:52.160 --> 1:02:54.440
<v Speaker 1>had sampled what was that dunk dunk.

1:02:54.280 --> 1:02:58.160
<v Speaker 4>Dumb, that's motherfucker looking for that good stuff.

1:02:58.440 --> 1:03:02.080
<v Speaker 1>Let me tell you, I worked back, work back. I

1:03:02.120 --> 1:03:05.320
<v Speaker 1>worked for Minded Music. They owned the publishing for that

1:03:05.440 --> 1:03:08.040
<v Speaker 1>because what they did was Minded Music did. And it

1:03:08.160 --> 1:03:10.360
<v Speaker 1>was funny how Karma come back on people, all the

1:03:10.400 --> 1:03:13.240
<v Speaker 1>cats to rob the Gap band and then Minded Music

1:03:13.280 --> 1:03:15.520
<v Speaker 1>came and got his ass right, so they had all

1:03:15.560 --> 1:03:18.400
<v Speaker 1>the gap on the record label. Yeah, they had all

1:03:18.440 --> 1:03:21.200
<v Speaker 1>the gap the gap bands published and they had the

1:03:21.200 --> 1:03:23.960
<v Speaker 1>Fat Back Band. What was cold about that though, is

1:03:24.000 --> 1:03:26.280
<v Speaker 1>they had hit after Math up several times. They didn't

1:03:26.280 --> 1:03:28.200
<v Speaker 1>want to take trade of court, but he just kept

1:03:28.200 --> 1:03:31.120
<v Speaker 1>ignoring them. Then when it came time for the actually

1:03:31.120 --> 1:03:33.880
<v Speaker 1>go to court, he was in their sleep. A million

1:03:33.960 --> 1:03:35.920
<v Speaker 1>dollars man, Trey was in their sleep. He didn't give

1:03:35.920 --> 1:03:37.600
<v Speaker 1>a fuck. He got walked out like he didn't care,

1:03:37.640 --> 1:03:37.880
<v Speaker 1>like it.

1:03:37.840 --> 1:03:39.720
<v Speaker 5>Was just a waste his time, because it did because

1:03:39.720 --> 1:03:42.080
<v Speaker 5>he actually had sampled it, or he actually used it.

1:03:42.160 --> 1:03:43.919
<v Speaker 4>Yeah, he actually used it. I don't give him the money.

1:03:43.960 --> 1:03:44.120
<v Speaker 3>Man.

1:03:44.120 --> 1:03:46.360
<v Speaker 4>We still we're still on tours and we still.

1:03:46.160 --> 1:03:47.720
<v Speaker 1>Because that's what John said. I said, you can put

1:03:47.720 --> 1:03:49.440
<v Speaker 1>a season desists. He said, no, why would I do that?

1:03:49.480 --> 1:03:51.240
<v Speaker 1>This record is doing phenomenal. I said, well, when we

1:03:51.240 --> 1:03:53.200
<v Speaker 1>go take him the court? He said, we go. Wait,

1:03:53.360 --> 1:03:55.640
<v Speaker 1>he said, I think it's approaching platinum.

1:03:55.920 --> 1:03:56.680
<v Speaker 4>Yeah, wow wow.

1:03:56.960 --> 1:03:57.760
<v Speaker 3>Then the check was.

1:03:57.720 --> 1:04:01.880
<v Speaker 6>Bigger speak gonna rap a lot. Jay Prince told me

1:04:01.920 --> 1:04:06.240
<v Speaker 6>that too. With the he had signed the producer seven

1:04:07.000 --> 1:04:09.520
<v Speaker 6>and when he was doing all this stuff with he

1:04:09.680 --> 1:04:11.440
<v Speaker 6>was signed to Rap a Lot as a producer, and

1:04:11.440 --> 1:04:14.200
<v Speaker 6>when he was doing all the stuff with Murder was

1:04:14.200 --> 1:04:16.720
<v Speaker 6>actually signed. So he said, all my way till jar

1:04:16.840 --> 1:04:20.320
<v Speaker 6>Run and Shanti through their business, then I'm gonna go.

1:04:20.520 --> 1:04:22.440
<v Speaker 6>He goes, why am I gonna step to him?

1:04:22.480 --> 1:04:22.640
<v Speaker 2>Now?

1:04:23.640 --> 1:04:26.160
<v Speaker 4>That's the game, and people do do that though, because

1:04:26.200 --> 1:04:28.680
<v Speaker 4>Young Thug was signed to five different record.

1:04:28.480 --> 1:04:33.120
<v Speaker 5>Labels when the big blow up. So you know, I'm

1:04:33.160 --> 1:04:37.120
<v Speaker 5>pretty sure everybody got compensated. But I just if you

1:04:37.240 --> 1:04:40.520
<v Speaker 5>sign a deal for this album, everybody get a deal

1:04:40.920 --> 1:04:44.400
<v Speaker 5>and then this producer or this executive he fall off

1:04:44.480 --> 1:04:45.800
<v Speaker 5>or they go separate ways.

1:04:45.840 --> 1:04:46.120
<v Speaker 4>Whatever.

1:04:46.360 --> 1:04:48.960
<v Speaker 5>Another dude coming, like, I put the money behind Thug

1:04:50.520 --> 1:04:54.560
<v Speaker 5>drop a mixtape. Okay, that came out, then that didn't work.

1:04:54.680 --> 1:04:57.440
<v Speaker 4>Another guy come, I put some money up, So thug

1:04:57.520 --> 1:04:59.760
<v Speaker 4>was like, shit, whoever got some money to.

1:04:59.720 --> 1:05:00.600
<v Speaker 3>Put a record out?

1:05:00.680 --> 1:05:05.320
<v Speaker 5>But then within that contract though, there were stipulations.

1:05:04.520 --> 1:05:07.480
<v Speaker 3>That you are my artists in some form of fashion.

1:05:08.040 --> 1:05:10.720
<v Speaker 4>So once he got the big deal, all the dudes

1:05:10.720 --> 1:05:12.640
<v Speaker 4>that had a contract, they would know he's my artist.

1:05:12.720 --> 1:05:13.600
<v Speaker 4>Now he's my artist.

1:05:14.240 --> 1:05:16.880
<v Speaker 5>But it's so much money involved them. All them dudes

1:05:16.880 --> 1:05:20.000
<v Speaker 5>went away. Whatever check got handed out, it just went silent.

1:05:20.040 --> 1:05:22.520
<v Speaker 5>Sometimes it's just a matter too them. Niggas all got

1:05:22.520 --> 1:05:24.880
<v Speaker 5>that money. You two fifty, you go get seventy five,

1:05:24.920 --> 1:05:27.240
<v Speaker 5>you gonna get yeah, yeah, just go away.

1:05:27.000 --> 1:05:28.080
<v Speaker 4>You know what I mean? Yo?

1:05:28.160 --> 1:05:30.560
<v Speaker 5>Yeah, because some people like shit, getting two three hundred

1:05:30.600 --> 1:05:33.840
<v Speaker 5>thousand from a nigga and you you gave him twenty

1:05:33.840 --> 1:05:38.760
<v Speaker 5>five thousand two three years ago, and now it's finna happen,

1:05:38.800 --> 1:05:40.080
<v Speaker 5>and it's finna be a quarter.

1:05:39.960 --> 1:05:41.280
<v Speaker 2>Million, and so that's good money.

1:05:41.360 --> 1:05:42.200
<v Speaker 4>It's a good investment.

1:05:42.320 --> 1:05:45.280
<v Speaker 3>That's all I'm trying to say. That's it right there.

1:05:45.360 --> 1:05:45.960
<v Speaker 4>You know what I'm saying.

1:05:46.000 --> 1:05:49.960
<v Speaker 5>All way, don't never come back. It's over for two fifty,

1:05:50.240 --> 1:05:50.880
<v Speaker 5>Come on with it.

1:05:51.040 --> 1:05:52.720
<v Speaker 1>Yeah, let me ask you this broke because you've been

1:05:52.720 --> 1:05:54.880
<v Speaker 1>around for a long time, you don't saw all the

1:05:55.000 --> 1:05:59.080
<v Speaker 1>incarnations of just like everything go from having the Street

1:05:59.120 --> 1:06:01.080
<v Speaker 1>Team to the where it's on the internet. Now, Man,

1:06:01.920 --> 1:06:03.680
<v Speaker 1>what do you think about the client that we and

1:06:03.840 --> 1:06:07.720
<v Speaker 1>now man to where we actually content creative, we stip're

1:06:07.720 --> 1:06:11.240
<v Speaker 1>having a constructive interview, you know, constructive conversation, right, what

1:06:11.320 --> 1:06:13.360
<v Speaker 1>do you think about this era manic where people get

1:06:13.440 --> 1:06:16.360
<v Speaker 1>online wild and then doing everything Now he's on that line.

1:06:17.360 --> 1:06:18.000
<v Speaker 3>I think.

1:06:19.480 --> 1:06:22.560
<v Speaker 5>I think the internet really just opened the door for

1:06:22.600 --> 1:06:25.400
<v Speaker 5>people to be show they asks you feel me, and

1:06:25.480 --> 1:06:29.160
<v Speaker 5>that will become the new content like Jerry Springer.

1:06:29.280 --> 1:06:32.680
<v Speaker 4>But now every day, all day with random people's Jerry Springer.

1:06:32.720 --> 1:06:35.680
<v Speaker 5>And it's not just per se the shock of you're

1:06:35.760 --> 1:06:37.520
<v Speaker 5>not the father or you are the father.

1:06:37.640 --> 1:06:39.080
<v Speaker 3>It's the nigga with the gun.

1:06:39.160 --> 1:06:43.840
<v Speaker 4>It's the girl doing something nasty, it's it's anything that

1:06:43.840 --> 1:06:48.120
<v Speaker 4>that's not considered your mom and dad or granting them

1:06:48.120 --> 1:06:50.280
<v Speaker 4>you wouldn't do this in front of them. I think

1:06:51.800 --> 1:06:56.560
<v Speaker 4>the art of the Internet and people longing to be

1:06:57.520 --> 1:07:03.640
<v Speaker 4>famous has made people just really go to through all

1:07:03.760 --> 1:07:08.959
<v Speaker 4>kinds of steps to be a celebrity, and they don't

1:07:08.960 --> 1:07:12.880
<v Speaker 4>even have to be like we consider celebrities like artists,

1:07:13.000 --> 1:07:18.560
<v Speaker 4>like ourselves, movie stars, or you know famous sports figures.

1:07:18.880 --> 1:07:22.800
<v Speaker 4>Motherfucker a bit slapping herself with a cake and shit

1:07:22.920 --> 1:07:27.520
<v Speaker 4>on on Instagram. Now is the form of being famous,

1:07:27.720 --> 1:07:33.160
<v Speaker 4>that's right, that's right, A regular, a regular person. You know,

1:07:33.440 --> 1:07:38.200
<v Speaker 4>people do all these outrageous acts now to become famous.

1:07:38.360 --> 1:07:44.480
<v Speaker 4>And that's because I say, our generation, uh don't accept

1:07:44.520 --> 1:07:46.160
<v Speaker 4>being normal anymore.

1:07:46.560 --> 1:07:46.960
<v Speaker 3>Don't me.

1:07:48.880 --> 1:07:51.560
<v Speaker 4>Back when I was a kid, you know, my uncle

1:07:51.640 --> 1:07:53.040
<v Speaker 4>worked at the gas company.

1:07:53.080 --> 1:07:54.640
<v Speaker 3>He was a normal motherfucker.

1:07:54.840 --> 1:07:58.360
<v Speaker 4>You know, he didn't have visions of I gotta be

1:07:58.440 --> 1:08:01.560
<v Speaker 4>the next you know, Wesley, or I gotta be the

1:08:01.600 --> 1:08:06.040
<v Speaker 4>next you know. You know my auntie worked as a nurse.

1:08:06.560 --> 1:08:10.200
<v Speaker 4>She didn't go fuck. You know, I gotta start taking

1:08:10.360 --> 1:08:13.120
<v Speaker 4>I gotta get in Playboy, or I gotta be in Pinout.

1:08:13.160 --> 1:08:13.920
<v Speaker 3>You know what I'm saying.

1:08:14.000 --> 1:08:17.720
<v Speaker 4>Some people were just regular, our the generation now I

1:08:17.760 --> 1:08:21.720
<v Speaker 4>think because of like I said, everything is monetized.

1:08:21.880 --> 1:08:22.120
<v Speaker 3>Now.

1:08:22.280 --> 1:08:26.640
<v Speaker 4>You give me YouTube and only fans and Instagram and

1:08:26.720 --> 1:08:29.720
<v Speaker 4>everything you can make a dollar out of. And then

1:08:30.200 --> 1:08:34.120
<v Speaker 4>it's ridiculous as the steps people are take. Like I said,

1:08:34.160 --> 1:08:38.479
<v Speaker 4>nobody's comfortable with being normal. You get me a job,

1:08:38.680 --> 1:08:44.200
<v Speaker 4>because before I discovered that I could write a song

1:08:44.400 --> 1:08:48.160
<v Speaker 4>or tell a story or whatever. My visions was to

1:08:48.160 --> 1:08:51.640
<v Speaker 4>be a normal motherfucker, you know, until I was introduced

1:08:51.680 --> 1:08:54.759
<v Speaker 4>to the gang life and selling dope and whatever whatever.

1:08:54.880 --> 1:08:58.680
<v Speaker 4>But like I said, I didn't plan on, you know,

1:08:58.760 --> 1:09:02.960
<v Speaker 4>being MC eight or being a famous whatever. When my

1:09:03.080 --> 1:09:06.560
<v Speaker 4>father worked at General Motors. My mom's worked as a

1:09:06.560 --> 1:09:09.920
<v Speaker 4>as a CNA or a nurse or whatever. So your

1:09:10.040 --> 1:09:13.599
<v Speaker 4>visions of being a normal kid, that's what it was.

1:09:14.000 --> 1:09:17.400
<v Speaker 4>I think now growing up with all this fucking like

1:09:17.479 --> 1:09:20.679
<v Speaker 4>you say, motherfucking put a studio in his house. Today,

1:09:21.000 --> 1:09:26.479
<v Speaker 4>motherfucker can film movies on his phone. Females, can you know,

1:09:26.680 --> 1:09:30.000
<v Speaker 4>go get their asses done and take pictures on Instagram

1:09:30.040 --> 1:09:34.240
<v Speaker 4>and their their Instagram models the only fans playing with

1:09:34.280 --> 1:09:37.519
<v Speaker 4>themselves all day or dude, to get a shit. You

1:09:37.520 --> 1:09:42.240
<v Speaker 4>can be famous by fucking a regular motherfucker who cooked

1:09:42.280 --> 1:09:43.439
<v Speaker 4>dinner for his family.

1:09:43.640 --> 1:09:46.080
<v Speaker 5>Do you know what I want to say? That who's

1:09:46.120 --> 1:09:54.080
<v Speaker 5>single handily? I think who's single handily? Now when I'm

1:09:54.120 --> 1:09:57.680
<v Speaker 5>hearing you say that, we gotta say, look at this

1:09:57.800 --> 1:10:05.240
<v Speaker 5>word YouTube right right. First, it used to be films

1:10:05.240 --> 1:10:09.920
<v Speaker 5>that somebody make to show us. But somebody said, how

1:10:09.960 --> 1:10:12.920
<v Speaker 5>about we make a platform where you gonna be on

1:10:13.000 --> 1:10:15.160
<v Speaker 5>the tube the regular person.

1:10:16.000 --> 1:10:20.360
<v Speaker 4>I think that was a thought. Let's take the camera

1:10:20.439 --> 1:10:24.680
<v Speaker 4>off of let's let's create it ourselves. We're gonna put

1:10:24.680 --> 1:10:28.160
<v Speaker 4>the camera on the regular people and thet's see what

1:10:28.200 --> 1:10:32.080
<v Speaker 4>they do. Because that's crazy, as he when I just

1:10:32.200 --> 1:10:36.680
<v Speaker 4>listened what you're saying. And I think before social media.

1:10:36.800 --> 1:10:40.439
<v Speaker 5>It was YouTube was a big thing where you can

1:10:40.520 --> 1:10:46.040
<v Speaker 5>be somebody, right, and that's how they market it. YouTube

1:10:46.200 --> 1:10:50.439
<v Speaker 5>it's about you upload your yourself doing your life.

1:10:50.680 --> 1:10:52.280
<v Speaker 1>We I'm gonna give you us both some game and

1:10:52.280 --> 1:10:56.280
<v Speaker 1>I'm gonna tell you what they're doing. Rupert Murdock, I

1:10:56.320 --> 1:11:00.840
<v Speaker 1>think is the guy owns Fox. Right, Yes, these platforms do.

1:11:00.880 --> 1:11:03.080
<v Speaker 1>I'm gonna tell you what YouTube's grand plan is.

1:11:03.160 --> 1:11:03.360
<v Speaker 4>Right.

1:11:03.640 --> 1:11:06.200
<v Speaker 1>YouTube also has YouTube TV where they have a bunch

1:11:06.280 --> 1:11:08.600
<v Speaker 1>of fast channels on that right, a bunch of channels.

1:11:09.479 --> 1:11:13.040
<v Speaker 1>Black people are good for bringing attention to stuff, right.

1:11:14.200 --> 1:11:16.720
<v Speaker 1>You know we're consumers, right, We a lot of us

1:11:16.720 --> 1:11:20.960
<v Speaker 1>are consumers, not owners. We bring attention to stuff. So

1:11:21.280 --> 1:11:24.240
<v Speaker 1>now you got guys like, let's say, like our YouTube

1:11:24.320 --> 1:11:26.559
<v Speaker 1>channel got like a couple hundred thousand people on the right,

1:11:27.280 --> 1:11:30.160
<v Speaker 1>he might have fifty thousand, his may have three hundred thousand.

1:11:30.280 --> 1:11:30.400
<v Speaker 4>Right.

1:11:30.439 --> 1:11:32.439
<v Speaker 1>When you add that up all these music channels, you

1:11:32.520 --> 1:11:34.519
<v Speaker 1>got people that are own they're now right, that are

1:11:34.600 --> 1:11:37.720
<v Speaker 1>signed up for YouTube. If you notice, they're starting to

1:11:37.720 --> 1:11:39.880
<v Speaker 1>crack down a lot of stuff. You seeing people get

1:11:39.880 --> 1:11:43.160
<v Speaker 1>their channel snatched down left and right right with that bullshit. Okay,

1:11:43.160 --> 1:11:45.720
<v Speaker 1>we're letting you go. They're building it up, bro, They're

1:11:45.800 --> 1:11:48.760
<v Speaker 1>using other people to build their platform, right, and they

1:11:48.760 --> 1:11:51.200
<v Speaker 1>gonna snatch you all this away from everybody else pretty soon.

1:11:51.479 --> 1:11:53.920
<v Speaker 1>I'm gonna tell you what's really crazy about this is

1:11:53.920 --> 1:11:55.920
<v Speaker 1>that people that get caught up in YouTube. I got

1:11:55.960 --> 1:11:59.559
<v Speaker 1>nieces and nephews. That's all they've been raised on is

1:11:59.600 --> 1:12:02.200
<v Speaker 1>YouTube because their mama or daddy give them the tablet

1:12:02.200 --> 1:12:04.479
<v Speaker 1>in the morning instead of going out taking them outside

1:12:04.479 --> 1:12:06.719
<v Speaker 1>the play. Remember we used to go outside and play football,

1:12:06.840 --> 1:12:10.320
<v Speaker 1>basketball and stuff. Now people just give their kid the tablet,

1:12:10.520 --> 1:12:12.800
<v Speaker 1>and it makes it people to think that that's real life.

1:12:12.840 --> 1:12:15.760
<v Speaker 1>That's not the real world, right. I get a lot

1:12:15.800 --> 1:12:17.679
<v Speaker 1>of people that come to me because they just think

1:12:17.720 --> 1:12:21.080
<v Speaker 1>I could make somebody's podcast pot. They don't understand the

1:12:21.120 --> 1:12:23.320
<v Speaker 1>work that goes into it. They don't even understand the

1:12:23.400 --> 1:12:26.519
<v Speaker 1>audio component on it. Me and we made ten times

1:12:26.520 --> 1:12:28.080
<v Speaker 1>the amount of money on audio that.

1:12:28.160 --> 1:12:28.880
<v Speaker 4>We do on YouTube.

1:12:28.920 --> 1:12:29.360
<v Speaker 3>Am I right?

1:12:29.400 --> 1:12:30.000
<v Speaker 4>Egg right?

1:12:30.160 --> 1:12:32.479
<v Speaker 1>And my line is talking? You mean yeah, just talk

1:12:32.560 --> 1:12:35.599
<v Speaker 1>to y'all, just audio, just playing audio. So I get

1:12:35.600 --> 1:12:38.320
<v Speaker 1>people come to me because everybody thinks that, oh, it's

1:12:38.360 --> 1:12:40.200
<v Speaker 1>just easy. They get up there talking. They don't know

1:12:40.240 --> 1:12:43.040
<v Speaker 1>about Yoh, you gotta do research. You gotta have something

1:12:43.040 --> 1:12:45.880
<v Speaker 1>to actually converse with these people about when they come on. Right,

1:12:46.520 --> 1:12:49.080
<v Speaker 1>So I get people to get mad when they see

1:12:49.120 --> 1:12:52.160
<v Speaker 1>me working with somebody. I don't sign everybody. I don't

1:12:52.200 --> 1:12:53.760
<v Speaker 1>sign people no more because it's too much of a

1:12:53.760 --> 1:12:56.000
<v Speaker 1>headache because I can do no right with that. It

1:12:56.040 --> 1:12:58.200
<v Speaker 1>don't matter if I change your life or not. I'm

1:12:58.200 --> 1:13:00.960
<v Speaker 1>gonna wind up be an asshole. I get to see

1:13:00.960 --> 1:13:02.640
<v Speaker 1>all that to say. I get this text message the

1:13:02.640 --> 1:13:04.439
<v Speaker 1>other night from a random number. I don't know who

1:13:04.439 --> 1:13:04.920
<v Speaker 1>this is?

1:13:05.600 --> 1:13:05.880
<v Speaker 4>Man?

1:13:05.920 --> 1:13:08.880
<v Speaker 1>Why you put that ugly hell on? I respond back with,

1:13:08.960 --> 1:13:12.439
<v Speaker 1>who is this She is trash, she's boring. You should

1:13:12.439 --> 1:13:16.040
<v Speaker 1>have fucked with me again? Who is this man?

1:13:16.080 --> 1:13:16.880
<v Speaker 4>She canceled.

1:13:17.200 --> 1:13:19.959
<v Speaker 1>I just blocked the number because he hasn't revealed himself.

1:13:20.320 --> 1:13:23.360
<v Speaker 1>People aren't even men nowadays in this culture because they

1:13:23.360 --> 1:13:26.200
<v Speaker 1>can hide behind the screen right. Have you ever noticed

1:13:26.240 --> 1:13:28.439
<v Speaker 1>that you may have a fan that's talking shit to you,

1:13:30.040 --> 1:13:32.760
<v Speaker 1>and then once you acknowledge him, like, what the fuck

1:13:32.800 --> 1:13:33.479
<v Speaker 1>is it that you want?

1:13:33.560 --> 1:13:36.000
<v Speaker 4>Dude? I don't even know you. Oh, I just wanted

1:13:36.000 --> 1:13:36.519
<v Speaker 4>to talk to you.

1:13:37.520 --> 1:13:37.800
<v Speaker 3>Man.

1:13:38.040 --> 1:13:40.559
<v Speaker 5>I didn't have people come on my page and say shit.

1:13:41.520 --> 1:13:44.120
<v Speaker 5>And then I'm like, let me go hit this motherfucker director.

1:13:44.120 --> 1:13:46.479
<v Speaker 5>I ain't gonna respond. And then I go to my

1:13:46.600 --> 1:13:50.439
<v Speaker 5>messages and he didn't have messages months ago praising me

1:13:50.640 --> 1:13:54.040
<v Speaker 5>or something that he wanted to interact. But this message

1:13:54.040 --> 1:13:56.439
<v Speaker 5>that made me look on his page was some negative.

1:13:56.479 --> 1:13:58.599
<v Speaker 5>But when I go to send them a message, it's

1:13:58.600 --> 1:14:00.360
<v Speaker 5>messages that I never respond into.

1:14:00.720 --> 1:14:02.599
<v Speaker 4>That David trying to work with me, you probably didn't

1:14:02.600 --> 1:14:04.639
<v Speaker 4>even know you had. I'm a bitch ass nigga open

1:14:04.680 --> 1:14:07.960
<v Speaker 4>in my on these messages. Man, what's up? Bro? Hook

1:14:08.040 --> 1:14:10.240
<v Speaker 4>up with me? That's connected. Dudes like that just be

1:14:10.280 --> 1:14:13.800
<v Speaker 4>want your attention. I get that sometime. And then once

1:14:13.840 --> 1:14:17.960
<v Speaker 4>you acknowledge, because like you said, I'm not gonna get

1:14:18.000 --> 1:14:21.160
<v Speaker 4>on you know, platform, in front of everyone, So you'll

1:14:21.160 --> 1:14:26.640
<v Speaker 4>go to a messaging motherfucker and as soon as you

1:14:26.680 --> 1:14:29.800
<v Speaker 4>say something to a motherfucker, they'll be instantly Oh my

1:14:29.960 --> 1:14:32.679
<v Speaker 4>bad man, you know what I'm saying. I was just saying, man,

1:14:32.800 --> 1:14:35.880
<v Speaker 4>you know, you know I hold I dig your work

1:14:35.960 --> 1:14:38.800
<v Speaker 4>and all this. So I'm really a fan. People just

1:14:38.840 --> 1:14:41.839
<v Speaker 4>be wanting. Like I said, everybody wants their five minutes

1:14:41.880 --> 1:14:47.439
<v Speaker 4>of fame. You can. You can watch whatever platform, and

1:14:47.520 --> 1:14:49.960
<v Speaker 4>you see people doing all kinds of shit just to

1:14:50.600 --> 1:14:53.360
<v Speaker 4>get that five minutes of fame. And that's why I say,

1:14:53.760 --> 1:14:56.519
<v Speaker 4>nobody wants to be in this day and age, Nobody

1:14:56.560 --> 1:14:59.320
<v Speaker 4>wants to be a regular motherfucker. Everybody wants to be

1:14:59.360 --> 1:15:03.840
<v Speaker 4>a podcast or an artist, or or a fucking comedian

1:15:04.080 --> 1:15:08.759
<v Speaker 4>or or a fucking content that's what they call content.

1:15:09.000 --> 1:15:12.800
<v Speaker 4>Content creator. Everything is a content creator. Now there's no

1:15:12.880 --> 1:15:16.320
<v Speaker 4>other word for influence. It is funny. I'm an influencer. Yeah,

1:15:16.360 --> 1:15:19.640
<v Speaker 4>I'm an influencer and the content creator. And like you

1:15:19.680 --> 1:15:22.120
<v Speaker 4>look on the motherfucker's page and you look on the

1:15:22.240 --> 1:15:25.120
<v Speaker 4>females page and they be half naked or doing their

1:15:25.160 --> 1:15:28.200
<v Speaker 4>modern dance or whatever whatever, and then they go out.

1:15:28.240 --> 1:15:29.360
<v Speaker 3>I'm an influencer.

1:15:29.680 --> 1:15:33.320
<v Speaker 4>Your affluence in motherfuckers to be neckdake ass. I mean,

1:15:33.960 --> 1:15:35.800
<v Speaker 4>that's your content that you bring.

1:15:36.240 --> 1:15:38.679
<v Speaker 1>You never take the time out to learn the business.

1:15:38.760 --> 1:15:41.640
<v Speaker 1>Everybody think is they got a YouTube channel, they got

1:15:41.680 --> 1:15:44.720
<v Speaker 1>a thing. First of all, I've seen people go out

1:15:44.760 --> 1:15:49.080
<v Speaker 1>in the vista enormous amounts of money into YouTube, right.

1:15:49.120 --> 1:15:51.519
<v Speaker 1>The first thing I tell let me say, Okay, you

1:15:51.640 --> 1:15:54.719
<v Speaker 1>spent fifty thousand dollars on building this elaborate sit right,

1:15:55.280 --> 1:15:57.040
<v Speaker 1>got you a building you're paying rent on every month.

1:15:57.080 --> 1:15:59.320
<v Speaker 1>It's cool that you're making that YouTube money, but what

1:15:59.439 --> 1:16:01.800
<v Speaker 1>happens when you YouTube? Besides that they no longer want

1:16:01.800 --> 1:16:04.400
<v Speaker 1>to fuck with this nigga? Snatch some shit down, man.

1:16:04.560 --> 1:16:06.519
<v Speaker 1>I went through that. I was up to almost one.

1:16:06.520 --> 1:16:09.960
<v Speaker 5>Hundred thousand, right about to graduate from my first plaque,

1:16:10.360 --> 1:16:14.080
<v Speaker 5>and I got hit, hacked or whatever the hell, right,

1:16:15.880 --> 1:16:19.280
<v Speaker 5>and that's the second time I got my JT. The

1:16:19.320 --> 1:16:23.200
<v Speaker 5>bigger figure page took in twenty sixteen. I was like

1:16:23.360 --> 1:16:25.960
<v Speaker 5>about sixty some thousand at that time. But that was

1:16:26.000 --> 1:16:28.439
<v Speaker 5>good for me because for what I do, that's more

1:16:28.520 --> 1:16:32.000
<v Speaker 5>than enough for what I'm selling. Right, Shit, if a

1:16:32.120 --> 1:16:35.680
<v Speaker 5>thousand people out of sixty thousand was tunked in, I

1:16:35.760 --> 1:16:39.400
<v Speaker 5>was happy with just a number of people. Right when

1:16:39.400 --> 1:16:42.000
<v Speaker 5>that channel got took and I really realized how many

1:16:42.040 --> 1:16:44.960
<v Speaker 5>people don't even have my direct number, and how many

1:16:45.000 --> 1:16:47.360
<v Speaker 5>people I don't I can't. I don't know their number

1:16:47.560 --> 1:16:49.840
<v Speaker 5>because I was talking to them through Instagram.

1:16:50.360 --> 1:16:50.559
<v Speaker 4>You know.

1:16:50.840 --> 1:16:53.400
<v Speaker 5>That was my way of communicating. Losing that shit is

1:16:53.479 --> 1:16:57.200
<v Speaker 5>losing your money. Losing your account is losing your money.

1:16:57.640 --> 1:17:00.679
<v Speaker 5>So part of why I have this traffics at right now.

1:17:01.080 --> 1:17:05.760
<v Speaker 5>Trap flicks for me is something I can continue to

1:17:05.880 --> 1:17:10.280
<v Speaker 5>upgrade now. But going to Africa, I found the developers

1:17:10.640 --> 1:17:13.760
<v Speaker 5>because I said, and in the very near future, you're

1:17:13.800 --> 1:17:16.400
<v Speaker 5>gonna have to have your own platform, because they gonna

1:17:16.560 --> 1:17:19.240
<v Speaker 5>they gonna community guidelines you to death if you say

1:17:19.280 --> 1:17:21.360
<v Speaker 5>this or if you don't they don't agree with Someone

1:17:21.479 --> 1:17:23.640
<v Speaker 5>talked about that earlier, like Nick hold on, I just

1:17:23.720 --> 1:17:26.519
<v Speaker 5>repost somebody shit, how I'm getting flagged over some I

1:17:26.560 --> 1:17:28.840
<v Speaker 5>thought it was dope or I thought it was this. Nope,

1:17:28.880 --> 1:17:32.479
<v Speaker 5>that's against our community guideline. I say, oh no, in

1:17:32.520 --> 1:17:35.439
<v Speaker 5>a minute, they gonna charge us to go live because

1:17:35.439 --> 1:17:36.800
<v Speaker 5>that's too much access.

1:17:37.080 --> 1:17:39.200
<v Speaker 3>We not taking advantage of posting shit.

1:17:39.640 --> 1:17:42.200
<v Speaker 4>Watch when it's tightened up and it costs money to post,

1:17:42.680 --> 1:17:45.680
<v Speaker 4>and you gotta put credits on your account. Exactly, you

1:17:45.720 --> 1:17:47.760
<v Speaker 4>can't go live. You ain't got no more credits. That's

1:17:47.800 --> 1:17:48.519
<v Speaker 4>about to happen.

1:17:48.600 --> 1:17:51.000
<v Speaker 5>Boy if right now they told all of us it's

1:17:51.120 --> 1:17:54.320
<v Speaker 5>nineteen ninety nine, right now to have a deluxe Instagram

1:17:54.400 --> 1:17:57.200
<v Speaker 5>account where you can still go live, we'll all pay

1:17:57.240 --> 1:18:00.639
<v Speaker 5>the nineteen dollars. If they got a billion subscribed, Theykka's

1:18:00.680 --> 1:18:04.599
<v Speaker 5>made twenty billion dollars in one month. Because nobody's gonna say, oh,

1:18:04.600 --> 1:18:07.400
<v Speaker 5>I don't want my Instagram account no more. You're gonna

1:18:07.400 --> 1:18:08.040
<v Speaker 5>pay that money.

1:18:08.120 --> 1:18:10.320
<v Speaker 1>Like when they start opening for Motherfuckers to Blo the

1:18:10.320 --> 1:18:12.600
<v Speaker 1>Blue Chicks, which I thought was ridiculous. I said it,

1:18:12.600 --> 1:18:16.240
<v Speaker 1>and you saw everybody ego, the ego of the person.

1:18:16.920 --> 1:18:21.559
<v Speaker 3>Listen. Did you know when you go listen bro at

1:18:21.600 --> 1:18:22.200
<v Speaker 3>down South?

1:18:23.280 --> 1:18:26.880
<v Speaker 5>World Star hip hop was very important to your campaign

1:18:27.439 --> 1:18:31.680
<v Speaker 5>live mixtapes. World Star two components that you paid to

1:18:31.680 --> 1:18:35.679
<v Speaker 5>put your album to get your buzz right, one thousand

1:18:35.680 --> 1:18:38.320
<v Speaker 5>dollars to put your video on world Star on the

1:18:38.360 --> 1:18:43.160
<v Speaker 5>regular box. Hell of people paying a thousand to get

1:18:43.160 --> 1:18:45.599
<v Speaker 5>their video. You want to be on the big box,

1:18:46.040 --> 1:18:50.000
<v Speaker 5>the middle box, next one up, thirty five hundred. You

1:18:50.040 --> 1:18:52.240
<v Speaker 5>want to pay for the bigger box five thousand and

1:18:52.320 --> 1:18:55.120
<v Speaker 5>six thousand and seven thousand dollars and you can be

1:18:55.200 --> 1:18:58.599
<v Speaker 5>guaranteed to make a million plays or whatever. Right, And

1:18:58.680 --> 1:19:01.479
<v Speaker 5>I look at everybody who dropping in the big box

1:19:01.800 --> 1:19:04.320
<v Speaker 5>always land at a million one point two to one

1:19:04.320 --> 1:19:04.920
<v Speaker 5>point five.

1:19:05.640 --> 1:19:07.800
<v Speaker 4>Little did we know? No, it ain't just because it's

1:19:07.800 --> 1:19:10.360
<v Speaker 4>a bigger box. They got an algorithm set up on

1:19:10.479 --> 1:19:13.000
<v Speaker 4>this box that's going to hear a million views. So

1:19:13.040 --> 1:19:14.439
<v Speaker 4>we like me.

1:19:14.600 --> 1:19:18.559
<v Speaker 5>Paying for that. Those are the bragging rights down south

1:19:18.680 --> 1:19:21.280
<v Speaker 5>is how many views you got? Oh, you're in a

1:19:21.320 --> 1:19:23.719
<v Speaker 5>big box. Okay, he got his shit must be popping.

1:19:24.400 --> 1:19:24.719
<v Speaker 3>Okay.

1:19:25.600 --> 1:19:28.559
<v Speaker 4>We pay for the ego of being able to say that.

1:19:28.720 --> 1:19:31.679
<v Speaker 5>I got a million views. I don't hear people talking

1:19:31.680 --> 1:19:34.160
<v Speaker 5>about paying for world stars like how I used to hear.

1:19:34.680 --> 1:19:37.320
<v Speaker 5>But that was a way to get your your video

1:19:37.439 --> 1:19:38.759
<v Speaker 5>out JT.

1:19:38.920 --> 1:19:41.400
<v Speaker 6>This brings me to a question. A lot of what

1:19:41.439 --> 1:19:45.599
<v Speaker 6>you've been talking about is different cities, different stages, different eras.

1:19:45.680 --> 1:19:49.559
<v Speaker 6>What made you want to and actually move so much

1:19:49.600 --> 1:19:52.080
<v Speaker 6>and be in so many different places because so many

1:19:52.120 --> 1:19:54.719
<v Speaker 6>people stay in one area their whole life.

1:19:55.040 --> 1:19:58.040
<v Speaker 5>I think what I learned is that the mistake I

1:19:58.120 --> 1:20:01.800
<v Speaker 5>made and the wind that Matt P made is that

1:20:02.000 --> 1:20:05.719
<v Speaker 5>even though his kickoff for master p was the Bay Area,

1:20:05.800 --> 1:20:09.120
<v Speaker 5>it wasn't down south. First, it was us, but he

1:20:09.280 --> 1:20:14.320
<v Speaker 5>saw this ain't big enough, and it's other places that

1:20:14.360 --> 1:20:17.960
<v Speaker 5>we can go that we can have an impact and.

1:20:18.000 --> 1:20:21.240
<v Speaker 4>His money go further down there and be able.

1:20:21.040 --> 1:20:25.040
<v Speaker 5>To become something that's not there. And that is the

1:20:25.120 --> 1:20:29.840
<v Speaker 5>mistake that I made. I never forget Master P Silk

1:20:29.880 --> 1:20:33.880
<v Speaker 5>the Shocker see murder King George.

1:20:34.720 --> 1:20:35.960
<v Speaker 3>They pull up to my house.

1:20:36.439 --> 1:20:41.880
<v Speaker 5>They going on the promo run to go to Milwaukee, Tennessee, Oklahoma.

1:20:42.280 --> 1:20:46.200
<v Speaker 5>It's about ten twelve days and they invited me to come.

1:20:46.960 --> 1:20:51.360
<v Speaker 5>And I can only remember paying master P five thousand

1:20:51.439 --> 1:20:54.439
<v Speaker 5>dollars to deteck my posters and my flyers and put

1:20:54.479 --> 1:20:56.200
<v Speaker 5>them up wherever he put his shit up at.

1:20:56.680 --> 1:20:58.320
<v Speaker 4>I don't know if he did it or not. We

1:20:58.439 --> 1:20:59.639
<v Speaker 4>paid them the five thousand.

1:21:00.720 --> 1:21:05.280
<v Speaker 5>That was a big fucking mistake because I would have

1:21:05.320 --> 1:21:07.760
<v Speaker 5>been known in them places if I just would have

1:21:07.760 --> 1:21:11.000
<v Speaker 5>did the promo. But since it wasn't paid and Pete

1:21:11.000 --> 1:21:15.200
<v Speaker 5>toombout going on promo tour, it didn't sound exciting to me.

1:21:15.680 --> 1:21:16.799
<v Speaker 3>That was a big mistake.

1:21:17.200 --> 1:21:19.760
<v Speaker 5>When I saw his results in sales and all these

1:21:19.760 --> 1:21:24.479
<v Speaker 5>other little country towns in different places, and these are

1:21:24.520 --> 1:21:26.320
<v Speaker 5>places that I should have went to go at least

1:21:26.320 --> 1:21:29.080
<v Speaker 5>do a campaign run. I didn't know nobody and none

1:21:29.120 --> 1:21:31.960
<v Speaker 5>of these other cities. But Master p knew these people

1:21:31.960 --> 1:21:34.679
<v Speaker 5>from going on the promo run. So I was seeing

1:21:35.120 --> 1:21:38.160
<v Speaker 5>the results of that through the priority deal. How it

1:21:38.200 --> 1:21:40.760
<v Speaker 5>helped him to be national because he drove to them

1:21:40.760 --> 1:21:43.840
<v Speaker 5>places and passed out shirts and tapes and CDs and

1:21:43.880 --> 1:21:52.280
<v Speaker 5>put up posters and that mistake. In twenty ten, I

1:21:52.400 --> 1:21:55.880
<v Speaker 5>finally left the Bay Area. Many years later, that's like,

1:21:55.920 --> 1:21:59.200
<v Speaker 5>what fifteen years later, I finally dined on me j T.

1:21:59.320 --> 1:22:01.840
<v Speaker 5>You got to get out the baby, bro. Just because

1:22:01.880 --> 1:22:05.120
<v Speaker 5>I'm big out here, that shit don't mean nothing. This

1:22:05.200 --> 1:22:08.200
<v Speaker 5>ain't bringing no income for me. I had to go.

1:22:08.320 --> 1:22:11.479
<v Speaker 5>So going to Atlanta was a challenge. It was difficult,

1:22:12.080 --> 1:22:15.120
<v Speaker 5>but the reward is I got a fresh kickoff in

1:22:15.160 --> 1:22:19.120
<v Speaker 5>the rap game again, brand new from scratch. It was

1:22:19.160 --> 1:22:20.840
<v Speaker 5>like I was a new artist. They didn't know how

1:22:20.880 --> 1:22:23.880
<v Speaker 5>old I was. They didn't really know the level of.

1:22:24.040 --> 1:22:26.400
<v Speaker 2>The same thing happened with Short when he moved to Atlanta.

1:22:26.439 --> 1:22:28.840
<v Speaker 5>Now that's the other thing too. Short moved out to

1:22:28.880 --> 1:22:32.000
<v Speaker 5>Atlanta and got a brand new start. Yeah, fucking with

1:22:32.000 --> 1:22:35.200
<v Speaker 5>Little John and them. Eve forty moved to Atlanta and

1:22:35.280 --> 1:22:39.639
<v Speaker 5>got a new start. That's Oakland, that's Valeo, I represent Fresco.

1:22:39.880 --> 1:22:42.120
<v Speaker 4>So forty moved to Atlanta. Yeah, he stayed out there

1:22:42.120 --> 1:22:47.280
<v Speaker 4>for about two years. Yeah, fucking with little just card Yep,

1:22:49.040 --> 1:22:50.200
<v Speaker 4>I'll never forget it.

1:22:50.320 --> 1:22:54.760
<v Speaker 5>Like damn forty Water came back harder when he came back,

1:22:55.439 --> 1:22:59.759
<v Speaker 5>too short, came back with the vengeance. But he left

1:23:00.000 --> 1:23:02.559
<v Speaker 5>because that war that was happening in Oakland was deadly

1:23:02.600 --> 1:23:04.400
<v Speaker 5>and he didn't want to be no parts of that shit.

1:23:04.439 --> 1:23:07.240
<v Speaker 5>He took hisself up out of that and I had

1:23:07.280 --> 1:23:10.519
<v Speaker 5>to do the same thing. War happening in my area, Like, man,

1:23:10.560 --> 1:23:11.280
<v Speaker 5>I ain't part.

1:23:11.120 --> 1:23:14.280
<v Speaker 4>Of this war. My hood, all my bros that that

1:23:14.360 --> 1:23:16.160
<v Speaker 4>we loved each other, now they all want to kill

1:23:16.200 --> 1:23:18.840
<v Speaker 4>each other and then started doing it, and I'm like, man,

1:23:18.840 --> 1:23:20.559
<v Speaker 4>I ain't part of this shit. I'm taking film Mo

1:23:20.720 --> 1:23:22.880
<v Speaker 4>with me. Y'all can have Field Mod the Gang. I'm

1:23:23.120 --> 1:23:27.800
<v Speaker 4>i'ma gonna make film Mode the game independent Gang. Yeah,

1:23:27.840 --> 1:23:28.559
<v Speaker 4>we're gonna be known.

1:23:28.680 --> 1:23:33.080
<v Speaker 5>I want Field More to be known as what used

1:23:33.120 --> 1:23:35.400
<v Speaker 5>to be us Hella entrepreneurs.

1:23:35.960 --> 1:23:38.120
<v Speaker 4>Then he went to gang banging and killing.

1:23:39.520 --> 1:23:43.240
<v Speaker 5>Gangbanging killing have dominated us for the last Damnar fifteen

1:23:43.320 --> 1:23:49.440
<v Speaker 5>twenty years. No motion of entrepreneurs taking flight from our projects.

1:23:49.880 --> 1:23:51.120
<v Speaker 3>The best thing happened.

1:23:50.800 --> 1:23:52.960
<v Speaker 5>From our hoods so far is the mayor of San

1:23:52.960 --> 1:23:56.560
<v Speaker 5>Francisco London Breed is from fill mo out our projects.

1:23:56.880 --> 1:23:59.760
<v Speaker 5>Let's do so that's the biggest example of somebody who

1:24:00.320 --> 1:24:03.559
<v Speaker 5>come from a real project, Like she went to our school,

1:24:03.680 --> 1:24:05.040
<v Speaker 5>everything with us.

1:24:05.479 --> 1:24:08.559
<v Speaker 4>She the fucking mayor. Now that should make some other

1:24:08.600 --> 1:24:11.000
<v Speaker 4>people who want to go in that vein. You know,

1:24:11.000 --> 1:24:14.640
<v Speaker 4>I don't want politics, but just for somebody from the projects.

1:24:14.960 --> 1:24:18.160
<v Speaker 5>Now, I know the dude she was. She was planning

1:24:18.160 --> 1:24:21.920
<v Speaker 5>a position and the and the current mayor had died.

1:24:23.080 --> 1:24:27.920
<v Speaker 5>She was the closest person to the mayor, and I

1:24:27.920 --> 1:24:30.360
<v Speaker 5>guess the people said, how about give her a chance?

1:24:30.960 --> 1:24:33.360
<v Speaker 5>And then some other people were bigger money like, nah,

1:24:33.680 --> 1:24:36.760
<v Speaker 5>we don't want her. But the people remember her from

1:24:36.800 --> 1:24:39.720
<v Speaker 5>being with the mayor that died. She fucking along got

1:24:39.720 --> 1:24:45.160
<v Speaker 5>the job. That's a dope store. He died and she

1:24:45.280 --> 1:24:46.920
<v Speaker 5>wasn't linked up to be no mayor.

1:24:47.560 --> 1:24:50.360
<v Speaker 4>She knew all the business of how the fucking dang

1:24:50.439 --> 1:24:55.120
<v Speaker 4>run because she was under the mayor, the city, all

1:24:55.280 --> 1:24:56.479
<v Speaker 4>the ins and outs, and.

1:24:58.320 --> 1:25:01.759
<v Speaker 3>They trusted her so yeah, and they trusted her son.

1:25:02.200 --> 1:25:04.360
<v Speaker 1>Before we wrap it up over here, man, I want

1:25:04.360 --> 1:25:06.920
<v Speaker 1>to ask you this, man, do you get a lot

1:25:06.960 --> 1:25:10.599
<v Speaker 1>of cash wanting you to consult for them?

1:25:10.720 --> 1:25:15.160
<v Speaker 5>Ever since the No Jumper interview, I think the No

1:25:15.320 --> 1:25:19.800
<v Speaker 5>Jumper interview and this is crazy to me. The whole

1:25:19.800 --> 1:25:23.240
<v Speaker 5>time I was in Africa, I've never saw a black

1:25:23.280 --> 1:25:26.840
<v Speaker 5>American rapper or even a black American go to the

1:25:26.880 --> 1:25:29.519
<v Speaker 5>slums of Africa and do what the fuck I did.

1:25:30.040 --> 1:25:32.880
<v Speaker 4>I built three water wells. I'm feeding thousands of people.

1:25:33.120 --> 1:25:39.040
<v Speaker 4>Do you know it was zero press on me. Nobody highlighted. Man,

1:25:39.080 --> 1:25:42.320
<v Speaker 4>this motherfucker JT is in the fucking Burkina fossil They

1:25:42.400 --> 1:25:47.240
<v Speaker 4>blowing up busses over here. They killed fourteen villagers over there. Meanwhile,

1:25:47.320 --> 1:25:52.120
<v Speaker 4>I'm like, man, you could die in America at a

1:25:52.200 --> 1:25:56.160
<v Speaker 4>gas station, Nigga. This seemed most safer to me with

1:25:56.400 --> 1:26:00.479
<v Speaker 4>terrorist attacks in Africa than being in Atlanta, jo or

1:26:00.680 --> 1:26:04.800
<v Speaker 4>La or San Francisco because of the murder rate and

1:26:04.840 --> 1:26:07.599
<v Speaker 4>the robbery. Nigga will see this watch and lose their

1:26:07.640 --> 1:26:10.760
<v Speaker 4>whole life over just this watch right now, or some

1:26:10.840 --> 1:26:16.439
<v Speaker 4>ear rings or even your shoes dawn there. So the

1:26:17.800 --> 1:26:24.240
<v Speaker 4>consultation part of me successfully doing that Africa shit and

1:26:24.280 --> 1:26:27.200
<v Speaker 4>coming back and now for ten months i've been back

1:26:27.240 --> 1:26:27.960
<v Speaker 4>in America.

1:26:28.080 --> 1:26:31.080
<v Speaker 3>The No Jumper ship was the first thing to highlight.

1:26:30.760 --> 1:26:34.240
<v Speaker 5>Me a big platform to say j T. Bro, my people,

1:26:34.360 --> 1:26:37.320
<v Speaker 5>you know Item twenty two hit me. I've been wanted

1:26:37.320 --> 1:26:39.639
<v Speaker 5>to go on there. I just didn't know how fucking

1:26:39.680 --> 1:26:42.240
<v Speaker 5>around he hit me direct talking about man. My people said,

1:26:42.240 --> 1:26:44.559
<v Speaker 5>I need to talk to you and get you in here.

1:26:44.800 --> 1:26:46.760
<v Speaker 5>They telling me you got a story that they ain't

1:26:46.840 --> 1:26:49.639
<v Speaker 5>been told and I need to be I'm like, damn,

1:26:49.680 --> 1:26:52.280
<v Speaker 5>that's crazy fucking right. He like, I need you here

1:26:52.760 --> 1:26:55.559
<v Speaker 5>three days. I'm like, I'm coming. I drove from Atlanta

1:26:56.000 --> 1:26:58.920
<v Speaker 5>to come here. But my folks and I felt it

1:26:59.040 --> 1:26:59.840
<v Speaker 5>was gonna be good.

1:26:59.760 --> 1:27:00.240
<v Speaker 3>Too, right.

1:27:00.640 --> 1:27:02.960
<v Speaker 4>I say, Bro, this shit gonna seem like a fake

1:27:03.000 --> 1:27:07.120
<v Speaker 4>ass story, but it's a real story because it seemed

1:27:07.120 --> 1:27:09.600
<v Speaker 4>too good to be true all the elements of my

1:27:09.760 --> 1:27:11.040
<v Speaker 4>life and what I've been through.

1:27:11.160 --> 1:27:13.639
<v Speaker 5>And I have a NonStop career of thirty one years.

1:27:13.680 --> 1:27:17.280
<v Speaker 5>From June ninety two to right now, I never went

1:27:17.400 --> 1:27:20.599
<v Speaker 5>to sell dope again, even though a few thirsty moments

1:27:20.880 --> 1:27:22.080
<v Speaker 5>niggas had a few pounds.

1:27:22.400 --> 1:27:25.679
<v Speaker 4>Yes, I did grab a few pounds. The prophet wasn't

1:27:25.760 --> 1:27:26.640
<v Speaker 4>good and I didn't like that.

1:27:26.680 --> 1:27:29.080
<v Speaker 5>I said, nigga, I can go to jail for these pounds, nigga,

1:27:29.120 --> 1:27:30.759
<v Speaker 5>And that's all the profit off each pound.

1:27:31.120 --> 1:27:34.799
<v Speaker 4>Oh no, that's a movie in itself. Man, exactly.

1:27:34.960 --> 1:27:36.639
<v Speaker 1>You know before we go, Man, I want to ask

1:27:36.680 --> 1:27:41.479
<v Speaker 1>you just one more question, man, Tupac. I think people

1:27:41.520 --> 1:27:43.760
<v Speaker 1>forget a lot of times. He's from the bay. He's

1:27:43.800 --> 1:27:45.479
<v Speaker 1>a baby dude, you know, came up with ray Love

1:27:45.560 --> 1:27:47.720
<v Speaker 1>and all of them cats. Shout out Ray Loved, humboyant

1:27:47.760 --> 1:27:52.160
<v Speaker 1>dog and all them cats. Right, they finally man done

1:27:52.240 --> 1:27:53.120
<v Speaker 1>what the streets.

1:27:52.840 --> 1:27:53.400
<v Speaker 4>New for years?

1:27:53.520 --> 1:27:53.640
<v Speaker 6>Right?

1:27:53.800 --> 1:27:57.360
<v Speaker 1>They put Keefy d in jail? How many years later?

1:27:58.600 --> 1:28:02.160
<v Speaker 1>Twenty six twenty six years? Do you think this is

1:28:02.200 --> 1:28:04.280
<v Speaker 1>a publicity stunt? Do you even think it makes sense?

1:28:04.640 --> 1:28:06.840
<v Speaker 5>Do you know every podcast I just went on they

1:28:06.920 --> 1:28:09.200
<v Speaker 5>said something about it and nicking. My answer to that,

1:28:10.680 --> 1:28:12.920
<v Speaker 5>I think that shit fake in some kind of way,

1:28:13.000 --> 1:28:15.439
<v Speaker 5>because why would you do something that you know there's

1:28:15.520 --> 1:28:16.800
<v Speaker 5>no statue of limitations?

1:28:16.920 --> 1:28:17.040
<v Speaker 4>Right?

1:28:17.720 --> 1:28:19.840
<v Speaker 3>I think he got paid to say he was in

1:28:20.000 --> 1:28:20.360
<v Speaker 3>that car.

1:28:20.560 --> 1:28:20.640
<v Speaker 4>Bro.

1:28:21.560 --> 1:28:25.400
<v Speaker 5>Now, the streets being in La jt Nah is confirmed,

1:28:25.840 --> 1:28:28.200
<v Speaker 5>I say, But why would he go tell this shep

1:28:28.840 --> 1:28:32.280
<v Speaker 5>and then keep trying to confirm that he handed a

1:28:32.400 --> 1:28:34.840
<v Speaker 5>gun at a murder of a famous.

1:28:35.520 --> 1:28:37.320
<v Speaker 3>Cloud or he got paid.

1:28:38.240 --> 1:28:42.000
<v Speaker 4>It's either he wanted to credit the sheet so bad

1:28:43.160 --> 1:28:45.240
<v Speaker 4>because they said something about he got immunity.

1:28:45.840 --> 1:28:49.439
<v Speaker 5>Tell us who killed Tupac Anderson? He's dead, will do okay?

1:28:49.520 --> 1:28:52.560
<v Speaker 5>Case should be closed, right, So that is probably what

1:28:52.760 --> 1:28:56.800
<v Speaker 5>gave him more strength or confidence to talk to.

1:28:56.960 --> 1:28:58.320
<v Speaker 4>V Lad that we all know.

1:29:00.120 --> 1:29:02.760
<v Speaker 5>Whatever you sit on that motherfucker you you you got

1:29:02.840 --> 1:29:05.160
<v Speaker 5>to you got to stand on that. Then they say

1:29:05.240 --> 1:29:07.439
<v Speaker 5>he wrote a book where he detailed it.

1:29:07.520 --> 1:29:09.640
<v Speaker 4>Again. I say, bro, that shit can't be real. What

1:29:09.920 --> 1:29:12.479
<v Speaker 4>street nigga gonna say they did this ship right?

1:29:13.439 --> 1:29:15.320
<v Speaker 3>It's money involved? Okay?

1:29:15.439 --> 1:29:20.559
<v Speaker 5>Well, how well he go? Another theory that's going around

1:29:20.680 --> 1:29:24.639
<v Speaker 5>that you probably heard. He's so mad at P Diddy

1:29:24.720 --> 1:29:27.800
<v Speaker 5>nigga for not getting his money. He don't mind going

1:29:27.880 --> 1:29:30.280
<v Speaker 5>down if he could take P Diddy down. You think

1:29:30.640 --> 1:29:33.000
<v Speaker 5>might go to jail for this ship if it's true,

1:29:34.040 --> 1:29:36.080
<v Speaker 5>because how do you supposed to give me a million

1:29:36.120 --> 1:29:38.040
<v Speaker 5>dollars in a nigga you get a million dollars too?

1:29:38.120 --> 1:29:38.880
<v Speaker 3>He run off?

1:29:39.400 --> 1:29:42.240
<v Speaker 4>So does that mean P Diddy paid because the money

1:29:42.320 --> 1:29:45.360
<v Speaker 4>didn't make it to him, So how could he go

1:29:45.520 --> 1:29:47.680
<v Speaker 4>down for it if the other nigga ran off with

1:29:47.800 --> 1:29:48.160
<v Speaker 4>the money?

1:29:48.880 --> 1:29:50.840
<v Speaker 3>Yeah, but that make him almost like if this is

1:29:50.880 --> 1:29:52.000
<v Speaker 3>all true, that makes him a.

1:29:52.040 --> 1:29:56.800
<v Speaker 4>Conspiracy A conspiracy man, I don't I don't know what

1:29:56.960 --> 1:30:00.599
<v Speaker 4>it is. So it's crazy. It's crazy. Can people get

1:30:00.640 --> 1:30:02.400
<v Speaker 4>X you at bro Man? They could get at me?

1:30:02.520 --> 1:30:05.360
<v Speaker 5>First of all, I would ask anybody who watched this interview,

1:30:05.760 --> 1:30:08.320
<v Speaker 5>if you want to support me? Man, I'm about to

1:30:08.360 --> 1:30:11.160
<v Speaker 5>be fifty years old and a few more days god willing,

1:30:11.479 --> 1:30:13.719
<v Speaker 5>I said, I don't want to be rapping at fifty,

1:30:13.960 --> 1:30:17.679
<v Speaker 5>So I want to be like Bill Gates and Steve Job.

1:30:18.240 --> 1:30:22.000
<v Speaker 5>Both of them started out with not that much. Both

1:30:22.080 --> 1:30:25.600
<v Speaker 5>of them didn't graduate, but they got the hold to

1:30:25.720 --> 1:30:31.280
<v Speaker 5>some coding. Bill Gates didn't write Microsoft. Another person did,

1:30:31.560 --> 1:30:33.320
<v Speaker 5>and he bought it. And once you could buy the

1:30:33.400 --> 1:30:36.080
<v Speaker 5>intellectual property, you can have engineers build on it.

1:30:36.200 --> 1:30:36.320
<v Speaker 3>Right.

1:30:37.280 --> 1:30:41.840
<v Speaker 5>Steve Jobs didn't write the Apple code. Steve Wisniak is

1:30:41.920 --> 1:30:44.800
<v Speaker 5>the other Steve that you don't hear about. He the

1:30:44.920 --> 1:30:47.280
<v Speaker 5>one that wrote it. So what did I learn from

1:30:47.360 --> 1:30:51.200
<v Speaker 5>these two dudes? Buy my own codes for software so

1:30:51.320 --> 1:30:54.000
<v Speaker 5>that I can be able to license my software and

1:30:54.280 --> 1:30:56.600
<v Speaker 5>grow from that. So I want everybody to download my

1:30:56.680 --> 1:30:59.920
<v Speaker 5>app Trafflicks. Man, I'm proud I just got it back.

1:31:00.200 --> 1:31:02.960
<v Speaker 5>Going shout out to my people in Nairobi, Kenya, all

1:31:03.040 --> 1:31:06.960
<v Speaker 5>the developers who developed it for me, because it's original coding.

1:31:07.360 --> 1:31:10.120
<v Speaker 5>That means that if you guys ever have a problem

1:31:10.160 --> 1:31:12.240
<v Speaker 5>with the app you getting made and you like this

1:31:12.439 --> 1:31:14.880
<v Speaker 5>new version of what I got, I can license this

1:31:15.080 --> 1:31:15.560
<v Speaker 5>over to you.

1:31:16.000 --> 1:31:17.400
<v Speaker 4>You can tafinitely build after.

1:31:17.240 --> 1:31:19.519
<v Speaker 1>This show, bro, Because yeah, y'all go be able to

1:31:19.560 --> 1:31:22.160
<v Speaker 1>find a link for trap flicks down below right there

1:31:22.160 --> 1:31:23.040
<v Speaker 1>in the description.

1:31:23.080 --> 1:31:27.679
<v Speaker 3>This iOS platform and on the Google androy phone is free.

1:31:27.840 --> 1:31:31.240
<v Speaker 4>We will have the Google platform and the iOS platform

1:31:31.360 --> 1:31:34.439
<v Speaker 4>down there and JT the bigger figure Instagram them two

1:31:34.520 --> 1:31:35.439
<v Speaker 4>things right there. Man.

1:31:35.560 --> 1:31:38.280
<v Speaker 3>That's how we tap in. And I appreciate y'all boys

1:31:38.360 --> 1:31:40.479
<v Speaker 3>man for having no real shit.

1:31:40.560 --> 1:31:41.040
<v Speaker 4>Ain't listen.

1:31:41.360 --> 1:31:43.080
<v Speaker 3>I told my man, I said, I supposed to go

1:31:43.200 --> 1:31:45.519
<v Speaker 3>back to the bay, but I remember me and you talked.

1:31:45.600 --> 1:31:47.760
<v Speaker 4>I say, I better text things. I said, man, what

1:31:47.880 --> 1:31:49.080
<v Speaker 4>it was? Somebody told him?

1:31:49.080 --> 1:31:51.320
<v Speaker 1>They said, you know how the internet is, why you

1:31:51.360 --> 1:31:53.280
<v Speaker 1>couldn't go on the black platform. I don't know why

1:31:53.320 --> 1:31:55.840
<v Speaker 1>they'd be just and I said, well, I said, well,

1:31:56.160 --> 1:31:58.240
<v Speaker 1>he said, none of the brothers invited me. I said, hey, man,

1:31:58.320 --> 1:32:01.400
<v Speaker 1>we're black over here. That's why I'm like, oh yeah,

1:32:01.400 --> 1:32:03.719
<v Speaker 1>I forgot. I did have somebody.

1:32:03.880 --> 1:32:05.559
<v Speaker 3>That's why I had to come down here and make

1:32:05.640 --> 1:32:07.800
<v Speaker 3>sure I pulled up in box.

1:32:07.800 --> 1:32:09.560
<v Speaker 1>I wouldn't go because you know how the internet is,

1:32:09.560 --> 1:32:11.360
<v Speaker 1>they want to get all involved in this stuff.

1:32:12.040 --> 1:32:14.080
<v Speaker 4>So if you hear me direct and I told you,

1:32:14.160 --> 1:32:15.920
<v Speaker 4>I say, nah, no disrespect you did.

1:32:16.080 --> 1:32:16.559
<v Speaker 3>I forgot.

1:32:17.720 --> 1:32:20.519
<v Speaker 4>And I didn't know. Remember, I didn't know who you was.

1:32:20.760 --> 1:32:22.280
<v Speaker 4>I didn't know if this you was real. When we

1:32:22.400 --> 1:32:23.800
<v Speaker 4>was pulled up, I said, man, let me get my

1:32:23.880 --> 1:32:26.000
<v Speaker 4>pistol I real quick, make sure this is the real guys,

1:32:26.040 --> 1:32:28.719
<v Speaker 4>because I didn't know. Remember, I don't know your face.

1:32:28.920 --> 1:32:30.760
<v Speaker 4>But when you say eight, I'm like, well I know

1:32:30.920 --> 1:32:32.800
<v Speaker 4>that man right there. He had been like, man, you

1:32:32.880 --> 1:32:34.960
<v Speaker 4>got to call because he stayed on the internet.

1:32:35.040 --> 1:32:38.760
<v Speaker 3>Man, Okay, he still salute my.

1:32:41.200 --> 1:32:45.760
<v Speaker 4>Okay, okay, So yeah, brother, nah man and and and

1:32:45.880 --> 1:32:48.479
<v Speaker 4>whatever knowledge that I did get, because what you was

1:32:48.520 --> 1:32:50.960
<v Speaker 4>showing me you already y'all already own it. But I

1:32:51.080 --> 1:32:53.320
<v Speaker 4>want to give you what I got from Africa. Yeah,

1:32:53.360 --> 1:32:55.000
<v Speaker 4>for sure, that I want to give it to you what.

1:32:55.080 --> 1:32:56.680
<v Speaker 4>I don't want nothing for it. I want to give

1:32:56.720 --> 1:32:59.960
<v Speaker 4>you the information, and I guarantee whatever information y'all are

1:33:00.000 --> 1:33:01.800
<v Speaker 4>already got, you're gonna be able to balance some shit

1:33:01.840 --> 1:33:03.719
<v Speaker 4>out and be like, oh, we didn't have this piece

1:33:03.840 --> 1:33:04.439
<v Speaker 4>or that piece of that.

1:33:04.600 --> 1:33:07.000
<v Speaker 1>In a minute, bro, none of this stuff is gonna

1:33:07.000 --> 1:33:08.840
<v Speaker 1>be available on YouTube outside of the clips.

1:33:08.880 --> 1:33:11.000
<v Speaker 4>He can tell you. I'm taking my shit off too.

1:33:11.240 --> 1:33:14.400
<v Speaker 1>I spent twenty four thousand dollars how many years ago

1:33:14.520 --> 1:33:18.120
<v Speaker 1>was that bran that was doing the one app, only

1:33:18.200 --> 1:33:20.080
<v Speaker 1>to realize I didn't have enough money to do exat

1:33:20.200 --> 1:33:22.280
<v Speaker 1>So I didn't look at that twenty four thousand as

1:33:22.320 --> 1:33:22.639
<v Speaker 1>a waste.

1:33:22.640 --> 1:33:24.160
<v Speaker 4>I looked at it as an education, right.

1:33:24.520 --> 1:33:26.720
<v Speaker 3>You know what I'm saying, education, because that's exactly I

1:33:26.880 --> 1:33:28.200
<v Speaker 3>ran through. Brother.

1:33:28.600 --> 1:33:31.960
<v Speaker 5>When you're dealing with software that is more cut thought

1:33:32.080 --> 1:33:35.320
<v Speaker 5>than the goddamn dope game and the rap game put together.

1:33:35.479 --> 1:33:36.559
<v Speaker 4>You know why money.

1:33:36.520 --> 1:33:40.240
<v Speaker 5>Because the person who's developing you got to give him

1:33:40.280 --> 1:33:44.320
<v Speaker 5>access to your server, so that's passwords. You got to

1:33:44.320 --> 1:33:47.680
<v Speaker 5>get him access to your Apple developer account and your

1:33:47.760 --> 1:33:49.160
<v Speaker 5>Google developer account.

1:33:49.360 --> 1:33:50.720
<v Speaker 3>They got to have passwords.

1:33:51.040 --> 1:33:54.360
<v Speaker 4>So when they building something that you're paying for anything

1:33:54.439 --> 1:33:58.000
<v Speaker 4>you unsatisfied with. They already planning it in your shit.

1:33:58.080 --> 1:34:01.040
<v Speaker 4>We ain't gonna get these cast listening to all okay, okay,

1:34:01.080 --> 1:34:03.240
<v Speaker 4>we're gonna talk about that all my fault. We're gonna

1:34:03.240 --> 1:34:05.200
<v Speaker 4>get up out of here. We will see y'all next week.

1:34:05.240 --> 1:34:06.680
<v Speaker 3>We out hit the.

1:34:06.680 --> 1:34:08.840
<v Speaker 4>Linklow picture real quick, Carlos.

1:34:08.520 --> 1:34:11.920
<v Speaker 1>And also and also against the Chronicles merch coming out

1:34:11.960 --> 1:34:13.760
<v Speaker 1>next week designed by MC eight.

1:34:14.920 --> 1:34:15.320
<v Speaker 4>We got it.

1:34:15.520 --> 1:34:19.000
<v Speaker 3>Come bright here and get one. Oh oh, ship me

1:34:19.040 --> 1:34:19.800
<v Speaker 3>this picture right.

1:34:19.720 --> 1:34:23.240
<v Speaker 4>Here lit good. Yeah, we ain't getting no good one.

1:34:24.120 --> 1:34:29.800
<v Speaker 4>They got a few turn This is this issue right here, man,