1 00:00:02,080 --> 00:00:12,560 Speaker 1: This is a headgun podcast. Celebrity book Club. Who's that 2 00:00:12,720 --> 00:00:15,840 Speaker 1: knocking at the door. It's all your friends, your filthy horse, 3 00:00:16,000 --> 00:00:18,480 Speaker 1: your husband's gone, and we've got books on a bottle 4 00:00:18,520 --> 00:00:23,480 Speaker 1: of wine to kill it. It's books, it's gossip. I'm shocking, 5 00:00:23,760 --> 00:00:30,639 Speaker 1: It's memoir's Martini. Clebrity Book Club. Come read it while 6 00:00:30,680 --> 00:00:34,800 Speaker 1: it's hot. Celebrity Book Club, tell your secrets. We won't 7 00:00:34,880 --> 00:00:40,680 Speaker 1: talk celebrity books. No, boys are alloud. Celebrity Book Club, 8 00:00:41,640 --> 00:00:46,000 Speaker 1: say it Loud and Cloud. Celebrity book Club. Buzz Man, 9 00:00:46,159 --> 00:00:51,240 Speaker 1: I brought the queer foe, Hey bes friend, What the 10 00:00:51,280 --> 00:00:55,440 Speaker 1: fuck is up? DJ Lily Marauda, what is what? Can? We? 11 00:00:55,560 --> 00:01:00,520 Speaker 1: Can we go? Dj Stephen Phillips Horse, So good to 12 00:01:00,560 --> 00:01:04,240 Speaker 1: see you, my dog, dude, It is so good to 13 00:01:04,280 --> 00:01:07,680 Speaker 1: see you. Um are you still hung over? Yeah? I 14 00:01:07,760 --> 00:01:11,400 Speaker 1: literally am so yeah. Not to make all of our 15 00:01:11,640 --> 00:01:17,320 Speaker 1: club kids and listeners j lous wildly jealous, but y'all bitches, No, 16 00:01:17,480 --> 00:01:20,160 Speaker 1: it's a Gemini season, so I hads to turn up 17 00:01:20,720 --> 00:01:24,319 Speaker 1: because yes, last week was my birthday. Area it was 18 00:01:24,520 --> 00:01:30,119 Speaker 1: my girls thirty beep fourth birthday, thank you for beeping. 19 00:01:30,120 --> 00:01:33,520 Speaker 1: And then I'm a no because I'm like your ridiculous, 20 00:01:33,760 --> 00:01:37,280 Speaker 1: bitchy best friend, and I'm like it is. But it 21 00:01:37,360 --> 00:01:40,360 Speaker 1: was like when I turned thirty four six months ago, 22 00:01:40,400 --> 00:01:42,280 Speaker 1: and by the way, I just want to say an 23 00:01:42,280 --> 00:01:44,320 Speaker 1: honor of you. I didn't even really make a big 24 00:01:44,360 --> 00:01:47,360 Speaker 1: deal about my half birthday, which was no thank you 25 00:01:47,440 --> 00:01:50,800 Speaker 1: for you stepping back and like letting the lights shine 26 00:01:50,800 --> 00:01:53,440 Speaker 1: on someone else, because I know the half birthday is 27 00:01:53,480 --> 00:01:56,120 Speaker 1: really huge, and Italian American culture it is no we 28 00:01:56,160 --> 00:01:59,080 Speaker 1: sing a special song, we do it turn tella. And 29 00:01:59,200 --> 00:02:02,240 Speaker 1: in my culture, in my Irish culture, that's when you 30 00:02:02,400 --> 00:02:05,280 Speaker 1: actually you create these limericks and then you go down 31 00:02:05,280 --> 00:02:07,200 Speaker 1: to a river and you write the limericks on an 32 00:02:07,240 --> 00:02:11,040 Speaker 1: old in and you punch it in a bottle and 33 00:02:11,639 --> 00:02:14,079 Speaker 1: the crazy carry them away and hope that your dreams 34 00:02:14,120 --> 00:02:17,200 Speaker 1: control and then by the time it's your birthday after that, 35 00:02:17,200 --> 00:02:19,880 Speaker 1: the Limerick Copley will struggle around the creek and go 36 00:02:20,200 --> 00:02:23,840 Speaker 1: back into the tides at a dat loft. Big um. 37 00:02:23,919 --> 00:02:27,799 Speaker 1: But dude, yeah, I'm still literally reckcovering from your birthday week. Yeah, 38 00:02:27,840 --> 00:02:30,760 Speaker 1: I had a fucking a big birthday. I almost not 39 00:02:30,840 --> 00:02:33,720 Speaker 1: just scare everyone here, but I actually almost passed away 40 00:02:33,960 --> 00:02:36,919 Speaker 1: the day after your birthday because of the hangover, which 41 00:02:37,000 --> 00:02:39,160 Speaker 1: starting just asking which of my birthday is your second? 42 00:02:39,200 --> 00:02:42,240 Speaker 1: Your big birthday night? You were kind of super. It's 43 00:02:42,280 --> 00:02:44,880 Speaker 1: intimate to have, like, you know, it's important to do 44 00:02:44,919 --> 00:02:47,160 Speaker 1: what you want to do. And I always say this. 45 00:02:47,639 --> 00:02:51,760 Speaker 1: I had an intimate dinner with just my significant other 46 00:02:51,919 --> 00:02:55,600 Speaker 1: and then two other folks um at a really storied 47 00:02:55,639 --> 00:02:58,800 Speaker 1: Staycuse in Manhattan, which was just so old school and 48 00:02:58,919 --> 00:03:01,639 Speaker 1: iconic and so freaking We also went shopping and got 49 00:03:01,639 --> 00:03:04,040 Speaker 1: a room at the Montreal and had a fun day. Yeah, 50 00:03:04,080 --> 00:03:06,000 Speaker 1: we had a fun day. We bought shorts, but yeah, 51 00:03:06,000 --> 00:03:07,960 Speaker 1: so that was really cool. And then two days later, 52 00:03:08,080 --> 00:03:10,600 Speaker 1: I of course had an epic banquet, which was basically 53 00:03:10,639 --> 00:03:15,200 Speaker 1: a wedding. You've married yourself in true narcissistic fashion. It's 54 00:03:15,240 --> 00:03:18,040 Speaker 1: the carry. It's like, oh, you know, straight people are as, 55 00:03:18,040 --> 00:03:20,920 Speaker 1: they're all getting married and the babies, and it's like, well, 56 00:03:20,919 --> 00:03:23,280 Speaker 1: why can't you throw yourself a rehearsal dinner at a 57 00:03:23,360 --> 00:03:27,120 Speaker 1: large Italian restaurant on the water? Yeah? Why not celebrate 58 00:03:27,160 --> 00:03:29,040 Speaker 1: those moments because you don't know when life is going 59 00:03:29,080 --> 00:03:31,600 Speaker 1: to snatch them away? Oh no, And you have to 60 00:03:31,680 --> 00:03:34,800 Speaker 1: savor the pane vodka right, I could get doored on 61 00:03:34,800 --> 00:03:37,960 Speaker 1: a revel next week. Oh don't say that. I know, 62 00:03:38,160 --> 00:03:42,160 Speaker 1: knock on wood. But all that partying kind of makes 63 00:03:42,200 --> 00:03:44,200 Speaker 1: me think of, I don't know the book we read. 64 00:03:44,400 --> 00:03:47,120 Speaker 1: That's so true because our book that we read this 65 00:03:47,160 --> 00:03:52,160 Speaker 1: week is about an iconic partyist, someone who really defined 66 00:03:52,480 --> 00:03:55,280 Speaker 1: an era, the end of an era, the beginning of 67 00:03:55,280 --> 00:03:58,160 Speaker 1: an era. Yeah, a few eras I would say, maybe 68 00:03:58,160 --> 00:04:01,160 Speaker 1: we're still in this era? Does something stand? Yes? Maybe not, 69 00:04:01,320 --> 00:04:03,040 Speaker 1: maybe not you and I, But I think the world 70 00:04:03,160 --> 00:04:07,640 Speaker 1: is still very much in the Edma era, right, but 71 00:04:08,000 --> 00:04:11,160 Speaker 1: we're out of like electroclash. But then also we're still 72 00:04:11,360 --> 00:04:13,480 Speaker 1: Let me just say his name before we get too deep. 73 00:04:13,720 --> 00:04:18,360 Speaker 1: We're talking legendary DJ Steve Aoki and his memoir Blue 74 00:04:19,320 --> 00:04:23,200 Speaker 1: the Color of Noise. Okay, so Steve Aoki. Of course 75 00:04:23,279 --> 00:04:26,080 Speaker 1: he's a DJ producer. I mean I don't think you 76 00:04:26,120 --> 00:04:29,560 Speaker 1: maybe know his tracks per se, Yeah, I mean throughout 77 00:04:29,600 --> 00:04:32,360 Speaker 1: this whole book. When he was like oh, and that's 78 00:04:32,440 --> 00:04:36,200 Speaker 1: when like I did that like Justice remix and that's 79 00:04:36,200 --> 00:04:38,440 Speaker 1: when I did that Kid Cutty remixing. I was kind 80 00:04:38,440 --> 00:04:41,240 Speaker 1: of like, cool, So your biggest infamous remixes. That's the 81 00:04:41,279 --> 00:04:43,960 Speaker 1: thing about DJs. It's really about the experience. It's about 82 00:04:43,960 --> 00:04:45,839 Speaker 1: the experience and being there. Lie. But you know, back 83 00:04:45,880 --> 00:04:49,880 Speaker 1: I would say in the blog House era and like 84 00:04:49,960 --> 00:04:53,760 Speaker 1: French Touch, you know, I was very into Bloghouse Staff 85 00:04:53,839 --> 00:04:55,800 Speaker 1: and you know, I'm a huge fan of like French 86 00:04:55,880 --> 00:04:58,400 Speaker 1: Touch and like a lot of those and remake culture 87 00:04:58,440 --> 00:05:00,440 Speaker 1: was a big part of that. I remember in senior 88 00:05:00,480 --> 00:05:03,080 Speaker 1: year of college, I would go to hype Machine every 89 00:05:03,160 --> 00:05:05,040 Speaker 1: day and I would see, like, what are the latest 90 00:05:05,040 --> 00:05:08,520 Speaker 1: tracks bubbling up? And you know, it was like Milo 91 00:05:08,720 --> 00:05:11,040 Speaker 1: and Justice and daft punkin Phoenix. I think we're all 92 00:05:11,040 --> 00:05:12,760 Speaker 1: like And then of course, like you know, DJ is 93 00:05:12,800 --> 00:05:14,600 Speaker 1: like Fred Falk and Allan Brax were really at the 94 00:05:14,640 --> 00:05:17,120 Speaker 1: top of that movement, and you would like hear those 95 00:05:17,120 --> 00:05:20,599 Speaker 1: tracks when you were out at lit Lounge and you 96 00:05:20,640 --> 00:05:23,520 Speaker 1: were getting blackout at one five one or sway like 97 00:05:23,560 --> 00:05:27,440 Speaker 1: in two thousand and eight one one. I think also 98 00:05:27,680 --> 00:05:31,320 Speaker 1: reading this like, I didn't realize obviously, because I'm not 99 00:05:31,360 --> 00:05:34,640 Speaker 1: like this Tfayoki historian. You know, I just kind of assume, like, Okay, 100 00:05:34,640 --> 00:05:38,360 Speaker 1: he's just like a well known cheesy DJ, and I 101 00:05:38,400 --> 00:05:41,640 Speaker 1: feel like he really actually is the combination of our 102 00:05:41,760 --> 00:05:45,080 Speaker 1: like musical tastes and wants a little bit. Not that 103 00:05:45,160 --> 00:05:49,159 Speaker 1: I'm like into Christian hardcore at all, but his background, 104 00:05:49,279 --> 00:05:52,080 Speaker 1: his background, because we're into hardcore and like going to 105 00:05:52,160 --> 00:05:55,279 Speaker 1: shows and like having a punk house and just like 106 00:05:55,600 --> 00:05:58,280 Speaker 1: collecting seven inches and like going to a vinyl pressing 107 00:05:58,320 --> 00:06:01,800 Speaker 1: plan and like being like, oh, man, like why would 108 00:06:01,839 --> 00:06:03,840 Speaker 1: I ever like put a song in a CD when 109 00:06:03,839 --> 00:06:06,279 Speaker 1: I could do it vinyl? And then he switches to 110 00:06:06,440 --> 00:06:09,360 Speaker 1: just like djaying and being so deaf punk, and I 111 00:06:09,400 --> 00:06:11,360 Speaker 1: was like, yeah, but even more so. I mean, like 112 00:06:11,440 --> 00:06:13,400 Speaker 1: I you know, I do love deaf funk. I've seen 113 00:06:13,440 --> 00:06:16,159 Speaker 1: deaf funk concert. I like a lot of those. I 114 00:06:16,160 --> 00:06:19,160 Speaker 1: mean I'm like a nerd and I like French music, 115 00:06:19,240 --> 00:06:21,360 Speaker 1: and like I've seen me cut copies Australian, but they're 116 00:06:21,440 --> 00:06:23,640 Speaker 1: kind of that same sound, like oh they're Australian, I 117 00:06:23,720 --> 00:06:27,680 Speaker 1: assume they're French. They are. They're basically of that like scene. 118 00:06:27,720 --> 00:06:30,560 Speaker 1: I mean I've seen them in Paris, Okay. And of course, 119 00:06:30,560 --> 00:06:33,080 Speaker 1: you know, I love like Phoenix and like a lot 120 00:06:33,080 --> 00:06:35,800 Speaker 1: of nerdy people like that kind of music, but like 121 00:06:36,040 --> 00:06:39,240 Speaker 1: his music is more to situated for folks. It's more 122 00:06:39,279 --> 00:06:42,160 Speaker 1: like of the avici, like totally like E D M, 123 00:06:42,200 --> 00:06:45,839 Speaker 1: Electric Daisy Carnival, like Coachella, like drops, like when you 124 00:06:45,880 --> 00:06:52,200 Speaker 1: think like d and then like I'm topless, I'm going crazy, 125 00:06:52,360 --> 00:06:54,920 Speaker 1: Like right, I have like crazy braids. I mean it's 126 00:06:54,920 --> 00:06:57,960 Speaker 1: like post rave culture. You're talking about nineties. Yeah, Like, 127 00:06:58,400 --> 00:07:02,200 Speaker 1: so he's post rave because nineties he was like into 128 00:07:02,240 --> 00:07:03,640 Speaker 1: I don't think he doesn't sound like he was into 129 00:07:03,640 --> 00:07:06,600 Speaker 1: really like dance music or techno or or anything like that. 130 00:07:06,680 --> 00:07:08,560 Speaker 1: Right being a book, I was like, so when did 131 00:07:08,640 --> 00:07:11,360 Speaker 1: you end up just like being the biggest like remixer 132 00:07:11,400 --> 00:07:14,880 Speaker 1: of mainstream song. Your whole thing is being like I 133 00:07:14,960 --> 00:07:17,320 Speaker 1: was like so punk and into Christian hardcore and then 134 00:07:17,520 --> 00:07:19,520 Speaker 1: and we'll go he has this whole label. The whole 135 00:07:19,520 --> 00:07:22,360 Speaker 1: time he's being so coach. He also has this like 136 00:07:22,680 --> 00:07:26,200 Speaker 1: indie label that he has, like you know whatever indie bands, 137 00:07:26,200 --> 00:07:28,080 Speaker 1: and he's trying to like sign like at the Drive 138 00:07:28,120 --> 00:07:30,760 Speaker 1: and and Pretty Girls Make Graves and just like actually 139 00:07:30,800 --> 00:07:34,320 Speaker 1: passed over the Arcade Fire because they offer a minip 140 00:07:34,480 --> 00:07:36,040 Speaker 1: and he was like, I only want that we can 141 00:07:36,080 --> 00:07:37,680 Speaker 1: do an album. And then he was like and I 142 00:07:37,840 --> 00:07:40,080 Speaker 1: do admit that I was a little too conceited at 143 00:07:40,080 --> 00:07:43,120 Speaker 1: that point. Yeah, which is a lesson for us all well, 144 00:07:43,160 --> 00:07:46,040 Speaker 1: and also very like to sort of reference his own 145 00:07:46,160 --> 00:07:50,200 Speaker 1: genre of music that you might be familiar with. Throughout 146 00:07:50,240 --> 00:07:54,200 Speaker 1: the book, there's these italicided sections called drop, So it's 147 00:07:54,240 --> 00:07:56,000 Speaker 1: I think that's him being like, and you know the 148 00:07:56,080 --> 00:07:59,280 Speaker 1: drop is coming, and like they're these more kind of 149 00:07:59,320 --> 00:08:02,720 Speaker 1: introspect to have like more poetic sections that are kind 150 00:08:02,720 --> 00:08:06,440 Speaker 1: of random. I mean it's so straight DJ No Offense 151 00:08:06,480 --> 00:08:11,880 Speaker 1: too are very very good friend DJ Physical Therapy. But yeah, 152 00:08:12,120 --> 00:08:14,520 Speaker 1: him being like I am this poet. Well in each 153 00:08:14,680 --> 00:08:17,600 Speaker 1: in each italicized drop section is just like it's just 154 00:08:17,640 --> 00:08:20,800 Speaker 1: like WHOA, Sorry, did I just blow your mind and 155 00:08:21,000 --> 00:08:23,680 Speaker 1: my mind? Like, here's a drop section. I don't always 156 00:08:23,680 --> 00:08:26,800 Speaker 1: look at the color of someone's eyes anyway, It's not 157 00:08:26,840 --> 00:08:29,080 Speaker 1: the first thing I noticed. Maybe that's because so many 158 00:08:29,120 --> 00:08:31,360 Speaker 1: people I know hide they're eyes behind a pair of shade. 159 00:08:31,360 --> 00:08:33,960 Speaker 1: It's day or night inside up because he's taking it 160 00:08:34,000 --> 00:08:37,480 Speaker 1: was like so many Grammys people were He's like people 161 00:08:37,559 --> 00:08:44,000 Speaker 1: I roll with, Yeah, they're usually in freaking sunglasses I 162 00:08:44,000 --> 00:08:47,320 Speaker 1: which is like honestly epic, because yeah, I too want 163 00:08:47,320 --> 00:08:49,559 Speaker 1: to roll with people. I always hat a fucking tour 164 00:08:49,600 --> 00:08:52,800 Speaker 1: bus from backstage well to bring back to your party 165 00:08:52,840 --> 00:08:55,160 Speaker 1: for your gallo for a second, please do. When we 166 00:08:55,160 --> 00:08:57,600 Speaker 1: were leaving and I was like, you know, it was nightfall, 167 00:08:57,760 --> 00:09:00,920 Speaker 1: but again like daylight tame snap or whatever, like the 168 00:09:00,960 --> 00:09:05,040 Speaker 1: sun is that longer lately? Um? And I was like, oh, 169 00:09:05,040 --> 00:09:07,319 Speaker 1: should I like bring my sunglasses because it goes to 170 00:09:07,440 --> 00:09:08,839 Speaker 1: look But I was like, oh, is that going to 171 00:09:08,920 --> 00:09:12,720 Speaker 1: look like two joke sunglasses at night? Right? But then 172 00:09:12,760 --> 00:09:15,199 Speaker 1: I got there and it was so sunny. Joke was 173 00:09:15,240 --> 00:09:17,520 Speaker 1: on you because we were in a sunset venue, like 174 00:09:17,640 --> 00:09:20,160 Speaker 1: a sunset on the water and the sun's reflecting off 175 00:09:20,200 --> 00:09:22,760 Speaker 1: the water. It's like reflecting off all the big glass windows. 176 00:09:22,760 --> 00:09:25,000 Speaker 1: And you were just like, damn a bitch. Yeah, And 177 00:09:25,040 --> 00:09:27,000 Speaker 1: I was like I need these shades. So I was 178 00:09:27,080 --> 00:09:30,280 Speaker 1: rocking these shades and other people are rocking shades. So yeah, 179 00:09:30,360 --> 00:09:32,920 Speaker 1: ultimately we are Steve Aoki. We roll with people who 180 00:09:32,920 --> 00:09:35,760 Speaker 1: are sunglasses. We roll with people who are sunglasses at night. 181 00:09:36,800 --> 00:09:40,120 Speaker 1: We roll with the DJs. We are bad as, We 182 00:09:40,160 --> 00:09:42,800 Speaker 1: are a badass and we wait for drops and we 183 00:09:42,920 --> 00:09:44,960 Speaker 1: bring drops and there's I mean, there is nothing more. 184 00:09:45,000 --> 00:09:49,560 Speaker 1: Grammy has been wearing sunglasses and like a silver blazer. Yeah, 185 00:09:49,679 --> 00:09:52,200 Speaker 1: should we back up? Yeah, let's back up for a 186 00:09:52,240 --> 00:09:56,640 Speaker 1: second to when my jaw dropped, well j drop maybe 187 00:09:56,640 --> 00:09:59,560 Speaker 1: on the very first page when he reveals that he 188 00:09:59,679 --> 00:10:04,800 Speaker 1: is the air to Benny Honna. His father founded Benny 189 00:10:04,840 --> 00:10:09,880 Speaker 1: Hanna Rocky Aoki um So. His parents are from Japan, 190 00:10:10,320 --> 00:10:13,920 Speaker 1: and his grandfather started a tea house tea house in 191 00:10:14,000 --> 00:10:18,760 Speaker 1: Tokyo war and he named it after because benni Hana 192 00:10:18,840 --> 00:10:22,840 Speaker 1: means red flower in Japanese. And the grandfather saw like 193 00:10:22,880 --> 00:10:24,800 Speaker 1: a red flower growing out of the rubble, and it 194 00:10:24,840 --> 00:10:26,680 Speaker 1: was so like a treacose in Brooklyn, And it was 195 00:10:26,760 --> 00:10:29,720 Speaker 1: just like the war had just happened. And I was 196 00:10:29,800 --> 00:10:34,680 Speaker 1: feeling very like sharing clueless, like reading this boat just 197 00:10:34,760 --> 00:10:37,920 Speaker 1: and I was being like, whoa, what we did to Japan? 198 00:10:38,040 --> 00:10:39,720 Speaker 1: Just like very like I did know that, like we 199 00:10:39,840 --> 00:10:43,480 Speaker 1: bombed Japan the one example of the Great Warfare. And 200 00:10:44,800 --> 00:10:46,480 Speaker 1: I was going to say in the couch, I being like, whoa, 201 00:10:46,559 --> 00:10:50,840 Speaker 1: this was like really fucked yeah, I was interesting. A 202 00:10:50,840 --> 00:10:52,800 Speaker 1: lot of people have actually said that, And when you 203 00:10:52,840 --> 00:10:55,240 Speaker 1: look back at Nagasaki and Heroshom, it's just like thought 204 00:10:55,280 --> 00:10:58,240 Speaker 1: actually was fucked up. It was seriously fucked up. No, 205 00:10:58,320 --> 00:10:59,960 Speaker 1: I mean, listen, I've said it before I'll say it again, 206 00:11:00,040 --> 00:11:03,200 Speaker 1: Truman with the terrorist unlike and I and I sorry, 207 00:11:03,240 --> 00:11:06,199 Speaker 1: but I do not think that we needed to drop 208 00:11:06,240 --> 00:11:09,200 Speaker 1: those bombs. No, And I remember, I agree with you 209 00:11:09,480 --> 00:11:11,000 Speaker 1: and I've always thought that. And I said, you know, 210 00:11:11,080 --> 00:11:13,240 Speaker 1: people always say there's like, well why not just drop 211 00:11:13,320 --> 00:11:16,760 Speaker 1: one like on an uninhabited area, just to show that 212 00:11:16,880 --> 00:11:18,480 Speaker 1: you could, you know what I mean. Then they may 213 00:11:18,480 --> 00:11:20,520 Speaker 1: have been like, okay, yeah, you know, all right, we 214 00:11:20,600 --> 00:11:23,240 Speaker 1: got it, we'll stop. No, they said let's drop two bombs. 215 00:11:23,280 --> 00:11:25,120 Speaker 1: Let's drop two. And they didn't even give them like 216 00:11:25,160 --> 00:11:27,160 Speaker 1: that much time between the bombs, like maybe even after 217 00:11:27,160 --> 00:11:28,440 Speaker 1: the first one they would have been like, Okay, we 218 00:11:28,480 --> 00:11:31,640 Speaker 1: got it, we're gonna like surrender whatever. And they're like, no, 219 00:11:31,720 --> 00:11:34,120 Speaker 1: we have to do a second evil the US. No, 220 00:11:34,200 --> 00:11:37,760 Speaker 1: I'm sorry, And I know this is gonna be No, 221 00:11:37,840 --> 00:11:40,640 Speaker 1: I know, I mean, I know our listeners they're they're 222 00:11:40,679 --> 00:11:43,719 Speaker 1: famously anti imperialists or whatever. But no, I've just I've 223 00:11:43,760 --> 00:11:46,000 Speaker 1: never been a big fan of those two bombs. But 224 00:11:46,240 --> 00:11:48,480 Speaker 1: I mean, Tokyo was bombed, or at least not by 225 00:11:48,600 --> 00:11:52,000 Speaker 1: nuclear No, we're ahead, but at an event. The betting 226 00:11:52,000 --> 00:11:54,160 Speaker 1: Hana restaurant was named after a red flower that's supposed 227 00:11:54,200 --> 00:11:57,280 Speaker 1: to symbolize like growth and hope after despair, and I'm sad. 228 00:11:57,400 --> 00:12:00,400 Speaker 1: Yes Um and his grandfather had these tea How is 229 00:12:00,520 --> 00:12:04,840 Speaker 1: that just like served like tea and just like little snacks, 230 00:12:04,920 --> 00:12:08,600 Speaker 1: so sort of chill. And he's like the aired little 231 00:12:08,640 --> 00:12:11,600 Speaker 1: resemblance to the Benny Hanna restaurant chain that my father 232 00:12:11,600 --> 00:12:14,280 Speaker 1: founded it America years later, which I know, I'm so 233 00:12:14,360 --> 00:12:17,600 Speaker 1: upset to him just being like, oh, my grandfather's teahouses 234 00:12:17,600 --> 00:12:20,760 Speaker 1: were like super chic and serving these like little snacks 235 00:12:20,800 --> 00:12:23,320 Speaker 1: and tea. And then he's like and then my father's 236 00:12:23,440 --> 00:12:26,760 Speaker 1: like just invented like the most insane theme restaurant in history. 237 00:12:26,800 --> 00:12:28,800 Speaker 1: We're just like people throwing food into the air, and 238 00:12:28,840 --> 00:12:32,200 Speaker 1: it's like celebrities. So his father, if I may, I love, 239 00:12:32,280 --> 00:12:34,280 Speaker 1: I know people love when I do this on the pod. 240 00:12:34,360 --> 00:12:36,920 Speaker 1: Show you a picture and then we'll kind of his 241 00:12:37,000 --> 00:12:40,120 Speaker 1: father like is our stylecon it's just like full like 242 00:12:40,200 --> 00:12:45,760 Speaker 1: Saturday at fever. Like he's wearing a white suit, black shirt. Yeah, 243 00:12:45,760 --> 00:12:47,959 Speaker 1: I mean he's super fab. I mean you can tell 244 00:12:48,040 --> 00:12:50,840 Speaker 1: that this guy obviously has three secret families. Yeah, So 245 00:12:51,320 --> 00:12:56,079 Speaker 1: he starts Benny Hannah and he goes to Cornell School 246 00:12:56,120 --> 00:12:58,320 Speaker 1: of Hospitality. We didn't he say he wanted to go. 247 00:12:58,480 --> 00:13:01,560 Speaker 1: He wanted to and then he didn't, which is very 248 00:13:01,920 --> 00:13:03,800 Speaker 1: me as we've discussed how I wanted to go to 249 00:13:04,000 --> 00:13:06,719 Speaker 1: School of Hospitality? Was that a reach? Was that in 250 00:13:06,840 --> 00:13:10,599 Speaker 1: your reach less? Funny weird difference between mean Rocky a 251 00:13:10,720 --> 00:13:13,480 Speaker 1: yoke is he didn't speak English and instead of like 252 00:13:13,520 --> 00:13:15,040 Speaker 1: going to Cornell, he was like, well, I'm just going 253 00:13:15,080 --> 00:13:16,839 Speaker 1: to save up and work really hard and like start 254 00:13:16,920 --> 00:13:21,680 Speaker 1: a worldwide chain of insane restaurants and I have yet 255 00:13:21,760 --> 00:13:23,719 Speaker 1: to do that. Right, Well, you want to start a 256 00:13:23,760 --> 00:13:25,559 Speaker 1: hotel chain? Yeah, I want to start to Hotel Channe. 257 00:13:25,559 --> 00:13:27,680 Speaker 1: I also want to start my which will obviously have 258 00:13:27,720 --> 00:13:32,640 Speaker 1: a huge food in bev because my Benny Hanna my 259 00:13:32,760 --> 00:13:35,280 Speaker 1: kind of theme. And every time I say these people, 260 00:13:35,320 --> 00:13:37,040 Speaker 1: no one really latches onto it. But I think it's 261 00:13:37,040 --> 00:13:40,480 Speaker 1: an amazing idea. Pitch me elevator, go, hey sharks. Do 262 00:13:40,520 --> 00:13:43,679 Speaker 1: you ever go to an amazing restaurant with friends and 263 00:13:43,880 --> 00:13:47,120 Speaker 1: colleagues and lovers and have a second location to go 264 00:13:47,160 --> 00:13:51,120 Speaker 1: to but you're really full? After? Oh? Absolutely? Do you 265 00:13:51,120 --> 00:13:53,360 Speaker 1: ever wish? Oh? I wish I could just sit down 266 00:13:53,360 --> 00:13:56,160 Speaker 1: for thirty minutes at a reclining chair and watch a 267 00:13:56,160 --> 00:13:58,840 Speaker 1: little TV before where again a cap and like go 268 00:13:58,920 --> 00:14:03,000 Speaker 1: to the club. Yes, literally, okay, I want to start 269 00:14:03,040 --> 00:14:06,920 Speaker 1: this lounge that you go into after the restaurant. You 270 00:14:06,920 --> 00:14:09,280 Speaker 1: get to sit in a recliner. It's a digestion lounge. 271 00:14:09,440 --> 00:14:13,040 Speaker 1: I just loved hydrate. Wait, yes, maybe be twelve shots. 272 00:14:13,120 --> 00:14:18,319 Speaker 1: This is an amazing idea iPads. I mean huge screens, immersive, 273 00:14:19,280 --> 00:14:22,200 Speaker 1: super gorgeous. This is kind of similar to like the 274 00:14:22,200 --> 00:14:24,280 Speaker 1: original concept of the wing, which was like a place 275 00:14:24,320 --> 00:14:27,120 Speaker 1: for women to like get changed after work, go to 276 00:14:27,160 --> 00:14:31,040 Speaker 1: the club. And this is very like yes, like after dinner, sorry, 277 00:14:31,080 --> 00:14:33,920 Speaker 1: I'm full, I can't get stuffed into a cab and 278 00:14:34,080 --> 00:14:36,200 Speaker 1: like go dances, like oh, let's go to the club 279 00:14:36,240 --> 00:14:38,200 Speaker 1: now where oh like, let's go to a bar now 280 00:14:38,240 --> 00:14:40,600 Speaker 1: where you're like, oh, I'm actually like I just went 281 00:14:40,680 --> 00:14:43,280 Speaker 1: to STK and I went to sulk and I'm like 282 00:14:43,480 --> 00:14:46,080 Speaker 1: so full of like shrimp that's been flying through the 283 00:14:46,200 --> 00:14:48,600 Speaker 1: air and battered, and it's like I would like to 284 00:14:48,600 --> 00:14:50,920 Speaker 1: rest because then sometimes you're like, well and actually so full, 285 00:14:50,920 --> 00:14:53,120 Speaker 1: I'm just gonna go home. And maybe you would actually 286 00:14:53,120 --> 00:14:55,320 Speaker 1: go to a second location if you had that thirty 287 00:14:55,320 --> 00:14:57,080 Speaker 1: minutes to rest, and then you go home and you're 288 00:14:57,080 --> 00:15:00,640 Speaker 1: like seeing all your friends on the TikTok and you're like, 289 00:15:00,680 --> 00:15:02,600 Speaker 1: oh wait, I'm actually default now, but I'm not going 290 00:15:02,640 --> 00:15:05,720 Speaker 1: to like go back up to forty third and third 291 00:15:06,680 --> 00:15:15,840 Speaker 1: I'm default. Those are your two states, full and default. No, 292 00:15:15,920 --> 00:15:18,160 Speaker 1: this is an incredible idea, And like maybe there's maybe 293 00:15:18,160 --> 00:15:21,160 Speaker 1: I don't know, like oxygen there's an oxygen twelve. And 294 00:15:21,360 --> 00:15:24,600 Speaker 1: once I told someone, They're like, oh, so farting lounge lily, 295 00:15:24,640 --> 00:15:29,280 Speaker 1: and I'm like, so sure, And there's jazz playing, so 296 00:15:29,720 --> 00:15:32,360 Speaker 1: I can't hear the farts right well, trumpets are famously 297 00:15:32,400 --> 00:15:37,600 Speaker 1: the fartiest of instance, so it's bebop. Maybe there's live jazz. Yeah. 298 00:15:37,640 --> 00:15:40,560 Speaker 1: I mean, I'm totally here for it had to be 299 00:15:40,840 --> 00:15:42,720 Speaker 1: here end. So is it a separate Is it just 300 00:15:42,760 --> 00:15:45,160 Speaker 1: like it's located in like a high density restaurant district 301 00:15:45,280 --> 00:15:47,680 Speaker 1: or it is like I guess I was thinking, but 302 00:15:47,800 --> 00:15:51,480 Speaker 1: I'm it's connected to a restaurant. But I also think 303 00:15:51,520 --> 00:15:53,960 Speaker 1: maybe it's about in a high density restaurant area. So 304 00:15:54,040 --> 00:15:56,440 Speaker 1: we have someone meatpacking, we have some in West Village, 305 00:15:56,520 --> 00:16:00,160 Speaker 1: we have someone tribacup. I hope, she says, Tribecau. It's 306 00:16:00,160 --> 00:16:04,200 Speaker 1: actually the highest restaurant density neighborhood in the world, or 307 00:16:04,240 --> 00:16:06,840 Speaker 1: at least one of them. M Yeah, I like this idea, 308 00:16:06,880 --> 00:16:09,880 Speaker 1: and it's very like leather seats and company, but it's 309 00:16:09,880 --> 00:16:11,920 Speaker 1: not such a lounge. There's so much pressure to like 310 00:16:12,520 --> 00:16:16,440 Speaker 1: order like in nineteen tired and like get weird apps. 311 00:16:16,480 --> 00:16:19,400 Speaker 1: It's like it's post yes, and so obviously we have 312 00:16:19,440 --> 00:16:21,440 Speaker 1: to look at the prices because they're not pressuring you 313 00:16:21,520 --> 00:16:28,480 Speaker 1: to get like cinnamon duel chase sticks. Yeah, you know, partner, 314 00:16:28,480 --> 00:16:32,040 Speaker 1: it would have to make sense financially so that the 315 00:16:32,120 --> 00:16:34,880 Speaker 1: staff wouldn't have to be pushing right in the chart 316 00:16:34,920 --> 00:16:37,800 Speaker 1: around and maybe that's a membership fee and yeah, I 317 00:16:37,840 --> 00:16:40,000 Speaker 1: mean i'd pay. I want to get in one of 318 00:16:40,040 --> 00:16:42,960 Speaker 1: these lounges right now, right, Okay, Well that's an amazing idea. 319 00:16:43,200 --> 00:16:45,320 Speaker 1: Here we go. Yeah, that's my idea. I'm on board, 320 00:16:45,360 --> 00:16:47,680 Speaker 1: and I will give you two hundred fey thousand dollars 321 00:16:47,720 --> 00:16:49,680 Speaker 1: for twenty percent of your company because it's going to 322 00:16:49,760 --> 00:16:51,680 Speaker 1: take me a lot of time and that's gonna get 323 00:16:51,680 --> 00:16:54,160 Speaker 1: me out about it. Would you consider seventeen point five percent? 324 00:16:54,520 --> 00:16:56,400 Speaker 1: I would do eighteen point five percent with the one 325 00:16:56,440 --> 00:17:00,480 Speaker 1: percent royalty on every chair sat in for the next yours. 326 00:17:00,760 --> 00:17:05,720 Speaker 1: Okay deal, Okay, back to Rocky I Rocky Aoki he 327 00:17:06,080 --> 00:17:10,159 Speaker 1: started betting Hannah had Steve Aoki and his like three siblings. 328 00:17:10,640 --> 00:17:14,280 Speaker 1: Then was a speedboat racer. Okay, but did you skip 329 00:17:14,280 --> 00:17:17,040 Speaker 1: of the part where he was roommates with CG. Ozawa? 330 00:17:17,359 --> 00:17:21,240 Speaker 1: Oh my god, the famous conductor conductor. There's a lot 331 00:17:21,280 --> 00:17:24,200 Speaker 1: of Boston references in here, well, a few important ones. 332 00:17:24,320 --> 00:17:28,000 Speaker 1: One that his father was roommates with Zawa. So yeah, sorry, 333 00:17:28,080 --> 00:17:31,880 Speaker 1: I feel like your mom had like Agasoe no sister, 334 00:17:32,200 --> 00:17:35,119 Speaker 1: like in your condo growing up. I'm literally like picturing 335 00:17:35,240 --> 00:17:39,480 Speaker 1: her office with like so many papers and printers and yeah, 336 00:17:39,600 --> 00:17:41,480 Speaker 1: maybe it was like a fold out that she put 337 00:17:41,520 --> 00:17:47,400 Speaker 1: above the desk with the schedule or something like the dates. Yeah, 338 00:17:47,640 --> 00:17:49,240 Speaker 1: he lets to say also, because you know, my parents 339 00:17:49,280 --> 00:17:53,560 Speaker 1: are friends with another Boston area Japanese American classical music 340 00:17:53,600 --> 00:17:57,360 Speaker 1: conductor who um Yoichi. Who's the conductor for the Melrose 341 00:17:57,359 --> 00:18:04,320 Speaker 1: Symphony Orchestra Melrose the yeah mulrop. Sorry, Melrose has a chest. 342 00:18:04,680 --> 00:18:07,000 Speaker 1: Yeah that's right. Oh you thought it was just a 343 00:18:07,119 --> 00:18:11,439 Speaker 1: hum drum town fancy music. You go there, You raised 344 00:18:11,440 --> 00:18:14,520 Speaker 1: your kids. You have a good life. Yeah, no, they 345 00:18:14,680 --> 00:18:17,280 Speaker 1: class you over there. They got culture. Oh my god. 346 00:18:17,440 --> 00:18:21,280 Speaker 1: And that's saying you never stop learning about your hometown. 347 00:18:21,520 --> 00:18:24,600 Speaker 1: And that I feel like he's first Saveoki. It's so true. 348 00:18:24,680 --> 00:18:27,960 Speaker 1: There's always another Patriot Dart because he's out like the 349 00:18:28,080 --> 00:18:29,800 Speaker 1: end of the book, he's always like he wants to 350 00:18:29,800 --> 00:18:32,440 Speaker 1: get to know his mother better, you know. Okay, So 351 00:18:32,600 --> 00:18:35,600 Speaker 1: this book we talk. So this book is called blue 352 00:18:36,160 --> 00:18:39,840 Speaker 1: because the color blue is like significant to him. This 353 00:18:39,840 --> 00:18:42,960 Speaker 1: whole book was reaching. It was like start to reach. 354 00:18:43,000 --> 00:18:44,760 Speaker 1: And he was just like, yeah, Like even though Benny 355 00:18:44,800 --> 00:18:47,520 Speaker 1: Hannah is named after the red flower, when I walk 356 00:18:47,600 --> 00:18:50,639 Speaker 1: into Benny Hannah, I see the blue of the fish 357 00:18:50,680 --> 00:18:54,320 Speaker 1: tanks reflected in the diner's faces, and I think that's 358 00:18:54,440 --> 00:18:57,800 Speaker 1: my color. And it's just like he's been so Teresa Kaputo. 359 00:18:58,280 --> 00:19:03,119 Speaker 1: So there's a blue fish tank. Spirit is present, and 360 00:19:03,119 --> 00:19:06,440 Speaker 1: it's just like blue is literate primary color. Like you're 361 00:19:06,480 --> 00:19:08,000 Speaker 1: gonna go ahead and see blue in a lot of 362 00:19:08,000 --> 00:19:11,320 Speaker 1: places every single chapter in his italics, then he'll be like, 363 00:19:11,400 --> 00:19:14,720 Speaker 1: and I threw it a pitch the Dodgers and like, yeah, 364 00:19:14,760 --> 00:19:17,119 Speaker 1: I'm actually like a little more punk and sunglasses and 365 00:19:17,200 --> 00:19:20,159 Speaker 1: I'm into BMX and mountain climbing underground sports. But like, 366 00:19:20,400 --> 00:19:22,880 Speaker 1: ultimately I will go to like a Dodgers game and 367 00:19:23,560 --> 00:19:26,240 Speaker 1: their hats are as blue as the sky, and you're 368 00:19:26,320 --> 00:19:29,040 Speaker 1: kind of like, yeah, yeah, you know the Dodgers's colors, 369 00:19:29,080 --> 00:19:32,520 Speaker 1: Dodgress colors blue again, blue. It's pretty much one of 370 00:19:32,560 --> 00:19:36,800 Speaker 1: the big colors. Like it's gonna be around, You're gonna 371 00:19:36,800 --> 00:19:39,000 Speaker 1: be sea and blue. And if you're gonna like have 372 00:19:39,119 --> 00:19:41,560 Speaker 1: this insane spiritual attachment to the color blue, then yeah, 373 00:19:41,600 --> 00:19:45,880 Speaker 1: every day you're gonna be like, holy fucking shit, the 374 00:19:45,880 --> 00:19:49,640 Speaker 1: sky is fucking blue again. And that's my dad watching 375 00:19:49,680 --> 00:19:52,040 Speaker 1: over from the Benny Hanna and the sky. His erasure 376 00:19:52,160 --> 00:19:55,600 Speaker 1: of blue is the wormst color is Well, when did 377 00:19:55,600 --> 00:19:59,080 Speaker 1: this book come out? Oh came on twenty eighteen, So yeah, 378 00:19:59,119 --> 00:20:01,960 Speaker 1: I will say this. Iaoki's culture is not a gay one. 379 00:20:02,440 --> 00:20:04,359 Speaker 1: There are no like gay people in this book. And 380 00:20:04,400 --> 00:20:07,240 Speaker 1: I don't think gay people are really into EBM in 381 00:20:07,280 --> 00:20:09,520 Speaker 1: that sense. And like going to I mean it's so 382 00:20:09,600 --> 00:20:13,240 Speaker 1: burning man, like what's not his his? This is what's It? 383 00:20:13,400 --> 00:20:16,800 Speaker 1: Did make me think a bit about though, when I 384 00:20:16,840 --> 00:20:20,200 Speaker 1: started dating my ex girlfriend in college and that kind 385 00:20:20,200 --> 00:20:28,800 Speaker 1: of electro clash culture, Funky Boodle Lounge, Justice, Auffie Yeah yeah, 386 00:20:29,160 --> 00:20:33,000 Speaker 1: Affie have matching dad. They got together so and I 387 00:20:33,080 --> 00:20:34,960 Speaker 1: was I feel like when a Mexico friend was like 388 00:20:35,240 --> 00:20:38,439 Speaker 1: being so party promoter and she was and she was 389 00:20:38,480 --> 00:20:45,000 Speaker 1: so spraying champagne. Yeah, Cobra snake, which later Stevioka becomes 390 00:20:45,040 --> 00:20:48,320 Speaker 1: famous for spraying stuff into the crowd. Wait, that was something, Okay, 391 00:20:48,320 --> 00:20:50,959 Speaker 1: So like that, let's talk about his props. So when 392 00:20:51,000 --> 00:20:53,520 Speaker 1: he really starts to become big, like in the daft 393 00:20:53,520 --> 00:20:55,760 Speaker 1: punk like era and like the Justice era of like 394 00:20:55,800 --> 00:20:57,880 Speaker 1: two thousand and eight, two thousand and nine, he becomes 395 00:20:57,920 --> 00:21:01,159 Speaker 1: known for and again he's a DJ, so like for 396 00:21:01,200 --> 00:21:04,639 Speaker 1: people who don't know, like a big DJ set is 397 00:21:04,640 --> 00:21:06,680 Speaker 1: like the DJ is still just sitting up there on stage, 398 00:21:06,680 --> 00:21:09,120 Speaker 1: like on the decks and they're like jumping around and 399 00:21:09,160 --> 00:21:11,760 Speaker 1: like pretending like they're doing so much stuff live, but 400 00:21:11,800 --> 00:21:14,600 Speaker 1: it's a prerecorded set and then there's like lots of 401 00:21:14,680 --> 00:21:17,199 Speaker 1: props and the lighting shows and it's really about the 402 00:21:17,200 --> 00:21:20,880 Speaker 1: pyrotechnics of the stage show. Because at first I think 403 00:21:20,880 --> 00:21:24,120 Speaker 1: he was being so wick wick wick up. When they 404 00:21:24,119 --> 00:21:26,680 Speaker 1: were doing like their dim Mac he was going, yeah, 405 00:21:26,800 --> 00:21:30,160 Speaker 1: so much fucking awesome show at Cinna Space. Oh oh wait, 406 00:21:30,200 --> 00:21:32,400 Speaker 1: we have to shut up. Okay. So literally a friend 407 00:21:32,440 --> 00:21:35,679 Speaker 1: of the pod Stewart, Yeah, I guess of the podcast 408 00:21:35,760 --> 00:21:38,800 Speaker 1: How Long Gone, makes an appearance in this book and 409 00:21:38,880 --> 00:21:40,199 Speaker 1: he was like, wait, do you have the page? I 410 00:21:40,240 --> 00:21:42,720 Speaker 1: do have the page. You took a picture of it. Um, 411 00:21:42,760 --> 00:21:45,160 Speaker 1: ok way, I have it here. If you step back 412 00:21:45,160 --> 00:21:47,640 Speaker 1: and trace the genealogy of it. Our Cini Space hookup 413 00:21:47,640 --> 00:21:50,040 Speaker 1: came straight out of our beauty bar parties. This also 414 00:21:50,080 --> 00:21:53,719 Speaker 1: like he's constantly talking about the like the genealogy of 415 00:21:53,760 --> 00:21:55,720 Speaker 1: like and now we were doing a show at a 416 00:21:55,880 --> 00:21:59,480 Speaker 1: party at this barne and then we started throwing another 417 00:21:59,520 --> 00:22:02,160 Speaker 1: event this venue in La. It's sort of crazy how 418 00:22:02,200 --> 00:22:04,680 Speaker 1: one thing led to another. It's like, is it crazy? Well, 419 00:22:04,720 --> 00:22:06,560 Speaker 1: I do want to talk about beauty bar, but read 420 00:22:06,600 --> 00:22:08,879 Speaker 1: this there's well there's a beauty bar in every city 421 00:22:08,920 --> 00:22:10,880 Speaker 1: I feel, I know, but I'm saying the way he 422 00:22:10,920 --> 00:22:15,200 Speaker 1: talked about it, that was at the beginning of and 423 00:22:15,280 --> 00:22:18,919 Speaker 1: just mean like it was this fucking funky ass retro 424 00:22:19,080 --> 00:22:20,840 Speaker 1: bar that was supposed to be like a salot. It's 425 00:22:20,880 --> 00:22:22,879 Speaker 1: like this was before there was a beauty bar in 426 00:22:22,920 --> 00:22:25,600 Speaker 1: every city. Yeah. I mean it's just that like Jan 427 00:22:25,720 --> 00:22:27,919 Speaker 1: Axe thing, but that's what I'm saying. It's the rocker 428 00:22:28,320 --> 00:22:32,440 Speaker 1: to electro clash pipeline. Yeah. Um, that's how he usually 429 00:22:32,480 --> 00:22:35,359 Speaker 1: worked in our underground culture. One thing led to another. 430 00:22:35,520 --> 00:22:37,400 Speaker 1: It's like, I don't know if that's just an underground thing, 431 00:22:37,520 --> 00:22:40,440 Speaker 1: but one thing leads to another that's actually could happen 432 00:22:40,440 --> 00:22:43,920 Speaker 1: in mainstream culture. How it worked here was we'd struck 433 00:22:44,000 --> 00:22:46,199 Speaker 1: up a friendship with a guy named Jason Stewart, an 434 00:22:46,320 --> 00:22:48,520 Speaker 1: artist slash promoter who went by the name them Jeans. 435 00:22:48,960 --> 00:22:52,320 Speaker 1: Jason was this freakishly tall fixture on the scene, maybe 436 00:22:52,440 --> 00:22:55,800 Speaker 1: six ten, so he really stood out hard not to notice. 437 00:22:56,119 --> 00:22:57,840 Speaker 1: He was coming to all of our parties, and he 438 00:22:57,880 --> 00:23:00,440 Speaker 1: took us aside one night and told us an open 439 00:23:00,480 --> 00:23:02,520 Speaker 1: slot at Center Space blah blah blah, and then they 440 00:23:02,520 --> 00:23:05,680 Speaker 1: start hosting this party there anyway, So sorry to enjoy. 441 00:23:05,680 --> 00:23:07,960 Speaker 1: I guess I didn't realize that Hymns like started the 442 00:23:08,080 --> 00:23:10,760 Speaker 1: lad Jason. They were like BFFs and collapse and like 443 00:23:11,320 --> 00:23:14,520 Speaker 1: have these epic parties and we're like major collaborators, which 444 00:23:14,560 --> 00:23:17,159 Speaker 1: is fucking off. It was awesome, and that goes to 445 00:23:17,200 --> 00:23:21,639 Speaker 1: show we don't know much about the O eight la. No, 446 00:23:21,840 --> 00:23:24,200 Speaker 1: we don't know much of a space beauty bar scene 447 00:23:24,280 --> 00:23:26,280 Speaker 1: about that scene, and yeah, it was very you know, 448 00:23:26,320 --> 00:23:28,840 Speaker 1: it was peripheral for me, like listen, were we going? 449 00:23:29,440 --> 00:23:31,760 Speaker 1: Was I going to parties at lit Lound and so 450 00:23:32,359 --> 00:23:35,840 Speaker 1: was I blackout during that era? Sure, but I was 451 00:23:35,880 --> 00:23:39,560 Speaker 1: also not going to like the most like promotery parties. 452 00:23:39,600 --> 00:23:42,520 Speaker 1: I feel, um, no, well, I feel like I was. 453 00:23:42,800 --> 00:23:45,320 Speaker 1: I had like there's a few Coper Snake photos of 454 00:23:45,359 --> 00:23:49,119 Speaker 1: me somewhere deep in a broken I mean, well, and 455 00:23:49,280 --> 00:23:51,920 Speaker 1: like how but I feel like that's a little bit 456 00:23:51,960 --> 00:23:54,600 Speaker 1: different though I guess Copra Snake is so that because 457 00:23:54,600 --> 00:23:56,639 Speaker 1: Coper Snake and like last Night's Party and Nicki Digital 458 00:23:56,720 --> 00:23:59,560 Speaker 1: are very like she talks about how much is that 459 00:23:59,720 --> 00:24:01,720 Speaker 1: Enters sucked with like the emo era because it's like 460 00:24:01,800 --> 00:24:05,760 Speaker 1: obviously it's like MisShapes to me is like a different scene. Yeah, 461 00:24:05,800 --> 00:24:08,199 Speaker 1: to me, that's more gay and emo and bangs and 462 00:24:08,280 --> 00:24:10,600 Speaker 1: this was like less bangs, but iman totally wrong and 463 00:24:10,600 --> 00:24:12,120 Speaker 1: like it's all the killers and it's all the same. 464 00:24:12,320 --> 00:24:15,200 Speaker 1: That's what I was saying about the touch on him 465 00:24:15,200 --> 00:24:19,000 Speaker 1: being like beauty bar and uffy like he went more 466 00:24:19,200 --> 00:24:21,160 Speaker 1: edm but then there's a part of that that then 467 00:24:21,280 --> 00:24:26,720 Speaker 1: goes into banks and really like started maybe a couple 468 00:24:26,760 --> 00:24:28,880 Speaker 1: of years after that, but it was like this sort 469 00:24:28,920 --> 00:24:32,119 Speaker 1: of greater blog house scene was being so killers and 470 00:24:32,280 --> 00:24:34,760 Speaker 1: like slightly rock but slightly French touch on, Like everyone 471 00:24:34,840 --> 00:24:38,000 Speaker 1: was doing that, and then like the EDM thing really 472 00:24:38,000 --> 00:24:40,679 Speaker 1: started to blow up for straight people in like twenty 473 00:24:40,720 --> 00:24:43,400 Speaker 1: eleven exactly, And that's what this is what was so 474 00:24:43,920 --> 00:24:46,280 Speaker 1: so random about him. It was like, so he in college, 475 00:24:46,359 --> 00:24:50,000 Speaker 1: he lives at this legendary U see Santa Barbara punk 476 00:24:50,000 --> 00:24:52,639 Speaker 1: house called the Pickle Patch, where they also throwing shows, 477 00:24:52,720 --> 00:24:54,359 Speaker 1: and then they have a wait die, they have a 478 00:24:54,359 --> 00:24:58,040 Speaker 1: sunken living room at the Pickle Patch. Spirit. Oh wait, 479 00:24:58,119 --> 00:25:02,200 Speaker 1: that's so spirit. Yeah, spirit is present. Oh wait, sorry 480 00:25:02,240 --> 00:25:04,320 Speaker 1: I'm wrong. He in high school. He's in a band 481 00:25:04,359 --> 00:25:06,600 Speaker 1: and he plays at his friend's parents' house who have 482 00:25:06,600 --> 00:25:09,240 Speaker 1: a sunken Okay, that makes more sentence. And it made 483 00:25:09,320 --> 00:25:11,960 Speaker 1: me think about I feel like I had that same 484 00:25:12,000 --> 00:25:14,600 Speaker 1: desire to him as where I like wanted to be 485 00:25:15,000 --> 00:25:19,480 Speaker 1: so punk but just like could never really get there 486 00:25:19,520 --> 00:25:21,840 Speaker 1: because you are too Martinis. Yeah I'm too Martinis to 487 00:25:21,920 --> 00:25:24,360 Speaker 1: just be that punk. Like I would go to fucking 488 00:25:24,400 --> 00:25:28,240 Speaker 1: All Ages show Boston of avalon Bill's bar VFW Halls 489 00:25:28,760 --> 00:25:33,920 Speaker 1: with my sister's high school boyfriend, and I would see 490 00:25:33,960 --> 00:25:36,679 Speaker 1: these kids with mohawks and suspenders and Fred Perry's and 491 00:25:36,720 --> 00:25:38,920 Speaker 1: I was like, I can't wait till I have my 492 00:25:39,000 --> 00:25:42,359 Speaker 1: punk crew and we just like mosh all day and 493 00:25:42,400 --> 00:25:46,200 Speaker 1: we're hooligans. But then it's like if I really wanted that, 494 00:25:47,040 --> 00:25:49,600 Speaker 1: I could have found that, but you there was something 495 00:25:49,680 --> 00:25:53,520 Speaker 1: about you that didn't want to mash. Yeah, I wanted 496 00:25:53,560 --> 00:25:55,399 Speaker 1: to mosh, but like I did just like want to 497 00:25:55,400 --> 00:25:58,879 Speaker 1: go see Charlie's Angels Boko instead of like like I 498 00:25:58,880 --> 00:26:00,480 Speaker 1: want to go to shows. But I guess I didn't 499 00:26:00,480 --> 00:26:06,320 Speaker 1: want to live that full punk house life. Yeah. Sorry, 500 00:26:06,359 --> 00:26:09,760 Speaker 1: like rustbugs are discuss freaking and I don't want to 501 00:26:09,760 --> 00:26:11,840 Speaker 1: beat out of a dumps. I never wanted to be crossed. 502 00:26:11,840 --> 00:26:15,040 Speaker 1: I guess, like, okay, but you didn't actually want to 503 00:26:15,040 --> 00:26:17,159 Speaker 1: be hardcore. I mean it was also because I remember 504 00:26:17,160 --> 00:26:20,480 Speaker 1: in college, remember that what was it called the log Cabin. 505 00:26:21,040 --> 00:26:26,120 Speaker 1: Oh god, that was disgusting. Yeah you're like that was disgusting. Yeah, 506 00:26:26,200 --> 00:26:28,880 Speaker 1: that was the punk house that like was so having 507 00:26:28,920 --> 00:26:30,879 Speaker 1: shows and it was like, you know, people are like 508 00:26:30,880 --> 00:26:34,000 Speaker 1: shitting in buckets and like everyone has a racktail and 509 00:26:34,000 --> 00:26:36,639 Speaker 1: there's dogs and like like performance show. We saw that 510 00:26:36,640 --> 00:26:39,359 Speaker 1: that was someone just like fucking up an air conditioner 511 00:26:40,119 --> 00:26:43,199 Speaker 1: and it was so like like fun technology, right, and 512 00:26:43,320 --> 00:26:45,040 Speaker 1: I feel like that's so Stevie Yuki. He was like, 513 00:26:45,119 --> 00:26:47,920 Speaker 1: oh man at the pile patch, Like sometimes I would 514 00:26:47,960 --> 00:26:51,359 Speaker 1: team up performance artist who would like slam a fan 515 00:26:51,480 --> 00:26:54,760 Speaker 1: against the wall and like that's so epic. Yeah, And 516 00:26:54,800 --> 00:26:58,600 Speaker 1: I feel like our college apartment sixteen forty, it's like 517 00:26:58,640 --> 00:27:01,959 Speaker 1: that was already pretty discussed physically disgusted. Yeah, like that 518 00:27:02,000 --> 00:27:04,880 Speaker 1: was already gross enough. Oh yeah, I mean so it's 519 00:27:04,880 --> 00:27:06,919 Speaker 1: like to go to full and that was just like 520 00:27:07,040 --> 00:27:09,879 Speaker 1: being college messy. We're just paying like one hundred, one 521 00:27:09,960 --> 00:27:13,119 Speaker 1: hundred dollars from rand. It's like that's enough, not going 522 00:27:13,200 --> 00:27:15,879 Speaker 1: the full. Yeah, you were like I already have like 523 00:27:15,960 --> 00:27:19,120 Speaker 1: my roomates yogurt covered underwear and the freezer because he's 524 00:27:19,160 --> 00:27:23,280 Speaker 1: trying least in faction, Like I don't then need to 525 00:27:23,280 --> 00:27:26,400 Speaker 1: go to this nasty punk house that is a Stevo 526 00:27:26,400 --> 00:27:30,359 Speaker 1: gear because it was I remember started to put her 527 00:27:30,440 --> 00:27:36,440 Speaker 1: own blast here. Literally, I was like American apperil underwear 528 00:27:37,320 --> 00:27:42,679 Speaker 1: that blonk filled with yogurt. Yeah, put on it was 529 00:27:42,720 --> 00:27:49,200 Speaker 1: probably it was probably boosted underwear too that they both did. Yeah, 530 00:27:49,600 --> 00:27:52,560 Speaker 1: did you ever work at AA? I? No, I didn't. 531 00:27:53,119 --> 00:27:55,719 Speaker 1: That's also a very I mean I think Stevieoki may 532 00:27:56,280 --> 00:28:01,040 Speaker 1: with like an American apparel brand rep. Oh store opener. 533 00:28:01,359 --> 00:28:03,600 Speaker 1: That girl, Oh, I think I know we're talking yea. 534 00:28:03,800 --> 00:28:07,160 Speaker 1: Her name rhymes with Lebbie. No, I'm actually talking about 535 00:28:07,160 --> 00:28:09,479 Speaker 1: someone else when he plays from the bottle. Also that summer. 536 00:28:09,760 --> 00:28:13,479 Speaker 1: Oh okay, I don't remember this person. Her name was, 537 00:28:13,760 --> 00:28:17,120 Speaker 1: I Don'tmber wow, and her fucking girl that didn't even know, 538 00:28:18,000 --> 00:28:20,280 Speaker 1: but I feel like she was one of the message. 539 00:28:21,400 --> 00:28:24,879 Speaker 1: I think it was Kelly. Oh wait, that is ringing about. 540 00:28:24,920 --> 00:28:27,320 Speaker 1: I mean, that's such an American appare open. She like 541 00:28:27,359 --> 00:28:30,720 Speaker 1: went to different stores and like opened wow the huge 542 00:28:31,760 --> 00:28:34,160 Speaker 1: um dream job. Yeah, I'm sure she was like best 543 00:28:34,160 --> 00:28:41,760 Speaker 1: friends with Yeah, oh so can a pair. Yeah. Aoki 544 00:28:41,880 --> 00:28:44,360 Speaker 1: goes from this pickle patch and it's not just like 545 00:28:44,480 --> 00:28:47,560 Speaker 1: hardcore in high school. He's really into Christian hardcore. Yeah, 546 00:28:47,600 --> 00:28:50,200 Speaker 1: because he so he does acid once, like someone gives 547 00:28:50,280 --> 00:28:52,480 Speaker 1: him this tab of asset and he called it funny 548 00:28:52,520 --> 00:28:54,880 Speaker 1: paper and he's just like and I had this crazy 549 00:28:55,000 --> 00:28:57,120 Speaker 1: day where like my friend Alex drove me around and 550 00:28:57,160 --> 00:28:59,280 Speaker 1: I was laughing and everything. But then like at the 551 00:28:59,400 --> 00:29:02,120 Speaker 1: end of the day, we like went to like someone's 552 00:29:02,120 --> 00:29:03,880 Speaker 1: parents house and I started to like come out of 553 00:29:03,880 --> 00:29:05,800 Speaker 1: my trip and I was really paranoid. And then I 554 00:29:05,840 --> 00:29:08,000 Speaker 1: never did drugs again for like six years, and I 555 00:29:08,040 --> 00:29:10,440 Speaker 1: was only into Christian hardcore and I like got my 556 00:29:10,480 --> 00:29:13,920 Speaker 1: whole family into Christianity. Yeah, and then he was like no. 557 00:29:14,120 --> 00:29:16,200 Speaker 1: And I was like begging my mom to like go 558 00:29:16,240 --> 00:29:18,320 Speaker 1: to church, and he would be like, yeah, she's actually 559 00:29:18,360 --> 00:29:20,720 Speaker 1: like so fucking fake, like she just goes to church 560 00:29:20,800 --> 00:29:23,560 Speaker 1: to like for a community, but like isn't actually about 561 00:29:23,640 --> 00:29:27,560 Speaker 1: like the fucking prayers and shit. And he was fully 562 00:29:27,560 --> 00:29:29,600 Speaker 1: into the prayers. It's just kind of you. I feel 563 00:29:29,600 --> 00:29:32,760 Speaker 1: like in high school you were also like straight edge. Well, 564 00:29:32,840 --> 00:29:36,760 Speaker 1: I yeah, I was dopression. I was actual and I 565 00:29:36,760 --> 00:29:38,719 Speaker 1: didn't masturbate while I was in nice school, and I 566 00:29:38,800 --> 00:29:41,720 Speaker 1: just you know, I had honestly like not untill sophomore year. 567 00:29:41,760 --> 00:29:43,520 Speaker 1: I mean I was very had a lot of it 568 00:29:43,560 --> 00:29:48,200 Speaker 1: was a lot of Clampton energy. Um. Speaking of high school, Okay, 569 00:29:48,920 --> 00:29:52,120 Speaker 1: when the nuns made him draw his own vision of 570 00:29:52,160 --> 00:29:54,840 Speaker 1: Hell on the chalkboard? Did you remember that part? No, 571 00:29:55,200 --> 00:29:56,720 Speaker 1: he like went to this Catholic school at some point 572 00:29:56,720 --> 00:29:58,360 Speaker 1: and the nuns. But if you liked something bad, they 573 00:29:58,360 --> 00:30:01,520 Speaker 1: would make you draw what you thought Hell looked like 574 00:30:02,000 --> 00:30:06,760 Speaker 1: on the chalkboard, which is sounds like I mean, I 575 00:30:06,800 --> 00:30:09,520 Speaker 1: think that's a lot. I feel like both of our 576 00:30:09,560 --> 00:30:11,640 Speaker 1: moms I went to Catholic school or whatever, and like 577 00:30:11,920 --> 00:30:15,840 Speaker 1: everyone has such insane what's always the rulers on the fingers, 578 00:30:15,880 --> 00:30:19,320 Speaker 1: see the rulers that this make the weird punishments. I 579 00:30:19,400 --> 00:30:21,840 Speaker 1: was going to ask you what your version of Hell 580 00:30:21,960 --> 00:30:25,600 Speaker 1: is that you would draw on the chalkboard. Well, you know, 581 00:30:25,640 --> 00:30:30,120 Speaker 1: I have my famous childhood drawing. Okay, but I did 582 00:30:30,120 --> 00:30:33,040 Speaker 1: call Lili's Hell, but it wasn't It was also my 583 00:30:33,080 --> 00:30:35,440 Speaker 1: idea of Hell, I guess. And this is so me 584 00:30:35,520 --> 00:30:39,320 Speaker 1: and so twisted and so pickle patch. I was like, well, 585 00:30:39,360 --> 00:30:48,000 Speaker 1: Hell is actually the coolest place. But I guess right now, 586 00:30:48,040 --> 00:30:51,280 Speaker 1: if you were to ask me what my ideal idea 587 00:30:51,440 --> 00:30:57,880 Speaker 1: of Hell is, um, I'll go first. Yeah, it seems 588 00:30:57,920 --> 00:31:00,080 Speaker 1: like you got something on the mice's more gris. But 589 00:31:00,120 --> 00:31:04,600 Speaker 1: we're on a hot day Prospect Park, middle of the Park, 590 00:31:04,680 --> 00:31:06,880 Speaker 1: so you know, well, it's no. This is my idea 591 00:31:06,880 --> 00:31:10,600 Speaker 1: of how trying to find Morgan's bird in Prospect Park 592 00:31:11,080 --> 00:31:14,640 Speaker 1: ninety degrees no relief. And it's like, to me, it's 593 00:31:14,680 --> 00:31:18,760 Speaker 1: like that environment. It's so waiting in line. Like if 594 00:31:18,800 --> 00:31:23,120 Speaker 1: there is anything I deplore more in the American psyche, 595 00:31:23,200 --> 00:31:26,000 Speaker 1: it is the desire to wait in lines. Like people 596 00:31:26,200 --> 00:31:29,280 Speaker 1: in this country will get in the line for hours. 597 00:31:29,640 --> 00:31:32,280 Speaker 1: It's like Disney World. It's all lines. It's all just like, 598 00:31:32,360 --> 00:31:33,720 Speaker 1: let me wait in a hot line. It's all I 599 00:31:33,720 --> 00:31:35,520 Speaker 1: want to do is sit here, because like you have 600 00:31:35,560 --> 00:31:37,560 Speaker 1: this idea that well, if the always he'll wait in 601 00:31:37,680 --> 00:31:39,680 Speaker 1: line for it, it's got to be good. So I'll 602 00:31:39,720 --> 00:31:42,280 Speaker 1: just as like I can't. I'm funny you say that, 603 00:31:42,320 --> 00:31:44,440 Speaker 1: because I feel like you love going to you know, 604 00:31:44,480 --> 00:31:49,600 Speaker 1: the hottest restaurant, the hottest this eynes and I don't, 605 00:31:49,840 --> 00:31:52,920 Speaker 1: and I don't fucking well not say you actually you 606 00:31:53,000 --> 00:31:55,760 Speaker 1: have that personality. I will wait in line for like 607 00:31:55,920 --> 00:31:58,880 Speaker 1: seven minutes, but I'm not like if something's gonna be Oh, 608 00:31:58,960 --> 00:32:03,240 Speaker 1: you're not waiting for a nut? No, absolutely not. I 609 00:32:03,280 --> 00:32:06,479 Speaker 1: mean the other day I went to Gush and it 610 00:32:06,520 --> 00:32:08,800 Speaker 1: was like so many but you went to Gush. I 611 00:32:08,840 --> 00:32:10,760 Speaker 1: went to Gush. Yeah, I went to Well, I didn't 612 00:32:10,760 --> 00:32:12,240 Speaker 1: go to Gush because I went there. I was like 613 00:32:12,280 --> 00:32:15,120 Speaker 1: twelve thirty. It was at this like it's like lesbian event, 614 00:32:15,120 --> 00:32:16,960 Speaker 1: and it was like so many gen Zs. It was 615 00:32:17,000 --> 00:32:20,120 Speaker 1: like a hundred gen Z's on the sidewalk like craming 616 00:32:20,160 --> 00:32:21,760 Speaker 1: to get in. And I was just like there with 617 00:32:21,840 --> 00:32:23,880 Speaker 1: my boyfriend and like his younger friends, and I was 618 00:32:23,960 --> 00:32:26,959 Speaker 1: kind of just like, I'm not doing this. I'm tapping up. 619 00:32:26,960 --> 00:32:29,880 Speaker 1: I'm actually tapping out, Like I'm just I'm past this 620 00:32:29,920 --> 00:32:32,560 Speaker 1: point in my career where I just my partying career 621 00:32:32,560 --> 00:32:34,000 Speaker 1: when I want to sit on a street corner for 622 00:32:34,040 --> 00:32:37,080 Speaker 1: like thirty five minutes maybe to get into this venu. No, 623 00:32:37,280 --> 00:32:39,520 Speaker 1: and I went too Happy Fun inside and it was 624 00:32:39,520 --> 00:32:42,640 Speaker 1: a bar and it was fun and that was you 625 00:32:42,840 --> 00:32:47,200 Speaker 1: sat down and a lot of gloss or beer with 626 00:32:47,320 --> 00:32:49,520 Speaker 1: some of my old college fronds and we had a 627 00:32:49,600 --> 00:32:57,280 Speaker 1: gas reminiscing and I was in bed Boy two. This 628 00:32:57,320 --> 00:33:04,320 Speaker 1: episode is sponsored by Zokdoc. You're trying to find a 629 00:33:04,400 --> 00:33:09,400 Speaker 1: cause for your symptoms akeyback headache, running, nose itchy. I 630 00:33:09,880 --> 00:33:13,120 Speaker 1: warked on my genitals, so let me guess you stumble 631 00:33:13,200 --> 00:33:16,440 Speaker 1: down a TikTok rabbit hole full of questionable advice from 632 00:33:16,480 --> 00:33:19,920 Speaker 1: so called experts. Suddenly I have cancer. No, thank you. 633 00:33:21,640 --> 00:33:24,040 Speaker 1: There are better ways to get the answers you want 634 00:33:24,280 --> 00:33:27,120 Speaker 1: and the care you deserve from trusted professionals and not 635 00:33:27,480 --> 00:33:31,000 Speaker 1: random people on the internet. The randoms I love you 636 00:33:31,120 --> 00:33:34,600 Speaker 1: and my TikTok connection. Yeah it stands, but I'm sorry. 637 00:33:34,880 --> 00:33:37,760 Speaker 1: You shouldn't be getting medical advice from some girl on 638 00:33:37,800 --> 00:33:42,080 Speaker 1: her grandmother's basement in Toronto. Zoktok helps you find expert 639 00:33:42,120 --> 00:33:45,480 Speaker 1: doctors and medical professionals that specialize in the care you 640 00:33:45,560 --> 00:33:49,320 Speaker 1: need and deliver the type of experience you want. That's right, 641 00:33:49,840 --> 00:33:53,240 Speaker 1: Ditch the talk, get the doc. 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Then find and book a top 656 00:34:37,360 --> 00:34:42,800 Speaker 1: rated doctor today sleigh many are available within twenty four hours. 657 00:34:42,960 --> 00:34:49,120 Speaker 1: That's z o c d oc dot com slash book Club, 658 00:34:49,760 --> 00:34:53,880 Speaker 1: zok dot dot com slash book Club. Ditch the talk. 659 00:35:05,200 --> 00:35:06,840 Speaker 1: I want to talk just I want to read the 660 00:35:06,880 --> 00:35:12,399 Speaker 1: part about Beauty Bar because I think this reveals this 661 00:35:12,440 --> 00:35:17,280 Speaker 1: part of retro culture that like came Back and seven 662 00:35:17,440 --> 00:35:19,799 Speaker 1: and O eight, that we now are like, oh, this 663 00:35:19,840 --> 00:35:24,520 Speaker 1: bar is everywhere, But then it was literally revolutionary. Here again, 664 00:35:24,560 --> 00:35:27,200 Speaker 1: I want to stress that the fucking awesome party wasn't 665 00:35:27,200 --> 00:35:29,960 Speaker 1: my deal also calling a party fucking awesome that like 666 00:35:30,120 --> 00:35:33,160 Speaker 1: begins awesome sauce culture. Yea, it had been going on 667 00:35:33,239 --> 00:35:35,200 Speaker 1: before I got there. I didn't start it, I didn't 668 00:35:35,239 --> 00:35:37,120 Speaker 1: name it, but once I signed on, I kind of 669 00:35:37,120 --> 00:35:39,520 Speaker 1: helped it along. The party was held in a small 670 00:35:39,719 --> 00:35:43,040 Speaker 1: retro type bar in Hollywood called the Beauty Bar, done 671 00:35:43,080 --> 00:35:45,839 Speaker 1: up to look like an old fashioned beauty salon. There 672 00:35:45,840 --> 00:35:49,040 Speaker 1: were salon style chairs and hair dryers lined up on 673 00:35:49,040 --> 00:35:50,680 Speaker 1: one side of the wall to make the place look 674 00:35:50,760 --> 00:35:53,440 Speaker 1: like a throwback to the beauty parts of the fifties 675 00:35:53,719 --> 00:35:57,600 Speaker 1: and sixties. It had a kitchy feel that people seem 676 00:35:57,719 --> 00:36:02,080 Speaker 1: to dig like, I don't know, man, it was fucking kitchy, 677 00:36:02,200 --> 00:36:04,880 Speaker 1: Like there's just something weird and kitchy about it, just 678 00:36:04,920 --> 00:36:08,319 Speaker 1: like the fucking fifties, and not in a rockabilly way 679 00:36:08,360 --> 00:36:11,000 Speaker 1: of just being like, no, we held an I don't know, 680 00:36:11,239 --> 00:36:16,319 Speaker 1: awesome dance party and they had weird salon chairs. Yeah, 681 00:36:16,320 --> 00:36:19,080 Speaker 1: because that's like his scene is never really committing to 682 00:36:19,239 --> 00:36:22,759 Speaker 1: rockabilly at all, Like as an aesthetic, it's just like 683 00:36:23,280 --> 00:36:28,920 Speaker 1: the fifties are cool sometimes. Yeah, I like that word 684 00:36:29,000 --> 00:36:32,359 Speaker 1: to god. Yeah, so we've probably got into his kind 685 00:36:32,360 --> 00:36:36,400 Speaker 1: of collab, his more mainstream collabs after kind of his Friendship, 686 00:36:36,520 --> 00:36:39,319 Speaker 1: his Sina Space, his Beauty Brother, his Pickle Patch, when 687 00:36:39,360 --> 00:36:45,239 Speaker 1: he becomes fully like Coachella and like Kanye m I 688 00:36:45,400 --> 00:36:48,640 Speaker 1: a drake. Yeah, he works with all these people. Did 689 00:36:48,640 --> 00:36:50,360 Speaker 1: he actually produce any their tracks? Where he just like 690 00:36:50,600 --> 00:36:54,200 Speaker 1: was asked to do remixes for their like remix albums, yeah, 691 00:36:54,239 --> 00:36:57,120 Speaker 1: and some they didn't even kind of fully go through. 692 00:36:57,160 --> 00:37:01,040 Speaker 1: And he spends like a chapter talking about how Kanye 693 00:37:01,239 --> 00:37:03,560 Speaker 1: once called him and he was driving and he puts 694 00:37:03,600 --> 00:37:08,120 Speaker 1: Kanye and speaker and Kanye asks if he could spit 695 00:37:08,160 --> 00:37:11,040 Speaker 1: out a verse for him, and he's like, no one 696 00:37:11,120 --> 00:37:13,920 Speaker 1: has ever asked me that, just hey, can you hear this? 697 00:37:14,000 --> 00:37:16,840 Speaker 1: And it's like, really, no one's just asked you to 698 00:37:16,920 --> 00:37:18,960 Speaker 1: like hear something and get feedback on Yeah, but I 699 00:37:18,960 --> 00:37:22,040 Speaker 1: guess he meant no rappers asked me to like probably rap. 700 00:37:22,600 --> 00:37:28,080 Speaker 1: And anyway, Kanye spits a verse and he's blown away. Yeah, 701 00:37:28,080 --> 00:37:30,480 Speaker 1: he's also blown away by like that Drake lyric like 702 00:37:31,200 --> 00:37:34,160 Speaker 1: on that song Greatest that's very just like okay, I'm fine. 703 00:37:34,200 --> 00:37:36,560 Speaker 1: He's like, when you hear this lyric and the lyric 704 00:37:36,719 --> 00:37:38,600 Speaker 1: is just like I'm gonna put my dick in life 705 00:37:38,600 --> 00:37:40,799 Speaker 1: when like talk until like comment, He's like, when you 706 00:37:40,880 --> 00:37:44,360 Speaker 1: hear that lyric, yeah, so he goes check it. Colin 707 00:37:44,960 --> 00:37:48,200 Speaker 1: Big Fame, Big Chains. I stuck my dick inside this 708 00:37:48,280 --> 00:37:51,040 Speaker 1: life until that bitch came. I went hard to all 709 00:37:51,120 --> 00:37:53,279 Speaker 1: fall like the ball teams just so I can make 710 00:37:53,280 --> 00:37:56,120 Speaker 1: it rain all spring or that shit is hard. Man. 711 00:37:56,200 --> 00:37:59,200 Speaker 1: You don't forget lines like these, even if you're hand 712 00:37:59,239 --> 00:38:01,480 Speaker 1: through the cell phone. It's like, if I'm listening to 713 00:38:01,600 --> 00:38:05,560 Speaker 1: Drake just playing on my fall hard in the fall 714 00:38:05,640 --> 00:38:07,960 Speaker 1: so I can do well in the spring, I'm not 715 00:38:08,000 --> 00:38:10,200 Speaker 1: just like, Okay, that's the most like genius lyric I've 716 00:38:10,200 --> 00:38:15,000 Speaker 1: ever heard. And I'll admit I like Drake, Oh yeah, sure, 717 00:38:15,480 --> 00:38:17,120 Speaker 1: but I don't. I don't. I'm not like every time 718 00:38:17,160 --> 00:38:19,080 Speaker 1: I hear I'm I mean, every time I hear it's 719 00:38:19,120 --> 00:38:21,760 Speaker 1: single NICKI mindular, and I'm like, that's the funniest, smartest 720 00:38:21,760 --> 00:38:23,600 Speaker 1: thing I've ever heard of anyone say in my life. 721 00:38:24,400 --> 00:38:27,960 Speaker 1: But yeah, I don't necessarily feel that way about other lyricists. 722 00:38:28,000 --> 00:38:29,920 Speaker 1: But yeah, I mean he's just like this is the thing. 723 00:38:29,920 --> 00:38:32,279 Speaker 1: It's like, you know, see, he's not really known for 724 00:38:32,360 --> 00:38:35,279 Speaker 1: his music. I'm like, yeah, he's like, I can do 725 00:38:35,320 --> 00:38:39,080 Speaker 1: a really surfaceable remix. I was just listening to the 726 00:38:39,280 --> 00:38:41,719 Speaker 1: Thriller remix and he talks about so he's asked to 727 00:38:41,760 --> 00:38:43,640 Speaker 1: do a remix of Thriller for some like reissue of 728 00:38:43,680 --> 00:38:48,720 Speaker 1: Michael Jackson after post post passing and he's like idolized 729 00:38:48,760 --> 00:38:50,600 Speaker 1: Michael jack saying growing up looked out to him. That's 730 00:38:50,600 --> 00:38:53,760 Speaker 1: another part where he's just like, man, I love Michael Jackson. 731 00:38:54,080 --> 00:38:56,680 Speaker 1: I was obsessed with the Thriller music video. And it's like, yeah, 732 00:38:56,760 --> 00:38:58,960 Speaker 1: everybody was a little bit of the most famous personal 733 00:38:59,719 --> 00:39:03,240 Speaker 1: And he's like, and yes we can. It's look back 734 00:39:03,280 --> 00:39:07,400 Speaker 1: and he did some questionable things, but are we he 735 00:39:07,520 --> 00:39:10,160 Speaker 1: I don't he did. He has one line where he's like, yeah, 736 00:39:10,160 --> 00:39:14,239 Speaker 1: I'm sure the editor was like something then and he 737 00:39:14,360 --> 00:39:16,400 Speaker 1: was like, that's right, man, that's why you're a manitor 738 00:39:16,440 --> 00:39:19,680 Speaker 1: and that's why you're the ship. But so he does 739 00:39:19,719 --> 00:39:23,520 Speaker 1: this remix that he like admits as he's doing in 740 00:39:23,520 --> 00:39:25,160 Speaker 1: the book. He's like on tour while he's like working 741 00:39:25,160 --> 00:39:27,080 Speaker 1: in this remix that he kind of phones it in 742 00:39:27,120 --> 00:39:30,960 Speaker 1: a bit and then like the Jackson Estate, people like 743 00:39:31,040 --> 00:39:34,000 Speaker 1: listen to it and they're kind of like okay, like 744 00:39:34,040 --> 00:39:37,000 Speaker 1: this is okay fine, but can you yeah, and then 745 00:39:37,000 --> 00:39:38,680 Speaker 1: they kind of send it back and then he's like, 746 00:39:38,719 --> 00:39:40,359 Speaker 1: you know what, No, I actually like I didn't put 747 00:39:40,480 --> 00:39:42,040 Speaker 1: enough energy and doesn't need to, like, you know, spend 748 00:39:42,040 --> 00:39:44,120 Speaker 1: another round on this. So real come to God or 749 00:39:44,200 --> 00:39:46,920 Speaker 1: come to Blue moments. Yeah, come to That's a come 750 00:39:46,960 --> 00:39:50,120 Speaker 1: to blue from him where he's like I was fucking 751 00:39:50,160 --> 00:39:52,759 Speaker 1: phony in that's the thing. You have to look within 752 00:39:52,840 --> 00:39:55,080 Speaker 1: yourself and you have to kick your ass to kick 753 00:39:55,120 --> 00:39:56,600 Speaker 1: your own ass, and like spend two days in the 754 00:39:56,640 --> 00:39:59,279 Speaker 1: studio like in silence before you like really make that 755 00:39:59,320 --> 00:40:01,239 Speaker 1: track saying and like you know, I had sort of 756 00:40:01,239 --> 00:40:03,000 Speaker 1: a similar process when I was working on the Shanaio 757 00:40:03,000 --> 00:40:04,920 Speaker 1: Turned remix for our theme song, where it's like I 758 00:40:04,960 --> 00:40:06,240 Speaker 1: did it once and I was like, this isn't hitting, 759 00:40:06,320 --> 00:40:08,720 Speaker 1: Like I need to get back in the studio. Something missing, 760 00:40:09,360 --> 00:40:12,080 Speaker 1: And so I was listening to the thriller remix he did, 761 00:40:12,480 --> 00:40:14,799 Speaker 1: and it is it is like it's good for what 762 00:40:14,880 --> 00:40:17,440 Speaker 1: it is. It's I don't find it like it's not 763 00:40:17,520 --> 00:40:20,239 Speaker 1: like very artistic or interesting, but it's like this is 764 00:40:20,280 --> 00:40:22,560 Speaker 1: just a thriller. It's a thriller remix where it's like, 765 00:40:22,600 --> 00:40:24,160 Speaker 1: you know, he kind of separates in the elements and 766 00:40:24,200 --> 00:40:26,560 Speaker 1: has like a cool kind of funky guitar slap in 767 00:40:26,600 --> 00:40:29,160 Speaker 1: it and the basslines pumping, but it's like, you know, 768 00:40:29,160 --> 00:40:30,960 Speaker 1: it has a ton of drops in it, and it's 769 00:40:31,080 --> 00:40:35,040 Speaker 1: very like something you would play at a cheesy club 770 00:40:35,239 --> 00:40:38,160 Speaker 1: first rate people on a Friday or Saturday night and 771 00:40:38,320 --> 00:40:42,080 Speaker 1: never want to be like, oh shit. I mean that's 772 00:40:42,080 --> 00:40:44,640 Speaker 1: what his music is, right, It's music to make straight 773 00:40:44,680 --> 00:40:48,720 Speaker 1: people go oh shit too. Honestly, going to an Idium 774 00:40:48,760 --> 00:40:52,239 Speaker 1: festival that actually might be oh your hell my hell. 775 00:40:52,960 --> 00:40:56,799 Speaker 1: I think I would find it fun for like, um, 776 00:40:57,040 --> 00:41:02,320 Speaker 1: like a few hours. Yeah, it's it's just it's gonna 777 00:41:02,360 --> 00:41:05,640 Speaker 1: be so hot. And the bracelets, um, well that's the 778 00:41:05,719 --> 00:41:09,120 Speaker 1: lines for water, lines for the bathroom, the lines for food, 779 00:41:09,160 --> 00:41:13,840 Speaker 1: the lens of everything. Too much. But I mean having 780 00:41:13,880 --> 00:41:17,360 Speaker 1: to remix thriller. No, it's a death wish. It's an 781 00:41:17,360 --> 00:41:20,879 Speaker 1: absolute death wish. It's a legendary track, my dude. I mean, 782 00:41:20,920 --> 00:41:22,520 Speaker 1: and he really does on. I mean, it's not that 783 00:41:22,640 --> 00:41:25,560 Speaker 1: different than the track. Like and the first time he 784 00:41:25,640 --> 00:41:28,960 Speaker 1: remixes a song for the Jackson Estate, he chooses like 785 00:41:28,960 --> 00:41:31,440 Speaker 1: a rare song because he's like, I'm not gonna choose, 786 00:41:31,640 --> 00:41:34,000 Speaker 1: not going to touch, Like, what can we talk about? 787 00:41:35,440 --> 00:41:38,279 Speaker 1: Of course he talks about September eleventh. There's actually a 788 00:41:38,320 --> 00:41:42,080 Speaker 1: lot of weight that that September Eleven's Actually when he 789 00:41:42,120 --> 00:41:45,000 Speaker 1: starts out, he's like, so I was at my dad's 790 00:41:45,040 --> 00:41:49,040 Speaker 1: apartment because he was opening up Benny in Chicago. Well, 791 00:41:49,040 --> 00:41:52,439 Speaker 1: my sister Devin Aoki was on tour bus with Lenny 792 00:41:52,480 --> 00:41:54,839 Speaker 1: Krappetz she was dating at the time, and it's like, 793 00:41:55,360 --> 00:41:58,040 Speaker 1: of course, yeah, this is everyone's nine eleventh experience where 794 00:41:58,160 --> 00:42:00,600 Speaker 1: dad's opening up Benny Hon in Chicago, your sisters onto 795 00:42:00,600 --> 00:42:03,320 Speaker 1: Worth plenty Kravats and so he's like, so, I'm staying 796 00:42:03,400 --> 00:42:06,120 Speaker 1: at my dad's apartment and like no one can find me, 797 00:42:06,840 --> 00:42:10,000 Speaker 1: and you know, one of my other sister like calls 798 00:42:10,040 --> 00:42:12,600 Speaker 1: me and is like, you gotta leave, man, I'm leaving. 799 00:42:12,680 --> 00:42:14,600 Speaker 1: I'm like on a bust of Philly or something like that, 800 00:42:14,680 --> 00:42:17,120 Speaker 1: and he was like, that was in my reaction. September 801 00:42:17,160 --> 00:42:21,839 Speaker 1: eleventh actually started running toward the smoke, and it's like, well, 802 00:42:21,920 --> 00:42:26,040 Speaker 1: that's insane, and he's like this insane, like kind of 803 00:42:26,160 --> 00:42:31,200 Speaker 1: Tom Cruise image of him, just like running downtown, like 804 00:42:31,800 --> 00:42:34,720 Speaker 1: towards the towers. Okay, you know what this is actually 805 00:42:34,920 --> 00:42:39,040 Speaker 1: very very not carry Bradshaw, No, no, no, it's very 806 00:42:39,480 --> 00:42:42,560 Speaker 1: The HBO Max original series of Flight Attendant, how when 807 00:42:42,600 --> 00:42:46,160 Speaker 1: there's that plane crash and her childhood flashback, she runs 808 00:42:46,200 --> 00:42:49,840 Speaker 1: to the plane crash because she actually courts chaos and 809 00:42:50,080 --> 00:42:55,080 Speaker 1: she craves chaos and disaster. She wants to be near it. 810 00:42:56,080 --> 00:42:58,440 Speaker 1: And that's kind of the Rocky Aoki and him. It's 811 00:42:58,520 --> 00:43:02,120 Speaker 1: the three families, it's the speed So we didn't mention Yah. 812 00:43:02,280 --> 00:43:04,520 Speaker 1: His dad is a speedboat racer and his dad has 813 00:43:04,640 --> 00:43:07,480 Speaker 1: two secret wives with multiple family with each one. That 814 00:43:07,560 --> 00:43:10,560 Speaker 1: was revealed like later in his childhood because his dad 815 00:43:10,600 --> 00:43:13,800 Speaker 1: got in to come up from a speedboat racing accident. 816 00:43:14,400 --> 00:43:17,279 Speaker 1: Same and like always revealed from the hospital that as 817 00:43:17,320 --> 00:43:19,080 Speaker 1: he was in recovery and then he was like, oh, 818 00:43:19,160 --> 00:43:21,360 Speaker 1: I actually have like seven half sisters and like a 819 00:43:21,440 --> 00:43:25,040 Speaker 1: third brother. And then the dad so epic, like woke 820 00:43:25,120 --> 00:43:27,600 Speaker 1: up from his coma and was like, oh shit, now 821 00:43:27,719 --> 00:43:31,680 Speaker 1: I'm gonna die nice and not men, like bring my 822 00:43:31,760 --> 00:43:36,280 Speaker 1: all my three families together. Also, David Ayoki just sidebar Devin, 823 00:43:37,200 --> 00:43:39,480 Speaker 1: who we love, who's in DABS. He's an iconic actress 824 00:43:39,480 --> 00:43:42,600 Speaker 1: slash model who I didn't know like retired to be 825 00:43:42,640 --> 00:43:44,160 Speaker 1: a full time mother and he talks about that and 826 00:43:44,239 --> 00:43:46,640 Speaker 1: he's like, and I actually think that's so epic that 827 00:43:46,760 --> 00:43:50,799 Speaker 1: my supermodel sister and actress Devon A. Yoki found mother 828 00:43:50,920 --> 00:43:55,000 Speaker 1: and found family committed to the Ayoki like legend of 829 00:43:55,200 --> 00:43:58,000 Speaker 1: family and like is a mother, and she is a mother, 830 00:43:58,040 --> 00:43:59,600 Speaker 1: and she got out while the going was good. I mean, 831 00:43:59,600 --> 00:44:02,000 Speaker 1: he kind of implies it like she dipped when she 832 00:44:02,200 --> 00:44:05,640 Speaker 1: was peaking when she respects her for which is actually 833 00:44:05,880 --> 00:44:08,840 Speaker 1: I am deeply respectful of anyone who has the courage 834 00:44:08,880 --> 00:44:11,319 Speaker 1: to do that, because it's like, you know, what is fame, 835 00:44:11,400 --> 00:44:14,040 Speaker 1: It's an elusive giant. You keep chasing that dragon and 836 00:44:14,080 --> 00:44:16,080 Speaker 1: you'll never get it back, and it's just like, you know, 837 00:44:16,160 --> 00:44:17,799 Speaker 1: do you keep doing it forever? Do you know when 838 00:44:17,840 --> 00:44:20,520 Speaker 1: to bow out? Well? If I wasn't fast and furious too, right, 839 00:44:20,880 --> 00:44:23,040 Speaker 1: would I, you know, just take that check and say 840 00:44:23,600 --> 00:44:27,359 Speaker 1: this is gay, this is it time to go? Maybe 841 00:44:27,440 --> 00:44:30,560 Speaker 1: you should have right, have to not do six in Tokyo, 842 00:44:30,640 --> 00:44:32,839 Speaker 1: Drift in Tokyo Escapade and right, and you're and it's 843 00:44:32,840 --> 00:44:35,280 Speaker 1: like you're getting to Masie returns and then you'm Diana 844 00:44:35,320 --> 00:44:40,600 Speaker 1: Carr accident Um. I wanted to discuss a sort of 845 00:44:40,760 --> 00:44:47,440 Speaker 1: motif beyond the blue, no more than in his performances, 846 00:44:47,480 --> 00:44:50,920 Speaker 1: which is the like shooting stuff and an audience. He 847 00:44:51,120 --> 00:44:54,919 Speaker 1: starts doing super soakers and like, which is epic, which 848 00:44:55,000 --> 00:44:58,000 Speaker 1: is totally fucking epic. Then he moves on to like 849 00:44:58,239 --> 00:45:00,719 Speaker 1: rafts and like it was all just like crowdsurfings that 850 00:45:00,800 --> 00:45:02,440 Speaker 1: he knew, but he was cruts and rafts and like, 851 00:45:02,520 --> 00:45:05,360 Speaker 1: as you know, inflatables are a huge part of medium culture. 852 00:45:05,440 --> 00:45:10,359 Speaker 1: It's always like unicorn, it's kid life. It's yeah, there's 853 00:45:10,360 --> 00:45:12,960 Speaker 1: something quite infantilizing about It's always like let me hug 854 00:45:13,000 --> 00:45:16,120 Speaker 1: a big palm tree, and just like it's girls on 855 00:45:16,160 --> 00:45:19,279 Speaker 1: the shoulders, like wearing like a big which is kind 856 00:45:19,280 --> 00:45:23,800 Speaker 1: of fucking hat or whatever, because that is the fucking awesome. 857 00:45:23,840 --> 00:45:28,040 Speaker 1: It's awesome sauce. Nineties, yeah, eighties, bright colors, Yeah, I 858 00:45:28,040 --> 00:45:29,800 Speaker 1: guess it. It's maybe it's like the bright colors of 859 00:45:29,880 --> 00:45:33,120 Speaker 1: the eighties and like beach stuff and like sort of 860 00:45:33,239 --> 00:45:36,000 Speaker 1: like the big fun things, big fun things and kind 861 00:45:36,040 --> 00:45:39,960 Speaker 1: of like mammy such pool culture, like becoming global. It's 862 00:45:39,960 --> 00:45:42,480 Speaker 1: also cool that he kind of it is actually pretty 863 00:45:42,480 --> 00:45:45,360 Speaker 1: epic that he takes kind of pickle patch life of 864 00:45:45,560 --> 00:45:49,440 Speaker 1: like crowdsurfing and punk stuff and makes it makes makes 865 00:45:49,480 --> 00:45:51,880 Speaker 1: it raft. No, it's true and like and you know, 866 00:45:52,040 --> 00:45:54,040 Speaker 1: I love the scene where so he talks about there 867 00:45:54,160 --> 00:45:57,120 Speaker 1: was one concert where he jumps on the raft and 868 00:45:57,160 --> 00:45:59,440 Speaker 1: I'm like he's like, yeah, and this girl got hurt, 869 00:45:59,520 --> 00:46:02,399 Speaker 1: she got whiplash or whatever, and son, we couldn't do raps. 870 00:46:02,440 --> 00:46:07,040 Speaker 1: After that, I'm like, he's really just not taking responsibility 871 00:46:07,239 --> 00:46:11,360 Speaker 1: for oh random, because it's like, that does sound so dangerous, 872 00:46:11,360 --> 00:46:13,080 Speaker 1: because it's like, well, yeah, if you're in a raft 873 00:46:13,160 --> 00:46:15,160 Speaker 1: and water, it's inflatable. But if you're in a raft 874 00:46:15,200 --> 00:46:18,400 Speaker 1: and still like hit the ground at Lala or whatever, 875 00:46:18,960 --> 00:46:23,759 Speaker 1: you know, that's like, well, say, how surfing? Well, so 876 00:46:23,840 --> 00:46:26,359 Speaker 1: I found the part where he says, okay, and here 877 00:46:26,400 --> 00:46:28,240 Speaker 1: the thing with the rafts just got bigger and bigger. 878 00:46:28,320 --> 00:46:30,680 Speaker 1: Over hundreds and hundreds of shows. It became a thing, 879 00:46:31,040 --> 00:46:34,200 Speaker 1: a talked about thing, and then boom, a fan got hurt. 880 00:46:34,440 --> 00:46:36,799 Speaker 1: She'd apparently been standing underneath the raft as I dive 881 00:46:36,840 --> 00:46:38,200 Speaker 1: bomb into it at one of my shows and got 882 00:46:38,320 --> 00:46:41,120 Speaker 1: hit in the head, whiplashed whatever. A bunch of lawyers 883 00:46:41,200 --> 00:46:44,120 Speaker 1: got involved, a settlement was reached. Just like that, the 884 00:46:44,239 --> 00:46:47,640 Speaker 1: raps were retired. Notice the use of passive voice to 885 00:46:47,840 --> 00:46:51,560 Speaker 1: absolve himself of responsibility. Oh and look it's a woman 886 00:46:51,960 --> 00:46:55,800 Speaker 1: who got whip last. She got whiplash. Lawyers got involved. 887 00:46:56,320 --> 00:46:59,640 Speaker 1: That's interesting. Sound like that was settled pretty easily. But yeah, 888 00:46:59,680 --> 00:47:01,319 Speaker 1: I mean it is just kind of like, well, yeah, 889 00:47:01,400 --> 00:47:02,960 Speaker 1: maybe that happens, like if you're at a show, like 890 00:47:03,000 --> 00:47:04,400 Speaker 1: maybe you're gonna get a little bit of hurt, but 891 00:47:04,480 --> 00:47:06,399 Speaker 1: like you'll be fine because like, don't go up into 892 00:47:06,400 --> 00:47:07,799 Speaker 1: the fucking mash but if you don't want to get 893 00:47:07,800 --> 00:47:12,359 Speaker 1: whip USh And I remember feeling so fucking cool when 894 00:47:12,400 --> 00:47:15,520 Speaker 1: I would get in the mosh pit and then well 895 00:47:15,520 --> 00:47:19,600 Speaker 1: and then the next day like bruises and I'd be like, hmm, yeah, 896 00:47:19,920 --> 00:47:22,880 Speaker 1: Sara was just washing all weekend, so I do have 897 00:47:23,080 --> 00:47:27,799 Speaker 1: one bruise on my arm. Wait, do you remember when 898 00:47:27,840 --> 00:47:30,239 Speaker 1: we were in Chicago and we went to that for 899 00:47:30,440 --> 00:47:34,200 Speaker 1: Geek concert sponsored by Victoria's Secret Best Day of our 900 00:47:34,360 --> 00:47:38,560 Speaker 1: goddamn Lives and they were shooting T shirts into the audience. 901 00:47:39,239 --> 00:47:42,759 Speaker 1: Christin Cavaler was one of the T shirt girls and 902 00:47:42,840 --> 00:47:45,000 Speaker 1: she wasn't even like advertisers being part of event. She 903 00:47:45,120 --> 00:47:47,799 Speaker 1: was just working the event. No, she was not advertised. 904 00:47:48,560 --> 00:47:50,840 Speaker 1: Oh and by the way, waiting to just be a 905 00:47:50,920 --> 00:47:55,680 Speaker 1: random boothoe Spirit Spirit Spirit. We took a raft to 906 00:47:55,840 --> 00:47:59,000 Speaker 1: that concert. Case wasn't a raft, it was a water taxi. 907 00:47:59,520 --> 00:48:02,800 Speaker 1: I feel like the inflatable we did not take it. 908 00:48:04,000 --> 00:48:06,600 Speaker 1: I thought we jo inflatable. Was it a tiny water taxi. 909 00:48:06,800 --> 00:48:08,520 Speaker 1: I think it was a tiny water taxi that was 910 00:48:08,600 --> 00:48:12,480 Speaker 1: like fiberglass like boat material um, And somehow we it 911 00:48:12,640 --> 00:48:15,080 Speaker 1: was like we signed it for free tickets and we'd 912 00:48:15,080 --> 00:48:18,600 Speaker 1: like printed them out, probably like Ad sac for he 913 00:48:18,680 --> 00:48:21,240 Speaker 1: had just come out with the best album of our generation. 914 00:48:24,200 --> 00:48:26,959 Speaker 1: She did every single truck on it, every single truck 915 00:48:27,000 --> 00:48:29,920 Speaker 1: as a banger. Pipes. Her pipes were incredible, and the 916 00:48:30,040 --> 00:48:33,920 Speaker 1: seating I feel like it was big Victoria's like inflatable 917 00:48:33,960 --> 00:48:37,200 Speaker 1: big in Victoria's Secret Boxes. Yeah, I remember there was 918 00:48:37,280 --> 00:48:40,920 Speaker 1: a lot of like pink by Victoria's Secret like installations, 919 00:48:41,000 --> 00:48:43,439 Speaker 1: and I truly do wonder because I guess in our minds, 920 00:48:43,440 --> 00:48:45,120 Speaker 1: I remember we were like, oh my god, that's Kristin 921 00:48:45,200 --> 00:48:49,320 Speaker 1: Cavalery and she was definitely like star booth hooe. But 922 00:48:49,520 --> 00:48:54,000 Speaker 1: like it was still she was just throwing T shirts 923 00:48:54,040 --> 00:48:56,800 Speaker 1: and the audience. But that is throwing some of the 924 00:48:56,840 --> 00:49:00,440 Speaker 1: audience culture, which I do think was like really starting 925 00:49:00,600 --> 00:49:03,600 Speaker 1: to like take hold at that moment. And I imagine 926 00:49:03,600 --> 00:49:05,799 Speaker 1: if you went to like Electric Daisy Carnival or whatever, 927 00:49:06,120 --> 00:49:08,520 Speaker 1: there would be still be a lot of like inflatables, 928 00:49:08,560 --> 00:49:11,239 Speaker 1: like getting tossed into the audience. Well, not to call 929 00:49:11,320 --> 00:49:14,560 Speaker 1: you out, but I think like throwing T shirts in 930 00:49:14,600 --> 00:49:17,320 Speaker 1: the air have been around from guns have been around 931 00:49:17,320 --> 00:49:20,680 Speaker 1: at sports for quite a while, have they though, like 932 00:49:20,760 --> 00:49:27,799 Speaker 1: in the eighty Okay, let's in a music continent. No, Well, 933 00:49:27,880 --> 00:49:29,719 Speaker 1: it's like it's like, I wonder where they doing that 934 00:49:29,800 --> 00:49:33,160 Speaker 1: at like a van Halen concert? Interesting where they throwing 935 00:49:33,200 --> 00:49:37,920 Speaker 1: out T shirts at Woodstock? Who was the first like 936 00:49:38,920 --> 00:49:41,839 Speaker 1: sort of like crowdsurfing historians, like, what was the first 937 00:49:41,920 --> 00:49:44,400 Speaker 1: T shirt to ever be launched at a fat with 938 00:49:44,719 --> 00:49:49,239 Speaker 1: violent speed? Okay, before we get into segments, the other 939 00:49:49,360 --> 00:49:52,320 Speaker 1: party choice. So he ends rafts because of the lawsuit, 940 00:49:52,360 --> 00:49:55,040 Speaker 1: but also because he's like, oh yeah, sometimes when things 941 00:49:55,080 --> 00:49:58,120 Speaker 1: are too popular, like very definitely Yuki leaving on the 942 00:49:58,200 --> 00:50:01,960 Speaker 1: good note. So his new thing is and it all 943 00:50:02,040 --> 00:50:06,200 Speaker 1: goes back to a hometown Heroes cake and he buys 944 00:50:06,239 --> 00:50:09,960 Speaker 1: a cake at a stop and shop in Boston. Oh yeah, 945 00:50:10,080 --> 00:50:12,560 Speaker 1: this is it's so intaine as the Boston connection, the 946 00:50:12,560 --> 00:50:16,480 Speaker 1: invention of cakes, and so he buys, he buys like 947 00:50:16,520 --> 00:50:18,719 Speaker 1: a sheet like a Superman. You really wanted an a 948 00:50:18,800 --> 00:50:20,800 Speaker 1: Boston then he would have gotten in a maca basket, 949 00:50:21,280 --> 00:50:24,040 Speaker 1: we'll Stop and Shop is a Boston Is it a 950 00:50:24,080 --> 00:50:26,759 Speaker 1: Boston based company? Thinks a Boston based chain? Yeah? They 951 00:50:26,800 --> 00:50:28,560 Speaker 1: he I mean they're in Connecticut. There's maybe one in 952 00:50:28,600 --> 00:50:32,200 Speaker 1: New York. We'll see anyway, and then cakes become his thing. 953 00:50:32,640 --> 00:50:35,719 Speaker 1: So it's and girls come up to him at the 954 00:50:35,840 --> 00:50:38,600 Speaker 1: front of these DM concerts going I want to get caked, 955 00:50:38,640 --> 00:50:41,480 Speaker 1: and everyone is just like such a bottom to be kicked. Oh, 956 00:50:41,520 --> 00:50:45,320 Speaker 1: I'm right. Yeah. The headquota is on Quincy Hello, Hello, 957 00:50:45,520 --> 00:50:47,360 Speaker 1: which I was actually looking this up. Also has a 958 00:50:47,400 --> 00:50:53,560 Speaker 1: symphony orchestra. Sorry Quincy, okay, Quincy and Rose and Stop 959 00:50:53,719 --> 00:50:55,759 Speaker 1: and Shop headquartas a base and shop in Yeah. So 960 00:50:55,880 --> 00:50:59,280 Speaker 1: basically Greater Boston has a lot of the you think yeah, okay, 961 00:50:59,360 --> 00:51:07,840 Speaker 1: oh you think gets this No Quincy, Everything inside a 962 00:51:07,920 --> 00:51:11,240 Speaker 1: one twenty eight like has a lot to offer, okay, 963 00:51:12,560 --> 00:51:16,239 Speaker 1: um anyway, Yeah, and then he gets like so humiliated 964 00:51:16,280 --> 00:51:18,719 Speaker 1: because his things so cake that when he finally gets 965 00:51:18,800 --> 00:51:22,239 Speaker 1: to throw that blue pitch at Dodger Stadium, he throws 966 00:51:22,280 --> 00:51:24,680 Speaker 1: a cupcake and obviously it doesn't land. Yeah, and he 967 00:51:24,760 --> 00:51:26,800 Speaker 1: was really hoping he would splatter all over the catchers. 968 00:51:26,840 --> 00:51:28,520 Speaker 1: But and it's like I'm sure you actually would have 969 00:51:28,520 --> 00:51:31,000 Speaker 1: been called out for being super disrespectful if you'd thrown 970 00:51:31,080 --> 00:51:32,880 Speaker 1: this cake maine ball in it, and he said, and 971 00:51:32,960 --> 00:51:34,920 Speaker 1: then there was polite applause, and I went back to 972 00:51:35,040 --> 00:51:36,640 Speaker 1: my seat, and it's like, why would you think a 973 00:51:36,719 --> 00:51:41,000 Speaker 1: cupcake would reach all sound a cup Yeah, thank you, 974 00:51:41,160 --> 00:51:43,080 Speaker 1: Like aero dynamics alone, that's not going to work. I 975 00:51:43,080 --> 00:51:44,879 Speaker 1: don't care like how much of a picture you are 976 00:51:45,400 --> 00:51:48,640 Speaker 1: be like sorry, Sammy Sosa couldn't even like b that 977 00:51:48,840 --> 00:51:51,560 Speaker 1: just sounds like if it had like splattered all over them, 978 00:51:51,760 --> 00:51:56,719 Speaker 1: like the catchers, like face cage or whatever, like clean. Yeah, 979 00:51:56,840 --> 00:51:59,799 Speaker 1: it's actually rude to surface workers. Well. He also says 980 00:51:59,840 --> 00:52:03,160 Speaker 1: that he's literally ruined many in many relationship because of 981 00:52:03,320 --> 00:52:07,560 Speaker 1: his kats kay cantics and again right before segments, I 982 00:52:07,640 --> 00:52:09,920 Speaker 1: do want to talk about how like how we married 983 00:52:09,960 --> 00:52:13,239 Speaker 1: an Australian obviously because what's moore adium could char oh? 984 00:52:13,400 --> 00:52:15,719 Speaker 1: I was going to say, how like Tian we like 985 00:52:16,040 --> 00:52:23,799 Speaker 1: ruined one of my mom's friendships through silly string her friendships. Yeah, 986 00:52:23,960 --> 00:52:25,960 Speaker 1: she we liked the house that we stayed at in 987 00:52:26,080 --> 00:52:29,439 Speaker 1: eighth grade when we went to go see Margaret Show. Yeah, 988 00:52:29,640 --> 00:52:33,160 Speaker 1: in truro were we did like discover silly strings. We 989 00:52:33,200 --> 00:52:35,239 Speaker 1: discovered silly string and silly street like all over the 990 00:52:37,560 --> 00:52:40,279 Speaker 1: Truro home and like obviously we like cleaned it, but 991 00:52:40,360 --> 00:52:42,360 Speaker 1: I guess like not well enough, and she's like she 992 00:52:42,760 --> 00:52:46,600 Speaker 1: was furious and now they're not friends anymore. Yeah, well 993 00:52:46,719 --> 00:52:51,759 Speaker 1: good up. And I ultimately like that was a blue 994 00:52:51,800 --> 00:52:53,400 Speaker 1: mount mat and like that was a click and that 995 00:52:53,480 --> 00:52:55,560 Speaker 1: was the spirit. It was a click and what ALTI 996 00:52:55,719 --> 00:53:00,319 Speaker 1: yellow light? Okay, one other before we going like that's 997 00:53:00,440 --> 00:53:01,919 Speaker 1: just really quickly. One of the thing that I wanted 998 00:53:01,920 --> 00:53:05,120 Speaker 1: to discuss was step Ok has an album called Colonies 999 00:53:05,160 --> 00:53:08,520 Speaker 1: Felled with a K, and I feel like there's something 1000 00:53:09,239 --> 00:53:12,719 Speaker 1: so edm about spelling things with a K instead of 1001 00:53:12,760 --> 00:53:15,040 Speaker 1: a C. Like the use of K oversea is like 1002 00:53:15,480 --> 00:53:19,400 Speaker 1: there's very cause it's very cause it's very Kardashian, Like 1003 00:53:19,719 --> 00:53:24,840 Speaker 1: it's very like I think southern California, Vegas, and like 1004 00:53:25,040 --> 00:53:28,120 Speaker 1: there is something kind of like you know, I guess, 1005 00:53:28,200 --> 00:53:30,920 Speaker 1: like beautiful about it and the fact that it is 1006 00:53:31,160 --> 00:53:33,800 Speaker 1: because I think C the hard C sound is so 1007 00:53:34,040 --> 00:53:37,000 Speaker 1: like Catholic in New England and Anglo in this way, 1008 00:53:37,560 --> 00:53:40,480 Speaker 1: and like K is more like German and Asian to 1009 00:53:40,600 --> 00:53:44,120 Speaker 1: like have like use letter K can con there you go. 1010 00:53:44,280 --> 00:53:45,840 Speaker 1: So I feel like there is this kind of like 1011 00:53:46,120 --> 00:53:48,839 Speaker 1: rejection of these like puritanical values and like the use 1012 00:53:48,920 --> 00:53:51,160 Speaker 1: of K oversea that I see in the sort of 1013 00:53:51,239 --> 00:53:58,840 Speaker 1: libertine atmosphere of Edium culture. Wow. So linguist Quincy, bread 1014 00:53:59,000 --> 00:54:01,960 Speaker 1: linguists Oha, Stephen philiams us Oh, I'd love to get 1015 00:54:02,000 --> 00:54:21,400 Speaker 1: bread and Quincy orchestra performance segment drop. What is she? Okay? 1016 00:54:21,600 --> 00:54:24,440 Speaker 1: What is she? What does she wear? What does she wear? 1017 00:54:24,480 --> 00:54:26,319 Speaker 1: I feel like he's wait, he mean he talks about 1018 00:54:26,400 --> 00:54:29,520 Speaker 1: blue Dunham. It's just like he's wearing skinny jeans. Um, 1019 00:54:29,719 --> 00:54:34,879 Speaker 1: he's definitely wearing leather bracelets and leather necklaces like cord leather, 1020 00:54:35,160 --> 00:54:37,359 Speaker 1: you know what I mean, Yeah, cord leather and then 1021 00:54:37,480 --> 00:54:40,680 Speaker 1: like thin strops of leather other sort of bed. So 1022 00:54:41,840 --> 00:54:44,640 Speaker 1: I'm gonna say it's silver jewelry not gold, if you 1023 00:54:44,760 --> 00:54:47,680 Speaker 1: know what I mean. It's very like like a silver bracelet, 1024 00:54:47,800 --> 00:54:51,200 Speaker 1: Like there's maybe a silver thing on the necklace cord. 1025 00:54:51,280 --> 00:54:53,280 Speaker 1: There might be like silver ring if he has earns 1026 00:54:53,280 --> 00:54:56,239 Speaker 1: like they're silver, Like I just don't right, but I 1027 00:54:56,280 --> 00:55:01,080 Speaker 1: do think you're right. It's more string and leather based. 1028 00:55:01,480 --> 00:55:03,640 Speaker 1: I mean, are you gonna say it obviously for Dora, 1029 00:55:04,080 --> 00:55:06,680 Speaker 1: I don't think because he has his iconic long, dark hair. 1030 00:55:06,719 --> 00:55:08,359 Speaker 1: I feel like his hair is so iconic that's how 1031 00:55:08,400 --> 00:55:12,399 Speaker 1: people know him. And like maybe walking to Alfred's literally 1032 00:55:12,440 --> 00:55:15,000 Speaker 1: gonna cheat and certain, Okay, can ill you said, I'm 1033 00:55:15,000 --> 00:55:16,840 Speaker 1: gonna read a quote where he talked about an outfit. 1034 00:55:17,000 --> 00:55:19,560 Speaker 1: This is an on stage. Let me tell you how 1035 00:55:19,640 --> 00:55:21,880 Speaker 1: that set played out. I hit the stage in an 1036 00:55:21,960 --> 00:55:27,200 Speaker 1: insane Jeremy Scott jacket, bright yellow that reflected everything would 1037 00:55:27,239 --> 00:55:29,840 Speaker 1: have looked sick under the glare of all those stage 1038 00:55:29,880 --> 00:55:32,640 Speaker 1: lights I've been stupidly expecting, but it was still pretty 1039 00:55:32,719 --> 00:55:35,680 Speaker 1: dope under that one o'clock midday sun. I brought along 1040 00:55:35,760 --> 00:55:38,040 Speaker 1: a bunch of my hipster female friends to strut out 1041 00:55:38,080 --> 00:55:40,440 Speaker 1: and shimmy on the boxes, dressed out in capes we 1042 00:55:40,560 --> 00:55:43,360 Speaker 1: had made from fabrics we found at a vintage clothing store. 1043 00:55:45,040 --> 00:55:49,960 Speaker 1: So yeah, he's soft, soft, tight, vintage tea, vintage rocker teas. 1044 00:55:50,040 --> 00:55:52,880 Speaker 1: He's like limit edition sneaker drop. I think he's in 1045 00:55:53,040 --> 00:55:56,040 Speaker 1: a wide la high actually times, so I did you 1046 00:55:56,160 --> 00:55:58,719 Speaker 1: are one hundred percent correct? Because I did just cheat 1047 00:55:58,760 --> 00:56:01,240 Speaker 1: and google and there's none of him in a fedor 1048 00:56:01,360 --> 00:56:03,200 Speaker 1: there was one picture of him in a wide la 1049 00:56:03,320 --> 00:56:05,279 Speaker 1: brun chat and like that is true. If you work 1050 00:56:05,280 --> 00:56:07,280 Speaker 1: in the music industry, you might have a wide la brunchat. 1051 00:56:07,320 --> 00:56:08,880 Speaker 1: But for the most part, he is letting his iconic 1052 00:56:09,000 --> 00:56:12,440 Speaker 1: locks fall middle part gorgeous. Think, yeah, because you know 1053 00:56:12,520 --> 00:56:15,759 Speaker 1: idium culture, it's like the bright kid like colors as 1054 00:56:15,800 --> 00:56:17,640 Speaker 1: we were saying, So, I think in stage shows there 1055 00:56:17,760 --> 00:56:22,080 Speaker 1: is that Jeremy Scott esthetic yeah, and the bubblegum pink 1056 00:56:23,040 --> 00:56:26,480 Speaker 1: bed the black colors, yeah, the bright that fucking tweety 1057 00:56:26,560 --> 00:56:30,640 Speaker 1: bird yellow is coming through. Maybe some neon green. I 1058 00:56:30,840 --> 00:56:33,880 Speaker 1: do think that he maybe isn't so sneaker and he 1059 00:56:33,960 --> 00:56:36,960 Speaker 1: actually might be more boot Oh yeah, I guess there's 1060 00:56:37,000 --> 00:56:39,360 Speaker 1: one point where he talks about like collecting singers. But 1061 00:56:39,360 --> 00:56:41,120 Speaker 1: I think you're right because I'm trying to imagine him 1062 00:56:41,120 --> 00:56:44,799 Speaker 1: in this like limited edition like dunks, and like, I'm 1063 00:56:44,840 --> 00:56:47,560 Speaker 1: sure he has a few pair ands. Someone's like, oh 1064 00:56:47,760 --> 00:56:53,560 Speaker 1: fucking Aoki, like are those the ninety six something and 1065 00:56:53,719 --> 00:56:56,000 Speaker 1: he's like yeah, but he'd wear those like ones, And 1066 00:56:56,160 --> 00:56:59,960 Speaker 1: mostly it's like an insane leather boot. Yeah, I think 1067 00:57:00,080 --> 00:57:01,720 Speaker 1: it's a I think it's a lot of leather boots 1068 00:57:01,719 --> 00:57:03,720 Speaker 1: and this is to his credit. I don't see himso 1069 00:57:03,760 --> 00:57:07,279 Speaker 1: Bruno Mars and like shiny Bomber and like, ha, I 1070 00:57:07,400 --> 00:57:10,000 Speaker 1: think he's more like because this comes back to being 1071 00:57:10,120 --> 00:57:12,520 Speaker 1: like having that seth Cohen I'm bringing where he's like, 1072 00:57:12,760 --> 00:57:14,680 Speaker 1: I think he's more confident in his punk and his 1073 00:57:14,760 --> 00:57:17,360 Speaker 1: altness where he's just like I have my long hair 1074 00:57:17,440 --> 00:57:19,320 Speaker 1: that is my signature, and like I'll rock boots and 1075 00:57:19,320 --> 00:57:23,160 Speaker 1: I'll rock a couple other like retro accents into my 1076 00:57:23,360 --> 00:57:27,200 Speaker 1: like salvage ripped whiskers jeans and my like designer T shirt, 1077 00:57:27,280 --> 00:57:28,720 Speaker 1: but like, I'm going to keep it a little bit 1078 00:57:28,720 --> 00:57:31,760 Speaker 1: more simple, I feel because when I think of am 1079 00:57:31,800 --> 00:57:35,120 Speaker 1: I dressing of the hair, yeah, I mean, And also 1080 00:57:35,160 --> 00:57:38,520 Speaker 1: I think he's cool. Is that to have a signature hair, 1081 00:57:38,760 --> 00:57:41,440 Speaker 1: have that intrare hair, you don't need this cheesy bomber. 1082 00:57:41,520 --> 00:57:44,919 Speaker 1: Also again like he is rafting, he's spring Champagne. It's cakes. 1083 00:57:44,960 --> 00:57:47,280 Speaker 1: So he's like maybe he'll do the Germany Scout shorts, 1084 00:57:47,280 --> 00:57:48,680 Speaker 1: but he's not going to get You don't want to 1085 00:57:48,720 --> 00:57:51,520 Speaker 1: guess see hake all over your Margella or I mean 1086 00:57:51,640 --> 00:57:53,720 Speaker 1: especially not you're like ninety six r. Jordans that you 1087 00:57:53,800 --> 00:57:55,520 Speaker 1: have to clean with the tooth bress. No, no, no, 1088 00:57:55,760 --> 00:57:57,680 Speaker 1: I have to get some cake on them. What does 1089 00:57:57,760 --> 00:58:00,880 Speaker 1: he eat? What does he eat? Um? Oh? Wait, So 1090 00:58:01,160 --> 00:58:03,240 Speaker 1: at the end of the book, when he's talking about 1091 00:58:03,240 --> 00:58:05,200 Speaker 1: like getting close to all of his nine hundred siblings, 1092 00:58:06,080 --> 00:58:10,800 Speaker 1: he's like, me and my brother Kevin started like a 1093 00:58:10,920 --> 00:58:14,560 Speaker 1: healthier offshoot called Benny Hannah. Yeah, and I looked it 1094 00:58:14,640 --> 00:58:17,760 Speaker 1: up and there's a location in Tampa. We have to 1095 00:58:17,840 --> 00:58:20,760 Speaker 1: go to wait only Tampa. They but he in the 1096 00:58:20,800 --> 00:58:22,880 Speaker 1: book he says he wants to do Vegas, and I 1097 00:58:22,880 --> 00:58:25,240 Speaker 1: don't think it's happened yet. I wonder if maybe they 1098 00:58:25,280 --> 00:58:27,720 Speaker 1: actually did start with a Vegas that failed and like 1099 00:58:27,840 --> 00:58:31,720 Speaker 1: the Tampa because of weird timing reasons. And like when 1100 00:58:31,720 --> 00:58:33,480 Speaker 1: the book he says, we have a Florida one and 1101 00:58:33,560 --> 00:58:36,440 Speaker 1: we're hoping to open a flagship. Oh they did, Okay, 1102 00:58:36,480 --> 00:58:38,880 Speaker 1: so it's weird to like start not with the flagship. 1103 00:58:38,960 --> 00:58:41,600 Speaker 1: But I know, I'm like, we want to open our flagship. 1104 00:58:41,720 --> 00:58:44,720 Speaker 1: That's you, And maybe I'll do that with my lounge. 1105 00:58:45,080 --> 00:58:47,479 Speaker 1: You know. Tampa, as you know, has had a huge 1106 00:58:47,560 --> 00:58:50,760 Speaker 1: resurgence in the past a lot of ten years or so. 1107 00:58:51,000 --> 00:58:53,720 Speaker 1: And in no small part thinks to Mayor Bob buck Thorne, 1108 00:58:56,800 --> 00:58:59,120 Speaker 1: who's some colleagues of mine in the Florida Democratic Party 1109 00:58:59,160 --> 00:59:00,960 Speaker 1: did go on to work for it after I'm left, 1110 00:59:01,640 --> 00:59:05,000 Speaker 1: and I you know, the downtown Business Development District what's 1111 00:59:05,000 --> 00:59:08,280 Speaker 1: it called, well ibor obviously, which is the Gate neighborhood, 1112 00:59:08,280 --> 00:59:09,959 Speaker 1: and they're going the Club neighborhood, and also the historic 1113 00:59:10,040 --> 00:59:13,200 Speaker 1: cigar rolling district, you know, has seen such a resurgence 1114 00:59:13,280 --> 00:59:15,520 Speaker 1: and we've seen a lot of people move there because 1115 00:59:15,560 --> 00:59:21,440 Speaker 1: of tax in scientives. Huge growing population, yeah, educated population, 1116 00:59:21,800 --> 00:59:24,760 Speaker 1: a lot of jobs, a lot of jobs, afordable houses, 1117 00:59:24,880 --> 00:59:29,480 Speaker 1: great weather year round. What's not to love? So I 1118 00:59:29,640 --> 00:59:32,600 Speaker 1: think that I couldn't I could see like an obviously 1119 00:59:32,600 --> 00:59:37,040 Speaker 1: like theme restaurants do well in Florida. Well, this is 1120 00:59:37,120 --> 00:59:39,240 Speaker 1: not food as like shrimp is not being thrown at you. 1121 00:59:39,400 --> 00:59:42,200 Speaker 1: This this location is more about throwing back to actually 1122 00:59:42,760 --> 00:59:46,400 Speaker 1: grandfather teahouses. But the menu that I looked at the 1123 00:59:46,440 --> 00:59:48,440 Speaker 1: menu and it was like it sounds so massive and 1124 00:59:48,520 --> 00:59:52,080 Speaker 1: still just like sushi grills and like so much like 1125 00:59:53,120 --> 00:59:56,120 Speaker 1: of like diagonal mayo is on everything. Yeah, but I 1126 00:59:56,200 --> 00:59:58,080 Speaker 1: guess they're like, oh no, it's like super calm just 1127 00:59:58,200 --> 01:00:01,040 Speaker 1: diagonal saracha mayo and everything, but nothing is being thrown 1128 01:00:01,280 --> 01:00:03,440 Speaker 1: at your face. We also, you know, I've never been 1129 01:00:03,520 --> 01:00:07,760 Speaker 1: to I've never been to be to have been to 1130 01:00:07,840 --> 01:00:11,080 Speaker 1: beny Ona, like and it's heyday, Oh my god, you 1131 01:00:11,200 --> 01:00:14,640 Speaker 1: and you had just like I don't like Frank Sinatra 1132 01:00:14,960 --> 01:00:19,280 Speaker 1: was like rolling through and just like Cheryl Tegus. I'm 1133 01:00:19,360 --> 01:00:24,760 Speaker 1: trying to imagine. I've tried to Magic Sinatra mouth open 1134 01:00:27,520 --> 01:00:30,800 Speaker 1: a blue Eyes and they're just like throwing shrimp and 1135 01:00:30,880 --> 01:00:33,360 Speaker 1: throwing it. I mean, yeah, the spectacle. Anyway, I want 1136 01:00:33,360 --> 01:00:35,240 Speaker 1: to go to Benny Hanna. So, but what is he eating? 1137 01:00:35,720 --> 01:00:39,160 Speaker 1: I think he's pretty healthy. I mean he never mentions food, 1138 01:00:39,440 --> 01:00:41,440 Speaker 1: he doesn't. I'm just like, I don't think he actually 1139 01:00:41,520 --> 01:00:43,400 Speaker 1: like has such a love for food. And I think 1140 01:00:43,440 --> 01:00:45,360 Speaker 1: he's so la and just well because now he lives 1141 01:00:45,400 --> 01:00:51,720 Speaker 1: in Vegas. But I think he's pretty juice okay, because 1142 01:00:52,200 --> 01:00:57,280 Speaker 1: fried like saucy saucy cauliflower. Oh, I'm sure he goes 1143 01:00:57,360 --> 01:01:02,200 Speaker 1: to freaking town with a buffalo s racha cauliflower, like 1144 01:01:02,280 --> 01:01:04,080 Speaker 1: that cauliflower we got the other night that was like 1145 01:01:04,280 --> 01:01:08,240 Speaker 1: meat balls and it was like cold and spice. Email. 1146 01:01:08,960 --> 01:01:11,040 Speaker 1: I also do wonder though if like if you come 1147 01:01:11,120 --> 01:01:14,760 Speaker 1: from a restaurant family, like, are you in some ways 1148 01:01:16,040 --> 01:01:19,960 Speaker 1: less into food? Yeah, because you're not like so desperate. 1149 01:01:20,240 --> 01:01:22,200 Speaker 1: I also do think though, like there's a difference between 1150 01:01:22,280 --> 01:01:24,280 Speaker 1: having a parent who is a chef and having a 1151 01:01:24,320 --> 01:01:26,640 Speaker 1: parent who is a restaurant tour And his dad was 1152 01:01:26,720 --> 01:01:30,720 Speaker 1: like a restaurant empireist or imperialist, like I was like, 1153 01:01:31,120 --> 01:01:34,320 Speaker 1: I'm going to open a chain. I'm opening many many locations, 1154 01:01:34,360 --> 01:01:37,000 Speaker 1: and he would like take the kids out and give money, 1155 01:01:37,040 --> 01:01:38,560 Speaker 1: and then he was home with his mom. His mom 1156 01:01:38,640 --> 01:01:40,720 Speaker 1: would be like, oh, we can't and the dad was 1157 01:01:40,800 --> 01:01:43,000 Speaker 1: never home. So because it wasn't like oh I grew 1158 01:01:43,080 --> 01:01:44,720 Speaker 1: up and food with such an important part of My 1159 01:01:44,840 --> 01:01:46,920 Speaker 1: dad was always a consperimented with recipes. And it's like, no, 1160 01:01:47,040 --> 01:01:49,240 Speaker 1: the dad was off like fucking free other moms and 1161 01:01:49,360 --> 01:01:52,920 Speaker 1: like launching Benny Hanna us. Yeah, I think he juices. 1162 01:01:53,000 --> 01:01:55,960 Speaker 1: I think he loves a dope brahmin. But like, ultimately, 1163 01:01:56,280 --> 01:02:01,600 Speaker 1: like music feeds his soul. He eats to he he 1164 01:02:01,720 --> 01:02:03,880 Speaker 1: lives to eat. He doesn't eat to live. Yeah, wow 1165 01:02:03,960 --> 01:02:07,120 Speaker 1: does he live? So he like is really obsessed with 1166 01:02:07,240 --> 01:02:09,760 Speaker 1: reconnecting with his family. He fully moves to Vegas because 1167 01:02:10,080 --> 01:02:12,560 Speaker 1: the end of the book is just all about being 1168 01:02:12,680 --> 01:02:16,200 Speaker 1: Vegas strong and the Vegas shooting. Oh, so he moves 1169 01:02:16,240 --> 01:02:19,040 Speaker 1: to Vegas. He moves his mom to Vegas. He convinces 1170 01:02:19,120 --> 01:02:21,480 Speaker 1: his sister and her husband like Vegas, and he was 1171 01:02:21,560 --> 01:02:23,040 Speaker 1: It was actually a hard because she was a teacher 1172 01:02:23,280 --> 01:02:25,480 Speaker 1: and he was an IT specialist. And I'm like, I 1173 01:02:25,520 --> 01:02:27,680 Speaker 1: don't know, that's kind of like rude. I felt like 1174 01:02:27,800 --> 01:02:30,360 Speaker 1: you really like it was randomly to uproot his entire 1175 01:02:30,400 --> 01:02:32,120 Speaker 1: setting family just that they could be in Vegas, like 1176 01:02:32,240 --> 01:02:34,160 Speaker 1: near him. But I'm also just like maybe he bought 1177 01:02:34,200 --> 01:02:37,200 Speaker 1: them houses and whatever. I mean, it's not like it 1178 01:02:37,680 --> 01:02:40,080 Speaker 1: it's a career that's so married to like Lajoya or 1179 01:02:40,080 --> 01:02:42,480 Speaker 1: wherever they were living. It's like, that's true, you can 1180 01:02:42,640 --> 01:02:46,120 Speaker 1: do it in Vegas. I think his house has a 1181 01:02:46,240 --> 01:02:48,960 Speaker 1: lot of again, I think it has some like really 1182 01:02:49,200 --> 01:02:55,000 Speaker 1: sick framed posters. Vintage. Yeah, there's definitely vintage elements. Like 1183 01:02:55,200 --> 01:02:56,840 Speaker 1: I mean, I'm now just thinking beauty bar, but like 1184 01:02:56,960 --> 01:03:00,360 Speaker 1: does it have those lights the dressing room lights like 1185 01:03:00,400 --> 01:03:03,360 Speaker 1: in the bathroom. Yeah, that's the kind of Vegas glam element, 1186 01:03:03,440 --> 01:03:05,600 Speaker 1: Like maybe that just comes with a condo I guess 1187 01:03:05,640 --> 01:03:07,480 Speaker 1: I wonder what I think Vegas condo. I think very 1188 01:03:07,560 --> 01:03:09,640 Speaker 1: all white, but when I think of him, I think 1189 01:03:09,640 --> 01:03:12,080 Speaker 1: a little bit more darker, dark woods, and I think, like, 1190 01:03:12,480 --> 01:03:14,920 Speaker 1: I feel like the coffee table is a dark wooden chest, 1191 01:03:15,080 --> 01:03:17,880 Speaker 1: because he probably is like find someone who's like a 1192 01:03:18,120 --> 01:03:21,440 Speaker 1: fucking awesome designer and they're like, Steve, you need to 1193 01:03:21,480 --> 01:03:23,960 Speaker 1: get this table, and like, I'm thinking of this super 1194 01:03:24,080 --> 01:03:27,720 Speaker 1: low intoge Italian couch. Yeah, it's like I don't think 1195 01:03:27,760 --> 01:03:30,560 Speaker 1: there's that much like Japanese stuff, but maybe there's like 1196 01:03:30,680 --> 01:03:34,720 Speaker 1: one or two really cool like authentic accents that like 1197 01:03:34,800 --> 01:03:37,560 Speaker 1: he gone or trip to Japan or like, and he's 1198 01:03:37,600 --> 01:03:39,280 Speaker 1: just like, yeah, this is like this really awesome thing 1199 01:03:39,360 --> 01:03:41,680 Speaker 1: for my heritage that I had framed. And then do 1200 01:03:41,760 --> 01:03:44,840 Speaker 1: you think maybe there's like an inflatable from like his 1201 01:03:44,960 --> 01:03:48,280 Speaker 1: first show somewhere or is it so like there is 1202 01:03:48,400 --> 01:03:51,480 Speaker 1: all of the festival bracelets like hung up like in 1203 01:03:51,600 --> 01:03:53,360 Speaker 1: the closet, like and there's like a section in his 1204 01:03:53,480 --> 01:03:57,680 Speaker 1: like huge walking. He has such a dope dark walk 1205 01:03:57,760 --> 01:04:00,880 Speaker 1: in that's like or it's maybe four pairs of like 1206 01:04:01,000 --> 01:04:04,760 Speaker 1: his silver and jeans hanging up like thirty deep fees 1207 01:04:04,920 --> 01:04:08,400 Speaker 1: and it's so those like the underlighting, that's like the 1208 01:04:08,520 --> 01:04:11,960 Speaker 1: strip lighting. Maybe he has an office and that's where 1209 01:04:12,000 --> 01:04:15,360 Speaker 1: all the festival bracelets, gold from the gold record, Driller 1210 01:04:15,560 --> 01:04:19,240 Speaker 1: remixer record that went call, because he also probably has 1211 01:04:19,240 --> 01:04:26,960 Speaker 1: a home studio. Yeah, um, who are you in the book? 1212 01:04:28,040 --> 01:04:29,960 Speaker 1: I mean I want to be Devon Aoki and I 1213 01:04:30,040 --> 01:04:33,200 Speaker 1: want to Kraft when I want to be Rocky Aoki 1214 01:04:33,320 --> 01:04:39,760 Speaker 1: with like starting and having three secret families speedboat racing. 1215 01:04:40,440 --> 01:04:42,880 Speaker 1: But who am I actually at right end of the day. 1216 01:04:43,280 --> 01:04:44,920 Speaker 1: At the end of the day, I think we are 1217 01:04:45,000 --> 01:04:49,520 Speaker 1: both half Devin and half Rocky. But am I? I 1218 01:04:49,600 --> 01:04:52,520 Speaker 1: don't think any of us are full Like I mean, 1219 01:04:52,600 --> 01:04:56,240 Speaker 1: I'm not tall enough to be noted podcast or Jason Stewart. 1220 01:04:57,440 --> 01:04:59,880 Speaker 1: I'm not impossible to miss on the LA party scene. 1221 01:05:00,520 --> 01:05:07,600 Speaker 1: I guess, like, am I the girl getting whiplash? Yeah, 1222 01:05:07,760 --> 01:05:10,680 Speaker 1: you're like you're being so tired from clueless about it 1223 01:05:10,760 --> 01:05:16,920 Speaker 1: being like seriously, guys, seriously, I still my back really hurts, 1224 01:05:18,240 --> 01:05:20,480 Speaker 1: as you know, Like I've been involved in an eighteen 1225 01:05:20,520 --> 01:05:24,280 Speaker 1: month long lawsuit with Stevie Oke's lawyers, and um, it's 1226 01:05:24,320 --> 01:05:26,600 Speaker 1: been really hard on my family and I'm working through it. 1227 01:05:26,680 --> 01:05:28,280 Speaker 1: So any help. You have to be fine, but like, 1228 01:05:28,680 --> 01:05:31,360 Speaker 1: please do come to my birthday dinner and I hope 1229 01:05:31,360 --> 01:05:35,480 Speaker 1: to see you there that one hundred Yeah okay, I 1230 01:05:35,560 --> 01:05:37,800 Speaker 1: mean just even talking about what like my neck is 1231 01:05:37,840 --> 01:05:41,240 Speaker 1: running to her. I'm getting psychosomatical blash from this girl 1232 01:05:43,080 --> 01:05:47,960 Speaker 1: she's in you know. Are you like the doctor? Yeah? 1233 01:05:48,000 --> 01:05:51,480 Speaker 1: Am I just like one of the random like writers 1234 01:05:51,560 --> 01:05:54,240 Speaker 1: of the zine that he was like really wanted to 1235 01:05:54,320 --> 01:05:59,440 Speaker 1: write on at like the Final Warehouse. Oh yeah, are 1236 01:05:59,520 --> 01:06:02,880 Speaker 1: you the main the pickle pat? Am I a boardtender 1237 01:06:03,160 --> 01:06:06,480 Speaker 1: at Beauty Bar in O eight? I mean I think 1238 01:06:06,560 --> 01:06:12,640 Speaker 1: that you are in some ways you're kind of Steve. Wow. 1239 01:06:12,800 --> 01:06:14,400 Speaker 1: You know, I wasn't going to say it, but now 1240 01:06:14,480 --> 01:06:16,800 Speaker 1: that you did, you're certainly more Steve than me. I 1241 01:06:16,840 --> 01:06:19,280 Speaker 1: mean because listen, you were going to the Harker shows. 1242 01:06:19,280 --> 01:06:20,920 Speaker 1: But as we were saying, it's like you, I mean, 1243 01:06:21,000 --> 01:06:23,560 Speaker 1: he I guess committed more to mash life, but like 1244 01:06:24,120 --> 01:06:30,800 Speaker 1: you moved from hardcore into party scene, you know, into 1245 01:06:30,920 --> 01:06:38,240 Speaker 1: being like MisShapes adjacent girls Chicago, like rocker Punker, under 1246 01:06:38,360 --> 01:06:42,720 Speaker 1: Brown Flyers, Rockabilly, going to punk shows, but also being 1247 01:06:42,840 --> 01:06:48,960 Speaker 1: Martini's being installation and being installation pipeline. Yeah, and I 1248 01:06:49,040 --> 01:06:51,960 Speaker 1: think that you've had all of those, like you moved 1249 01:06:52,160 --> 01:06:55,080 Speaker 1: through like the late two thousands in a way that 1250 01:06:55,440 --> 01:06:59,080 Speaker 1: was really like I can yes right and nicely, and 1251 01:06:59,160 --> 01:07:01,640 Speaker 1: I think likes Eve Like this is what I really 1252 01:07:01,680 --> 01:07:04,640 Speaker 1: connected with. His older brother was super Maud and all 1253 01:07:04,680 --> 01:07:07,200 Speaker 1: their friends like wore the skinny suits and road vest 1254 01:07:07,240 --> 01:07:10,520 Speaker 1: bus and I would love that, but the things I 1255 01:07:10,640 --> 01:07:13,280 Speaker 1: also want to be, but I'm into too many cultures. 1256 01:07:13,360 --> 01:07:16,000 Speaker 1: This is no so true. It was funny, and I 1257 01:07:16,160 --> 01:07:18,560 Speaker 1: was like, what's actually so you about that? Though? Is 1258 01:07:18,600 --> 01:07:20,080 Speaker 1: that he looked up to his older brother. He was like, 1259 01:07:20,160 --> 01:07:21,720 Speaker 1: I wanted to be a part of a group of 1260 01:07:21,760 --> 01:07:24,280 Speaker 1: friends that all had this like style and like that 1261 01:07:24,440 --> 01:07:27,720 Speaker 1: had like a and like had this like you know, 1262 01:07:28,080 --> 01:07:30,240 Speaker 1: homogeneous culture that they were part of, and like you 1263 01:07:30,520 --> 01:07:35,040 Speaker 1: wanted that too, But ultimately, like you did decide to 1264 01:07:35,120 --> 01:07:37,600 Speaker 1: reject that because you were like, yeah, I'm actually too 1265 01:07:37,720 --> 01:07:41,320 Speaker 1: into both Salmon and Martini. Right. It's like, yes, I 1266 01:07:41,360 --> 01:07:42,920 Speaker 1: want to wear Fred Perry, but I also want to 1267 01:07:42,920 --> 01:07:44,480 Speaker 1: wear an eighties T shirt the next day, in a 1268 01:07:44,520 --> 01:07:46,760 Speaker 1: Western shirt the next day and get Martini's but then 1269 01:07:46,880 --> 01:07:50,280 Speaker 1: go to a show. Yeah, and you became You're my 1270 01:07:50,520 --> 01:07:54,480 Speaker 1: own dick self, and I just collect up whether it's 1271 01:07:54,480 --> 01:07:57,960 Speaker 1: sneakers or Japanese teas. That is why you are the 1272 01:07:58,000 --> 01:08:00,560 Speaker 1: seventy year old gay man who owns the vintage store. Honey, 1273 01:08:00,560 --> 01:08:03,800 Speaker 1: I'm eclectic and that's why. Wow. Fuck yeah, I'm sub 1274 01:08:03,920 --> 01:08:09,440 Speaker 1: oky cool. Um Okay, well yeah, I mean listen. I 1275 01:08:09,960 --> 01:08:14,960 Speaker 1: ultimately I give this book just like two cakes launched 1276 01:08:15,000 --> 01:08:18,240 Speaker 1: into an audience set of five. Yeah. I also give 1277 01:08:18,320 --> 01:08:22,360 Speaker 1: this like two cd j's out of five beauty bars 1278 01:08:22,479 --> 01:08:25,880 Speaker 1: across this great nation, because there is some like I 1279 01:08:25,960 --> 01:08:27,800 Speaker 1: don't know, like fun stores where you're like, where else 1280 01:08:27,840 --> 01:08:30,880 Speaker 1: am I reading about like him calling m Ia and 1281 01:08:31,000 --> 01:08:35,000 Speaker 1: their drama with like her UK like label heads. But 1282 01:08:35,080 --> 01:08:37,120 Speaker 1: at the same time, I'm also like even that part 1283 01:08:37,240 --> 01:08:39,040 Speaker 1: was kind of just like and then he kind of 1284 01:08:39,120 --> 01:08:40,640 Speaker 1: and then he was like yeah, and I do like 1285 01:08:40,720 --> 01:08:42,240 Speaker 1: to think that I can take some credit for like 1286 01:08:42,320 --> 01:08:44,479 Speaker 1: getting like making m a big in the country, but 1287 01:08:44,520 --> 01:08:46,200 Speaker 1: I also like didn't really and it's like, no, you 1288 01:08:46,320 --> 01:08:50,240 Speaker 1: really didn't like make aa big in the United States. Yeah, 1289 01:08:50,400 --> 01:08:52,600 Speaker 1: the claiming, it's like the beginning part I found like 1290 01:08:52,720 --> 01:08:55,920 Speaker 1: cooler of just like being a Benny Hanna error. Yeah, 1291 01:08:56,080 --> 01:08:58,800 Speaker 1: and like everyone assuming he's a Benny like so rich 1292 01:08:58,920 --> 01:09:01,960 Speaker 1: and the struggle of being someone of No, I got 1293 01:09:02,040 --> 01:09:03,479 Speaker 1: it because it's like he did work for his career 1294 01:09:03,520 --> 01:09:05,800 Speaker 1: and people like, oh if you just inherited this DJ 1295 01:09:06,000 --> 01:09:08,719 Speaker 1: empire by being like the son of a Benny honest, 1296 01:09:08,800 --> 01:09:13,160 Speaker 1: And it's like, but yeah, but some of those book 1297 01:09:13,200 --> 01:09:16,080 Speaker 1: sports where I'm like Hooms to Carros Babe was a 1298 01:09:16,160 --> 01:09:18,360 Speaker 1: little Hooms scares and he's just like, yeah, man, the 1299 01:09:18,520 --> 01:09:22,000 Speaker 1: Killers performed and Interpol performed that. It's like, yeah, they 1300 01:09:22,080 --> 01:09:24,680 Speaker 1: did perform, and like I've gotten like you have just 1301 01:09:24,880 --> 01:09:27,320 Speaker 1: made some remixes and like, I guess if I was 1302 01:09:27,360 --> 01:09:31,800 Speaker 1: a more such a huge give me any interested, but 1303 01:09:31,920 --> 01:09:36,080 Speaker 1: like I don't know, there wasn't a ton of aluminating 1304 01:09:36,200 --> 01:09:38,840 Speaker 1: sections to this for me. No, but honestly, that's the 1305 01:09:38,920 --> 01:09:41,519 Speaker 1: thing if you're so freaking deep in the beauty bar 1306 01:09:41,600 --> 01:09:44,280 Speaker 1: scene in OH seven, Like I bet there actually is 1307 01:09:44,360 --> 01:09:46,680 Speaker 1: even a Saucier memoir because I feel like he had 1308 01:09:46,680 --> 01:09:48,920 Speaker 1: to keep on moving along to talk about his I mean, 1309 01:09:49,000 --> 01:09:51,240 Speaker 1: there's Drake ring mixes, I know, and it's like there's 1310 01:09:51,320 --> 01:09:54,000 Speaker 1: not a lot of overdoses in this besides DJ am, 1311 01:09:54,120 --> 01:09:57,240 Speaker 1: Like there's a lot of death. I am Lincoln park 1312 01:09:57,400 --> 01:10:00,439 Speaker 1: A VICI his dad. Okay, I guess there's our deaths. 1313 01:10:00,880 --> 01:10:04,080 Speaker 1: That's kind of a lot from them. More okay, more, yeah, 1314 01:10:04,200 --> 01:10:06,519 Speaker 1: but I don't know. It's just like there's no sex. 1315 01:10:07,080 --> 01:10:10,320 Speaker 1: So yeah, well yeah, he'd be one of the drop sections. 1316 01:10:10,360 --> 01:10:12,519 Speaker 1: He talks about marrying this Australian check and then like 1317 01:10:13,479 --> 01:10:16,439 Speaker 1: and out of respect for her privacy, our relationship to 1318 01:10:16,560 --> 01:10:18,479 Speaker 1: get very messy, but I will not go into that. 1319 01:10:18,920 --> 01:10:22,000 Speaker 1: And I'm like, okay, thanks for writing this book. We 1320 01:10:22,120 --> 01:10:27,720 Speaker 1: are not talking about marriage and divorce. Um, so yeah, 1321 01:10:27,760 --> 01:10:30,760 Speaker 1: that's our notes. If you want to do another draft, Steve, like, 1322 01:10:31,040 --> 01:10:34,800 Speaker 1: please more on the Australian divorce. Yeah, we would. We 1323 01:10:34,880 --> 01:10:38,160 Speaker 1: would be interested. Your fans, want to know your followers, 1324 01:10:39,240 --> 01:10:43,240 Speaker 1: your readers. So next week, though, we are going to 1325 01:10:44,120 --> 01:10:49,519 Speaker 1: have a little bit of an unorthodox conceptual episode. You 1326 01:10:49,640 --> 01:10:53,080 Speaker 1: might even say we are. We're breaking them all just 1327 01:10:53,160 --> 01:10:58,000 Speaker 1: the way Steve Aogee did with music and vinyl and CDs. 1328 01:10:58,320 --> 01:11:00,120 Speaker 1: And we are going to have our very first love 1329 01:11:00,160 --> 01:11:03,040 Speaker 1: the book Club episode where we do not read a book. 1330 01:11:03,439 --> 01:11:06,360 Speaker 1: We do not read a book because okay, sorry, Rich, 1331 01:11:06,439 --> 01:11:08,719 Speaker 1: have you read twenty five books like in the past 1332 01:11:08,800 --> 01:11:10,960 Speaker 1: three months? Because I have. I don't think you have. 1333 01:11:11,200 --> 01:11:14,640 Speaker 1: We've literally read twenty five books book a week. So 1334 01:11:14,960 --> 01:11:20,080 Speaker 1: we will be having a concept only episode about segments 1335 01:11:20,200 --> 01:11:22,920 Speaker 1: based off our segments. And so you should be freaking 1336 01:11:22,960 --> 01:11:25,400 Speaker 1: excited because I'm excited one to just do the segments, 1337 01:11:25,439 --> 01:11:28,040 Speaker 1: but all too excited not to read a book. So true. 1338 01:11:28,080 --> 01:11:30,880 Speaker 1: And we'll each be bringing surprise celebrities to each other 1339 01:11:31,080 --> 01:11:34,439 Speaker 1: to the table to segmentize. You have just in a 1340 01:11:34,520 --> 01:11:37,720 Speaker 1: long term relationship, you have to surprise each other. You 1341 01:11:37,800 --> 01:11:39,800 Speaker 1: have to spice it up, okay, and that's what we're 1342 01:11:39,840 --> 01:11:41,720 Speaker 1: doing right now. This episode is going to be a 1343 01:11:41,800 --> 01:11:44,640 Speaker 1: fresh dildo that I pull out of the dishwasher for 1344 01:11:44,800 --> 01:11:49,320 Speaker 1: my long term partner that she's never seen before. It's 1345 01:11:49,360 --> 01:11:52,160 Speaker 1: got some cool knobs on it, it's glass. You used 1346 01:11:52,200 --> 01:11:54,680 Speaker 1: a pot an Adam and Eve podcast code for it. 1347 01:11:56,280 --> 01:12:00,320 Speaker 1: Still a podcast themed dildo, and I do always wash 1348 01:12:00,439 --> 01:12:02,840 Speaker 1: my doldos when they come in the email. I don't. 1349 01:12:03,800 --> 01:12:07,640 Speaker 1: But you need to sabitize, so okay, and you know 1350 01:12:07,760 --> 01:12:14,439 Speaker 1: what right subscribe follow us. Thank you so much, guys, 1351 01:12:14,520 --> 01:12:26,760 Speaker 1: Thank you so much. Party on Fast Fast Celebrity book 1352 01:12:26,800 --> 01:12:29,520 Speaker 1: Club is presented by one of the most incredible promoters 1353 01:12:29,600 --> 01:12:33,000 Speaker 1: in the game prolog projects, and of course my baller 1354 01:12:33,040 --> 01:12:36,640 Speaker 1: Ass labelmate had Gum. The show is produced by one 1355 01:12:36,680 --> 01:12:40,519 Speaker 1: of my favorite club owners who rules the Hollywood Strip 1356 01:12:40,600 --> 01:12:44,760 Speaker 1: with an iron fist, Meg Murney, with editorial support from 1357 01:12:44,840 --> 01:12:49,200 Speaker 1: this this really really innovative DJ Leon Naythok, and then 1358 01:12:49,479 --> 01:12:53,120 Speaker 1: Andrew Parsons of course, who literally invented throwing cakes in 1359 01:12:53,200 --> 01:12:58,439 Speaker 1: people's faces. And Madeline Kaplan, who honestly like she was 1360 01:12:58,479 --> 01:13:00,880 Speaker 1: one of the first people I saw it, like really 1361 01:13:01,000 --> 01:13:03,400 Speaker 1: fucking like go balls to the wall of the show, 1362 01:13:03,479 --> 01:13:04,759 Speaker 1: like you know what I mean. We're at a hardcore 1363 01:13:04,760 --> 01:13:07,200 Speaker 1: show and someone just fucking like freaking out. It's a 1364 01:13:07,240 --> 01:13:09,320 Speaker 1: total Christian hardcore show and you're just like, I didn't 1365 01:13:09,320 --> 01:13:12,080 Speaker 1: know I could have this much fun sober. Our production 1366 01:13:12,200 --> 01:13:17,599 Speaker 1: manager is Percilla Verlin. She was actually the regional marketing 1367 01:13:17,640 --> 01:13:21,800 Speaker 1: director for Coachella for actually two seasons, two of their 1368 01:13:21,800 --> 01:13:26,200 Speaker 1: best seasons personally in my opinion. Engineering by Ferris Manchu, 1369 01:13:26,320 --> 01:13:28,280 Speaker 1: who I had a really big filling out with, but 1370 01:13:28,360 --> 01:13:31,280 Speaker 1: we're pretty cool now and I think that actually really 1371 01:13:31,320 --> 01:13:34,880 Speaker 1: speaks to his character. Original theme song by Steam Philip's Horst, 1372 01:13:35,479 --> 01:13:38,320 Speaker 1: who actually was the first person introduced me to Kanye's work, 1373 01:13:39,000 --> 01:13:43,400 Speaker 1: so props to him. Artwork by Teddy Planks at chips 1374 01:13:43,520 --> 01:13:47,160 Speaker 1: n Why. One of the fucking craziest motherfuckers I have 1375 01:13:47,439 --> 01:13:51,840 Speaker 1: ever met, literally got me hooked on acid for six years, 1376 01:13:52,360 --> 01:13:54,960 Speaker 1: and he actually did pass away in a trucking accident. 1377 01:13:55,640 --> 01:13:58,200 Speaker 1: Follow us on Twitter at CBC the Pod. Subscribe on 1378 01:13:58,280 --> 01:14:01,880 Speaker 1: your favorite podcast app. Dude, I don't fucking care. I 1379 01:14:01,880 --> 01:14:05,960 Speaker 1: for Stitcher, Apple, whatever. Dude, Like, we're a fucking family 1380 01:14:06,040 --> 01:14:07,840 Speaker 1: at the end of the day. I'm like, that's what matters, 1381 01:14:07,880 --> 01:14:10,160 Speaker 1: and that's what this industry is all about. Leave us 1382 01:14:10,200 --> 01:14:12,679 Speaker 1: a review, and don't forget to tell your fucking boys 1383 01:14:12,720 --> 01:14:16,519 Speaker 1: about us. Oh yes, okay, I'll see you out there 1384 01:14:16,560 --> 01:14:27,120 Speaker 1: in the dance floor. Keep on party rocking. That was 1385 01:14:27,160 --> 01:14:28,200 Speaker 1: a hit. Gun Podcast