WEBVTT - Under New Management 

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<v Speaker 1>Campsite Media.

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<v Speaker 2>A warning.

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<v Speaker 3>This episode contains graphic content that may be difficult for

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<v Speaker 3>some listeners.

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<v Speaker 4>Please listen with care.

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<v Speaker 2>After Roger had spelt the word pigs out of jelly beans,

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<v Speaker 2>the prison guards had deemed him too menacing to be

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<v Speaker 2>trusted with candy, so they confiscated the beans, which we

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<v Speaker 2>can all agree is very pig like behavior, leaving Roger

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<v Speaker 2>with a spirit full of four letter words, but with

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<v Speaker 2>no tools with which to express them. He was left

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<v Speaker 2>in a cell with a new epiphany pulsing in his head,

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<v Speaker 2>a discovery about himself that he had something to say.

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<v Speaker 2>Before this, it had never really crossed his mind to

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<v Speaker 2>put anything to paper. But when he would arrange these

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<v Speaker 2>words made out of jelly beans, look at the colorful, simple,

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<v Speaker 2>slanderous words, and think I made this word, and he

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<v Speaker 2>could see a new world of possibility.

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<v Speaker 1>I felt I never finished Grade.

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<v Speaker 2>Sixth Writing a word or a sentence is something most

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<v Speaker 2>of us take for granted, but for Roger it was

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<v Speaker 2>a revelation. So down in solitary confinement, he thought, if

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<v Speaker 2>I learned to write the characters of the words that

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<v Speaker 2>I think or speak, I'm free to make whatever words

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<v Speaker 2>I want. Being free in any way was very attractive

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<v Speaker 2>to Roger. He couldn't go anywhere, or do anything, or

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<v Speaker 2>eat what he wanted or see anyone he wanted. But

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<v Speaker 2>if he could write, he could write anything he wished.

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<v Speaker 2>But how and with what. It was then that he

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<v Speaker 2>remembered the Kingston Penitentiary had a school teacher based in

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<v Speaker 2>the library, so he sent out a verbal quest for

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<v Speaker 2>pencils and paper. His request made it all the way

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<v Speaker 2>to the teacher, and that same day this teacher made

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<v Speaker 2>the trip all the way down to the hole to

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<v Speaker 2>deliver the supplies to Roger himself.

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<v Speaker 5>He get you three striggers, three pencil a dictionary, and ASSAURIUSM.

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<v Speaker 2>Roger was hardly allowed anything in the hole, so when

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<v Speaker 2>he was handed these novel objects and allowed these objects,

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<v Speaker 2>he almost couldn't believe it. So he figured might as

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<v Speaker 2>well get started before they changed their mind. Roger had

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<v Speaker 2>read books in the past, but when it came to

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<v Speaker 2>his own writing, it was almost as if he was

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<v Speaker 2>inventing it for himself, because what he was saying was

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<v Speaker 2>more urgent than the logistics of spelling and punctuation. He

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<v Speaker 2>had feelings that he needed to let out, and then

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<v Speaker 2>I grant.

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<v Speaker 3>Out a pencil and had so much house failed. The

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<v Speaker 3>intention to meet a pencil rob not easy. I opened

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<v Speaker 3>a sprigger, I went to write the paper, tore the

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<v Speaker 3>nip girl. I sharpened the dip of the confeefore, and

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<v Speaker 3>then turned on the patient. I went to write, and

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<v Speaker 3>it was like frustration.

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<v Speaker 1>I was choked up. All these massive words don't come out.

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<v Speaker 1>They didn't know I was filled.

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<v Speaker 2>He'd spell phonetically or in a made up way for

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<v Speaker 2>himself to decipher. Later, as he tried to keep up

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<v Speaker 2>with a stream of consciousness, which was flowing like a river,

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<v Speaker 2>he'd write about the past, about the scenes and people

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<v Speaker 2>he'd encountered, the moments in his life that he'd revisit

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<v Speaker 2>the most in his imagination. He was driven by the

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<v Speaker 2>need to get these stories out of his head and

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<v Speaker 2>into the physical realm in whatever way he could, at

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<v Speaker 2>whatever pace it took.

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<v Speaker 5>So I stole in the dictionary and Sidorus, and I

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<v Speaker 5>found words, and I started writing.

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<v Speaker 1>And it take me six hours to fill one felt paid.

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<v Speaker 2>He'd spend hours with the dictionary to see if he

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<v Speaker 2>could find the words he meant and learn how to

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<v Speaker 2>spell them correctly. Then he'd flip to the thesaurus and

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<v Speaker 2>find better words, tune tunnels, catacombs. The limbo room was

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<v Speaker 2>in the catacombs underneath the reformatory. There's such pleasure in

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<v Speaker 2>finding the right words. Each addition to the vocabulary brought

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<v Speaker 2>with it a new permission to feel.

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<v Speaker 1>But for the first time my life had felt good.

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<v Speaker 3>All these words are born of my own aurus to

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<v Speaker 3>the word anger and fell definition.

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<v Speaker 2>Anger an intense emotional state of displeasure. See also indignation, rage, bitterness,

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<v Speaker 2>higher contempt. Whole months would pass where it seemed like

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<v Speaker 2>his pencil never stopped.

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<v Speaker 1>Moving, I wrote, wrote.

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<v Speaker 2>As the words plotted their way onto the page. He

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<v Speaker 2>felt like he could unburden himself, one word at a time,

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<v Speaker 2>of this mountain of strife and trauma.

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<v Speaker 4>And I really think that was the beginning of where

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<v Speaker 4>he learned, Wow, write a few things down here and whatnot.

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<v Speaker 4>And I think that's really what set him off onto

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<v Speaker 4>his writing journey.

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<v Speaker 2>Around this time, Roger's sister Sue started to receive letters

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<v Speaker 2>more regularly from her dear brother, where he'd explain this

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<v Speaker 2>new writing kick he'd been on in the most Roger

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<v Speaker 2>way possible.

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<v Speaker 4>He said, my fingers are cramping and just writing and

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<v Speaker 4>writing and writing and writing. You know, I'm doing a

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<v Speaker 4>lot of writing whatnot. And I said, super, you know

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<v Speaker 4>this is good. This is good.

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<v Speaker 2>Sue had always been very encouraging of her brother through everything,

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<v Speaker 2>and this was no different.

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<v Speaker 4>I thought, it's not going to do him any harm,

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<v Speaker 4>and hopefully you'll learn from some of what he's putting down.

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<v Speaker 4>Sometimes when we have to face our thoughts, it's better

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<v Speaker 4>for us and we see it more. It's nothing like

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<v Speaker 4>putting it on paper and having a good look at it.

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<v Speaker 2>When she received handwritten letters from Roger, she'd slide it

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<v Speaker 2>from the envelope and would study the page fascinated.

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<v Speaker 4>It was just so interesting. He was writing as it sounded,

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<v Speaker 4>you know, the spelling some of it. You had to

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<v Speaker 4>almost figure it out.

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<v Speaker 2>With each letter. It became more obvious that writing was

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<v Speaker 2>no passing fad in Roger's life. He was a writer.

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<v Speaker 4>He was just like a train down the track. He

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<v Speaker 4>was just on a roll. So I guess he had

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<v Speaker 4>a lot to say.

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<v Speaker 2>From iHeart podcasts and campsite media. I'm Sam Mullens and

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<v Speaker 2>this is Go Boy episode five under new management. So

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<v Speaker 2>the jellybeans were given to Roger on Christmas nineteen sixty three,

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<v Speaker 2>and we need to fast forward to nineteen seventy one,

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<v Speaker 2>eight years later. Usually when you're writing a podcast about someone,

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<v Speaker 2>this is a good example of the type of time

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<v Speaker 2>jump where you just skip those eight years, nice and clean.

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<v Speaker 2>But this is the story of Go Boy, where too

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<v Speaker 2>much happens all the time, so we'll skim jellybeans were

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<v Speaker 2>in sixty three, he starts writing. After twenty three months

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<v Speaker 2>in the hole. He sent to Manitoba, then to Quebec,

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<v Speaker 2>where he was finally paroled. He got a job laying brick,

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<v Speaker 2>but then he was arrested for conspiring to rob a brinkstruck,

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<v Speaker 2>which is how in late nineteen seventy he found himself

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<v Speaker 2>for the first time in many years, entering through the

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<v Speaker 2>gates of the Kingston penn back where he started. Okay,

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<v Speaker 2>so that gets us from sixty three to seventy one.

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<v Speaker 2>But the most important thing for our story is that

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<v Speaker 2>throughout these seven plus years, while Nixon was being elected

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<v Speaker 2>and the Beatles were making Sergeant Pepper's and Neil Armstrong

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<v Speaker 2>was walking on the moon, Roger was writing and revising

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<v Speaker 2>and rewriting, and his pages would always come with him

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<v Speaker 2>from place to place, and by nineteen seventy one he

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<v Speaker 2>do a lot of writing, not in his cell but

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<v Speaker 2>in the KP library, where he was finally bold enough

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<v Speaker 2>to share his work with someone other than his sister.

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<v Speaker 1>I went to work in the library there, Kitty, with

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<v Speaker 1>all of my scrippers and the library and encourage to

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<v Speaker 1>be the writing book.

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<v Speaker 2>Roger had been sharing some of the sections of his

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<v Speaker 2>manuscript with the librarian and he told Roger that he

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<v Speaker 2>thought he really had something here.

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<v Speaker 4>And then that's when he started talking, I probably got

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<v Speaker 4>enough material here for a book, And I say why not?

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<v Speaker 4>Why not? And he was really excited about telling me

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<v Speaker 4>about that.

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<v Speaker 2>In the letters, Roger's manuscript had ballooned to eighteen hundred pages,

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<v Speaker 2>and those pages had become the center of his whole life.

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<v Speaker 2>He'd spent so many years looking over his shoulder, being

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<v Speaker 2>hyper vigilant about his surroundings just to survive. But when

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<v Speaker 2>he started thinking about a book, all the preoccupations of

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<v Speaker 2>the institution kind of faded into the background. The project

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<v Speaker 2>of his book was all encompassing, and there's almost no

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<v Speaker 2>room anymore for the day to day dramas of the prison.

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<v Speaker 2>But whether he was paying attention or not, there was

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<v Speaker 2>something in the air at the Kingston Penitentiary in nineteen

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<v Speaker 2>seventy one. A pressure was building in the institution and

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<v Speaker 2>things were about to explode. The prisoners had learned of

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<v Speaker 2>a new super maximum security prison that was being built

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<v Speaker 2>eighteen miles away, called Millhaven, or ironically the Haven for short,

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<v Speaker 2>and it was almost ready to open. The Kingston pen

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<v Speaker 2>was nearly a century and a half old by this point,

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<v Speaker 2>so the powers that be began pouring millions of dollars

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<v Speaker 2>into the prison that would one day replace it, and

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<v Speaker 2>everything the prisoners heard about Milhaven's design filled them with dread.

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<v Speaker 2>It was going to have more gun towers than the pen,

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<v Speaker 2>more razor wire, and a fleet of attack dogs. There

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<v Speaker 2>were rumors that every cell would have a solid steel

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<v Speaker 2>door instead of bars, every cell would have security cameras,

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<v Speaker 2>and every room would be bugged by state of the

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<v Speaker 2>art voice recorders, listening in on and recording their every move,

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<v Speaker 2>their every conversation. And this was all on top of

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<v Speaker 2>the changes they'd been observing at KP. Everything was more

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<v Speaker 2>locked down than ever, The food was worse, the punishment

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<v Speaker 2>more severe, and the mutual respect that was once possible

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<v Speaker 2>between guard and inmate was a dinosaur of an earlier era.

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<v Speaker 2>Roger was less invested in all this angst than an

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<v Speaker 2>earlier version of him might have been, because he had hope,

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<v Speaker 2>hope that his lawyer would help him overturn this wrongful

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<v Speaker 2>conviction in appeal, and he had hope in the form

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<v Speaker 2>of his eighteen hundred pages, that one day he'd be

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<v Speaker 2>able to do something with him. He had convinced himself

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<v Speaker 2>that these pages had value. But on April fourteenth, nineteen

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<v Speaker 2>seventy one, the Kingston Penitentiary was about to become an

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<v Speaker 2>all time bad place to have anything of value. On

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<v Speaker 2>April fourteenth, the first dozen inmates were moved from KP

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<v Speaker 2>to Millhaven, so the abstract boogeyman of this new prison

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<v Speaker 2>had finally arrived at their door. Tension was at an

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<v Speaker 2>all time high. Prisoners had been speaking in hushed tones

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<v Speaker 2>for months about what they could do to stop this

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<v Speaker 2>transfer to Millhaven from happening, and they've been brainstorming about

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<v Speaker 2>what sort of power play they could make to fight

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<v Speaker 2>against it. But when you pulled the threads apart to

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<v Speaker 2>trace what triggered the most horrifying thing to ever happen

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<v Speaker 2>in the Canadian prison. It started with a dress code

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<v Speaker 2>violation when we went on our tour of the Kingston Penitentiary.

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<v Speaker 2>In this one part, we walked into what looks like

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<v Speaker 2>a big gymnasium like you'd see in high school, and

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<v Speaker 2>to get in, there's a couple checkpoints with steel gates

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<v Speaker 2>in this little bottleneck just before you walk in and

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<v Speaker 2>through this bottleneck is where the inmates would pass into

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<v Speaker 2>the gym where they would have their recreation time. They

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<v Speaker 2>could exercise, play a game, or often they would just

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<v Speaker 2>watch TV. I think they were a hockey game.

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<v Speaker 3>And then it was basically somewhere on this segment when

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<v Speaker 3>the riot started.

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<v Speaker 2>To keep the groups manageable, the guards would bring inmates

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<v Speaker 2>through the checkpoints to the recreation area only twenty men

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<v Speaker 2>at a time. So it was in one of these

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<v Speaker 2>checkpoints with steel bars all around them that guard named Decker,

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<v Speaker 2>when glancing at an inmate named Knight, spotted a dress

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<v Speaker 2>code violation. KP had a strict dress code that was

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<v Speaker 2>enforced at all times that included, among other things, having

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<v Speaker 2>your shirt tucked in. We stood in the exact corridor

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<v Speaker 2>where this happened. I would imagine it was a long

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<v Speaker 2>partner wow a guard stand Tucker shirt at tuck that

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<v Speaker 2>shirt in. The guard barked at the exact wrong inmate

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<v Speaker 2>on the exact wrong days. Everyone in the checkpoint waited

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<v Speaker 2>to see what Billy Knight would do, to see how

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<v Speaker 2>this most respect of inmates would react to the upity

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<v Speaker 2>tone of this cocky twenty seven year old guard. They

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<v Speaker 2>didn't need to wait for very long, because Knight swung

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<v Speaker 2>a sudden punch to the stomach of Decker and yelled,

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<v Speaker 2>that's the last order you're going to give. Within seconds,

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<v Speaker 2>the inmates had the keys to get through the next barrier,

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<v Speaker 2>where they overpowered the next guard and moved into the area.

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<v Speaker 2>After that, they were making a break for the center Dawn,

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<v Speaker 2>the effect of control center of the whole institution, where

0:14:35.720 --> 0:14:38.920
<v Speaker 2>they knew that if they got control of that, the

0:14:38.960 --> 0:14:43.080
<v Speaker 2>prison would be theirs. While all this was going on,

0:14:43.560 --> 0:14:46.760
<v Speaker 2>Roger was sitting quietly in his cell when he heard

0:14:46.800 --> 0:14:50.360
<v Speaker 2>the sound of yelling in the distance. Where were you

0:14:50.640 --> 0:14:52.680
<v Speaker 2>on April fourteenth, nineteen seventy one.

0:14:53.040 --> 0:14:55.400
<v Speaker 6>I was where I wish I wouldn't have been. I

0:14:55.440 --> 0:14:58.560
<v Speaker 6>was in Kingston Penitentiary just before it exploded.

0:14:58.760 --> 0:15:00.680
<v Speaker 2>D Roger will take a break and then we'll come

0:15:00.720 --> 0:15:04.400
<v Speaker 2>back and find out what did happen when somebody yelled bingo.

0:15:08.440 --> 0:15:11.840
<v Speaker 2>In short order, the rogue inmates had captured six of

0:15:11.880 --> 0:15:15.320
<v Speaker 2>the guards, taken them prisoner, and locked them up in

0:15:15.400 --> 0:15:20.600
<v Speaker 2>their cell block. Word deliriously spread that the inmates had

0:15:20.600 --> 0:15:23.400
<v Speaker 2>taken control of the place, as they said about the

0:15:23.560 --> 0:15:27.720
<v Speaker 2>urgent task of freeing every inmate in the pen. Some

0:15:27.840 --> 0:15:30.720
<v Speaker 2>cell blocks were a cinch to unlock and required just

0:15:30.760 --> 0:15:34.000
<v Speaker 2>a spinning of the wheel to open, while with others

0:15:34.360 --> 0:15:37.560
<v Speaker 2>they needed to smash their way in by ripping the

0:15:37.600 --> 0:15:41.440
<v Speaker 2>bars clean out of the wall. One by one, the

0:15:41.480 --> 0:15:45.640
<v Speaker 2>men ran to the dome, whooping and hollering, disbelieving this

0:15:45.800 --> 0:15:49.840
<v Speaker 2>sudden twist in their Wednesday evening. What were they going

0:15:49.920 --> 0:15:55.160
<v Speaker 2>to do with this unlikeliest of opportunities. Well, I'll tell

0:15:55.200 --> 0:15:58.320
<v Speaker 2>you the first thing they did. They smashed the shit

0:15:58.480 --> 0:16:02.680
<v Speaker 2>of the Kingston Penitentiary bell. Today you can go and

0:16:02.720 --> 0:16:06.040
<v Speaker 2>see what remains of it at the Canadian Penitentiary Museum.

0:16:06.280 --> 0:16:09.280
<v Speaker 2>During the riot, this was such a focal point of

0:16:11.240 --> 0:16:14.160
<v Speaker 2>all their aggression and all their like let's take it

0:16:14.200 --> 0:16:16.360
<v Speaker 2>out on the bell. One can't help but think of

0:16:16.400 --> 0:16:19.360
<v Speaker 2>the scene with the printer from Office Space one of

0:16:19.400 --> 0:16:22.200
<v Speaker 2>their things was not just take it, not just to

0:16:22.200 --> 0:16:24.520
<v Speaker 2>assemble it, but to smash it as many pieces as

0:16:24.520 --> 0:16:26.920
<v Speaker 2>they can. So it's amazing they actually have it here

0:16:27.120 --> 0:16:31.320
<v Speaker 2>with the actual pieces. Wow. There's a newspaper headline framed

0:16:31.400 --> 0:16:36.360
<v Speaker 2>above the bell remains that reads, Jangling Bell tolls no longer.

0:16:36.800 --> 0:16:39.960
<v Speaker 2>And the destruction of the bell was just the beginning.

0:16:40.120 --> 0:16:42.600
<v Speaker 2>The prisoners have done some damage. They've smashed the three

0:16:42.720 --> 0:16:45.840
<v Speaker 2>chapels and destroyed most of the locking systems throughout the

0:16:45.880 --> 0:16:49.680
<v Speaker 2>cell block they occupy. They broke windows, kicked in doors,

0:16:49.800 --> 0:16:54.360
<v Speaker 2>and broke every breakable thing there was. It was complete mayhem,

0:16:54.680 --> 0:16:59.000
<v Speaker 2>complete disorder. And after the initial wave of joy and

0:16:59.080 --> 0:17:02.640
<v Speaker 2>anger and revel on the physical, it was time to

0:17:02.720 --> 0:17:06.120
<v Speaker 2>think about what their next move was. With the six

0:17:06.200 --> 0:17:09.000
<v Speaker 2>guards in their custody, they knew they had a very

0:17:09.000 --> 0:17:12.520
<v Speaker 2>strong bargaining tip. If the inmates really were planning on

0:17:12.640 --> 0:17:15.920
<v Speaker 2>getting some sort of message out to the public about

0:17:15.960 --> 0:17:18.480
<v Speaker 2>how poorly they were being treated at the hands of

0:17:18.520 --> 0:17:22.040
<v Speaker 2>the Canadian penal system and how afraid they were about

0:17:22.040 --> 0:17:26.200
<v Speaker 2>what waited for them in Millhaven, they had a horrified

0:17:26.280 --> 0:17:31.439
<v Speaker 2>nation's undivided attention. In Kingston, Ontario, prisoners hold six guards

0:17:31.480 --> 0:17:35.040
<v Speaker 2>and insist their demands be met or else the inmates

0:17:35.119 --> 0:17:39.160
<v Speaker 2>needed to figure out what to do with their hostages. There,

0:17:39.160 --> 0:17:41.760
<v Speaker 2>of course, were some who wanted to just kill the

0:17:41.760 --> 0:17:46.080
<v Speaker 2>guards and not let this opportunity slide by, while others

0:17:46.240 --> 0:17:49.840
<v Speaker 2>wanted to protect the guards because without them there was

0:17:49.920 --> 0:17:53.119
<v Speaker 2>nothing stopping the police from just shooting their way in

0:17:53.440 --> 0:17:57.080
<v Speaker 2>to regain control. But aside from the guards, there was

0:17:57.119 --> 0:18:00.600
<v Speaker 2>another group of hostages. There was even more disagreement over

0:18:01.600 --> 0:18:05.800
<v Speaker 2>the undesirables. The undesirables are the men at the very

0:18:05.840 --> 0:18:10.320
<v Speaker 2>bottom of the inmates social order, the rapists, child abusers,

0:18:10.480 --> 0:18:14.359
<v Speaker 2>pedophiles and informants who were kept in Cell Block one D.

0:18:15.400 --> 0:18:19.200
<v Speaker 2>The undesirables are kept completely separate from the general population

0:18:19.560 --> 0:18:23.000
<v Speaker 2>for their own safety. If the main population ever got

0:18:23.040 --> 0:18:25.879
<v Speaker 2>their hands on them, they try to kill them. So

0:18:26.000 --> 0:18:29.600
<v Speaker 2>now that the prison had fallen, the fate of Cell

0:18:29.600 --> 0:18:33.119
<v Speaker 2>Block one D was very much in jeopardy, but for

0:18:33.200 --> 0:18:36.960
<v Speaker 2>the time being, the riot leaders wanted to keep them safe.

0:18:37.000 --> 0:18:40.240
<v Speaker 2>The inmates appointed a committee to speak on their behalf,

0:18:40.720 --> 0:18:44.040
<v Speaker 2>and the two sides would meet regularly, giving updates and

0:18:44.119 --> 0:18:49.359
<v Speaker 2>passing along their demands to the media. Number one medication

0:18:49.680 --> 0:18:53.800
<v Speaker 2>for those who need it. Number two food they needed

0:18:53.840 --> 0:18:57.080
<v Speaker 2>to feed their hostages and insisted on control of the kitchen,

0:18:57.480 --> 0:19:01.520
<v Speaker 2>and three security. They wanted assurance that there would be

0:19:01.560 --> 0:19:05.119
<v Speaker 2>no surprise offensives that would jeopardize the lives of inmate

0:19:05.320 --> 0:19:10.160
<v Speaker 2>and guard alike. At the bargaining table, the discussions appeared

0:19:10.200 --> 0:19:14.200
<v Speaker 2>civil and well organized and intentioned, but everything was that

0:19:14.320 --> 0:19:18.720
<v Speaker 2>a stalemate, with neither side budging. Many members of the

0:19:18.760 --> 0:19:21.359
<v Speaker 2>public had no idea of the state of things on

0:19:21.400 --> 0:19:24.600
<v Speaker 2>the inside, and found it easy to empathize with the

0:19:24.640 --> 0:19:28.159
<v Speaker 2>inmates who'd been suffering out of sight of Canadian society

0:19:29.080 --> 0:19:32.560
<v Speaker 2>outside the wall. The police had the place surrounded and

0:19:32.600 --> 0:19:35.800
<v Speaker 2>the Canadian Armed Forces were called in as the riot

0:19:35.960 --> 0:19:40.560
<v Speaker 2>became the top story in the nation. But inside the prison,

0:19:41.200 --> 0:19:46.200
<v Speaker 2>the main persistent thing was the cold. They'd recklessly smashed

0:19:46.320 --> 0:19:49.360
<v Speaker 2>so many windows that the place felt like a Nordic castle,

0:19:49.840 --> 0:19:53.400
<v Speaker 2>with the icy wind coming off Lake Ontario chilling them

0:19:53.440 --> 0:19:55.760
<v Speaker 2>to the bone. As they ran low on things to

0:19:55.840 --> 0:19:59.520
<v Speaker 2>keep the fires burning, Roger took the time to explore

0:19:59.560 --> 0:20:02.040
<v Speaker 2>the place to see if he could find some snacks.

0:20:02.080 --> 0:20:05.240
<v Speaker 2>At first, and a little later he was involved in

0:20:05.280 --> 0:20:08.440
<v Speaker 2>the making and hanging of one of the lasting images

0:20:08.520 --> 0:20:12.040
<v Speaker 2>of the riot. The banner hung out the top dome window,

0:20:12.119 --> 0:20:17.679
<v Speaker 2>which read under new management. Roger claims to have been

0:20:17.760 --> 0:20:20.800
<v Speaker 2>part of the group who advocated for keeping the hostages

0:20:20.920 --> 0:20:24.679
<v Speaker 2>safe and alive. There was a small group who worked

0:20:24.680 --> 0:20:28.080
<v Speaker 2>in shifts to safeguard the prisoners from the wolf packs

0:20:28.080 --> 0:20:32.160
<v Speaker 2>who roamed the cell blocks thirsty for blood. But after

0:20:32.200 --> 0:20:36.520
<v Speaker 2>a few days it became apparent that whatever civility had

0:20:36.560 --> 0:20:38.880
<v Speaker 2>remained among the inmates in the first day or two

0:20:39.520 --> 0:20:44.160
<v Speaker 2>was merely a mirage, and with the combination of the cold,

0:20:44.400 --> 0:20:48.520
<v Speaker 2>the running low on supplies, and the growing desperation, there

0:20:48.560 --> 0:20:51.119
<v Speaker 2>was no way this was going to have a happy ending.

0:20:52.200 --> 0:20:56.600
<v Speaker 2>But no one would believe how horrifying a turn everything

0:20:56.720 --> 0:20:57.560
<v Speaker 2>was about to take.

0:20:58.320 --> 0:21:01.080
<v Speaker 6>Everybody was going a little bit crazy, and they decided

0:21:01.119 --> 0:21:03.439
<v Speaker 6>that they were going to drag the undesirables from d

0:21:03.600 --> 0:21:05.800
<v Speaker 6>block here into the central part of the dome.

0:21:05.920 --> 0:21:08.240
<v Speaker 2>A small group of the most violent men in the

0:21:08.280 --> 0:21:12.000
<v Speaker 2>place said enough was enough. If they were just gonna

0:21:12.040 --> 0:21:14.840
<v Speaker 2>end up rotting away in Millhaven anyway, they might as

0:21:14.880 --> 0:21:17.240
<v Speaker 2>well get to do something they'd always wanted to do.

0:21:18.119 --> 0:21:20.840
<v Speaker 6>They dragged them out, screaming, and they tied them to

0:21:20.920 --> 0:21:24.359
<v Speaker 6>fourteen chairs with wire rope and chained. He held a

0:21:24.440 --> 0:21:25.480
<v Speaker 6>kangaroo court.

0:21:25.400 --> 0:21:28.160
<v Speaker 2>In the central dome of the prison. There's a truly

0:21:28.320 --> 0:21:33.400
<v Speaker 2>theatrical layout. All around the center circle are catwalks four

0:21:33.440 --> 0:21:35.000
<v Speaker 2>stories high.

0:21:34.920 --> 0:21:38.000
<v Speaker 7>All these galities of the nags and demo stairways, and

0:21:38.040 --> 0:21:40.960
<v Speaker 7>all these heart like figures all leaning over the rail

0:21:41.080 --> 0:21:43.720
<v Speaker 7>in a spot like the high dome, shining on the

0:21:43.760 --> 0:21:45.320
<v Speaker 7>floor just like a stage light.

0:21:45.760 --> 0:21:48.399
<v Speaker 2>The leader took the stage and asked the sea of

0:21:48.480 --> 0:21:53.960
<v Speaker 2>faces above him, what shall we do, gentlemen, Cast right them,

0:21:54.320 --> 0:21:58.720
<v Speaker 2>cut their throats, kill them. The faces shouted. As the

0:21:58.760 --> 0:22:04.320
<v Speaker 2>bloodthirsty audience began rhythmically pounding the railings in anticipation. The

0:22:04.359 --> 0:22:08.760
<v Speaker 2>man in the center shouted, the show is about to begin.

0:22:10.040 --> 0:22:13.200
<v Speaker 5>The twelve thirteen chairs were all eye together, and then

0:22:13.200 --> 0:22:15.440
<v Speaker 5>they're rich, realistically tortured.

0:22:16.000 --> 0:22:20.919
<v Speaker 2>At first, the undesirables were beaten with clubs, kicked, slashed.

0:22:21.600 --> 0:22:25.080
<v Speaker 2>Before long, blood began to pool on the dome floor

0:22:25.400 --> 0:22:28.679
<v Speaker 2>as the hundreds looked on, horrified at the violence and

0:22:28.720 --> 0:22:33.320
<v Speaker 2>depravity of their peers. At one point in the proceedings,

0:22:33.680 --> 0:22:37.000
<v Speaker 2>a figure emerged on the makeshift stage to try and

0:22:37.040 --> 0:22:39.200
<v Speaker 2>put a stop to the senseless violence.

0:22:39.920 --> 0:22:42.120
<v Speaker 6>One guy lost his mind for a moment and ran

0:22:42.240 --> 0:22:45.720
<v Speaker 6>into this inner circle where the fourteen undesirables were being tortured,

0:22:46.160 --> 0:22:48.679
<v Speaker 6>and everybody gave a gasp of shocked and said, the

0:22:48.720 --> 0:22:50.320
<v Speaker 6>guy's crazy. He went in there and he says, you

0:22:50.400 --> 0:22:52.880
<v Speaker 6>got to stop this torture. You got to stop this cruelty,

0:22:53.200 --> 0:22:56.200
<v Speaker 6>and biff bang arm bars to the head, boots knives

0:22:56.240 --> 0:22:59.159
<v Speaker 6>at him. He crawled out of the circle just barely alive.

0:22:59.440 --> 0:23:02.520
<v Speaker 6>And that was one example to everybody else. Don't interfere

0:23:02.640 --> 0:23:04.280
<v Speaker 6>or you'll end up tied up to that chair.

0:23:04.920 --> 0:23:07.640
<v Speaker 2>Some of the onlookers would try to slink away from

0:23:07.640 --> 0:23:10.320
<v Speaker 2>the violence and go wander to a different part of

0:23:10.359 --> 0:23:14.080
<v Speaker 2>the prison, but looking away was not an option.

0:23:14.480 --> 0:23:16.720
<v Speaker 6>Sort of wolf packs would roam around and they drag

0:23:16.760 --> 0:23:18.240
<v Speaker 6>the guys out of their cell and you say, come

0:23:18.280 --> 0:23:18.920
<v Speaker 6>back to the dome.

0:23:18.960 --> 0:23:19.920
<v Speaker 1>You need to show a force.

0:23:20.200 --> 0:23:22.320
<v Speaker 6>The army and the prison warden is looking through the

0:23:22.359 --> 0:23:24.360
<v Speaker 6>windows of binnockers and they got to see that there's

0:23:24.400 --> 0:23:24.800
<v Speaker 6>a shower.

0:23:24.960 --> 0:23:28.080
<v Speaker 2>After the initial beating of all the undesirables, they were

0:23:28.119 --> 0:23:31.119
<v Speaker 2>covered in sheets and if you were one of the

0:23:31.200 --> 0:23:34.880
<v Speaker 2>unfortunate souls in the circle, all you could hear were

0:23:34.920 --> 0:23:38.679
<v Speaker 2>the sounds of steel bars snapping bones, the crunch of

0:23:38.720 --> 0:23:42.960
<v Speaker 2>fists breaking noses, the moans of the beaten, and the

0:23:43.000 --> 0:23:46.840
<v Speaker 2>gasps of the horrified crowd. The sounds alone made it

0:23:46.880 --> 0:23:49.480
<v Speaker 2>obvious that not everyone would be making it out of

0:23:49.520 --> 0:23:53.439
<v Speaker 2>the dome alive. One of the main undesirables taking the

0:23:53.480 --> 0:23:57.359
<v Speaker 2>worst of it was a convicted child molester. After having

0:23:57.359 --> 0:24:01.680
<v Speaker 2>his ribs broken, his chair was tipped backward, his head

0:24:02.040 --> 0:24:03.800
<v Speaker 2>bouncing off the cement.

0:24:03.880 --> 0:24:06.800
<v Speaker 1>And the rail walked over and took his knife slacks.

0:24:07.320 --> 0:24:09.880
<v Speaker 1>This guy tied to the chair, crash and sank. Wo

0:24:10.240 --> 0:24:11.160
<v Speaker 1>took a steel mop.

0:24:11.640 --> 0:24:14.480
<v Speaker 2>Actually it wasn't a steel mug. It was a chalice

0:24:14.760 --> 0:24:15.920
<v Speaker 2>stolen from the chapel.

0:24:16.240 --> 0:24:17.840
<v Speaker 1>Fill the steel mop full of blood.

0:24:18.119 --> 0:24:20.359
<v Speaker 5>Look the guy tied up in the chair, hook him

0:24:20.400 --> 0:24:23.480
<v Speaker 5>the eye said, here's to you, sucker, drank the guy's blood,

0:24:24.400 --> 0:24:26.320
<v Speaker 5>took an iron bar and killed the.

0:24:26.240 --> 0:24:30.200
<v Speaker 2>Guy's It was the most savage ending imaginable. In the end,

0:24:30.600 --> 0:24:33.919
<v Speaker 2>two of the undesirables were killed and the rest were

0:24:34.000 --> 0:24:38.480
<v Speaker 2>left barely clinging to life. As the inmates shuffled out

0:24:38.480 --> 0:24:41.720
<v Speaker 2>of the dome, most of them just wanted whatever gate

0:24:41.800 --> 0:24:58.119
<v Speaker 2>they'd opened to hell. To be permanently shut. With the

0:24:58.200 --> 0:25:01.560
<v Speaker 2>end of the riot in sight, Roger took some cellophane

0:25:01.640 --> 0:25:05.439
<v Speaker 2>he'd found in his wanderings and securely wrapped his eighteen

0:25:05.520 --> 0:25:08.800
<v Speaker 2>hundred page manuscript, hoping that he could find a way

0:25:08.840 --> 0:25:11.720
<v Speaker 2>to bring it with him wherever he was about to go.

0:25:12.000 --> 0:25:16.760
<v Speaker 4>I'm sure the pile had to be maybe fourteen sixteen

0:25:16.800 --> 0:25:20.440
<v Speaker 4>inches high or more. That's a lot of sheets. That's

0:25:20.440 --> 0:25:22.320
<v Speaker 4>a lot of sheet, not on how many piles he had.

0:25:22.800 --> 0:25:25.160
<v Speaker 2>Apart from his own life. It was the only thing

0:25:25.240 --> 0:25:27.800
<v Speaker 2>he wanted to bring with him from this cursed place.

0:25:28.400 --> 0:25:31.720
<v Speaker 2>A surrender was brokeered. The military and police moved in,

0:25:32.119 --> 0:25:35.120
<v Speaker 2>and with machine guns trained on them, the inmates came

0:25:35.160 --> 0:25:38.880
<v Speaker 2>out with their hands up, one at a time. When

0:25:38.880 --> 0:25:41.720
<v Speaker 2>it was his turn, Roger emerged from the rubble with

0:25:41.800 --> 0:25:46.119
<v Speaker 2>a cellophane wrapped manuscript held high above his head. He

0:25:46.200 --> 0:25:49.240
<v Speaker 2>pleaded to keep it, but a guard tore the package

0:25:49.280 --> 0:25:52.840
<v Speaker 2>from Roger's hands and tossed it into a heap of garbage.

0:25:53.240 --> 0:25:58.280
<v Speaker 2>As Roger protested in Vain, the horrible misstep that the

0:25:58.280 --> 0:26:01.360
<v Speaker 2>inmates had made by riding when they did was that

0:26:01.480 --> 0:26:05.160
<v Speaker 2>all it really accomplished was that they made their inevitable

0:26:05.200 --> 0:26:09.359
<v Speaker 2>transfer to the Supermax and Millhaven happened ahead of schedule.

0:26:10.320 --> 0:26:13.520
<v Speaker 2>Roger's name was called to board the bus, and when

0:26:13.520 --> 0:26:17.520
<v Speaker 2>the inmates emerged onto the street outside the pen, there

0:26:17.560 --> 0:26:21.240
<v Speaker 2>was a considerable media presence. Many members of the public

0:26:21.359 --> 0:26:24.600
<v Speaker 2>were holding up signs of support and were impressed with

0:26:24.680 --> 0:26:27.480
<v Speaker 2>what the inmates had managed to pull off in their

0:26:27.520 --> 0:26:30.680
<v Speaker 2>effort to get their message out. As the bus drove

0:26:30.720 --> 0:26:34.800
<v Speaker 2>off to Millhaven, the inmates might have thought that maybe

0:26:34.920 --> 0:26:38.359
<v Speaker 2>in the end they had done something that would affect

0:26:38.400 --> 0:26:43.280
<v Speaker 2>positive change, that they had played their hand well, but

0:26:43.359 --> 0:26:46.080
<v Speaker 2>they didn't know what was waiting for them when they

0:26:46.200 --> 0:26:51.080
<v Speaker 2>arrived at the haven. In a lifetime filled with beatings,

0:26:51.560 --> 0:26:53.960
<v Speaker 2>the one that Roger received getting off the bus in

0:26:54.040 --> 0:26:59.400
<v Speaker 2>Millhaven was perhaps the most consequential. When the bus arrived,

0:26:59.560 --> 0:27:02.680
<v Speaker 2>there was a gag of Millhaven guards with their weapons drawn,

0:27:03.480 --> 0:27:06.600
<v Speaker 2>ready to send a very strong message to the newbies.

0:27:06.960 --> 0:27:11.840
<v Speaker 2>Fresh off of taking some of their brothers hostage, Roger

0:27:11.920 --> 0:27:15.280
<v Speaker 2>and his fellow inmates were subject to walking a gauntlet.

0:27:16.880 --> 0:27:20.560
<v Speaker 2>Imagine a beating so bad and cruel that, even given

0:27:20.600 --> 0:27:23.080
<v Speaker 2>what the inmates had just done in KPD, and even

0:27:23.119 --> 0:27:26.359
<v Speaker 2>given the power imbalance that exists between inmates and guard

0:27:27.000 --> 0:27:30.480
<v Speaker 2>that many of the guards forming the Gauntlet would later

0:27:30.720 --> 0:27:34.080
<v Speaker 2>be arrested and tried for what they did to Roger

0:27:34.280 --> 0:27:37.400
<v Speaker 2>and the other prisoners that day. Many of the inmates

0:27:37.400 --> 0:27:41.399
<v Speaker 2>were clubbed and blackjacked and then were dragged inside to

0:27:41.480 --> 0:27:45.760
<v Speaker 2>their new home. And thus the Great Riot of seventy

0:27:45.800 --> 0:27:53.680
<v Speaker 2>one had concluded if their actions did affect any positive change,

0:27:53.760 --> 0:27:59.200
<v Speaker 2>they wouldn't feel it until many years in the future. Okay,

0:27:59.560 --> 0:28:02.960
<v Speaker 2>are you still with me? Good, because here comes the

0:28:03.000 --> 0:28:07.359
<v Speaker 2>fucking crazy part. So, in the aftermath of the riot,

0:28:07.920 --> 0:28:12.680
<v Speaker 2>KP was obviously just a huge mess. Everything was mangled,

0:28:13.040 --> 0:28:16.760
<v Speaker 2>everything was dirty, and so they began the long process

0:28:16.920 --> 0:28:18.280
<v Speaker 2>of cleaning it all up.

0:28:18.640 --> 0:28:21.520
<v Speaker 4>They cleaned out the cells, you know, and everything was

0:28:21.640 --> 0:28:24.160
<v Speaker 4>just tossed, just tossed in the middle of the yard

0:28:24.200 --> 0:28:27.399
<v Speaker 4>in one great, big, great, big pile.

0:28:27.760 --> 0:28:31.119
<v Speaker 2>All the broken glass, bent and damaged cell doors and

0:28:31.160 --> 0:28:35.760
<v Speaker 2>everyone's personal effects, including something very special to Roger, were

0:28:35.800 --> 0:28:39.160
<v Speaker 2>all thrown in one big pile and hauled off to

0:28:39.240 --> 0:28:40.040
<v Speaker 2>the city dump.

0:28:40.280 --> 0:28:43.200
<v Speaker 4>It was all gone, all his work, and that had

0:28:43.240 --> 0:28:47.400
<v Speaker 4>been a few years. Uh, he just figured I've lost

0:28:47.440 --> 0:28:47.760
<v Speaker 4>it all.

0:28:48.200 --> 0:28:52.880
<v Speaker 2>But there was a teacher, one of the school teachers

0:28:52.920 --> 0:28:57.400
<v Speaker 2>who worked inside KP and in the aftermath of the riot,

0:28:57.720 --> 0:29:00.560
<v Speaker 2>this teacher is like, what do you mean there's nothing left?

0:29:00.880 --> 0:29:04.560
<v Speaker 2>I had a perfectly functional classroom with nice chairs and desks,

0:29:04.760 --> 0:29:07.080
<v Speaker 2>and I had things in that classroom that were special

0:29:07.120 --> 0:29:10.000
<v Speaker 2>to me. You knuckleheads just threw it all in the garbage.

0:29:10.760 --> 0:29:13.320
<v Speaker 2>So then this teacher was like, I'm just gonna go

0:29:13.400 --> 0:29:17.400
<v Speaker 2>the dump then to see if anything from my classroom

0:29:17.560 --> 0:29:21.840
<v Speaker 2>is salvageable. And you know what, I don't know if

0:29:21.840 --> 0:29:24.200
<v Speaker 2>that teacher in the end was able to find what

0:29:24.320 --> 0:29:26.920
<v Speaker 2>he was looking for at the dump. I don't know

0:29:26.920 --> 0:29:30.480
<v Speaker 2>if he ended up finding any of his classroom materials

0:29:30.520 --> 0:29:33.840
<v Speaker 2>that he was looking for. All I know is that

0:29:33.960 --> 0:29:38.960
<v Speaker 2>he found something he wasn't looking for, because after a

0:29:39.000 --> 0:29:41.760
<v Speaker 2>time coming through the rubble at the city dump, he

0:29:41.840 --> 0:29:45.160
<v Speaker 2>was thinking about just getting out of there by points

0:29:45.160 --> 0:29:45.520
<v Speaker 2>to his.

0:29:45.600 --> 0:29:48.280
<v Speaker 5>Hand, fell on corner of his package, and out of curiosity,

0:29:48.720 --> 0:29:52.640
<v Speaker 5>he shook it loose and there was my manscript.

0:29:52.160 --> 0:29:53.960
<v Speaker 1>Taged wit is still in pact of.

0:29:54.040 --> 0:29:58.400
<v Speaker 2>My name on picture it. This teacher picks up this

0:29:58.600 --> 0:30:03.800
<v Speaker 2>package in the rubble like it's Jumanji, and he tugs

0:30:03.880 --> 0:30:08.360
<v Speaker 2>at the edge and discovers that Underneath several layers of

0:30:08.480 --> 0:30:14.960
<v Speaker 2>plastic are the words Roger Koran inmate number nine zero

0:30:15.200 --> 0:30:51.440
<v Speaker 2>three three, I Shit You Not. Go Boy is a

0:30:51.440 --> 0:30:56.200
<v Speaker 2>production from Campside Media in partnership with iHeart Podcasts. Listen

0:30:56.360 --> 0:31:00.440
<v Speaker 2>on the iHeartRadio app, Apple Podcasts or wherever you get

0:31:00.440 --> 0:31:04.000
<v Speaker 2>your podcasts. Go Boy was written and hosted by me

0:31:04.440 --> 0:31:08.880
<v Speaker 2>Sam Wellens. Our producer is Rob Lindsay of Paradox Pictures.

0:31:09.480 --> 0:31:13.920
<v Speaker 2>Laine Rose is our senior producer. Sound design, mix and

0:31:13.960 --> 0:31:19.480
<v Speaker 2>engineering by Garrett Tiedemant, original music by Garrett Tiedemant, fact

0:31:19.600 --> 0:31:24.520
<v Speaker 2>checking by Michael Kenyon Meyer. Selected archival clips are from

0:31:24.520 --> 0:31:29.040
<v Speaker 2>CBC Licensing. The book Go Boy was written by Roger Kuran.

0:31:30.040 --> 0:31:35.040
<v Speaker 2>iHeart Podcasts executive producers are Lindsay Hoffman and Jennifer Bassett.

0:31:36.080 --> 0:31:40.120
<v Speaker 2>Special thanks to Kingston Pentitentry Tours and Greg Guthrow from

0:31:40.160 --> 0:31:44.920
<v Speaker 2>Saint Lawrence Parks Commission. Thanks also to Canada's Penitentiary Museum,

0:31:45.360 --> 0:31:50.840
<v Speaker 2>Mike Schreider, Dave Saint Ounge and Correctional Service Canada. Campside

0:31:50.880 --> 0:31:56.240
<v Speaker 2>Media's executive producers are Josh Dean Vanessa, Gregoriatis, Adam hoff

0:31:56.560 --> 0:31:59.880
<v Speaker 2>and Matt cher A special thanks to our Operations to

0:32:00.760 --> 0:32:06.200
<v Speaker 2>Doug Slaywyn Ashley Warren, Sabina Marra, and Destiny Dingle. If

0:32:06.280 --> 0:32:09.200
<v Speaker 2>you enjoyed Go Boy, please rate and review the show

0:32:09.360 --> 0:32:12.400
<v Speaker 2>wherever you get your podcasts. Thanks for listening.