WEBVTT - Revisionist History LIVE with Nate Berkus

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<v Speaker 1>Bushkin.

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<v Speaker 2>Hello, Hello, everyone. We have a little surprise for you today.

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<v Speaker 2>It's a conversation I recently have with Nate Burkas. If

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<v Speaker 2>that name rings a bell, He's a famous interior designer.

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<v Speaker 2>You may know him from his appearances over the years

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<v Speaker 2>on the Oprah Winfrey Show. You may have read one

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<v Speaker 2>of his books. You may even have some of his

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<v Speaker 2>products in your home. Anyway, this all came about because

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<v Speaker 2>AC Hotels wanted to host an event about design and

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<v Speaker 2>creativity at their Times Square location in New York City,

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<v Speaker 2>and we decided to invite Nate to come, which turned out,

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<v Speaker 2>as you will hear, to be an inspired choice. I

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<v Speaker 2>had so much fun doing this. We talked about our moms,

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<v Speaker 2>about Paris, about the TV shows that Phillis with Rage,

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<v Speaker 2>and a million other things, but mostly about design and creativity.

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<v Speaker 2>Nate is as charming and funny as he is smart. Anyway,

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<v Speaker 2>here it is. This all took place in the rooftop

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<v Speaker 2>bar of the Cotel in New York with all kinds

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<v Speaker 2>of fabulous cocktails and advertisers being passed around. Just a

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<v Speaker 2>heads up, you may hear some city noises in the background.

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<v Speaker 2>I hope you enjoyed this live episode as much as

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<v Speaker 2>I did. I wanted to say before I started, I

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<v Speaker 2>think we should get this little order a bit of

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<v Speaker 2>business out of the way. I've scored enormous points with

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<v Speaker 2>my significant other this evening by interviewing you, Kate. Normally,

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<v Speaker 2>if I'm interviewing like the you know, hypothetically the CEO

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<v Speaker 2>of whatever Microsoft, she would say, oh, interesting, and then

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<v Speaker 2>go back to her phone. When word leaked that I

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<v Speaker 2>was interviewing Nate Burkas, it was like Nate Burkas. It

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<v Speaker 2>was like, you can't imagine the kind of celebrity power

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<v Speaker 2>you have.

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<v Speaker 1>In my home. You are welcome.

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<v Speaker 2>Yeah, yeah, so no, it's huge. It's huge for all

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<v Speaker 2>of us in the global household.

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<v Speaker 3>May I just say that when I told my mother

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<v Speaker 3>that I was going to be a guest on Malcolm

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<v Speaker 3>Gladwell's podcast, or response with why.

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<v Speaker 2>That's that's not very nice. We're going to be talking

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<v Speaker 2>about travel and design and your career and all kinds

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<v Speaker 2>of interesting things before we get to your career. Though,

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<v Speaker 2>you and I are both both have the travel bug.

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<v Speaker 2>Because I have a theory that the travel bug is innate.

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<v Speaker 2>It's not acquired. Yeah to have it, you don't, so

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<v Speaker 2>is the design bug.

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<v Speaker 1>So is this all good?

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<v Speaker 2>So we're talking, we're trafficking, and I have a little

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<v Speaker 2>story about myself which I think proves this is true.

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<v Speaker 2>But before I tell that story, I wanted you tell

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<v Speaker 2>me when did you realize what is the first evidence

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<v Speaker 2>the world has that Nate has the travel bug? How

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<v Speaker 2>young are you?

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<v Speaker 1>I think, yeah, I think it was.

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<v Speaker 3>The first time I was somewhere without a chaperone, like

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<v Speaker 3>a proper chaperone. I did a semester abroad in Europe

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<v Speaker 3>and moved to Paris and sort of lived in this

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<v Speaker 3>tiny little box at the top of a beautiful old

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<v Speaker 3>building with a share bath fantasy.

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<v Speaker 1>It was amazing, It was amazing. I sold all my

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<v Speaker 1>clothes of spending money.

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<v Speaker 3>But I knew you wearing all black at that I

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<v Speaker 3>wanted to wear all black. Yeah, I was wearing Ralph

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<v Speaker 3>Lauren and that's not what no, no, no oh, yeah,

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<v Speaker 3>I had to to sell that. Yeah, get some money

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<v Speaker 3>for a leather jacket. But I was found myself in

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<v Speaker 3>Paris alone, and I remember walking the streets and feeling

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<v Speaker 3>really good, feeling like really solid, and not being afraid

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<v Speaker 3>and not being intimidated, and being fascinated by modern life

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<v Speaker 3>in an ancient place, and I think that that was

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<v Speaker 3>the first moment for me. And when I travel, I

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<v Speaker 3>don't I'm not really reaching for the sort of.

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<v Speaker 1>Where the guides say you should go.

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<v Speaker 3>For me, it's it's what is most indicative of that

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<v Speaker 3>place as seen through objects. So I'm in the markets

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<v Speaker 3>where people buy their pots and pans and the fabric

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<v Speaker 3>they make the potato sacks out of, and those are

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<v Speaker 3>the kinds of things that I'm always searching for.

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<v Speaker 1>But that trip to Paris, that first.

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<v Speaker 3>Move really to Paris, was when I knew I would

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<v Speaker 3>never really stay in one place for a long time.

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<v Speaker 2>My version of that story is we moved from England

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<v Speaker 2>to Canada when I was six, and there's a picture

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<v Speaker 2>of us about to get on the train to go

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<v Speaker 2>to the We took a boat, took the Empress of England.

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<v Speaker 2>We're about to get on the train to go to

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<v Speaker 2>the boat. And so there's a family shot. My oldest

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<v Speaker 2>brother is weeping, it's leaving the only country has ever

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<v Speaker 2>known all of his friends. My middle brother is clinging

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<v Speaker 2>to my mother anxiously. You know, it's a long ten

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<v Speaker 2>days on a through uncharted you know, stormy seas. I

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<v Speaker 2>look like someone just give me a million dollars. I

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<v Speaker 2>am five years old and this is the single greatest moment.

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<v Speaker 2>I'm like, are you kidding me? We're going to some

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<v Speaker 2>unknown place on a boat for ten days. This is amazing.

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<v Speaker 1>That's amazing.

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<v Speaker 2>Couldn't wait to get out of there. That was when

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<v Speaker 2>if I look at the foot, I'm like, oh, yeah,

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<v Speaker 2>that's exactly you. Nothing has changed. So I want to

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<v Speaker 2>go back to you in Paris. You're how old seventeen?

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<v Speaker 2>Did you experience Paris at seventeen the same way you

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<v Speaker 2>would have experienced today and now others? Were you doing

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<v Speaker 2>the same things that in a new city that you

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<v Speaker 2>do today, only without realizing why with the habits there?

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<v Speaker 1>Yeah? They were.

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<v Speaker 3>I still love doing all the things that I did

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<v Speaker 3>when I was that age in that city, no matter where,

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<v Speaker 3>I am allowing myself to get lost.

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<v Speaker 1>Not relying on you know, an.

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<v Speaker 3>Uber or a driver or whatever it is, but really

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<v Speaker 3>digging in and seeing the space and seeing the place,

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<v Speaker 3>trying to figure out how to ask the right people

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<v Speaker 3>where the best Chinese food is or the best croissant

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<v Speaker 3>or the best coffee. Like I you know, I have

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<v Speaker 3>this aversion to being told what to do when I'm

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<v Speaker 3>I have this aversion being told what to do of that,

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<v Speaker 3>but especially when I'm traveling, because I want to figure

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<v Speaker 3>it out for myself. And if a friend says you

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<v Speaker 3>have to eat here, you have to see this, or

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<v Speaker 3>you have to go to this museum or see this

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<v Speaker 3>historic home, I'll do it in two seconds.

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<v Speaker 1>But I also like to be the guy that has.

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<v Speaker 3>Days doing nothing and just kind of soaking in what

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<v Speaker 3>the culture might might bring.

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<v Speaker 2>I want to go back to something you said about

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<v Speaker 2>allowing yourself to get lost, which is nearly impossible today,

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<v Speaker 2>but all of us over the age of forty remember

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<v Speaker 2>a time when that was kind of not the norm.

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<v Speaker 2>It was really easy to get lost and thrilling in

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<v Speaker 2>this way.

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<v Speaker 1>Yeah.

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<v Speaker 2>I remember when I, as a fifteen year old, me

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<v Speaker 2>and my brother went to London and spent we spent

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<v Speaker 2>twos with my uncle and Anne. They lived just on

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<v Speaker 2>the kind of furthest reaches of West London. I would

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<v Speaker 2>get on the Parsons Green Tube and randomly get off

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<v Speaker 2>at a stop and walk around. I knew nothing about London.

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<v Speaker 2>I had never read a guidebook. What I knew about

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<v Speaker 2>London I knew from Dickens.

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<v Speaker 3>Yeah wow, And I get. I totally get that I

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<v Speaker 3>had the best time. You're a little bit afraid, but

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<v Speaker 3>it's anticipatory and you never know what you're going to

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<v Speaker 3>stumble upon.

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<v Speaker 1>You know where the coolest place, the best for us?

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<v Speaker 2>You know where I ended up going Without realizing I

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<v Speaker 2>was there until many years later. Malcolm McLaren, the founder

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<v Speaker 2>of the Sex Pistols, had a clothing store with was

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<v Speaker 2>it Vivian Westwood yeap on something road in Chelsea.

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<v Speaker 1>That I don't know, but yes, I remember I went there.

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<v Speaker 2>I was fifteen. I had no clue what was going on.

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<v Speaker 2>I was like, oh, this looks interesting.

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<v Speaker 3>But you found it and it felt differently because you

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<v Speaker 3>found it.

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<v Speaker 1>It's like, you know.

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<v Speaker 3>And I yeah, I mean I to allow yourself to

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<v Speaker 3>get lost. It wasn't that It wasn't really that scary now.

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<v Speaker 3>I mean as a dad, I think it's super scary.

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<v Speaker 3>I would kill my kids, Like, what are you talking about?

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<v Speaker 3>There's a lowjack and your shoe and we've an apple

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<v Speaker 3>tag and your forehead and you know you're you know,

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<v Speaker 3>but I can still see you.

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<v Speaker 1>But I think you know.

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<v Speaker 3>It was just I don't know, there was just something

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<v Speaker 3>about being in a foreign capital and a new culture

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<v Speaker 3>in a place that was so old and so beautiful,

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<v Speaker 3>and the architecture was so special to my eye at

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<v Speaker 3>that age that I wanted to be lost. I wanted

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<v Speaker 3>to be lost every day.

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<v Speaker 2>Does that if we think about that phrase as a

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<v Speaker 2>kind of metaphor, does it also describe your professional practice

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<v Speaker 2>as an interior designer.

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<v Speaker 3>Yeah, I think it describes it in that I'm really

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<v Speaker 3>afraid of people who present themselves as like they're mastered

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<v Speaker 3>a craft like I just it's the weirdest sort of place.

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<v Speaker 3>I've been doing this for almost thirty years now, assembling

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<v Speaker 3>spaces hopefully that I'm meaning.

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<v Speaker 1>For the people that live there.

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<v Speaker 3>But I am trying really hard to do that. But

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<v Speaker 3>it's all evolving constantly. And you know, in any creative endeavor,

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<v Speaker 3>if you've made decisions about how things need to be

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<v Speaker 3>or should be, you're missing every other sort of bright,

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<v Speaker 3>shiny thing you can reach down and pick up and incorporate.

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<v Speaker 3>And so I think, after this long in design, I'm

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<v Speaker 3>adept at scale. I'm adept at certain things that have

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<v Speaker 3>practiced is sort of refined a skill set that's a

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<v Speaker 3>practical skill set, but the creative, the magical, the imaginative.

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<v Speaker 1>Yeah, I'm always lost. I love it.

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<v Speaker 2>Yeah, so walk me through. You're in Paris at seventeen,

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<v Speaker 2>tell me take me from there to your how you

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<v Speaker 2>became a design.

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<v Speaker 3>So I'm seventeen. I've sold all of my Ralph Lauren

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<v Speaker 3>clothes to the Lovely Kids.

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<v Speaker 1>What do you like?

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<v Speaker 2>Just briefly, in two sentences, what do you like at seventeen?

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<v Speaker 1>Guys and fries.

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<v Speaker 2>No, no, no, nay, you can do better than that,

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<v Speaker 2>And I still do you can do better than that?

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<v Speaker 1>What I like at seventeen?

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<v Speaker 2>Do you? If my set is seventeen year old Malcolm

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<v Speaker 2>and seventeen year old Nate Meat, we would.

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<v Speaker 1>Probably talk about music.

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<v Speaker 3>I was listening to like the Smiths and you know,

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<v Speaker 3>course so music music. My walk Man was on my

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<v Speaker 3>whatever discman, Walkman, whatever awk Man, and I liked clothes

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<v Speaker 3>and I liked history. I was interested in history, and

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<v Speaker 3>at that.

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<v Speaker 2>Age, that's what we would have talked about.

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<v Speaker 1>What's up we talk about?

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<v Speaker 2>I don't think you would have talked about clothes if

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<v Speaker 2>you saw the clothes I was wearing when I was seventeen.

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<v Speaker 2>Further ahead of me. But you came, you grew up

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<v Speaker 2>in Chicago.

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<v Speaker 3>No, I was actually raised in suburban Minneapolis, and I

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<v Speaker 3>split my time between southern California and Minneapolis. My parents

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<v Speaker 3>divorced when I was two, and they both remarried instantly.

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<v Speaker 3>My mother actually tried to get married before her divorce

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<v Speaker 3>was legal. To my dad. They went and they said,

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<v Speaker 3>ma'm you're actually still married. My mother was like, oh, so,

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<v Speaker 3>so I'll go home and wash my hair.

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<v Speaker 1>Yeah.

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<v Speaker 3>But they both remarried, and my stepfather was a radiologist

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<v Speaker 3>in Minnesota, and so I was raised there and then

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<v Speaker 3>and then I went away to school for high school

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<v Speaker 3>over out on the East Coast.

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<v Speaker 1>So I've been all over the place.

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<v Speaker 2>Oh I see, yeah, yeah, but you do sound more

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<v Speaker 2>sophisticated than I was at seven seventeen.

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<v Speaker 1>I don't know about that. I don't know.

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<v Speaker 3>I mean, listen, I don't even know if I'm sophisticated now.

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<v Speaker 3>My my favorite restaurant worldwide is the State Fair of Mine.

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<v Speaker 1>So it's just the best.

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<v Speaker 2>Guys, When you say you were interested in history at

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<v Speaker 2>that age, what does that mean.

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<v Speaker 3>I was interested in architecture, and I was interested in spaces,

0:12:25.916 --> 0:12:29.796
<v Speaker 3>and I was interested in a little bit in mythology

0:12:29.996 --> 0:12:35.796
<v Speaker 3>and a lot in sort of like royal palaces and

0:12:35.836 --> 0:12:39.716
<v Speaker 3>sort of aristocratic homes, and like really beautiful, beautiful in

0:12:39.956 --> 0:12:41.156
<v Speaker 3>homes in castles and.

0:12:42.956 --> 0:12:45.276
<v Speaker 1>Hotel particular and things like that.

0:12:45.556 --> 0:12:48.876
<v Speaker 3>I was interested in the intersection between history and design,

0:12:48.996 --> 0:12:51.476
<v Speaker 3>even though I didn't know that I would make a

0:12:51.556 --> 0:12:54.756
<v Speaker 3>life for myself working in design. But I was always

0:12:54.836 --> 0:12:58.036
<v Speaker 3>very sensitive to environments. I grew up with a mother

0:12:58.076 --> 0:13:01.276
<v Speaker 3>who was an interior designer, so our home was constantly changing.

0:13:01.836 --> 0:13:04.956
<v Speaker 3>I was. My job was to carry these old wallpaper

0:13:04.996 --> 0:13:06.676
<v Speaker 3>books in and out of the trunk of her car

0:13:06.756 --> 0:13:09.636
<v Speaker 3>that weighed more than I did you.

0:13:09.516 --> 0:13:11.156
<v Speaker 2>Did you like your mother's sense of style.

0:13:11.796 --> 0:13:14.436
<v Speaker 3>I appreciated it. She used a lot of old things.

0:13:14.436 --> 0:13:16.516
<v Speaker 3>But no, I mean it was French country.

0:13:16.796 --> 0:13:18.756
<v Speaker 1>She knows this. We've talked about this. Trust me.

0:13:19.236 --> 0:13:25.756
<v Speaker 3>She's because I had a sudden tuning in and I'll

0:13:25.796 --> 0:13:28.596
<v Speaker 3>be living with you and underwitness protection.

0:13:28.916 --> 0:13:29.756
<v Speaker 1>Now. My mom knew that.

0:13:29.796 --> 0:13:32.116
<v Speaker 3>But I What I admired about my mother's style was

0:13:32.156 --> 0:13:35.236
<v Speaker 3>that she she never reached for new things. She always

0:13:35.276 --> 0:13:39.716
<v Speaker 3>reached for antique furniture or vintage things. And she loved

0:13:39.716 --> 0:13:42.316
<v Speaker 3>an auction or an estate sale. And that was how

0:13:42.316 --> 0:13:46.236
<v Speaker 3>I got the bug of caring so much about assembling

0:13:46.316 --> 0:13:48.676
<v Speaker 3>interiors for other people with things that have a little

0:13:48.716 --> 0:13:50.676
<v Speaker 3>bit of history and soul.

0:13:51.236 --> 0:13:52.956
<v Speaker 2>Did your mother have the travel bug?

0:13:53.876 --> 0:13:57.276
<v Speaker 3>My mother the shopping bug. So, I mean my mother

0:13:57.396 --> 0:14:00.996
<v Speaker 3>was very intrepid. She was you know, she had a

0:14:01.036 --> 0:14:04.516
<v Speaker 3>point of view and growing up. Actually, now that I

0:14:04.796 --> 0:14:08.716
<v Speaker 3>now that you asked me that I knew it a

0:14:08.796 --> 0:14:12.316
<v Speaker 3>very age that pearls came from China, or you know,

0:14:12.996 --> 0:14:17.556
<v Speaker 3>great shoes came from France, or great leather came from

0:14:17.716 --> 0:14:20.516
<v Speaker 3>this place, from you know, the tanneries we're here.

0:14:20.956 --> 0:14:22.236
<v Speaker 1>That's probably why when.

0:14:22.076 --> 0:14:25.956
<v Speaker 3>I land somewhere now, I'm always interested in, like the

0:14:26.036 --> 0:14:28.716
<v Speaker 3>local craft, what's made there, what they do the best

0:14:28.796 --> 0:14:29.476
<v Speaker 3>job doing.

0:14:29.876 --> 0:14:31.116
<v Speaker 1>That's what I always want to know.

0:14:31.196 --> 0:14:33.876
<v Speaker 3>It doesn't have to be expensive, but like what's the

0:14:34.236 --> 0:14:38.356
<v Speaker 3>what's the best thing in Sri Lanka, what's the best

0:14:38.356 --> 0:14:42.076
<v Speaker 3>thing in Barcelona? Like what's the coolest craft in Wahaka?

0:14:42.396 --> 0:14:43.356
<v Speaker 3>What are they known for?

0:14:43.516 --> 0:14:47.516
<v Speaker 2>Yeah, you said earlier that you're very interested in investigating

0:14:47.636 --> 0:14:50.636
<v Speaker 2>the culture of a place through its artifact.

0:14:50.756 --> 0:14:51.636
<v Speaker 1>Yeah, through its craft.

0:14:51.916 --> 0:14:54.916
<v Speaker 2>It's that and what you're describing in your mother as

0:14:54.956 --> 0:14:57.316
<v Speaker 2>a version of them, Yeah, it is, it is.

0:14:57.836 --> 0:14:57.996
<v Speaker 3>You know.

0:14:58.116 --> 0:15:00.356
<v Speaker 2>My favorite this is one of my favorite things to do,

0:15:00.396 --> 0:15:03.676
<v Speaker 2>by the way, is to locate someone's passions in there

0:15:04.156 --> 0:15:07.316
<v Speaker 2>in an earlier form found in their parents. My favorite

0:15:07.556 --> 0:15:08.916
<v Speaker 2>I can I go in to total digression.

0:15:08.956 --> 0:15:09.436
<v Speaker 1>Yeah.

0:15:09.476 --> 0:15:12.476
<v Speaker 2>My favorite example of this was I was once at

0:15:12.476 --> 0:15:15.796
<v Speaker 2>a party in LA and I met a very famous

0:15:16.636 --> 0:15:20.036
<v Speaker 2>LA manager, maybe one of the most famous of all

0:15:20.076 --> 0:15:22.676
<v Speaker 2>of managers. He was famous because he was the hardest

0:15:22.716 --> 0:15:26.596
<v Speaker 2>negotiator in Hollywood. He was like the guy who would

0:15:26.676 --> 0:15:29.676
<v Speaker 2>argue with you for you know, two weeks, for the

0:15:29.756 --> 0:15:32.356
<v Speaker 2>down to the slightest detail of a contract. And I

0:15:32.356 --> 0:15:33.636
<v Speaker 2>was chatting with him and I was like, Oh, tell

0:15:33.636 --> 0:15:35.116
<v Speaker 2>me about your chither and he goes, oh, yeah, well

0:15:35.156 --> 0:15:36.516
<v Speaker 2>I am. My parents were, and I was really raised

0:15:36.516 --> 0:15:38.356
<v Speaker 2>on my grandfather. What's your grandfather do?

0:15:38.356 --> 0:15:38.476
<v Speaker 1>Well?

0:15:38.516 --> 0:15:41.756
<v Speaker 2>He was in the button business. He's like, oh, what

0:15:41.796 --> 0:15:43.596
<v Speaker 2>was that like? Well, every day after school I would

0:15:43.636 --> 0:15:45.876
<v Speaker 2>go to my grandfather's office in the garment district and

0:15:45.876 --> 0:15:47.716
<v Speaker 2>I would sit in a chair and I would listen

0:15:47.716 --> 0:15:52.596
<v Speaker 2>to him argue over the you know, the tenth of

0:15:52.676 --> 0:15:58.036
<v Speaker 2>a cent difference in a large order of buttons. Pause,

0:15:58.596 --> 0:16:01.956
<v Speaker 2>and I'm like exactly, And he looked at me like,

0:16:02.876 --> 0:16:03.756
<v Speaker 2>what are you talking about?

0:16:03.836 --> 0:16:06.116
<v Speaker 1>No connection to see it? Same thing.

0:16:06.836 --> 0:16:09.836
<v Speaker 2>He takes the buttons, and he takes the it makes

0:16:09.836 --> 0:16:10.836
<v Speaker 2>a fortune.

0:16:10.476 --> 0:16:13.916
<v Speaker 3>Exactly right, exactly so, and he's negotiing over the tenth

0:16:13.916 --> 0:16:15.476
<v Speaker 3>acent of a price of a button.

0:16:15.516 --> 0:16:17.556
<v Speaker 2>Still, but you do you do you see what you

0:16:17.596 --> 0:16:18.236
<v Speaker 2>see where I'm going?

0:16:18.276 --> 0:16:21.476
<v Speaker 1>Oh, of course, of course I'm following this. Yeah, and

0:16:21.516 --> 0:16:21.916
<v Speaker 1>you're right.

0:16:21.996 --> 0:16:23.676
<v Speaker 3>I mean, you know, my mom and I have talked

0:16:23.676 --> 0:16:25.996
<v Speaker 3>about over the years. She's asked me like, what do

0:16:25.996 --> 0:16:28.956
<v Speaker 3>you think my influence on you was as a young person,

0:16:29.076 --> 0:16:32.476
<v Speaker 3>and then obviously is in design, and it was she

0:16:32.556 --> 0:16:35.516
<v Speaker 3>taught me how to source. And I think a good

0:16:35.596 --> 0:16:39.036
<v Speaker 3>designer has to be really good at sourcing because even

0:16:39.076 --> 0:16:42.996
<v Speaker 3>in today's age, where you know, obviously, like at any

0:16:43.196 --> 0:16:46.316
<v Speaker 3>given moment, at any place in the world, you can

0:16:46.636 --> 0:16:51.516
<v Speaker 3>find exactly what you're looking for online, it's not really enough.

0:16:51.836 --> 0:16:55.436
<v Speaker 3>You have to know who makes the hand painted lamp

0:16:55.516 --> 0:17:01.036
<v Speaker 3>chains on Etsy, and who makes the Mexican pineapples in Morelia,

0:17:01.156 --> 0:17:03.356
<v Speaker 3>and then who you know it's just and then who

0:17:03.356 --> 0:17:05.116
<v Speaker 3>can put it all together for you and turn it

0:17:05.156 --> 0:17:07.556
<v Speaker 3>into a coffee table. So you know, you've got to

0:17:07.596 --> 0:17:10.716
<v Speaker 3>know the guy in Brooklyn too. So it's but sourcing

0:17:10.876 --> 0:17:14.236
<v Speaker 3>is is what she gave me, and especially a love

0:17:14.276 --> 0:17:17.676
<v Speaker 3>of vintage and craft and handmade.

0:17:17.916 --> 0:17:24.796
<v Speaker 2>We'll be right back after the break, and we're back

0:17:25.076 --> 0:17:29.156
<v Speaker 2>with Nate Burgis. We'll stop a lot of hotels, since

0:17:29.196 --> 0:17:32.236
<v Speaker 2>hotels are such an integral part of the travel experience

0:17:32.236 --> 0:17:34.356
<v Speaker 2>for so many people. I was thinking when I was

0:17:34.636 --> 0:17:37.916
<v Speaker 2>preparing for this about so what is the what's the

0:17:37.956 --> 0:17:41.116
<v Speaker 2>most wonderful hotel experience I ever had? And it was

0:17:41.156 --> 0:17:44.996
<v Speaker 2>in a little hotel in Stockholm, which is in an

0:17:45.076 --> 0:17:50.476
<v Speaker 2>old mansion. And I've forgotten what the mansion looks like,

0:17:50.516 --> 0:17:52.156
<v Speaker 2>and I've forgotten what the my.

0:17:52.156 --> 0:17:52.756
<v Speaker 1>Room looked like.

0:17:52.796 --> 0:17:55.156
<v Speaker 2>I know that it was nice and comfortable room. The

0:17:55.236 --> 0:18:00.236
<v Speaker 2>genius thing was there was a huge old oak table

0:18:00.796 --> 0:18:04.636
<v Speaker 2>immediately adjacent to an open kitchen, and when you wanted

0:18:04.636 --> 0:18:06.756
<v Speaker 2>to eat, you went down and you sat the table,

0:18:06.796 --> 0:18:09.516
<v Speaker 2>and the cook came over to you and said what

0:18:09.556 --> 0:18:12.876
<v Speaker 2>do you want? And everybody who's saying the table, it

0:18:12.876 --> 0:18:15.116
<v Speaker 2>was a small sale. Everyone who just came and sat

0:18:15.156 --> 0:18:18.476
<v Speaker 2>at the table. It was that thing. Yeah, their intention

0:18:18.796 --> 0:18:23.876
<v Speaker 2>was that they were recreating a Swedish home, family home

0:18:24.036 --> 0:18:26.876
<v Speaker 2>of which you were a visitor. And that's not what

0:18:26.916 --> 0:18:29.716
<v Speaker 2>I want from every hotel. But no, they executed that

0:18:29.796 --> 0:18:32.596
<v Speaker 2>intention beautiful. Yeah, that's what I about.

0:18:32.636 --> 0:18:33.396
<v Speaker 1>I think listen.

0:18:33.516 --> 0:18:37.356
<v Speaker 3>I think that every every hotel wants to be welcoming,

0:18:37.396 --> 0:18:39.876
<v Speaker 3>they want to be curated, they want to be you know,

0:18:40.436 --> 0:18:44.716
<v Speaker 3>intentional in their design decisions. And most definitely design does

0:18:44.836 --> 0:18:48.676
<v Speaker 3>translate and communicate sort of what are you meant to

0:18:48.716 --> 0:18:52.476
<v Speaker 3>feel chic and urban and you know free? Are you

0:18:52.516 --> 0:18:56.036
<v Speaker 3>meant to feel relaxed and calm and sunburnt like?

0:18:56.116 --> 0:18:56.316
<v Speaker 1>You know?

0:18:56.476 --> 0:18:59.876
<v Speaker 3>Of course, the furniture and the textiles and the even

0:18:59.916 --> 0:19:04.076
<v Speaker 3>the distribution of the rooms lends itself to certain activities

0:19:04.116 --> 0:19:08.836
<v Speaker 3>and certain feelings. So I have these clients in Cambridge, Massachusetts.

0:19:09.116 --> 0:19:11.476
<v Speaker 3>They're incredibly wonderful.

0:19:11.916 --> 0:19:14.516
<v Speaker 2>I was wondering what was going to come out, No, brilliant,

0:19:14.916 --> 0:19:17.476
<v Speaker 2>they're brilliant, And you said you want to be there

0:19:17.516 --> 0:19:18.476
<v Speaker 2>to the pause.

0:19:18.196 --> 0:19:24.556
<v Speaker 3>After incredibibly that they are wonderful and there They travel

0:19:24.836 --> 0:19:28.836
<v Speaker 3>probably three hundred days a year. Yeah, and the goal

0:19:29.236 --> 0:19:33.036
<v Speaker 3>was to create a home that they liked more than

0:19:33.116 --> 0:19:37.036
<v Speaker 3>anywhere they've ever stayed. They can stay anywhere in the world,

0:19:37.196 --> 0:19:40.916
<v Speaker 3>and they can stay in a five star, rent a house,

0:19:40.956 --> 0:19:43.836
<v Speaker 3>rent a villa. They can literally go anywhere they want

0:19:43.876 --> 0:19:47.476
<v Speaker 3>to go. But My assignment was to make home feel

0:19:47.916 --> 0:19:51.236
<v Speaker 3>better than that. So it's me against like man against

0:19:51.276 --> 0:19:51.596
<v Speaker 3>the world.

0:19:51.716 --> 0:19:51.956
<v Speaker 1>Man.

0:19:52.516 --> 0:19:55.156
<v Speaker 2>But you know, did this make you nervous?

0:19:55.516 --> 0:19:55.716
<v Speaker 1>No?

0:19:55.956 --> 0:19:59.596
<v Speaker 3>I was so excited about this challenge because what it

0:19:59.676 --> 0:20:03.116
<v Speaker 3>did was it allowed me to really figure out who

0:20:03.196 --> 0:20:06.756
<v Speaker 3>they were as a family, what really mattered to them,

0:20:07.156 --> 0:20:10.196
<v Speaker 3>what ceremonies they do in their home, how they spend

0:20:10.196 --> 0:20:14.436
<v Speaker 3>time together. And it offered me an opportunity to build

0:20:14.556 --> 0:20:19.236
<v Speaker 3>that tile by tile, pillow by pillow, book by book,

0:20:19.596 --> 0:20:23.196
<v Speaker 3>and create a space that dreamt a bigger dream for

0:20:23.316 --> 0:20:25.916
<v Speaker 3>them as a family than they had even dreamt for themselves.

0:20:26.036 --> 0:20:27.996
<v Speaker 3>How did you figure that out about We had the

0:20:28.116 --> 0:20:31.436
<v Speaker 3>architectural framework there. We knew it was a house. We

0:20:31.516 --> 0:20:33.796
<v Speaker 3>knew it had these many bedrooms and these many bathrooms

0:20:33.836 --> 0:20:37.236
<v Speaker 3>and whatever. But we started with a lot of imagery.

0:20:37.836 --> 0:20:42.796
<v Speaker 3>And I just watched their eyes as they commented, and

0:20:42.996 --> 0:20:46.636
<v Speaker 3>I would ask them, why are you smiling when you're

0:20:46.676 --> 0:20:49.156
<v Speaker 3>talking about that fireplace. You've never picked a fireplace in

0:20:49.196 --> 0:20:50.556
<v Speaker 3>your entire life, But what is it that.

0:20:50.516 --> 0:20:51.156
<v Speaker 1>You like about that?

0:20:51.876 --> 0:20:55.556
<v Speaker 3>And they were able to communicate, well, it feels so rustic,

0:20:55.636 --> 0:20:58.276
<v Speaker 3>and it feels so interesting, and it feels like this

0:20:58.356 --> 0:21:01.276
<v Speaker 3>house in Italy that we stayed in years ago, and

0:21:01.756 --> 0:21:04.956
<v Speaker 3>I don't know, and we really liked the idea of

0:21:04.956 --> 0:21:06.836
<v Speaker 3>not using a lot of marble.

0:21:06.476 --> 0:21:09.036
<v Speaker 1>In the bathrooms. It feels too pretentious to us.

0:21:09.156 --> 0:21:10.556
<v Speaker 3>And I said, well, what if we just use the

0:21:10.556 --> 0:21:13.876
<v Speaker 3>marble on the trim and the floor is would and

0:21:13.916 --> 0:21:16.556
<v Speaker 3>there's no in the marble and the countertops and the trim,

0:21:16.836 --> 0:21:18.956
<v Speaker 3>but we'll just go around the baseboards and the doors.

0:21:18.996 --> 0:21:20.716
<v Speaker 1>There'll be no slabs in the shower.

0:21:20.756 --> 0:21:23.596
<v Speaker 3>And so it just gradually became this dialogue that went

0:21:23.676 --> 0:21:27.436
<v Speaker 3>back and forth, and you know, the goal is not

0:21:27.596 --> 0:21:30.516
<v Speaker 3>just to assemble something that's beautiful and meaningful, but it's

0:21:30.716 --> 0:21:33.276
<v Speaker 3>to delight the people who have spent this time and

0:21:33.356 --> 0:21:36.196
<v Speaker 3>money hiring you to do something. And I have to say,

0:21:36.196 --> 0:21:38.556
<v Speaker 3>I get a text from them weekly. They moved in

0:21:38.916 --> 0:21:41.356
<v Speaker 3>over a year ago. Yeah, and then they just we

0:21:41.436 --> 0:21:43.556
<v Speaker 3>just love it here, like we just you know.

0:21:44.076 --> 0:21:46.476
<v Speaker 2>The greatest thing would be if they stopped traveling. Right,

0:21:46.836 --> 0:21:47.916
<v Speaker 2>how much do you travel?

0:21:48.276 --> 0:21:49.236
<v Speaker 1>I travel a lot.

0:21:50.076 --> 0:21:51.796
<v Speaker 2>How much for fun and how much work? Or is

0:21:51.796 --> 0:21:55.236
<v Speaker 2>there no distinction in the sense that you're always collecting? I?

0:21:55.316 --> 0:21:57.356
<v Speaker 3>Oh, yeah, I mean there is a distinction. I mean,

0:21:57.356 --> 0:21:59.836
<v Speaker 3>obviously I'm going to a beach trip with my kids.

0:22:00.076 --> 0:22:03.316
<v Speaker 3>You know that I know what I'm doing there. But

0:22:03.436 --> 0:22:05.476
<v Speaker 3>all the work trips, I mean, I spent twenty five

0:22:05.556 --> 0:22:08.596
<v Speaker 3>years doing makeovers in all these towns across the country.

0:22:08.876 --> 0:22:10.996
<v Speaker 3>Some I'm staying there for her up to two weeks,

0:22:10.996 --> 0:22:13.716
<v Speaker 3>sometimes being there for forty eight hours. I always make

0:22:13.756 --> 0:22:16.956
<v Speaker 3>it fun. I want to go to the local antiques malls.

0:22:16.956 --> 0:22:18.836
<v Speaker 3>I want to find out who is the best Hamburger.

0:22:19.276 --> 0:22:24.276
<v Speaker 3>I want the vintage fashion, the coolest monument, the private

0:22:24.356 --> 0:22:28.396
<v Speaker 3>museum house, like I can't sit still. The funny story

0:22:28.396 --> 0:22:30.756
<v Speaker 3>about the first time I was ever in Madrid with Jeremiah,

0:22:30.836 --> 0:22:34.396
<v Speaker 3>my husband. We had canvassed all these museums and we

0:22:34.436 --> 0:22:37.516
<v Speaker 3>had had this beautiful lunch and then we met friends,

0:22:37.556 --> 0:22:41.356
<v Speaker 3>and then we went to another district and we were shopping,

0:22:41.396 --> 0:22:44.556
<v Speaker 3>and we came home and our feet were bleeding. So

0:22:44.596 --> 0:22:46.756
<v Speaker 3>we're like, you know, wearing the wrong shoes. Of course,

0:22:46.836 --> 0:22:48.676
<v Speaker 3>you know, even though we're well traveled.

0:22:48.316 --> 0:22:50.236
<v Speaker 1>We wanted to look cute. You want to look cute

0:22:50.276 --> 0:22:51.076
<v Speaker 1>when you're in Madrid.

0:22:51.756 --> 0:22:54.316
<v Speaker 3>So we got back to the hotel and he like

0:22:54.356 --> 0:22:57.516
<v Speaker 3>had his feet in the bathtub and just sitting there

0:22:57.596 --> 0:22:59.236
<v Speaker 3>like sort of softly moaning.

0:22:59.996 --> 0:23:02.036
<v Speaker 1>And I was on the bed.

0:23:02.236 --> 0:23:04.676
<v Speaker 3>With one of the magazines that was in the hotel,

0:23:04.916 --> 0:23:08.316
<v Speaker 3>and as I was reading this men's fashion story, I

0:23:08.436 --> 0:23:12.396
<v Speaker 3>was looking intently at all these decorative boxes and objects

0:23:12.436 --> 0:23:15.116
<v Speaker 3>and frames and like leather from the fifties and like

0:23:15.556 --> 0:23:18.116
<v Speaker 3>all this like really cool stuff. And then I went

0:23:18.156 --> 0:23:20.356
<v Speaker 3>to the back of the magazine and found the credit

0:23:20.396 --> 0:23:22.756
<v Speaker 3>and it said the name of this store. And I

0:23:22.836 --> 0:23:25.956
<v Speaker 3>called downstairs to the concierge and as he said, it's closing,

0:23:25.996 --> 0:23:28.756
<v Speaker 3>but it's actually owned by my neighbor. If you want

0:23:28.756 --> 0:23:30.956
<v Speaker 3>me to call him, he'll stay open for you. And

0:23:30.996 --> 0:23:33.676
<v Speaker 3>I said, yes, yes, please call him. I want to

0:23:33.676 --> 0:23:36.676
<v Speaker 3>see this store. And Jared finally comes around the corner

0:23:36.716 --> 0:23:39.836
<v Speaker 3>with his bloody feet and I go, you gotta put

0:23:39.836 --> 0:23:40.476
<v Speaker 3>your shoes back on.

0:23:41.676 --> 0:23:42.756
<v Speaker 2>Nay, you're exhausting.

0:23:43.156 --> 0:23:44.196
<v Speaker 1>I'm so exhausting.

0:23:45.716 --> 0:23:51.236
<v Speaker 2>Describe to me when you encounter spaces for the first time.

0:23:51.916 --> 0:23:55.636
<v Speaker 2>What's your process of judgment? Do you do you always

0:23:55.676 --> 0:23:58.796
<v Speaker 2>have a kind of reaction to it? Are you do

0:23:58.836 --> 0:24:03.996
<v Speaker 2>you find yourself frequently appalls outraged?

0:24:05.036 --> 0:24:07.316
<v Speaker 1>No, I'm never I'm never outraged.

0:24:08.196 --> 0:24:11.276
<v Speaker 2>You know, because you know I asked this question because

0:24:11.716 --> 0:24:14.836
<v Speaker 2>my version of what you do is stories, and when

0:24:14.876 --> 0:24:19.996
<v Speaker 2>a story is badly told, I am furious. I just

0:24:20.716 --> 0:24:25.036
<v Speaker 2>parenthetically wasted a good three weeks of my life and

0:24:25.076 --> 0:24:29.436
<v Speaker 2>I have no free time to smuntle watching Ozark, and

0:24:29.516 --> 0:24:32.156
<v Speaker 2>after a season and a half, I'm like, this is

0:24:32.516 --> 0:24:39.356
<v Speaker 2>absolutely indescribably appalling. How did they do this? I want

0:24:39.356 --> 0:24:42.956
<v Speaker 2>to go after the showrunner and just say, you destroyed

0:24:43.076 --> 0:24:45.516
<v Speaker 2>three weeks of my life. Do you have any idea

0:24:45.556 --> 0:24:48.396
<v Speaker 2>out precious that is to me? Yeah, but you don't

0:24:48.396 --> 0:24:50.996
<v Speaker 2>have this, so you don't know the rage.

0:24:51.156 --> 0:24:52.836
<v Speaker 1>You know the rage? No, I mean I don't.

0:24:52.876 --> 0:24:54.276
<v Speaker 2>We both virgos, I know.

0:24:54.516 --> 0:24:56.276
<v Speaker 3>I mean I have rage about other things. I have

0:24:56.356 --> 0:24:58.596
<v Speaker 3>rage about dirty laundry, but I don't have raged about that.

0:24:58.716 --> 0:25:00.276
<v Speaker 2>Okay, but I know.

0:25:00.436 --> 0:25:00.676
<v Speaker 1>I mean.

0:25:00.996 --> 0:25:02.756
<v Speaker 3>The answer to your question, though, is when I walk in.

0:25:02.836 --> 0:25:04.396
<v Speaker 3>First of all, I hate that show too. It's so

0:25:04.516 --> 0:25:07.836
<v Speaker 3>badly done. Oh my god, it's miserable. But catch them

0:25:07.916 --> 0:25:10.556
<v Speaker 3>or don't catch them already, it's the same thing. It's

0:25:10.596 --> 0:25:12.276
<v Speaker 3>the same scene every episode.

0:25:12.476 --> 0:25:17.356
<v Speaker 2>Ozon if it's so much the ox, yeah, exactly, talk

0:25:17.396 --> 0:25:21.116
<v Speaker 2>about travel, don't start another casino and then like in

0:25:21.156 --> 0:25:23.836
<v Speaker 2>like in like at the end of episode one. You know,

0:25:23.956 --> 0:25:26.556
<v Speaker 2>Laureal Lenny Wendy says, Oh, yeah, we have a spot

0:25:26.556 --> 0:25:27.836
<v Speaker 2>in Australia all picked out.

0:25:28.116 --> 0:25:31.596
<v Speaker 1>Go I know, save yourselves. Save.

0:25:33.116 --> 0:25:36.276
<v Speaker 3>When I walk into a space, honestly, it's a it's

0:25:36.316 --> 0:25:39.556
<v Speaker 3>almost like AI like my eyes open and I look

0:25:39.596 --> 0:25:42.036
<v Speaker 3>into space and I can immediately see what I would change.

0:25:42.556 --> 0:25:46.076
<v Speaker 3>And there's not one right way to do anything, obviously

0:25:46.116 --> 0:25:47.916
<v Speaker 3>in life, and there's certainly not one right way to

0:25:47.956 --> 0:25:52.796
<v Speaker 3>assemble a room or renovate a space. Marry another designer

0:25:52.836 --> 0:25:55.636
<v Speaker 3>for ten years if you don't believe. But honestly, like

0:25:55.676 --> 0:25:58.156
<v Speaker 3>the minute I walk in, and this is I think

0:25:58.196 --> 0:26:00.156
<v Speaker 3>one of the reasons why I've I've had so much

0:26:00.196 --> 0:26:02.796
<v Speaker 3>fun with real estate over the years. It's like I

0:26:02.836 --> 0:26:04.956
<v Speaker 3>can just like I walk in and it's just like

0:26:05.196 --> 0:26:07.316
<v Speaker 3>a film goes over me and I can see like

0:26:07.916 --> 0:26:11.276
<v Speaker 3>raise that, take out that beam, bring the cabinets to

0:26:11.356 --> 0:26:14.996
<v Speaker 3>the ceiling, do a floor here, change the floor there,

0:26:15.676 --> 0:26:18.996
<v Speaker 3>move this doorway over three feet and by the time

0:26:19.076 --> 0:26:22.876
<v Speaker 3>I mean most of our renovations actually, and this is true,

0:26:23.316 --> 0:26:26.876
<v Speaker 3>most of our renovations, and we've renovated everywhere we've ever lived.

0:26:26.876 --> 0:26:29.676
<v Speaker 3>We've never just walked in and been like this is great.

0:26:29.996 --> 0:26:34.276
<v Speaker 3>My little plant air. It's gonna be perfect. But every

0:26:34.356 --> 0:26:39.716
<v Speaker 3>single renovation started with going home and writing out initial

0:26:39.756 --> 0:26:43.636
<v Speaker 3>ideas and short and those initial ideas were eighty five

0:26:43.676 --> 0:26:46.876
<v Speaker 3>percent of the final product. The instant knee jerk reaction

0:26:47.116 --> 0:26:50.316
<v Speaker 3>of how the room should flow, how the space should

0:26:50.356 --> 0:26:53.676
<v Speaker 3>be laid out. Not for furniture floor plans, because you know,

0:26:53.756 --> 0:26:57.876
<v Speaker 3>we're two designers, like we move stuff around all the time.

0:26:57.916 --> 0:27:00.996
<v Speaker 1>But in terms of the actual bones of a place.

0:27:01.276 --> 0:27:04.036
<v Speaker 3>It's like a film just comes down and on the

0:27:04.036 --> 0:27:04.876
<v Speaker 3>film I can see it.

0:27:04.916 --> 0:27:06.436
<v Speaker 2>I think that's right. I'm reminded of as you talk

0:27:06.476 --> 0:27:11.276
<v Speaker 2>about it's like a point guard describing what he or

0:27:11.316 --> 0:27:12.836
<v Speaker 2>she sees on a basketball court.

0:27:13.036 --> 0:27:13.276
<v Speaker 1>Yep.

0:27:13.356 --> 0:27:15.556
<v Speaker 3>And that is a project that is so hard for

0:27:15.596 --> 0:27:17.836
<v Speaker 3>me to follow. But you are one hundred percent. I'm

0:27:17.876 --> 0:27:21.396
<v Speaker 3>sure you're right. I love a sports analogy and welcome

0:27:21.636 --> 0:27:24.036
<v Speaker 3>bring them, bring them at me, let me try the

0:27:24.236 --> 0:27:27.396
<v Speaker 3>forty yards, but let me try again.

0:27:27.716 --> 0:27:30.836
<v Speaker 2>No, No, there is a kind of no. But what's

0:27:30.876 --> 0:27:34.236
<v Speaker 2>what's funny about listening to you say that, which makes

0:27:34.236 --> 0:27:38.036
<v Speaker 2>perfect sense to me, because that's that is your gift, right,

0:27:38.036 --> 0:27:40.236
<v Speaker 2>That's the essence of what you do is being able

0:27:40.276 --> 0:27:44.596
<v Speaker 2>to see a different, a different and more interesting version

0:27:45.116 --> 0:27:46.316
<v Speaker 2>of what you're presented with.

0:27:46.516 --> 0:27:49.556
<v Speaker 3>And a version that's easier and better to live in. Yeah,

0:27:49.556 --> 0:27:51.836
<v Speaker 3>it may not be better than the original, of course, but

0:27:51.956 --> 0:27:53.356
<v Speaker 3>like it's going to be better.

0:27:53.156 --> 0:27:55.396
<v Speaker 1>For whoever lives there. But Nate, how does this?

0:27:55.636 --> 0:27:56.796
<v Speaker 2>I want to go back to this question of why

0:27:56.836 --> 0:28:00.316
<v Speaker 2>you don't feel rage? So if you go in and

0:28:00.356 --> 0:28:04.036
<v Speaker 2>you can't change it, how do you cope? You come

0:28:04.036 --> 0:28:07.036
<v Speaker 2>to my house for dinner. Yeah, and you walk in

0:28:07.076 --> 0:28:10.036
<v Speaker 2>and you do that thing, and you're like, oh god,

0:28:10.156 --> 0:28:12.996
<v Speaker 2>I was called like fifty things wrong, and you're like, well,

0:28:13.876 --> 0:28:15.476
<v Speaker 2>you're not going to change it, And now he's not

0:28:15.516 --> 0:28:15.956
<v Speaker 2>a client.

0:28:16.396 --> 0:28:16.636
<v Speaker 1>I don't.

0:28:16.716 --> 0:28:18.156
<v Speaker 2>I'm not I'm not gonna be here. So what do

0:28:18.196 --> 0:28:21.636
<v Speaker 2>you do? You sit uncomfortably through dinner just thinking why.

0:28:21.356 --> 0:28:24.716
<v Speaker 1>Is that there? No? What do you know? You know what?

0:28:24.796 --> 0:28:28.036
<v Speaker 3>Honestly it First of all, a little side note about me.

0:28:28.316 --> 0:28:30.756
<v Speaker 3>I appreciate a home cooked meal more than I care

0:28:30.756 --> 0:28:33.796
<v Speaker 3>about what the diving looks like because my mother made

0:28:33.916 --> 0:28:36.636
<v Speaker 3>nothing growing up, So let me that sounds delicious.

0:28:36.716 --> 0:28:37.436
<v Speaker 1>I don't even care.

0:28:37.676 --> 0:28:39.676
<v Speaker 2>I love how large your mother has loomed. I know

0:28:40.756 --> 0:28:43.516
<v Speaker 2>what's your mother's name? Nancy shout out to Nancy.

0:28:43.596 --> 0:28:46.276
<v Speaker 1>Yeah, there you go. But yeah, she has been looming

0:28:46.356 --> 0:28:46.956
<v Speaker 1>a little large.

0:28:46.996 --> 0:28:50.316
<v Speaker 2>And you know why it is because my favorite thing

0:28:50.356 --> 0:28:51.436
<v Speaker 2>is talking about people's parents.

0:28:51.476 --> 0:28:51.716
<v Speaker 1>You do.

0:28:51.876 --> 0:28:53.956
<v Speaker 2>I didn't know I could talk about people's parents. If

0:28:53.996 --> 0:28:56.836
<v Speaker 2>you told me I could do this, I would have

0:28:56.836 --> 0:28:58.796
<v Speaker 2>made this the entire show about your mom.

0:29:01.196 --> 0:29:02.476
<v Speaker 1>You would love that. Let's just talk.

0:29:02.636 --> 0:29:03.676
<v Speaker 2>Let's just talk about your mom.

0:29:04.556 --> 0:29:05.156
<v Speaker 1>That's amazing.

0:29:05.516 --> 0:29:09.636
<v Speaker 2>Get people think moms get like too much airtime. Wrong, yeah,

0:29:09.836 --> 0:29:13.396
<v Speaker 2>way too little airtime. It's all about mom.

0:29:13.796 --> 0:29:15.076
<v Speaker 1>My mom is aware of that.

0:29:17.116 --> 0:29:19.356
<v Speaker 2>My mom actually is not, which is one of her charms.

0:29:19.436 --> 0:29:22.036
<v Speaker 1>That is terming. I can't imagine.

0:29:22.476 --> 0:29:26.956
<v Speaker 2>That's like a point guard too, my mother if you

0:29:27.076 --> 0:29:28.956
<v Speaker 2>if you talk on the phone with her too long,

0:29:29.076 --> 0:29:31.796
<v Speaker 2>she will she'll remind you you of other things to do.

0:29:32.036 --> 0:29:35.236
<v Speaker 1>Wow. Yeah, yeah, I can't even imagine.

0:29:35.276 --> 0:29:38.116
<v Speaker 3>Where were we You're upset that I think you're upset

0:29:38.156 --> 0:29:40.516
<v Speaker 3>that that I'm not rage full when I come for

0:29:40.676 --> 0:29:42.396
<v Speaker 3>a meat loaf at someone's house.

0:29:43.076 --> 0:29:45.636
<v Speaker 2>No, I'm trying to I'm here and we're getting back

0:29:45.636 --> 0:29:49.036
<v Speaker 2>to this series, okay, And that is I'm trying to

0:29:49.236 --> 0:29:56.156
<v Speaker 2>understand how you manage your You have a powerful aesthetic sense, right,

0:29:56.196 --> 0:30:00.116
<v Speaker 2>which dominates your life. Yeah, it's why you're who you are,

0:30:00.156 --> 0:30:01.116
<v Speaker 2>why you're good at what you do.

0:30:01.396 --> 0:30:02.156
<v Speaker 1>I can answer that.

0:30:02.236 --> 0:30:04.596
<v Speaker 2>I know where you're going about how you manage it.

0:30:04.716 --> 0:30:05.876
<v Speaker 1>There's two things. Yeah.

0:30:05.996 --> 0:30:09.236
<v Speaker 3>One, there's a time and a place for everything, and

0:30:09.276 --> 0:30:12.276
<v Speaker 3>I believe that. And so if I'm looking at a

0:30:12.356 --> 0:30:15.156
<v Speaker 3>property because I'm going to live there personally, then I

0:30:15.236 --> 0:30:19.156
<v Speaker 3>can't turn off that AI kind of you know thing.

0:30:19.676 --> 0:30:22.316
<v Speaker 3>If I'm looking at a property that somebody is paying

0:30:22.356 --> 0:30:26.636
<v Speaker 3>me to change on their behalf, then I can't turn

0:30:26.676 --> 0:30:29.236
<v Speaker 3>anything off. But if I'm going to dinner at someone's

0:30:29.276 --> 0:30:31.756
<v Speaker 3>house or I'm sitting on my you know, sister's floor

0:30:31.756 --> 0:30:35.556
<v Speaker 3>playing with my nephew, I don't care. Yeah, I just don't.

0:30:35.596 --> 0:30:37.716
<v Speaker 3>I mean, I couldn't care less. I'm like, where's where

0:30:37.716 --> 0:30:39.316
<v Speaker 3>we're bringing luncheon from?

0:30:39.676 --> 0:30:39.916
<v Speaker 1>You know?

0:30:40.116 --> 0:30:42.676
<v Speaker 3>Do you like my haircut? There's so many other things

0:30:42.676 --> 0:30:45.076
<v Speaker 3>that are you know, did you read this book? Did

0:30:45.116 --> 0:30:46.356
<v Speaker 3>you hear what happened to so and so?

0:30:46.516 --> 0:30:48.996
<v Speaker 1>Like? What really makes me Rageye?

0:30:49.916 --> 0:30:52.156
<v Speaker 2>Actually I'm glad we're finally get get you ready?

0:30:52.236 --> 0:30:55.196
<v Speaker 1>Yeah, okay, here you go, mister Malcolm. Glad.

0:30:55.236 --> 0:31:00.716
<v Speaker 3>Well, now, mom, you know why what makes me ragie?

0:31:00.756 --> 0:31:04.956
<v Speaker 1>Is people who are really confident in their bad taste. Yeah,

0:31:05.036 --> 0:31:06.116
<v Speaker 1>it makes me insane.

0:31:06.876 --> 0:31:09.396
<v Speaker 3>And it usually is tied to a lot, like a

0:31:09.476 --> 0:31:13.716
<v Speaker 3>great deal of money, like a huge fortune wasted. And

0:31:13.796 --> 0:31:16.596
<v Speaker 3>I cannot stand the shape of their heads when they

0:31:16.636 --> 0:31:19.796
<v Speaker 3>tell you how special and fabulous, because they use that

0:31:19.836 --> 0:31:20.436
<v Speaker 3>word a lot.

0:31:20.836 --> 0:31:21.956
<v Speaker 1>Yeah, that's a keyword.

0:31:21.996 --> 0:31:23.876
<v Speaker 3>If you're going to have really terrible taste and be

0:31:23.916 --> 0:31:26.916
<v Speaker 3>confident about it, you need to say everything is fabulous

0:31:26.956 --> 0:31:30.236
<v Speaker 3>over and over so you yourself apparently believe it.

0:31:30.316 --> 0:31:32.036
<v Speaker 1>But that makes me insane.

0:31:32.716 --> 0:31:34.556
<v Speaker 2>Do you want to name names at all of it? Sure?

0:31:35.796 --> 0:31:40.796
<v Speaker 3>I think that there's the reason why it's not extremely

0:31:40.836 --> 0:31:44.516
<v Speaker 3>complicated to have a career in design at any level

0:31:44.796 --> 0:31:49.356
<v Speaker 3>is because there's so much insecurity around design. And I've

0:31:49.396 --> 0:31:53.756
<v Speaker 3>tried to make that okay over the years to not

0:31:53.996 --> 0:31:55.236
<v Speaker 3>be so heavy handed.

0:31:55.716 --> 0:31:57.636
<v Speaker 1>I have my own convictions. I know what I think

0:31:57.716 --> 0:31:58.556
<v Speaker 1>is beautiful.

0:31:58.756 --> 0:32:02.716
<v Speaker 3>You know, when you're on makeovers for fifteen years on

0:32:02.756 --> 0:32:05.276
<v Speaker 3>the Oprah Winfrey Show in two hundred countries and everybody's

0:32:05.316 --> 0:32:07.916
<v Speaker 3>looking to you, the question.

0:32:07.796 --> 0:32:10.556
<v Speaker 1>Was always like, what's the trend? What's the trend coming up?

0:32:10.836 --> 0:32:13.356
<v Speaker 3>And you could hear the representative from the wool bureau

0:32:13.436 --> 0:32:16.036
<v Speaker 3>in the background and the pantone color of you know,

0:32:16.436 --> 0:32:18.596
<v Speaker 3>and not that I would decide that, but they were

0:32:18.716 --> 0:32:20.716
<v Speaker 3>just like, is he going to agree? Is he gonna whatever?

0:32:21.276 --> 0:32:24.276
<v Speaker 3>And I've always felt like all these waves, these trends

0:32:24.436 --> 0:32:26.556
<v Speaker 3>are designed to make people feel bad about what they

0:32:26.596 --> 0:32:29.236
<v Speaker 3>didn't buy at the last trend. And so my whole

0:32:29.236 --> 0:32:31.556
<v Speaker 3>philosophy has always been like, if you actually spend the

0:32:31.596 --> 0:32:33.716
<v Speaker 3>time to get to know yourself well enough to know

0:32:33.716 --> 0:32:37.316
<v Speaker 3>what you really do, enjoy what really like makes your

0:32:37.356 --> 0:32:40.316
<v Speaker 3>heart sing when you look around a space, then you

0:32:40.316 --> 0:32:44.036
<v Speaker 3>can shut out all that noise and build something that matters.

0:32:44.316 --> 0:32:47.556
<v Speaker 3>Because the hit the interiors that I've been inspired by

0:32:47.636 --> 0:32:49.556
<v Speaker 3>over the years, the ones that really mattered to me

0:32:50.076 --> 0:32:52.396
<v Speaker 3>are the ones where people just like kind of busted

0:32:52.436 --> 0:32:52.756
<v Speaker 3>a move.

0:32:53.396 --> 0:32:53.636
<v Speaker 1>You know.

0:32:53.796 --> 0:32:56.996
<v Speaker 3>It was France in the nineteen fifties and this Mexican

0:32:57.076 --> 0:32:59.276
<v Speaker 3>count decided that he was going to make all these

0:32:59.316 --> 0:33:02.836
<v Speaker 3>follies in his garden and design the house. It's called

0:33:02.916 --> 0:33:05.276
<v Speaker 3>Chateau to Grus for anyone who wants to look it up,

0:33:05.556 --> 0:33:07.116
<v Speaker 3>but like it's a real place.

0:33:07.436 --> 0:33:09.556
<v Speaker 1>And he put a royal blue rugg in the.

0:33:09.516 --> 0:33:12.516
<v Speaker 3>Dining room with Kelly Green chairs because no one was

0:33:12.556 --> 0:33:14.156
<v Speaker 3>doing that and that's what he wanted to live in.

0:33:14.236 --> 0:33:17.436
<v Speaker 3>And maybe it was because he was half from Mexico.

0:33:17.516 --> 0:33:21.196
<v Speaker 3>Maybe it wasn't, who knows, but it was revolutionary. And

0:33:21.436 --> 0:33:25.516
<v Speaker 3>you know, had he been worried about what color the

0:33:25.596 --> 0:33:28.996
<v Speaker 3>sweaters on the mannequins and Banana Republic on Fifth Avenue,

0:33:29.036 --> 0:33:31.876
<v Speaker 3>we're going to be like it was. You know, it

0:33:32.596 --> 0:33:36.276
<v Speaker 3>was inconceivable. So am I like a real renegade? Am

0:33:36.316 --> 0:33:40.236
<v Speaker 3>I breaking all these rules? Am I zahadde making buildings

0:33:40.236 --> 0:33:42.316
<v Speaker 3>that look like they balance on the bottom of a pin?

0:33:42.476 --> 0:33:45.996
<v Speaker 1>And you know, no, I'm not. My goal is to.

0:33:45.956 --> 0:33:49.036
<v Speaker 3>Make like really livable spaces that if they're designed right

0:33:49.076 --> 0:33:52.156
<v Speaker 3>now twenty five years from now, they still look great

0:33:52.596 --> 0:33:56.196
<v Speaker 3>and more importantly, they still feel great. So that's my niche.

0:33:57.316 --> 0:34:01.356
<v Speaker 3>That's what matters. And I think that's the like, what

0:34:01.516 --> 0:34:05.876
<v Speaker 3>all this loathing people with lots of money and bad

0:34:05.916 --> 0:34:10.716
<v Speaker 3>tastes and being vehemently anti train and you know you

0:34:10.836 --> 0:34:12.476
<v Speaker 3>end up with with some nice tyle.

0:34:12.676 --> 0:34:15.356
<v Speaker 2>Yeah, okay, last question. Yeah, not meant to be a

0:34:15.396 --> 0:34:20.676
<v Speaker 2>downer question, But I imagine that you were sad, you

0:34:20.756 --> 0:34:24.196
<v Speaker 2>were melancholy over so Slumsley and I came to you Nate,

0:34:24.236 --> 0:34:28.636
<v Speaker 2>and I said, I will fly you tonight to the

0:34:28.636 --> 0:34:30.556
<v Speaker 2>one place in the world that will cure you of

0:34:30.596 --> 0:34:37.316
<v Speaker 2>your melancholy. Where do I take you home? Oh? That's lovely.

0:34:38.156 --> 0:34:39.076
<v Speaker 2>Thank you so much, Nate.

0:34:39.156 --> 0:34:39.396
<v Speaker 3>This is.

0:34:45.356 --> 0:34:48.996
<v Speaker 2>Thanks for listening to this special live episode of Revision's History,

0:34:49.276 --> 0:34:52.796
<v Speaker 2>brought to you by AC Hotels. It was produced by

0:34:52.796 --> 0:34:55.516
<v Speaker 2>Tali Emlin, with Nina Lawrence and ben A d Alfh Haffrey,

0:34:55.996 --> 0:35:00.396
<v Speaker 2>editing by Sarah Nis, mastering by Jake Gorsky. Our executive

0:35:00.396 --> 0:35:05.516
<v Speaker 2>producer is Jacob Smith. Special thanks to Kira Posey, Joshua Crowley,

0:35:05.836 --> 0:35:10.316
<v Speaker 2>Brion Moreno, Raya, Anthony, Benjaminster and a whole production crew

0:35:10.596 --> 0:35:15.996
<v Speaker 2>at iHeartMedia. Not to mention Nate Berkus's shop, I'm Malcolm Gladwell.