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Speaker 1: Welcome to This is Important, a production of iHeartRadio, the

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Speaker 1: show where we only talk about what's obviously most crucially

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Speaker 1: integral to the fabric of our very nature. Today we

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Speaker 1: talk about every human is shrinking. We're changing diapers. Over here.

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Speaker 1: We gotta blow out. How big is the ban? How

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Speaker 1: big is the ban? Whoa? I just opened up physical evidence.

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Speaker 1: Here we go, start your engines ring mingming ming, ming, ming, ming,

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Speaker 1: ming ming, ming ming ming ming ming ming ming ming ming.

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Speaker 1: Oh back, I just I just want to say, Adam

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Speaker 1: can't hear you can't hear Adam, Adam, try to talk.

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Speaker 1: What do you mean you can't hear me? Now I

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Speaker 1: can hear you. We're back now, you can't crisp. You

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Speaker 1: didn't hear? We're bad. You're having some real digit dropouts

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Speaker 1: or something. I don't know that really why. Maybe it's

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Speaker 1: yelling yeah, yeah, you're good. I think it might be

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Speaker 1: the fact that you're recording live from backstage somewhere. What

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Speaker 1: is this curtain is just the way that fallon? Dude?

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Speaker 1: Is my wife put this curtain, this this sick curtain

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Speaker 1: up in my office because it looks nice on the

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Speaker 1: on the zoom back cross. Dude, I love it. Yeah, yeah, thanks.

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Speaker 1: I wish you were coming live from Broadway. You were

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Speaker 1: just like backstage waiting for you to queeah from the Spans.

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Speaker 1: Wouldn't that be fun from Broadway? Wow? If Adam was

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Speaker 1: backstage at Broadway? And remember remember when G Money said, uh,

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Speaker 1: see y'all on Broadway? Yeah, don't forget about me? We

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Speaker 1: do we tell that story? Do we tell that? We

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Speaker 1: had to have? I think yeah, yeah, like that's pod

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Speaker 1: one we had to have. We had to have. Hey,

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Speaker 1: and we're not telling it again. Okay, fans that want

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Speaker 1: to know what I'm talking about, But if you don't

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Speaker 1: know what he's talking about, go back and go back

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Speaker 1: and listen to the tapes Catacom Files catalog. Yeah, did

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Speaker 1: we make a song about that? Blake? I feel like

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Speaker 1: we sung that so like G Money is singing like one,

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Speaker 1: don't forget about me? Wouldn't you boys find your way

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Speaker 1: to broad Well? That was about well, essentially, we gotta

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Speaker 1: tell it now. Essentially our neighbor across the street was

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Speaker 1: named G Money. He wore a chain with a giant

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Speaker 1: ge with like the money slashes through the middle of it.

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Speaker 1: He made money, Yeah, and yeah, he was the shit

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Speaker 1: and g had the vertical lines. Okay, they had the

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Speaker 1: vertical lines, yes, And we were always like filming is

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Speaker 1: when we were first doing like YouTube videos, and we're

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Speaker 1: always filming dressing up in costumes, being idiots around our neighborhood,

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Speaker 1: and he would like be looking at us sort of

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Speaker 1: like with an eyebrow raise like what are these fucking

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Speaker 1: kids up to? And then when we go to move out,

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Speaker 1: he's like, yo, U heard yall moving out? And we're

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Speaker 1: like yeah, yeah, and he goes, uh, all right, Dan,

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Speaker 1: well I'll see you all on broad and we were dumbfounded.

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Speaker 1: We were like, did he think we were like trying

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Speaker 1: to get a career in Broadway? This whole time? I

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Speaker 1: thought we were the cast the Cats. Yeah, I think

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Speaker 1: wouldn't it be wild though? If you if you'd were like, yeah,

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Speaker 1: you know what, I'm actually gonna be doing this show

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Speaker 1: on Broadway for a couple of months. You guys, I'll

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Speaker 1: see you out there. And then you get on stage

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Speaker 1: and guess who's your choreographer? I put in a word

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Speaker 1: for y'all. G Money is in the front row. Yeah, yeah,

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Speaker 1: he's there. He's there. Yeah, I know, Josh gadd I

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Speaker 1: had you replaced Josh Gadd And remember on the pod

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Speaker 1: when you talked about it and you thought it was

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Speaker 1: just because I didn't know the industry too well or

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Speaker 1: the ends and the ounce. This is what I was

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Speaker 1: talking about. It's like I saw that in you all

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Speaker 1: those years ago, and that impression you were doing of me,

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Speaker 1: that was a character that I was doing. Yeah, I

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Speaker 1: kind of find it offensive. Yeah, my real name is Zachly.

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Speaker 1: I'm sort of offended by it. No, but admittedly a

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Speaker 1: pretty good impression of him is and what we hear

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Speaker 1: is that the impression I was doing was offensive, and

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Speaker 1: I just wanted to say, let's get canceled together. Yeah,

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Speaker 1: I'll see you on broadcast television. This is my apology

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Speaker 1: and my take back. This is my apology and take

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Speaker 1: back at him. I've listened to every episode of them. No, well,

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Speaker 1: remember I told Blake this. I drove past the old

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Speaker 1: house maybe a year or two ago, and just like

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Speaker 1: it was before the pandemic, so it's been a few

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Speaker 1: years now, him pre pan and just drove past the

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Speaker 1: old house to check it out, and ge Money was

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Speaker 1: across the street washing cars as he does. There was

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Speaker 1: always like rolls, Roycees and shit being washed in his driveway,

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Speaker 1: which was sick. And we weren't in a neighborhood where

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Speaker 1: Rolls Royces were just everywhere. It was like a not

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Speaker 1: awesome neighborhood. And he was out there washing these Rolls

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Speaker 1: Royces and I go gee and wave at him, and

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Speaker 1: he stared at me. He there was zero recollection of

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Speaker 1: me in his mind, and it really hurt my feelings. Yeah,

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Speaker 1: so you weren't as impacted all part of his character study, Adam. Yeah,

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Speaker 1: he was like, he has a beat on this guy. Gee, money,

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Speaker 1: wouldn't remember Adam give him the stereo? Right, Yeah, And

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Speaker 1: he was able to commit so quickly to not even

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Speaker 1: a glimmer these such a good actor. That is that

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Speaker 1: a thing that we should do? Should we put our

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Speaker 1: heads together now and come up with a Broadway show?

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Speaker 1: Because I feel like we shouldn't push there something. I

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Speaker 1: feel like people have had success. Yeah, Broadway is doing

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Speaker 1: better than ever. Yeah, Workaholics on Broadway, right, or just

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Speaker 1: something on Broadway? You know, because the rights that's the

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Speaker 1: only reason. I'm Yeah, we don't own the rights to workhollic.

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Speaker 1: So yeah, Blake is thinking really hard. Here we go. Yeah,

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Speaker 1: this is Blake he's touching his head, he's touching his top,

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Speaker 1: right eyebrow. Well, musical, there's something. It was just turned

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Speaker 1: into a musical. And I was like, whoa, that is

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Speaker 1: fucking wild some show beatle juice, beetle juice. Yeah, and

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Speaker 1: what and what is it? We want you to remember that.

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Speaker 1: What the fuck was? It wasn't SpongeBob. That was what

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Speaker 1: I was gonna do before the pandemic is I had

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Speaker 1: tickets booked to the SpongeBob musical and that'sh got canceled.

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Speaker 1: Brom So SpongeBob did did have a SpongeBob is a musical.

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Speaker 1: There is a SpongeBob SquarePants musical. It's been shown still

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Speaker 1: maybe it might be making it round how on Broadway

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Speaker 1: or like touring This was at like pantagious. Maybe it's

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Speaker 1: off Broadway. Yeah yeah, maybe it's started on Broadway and

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Speaker 1: then moved off Broadway. Like that's such like a funny

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Speaker 1: term off off Broadway. Yeah. Yeah, you have to be

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Speaker 1: on Broadway or off Broadway. That's it. Like any play

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Speaker 1: that isn't on Broadway. You still like mentioned Broadway, so

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Speaker 1: gives it somehow right, Why do you do that? Like

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Speaker 1: your your play has nothing to do with Broadway. It's

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Speaker 1: not at the level even a little bit. But you

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Speaker 1: say it's off Broadway, so at least Broadways within the titles,

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Speaker 1: you're like, oh, well Broadway. That's like if you have

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Speaker 1: a YouTube channel, you're off off TV. That's kind of cool, right, Yeah, yeah,

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Speaker 1: it's kind of off TV. It's on on YouTube. Yeah,

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Speaker 1: we're sort of off off Hollywood on internet. Yeah. But

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Speaker 1: who was the fun guy who said off off Broadway?

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Speaker 1: G Money, believe it or not, it was g funny.

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Speaker 1: It was a different guy. Funny boy, we're late. We

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Speaker 1: might have our first points of the day. Yes, love,

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Speaker 1: when we get to points points, now, that's what that's

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Speaker 1: what happens. You have pre workout for the first time

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Speaker 1: in a month. You're wearing to go. Wait, you got

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Speaker 1: pre workout coursing through your veins right now? Yeah, when

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Speaker 1: you have like the niacin skin just like bubbling. Oh

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Speaker 1: did you hit a workout? Well, I took it earlier

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Speaker 1: and I haven't taken it for like three weeks because

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Speaker 1: I just ran out and having gotten to GNC send

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Speaker 1: me free ship. It's science. What what kind of what

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Speaker 1: do you? What do you take it? You fucking with Jack?

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Speaker 1: Are you ghost fucking with Mark Wahlberg's I make I

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Speaker 1: do lit, I do lit lit. I've done lit af

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Speaker 1: and lit af has too much caffeine for me. It's

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Speaker 1: a little crazy. Oh so you're not lit to lit

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Speaker 1: lit af. No, it's it's I'm not lit a f

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Speaker 1: I'm wait wait, these are two separate things. He's just regular.

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Speaker 1: There's lit which has like one hundred and twenty whatevers,

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Speaker 1: and that one has like two hundred and twenty or

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Speaker 1: something like that. Okay, lit Af, I have C four.

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Speaker 1: That's a fucking explosive. Yeah what I know. It's just

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Speaker 1: explosive from You're gonna explode. And I've had g SA

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Speaker 1: take it out of my luggage before. Yeah yeah, all right,

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Speaker 1: And man did they have some questions. They're like, what

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Speaker 1: is this? I'm like pre workout right, and what does

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Speaker 1: that mean? Yeah? Yeah, and then they read it and

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Speaker 1: one of the guys knew what it was, so they

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Speaker 1: some jacked. Assis comes was like, who's all good guys

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Speaker 1: laugh about this? Yeah, he's fine, my bro brother in

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Speaker 1: swoll what does this pre workout shoe bomb? What is

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Speaker 1: shoe bomb? Yeah? Give yourself points. That's fun. Oh yeah,

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Speaker 1: I do like points out terrorists. So if you go

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Speaker 1: to GNC and you look at the flavors of all

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Speaker 1: these products, they are insane. It's like they're marketed towards

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Speaker 1: eight year olds. Half of them like gummy worms and

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Speaker 1: jolly ranchers, patch kids, patch kids, Like really, yeah, I

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Speaker 1: got a protein shake thing that was like girl Scout cookie.

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Speaker 1: These are like siggish. Oh, they're like weed. It's weed

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Speaker 1: and pre workout is what the game is right now.

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Speaker 1: Those are the brands that are hot amongst people wild

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Speaker 1: because working out high is actually pretty fun. Sometimes it's

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Speaker 1: the best. It's the only way to fucking work out. Yeah, yeah, right,

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Speaker 1: go ahead, talk more, talk more? Do you well, Durce

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Speaker 1: doesn't really smoke that much weed, so you probably have

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Speaker 1: never worked out high. I don't think so. No, Yeah,

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Speaker 1: I do fairly often. And it's nice you you you

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Speaker 1: get into this. I like to lift. Do you the zone?

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Speaker 1: You get into a zone? You get into a zone,

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Speaker 1: that's for sure, I really do, bro. You do you

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Speaker 1: get into a fucking zone if you smoke weed all

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Speaker 1: the time and that's your thing, like you can be intense?

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Speaker 1: Oh fuck yeah, bro, Yes, I like to go faster

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Speaker 1: when i'm I like to do like high intensity workouts

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Speaker 1: with pre and weed. It's great because you just zone

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Speaker 1: into exactly what you're doing. You're not don't think of

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Speaker 1: anything else. You just sort of just doing that, right. Yeah,

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Speaker 1: it stops the voices. It stops the voices for you, Adam.

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Speaker 1: The voices don't come in my head like they do.

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Speaker 1: They come in your head. That's awkward. That's what they are.

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Speaker 1: Always jizzen in my nogg. Adam has coming voices in

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Speaker 1: the guys. That's what Adam hears in his head all

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Speaker 1: day on the brink. I didn't know that was my girl, Kamala.

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Speaker 1: Oh yeah, I didn't know that was Kamala Harris. That's great. Yes,

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Speaker 1: that is your president. No, it's not. She's not my friend.

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Speaker 1: She's not vice president. She is a vice president. Dude,

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Speaker 1: Biden's the puppet. She's pulling the string. Pull him a

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Speaker 1: little harder because that guy looks asleep at the wheel.

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Speaker 1: He's a friend, he's joking. But then I don't think.

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Speaker 1: I think lifting weights while stoned, like slowly lifting like

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Speaker 1: then I then I start to get sidetracked. That that's

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Speaker 1: when I'll take like four minutes in between sets, and

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Speaker 1: I'll just look at my phone and be like, oh, yeah,

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Speaker 1: I'm I'm working at four minutes. But the faster you move,

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Speaker 1: I think the better the wheat is. Yeah, like for

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Speaker 1: cardio or for polio or anything like that. Dude, fucking

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Speaker 1: get stoned. I would like to see you going fast high,

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Speaker 1: just to see if you think you're fast high or

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Speaker 1: if you're actually fast high. Well, by the way, it's

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Speaker 1: been a while since because of all my problems. Guess

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Speaker 1: what else I found. I just found out. Oh he's

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Speaker 1: got a sail nuh almen. We did an MRIs on

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Speaker 1: my back last week. I have a herniated diss Okay, yeah,

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Speaker 1: what wow? What do you mean? Yeah, it's like that, right,

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Speaker 1: is that right? Is that? So the in between stuff

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Speaker 1: is popping out? Right? Yeah, it's leaking out the side leaking. Yeah.

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Speaker 1: I got two of those, That's what I'm saying. I

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Speaker 1: got two of those. Yeah. Perfect. Yeah. So they're saying

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Speaker 1: my back pain is that and then the hip and

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Speaker 1: groin pain is my uh torn limbar in my hip?

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Speaker 1: All right, So that's that's that's Hey, we got to

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Speaker 1: the bottom of my my issues. It's time to get better.

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Speaker 1: Does that come with age hemorrhagina? Back? Like, why does

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Speaker 1: your shit leak out the side? What even causes that?

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Speaker 1: If you put a lot of stress on your like

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Speaker 1: if you were landing a ton or whatever, if you're

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Speaker 1: dropping into half splits a lot for years, yeah yeah,

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Speaker 1: or if if if you're doing classic jazz splits, Adam

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Speaker 1: and Prince have the same problem, right, if you're doing

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Speaker 1: classic jazz spits uh at damn near forty years old

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Speaker 1: on the regular without stretching, Yeah, you might get a herniated.

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Speaker 1: I think it's just in line at Chipotle. But I

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Speaker 1: think my shit is from trying to fucking skateboard. I

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Speaker 1: think that's where I got money, from trying to jump

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Speaker 1: in like never really yeah, landing it, but it's from landing.

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Speaker 1: They said it's from landing. You never landed, That's what

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Speaker 1: I mean. But I landed, so I was never able

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Speaker 1: to That's what I said. I said that, So I

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Speaker 1: got in front of that. Hey self burned, Sorry that

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Speaker 1: was burned. So I already kind of was in front

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Speaker 1: of that. He freaking be rabbited you. He eminem your ass.

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Speaker 1: You thought you were gonna get him, but he already

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Speaker 1: pointed out all his failures. I like that. Yeah, exactly.

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Speaker 1: Hey that's not be Rabbit, dude. B Rabbit was his

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Speaker 1: homie by the way, Blake. Sorry, my bad, My bad,

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Speaker 1: fucking idiot. Hey, Kyle, I know you admit Yeah, I

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Speaker 1: know you admitted it. You still didn't fucking land it. Dude.

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Speaker 1: Oh man, that's good that. I appreciate that. I know

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Speaker 1: you said it, but you still didn't land it. It

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Speaker 1: does hurt, It does hurt. Yeah, it works. Yeah. So

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Speaker 1: to answer your question, Blake, I don't really know, because

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Speaker 1: he says, it's like it's part of getting old, Like

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Speaker 1: we're all shrinking. What the show on HBO? Like every

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Speaker 1: every human is you've been talking to Emma. No, every

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Speaker 1: human is shrinking, shrink, not if you're growing. Yeah, what

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Speaker 1: do you mean? Well, yeah, yes, like as after you

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Speaker 1: were gone black. If you're Kyle, you you're yes, true, Kyle. Yes,

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Speaker 1: children aren't drinking. I'm sorry, dude, I'm just he said

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Speaker 1: every human, but every adult, you know, because when you're

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Speaker 1: getting That's what I said. Did you you know you lose?

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Speaker 1: Can we can we talk downsizing for a minute? That movie?

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Speaker 1: Actually I do want to talk about this guy. This

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Speaker 1: is a talk about downsizing. I never don't have to minimizing.

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Speaker 1: I'm having like a real existential crisis because as you

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Speaker 1: know him, like in the middle of moving and like, no, known,

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Speaker 1: are you having your Marie condo? If you don't, yes, yes, yes,

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Speaker 1: this is the best transition we've ever had. If Blake

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Speaker 1: is really transitioning, this is great. I am transitioning. That's

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Speaker 1: another story. This is about. This is about what my

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Speaker 1: fucking I can't get rid of my CDs. Bro, I

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Speaker 1: think it's time, dude, Blake, Blake was dusty out. He

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Speaker 1: was sending us texts the other night of like old

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Speaker 1: CDs of like very old rappers that we new from

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Speaker 1: like a solid ten years ago, and like people like

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Speaker 1: bad music that was made by our friends. He just

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Speaker 1: still has bad music, Like what, for example, yeah, what

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Speaker 1: was I forget that exactly what CDs he had, But

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Speaker 1: like it's you know, he just keeps he had one

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Speaker 1: that I wanted to hear. I mean, I had Eric

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Speaker 1: Griffin's first stand up comedy CD. Yeah that's great. I

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Speaker 1: gotta go through my ship. Yeah sure, yeah that's right. Okay,

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Speaker 1: so bad comedy. Sorry, but you gotta keep that for

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Speaker 1: like leveling out tables and stuff around the house, dude,

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Speaker 1: But I have I have so many CDs. Eric's gonna

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Speaker 1: text me and be like, come on, man, but thanks

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Speaker 1: for the mention. Do I just throw them all or

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Speaker 1: sell them to a meet? But do I get rid

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Speaker 1: of them? No? Just keep them? Just keep them, dude.

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Speaker 1: You don't sell them to a meet. Dude. No, dude,

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Speaker 1: I have too many. Turn them into furniture or something.

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Speaker 1: How many do you have? What's the what's the count?

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Speaker 1: Because is this your whole life? This my whole life,

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Speaker 1: that collected CDs? I have nine bin throw them all away,

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Speaker 1: throw them away, nine bins, throw everything away? Okay there,

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Speaker 1: hold on, whoa, whoa, whoa. There must be something you

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Speaker 1: can do with nine bins of CDs. Wait, what is

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Speaker 1: a bin? I don't know how. What's the quantity in

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Speaker 1: the bin? How many is in the bins? A big? Big?

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Speaker 1: It's big. I love how you go, I have nine

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Speaker 1: bins as opposed to just going I have nine hundred CDs. Well,

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Speaker 1: it's way more than nine hundred. It's way more than

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Speaker 1: nine hundred. It's way more than nine hundred. You got

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Speaker 1: to have. Well, I don't know what. Yeah, I'm sorry.

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Speaker 1: I don't know what the bin is? So is it

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Speaker 1: one thousand? Well, what do you mean you don't know

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Speaker 1: what a bin is. It's a big plastic bin, right,

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Speaker 1: a big plastic big How big is the bid? Yes? Right?

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Speaker 1: So how many CDs is that I have? What's in

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Speaker 1: the bed? Let's say what's in the bin? Yeah, I

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Speaker 1: gotta get points. I gotta get every day. Yes, Hey,

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Speaker 1: who are you giving those points to? Because I just

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Speaker 1: said what's in the bin? And they said I didn't

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Speaker 1: have points? I I don't think you said what's I

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Speaker 1: think I said how much is in the bin? I

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Speaker 1: said what's in the bin? I said, what's in the bin? Todd?

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Speaker 1: Can we run it back please? And let's get the points? Right?

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Speaker 1: I don't run it back. Okay, this is like those

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Speaker 1: commercials with the guys like I gotta throw a flag

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Speaker 1: on this one day. First of all, Blake keeps throwing

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Speaker 1: points to the wrong guys. He gave it to Dir's

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Speaker 1: earlier when Kyle self inflicted the burn, and he deserved

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Speaker 1: those points. It feels natural to give it to me.

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Speaker 1: I actually think that Dirs said what's in the bin first?

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Speaker 1: If that's what we're arguing about right now, Is that

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Speaker 1: what we're arguing about right now? We gotta go to replays. No,

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Speaker 1: I swear I said it. I said it first. I

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Speaker 1: said Todd, who said it first? Who said what's in

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Speaker 1: the bad him? I hope you said it first. It's

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Speaker 1: been I've had too many points this episode. I pray, Hey, hey, regardless,

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Speaker 1: it's another blowout. There's got another blowout on his hand. Hey,

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Speaker 1: you know what, I don't need the point changing diapers

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Speaker 1: over here. We gotta blow out any points for that, Hey,

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Speaker 1: don't do it for the points. Dad points. To answer

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Speaker 1: your question, Blake, throw everything away? You don't. You're such

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Speaker 1: a pack rat. Yes, you have so much stuff. And

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Speaker 1: I think your your girl is really good for you

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Speaker 1: because I think she's encouraging you to get rid of

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Speaker 1: some of your You call them collectibles. A lot of

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00:19:28,400 --> 00:19:32,280
Speaker 1: people would call them garbage. One man's trash is another

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Speaker 1: man's treasure. Blake, get a storage unit. Kyle, don't, Kyle,

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Speaker 1: I don't. I'm gonna marry both these guys things. Don't

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Speaker 1: get rid of them. And also Bank get a storage unit.

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Speaker 1: What's wrong with the storage because it's just trash. Go

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Speaker 1: through the CDs and make some sort of like around

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Speaker 1: your entire house. You can frame like nine to twenty

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Speaker 1: to sixty four CDs of different size, like your favorite shit,

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Speaker 1: by genre or by whatever, like you could turn this

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Speaker 1: into something dope. Also, hang on the CDs because I'm

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Speaker 1: trying to listen to some Neil Young guess what not

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Speaker 1: on Spotify. Gotta go to my CDs or at least

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Speaker 1: to my computer. Yes, Joni Mitchell, not on Spotify. Gotta

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Speaker 1: go some more right day Lassole. Finally back, go through

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Speaker 1: them and save your top one thousand. Get a guest

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Speaker 1: CD book and save your top one thousand. But I

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Speaker 1: know this guy has twenty five thousand. Do you think

354
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Speaker 1: you have twenty five thousand? Compacting you get rid of

355
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Speaker 1: the Free Willie soundtrack, you will never forgive yourself. That's

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Speaker 1: why I mean, we had a collection, Blake. We've gotten

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Speaker 1: rid of a collection like this, and we got rid

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Speaker 1: of our energy drink drink collection. And I've been playing

359
00:20:42,840 --> 00:20:47,320
Speaker 1: pickaball so much energy. You said energy dink hey, give

360
00:20:47,400 --> 00:20:50,240
Speaker 1: him negative points. I would buy him. That's that's a

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Speaker 1: pickleball term energy dink um. But energy collection, how do

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Speaker 1: you feel about that? I mean, that's a good test

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Speaker 1: of like I'm I'm, I'm I'm fine, dude, good, he's

364
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Speaker 1: good with it. Fine. I wish I wish we took

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Speaker 1: pictures of everyone. Yes, so we had some sort of

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Speaker 1: filing of it. That is big. Remember the idea I had, Yeah,

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Speaker 1: which is good. But here's the different guys. I think

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Speaker 1: I'd have a true like disorder because I really, yeah,

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Speaker 1: I agree, I really get like, I get overwhelmed, and

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Speaker 1: I get like and I get like sad and I

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Speaker 1: and I start to have anxiety when I am confronted

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Speaker 1: with this stuff and no, I have to throw it away,

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Speaker 1: get rid of it. Like letting go of something that

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Speaker 1: you have a memory of is actually challenging. Yeah yeah,

375
00:21:38,280 --> 00:21:40,879
Speaker 1: but but you still will you still have the memories,

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Speaker 1: you know, just keep you keep, They go away, they

377
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Speaker 1: go away. If you're not looking at the stuff constantly,

378
00:21:46,080 --> 00:21:48,119
Speaker 1: there they go away. I was like the devil on

379
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Speaker 1: my shoulder. Yeah, but he's not looking at this stuff constantly,

380
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Speaker 1: you know what I mean, Like that's true stuff that

381
00:21:53,000 --> 00:21:55,000
Speaker 1: he hasn't looked at in two years, and then he

382
00:21:55,080 --> 00:21:57,960
Speaker 1: digs it. It's it's trash at that point, you know what,

383
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Speaker 1: I don't know, man, because because I got T shirts

384
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Speaker 1: from high school that I just broke back out like perfect,

385
00:22:05,400 --> 00:22:07,560
Speaker 1: but you can fit in close from high school. Yeah,

386
00:22:07,600 --> 00:22:08,959
Speaker 1: because I thought I thought it was gonna be like

387
00:22:09,000 --> 00:22:11,680
Speaker 1: six five or whatever. So I wrote like l's and XL.

388
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Speaker 1: I was obviously like swimming in them in high school.

389
00:22:14,520 --> 00:22:18,040
Speaker 1: Now they fit a little tight um. But I don't know,

390
00:22:18,280 --> 00:22:19,880
Speaker 1: maybe I have the same disorder. He is my son.

391
00:22:20,480 --> 00:22:23,600
Speaker 1: Well yeah, okay, drs. For instance, I was also looking

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Speaker 1: through all my like graphic novels I but have a ton,

393
00:22:26,880 --> 00:22:30,360
Speaker 1: but I'd never reread any of them. I like, oh,

394
00:22:30,440 --> 00:22:32,800
Speaker 1: you should reread it, Like I mean, I reread a

395
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Speaker 1: little bit. I don't reread all of them all the time,

396
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Speaker 1: but I hang on to ones like I read Criminal

397
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Speaker 1: again the other day. This is why I'm spiraling though,

398
00:22:39,119 --> 00:22:41,480
Speaker 1: Like why do we buy anything? Like why do we

399
00:22:41,560 --> 00:22:44,920
Speaker 1: have anything? Well that this is true, this is true,

400
00:22:45,000 --> 00:22:47,080
Speaker 1: gets your library card on. They got graphic novels at

401
00:22:47,080 --> 00:22:50,239
Speaker 1: the library now, yes, and CDs are all digital like

402
00:22:50,400 --> 00:22:53,480
Speaker 1: it Just like I don't know. I would argue that

403
00:22:53,720 --> 00:22:56,960
Speaker 1: you appreciate the artist, and so you want the most

404
00:22:57,040 --> 00:22:59,439
Speaker 1: money possible going to the artist, even though it goes

405
00:22:59,440 --> 00:23:04,160
Speaker 1: through a publish in a music when you stream, dude,

406
00:23:04,160 --> 00:23:07,000
Speaker 1: it's pennies or pardon me, fractions of pennies that goes

407
00:23:07,000 --> 00:23:13,760
Speaker 1: to these people. Yeah, yeah, that sucks. That sucks. Sod

408
00:23:13,880 --> 00:23:17,000
Speaker 1: that sucks, but it does sucks. But I don't know, man,

409
00:23:17,280 --> 00:23:19,800
Speaker 1: I'm losing it over here. I don't know, I'm really

410
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Speaker 1: fucking ship. Well before you throw them over, let me

411
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Speaker 1: come over. I I sort of have the opposite problem

412
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Speaker 1: where I don't save anything. Yeah, like I will just

413
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Speaker 1: kind of get rid of right into the ocean. That's

414
00:23:32,080 --> 00:23:36,159
Speaker 1: why I just spike it into the Indonesian scenes. You

415
00:23:36,280 --> 00:23:40,600
Speaker 1: brought so much stuff to Indonesia. I brought so much

416
00:23:40,720 --> 00:23:43,520
Speaker 1: old trash with me just to add to the collection.

417
00:23:43,840 --> 00:23:48,679
Speaker 1: Not so much plastic like that. Just yeah, every I

418
00:23:48,760 --> 00:23:51,600
Speaker 1: collected every straw I've ever drank out of and then

419
00:23:51,680 --> 00:23:56,760
Speaker 1: just dumped it right overboard. It was actually easy. Yeah. Well,

420
00:23:56,960 --> 00:24:00,400
Speaker 1: sometimes I'm like when you send because everyone from while,

421
00:24:00,440 --> 00:24:02,719
Speaker 1: you'll send out posts like that where you're like, hey,

422
00:24:02,760 --> 00:24:06,200
Speaker 1: look at this old thing or these old T shirts

423
00:24:06,200 --> 00:24:08,520
Speaker 1: from like the season one rap party and stuff, and

424
00:24:08,560 --> 00:24:10,360
Speaker 1: I'm like, oh, that'd be cool to have. But then

425
00:24:10,400 --> 00:24:14,000
Speaker 1: I'm also like, why why would that be cool to have? Well,

426
00:24:14,240 --> 00:24:16,359
Speaker 1: I'm not wearing it. I'm not gonna wear it. Depends

427
00:24:16,400 --> 00:24:19,359
Speaker 1: I guess on how you operate, Adam. Aren't you building

428
00:24:19,400 --> 00:24:22,920
Speaker 1: your museum like what you gotta have all this stuff? Yeah,

429
00:24:22,960 --> 00:24:25,399
Speaker 1: that suits. My museum's gonna suck, dude. I want the

430
00:24:25,440 --> 00:24:29,080
Speaker 1: crutches from seventh grade. I want the grips, the grips

431
00:24:29,080 --> 00:24:32,280
Speaker 1: from the wheelchair. Hey, the thing is, like most museums,

432
00:24:32,440 --> 00:24:34,919
Speaker 1: you just buy another one, You get another one, you

433
00:24:34,960 --> 00:24:37,440
Speaker 1: age it, make it a strip, gets told, and then

434
00:24:37,520 --> 00:24:39,600
Speaker 1: say that it is the thing that you're saying that

435
00:24:39,720 --> 00:24:42,680
Speaker 1: I forgot. That's how museums work. Yeah, that's how museums work.

436
00:24:42,880 --> 00:24:46,080
Speaker 1: None of it's real, dude. They're not actually relics. Yeah,

437
00:24:46,080 --> 00:24:49,600
Speaker 1: they're not relics. I really thought we were gonna reignite

438
00:24:49,640 --> 00:24:52,600
Speaker 1: the flames of planet Hollywood and bring it back. That's

439
00:24:52,640 --> 00:24:55,760
Speaker 1: not happening. Well, we could do we could do ours,

440
00:24:55,960 --> 00:24:59,120
Speaker 1: Planet Kucamonga. How about this? How about this, I give

441
00:24:59,160 --> 00:25:02,160
Speaker 1: you all of my stuff, you keep it, and then

442
00:25:02,200 --> 00:25:05,320
Speaker 1: in twenty years, when we start our collective museum, you

443
00:25:05,400 --> 00:25:07,720
Speaker 1: will have all the stuff I drop it on you. Yeah,

444
00:25:07,800 --> 00:25:09,560
Speaker 1: all right, I got I got the raw weeds and

445
00:25:09,680 --> 00:25:12,400
Speaker 1: jeans I took a half rack of all my wardrobe

446
00:25:12,440 --> 00:25:16,320
Speaker 1: from alcoholics, like I have every like office wardrobe, like

447
00:25:16,359 --> 00:25:18,640
Speaker 1: the green, the pink, and the yellow. I got one

448
00:25:18,680 --> 00:25:22,679
Speaker 1: each of those. Love the yellow. I got like, I

449
00:25:22,680 --> 00:25:24,560
Speaker 1: got a bunch of shit that I'm just sitting on that.

450
00:25:24,680 --> 00:25:26,919
Speaker 1: I think someday I'm gonna auction off when there's like

451
00:25:27,000 --> 00:25:28,800
Speaker 1: well maybe for the earthquake. I don't know, I gotta

452
00:25:28,800 --> 00:25:31,560
Speaker 1: figure it out. Oh, what's up? It was a big

453
00:25:31,560 --> 00:25:34,400
Speaker 1: earth Oh yeah, that big earthquake. A lot of people died.

454
00:25:34,520 --> 00:25:39,600
Speaker 1: It's a problem. And where was that again? Turkey turkey, yeah, man, turkey.

455
00:25:39,760 --> 00:25:45,000
Speaker 1: Yeah sucks. Thing sucks. Well, that's the whole Murray Quando thing, right,

456
00:25:45,200 --> 00:25:48,600
Speaker 1: who mure Quondo, that's the whole thing, she says, Yeah,

457
00:25:48,640 --> 00:25:53,520
Speaker 1: you take things outdo is not a martial arts player. Wait,

458
00:25:54,280 --> 00:25:57,000
Speaker 1: Murray Condo a minute, I say, how did I say

459
00:25:57,040 --> 00:26:02,679
Speaker 1: it wrong? It's condo, right, Condo? I say, Quando? Yeah,

460
00:26:02,800 --> 00:26:06,320
Speaker 1: not Tai Kwando. All right, Well, but you take everything else.

461
00:26:06,320 --> 00:26:08,199
Speaker 1: So when you're when you're moving, you're forced to do

462
00:26:08,320 --> 00:26:10,639
Speaker 1: this in a major way. You take everything out, and

463
00:26:10,680 --> 00:26:12,720
Speaker 1: then what makes the cut you put back in the

464
00:26:12,800 --> 00:26:15,320
Speaker 1: drawer or whatever. And if you never wear it if

465
00:26:15,320 --> 00:26:17,280
Speaker 1: you never fucking care about it, if you don't give

466
00:26:17,280 --> 00:26:19,320
Speaker 1: a shit about it, it goes in the bin, the

467
00:26:19,400 --> 00:26:22,560
Speaker 1: trash bin, not the savings bin. Yeah, but dud dude,

468
00:26:22,640 --> 00:26:25,439
Speaker 1: that doesn't work with me, or the recycling bin, or

469
00:26:25,560 --> 00:26:29,240
Speaker 1: take it to salvation for me or the donation band.

470
00:26:29,359 --> 00:26:31,919
Speaker 1: I'm at Goodwill all the time with stuff. Yeah, I do.

471
00:26:32,000 --> 00:26:34,880
Speaker 1: A lot of Goodwill runs me too, That's what I'm saying, though,

472
00:26:34,920 --> 00:26:37,840
Speaker 1: That fucking that little hack doesn't work for me. She's like,

473
00:26:37,920 --> 00:26:40,200
Speaker 1: hold the things in your hand, does it spark joy?

474
00:26:40,359 --> 00:26:43,399
Speaker 1: I always sparks joy. Everything sparks joy, exactly. Yeah, then

475
00:26:43,440 --> 00:26:45,920
Speaker 1: you keep it well. Now I have infinity things and

476
00:26:46,000 --> 00:26:47,560
Speaker 1: not a lot of them have a lot of joy,

477
00:26:47,640 --> 00:26:50,240
Speaker 1: I guess very joy. What I'm saying is put put

478
00:26:50,280 --> 00:26:53,760
Speaker 1: What I'm saying is put them, re reframe your experience

479
00:26:53,760 --> 00:26:56,520
Speaker 1: with them. Okay, I'm not literally frame, but like you

480
00:26:56,560 --> 00:26:58,840
Speaker 1: could frame some of these you could you could build,

481
00:26:58,880 --> 00:27:00,840
Speaker 1: you could stack them into a chair that you have

482
00:27:00,840 --> 00:27:02,080
Speaker 1: in the corner of a room where like you can

483
00:27:02,119 --> 00:27:04,520
Speaker 1: read on the side the coffee table. These are all

484
00:27:04,560 --> 00:27:07,840
Speaker 1: are Kelly CDs. I'm not sitting here. Yeah, dude, I

485
00:27:07,880 --> 00:27:12,000
Speaker 1: did find that by that Ben. I was like, WHOA,

486
00:27:12,680 --> 00:27:15,880
Speaker 1: still slaps. I was like, whoa, I just opened up

487
00:27:16,080 --> 00:27:21,399
Speaker 1: physical evidence. Oh yeah, number one. Yeah, another way to

488
00:27:21,400 --> 00:27:23,320
Speaker 1: phrase it. You did listen to a lot of his

489
00:27:23,440 --> 00:27:28,720
Speaker 1: music growing up, that's it another way. Yeah, yeah, yeah yeah.

490
00:27:28,880 --> 00:27:31,040
Speaker 1: Like just I'm saying. What I'm saying is change the

491
00:27:31,080 --> 00:27:33,040
Speaker 1: way that you interact with the CD is if you

492
00:27:33,040 --> 00:27:35,320
Speaker 1: don't look at them. Now, maybe there's a better way

493
00:27:35,359 --> 00:27:37,600
Speaker 1: to do that, right, yeah, because they definitely just are

494
00:27:37,640 --> 00:27:40,360
Speaker 1: sitting in a closet in my garage. Right. You could

495
00:27:40,359 --> 00:27:42,280
Speaker 1: always get a bunch of like instead of bins, you

496
00:27:42,280 --> 00:27:44,399
Speaker 1: could ditch the plastics and put them all in their

497
00:27:44,440 --> 00:27:48,200
Speaker 1: own CD cases, you know, so just have your books,

498
00:27:48,960 --> 00:27:51,680
Speaker 1: you know, the little fucking books of CDs. Yeah, that's

499
00:27:51,680 --> 00:27:54,359
Speaker 1: what I'm saying. I'm saying, get take your top five

500
00:27:54,480 --> 00:27:58,119
Speaker 1: hundred or top one thousand. You keep the artwork. You

501
00:27:58,160 --> 00:28:00,440
Speaker 1: can keep the artwork. You don't have to keep the plastic. Yeah,

502
00:28:00,440 --> 00:28:03,119
Speaker 1: you slide the artwork behind the CD and put the

503
00:28:03,119 --> 00:28:05,240
Speaker 1: CD right in front and in the little sleep. But

504
00:28:05,280 --> 00:28:08,080
Speaker 1: then the back, the back one is trapped in the

505
00:28:08,160 --> 00:28:11,120
Speaker 1: jewel case. It's gone forever. Oh yeah, you can't really

506
00:28:11,160 --> 00:28:13,320
Speaker 1: get you can't get the back one night and if

507
00:28:13,320 --> 00:28:15,400
Speaker 1: you got one like Midnight Rods, that's where you really

508
00:28:15,400 --> 00:28:18,000
Speaker 1: see everybody's face on the BA. That's the only reason

509
00:28:18,000 --> 00:28:22,720
Speaker 1: to because everything we're saying like, yeah, besides Neil Young,

510
00:28:22,960 --> 00:28:26,920
Speaker 1: like all of this stuff exists five times in my life.

511
00:28:26,960 --> 00:28:28,800
Speaker 1: I have them all on my laptop, I have it

512
00:28:28,840 --> 00:28:31,160
Speaker 1: all on my phone. I have it. I can just

513
00:28:31,280 --> 00:28:34,440
Speaker 1: search it on Apple Music. I'm just hanging onto this

514
00:28:34,520 --> 00:28:37,760
Speaker 1: weird physical thing that's weird, wild stuff. No, I mean, dude,

515
00:28:37,800 --> 00:28:39,760
Speaker 1: I have a whole record collection and I don't know

516
00:28:39,800 --> 00:28:42,520
Speaker 1: why I have it except for when I'm like, you

517
00:28:42,560 --> 00:28:44,800
Speaker 1: know what, I want to remember when I bought this

518
00:28:44,880 --> 00:28:48,840
Speaker 1: record and do something abnormal and listen to music in

519
00:28:48,840 --> 00:28:51,760
Speaker 1: a different way. Yeah, Like I want to actually just

520
00:28:51,800 --> 00:28:53,520
Speaker 1: put a side on, Yeah, and then I want to

521
00:28:53,560 --> 00:28:55,640
Speaker 1: be like in the conversation and be like, oh fuck,

522
00:28:55,720 --> 00:28:57,600
Speaker 1: I gotta flip the side, you know, Like I just

523
00:28:57,720 --> 00:29:00,520
Speaker 1: want that. Yeah. But Kyle, how oft and do you

524
00:29:00,560 --> 00:29:04,200
Speaker 1: do that? I'm saying not that often gets over as

525
00:29:04,240 --> 00:29:06,480
Speaker 1: soon as the first side is over. He's like, it's

526
00:29:06,520 --> 00:29:08,600
Speaker 1: really and truly it's like maybe you get through the

527
00:29:08,960 --> 00:29:11,040
Speaker 1: first side, doesn't even go on. That's what I'm saying

528
00:29:11,080 --> 00:29:14,400
Speaker 1: it probably happens like once every year. I'll throw a

529
00:29:14,560 --> 00:29:16,800
Speaker 1: record on that I like, and I'll do the both

530
00:29:16,840 --> 00:29:18,800
Speaker 1: sides and then I'll be like, Okay, that's enough. I

531
00:29:18,840 --> 00:29:22,080
Speaker 1: won't put another record on after that, you know what

532
00:29:22,120 --> 00:29:23,720
Speaker 1: I mean? But how often do you put the one

533
00:29:23,800 --> 00:29:26,200
Speaker 1: record on? I think, like I have it in my

534
00:29:26,240 --> 00:29:28,720
Speaker 1: studio up here, so I put my records on like

535
00:29:29,000 --> 00:29:33,040
Speaker 1: maybe once or twice a month. Okay, that's fine. Oh

536
00:29:33,120 --> 00:29:35,160
Speaker 1: that's a lot. That's a lot. Then yeah, then you key,

537
00:29:35,240 --> 00:29:38,880
Speaker 1: Maybe I have a record player and some records, and

538
00:29:39,160 --> 00:29:41,640
Speaker 1: I think I put them on a total of zero times.

539
00:29:41,640 --> 00:29:43,640
Speaker 1: I never took the record player out of the bob.

540
00:29:43,680 --> 00:29:45,320
Speaker 1: Why did you get it? Or did you get sent

541
00:29:45,520 --> 00:29:48,040
Speaker 1: to you? I think I'm multiple record players. Yeah, it

542
00:29:48,120 --> 00:29:50,520
Speaker 1: was gifts. Yeah, people give it as gifts. And then

543
00:29:50,680 --> 00:29:52,760
Speaker 1: I'm like, WHOA cool, I'm gonna get into this, and

544
00:29:52,760 --> 00:29:54,840
Speaker 1: then I like buy a record, being like I'm gonna

545
00:29:54,880 --> 00:29:58,000
Speaker 1: listen to this, and then I just what record you buy? Yeah?

546
00:29:58,000 --> 00:30:02,480
Speaker 1: What have you bought? Yeah? Cool? And again off I mean,

547
00:30:02,800 --> 00:30:05,680
Speaker 1: if I know, probably Black Keys, yea, I guess because

548
00:30:05,680 --> 00:30:09,080
Speaker 1: they came out with the vinyl of their stuff right there,

549
00:30:09,120 --> 00:30:12,160
Speaker 1: you go. But then I'm like, nah, that's too much,

550
00:30:12,240 --> 00:30:19,520
Speaker 1: too much. Just listen to say right, I meant to music. Yeah,

551
00:30:19,920 --> 00:30:22,760
Speaker 1: play me a playlist. I would like the best music

552
00:30:23,080 --> 00:30:26,400
Speaker 1: another one. I guess. The one thing about sifting through

553
00:30:26,480 --> 00:30:29,720
Speaker 1: those CDs and those albums is like you you see

554
00:30:29,760 --> 00:30:32,360
Speaker 1: them and then you go like, oh shit, like what

555
00:30:32,360 --> 00:30:34,680
Speaker 1: what was on that album? I do remember liking it,

556
00:30:34,720 --> 00:30:38,000
Speaker 1: and then you put that album on and yeah, but yes, Blake,

557
00:30:38,120 --> 00:30:40,239
Speaker 1: I'm telling you keep them. Well, that's the best thing

558
00:30:40,280 --> 00:30:43,160
Speaker 1: about albums too, is you get those you get those

559
00:30:43,240 --> 00:30:45,800
Speaker 1: cool tracks. You get the tracks that you don't hear

560
00:30:45,880 --> 00:30:48,840
Speaker 1: often you'll never hear them again. Well, okay, beyond the music,

561
00:30:48,880 --> 00:30:52,400
Speaker 1: because I see keeping the music, you're my heead It

562
00:30:52,440 --> 00:30:56,120
Speaker 1: brings you much joy. But then you have other stuff

563
00:30:56,160 --> 00:30:58,440
Speaker 1: I do. I have a ton of T shirts. I know,

564
00:30:58,520 --> 00:31:01,600
Speaker 1: you just have a ton of shit, yeah, that you

565
00:31:01,640 --> 00:31:04,720
Speaker 1: can get rid of. So if the music really is

566
00:31:04,720 --> 00:31:07,080
Speaker 1: a thing that you're having a really hard time, keep

567
00:31:07,080 --> 00:31:12,920
Speaker 1: the music. But then I know you have like collectibles, toys,

568
00:31:13,520 --> 00:31:17,479
Speaker 1: and probably just other bullshit that you absolutely don't books,

569
00:31:17,640 --> 00:31:19,760
Speaker 1: tons and blankes. You take these T shirts and you

570
00:31:19,800 --> 00:31:25,880
Speaker 1: repurpose them, you cut them into a blanket just just wear. Okay,

571
00:31:25,920 --> 00:31:28,080
Speaker 1: it's a new quilt with your favorite rock stars. You

572
00:31:28,120 --> 00:31:30,600
Speaker 1: can sleep with your favorite bats. Pretty cool. This is

573
00:31:30,600 --> 00:31:33,880
Speaker 1: the kind of justification that keeps everything around. I'm gonna

574
00:31:33,920 --> 00:31:36,160
Speaker 1: do something with it. One night, I literally went on

575
00:31:36,200 --> 00:31:39,560
Speaker 1: YouTube and I said, like, should I throw my you know,

576
00:31:39,600 --> 00:31:41,920
Speaker 1: you speak into your remote, like should I should I

577
00:31:41,960 --> 00:31:44,360
Speaker 1: throw my CDs away? And then like there's the two

578
00:31:44,480 --> 00:31:47,840
Speaker 1: minimalists like dot com whatever, and they make some good points,

579
00:31:47,960 --> 00:31:50,280
Speaker 1: and then there's ten like do not get rid of

580
00:31:50,280 --> 00:31:53,520
Speaker 1: your CDs. Never get rid of your CDs. Music will

581
00:31:53,560 --> 00:31:55,800
Speaker 1: disappear at some point and you have to keep them.

582
00:31:55,800 --> 00:31:58,560
Speaker 1: And it's like maybe I have to and the people

583
00:31:58,560 --> 00:32:01,320
Speaker 1: will get rid of them. They are just creating this

584
00:32:01,360 --> 00:32:04,160
Speaker 1: thing where we all feel bad that someone's able to

585
00:32:04,200 --> 00:32:06,000
Speaker 1: like just get rid of all this stuff, when really

586
00:32:06,800 --> 00:32:08,960
Speaker 1: you need to hold onto your bear. There's your bear.

587
00:32:09,920 --> 00:32:14,200
Speaker 1: We got a labyrinth situation. Oh do you like a lipstick?

588
00:32:14,280 --> 00:32:18,320
Speaker 1: Here's some lipstick, misters. I don't think you learned anything

589
00:32:18,400 --> 00:32:20,920
Speaker 1: from her. Well, I still have my CDs, but I'm

590
00:32:20,960 --> 00:32:23,920
Speaker 1: like they're just in the trunk of my car. Wow,

591
00:32:24,160 --> 00:32:27,480
Speaker 1: I know, but you probably have fifty or something. Yeah,

592
00:32:27,520 --> 00:32:29,800
Speaker 1: I have like and they're all like from a very

593
00:32:29,800 --> 00:32:33,160
Speaker 1: specific time in my life. Yes, it's all like, hey, wow,

594
00:32:33,240 --> 00:32:36,560
Speaker 1: if I ever want to listen to Chumba Wombo's tub thumping, Yeah,

595
00:32:36,680 --> 00:32:42,400
Speaker 1: I have that Puke Green, which is every weekend that

596
00:32:42,960 --> 00:32:45,960
Speaker 1: specifically comes on somewhere every day. Yeah. Yeah, that was

597
00:32:46,000 --> 00:32:47,840
Speaker 1: one of the that's one of the first records I bought.

598
00:32:47,920 --> 00:32:50,920
Speaker 1: Really was it really? Yeah? I know, dude, Oh it

599
00:32:51,040 --> 00:32:55,400
Speaker 1: spoke to you, but I wish it was. I really do. Yeah,

600
00:32:55,480 --> 00:33:00,160
Speaker 1: if you ever want to listen dig out Marcy's Fastball.

601
00:33:00,240 --> 00:33:04,880
Speaker 1: That's Apple that's on a serious XM lithium probably three

602
00:33:04,920 --> 00:33:07,760
Speaker 1: times a week. Right, that's true. I don't have accent, dude.

603
00:33:07,880 --> 00:33:10,280
Speaker 1: Can we talk about how much K rock is now

604
00:33:10,360 --> 00:33:15,400
Speaker 1: just an old oldie station? We can? What's k rock? Like?

605
00:33:15,520 --> 00:33:18,840
Speaker 1: I'm driving a lot lately. I haven't driven in LA

606
00:33:19,000 --> 00:33:22,719
Speaker 1: for years now, welcome back, and I'm driving back and

607
00:33:22,760 --> 00:33:26,240
Speaker 1: forth from Hollywood down to One County, Uh, several times

608
00:33:26,240 --> 00:33:29,280
Speaker 1: a week now. We'll path and we'll pap, we'll path

609
00:33:29,800 --> 00:33:31,880
Speaker 1: and it's like an hour hour and a half drive.

610
00:33:31,960 --> 00:33:35,280
Speaker 1: So you're listening to a lot of radio and my

611
00:33:35,480 --> 00:33:38,920
Speaker 1: XM subscription has like run its course it's and I

612
00:33:38,960 --> 00:33:40,960
Speaker 1: would have to like call something you got it for

613
00:33:41,000 --> 00:33:43,200
Speaker 1: free for a year, ye oh yeah, I think I

614
00:33:43,280 --> 00:33:45,800
Speaker 1: paid for it, and then like I think that credit

615
00:33:45,840 --> 00:33:48,440
Speaker 1: card was expired. Okay, yeah. I was like, because they're

616
00:33:48,440 --> 00:33:50,880
Speaker 1: gonna re up without you even knowing, but yeah, oh yeah,

617
00:33:50,880 --> 00:33:53,800
Speaker 1: oh yeah no, because normally I would just yeah, sure,

618
00:33:54,000 --> 00:33:56,400
Speaker 1: so it's always on when I get it's not working.

619
00:33:57,000 --> 00:34:00,200
Speaker 1: So I'm listening to a lot of K rock. Thing

620
00:34:00,240 --> 00:34:05,680
Speaker 1: they play is Sublime, T That's dope, Red Hot? Are

621
00:34:05,720 --> 00:34:10,520
Speaker 1: you reading a list three days? I'm telling you it's

622
00:34:10,520 --> 00:34:12,680
Speaker 1: like and those are three of my favorite bands. And

623
00:34:12,880 --> 00:34:16,000
Speaker 1: I'm like, where's the new rock? Do they just not exist?

624
00:34:17,520 --> 00:34:23,000
Speaker 1: Rock is dead? Rockets to me? Is it? Or it

625
00:34:23,040 --> 00:34:26,400
Speaker 1: just isn't. It isn't the sound that K rock subscribes to.

626
00:34:26,760 --> 00:34:30,000
Speaker 1: But there's no new music for them to get to

627
00:34:30,040 --> 00:34:33,040
Speaker 1: get listeners. Well there's I mean, there's like Turnstyle. There's

628
00:34:33,040 --> 00:34:35,239
Speaker 1: like a handful of bands. No no, but nobody's listening

629
00:34:35,280 --> 00:34:40,560
Speaker 1: to match music. Yeah, they were nominated for Grammy. How big?

630
00:34:40,840 --> 00:34:43,759
Speaker 1: It's how big Grammy. I don't care if they win

631
00:34:43,800 --> 00:34:47,800
Speaker 1: a Grammy. The world does Turnstyles. That fucking album rocks?

632
00:34:47,880 --> 00:34:49,959
Speaker 1: What about No, they don't. Dude, nobody gives a fuck

633
00:34:50,000 --> 00:34:53,360
Speaker 1: who who won? Um, everyone was tripping because like Bonnie

634
00:34:53,480 --> 00:34:55,239
Speaker 1: Rate one a Grammy and it's like, nobody listens to

635
00:34:55,239 --> 00:34:59,000
Speaker 1: Bonnie Rate anymore. I'm not saying, bro, it's not saying

636
00:34:59,000 --> 00:35:01,600
Speaker 1: she doesn't go, but I'm saying nobody listens to anymore.

637
00:35:01,760 --> 00:35:04,279
Speaker 1: Sure it's not the same. I yeah, I understand what

638
00:35:04,320 --> 00:35:07,120
Speaker 1: you're saying. Like Turnstile is one of my favorite bands

639
00:35:07,200 --> 00:35:11,040
Speaker 1: right now. Taco Bell commercials. They're fantastic. Yeah, yeah, they're

640
00:35:11,080 --> 00:35:13,759
Speaker 1: they're they're big, but it but the difference they have

641
00:35:13,840 --> 00:35:15,880
Speaker 1: to be that's the only way to get well. Of

642
00:35:15,880 --> 00:35:18,319
Speaker 1: course make money, yeah, you have to play that game.

643
00:35:18,400 --> 00:35:21,000
Speaker 1: But the difference between like a big band now and

644
00:35:21,080 --> 00:35:24,120
Speaker 1: a big band, that's what I'm saying. In Blake the nineties,

645
00:35:25,120 --> 00:35:28,040
Speaker 1: the biggest is it's night and day. It's like they

646
00:35:28,239 --> 00:35:36,120
Speaker 1: like a big band in the nineties was fucking huge, rushing. Yeah,

647
00:35:36,280 --> 00:35:39,600
Speaker 1: that's the way they're not gonna make money playing current bands.

648
00:35:39,960 --> 00:35:44,919
Speaker 1: They gotta play Oasis right well. Because also I don't

649
00:35:45,040 --> 00:35:49,280
Speaker 1: think people go to They're not I don't think people

650
00:35:49,400 --> 00:35:53,440
Speaker 1: go to the radio to discover music. They're not going

651
00:35:53,480 --> 00:35:55,759
Speaker 1: to k rock to be like they used to. They

652
00:35:55,760 --> 00:35:58,200
Speaker 1: don't anymore. They used to they go there to hear something.

653
00:35:58,280 --> 00:36:01,239
Speaker 1: Where the fuck do you go to discover music? But

654
00:36:01,280 --> 00:36:03,960
Speaker 1: they're just playing when people used to go to the radio.

655
00:36:04,000 --> 00:36:06,120
Speaker 1: They're playing that music to give them that feeling that

656
00:36:06,120 --> 00:36:08,600
Speaker 1: we're talking about when you go through your CDs and

657
00:36:08,640 --> 00:36:11,279
Speaker 1: you hit a little right. Well, that's like. That was

658
00:36:11,280 --> 00:36:13,600
Speaker 1: like jack FM. But I'm also like, is any other

659
00:36:13,719 --> 00:36:16,120
Speaker 1: radio station Jack FM was like that ship when we

660
00:36:16,120 --> 00:36:18,040
Speaker 1: were growing up. It was like it would give you

661
00:36:18,080 --> 00:36:21,239
Speaker 1: the fucking weird shit that you would get them wasn't

662
00:36:21,280 --> 00:36:24,560
Speaker 1: around when we were growing up. We were in like

663
00:36:24,600 --> 00:36:28,480
Speaker 1: our eighteens to twenties, like when we were in la

664
00:36:28,640 --> 00:36:31,480
Speaker 1: That was when it was no But that was when

665
00:36:31,560 --> 00:36:34,640
Speaker 1: radio kind of died. Yeah, that whole thing was based

666
00:36:34,640 --> 00:36:36,880
Speaker 1: in nostalgia. There was no new music. It was like

667
00:36:36,920 --> 00:36:39,000
Speaker 1: you go there to hear the ship that you downloaded

668
00:36:39,040 --> 00:36:42,160
Speaker 1: off of Kaza or Lime wire bro that was what

669
00:36:42,239 --> 00:36:46,480
Speaker 1: it was. And Morpheus. Yeah, it was a random ass

670
00:36:46,560 --> 00:36:53,920
Speaker 1: station where you went to hear Laza. My question is,

671
00:36:53,920 --> 00:36:59,000
Speaker 1: is any other station in the country plane sublime the

672
00:36:59,000 --> 00:37:01,759
Speaker 1: way k Rock plays Sublime? Now, I think that's their

673
00:37:01,800 --> 00:37:05,880
Speaker 1: motto is like, we play Sublime the only one. We're like,

674
00:37:06,000 --> 00:37:09,719
Speaker 1: we are the last station that is just churney out Sublime.

675
00:37:09,960 --> 00:37:12,359
Speaker 1: And I like Sublime, but I'm like, I'm like, it's

676
00:37:12,400 --> 00:37:14,680
Speaker 1: every fifth song. I've been listening to it a lot,

677
00:37:14,680 --> 00:37:16,239
Speaker 1: and I'm like, all right, here we go again. What

678
00:37:16,320 --> 00:37:27,759
Speaker 1: about WAP? I don't know what w BAP is. Oh

679
00:37:27,800 --> 00:37:39,600
Speaker 1: good radio, Dead radio, that's what well, that's what was

680
00:37:39,680 --> 00:37:41,680
Speaker 1: kind of weird what XM started to do that. I

681
00:37:41,760 --> 00:37:45,520
Speaker 1: noticed they started dedicating stations to bands, Like there was

682
00:37:45,520 --> 00:37:48,560
Speaker 1: a Grateful Dead Radio. But then now there's like Pearl

683
00:37:48,640 --> 00:37:53,319
Speaker 1: Jam Radio there. This is on Series Serious XM. Yeah yeah, yeah,

684
00:37:53,360 --> 00:37:56,080
Speaker 1: but these are these are bands curating bands, aren't they?

685
00:37:56,280 --> 00:37:59,319
Speaker 1: Sometimes that what the idea is behind it. I was like,

686
00:37:59,440 --> 00:38:01,680
Speaker 1: we like this. There's a Springsteen channel. There was a

687
00:38:01,680 --> 00:38:04,839
Speaker 1: great there's one. There's one station that they rotate in

688
00:38:04,960 --> 00:38:06,799
Speaker 1: like this month or this week, it's going to be

689
00:38:06,800 --> 00:38:10,440
Speaker 1: all Bowie or all Linda Ronstat. I'm saying, mine just

690
00:38:10,480 --> 00:38:17,680
Speaker 1: stays on Margaritaville, baby, because baby, you're saying it's stuck. Yeah, stuff,

691
00:38:17,719 --> 00:38:20,480
Speaker 1: my button is broke, it rained, it doesn't have a

692
00:38:20,600 --> 00:38:24,239
Speaker 1: roofs just staying on can't figure it out, lost the man,

693
00:38:24,280 --> 00:38:26,920
Speaker 1: you can't figure it out? Here is the closest. Is

694
00:38:26,920 --> 00:38:30,280
Speaker 1: there a Margaritaville in California? I was wondering this this morning,

695
00:38:31,440 --> 00:38:35,840
Speaker 1: Universal City Walk. Baby, Hello, No, no, a resort, a resort,

696
00:38:36,120 --> 00:38:40,560
Speaker 1: not a not a resort. I want a vacation at Margaritaville,

697
00:38:40,600 --> 00:38:43,520
Speaker 1: you know, like the Sandals. Now here's a real question.

698
00:38:44,320 --> 00:38:49,239
Speaker 1: Can we franchise Margarita build? Because yes, that is a

699
00:38:49,400 --> 00:38:53,799
Speaker 1: thing that we By the way, yes, there was a

700
00:38:53,880 --> 00:38:57,920
Speaker 1: Jimmy Buffett Margaritaville Broadway show and I'm not kidding. I

701
00:38:58,040 --> 00:39:01,560
Speaker 1: sent it to you. Yes, you're right, Yeah, yeah, it

702
00:39:01,719 --> 00:39:06,160
Speaker 1: was off Broadway. Yeah. I think there's a margaritea Ville everything. Yeah,

703
00:39:06,200 --> 00:39:08,160
Speaker 1: well he got. I think that we need to build

704
00:39:08,160 --> 00:39:12,640
Speaker 1: the Margarite of Ville. Campbell's chunky Margarita Ville. Yummy. Hey

705
00:39:13,400 --> 00:39:17,040
Speaker 1: the Beach Boys are they still a band? Kind of

706
00:39:17,920 --> 00:39:20,399
Speaker 1: well Brian Wilson still sings it, yeah, because they are

707
00:39:20,600 --> 00:39:25,760
Speaker 1: playing when I enter the auditorium or whatever for because

708
00:39:25,760 --> 00:39:28,719
Speaker 1: I'm the King of Mardi Gras, And when I enter

709
00:39:28,880 --> 00:39:33,239
Speaker 1: the auditorium or whatever, the Beach Boys are will be performing.

710
00:39:33,280 --> 00:39:36,120
Speaker 1: And I'm like, oh, that's that's sick. But I was like, oh,

711
00:39:36,160 --> 00:39:38,960
Speaker 1: I thought they like, aren't I wonder if it's gonna

712
00:39:39,080 --> 00:39:41,440
Speaker 1: be Brian Wilson. Do you I wonder if Brian Wilson

713
00:39:41,480 --> 00:39:44,000
Speaker 1: is gonna fucking sing? Dude? Hey, I don't know. Well,

714
00:39:44,080 --> 00:39:46,319
Speaker 1: that'll be sick if they aren't, right, because he kind

715
00:39:46,320 --> 00:39:50,160
Speaker 1: of went a wall. But then the other dude, Mike Post, Michel,

716
00:39:50,480 --> 00:39:55,000
Speaker 1: Mike Love, and Bruce Johnson Todd is saying, are the

717
00:39:55,040 --> 00:40:00,880
Speaker 1: only original members Brian Wilson doing his own solo tours? Yeah, smile,

718
00:40:01,320 --> 00:40:03,680
Speaker 1: I love, And I think Mike Loves kind of went

719
00:40:03,719 --> 00:40:06,000
Speaker 1: a little weird as well. Well hell yeah, well we'll

720
00:40:06,080 --> 00:40:09,280
Speaker 1: we'll get a meet him, blake. So wait, isn't Mike Love,

721
00:40:10,120 --> 00:40:13,480
Speaker 1: who's the basketball player last name Love who played on

722
00:40:13,600 --> 00:40:17,879
Speaker 1: Kevin Kevin Love. Isn't that his uncle? Right? Is that true? Oh? Yeah?

723
00:40:17,920 --> 00:40:20,160
Speaker 1: I thought so, Hey, this is some tea. Hey it

724
00:40:20,239 --> 00:40:22,480
Speaker 1: is it is? If Dirt says it with his eyebrow

725
00:40:22,640 --> 00:40:26,040
Speaker 1: for r Yes, that is true. Okay, great, Yeah, wow,

726
00:40:26,080 --> 00:40:29,000
Speaker 1: that's crazy. I never knew that. Oh my god, wow,

727
00:40:29,160 --> 00:40:32,440
Speaker 1: mind blowing. Can you imagine being like, my uncle is

728
00:40:33,080 --> 00:40:35,520
Speaker 1: a beach boy and I'm seven feet tall and I

729
00:40:35,600 --> 00:40:39,040
Speaker 1: played professional basketball, so we all just kind of roll. Yeah,

730
00:40:39,120 --> 00:40:44,399
Speaker 1: we just kind of Thanksgiving's cool. Thanksgivings cool. I hope

731
00:40:44,760 --> 00:40:47,080
Speaker 1: one of I hope dirs. You just have a giant,

732
00:40:47,160 --> 00:40:50,360
Speaker 1: a giant kid, you and me both. Yeah, he's giant,

733
00:40:50,360 --> 00:40:52,520
Speaker 1: fucked a giant. I hope your kids end up being

734
00:40:52,600 --> 00:40:55,719
Speaker 1: fucking h Yeah, so they could be professional athlete like

735
00:40:55,960 --> 00:41:00,319
Speaker 1: Alison Wonderland feet out the window style dude, real big boy. Yeah,

736
00:41:00,320 --> 00:41:03,560
Speaker 1: that's real, big boys. I remember seeing that image as

737
00:41:03,560 --> 00:41:06,200
Speaker 1: a kid and being like, whoa got her leg is

738
00:41:06,239 --> 00:41:08,319
Speaker 1: going out the fucking window and her head went out

739
00:41:08,320 --> 00:41:11,560
Speaker 1: at chimney. Yeah, yeah, when she eats that first fucking

740
00:41:11,600 --> 00:41:17,239
Speaker 1: cookie or whatever. Yeah, fucking sick dude. Alison Wonderland was

741
00:41:17,280 --> 00:41:19,480
Speaker 1: a trip bro. When's the last time you put that

742
00:41:19,520 --> 00:41:21,960
Speaker 1: one on? I need to do that. I got kids,

743
00:41:22,120 --> 00:41:24,160
Speaker 1: I put that shit on. Yeah, I got kids. Did

744
00:41:24,200 --> 00:41:27,600
Speaker 1: they fuck with it? Remember how many drugs used to

745
00:41:27,680 --> 00:41:32,480
Speaker 1: be in children's cartoons? Rip it up? Kids? There were

746
00:41:32,520 --> 00:41:35,040
Speaker 1: so many drugs in cartoons. Would be a lot of

747
00:41:35,160 --> 00:41:38,520
Speaker 1: drugs in cartoons. There's so many drugs and cartoons they

748
00:41:38,560 --> 00:41:40,600
Speaker 1: had to make the Ninja turtles tell you not to

749
00:41:40,640 --> 00:41:45,800
Speaker 1: do drugs. The Turtles had to come out and be like, dude,

750
00:41:45,840 --> 00:41:48,360
Speaker 1: just say no, it's not cool, Like you've got a

751
00:41:48,400 --> 00:41:54,800
Speaker 1: tight fifteen seconds. Hey, Blake's ready for fucking stay guys,

752
00:41:54,800 --> 00:41:58,360
Speaker 1: come out to the comedy store. I got a tight. Yeah, Hey,

753
00:41:58,520 --> 00:42:00,719
Speaker 1: come on over to my place. I'm back stage. Blake,

754
00:42:01,040 --> 00:42:04,200
Speaker 1: come through the cree. I say, okay, you remember you

755
00:42:04,920 --> 00:42:08,080
Speaker 1: remember kids cartoons with there were so many drugs that

756
00:42:08,120 --> 00:42:10,399
Speaker 1: the Ninja Turtles I had to tell you not to

757
00:42:10,440 --> 00:42:13,799
Speaker 1: do drugs. And there's the lights, the lights on and

758
00:42:13,840 --> 00:42:17,920
Speaker 1: the lights on, and that's my time. That's like, that's

759
00:42:17,960 --> 00:42:22,160
Speaker 1: my time. That was That's always my favorite when stand

760
00:42:22,239 --> 00:42:24,799
Speaker 1: ups like don't know how to wrap up their set,

761
00:42:25,080 --> 00:42:28,399
Speaker 1: and I mean I've been I'm guilty of this too.

762
00:42:28,440 --> 00:42:30,920
Speaker 1: When they when they look up and they're like, oh

763
00:42:30,920 --> 00:42:34,560
Speaker 1: and that's my time. Thank you guys so much. They don't.

764
00:42:34,600 --> 00:42:37,520
Speaker 1: They don't finesse just one more minute, you're saying, right right,

765
00:42:37,560 --> 00:42:39,680
Speaker 1: Like it's it's supposed to be like a taper down. Yeah,

766
00:42:39,680 --> 00:42:41,719
Speaker 1: they don't. They don't just like end on a laugh

767
00:42:41,760 --> 00:42:44,480
Speaker 1: and say thank you good night. Yeah. They they're like

768
00:42:44,520 --> 00:42:48,680
Speaker 1: they're sort of like, well, time to get off, that's

769
00:42:48,719 --> 00:42:51,719
Speaker 1: my time, Like all right, just go at the same time.

770
00:42:51,880 --> 00:42:53,760
Speaker 1: I remember going to stand up a lot with Adam

771
00:42:53,760 --> 00:42:56,760
Speaker 1: and like learning protocol of like the light with comedy

772
00:42:56,760 --> 00:42:58,440
Speaker 1: and what the light means is you have to get

773
00:42:58,480 --> 00:43:00,760
Speaker 1: off stage right, yeah, And you know how like comedians

774
00:43:01,000 --> 00:43:03,080
Speaker 1: they try to make it real casual. They're talking and

775
00:43:03,120 --> 00:43:06,640
Speaker 1: then they'll give like just like the little head, but

776
00:43:07,320 --> 00:43:10,239
Speaker 1: then bros will run the light and like the light

777
00:43:10,280 --> 00:43:13,279
Speaker 1: will keep flashing them. So eventually, like after like the

778
00:43:13,400 --> 00:43:15,759
Speaker 1: third time, they're like, no, I saw it, I saw it,

779
00:43:16,000 --> 00:43:17,640
Speaker 1: but you know the light guy wants to be then

780
00:43:17,880 --> 00:43:20,279
Speaker 1: then get the fuck off the stage too. Then get

781
00:43:20,320 --> 00:43:23,239
Speaker 1: the fuck right, dude, I know. I mean, like dude.

782
00:43:23,239 --> 00:43:25,440
Speaker 1: There used to be comics that would come to the

783
00:43:25,440 --> 00:43:29,200
Speaker 1: improv and just run it by like fifteen twenty minutes,

784
00:43:29,840 --> 00:43:32,520
Speaker 1: where you're like they're doing like a fifteen twenty minute

785
00:43:32,560 --> 00:43:37,000
Speaker 1: set and then they're up there for thirty forty minutes

786
00:43:37,160 --> 00:43:41,120
Speaker 1: and you're like Jesus up because that means that every

787
00:43:41,400 --> 00:43:44,240
Speaker 1: other your comic yeah, is like gonna have a late bedtime.

788
00:43:44,320 --> 00:43:46,879
Speaker 1: They get backed up, and then a lot of other

789
00:43:46,920 --> 00:43:49,920
Speaker 1: comics have like gigs across town that they're trying to

790
00:43:49,960 --> 00:43:52,120
Speaker 1: do both spots and then it just fucks everything up.

791
00:43:52,160 --> 00:43:54,520
Speaker 1: Gigs and hahas adam, did you ever run I can't

792
00:43:54,520 --> 00:43:56,640
Speaker 1: remember if you ran the light at the Improv? Did

793
00:43:56,640 --> 00:43:58,920
Speaker 1: you ever do that job? Oh? Yeah? Had the flash

794
00:43:58,960 --> 00:44:02,160
Speaker 1: up like actually yeah, yeah, I did, like actually run

795
00:44:02,280 --> 00:44:04,440
Speaker 1: the scheduling of the show and be like, bro, you

796
00:44:04,520 --> 00:44:07,960
Speaker 1: gotta get off. I did. I did for like a month.

797
00:44:08,320 --> 00:44:11,160
Speaker 1: And there's a lot of great shows at the Improv,

798
00:44:11,280 --> 00:44:13,399
Speaker 1: like a lot of it's like one of the best

799
00:44:13,440 --> 00:44:16,240
Speaker 1: comedy clubs in the country. There's also some bad shows.

800
00:44:16,480 --> 00:44:19,720
Speaker 1: And one of the bad shows I fell asleep during

801
00:44:20,719 --> 00:44:23,759
Speaker 1: and it's my job to run the music and the light,

802
00:44:24,239 --> 00:44:27,400
Speaker 1: so like comics on stage, it sucked. I was like

803
00:44:27,440 --> 00:44:30,839
Speaker 1: probably a little hungover, and I'm sitting there watching it's

804
00:44:30,880 --> 00:44:33,120
Speaker 1: my job to give him the light, and I straight

805
00:44:33,200 --> 00:44:36,440
Speaker 1: up fell asleep. And it was like a more amateur

806
00:44:36,560 --> 00:44:39,920
Speaker 1: style night because it hints them sucking so like the

807
00:44:40,000 --> 00:44:42,680
Speaker 1: guy didn't have enough time to keep going so he

808
00:44:42,719 --> 00:44:46,719
Speaker 1: never got the lights. So I guess he was like, uh, okay,

809
00:44:46,880 --> 00:44:49,200
Speaker 1: so what do do you want to talk about? And then

810
00:44:49,520 --> 00:44:51,520
Speaker 1: then they run over to me they like shake me

811
00:44:51,560 --> 00:44:54,960
Speaker 1: away and they're like, okay, you were having a crazy dream.

812
00:44:55,040 --> 00:44:57,200
Speaker 1: To their credit, they didn't fire me. They were just like,

813
00:44:57,239 --> 00:45:00,040
Speaker 1: all right, I guess back to answering the phone and

814
00:45:00,600 --> 00:45:03,040
Speaker 1: back to the front door. Bro. I love the idea

815
00:45:03,080 --> 00:45:06,719
Speaker 1: of somebody always being like can I tell one more? Yeah?

816
00:45:06,760 --> 00:45:09,320
Speaker 1: Just one more? All right, Well I guess I can't. Guys,

817
00:45:09,320 --> 00:45:11,160
Speaker 1: thank you good night. Yeah. Why don't they just play

818
00:45:11,200 --> 00:45:13,520
Speaker 1: them off like an award show, just start playing the

819
00:45:13,600 --> 00:45:15,839
Speaker 1: music while their sets gone. That's a good idea. Well,

820
00:45:15,840 --> 00:45:19,480
Speaker 1: well that has happened. Okay. Hold, I've seen that happen before,

821
00:45:19,520 --> 00:45:22,200
Speaker 1: where a comic is going way too long and they'll

822
00:45:22,239 --> 00:45:26,400
Speaker 1: just slowly turn on music wild and then raise up

823
00:45:26,400 --> 00:45:29,720
Speaker 1: the volume or sam Man just Sam Man sweeps them off. Yeah, dude,

824
00:45:30,000 --> 00:45:34,319
Speaker 1: straight up. The Apollo. Yeah, it was people people would get.

825
00:45:34,480 --> 00:45:38,040
Speaker 1: But but also it's like you saw that was such

826
00:45:38,040 --> 00:45:40,440
Speaker 1: a great job because you saw like, yeah, bring back

827
00:45:40,440 --> 00:45:43,600
Speaker 1: the wanting less. Certain people were at a certain level,

828
00:45:43,920 --> 00:45:46,239
Speaker 1: and then they would come in and they think they

829
00:45:46,239 --> 00:45:49,280
Speaker 1: can run the light. They and they showed no respect

830
00:45:49,280 --> 00:45:52,240
Speaker 1: the politics, and then a few years later their career

831
00:45:52,440 --> 00:45:55,439
Speaker 1: dips a little bit and they don't get the same

832
00:45:55,480 --> 00:45:57,399
Speaker 1: spots that they used to. They don't get the same

833
00:45:57,480 --> 00:45:59,239
Speaker 1: love at the club. But if they came and they

834
00:45:59,320 --> 00:46:01,840
Speaker 1: just crushed push and they did their time and they

835
00:46:01,880 --> 00:46:04,720
Speaker 1: were applied to everyone, they would still get their spots.

836
00:46:04,760 --> 00:46:07,880
Speaker 1: And it just showed like how like just being a

837
00:46:07,920 --> 00:46:11,080
Speaker 1: good guy and not being a dickhead to everyone like

838
00:46:11,320 --> 00:46:15,439
Speaker 1: kind of puts people ahead in this business and in life. Yeah,

839
00:46:15,480 --> 00:46:17,000
Speaker 1: do you get a little star by your name if

840
00:46:17,040 --> 00:46:18,719
Speaker 1: you like run the light? Like do they start to

841
00:46:18,800 --> 00:46:21,480
Speaker 1: be like, yo, this bro runs the light. No? No,

842
00:46:21,520 --> 00:46:23,759
Speaker 1: but it's like no if you are the type of

843
00:46:23,760 --> 00:46:26,279
Speaker 1: guy that just runs the light. But usually people that

844
00:46:26,320 --> 00:46:29,040
Speaker 1: are running the light are having like a career moms. Yes,

845
00:46:29,160 --> 00:46:31,919
Speaker 1: they're entitled right where they're like it's happening where they're

846
00:46:31,920 --> 00:46:34,080
Speaker 1: like hot. So they're like, you know what, fuck this,

847
00:46:34,200 --> 00:46:36,239
Speaker 1: I don't I shouldn't just be doing twenty minutes. I

848
00:46:36,239 --> 00:46:38,719
Speaker 1: should do forty minutes. If I want to do forty minutes. Yeah,

849
00:46:38,719 --> 00:46:42,360
Speaker 1: the ego, man, the fucking ego. Bro, the ego. It'll

850
00:46:42,480 --> 00:46:48,920
Speaker 1: bite you, baby. But that was a cool job, just

851
00:46:49,040 --> 00:46:51,600
Speaker 1: learning that so early on and just going like being

852
00:46:51,640 --> 00:46:54,000
Speaker 1: like twenty years old when I worked there twenty one,

853
00:46:54,160 --> 00:46:57,440
Speaker 1: twenty two and just being like oh yeah, like you

854
00:46:57,480 --> 00:47:01,479
Speaker 1: really saw like Ebbs and flows and how that can happen, right, Yeah,

855
00:47:01,560 --> 00:47:04,120
Speaker 1: just people's ship cools off for real quick. Yeah, A

856
00:47:04,160 --> 00:47:06,840
Speaker 1: good perspective when you're coming up like like who like

857
00:47:06,920 --> 00:47:09,520
Speaker 1: who Blake Um? Who was the guy who said he

858
00:47:09,640 --> 00:47:12,160
Speaker 1: liked the smell of cookies? That guy was hell of funny?

859
00:47:12,160 --> 00:47:15,239
Speaker 1: And then I never saw him again? Uh do dov

860
00:47:15,320 --> 00:47:18,000
Speaker 1: David off? Yeah, dude, that guy was hell of fun

861
00:47:18,640 --> 00:47:20,799
Speaker 1: Oh well he did. He did fine for a long time.

862
00:47:20,800 --> 00:47:22,360
Speaker 1: Where did he go? I haven't seen him in a

863
00:47:22,400 --> 00:47:24,839
Speaker 1: long time? He did? Okay, Yeah, he did all right,

864
00:47:25,040 --> 00:47:27,920
Speaker 1: and he moved to New York and I think he's

865
00:47:27,920 --> 00:47:30,920
Speaker 1: still doing the same material. Oh that's it. Would you

866
00:47:30,920 --> 00:47:34,000
Speaker 1: say he's a comics comic or what would you say

867
00:47:34,000 --> 00:47:36,920
Speaker 1: about him? I think he's very super super funny, but

868
00:47:37,000 --> 00:47:40,480
Speaker 1: just it didn't ever write anything else, like who wrote

869
00:47:40,520 --> 00:47:43,239
Speaker 1: his like hour and then just stuck to that, right wow.

870
00:47:43,280 --> 00:47:44,960
Speaker 1: So then you can get like, yeah, because you could

871
00:47:44,960 --> 00:47:47,600
Speaker 1: fall into like I don't want to do anything new, Yeah,

872
00:47:47,760 --> 00:47:51,239
Speaker 1: I don't have anything new, yeah, because he crushes with that, right,

873
00:47:51,360 --> 00:47:54,400
Speaker 1: But then like after I mean it's been like fifteen

874
00:47:54,520 --> 00:47:57,920
Speaker 1: plus twenty years that he's doing the same type of stuff.

875
00:47:58,200 --> 00:48:00,520
Speaker 1: Maybe he still likes the smell of cookies. Maybe he's

876
00:48:00,520 --> 00:48:02,960
Speaker 1: doing different stuff now, but I know, I mean there

877
00:48:03,000 --> 00:48:05,200
Speaker 1: for a while I knew that that was the case

878
00:48:05,280 --> 00:48:08,400
Speaker 1: with him specifically. And he is very, very funny, and

879
00:48:08,400 --> 00:48:10,239
Speaker 1: I hope he is writing new stuff because he's he's

880
00:48:10,239 --> 00:48:14,399
Speaker 1: a crusher, total character. I love his whole stee Wait,

881
00:48:14,440 --> 00:48:16,640
Speaker 1: who was the guy who opened for us at Comedy Cocktail,

882
00:48:16,640 --> 00:48:19,120
Speaker 1: who played the guitar, who just had a set, the

883
00:48:19,160 --> 00:48:22,759
Speaker 1: tightest set, It would crush no matter what, no matter where.

884
00:48:22,960 --> 00:48:26,400
Speaker 1: Henry Phillips. Henry Phillips was a very funny still is.

885
00:48:26,440 --> 00:48:29,440
Speaker 1: Probably haven't seen him forever. Oh what were his songs?

886
00:48:29,480 --> 00:48:31,920
Speaker 1: Do you guys remember his songs? I can't remember. I

887
00:48:31,920 --> 00:48:34,200
Speaker 1: also can't remember. I probably has seen. I know that

888
00:48:34,200 --> 00:48:41,239
Speaker 1: it went redheaded. There's a one percent guarantee that Blake

889
00:48:41,320 --> 00:48:44,080
Speaker 1: has a CD somewhere. I could dust it off. I'll

890
00:48:44,160 --> 00:48:46,759
Speaker 1: burn it for you, dude, even though I have no

891
00:48:46,880 --> 00:48:49,719
Speaker 1: CD CD ROM But I got an external. He had

892
00:48:49,760 --> 00:48:51,880
Speaker 1: the jokea where he was like in bed with his

893
00:48:52,000 --> 00:48:54,239
Speaker 1: girlfriend and he was like, He's like, tell me what

894
00:48:54,280 --> 00:48:56,440
Speaker 1: you like and she was like, I like when people

895
00:48:56,520 --> 00:49:00,880
Speaker 1: do this, and he was like people, how many people

896
00:49:01,000 --> 00:49:07,600
Speaker 1: here right, Hey, guys, like I said, crushes crush, Well

897
00:49:07,600 --> 00:49:09,640
Speaker 1: that's one of my favorite Jeff Ross jokes that made

898
00:49:09,680 --> 00:49:12,319
Speaker 1: me last so hard where he goes high. Yeah, so

899
00:49:12,400 --> 00:49:16,759
Speaker 1: I got a date with a porn star and and

900
00:49:16,840 --> 00:49:20,640
Speaker 1: she says, well, I have to work Tuesday, so how

901
00:49:20,640 --> 00:49:25,439
Speaker 1: about Wednesday? And he goes, how about Monday? Yeah? So good?

902
00:49:29,280 --> 00:49:35,240
Speaker 1: Yeah good, Hey, let's end on that. Let Hey, I say,

903
00:49:35,320 --> 00:49:39,440
Speaker 1: oh what if our podcast is us doing other people's

904
00:49:39,480 --> 00:49:45,840
Speaker 1: stand up jokes of a kind of cool other people's job.

905
00:49:47,320 --> 00:49:52,200
Speaker 1: This is menie. I am. I'm getting a little itchy though.

906
00:49:52,239 --> 00:49:54,439
Speaker 1: I've I've been asked to get up and do stand

907
00:49:54,520 --> 00:49:57,600
Speaker 1: up lately, and I'm it's been a long while since

908
00:49:57,600 --> 00:50:00,479
Speaker 1: I since my special. I really I I haven't gotten

909
00:50:00,480 --> 00:50:03,040
Speaker 1: back up since then. That's pre COVID. So now I'm

910
00:50:03,120 --> 00:50:05,479
Speaker 1: I'm thinking, now that I have some time on my hands,

911
00:50:05,520 --> 00:50:08,120
Speaker 1: I'm gonna hop back into the stand up port. Yes,

912
00:50:08,680 --> 00:50:11,960
Speaker 1: that's awesome. That's a pandemic material. Yeah, yeah, it's fun.

913
00:50:12,000 --> 00:50:15,080
Speaker 1: That's great. Oh so much, so much pandemic. I haven't

914
00:50:15,080 --> 00:50:18,320
Speaker 1: even been at the clubs. I bet they were overrun

915
00:50:18,520 --> 00:50:22,880
Speaker 1: by pandemic material where audiences were like Jesus Christ. I'm

916
00:50:23,000 --> 00:50:26,520
Speaker 1: here to get away from thinking about the pandemic, and

917
00:50:26,800 --> 00:50:29,200
Speaker 1: every comic just goes on stage and talks about it

918
00:50:29,200 --> 00:50:33,160
Speaker 1: for you know, dip right back into your love for life, Adam,

919
00:50:33,200 --> 00:50:37,120
Speaker 1: and I think you're gonna have some winning jokes out there, baby, Yeah, yeah,

920
00:50:37,120 --> 00:50:40,120
Speaker 1: are you hitting the note gorilla aspart? Just do some

921
00:50:40,200 --> 00:50:43,319
Speaker 1: gorilla assphart and let's go do dust off the classics.

922
00:50:43,440 --> 00:50:46,839
Speaker 1: I like the classics, play the hits. Yeah, I'm here

923
00:50:46,880 --> 00:50:49,960
Speaker 1: to see Gorilla probably read some new one. I'm here

924
00:50:50,000 --> 00:50:55,440
Speaker 1: to see some juicy quatre shit. I want new material.

925
00:50:55,600 --> 00:51:00,640
Speaker 1: I want some new divine material. Yeah, Kyle, hell yeah,

926
00:51:00,680 --> 00:51:02,239
Speaker 1: even when you're working it out, I'll be there to

927
00:51:02,280 --> 00:51:04,480
Speaker 1: watch you work that shit out. That's my favorite part.

928
00:51:04,520 --> 00:51:07,600
Speaker 1: I'm watching you do it. Oh yeah, splinter Dick, don't

929
00:51:07,640 --> 00:51:12,120
Speaker 1: be gay, he's still doing that one. The fumbling. No,

930
00:51:12,239 --> 00:51:14,080
Speaker 1: that was that was a real or. That was one

931
00:51:14,080 --> 00:51:18,400
Speaker 1: of my first first bits. I would say that was

932
00:51:19,000 --> 00:51:22,680
Speaker 1: what was the bid exactly? It was like a gay guy.

933
00:51:22,880 --> 00:51:27,759
Speaker 1: Oh no, uh, I'm gonna go it was it was

934
00:51:27,840 --> 00:51:31,279
Speaker 1: bench is this part of one of your take back.

935
00:51:31,480 --> 00:51:35,760
Speaker 1: It was like a guy trying to a guy bench

936
00:51:35,800 --> 00:51:39,960
Speaker 1: pressing and uh and he's like, ye, don't be gay, dude.

937
00:51:40,000 --> 00:51:42,600
Speaker 1: As he's like tea bag in his eye socket and

938
00:51:42,680 --> 00:51:44,839
Speaker 1: like doing all this super gay stuff. He's like, suck

939
00:51:44,920 --> 00:51:47,880
Speaker 1: my dick, don't be gay. It was it was an

940
00:51:47,880 --> 00:51:50,839
Speaker 1: early it was an early sit. It's a strong friend

941
00:51:50,920 --> 00:51:54,399
Speaker 1: early bit. Yeah, yeah, early, it was an early bit.

942
00:51:54,600 --> 00:51:57,920
Speaker 1: It's it's been finessed a very homophobic man that is

943
00:51:57,960 --> 00:52:09,920
Speaker 1: obviously very close right or not not not that closet. Hey, man,

944
00:52:09,960 --> 00:52:11,880
Speaker 1: I just want to take back that I said B

945
00:52:12,080 --> 00:52:16,120
Speaker 1: Rabbit was Eminem's character. Yo, I know eight Mile, and

946
00:52:16,200 --> 00:52:19,880
Speaker 1: I just like, oh I know it. Well, I don't

947
00:52:19,920 --> 00:52:23,440
Speaker 1: evidence it wasn't wasn't he was b Rabbit? What are

948
00:52:23,440 --> 00:52:27,839
Speaker 1: you talking about? Yeah, Eminem was be rabbit friend. Well

949
00:52:27,880 --> 00:52:31,240
Speaker 1: that's cheddar Bob. His friend is cheddar Ball. His friend

950
00:52:31,520 --> 00:52:34,200
Speaker 1: was b rad No, he is b Rabbit because he's

951
00:52:34,239 --> 00:52:37,320
Speaker 1: white like a rabbit. His friend is cheddar Okay, Adam,

952
00:52:37,360 --> 00:52:40,280
Speaker 1: I would like an apology immediately, because that's been eating

953
00:52:40,280 --> 00:52:44,080
Speaker 1: away at my soul. I'm like, okay, Well, then I

954
00:52:43,719 --> 00:52:47,640
Speaker 1: I evidently don't know eight Mile, which I'm fine. Dude.

955
00:52:48,280 --> 00:52:51,360
Speaker 1: Now you have another take back. Well, I I'm sorry

956
00:52:51,400 --> 00:52:54,600
Speaker 1: that I I hopped on making fun of you for

957
00:52:54,719 --> 00:53:00,840
Speaker 1: not knowing eight mile. Wow man, but but what apologies

958
00:53:00,920 --> 00:53:07,240
Speaker 1: never have? But you's a therapy, bro, that's a therapy

959
00:53:07,520 --> 00:53:13,359
Speaker 1: backed up. So you immediately retreated. And because I offended you. No, no,

960
00:53:13,719 --> 00:53:16,960
Speaker 1: you you wait, you're gonna take back your apology because

961
00:53:17,000 --> 00:53:21,239
Speaker 1: he immediately retreated and decided not to fight you. No,

962
00:53:21,320 --> 00:53:24,279
Speaker 1: I'm saying that need to stand up for himself. He

963
00:53:24,360 --> 00:53:25,840
Speaker 1: needs to stand up. Well, I need to do a

964
00:53:25,840 --> 00:53:27,799
Speaker 1: lot of thing. I need to throw out fucking four

965
00:53:27,840 --> 00:53:42,800
Speaker 1: thousand CDs too. But whatever, we'll work on you next time, Okay,

966
00:53:45,920 --> 00:53:47,720
Speaker 1: no Ice, Nice dude,