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Speaker 1: I am all in.

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Speaker 2: You.

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Speaker 3: I am all in with Scott Patterson, an iHeartRadio podcast.

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Speaker 1: Hey everybody, Scott Patterson, I am all in podcast. iHeart

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Speaker 1: Radio one eleven productions. I am here with my intrepid crew.

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Speaker 1: We have a new name, Susanne French, Amy Sugarman, speaking

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Speaker 1: from inside my own microphone.

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Speaker 3: We have a new what do you mean, have a

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Speaker 3: new name?

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Speaker 1: What are you talking about?

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Speaker 3: We're technically called iHeart Podcasts.

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Speaker 4: Oh not just iHeart Radio.

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Speaker 3: Yeah, so we're iHeartMedia, iHeart Radio and iHeart Podcasts.

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Speaker 1: All right, let me try this again. Hey, I'm Scott Patterson.

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Speaker 1: I am all in podcast, I Heeart Radio, iHeart Podcast,

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Speaker 1: I Heeart Media. You have to welcome to the Dollhouse,

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Speaker 1: Season six, episode six. I am joined by myn Trevid

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Speaker 1: Cruz Terras sued Suzanne French and you know or your

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Speaker 1: love her. You judged her, Yeah, last week, you judged

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Speaker 1: her last week when I got the king of the argument.

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Speaker 3: They did. When I got on, I told Scott you won.

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Speaker 3: They people have.

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Speaker 1: Spoken, And I retorted, if I win, then then Amy wins.

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Speaker 1: And it's all If Amy women's and I lose, then

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Speaker 1: I win as well. And that's just how we're here.

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Speaker 5: Uh.

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Speaker 3: It was an iconic dragging, as the kids say that

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Speaker 3: Emily dragged Shira and it was one of the best

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Speaker 3: things ever.

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Speaker 1: Loved every minute of it. But I also agree with

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Speaker 1: you it could have been what what did you? What

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Speaker 1: were your what's your commentary?

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Speaker 3: Yeah, could have been what. The only way to say

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Speaker 3: it is more a little more clever, a little more clever.

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Speaker 3: So I also agreed with you that it was an

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Speaker 3: iconic SmackDown. Yes, but she went a little low when

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Speaker 3: she could have maybe right been more clever. I think

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Speaker 3: it was.

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Speaker 1: It was very satisfying. It was very sure sure anyway,

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Speaker 1: So I think we're going to have to take a

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Speaker 1: pause and synopsize, and we're always looking forward to those synopsisizations,

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Speaker 1: which is now handled by our new number one getting

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Speaker 1: all the votes on the All Star ballot, Rookie of

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Speaker 1: the Year, Gold Gloves, Silver Slugger, Suzanne French. Take it away, Suzanne.

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Speaker 4: Thank you for that amazing introduction. This is season six,

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Speaker 4: episode six, Welcome to the Doll House. It aired October eighteenth,

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Speaker 4: twenty five. When the town changes its road names back

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Speaker 4: to their original eighteenth century monikers, the dragonfly in employees

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Speaker 4: become upset by their streets disturbing designation. Logan buys Rory

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Speaker 4: a very extravagant gift, while Lorelai keeps receiving mysterious packages.

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Speaker 4: Richard presses Logan about his plans for him and Rory.

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Speaker 1: All right, what do we think? What do we think

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Speaker 1: of this? I liked that episode? Did you? Did you?

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Speaker 1: He found it pleasantly paced, and.

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Speaker 5: Yeah, it wasn't like a top favorite, but it was

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Speaker 5: jocularity okay, And I.

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Speaker 4: Enjoyed it too. It's always fun to you know. See,

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Speaker 4: I always liked the town stuff, so it was good

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Speaker 4: to have a town meeting and the.

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Speaker 5: After last week's like the dinner at Suki's. I think

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Speaker 5: we needed a good town yeah, town thing.

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Speaker 4: I needed to like the dragons.

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Speaker 3: I here's what I'll say. I've yet to dislike season six.

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Speaker 3: I'm all good, Like I'm enjoying it, even when I

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Speaker 3: watched it many other times. I never disliked season six,

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Speaker 3: so I'm good. There's little flags, of course, and oh.

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Speaker 1: There's a lot of flags.

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Speaker 3: I giggled a lot. I had a lot of little

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Speaker 3: sort of yeah.

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Speaker 1: So yeah, I'm sorry, guys not on board with this one. Yeah,

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Speaker 1: I just went to me. I didn't recognize it. It

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Speaker 1: didn't seem like Gilmore Girls to me. It didn't seem

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Speaker 1: like the level of writing was there. I just thought

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Speaker 1: it kind of really was directionless and it kind of

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Speaker 1: floated from scene to scene. Nothing was really tying in

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Speaker 1: for me. It wasn't terribly engaging. Yet here's the thing,

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Speaker 1: I was still entertained. Yeah, yeah, yeah, even when it

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Speaker 1: misses the mark, for me, I still watch it and

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Speaker 1: enjoy it and get a good feeling about it. So

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Speaker 1: there's a positive coming out of it for me. And yes,

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Speaker 1: I got some chuckles here and there. I got a

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Speaker 1: couple of big laughs, and that's I mean, the bar

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Speaker 1: is so high that it's hard to you know. It's

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Speaker 1: not like I want to lower my expectations, but maybe

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Speaker 1: I should be a little more realistic and give these

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Speaker 1: people a break because they're hitting that out of the

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Speaker 1: park most of the time.

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Speaker 3: When did this air again after that?

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Speaker 1: Right?

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Speaker 3: So this is kind of the build up to the

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Speaker 3: big episodes of November. Yeah, it's like we find that happens,

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Speaker 3: you know, and we.

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Speaker 5: Just came off a pretty big episode.

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Speaker 1: But it just it just it wasn't snappy and fast

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Speaker 1: and funny because there wasn't, you know, Lorelei and wasn't

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Speaker 1: really the central character of this, and the dialogue she

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Speaker 1: had I thought was a bit shrill with with with

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Speaker 1: the with the tailor. I thought the tailor stuff in

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Speaker 1: the beginning, with renaming the streets, I thought that was great.

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Speaker 1: I said, oh, I agree with him. I think this

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Speaker 1: is going to be funny. I thought that town meeting

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Speaker 1: was funny. But then it just sort of devolved for

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Speaker 1: me about when they got the bad name boiled.

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Speaker 5: Yeah.

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Speaker 3: Yeah, it was long. It was a little long.

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Speaker 1: It was a little a little too drawn out for me,

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Speaker 1: and it wasn't give you that I wasn't getting a

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Speaker 1: lot of the jokes. There weren't joky jokes.

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Speaker 3: Yeah, a little bit, it's like, okay, come on, come on,

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Speaker 3: come on.

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Speaker 4: I noticed that it was a different writer on this episode,

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Speaker 4: Keith Eisner. So maybe because it wasn't like an Amy

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Speaker 4: Dan thing, maybe that's why it felt a little different.

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Speaker 4: But I also noticed it was directed by Jackson Douglas.

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Speaker 3: Oh, oh that's cool. Also, if you like the bit

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Speaker 3: every here's what I will say. Each bit went on

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Speaker 3: a little too long, the street name bit a little

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Speaker 3: too long Emily sending all the stuff over a little

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Speaker 3: too long, right, Like the big urn was kind of

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Speaker 3: for me, like it didn't work, you know, the one

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Speaker 3: in the diner, right, But yeah, the Richard stuff was.

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Speaker 3: I really liked that. But then also everything went on

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Speaker 3: a little too long.

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Speaker 4: I wouldn't say it.

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Speaker 1: Just it just wasn't just wasn't it was. I don't

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Speaker 1: know it was. It was good, it was good, it

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Speaker 1: was entertaining. I want to stay positive. I was entertained,

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Speaker 1: but I wasn't thoroughly enthralled.

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Speaker 3: Here's my takeaway. And I'm realizing this as we're talking

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Speaker 3: and I'm kind of looking at my notes. When I

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Speaker 3: watched it, I liked it. I was like, well, that

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Speaker 3: was great. I'm not totally remembering it.

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Speaker 5: I watched it just too Yeah, I actually watched it.

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Speaker 5: I watched it over the weekend, and then I watched

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Speaker 5: it again just to refresh my memory. And I'm like, oh, yeah,

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Speaker 5: I did watch that. I kind of forgot that I

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Speaker 5: watched it.

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Speaker 3: Yeah, I'm having a little bit of a moment like.

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Speaker 5: But like when you get those like key points like

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Speaker 5: the streets and and you're like oh yeah, yeah, like

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Speaker 5: it's it was just kind of like a filler. That's

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Speaker 5: what it felt like.

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Speaker 1: Because I got online and I looked up the prices

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Speaker 1: of Burke and Bags going back to nineteen to present

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Speaker 1: day while I was watching the episode, because I didn't

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Speaker 1: feel like I was going to be missing too much,

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Speaker 1: whether it was or that it was going to be

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Speaker 1: too difficult to follow because it was a little slower

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Speaker 1: paced and it wasn't as funny. So I was like,

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Speaker 1: all right, well, I'll take a little little pause here

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Speaker 1: and see what these Burken bags are.

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Speaker 5: I was like, whoa, well now, and Amy, I feel like,

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Speaker 5: correct me if I'm wrong. But now Burke and Bags,

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Speaker 5: you can't even go buy one. You have to be

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Speaker 5: on a wait list and.

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Speaker 3: Then they have to be excited to buy it. Yes,

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Speaker 3: to be invited to buy it. It's like crazy.

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Speaker 5: In two thousand and five, it wasn't like that, right.

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Speaker 3: I don't know, And they're really expensive. They might be

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Speaker 3: twenty thousand dollars.

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Speaker 1: I am praying my wife doesn't listen to this, Yeah,

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Speaker 1: do not, because I don't think I get her all

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Speaker 1: the nice bags that's here. You know, I tell her

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Speaker 1: she can get a bag for her birthday. You know,

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Speaker 1: she's got the fancy bags, and uh.

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Speaker 3: You don't need I don't think we need a Well,

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Speaker 3: it's just I don't think.

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Speaker 1: What it's.

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Speaker 3: Yeah, I say, it's not that cool, like people are

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Speaker 3: come on, I do. I mean it was a whole

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Speaker 3: Sex in the City episode too, but like I don't

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Speaker 3: really love it.

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Speaker 1: But you know, here's the thing. They're good investments.

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Speaker 3: I guess they don't lose their value.

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Speaker 1: You know. The fourth or fifth time she wanted a

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Speaker 1: Chanel bag, I just rolled my mass because this much today,

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Speaker 1: I said, oh okay, bye too.

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Speaker 3: Yeah.

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Speaker 4: Yeah, Chanel's are very expensed, right. I think it's not

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Speaker 4: supposed to matter if you like it or not. It's

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Speaker 4: just supposed to show off how much money you have.

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Speaker 3: I actually sort of enjoyed that Emily Rory like, and

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Speaker 3: then she tells Richard he bought her again, Like I

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Speaker 3: kind of was into it. That storyline was kind of cool.

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Speaker 3: And it also shows he's got a ton of money.

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Speaker 5: Oh, I mean, like it's just here's like insane, insane

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Speaker 5: amounts of money. I got the estimate price of what

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Speaker 5: it would be in two thousand and five, like close,

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Speaker 5: it would be about seven seven thousand dollars back.

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Speaker 3: Right, seven thousand and How much is a two thousand

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Speaker 3: and five Burke and worth now.

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Speaker 1: Oh twenty? It depends on what it is, because there's

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Speaker 1: some that are worth one hundred and three.

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Speaker 5: It can go up to two hundred thousand dollars.

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Speaker 1: Oh sure, yeah.

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Speaker 5: But I don't know what I mean. I was looking

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Speaker 5: at prices back then, so that was roughly what it

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Speaker 5: would have been.

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Speaker 1: Yeah, so.

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Speaker 3: Crazy, Yeah, oh yeah, you could get you can get

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Speaker 3: some Oh my god, one's twenty four thousand dollars.

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Speaker 5: Wow.

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Speaker 1: On Susanna's gobsmacked. She can't even He's like burkeing back.

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Speaker 3: How much is the class burkein somewhere between ten thousand

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Speaker 3: a quarter million?

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Speaker 1: Kidding me, wows, you'd rather just steal it do the time?

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Speaker 1: At least you have it right, all.

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Speaker 3: Right, So let's go through it. We start with the

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Speaker 3: town meeting, and the standout for me at the town

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Speaker 3: meeting was lorealized plaid jacket with the sequince on it.

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Speaker 3: Like to her fashion. We even talked about fashion in

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Speaker 3: like maybe a couple episodes. It's unbelievable, like her fashion

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Speaker 3: is just awesome, and it's still awesome twenty years later.

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Speaker 3: So anyway, did anybody not get that. It was a

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Speaker 3: big bit when they came in and you know, they're

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Speaker 3: doing the whole shtick about tourism revenues off. My favorite

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Speaker 3: part was Gypsy being like that's Kirk.

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Speaker 1: It's uh. It was nice. It was a nice scene

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Speaker 1: because you knew that Taylor was doing his level best

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Speaker 1: to manipulate that town, but he was doing it in

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Speaker 1: a way that delighted and amazed. Right, It's like he

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Speaker 1: went to all this effort. Those guys had to learn

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Speaker 1: their lines, he had to write. You know, Taylor wrote

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Speaker 1: the script for them. Both furst it and they came

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Speaker 1: in and just kind of nailed it. So it's like

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Speaker 1: they put some time into it. So I appreciated that.

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Speaker 3: Yeah, a nice shout out for Leeches and Wenches.

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Speaker 1: And Mike Gandelfini playing opposite Kirk as a reinactor.

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Speaker 3: I also noticed there's two very prominent background actors because

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Speaker 3: on the like what I assume is sort of the

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Speaker 3: town board, it's Miss Patty, it's Taylor, and then two

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Speaker 3: others on stage. They really had those background actors really

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Speaker 3: had to like look towns like okay, so then we

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Speaker 3: go to the diner. Lane is not wearing her glasses,

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Speaker 3: so I always kind of now am noticing when she hasn't.

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Speaker 3: She hasn't and LRALI orders a bagel, But did she

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Speaker 3: order the innerd scooped out? But then she wanted the scoops?

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Speaker 5: Yeah it was.

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Speaker 4: I don't was that a thing twenty years ago? I

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Speaker 4: don't remember that being a thing.

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Speaker 3: Thing, And now it's a thing now, is it?

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Speaker 1: Oh?

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Speaker 3: People all scoop out the guts of the bagel because

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Speaker 3: they want to lower their carbs. But I've never heard

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Speaker 3: anyone ask.

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Speaker 5: But I was gonna say not to eat it.

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Speaker 3: It's so gross.

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Speaker 4: I guess I'm out of touch because I just eat

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Speaker 4: the whole thing.

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Speaker 1: Maybe she maybe she uses that that stuff to go

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Speaker 1: feed the birds or something.

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Speaker 5: Oh, I just think it's a lorell I thing.

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Speaker 1: It's like very bird food. Maybe she puts it in

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Speaker 1: the ducks. Ducks, yeah, you know.

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Speaker 3: Would be good bagel head.

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Speaker 4: Doesn't that like jam up there intestines or something?

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Speaker 3: I don't know, Wait, is that true? What I thought?

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Speaker 3: Always people fed ducks bread crumbs are kidding.

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Speaker 4: Well, maybe crumbs, but not like bagel scoopings.

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Speaker 1: Maybe she maybe she you know, she rubs him in

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Speaker 1: between her hands and makes them crumbs.

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Speaker 3: Bagel scoopings are kind of like crumbs. So what did

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Speaker 3: we all think that Luke was kind of down for

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Speaker 3: the street names. He's like, whatever, I'm good.

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Speaker 1: Oh he was it, he liked it.

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Speaker 3: Yeah, that's what I'm saying. He's just being real nice

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Speaker 3: and real zen.

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Speaker 5: I also think it's just like light that he's not

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Speaker 5: down to pick with Taylor. So he's like, oh, well,

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Speaker 5: like everyone knows, he's.

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Speaker 1: So triggered, he's got to try something. It was a

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Speaker 1: good setup for him popping lighter, right, didn't I don't

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Speaker 1: know that the pop was good enough. Right, that's a thing.

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Speaker 1: You're going to set that up makes the pop really funny,

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Speaker 1: and it.

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Speaker 4: Was right right right?

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Speaker 1: That's I didn't think the payoffs. It didn't didn't pay

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Speaker 1: for playing right, It's.

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Speaker 4: Like, right, I thought it was funny. In that scene

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Speaker 4: that Laurel I didn't. She was like suspicious of Luke

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Speaker 4: that and his Zen attitude because she didn't quite it

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Speaker 4: just was kind of out of character for him, and

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Speaker 4: she was calling that out like what if I you know,

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Speaker 4: what if Taylor wants to paint your building pink? And

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Speaker 4: what if this happens in photoshop a picture of you

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Speaker 4: sitting on his lap with a baby rattle in.

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Speaker 3: Your Like, yeah, it's a funny exchange.

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Speaker 4: Trust him to be ze. It's a funny exchange that

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Speaker 4: isn't memorable. Maybe that's my yeah problem with the episode.

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Speaker 4: It was all now that you're reminding me, like, oh yeah, hahaha,

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Speaker 4: that was cute, not memorable.

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Speaker 3: I enjoyed when Suki and Michelle came into the diner.

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Speaker 3: They looked so cute and professional and they're waiting for

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Speaker 3: their street names, so that was sort of cute. And

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Speaker 3: then there's sort of the gut punch of Laurel I

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Speaker 3: seeing Rory in the paper. Yeah, so that was like, okay,

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Speaker 3: there's sort of a button on this and something important,

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Speaker 3: and I thought it was a cool Okay, I will

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Speaker 3: say this was cool. They paint they the cameras on

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Speaker 3: the paper and then we sort of pan up and

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Speaker 3: Richard's reading the paper. Did you guys know that that

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00:16:17,480 --> 00:16:21,440
Speaker 3: was was clever? And yay Jackson Douglas because that was

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Speaker 3: a cool. That was a good transition move.

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Speaker 5: And they both were kind of, you know, thinking the

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Speaker 5: same thing. Glaire kind of on the same page.

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Speaker 3: Now they're not stoked. Yeah, and then we've got a

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Speaker 3: whole grapefruit conversation that was again not memorable.

308
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Speaker 4: What is with Emily not understanding fruit? Like we had

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Speaker 4: that blueberry raspberry issue and a couple episodes ago, and

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Speaker 4: now she's she thinks they's sugar, but she doesn't know

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Speaker 4: like you can tell if there's sugar on the grapefruit.

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Speaker 3: I don't know why she's here.

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Speaker 1: But it did. It did provide the one few one

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Speaker 1: one of the laughs, one of the few laughs in

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Speaker 1: the whole thing, because when she went to answer the door,

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Speaker 1: she said, oh, she's probably the maid's probably out back,

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Speaker 1: you know, intending to her sugar cane field.

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Speaker 3: I think, yeah, I've forgotten, isn't it. Isn't it Richard

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Speaker 3: that recommended a grapefruit Yes, May many years ago.

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Speaker 5: It was like season one or two.

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Speaker 1: Yeah, and it's excellently. It made me started eating grapefruit again.

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Speaker 5: Yeah, it's good for you in the morning.

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Speaker 1: Actually, it's really it's really good. It's good stuff, especially

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Speaker 1: pink grapefruit. Love it, love it.

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Speaker 3: And the flowers in the Gilmore House O Richard, and

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Speaker 3: I'm not gonna lie. The intercom bit is amusing. For me,

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Speaker 3: like totally amusing when she's like signing off ten to

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Speaker 3: four or like that was.

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Speaker 5: Like they can't turn it down the volume guy.

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Speaker 3: And then the mystery of where's Logan? Have you seen Logan?

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Speaker 1: You know?

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Speaker 3: And I thought that I thought Richard and Emily had

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00:18:03,440 --> 00:18:06,960
Speaker 3: some nice sort of back and forth in this episode.

334
00:18:07,040 --> 00:18:10,119
Speaker 4: The whole Logan situation is clearly more important to Emily

335
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Speaker 4: than it is to Richard. Yeah, about where is Logan?

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Speaker 4: And he's like, I don't know, we just they have

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00:18:17,560 --> 00:18:19,760
Speaker 4: different hours. We just don't see. Yeah, Emily was very

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Speaker 4: obsessed with it.

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Speaker 3: Well, I think she's obsessed because she gave Shira the

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Speaker 3: SmackDown and she wants to make sure there's no repercussions

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Speaker 3: from that onto the kids, because she was very clear,

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Speaker 3: you will not mess with these kids.

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Speaker 5: Yeah.

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Speaker 4: I wonder if she told Richard that she said that

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Speaker 4: to Shira.

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Speaker 5: I don't think so, because also Richard went outside. Yeah,

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Speaker 5: Richard went to go wait in the car after that,

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Speaker 5: and then I don't think she I don't think I

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Speaker 5: don't think Emily wants to admit that she sooped down

350
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Speaker 5: to like that low level. Yeah, So I don't.

351
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Speaker 3: Think to Richard, yeah, because Richard kept it classy. Eli

352
00:19:03,119 --> 00:19:05,320
Speaker 3: wanted to sock Mitchem in the face, and he.

353
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Speaker 5: Kept it about Rory, And even though Emily tried to

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Speaker 5: do that, she also didn't by dissing Shira right right.

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Speaker 3: And then we learned that Richard has seen Laura la

356
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Speaker 3: eye and Emily is very like what what what? And

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Speaker 3: I thought she made a good point, like you should

358
00:19:24,359 --> 00:19:27,680
Speaker 3: have told me, Richard, Yeah, that was should have.

359
00:19:28,119 --> 00:19:31,560
Speaker 4: That was the first thing I noticed was that like

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00:19:31,880 --> 00:19:34,679
Speaker 4: he didn't he I don't know if it like slipped

361
00:19:34,680 --> 00:19:38,320
Speaker 4: his mind or was intentional, but he didn't tell Emily

362
00:19:38,600 --> 00:19:42,040
Speaker 4: about the fire at the end, which you think, like, yeah,

363
00:19:42,080 --> 00:19:44,879
Speaker 4: it's just been conversation, you know that that would have

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00:19:44,920 --> 00:19:46,639
Speaker 4: come up at dinner or whatever. So I thought it

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00:19:46,640 --> 00:19:48,920
Speaker 4: was interesting he didn't tell her, right.

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Speaker 3: Right, But he didn't tell her remember when they were

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00:19:53,119 --> 00:19:56,520
Speaker 3: doing Remember when Richard and Emily I'm sorry, when Richard

368
00:19:56,560 --> 00:20:02,240
Speaker 3: and Laura were like on good terms and Emily, no,

369
00:20:03,359 --> 00:20:05,960
Speaker 3: and he didn't always tell her every time he saw

370
00:20:06,000 --> 00:20:08,600
Speaker 3: Laura Lai too. He doesn't want to, like he kind

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00:20:08,600 --> 00:20:09,760
Speaker 3: of keeps that from her, do you guys know what

372
00:20:09,800 --> 00:20:10,320
Speaker 3: I'm talking about?

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Speaker 1: Like a horn's nest? He doesn't want the conversation. He

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Speaker 1: doesn't want to question the interrogation.

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Speaker 3: And that's right.

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00:20:16,760 --> 00:20:19,239
Speaker 1: It's just he was a guy doing his job, you know,

377
00:20:19,840 --> 00:20:22,320
Speaker 1: that's what he that's his job. He went to visit,

378
00:20:22,680 --> 00:20:26,400
Speaker 1: you know, nothing to discuss, right. I mean, he could

379
00:20:26,400 --> 00:20:28,040
Speaker 1: have brought it up, but it's like, I don't think

380
00:20:28,080 --> 00:20:31,400
Speaker 1: he wants the you know, the feedback, because he gets

381
00:20:31,400 --> 00:20:33,919
Speaker 1: a face full of it from Emily every time he

382
00:20:34,000 --> 00:20:36,520
Speaker 1: mentions laurelized names, so it's like he just wants piece

383
00:20:36,520 --> 00:20:42,359
Speaker 1: and quiets so he can read.

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00:20:40,200 --> 00:20:45,200
Speaker 3: Literally like yeah. So then we get the street name

385
00:20:45,400 --> 00:20:48,400
Speaker 3: of Sores and Boyles Alley, which was like.

386
00:20:48,680 --> 00:20:52,399
Speaker 5: A little bit funny, yeah, usually funny.

387
00:20:53,000 --> 00:20:55,280
Speaker 3: It wasn't hugely funny. I agree with Scott. It wasn't

388
00:20:55,359 --> 00:20:56,800
Speaker 3: hugely funny.

389
00:20:56,240 --> 00:21:00,720
Speaker 1: It's a one off joke on the floor that you

390
00:21:01,280 --> 00:21:04,080
Speaker 1: like chuckle at. But they just kept hitting it and

391
00:21:04,160 --> 00:21:06,160
Speaker 1: hitting it over the hitting you over the head.

392
00:21:05,960 --> 00:21:08,680
Speaker 5: With it, and it just wasn't I will say I

393
00:21:09,200 --> 00:21:12,040
Speaker 5: enjoyed it and it also it was something I actually

394
00:21:12,080 --> 00:21:14,320
Speaker 5: remembered the second that I heard the street name part

395
00:21:14,320 --> 00:21:16,280
Speaker 5: of the episode, I was like sars and boils, Like

396
00:21:16,560 --> 00:21:18,800
Speaker 5: at the town meeting, I was like I remember this,

397
00:21:19,000 --> 00:21:20,879
Speaker 5: like it stuck with me at least.

398
00:21:21,920 --> 00:21:23,760
Speaker 3: Yeah, I've done without that.

399
00:21:24,160 --> 00:21:28,080
Speaker 4: To tell you the truth, I thought Suke's reaction was

400
00:21:28,119 --> 00:21:30,600
Speaker 4: funny because she was so sensitive about it and how

401
00:21:31,280 --> 00:21:34,320
Speaker 4: you know, the sal severity looks like yeah, and how's

402
00:21:34,560 --> 00:21:37,160
Speaker 4: you know, how's she going to incorporate this into into

403
00:21:37,200 --> 00:21:38,480
Speaker 4: her menu?

404
00:21:38,640 --> 00:21:40,960
Speaker 3: I thought it was amusing and yet a little bit

405
00:21:41,080 --> 00:21:42,440
Speaker 3: like did I need this.

406
00:21:42,920 --> 00:21:45,600
Speaker 1: Little gross little gross? Yeah?

407
00:21:45,600 --> 00:21:48,720
Speaker 3: I thought a little bit, but like, you know, so

408
00:21:48,760 --> 00:21:51,479
Speaker 3: then we get the broken bag scene, which I actually enjoyed.

409
00:21:51,480 --> 00:21:54,200
Speaker 3: We talked about that and I thought it was cute

410
00:21:54,200 --> 00:21:56,280
Speaker 3: that she doesn't know kind of what it is and

411
00:21:56,320 --> 00:21:59,439
Speaker 3: he's like, it's a thing. But he's very like. The

412
00:21:59,480 --> 00:22:01,199
Speaker 3: thing that I like too is he isn't like this

413
00:22:01,359 --> 00:22:04,040
Speaker 3: is the best bag ever, and I'm so awesome for

414
00:22:04,119 --> 00:22:07,120
Speaker 3: buying it. It's ten thousand dollars, Like he's very chill, like, yeah,

415
00:22:07,160 --> 00:22:10,760
Speaker 3: you're gonna like it. It's all good, Like he's cool.

416
00:22:11,040 --> 00:22:13,919
Speaker 3: They're cool. She's sort of didn't know what it was,

417
00:22:13,960 --> 00:22:14,399
Speaker 3: but great.

418
00:22:14,480 --> 00:22:16,280
Speaker 5: She's like, can I put my and I like put

419
00:22:16,320 --> 00:22:18,440
Speaker 5: my bag in the bad or like her bag in

420
00:22:18,480 --> 00:22:18,919
Speaker 5: the bag.

421
00:22:20,359 --> 00:22:22,399
Speaker 3: It was they're cute, like I don't really have a

422
00:22:22,400 --> 00:22:23,520
Speaker 3: big anything.

423
00:22:23,680 --> 00:22:26,800
Speaker 5: I think that's also why Logan likes her, Like any

424
00:22:26,840 --> 00:22:29,359
Speaker 5: girl would be like dying over well, any girl like

425
00:22:29,440 --> 00:22:31,439
Speaker 5: Yale would be dying over a broken bag. And she's like,

426
00:22:31,440 --> 00:22:33,080
Speaker 5: oh that's cool, it's pretty right.

427
00:22:33,119 --> 00:22:34,480
Speaker 3: She's just ready to take it to the gym.

428
00:22:34,840 --> 00:22:37,359
Speaker 4: Yeah, yeah, I was.

429
00:22:37,440 --> 00:22:38,280
Speaker 1: I don't know.

430
00:22:38,320 --> 00:22:40,200
Speaker 4: I was kind of annoyed by that scene. They both

431
00:22:40,240 --> 00:22:43,399
Speaker 4: sort of were annoying to me. She's like, it's so

432
00:22:43,520 --> 00:22:47,360
Speaker 4: grown up, Like I just I could see that. Yeah,

433
00:22:47,640 --> 00:22:48,879
Speaker 4: I don't know, she just bugged me.

434
00:22:49,000 --> 00:22:54,159
Speaker 3: But that's fair. I think that's actually fair. Yeah I didn't, right,

435
00:22:54,240 --> 00:22:56,080
Speaker 3: I didn't mind it. But again, it's kind of like.

436
00:22:59,560 --> 00:23:02,920
Speaker 1: Well, I think people that don't like Rory and don't

437
00:23:02,960 --> 00:23:05,439
Speaker 1: like the character are gonna really not like her in

438
00:23:05,520 --> 00:23:11,639
Speaker 1: this because it's like, look at this disgusting display of wealth,

439
00:23:11,760 --> 00:23:15,240
Speaker 1: and this money could have gone to help hungry people

440
00:23:15,400 --> 00:23:17,840
Speaker 1: and people that really needed and they wouldn't be wrong,

441
00:23:20,400 --> 00:23:24,199
Speaker 1: especially this day and age, because the temperature has changed

442
00:23:24,200 --> 00:23:32,320
Speaker 1: a great deal since this episode was aired. So but.

443
00:23:35,560 --> 00:23:38,720
Speaker 3: I think that makes sense. I think if you sort

444
00:23:38,760 --> 00:23:40,320
Speaker 3: of know, I think you make a perfect point. Like

445
00:23:40,640 --> 00:23:43,359
Speaker 3: I enjoy them, so I sort of saw it with

446
00:23:43,840 --> 00:23:46,520
Speaker 3: cute eyes. I like them, but you're right if you

447
00:23:46,880 --> 00:23:49,160
Speaker 3: you sort of didn't, it's just more.

448
00:23:50,880 --> 00:23:51,120
Speaker 1: Right.

449
00:23:52,520 --> 00:23:54,399
Speaker 3: So okay, then we go to the candy shop.

450
00:23:55,440 --> 00:24:04,640
Speaker 1: I thought, I thought that the maturation of this relationship

451
00:24:04,680 --> 00:24:09,280
Speaker 1: between these two is in a different stage now. So

452
00:24:09,320 --> 00:24:11,960
Speaker 1: we had the beginning phase which was kind of titillating

453
00:24:12,000 --> 00:24:14,320
Speaker 1: and interesting and I mean, if you were on board

454
00:24:14,359 --> 00:24:17,199
Speaker 1: for it, but now it's kind of gotten hackneyed a

455
00:24:17,200 --> 00:24:21,600
Speaker 1: little bit. And this is this episode especially, I didn't

456
00:24:21,600 --> 00:24:27,800
Speaker 1: really recognize Logan. I don't know, And if he's playing confused,

457
00:24:27,800 --> 00:24:29,960
Speaker 1: he's nailing it because I'm a little.

458
00:24:29,880 --> 00:24:32,600
Speaker 3: It wasn't funny, he wasn't the typical, but.

459
00:24:32,600 --> 00:24:35,440
Speaker 1: Why he's so irritated having to sit down?

460
00:24:35,480 --> 00:24:39,199
Speaker 5: And I actually thought the same thing Scott. I was like,

461
00:24:39,240 --> 00:24:41,920
Speaker 5: what's his deal? Where Like he just seems annoyed.

462
00:24:42,480 --> 00:24:45,359
Speaker 1: He just he dismissed the dar women and he was

463
00:24:45,440 --> 00:24:47,920
Speaker 1: rude to them because he was just had his ass

464
00:24:47,960 --> 00:24:50,439
Speaker 1: chewed out by his father. And then he brings the

465
00:24:50,480 --> 00:24:52,960
Speaker 1: same kind of energy into a Richard conversation. I'm sure

466
00:24:53,040 --> 00:24:56,240
Speaker 1: Richard was interrogating him a little bit. Okay, but that's

467
00:24:56,359 --> 00:24:58,960
Speaker 1: Richard and those guys are chummy and they have a

468
00:24:58,960 --> 00:25:01,920
Speaker 1: good relise. So he was being annoyed and like, get

469
00:25:01,920 --> 00:25:03,800
Speaker 1: me the heck out of here, and you know, it

470
00:25:03,840 --> 00:25:06,080
Speaker 1: was it was like the surly teenager thing that it

471
00:25:06,160 --> 00:25:07,440
Speaker 1: just doesn't really fit him.

472
00:25:07,800 --> 00:25:10,120
Speaker 5: You know, I noticed the same thing.

473
00:25:10,640 --> 00:25:14,320
Speaker 3: Yeah, yeah, I mean, I you see what you're saying.

474
00:25:14,359 --> 00:25:14,720
Speaker 3: It didn't.

475
00:25:16,640 --> 00:25:20,120
Speaker 1: It's just like, Okay, he's just asking questions and he's

476
00:25:20,119 --> 00:25:23,439
Speaker 1: digging for information about Rory. And that's just what I.

477
00:25:23,440 --> 00:25:28,080
Speaker 3: Think because Logan thought he was talking about them and

478
00:25:28,200 --> 00:25:30,480
Speaker 3: like are they getting married? So I think he maybe

479
00:25:30,560 --> 00:25:32,199
Speaker 3: was trying to be polite but was a little bit

480
00:25:32,280 --> 00:25:32,840
Speaker 3: like we'll go.

481
00:25:33,520 --> 00:25:35,760
Speaker 5: But it was even before that. It was when Richard

482
00:25:35,840 --> 00:25:37,359
Speaker 5: first was like can I talk like It was from

483
00:25:37,400 --> 00:25:40,679
Speaker 5: the very beginning he just seemed annoyed, and I was thinking, like,

484
00:25:41,040 --> 00:25:44,879
Speaker 5: Wogan's used of these like parties and acts putting a

485
00:25:44,920 --> 00:25:46,879
Speaker 5: face on, so why not just put a face on

486
00:25:46,920 --> 00:25:48,600
Speaker 5: for your friends.

487
00:25:49,320 --> 00:25:52,760
Speaker 1: Right, He's got good manner. No, he didn't.

488
00:25:53,040 --> 00:25:55,280
Speaker 3: A little he kind of faked it. It was just

489
00:25:55,400 --> 00:25:57,879
Speaker 3: kind of obviously faking it instead of being kind of

490
00:25:57,920 --> 00:26:00,760
Speaker 3: stoked to talk to Richard, which he normally is at

491
00:26:00,800 --> 00:26:03,399
Speaker 3: some of the parties. He's been like you were right.

492
00:26:03,400 --> 00:26:04,920
Speaker 3: I think you said chummy Scott.

493
00:26:05,960 --> 00:26:09,480
Speaker 1: I think that was yeah, you know, he's he just

494
00:26:09,480 --> 00:26:11,600
Speaker 1: wants to get out of there and rolls his eyes

495
00:26:11,680 --> 00:26:15,679
Speaker 1: and avoids some and it's I don't know, it just

496
00:26:15,800 --> 00:26:19,040
Speaker 1: it didn't play for me, didn't for the character.

497
00:26:20,640 --> 00:26:22,679
Speaker 3: Yeah, I just I thought Logan would have been more.

498
00:26:23,480 --> 00:26:27,360
Speaker 3: He's a fun, sarcastic guy, and he wasn't really doing that, right.

499
00:26:27,480 --> 00:26:32,200
Speaker 1: He's he's very diplomatic, he's very witty. Where was that guy? Yeah,

500
00:26:32,200 --> 00:26:34,760
Speaker 1: even when he's being annoyed, he's diplomatic and he's witty

501
00:26:34,760 --> 00:26:36,479
Speaker 1: and he's fun. And then all of a sudden they

502
00:26:36,560 --> 00:26:39,240
Speaker 1: sort of like there's this sort of naked contempt for

503
00:26:39,400 --> 00:26:43,600
Speaker 1: Richard and it's just mean entertainment. Where's the entertainment value

504
00:26:43,600 --> 00:26:46,359
Speaker 1: of that? It's like, somebody, please entertain me with these.

505
00:26:46,560 --> 00:26:49,800
Speaker 3: Yah, throw anyone under the bus. But like, maybe the

506
00:26:49,800 --> 00:26:54,040
Speaker 3: writing in this episode is just not quite of the level.

507
00:26:55,560 --> 00:26:59,000
Speaker 4: Yeah, And Richard and Emily, the whole reason that they

508
00:26:59,000 --> 00:27:02,080
Speaker 4: were talking to Logan is because they have no idea

509
00:27:02,119 --> 00:27:05,920
Speaker 4: what's happening in Rory's life, and they're trying to get

510
00:27:05,960 --> 00:27:07,960
Speaker 4: information out of him. And I thought that was a

511
00:27:07,960 --> 00:27:10,560
Speaker 4: little odd too, because really we know, we already know

512
00:27:11,200 --> 00:27:14,639
Speaker 4: that her life is community service and d R So

513
00:27:14,680 --> 00:27:16,000
Speaker 4: why were mysied?

514
00:27:16,640 --> 00:27:19,280
Speaker 1: Why were they so they know exactly what she's doing.

515
00:27:19,840 --> 00:27:21,000
Speaker 5: They're working on this event.

516
00:27:21,880 --> 00:27:25,199
Speaker 3: That is the thing that I was thinking too. I

517
00:27:25,240 --> 00:27:28,719
Speaker 3: was like, what what is the mystery here? And like

518
00:27:28,800 --> 00:27:31,680
Speaker 3: I get I get it, because what Richard wants to

519
00:27:31,720 --> 00:27:34,760
Speaker 3: know is is she planning to go back to school?

520
00:27:35,760 --> 00:27:39,320
Speaker 3: What is her big plan? But yet you're so right,

521
00:27:39,400 --> 00:27:42,320
Speaker 3: they know everything she's doing every minute of the day,

522
00:27:43,320 --> 00:27:45,400
Speaker 3: and like it's no mystery what she's doing in there

523
00:27:45,400 --> 00:27:47,359
Speaker 3: in the poolhouse, like reading.

524
00:27:47,680 --> 00:27:52,840
Speaker 1: She put on a dar event became you know, the

525
00:27:52,920 --> 00:27:58,720
Speaker 1: socialite of all socialites. She's in the newspaper with a photo. Okay,

526
00:27:59,000 --> 00:28:01,680
Speaker 1: they should be selling this and planning for the next

527
00:28:01,680 --> 00:28:03,919
Speaker 1: big event or the offers come flying in from all

528
00:28:03,960 --> 00:28:06,960
Speaker 1: different kinds of organizations in and around Hartford, like we

529
00:28:07,080 --> 00:28:09,040
Speaker 1: just saw this in the paper. We'd love Rory to

530
00:28:09,080 --> 00:28:12,280
Speaker 1: head the be the chair of this event. And so

531
00:28:12,400 --> 00:28:15,080
Speaker 1: I mean, where is this going and where they took

532
00:28:15,160 --> 00:28:16,680
Speaker 1: it was a little confusing.

533
00:28:16,680 --> 00:28:20,159
Speaker 5: I think exactly what guys, like, she's in the newspaper,

534
00:28:20,240 --> 00:28:22,000
Speaker 5: this hat to have happened, like the event was probably

535
00:28:22,000 --> 00:28:25,440
Speaker 5: like what two three days ago, like probably just taking

536
00:28:25,480 --> 00:28:29,600
Speaker 5: her Yes, she's probably just taking like one day right

537
00:28:29,640 --> 00:28:31,760
Speaker 5: to be in the poolhouse after she organized.

538
00:28:31,800 --> 00:28:34,080
Speaker 4: That's why she was sleeping in that morning because it

539
00:28:34,119 --> 00:28:35,159
Speaker 4: was like the morning out.

540
00:28:35,119 --> 00:28:35,760
Speaker 3: Day after it.

541
00:28:36,080 --> 00:28:38,400
Speaker 1: Yeah, got all the work she put in, she probably

542
00:28:38,440 --> 00:28:40,520
Speaker 1: lost a lot of sleep. She's exhausted. Let the girl

543
00:28:40,600 --> 00:28:45,400
Speaker 1: sleep past eight thirty jesus.

544
00:28:47,320 --> 00:28:48,680
Speaker 3: Yeah, so that was sort of like.

545
00:28:48,720 --> 00:28:52,440
Speaker 1: Nonsense, maybe a missed opportunity to really pile on on

546
00:28:52,480 --> 00:28:56,640
Speaker 1: the storyline with the you know, now you know, the

547
00:28:56,680 --> 00:29:00,680
Speaker 1: American Cancer Society wants you to throw a fun because

548
00:29:00,720 --> 00:29:03,280
Speaker 1: they're so impressed with the recoverage that you got the

549
00:29:03,280 --> 00:29:06,680
Speaker 1: pr you know, I mean, she became a superstar in

550
00:29:06,720 --> 00:29:09,480
Speaker 1: that area, in that field, and that's one of the

551
00:29:09,520 --> 00:29:13,520
Speaker 1: most important skills a person can have, is be a

552
00:29:13,560 --> 00:29:16,920
Speaker 1: great host for a fundraising event or any kind of

553
00:29:16,920 --> 00:29:19,600
Speaker 1: an event. I mean, that's a real skill, right. There's

554
00:29:19,760 --> 00:29:21,479
Speaker 1: not a lot of people that are great at that.

555
00:29:22,400 --> 00:29:24,960
Speaker 1: A lot of people try. But you know, she's separating

556
00:29:24,960 --> 00:29:25,920
Speaker 1: herself from the pack.

557
00:29:26,000 --> 00:29:29,480
Speaker 4: And you know, but I do also see the point

558
00:29:29,520 --> 00:29:31,680
Speaker 4: out that we've had this whole discussion. I do see

559
00:29:31,680 --> 00:29:35,120
Speaker 4: the point that Richard is trying to figure out is

560
00:29:35,200 --> 00:29:37,840
Speaker 4: this really what Rory is meant to be doing, because

561
00:29:38,360 --> 00:29:41,080
Speaker 4: one thing at the end of the last episode that

562
00:29:41,360 --> 00:29:44,160
Speaker 4: the episode ended with him with that thoughtful look on

563
00:29:44,200 --> 00:29:46,320
Speaker 4: his face as he's watching Rory on the stage at

564
00:29:46,320 --> 00:29:50,080
Speaker 4: the DAR event, and I think that he's thinking, you know,

565
00:29:50,240 --> 00:29:54,920
Speaker 4: this isn't enough for her, and so like he is

566
00:29:54,920 --> 00:29:57,400
Speaker 4: starting to think about, you know, maybe we need to

567
00:29:57,400 --> 00:29:59,280
Speaker 4: do something different to get her back to Yale.

568
00:30:00,200 --> 00:30:02,680
Speaker 1: Yeah, yeah, yeah, you're right.

569
00:30:07,800 --> 00:30:12,320
Speaker 3: So two things. One is we go to the candy

570
00:30:12,440 --> 00:30:16,280
Speaker 3: shop ice cream Shoppy as I like to call it.

571
00:30:15,640 --> 00:30:18,160
Speaker 3: What's the real name of it? Why is it? Out

572
00:30:18,160 --> 00:30:18,640
Speaker 3: of my head?

573
00:30:19,480 --> 00:30:21,800
Speaker 4: I think that's it. I think it's Taylor Shoppy.

574
00:30:22,360 --> 00:30:25,240
Speaker 3: No, I think it's an ice cream shoppy. So the

575
00:30:25,360 --> 00:30:30,360
Speaker 3: candy looked amazing, the visuals were great, the candy looked amazing.

576
00:30:30,480 --> 00:30:36,640
Speaker 3: And this is where Lore lies talking to Taylor about

577
00:30:36,640 --> 00:30:40,120
Speaker 3: the street name. And again what happened to me here

578
00:30:40,200 --> 00:30:43,200
Speaker 3: is I sort of was like, Taylor's still talking, but

579
00:30:43,320 --> 00:30:48,360
Speaker 3: I'm not hearing anything that's happening, and the box was

580
00:30:48,400 --> 00:30:51,600
Speaker 3: coming in. But the thing I wanted to flag is

581
00:30:52,280 --> 00:30:54,920
Speaker 3: I noticed and I want you guys to be the judge.

582
00:30:55,000 --> 00:30:57,240
Speaker 3: A flub, A full flub?

583
00:30:58,200 --> 00:30:59,440
Speaker 5: What was it?

584
00:30:59,480 --> 00:31:03,000
Speaker 3: Hannah? Is there any way we can pull up seventeen

585
00:31:03,040 --> 00:31:06,320
Speaker 3: minutes and thirty five seconds in the episode, But I

586
00:31:06,360 --> 00:31:07,760
Speaker 3: want you guys to listen. I'm not even going to

587
00:31:07,800 --> 00:31:08,640
Speaker 3: tell you what happens.

588
00:31:09,080 --> 00:31:09,720
Speaker 4: How did I miss?

589
00:31:09,720 --> 00:31:11,000
Speaker 3: And I want to see if you hear it? And

590
00:31:11,000 --> 00:31:13,880
Speaker 3: part of what I slightly overcharge them for is the ambiance?

591
00:31:14,440 --> 00:31:15,360
Speaker 2: Is there a point here?

592
00:31:15,480 --> 00:31:16,720
Speaker 3: The point is that I don't want to have to

593
00:31:16,800 --> 00:31:19,560
Speaker 3: go around advertising. Come to Historic Stars Hollow. It's not

594
00:31:19,560 --> 00:31:22,640
Speaker 3: as gross as it sounds. I must say. I'm surprised,

595
00:31:23,000 --> 00:31:26,720
Speaker 3: Negativity is florid one more time? Give it one more time.

596
00:31:26,960 --> 00:31:27,680
Speaker 4: I didn't hear it.

597
00:31:28,600 --> 00:31:30,240
Speaker 1: Historic Stars Hollow.

598
00:31:31,760 --> 00:31:35,040
Speaker 3: Maylub and part of what I slightly overcharged them for

599
00:31:35,200 --> 00:31:36,120
Speaker 3: is the ambiance.

600
00:31:36,720 --> 00:31:37,600
Speaker 2: Is there a point here?

601
00:31:37,720 --> 00:31:39,040
Speaker 3: The point is that I don't want to have to

602
00:31:39,040 --> 00:31:41,800
Speaker 3: go around advertising. Come to Historic Stars Hollow. It's not

603
00:31:41,840 --> 00:31:45,640
Speaker 3: as gross as it sounds. I must say, surprised, Negative,

604
00:31:46,320 --> 00:31:48,040
Speaker 3: You're right, there isn't.

605
00:31:47,840 --> 00:31:50,320
Speaker 5: A blow like Historic Stars Hollow.

606
00:31:50,960 --> 00:31:52,400
Speaker 1: What did you think the flub was?

607
00:31:53,520 --> 00:31:54,920
Speaker 3: Stork Stars Hollow?

608
00:31:55,400 --> 00:31:56,160
Speaker 1: Oh? Historic?

609
00:31:56,320 --> 00:31:56,520
Speaker 2: Oh?

610
00:31:56,640 --> 00:31:57,080
Speaker 4: Historic?

611
00:32:00,200 --> 00:32:02,120
Speaker 3: Listen to it?

612
00:32:02,440 --> 00:32:03,880
Speaker 1: If I can't get that four minutes.

613
00:32:04,320 --> 00:32:07,400
Speaker 4: I'm like, how could there be a flub?

614
00:32:07,440 --> 00:32:10,080
Speaker 3: But I missed it. I was like, I listened to

615
00:32:10,120 --> 00:32:11,840
Speaker 3: it four times because I thought she said I don't

616
00:32:11,840 --> 00:32:15,280
Speaker 3: want them to come to Stork Stars Hollow, because I

617
00:32:15,320 --> 00:32:17,320
Speaker 3: thought she loves stars, And I was like, why did

618
00:32:17,320 --> 00:32:24,400
Speaker 3: I leave that in historic? So let's move I was

619
00:32:24,600 --> 00:32:26,160
Speaker 3: so excited to share that, and.

620
00:32:26,160 --> 00:32:29,920
Speaker 1: Again, I know, I know, listen, it was we appreciate

621
00:32:29,960 --> 00:32:31,360
Speaker 1: the different.

622
00:32:33,480 --> 00:32:36,160
Speaker 3: Yeah, let's move on. So then I get kind of

623
00:32:36,200 --> 00:32:41,320
Speaker 3: confused here, like I don't really know what happens here.

624
00:32:41,440 --> 00:32:43,440
Speaker 3: And then suddenly there's a bird cage in a box,

625
00:32:44,120 --> 00:32:46,160
Speaker 3: and then there's Logan and Rory and there's so many

626
00:32:46,160 --> 00:32:49,360
Speaker 3: compliments she's getting on the bag and then this is

627
00:32:49,400 --> 00:32:54,120
Speaker 3: where that moment happens where Richard grabs Logan, and it

628
00:32:54,240 --> 00:32:59,800
Speaker 3: was like, okay, so I don't know. Moving to Peru,

629
00:33:00,360 --> 00:33:05,080
Speaker 3: like the whole it was like, okay, it.

630
00:33:05,040 --> 00:33:10,240
Speaker 1: Was okay, Yeah, I mean we talked about this scene

631
00:33:10,640 --> 00:33:14,560
Speaker 1: awkward and kind of strange and didn't really track for

632
00:33:14,640 --> 00:33:19,640
Speaker 1: log Yeah's bangs look good, though, I you know what

633
00:33:19,760 --> 00:33:24,360
Speaker 1: I think he I think he's trying to play his

634
00:33:24,440 --> 00:33:28,000
Speaker 1: dad wants him to go to a three day conference

635
00:33:29,040 --> 00:33:33,040
Speaker 1: somewhere and watch all these editors suck up to his

636
00:33:33,120 --> 00:33:35,360
Speaker 1: dad and it's not something he wants to do, but

637
00:33:35,400 --> 00:33:37,440
Speaker 1: he's got to do it, and his dad's really really

638
00:33:37,480 --> 00:33:39,160
Speaker 1: depending on him to do it. So I just think

639
00:33:39,160 --> 00:33:41,920
Speaker 1: he's just you know, that's that's what it is. He's

640
00:33:41,960 --> 00:33:46,040
Speaker 1: just down in the dumps. And yeah, poor little rich

641
00:33:46,080 --> 00:33:48,400
Speaker 1: boy doesn't get to do what he wants to do.

642
00:33:48,520 --> 00:33:51,320
Speaker 1: It could be used that time to steal more lot

643
00:33:51,400 --> 00:33:52,720
Speaker 1: yachts and get drunk.

644
00:33:54,440 --> 00:33:57,440
Speaker 5: The one though, when Emily talks about the bag.

645
00:33:57,560 --> 00:34:01,160
Speaker 3: Was Rory, I don't think we're quite there yet.

646
00:34:01,200 --> 00:34:02,120
Speaker 1: I don't think we're there yet.

647
00:34:02,480 --> 00:34:05,280
Speaker 3: I think first we go back to the inn and

648
00:34:05,320 --> 00:34:08,280
Speaker 3: we have Kirk and Laureli talking about the street names,

649
00:34:08,800 --> 00:34:12,880
Speaker 3: you know, Constabulary Road, Trusty Bold see this was that

650
00:34:13,000 --> 00:34:16,200
Speaker 3: was a little bit made me laugh, Trusty Bulge and

651
00:34:16,520 --> 00:34:18,920
Speaker 3: to Googonga bonga, blah blah.

652
00:34:19,000 --> 00:34:20,760
Speaker 1: The only the only thing that made me laugh about

653
00:34:20,760 --> 00:34:24,480
Speaker 1: that scene was when Kirk said have a seat. He

654
00:34:24,520 --> 00:34:26,840
Speaker 1: took charge of the meeting. I thought, Okay, this is

655
00:34:26,880 --> 00:34:29,200
Speaker 1: gonna be good. Hello, Laurel.

656
00:34:29,200 --> 00:34:32,440
Speaker 5: I I never get tired of the bit of just

657
00:34:32,520 --> 00:34:35,319
Speaker 5: all of Kirk's jobs, like it'll never get old for me.

658
00:34:36,000 --> 00:34:40,239
Speaker 1: I agree, Well, he takes such a command of them,

659
00:34:40,320 --> 00:34:41,520
Speaker 1: you know, it's fun to watch.

660
00:34:41,760 --> 00:34:42,360
Speaker 5: I have a seat.

661
00:34:42,480 --> 00:34:44,000
Speaker 1: Oh my god, he owns them.

662
00:34:44,360 --> 00:34:46,240
Speaker 4: Yeah. He doesn't do anything halfway.

663
00:34:47,120 --> 00:34:52,280
Speaker 1: No, he doesn't shy away from it. The guy commits right. Wonderful.

664
00:34:52,800 --> 00:34:55,279
Speaker 3: So then we go to the poolhouse with Edgar the

665
00:34:55,320 --> 00:35:01,120
Speaker 3: intercom guy, which I guess it was sort of sticky again,

666
00:35:01,320 --> 00:35:03,200
Speaker 3: but like, yeah, there's plenty of people that.

667
00:35:04,080 --> 00:35:06,360
Speaker 1: Here, we've seen this a million times before.

668
00:35:08,440 --> 00:35:10,759
Speaker 3: We had the nice exchange there about the burken bag,

669
00:35:11,239 --> 00:35:11,600
Speaker 3: and then I.

670
00:35:11,600 --> 00:35:13,520
Speaker 1: Don't hear when they don't want to hear from Edgar

671
00:35:13,640 --> 00:35:15,880
Speaker 1: and know, did he collapse and have a heart attack?

672
00:35:16,400 --> 00:35:18,239
Speaker 1: And then she's it's like, how many times have we

673
00:35:18,280 --> 00:35:18,600
Speaker 1: seen that?

674
00:35:19,760 --> 00:35:20,320
Speaker 3: Exactly?

675
00:35:20,320 --> 00:35:22,520
Speaker 1: It was hackneyed I think they call it.

676
00:35:23,920 --> 00:35:27,399
Speaker 3: Yeah, yeah, yeah. I liked the exchange which I said

677
00:35:27,480 --> 00:35:30,560
Speaker 3: between Emily and Rory about the burken bag and Emily

678
00:35:30,600 --> 00:35:34,000
Speaker 3: clearing up the confusion, and I thought, okay, good Rory

679
00:35:34,120 --> 00:35:38,600
Speaker 3: saying to Emily, hey, grandpa, you know was asking Logan's

680
00:35:38,600 --> 00:35:41,440
Speaker 3: intentions about us getting married. Like it was fine because

681
00:35:41,440 --> 00:35:45,120
Speaker 3: it made it not a Three's Company episode like the

682
00:35:45,160 --> 00:35:49,120
Speaker 3: one I didn't you know, misunderstanding. So that was good.

683
00:35:49,160 --> 00:35:51,960
Speaker 3: But yeah, that was fine. Their exchange was fine.

684
00:35:51,960 --> 00:35:53,719
Speaker 1: I don't know what you does, you know what some

685
00:35:53,760 --> 00:35:55,920
Speaker 1: of these scenes did kind of come off like a

686
00:35:55,960 --> 00:36:02,239
Speaker 1: bad sitcom, right, yeah, a little company. It's just sort

687
00:36:02,280 --> 00:36:04,960
Speaker 1: of yeah, there was something really off about this some

688
00:36:05,000 --> 00:36:06,240
Speaker 1: of the scenes. Some of the scenes.

689
00:36:06,480 --> 00:36:09,320
Speaker 4: I thought it was interesting that Rory went to Emily

690
00:36:09,840 --> 00:36:13,320
Speaker 4: and asked Emily to talk to Richard instead of Rory

691
00:36:13,440 --> 00:36:17,319
Speaker 4: just going to Richard totally. What was you know, there

692
00:36:17,360 --> 00:36:19,440
Speaker 4: was this conversation and Logan was freaked out, like, what

693
00:36:19,520 --> 00:36:20,560
Speaker 4: did you guys talk about that?

694
00:36:20,640 --> 00:36:24,200
Speaker 5: She's totally She's more comfortable with Richard, not Emily. So

695
00:36:24,520 --> 00:36:28,480
Speaker 5: it felt off, yeah, and it.

696
00:36:28,560 --> 00:36:29,160
Speaker 3: Was to me.

697
00:36:29,360 --> 00:36:33,919
Speaker 4: It kind of echoed a couple episodes ago when they

698
00:36:34,239 --> 00:36:38,080
Speaker 4: told when Richard and Emily told Laurelai that Rory was

699
00:36:38,120 --> 00:36:41,680
Speaker 4: going to be staying with them. Rory wasn't even in

700
00:36:41,719 --> 00:36:44,080
Speaker 4: the room when they had that conversation, and she was

701
00:36:44,160 --> 00:36:47,520
Speaker 4: out in the poolhouse, And that always bothered me because

702
00:36:48,440 --> 00:36:50,560
Speaker 4: Rory's the one that's making this decision. She should be

703
00:36:50,600 --> 00:36:53,239
Speaker 4: there telling Laurrela she wants to be a grown up.

704
00:36:53,280 --> 00:36:55,080
Speaker 4: She should tell Lourla herself.

705
00:36:54,719 --> 00:36:57,360
Speaker 3: But I totally agree with that. So then when.

706
00:36:57,239 --> 00:36:59,800
Speaker 4: This other thing happened where she's going to Emily to

707
00:36:59,840 --> 00:37:01,520
Speaker 4: talk to Richard, it's like you can see how she

708
00:37:01,560 --> 00:37:06,520
Speaker 4: tries to avoid confrontation because she doesn't like she wants

709
00:37:06,560 --> 00:37:08,640
Speaker 4: other people to do her dirty work for her, which

710
00:37:08,680 --> 00:37:10,360
Speaker 4: is how it came across to me.

711
00:37:11,000 --> 00:37:15,719
Speaker 3: Yeah, it was Rory is sort of not rory.

712
00:37:15,480 --> 00:37:20,960
Speaker 4: Ish wrapped around her little finger. She could say anything

713
00:37:21,000 --> 00:37:23,279
Speaker 4: to him. She didn't need to go through why not.

714
00:37:23,400 --> 00:37:31,400
Speaker 3: And also it's very stereotypical, oh the grandpa asking the intentions.

715
00:37:31,440 --> 00:37:34,600
Speaker 3: It's like she could have said to Richard, hey, I've

716
00:37:34,640 --> 00:37:37,359
Speaker 3: got big dreams, I'm not going to marry this guy.

717
00:37:37,400 --> 00:37:39,759
Speaker 3: But the problem is all her big dreams that she

718
00:37:39,880 --> 00:37:43,319
Speaker 3: would have said just a few mere months ago are

719
00:37:43,360 --> 00:37:46,400
Speaker 3: like kind of in the toilet right now, and she

720
00:37:46,560 --> 00:37:52,440
Speaker 3: is slipped into this sort of dar wifey role. I

721
00:37:52,480 --> 00:37:56,440
Speaker 3: don't know, it's like the old Rory would have been like,

722
00:37:56,520 --> 00:37:59,080
Speaker 3: I'm not marrying him, I'm going to be Christiano Mompour.

723
00:38:01,440 --> 00:38:02,480
Speaker 1: So I don't know.

724
00:38:02,840 --> 00:38:04,719
Speaker 4: Yeah, it's all kind of like, I mean, she's in

725
00:38:04,800 --> 00:38:07,920
Speaker 4: an interesting place right because she just had this resounding

726
00:38:07,960 --> 00:38:11,440
Speaker 4: success with this Daar event. But then she's also saying,

727
00:38:12,040 --> 00:38:15,359
Speaker 4: you know, I don't want to get married young, like

728
00:38:15,440 --> 00:38:18,000
Speaker 4: she's also kind of pushing that away at the same time,

729
00:38:18,120 --> 00:38:20,160
Speaker 4: so she's sort of you can see she's sort of

730
00:38:20,239 --> 00:38:24,240
Speaker 4: still conflicted between the two worlds.

731
00:38:24,520 --> 00:38:26,880
Speaker 3: And so is Richard. He you know, people kind of

732
00:38:26,880 --> 00:38:28,920
Speaker 3: called out that we I thought we did talk about this,

733
00:38:29,040 --> 00:38:32,279
Speaker 3: but in the last episode Richard's face at the end,

734
00:38:33,120 --> 00:38:36,000
Speaker 3: and that's where this is all coming from, because Richard

735
00:38:36,040 --> 00:38:38,680
Speaker 3: is sort of like, this isn't good and I.

736
00:38:38,560 --> 00:38:40,920
Speaker 1: Need to talk. Do you know what I'm expecting at

737
00:38:40,920 --> 00:38:47,759
Speaker 1: this point? You know, if Richard's supposed to be this,

738
00:38:48,920 --> 00:38:54,040
Speaker 1: you know, this educated man, right, wouldn't you think that

739
00:38:54,120 --> 00:38:58,680
Speaker 1: he would? And maybe this is coming in seven or

740
00:38:58,680 --> 00:39:01,440
Speaker 1: eight or nine, but you know, there's got to be

741
00:39:01,480 --> 00:39:05,680
Speaker 1: a time where, which would be completely in character, where

742
00:39:05,760 --> 00:39:09,840
Speaker 1: Richard sits Rory down and tells her a couple of

743
00:39:09,880 --> 00:39:12,279
Speaker 1: stories about people that get knocked off the horse and

744
00:39:12,280 --> 00:39:15,719
Speaker 1: got back on again. I mean, these wonderful historic stories

745
00:39:15,840 --> 00:39:20,800
Speaker 1: or things that he's read and favorite books and remember

746
00:39:21,040 --> 00:39:23,399
Speaker 1: remember this, you know, did you read this? And gives

747
00:39:23,400 --> 00:39:25,040
Speaker 1: her a book and there's a story in there about

748
00:39:25,080 --> 00:39:27,600
Speaker 1: a girl that got knocked off the horse. Blah blah

749
00:39:27,600 --> 00:39:30,919
Speaker 1: blah blah blah. It's it's like they're dragging this out

750
00:39:30,960 --> 00:39:33,360
Speaker 1: too long almost, you know what I'm saying. It's like,

751
00:39:33,480 --> 00:39:35,359
Speaker 1: and now it's time for Richard to step in and

752
00:39:35,360 --> 00:39:39,239
Speaker 1: be a real grandfather and be a really positive influencing

753
00:39:39,400 --> 00:39:43,520
Speaker 1: and get her butt back to Yale. Right. How hard

754
00:39:43,560 --> 00:39:46,440
Speaker 1: is that? I mean, it's if anybody can do it,

755
00:39:46,440 --> 00:39:49,719
Speaker 1: it's Richard. He's got all this experience. He's got, you know,

756
00:39:49,760 --> 00:39:53,040
Speaker 1: an extensive library there. He must have read a story about,

757
00:39:53,239 --> 00:39:55,759
Speaker 1: you know, fifteen people that got knocked off the horse

758
00:39:55,760 --> 00:39:58,439
Speaker 1: and get you know, the greatest in the world made

759
00:39:58,440 --> 00:40:00,360
Speaker 1: by people who got knocked off the horse.

760
00:40:00,640 --> 00:40:01,600
Speaker 5: He's a salesman.

761
00:40:02,800 --> 00:40:05,320
Speaker 3: It's like one of the best salesmen ever.

762
00:40:05,800 --> 00:40:10,640
Speaker 1: What are we doing around? Give me a break? Get there?

763
00:40:11,239 --> 00:40:15,600
Speaker 3: So two questions. The pool. I need to talk about

764
00:40:15,640 --> 00:40:20,800
Speaker 3: the pool for a second. Is that the pool cover?

765
00:40:21,160 --> 00:40:27,239
Speaker 3: I'm seeing the same thing? That's the water well.

766
00:40:27,400 --> 00:40:30,520
Speaker 5: I was thinking it was the pool cover because it's

767
00:40:30,719 --> 00:40:35,520
Speaker 5: fall so everyone's back in school, so it's probably the

768
00:40:35,560 --> 00:40:37,399
Speaker 5: pool cover. But I don't I mean, I don've never

769
00:40:37,880 --> 00:40:39,200
Speaker 5: been on the East Coast. I never grew up on

770
00:40:39,200 --> 00:40:41,759
Speaker 5: the East coast, But like, is that pool cover going

771
00:40:41,840 --> 00:40:44,879
Speaker 5: to do enough in the cold weather?

772
00:40:45,040 --> 00:40:45,279
Speaker 2: Yeah?

773
00:40:45,840 --> 00:40:49,920
Speaker 3: Probably, but just please tell me. I'm not to believe

774
00:40:50,000 --> 00:40:50,720
Speaker 3: that's the water.

775
00:40:50,920 --> 00:40:52,000
Speaker 5: No, I think it was the pool cover.

776
00:40:52,080 --> 00:40:54,160
Speaker 4: I think it was the cover because it wasn't moving,

777
00:40:54,239 --> 00:40:56,480
Speaker 4: like you didn't see the surface of the water moving.

778
00:40:56,719 --> 00:40:58,960
Speaker 5: And there were leaves. Whoever said there were leaves?

779
00:40:59,560 --> 00:41:03,360
Speaker 3: Yeah, So that's been something that's kind of chapping my

780
00:41:03,560 --> 00:41:06,960
Speaker 3: high a little bit? Is that a fake pool? Scott?

781
00:41:07,080 --> 00:41:08,840
Speaker 3: Do you remember the pool?

782
00:41:09,920 --> 00:41:12,560
Speaker 1: Do? I don't remember the pool.

783
00:41:12,600 --> 00:41:15,680
Speaker 3: Because you don't really ever have scenes there. I think

784
00:41:15,680 --> 00:41:18,720
Speaker 3: you've gone to their house a couple times.

785
00:41:18,840 --> 00:41:21,919
Speaker 1: But I never saw the pool. Yeah. I mean I've

786
00:41:21,920 --> 00:41:24,160
Speaker 1: been in the dinner scenes. I've been in the at

787
00:41:24,200 --> 00:41:26,919
Speaker 1: the table. Yeah, I've been in that house plenty of times. Yeah,

788
00:41:26,960 --> 00:41:28,400
Speaker 1: but I don't remember any.

789
00:41:28,239 --> 00:41:30,680
Speaker 3: Pool has some flags on because.

790
00:41:30,480 --> 00:41:32,920
Speaker 1: The pool house is a different location or the Yeah,

791
00:41:32,960 --> 00:41:35,879
Speaker 1: the poolhouse is a different location, right, right. They didn't

792
00:41:35,920 --> 00:41:40,359
Speaker 1: really have it up, they just sort of for this season. Yeah.

793
00:41:40,400 --> 00:41:42,439
Speaker 3: So we then go to the diner and now there's

794
00:41:42,480 --> 00:41:45,080
Speaker 3: the giant urn. There's a giant urn in my diner.

795
00:41:46,360 --> 00:41:49,960
Speaker 3: And the bit that I thought was funny actually was

796
00:41:50,000 --> 00:41:53,200
Speaker 3: like Luke says, call her and she's like, I'm not surrendering,

797
00:41:53,680 --> 00:41:55,360
Speaker 3: and that was sort of an exchange that I'm like,

798
00:41:55,920 --> 00:41:58,000
Speaker 3: I get it. They're playing a game of chicken here,

799
00:41:58,040 --> 00:42:02,000
Speaker 3: and okay, anyone.

800
00:42:03,120 --> 00:42:05,440
Speaker 5: I didn't really care for the scene.

801
00:42:05,920 --> 00:42:09,360
Speaker 4: Yeah, it seemed weird that she had so many things

802
00:42:09,400 --> 00:42:14,160
Speaker 4: delivered to the house and the inn, and but then

803
00:42:14,200 --> 00:42:17,680
Speaker 4: this one thing went yeah, I don't know, it didn't

804
00:42:17,719 --> 00:42:19,160
Speaker 4: That scene didn't really do anything for me.

805
00:42:19,920 --> 00:42:24,000
Speaker 3: Yeah, yeah, other than when she's like, ah, she's not

806
00:42:24,000 --> 00:42:26,080
Speaker 3: gonna smoke me out of my fox, so you know

807
00:42:26,200 --> 00:42:26,560
Speaker 3: all that.

808
00:42:26,840 --> 00:42:29,640
Speaker 4: Yeah, I think the whole point was they needed a

809
00:42:29,640 --> 00:42:32,840
Speaker 4: way to trigger that conversation between Luke and Larelai about

810
00:42:33,520 --> 00:42:34,920
Speaker 4: about the packages.

811
00:42:36,200 --> 00:42:41,200
Speaker 3: So then we go to the scene with Richard and Emily, which, okay,

812
00:42:42,040 --> 00:42:44,840
Speaker 3: they're in the poolhouse, they're sneaking around, they're snooping around.

813
00:42:46,040 --> 00:42:49,240
Speaker 3: It was an amusing scene or a scott'says, very entertaining,

814
00:42:49,280 --> 00:42:52,480
Speaker 3: but also like, oh my god when she says I

815
00:42:52,560 --> 00:42:54,960
Speaker 3: used to do this all the time with Lorali and

816
00:42:55,000 --> 00:42:58,880
Speaker 3: it's like, oh god, and the drawer full of titsy, titsy,

817
00:43:01,200 --> 00:43:04,359
Speaker 3: the drawer full of TUTSI rolls and then Richard saying, well,

818
00:43:04,400 --> 00:43:06,640
Speaker 3: you should have looked under the TUTSI rolls, and then

819
00:43:06,640 --> 00:43:09,719
Speaker 3: she's all, Oh, that's gonna bother me. That made me

820
00:43:09,800 --> 00:43:12,640
Speaker 3: laugh out loud. So what do y'all think of that?

821
00:43:13,080 --> 00:43:16,160
Speaker 4: It was her idea to go snoop around the pool house,

822
00:43:16,200 --> 00:43:18,640
Speaker 4: but then she yells at Richard for not knowing what

823
00:43:18,640 --> 00:43:19,359
Speaker 4: they're looking for.

824
00:43:24,600 --> 00:43:28,920
Speaker 6: It's Jojo Siua, host of the new podcast Jojo Seawa Now.

825
00:43:29,239 --> 00:43:32,680
Speaker 6: It's time to get real, up close and personal. I'm

826
00:43:32,680 --> 00:43:34,760
Speaker 6: gonna be talking to you like I'm writing in a journal.

827
00:43:34,800 --> 00:43:36,920
Speaker 6: You're gonna get all of the tea and all of

828
00:43:36,960 --> 00:43:39,440
Speaker 6: the scoop. I'm also gonna be talking to my friends,

829
00:43:39,480 --> 00:43:42,440
Speaker 6: to people I admire, to people that are drending right now.

830
00:43:42,640 --> 00:43:45,600
Speaker 6: So you're gonna get like Jojo Seawa now and like now,

831
00:43:45,640 --> 00:43:47,560
Speaker 6: what's going on in the world. It's gonna be great,

832
00:43:47,560 --> 00:43:49,520
Speaker 6: and I really hope you like it. You can listen

833
00:43:49,520 --> 00:43:52,759
Speaker 6: to Jojo Sewa Now on the iHeartRadio app, Apple Podcasts,

834
00:43:52,880 --> 00:43:54,640
Speaker 6: or wherever you listen to podcasts.

835
00:43:57,480 --> 00:43:59,560
Speaker 3: Okay, so, Scott, we want to know your thoughts on

836
00:43:59,600 --> 00:44:03,000
Speaker 3: the scene where Richard and Emily are snooping around the house.

837
00:44:04,200 --> 00:44:05,200
Speaker 3: The pool house.

838
00:44:06,960 --> 00:44:10,480
Speaker 1: The most absurd scene I think I've ever seen in

839
00:44:10,520 --> 00:44:14,120
Speaker 1: the entire six seasons, I've never seen anything so absurd.

840
00:44:14,160 --> 00:44:17,000
Speaker 1: That's when I just sort of walked out of the room.

841
00:44:17,480 --> 00:44:21,320
Speaker 1: It just very very much out of character for them,

842
00:44:21,480 --> 00:44:25,800
Speaker 1: and a real invasion of privacy. I don't like seeing

843
00:44:25,880 --> 00:44:33,320
Speaker 1: characters behave in ways that don't resemble anything even remotely possible.

844
00:44:34,880 --> 00:44:42,440
Speaker 1: It's just Richard. No, it was just cringe worthy for me. Sorry,

845
00:44:42,960 --> 00:44:44,640
Speaker 1: I should probably talk less.

846
00:44:45,239 --> 00:44:46,680
Speaker 3: No, Scott, No.

847
00:44:48,000 --> 00:44:51,360
Speaker 1: I don't like being in a position of not liking

848
00:44:51,400 --> 00:44:55,120
Speaker 1: an episode this much, but I got to be true

849
00:44:55,120 --> 00:45:00,239
Speaker 1: to my critical self. Yeah, yeah, that's what I said,

850
00:45:01,239 --> 00:45:03,240
Speaker 1: can't be absurd stuff.

851
00:45:03,880 --> 00:45:06,120
Speaker 3: Well, I don't mind Emily doing it because it totally

852
00:45:06,160 --> 00:45:08,520
Speaker 3: tracks for Emily, but Richard's not going to be down

853
00:45:08,560 --> 00:45:12,440
Speaker 3: with that. He's just not I thought it was kind

854
00:45:12,440 --> 00:45:15,359
Speaker 3: of amusing that she found the burken bag and she's

855
00:45:15,400 --> 00:45:16,080
Speaker 3: smelling it.

856
00:45:16,360 --> 00:45:18,440
Speaker 1: He's going to defend her right to privacy. He's going

857
00:45:18,520 --> 00:45:20,680
Speaker 1: to be appalled by that kind of Yeah, that's right.

858
00:45:22,160 --> 00:45:24,759
Speaker 5: I think it's just ant up with with Richard doing

859
00:45:24,800 --> 00:45:28,160
Speaker 5: it in this time and how he feels about Rory.

860
00:45:28,440 --> 00:45:31,920
Speaker 5: I think if it was like before the Mitcham conversation

861
00:45:32,080 --> 00:45:33,960
Speaker 5: he would have, but not after.

862
00:45:34,400 --> 00:45:37,120
Speaker 3: I just think Richard's never snooping, that's not his.

863
00:45:38,200 --> 00:45:40,319
Speaker 5: No, but he also is someone who does kind of

864
00:45:40,320 --> 00:45:43,880
Speaker 5: what Emily does so completely shocked me.

865
00:45:45,600 --> 00:45:46,880
Speaker 3: I don't know. There was a little bit of a

866
00:45:46,920 --> 00:45:50,200
Speaker 3: funny like there's some lingo there. I think he said

867
00:45:50,239 --> 00:45:54,080
Speaker 3: something about drips and drabs anybody. I don't know. They

868
00:45:54,080 --> 00:45:56,520
Speaker 3: were shooting the breeze Scotch talk. There was a little

869
00:45:56,520 --> 00:46:01,120
Speaker 3: bit of amusing dialogue. But yeah, and Emily did make

870
00:46:01,160 --> 00:46:05,440
Speaker 3: me laugh and when Yeah, but see.

871
00:46:05,320 --> 00:46:08,200
Speaker 1: These are times when actors need to stand up and

872
00:46:08,239 --> 00:46:12,600
Speaker 1: say listen, you know, can we have a conversation, you know,

873
00:46:12,600 --> 00:46:16,439
Speaker 1: with the creators? And I just don't feel comfortable doing

874
00:46:16,480 --> 00:46:18,480
Speaker 1: this because it I mean, I don't know if it

875
00:46:18,560 --> 00:46:21,800
Speaker 1: necessarily ruins the character, but it certainly weakens the character.

876
00:46:24,160 --> 00:46:26,840
Speaker 1: And I think, you know, that was a time for

877
00:46:26,920 --> 00:46:29,680
Speaker 1: maybe Ed to stand up and say, hey, can we

878
00:46:29,719 --> 00:46:30,359
Speaker 1: talk about this?

879
00:46:32,239 --> 00:46:35,719
Speaker 3: But you know, how does that go when you do that?

880
00:46:37,600 --> 00:46:40,680
Speaker 1: Like, it depends on it depends on the showrunner.

881
00:46:41,600 --> 00:46:44,600
Speaker 3: Yeah, Like are some showrunner super open to it and

882
00:46:44,640 --> 00:46:46,759
Speaker 3: are some like no.

883
00:46:46,160 --> 00:46:49,200
Speaker 1: No, yeah, most are like no, no, yeah.

884
00:46:53,040 --> 00:46:55,600
Speaker 3: Interesting, So I have a question.

885
00:46:56,160 --> 00:46:59,360
Speaker 4: Are Emy and Dan like on the set when you're shooting,

886
00:46:59,400 --> 00:47:01,279
Speaker 4: or are they off in the writer's room writing the.

887
00:47:01,160 --> 00:47:05,440
Speaker 1: Next They're usually not there. Yeah, they're usually not there.

888
00:47:06,280 --> 00:47:08,719
Speaker 3: So who would you say it to? The is like

889
00:47:09,200 --> 00:47:10,560
Speaker 3: the director, yes.

890
00:47:11,320 --> 00:47:12,960
Speaker 1: And then the director would make a phone call.

891
00:47:14,680 --> 00:47:17,360
Speaker 3: I would think on this show they aren't as open

892
00:47:17,400 --> 00:47:19,960
Speaker 3: to it as they are on other shows because the

893
00:47:20,320 --> 00:47:24,560
Speaker 3: writing is so specific, and I would feel like they're

894
00:47:24,640 --> 00:47:27,239
Speaker 3: very precious about the writing. But but what do I know?

895
00:47:30,880 --> 00:47:33,719
Speaker 1: You know, we did have discussions about certain logic things.

896
00:47:34,280 --> 00:47:37,000
Speaker 1: There were so many holes and I feel character holes

897
00:47:37,040 --> 00:47:40,680
Speaker 1: in this episode. I don't know if you could stand out,

898
00:47:40,719 --> 00:47:42,879
Speaker 1: that's all you'd be doing the entire time you're on set.

899
00:47:42,920 --> 00:47:47,120
Speaker 1: It's like, you know, can we have another conversation? You know,

900
00:47:47,440 --> 00:47:49,600
Speaker 1: and then if it just becomes like a production drag,

901
00:47:51,600 --> 00:47:54,200
Speaker 1: and that's another thing. It's it's difficult to do that

902
00:47:54,440 --> 00:47:56,360
Speaker 1: because then you don't want to get labeled a person

903
00:47:56,400 --> 00:47:59,759
Speaker 1: who is causing delays in that kind of garbage. And

904
00:48:00,040 --> 00:48:03,879
Speaker 1: you know, I I just think it's important if you're

905
00:48:05,040 --> 00:48:09,520
Speaker 1: you need to protect your character and if you feel

906
00:48:09,719 --> 00:48:11,759
Speaker 1: that there are too many distractions going on in the

907
00:48:11,760 --> 00:48:14,040
Speaker 1: writer's room, and they've sort of left you behind in

908
00:48:14,080 --> 00:48:18,280
Speaker 1: it and put you in a situation that's not ringing true.

909
00:48:18,440 --> 00:48:21,440
Speaker 1: You have every duty to bring that up, you know.

910
00:48:21,440 --> 00:48:23,439
Speaker 1: I think it's good for your ral production. And that's

911
00:48:23,480 --> 00:48:26,080
Speaker 1: just you know, not everybody's like that, and they may

912
00:48:26,120 --> 00:48:28,719
Speaker 1: feel it but they don't fall through. But uh, it

913
00:48:28,840 --> 00:48:32,000
Speaker 1: just depends on it depends. It depends on how invested

914
00:48:32,040 --> 00:48:35,040
Speaker 1: you are in playing the character. You know, it depends

915
00:48:35,040 --> 00:48:39,160
Speaker 1: on how much you care about or if you.

916
00:48:39,120 --> 00:48:41,919
Speaker 3: Have the guts to do it, because you might really care,

917
00:48:42,040 --> 00:48:45,960
Speaker 3: but to be too nervous just to do it.

918
00:48:47,280 --> 00:48:51,719
Speaker 1: Well, you certainly find out very quickly if you have

919
00:48:51,840 --> 00:48:55,319
Speaker 1: a showrunner who is open minded, you know.

920
00:48:56,680 --> 00:49:00,560
Speaker 3: So yeah, so we go from that scene to the

921
00:49:00,600 --> 00:49:03,399
Speaker 3: scene that I also it's very kirkish, but we've got

922
00:49:03,400 --> 00:49:06,160
Speaker 3: the mini gazebo and he's got the maps and they're

923
00:49:06,200 --> 00:49:10,680
Speaker 3: not even on the map. I was sort of like, hmm, right,

924
00:49:11,160 --> 00:49:15,359
Speaker 3: Like I Kirk's always fun, but it was sort of right.

925
00:49:16,040 --> 00:49:16,799
Speaker 3: I don't care about it.

926
00:49:16,800 --> 00:49:19,120
Speaker 5: I think it's like you said that the storyline was

927
00:49:19,160 --> 00:49:21,239
Speaker 5: just dragged on a little too long. I think that's

928
00:49:22,200 --> 00:49:24,840
Speaker 5: because I think if this scene was earlier in the episode,

929
00:49:25,160 --> 00:49:26,000
Speaker 5: you would have liked it.

930
00:49:27,320 --> 00:49:30,719
Speaker 3: Yeah, maybe, yeah, yeah. So then we finally go and

931
00:49:30,719 --> 00:49:34,040
Speaker 3: Emily finally calls Laura Lies so the Game of Chicken,

932
00:49:34,640 --> 00:49:39,279
Speaker 3: she finally calls Laurelai and we, you know, discuss all

933
00:49:39,280 --> 00:49:42,200
Speaker 3: this stuff stuff she was gonna give her anyway, and

934
00:49:42,239 --> 00:49:47,439
Speaker 3: the dollhouse. So the scene was important because the it's

935
00:49:47,480 --> 00:49:50,600
Speaker 3: so poignant with Richard and the dollhouse, so that I

936
00:49:50,680 --> 00:49:56,719
Speaker 3: really really liked the payoff with the dollhouse. And man,

937
00:49:56,760 --> 00:49:59,240
Speaker 3: did we have to go through a bunch of tipsy

938
00:49:59,320 --> 00:50:01,120
Speaker 3: turns to get to that.

939
00:50:01,400 --> 00:50:04,600
Speaker 1: But didn't a phone call about the dollhouse between Emily

940
00:50:04,680 --> 00:50:10,200
Speaker 1: and laurel I seen kind of out of the blue. Yes, yes,

941
00:50:11,200 --> 00:50:14,680
Speaker 1: So maybe it's just the execution that I'm having a

942
00:50:14,719 --> 00:50:20,319
Speaker 1: problem with. You know. It just seemed like forced conflict

943
00:50:20,480 --> 00:50:24,560
Speaker 1: to me, you know, and Laura I getting so upset

944
00:50:24,600 --> 00:50:26,960
Speaker 1: so quickly about it, and she has every reason to.

945
00:50:27,040 --> 00:50:30,280
Speaker 3: But I don't know I would call it forced reuniting

946
00:50:31,080 --> 00:50:35,839
Speaker 3: because Emily's figuring out a way to talk to her.

947
00:50:36,320 --> 00:50:40,200
Speaker 5: I think I don't think it was force a conversation

948
00:50:40,360 --> 00:50:43,920
Speaker 5: because Emily has never called at the right moment like

949
00:50:44,000 --> 00:50:46,319
Speaker 5: she always is, Like Laura lies in the middle of

950
00:50:46,320 --> 00:50:50,040
Speaker 5: work dealing with something and Emily wants to chat, you know,

951
00:50:50,080 --> 00:50:51,960
Speaker 5: like I feel like there's never been a right time.

952
00:50:52,520 --> 00:50:56,800
Speaker 5: But I think that it goes back to Richard recently

953
00:50:56,840 --> 00:50:59,839
Speaker 5: saw Larelai and Emily didn't, and she's feeling some type

954
00:50:59,880 --> 00:51:03,759
Speaker 5: of way about it, and Emily doesn't know how to

955
00:51:03,840 --> 00:51:08,239
Speaker 5: speak to Lorelei. So this was her way of being like, well,

956
00:51:08,280 --> 00:51:10,279
Speaker 5: here's your dollhouse. And I think it was a really

957
00:51:10,320 --> 00:51:13,759
Speaker 5: important moment where she's like, you know, that dollhouse means

958
00:51:13,800 --> 00:51:16,360
Speaker 5: a lot to me, Like Lorelai doesn't just admit that stuff,

959
00:51:16,440 --> 00:51:19,719
Speaker 5: like she comes off as like the cool girl who

960
00:51:19,719 --> 00:51:24,160
Speaker 5: doesn't care. So I think that moment of do whatever

961
00:51:24,160 --> 00:51:26,759
Speaker 5: you want, but it means a lot to me. I

962
00:51:26,800 --> 00:51:30,239
Speaker 5: think that it, like you said, Amy, the payoff was

963
00:51:30,280 --> 00:51:33,840
Speaker 5: worth it. But I think it's also you kind of

964
00:51:33,880 --> 00:51:36,520
Speaker 5: see that shell breaking of them trying to be like

965
00:51:36,680 --> 00:51:39,520
Speaker 5: tough guy against each other. M hmm A little bit.

966
00:51:39,920 --> 00:51:42,760
Speaker 4: At first, I thought it was kind of disjointed because

967
00:51:42,800 --> 00:51:44,920
Speaker 4: as far as I can remember, that's the first time

968
00:51:45,200 --> 00:51:47,840
Speaker 4: that Emily lorle I have spoken.

969
00:51:47,840 --> 00:51:50,000
Speaker 1: Good word to describe it disjointed, that's right.

970
00:51:50,080 --> 00:51:53,840
Speaker 4: Yeah, since Loralai showed up in their bedroom with the

971
00:51:53,920 --> 00:51:57,880
Speaker 4: laundry basket full of war stuff. Tara, you made me

972
00:51:58,320 --> 00:52:02,600
Speaker 4: realize that, Yeah, is feeling put out because she realizes

973
00:52:02,640 --> 00:52:05,080
Speaker 4: that Richard has talked to her more recently and she

974
00:52:05,520 --> 00:52:08,680
Speaker 4: was not let in on that. So like her brain

975
00:52:08,840 --> 00:52:09,840
Speaker 4: dreamed this thing.

976
00:52:09,719 --> 00:52:14,440
Speaker 3: Up as a right, yeah, and then Richard comes in

977
00:52:14,520 --> 00:52:18,080
Speaker 3: for the win because Emily's like, well then I'll just

978
00:52:18,160 --> 00:52:21,799
Speaker 3: you know, give the give the dollhouse away to Sotheby's

979
00:52:21,880 --> 00:52:25,759
Speaker 3: or whatever. And then it's to me, Richard is twofold.

980
00:52:26,440 --> 00:52:30,720
Speaker 3: He takes the time to bring the dollhouse over, something

981
00:52:30,840 --> 00:52:35,200
Speaker 3: that Loralai really cares about. So not only is he

982
00:52:35,320 --> 00:52:40,600
Speaker 3: showing that gesture number two, he's using it to come

983
00:52:40,640 --> 00:52:43,719
Speaker 3: over and say to her when we need to talk

984
00:52:43,760 --> 00:52:47,200
Speaker 3: about Rory, which tant amounts to me as I was wrong,

985
00:52:47,640 --> 00:52:50,480
Speaker 3: and here I am, Yeah I was wrong, and he

986
00:52:50,560 --> 00:52:54,120
Speaker 3: knows he was wrong. And so to me, like it's

987
00:52:54,160 --> 00:52:57,040
Speaker 3: all worth that, this all this meandering we have in

988
00:52:57,080 --> 00:53:00,440
Speaker 3: this episode is worth it, because Okay, finally.

989
00:53:00,080 --> 00:53:02,360
Speaker 1: I don't know if he's if he's feeling like he

990
00:53:02,600 --> 00:53:07,240
Speaker 1: was wrong. I think he's they're trying to find a solution.

991
00:53:07,840 --> 00:53:09,360
Speaker 5: I think it both.

992
00:53:10,040 --> 00:53:14,120
Speaker 3: Yeah, he he learned he's wrong because he told Laura

993
00:53:14,440 --> 00:53:21,160
Speaker 3: is the Huntsburgers they didn't do it. They didn't do.

994
00:53:21,040 --> 00:53:23,000
Speaker 1: It, but he knows that they did.

995
00:53:23,040 --> 00:53:25,880
Speaker 3: Now that's why he's that. This is his way of

996
00:53:25,920 --> 00:53:29,600
Speaker 3: saying to me, he's bringing the dollhouse over.

997
00:53:29,600 --> 00:53:31,200
Speaker 1: But isn't she already aware of that?

998
00:53:32,080 --> 00:53:33,640
Speaker 3: No, he's never told.

999
00:53:33,480 --> 00:53:35,040
Speaker 1: Laura had this conversation.

1000
00:53:35,200 --> 00:53:40,520
Speaker 3: No, she doesn't know anything about the confrontation with the Huntsburgers.

1001
00:53:40,800 --> 00:53:44,400
Speaker 3: And that he's realized, Oh god, you were right and

1002
00:53:44,440 --> 00:53:48,279
Speaker 3: I was wrong, and this is that this is.

1003
00:53:47,680 --> 00:53:49,680
Speaker 1: Isn't it odd that it happens at the end of

1004
00:53:49,719 --> 00:53:53,120
Speaker 1: this episode. Maybe it's probably how the episode should have began,

1005
00:53:53,320 --> 00:53:55,680
Speaker 1: and that because it would have been the overarching storyline,

1006
00:53:55,719 --> 00:53:58,080
Speaker 1: and that could have informed everything else that was happening

1007
00:53:58,080 --> 00:54:01,120
Speaker 1: with Rory and and and Low. I mean, that was

1008
00:54:01,160 --> 00:54:05,680
Speaker 1: the story, the narrative that was missing in this entire

1009
00:54:05,840 --> 00:54:10,120
Speaker 1: episode because we just came from that that that episode

1010
00:54:10,120 --> 00:54:12,600
Speaker 1: that was so entertained, You're right, you're right, you could

1011
00:54:12,680 --> 00:54:17,840
Speaker 1: is so full of power and fine, and then it's like,

1012
00:54:18,040 --> 00:54:20,839
Speaker 1: where's the thread. It's nowhere to be found in this

1013
00:54:20,880 --> 00:54:23,080
Speaker 1: episode except right.

1014
00:54:23,120 --> 00:54:25,000
Speaker 3: It takes a long time to get there.

1015
00:54:25,160 --> 00:54:27,640
Speaker 1: It did it right, so disjointed. There you go.

1016
00:54:27,920 --> 00:54:31,400
Speaker 5: I think also with Richard, I think he wanted to

1017
00:54:33,120 --> 00:54:35,520
Speaker 5: figure things out on his own a little bit more

1018
00:54:35,560 --> 00:54:37,919
Speaker 5: before going to Laurai. And you can see he did

1019
00:54:37,960 --> 00:54:41,360
Speaker 5: that with trying to talk to Logan. And you know,

1020
00:54:41,719 --> 00:54:44,760
Speaker 5: maybe even though going through Rory's room was out of character,

1021
00:54:44,880 --> 00:54:48,120
Speaker 5: maybe he was looking for something to then take that

1022
00:54:48,200 --> 00:54:51,759
Speaker 5: to the table to LAURALI. But this was a way

1023
00:54:51,960 --> 00:54:55,919
Speaker 5: of reuniting with her for because what other reason would

1024
00:54:56,160 --> 00:54:59,200
Speaker 5: would Richard show up to her house to check in

1025
00:54:59,280 --> 00:55:01,320
Speaker 5: on the fire, Like he didn't have a reason to

1026
00:55:01,360 --> 00:55:04,400
Speaker 5: show up. So doing this, he's like, I'll take it

1027
00:55:04,400 --> 00:55:07,160
Speaker 5: at the dollhouse. And I think Richard knows how much

1028
00:55:07,160 --> 00:55:09,480
Speaker 5: it means to her. Like Richard comes off kind of

1029
00:55:09,480 --> 00:55:12,879
Speaker 5: as someone who doesn't pay attention at times, like he's

1030
00:55:12,920 --> 00:55:16,279
Speaker 5: reading his book whatever, but he knows more than you think.

1031
00:55:16,680 --> 00:55:22,040
Speaker 1: Listen, I pine for the scenes that weren't written. I

1032
00:55:22,120 --> 00:55:27,080
Speaker 1: think certain scenes they flash before my eyes. Richard was

1033
00:55:27,920 --> 00:55:33,440
Speaker 1: having to restrain himself to not punch Mitchen Huntsberger in

1034
00:55:33,520 --> 00:55:37,759
Speaker 1: that bathroom, so it was the cat is totally out

1035
00:55:37,760 --> 00:55:41,520
Speaker 1: of the bag. Right. Where is the scene where he

1036
00:55:41,600 --> 00:55:46,279
Speaker 1: sits down with Rory as a loving carrying grandfather to

1037
00:55:46,440 --> 00:55:51,480
Speaker 1: apologize to her and to discuss how to get her

1038
00:55:51,560 --> 00:55:54,520
Speaker 1: back on the horse and to build up her confidence.

1039
00:55:54,560 --> 00:55:57,400
Speaker 1: What is all this pussy footing around in this episode

1040
00:55:57,719 --> 00:55:58,720
Speaker 1: wasting our time?

1041
00:55:58,840 --> 00:56:02,000
Speaker 3: She wasn't entertaining she will I think she's I think they.

1042
00:56:01,960 --> 00:56:05,160
Speaker 1: Fine have her not listened, but get to the damn story.

1043
00:56:05,560 --> 00:56:07,799
Speaker 3: Well, I think that's what he's doing now. I think

1044
00:56:07,840 --> 00:56:11,920
Speaker 3: he's going to Lorelai because originally Lorlai had the plan

1045
00:56:12,360 --> 00:56:15,319
Speaker 3: if we all link arms together, we will be able

1046
00:56:15,320 --> 00:56:17,680
Speaker 3: to get her back to Yale, and then the Gilmours

1047
00:56:17,760 --> 00:56:18,959
Speaker 3: deviated from that plan.

1048
00:56:19,080 --> 00:56:22,760
Speaker 1: But on a personal level, he owes Rory, I agree

1049
00:56:22,760 --> 00:56:23,000
Speaker 1: with you.

1050
00:56:23,200 --> 00:56:26,920
Speaker 3: I actually agree with you.

1051
00:56:25,520 --> 00:56:29,480
Speaker 1: You know, And he owes Laurel I something well, And

1052
00:56:29,560 --> 00:56:32,000
Speaker 1: Rory and Richard have such a good relationship that I

1053
00:56:32,000 --> 00:56:34,200
Speaker 1: don't know why he doesn't sit down with her.

1054
00:56:34,040 --> 00:56:36,400
Speaker 3: And say, exactly, we need to get you back to

1055
00:56:36,440 --> 00:56:39,520
Speaker 3: you exactly, I agree with you.

1056
00:56:39,920 --> 00:56:48,040
Speaker 1: After that very very dynamic episode, very satisfying episode, I mean,

1057
00:56:48,080 --> 00:56:49,839
Speaker 1: here we are like waiting for it.

1058
00:56:50,320 --> 00:56:52,640
Speaker 3: Well, and there's one more thing to talk about in

1059
00:56:52,640 --> 00:56:56,160
Speaker 3: this episode that's sort of interesting is when she tells logan,

1060
00:56:56,280 --> 00:57:00,319
Speaker 3: I love you. That was sort of like it was

1061
00:57:00,360 --> 00:57:05,160
Speaker 3: sort of like should have been a crescendo. But it's

1062
00:57:05,200 --> 00:57:07,360
Speaker 3: how the Gilmore, I mean, it's how the Palladinos like

1063
00:57:07,440 --> 00:57:09,880
Speaker 3: to do it. They give you this big moment that

1064
00:57:09,920 --> 00:57:11,239
Speaker 3: you think is the big moment.

1065
00:57:11,080 --> 00:57:16,640
Speaker 1: But really they certainly have a way screwing up really

1066
00:57:16,760 --> 00:57:17,480
Speaker 1: nice moments.

1067
00:57:17,800 --> 00:57:21,800
Speaker 5: The guy at the store told me the bag would

1068
00:57:21,880 --> 00:57:23,800
Speaker 5: do this, like that was like the payoff.

1069
00:57:25,080 --> 00:57:27,360
Speaker 3: I know. I thought the payoff was when he says

1070
00:57:27,560 --> 00:57:29,080
Speaker 3: I've told a lot of girls I love them.

1071
00:57:29,080 --> 00:57:34,960
Speaker 5: I don't know what I mean, like if you told

1072
00:57:35,000 --> 00:57:37,640
Speaker 5: someone you love them and they're like, oh, it's the bag, Like.

1073
00:57:38,200 --> 00:57:40,120
Speaker 3: It was sort of a mess. Yeah, and it was

1074
00:57:41,040 --> 00:57:45,120
Speaker 3: it could have That was for me, that's the flag

1075
00:57:45,280 --> 00:57:45,920
Speaker 3: of the episode.

1076
00:57:46,400 --> 00:57:49,439
Speaker 1: I like you a little more than just bullshless lying

1077
00:57:49,440 --> 00:57:51,000
Speaker 1: to you about I love you. So I'm not gonna

1078
00:57:51,000 --> 00:57:52,520
Speaker 1: say it, but I don't know.

1079
00:57:55,720 --> 00:57:57,480
Speaker 5: Yeah, it was my favorite scene.

1080
00:57:58,000 --> 00:57:59,960
Speaker 1: Oh man, oh my god.

1081
00:58:00,040 --> 00:58:08,720
Speaker 3: Huh so yeah, anyway, yeah, that was that could have been. Yeah,

1082
00:58:09,440 --> 00:58:11,560
Speaker 3: that could have been a ten out of ten moment

1083
00:58:11,640 --> 00:58:13,200
Speaker 3: and it was sort of a even if he didn't

1084
00:58:13,240 --> 00:58:15,280
Speaker 3: say it back. And I thought she was right when

1085
00:58:15,360 --> 00:58:17,360
Speaker 3: she said, you know, I someone said it to me

1086
00:58:17,480 --> 00:58:20,120
Speaker 3: once and I didn't say it like there was there

1087
00:58:20,160 --> 00:58:23,200
Speaker 3: was such a better conversation to be had between them.

1088
00:58:23,560 --> 00:58:27,400
Speaker 1: I'll tell you that was in life. That's a big mansible,

1089
00:58:27,760 --> 00:58:30,280
Speaker 1: as they say, hanging out there. You know, Yeah, it

1090
00:58:30,320 --> 00:58:32,280
Speaker 1: was tell somebody you love them and you don't get

1091
00:58:32,280 --> 00:58:34,280
Speaker 1: the return. It's like kind of.

1092
00:58:34,360 --> 00:58:37,560
Speaker 3: Was a throwaway. And for me, their relationship is so

1093
00:58:37,720 --> 00:58:41,480
Speaker 3: much more serious. So I don't know. I don't know.

1094
00:58:41,520 --> 00:58:44,280
Speaker 3: But then sometimes I think about I think about the

1095
00:58:44,320 --> 00:58:47,840
Speaker 3: movies and I go their relationship is so messed up.

1096
00:58:48,360 --> 00:58:48,800
Speaker 4: I don't know.

1097
00:58:50,280 --> 00:58:55,680
Speaker 3: I digress. Oh what do you give it? Favorite lines?

1098
00:58:55,760 --> 00:58:57,440
Speaker 3: What do you give it? I don't know.

1099
00:58:58,000 --> 00:59:01,320
Speaker 1: Uh, I like the go ahead, Tara.

1100
00:59:01,560 --> 00:59:04,960
Speaker 5: Sorry, I just thought the whole bit was funny. With

1101
00:59:05,000 --> 00:59:07,760
Speaker 5: the bag, so I liked when Rory said my computer

1102
00:59:07,800 --> 00:59:10,440
Speaker 5: cords would fit perfectly in the bag. It was just

1103
00:59:10,480 --> 00:59:12,200
Speaker 5: so like she was just so clueless.

1104
00:59:12,680 --> 00:59:15,280
Speaker 3: I think I've said my favorite line was like ten

1105
00:59:15,400 --> 00:59:18,840
Speaker 3: four and four. That made me giggle, And I did giggle.

1106
00:59:19,200 --> 00:59:22,480
Speaker 3: When Richard said you need to look under the TUTSI

1107
00:59:22,600 --> 00:59:25,160
Speaker 3: rolls and she says that's gonna bother me, and that

1108
00:59:25,360 --> 00:59:26,720
Speaker 3: that actually made me laugh out loud.

1109
00:59:26,920 --> 00:59:27,120
Speaker 5: Yeah.

1110
00:59:27,880 --> 00:59:29,320
Speaker 3: I don't know if you have a favorite line, but.

1111
00:59:29,240 --> 00:59:33,840
Speaker 1: I liked the sugar cane, the maids out the grapefruit,

1112
00:59:34,840 --> 00:59:38,880
Speaker 1: the sugar cane line, and I also like the I

1113
00:59:39,000 --> 00:59:42,480
Speaker 1: like the logan line when he said I've told a

1114
00:59:42,520 --> 00:59:45,160
Speaker 1: lot of girls that I've loved them, and I'm just

1115
00:59:45,200 --> 00:59:49,400
Speaker 1: not going to say that teacher, because it was just

1116
00:59:49,600 --> 00:59:51,920
Speaker 1: so oh awkward.

1117
00:59:52,400 --> 00:59:56,320
Speaker 3: I mean, I'm only giving it a seven. What do

1118
00:59:56,360 --> 00:59:59,080
Speaker 3: you I'm going to give it seven.

1119
01:00:00,720 --> 01:00:07,200
Speaker 1: Sores and boils, so that would be fourteen total or

1120
01:00:07,240 --> 01:00:08,680
Speaker 1: three and a half stores and three.

1121
01:00:08,600 --> 01:00:10,480
Speaker 3: Three and a half, three and a half, yeah, three

1122
01:00:10,520 --> 01:00:12,720
Speaker 3: and a half boils, three and a half sores.

1123
01:00:13,680 --> 01:00:15,800
Speaker 5: I'm going to give it. I'm also going to give

1124
01:00:15,800 --> 01:00:18,960
Speaker 5: it seven TOTSI rolls, m.

1125
01:00:18,840 --> 01:00:19,760
Speaker 1: Hm hm.

1126
01:00:21,760 --> 01:00:22,480
Speaker 2: Uh.

1127
01:00:22,560 --> 01:00:27,480
Speaker 1: I'm going to give it. Sorry, I gotta be honest.

1128
01:00:27,480 --> 01:00:28,760
Speaker 1: This is one of my least favorite.

1129
01:00:28,960 --> 01:00:30,360
Speaker 3: No, we're not going to judge you give it what.

1130
01:00:30,600 --> 01:00:34,480
Speaker 1: I'm going to give it four glasses of single malt

1131
01:00:34,520 --> 01:00:36,480
Speaker 1: Scotch because that's what I'm gonna need to get over

1132
01:00:36,520 --> 01:00:39,160
Speaker 1: this one. Thank you very much, the best fans on

1133
01:00:39,200 --> 01:00:44,479
Speaker 1: the planet. We will see you next time. Keep those

1134
01:00:44,480 --> 01:00:49,919
Speaker 1: cards and letters coming. And don't forget that we collectively

1135
01:00:50,280 --> 01:00:56,000
Speaker 1: and I singularly am all in. Stay safe, everyone.

1136
01:01:00,200 --> 01:01:27,520
Speaker 2: Dot dot.

1137
01:01:24,440 --> 01:01:27,479
Speaker 1: Hey, everybody, and don't forget. Follow us on Instagram at

1138
01:01:27,760 --> 01:01:31,919
Speaker 1: I Am all In podcast and email us at Gilmore

1139
01:01:31,960 --> 01:01:42,840
Speaker 1: at iHeartRadio dot com