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Speaker 1: Heard around the world on the I Heart Radio app,

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Speaker 1: Apple Podcast or wherever you get your podcast. It's Cannabis

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Speaker 1: Talk one on one with Blue and Hello and welcome

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Speaker 1: to Cannabis Talk one on one, the world's number one

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Speaker 1: source for everything cannabis. My name is Blue. Alongside of

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Speaker 1: me is the world of famous Joe Grand. Thank you Blue,

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Speaker 1: Christopher right, and thank you guys all for listen to

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Speaker 1: our podcast, Cannabis Talk one oh one all around the world.

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Speaker 1: Make sure you check out the website Cannabis Talk one

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Speaker 1: on one dot com, as we are the world's number

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Speaker 1: one source for everything cannabis. We've got so many great

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Speaker 1: articles and blogs on the website. Call us up anytime

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Speaker 1: and go check out the i G pages at Cannabis

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Speaker 1: Talk one on one. Well, Blue is that one, Christopher

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Speaker 1: Rice and I am at Joe Grand Day fifty two

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Speaker 1: and I gotta remind you guys about Advanced Nutrients. They

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Speaker 1: got that complete growing system for cannabis that optimizes all

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Speaker 1: phases and cycles to bring your crops to their true

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Speaker 1: genetic potential. Discover more at Advanced nutrients dot com. Today

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Speaker 1: on the show very special show, Blue Man, I mean

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Speaker 1: the history that I have you guys with this DoD

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Speaker 1: right here. He's not only a Romeo, he is Romeo.

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Speaker 1: And now as you say that, oh no, folks, now

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Speaker 1: Romeo without a written intro. This gentleman and I go

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Speaker 1: back to meeting in the early two thousand's. But before that,

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Speaker 1: he's a radio icon, if I'm not mistaken in St.

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Speaker 1: Louis and did radio out there. So if you were

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Speaker 1: in the St. Louis market, you remember Romeo a k a. Jacques,

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Speaker 1: And then you remember him being an R and B

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Speaker 1: singer with his group called and that was out there

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Speaker 1: and seeing it was then he came to California but

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Speaker 1: signed to come exactly and what label was that signed to? Okay?

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Speaker 1: And then and then, folks, he hooks up with certain

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Speaker 1: cats and before you know it, gets a job at

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Speaker 1: Power one oh six and connects with a member of

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Speaker 1: the three D crew that called the good Fellas, the

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Speaker 1: infamous good Fellas. If you're around Los Angeles nineties two thousands,

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Speaker 1: you know of the good Fellows, folks. They're iconic. Grahamill

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Speaker 1: DJs that were the R and B singer good looking

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Speaker 1: brothers look like Casey and Joejoe rock the mic and

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Speaker 1: then sounded like him too. So these guys not only

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Speaker 1: slept with your mom and your aunt, so they'll look

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Speaker 1: at the history of what they've done in the past.

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Speaker 1: And I say, these guys because the Romeo came with

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Speaker 1: DJ with the good fellows, right, so do your history

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Speaker 1: as you know. So true. And we rock Mikes and

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Speaker 1: other cities, other states, other countries, and we go back

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Speaker 1: like four flats. And I mean, this guy and I

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Speaker 1: have done so many crazy things together. It is a

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Speaker 1: blessing and a joy to welcome on our show. Who

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Speaker 1: you can look at on I g at Romeo on

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Speaker 1: your radio. Is that who I'm talking about? And you

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Speaker 1: can listen to him Monday through Friday on three k days.

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Speaker 1: Are that station to either one of them? Past five

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Speaker 1: is the one he's on the other one I'm making

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Speaker 1: up Hey day. Welcome, ladies and gentlemen, my brother from

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Speaker 1: another mother. Romeo is not trying to show Bay with

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Speaker 1: your sports, your live at the Acadabis talk what I was.

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Speaker 1: That's why he didn't. That is he knows that from

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Speaker 1: my intro at Power one oh six. And that's why

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Speaker 1: it's so funny for you. He called on them, but

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Speaker 1: you already know it is so great to have you

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Speaker 1: on the show like this with us, and and and

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Speaker 1: see my family blue and meet my brother from another

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Speaker 1: mother is now you guys, tell him we're dating? Right

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Speaker 1: and now you guys are what we've been dating. But

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Speaker 1: I want you, I'm saying you tell him we're actually dating.

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Speaker 1: Not yet, but he'll figure it out. He also know

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Speaker 1: your knuckles coming out. Check this out. And because he's

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Speaker 1: here sitting right next to you, I mean I am

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Speaker 1: officially dope on i G. He's gonna be performing at

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Speaker 1: the Burning Trees Festival as well as Romeo on your

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Speaker 1: radio hosting the damn thing August with the lineup that's ridiculous.

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Speaker 1: You heard it every time all the time you're on

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Speaker 1: the show. If you don't know Rick Ross, Ludicrous Buster, Rmes,

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Speaker 1: Soldier too short, I mean, just do you name it.

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Speaker 1: They're gonna be their Rome Mills and be on stage.

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Speaker 1: Who else is gonna be on stage? Keen dope right there?

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Speaker 1: I am officially dope on IG. Welcome to the show,

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Speaker 1: my brother having me, Thank you for having thank you

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Speaker 1: for coming as well. So I want you to ad

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Speaker 1: live and have some fun with us. But going back, Romeo,

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Speaker 1: I want people to hear that struggle real quick, because

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Speaker 1: now you're doing mornings at Kadid and everybody can hear that.

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Speaker 1: But I mentioned that St. Louis ship like this, give

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Speaker 1: us that history of that struggle. When did you want

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Speaker 1: to get into radio? How did it happen? How did

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Speaker 1: you hook up with DJ become the Good Phills? Was

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Speaker 1: it a solo act that became the double actor, became

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Speaker 1: the three actor? One got kicked out, became the two actor.

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Speaker 1: Give us the rundown Dog. Oh, it was all over

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Speaker 1: the places, just trying to find our happiness. You know

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Speaker 1: what I'm saying. No, I'm miss start in St. Louis.

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Speaker 1: We came to a breaking pot. We said we need

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Speaker 1: to go in astern New York or we're going west

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Speaker 1: to l A. We grew up in the snow. We said,

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Speaker 1: it's not it's not even a question. We're going to

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Speaker 1: the West coast. Packed up, moved out to the West coast.

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Speaker 1: Touchdown out here, bro, and you already know what it is.

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Speaker 1: I moved out here while I traded my Mustang Virgo

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Speaker 1: Mustang for the five point five point five traded Society. Yes, yeah,

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Speaker 1: same bro, of course, black on black with mine and

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Speaker 1: I traded for a path finder. I only have five

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Speaker 1: hundred bucks in my pocket. I knew I couldn't keep paying. Note,

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Speaker 1: I just need to get out to l A. Got

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Speaker 1: out to l A, Carl got Repo, had to go

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Speaker 1: eat at Alpha Pocos on suthset like two years for

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Speaker 1: happy hour. Of course, if you buy a drinking to

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Speaker 1: eat for free, that's how I survived. And then also

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Speaker 1: you looked at with my conception. I'm in the city

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Speaker 1: of Carson, I'm doing studios, I'm making record and I

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Speaker 1: meet Sean Juan legendary. Sean want to rescuing peace from

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Speaker 1: the neighborhood. Not rescue Peace's easy in prison, right yeah, yeah,

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Speaker 1: rest easy, bros. I'll tell you right now. But easy

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Speaker 1: one to say, y'all want to work at Power. One

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Speaker 1: of those cities were like, Yo, we want to before ya,

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Speaker 1: but they're paying an exitmount of dollars an hour. Like

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Speaker 1: how We're like, where the hell did we sign this? Yeah?

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Speaker 1: That turned to the tape prayed out in front of

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Speaker 1: the building on twenty six hundred West Allis. I think

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Speaker 1: Maria wanted it was a program the record used director

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Speaker 1: at the time he turned it wasn't Jimmy still, I'm

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Speaker 1: gonna read Jimmy wasn't there yet because the Bakers was still.

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Speaker 1: Jeff Garcia auditioned just on a Saturday, and he said,

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Speaker 1: I know you already had the Baker Boards. They're a

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Speaker 1: great duo, but if you let these tests it away,

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Speaker 1: you would be sorry. And that's how we got Jeff

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Speaker 1: Jeff Garcia. That's how far back it goes broke Man

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Speaker 1: shout to Jeff Garcia. Yeah, Jeff, no way, So you

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Speaker 1: got to grow up with them. Jimmy came in. Who

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Speaker 1: hired Jimmy, Well we got in right before Jinny, but

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Speaker 1: it was Steve Smith who looked like, yeah, exactly. The

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Speaker 1: great program energy. We worked four ships on on the

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Speaker 1: weekend because we couldn't do full time yet, but our

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Speaker 1: energy made us through the Saturday morning, Saturday nights, Sunday

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Speaker 1: late night. The Sunday afternoon dn't overnight before you guys

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Speaker 1: came in on Monday morning, so you were already on

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Speaker 1: the afternoon show when I came down are w Usually

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Speaker 1: I started afternoons right on all one, early yo two

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Speaker 1: in the Baker Boar exactly, so that I was already

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Speaker 1: doing more. I thought so because in my hand. I'm like,

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Speaker 1: I think I was already doing the mornings when I

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Speaker 1: remember you guys coming on officially full, I was like,

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Speaker 1: wait a minute, was you? I got confused though I

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Speaker 1: was already doing it that. Yeah, man, you were already

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Speaker 1: in this in the hot seat, bro, And that's how

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Speaker 1: we got so so Roman. You you didn't actually intend

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Speaker 1: on coming here to be a radio host. You, I'm

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Speaker 1: coming out here to be a singer. I wanted to sing,

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Speaker 1: That's all I wanted to do. And you do have

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Speaker 1: a group that you sing. We're still right. Yeah. I

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Speaker 1: have a band right now called Mass Appeal, another band

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Speaker 1: called Dirty Munks. He's gonna be in Vegas start next month.

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Speaker 1: So I mean, and I started that band back in st. Lords.

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Speaker 1: I still go back home and perform with him every

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Speaker 1: now and then. But yeah, man, got a band out

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Speaker 1: here with my brother DJ. He's on the drums and

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Speaker 1: we're still doing it a lot of sing So you

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Speaker 1: give me TV, you get me ready to get my band.

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Speaker 1: I'm good. Yeah, that's it. That's life. And folks listening,

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Speaker 1: he's touching with Art LAbau, He's doing things with Art Lava,

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Speaker 1: talking about that. Excited about that October to eighth, Glenn

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Speaker 1: Helen after the theater, I'll be hosting the Art the

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Speaker 1: Ball concerts. I've been doing that for the last couple

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Speaker 1: of years. He embracing me about four years ago at

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Speaker 1: the Honda cent That's when I met Are the Ball

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Speaker 1: and he and I just clicked. And it'll be some

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Speaker 1: nice art. But like you know, roll me be a

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Speaker 1: little tired. You want to finish the show for me,

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Speaker 1: and everybody would be like, it's never done, but it was.

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Speaker 1: It was just me, be and me, so we connect

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Speaker 1: him and I love it was ninety seven years old. Man,

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Speaker 1: his body is still functioning. He's still doing this thing.

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Speaker 1: But I will be there. I told that Glenn Helen

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Speaker 1: as did all the Art the Bolt concepts I'll be hosting.

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Speaker 1: Know so another thing that chops up from getting in

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Speaker 1: the game. You know. And when you think about art Lebo,

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Speaker 1: you think about the oldies and how much you know

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Speaker 1: that man is effective. I mean I would say that

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Speaker 1: you know, some of you kids listening right now, your

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Speaker 1: parents were you know, conceptualized you while listening to the

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Speaker 1: art LVO. I mean, you gotta if I've throught a while,

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Speaker 1: you know, while the cards but think, yeah, at least

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Speaker 1: some of even some of the kids in this room,

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Speaker 1: probably your parents will listen to Art Lebo and you know,

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Speaker 1: it's an honor, I think to step into that, you know,

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Speaker 1: and have actually be able to fill with those kind

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Speaker 1: of shoes, because not one, not anybody gets that opportunity

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Speaker 1: just to get on stage with the man, two is

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Speaker 1: to be friend of and the three to be able

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Speaker 1: to host and work alongside of that show because it's

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Speaker 1: an iconic show. And you were mentioning that you talking

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Speaker 1: about off air about possibly creating some kind of hip

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Speaker 1: hop cruise cruise. Yeah, Win talks right now doing the

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Speaker 1: hip hop Cruise for the BCC. And now we'll bring

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Speaker 1: some artists to a three day cruise, maybe go to

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Speaker 1: en Sonata, you know, lid to the ocean, having the time.

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Speaker 1: They already had the old school cruise. So this is

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Speaker 1: something we're talking about. Yeah, that's so oh, yeah, that's

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Speaker 1: that's big. That's big. I think it's great too because

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Speaker 1: when I hear you on K Day and we know

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Speaker 1: the history of Radio US coming in, out coming and going,

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Speaker 1: I don't know the story of what happened with human

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Speaker 1: DJ at power. Oh you don't do not interesting. Well,

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Speaker 1: there's three different stories if you depend on who you ask,

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Speaker 1: and that's you, DJ and James. That's probably Jimmy Vales

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Speaker 1: and somebody else talking about it. But let me tell you,

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Speaker 1: I'm glad you brought that up. So imagine two thousand

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Speaker 1: six you're having you're pulling like eleven share in the market.

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Speaker 1: You know how that worked because the book was the

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Speaker 1: rating book was a bible. They sent it out to

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Speaker 1: your home, so people were filling in right, not like

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Speaker 1: we're doing now computer. Yeah, So imagine having that and

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Speaker 1: then being the fifth highest in the country as far

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Speaker 1: as rady, you're coming, Yeah, we're coming for our third

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Speaker 1: year option. You might sit down. They said, we want

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Speaker 1: to go a different director. Indeed, you are not like

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Speaker 1: this is another joke. Questions before ports some jos and

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Speaker 1: us before like we're like, oh, we're about to get punked.

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Speaker 1: We're on the elevator. By time we get out to

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Speaker 1: the car to go, were like, got to you. We

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Speaker 1: got to the car, there was nobody all right. By

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Speaker 1: time we get home, they go like, we're just kidding.

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Speaker 1: We got home the phone anyway, So we never really

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Speaker 1: knew the truth answer to that. Songs they didn't want

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Speaker 1: to go different direction because they want to come back

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Speaker 1: because some money. They saw the music making a change.

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Speaker 1: You know, we're more different type of music coming to

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Speaker 1: the game. We're not sure, right, but they say, you

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Speaker 1: haven't been in the radio until you've been let go

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Speaker 1: of Fire. So we took that with the grain and

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Speaker 1: Salt never had any band. If you never talked Bad

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Speaker 1: or anybody, but what happened, who would imagine k Day

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Speaker 1: Morella Media. In two thousand seventeen and eighteen we biped

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Speaker 1: our one those six and I moved back in the

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Speaker 1: same building I started with and Jimmy and even still

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Speaker 1: there and Bad. So I was like, I'm back, but

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Speaker 1: now I'm back with ownership, so that I'm back in

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Speaker 1: people that got my back. But again, I never had

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Speaker 1: any any angle. Whatever meant to me in some ways

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Speaker 1: saved my life because I was wilding out so Bad

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Speaker 1: magazine and it made me a better So if you

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Speaker 1: already know, so I prepared me for what I'm doing now.

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Speaker 1: And look how I'm back now. I got like ten

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Speaker 1: different things on my plate, you know, and thinking of

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Speaker 1: kat A right, Katy's you know, iconically old school hip hop,

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Speaker 1: you know, and and I think it's one of the

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Speaker 1: original stations in the world, right in the world, like

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Speaker 1: not just you know in l A, but in the world.

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Speaker 1: I think. So is that what for sure? I don't have,

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Speaker 1: but one I don't know, ye, one of the first,

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Speaker 1: one of the first. I know Kevy cab brought hip

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Speaker 1: hop to the Bay Area through Stanford Radio because I

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Speaker 1: remember that's how the hip hop came to the Bay Area.

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Speaker 1: And I know that I know it was DJ Kevy

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Speaker 1: Cava brother out of Stanford Radio guys for early on

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Speaker 1: this and tolect some old East Coast play. What the

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Speaker 1: station at Auck Standard Radio is playing through fucking ship?

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Speaker 1: Like yeah, being sugar Hill Gang and like what is this?

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Speaker 1: But what I love about Kay they was give him

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Speaker 1: back into the game doing morning. It's the same autist

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Speaker 1: we grew up with back in two thousands. So it

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Speaker 1: was kind of like people saying, oh, there you are,

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Speaker 1: so now to my advantage, the same audience that I'm

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Speaker 1: rocking with now was rocking with me in their early

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Speaker 1: two thousands, so we don't get where we left off, right,

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Speaker 1: So you're playing like the current music in the two

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Speaker 1: thousand's and then now you're playing all the current music

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Speaker 1: from the two thousand hits, that one that's perfect. They

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Speaker 1: were driving home from work with you at power and

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Speaker 1: now they're driving to work and I remember listening to

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Speaker 1: the Good Fellas. Man, you know what I'm saying. You

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Speaker 1: guys are like want Tito talk absolutely to the stay

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Speaker 1: a few months ago because Kate with him and John Payne.

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Speaker 1: They blessed John Dave change and when he showed up,

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Speaker 1: he had no did a Baker Boars Who's gonna be

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Speaker 1: to the Baker Boars is on the Friday night show

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Speaker 1: because they do Friday nights? Okay, they they were there,

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Speaker 1: they didn't know Tito was coming. So we bought Tito win.

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Speaker 1: So it was Baker Boars who started with Tito Boars story,

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Speaker 1: Goodfellows who continued his career. We all came together, and

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Speaker 1: then of course death Row blessed with the same you know,

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Speaker 1: speaking of John Payne, you know, me and John go

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Speaker 1: way back. He's a good friend of mine. And and

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Speaker 1: uh I went on a world tour with John. Well,

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Speaker 1: not a world tour. We went to Australia and we

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Speaker 1: did a tour called I think it was America's most

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Speaker 1: Wanted tour, and we we uh me and John built

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Speaker 1: a really good relationship. And then a few years later,

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Speaker 1: if I'm not mistaken, he was one of the owners

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Speaker 1: of death Row right is that? Is that correct? That

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Speaker 1: could be the case? Right right? Yeah, yeah, right there,

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Speaker 1: we got the death Row facts guy right there. Hey

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Speaker 1: k Deve Garrison stories. Oh yeah, he blew and talking

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Speaker 1: right now. We gotta wait. They're gonna release it in

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Speaker 1: due time. But I was sitting there with is Goo

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Speaker 1: Now we were all goosebumps. It was great. Let's take

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Speaker 1: a break, group. We're gonna come back. I am officially

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Speaker 1: Dope King d dot oh dot p dot E performing

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Speaker 1: all the way live as Romeo's hosting with us at

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Speaker 1: the Burning Trees Festival August seven. We're gonna come back,

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Speaker 1: King Do. It's Cannibers Talk one oh one. Will be

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Speaker 1: right back after this. Keep it locked. We'll be right

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Speaker 1: back with Cannabis Talk one oh one. Welcome back to

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Speaker 1: Cannabis Talk one oh one. Are you ready, folks for

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Speaker 1: the biggest concert of the year. It's the Burning Trees

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Speaker 1: Festival August Atalanto, California. Performing live on stage just the

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Speaker 1: Bossom and himself, Rick Ross, Ludicrous Buster Rhymes, Big Draco

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Speaker 1: a k A Soldier Boy, Too Short, Havoc from the

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Speaker 1: Infamous Mob, Deep Extra, the Z Exhibit, and Corrupt Young

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Speaker 1: Gotti for the Dog Pound, all live on stage a

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Speaker 1: twenty seven at the Adalanto Plaza Events Center. Plus we

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Speaker 1: have the World Series of Cannabis presented by cann x Is,

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Speaker 1: I Heart Radio's Cannabis Talk one oh one, Game Day

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Speaker 1: and Green Holdings plus Groups, Game Holding Groups. I messed

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Speaker 1: that up, thank you very much. Groups Freddie all the Time,

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Speaker 1: Green Holding Group, Sorry Freddie, Green Holdings Group, Green Holdings Group. Dudes,

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Speaker 1: the Blacklist and weed Maps. For tickets, go to canexus

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Speaker 1: dot com. That's c A n N e x s

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Speaker 1: dot com. Are listen to K Day in Romeo in

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Speaker 1: the mornings. Dude can hook you up with your tickets

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Speaker 1: there because he's got your tickets. Brother Romeo is so

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Speaker 1: good to have you. And you bring an artist with you,

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Speaker 1: which is funny because guys like us. When I say

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Speaker 1: guys like us, we've been in the game a long

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Speaker 1: time and we're able to see talent and break talent,

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Speaker 1: and we literally broke artists. We've literally you and I

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Speaker 1: went to Eminem's break. There's a lot of artists that

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Speaker 1: we can say we've been doing things like that, right,

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Speaker 1: So you and I know these things we're talking about

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Speaker 1: the plaques that I have here, I got the same

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Speaker 1: black dr dre won all this ship. So when you

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Speaker 1: see an artist like King Dope before we get to

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Speaker 1: talking to him, what is it about King d dot

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Speaker 1: oh dot p dot e where you can see him

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Speaker 1: on Instagram at I am officially Dope. That got Romeo

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Speaker 1: to say, Joe, this dude is something to me and

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Speaker 1: what's your guys business relationship? Well, we just we met.

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Speaker 1: And to me, when I first saw him, I was like, Okay,

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Speaker 1: this dude he got that, he got the energy of

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Speaker 1: being a star and this without even hearing what he

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Speaker 1: brought to the table. Then when I heard it, I

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Speaker 1: was like, okay, I'll see what death throwing with him.

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Speaker 1: I see that because when you think about the future

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Speaker 1: death Row, where it came from thirty years ago, the

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Speaker 1: words going now, this is definitely something as part of

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Speaker 1: the future. So it was a no brainer for me

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Speaker 1: and you know how we are, Joe. When we hear something,

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Speaker 1: if it's sticks, it sticks, and once we inspired and

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Speaker 1: we motivated, we want to speak on it. If we

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Speaker 1: put our name on it, we're endorsing it, we're stamping

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Speaker 1: at right because I get people to come here all

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Speaker 1: the time saying push my product or you got my back,

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Speaker 1: And I was like, not really, you are ready. I

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Speaker 1: told you you gotta come here because you gotta see

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Speaker 1: my product. Yeah, and seeing is believing. That's why we're here.

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Speaker 1: That's why we're sitting here doing this right now. So

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Speaker 1: no brainer, you know what I'm saying. So as we

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Speaker 1: introduced King Dope, when I saw him, like I got

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Speaker 1: I believe in this dude, and I know what he

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Speaker 1: could bring to the table and I've seen him on stage,

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Speaker 1: so the rest is gonna be. So that being said,

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Speaker 1: King Dope, welcome brother. How did you get Are you

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Speaker 1: signed the death Row? You're just working with death Row?

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Speaker 1: What is going on? Man? Death row of the family

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Speaker 1: man at this point right now? You know, not a

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Speaker 1: snoop pass ownership. You know, it's in a huge transition

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Speaker 1: right now, um as far as ownership and legalities and

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Speaker 1: all that stuff. But death Row is definitely the family.

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Speaker 1: They're back in me. So I'm blessed to be a

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Speaker 1: part of the legacy that's going to consinue. How does

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Speaker 1: that bring you in? Because that's that's just like you say, family, right,

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Speaker 1: So you don't just go, hey, I got a cool song.

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Speaker 1: Could I get in a death row? I means over there,

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Speaker 1: you know what going on? I don't happen that way exactly.

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Speaker 1: So my point is that we heard the stories and

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Speaker 1: you were out there. I mean, is it your unqueer dad?

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Speaker 1: Who's you're trying? How do you get in? I mean,

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Speaker 1: it's just it's crazy how God works, man. You know,

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Speaker 1: one night, long story short, I'm at Eric Bellinger's release

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Speaker 1: party at the Bowling Alley with my DJ at the time.

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Speaker 1: Kata was there. You know, you know Okada, you know

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Speaker 1: you know his affiliation with He's been there from the beginning.

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Speaker 1: He is death you know what I'm saying. So I

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Speaker 1: make I make cad that night and we chopped it

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Speaker 1: up for a little bit and then it's just funny.

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Speaker 1: Like I said, I just ended up. I kept running

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Speaker 1: into him at different events, different places. Hey cat, what's up? Man? Hey,

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Speaker 1: what's up? Roll? And we just kept chopping it up.

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Speaker 1: I'm getting more talking about the music and all that stuff.

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Speaker 1: So we started building more of a relationship together, our

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Speaker 1: relationship that we started. Didn't start on some music ship.

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Speaker 1: It was really more so like we started becoming cool.

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Speaker 1: We just started vibing with each other and started seeing

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Speaker 1: each other more often. Then the music stuff came in later.

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Speaker 1: So then once he saw like I'm serious about what

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Speaker 1: I do. You know what I'm saying, Um, I really

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Speaker 1: do this. You know what I'm saying. I'm not somebody

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Speaker 1: who's looking for a handout. I'm not an artist. You

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Speaker 1: gotta babysit, you know. I know the work that it

401
00:18:49,840 --> 00:18:51,240
Speaker 1: takes to put in and I'm going to do that

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Speaker 1: plus ten times more. And I'm gonna show you. Ay,

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Speaker 1: I'm gonna tell you, I'm gonna show you. So then

404
00:18:54,600 --> 00:18:56,720
Speaker 1: once he started to realize that, it just borrows a

405
00:18:56,760 --> 00:18:58,719
Speaker 1: whole lot closer. And then with his Tops to Death Row,

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Speaker 1: it's just kind of been on and now have you

407
00:19:04,640 --> 00:19:07,440
Speaker 1: been on stuff? I mean I heard a track off

408
00:19:07,520 --> 00:19:11,600
Speaker 1: air that was a fucking banger banger than it was nice.

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Speaker 1: It made me. You know, I hate relating artists to

410
00:19:16,200 --> 00:19:18,920
Speaker 1: but remember when slid Boy hit that first, you know,

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Speaker 1: slid bugget as right now that it was such a

412
00:19:22,080 --> 00:19:25,200
Speaker 1: big record, yeah, you know, and and and it's kind

413
00:19:25,200 --> 00:19:27,240
Speaker 1: of a big record, and then I was listening to it,

414
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Speaker 1: I was trying to think outside when I was like,

415
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Speaker 1: who is it that that uh that that I could

416
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Speaker 1: relate to it, you know, and it kind of gave

417
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Speaker 1: me that feel which to me was such an iconic

418
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Speaker 1: big record. What how do you feel about you know,

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Speaker 1: the music that you put out? I mean, you know what,

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Speaker 1: where do you get your your actual spit from? Like

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Speaker 1: you know what, what what error did you grow up

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Speaker 1: in to make you wrap the way you do? Man?

423
00:19:49,359 --> 00:19:52,679
Speaker 1: It's um growing up. I grew up on the nine either,

424
00:19:53,040 --> 00:19:55,280
Speaker 1: you know what I'm saying. I grew up on the

425
00:19:55,359 --> 00:19:56,920
Speaker 1: boom bab you know what I'm saying, along with the

426
00:19:56,960 --> 00:19:58,560
Speaker 1: West Coast and all that stuff. I'm just a fan

427
00:19:58,640 --> 00:20:00,240
Speaker 1: of the culture, you know what I'm saying, and so

428
00:20:00,760 --> 00:20:04,440
Speaker 1: being able to take bits and pieces from all the religence,

429
00:20:04,440 --> 00:20:06,240
Speaker 1: you know what I'm saying. There's ply times when I'll say,

430
00:20:06,320 --> 00:20:09,920
Speaker 1: like um um, Biggie was the one that told me

431
00:20:09,960 --> 00:20:12,080
Speaker 1: how to tell the story wood saying, show the young

432
00:20:12,160 --> 00:20:13,840
Speaker 1: and how to get cream. He forty taught me how

433
00:20:13,880 --> 00:20:15,960
Speaker 1: to hustle every day, you what I mean? Holfe taught

434
00:20:15,960 --> 00:20:17,560
Speaker 1: me how to boss up and stay in my lane.

435
00:20:17,640 --> 00:20:19,119
Speaker 1: Rock Kim taught me how to kill him what the

436
00:20:19,200 --> 00:20:21,359
Speaker 1: fat gold change, and then taught me I can make

437
00:20:21,440 --> 00:20:24,800
Speaker 1: my broms complex lyricism with aggression. Got that from DMX

438
00:20:25,040 --> 00:20:27,280
Speaker 1: now said the brothers Mine Nip gave me the notion

439
00:20:27,440 --> 00:20:29,040
Speaker 1: Pop taught me keep it really. Don't be scared to

440
00:20:29,080 --> 00:20:31,639
Speaker 1: show emotion, you know what I'm saying, Like, that's what

441
00:20:33,400 --> 00:20:38,320
Speaker 1: I'm saying that because I had the questions. You know

442
00:20:38,359 --> 00:20:42,080
Speaker 1: what this guy's called the set up? My partner Blue,

443
00:20:42,160 --> 00:20:50,560
Speaker 1: that's set up. You know what I'm saying. That's where

444
00:20:50,560 --> 00:20:52,159
Speaker 1: I get jealous. That's where I get it from. You

445
00:20:52,200 --> 00:20:53,159
Speaker 1: know what I'm saying. Just want to be in a

446
00:20:53,200 --> 00:20:55,960
Speaker 1: student at the game. Yeah, so now and I feel

447
00:20:56,000 --> 00:20:57,920
Speaker 1: that because again, I think a lot of artists today

448
00:20:58,080 --> 00:21:01,160
Speaker 1: right now we have a different culture, a different generation

449
00:21:01,320 --> 00:21:03,639
Speaker 1: that has a whole different kind of music. I mean,

450
00:21:03,760 --> 00:21:05,280
Speaker 1: we had an artist the other day and I said, look,

451
00:21:05,359 --> 00:21:08,119
Speaker 1: and you guys came out with real tight clothes and

452
00:21:08,240 --> 00:21:10,800
Speaker 1: a different and and and they had that hood in him.

453
00:21:10,800 --> 00:21:12,360
Speaker 1: But you didn't know who was hood and who wasn't

454
00:21:12,440 --> 00:21:14,359
Speaker 1: you know, you can look at an artist like like

455
00:21:14,440 --> 00:21:15,960
Speaker 1: this kid ain't hood, and then all of a sudden,

456
00:21:16,000 --> 00:21:19,040
Speaker 1: he's you know, but he's super hoodie. Um whereas back

457
00:21:19,119 --> 00:21:21,639
Speaker 1: in you know, the nineties, you knew everybody was hoodie

458
00:21:21,640 --> 00:21:23,320
Speaker 1: because the way they dressed, the way they walked, their

459
00:21:23,359 --> 00:21:25,600
Speaker 1: way they talk, they didn't hide anything like that. And

460
00:21:25,680 --> 00:21:28,560
Speaker 1: then the music now is is a little funner. And

461
00:21:28,640 --> 00:21:30,560
Speaker 1: then some of the music what I heard you spit,

462
00:21:30,920 --> 00:21:33,359
Speaker 1: it reminds me of some of the older type music,

463
00:21:33,720 --> 00:21:36,200
Speaker 1: but it's got that young new swang to it. So

464
00:21:36,800 --> 00:21:41,280
Speaker 1: that's something that I think, Um, it's important because for us,

465
00:21:41,480 --> 00:21:44,520
Speaker 1: you know, I mean, you know, Joe is almost ninety, um,

466
00:21:44,760 --> 00:21:50,560
Speaker 1: you know, so it's different. You know, Romeo Romeo's over here,

467
00:21:50,680 --> 00:21:53,680
Speaker 1: uh doing the Art Labou show, so you already know,

468
00:21:54,000 --> 00:21:59,480
Speaker 1: you know, thank you. We had come to Hold on

469
00:21:59,560 --> 00:22:03,560
Speaker 1: Sote Friday. This is his throwback cult and he's trying

470
00:22:03,600 --> 00:22:07,840
Speaker 1: to be an O G with initials on his Yeah,

471
00:22:08,119 --> 00:22:14,000
Speaker 1: he wants to stage. I probably you didn't let me

472
00:22:14,040 --> 00:22:16,600
Speaker 1: be that young player on stage. Look, they're zooming in

473
00:22:16,680 --> 00:22:20,520
Speaker 1: on my shirt. They're like heavy busted on us and

474
00:22:20,800 --> 00:22:23,520
Speaker 1: motherfucker right there and doing everything else the custom No,

475
00:22:23,880 --> 00:22:26,880
Speaker 1: you know, but but I think I think that's that's

476
00:22:26,960 --> 00:22:29,720
Speaker 1: that's a good feel that and especially for the death

477
00:22:29,840 --> 00:22:32,520
Speaker 1: Row you know, legacy and things that are going on.

478
00:22:32,760 --> 00:22:34,439
Speaker 1: You know, they they've got to be careful what they

479
00:22:34,520 --> 00:22:36,920
Speaker 1: come out with. In my opinion, you know, you know,

480
00:22:37,040 --> 00:22:39,199
Speaker 1: death Row get away with anything that want his death Row,

481
00:22:39,280 --> 00:22:42,119
Speaker 1: but at the same time to keep that um you know,

482
00:22:42,280 --> 00:22:45,240
Speaker 1: that level of like who death Row is, it isn't

483
00:22:45,240 --> 00:22:47,440
Speaker 1: gonna be in my opinion, you know, a bunch of

484
00:22:47,520 --> 00:22:50,480
Speaker 1: young just random artists. I think it's gonna have to

485
00:22:50,560 --> 00:22:55,440
Speaker 1: have some real conscious music that has great lyricists. It's

486
00:22:55,440 --> 00:22:58,479
Speaker 1: gonna be a little hoodie. It's naturally gonna have uh,

487
00:22:58,600 --> 00:23:00,639
Speaker 1: that swing to it that a lot of these new

488
00:23:00,720 --> 00:23:04,320
Speaker 1: artists don't have, right and I think, especially with my generation,

489
00:23:04,440 --> 00:23:07,440
Speaker 1: that's something that a lot of artists lack. Um for one,

490
00:23:07,560 --> 00:23:09,320
Speaker 1: just the knowledge of the game. You know what I'm saying.

491
00:23:09,359 --> 00:23:11,240
Speaker 1: No one get history. So the main thing I tried

492
00:23:11,280 --> 00:23:14,359
Speaker 1: to incorporate into my music is staying true to myself,

493
00:23:14,560 --> 00:23:17,240
Speaker 1: but also not forgetting where I came from, not forgetting

494
00:23:17,240 --> 00:23:19,119
Speaker 1: those who influence me, you know what I'm saying. So you,

495
00:23:19,240 --> 00:23:21,680
Speaker 1: like you said, it still has the that vibe and

496
00:23:21,720 --> 00:23:24,360
Speaker 1: that bounced to it from a younger generation. But yeah,

497
00:23:24,359 --> 00:23:27,040
Speaker 1: you can still hear what is reminiscent of and where

498
00:23:27,040 --> 00:23:28,600
Speaker 1: it came from. So that's the main thing I try

499
00:23:28,640 --> 00:23:31,320
Speaker 1: to keep into my music is staying true to myself,

500
00:23:31,600 --> 00:23:33,360
Speaker 1: doing what I do, but at the same time still

501
00:23:33,600 --> 00:23:36,000
Speaker 1: giving it up to those who came before me. One

502
00:23:36,040 --> 00:23:39,159
Speaker 1: thing I will give you advice on it is is

503
00:23:39,600 --> 00:23:41,920
Speaker 1: don't forget who brought you to the dance. You know.

504
00:23:42,200 --> 00:23:44,600
Speaker 1: I say that because a lot of artists, they get

505
00:23:44,600 --> 00:23:47,760
Speaker 1: a lot of little popularity, they start, you know, making

506
00:23:47,800 --> 00:23:50,000
Speaker 1: their moves, and then they forget who brought them in

507
00:23:50,359 --> 00:23:52,359
Speaker 1: and how they got there. And they say that with

508
00:23:52,520 --> 00:23:55,119
Speaker 1: the most respect because I watched a lot of people

509
00:23:55,320 --> 00:23:57,479
Speaker 1: get you. You put people in a position and then

510
00:23:57,520 --> 00:23:59,639
Speaker 1: they forget where they got, how they got there, and

511
00:23:59,720 --> 00:24:01,399
Speaker 1: they it's all good. And then and then you have

512
00:24:01,560 --> 00:24:03,960
Speaker 1: these conversations with them and they're too big to talk

513
00:24:04,000 --> 00:24:07,280
Speaker 1: to you. So don't you know, allow your your success

514
00:24:07,640 --> 00:24:10,000
Speaker 1: to let you forget who brought you to the day. Absolutely,

515
00:24:10,080 --> 00:24:11,960
Speaker 1: it's that you mentioned that because a lot a lot

516
00:24:12,000 --> 00:24:15,120
Speaker 1: of what you're what you're saying right now, it's crazy

517
00:24:15,160 --> 00:24:18,119
Speaker 1: because I put into my songs like specifically something like that,

518
00:24:18,320 --> 00:24:20,000
Speaker 1: I know how you just I gave you a little

519
00:24:20,040 --> 00:24:22,480
Speaker 1: bars about my influence stuff. That's fund how you saying

520
00:24:23,160 --> 00:24:25,000
Speaker 1: don't forget who brought you to the dance, because I

521
00:24:25,119 --> 00:24:28,880
Speaker 1: haven't saying that also goes um, don't never lose sight

522
00:24:28,960 --> 00:24:30,920
Speaker 1: of the people helping you win, because that person that

523
00:24:31,040 --> 00:24:33,359
Speaker 1: you stepped on, you're gonna see him again until you

524
00:24:33,400 --> 00:24:35,399
Speaker 1: look around and see your real ones is missing. You

525
00:24:35,480 --> 00:24:37,119
Speaker 1: got to play, but you forgot who let you in

526
00:24:37,160 --> 00:24:44,720
Speaker 1: the kitchen. What I'm saying, don't forget that another lay

527
00:24:44,800 --> 00:24:50,879
Speaker 1: up and you know what's dope king dope, no pun intended,

528
00:24:50,920 --> 00:24:54,320
Speaker 1: but a great pun. The homage that you paid in

529
00:24:54,440 --> 00:24:56,800
Speaker 1: that rhyme that you did to those artists in the past.

530
00:24:57,160 --> 00:25:01,680
Speaker 1: It was so on point lyrical leave that I don't

531
00:25:01,760 --> 00:25:05,159
Speaker 1: want to lose and not pay you the respect for

532
00:25:05,359 --> 00:25:08,000
Speaker 1: understanding the game like that from a young man that

533
00:25:08,119 --> 00:25:10,560
Speaker 1: I look at and go, thank you, young man for

534
00:25:10,760 --> 00:25:13,840
Speaker 1: paying that knowledge back to the youngsters who don't know

535
00:25:13,960 --> 00:25:16,520
Speaker 1: what you said, because what you said was so accurate

536
00:25:17,400 --> 00:25:22,200
Speaker 1: specie as silly as that rock Him because rock Him

537
00:25:22,280 --> 00:25:24,840
Speaker 1: is so old school right like in my opinion, And

538
00:25:24,920 --> 00:25:27,360
Speaker 1: if you don't know, I'll take seven m season put

539
00:25:27,400 --> 00:25:30,200
Speaker 1: him in a line, and I take seven m season

540
00:25:30,280 --> 00:25:33,520
Speaker 1: take him out at one time. You know what I'm saying.

541
00:25:33,600 --> 00:25:35,879
Speaker 1: If you don't know the lines and you don't know

542
00:25:36,040 --> 00:25:37,920
Speaker 1: where it comes from, and if you don't know he

543
00:25:38,080 --> 00:25:40,840
Speaker 1: was rocking a big fact chain when he said that,

544
00:25:40,960 --> 00:25:43,440
Speaker 1: that goes down as one of the most influential lines

545
00:25:43,640 --> 00:25:46,800
Speaker 1: the history of hip hop ever. And there's seven elements. Folk.

546
00:25:46,840 --> 00:25:49,280
Speaker 1: If you don't know what I'm saying, it it's like

547
00:25:49,640 --> 00:25:52,800
Speaker 1: whoa when you mentioned that, And to me, it's kind

548
00:25:52,840 --> 00:25:55,160
Speaker 1: of like one of the elements saying his fat go change.

549
00:25:55,720 --> 00:25:57,800
Speaker 1: You know what I'm saying, it's kind of in my opinion,

550
00:25:58,119 --> 00:26:00,320
Speaker 1: So when you did that, I just respect you as

551
00:26:00,359 --> 00:26:02,359
Speaker 1: a young man and a hip hop artist for knowing

552
00:26:02,440 --> 00:26:05,920
Speaker 1: that knowledge and using those words to wrap it that way.

553
00:26:05,920 --> 00:26:08,560
Speaker 1: Because I haven't heard anybody it was well said. It

554
00:26:08,680 --> 00:26:10,000
Speaker 1: was well said. I feel like it was an old

555
00:26:10,000 --> 00:26:14,399
Speaker 1: man saying it. I mean, and that that means it.

556
00:26:14,440 --> 00:26:15,960
Speaker 1: Where are you from to have that old soul in

557
00:26:16,000 --> 00:26:18,359
Speaker 1: that knowledge? Would your dad just beat boxing to you

558
00:26:18,400 --> 00:26:20,480
Speaker 1: as a kid? I mean geez, I mean yeah, growing

559
00:26:20,560 --> 00:26:23,240
Speaker 1: up in Inglewood, my people. My box is from New

560
00:26:23,320 --> 00:26:25,040
Speaker 1: York though, you know what I'm saying. So he's the

561
00:26:25,080 --> 00:26:27,240
Speaker 1: one that put me onto like the Boom Batman. So

562
00:26:27,280 --> 00:26:32,600
Speaker 1: I was only listening to you know and Douggie Fresh

563
00:26:32,640 --> 00:26:35,040
Speaker 1: and all them guys and Big walking through the door,

564
00:26:39,760 --> 00:26:42,400
Speaker 1: yeah me and possibly rolling through the city, and that's

565
00:26:42,400 --> 00:26:43,960
Speaker 1: when he was putting me onto like the East Coast

566
00:26:44,119 --> 00:26:46,280
Speaker 1: and just naturally being from the West Coast growing up

567
00:26:46,320 --> 00:26:48,040
Speaker 1: out here, you know you're gonna naturally hear the West

568
00:26:48,320 --> 00:26:50,280
Speaker 1: artists too, So I was I was getting both sides,

569
00:26:50,440 --> 00:26:51,880
Speaker 1: you know what I'm saying, just being around the park,

570
00:26:51,920 --> 00:26:53,600
Speaker 1: hanging around with the home and stuff they bump in

571
00:26:53,680 --> 00:26:56,879
Speaker 1: Pok and Snoop DJ Quick and already at the same time,

572
00:26:56,920 --> 00:26:59,000
Speaker 1: I'm still with my dad listening to Biggie and Met

573
00:26:59,040 --> 00:27:00,680
Speaker 1: the Man and Wu Tang and all these guys. So

574
00:27:01,119 --> 00:27:06,000
Speaker 1: I grew up on that so naturally to the game

575
00:27:07,280 --> 00:27:09,879
Speaker 1: blew up, you know what I'm saying. So that was

576
00:27:09,920 --> 00:27:11,520
Speaker 1: one of my favorite things, just listening to the Big

577
00:27:11,600 --> 00:27:13,439
Speaker 1: yiear early on. When I say Biggie was the one

578
00:27:13,480 --> 00:27:15,600
Speaker 1: that taught me how to tell the story because he

579
00:27:15,840 --> 00:27:18,199
Speaker 1: went still to this day one of the illest storytelling

580
00:27:18,720 --> 00:27:22,840
Speaker 1: rappers and now Larric but it's ability to tell a

581
00:27:22,880 --> 00:27:25,439
Speaker 1: story that's a lost art in today's game as well.

582
00:27:25,640 --> 00:27:27,200
Speaker 1: King Dope. You know when I when I think of

583
00:27:27,280 --> 00:27:29,280
Speaker 1: that myself, you know, I was I was so West

584
00:27:29,359 --> 00:27:31,760
Speaker 1: Coast right because I was here and there was the

585
00:27:31,840 --> 00:27:34,439
Speaker 1: battle going on between the East and Coat West Coast battle, right,

586
00:27:34,480 --> 00:27:36,560
Speaker 1: it was like this whole fucking thing, and and it

587
00:27:36,680 --> 00:27:39,160
Speaker 1: was I was so like I want to say, narrow

588
00:27:39,240 --> 00:27:41,320
Speaker 1: minded at the time, you know, and like Romeo was

589
00:27:41,359 --> 00:27:43,040
Speaker 1: saying earlier, is like, you know, I grew It's probably

590
00:27:43,040 --> 00:27:44,600
Speaker 1: the best thing to save me, like you know, to

591
00:27:44,760 --> 00:27:47,040
Speaker 1: have that break, to be able to kind of look

592
00:27:47,040 --> 00:27:48,360
Speaker 1: back and go do it. I had all this ship

593
00:27:48,480 --> 00:27:51,119
Speaker 1: and now, for whatever reason, it's not there. And then

594
00:27:51,200 --> 00:27:53,680
Speaker 1: it circles back because you were still doing the right things.

595
00:27:54,080 --> 00:27:55,879
Speaker 1: You know. When I when I was young, you know,

596
00:27:55,960 --> 00:27:58,480
Speaker 1: I was so you know, death row, and I was

597
00:27:58,560 --> 00:28:02,440
Speaker 1: so you know what cost that anything? That was like

598
00:28:02,680 --> 00:28:04,399
Speaker 1: you know, even when we take hit, it was like

599
00:28:04,520 --> 00:28:07,080
Speaker 1: nine and it was like biggie hit, I ain't suck

600
00:28:07,119 --> 00:28:08,240
Speaker 1: with it, you know what I'm saying. I don't look

601
00:28:08,240 --> 00:28:10,240
Speaker 1: a big period, you know, And it was just like

602
00:28:10,640 --> 00:28:13,840
Speaker 1: people like you're one of those guys. Yeah, there was

603
00:28:13,880 --> 00:28:17,119
Speaker 1: a lot of you can't. It was just like for

604
00:28:17,320 --> 00:28:19,119
Speaker 1: for me. But then I grew up, you know, a

605
00:28:19,200 --> 00:28:22,040
Speaker 1: fucking screw up got into dot. You know. I grew

606
00:28:22,119 --> 00:28:24,080
Speaker 1: up a little later, and then I started like listening

607
00:28:24,160 --> 00:28:27,960
Speaker 1: to bigg and I'm like, wow, bigg Like Biggie was

608
00:28:28,000 --> 00:28:30,639
Speaker 1: really dope, you know. And and you know, but for us,

609
00:28:30,920 --> 00:28:32,920
Speaker 1: you know, I still go down with you asked me,

610
00:28:33,160 --> 00:28:35,680
Speaker 1: you know who who who? Yeah? I'm Park. You know.

611
00:28:35,760 --> 00:28:39,240
Speaker 1: I I still because I envisioned myself as a ride.

612
00:28:40,480 --> 00:28:42,400
Speaker 1: So I was stuck. I was stuck on Park and

613
00:28:42,440 --> 00:28:44,000
Speaker 1: all that. But as I, you know, grew up a

614
00:28:44,040 --> 00:28:46,320
Speaker 1: little older and started really listening to Biggie and getting

615
00:28:46,320 --> 00:28:49,640
Speaker 1: into those fields, I I allowed myself to open up

616
00:28:49,680 --> 00:28:51,200
Speaker 1: and be like, Wow, this man is really dope. And

617
00:28:51,200 --> 00:28:53,400
Speaker 1: I think you, at a young age, were capable to

618
00:28:53,480 --> 00:28:56,360
Speaker 1: get both, which is gonna be powerful for your career

619
00:28:56,480 --> 00:28:58,480
Speaker 1: moving forward. So what do you got coming up? I

620
00:28:58,520 --> 00:29:00,800
Speaker 1: know you gotta show you talked about coming up? Yeah, man,

621
00:29:01,040 --> 00:29:03,640
Speaker 1: Um Friday, August twenty six, we have the Fox Seat

622
00:29:03,680 --> 00:29:06,960
Speaker 1: and Pomona with DJ Quick, Me and Brosky. Here you're

623
00:29:07,000 --> 00:29:10,280
Speaker 1: gonna be. He's hosting my stead and he's performed with

624
00:29:10,360 --> 00:29:12,800
Speaker 1: me too. You know what I'm saying. So we're about

625
00:29:12,800 --> 00:29:14,120
Speaker 1: to turn that all the way up. You know, we

626
00:29:14,200 --> 00:29:16,880
Speaker 1: got the new the Death Row I p A that's

627
00:29:16,920 --> 00:29:18,640
Speaker 1: in stores now. You know a lot of people don't

628
00:29:18,680 --> 00:29:20,360
Speaker 1: know that Death Row has a drink. They have a

629
00:29:20,640 --> 00:29:28,760
Speaker 1: drink whatever one thing. Uh And this actually, I would

630
00:29:28,800 --> 00:29:30,400
Speaker 1: love you got his input on this because this actually

631
00:29:30,480 --> 00:29:32,280
Speaker 1: kind of just hit me the other day and I

632
00:29:32,440 --> 00:29:34,000
Speaker 1: was at home. I was thinking, I was like, damn,

633
00:29:34,200 --> 00:29:37,080
Speaker 1: it's a record label with a drink. And I started thinking, like,

634
00:29:37,560 --> 00:29:40,520
Speaker 1: this is the first time, Craig, if I'm wrong, is

635
00:29:40,640 --> 00:29:42,600
Speaker 1: this the first time in history that our record label

636
00:29:42,640 --> 00:29:45,720
Speaker 1: has ever had a drink? I mean, well, did he's

637
00:29:45,720 --> 00:29:48,080
Speaker 1: got you know, come on up, come on like walking up,

638
00:29:48,080 --> 00:29:50,160
Speaker 1: walking up? No, but that that that that's the rock.

639
00:29:50,280 --> 00:29:57,640
Speaker 1: But you know, but this is this is right? You know,

640
00:29:57,960 --> 00:30:01,160
Speaker 1: it's Diddy's drink. It's not his labels drink, right if

641
00:30:01,200 --> 00:30:03,440
Speaker 1: I'm not mistaken, So as a label, you know what

642
00:30:03,480 --> 00:30:09,880
Speaker 1: I mean? Yeah, on Motown maybe the Motown not beer though,

643
00:30:10,400 --> 00:30:12,600
Speaker 1: and E forty didn't have Sick with It, so it's

644
00:30:12,640 --> 00:30:14,800
Speaker 1: not like it's Sick with It Records. I think you

645
00:30:14,920 --> 00:30:17,240
Speaker 1: might be right, King, I mean, I'm trying to think

646
00:30:17,920 --> 00:30:19,760
Speaker 1: I was legit setting up the other night to like

647
00:30:19,920 --> 00:30:21,600
Speaker 1: three in the morning, I'm like, damn, Like, am I

648
00:30:21,720 --> 00:30:25,400
Speaker 1: really the first artist in hip hop history to be

649
00:30:25,720 --> 00:30:28,200
Speaker 1: on the can? You scanned? You know, you scanned this

650
00:30:28,320 --> 00:30:30,360
Speaker 1: code right here? You know, might be you're gonna hear

651
00:30:30,360 --> 00:30:32,160
Speaker 1: You're gonna hear my song ar the official theme song

652
00:30:32,200 --> 00:30:34,400
Speaker 1: for the song. So I'm I was thinking, like, damn,

653
00:30:34,440 --> 00:30:36,440
Speaker 1: a my the first artist in hip hop history to

654
00:30:36,520 --> 00:30:40,160
Speaker 1: be on the can of of of a beer? Like

655
00:30:40,520 --> 00:30:42,720
Speaker 1: I'm gonna give you that. Honestly, I could think of

656
00:30:42,840 --> 00:30:45,880
Speaker 1: and I don't know, maybe Soldier Boy. Soldier Boy. First,

657
00:30:46,120 --> 00:30:48,040
Speaker 1: I would just word him. I would I would just

658
00:30:48,760 --> 00:30:50,360
Speaker 1: at the party I told I told him I was

659
00:30:50,400 --> 00:30:55,560
Speaker 1: the first to do that. I thought, I with everything

660
00:30:55,840 --> 00:30:59,800
Speaker 1: just last week, the first on cannabis. Just last week

661
00:30:59,840 --> 00:31:02,040
Speaker 1: we were that his birthday party. We was shopping up.

662
00:31:02,080 --> 00:31:04,320
Speaker 1: I told him, I saying, I love you to death, Draco,

663
00:31:04,480 --> 00:31:06,960
Speaker 1: but I'm the first one to do this. He was like, yeah,

664
00:31:07,240 --> 00:31:09,200
Speaker 1: you right right? So yeah, I told him, and then

665
00:31:09,240 --> 00:31:11,160
Speaker 1: he got the candy. Was like, I'm the first artist

666
00:31:11,240 --> 00:31:15,960
Speaker 1: to be ever death row. Can you know he did? Okay?

667
00:31:16,000 --> 00:31:17,720
Speaker 1: So and the only thing that comes to my mind,

668
00:31:17,800 --> 00:31:20,680
Speaker 1: really heavy and I'm not saying that you're wrong, because

669
00:31:20,680 --> 00:31:22,440
Speaker 1: I think you are right about being the first. But

670
00:31:22,560 --> 00:31:24,680
Speaker 1: Saint Iys did have the Brew, and when Saints was

671
00:31:24,760 --> 00:31:26,680
Speaker 1: doing the Brew, they had a lot of music behind it,

672
00:31:27,040 --> 00:31:28,840
Speaker 1: but I don't think they had them. I know they

673
00:31:28,880 --> 00:31:31,200
Speaker 1: didn't have a QR code on it. You know what

674
00:31:31,280 --> 00:31:33,360
Speaker 1: I mean that that? You know? So that for sure,

675
00:31:33,560 --> 00:31:35,960
Speaker 1: I think you're you're definitely on. And what label would

676
00:31:36,000 --> 00:31:37,200
Speaker 1: be that then, because it would be back in the

677
00:31:37,320 --> 00:31:39,360
Speaker 1: n w A it was a label. I just think

678
00:31:39,400 --> 00:31:43,600
Speaker 1: the artists were behind it, that they might have been

679
00:31:44,160 --> 00:31:49,000
Speaker 1: old English. That's what I was trying to eat, but

680
00:31:49,080 --> 00:31:55,080
Speaker 1: it wasn't like what I was. That's what I would

681
00:31:55,120 --> 00:31:58,959
Speaker 1: really uh the beard, but no death Row label. That's

682
00:31:58,960 --> 00:32:00,360
Speaker 1: what I was really trying to spast if I could,

683
00:32:00,520 --> 00:32:02,240
Speaker 1: I said, I know artists have done something stuff like that.

684
00:32:02,360 --> 00:32:05,440
Speaker 1: I was really trying to specify, Okay, the first time,

685
00:32:11,800 --> 00:32:13,480
Speaker 1: do you even know you're you're putting it out? Yeah?

686
00:32:13,480 --> 00:32:14,680
Speaker 1: I don't think so either. I can't think of it.

687
00:32:14,760 --> 00:32:17,000
Speaker 1: I was trying to think like that. I would like, damn, like,

688
00:32:17,160 --> 00:32:19,160
Speaker 1: am I really the first artist in hip hop history

689
00:32:19,240 --> 00:32:21,520
Speaker 1: to be a PARTI to be a part of this well,

690
00:32:21,600 --> 00:32:23,840
Speaker 1: we challenge anybody to come out and say different until then,

691
00:32:24,040 --> 00:32:25,920
Speaker 1: this is what it is about this. If you know,

692
00:32:26,040 --> 00:32:30,360
Speaker 1: for give us the fact you can always check the

693
00:32:30,400 --> 00:32:32,440
Speaker 1: show and we're always open for that. King Dope. We

694
00:32:32,480 --> 00:32:35,960
Speaker 1: can't wait for see you in the location over there

695
00:32:36,000 --> 00:32:40,520
Speaker 1: in Pomona on Friday seven, folks, you'll be five on

696
00:32:40,720 --> 00:32:45,840
Speaker 1: stage at the Burning Trees Festival next day. Next day, folks,

697
00:32:45,840 --> 00:32:47,600
Speaker 1: say you didn't get a chance to see him at

698
00:32:47,600 --> 00:32:49,840
Speaker 1: an intimate location, you can come see him at a

699
00:32:49,880 --> 00:32:52,960
Speaker 1: poping location that's gonna be up there where. I'm sure

700
00:32:53,040 --> 00:32:54,960
Speaker 1: both places will be cannabis friendly. I know at the

701
00:32:55,000 --> 00:32:57,320
Speaker 1: Burning Trees Festival you could pick up an eath or

702
00:32:57,320 --> 00:33:01,320
Speaker 1: a little more. Right, you can't do that and promote

703
00:33:01,400 --> 00:33:04,760
Speaker 1: I'm just knowing that fact you can't have. You can

704
00:33:04,840 --> 00:33:07,880
Speaker 1: definitely find some ship. You might take something else up

705
00:33:07,920 --> 00:33:15,160
Speaker 1: in d gave me two more facts on that. I'm

706
00:33:15,200 --> 00:33:20,080
Speaker 1: just saying the facts. That is in uh not Eltrad.

707
00:33:20,120 --> 00:33:23,040
Speaker 1: You know where we are with the concert, thank you

708
00:33:23,560 --> 00:33:26,840
Speaker 1: at California Event Center. What's the biggest show you've done

709
00:33:26,840 --> 00:33:28,120
Speaker 1: so far? Because it could be a big one out

710
00:33:28,120 --> 00:33:31,120
Speaker 1: of you mean you got Rick Ross lud Now you

711
00:33:31,160 --> 00:33:33,640
Speaker 1: can I did a show with these kids? Like? Who

712
00:33:33,680 --> 00:33:36,440
Speaker 1: else have you done shows? Because after the seven you're

713
00:33:36,440 --> 00:33:39,520
Speaker 1: gonna have a night still resume, absolutely beat it up.

714
00:33:39,640 --> 00:33:41,880
Speaker 1: This will definitely be the biggest show. Um. I am

715
00:33:41,960 --> 00:33:44,840
Speaker 1: proud to say at this point. One thing that I'll

716
00:33:44,920 --> 00:33:48,120
Speaker 1: stand on is that I've legit throughout my time in

717
00:33:48,200 --> 00:33:51,520
Speaker 1: my career. I was able to open up for every

718
00:33:52,080 --> 00:33:55,480
Speaker 1: every kid you not every artist, every West Coast, artist

719
00:33:55,560 --> 00:33:58,320
Speaker 1: on the coast, everybody except for Kendrick is the only

720
00:33:58,400 --> 00:34:01,040
Speaker 1: one that I get to like some stage with, you

721
00:34:01,080 --> 00:34:03,760
Speaker 1: know what I'm saying. So I'm proud of I'm proud

722
00:34:03,800 --> 00:34:06,240
Speaker 1: of that. But by far, this is gonna be my

723
00:34:06,280 --> 00:34:10,080
Speaker 1: biggest show, the biggest by far. And what song? Can

724
00:34:10,120 --> 00:34:12,960
Speaker 1: we play one of your songs right now? Before? Introduce

725
00:34:13,040 --> 00:34:14,799
Speaker 1: your song? Right now? What song? This training right here

726
00:34:15,000 --> 00:34:17,319
Speaker 1: is for everybody who's out there getting it. Doesn't matter

727
00:34:17,400 --> 00:34:19,120
Speaker 1: what your grind is. I don't care if you shovel

728
00:34:19,200 --> 00:34:21,640
Speaker 1: ship for a living, I don't care if you, uh whatever,

729
00:34:21,800 --> 00:34:23,919
Speaker 1: whatever your grind is, you out there getting your money,

730
00:34:24,080 --> 00:34:27,200
Speaker 1: make it your habit, do it to the fullest, believing yourself,

731
00:34:27,280 --> 00:34:29,279
Speaker 1: believing at the joining right Here's called getting money is

732
00:34:29,320 --> 00:34:31,440
Speaker 1: a habit, you know. Listen to this track right here,

733
00:34:31,480 --> 00:34:33,600
Speaker 1: getting money is a habit. When we come back more

734
00:34:34,080 --> 00:34:38,200
Speaker 1: with King Doe and Romeo. Okay, Day's Cannabis Talk one

735
00:34:38,239 --> 00:34:40,239
Speaker 1: on one will be right back. We'll be right back

736
00:34:40,320 --> 00:34:55,640
Speaker 1: with Cannabis Talk one oh one. Welcome back to Cannabis

737
00:34:55,719 --> 00:34:58,440
Speaker 1: Talk one oh one. Together we can, folks check out

738
00:34:58,480 --> 00:35:01,640
Speaker 1: the hashtag together. We can at Canada devices C A

739
00:35:01,880 --> 00:35:03,960
Speaker 1: N N A D E V I C E S.

740
00:35:04,320 --> 00:35:05,920
Speaker 1: I want to thank the staff and everybody here that

741
00:35:05,960 --> 00:35:09,320
Speaker 1: makes all this show happened. Jan Erica, Daniel cal Christian

742
00:35:09,360 --> 00:35:15,040
Speaker 1: A Christians, Danny p p Funk, Connor, Gabrielle Sagara, Jessica Cash,

743
00:35:15,200 --> 00:35:20,480
Speaker 1: Cam Kimberly, Isaiah Solar, Nadia Ali, Brother Pitt Devin, Chris Franchino,

744
00:35:20,600 --> 00:35:23,600
Speaker 1: Jennifer Elvis and of course Mark Carnes. Thank you guys

745
00:35:23,640 --> 00:35:26,120
Speaker 1: all for doing what you guys do to make this show.

746
00:35:26,480 --> 00:35:29,200
Speaker 1: And welcome back Connor. You look so good. You made

747
00:35:29,239 --> 00:35:32,400
Speaker 1: it back from overseas with longer hair and glowing shorter hair.

748
00:35:33,080 --> 00:35:35,839
Speaker 1: No either way, I think it ordered hair. Don't either way.

749
00:35:35,880 --> 00:35:39,600
Speaker 1: He looks handsome. Romeo and King Dope Romeo of course,

750
00:35:39,760 --> 00:35:42,680
Speaker 1: k Day, King dope, rapping from l A and doing

751
00:35:42,760 --> 00:35:45,239
Speaker 1: his thing grace in the stage. We like to wrap

752
00:35:45,320 --> 00:35:47,160
Speaker 1: up the show doing the high five with you guys.

753
00:35:47,200 --> 00:35:49,040
Speaker 1: I really want to stay long about Romeo is acting

754
00:35:49,080 --> 00:35:52,920
Speaker 1: like an asshole right now. I'm just gonna keep it

755
00:35:52,960 --> 00:35:57,759
Speaker 1: one hunter with meever not but do you want to

756
00:35:57,840 --> 00:35:59,480
Speaker 1: keep asking another question? Do you want to get out

757
00:35:59,520 --> 00:36:01,200
Speaker 1: of here? What do you want you? I want you

758
00:36:01,280 --> 00:36:03,879
Speaker 1: to keep asking me questions? Okay, I respect you don't

759
00:36:03,880 --> 00:36:05,840
Speaker 1: get him out of here? Why do you ask so

760
00:36:05,920 --> 00:36:10,560
Speaker 1: many questions on the show? You how I did him

761
00:36:10,560 --> 00:36:13,879
Speaker 1: on the show was like Joe was like, I'm gonna

762
00:36:13,960 --> 00:36:16,279
Speaker 1: work this guy another twenty. I'll let him go if

763
00:36:16,320 --> 00:36:19,719
Speaker 1: he wants to leave my friends, if you want to.

764
00:36:20,719 --> 00:36:22,120
Speaker 1: I mean, I thought we were hanging out today. I

765
00:36:22,160 --> 00:36:26,319
Speaker 1: didn't know we were home with you too. Yeah, we can't.

766
00:36:27,160 --> 00:36:33,239
Speaker 1: I'll give him a pass as we say and as

767
00:36:33,280 --> 00:36:35,720
Speaker 1: we say these things because I want to ask you something.

768
00:36:36,040 --> 00:36:38,080
Speaker 1: This is so random because I can think of so

769
00:36:38,280 --> 00:36:42,080
Speaker 1: many Oh boy, but as you think of our history, yes,

770
00:36:43,200 --> 00:36:45,000
Speaker 1: just throw a memory because I want to throw one

771
00:36:45,000 --> 00:36:46,520
Speaker 1: out that I think of when I think of you,

772
00:36:46,719 --> 00:36:48,080
Speaker 1: and I want you to think of one that do

773
00:36:48,120 --> 00:36:50,040
Speaker 1: you think of me, and I wanted to share the

774
00:36:50,120 --> 00:36:52,080
Speaker 1: audience and share with my brother. Blew a memory and

775
00:36:52,120 --> 00:36:54,000
Speaker 1: I want to share it with your brother, King Dope

776
00:36:54,000 --> 00:36:55,920
Speaker 1: and everybody listening to memory that I'm gonna pull out.

777
00:36:56,160 --> 00:36:59,239
Speaker 1: So look at me and work like, oh my god,

778
00:36:59,400 --> 00:37:01,000
Speaker 1: this one because I got one for you. That's gonna

779
00:37:03,239 --> 00:37:07,200
Speaker 1: because I got some crazy ones to But yeah, there's

780
00:37:07,280 --> 00:37:10,120
Speaker 1: so many I know, have so many I know, So

781
00:37:10,719 --> 00:37:13,359
Speaker 1: how about this? He forgot your names? Your name again,

782
00:37:14,400 --> 00:37:17,440
Speaker 1: so I can go with sor I want you to

783
00:37:18,040 --> 00:37:21,399
Speaker 1: your here's a story about Romeo Senior job you don't

784
00:37:21,400 --> 00:37:23,560
Speaker 1: even remember you no more. He's on K Day, bro. Listen,

785
00:37:25,480 --> 00:37:34,040
Speaker 1: We're in Hawaii together for Dr Dre Snoop reunion, and

786
00:37:34,400 --> 00:37:38,799
Speaker 1: we're driving mopeds through fucking the whole island together Black

787
00:37:38,880 --> 00:37:43,480
Speaker 1: Diamond Mountain or whatever it's called. Joe Grande, Luscious, Liz, Fuzzy,

788
00:37:43,640 --> 00:37:48,880
Speaker 1: Fan Cab Crazy, Romeo, DJ Crazy, j Felly, Fail Lazy,

789
00:37:49,600 --> 00:37:52,960
Speaker 1: We're all hitting that fucking whole island on fucking scooter.

790
00:37:54,239 --> 00:38:00,279
Speaker 1: Do you remember that? I don't remember how fun was that?

791
00:38:00,840 --> 00:38:03,080
Speaker 1: And not only that, everybody listening to imagine you know

792
00:38:03,120 --> 00:38:04,680
Speaker 1: all this lives. I mean, I could have went to

793
00:38:04,760 --> 00:38:06,640
Speaker 1: Fat Joe with us on stage and can't there's so

794
00:38:06,719 --> 00:38:08,960
Speaker 1: many like you say, but I just don't one of

795
00:38:09,000 --> 00:38:11,799
Speaker 1: those like that and taking you to like how fun

796
00:38:12,400 --> 00:38:14,839
Speaker 1: when we're none of that. We're writing and Lisa are

797
00:38:14,880 --> 00:38:17,120
Speaker 1: a kool Aid who he mentioned was there with her

798
00:38:17,360 --> 00:38:20,719
Speaker 1: man dub Like Dub like all like. There's a lot

799
00:38:20,760 --> 00:38:22,600
Speaker 1: of guys that are still in the game doing heavy,

800
00:38:22,680 --> 00:38:25,440
Speaker 1: big things that were there. Yeah, well that that's one

801
00:38:25,480 --> 00:38:27,439
Speaker 1: thing to touch me, the fact that with all those names,

802
00:38:27,560 --> 00:38:29,759
Speaker 1: pretty much everyone is still doing it, which shows you

803
00:38:30,000 --> 00:38:32,400
Speaker 1: and says something about our error of being on radio

804
00:38:32,520 --> 00:38:36,479
Speaker 1: right and it's just come on, let's talk about this working.

805
00:38:37,280 --> 00:38:39,560
Speaker 1: You know what I'm saying. My girl and who whatever

806
00:38:39,680 --> 00:38:41,960
Speaker 1: thought in the pandemic, I would transition to TV k

807
00:38:42,080 --> 00:38:43,719
Speaker 1: c OP channel. Third thing, I do a news show

808
00:38:43,760 --> 00:38:45,840
Speaker 1: money through Friday called Fox So Black Repoint. So now

809
00:38:45,840 --> 00:38:47,279
Speaker 1: I do Readio. I'll wake up in the morning, I

810
00:38:47,320 --> 00:38:49,400
Speaker 1: give you news at four o'clock. That is a blessing.

811
00:38:49,440 --> 00:38:51,919
Speaker 1: But let's go back to Hawaii. It was a moment

812
00:38:52,040 --> 00:38:54,480
Speaker 1: we were riding around because the Mizzle was there and

813
00:38:54,600 --> 00:38:57,400
Speaker 1: I talked to the guys. Hold on, let me tell

814
00:38:57,400 --> 00:39:00,319
Speaker 1: you a little bit about let's just say, okay, as

815
00:39:00,400 --> 00:39:02,759
Speaker 1: he just throws the name de Mesa. There there's a

816
00:39:02,840 --> 00:39:05,120
Speaker 1: girl that you'll know by one name, and I'm gonna

817
00:39:05,120 --> 00:39:09,520
Speaker 1: say her name by Mariah. Yeah, that's the Mesa. So

818
00:39:09,680 --> 00:39:14,160
Speaker 1: talk about the misle Okay, that's Mariah amplified like Maria

819
00:39:14,400 --> 00:39:19,920
Speaker 1: Desa carry Maria carry yes. Because of him, we were

820
00:39:20,000 --> 00:39:23,520
Speaker 1: in fucking Vegas hanging out with Mariah, sitting with her

821
00:39:23,600 --> 00:39:28,040
Speaker 1: downstairs below the casino where she's like good night, boys,

822
00:39:28,280 --> 00:39:29,600
Speaker 1: to have a great da. We're all looking at her

823
00:39:29,680 --> 00:39:32,520
Speaker 1: like crazy shi okay, but like that was all his

824
00:39:32,719 --> 00:39:35,480
Speaker 1: moves crazy and he was with us. He was there,

825
00:39:35,600 --> 00:39:37,319
Speaker 1: he was at the office with us all the time.

826
00:39:41,520 --> 00:39:43,640
Speaker 1: He's always like, if you with me, you with me.

827
00:39:43,760 --> 00:39:45,360
Speaker 1: And that was a perfect moment because you know what

828
00:39:45,360 --> 00:39:46,920
Speaker 1: I'm saying. She had a very small circle, but we

829
00:39:47,000 --> 00:39:49,359
Speaker 1: got in that circle. Let's go back to Hawaii. Were

830
00:39:50,360 --> 00:39:52,479
Speaker 1: the mountains and I was I looked at the Missa.

831
00:39:52,560 --> 00:39:54,960
Speaker 1: I was like, this is some of the craziest shit ever.

832
00:39:55,080 --> 00:39:57,600
Speaker 1: Like I'm just getting to the radio game and look

833
00:39:57,640 --> 00:40:00,239
Speaker 1: who we're riding with. Just look around and see the name.

834
00:40:00,320 --> 00:40:02,680
Speaker 1: Not to be name dropping, but like it's a lot

835
00:40:02,760 --> 00:40:05,680
Speaker 1: of history, a lot of a lot of testimonies in

836
00:40:05,800 --> 00:40:08,840
Speaker 1: this group, and we just rolled to Hawaii like it's nothing.

837
00:40:10,000 --> 00:40:12,600
Speaker 1: Some players in this group from the Baba and Say

838
00:40:12,680 --> 00:40:15,960
Speaker 1: Louis to New York, come on everywhere until we heard

839
00:40:16,000 --> 00:40:18,560
Speaker 1: this shook touchdown in Hawaii and then everybody was like,

840
00:40:18,640 --> 00:40:23,120
Speaker 1: oh here from the room. You know, that's funny. But

841
00:40:23,160 --> 00:40:25,400
Speaker 1: then and then on some other real clu I remember

842
00:40:25,400 --> 00:40:27,759
Speaker 1: going up to meet him on the Real talk. Big

843
00:40:27,840 --> 00:40:29,719
Speaker 1: and I we rolled up, Oh ship here, let's go.

844
00:40:30,440 --> 00:40:33,320
Speaker 1: Do you show respect because we're players like that and

845
00:40:33,400 --> 00:40:35,920
Speaker 1: you pull up on them. That's a funny, random story

846
00:40:35,960 --> 00:40:37,680
Speaker 1: of like you know, and I can look at you

847
00:40:37,719 --> 00:40:40,040
Speaker 1: and there's just so much history of the things that

848
00:40:40,120 --> 00:40:42,759
Speaker 1: we've done that are iconic like that. They're bringing back

849
00:40:42,880 --> 00:40:45,400
Speaker 1: names like this that are like Demision, Who's Demsion? Like

850
00:40:45,440 --> 00:40:47,680
Speaker 1: you just overlook it and I'm gonna bring up one

851
00:40:47,760 --> 00:40:49,400
Speaker 1: does This is random? But we're back and we're not

852
00:40:49,480 --> 00:40:53,120
Speaker 1: in the Hawaii. We're here in Whittier, Ibiza. You guys,

853
00:40:53,760 --> 00:40:56,399
Speaker 1: morning shows the breakfast. I forgot who was performing that morning.

854
00:40:56,400 --> 00:40:58,640
Speaker 1: I forgot which artists, but it was it was such

855
00:40:58,680 --> 00:41:00,640
Speaker 1: an epic and you and Big had this moment on

856
00:41:00,880 --> 00:41:03,360
Speaker 1: radio because man, we're doing afternoon. We're there with Tito,

857
00:41:03,920 --> 00:41:06,200
Speaker 1: but we would hear y'all at home or sometimes when

858
00:41:06,239 --> 00:41:08,600
Speaker 1: we sleep because we'll be out late. But to sit

859
00:41:08,719 --> 00:41:11,600
Speaker 1: there and to see the magic in front of all

860
00:41:11,680 --> 00:41:14,680
Speaker 1: the listeners in this in this small venue of a visa,

861
00:41:14,719 --> 00:41:19,319
Speaker 1: which is kind of small breakfast breakfast we were in Aye,

862
00:41:19,760 --> 00:41:21,400
Speaker 1: like we work with you all every day, but you

863
00:41:21,560 --> 00:41:24,040
Speaker 1: never know that DJ now was just like, look at

864
00:41:24,080 --> 00:41:26,319
Speaker 1: their chemistry. Now we know why we have to keep

865
00:41:26,360 --> 00:41:28,920
Speaker 1: our game up the park because y'all ship was just

866
00:41:29,080 --> 00:41:33,320
Speaker 1: always a plus, no matter, every break meant something and

867
00:41:33,400 --> 00:41:35,640
Speaker 1: it's stuck where some people didn't radio now like you

868
00:41:35,840 --> 00:41:37,200
Speaker 1: you can lose them easy on the break, you know

869
00:41:37,239 --> 00:41:39,520
Speaker 1: what I mean. It was something simple as being any

870
00:41:39,640 --> 00:41:43,160
Speaker 1: visa in the city of with you're watching y'all because

871
00:41:43,160 --> 00:41:45,759
Speaker 1: that's a magical moment because you're watching that respect in

872
00:41:45,800 --> 00:41:48,759
Speaker 1: the craft couring. That's that's special. Thank you. I was

873
00:41:48,800 --> 00:41:52,480
Speaker 1: watching that as a friend, family, fellow employee, but as

874
00:41:52,560 --> 00:41:55,520
Speaker 1: a fan of what y'all did. And that's why I

875
00:41:55,640 --> 00:41:58,000
Speaker 1: think that error like from time you woke up, tell

876
00:41:58,000 --> 00:42:00,239
Speaker 1: you to sleep at power one or six week listen

877
00:42:00,640 --> 00:42:03,520
Speaker 1: he's got a hall pass for sure with you because

878
00:42:05,280 --> 00:42:09,040
Speaker 1: keep my hall pass than because we got a lot

879
00:42:09,080 --> 00:42:11,560
Speaker 1: of you know, no, listen, listen. I say that because

880
00:42:11,640 --> 00:42:14,120
Speaker 1: that that when I listened to you Romeo say that.

881
00:42:14,280 --> 00:42:17,600
Speaker 1: You know, one, it's hard for artists to look at

882
00:42:17,640 --> 00:42:19,880
Speaker 1: other artists and give them their their their flowers, you

883
00:42:19,920 --> 00:42:21,680
Speaker 1: know what I'm saying, and be like, yo, you guys

884
00:42:21,840 --> 00:42:24,000
Speaker 1: had a great show, that great chemistry, and we have

885
00:42:24,160 --> 00:42:26,200
Speaker 1: to be like that, you know, being able to say

886
00:42:26,280 --> 00:42:28,640
Speaker 1: that's humbling, you know, because you know, when I looked

887
00:42:28,680 --> 00:42:31,319
Speaker 1: at music and entertainment, for me, I never thought I'd

888
00:42:31,320 --> 00:42:34,439
Speaker 1: even be on radio, like I think nothing. This wasn't

889
00:42:34,520 --> 00:42:36,920
Speaker 1: part of my dream, you know. My dream was the

890
00:42:37,040 --> 00:42:39,680
Speaker 1: rap music producing stuff. I was at death Row. I

891
00:42:39,760 --> 00:42:41,680
Speaker 1: was like, Oh, I'm gonna be the first Latin artist

892
00:42:41,719 --> 00:42:44,520
Speaker 1: at death Row to do whatever, you know, it was mine,

893
00:42:44,680 --> 00:42:47,000
Speaker 1: and and and then and then as as I'm I'm there,

894
00:42:47,440 --> 00:42:49,120
Speaker 1: you know, and then I'm like, Okay, I'm gonna start

895
00:42:49,160 --> 00:42:50,680
Speaker 1: doing this, doing that, and and and then all of

896
00:42:50,719 --> 00:42:53,040
Speaker 1: a sudden you realize where you're at and go, wow,

897
00:42:53,160 --> 00:42:55,120
Speaker 1: this makes all the sense in the world why I'm

898
00:42:55,200 --> 00:42:58,279
Speaker 1: here now, you know, it didn't make sense then, but

899
00:42:58,400 --> 00:43:01,080
Speaker 1: now I'm like, okay, production, you know when I was younger,

900
00:43:01,400 --> 00:43:04,080
Speaker 1: production and all these different things. So you know, looking

901
00:43:04,160 --> 00:43:06,560
Speaker 1: at that and looking at a fellow that you've worked

902
00:43:06,600 --> 00:43:09,400
Speaker 1: with for what twenty years now is it twenty years? Been? Probably?

903
00:43:11,000 --> 00:43:13,320
Speaker 1: And then he was I went to nine. I started

904
00:43:13,320 --> 00:43:17,040
Speaker 1: in Power when six is when I started, and then

905
00:43:17,320 --> 00:43:21,880
Speaker 1: Romeo started after me in two. But before time, you

906
00:43:21,880 --> 00:43:24,239
Speaker 1: were part time two thousand. Yeah, so just right after.

907
00:43:24,320 --> 00:43:27,440
Speaker 1: So my point is, and then he said today, so

908
00:43:27,520 --> 00:43:30,759
Speaker 1: I'm my years are so off. Sorry he's losing this.

909
00:43:30,960 --> 00:43:33,360
Speaker 1: You know it's called yeah. That means said that. We

910
00:43:33,440 --> 00:43:35,440
Speaker 1: have so many stories though, like because it was the

911
00:43:35,520 --> 00:43:38,000
Speaker 1: prime and it was the heavy ready for this real spit,

912
00:43:38,520 --> 00:43:41,359
Speaker 1: it was the heaviest Power one oh six was ever

913
00:43:41,680 --> 00:43:45,719
Speaker 1: fucking popular. It was he and these are the guys.

914
00:43:45,880 --> 00:43:49,160
Speaker 1: Like when I'm saying this, people listening, like you may think, oh,

915
00:43:49,400 --> 00:43:52,600
Speaker 1: you're just like I swear to God. If you look

916
00:43:52,680 --> 00:43:55,800
Speaker 1: at numbers, that's how you do ratings and anything. You

917
00:43:55,920 --> 00:43:58,520
Speaker 1: listen to TV today, whatever, If you look at their ratings.

918
00:43:58,560 --> 00:44:00,600
Speaker 1: When him and I were on together, it was the

919
00:44:00,719 --> 00:44:04,040
Speaker 1: highest rated station ever in the history of radio. And

920
00:44:04,400 --> 00:44:06,279
Speaker 1: Los Angele realized I don't even like you. The only

921
00:44:06,360 --> 00:44:08,239
Speaker 1: reason I funk with you is because you actually had

922
00:44:08,320 --> 00:44:12,080
Speaker 1: that big run on Power One. Those six hate that.

923
00:44:12,520 --> 00:44:15,280
Speaker 1: But my point we did it together, and we didn't

924
00:44:15,360 --> 00:44:18,680
Speaker 1: telling me that just everywhere. Yeah yeah, I mean we've

925
00:44:18,719 --> 00:44:20,320
Speaker 1: we've been forting to go around the world and do

926
00:44:20,400 --> 00:44:22,320
Speaker 1: what we do. Man. Everyone knows about Power One of

927
00:44:22,320 --> 00:44:25,319
Speaker 1: those six the good Fellas too. I mean that was iconic. Man.

928
00:44:25,360 --> 00:44:27,319
Speaker 1: I I I listened to you guys all the time,

929
00:44:27,400 --> 00:44:29,160
Speaker 1: and and you know, I probably called in on the

930
00:44:29,239 --> 00:44:30,960
Speaker 1: radio station, you know, because you guys are a lot

931
00:44:31,000 --> 00:44:35,640
Speaker 1: of you know, we're probably like four years apart. But

932
00:44:35,960 --> 00:44:38,920
Speaker 1: but I I, you know, I listened to the good Fellas, man.

933
00:44:39,000 --> 00:44:41,640
Speaker 1: I listened to you through multiple places. We've definitely been

934
00:44:41,680 --> 00:44:43,279
Speaker 1: in the same clubs. Like when you were saying that,

935
00:44:43,440 --> 00:44:45,920
Speaker 1: you know, uh, the Voulte three sixty, you know, like

936
00:44:46,000 --> 00:44:47,400
Speaker 1: you're talking about, oh, the game, I was like, I

937
00:44:47,520 --> 00:44:49,800
Speaker 1: was there, I was up on stage. It's just like

938
00:44:49,880 --> 00:44:52,400
Speaker 1: I remember all those times and the good Fellas hosting it.

939
00:44:52,440 --> 00:44:54,200
Speaker 1: But I didn't put it all together until you got

940
00:44:54,280 --> 00:44:57,080
Speaker 1: here today, because you were like, oh, it's good Fellas

941
00:44:57,080 --> 00:44:59,400
Speaker 1: and I was like, oh cool. But it just didn't

942
00:44:59,400 --> 00:45:02,239
Speaker 1: all like, you know, residence, but that I can see

943
00:45:02,280 --> 00:45:04,799
Speaker 1: that today, and you're like, that's Rollo from the Good

944
00:45:04,920 --> 00:45:07,000
Speaker 1: I'm like, oh ship, and then it all kind of hit,

945
00:45:07,360 --> 00:45:10,000
Speaker 1: you know, and then I'm roll meos over here singing,

946
00:45:10,280 --> 00:45:11,680
Speaker 1: and then you're like, I remember hearing that the club.

947
00:45:11,840 --> 00:45:13,160
Speaker 1: So as you say that you ready for this for

948
00:45:13,320 --> 00:45:16,520
Speaker 1: some flowers on some other ship, he's gonna go. No,

949
00:45:16,680 --> 00:45:19,440
Speaker 1: he's staying longer. Like we say, we used to start

950
00:45:19,520 --> 00:45:22,080
Speaker 1: yapping we go. I remember going to the clubs with

951
00:45:22,160 --> 00:45:23,719
Speaker 1: you guys and seeing you in DJ on this R

952
00:45:23,800 --> 00:45:25,200
Speaker 1: and B show that you guys doing right, and then

953
00:45:25,239 --> 00:45:27,359
Speaker 1: you probably obviously you went to the clubs before us,

954
00:45:27,360 --> 00:45:30,880
Speaker 1: seeing us and we would do very similar beforehand. But

955
00:45:31,000 --> 00:45:33,200
Speaker 1: in my opinion, when I seen you guys do it,

956
00:45:33,800 --> 00:45:35,480
Speaker 1: you guys took it to the next level because you

957
00:45:35,520 --> 00:45:38,840
Speaker 1: guys really sang right. So like I would rock Mikes,

958
00:45:38,880 --> 00:45:41,480
Speaker 1: and I've been rocking Mike since ninety two, right, and

959
00:45:41,560 --> 00:45:44,600
Speaker 1: I've been doing it from San Jose Santos Club. I'd

960
00:45:44,600 --> 00:45:46,960
Speaker 1: bean just I've been doing it. And then when you

961
00:45:47,200 --> 00:45:51,040
Speaker 1: guys did it, I remember watching going, Okay, there are

962
00:45:51,040 --> 00:45:55,000
Speaker 1: a lot better looking than me. Motherfucker's there's that. I

963
00:45:55,040 --> 00:45:57,320
Speaker 1: got stretch marks and these bumps on the back of

964
00:45:57,440 --> 00:45:59,920
Speaker 1: my neck and they look a lot better. But we're

965
00:46:00,040 --> 00:46:02,759
Speaker 1: both pulling them, as you remember that we both pulled them,

966
00:46:03,160 --> 00:46:06,200
Speaker 1: as we both share really a lot of stories, a

967
00:46:06,320 --> 00:46:10,919
Speaker 1: lot of got a lot of stories, and therefore because

968
00:46:10,960 --> 00:46:14,480
Speaker 1: we were players. But I remember going, you guys, because

969
00:46:14,560 --> 00:46:16,480
Speaker 1: you guys did that which I referred to you in

970
00:46:16,560 --> 00:46:18,879
Speaker 1: my head ready for this. I thought of you guys

971
00:46:18,960 --> 00:46:22,040
Speaker 1: as like guy Teddy Riley as we mentioned that earlier.

972
00:46:22,080 --> 00:46:23,880
Speaker 1: But I felt like you guys would like the guys

973
00:46:24,200 --> 00:46:27,000
Speaker 1: the guy that got on the radio for us, and

974
00:46:27,080 --> 00:46:28,560
Speaker 1: I was like, look at them up. And I remember

975
00:46:28,560 --> 00:46:30,160
Speaker 1: seeing Guy at Circle Star in the Bay Area, and

976
00:46:30,200 --> 00:46:32,560
Speaker 1: I remember being so infatuated those dudes. So when I

977
00:46:32,640 --> 00:46:34,920
Speaker 1: seen youtubo dudes rocking the clubs and then on the air,

978
00:46:34,960 --> 00:46:37,200
Speaker 1: of course I'd always listened because I drive home listening

979
00:46:37,239 --> 00:46:39,080
Speaker 1: and are who we can. I listen to K because

980
00:46:39,080 --> 00:46:41,279
Speaker 1: I want to hear sports or learn news too, But

981
00:46:41,960 --> 00:46:43,600
Speaker 1: I always come back from the show and funk with

982
00:46:43,640 --> 00:46:45,879
Speaker 1: you guys in the afternoons to come in every damn

983
00:46:45,920 --> 00:46:48,440
Speaker 1: near whenever I wanted. That's the type of show we had,

984
00:46:48,520 --> 00:46:51,040
Speaker 1: and if I was still in the after in the

985
00:46:51,160 --> 00:46:53,279
Speaker 1: office in the afternoon, I'd walk into my shirt off,

986
00:46:53,320 --> 00:46:57,160
Speaker 1: are my shorts off? Are both off? And just have

987
00:46:57,239 --> 00:47:00,399
Speaker 1: a good time. This is on air, doesn't matter. Hey,

988
00:47:00,600 --> 00:47:03,360
Speaker 1: you in the middle of a fucking break, I do it.

989
00:47:04,160 --> 00:47:05,759
Speaker 1: Just walk right in and just change the whole game

990
00:47:05,800 --> 00:47:07,800
Speaker 1: of that break. But just worry. When people were just

991
00:47:07,880 --> 00:47:11,239
Speaker 1: like wow, like they really are fucking family, Like damn,

992
00:47:11,280 --> 00:47:13,040
Speaker 1: they really get down with each other like that, it

993
00:47:13,200 --> 00:47:15,080
Speaker 1: was so dope, and we have such a good history together.

994
00:47:15,080 --> 00:47:16,520
Speaker 1: It's so great for you to come here and do this.

995
00:47:16,600 --> 00:47:18,800
Speaker 1: And for those who don't know, tomorrow we're gonna be

996
00:47:18,840 --> 00:47:20,560
Speaker 1: blessed to go to K Day and be interviewed by

997
00:47:20,640 --> 00:47:22,680
Speaker 1: you and for this Burning Trees festival. So I just

998
00:47:22,760 --> 00:47:24,719
Speaker 1: want to thank you as we jumped into this high five,

999
00:47:24,760 --> 00:47:26,839
Speaker 1: and I want to thank you King Dope because hearing

1000
00:47:26,880 --> 00:47:28,880
Speaker 1: what you didn't hearing that song was so dope, and

1001
00:47:28,920 --> 00:47:30,800
Speaker 1: knowing that a brother of mine brings up somebody that

1002
00:47:30,880 --> 00:47:34,040
Speaker 1: he's inspired with, then off top, I'm already inspired because

1003
00:47:34,160 --> 00:47:38,120
Speaker 1: you know, his ear is my ear. It's real, and

1004
00:47:38,280 --> 00:47:40,440
Speaker 1: it just goes to show you how Maya is his

1005
00:47:40,560 --> 00:47:43,840
Speaker 1: Here when you heard his stuff, when it's like you're like, wow,

1006
00:47:43,920 --> 00:47:45,600
Speaker 1: that's dope, and like Dog, same thing. I'm a fan

1007
00:47:45,640 --> 00:47:47,360
Speaker 1: of blues music, like you know what I mean, Like

1008
00:47:47,440 --> 00:47:49,440
Speaker 1: it's just how we are when we hear things like that.

1009
00:47:49,680 --> 00:47:52,320
Speaker 1: So you generally don't get a legendary radio guy like

1010
00:47:52,440 --> 00:47:54,719
Speaker 1: Romeo coming in and thank you about the way Yeah,

1011
00:47:54,760 --> 00:47:56,600
Speaker 1: no doubt, it's real. And you you get that, you

1012
00:47:56,680 --> 00:47:59,680
Speaker 1: know what I mean, Like you're a legendary radio personality,

1013
00:47:59,840 --> 00:48:02,400
Speaker 1: and then then put a co sign on somebody. It's

1014
00:48:02,520 --> 00:48:05,520
Speaker 1: very difficult to do that because everybody wants you to

1015
00:48:05,600 --> 00:48:08,359
Speaker 1: co sign their ship. Every artist in the world has

1016
00:48:08,400 --> 00:48:10,960
Speaker 1: a has an agenda when they meet you, and and

1017
00:48:11,080 --> 00:48:14,240
Speaker 1: not every artist has the ability and you can't crush

1018
00:48:14,280 --> 00:48:16,400
Speaker 1: their dreams because you have such a big voice. And

1019
00:48:16,480 --> 00:48:19,080
Speaker 1: I recognize that too, because sometimes people ask us like, hey,

1020
00:48:19,160 --> 00:48:20,239
Speaker 1: you know, what do you think of my stuff? And

1021
00:48:20,280 --> 00:48:22,000
Speaker 1: I'm just like, oh, it's cool, you know, like, and

1022
00:48:22,040 --> 00:48:23,680
Speaker 1: I don't want to be like Dog, you need to

1023
00:48:23,719 --> 00:48:26,120
Speaker 1: get a better producer. You didn't record this ship right

1024
00:48:26,200 --> 00:48:28,040
Speaker 1: in your lyrics don't make no sense, like what are

1025
00:48:28,080 --> 00:48:30,960
Speaker 1: we doing here? When? So when the when? When a

1026
00:48:31,080 --> 00:48:33,120
Speaker 1: radio guy comes in? Yeah, I don't. I don't crush

1027
00:48:33,120 --> 00:48:34,640
Speaker 1: their dreams like that because it hurts, you know, I

1028
00:48:34,840 --> 00:48:38,000
Speaker 1: realize what it does to them. But when the artists

1029
00:48:38,080 --> 00:48:41,160
Speaker 1: like yourself or radio legend like yourself comes in and says, yo,

1030
00:48:41,200 --> 00:48:42,920
Speaker 1: I put a stamp on this kid, and then he

1031
00:48:43,239 --> 00:48:45,560
Speaker 1: played the record, you know, because they were, you know,

1032
00:48:45,680 --> 00:48:48,640
Speaker 1: booking them on the show, and I'm thinking, you know, wait, wait, wait,

1033
00:48:48,680 --> 00:48:51,600
Speaker 1: let's listen. Yeah, and then and then but then, but

1034
00:48:51,760 --> 00:48:53,400
Speaker 1: when when I heard it, I'm like, okay, yeah, no,

1035
00:48:53,480 --> 00:48:55,520
Speaker 1: I should have just already known, you know what I'm saying, like,

1036
00:48:55,560 --> 00:48:58,239
Speaker 1: you're not gonna put your stamp on something like that.

1037
00:48:58,400 --> 00:49:01,400
Speaker 1: And the funnier thing is I knew you did. I

1038
00:49:01,480 --> 00:49:04,520
Speaker 1: did too, obviously, but my mind it was just let's

1039
00:49:04,520 --> 00:49:06,400
Speaker 1: just play. And then I was like, stupid. I should

1040
00:49:06,400 --> 00:49:08,040
Speaker 1: have just been like, yeah, I already know. It's it's

1041
00:49:08,080 --> 00:49:09,960
Speaker 1: I think, you know, I think that's the beauty of me.

1042
00:49:10,040 --> 00:49:12,759
Speaker 1: And wrong relationship is because when we first met, I

1043
00:49:12,800 --> 00:49:14,800
Speaker 1: didn't have an agenda. There was no agenda, you know

1044
00:49:14,840 --> 00:49:18,200
Speaker 1: what I'm saying. I I met him, Um, when when

1045
00:49:18,280 --> 00:49:20,360
Speaker 1: we came to the station, I think they gave me

1046
00:49:20,400 --> 00:49:31,399
Speaker 1: the shoes. Yeah, he got right. You gotta get nothing. Yeah, yeah, yeah,

1047
00:49:31,480 --> 00:49:38,080
Speaker 1: I'm saying our first might fit me. Our first, our

1048
00:49:38,080 --> 00:49:40,920
Speaker 1: first few encounters in first a few conversations wasn't even

1049
00:49:40,960 --> 00:49:43,040
Speaker 1: about music, Like you know what I'm saying, Like I

1050
00:49:43,160 --> 00:49:45,640
Speaker 1: introduced him who I was and what I did, but

1051
00:49:45,680 --> 00:49:47,719
Speaker 1: it was like, so was something can we It wasn't

1052
00:49:47,719 --> 00:49:50,800
Speaker 1: even like that. It was it was just friends. You know.

1053
00:49:51,160 --> 00:49:54,000
Speaker 1: It's it's overwhelming. I mean, for for those artists are listening,

1054
00:49:54,040 --> 00:49:55,719
Speaker 1: when when you come to a DJ and all you

1055
00:49:55,800 --> 00:49:57,839
Speaker 1: want to do is have your agenda. And I only

1056
00:49:57,920 --> 00:49:59,719
Speaker 1: know that because I was that artist. You know, I

1057
00:49:59,760 --> 00:50:02,400
Speaker 1: used to show up. I've seen Joe I rolled up

1058
00:50:02,440 --> 00:50:04,240
Speaker 1: on Big and be like, yo, listen to my record.

1059
00:50:04,280 --> 00:50:06,800
Speaker 1: It's like, looking back, it's like, how stupid are you?

1060
00:50:06,880 --> 00:50:08,560
Speaker 1: You know what I'm saying, That's the only thing that

1061
00:50:08,680 --> 00:50:11,560
Speaker 1: you do. And it's it's that you're just hungry, but

1062
00:50:11,760 --> 00:50:13,920
Speaker 1: you know, having the ability to humble back and just

1063
00:50:14,000 --> 00:50:15,920
Speaker 1: be like, let me meet this man first, let me

1064
00:50:16,080 --> 00:50:18,040
Speaker 1: know who this person is before I try and sell

1065
00:50:18,080 --> 00:50:21,000
Speaker 1: them something, and then let it be natural. Is is

1066
00:50:22,000 --> 00:50:24,319
Speaker 1: some adults ship, you know, it's some growing folks ship.

1067
00:50:24,560 --> 00:50:26,840
Speaker 1: You gotta know how to posture that and play that

1068
00:50:26,920 --> 00:50:29,319
Speaker 1: and that's what you're clearly doing. Man. That right there

1069
00:50:29,400 --> 00:50:32,160
Speaker 1: is Dope and we got Romeo and do the High five.

1070
00:50:32,320 --> 00:50:35,960
Speaker 1: Romeo you'll answer first, King Dope, you'll answer the same

1071
00:50:36,080 --> 00:50:39,480
Speaker 1: question right after that. Welcome to Cannabis Talk one on

1072
00:50:39,600 --> 00:50:41,480
Speaker 1: one with Blue and Joe Grande, the world's number one

1073
00:50:41,520 --> 00:50:44,440
Speaker 1: source for everything cannabis with the High Five with Romeo

1074
00:50:44,560 --> 00:50:47,760
Speaker 1: and King Dope will be performing live at the Burning

1075
00:50:47,840 --> 00:50:53,600
Speaker 1: Trees Festival August in Adelanto, California. Question number one, how

1076
00:50:53,680 --> 00:50:55,800
Speaker 1: oldre the first time you smoked cannabis? And where'd you

1077
00:50:55,840 --> 00:50:57,840
Speaker 1: get it from? You never smoked it? There? It is

1078
00:50:58,160 --> 00:51:01,800
Speaker 1: about King Dope. Um, I was sixteen. I was in

1079
00:51:01,920 --> 00:51:04,120
Speaker 1: high school and me, you know, Holmi was just hanging

1080
00:51:04,160 --> 00:51:05,520
Speaker 1: out one night and they're like, oh you want to

1081
00:51:05,560 --> 00:51:09,440
Speaker 1: hit this? Okay, so joint it was a blunt. Did

1082
00:51:09,480 --> 00:51:12,640
Speaker 1: you get high? Did I get? Absolutely? Yeah? Sometimes that

1083
00:51:12,760 --> 00:51:15,400
Speaker 1: first time? Sometimes that first time, man, I was, I

1084
00:51:15,520 --> 00:51:17,800
Speaker 1: was high off my ass. Question number two of the

1085
00:51:17,880 --> 00:51:22,640
Speaker 1: High five, Romeo, what is your favorite way to smoke?

1086
00:51:22,840 --> 00:51:25,520
Speaker 1: If you smoked, what would your favorite way? Do you

1087
00:51:25,600 --> 00:51:31,160
Speaker 1: use cannabis or to use cannabis? What would you have hurt?

1088
00:51:32,440 --> 00:51:35,640
Speaker 1: All bullsh your side. Yeah, you don't even it's good

1089
00:51:35,680 --> 00:51:37,640
Speaker 1: for your body, Like, it's just good for your body.

1090
00:51:37,719 --> 00:51:39,200
Speaker 1: So let me break something down for your give him

1091
00:51:39,200 --> 00:51:42,439
Speaker 1: the givement to him. So um, in the last ten years,

1092
00:51:42,480 --> 00:51:46,560
Speaker 1: we've found something called the endocannabinoid system. Okay. The endocannabinoid

1093
00:51:46,640 --> 00:51:50,200
Speaker 1: system is like little uh hairs, what they're called receptors

1094
00:51:50,280 --> 00:51:52,760
Speaker 1: that are inside of your body. The thing that cannabis

1095
00:51:52,840 --> 00:51:54,960
Speaker 1: does when you're born, your first time you ever get

1096
00:51:55,680 --> 00:51:58,400
Speaker 1: senior system is through your mother's breast milk. A lot

1097
00:51:58,400 --> 00:52:01,120
Speaker 1: of people don't know that mothers and and we produce

1098
00:52:01,360 --> 00:52:04,320
Speaker 1: natural THC. So it's in our body. It's part of

1099
00:52:04,400 --> 00:52:07,440
Speaker 1: our body has a carnabinoids is okay, and the carnabinoid system.

1100
00:52:07,520 --> 00:52:10,279
Speaker 1: So now what happens is is when you get sick,

1101
00:52:11,000 --> 00:52:14,000
Speaker 1: a lot of the illnesses will stick to those receptors.

1102
00:52:14,280 --> 00:52:16,959
Speaker 1: What cannabis does is lubricates them so they don't stick

1103
00:52:17,000 --> 00:52:19,640
Speaker 1: to it. Right, So that there's no way in the

1104
00:52:19,719 --> 00:52:22,400
Speaker 1: in the world that the United States government would come

1105
00:52:22,440 --> 00:52:24,320
Speaker 1: out and say it was medicinal if it didn't have

1106
00:52:24,400 --> 00:52:27,360
Speaker 1: any medical value. So you gotta remember that part, you

1107
00:52:27,400 --> 00:52:29,080
Speaker 1: know what I mean a lot of people just go, oh,

1108
00:52:29,160 --> 00:52:31,040
Speaker 1: this is some fad people are getting high, and it's

1109
00:52:31,480 --> 00:52:34,759
Speaker 1: it's an excuse. It's not an excuse. The facts are

1110
00:52:34,880 --> 00:52:37,600
Speaker 1: is that opioids are a fucking and one of the

1111
00:52:37,800 --> 00:52:41,480
Speaker 1: leading cause of death for adult white males. And then

1112
00:52:41,560 --> 00:52:44,279
Speaker 1: it's you know Hispanics, blacks and and and so on.

1113
00:52:44,400 --> 00:52:47,560
Speaker 1: It just goes right down the line. But coming into

1114
00:52:47,640 --> 00:52:50,239
Speaker 1: that is that it has medicinal value. And there's a

1115
00:52:50,280 --> 00:52:53,400
Speaker 1: lot of things, especially as we get older, that we

1116
00:52:53,520 --> 00:52:57,080
Speaker 1: want to be able to use that versus the opioids, right,

1117
00:52:57,120 --> 00:53:00,200
Speaker 1: because opioids are one way addictive and it's from edit

1118
00:53:00,520 --> 00:53:03,640
Speaker 1: and and two is that the the the uh. You

1119
00:53:03,719 --> 00:53:07,600
Speaker 1: can get the same care on the way out as

1120
00:53:08,160 --> 00:53:10,160
Speaker 1: as you would when with what the doctors will give

1121
00:53:10,160 --> 00:53:13,560
Speaker 1: you today. Doctors will prescribe your viking in oxycode or

1122
00:53:13,600 --> 00:53:18,640
Speaker 1: and everything else. That it's another natural um uh medicine,

1123
00:53:18,680 --> 00:53:21,919
Speaker 1: medicine to be able to give you as you get older.

1124
00:53:22,000 --> 00:53:24,320
Speaker 1: And trust me, if you have eggs and pains, you

1125
00:53:24,440 --> 00:53:26,440
Speaker 1: do want to rub it on your body. Um and

1126
00:53:26,920 --> 00:53:30,560
Speaker 1: you may want to consider learning how to dose very

1127
00:53:30,680 --> 00:53:33,759
Speaker 1: low so that you can sleep better at night, so

1128
00:53:33,920 --> 00:53:37,000
Speaker 1: you can have um uh, you know, better healing a

1129
00:53:37,120 --> 00:53:40,359
Speaker 1: process faster healing processes and things of that nature, which

1130
00:53:40,440 --> 00:53:42,399
Speaker 1: is a natural medicine to do so. So just it's

1131
00:53:42,440 --> 00:53:45,319
Speaker 1: like taking a natural everyday vitamin no high point zero

1132
00:53:45,440 --> 00:53:47,920
Speaker 1: three t T You'll feel nothing. You feel nothing. You'll

1133
00:53:47,920 --> 00:53:49,880
Speaker 1: feel nothing. You can't get high though, but you can

1134
00:53:49,920 --> 00:53:52,520
Speaker 1: take something that you can don't get. But my point

1135
00:53:52,560 --> 00:53:53,960
Speaker 1: is it's just good for your body. Like taking your

1136
00:53:54,000 --> 00:53:55,640
Speaker 1: daily vitamin is like, oh, why do I take a vitamin?

1137
00:53:55,680 --> 00:53:57,680
Speaker 1: Because you want these good things in your body, so

1138
00:53:57,760 --> 00:54:00,000
Speaker 1: you should. So if you're not doing anything, you should.

1139
00:54:00,280 --> 00:54:02,359
Speaker 1: That being said, the same question to you, King Dope,

1140
00:54:02,440 --> 00:54:06,120
Speaker 1: favorite way to you, Um, honestly, Like when I'm in

1141
00:54:06,200 --> 00:54:08,400
Speaker 1: my creative process, you know what I'm saying, Like if

1142
00:54:08,400 --> 00:54:10,120
Speaker 1: I if I'm trying to write a song, if I'm

1143
00:54:10,160 --> 00:54:12,680
Speaker 1: just trying to relax, you know, in this industry is mad,

1144
00:54:12,800 --> 00:54:15,000
Speaker 1: hectic and stressful, you know what I'm saying. So a

1145
00:54:15,080 --> 00:54:17,400
Speaker 1: lot of times just to relax, or when I'm in

1146
00:54:17,440 --> 00:54:19,520
Speaker 1: the studio, if I'm just like trying to write something up,

1147
00:54:19,960 --> 00:54:21,719
Speaker 1: let me relax and really getting my song. Do you

1148
00:54:21,760 --> 00:54:25,399
Speaker 1: work out at you just you know, I mean naturally know, yeah,

1149
00:54:25,560 --> 00:54:27,680
Speaker 1: I worrk out. It's part it's part of maintaining like

1150
00:54:31,880 --> 00:54:33,840
Speaker 1: I'll be doing modeling all that stuff too. So you know,

1151
00:54:33,960 --> 00:54:35,800
Speaker 1: the better I look at my opportunities I get. So

1152
00:54:35,960 --> 00:54:40,799
Speaker 1: look out linebacker for the Niners. I'm trying, Jesus Chris

1153
00:54:41,760 --> 00:54:45,760
Speaker 1: never three five Romeo. Craziest place you've ever been around,

1154
00:54:45,840 --> 00:54:51,920
Speaker 1: somebody's smoking weed with you. The craziest place. Um, Honestly,

1155
00:54:52,480 --> 00:54:53,880
Speaker 1: I had a home and was smoking back at the

1156
00:54:54,000 --> 00:54:57,399
Speaker 1: church at the service you grew up in the church. Yeah,

1157
00:54:57,480 --> 00:54:59,839
Speaker 1: I was sing in the church choir from Man. Yeah,

1158
00:55:00,000 --> 00:55:02,279
Speaker 1: I'm all I remember that, trying to my mama could see.

1159
00:55:02,320 --> 00:55:04,560
Speaker 1: I was trying to learn that process. But I tried

1160
00:55:05,560 --> 00:55:07,440
Speaker 1: back in the church and he blazed it up. But

1161
00:55:07,560 --> 00:55:10,640
Speaker 1: I was just like, really, God's property. He was like, I, man,

1162
00:55:10,640 --> 00:55:14,720
Speaker 1: he got made it for us. Moses were smoking player,

1163
00:55:14,920 --> 00:55:19,040
Speaker 1: he said, the burning plant was It's in the Bible,

1164
00:55:19,239 --> 00:55:21,720
Speaker 1: I mean, king dope. Craziest place you ever used cannabis

1165
00:55:21,800 --> 00:55:24,680
Speaker 1: or smoked man? Um, Well, I wasn't using it, but

1166
00:55:24,760 --> 00:55:27,040
Speaker 1: the person I was with was. And actually, while he

1167
00:55:27,160 --> 00:55:29,759
Speaker 1: was being pulled over, I thought my life was over.

1168
00:55:30,280 --> 00:55:33,719
Speaker 1: I'm going to jail. We just started firing it up. Yeah,

1169
00:55:33,880 --> 00:55:37,520
Speaker 1: because he was nervous, like you really gonna spark that

1170
00:55:37,640 --> 00:55:40,200
Speaker 1: up by the police is right behind. I thought it

1171
00:55:40,280 --> 00:55:42,680
Speaker 1: was going to go. I thought it was you want

1172
00:55:42,680 --> 00:55:44,839
Speaker 1: to hit this body. I was smoking a blue Kobe,

1173
00:55:45,000 --> 00:55:46,960
Speaker 1: my boy Kobe when we got pulled as we were

1174
00:55:47,000 --> 00:55:50,160
Speaker 1: smoking the blunt like unt the car right. We know

1175
00:55:50,320 --> 00:55:52,160
Speaker 1: we had got pulled over, probably for some first of

1176
00:55:52,239 --> 00:55:54,759
Speaker 1: mother ship. But he he was nervous. So the city

1177
00:55:54,800 --> 00:55:59,680
Speaker 1: were you I was in? I don't remember. Was it

1178
00:55:59,719 --> 00:56:02,440
Speaker 1: that Orange County? It was in l A. Okay, you

1179
00:56:02,560 --> 00:56:05,799
Speaker 1: gotta pass because I realized in l A they don't care.

1180
00:56:05,840 --> 00:56:07,200
Speaker 1: You know what I'm saying about. When I grew up,

1181
00:56:07,200 --> 00:56:08,600
Speaker 1: they were like, Oh, they're like, as long as you

1182
00:56:08,640 --> 00:56:10,040
Speaker 1: don't got a gun in the car, we don't care

1183
00:56:10,040 --> 00:56:14,120
Speaker 1: anything about that. We're like, okay, the gun was in

1184
00:56:14,160 --> 00:56:18,120
Speaker 1: the in the in the hood. Question number four the

1185
00:56:18,200 --> 00:56:22,440
Speaker 1: high five man, what does your go to munchy when

1186
00:56:22,480 --> 00:56:25,680
Speaker 1: you're not high? I know I'm difficult, Dad that you're

1187
00:56:26,520 --> 00:56:28,560
Speaker 1: right now, Uh for me to go too much all

1188
00:56:28,560 --> 00:56:31,640
Speaker 1: the time. I like that. Well, I love my too,

1189
00:56:31,680 --> 00:56:33,600
Speaker 1: but I live a popcorn like the popcorn you normal

1190
00:56:33,640 --> 00:56:35,840
Speaker 1: we'll have in the theater, like every Friday on the

1191
00:56:35,920 --> 00:56:37,960
Speaker 1: couch with my queen and my son. We watched the movie.

1192
00:56:38,000 --> 00:56:41,719
Speaker 1: I gotta pop that popcorn. That's my goat. Tony for sure.

1193
00:56:42,040 --> 00:56:45,239
Speaker 1: Nice to drink on the side, Yeah, butter on it

1194
00:56:47,320 --> 00:56:49,759
Speaker 1: and little drank drank. What about you can go to

1195
00:56:50,000 --> 00:56:54,680
Speaker 1: Munchy after you get high. Um, honestly, I love fruit snacks.

1196
00:56:55,600 --> 00:56:59,640
Speaker 1: I don't know why, like healthy mother, No, you know,

1197
00:56:59,800 --> 00:57:02,400
Speaker 1: like you know, like fruits and that, like gushers and

1198
00:57:02,440 --> 00:57:04,800
Speaker 1: stuff like that, like that type of stuff. I'd be

1199
00:57:04,920 --> 00:57:08,759
Speaker 1: fucking that shut up kid in me. I think it's

1200
00:57:08,760 --> 00:57:11,360
Speaker 1: a kid in you. I want something like that immediately.

1201
00:57:11,680 --> 00:57:14,319
Speaker 1: I feel like it sticks to my teeth. I got

1202
00:57:14,440 --> 00:57:16,680
Speaker 1: many fake ones in my mouth, questioning five and high

1203
00:57:16,760 --> 00:57:20,160
Speaker 1: five Romeo here. I'm on k Day Monday through Friday

1204
00:57:20,240 --> 00:57:22,400
Speaker 1: and of course doing some stuff with Art lebou here

1205
00:57:22,440 --> 00:57:25,919
Speaker 1: and they're everywhere in King Dope. If you could smoke

1206
00:57:25,960 --> 00:57:31,680
Speaker 1: cannabis with anyone dead or alive, who would it be? Easily?

1207
00:57:32,360 --> 00:57:34,840
Speaker 1: Tupac first one. He's my favorite rap of all times,

1208
00:57:34,880 --> 00:57:36,959
Speaker 1: like trust Me, love me some DJ Quick and Cube

1209
00:57:37,000 --> 00:57:39,720
Speaker 1: love them for show. Pocket is that guy I would

1210
00:57:39,760 --> 00:57:41,680
Speaker 1: love just I just love it. Just get deep into

1211
00:57:41,760 --> 00:57:44,040
Speaker 1: his starts, man, like to see where that those lyrics

1212
00:57:44,120 --> 00:57:47,000
Speaker 1: come from from Dear Mama to they never ride all that.

1213
00:57:47,560 --> 00:57:49,880
Speaker 1: I would love to be just sitting down and I

1214
00:57:50,000 --> 00:57:53,080
Speaker 1: might even smoke something with him. Would you really come on,

1215
00:57:53,200 --> 00:57:56,000
Speaker 1: I might even have to do it? Yeah, yeah, man,

1216
00:57:56,040 --> 00:57:57,720
Speaker 1: I like. You know what's funny? I like that because

1217
00:57:58,280 --> 00:57:59,800
Speaker 1: smoke more. I won't smoke a joint no more. But

1218
00:57:59,840 --> 00:58:02,000
Speaker 1: I that smoke so many with so many people. But

1219
00:58:02,080 --> 00:58:04,280
Speaker 1: I'll smoke a pain now for painently. But it's funny

1220
00:58:04,280 --> 00:58:05,800
Speaker 1: that you said I might smoke when I believe you

1221
00:58:06,360 --> 00:58:08,120
Speaker 1: like that's like I might. Why if I could bring

1222
00:58:08,200 --> 00:58:11,600
Speaker 1: that moment back? That's tough. You can smoke with anyone.

1223
00:58:12,200 --> 00:58:15,040
Speaker 1: I like King Dope. He's a dope man. Because there's

1224
00:58:15,040 --> 00:58:16,680
Speaker 1: so many people I would love to just pick their

1225
00:58:16,760 --> 00:58:18,880
Speaker 1: brains with um. At one point, at one point it

1226
00:58:18,960 --> 00:58:21,280
Speaker 1: was snoop. Everybody would like say snoop. But you know

1227
00:58:21,280 --> 00:58:24,360
Speaker 1: what I'm saying. So, but I had I was fortunate

1228
00:58:24,440 --> 00:58:27,080
Speaker 1: enough to already experience that, like be around him. Why

1229
00:58:27,200 --> 00:58:29,920
Speaker 1: he's you know, smoking, So now that I experienced that,

1230
00:58:30,000 --> 00:58:31,680
Speaker 1: it would need to be like wrong, it needs to

1231
00:58:31,680 --> 00:58:38,080
Speaker 1: be poka Bob Marley nice. Yeah, yeah, man, there's no

1232
00:58:38,200 --> 00:58:41,240
Speaker 1: answer that's wrong. You know something, your grandpa, somebody picks

1233
00:58:41,320 --> 00:58:46,360
Speaker 1: fuck Albert Stein. There's never as that's wrong. We've had girls,

1234
00:58:46,440 --> 00:58:49,600
Speaker 1: hot chips. I love the more random obscure answers or

1235
00:58:49,640 --> 00:58:51,920
Speaker 1: like some writer or some guy like just some fun things.

1236
00:58:51,960 --> 00:58:54,680
Speaker 1: You're just like, wow, so finds pee herman. So yeah,

1237
00:58:54,680 --> 00:58:59,800
Speaker 1: but that's because you because at the movies with himtime.

1238
00:59:01,240 --> 00:59:07,040
Speaker 1: Remember you got got That's why I said it. So

1239
00:59:07,160 --> 00:59:09,439
Speaker 1: what were you thinking when you were a child star

1240
00:59:09,720 --> 00:59:13,800
Speaker 1: and then you were in Hollywood with a popcorn and

1241
00:59:13,960 --> 00:59:18,840
Speaker 1: you were sliding it through with the butter. Romeo can

1242
00:59:18,960 --> 00:59:20,720
Speaker 1: go anything. We forget that. You guys want to mention

1243
00:59:20,760 --> 00:59:22,240
Speaker 1: on this show that we went a lot longer than

1244
00:59:22,320 --> 00:59:24,320
Speaker 1: Romeo wanted to go for Let me tell you something.

1245
00:59:24,360 --> 00:59:28,400
Speaker 1: I loved every fucking minute and second of this like that.

1246
00:59:28,760 --> 00:59:30,560
Speaker 1: You know, man, Honestly, man, end of the day, it's

1247
00:59:30,640 --> 00:59:33,440
Speaker 1: like you've always been family. We could be and we

1248
00:59:33,520 --> 00:59:35,520
Speaker 1: cannot see each other for ten or fifteen years, but

1249
00:59:35,600 --> 00:59:37,560
Speaker 1: once we do, it's like picking up what we left off.

1250
00:59:37,600 --> 00:59:39,840
Speaker 1: It's easy. You know. I'll see what you're doing respect

1251
00:59:39,880 --> 00:59:42,880
Speaker 1: to Blue his background, what y'all doing in this establishment.

1252
00:59:42,920 --> 00:59:44,920
Speaker 1: I'm glad to be in the building. Man, and I'm

1253
00:59:44,960 --> 00:59:48,320
Speaker 1: looking forward to building with you guys. Man, let's go dope.

1254
00:59:49,760 --> 00:59:52,120
Speaker 1: We forgot no, just really piggyback and off that. Man.

1255
00:59:52,320 --> 00:59:54,040
Speaker 1: I'm blessed to being this position. I'm blessed to be

1256
00:59:54,120 --> 00:59:56,240
Speaker 1: here today. Thank you for setting the stuff. Thank you

1257
00:59:56,400 --> 00:59:58,560
Speaker 1: guys and everybody here for just embracing me. You know

1258
00:59:58,600 --> 01:00:00,240
Speaker 1: what I'm saying, because y'all don't have to dude this.

1259
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Speaker 1: Y'all had easily taught him noun that kid, we don't

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01:00:02,840 --> 01:00:04,760
Speaker 1: know him. Come by yourself. You know what I'm saying.

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01:00:04,960 --> 01:00:07,160
Speaker 1: You didn't. You welcome me with open arms, and I'm truly,

1262
01:00:07,240 --> 01:00:09,439
Speaker 1: truly forever in debt to you guys, so you gotta

1263
01:00:09,480 --> 01:00:11,760
Speaker 1: allow me to be here. You know, punched me in

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01:00:11,800 --> 01:00:17,720
Speaker 1: the ribs, always wonder, always like to ask you, okay

1265
01:00:17,760 --> 01:00:19,720
Speaker 1: to feel my quarter. He's fucking boom boom. He's got

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01:00:19,800 --> 01:00:21,320
Speaker 1: to get on the line and I'm like, hey, I'm

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01:00:21,320 --> 01:00:24,280
Speaker 1: different working out. He don't like you know, I was

1268
01:00:24,360 --> 01:00:26,160
Speaker 1: gonna ask you that didn't get you in the Charles

1269
01:00:26,240 --> 01:00:30,520
Speaker 1: Oakley folks would go way back, and it's been a

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01:00:30,560 --> 01:00:33,960
Speaker 1: lot of bigger I don't know. Shout out to o

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01:00:34,160 --> 01:00:36,680
Speaker 1: Ands Entertainment. One Night's say entertainment. That's my company. A

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01:00:36,720 --> 01:00:40,280
Speaker 1: bit of my boy Mikey right there. Man, young Guns

1273
01:00:40,400 --> 01:00:41,760
Speaker 1: is what I call him. Man. The future is right

1274
01:00:41,800 --> 01:00:45,919
Speaker 1: for that dude, for King Dope Man, Fox Theater, August six,

1275
01:00:46,040 --> 01:00:49,560
Speaker 1: it's going down with Romeo K Days in the building. Man,

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01:00:49,600 --> 01:00:51,960
Speaker 1: it's Cannabis Talk one on one. And remember this, if

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01:00:52,040 --> 01:00:54,760
Speaker 1: no one else lives you, we do. Thank you for

1278
01:00:54,920 --> 01:00:56,880
Speaker 1: listening to Cannabis Talk one on one on the I

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01:00:57,040 --> 01:01:01,000
Speaker 1: Heart Radio app, Apple podcast or wherever you get your podcasts.

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01:01:05,400 --> 01:01:05,800
Speaker 1: M hm