WEBVTT - Fee Waybill

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<v Speaker 1>Welcome, Welcome, Welcome back to the Bob left Seth Podcast.

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<v Speaker 1>My guest today is feed Way Bill of two Fee.

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<v Speaker 1>Good to have you here, Bob, thank you for having me.

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<v Speaker 1>I appreciate it. That's great. Okay, let's start right from

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<v Speaker 1>the beginning. In your everyday life, are you Fee or

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<v Speaker 1>are you John? Well, it depends on who you're talking to.

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<v Speaker 1>I guess my wife calls me Fee, Elizabeth, and everybody

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<v Speaker 1>in my family calls me Fee, but then uh. I

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<v Speaker 1>at the tennis club they tell me Fee. But at

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<v Speaker 1>the polo club, I played polo and uh. When I

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<v Speaker 1>first started playing polo, I tried to disguise the fact

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<v Speaker 1>that I was some rock guy, and I told him

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<v Speaker 1>my name was John, so they all call me John. Okay.

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<v Speaker 1>Polo is known as the sport of kings. How does

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<v Speaker 1>a row star end up playing polo? Well? I was

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<v Speaker 1>raised on a horse. My brother and I have been

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<v Speaker 1>horsemen our whole lives. My dad was a riding instructor

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<v Speaker 1>and a horse show judge. So we grew up in Scottsdale, Arizona,

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<v Speaker 1>and we're on a horse from the time I was

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<v Speaker 1>about five years old until I bailed out at eighteen

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<v Speaker 1>I was on a horse, and uh, and my brother.

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<v Speaker 1>I moved to California and obviously got into music, and

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<v Speaker 1>my brother stayed and he still lives in Scottsdale, Arizona,

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<v Speaker 1>and he would always and he has horses, and he

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<v Speaker 1>was the one that I mean, he's done everything. He's

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<v Speaker 1>done roping and herding and every kind of discipline on

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<v Speaker 1>a horse. And he would always ask people, well, how

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<v Speaker 1>come you don't get a horse, And I said, you know, well,

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<v Speaker 1>I live in San Francisco. Okay, there's not a lot

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<v Speaker 1>of horses around here. And and then he he uh.

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<v Speaker 1>He got into polo in Scottsdale, and he was, Okay,

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<v Speaker 1>now I found something that really is fun and really great.

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<v Speaker 1>And and by that time I had moved to l

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<v Speaker 1>A and there's you know, he says, you gotta try this.

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<v Speaker 1>You gotta get back on the horse and try this.

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<v Speaker 1>You're gonna love it. And so I said, okay, I did.

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<v Speaker 1>And I went to the California Polo Club and they said, uh,

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<v Speaker 1>I said, I want to learn. It's an arena club.

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<v Speaker 1>It's arena is like arena football. It's a smaller version

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<v Speaker 1>of outdoor polo. And they said, okay. First lessons free

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<v Speaker 1>and uh and I said okay, and I just immediately

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<v Speaker 1>I loved it. I loved to be back on a

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<v Speaker 1>horse again. And so I've been playing for twenty years. Okay,

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<v Speaker 1>So how extensive is the polo scene in southern California. Well,

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<v Speaker 1>it's not. I mean, there's there's the Santa Barbara Polo Club,

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<v Speaker 1>which is pretty high end, and we have an arena

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<v Speaker 1>club here in in in l A. And there's also

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<v Speaker 1>the Will Rogers Polo Club in l A. And then

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<v Speaker 1>in California, there's one in San Diego, there's one in uh,

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<v Speaker 1>Orange County, there's one on San Louis Obispo. There's one

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<v Speaker 1>in Temecula. Yeah, there's a bunch of them. There's a

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<v Speaker 1>bunch of clubs all around this and they and in

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<v Speaker 1>the winter in out in the desert in Indio. That's

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<v Speaker 1>big time polo. They have people come from all over

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<v Speaker 1>the USA to play polo out there. How good a

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<v Speaker 1>polo player are you and how often do you play?

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<v Speaker 1>I play usually? Well, right now, my horses are out

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<v Speaker 1>at pasture. You have to let them rest. And actually

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<v Speaker 1>next Monday I'm going up to get them and bring

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<v Speaker 1>them back to the club and then I'll play through

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<v Speaker 1>the spring and summer. I'm a one or a two.

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<v Speaker 1>They they handicap you from minus to to ten being best.

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<v Speaker 1>And so I started as a minus two and I

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<v Speaker 1>got better and they raised me to minus one and

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<v Speaker 1>then zero and then one and then too. And so i'm,

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<v Speaker 1>you know, I'm I'm just a recreational player. I'm you know,

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<v Speaker 1>I ah. I really try to protect myself and protect

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<v Speaker 1>my horses and never never get to, you know, to

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<v Speaker 1>ultra competitive, you know, where I'm going to hurt myself

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<v Speaker 1>or or or injuring one of my horses. So how

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<v Speaker 1>often do you play? I play? Uh, usually I play

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<v Speaker 1>Saturday and Sunday morning, and then sometimes I play Thursday

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<v Speaker 1>night under the lights, So two to three times a week.

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<v Speaker 1>And how many people in arena polo as opposed to

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<v Speaker 1>regular polo. Regular polo is four on the four, four

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<v Speaker 1>on four. Arena polo is three on three. And how

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<v Speaker 1>dangerous is it? Really? Has certainly seen a number of

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<v Speaker 1>polo matches and it looks dangerous for those who are

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<v Speaker 1>not horse savvic. Yeah, it's dangerous. And you know, my

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<v Speaker 1>wife keeps My wife is really you know, if she

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<v Speaker 1>really worries about me, and I mean people die. You know,

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<v Speaker 1>if you're riding down the field full blast on a

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<v Speaker 1>horse and it stumbles and you hit the deck, you

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<v Speaker 1>could break your neck really easily and die. But in

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<v Speaker 1>arena polo you don't ever really it's only a hundred

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<v Speaker 1>yards by fifty yards, so you don't really get to

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<v Speaker 1>full speed in that shorter distance and it's not as dangerous.

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<v Speaker 1>But people fall off and they you know, they break

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<v Speaker 1>their leg and break their elbow and break their wrist.

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<v Speaker 1>And I've I've had a couple of injuries, but nothing serious,

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<v Speaker 1>you know, just I like cracked a rib once, but

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<v Speaker 1>you know, nothing, nothing too serious. And we play with girls, right,

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<v Speaker 1>and so it's a co ed sport and nobody wants

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<v Speaker 1>to slam the girls into the wall. It's our club

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<v Speaker 1>is very recreational. Nobody is trying to you know, win

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<v Speaker 1>money or trophies or anything like that. It's just fun.

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<v Speaker 1>We just have fun. What's the key to being a

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<v Speaker 1>great polo player? Number One? You can't think about writing.

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<v Speaker 1>You have to be a good writer. You can't think

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<v Speaker 1>about following off the horse and you have to uh,

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<v Speaker 1>you know, it's just hand to eye, you know, I

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<v Speaker 1>played baseball my whole life, and and a ball a

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<v Speaker 1>polo balls about the size of the softball. It's about

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<v Speaker 1>that big around arena ball, and you know, you have

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<v Speaker 1>a mallet and you hit the ball, and you know

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<v Speaker 1>there's a lot of rules and you just have to

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<v Speaker 1>you have to. You have to be aware, be aware

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<v Speaker 1>of the horse and the arena and all the other people,

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<v Speaker 1>and it's just and then be able to hit the ball.

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<v Speaker 1>You know, I never had a problem hitting the ball,

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<v Speaker 1>so and once I learned to ride again, you know,

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<v Speaker 1>it's it's easy, it's fun. So you're saying, an arena

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<v Speaker 1>ball as opposed to four or four is a different

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<v Speaker 1>size ball. The arena ball is about the size of

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<v Speaker 1>the softball. It's like a soccer ball inflated leather and

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<v Speaker 1>in an outdoor ball is about the size of the baseball.

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<v Speaker 1>And it's solid plastic, really hard, solid plastic. So yeah,

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<v Speaker 1>at the ArenaBall, you can use the wall to bounce

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<v Speaker 1>it off the wall. It's it's more it's it's it bounces.

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<v Speaker 1>You know. Historically polo is seen as expensive. Is it expensive? Well,

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<v Speaker 1>it depends on what level of polo you play. If

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<v Speaker 1>you're if you're going to India or for your going.

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<v Speaker 1>I mean, polo is a big time in Florida. And

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<v Speaker 1>if you travel to Florida and if you have you know,

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<v Speaker 1>if you have really expensive horses, it can be really expensive.

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<v Speaker 1>But but then again it can be recently inexpensive. You know,

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<v Speaker 1>my horses. I think the most expensive horse I I had,

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<v Speaker 1>I bought ever bought, was like five thousand dollars. And

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<v Speaker 1>but people pay a hundred thousand dollars for a polo horse.

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<v Speaker 1>It's just all depends on how high a level you

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<v Speaker 1>want to play and how much does it cost to

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<v Speaker 1>keep a horse for a year for a well, the

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<v Speaker 1>board at my club is seven and fifty dollars a

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<v Speaker 1>month per horse, and that includes feed and lodging, and

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<v Speaker 1>that also includes a groom to tack up your horse

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<v Speaker 1>and to wash your horse and basically exercise your horse.

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<v Speaker 1>They exercise six days a week to stay you know,

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<v Speaker 1>they they're athletic and so it's not that expensive. Our club,

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<v Speaker 1>we have a great club, California Polo Club is a

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<v Speaker 1>great club and it's not that expensive to play. People

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<v Speaker 1>can start and you know, you can take a lesson

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<v Speaker 1>for like hundred bucks. You can take a lesson and

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<v Speaker 1>and learn to play. And then of course then you

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<v Speaker 1>have to get a horse, and you have to get

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<v Speaker 1>a saddle, and you have to get a bridle, and

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<v Speaker 1>you have to pay the board, and you have you know,

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<v Speaker 1>it adds up. So since you know this so so

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<v Speaker 1>much about horses, what is going on with all the

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<v Speaker 1>horses dying and horse racing, especially in southern California. I know,

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<v Speaker 1>I know it's terrible. Well, no one really knows. I've

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<v Speaker 1>read a lot about it. Uh, and some people say

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<v Speaker 1>it's a bad track. Uh you know, Uh sometimes they

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<v Speaker 1>use artificial uh instead of just a dirt track. It's

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<v Speaker 1>it's some kind of artificial composite. And people say that's bad.

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<v Speaker 1>But uh, the ones in Santa Anita where the horses,

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<v Speaker 1>so many horses died, Uh, they don't know. I mean,

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<v Speaker 1>horse racing is a bad sport. You know. People spend

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<v Speaker 1>millions of dollars on race horses and then when they

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<v Speaker 1>don't win, they tell their trainer, you know, I spent

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<v Speaker 1>a million dollars on this horse. It needs to win.

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<v Speaker 1>Do whatever the hell you have to do to get

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<v Speaker 1>it to win. So what do they do? They give

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<v Speaker 1>them drugs, they give them. It's that simple. It's they

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<v Speaker 1>they load these horses up with ugs and sometimes and

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<v Speaker 1>you know, sometimes it works, sometimes it doesn't. Sometimes they bleed.

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<v Speaker 1>Sometimes they push them too hard. The other thing I

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<v Speaker 1>don't like about horse racing is they start them when

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<v Speaker 1>they're two years old. That's too young for a horse

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<v Speaker 1>to start racing full speed. They're not grown yet, their

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<v Speaker 1>bones are not fully formed. Uh. In polo, you know

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<v Speaker 1>in Argentina, which is polo is the national sport in Argentina,

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<v Speaker 1>they don't even start training a horse untill they're five

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<v Speaker 1>or six years old. So two years old or three

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<v Speaker 1>years old is just too young to force a horse

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<v Speaker 1>to run as fast as it could go. And that's

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<v Speaker 1>what happens. You know, they all kinds of things happen,

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<v Speaker 1>and you know they it's it's about money. That's what

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<v Speaker 1>it's about, Bob. It's about money. And they don't want

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<v Speaker 1>to say that, Oh no, it's it's you know, because

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<v Speaker 1>it's money and it's all about money. And they don't

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<v Speaker 1>want to close down Santa Anita because they're making a

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<v Speaker 1>ton of money. And you know, the people who are

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<v Speaker 1>the people want to race and they want to win money,

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<v Speaker 1>and that's you know, it's that's what it's about. So

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<v Speaker 1>you also said you play tennis. Are you a good

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<v Speaker 1>athlete in general and doing a million things or these

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<v Speaker 1>are just your two sports? No, I I I've always

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<v Speaker 1>been athletic, and of course being the lead singer of

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<v Speaker 1>the Tubes was all always pretty athletic. When I'm doing

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<v Speaker 1>ten or fifteen costume changes in the show, you know. Uh,

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<v Speaker 1>but uh, I played. My dad started little league in Scottsdale, Arizona,

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<v Speaker 1>back in gosh, she was nineteen fifty six, And uh,

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<v Speaker 1>I started playing baseball from the time I was eight

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<v Speaker 1>years old and played baseball all, you know, all the

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<v Speaker 1>way through school through high school and then and then

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<v Speaker 1>even even continued playing fast pitch softball until you know,

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<v Speaker 1>until about two thousand three or two thousand four, and

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<v Speaker 1>then fat men's fast pitch softball kind of disappeared and

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<v Speaker 1>it became a women's sport, and that's when I switched

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<v Speaker 1>to polo. But I've always been athletic. I've always had

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<v Speaker 1>some kind of sport. And my wife is a unbelievable

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<v Speaker 1>tennis player. She's played her whole life through high school

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<v Speaker 1>and college and and uh, she is a great player,

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<v Speaker 1>and she's she convinced me to start taking polo lessons,

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<v Speaker 1>you know, at seventy years old. And uh, because basically

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<v Speaker 1>she would love me to stop playing polo and start

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<v Speaker 1>playing tennis instead. Okay, so she convinced you to play

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<v Speaker 1>take tennis lesson, Yes, yes she did. Okay, because you said,

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<v Speaker 1>I want to make clearify, let's go back to the

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<v Speaker 1>very beginning. I always thought your name was completely made up.

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<v Speaker 1>Way Bill is your real last name? Yeah, oh yeah,

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<v Speaker 1>that's my real last name. And he give us any

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<v Speaker 1>history of that because I always think of shipping in

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<v Speaker 1>way bill. Do you know where it comes from? Yeah? Yeah,

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<v Speaker 1>A way bill is the list of stuff they've they're

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<v Speaker 1>hauling in the back of the truck. Yeah. And uh,

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<v Speaker 1>well it's my father's father. His name was Jail. Came

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<v Speaker 1>from England and uh. Names that end in two l's

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<v Speaker 1>are usually an English name. And uh, that was their

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<v Speaker 1>name back in England that they it wasn't changed. That

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<v Speaker 1>was you know, before they had the term way bill.

0:13:36.800 --> 0:13:41.240
<v Speaker 1>There was way bills. There was the history of the

0:13:41.280 --> 0:13:46.640
<v Speaker 1>family of way Bills. They were from, uh, Brighton, bright

0:13:46.720 --> 0:13:50.480
<v Speaker 1>Bristol or Brighton. I think Brighton, England is where my

0:13:50.559 --> 0:13:54.280
<v Speaker 1>family came from okay, and why fee for the uh

0:13:54.559 --> 0:14:03.160
<v Speaker 1>lesson knowledgeable? Ah, that's um well was shortened from Fiji

0:14:04.200 --> 0:14:07.880
<v Speaker 1>and one. Back in the old days when we were

0:14:07.880 --> 0:14:10.360
<v Speaker 1>all living in San Francisco, living together in a two

0:14:10.360 --> 0:14:16.840
<v Speaker 1>bedroom condemned house on Noriega Street. The the the bass player,

0:14:18.480 --> 0:14:23.400
<v Speaker 1>UH thought that I looked like the King of Fiji,

0:14:25.360 --> 0:14:28.480
<v Speaker 1>which I could never understand. The King of Fiji was

0:14:28.560 --> 0:14:32.440
<v Speaker 1>a black band with an Afro about that day, and

0:14:33.280 --> 0:14:37.880
<v Speaker 1>they started calling me Fiji and I. You know, you

0:14:37.960 --> 0:14:40.400
<v Speaker 1>can't pick your own nicknames, that's for sure. Back in

0:14:40.440 --> 0:14:45.080
<v Speaker 1>our area, they had nicknames them. So I was Fiji

0:14:45.120 --> 0:14:48.720
<v Speaker 1>and I was Fiji up until the time. Uh. The

0:14:48.920 --> 0:14:51.840
<v Speaker 1>our our bass player Rick Anderson, still calls me feed

0:14:52.440 --> 0:14:56.840
<v Speaker 1>because we feed fee j fej uh. And when we

0:14:56.880 --> 0:15:04.280
<v Speaker 1>made our first record in ninet for n M Records, UH,

0:15:04.560 --> 0:15:07.440
<v Speaker 1>they wanted us to put They said, okay, well, what's

0:15:07.440 --> 0:15:13.680
<v Speaker 1>your name and and and I thought feed. I didn't

0:15:13.680 --> 0:15:16.840
<v Speaker 1>want to say. I shortened it then from Fieg. I

0:15:16.840 --> 0:15:19.760
<v Speaker 1>took the j off from feedg to fee and I

0:15:19.800 --> 0:15:22.840
<v Speaker 1>thought the fee for the way bill, Oh yeah, it's

0:15:22.920 --> 0:15:27.080
<v Speaker 1>kind of like terry cloth or you know, probably very good. Okay,

0:15:27.080 --> 0:15:29.240
<v Speaker 1>you mentioned your wife. How long you've been married. I

0:15:29.280 --> 0:15:35.200
<v Speaker 1>have been married, well, on and off for thirty years.

0:15:35.600 --> 0:15:38.360
<v Speaker 1>Thirty years to the same woman, to the same woman.

0:15:38.600 --> 0:15:41.400
<v Speaker 1>What's the on and off part. Well, we got married

0:15:41.680 --> 0:15:46.400
<v Speaker 1>and then and we got We met in nine at

0:15:46.440 --> 0:15:53.520
<v Speaker 1>a Mayan temple in Guatemala on a solar eclipse January

0:15:53.800 --> 0:15:59.000
<v Speaker 1>July eleven, we met and we were on separate vacations.

0:15:59.320 --> 0:16:02.440
<v Speaker 1>She was on a occation with some English school teacher

0:16:02.440 --> 0:16:04.960
<v Speaker 1>from Santa Monica and I was on a vacation with

0:16:05.000 --> 0:16:08.080
<v Speaker 1>my best friend. And we we were Mayan iss we

0:16:08.080 --> 0:16:10.960
<v Speaker 1>were we went there to look at Mayan temples and

0:16:11.000 --> 0:16:14.640
<v Speaker 1>we were put both into Mayan history. And we met

0:16:14.880 --> 0:16:22.040
<v Speaker 1>at the Mayan ruin of Tikal on July eleven, and uh,

0:16:22.160 --> 0:16:25.440
<v Speaker 1>the guy that she was with recognized me, and you know,

0:16:25.560 --> 0:16:27.520
<v Speaker 1>came walking out of the jungle and said, hey, you're

0:16:27.560 --> 0:16:30.760
<v Speaker 1>fee Waybill from the tubes. And I just went and

0:16:30.800 --> 0:16:36.400
<v Speaker 1>then I immediately fell in love with his girlfriend, and

0:16:36.400 --> 0:16:39.520
<v Speaker 1>and so we spent the day together and then they

0:16:39.800 --> 0:16:42.160
<v Speaker 1>at the end of the day, we're going back to

0:16:42.520 --> 0:16:45.160
<v Speaker 1>Belize where we were staying, and they're going back to

0:16:45.200 --> 0:16:48.120
<v Speaker 1>Santa Monica. And I said, you know, I didn't know.

0:16:48.240 --> 0:16:53.480
<v Speaker 1>I was desperate to try to reach this person, and

0:16:53.520 --> 0:16:55.720
<v Speaker 1>you know, so it's funny, I asked. The guy said

0:16:56.000 --> 0:16:59.480
<v Speaker 1>he had a video camera, one of those giant video

0:16:59.520 --> 0:17:02.160
<v Speaker 1>cameras that the whole day was taken video. And so

0:17:02.200 --> 0:17:04.359
<v Speaker 1>at the end of the day, I said, Randy, you know,

0:17:04.400 --> 0:17:07.080
<v Speaker 1>could I get a copy of the video? Which was

0:17:07.119 --> 0:17:10.720
<v Speaker 1>a ruse, and he goes, oh, sure it called me

0:17:10.760 --> 0:17:13.200
<v Speaker 1>when we get back to Santa Monica and I said okay,

0:17:13.200 --> 0:17:15.760
<v Speaker 1>and so I did, and then I said, yeah, I

0:17:16.720 --> 0:17:18.920
<v Speaker 1>need a copy of the video. Yeah. I said, oh,

0:17:19.000 --> 0:17:21.639
<v Speaker 1>what a what about Liz? What about that girl you

0:17:21.680 --> 0:17:25.359
<v Speaker 1>were with? Liz? He goes, oh, nothing, Na, nothing, would

0:17:25.400 --> 0:17:29.840
<v Speaker 1>give me, no information at all. And so I went

0:17:29.880 --> 0:17:31.920
<v Speaker 1>and got the video and I said, we asked again.

0:17:32.000 --> 0:17:37.440
<v Speaker 1>He goes, na, Na, She's no, it's not happening, and

0:17:36.440 --> 0:17:39.959
<v Speaker 1>uh so I kind of gave up on that. And

0:17:40.000 --> 0:17:45.439
<v Speaker 1>then eight that was July. Eight months later, in February

0:17:45.640 --> 0:17:50.520
<v Speaker 1>of two, I'm working out at the Santa Monica Athletic

0:17:50.560 --> 0:17:53.560
<v Speaker 1>Club and she walks in the door of the club

0:17:54.480 --> 0:17:56.679
<v Speaker 1>and she was she wasn't even a member, she was

0:17:56.720 --> 0:17:59.760
<v Speaker 1>the guest of a member. And I saw her and

0:17:59.800 --> 0:18:01.880
<v Speaker 1>she saw me and I just kind of went, oh

0:18:01.920 --> 0:18:04.719
<v Speaker 1>my god, I can't believe it. And then we started

0:18:04.800 --> 0:18:09.000
<v Speaker 1>dating and live and then we got married in We

0:18:09.119 --> 0:18:12.960
<v Speaker 1>got married in ninety seven, got divorced in two thousand one,

0:18:14.359 --> 0:18:19.480
<v Speaker 1>went separate ways uh and and then we got back

0:18:19.520 --> 0:18:24.880
<v Speaker 1>together in two thousand eight, like six seven years later,

0:18:24.920 --> 0:18:28.639
<v Speaker 1>we got back together. And then we got married a

0:18:28.720 --> 0:18:34.640
<v Speaker 1>second time on the anniversary of the day we met,

0:18:34.920 --> 0:18:43.199
<v Speaker 1>which was July eleven, uh nineteen. What set en we

0:18:43.240 --> 0:18:52.720
<v Speaker 1>got married a second time? Okay? A couple of questions.

0:18:52.840 --> 0:18:57.119
<v Speaker 1>Have you been married before? No? Okay? Have any children? No? Okay?

0:18:57.200 --> 0:19:00.800
<v Speaker 1>What happened in those seven odd years when we're separated?

0:19:00.800 --> 0:19:02.080
<v Speaker 1>Why did you get divorced? And why did you get

0:19:02.119 --> 0:19:04.760
<v Speaker 1>back together? And when you divorced just on paper see

0:19:04.800 --> 0:19:07.480
<v Speaker 1>each other or were you really separate in those eras? No,

0:19:07.680 --> 0:19:11.159
<v Speaker 1>we didn't. We you know, I was living in a

0:19:11.160 --> 0:19:15.000
<v Speaker 1>little house in Sherman Oaks. You know, we just you

0:19:15.200 --> 0:19:18.440
<v Speaker 1>warn n to the truth. I was back then when

0:19:18.480 --> 0:19:21.240
<v Speaker 1>marijuana was not legal. I was growing pot in the

0:19:21.280 --> 0:19:25.840
<v Speaker 1>backyard and with smoke pottle day long. And finally she says, God,

0:19:26.440 --> 0:19:28.800
<v Speaker 1>I can't handle it. You're just smoke poddle day long.

0:19:29.480 --> 0:19:32.159
<v Speaker 1>And then we got divorced, and then you know, I

0:19:32.840 --> 0:19:34.959
<v Speaker 1>went out, no, and we didn't see each other for

0:19:35.000 --> 0:19:40.680
<v Speaker 1>seven six seven years. I you know, the tubes reformed.

0:19:40.720 --> 0:19:45.600
<v Speaker 1>I went back on the road. She uh uh went

0:19:45.640 --> 0:19:49.159
<v Speaker 1>to work and and became a commercial real estate agent

0:19:49.320 --> 0:19:53.920
<v Speaker 1>and then invested in commercial property and and took over

0:19:53.960 --> 0:19:56.879
<v Speaker 1>her dad's business. Of so she went to work and

0:19:56.920 --> 0:20:01.200
<v Speaker 1>I went to work, and and then, uh, it's funny,

0:20:01.400 --> 0:20:06.520
<v Speaker 1>you know my dad, uh, my dad, besides being a

0:20:06.560 --> 0:20:10.960
<v Speaker 1>writing instructor, my dad was a chief engineer of one

0:20:11.000 --> 0:20:15.280
<v Speaker 1>of the very first resort hotels in Scottsdale, called the

0:20:15.400 --> 0:20:20.560
<v Speaker 1>Valley ho And so he knew how he knew everything.

0:20:20.840 --> 0:20:24.679
<v Speaker 1>My dad knew plumbing and electrical and carpentry, and he

0:20:24.720 --> 0:20:28.280
<v Speaker 1>could do anything. And he taught my brother and I

0:20:28.600 --> 0:20:31.200
<v Speaker 1>to do that. He he taught us everything. He taught

0:20:31.240 --> 0:20:34.600
<v Speaker 1>us plumbing, he taught us electrical, he taught us carpentry.

0:20:34.840 --> 0:20:40.400
<v Speaker 1>So I can fix anything pretty much. And Elizabeth was

0:20:40.400 --> 0:20:46.080
<v Speaker 1>was reading this business and getting screwed by various vendors,

0:20:46.119 --> 0:20:49.280
<v Speaker 1>by the plumber, by the electrician. But she didn't know,

0:20:50.080 --> 0:20:51.760
<v Speaker 1>you know, if they were in a good or she

0:20:51.800 --> 0:20:54.119
<v Speaker 1>didn't know if they were charging her too much. She

0:20:54.400 --> 0:20:58.480
<v Speaker 1>just you know, that wasn't something that she really understood.

0:20:58.560 --> 0:21:00.760
<v Speaker 1>And so one day she called, she goes, you know,

0:21:02.200 --> 0:21:04.000
<v Speaker 1>I don't know if this is a good plumber or not,

0:21:04.119 --> 0:21:06.880
<v Speaker 1>you know all about plumbing. Can you help me with this?

0:21:07.600 --> 0:21:09.720
<v Speaker 1>Can you can you check this guy out and find

0:21:09.720 --> 0:21:13.560
<v Speaker 1>out if he's just you know, overcharging me or you know,

0:21:14.160 --> 0:21:18.080
<v Speaker 1>And I said, okay, And so, uh so I did it.

0:21:18.160 --> 0:21:20.120
<v Speaker 1>So I helped her out, and I you know, I

0:21:20.119 --> 0:21:21.720
<v Speaker 1>got her a new plumber, and I got her a

0:21:21.800 --> 0:21:26.600
<v Speaker 1>new new electrician and a new eric. You know, I

0:21:26.680 --> 0:21:30.760
<v Speaker 1>pretty much fired everybody she had and got somebody better.

0:21:31.400 --> 0:21:36.360
<v Speaker 1>And you know, we started working together and on commercial property,

0:21:36.560 --> 0:21:42.159
<v Speaker 1>and uh and then that kind of rekindled the romance.

0:21:42.720 --> 0:21:46.000
<v Speaker 1>And uh, but I had never you know, I wrote

0:21:46.040 --> 0:21:48.959
<v Speaker 1>a I used to I used to live in a

0:21:48.960 --> 0:21:51.560
<v Speaker 1>little house in Venice, and I would like I would

0:21:51.600 --> 0:21:54.639
<v Speaker 1>sit up all night and I get hammered and smoke

0:21:54.720 --> 0:21:58.560
<v Speaker 1>pot or or drink and write poetry for her to

0:21:58.680 --> 0:22:03.359
<v Speaker 1>her and and then I send a texture poetry and

0:22:03.640 --> 0:22:06.600
<v Speaker 1>I finally put a book together, a poetry book, and

0:22:06.880 --> 0:22:09.600
<v Speaker 1>but it was all too and it worked. It kind

0:22:09.640 --> 0:22:13.320
<v Speaker 1>of she kind of went, God, you still Anyway, we

0:22:13.400 --> 0:22:17.040
<v Speaker 1>got back together because of the poetry book, and uh,

0:22:17.119 --> 0:22:20.399
<v Speaker 1>and then you know, we started living together and and

0:22:20.600 --> 0:22:24.399
<v Speaker 1>uh we got married again. So and we still were together.

0:22:24.440 --> 0:22:27.760
<v Speaker 1>I'm sitting in She's an artist. She loves art, and

0:22:27.800 --> 0:22:30.879
<v Speaker 1>she's very besides being a great tennis player, she's a

0:22:30.880 --> 0:22:34.679
<v Speaker 1>wonderful artist. And so we turned our garage into an

0:22:34.800 --> 0:22:38.200
<v Speaker 1>arts studio. So we've got this. You know, the cars

0:22:38.200 --> 0:22:40.880
<v Speaker 1>are parked on the street, but we have this. That's

0:22:40.920 --> 0:22:44.960
<v Speaker 1>where I'm sitting now. We have this gorgeous studio downstairs

0:22:45.000 --> 0:22:46.879
<v Speaker 1>that used to be the garage and now we have

0:22:46.920 --> 0:22:49.840
<v Speaker 1>a little kitchen and a little bathroom. And she comes

0:22:49.880 --> 0:22:53.960
<v Speaker 1>down here and just is in heaven and has a

0:22:54.000 --> 0:22:57.560
<v Speaker 1>great big wall. I'm looking at this gigantic wall where

0:22:57.560 --> 0:23:01.040
<v Speaker 1>she's working on a piece that's got she's it's got

0:23:01.040 --> 0:23:04.960
<v Speaker 1>to be ten ft by eight by ten or something giant.

0:23:05.600 --> 0:23:11.040
<v Speaker 1>And so you know, so I'm just happy as a

0:23:11.119 --> 0:23:16.320
<v Speaker 1>clam and so lucky, you know. And so you're about

0:23:16.400 --> 0:23:19.520
<v Speaker 1>to play some live dates. What's the thinking about playing

0:23:19.520 --> 0:23:22.119
<v Speaker 1>those live dates? Why with the tombs she's been her

0:23:22.240 --> 0:23:27.880
<v Speaker 1>with my solo I was about to play. In fact,

0:23:28.000 --> 0:23:30.640
<v Speaker 1>it was the first gig was supposed to be tomorrow.

0:23:31.680 --> 0:23:36.240
<v Speaker 1>I did the solo album My fee Way Bill Rides

0:23:36.240 --> 0:23:39.240
<v Speaker 1>Again and which I said to you, by the way,

0:23:39.840 --> 0:23:47.640
<v Speaker 1>and and I put together with my best friend Richard Marks.

0:23:47.920 --> 0:23:51.840
<v Speaker 1>I put Richard. Richard wrote the songs and produced it

0:23:51.920 --> 0:23:57.760
<v Speaker 1>with me. And he's the guy's beyond brilliant and has

0:23:57.800 --> 0:24:01.439
<v Speaker 1>been my best friend for gosh since we met in

0:24:02.119 --> 0:24:06.520
<v Speaker 1>in the studio with David Foster back in and we've

0:24:06.560 --> 0:24:09.320
<v Speaker 1>written songs all these years. And so we made this

0:24:09.400 --> 0:24:13.160
<v Speaker 1>record and uh, and I've never done a solo show ever.

0:24:13.920 --> 0:24:16.960
<v Speaker 1>And he said, why let's do a solo show is

0:24:17.040 --> 0:24:19.720
<v Speaker 1>that you can use my band. I'll help you. We

0:24:19.760 --> 0:24:21.800
<v Speaker 1>can put it together and you can use my band

0:24:21.880 --> 0:24:24.560
<v Speaker 1>and do let's do some gigs. We've never done it.

0:24:25.320 --> 0:24:33.400
<v Speaker 1>And so we were supposed to have done gigs this weekend,

0:24:33.880 --> 0:24:37.560
<v Speaker 1>a gig in Phoenix in the Troubadour in l A

0:24:37.800 --> 0:24:40.600
<v Speaker 1>and then a gig in Orange County at the Coach House,

0:24:41.320 --> 0:24:44.760
<v Speaker 1>and uh, but that you know, we had it all

0:24:44.760 --> 0:24:50.480
<v Speaker 1>set up and then O Macron happened and then the

0:24:50.520 --> 0:24:54.000
<v Speaker 1>whole thing, you know, collapsed, and people are afraid to

0:24:54.000 --> 0:24:59.240
<v Speaker 1>go out still, and you know, so so we've postponed it,

0:24:59.520 --> 0:25:02.119
<v Speaker 1>We've post spooned the gigs till the end of the summer.

0:25:02.200 --> 0:25:05.440
<v Speaker 1>But then we've got tubes gigs we've got We're playing

0:25:05.440 --> 0:25:09.879
<v Speaker 1>in March, uh in Chicago and Minneapolis and Omaha, and

0:25:09.920 --> 0:25:13.479
<v Speaker 1>then we've got gigs coming up throughout the year. And uh,

0:25:15.359 --> 0:25:19.880
<v Speaker 1>you know why am I doing it? Why? Because that's

0:25:19.920 --> 0:25:25.320
<v Speaker 1>what I do and I live for the stage. And

0:25:26.920 --> 0:25:29.280
<v Speaker 1>I mean it's I mean, you saw me. You you

0:25:29.320 --> 0:25:33.160
<v Speaker 1>went to that David Bowie gig right in at Water Village. Yeah,

0:25:33.240 --> 0:25:35.520
<v Speaker 1>I I absolutely did. I've seen you and I saw

0:25:35.600 --> 0:25:37.919
<v Speaker 1>in the Rosy and seventy five. I totally get it.

0:25:38.320 --> 0:25:41.320
<v Speaker 1>But let's let's go a couple of different angles. Hey,

0:25:41.680 --> 0:25:45.800
<v Speaker 1>Usually the life of a rock star who is not

0:25:46.000 --> 0:25:51.199
<v Speaker 1>commercially mega successful is very challenging financially, How have you

0:25:51.280 --> 0:25:54.160
<v Speaker 1>made it through all these decades? I guess I've just

0:25:54.600 --> 0:25:59.320
<v Speaker 1>watched my money, watched my life. I've invested. I've invested

0:25:59.320 --> 0:26:03.280
<v Speaker 1>in our commercial properties, you know, thanks to Elizabeth uh

0:26:03.840 --> 0:26:08.320
<v Speaker 1>helping me, and so I've invested in that. And uh,

0:26:08.600 --> 0:26:13.240
<v Speaker 1>you know, I'm not extravagant. I don't drive a Lamborghini

0:26:13.560 --> 0:26:19.240
<v Speaker 1>SUV and you know I just uh. Uh, I just

0:26:20.480 --> 0:26:24.800
<v Speaker 1>created life for myself that that I could I could

0:26:25.359 --> 0:26:28.359
<v Speaker 1>deal with, that I could afford, you know, And and

0:26:28.560 --> 0:26:36.119
<v Speaker 1>uh it's been challenging. It has been challenging, you know,

0:26:36.480 --> 0:26:42.080
<v Speaker 1>but uh, uptil the point of the pandemic, you know,

0:26:42.520 --> 0:26:46.160
<v Speaker 1>we were we the Tube signed with the management company.

0:26:46.520 --> 0:26:49.600
<v Speaker 1>Just like in the beginning of for for years and

0:26:49.720 --> 0:26:52.360
<v Speaker 1>years we had no manager and I was the manager

0:26:52.359 --> 0:26:58.880
<v Speaker 1>and I did everything, and but we signed with Jonathan Wolfson. Uh.

0:26:58.920 --> 0:27:03.200
<v Speaker 1>And Jonathan also manages Hall of Notes and Lover Boy

0:27:03.440 --> 0:27:09.320
<v Speaker 1>and the Tubes and and well once again, a friend

0:27:09.359 --> 0:27:14.200
<v Speaker 1>of Elizabeth's thanks to her, got us an introduction with him,

0:27:14.280 --> 0:27:16.520
<v Speaker 1>and he came to see us out at the Canyon

0:27:16.520 --> 0:27:19.800
<v Speaker 1>Club in Agora Hills and he took us on and

0:27:20.040 --> 0:27:23.120
<v Speaker 1>it's kind of changed everything. We we worked a ton

0:27:23.280 --> 0:27:26.520
<v Speaker 1>in two thou nine. We made a lot of money,

0:27:27.040 --> 0:27:32.560
<v Speaker 1>and uh, Jonathan has really really helped us and really

0:27:32.680 --> 0:27:38.040
<v Speaker 1>kind of changed everything for us. And uh and then

0:27:38.080 --> 0:27:40.879
<v Speaker 1>of course the pandemic hits, so it's been challenging to

0:27:42.240 --> 0:27:44.920
<v Speaker 1>deal with that and you know, make it through that.

0:27:45.080 --> 0:27:53.320
<v Speaker 1>But uh, you know, uh, it's it's amazing and I

0:27:53.400 --> 0:27:58.480
<v Speaker 1>never thought this would happen, but people, people just our

0:27:58.560 --> 0:28:02.680
<v Speaker 1>songs have endured and people come and people come back

0:28:02.720 --> 0:28:06.400
<v Speaker 1>to see us again and again and again, and it's

0:28:06.440 --> 0:28:12.360
<v Speaker 1>it's uh, like I said, I never would have thought that,

0:28:12.600 --> 0:28:17.560
<v Speaker 1>but uh and I think also that you know, we're

0:28:17.680 --> 0:28:22.440
<v Speaker 1>very visual, unlike most bands, and we constantly change our show,

0:28:23.080 --> 0:28:26.399
<v Speaker 1>and like right now we're doing this complete we're doing

0:28:26.440 --> 0:28:30.840
<v Speaker 1>the completion Backward Principle album and we're kind of visually

0:28:31.400 --> 0:28:34.240
<v Speaker 1>recreating it with the business suits and the whole kind

0:28:34.240 --> 0:28:40.560
<v Speaker 1>of sarcasm and corporate uh parody that created the record.

0:28:41.120 --> 0:28:44.360
<v Speaker 1>And and then you know, next year we'll change it

0:28:44.880 --> 0:28:48.520
<v Speaker 1>completely and we'll do a completely different show and there'll

0:28:48.560 --> 0:28:51.680
<v Speaker 1>be different costume changes and well, you know, and it's

0:28:51.680 --> 0:28:54.280
<v Speaker 1>just every time you come to see the tubes, it's different.

0:28:54.640 --> 0:29:04.080
<v Speaker 1>And we're doing a visual uh visual you know, portrayal

0:29:04.840 --> 0:29:08.040
<v Speaker 1>of of what a record or a song or whatever.

0:29:08.560 --> 0:29:13.200
<v Speaker 1>And uh, I don't know, it's just we've we were

0:29:13.240 --> 0:29:16.280
<v Speaker 1>so lucky to have endured this many years and to

0:29:16.320 --> 0:29:19.720
<v Speaker 1>be this healthy and you know, everybody in the band

0:29:19.800 --> 0:29:22.520
<v Speaker 1>is really healthy and that everybody really wants to play,

0:29:22.680 --> 0:29:27.120
<v Speaker 1>and so it's just been it's just been wonderful. You know,

0:29:27.160 --> 0:29:30.760
<v Speaker 1>A couple of decades back. Bill Spooner, who was one

0:29:30.760 --> 0:29:33.440
<v Speaker 1>of the creative forces in the band, separates from the band.

0:29:33.480 --> 0:29:37.880
<v Speaker 1>What happened there. I don't know how to couch this,

0:29:39.120 --> 0:29:44.160
<v Speaker 1>but drugs, drugs happened. That's pretty definitive explanation. Let's also

0:29:44.200 --> 0:29:47.560
<v Speaker 1>talk about the era in terms of the Tubes and

0:29:47.680 --> 0:29:52.560
<v Speaker 1>also your songwriting with Richard Marks and with Toto. Do

0:29:52.640 --> 0:29:55.440
<v Speaker 1>you have a royalty stream or is that stuff pretty

0:29:55.520 --> 0:29:58.800
<v Speaker 1>much in the weird view mirror if there ever was no, no,

0:29:59.000 --> 0:30:02.320
<v Speaker 1>I do. I still that I do, and that also helps.

0:30:02.760 --> 0:30:07.120
<v Speaker 1>I never sold my publishing or my writer's royalties, so

0:30:07.200 --> 0:30:11.920
<v Speaker 1>I do have a publishing stream. And also, the strangest

0:30:12.000 --> 0:30:18.360
<v Speaker 1>it may seem, after forty years, we actually recouped with

0:30:18.600 --> 0:30:24.120
<v Speaker 1>Universal because you know, Universal owns everything. They bought a

0:30:24.120 --> 0:30:26.560
<v Speaker 1>a M and they bought Capital where all of our

0:30:26.600 --> 0:30:32.400
<v Speaker 1>product originated. And so we get royalty checks hard as

0:30:32.480 --> 0:30:38.720
<v Speaker 1>it maybe to believe from Universal twice a year. So yeah,

0:30:38.760 --> 0:30:41.320
<v Speaker 1>we do have a royalty stream. I mean, it's not massive.

0:30:41.400 --> 0:30:45.040
<v Speaker 1>It's not like Richard Marx's royalty stream, where you know

0:30:45.120 --> 0:30:48.840
<v Speaker 1>he sold forty million records and and owns it all.

0:30:49.040 --> 0:30:52.840
<v Speaker 1>You know, every record was a license so, uh, it's

0:30:52.880 --> 0:30:57.120
<v Speaker 1>not like that, but uh, it's really it really helps,

0:30:57.360 --> 0:31:01.479
<v Speaker 1>you know. And and I'm the you know, I've I do.

0:31:01.320 --> 0:31:06.280
<v Speaker 1>I pretty much do everything. I'm the publisher, administrator, I'm

0:31:06.400 --> 0:31:11.520
<v Speaker 1>the you know, I'm I kind of. I do the merch.

0:31:12.080 --> 0:31:15.360
<v Speaker 1>I booked the tour, I booked the hotels, I booked

0:31:15.360 --> 0:31:21.960
<v Speaker 1>the cars, I booked the air. Uh. And lately Elizabeth,

0:31:21.960 --> 0:31:27.120
<v Speaker 1>Elizabeth has taken over some of the uh, some of

0:31:27.160 --> 0:31:30.000
<v Speaker 1>the work with me. And she helps with the merch

0:31:30.600 --> 0:31:33.320
<v Speaker 1>and helps with the v I P beaten greet and

0:31:33.520 --> 0:31:39.200
<v Speaker 1>she's kind of become my my mentor and road manager,

0:31:39.800 --> 0:31:44.840
<v Speaker 1>personal assistant, and and nurse. She's the she's the sexy

0:31:44.920 --> 0:31:49.160
<v Speaker 1>nurse in the show. Now, So that's all a plus, okay,

0:31:49.160 --> 0:31:51.000
<v Speaker 1>And do you charge the other guys for doing all

0:31:51.000 --> 0:31:54.760
<v Speaker 1>that work? No? Okay, let's go back to the beginning. So, yeah,

0:31:54.840 --> 0:31:59.880
<v Speaker 1>you grew up in the fifties and early sixties, short haircuts, raw, rod, cetera.

0:32:00.080 --> 0:32:04.680
<v Speaker 1>The Beatles come along. Were you into music where you transformed?

0:32:04.680 --> 0:32:07.200
<v Speaker 1>Did you want to be into what happened then? And

0:32:07.280 --> 0:32:12.760
<v Speaker 1>I've done I've done this interview. The Beatles. Just Beatles

0:32:12.840 --> 0:32:16.240
<v Speaker 1>changed my life. The Beatles made me want to be

0:32:16.840 --> 0:32:20.280
<v Speaker 1>a rock and roll singer. And it changed everything when

0:32:20.280 --> 0:32:26.320
<v Speaker 1>the Beatles came out. Uh uh I was. I was

0:32:26.520 --> 0:32:31.040
<v Speaker 1>a freshman in high school and uh when the Beatles

0:32:31.080 --> 0:32:33.280
<v Speaker 1>came out, that's all I could think about. And I

0:32:33.480 --> 0:32:36.520
<v Speaker 1>actually I you know, I wanted to be a baseball player,

0:32:36.800 --> 0:32:40.200
<v Speaker 1>and you know, and it all, it all became. I

0:32:40.240 --> 0:32:43.600
<v Speaker 1>went to this high school, Scottsdale High and back then

0:32:43.920 --> 0:32:48.800
<v Speaker 1>we had an unbelievable theatrical department. We had a whole

0:32:48.920 --> 0:32:53.480
<v Speaker 1>building that was dedicated to theater arts, and we had

0:32:53.520 --> 0:32:56.600
<v Speaker 1>a shop, and we had a giant auditorium. We had

0:32:56.600 --> 0:33:00.640
<v Speaker 1>a three thousand seat auditorium where we could do plays.

0:33:01.480 --> 0:33:04.120
<v Speaker 1>I did, like from the time way just to be clear,

0:33:04.280 --> 0:33:08.120
<v Speaker 1>you mean three thousand seats right, yeah? I thought you

0:33:08.160 --> 0:33:12.400
<v Speaker 1>said no, no, no, three thousand seed auditorium. And we

0:33:12.440 --> 0:33:15.920
<v Speaker 1>would do plays, you know, I did. I did plays

0:33:15.960 --> 0:33:18.120
<v Speaker 1>all the way through high school. I did Sound of

0:33:18.240 --> 0:33:21.640
<v Speaker 1>Music and the Music Man and Little I played Little

0:33:21.640 --> 0:33:26.440
<v Speaker 1>Abner as a ninety pound weekly and we did dramatic.

0:33:26.520 --> 0:33:30.040
<v Speaker 1>We did Syranodo Bergerac and we did student We did

0:33:30.280 --> 0:33:32.720
<v Speaker 1>I just did plays and we and I was in this.

0:33:33.360 --> 0:33:38.120
<v Speaker 1>We had a vocal group what's called the Scotts Still Singers,

0:33:38.520 --> 0:33:44.480
<v Speaker 1>And it was a group of about forty people, you know, uh, soprano,

0:33:44.560 --> 0:33:48.840
<v Speaker 1>alto tenor bass, about ten of each. And we would

0:33:48.840 --> 0:33:53.040
<v Speaker 1>perform I mean we would go to like state competitions

0:33:53.040 --> 0:33:57.800
<v Speaker 1>of choral competitions and we would perform like Baroque to

0:33:57.960 --> 0:34:04.920
<v Speaker 1>Bach and handles Messiah and all these really complicated pieces,

0:34:05.640 --> 0:34:09.280
<v Speaker 1>uh and uh. And so I spent all that time

0:34:09.320 --> 0:34:14.720
<v Speaker 1>singing these classical type stuff, wanting to be a rock singer,

0:34:14.840 --> 0:34:19.000
<v Speaker 1>and listening to the Beatles all day long and letting

0:34:19.040 --> 0:34:22.960
<v Speaker 1>my hair grow. We used to have a rule if

0:34:23.000 --> 0:34:27.640
<v Speaker 1>your hair touched the collar of your shirt, you got expelled.

0:34:28.400 --> 0:34:31.319
<v Speaker 1>And I mean back then, you know you had you

0:34:31.320 --> 0:34:35.000
<v Speaker 1>couldn't wear jeans. Believe me, I remember you had to

0:34:35.040 --> 0:34:39.480
<v Speaker 1>wear a colored shirt. You know you couldn't. And you know,

0:34:39.640 --> 0:34:42.880
<v Speaker 1>I think, you know, I was gonna say my I

0:34:42.920 --> 0:34:46.160
<v Speaker 1>think I I got it. And and you know today

0:34:46.280 --> 0:34:50.040
<v Speaker 1>I still I still have the voice I had when

0:34:50.040 --> 0:34:53.040
<v Speaker 1>I was a kid. I can sing all these songs still,

0:34:53.480 --> 0:34:57.399
<v Speaker 1>and I love it. And but I think, uh, my

0:34:57.480 --> 0:35:02.719
<v Speaker 1>mother was a singer before my mother. I was born

0:35:02.719 --> 0:35:07.640
<v Speaker 1>in Omaha, Nebraska, and my mother lived in Omaha and

0:35:07.920 --> 0:35:14.560
<v Speaker 1>my mother's family. My mother's mother immigrated from Sicily. She

0:35:14.640 --> 0:35:19.759
<v Speaker 1>couldn't speak English. I'm half Sicilian and half English and

0:35:21.080 --> 0:35:24.239
<v Speaker 1>uh and my mother and back then, you know, if

0:35:24.280 --> 0:35:28.880
<v Speaker 1>you were Italian, it was kind of second class citizen.

0:35:29.000 --> 0:35:33.760
<v Speaker 1>You know. It's like you know, uh if it's funny.

0:35:33.800 --> 0:35:39.760
<v Speaker 1>I just read the uh, the Caaplan book on Sinatra. Uh,

0:35:39.840 --> 0:35:42.160
<v Speaker 1>the two books he wrote, The Voice and the Chairman,

0:35:42.480 --> 0:35:45.600
<v Speaker 1>and when he was young. That's the way they treated Italians.

0:35:45.640 --> 0:35:48.360
<v Speaker 1>They were they were second class citizens. If you were

0:35:48.400 --> 0:35:52.759
<v Speaker 1>an Italian, you were either a mob guy or you know,

0:35:53.120 --> 0:35:57.800
<v Speaker 1>you were so anyway, she but she was a singer

0:35:58.440 --> 0:36:01.719
<v Speaker 1>and before she got married, she used to sing with

0:36:02.000 --> 0:36:05.839
<v Speaker 1>big bands that came through town and they would they

0:36:05.840 --> 0:36:08.280
<v Speaker 1>would she was like the one they hired to sing,

0:36:08.960 --> 0:36:13.239
<v Speaker 1>you know, begin the beginning and the standards that the

0:36:13.280 --> 0:36:16.400
<v Speaker 1>big bands would play. Tommy Dorsey, She's played with Tommy

0:36:16.400 --> 0:36:21.399
<v Speaker 1>Dorsey and uh, so I think I kind of got

0:36:21.480 --> 0:36:25.759
<v Speaker 1>that gene. And we my house was when I was

0:36:25.800 --> 0:36:29.280
<v Speaker 1>a kid, we sang all the time before the Beatles.

0:36:29.560 --> 0:36:33.040
<v Speaker 1>We all you know, she my mom loved Broadway musicals

0:36:33.080 --> 0:36:37.080
<v Speaker 1>and we would always get uh Broadway soundtrack albums, And

0:36:37.120 --> 0:36:39.160
<v Speaker 1>we had a great big record player, one of those

0:36:39.239 --> 0:36:45.040
<v Speaker 1>giant SEV cabinet record player things, and we would sing

0:36:45.120 --> 0:36:48.920
<v Speaker 1>all day long. And we're always singing. She was singing,

0:36:49.000 --> 0:36:51.320
<v Speaker 1>I was singing. My brother really wasn't much of a singer,

0:36:51.400 --> 0:36:58.320
<v Speaker 1>but I really just you know, dove in and uh,

0:36:58.640 --> 0:37:02.719
<v Speaker 1>West Side Story. When West Side Story came out, I

0:37:03.040 --> 0:37:05.640
<v Speaker 1>flipped out and I learned all of the songs on

0:37:05.719 --> 0:37:08.520
<v Speaker 1>West Side Story. And actually, I have have you seen

0:37:08.520 --> 0:37:10.799
<v Speaker 1>the movie, the new movie lately? I have not seen

0:37:10.840 --> 0:37:12.719
<v Speaker 1>the new movie. I have not seen it either. I

0:37:12.719 --> 0:37:16.400
<v Speaker 1>don't know how Stephen Sondheim is gonna work. You know

0:37:17.400 --> 0:37:20.280
<v Speaker 1>that some of the lyrics in When You're a Jet

0:37:20.640 --> 0:37:26.239
<v Speaker 1>are not exactly politically correct anymore. Yeah. Uh, And the

0:37:26.280 --> 0:37:30.320
<v Speaker 1>Scuttal singers were famous. We used to win the state

0:37:30.440 --> 0:37:34.880
<v Speaker 1>competitions for choral groups and so every you know, everybody

0:37:34.960 --> 0:37:38.080
<v Speaker 1>knew about the singers and they had like special jackets

0:37:38.160 --> 0:37:42.839
<v Speaker 1>with with with you know, of emblems, and you know,

0:37:42.880 --> 0:37:45.239
<v Speaker 1>it was it was a big deal in scotch Dale.

0:37:45.360 --> 0:37:47.960
<v Speaker 1>It was a small town. And uh, I mean there

0:37:48.000 --> 0:37:50.000
<v Speaker 1>was when I moved to scutt Deal, there was still

0:37:50.120 --> 0:37:53.719
<v Speaker 1>hitching posts in front of the grocery store and you

0:37:53.719 --> 0:37:56.799
<v Speaker 1>could ride your horse to town and hitch it up

0:37:56.840 --> 0:37:59.320
<v Speaker 1>in front of the grocery store and get your groceries

0:37:59.360 --> 0:38:02.080
<v Speaker 1>for your family, put him in your saddle bag, ride

0:38:02.080 --> 0:38:08.720
<v Speaker 1>back home. Uh. But anyway, so when I was before

0:38:09.440 --> 0:38:15.840
<v Speaker 1>my freshman year of high school, uh, they held auditions

0:38:16.880 --> 0:38:20.400
<v Speaker 1>for you know, there was the Scots Chiel Singer was

0:38:20.800 --> 0:38:24.240
<v Speaker 1>like a varsity group. It was mostly all juniors and seniors,

0:38:24.360 --> 0:38:27.960
<v Speaker 1>but there was a freshman version of it that you know,

0:38:28.000 --> 0:38:30.200
<v Speaker 1>you could get in the freshman version and then after

0:38:30.280 --> 0:38:33.040
<v Speaker 1>a couple of years move up to the to the singers.

0:38:33.440 --> 0:38:38.759
<v Speaker 1>And so I wanted, you know, you had to audition

0:38:39.920 --> 0:38:45.240
<v Speaker 1>for for the for the the two directors, the freshman

0:38:45.320 --> 0:38:51.600
<v Speaker 1>director was his name was Deb's Valentine. And the the

0:38:51.640 --> 0:38:55.600
<v Speaker 1>senior director was Joe Esley. His name was Joe Estley.

0:38:55.719 --> 0:39:00.000
<v Speaker 1>And they got Joe sli changed my life too. And uh,

0:39:00.160 --> 0:39:05.480
<v Speaker 1>so I auditioned and I signed up and I sang

0:39:06.360 --> 0:39:15.640
<v Speaker 1>Maria from West Side Story Acapella and they were and

0:39:15.800 --> 0:39:21.640
<v Speaker 1>so Joe Esley was so impressed that he said, look,

0:39:21.719 --> 0:39:26.080
<v Speaker 1>Deb's this, I want this guy. So I was the

0:39:26.120 --> 0:39:30.600
<v Speaker 1>first guy ever to be put straight into the senior

0:39:31.200 --> 0:39:34.319
<v Speaker 1>to the varsity Scottsdale Singers and didn't have to go

0:39:34.719 --> 0:39:39.640
<v Speaker 1>through the freshman route and in the freshman group, so

0:39:39.719 --> 0:39:42.279
<v Speaker 1>I went straight to the singers as a freshman. And

0:39:43.200 --> 0:39:45.560
<v Speaker 1>you know, after a year or two, he started giving

0:39:45.560 --> 0:39:50.440
<v Speaker 1>me the solos, the arias in and handles Messiah and

0:39:50.680 --> 0:39:56.840
<v Speaker 1>various things, and he would just it's funny. He would

0:39:56.880 --> 0:39:59.719
<v Speaker 1>just you know, he would constantly go to, you know, no,

0:40:00.000 --> 0:40:03.560
<v Speaker 1>do this, do this, do this. He was always you know,

0:40:04.360 --> 0:40:07.240
<v Speaker 1>trying to help or and you know, I was an idiot.

0:40:07.840 --> 0:40:10.920
<v Speaker 1>I was a fucking idiot. So I you know, I

0:40:10.920 --> 0:40:13.799
<v Speaker 1>would say, you're you know, you're on my case and

0:40:13.840 --> 0:40:17.000
<v Speaker 1>I would oh. I used to always think he's on

0:40:17.120 --> 0:40:19.319
<v Speaker 1>he's why is he on me? On me? On me

0:40:19.400 --> 0:40:22.239
<v Speaker 1>all the time. And so one day I went into

0:40:22.280 --> 0:40:25.720
<v Speaker 1>his office and I said, you know, Mr Esley, why

0:40:25.719 --> 0:40:28.440
<v Speaker 1>why are you it's always me? Why are you always

0:40:28.520 --> 0:40:32.479
<v Speaker 1>on me? And he goes, you know, and he sat

0:40:32.520 --> 0:40:37.600
<v Speaker 1>me down in his desk and he goes, you have

0:40:37.719 --> 0:40:41.840
<v Speaker 1>got something special. You know, you've you've got a great voice,

0:40:41.920 --> 0:40:44.600
<v Speaker 1>and you've got something special. And he was also the

0:40:44.640 --> 0:40:47.880
<v Speaker 1>director of all the plays too, and he says, you

0:40:48.080 --> 0:40:51.560
<v Speaker 1>and I'm not gonna let you just slough it off.

0:40:51.640 --> 0:40:54.880
<v Speaker 1>I'm not gonna let you ignore it. You've got it.

0:40:55.040 --> 0:40:58.920
<v Speaker 1>You've got to to develop, you've got to do You've

0:40:58.920 --> 0:41:01.120
<v Speaker 1>got to do this. You can't. I just let it slide.

0:41:01.680 --> 0:41:04.879
<v Speaker 1>And so I kind of went, oh wow, really? And so,

0:41:05.520 --> 0:41:07.520
<v Speaker 1>I mean, he was the one that cast me as

0:41:07.680 --> 0:41:10.360
<v Speaker 1>Little Abner as a ninety powder weekly, and I'm like,

0:41:11.040 --> 0:41:14.439
<v Speaker 1>Mr Asley, am I you know, Little Abner is a

0:41:14.480 --> 0:41:18.240
<v Speaker 1>big stud. You know, he's a big muscle bound guy.

0:41:18.760 --> 0:41:21.520
<v Speaker 1>I said, do I wear a big muscle suit or

0:41:21.560 --> 0:41:23.680
<v Speaker 1>You're gonna make me a big muscle suit to wear?

0:41:24.440 --> 0:41:27.040
<v Speaker 1>And he said, no, you just have to think big,

0:41:28.560 --> 0:41:31.279
<v Speaker 1>I said. He says, when Peppi Yokum jumps off the

0:41:31.360 --> 0:41:44.160
<v Speaker 1>roof into your arms, you better be thinking big. Okay, Okay,

0:41:44.160 --> 0:41:46.840
<v Speaker 1>So you graduate from high school, you go to college,

0:41:46.840 --> 0:41:50.040
<v Speaker 1>and you drop out. Why do you drop out? Oh? God?

0:41:50.440 --> 0:41:54.880
<v Speaker 1>I started being an anthropology major. I still love anthropology.

0:41:54.960 --> 0:41:57.719
<v Speaker 1>I love I love the whole genre. And then I

0:41:57.760 --> 0:42:01.600
<v Speaker 1>switched to oceanography, right, I mean in Arizona, and I'm

0:42:01.600 --> 0:42:04.080
<v Speaker 1>obsessed with the ocean and I want to go to

0:42:04.120 --> 0:42:06.840
<v Speaker 1>Script's Institute. I want to transfer this. Well, you know

0:42:07.000 --> 0:42:10.920
<v Speaker 1>that's not gonna happen. And you know, we Arizona. Uh

0:42:11.120 --> 0:42:13.240
<v Speaker 1>we did. My family didn't have a lot of money.

0:42:13.280 --> 0:42:16.080
<v Speaker 1>My both my mom and dad worked and I was

0:42:16.120 --> 0:42:19.840
<v Speaker 1>a latch key kid. Me and my brother, and uh

0:42:19.920 --> 0:42:22.280
<v Speaker 1>we went to Arizona. I went to Arizona State because

0:42:22.400 --> 0:42:25.800
<v Speaker 1>if you were a resident, you know, the tuition was minimal.

0:42:26.400 --> 0:42:31.359
<v Speaker 1>And uh and uh so and also I decided, well,

0:42:31.440 --> 0:42:34.359
<v Speaker 1>I'm going to be a serious actor. Now, no more

0:42:34.400 --> 0:42:38.040
<v Speaker 1>of this musical comedy stuff. I'm gonna do Ibocident and

0:42:38.160 --> 0:42:42.680
<v Speaker 1>check Off and Macbeth. And so I went straight to

0:42:42.719 --> 0:42:46.560
<v Speaker 1>the drama department and and I started doing those kinds

0:42:46.600 --> 0:42:53.520
<v Speaker 1>of plays. And then finally I went I I finished

0:42:53.520 --> 0:42:56.439
<v Speaker 1>my freshman year, and then kind of halfway through my

0:42:56.760 --> 0:43:01.279
<v Speaker 1>sophomore year, I flipped out and I just went, this

0:43:01.360 --> 0:43:04.120
<v Speaker 1>is boring. Oh my god, you know, god, I don't

0:43:04.200 --> 0:43:09.080
<v Speaker 1>want to do this. And uh and you know, I

0:43:10.560 --> 0:43:14.880
<v Speaker 1>had a group of friends that we used and we

0:43:14.880 --> 0:43:18.080
<v Speaker 1>were all into music and we used to go one

0:43:18.080 --> 0:43:20.040
<v Speaker 1>of the one of the guys in the group had

0:43:20.120 --> 0:43:24.600
<v Speaker 1>this trailer He lived in a trailer way outside of

0:43:24.680 --> 0:43:28.040
<v Speaker 1>town on Baseline Road, and so we would all go

0:43:28.120 --> 0:43:30.800
<v Speaker 1>out there, you know, five or six of us would

0:43:30.800 --> 0:43:36.200
<v Speaker 1>go out to his trailer. His name was Terry, Terry molloy,

0:43:37.000 --> 0:43:42.080
<v Speaker 1>and and we would play music and and smoke pot Okay,

0:43:42.400 --> 0:43:45.719
<v Speaker 1>we play music and smoke pot all all night long.

0:43:46.440 --> 0:43:49.600
<v Speaker 1>And uh you know, and I had moved This is

0:43:49.600 --> 0:43:51.440
<v Speaker 1>when I was. I had moved out of out of

0:43:51.600 --> 0:43:53.640
<v Speaker 1>I mean, I moved out of my parents house the

0:43:53.719 --> 0:43:56.839
<v Speaker 1>day I turned eighteen. And I had a job, and

0:43:56.880 --> 0:43:59.759
<v Speaker 1>I got an apartment in Tempee near the college. And

0:43:59.800 --> 0:44:04.400
<v Speaker 1>I had a job. And I worked at this pottery store,

0:44:04.560 --> 0:44:06.960
<v Speaker 1>which is kind of ironic because my my wife is

0:44:06.960 --> 0:44:10.520
<v Speaker 1>now totally into pottery and we have a we have

0:44:10.600 --> 0:44:13.560
<v Speaker 1>a wheel, and we have a kiln and she's making

0:44:13.640 --> 0:44:17.160
<v Speaker 1>stuff all day long. So but I worked in this

0:44:17.280 --> 0:44:23.760
<v Speaker 1>pottery store and I used to pack cactus, little baby

0:44:23.840 --> 0:44:34.239
<v Speaker 1>cactuses in boxes to send to like Minnesota, where it

0:44:34.239 --> 0:44:39.200
<v Speaker 1>would instantly die because there's you know, it's too cold

0:44:39.239 --> 0:44:42.640
<v Speaker 1>for cactus. That's why they're not growing in Minnesota, is it.

0:44:43.520 --> 0:44:51.600
<v Speaker 1>And uh so, so Terry found out, you know, and

0:44:51.600 --> 0:44:53.719
<v Speaker 1>and we were all kind of of the same, you know,

0:44:54.960 --> 0:44:57.759
<v Speaker 1>tune in, turn on, drop out, it was kind of

0:44:58.000 --> 0:45:02.160
<v Speaker 1>and we took a LSD. You know, it was the

0:45:02.200 --> 0:45:07.560
<v Speaker 1>world of kind of Timothy Leary world, Ah, and he

0:45:07.640 --> 0:45:14.000
<v Speaker 1>found out about this town in northern Arizona. There's a

0:45:14.040 --> 0:45:18.040
<v Speaker 1>town called Jerome on the very it's it's on the

0:45:18.080 --> 0:45:21.759
<v Speaker 1>side of a mountain called Mingus Mountain, and it's in

0:45:21.800 --> 0:45:24.880
<v Speaker 1>the Verde Valley. It's about midway in the middle of

0:45:24.960 --> 0:45:30.880
<v Speaker 1>the state of Arizona. And there used to be a

0:45:30.920 --> 0:45:35.360
<v Speaker 1>gigantic copper mine there run by a company called Felps

0:45:35.400 --> 0:45:43.439
<v Speaker 1>Dodge Mining. And they they they dug all. I mean,

0:45:43.719 --> 0:45:48.360
<v Speaker 1>the whole town was full of tunnels and caves where

0:45:49.040 --> 0:45:52.719
<v Speaker 1>copper mines where they would mind the copper. And so

0:45:52.800 --> 0:45:57.680
<v Speaker 1>they eventually they sucked out all the copper in the

0:45:57.719 --> 0:46:00.640
<v Speaker 1>mountain and they said, okay, well that's were done. And

0:46:00.680 --> 0:46:04.600
<v Speaker 1>they left and they left, and they had a whole

0:46:04.680 --> 0:46:07.759
<v Speaker 1>lot of people working for them, these miners and the

0:46:07.840 --> 0:46:11.799
<v Speaker 1>minders all had little shacks on the side in the

0:46:11.840 --> 0:46:15.200
<v Speaker 1>town of Jerome. And Jerome was pretty much a ghost town.

0:46:15.760 --> 0:46:19.479
<v Speaker 1>It was abandoned. There was nobody there left. And once

0:46:19.560 --> 0:46:23.319
<v Speaker 1>the mind left and all the minders left, it was

0:46:23.360 --> 0:46:26.120
<v Speaker 1>a major ghost town. There was nothing. There was like

0:46:26.680 --> 0:46:30.879
<v Speaker 1>one bar, there was no gas station, there was one

0:46:31.040 --> 0:46:33.719
<v Speaker 1>there wasn't a hotel, there was nothing. There was just

0:46:33.760 --> 0:46:37.440
<v Speaker 1>a few people really, you know, seniors, seniors that had

0:46:37.480 --> 0:46:41.080
<v Speaker 1>lived there the whole life, and they didn't leave. So

0:46:41.640 --> 0:46:44.640
<v Speaker 1>Terry says, you know, we can, we can move to

0:46:44.719 --> 0:46:48.120
<v Speaker 1>this ghost town. And there's all these miners shacks and

0:46:48.400 --> 0:46:51.040
<v Speaker 1>nobody gives us, they don't care. So you could just

0:46:51.120 --> 0:46:54.719
<v Speaker 1>have one. You can just squat in one. You can

0:46:54.880 --> 0:47:00.279
<v Speaker 1>just homestead one. We used to stay homestead and we went,

0:47:00.320 --> 0:47:05.600
<v Speaker 1>oh really okay, So like eight of us moved to Jerome.

0:47:05.719 --> 0:47:08.560
<v Speaker 1>We just we said that's it and I quit school.

0:47:09.000 --> 0:47:12.759
<v Speaker 1>My parents freaked out, I mean completely freaked out, and

0:47:12.840 --> 0:47:16.680
<v Speaker 1>we moved to this little town and I had my

0:47:16.719 --> 0:47:20.800
<v Speaker 1>own minors shock. Everybody got their own minors shack. And

0:47:21.719 --> 0:47:26.240
<v Speaker 1>there's no this was you know, there's no indoor plumbing. Okay,

0:47:26.280 --> 0:47:30.319
<v Speaker 1>so we had an outhouse. There was h The electricity

0:47:30.360 --> 0:47:33.600
<v Speaker 1>had all been turned off, so there was no electricity either.

0:47:33.880 --> 0:47:38.560
<v Speaker 1>So you had like like hurricane lamps for for light.

0:47:39.440 --> 0:47:44.960
<v Speaker 1>And we all just we had we had nothing. I

0:47:45.000 --> 0:47:48.080
<v Speaker 1>had no money. I remember I had eight cents in

0:47:48.239 --> 0:47:51.480
<v Speaker 1>my jeans and I had eight cents in there for

0:47:51.520 --> 0:47:55.160
<v Speaker 1>a long long time. And we used to go from

0:47:55.360 --> 0:47:58.080
<v Speaker 1>various people would have would have dinners, you know. They

0:47:58.120 --> 0:48:00.680
<v Speaker 1>would they would say, okay, well dinners at my house tonight,

0:48:00.760 --> 0:48:04.239
<v Speaker 1>and we'd all go there. And my dad used to

0:48:04.280 --> 0:48:07.919
<v Speaker 1>bring me a twenty five pound bag of brown rice

0:48:08.520 --> 0:48:11.279
<v Speaker 1>from Phoenix, and so I when I got a bag

0:48:11.280 --> 0:48:13.640
<v Speaker 1>of brown rice, I'd have dinners. Okay, well we have

0:48:13.680 --> 0:48:20.720
<v Speaker 1>a big dinner of brown rice. And I I mean, gosh,

0:48:20.760 --> 0:48:25.000
<v Speaker 1>I lived there for probably this was January of n

0:48:26.719 --> 0:48:30.120
<v Speaker 1>and I lived there for about four or five months,

0:48:30.160 --> 0:48:36.239
<v Speaker 1>maybe with absolutely nothing, no money, no nothing, and just

0:48:36.719 --> 0:48:40.760
<v Speaker 1>you know, we're a bunch of hippies were surviving and

0:48:40.880 --> 0:48:43.000
<v Speaker 1>we loved We had a great time. You know. People

0:48:43.000 --> 0:48:45.960
<v Speaker 1>would come up from the city and they would bring drugs,

0:48:46.680 --> 0:48:49.239
<v Speaker 1>you know. Okay, so how do you make it from

0:48:49.280 --> 0:48:52.480
<v Speaker 1>the booties to being a roadie for what it becomes

0:48:52.520 --> 0:48:56.359
<v Speaker 1>the tubes. Well, I'm gonna tell you. I finally got

0:48:56.400 --> 0:49:00.720
<v Speaker 1>sick of having no money. So, uh, I heard about

0:49:00.800 --> 0:49:07.160
<v Speaker 1>this rancher who was looking for cowboys. He's looking to

0:49:07.239 --> 0:49:10.960
<v Speaker 1>hire a couple of cowboys. He needed help. His name

0:49:11.000 --> 0:49:14.840
<v Speaker 1>was Dave Perkins, and so I went to Dave Perkins

0:49:15.320 --> 0:49:22.719
<v Speaker 1>and he was, Uh, there's a town in Arizona called Perkinsville, Uh.

0:49:22.840 --> 0:49:27.960
<v Speaker 1>His father was this patriarch of Perkinsville. And his father

0:49:28.600 --> 0:49:36.359
<v Speaker 1>drove a herd of hundred longhorn cows from Texas all

0:49:36.400 --> 0:49:40.520
<v Speaker 1>the way to Arizona. You know, when he was a kid.

0:49:40.960 --> 0:49:44.880
<v Speaker 1>And he had five sons, and he owned all this property.

0:49:44.920 --> 0:49:47.799
<v Speaker 1>He was the big deal. And each of the five

0:49:47.920 --> 0:49:50.400
<v Speaker 1>sons had a ranch. He gave each of them their

0:49:50.440 --> 0:49:55.480
<v Speaker 1>own cattle ranch. So Dave was the youngest son and

0:49:55.560 --> 0:49:57.800
<v Speaker 1>he had his own cattle ranch. And the other guys

0:49:57.840 --> 0:50:02.920
<v Speaker 1>were pretty much rednecked cowboys, you know they were. They were,

0:50:03.320 --> 0:50:08.680
<v Speaker 1>shall we say, a conservative group and except for Dave.

0:50:09.239 --> 0:50:13.040
<v Speaker 1>And Dave was a little forward thinking. And you know,

0:50:13.200 --> 0:50:16.920
<v Speaker 1>he had some kids, and he divorced his wife, and

0:50:16.920 --> 0:50:19.800
<v Speaker 1>then he had a lady living with him and helping

0:50:19.880 --> 0:50:22.759
<v Speaker 1>him run his ranch. And so I came up to him,

0:50:22.760 --> 0:50:26.200
<v Speaker 1>and I had long hair, and you know, not Fiji hair,

0:50:26.520 --> 0:50:31.000
<v Speaker 1>but uh, I said, Dave, you know I grew up

0:50:31.000 --> 0:50:32.880
<v Speaker 1>on a horse. I can ride. I can help you,

0:50:33.600 --> 0:50:37.480
<v Speaker 1>because he needs somebody to go out. He had two

0:50:37.560 --> 0:50:45.840
<v Speaker 1>hundred and fifty thousand acres of forest service least land. Okay,

0:50:45.880 --> 0:50:48.320
<v Speaker 1>he did known it. He leased it from the Forest Service.

0:50:48.719 --> 0:50:52.200
<v Speaker 1>And on this and the Forest Service based on how

0:50:52.280 --> 0:50:56.360
<v Speaker 1>much feed there was, and there was no feed because

0:50:56.400 --> 0:51:00.000
<v Speaker 1>of the desert. They would tell you how many cows

0:51:00.000 --> 0:51:02.640
<v Speaker 1>as you could run on this land, and so the

0:51:02.760 --> 0:51:06.080
<v Speaker 1>number was one hundred and fifty. He could have a

0:51:06.160 --> 0:51:09.279
<v Speaker 1>hundred and fifty mother cows on this two hundred and

0:51:09.280 --> 0:51:14.640
<v Speaker 1>fifty thousand acres, And twice a year you had to

0:51:14.680 --> 0:51:19.600
<v Speaker 1>go out and round up these hundred fifty cows and

0:51:19.640 --> 0:51:23.680
<v Speaker 1>bring him back and breed them to the bulls so

0:51:23.800 --> 0:51:27.000
<v Speaker 1>that they would make babies to make you know, Hamburger

0:51:27.080 --> 0:51:30.000
<v Speaker 1>out of And so that was the way it worked.

0:51:30.239 --> 0:51:32.400
<v Speaker 1>And so every twice a year you got to go

0:51:32.400 --> 0:51:35.000
<v Speaker 1>out and round up the cows and bring in the

0:51:35.880 --> 0:51:40.520
<v Speaker 1>bringing the babies and bringing brand. And I was a cowboy.

0:51:40.640 --> 0:51:42.680
<v Speaker 1>I was a cowboy, just like in the movies. And

0:51:42.719 --> 0:51:45.640
<v Speaker 1>I always wanted to be a cowboy. You know, when

0:51:45.680 --> 0:51:47.799
<v Speaker 1>I was a kid, all I did was watch westerns.

0:51:47.880 --> 0:51:50.960
<v Speaker 1>And you know, I watched all those westerns and all

0:51:51.000 --> 0:51:55.040
<v Speaker 1>those big stars started as you know, Steve McQueen wanted

0:51:55.120 --> 0:51:59.600
<v Speaker 1>dead or alive or they all cowboys, John Wayne and

0:51:59.719 --> 0:52:02.520
<v Speaker 1>every Clint and now I mean they all. I wanted

0:52:02.560 --> 0:52:04.920
<v Speaker 1>to be a cowboy, and so I got to be

0:52:04.960 --> 0:52:07.440
<v Speaker 1>a cowboy, and so I would ride out on my horse.

0:52:07.480 --> 0:52:10.759
<v Speaker 1>He gave me a horse, and I'd ride out. And

0:52:10.880 --> 0:52:14.440
<v Speaker 1>it wasn't as hard as it sounds to find cows

0:52:14.480 --> 0:52:17.240
<v Speaker 1>because there was no water, so the cows would always

0:52:17.280 --> 0:52:20.600
<v Speaker 1>be near the water. And so you'd go to wherever

0:52:20.719 --> 0:52:23.799
<v Speaker 1>the river was and you'd round up cows because they

0:52:23.800 --> 0:52:26.640
<v Speaker 1>would be there drinking water, So round them up and

0:52:26.680 --> 0:52:28.880
<v Speaker 1>bring them back to the ranch. And then you'd separate

0:52:28.920 --> 0:52:32.520
<v Speaker 1>out the boys from the girls. And then the boys were,

0:52:33.000 --> 0:52:36.040
<v Speaker 1>you know, castrated. This is fascinating, But how do we

0:52:36.040 --> 0:52:40.200
<v Speaker 1>get from here to rock and roll? Oh? Sorry? Well,

0:52:40.840 --> 0:52:43.759
<v Speaker 1>when I was a kid, before I left, I used

0:52:43.760 --> 0:52:48.080
<v Speaker 1>to go watch bands in Phoenix. I mean, you know Alice.

0:52:48.280 --> 0:52:51.319
<v Speaker 1>Alice started in Phoenix Cooper and he had a band

0:52:51.360 --> 0:52:54.439
<v Speaker 1>called the Ear Wings and I used to go watch them,

0:52:54.680 --> 0:53:00.520
<v Speaker 1>and Roger Steen and Prairie Prince and a guy David

0:53:00.680 --> 0:53:03.960
<v Speaker 1>had a trio in Phoenix called the Red, White and

0:53:04.000 --> 0:53:07.000
<v Speaker 1>Blues Band and they used to play at a little

0:53:07.040 --> 0:53:11.000
<v Speaker 1>club called the v I P in downtown Phoenix. And

0:53:11.040 --> 0:53:12.840
<v Speaker 1>I used to go to this club all the time

0:53:12.880 --> 0:53:16.800
<v Speaker 1>to listen to music, live music, and they were great.

0:53:16.880 --> 0:53:18.879
<v Speaker 1>They were a great band, and they you know, they

0:53:18.920 --> 0:53:22.480
<v Speaker 1>did all this original material. And Roger used to play

0:53:22.600 --> 0:53:26.279
<v Speaker 1>Jimmy Hendricks songs because he loved Hendricks. And so I

0:53:26.320 --> 0:53:29.400
<v Speaker 1>would go see them, and I became friends with them,

0:53:29.440 --> 0:53:32.120
<v Speaker 1>and I was, you know, kind of just a hanger

0:53:32.160 --> 0:53:35.960
<v Speaker 1>on her, and I, you know, I was looking for

0:53:36.040 --> 0:53:42.400
<v Speaker 1>some way, you know, to get into music somehow. And so, uh,

0:53:42.719 --> 0:53:44.920
<v Speaker 1>when I moved to the mountains, when I moved to

0:53:45.000 --> 0:53:51.319
<v Speaker 1>the Verde Valley, uh, uh, you know, I everyone, you know,

0:53:51.320 --> 0:53:54.160
<v Speaker 1>I go back to town to get whatever, get asked

0:53:54.160 --> 0:53:56.960
<v Speaker 1>my parents for money or something, and I would say,

0:53:57.000 --> 0:53:59.520
<v Speaker 1>you know, this is so great up here. And and

0:53:59.560 --> 0:54:02.279
<v Speaker 1>they every once in a while they would drive their

0:54:02.320 --> 0:54:06.719
<v Speaker 1>truck up there. Uh. They had a big they had

0:54:06.719 --> 0:54:10.360
<v Speaker 1>a milk truck that was converted into their equipment truck,

0:54:10.640 --> 0:54:13.120
<v Speaker 1>and they would they had a generator and they would

0:54:13.200 --> 0:54:18.240
<v Speaker 1>drive up to the mountains and set their gear up

0:54:18.239 --> 0:54:24.000
<v Speaker 1>out in the desert and just play to the cactus right.

0:54:24.760 --> 0:54:29.759
<v Speaker 1>And uh. The guy that I worked with, his name

0:54:29.800 --> 0:54:32.600
<v Speaker 1>was Michael Walker. He met a girl and they wanted

0:54:32.640 --> 0:54:35.440
<v Speaker 1>to get married, and they wanted a band for the

0:54:35.480 --> 0:54:39.680
<v Speaker 1>wedding at the at the Perkins Place. And I asked Roger,

0:54:39.719 --> 0:54:41.680
<v Speaker 1>I said, you want to You know, these guys have

0:54:41.760 --> 0:54:43.759
<v Speaker 1>like a two hundred bucks or something and they need

0:54:43.760 --> 0:54:47.200
<v Speaker 1>a band to play for the wedding and and so

0:54:47.680 --> 0:54:49.359
<v Speaker 1>you want to come up and do it? And they

0:54:49.360 --> 0:54:52.520
<v Speaker 1>said yes. So they came up and they played at

0:54:52.560 --> 0:54:59.360
<v Speaker 1>Michael Walker's wedding. Okay, and when they did they what

0:54:59.480 --> 0:55:05.640
<v Speaker 1>happened us When Prairie Prince graduated from high school, he

0:55:05.760 --> 0:55:09.239
<v Speaker 1>was an artist. He's still an artist. He's he's the

0:55:09.239 --> 0:55:13.600
<v Speaker 1>one that does all of our album covers and everything. Uh.

0:55:13.719 --> 0:55:17.319
<v Speaker 1>Prairie got a scholarship to the San Francisco Art Institute

0:55:18.440 --> 0:55:23.680
<v Speaker 1>to begin school in the fall of nineteen and Uh.

0:55:24.040 --> 0:55:28.320
<v Speaker 1>Up until that point, they had no roadie that the band,

0:55:28.480 --> 0:55:31.359
<v Speaker 1>they didn't have anybody. And so when they came up

0:55:31.400 --> 0:55:33.520
<v Speaker 1>to play for the wedding, they said, hey, do you

0:55:33.560 --> 0:55:38.239
<v Speaker 1>want to do you want to be? Actually, actually the

0:55:38.360 --> 0:55:41.400
<v Speaker 1>bass player asked me if I wanted to be in

0:55:41.440 --> 0:55:47.840
<v Speaker 1>the band and play logs African logs, and I said logs.

0:55:47.920 --> 0:55:50.120
<v Speaker 1>He goes, yeah, you know, we'll get these big logs

0:55:50.239 --> 0:55:52.440
<v Speaker 1>that are like hollow down and you can play him

0:55:52.440 --> 0:55:56.399
<v Speaker 1>it's kind of a I went, but also, we need

0:55:56.440 --> 0:56:00.719
<v Speaker 1>you to drive the truck to San Francisco. Uh went, oh,

0:56:00.800 --> 0:56:04.839
<v Speaker 1>I see, okay. And I by that time, by that time,

0:56:04.880 --> 0:56:06.880
<v Speaker 1>after being on the ranch for about a year and

0:56:06.960 --> 0:56:09.640
<v Speaker 1>a half being a cowboy, I made fifty dollars a

0:56:09.719 --> 0:56:14.399
<v Speaker 1>month plus room and board to be the cowboy. And

0:56:14.440 --> 0:56:16.440
<v Speaker 1>I said, I kind of got I kind of said, well,

0:56:16.480 --> 0:56:19.640
<v Speaker 1>you know, I kind of done this whole cowboy thing, okay,

0:56:19.760 --> 0:56:23.600
<v Speaker 1>And so I said, okay, So I drove the truck

0:56:24.440 --> 0:56:27.520
<v Speaker 1>in the in the summer of sixty nine, I drove

0:56:27.600 --> 0:56:32.960
<v Speaker 1>the truck to San Francisco and uh. And that's how

0:56:33.000 --> 0:56:35.680
<v Speaker 1>it all started. That's how I became a roady to

0:56:35.800 --> 0:56:38.600
<v Speaker 1>the band. And you know, we got a little house

0:56:38.640 --> 0:56:42.239
<v Speaker 1>and in the Sunset District and we would do little

0:56:42.280 --> 0:56:44.640
<v Speaker 1>gigs here and there, and I was the road he

0:56:44.800 --> 0:56:51.120
<v Speaker 1>and I. I had no idea at all about any

0:56:51.239 --> 0:56:58.200
<v Speaker 1>kind of electronic knowledge. I had no knowledge. I knew

0:56:58.280 --> 0:57:03.200
<v Speaker 1>too put the O N switch in the O N position.

0:57:04.360 --> 0:57:07.600
<v Speaker 1>And that was the extent of my knowledge. And so

0:57:07.640 --> 0:57:10.680
<v Speaker 1>how do you end up in the band? Well, I'll

0:57:10.680 --> 0:57:13.920
<v Speaker 1>tell you. They had a manager. Okay. We had a

0:57:14.320 --> 0:57:17.080
<v Speaker 1>guy named John Spear who was the manager. And he

0:57:17.160 --> 0:57:19.880
<v Speaker 1>was also there like high school friend. He had no idea,

0:57:20.200 --> 0:57:23.360
<v Speaker 1>but he was a hustler and he was you know

0:57:24.000 --> 0:57:30.640
<v Speaker 1>he uh uh. He got us a gig to play

0:57:30.720 --> 0:57:37.920
<v Speaker 1>at this nine seventy Expo seventy in Osaka, Japan. Okay.

0:57:38.000 --> 0:57:42.720
<v Speaker 1>It was an ex exposition World Exposition in Osaka. And

0:57:43.040 --> 0:57:46.240
<v Speaker 1>he got us a gig to play at the San

0:57:46.320 --> 0:57:52.240
<v Speaker 1>Francisco Pavilion. Okay, like five sets of a day and

0:57:52.320 --> 0:57:56.760
<v Speaker 1>the and the wet. It's funny because at the time

0:57:57.440 --> 0:57:59.800
<v Speaker 1>we had changed the name Rogers band was called the

0:58:00.080 --> 0:58:04.240
<v Speaker 1>White Blues Band, right the trio, and they had they

0:58:04.320 --> 0:58:07.080
<v Speaker 1>for some reason, I don't know why. Actually they had

0:58:07.160 --> 0:58:13.480
<v Speaker 1>changed the name to Arizona, okay. And John got them

0:58:14.160 --> 0:58:16.840
<v Speaker 1>to hire us at the San Francisco Pavilion. But the

0:58:16.840 --> 0:58:19.360
<v Speaker 1>guy goes, you know, you really can't. It's not gonna

0:58:19.360 --> 0:58:23.480
<v Speaker 1>work for a band to be called Arizona representing San Francisco.

0:58:24.320 --> 0:58:26.520
<v Speaker 1>And so he goes, how about They went, well, how

0:58:26.560 --> 0:58:28.520
<v Speaker 1>about if you just take the A off the end,

0:58:29.240 --> 0:58:34.720
<v Speaker 1>you could be Arizon Okay, great, okay, So we went

0:58:35.680 --> 0:58:40.760
<v Speaker 1>wheat and and he also got us the transportation there

0:58:40.880 --> 0:58:44.479
<v Speaker 1>back and back then there was a shipping company called

0:58:44.520 --> 0:58:48.760
<v Speaker 1>the American President Lines. It was a it was a

0:58:49.640 --> 0:58:53.080
<v Speaker 1>It wasn't like a princess cruisers or celebrity cruises. It

0:58:53.200 --> 0:58:57.640
<v Speaker 1>was a company that actually just it was a a

0:58:57.720 --> 0:59:01.600
<v Speaker 1>ship that transported you to Japan. It was a big

0:59:01.640 --> 0:59:06.240
<v Speaker 1>passenger liner, right, And he got us a gig to

0:59:06.440 --> 0:59:11.320
<v Speaker 1>play on the ship for our passage. You could go

0:59:11.440 --> 0:59:14.320
<v Speaker 1>for free. All you have to do is play to

0:59:14.760 --> 0:59:19.600
<v Speaker 1>two concerts on the ship and then and so that

0:59:19.640 --> 0:59:23.800
<v Speaker 1>was actually the first time I actually performed in front

0:59:23.800 --> 0:59:26.720
<v Speaker 1>of an audience. I became the opening act for the

0:59:27.080 --> 0:59:29.840
<v Speaker 1>for Arizon, and I had my because I used to

0:59:29.840 --> 0:59:32.600
<v Speaker 1>play guitar and I used to sit out there in

0:59:32.640 --> 0:59:36.880
<v Speaker 1>the desert and play Roy Orbison songs to the cactus

0:59:37.960 --> 0:59:41.040
<v Speaker 1>and just sing like Bob Dylan songs and folk songs.

0:59:41.080 --> 0:59:44.200
<v Speaker 1>And so I knew a couple of songs, and they said,

0:59:44.200 --> 0:59:46.080
<v Speaker 1>will you be the opening act? You can play your

0:59:46.080 --> 0:59:49.200
<v Speaker 1>folks songs, And so I would play Roy Orbison song

0:59:49.360 --> 0:59:51.680
<v Speaker 1>or a Bob Dylan song and play a couple of

0:59:51.720 --> 0:59:54.160
<v Speaker 1>songs and I'd be the opening act. Well, what happened

0:59:54.560 --> 1:00:00.320
<v Speaker 1>on the trip on the way over there, we got

1:00:00.320 --> 1:00:04.919
<v Speaker 1>caught smoking pot in our in our state room, and

1:00:05.120 --> 1:00:08.560
<v Speaker 1>they kicked us off the ship. In Hawaii, and so

1:00:08.720 --> 1:00:11.200
<v Speaker 1>then we had to wait for the next one to come.

1:00:11.600 --> 1:00:14.280
<v Speaker 1>There was they had about five or six. They had

1:00:14.320 --> 1:00:18.880
<v Speaker 1>the President Wilson and the President Roosevelt, and they got

1:00:18.920 --> 1:00:22.200
<v Speaker 1>all these ships named after presidents. And so we got

1:00:22.200 --> 1:00:25.520
<v Speaker 1>on the second one and we made it to Japan

1:00:26.840 --> 1:00:30.800
<v Speaker 1>and then uh we did that. We played for six

1:00:30.880 --> 1:00:35.920
<v Speaker 1>weeks at this at Explo seventy at the San Francisco Pavilion,

1:00:36.240 --> 1:00:40.600
<v Speaker 1>and you know, we we you know, it was great. God,

1:00:40.640 --> 1:00:44.640
<v Speaker 1>I never it was wonderful and uh, you know, we

1:00:44.720 --> 1:00:47.880
<v Speaker 1>met Japanese girls and we had such a great time.

1:00:48.600 --> 1:00:54.080
<v Speaker 1>And on the way back, same thing. We got caught

1:00:54.080 --> 1:00:58.240
<v Speaker 1>smoking pot in the ship and so they didn't kick

1:00:58.280 --> 1:01:00.320
<v Speaker 1>us off the ship, but they stuck us in the

1:01:00.520 --> 1:01:05.000
<v Speaker 1>steerage compartment where there was all these bunk beds, you know,

1:01:05.160 --> 1:01:10.840
<v Speaker 1>with Filipinos smoking cigars, which was pretty hurting. And but

1:01:10.960 --> 1:01:15.240
<v Speaker 1>then David the bass player, he there's there's like a

1:01:15.280 --> 1:01:17.800
<v Speaker 1>preacher on board. This is I mean, you couldn't you

1:01:17.840 --> 1:01:20.840
<v Speaker 1>have to write a book coming this is ridiculous. He

1:01:20.880 --> 1:01:27.880
<v Speaker 1>gets caught having sex with the preacher's daughter. Okay, I

1:01:28.000 --> 1:01:30.720
<v Speaker 1>know this is I mean, I'm being honest, this is true,

1:01:31.560 --> 1:01:36.360
<v Speaker 1>and so they kicked us off the boat again in Hawaii,

1:01:37.520 --> 1:01:42.080
<v Speaker 1>and so uh and we met some hippies in Hawaii

1:01:42.160 --> 1:01:44.400
<v Speaker 1>and we went and stayed at their place and you know,

1:01:45.000 --> 1:01:47.560
<v Speaker 1>smoke pot all day long. And so then we got

1:01:47.600 --> 1:01:52.360
<v Speaker 1>the next boat back to the next President line back

1:01:52.400 --> 1:01:56.320
<v Speaker 1>to San Francisco. So when we got back, they were

1:01:56.360 --> 1:02:01.920
<v Speaker 1>so mad at this guy David, that they kicked him

1:02:01.920 --> 1:02:04.920
<v Speaker 1>out of the band. Okay, they kicked him out of

1:02:04.960 --> 1:02:07.920
<v Speaker 1>the band. And so then there's just Roger and Prairie

1:02:08.560 --> 1:02:15.360
<v Speaker 1>and and I used to sing his he was the

1:02:15.440 --> 1:02:21.120
<v Speaker 1>lead singer of the band, David, And so they still

1:02:20.960 --> 1:02:24.560
<v Speaker 1>we still practice in our garage in the house on

1:02:24.680 --> 1:02:27.680
<v Speaker 1>Oreega and I would go down and sing his parts,

1:02:28.600 --> 1:02:33.080
<v Speaker 1>and you know, we just screw around playing singing. And

1:02:33.120 --> 1:02:35.160
<v Speaker 1>they tried to find another bass player, and we put

1:02:35.200 --> 1:02:38.240
<v Speaker 1>an ad in they hate Ashbury Free Press bass player

1:02:38.280 --> 1:02:43.200
<v Speaker 1>wanted and we they auditioned all these guys and and

1:02:43.960 --> 1:02:45.800
<v Speaker 1>they didn't like it. They were none of them were

1:02:45.840 --> 1:02:51.000
<v Speaker 1>good enough to be in the band. And so another band,

1:02:51.120 --> 1:02:56.520
<v Speaker 1>Bill Spooner's band, based on our recommendation, they had a

1:02:56.520 --> 1:03:01.000
<v Speaker 1>band called the Beans okay, and the and Bill moved

1:03:01.200 --> 1:03:06.760
<v Speaker 1>his band from Arizona to San Francisco also, and they

1:03:07.040 --> 1:03:09.160
<v Speaker 1>they were a four piece band, the Beans. They had

1:03:09.200 --> 1:03:16.120
<v Speaker 1>a drummer, keyboard, bass, guitar and uh and the and

1:03:16.160 --> 1:03:19.960
<v Speaker 1>they had a manager named Lauren, and Lauren and John

1:03:20.000 --> 1:03:23.680
<v Speaker 1>were good friends. And after a while they kind of

1:03:23.720 --> 1:03:27.440
<v Speaker 1>gave up trying to find the bass player, and John

1:03:27.520 --> 1:03:31.280
<v Speaker 1>talked Lauren into letting Roger and Prairie joined Bill's band,

1:03:31.880 --> 1:03:36.360
<v Speaker 1>so there would be two drummers, two guitar players, and

1:03:36.360 --> 1:03:43.240
<v Speaker 1>and and I talked my I actually talked myself into

1:03:43.280 --> 1:03:46.560
<v Speaker 1>being the background singer. And Roger said, yeah, you know,

1:03:46.600 --> 1:03:48.320
<v Speaker 1>he's a pretty good singer. He's been singing in the

1:03:48.320 --> 1:03:51.400
<v Speaker 1>garage with us, and and you know, nobody was getting paid,

1:03:51.600 --> 1:03:55.440
<v Speaker 1>so it really didn't mean anything. And uh, there was

1:03:55.480 --> 1:03:59.040
<v Speaker 1>not like another mouth to pay. So I became the

1:03:59.080 --> 1:04:02.560
<v Speaker 1>background singer for the Bill's band, the Beans, and we

1:04:02.560 --> 1:04:07.720
<v Speaker 1>were the Beans, and I didn't we didn't have many gigs,

1:04:07.760 --> 1:04:10.720
<v Speaker 1>but you know, we we got a few gigs here

1:04:10.720 --> 1:04:12.640
<v Speaker 1>and there. And I was the background singer and I'd

1:04:12.640 --> 1:04:19.280
<v Speaker 1>sing background vocals and uh, I sang too loud. That's

1:04:19.280 --> 1:04:22.280
<v Speaker 1>what they kept saying, Dude, you're the background singer. Okay,

1:04:22.520 --> 1:04:24.800
<v Speaker 1>you sing too loud. You're just supposed to blend in.

1:04:25.080 --> 1:04:28.120
<v Speaker 1>You're not blending your tooth. And then finally, instead of

1:04:28.200 --> 1:04:29.720
<v Speaker 1>kicking me out of the band, they said, well, why

1:04:29.720 --> 1:04:32.320
<v Speaker 1>don't you sing the lead? Why don't you sing this?

1:04:33.000 --> 1:04:36.320
<v Speaker 1>And then you know, we used to we we did

1:04:36.360 --> 1:04:40.320
<v Speaker 1>a few cover songs and and I said, you know,

1:04:41.720 --> 1:04:45.160
<v Speaker 1>I used to. I used to do this. Uh, when

1:04:45.200 --> 1:04:49.120
<v Speaker 1>I was in in elementary school at Loloma, at Scot's

1:04:49.120 --> 1:04:52.800
<v Speaker 1>the Loloma Elementary School, they would have an assembly where

1:04:52.840 --> 1:04:57.320
<v Speaker 1>you would do, uh, you would do you'd perform, you know,

1:04:57.720 --> 1:05:00.520
<v Speaker 1>you could do some kind of act and if you

1:05:00.520 --> 1:05:03.000
<v Speaker 1>you know, it was a competition. It was like, you know,

1:05:03.480 --> 1:05:07.240
<v Speaker 1>the Battle of the Bands, only only there weren't any bands.

1:05:07.720 --> 1:05:19.440
<v Speaker 1>And I I one time, uh, I my bit was uh.

1:05:19.480 --> 1:05:22.720
<v Speaker 1>I would dress up like a soldier and I would

1:05:22.720 --> 1:05:27.520
<v Speaker 1>sing this song. I actually lip sing this song called

1:05:27.680 --> 1:05:32.800
<v Speaker 1>please Mr Custer. Remember that song? Actually I don't please

1:05:32.960 --> 1:05:37.640
<v Speaker 1>Mr Custer. I don't want to go and and in

1:05:37.720 --> 1:05:40.760
<v Speaker 1>the song, the guy gets shot by the Indians and

1:05:40.800 --> 1:05:45.120
<v Speaker 1>he goes and the arrow would come sorry and he

1:05:45.120 --> 1:05:52.760
<v Speaker 1>would die. And I would take up a baggie, a

1:05:52.840 --> 1:05:59.320
<v Speaker 1>ziplock baggie and put stage blood in it. And when

1:05:59.640 --> 1:06:01.360
<v Speaker 1>the art in the song came for the guy to

1:06:01.400 --> 1:06:05.520
<v Speaker 1>get killed and the arrow, the arrow sound was on

1:06:05.560 --> 1:06:10.960
<v Speaker 1>the record, I would slap the baggie and blood would come.

1:06:11.040 --> 1:06:13.640
<v Speaker 1>I wear a white shirt and the blood was squirt

1:06:13.680 --> 1:06:16.800
<v Speaker 1>out and I would fall and I would die. And

1:06:16.880 --> 1:06:20.360
<v Speaker 1>so I said, you know, I have this I could

1:06:20.440 --> 1:06:22.760
<v Speaker 1>I could do this cowboy. I have this funny cowboy

1:06:22.800 --> 1:06:25.480
<v Speaker 1>bit I could do. And that's kind of kind of

1:06:25.640 --> 1:06:28.440
<v Speaker 1>we kind of started with the theatrics with that kind

1:06:28.480 --> 1:06:30.840
<v Speaker 1>of thing. And I said, and so I would dress

1:06:30.920 --> 1:06:33.720
<v Speaker 1>up like a cowboy and I where I'd made these

1:06:33.920 --> 1:06:38.240
<v Speaker 1>furrey those hop along Cassidy furrey shaps I made out

1:06:38.280 --> 1:06:43.240
<v Speaker 1>of carpet, and I would put wear a white cowboy

1:06:43.280 --> 1:06:46.440
<v Speaker 1>shirt and put the baggy underneath my shirt with blood

1:06:46.440 --> 1:06:49.200
<v Speaker 1>in it. And we used to do this song by

1:06:49.240 --> 1:06:55.040
<v Speaker 1>Marty Robbins called El Paso. Remember He'll Passo out in

1:06:55.160 --> 1:06:58.120
<v Speaker 1>the West Texas town of the l Passo and anyway,

1:06:58.120 --> 1:07:00.160
<v Speaker 1>in the same in the song, the guy gets shot

1:07:01.440 --> 1:07:04.160
<v Speaker 1>and he would get shot and then I slapped the

1:07:04.240 --> 1:07:06.840
<v Speaker 1>bud and the blood would go all over and I

1:07:06.880 --> 1:07:10.720
<v Speaker 1>would die, and oh my god. They thought that was

1:07:10.800 --> 1:07:14.960
<v Speaker 1>just the greatest thing, and so that's how it started.

1:07:15.040 --> 1:07:17.680
<v Speaker 1>And then we started doing, okay, well let's do this

1:07:17.880 --> 1:07:19.440
<v Speaker 1>kind of bit, and let's do it. I used to

1:07:19.480 --> 1:07:23.960
<v Speaker 1>do Carmen Miranda and we would sing Brazil and I would,

1:07:25.080 --> 1:07:27.680
<v Speaker 1>you know, Carmen Miranda had a big head dress of fruit,

1:07:28.560 --> 1:07:30.720
<v Speaker 1>and so I would make all the heros with a

1:07:30.800 --> 1:07:33.080
<v Speaker 1>fake and I would wear platforms and I would put

1:07:33.120 --> 1:07:35.320
<v Speaker 1>real fruit on my head and then I would like

1:07:35.400 --> 1:07:38.480
<v Speaker 1>eat the grapes as I was singing, and we sang Brazil,

1:07:39.600 --> 1:07:43.880
<v Speaker 1>Brazil and in Portuguese. I would sing it in Portuguese,

1:07:43.880 --> 1:07:49.200
<v Speaker 1>all Brazil, Brazilio and uh and do carben rent And

1:07:49.280 --> 1:07:53.920
<v Speaker 1>so we started developing these characters and and uh and

1:07:53.960 --> 1:07:59.960
<v Speaker 1>then Quelude and then you know, it's just and then

1:08:00.520 --> 1:08:09.840
<v Speaker 1>what the rest is history? I guess. So, how do

1:08:09.880 --> 1:08:12.240
<v Speaker 1>you get a record deal with A and M? We did.

1:08:12.320 --> 1:08:16.519
<v Speaker 1>We started with the traditional method of sending cassettes out,

1:08:17.080 --> 1:08:20.360
<v Speaker 1>you know, sending a little cassette out to everybody. We

1:08:20.400 --> 1:08:23.800
<v Speaker 1>sent cassettes out there all the couple nothing. We got nothing.

1:08:24.560 --> 1:08:29.080
<v Speaker 1>And uh. At that point, we we had met this

1:08:29.120 --> 1:08:37.160
<v Speaker 1>guy named Kenny Ortega, and Kenny Ortega was uh. At

1:08:37.240 --> 1:08:40.320
<v Speaker 1>that point, he was just a he was a dancer

1:08:41.360 --> 1:08:44.320
<v Speaker 1>and he he had just come back from a regional

1:08:44.760 --> 1:08:48.200
<v Speaker 1>tour of Jesus Christ Superstar, and he was like a

1:08:48.360 --> 1:08:51.800
<v Speaker 1>dancer and he wanted to become a choreographer. And he

1:08:51.840 --> 1:08:54.400
<v Speaker 1>saw us playing in a little club in San Francisco

1:08:54.880 --> 1:08:58.640
<v Speaker 1>and and trying to do this theatrical stuff, and he

1:08:58.680 --> 1:09:01.640
<v Speaker 1>came to us and he said, you know, uh, I

1:09:01.760 --> 1:09:05.720
<v Speaker 1>can I can refine this. I can I can do this.

1:09:05.920 --> 1:09:08.200
<v Speaker 1>I can do this. I can help you guys. So

1:09:08.200 --> 1:09:11.439
<v Speaker 1>he said okay, and so we brought him on and

1:09:12.840 --> 1:09:15.320
<v Speaker 1>I think it was Kenney's idea. Actually, he said, let's

1:09:15.320 --> 1:09:19.920
<v Speaker 1>do a Let's do a video of of the of

1:09:19.920 --> 1:09:22.720
<v Speaker 1>of you doing your theatrics and doing k lude and

1:09:22.800 --> 1:09:26.599
<v Speaker 1>doing all these and send the video out. So that's

1:09:26.600 --> 1:09:28.439
<v Speaker 1>how we got signed. We sent A and M a

1:09:28.560 --> 1:09:35.639
<v Speaker 1>video tape of us performing live and doing lude. And

1:09:36.960 --> 1:09:39.759
<v Speaker 1>this guy at A and M. His name was Kip Cohen.

1:09:39.880 --> 1:09:43.400
<v Speaker 1>He was A and our guy, and he thought it

1:09:43.439 --> 1:09:46.160
<v Speaker 1>was great. He went, oh my god, these guys are

1:09:46.240 --> 1:09:49.719
<v Speaker 1>so fucking weird and you know, and and they're good,

1:09:49.800 --> 1:09:52.160
<v Speaker 1>they can play, and they've got this other whole theatrical

1:09:52.200 --> 1:09:58.519
<v Speaker 1>thing going. So they signed us, and uh, and and

1:09:58.680 --> 1:10:01.479
<v Speaker 1>was so great. And back when they it was at

1:10:01.479 --> 1:10:07.679
<v Speaker 1>the Charlie Chaplin Studios on Libreya and uh, and it's

1:10:07.720 --> 1:10:12.240
<v Speaker 1>in Herb and Jerry, I mean Herb used just I

1:10:12.240 --> 1:10:16.760
<v Speaker 1>mean yeah, Herb used to sit around and it was

1:10:16.840 --> 1:10:19.840
<v Speaker 1>kind of like a little enclave. It was like the

1:10:19.920 --> 1:10:22.280
<v Speaker 1>parking lot was in the middle and all the buildings

1:10:22.280 --> 1:10:25.040
<v Speaker 1>around the outside. It was like at a big square

1:10:25.720 --> 1:10:29.080
<v Speaker 1>and uh and Jerry's office and they had the on

1:10:29.080 --> 1:10:32.360
<v Speaker 1>one side was the recording studio. They had a recording

1:10:32.400 --> 1:10:36.400
<v Speaker 1>studio and we'd go there and and Herb was just

1:10:37.160 --> 1:10:39.519
<v Speaker 1>Herb had his own office and he just sat there

1:10:39.520 --> 1:10:41.840
<v Speaker 1>and played his horn all day long. So it's just

1:10:41.920 --> 1:10:44.439
<v Speaker 1>her played his horn. And we were you know, if

1:10:44.439 --> 1:10:46.920
<v Speaker 1>we went to do like do an interview or do

1:10:47.720 --> 1:10:52.439
<v Speaker 1>or record in their studio or paint we painted flying

1:10:52.520 --> 1:10:56.120
<v Speaker 1>records on the side of the wall and you know,

1:10:56.439 --> 1:11:00.960
<v Speaker 1>just to get get a little extra money. And it

1:11:01.080 --> 1:11:03.320
<v Speaker 1>was great, it was and it was so great. So

1:11:03.360 --> 1:11:05.479
<v Speaker 1>how does the name get changed from the Beans to

1:11:05.560 --> 1:11:12.360
<v Speaker 1>the Tubes? Good story there? Another band from New Jersey

1:11:12.760 --> 1:11:16.880
<v Speaker 1>came out with the record on I can't remember what

1:11:16.960 --> 1:11:22.080
<v Speaker 1>label was on, but they were called Beans, just Beans, no,

1:11:22.320 --> 1:11:28.320
<v Speaker 1>the uh just beads. Uh, and they came out with

1:11:28.360 --> 1:11:32.880
<v Speaker 1>an album, and I mean I remember calling the record

1:11:33.040 --> 1:11:35.280
<v Speaker 1>we had the album, went oh my god, there's somebody

1:11:35.280 --> 1:11:38.720
<v Speaker 1>and another band called the Beans. What you know? And

1:11:39.120 --> 1:11:42.519
<v Speaker 1>I even called the record company. I said, dude, we're

1:11:42.520 --> 1:11:45.040
<v Speaker 1>the Beans. We're in San Francisco, We're the Beans. You

1:11:45.040 --> 1:11:48.080
<v Speaker 1>can't beat the Beans anyway. Yeah, well, tough ship. We

1:11:48.160 --> 1:11:53.800
<v Speaker 1>published you know that. You're dad. Sorry. So we had

1:11:53.800 --> 1:11:59.000
<v Speaker 1>to pick a new name, and uh we we we went,

1:11:59.120 --> 1:12:01.439
<v Speaker 1>we sat down and went, look, we got to change

1:12:01.439 --> 1:12:07.240
<v Speaker 1>the name. Okay, So every every your assignment is to

1:12:07.960 --> 1:12:12.720
<v Speaker 1>uh come up with ten names and we're gonna put

1:12:12.760 --> 1:12:15.840
<v Speaker 1>them all in a hat and then we're gonna pick

1:12:15.840 --> 1:12:20.120
<v Speaker 1>out a name and that's going to be it. And

1:12:20.200 --> 1:12:23.920
<v Speaker 1>everybody and everybody put in came up the gas Men.

1:12:24.960 --> 1:12:29.720
<v Speaker 1>The another was another Larry and Mary. I mean, there

1:12:29.800 --> 1:12:37.000
<v Speaker 1>was all kinds of weird names. And uh, Mike Cotton

1:12:37.640 --> 1:12:40.200
<v Speaker 1>the since actually he wasn't even in the band at

1:12:40.240 --> 1:12:43.600
<v Speaker 1>the time. He wasn't. He was a synthesizer player and

1:12:44.400 --> 1:12:48.240
<v Speaker 1>uh he had this gear, but he really didn't know

1:12:48.240 --> 1:12:51.360
<v Speaker 1>how to use it at that point, and uh, but

1:12:51.479 --> 1:12:53.800
<v Speaker 1>he was a friend and he was from Arizona and

1:12:53.880 --> 1:12:56.360
<v Speaker 1>he was living with us and helping, and so he

1:12:56.479 --> 1:13:05.240
<v Speaker 1>put in, uh, tubes, rods and bulbs, tubes, rods and bulbs,

1:13:06.000 --> 1:13:13.920
<v Speaker 1>and which which are different kinds of cells of the eyeball. Okay,

1:13:14.800 --> 1:13:17.960
<v Speaker 1>and he thought, this is perfectly. We're a visual so

1:13:18.560 --> 1:13:20.800
<v Speaker 1>why not, you know, have a name that refers to

1:13:20.960 --> 1:13:25.639
<v Speaker 1>some kind of visual reference. And but what happened was

1:13:27.920 --> 1:13:30.439
<v Speaker 1>we we decided to let our dog pick the name.

1:13:31.400 --> 1:13:34.880
<v Speaker 1>We had a prairie had a dog named Sandwich. It

1:13:35.000 --> 1:13:39.200
<v Speaker 1>was like a ridge back mixed. It's a great dog.

1:13:39.320 --> 1:13:45.200
<v Speaker 1>Sandwich was a great dog. And they put mayonnaise on

1:13:45.240 --> 1:13:48.160
<v Speaker 1>the slip of paper that said tubes, rods and bulbs,

1:13:48.880 --> 1:13:51.679
<v Speaker 1>and Sandwich went right for the mayonnaise and picked out tubes,

1:13:51.760 --> 1:13:56.360
<v Speaker 1>rods and balls, and we went, okay, tubes, rods and bulbs. Boy,

1:13:56.439 --> 1:14:00.360
<v Speaker 1>but it's it's a kind of a tongue twister, you know, tubes,

1:14:00.479 --> 1:14:03.360
<v Speaker 1>rods and bulbs, and they're gonna end up shortening it

1:14:03.439 --> 1:14:06.840
<v Speaker 1>to like TRB or something. So he said, let's just

1:14:06.920 --> 1:14:10.400
<v Speaker 1>make it the tubes. You know, the tubes, and it's

1:14:10.439 --> 1:14:16.400
<v Speaker 1>you know, the boob tube and you know cathode ray tube,

1:14:17.200 --> 1:14:22.280
<v Speaker 1>laser tubes, fallopian tubes. We tried. We were at one

1:14:22.320 --> 1:14:25.200
<v Speaker 1>point we're going to, well, let's make it the like

1:14:25.439 --> 1:14:30.320
<v Speaker 1>a real reference, a TV reference because we're visual, and

1:14:31.360 --> 1:14:35.559
<v Speaker 1>we'll make it the boob tubes, and nah, boobs. That's

1:14:35.600 --> 1:14:39.920
<v Speaker 1>not gonna work. You can't just say boobs in your band.

1:14:40.720 --> 1:14:43.800
<v Speaker 1>So we just shortened the tubes. Okay, how do you

1:14:43.880 --> 1:14:45.920
<v Speaker 1>end up working with Al Cooper on the first album?

1:14:45.960 --> 1:14:48.800
<v Speaker 1>It was a record company's choice. Al was just, you know,

1:14:49.080 --> 1:14:55.160
<v Speaker 1>l was you know, I really didn't understand, you know why,

1:14:55.280 --> 1:14:57.880
<v Speaker 1>but they thought we were kind of bluesy and he

1:14:57.920 --> 1:15:01.519
<v Speaker 1>was a blues guy and I don't I don't know,

1:15:01.680 --> 1:15:05.840
<v Speaker 1>but you know, he was. He was. He was a

1:15:05.880 --> 1:15:08.160
<v Speaker 1>piece of work. I'll tell you. Al was great. And

1:15:08.320 --> 1:15:15.880
<v Speaker 1>uh uh uh he actually and we had and we

1:15:15.880 --> 1:15:18.240
<v Speaker 1>we went through all the songs and we finally picked

1:15:18.240 --> 1:15:19.960
<v Speaker 1>the songs that we were going to be on the record.

1:15:20.320 --> 1:15:23.280
<v Speaker 1>Al wanted to, you know, when we had this one song,

1:15:23.360 --> 1:15:27.559
<v Speaker 1>white Books on Dope, and Al said, you know, there's

1:15:27.560 --> 1:15:29.840
<v Speaker 1>a long there was a long instrumental part. And we

1:15:29.880 --> 1:15:33.240
<v Speaker 1>also had this other song called Mala Gania salar Rosa,

1:15:33.320 --> 1:15:38.640
<v Speaker 1>which is a you know, a Mexican song and we

1:15:38.720 --> 1:15:42.800
<v Speaker 1>kind of actually we there was a band at in

1:15:42.880 --> 1:15:48.800
<v Speaker 1>Japan at the Mexican Pavilion, and they were incredible mariachi

1:15:48.840 --> 1:15:52.160
<v Speaker 1>band and they played we got that song, but we

1:15:52.280 --> 1:15:56.000
<v Speaker 1>recorded them playing Mala Gania salar Rosa and we made

1:15:56.000 --> 1:15:58.759
<v Speaker 1>our own version of it. And actually that came from Japan.

1:15:59.400 --> 1:16:03.000
<v Speaker 1>But Alt wanted to stick that in the middle of

1:16:03.160 --> 1:16:07.160
<v Speaker 1>White Punks. He said, as we fade down and before

1:16:07.200 --> 1:16:10.240
<v Speaker 1>we come back up, we'll go right to malan and

1:16:10.320 --> 1:16:13.840
<v Speaker 1>stick it in the no al. No, we can't, so

1:16:13.880 --> 1:16:19.639
<v Speaker 1>we didn't. Anyway, we didn't do that. And but we

1:16:19.640 --> 1:16:26.679
<v Speaker 1>were at the we were at Sunset Sound back when

1:16:26.680 --> 1:16:32.840
<v Speaker 1>it was on Third Street, and and when we were

1:16:32.840 --> 1:16:35.479
<v Speaker 1>doing White Punks on Dope, we wanted, you know, we

1:16:35.520 --> 1:16:39.680
<v Speaker 1>wanted a big uh. We wanted a big group to

1:16:39.880 --> 1:16:43.720
<v Speaker 1>sing the big chorus White Punks on Dope. And so

1:16:45.439 --> 1:16:49.240
<v Speaker 1>we went down there was another band UH playing down

1:16:49.240 --> 1:16:53.679
<v Speaker 1>the hall and and we didn't know who they were,

1:16:53.920 --> 1:16:56.880
<v Speaker 1>and we just said, can you guys come and help us,

1:16:57.360 --> 1:16:59.479
<v Speaker 1>and can you all sing this big chorus with us

1:16:59.479 --> 1:17:02.639
<v Speaker 1>and white so Dope? Yeah, sure? Coming out. What turns

1:17:02.640 --> 1:17:07.960
<v Speaker 1>out it was the Eagles, and but they wouldn't let

1:17:08.040 --> 1:17:10.519
<v Speaker 1>us put their name on the record, and they said, oh,

1:17:10.560 --> 1:17:13.439
<v Speaker 1>we can't do that because that's you know, that's okay.

1:17:13.439 --> 1:17:16.200
<v Speaker 1>So the album comes out or is the band happy

1:17:16.240 --> 1:17:18.720
<v Speaker 1>with the album? I wasn't happy. I mean I I

1:17:18.840 --> 1:17:21.040
<v Speaker 1>loved you know, I was so thrilled to be to

1:17:21.120 --> 1:17:23.639
<v Speaker 1>make it, actually make our first record. I mean, I

1:17:23.680 --> 1:17:29.120
<v Speaker 1>was overjoyed. I was so thrilled and as was everyone

1:17:29.439 --> 1:17:31.719
<v Speaker 1>we you know, it was really a lot of fun

1:17:32.040 --> 1:17:38.160
<v Speaker 1>and uh, but we had created this song what do

1:17:38.200 --> 1:17:41.800
<v Speaker 1>you Want from Life? And they the record company said,

1:17:41.800 --> 1:17:43.600
<v Speaker 1>well this, I think this is the first single, what

1:17:43.640 --> 1:17:49.400
<v Speaker 1>do you Want from Life? And uh, uh, you know,

1:17:49.400 --> 1:17:55.720
<v Speaker 1>and it has the the kind of the the end

1:17:55.760 --> 1:17:58.400
<v Speaker 1>part when you know, if you're an American citizen, you're

1:17:58.520 --> 1:18:00.360
<v Speaker 1>entitled to He didn't get in his shape goal of

1:18:00.720 --> 1:18:03.880
<v Speaker 1>microwave eleven, don't watch the cood diet to jam, I'll

1:18:03.880 --> 1:18:06.479
<v Speaker 1>personally illustrate in the privacy, on on and on and

1:18:06.520 --> 1:18:08.880
<v Speaker 1>on and on. How about a new car? You know,

1:18:09.920 --> 1:18:12.720
<v Speaker 1>Winnibego heard of winnebegos word giving him away and that

1:18:12.840 --> 1:18:16.920
<v Speaker 1>was from cal Worthington, And uh, cal Worthington used to

1:18:17.000 --> 1:18:20.519
<v Speaker 1>be in Arizona. Before California, and we had all these

1:18:20.560 --> 1:18:27.000
<v Speaker 1>references to well they cut the first what the first

1:18:27.000 --> 1:18:30.120
<v Speaker 1>thing they did was cut all that out and edited

1:18:30.240 --> 1:18:33.120
<v Speaker 1>the song without that. They went, oh, well if we

1:18:33.600 --> 1:18:36.240
<v Speaker 1>I said, but that's the that's what makes it so

1:18:37.200 --> 1:18:40.880
<v Speaker 1>hilarious and unique. And you know they want, yeah, but

1:18:41.040 --> 1:18:44.600
<v Speaker 1>you're gonna you'll be you'll be earmarked as a novelty

1:18:44.640 --> 1:18:50.439
<v Speaker 1>band if you leave this in soh So they cut

1:18:50.479 --> 1:18:53.559
<v Speaker 1>it out and it's you know, it didn't really do

1:18:53.600 --> 1:18:56.479
<v Speaker 1>anything as a as a first single. Okay, so you

1:18:56.560 --> 1:18:59.200
<v Speaker 1>make the record without, which I believe is your best

1:18:59.240 --> 1:19:02.880
<v Speaker 1>work and certainly classic some of VAL's best work. The

1:19:02.960 --> 1:19:07.479
<v Speaker 1>next record has don't Touch Me there, but it's done

1:19:07.520 --> 1:19:11.679
<v Speaker 1>with Ken Scott. But what what was the band's view

1:19:11.720 --> 1:19:15.400
<v Speaker 1>on the final product there? Kin Scott probably didn't say

1:19:15.479 --> 1:19:20.000
<v Speaker 1>ten words the whole time we made that record, you know,

1:19:20.120 --> 1:19:23.519
<v Speaker 1>and we made it at at Studio A on the

1:19:23.600 --> 1:19:28.400
<v Speaker 1>lot at A and M, and uh, you know, we

1:19:28.400 --> 1:19:32.040
<v Speaker 1>we'd go out and and play and we'd come back

1:19:32.080 --> 1:19:35.160
<v Speaker 1>in and okay, how was it Kennon. Ken would just

1:19:36.240 --> 1:19:42.360
<v Speaker 1>sit there and to kind of go wasn't perfect and

1:19:42.400 --> 1:19:46.559
<v Speaker 1>that's it and nothing else, and you know he was

1:19:46.640 --> 1:19:50.559
<v Speaker 1>I guess a brilliant engineer, you know, and you know, Okay,

1:19:50.560 --> 1:19:52.360
<v Speaker 1>well let's go back out and do it again. And

1:19:53.760 --> 1:19:57.040
<v Speaker 1>but Don't Touch Me There actually charted. That was our

1:19:57.479 --> 1:20:07.280
<v Speaker 1>first our first charted single, uh and uh, which actually

1:20:07.360 --> 1:20:10.400
<v Speaker 1>was not written by us. It was written by Jane

1:20:10.640 --> 1:20:14.040
<v Speaker 1>Jane Dornacker, who was one of the two bets, and

1:20:14.400 --> 1:20:19.559
<v Speaker 1>a guy named Ron Nagel. And uh, you know, we

1:20:19.560 --> 1:20:22.679
<v Speaker 1>were thrilled. I mean, we gotta we were. We made

1:20:22.680 --> 1:20:26.600
<v Speaker 1>the top forty, you know, so uh and that was

1:20:26.920 --> 1:20:30.720
<v Speaker 1>that song was a great visually, really great. We we

1:20:31.160 --> 1:20:36.680
<v Speaker 1>used to uh, we'd go into a town and we uh,

1:20:38.200 --> 1:20:42.719
<v Speaker 1>we'd get somebody to loan us there Harley Davidson, Harley

1:20:42.800 --> 1:20:45.960
<v Speaker 1>Davidson motorcycle because we we used to do this. It

1:20:46.040 --> 1:20:50.120
<v Speaker 1>was like a you know, the bad boy Marlon Brando

1:20:50.360 --> 1:20:54.920
<v Speaker 1>from the Wild One and the Girl and we do

1:20:55.040 --> 1:20:57.880
<v Speaker 1>the song on a motorcycle and I would ride the

1:20:57.880 --> 1:21:01.120
<v Speaker 1>thing onto the stage, you know, and rev it up

1:21:01.160 --> 1:21:04.960
<v Speaker 1>and get smoked, you know, really loud, and and then

1:21:05.000 --> 1:21:12.200
<v Speaker 1>we would sing don't touch Me there and uh and uh.

1:21:12.280 --> 1:21:14.360
<v Speaker 1>And the funny thing was with I mean, the bit

1:21:14.439 --> 1:21:20.120
<v Speaker 1>with the song was the there was her knee, you know,

1:21:20.360 --> 1:21:23.200
<v Speaker 1>and I would be trying to touch her knee and no, no, no,

1:21:23.200 --> 1:21:30.120
<v Speaker 1>no to as a preparoity. And so you know we

1:21:30.320 --> 1:21:34.639
<v Speaker 1>used to every time we you know, and for a while,

1:21:35.520 --> 1:21:39.320
<v Speaker 1>I mean for a while, we uh uh we had

1:21:39.360 --> 1:21:43.280
<v Speaker 1>a we had Well, eventually they wouldn't let us bring

1:21:43.680 --> 1:21:50.200
<v Speaker 1>a combustible Indian engine machine into the gig, into the venue.

1:21:50.600 --> 1:21:53.880
<v Speaker 1>You couldn't bring a motorcycle on stage, you know, to

1:21:54.240 --> 1:21:57.160
<v Speaker 1>fire hazard. So we would we kind of built this

1:21:57.280 --> 1:22:02.479
<v Speaker 1>fake motorcycle out of a frame and tin cans and

1:22:02.520 --> 1:22:08.840
<v Speaker 1>ship and we would have Mike on his our synthesizer

1:22:09.200 --> 1:22:13.200
<v Speaker 1>fake the noise of a of a of an engine

1:22:13.800 --> 1:22:16.840
<v Speaker 1>and uh so that was you know, okay, And how

1:22:16.840 --> 1:22:19.160
<v Speaker 1>did re Styles end up in the band doing that

1:22:19.280 --> 1:22:23.759
<v Speaker 1>duet with you? Well, really was a prairieous girlfriend, okay.

1:22:24.320 --> 1:22:30.960
<v Speaker 1>And she was gorgeous, and you know she was not shy, okay,

1:22:31.240 --> 1:22:35.919
<v Speaker 1>she was willing to you know, show her breasts and

1:22:35.920 --> 1:22:40.560
<v Speaker 1>and just she kind of started as a you know, uh,

1:22:40.760 --> 1:22:43.720
<v Speaker 1>she started as just one of the dancers. You know,

1:22:43.800 --> 1:22:47.280
<v Speaker 1>we had five dancers. We had Leland and the Snakes.

1:22:47.320 --> 1:22:53.120
<v Speaker 1>We had Leland, this this this troop of of uh

1:22:53.120 --> 1:22:56.200
<v Speaker 1>of four girls that we found in a little club

1:22:56.240 --> 1:22:59.920
<v Speaker 1>on Polk Street in San Francisco, and we would they

1:23:00.000 --> 1:23:04.280
<v Speaker 1>were the dancers, and so Kenny would choreograph them and

1:23:04.560 --> 1:23:08.200
<v Speaker 1>they would and then we would do kind of special stuff.

1:23:08.200 --> 1:23:10.639
<v Speaker 1>She would do bondage with me and she would do

1:23:11.160 --> 1:23:14.000
<v Speaker 1>she would play various parts like the other girls did,

1:23:14.520 --> 1:23:19.920
<v Speaker 1>and and then we kind of realized, you know, she's

1:23:19.960 --> 1:23:24.920
<v Speaker 1>a pretty good singer, and so we started having she

1:23:25.360 --> 1:23:28.120
<v Speaker 1>kind of worked her way into being a featured vocalist

1:23:28.160 --> 1:23:30.720
<v Speaker 1>with us. So how does Mingo Lewis end up in

1:23:30.760 --> 1:23:37.000
<v Speaker 1>the band Mingo Lewis, Well, he was a drummer friend

1:23:37.040 --> 1:23:41.360
<v Speaker 1>of Prairies, you know in San Francisco, and uh, you know,

1:23:41.439 --> 1:23:44.160
<v Speaker 1>he started, you know, he said, oh just let me,

1:23:44.920 --> 1:23:47.720
<v Speaker 1>you know, let me sit in with you guys, and

1:23:47.720 --> 1:23:52.280
<v Speaker 1>and he would bring his congas and he was just incredible.

1:23:52.320 --> 1:23:55.120
<v Speaker 1>I mean, I'm sure he still is. Uh. And he

1:23:55.120 --> 1:23:58.120
<v Speaker 1>would play his congas and said, oh god dude, and

1:23:59.600 --> 1:24:04.880
<v Speaker 1>uh oh. We always loved the idea of two drummers

1:24:05.680 --> 1:24:10.080
<v Speaker 1>when we first when we first joined Bill's band, we

1:24:10.120 --> 1:24:13.200
<v Speaker 1>had two drummers. There was Bill had a drummer named

1:24:13.240 --> 1:24:18.240
<v Speaker 1>Bob McIntosh and and Prairie and Bob would play together,

1:24:18.280 --> 1:24:23.519
<v Speaker 1>and Bob was like the really solid, you know, really

1:24:23.600 --> 1:24:27.439
<v Speaker 1>solid guy, and Prairie was the flourish, you know, ad

1:24:27.520 --> 1:24:30.960
<v Speaker 1>lib kind of guy. And they really were great together.

1:24:31.160 --> 1:24:37.519
<v Speaker 1>And Bob unfortunately died of cancer in before we ever

1:24:37.560 --> 1:24:41.559
<v Speaker 1>got a deal, in I think seventy two. He got

1:24:41.680 --> 1:24:45.960
<v Speaker 1>limph node cancer and it just killed him and it

1:24:46.080 --> 1:24:49.120
<v Speaker 1>was really sad. And so we always kind of liked

1:24:49.160 --> 1:24:53.360
<v Speaker 1>the idea of two drummers. And then so when Mingo started,

1:24:53.680 --> 1:24:55.840
<v Speaker 1>you know, we said, Okay, that's great, let's go back

1:24:55.840 --> 1:24:58.559
<v Speaker 1>to two drummers. And then we did a couple of

1:24:58.560 --> 1:25:02.840
<v Speaker 1>tours with him, and uh, he wrote that song god

1:25:02.840 --> 1:25:07.120
<v Speaker 1>Bird Change on the third album, and and we you know,

1:25:07.160 --> 1:25:11.240
<v Speaker 1>we carried two drummers, and he was I was incredible.

1:25:11.320 --> 1:25:13.680
<v Speaker 1>He's a great, great player. But you made him a

1:25:13.720 --> 1:25:18.120
<v Speaker 1>full member of the band. Okay, the next album, you

1:25:18.200 --> 1:25:21.000
<v Speaker 1>end up doing a cover of Captain beef Hearts, My

1:25:21.160 --> 1:25:24.080
<v Speaker 1>Head is My Only House and Less It Rains from

1:25:24.080 --> 1:25:27.960
<v Speaker 1>Clear Spot, his most commercial work at that point, most successible.

1:25:28.120 --> 1:25:29.439
<v Speaker 1>How did you end up doing that? How did you

1:25:29.520 --> 1:25:32.519
<v Speaker 1>end up meeting beef Heart? We were huge beef Heart fans,

1:25:33.000 --> 1:25:34.960
<v Speaker 1>I mean that he was in it. I mean, we

1:25:35.080 --> 1:25:38.000
<v Speaker 1>loved beef Heart. We you know, we had seen him

1:25:38.280 --> 1:25:42.880
<v Speaker 1>quite a number of times in San Francisco his band play,

1:25:43.000 --> 1:25:45.799
<v Speaker 1>and you know Zappa too. We were big Zappa fans.

1:25:45.840 --> 1:25:49.120
<v Speaker 1>We loved Frank Zappa and saw Mothers of inventioned quite

1:25:49.160 --> 1:25:53.840
<v Speaker 1>a few times. And uh, you know, we were just

1:25:55.240 --> 1:25:58.280
<v Speaker 1>we We found out that beef Art lived out in Lancaster,

1:25:59.080 --> 1:26:01.320
<v Speaker 1>and we ahold of him. You know, we had seen

1:26:01.400 --> 1:26:03.479
<v Speaker 1>him a number of times, and we got ahold of

1:26:03.560 --> 1:26:08.639
<v Speaker 1>him and we asked he also played his his horn

1:26:09.080 --> 1:26:13.160
<v Speaker 1>on Cathy's Clone on that album, and uh, and we

1:26:13.200 --> 1:26:16.080
<v Speaker 1>told him, yeah, we're gonna do We're gonna do one

1:26:16.080 --> 1:26:19.719
<v Speaker 1>of your songs. My head is my only house and

1:26:18.960 --> 1:26:22.360
<v Speaker 1>h and we got him into the studio and uh

1:26:23.200 --> 1:26:26.120
<v Speaker 1>and let him just I mean, we just said, here's

1:26:26.160 --> 1:26:33.000
<v Speaker 1>the song. Just go just freak out, you know. And uh,

1:26:33.160 --> 1:26:36.479
<v Speaker 1>he was such a cool guy. I mean, and how strange,

1:26:36.560 --> 1:26:40.439
<v Speaker 1>how strange was he in real life? He wasn't that strange.

1:26:40.520 --> 1:26:42.919
<v Speaker 1>I don't, I don't, you know, he wasn't that strange.

1:26:43.320 --> 1:26:45.960
<v Speaker 1>He was a pretty normal guy. I mean, he wasn't

1:26:46.000 --> 1:26:48.800
<v Speaker 1>into drugs or anything like that, or alcohol and We

1:26:48.880 --> 1:26:51.160
<v Speaker 1>had a fine recording session with him. It was not

1:26:51.240 --> 1:26:54.559
<v Speaker 1>a problem. And he was great on his soprano sas

1:26:55.080 --> 1:26:57.000
<v Speaker 1>you know on that song Gosh, I think he did

1:26:57.040 --> 1:26:59.640
<v Speaker 1>it and just one or two takes, you know, he

1:26:59.680 --> 1:27:04.160
<v Speaker 1>was so good. And at that point, uh, I don't

1:27:04.160 --> 1:27:06.240
<v Speaker 1>know if he was still performing with his band at

1:27:06.240 --> 1:27:10.479
<v Speaker 1>that point, but we used to see remember the drummer

1:27:10.560 --> 1:27:13.760
<v Speaker 1>drumbo or would would would do a solo with just

1:27:13.880 --> 1:27:17.680
<v Speaker 1>his hands. He'd break, he'd throw his sticks down and

1:27:17.800 --> 1:27:20.640
<v Speaker 1>just start playing this kid with his hands. And and

1:27:20.680 --> 1:27:25.200
<v Speaker 1>then and Zorn Rollo would you know, had a a

1:27:25.240 --> 1:27:30.080
<v Speaker 1>toaster he had turned into a hat. And oh god,

1:27:30.840 --> 1:27:33.880
<v Speaker 1>they I mean they were theatrical. I mean we loved that.

1:27:34.040 --> 1:27:38.280
<v Speaker 1>We loved the theater. Anybody theatrical. I mean Alice. I

1:27:38.320 --> 1:27:42.760
<v Speaker 1>mean we've played with Alice many many times and I

1:27:43.080 --> 1:27:49.760
<v Speaker 1>were you know, I've I've I've done his charity's he's

1:27:49.840 --> 1:27:52.639
<v Speaker 1>he's a good guy, Alice Is. He has a great

1:27:52.720 --> 1:27:57.960
<v Speaker 1>charity foundation in Arizona, the Solid Rock Foundation. And we've

1:27:58.000 --> 1:28:00.960
<v Speaker 1>done his Christmas show, and we've in his golf tournament

1:28:01.000 --> 1:28:05.559
<v Speaker 1>in April, and we've toured with him. And I think

1:28:05.680 --> 1:28:09.400
<v Speaker 1>eighteen that we went to the UK with him and

1:28:09.520 --> 1:28:13.400
<v Speaker 1>opened for him in big in Wembley. We played Wembley

1:28:13.439 --> 1:28:17.280
<v Speaker 1>Arena and all these big thirty thousand theaters with him

1:28:17.400 --> 1:28:19.680
<v Speaker 1>and have played a lot of gigs with him over

1:28:19.720 --> 1:28:23.080
<v Speaker 1>the years. You know, Shef is Sheep is a good guy.

1:28:23.160 --> 1:28:27.639
<v Speaker 1>His manager, Chef Gordon, is a good guy. And uh so,

1:28:27.760 --> 1:28:29.800
<v Speaker 1>I mean we were always kind of drawn to those

1:28:29.880 --> 1:28:32.280
<v Speaker 1>kinds of people, those kind of theat you know, the

1:28:32.439 --> 1:28:36.920
<v Speaker 1>Genesis in the early days that would do a visual

1:28:37.320 --> 1:28:42.520
<v Speaker 1>type of performance or the plasmatics. Remember Wendy O Williams.

1:28:42.640 --> 1:28:45.679
<v Speaker 1>I saw him at the Whiskey, right. Really, I knew

1:28:45.680 --> 1:28:49.520
<v Speaker 1>Wendy and I always used to kid her because she

1:28:49.520 --> 1:28:52.280
<v Speaker 1>she I said, Wendy, you stole my chainsaw bit, right,

1:28:52.439 --> 1:28:55.920
<v Speaker 1>you know, I was my bit. And I gotta ask

1:28:55.960 --> 1:28:57.760
<v Speaker 1>you because I remember, you know, seeing you at the

1:28:57.880 --> 1:29:00.720
<v Speaker 1>Rocks before the album came out. Yeah, and you had

1:29:00.720 --> 1:29:04.080
<v Speaker 1>a printed list of the songs and one of them

1:29:04.160 --> 1:29:06.400
<v Speaker 1>was rock and Roll Hospital. I believe it was the

1:29:06.439 --> 1:29:09.320
<v Speaker 1>name of the song. You ran through the audience with

1:29:09.560 --> 1:29:12.280
<v Speaker 1>this chainsaw and then said, oh, we're to have to operate.

1:29:12.560 --> 1:29:16.200
<v Speaker 1>Whatever happened to that song, well, it never got recorded,

1:29:16.640 --> 1:29:19.200
<v Speaker 1>It never got recorded. Rock and Roll Hospital never got

1:29:19.240 --> 1:29:23.040
<v Speaker 1>recorded where I would come out as the doctor and

1:29:23.040 --> 1:29:27.160
<v Speaker 1>and you know the with the chainsaw stabbing through a

1:29:27.280 --> 1:29:30.280
<v Speaker 1>table with the and it was a guitar. It was

1:29:30.320 --> 1:29:33.559
<v Speaker 1>a pregnant guitar, and then I would pull out the

1:29:33.560 --> 1:29:39.439
<v Speaker 1>little baby guitar and ah, I and I and I

1:29:39.479 --> 1:29:41.680
<v Speaker 1>don't know, I don't know. We we every was in

1:29:41.760 --> 1:29:43.800
<v Speaker 1>a while. We think about, well, I mean, we've brought

1:29:43.800 --> 1:29:46.400
<v Speaker 1>it back two or three times over the years and

1:29:46.439 --> 1:29:50.280
<v Speaker 1>done it just you know, as a as a show piece.

1:29:50.880 --> 1:29:54.599
<v Speaker 1>But it never never got recorded. It never got recorded.

1:30:01.400 --> 1:30:04.720
<v Speaker 1>So how did you end up working with Todd? Like

1:30:05.000 --> 1:30:08.360
<v Speaker 1>you knows as you probably it was Prairie, Prairie New Todd,

1:30:08.960 --> 1:30:12.360
<v Speaker 1>and Prairie still plays with Todd. He just went out

1:30:12.360 --> 1:30:15.840
<v Speaker 1>with him last year. We have to we have to

1:30:15.880 --> 1:30:18.240
<v Speaker 1>book way ahead of time in order to get to

1:30:18.400 --> 1:30:22.760
<v Speaker 1>book Prairie so that Todd doesn't scoop him up. Uh uh,

1:30:24.680 --> 1:30:29.120
<v Speaker 1>But Todd, we I don't know how. I guess I'm

1:30:29.120 --> 1:30:31.760
<v Speaker 1>sure I guess it was through Prairie that we met him. Uh.

1:30:32.160 --> 1:30:34.559
<v Speaker 1>But that out with the first album we did with him,

1:30:34.640 --> 1:30:44.080
<v Speaker 1>Remote Control, was I think, I mean it was, you know,

1:30:44.160 --> 1:30:49.920
<v Speaker 1>I always I don't. Uh. You know the phrase can't

1:30:49.960 --> 1:30:54.280
<v Speaker 1>beat the demo right where you make this great demo

1:30:54.760 --> 1:30:58.000
<v Speaker 1>and you take it into the studio and then you

1:31:00.120 --> 1:31:02.800
<v Speaker 1>can't you know, you try this, and you try that,

1:31:02.920 --> 1:31:07.120
<v Speaker 1>and you try and you try fifteen different ways of

1:31:07.120 --> 1:31:10.519
<v Speaker 1>of making it better and then and then none of

1:31:10.520 --> 1:31:13.120
<v Speaker 1>them work, and then you end up going back to

1:31:13.200 --> 1:31:16.920
<v Speaker 1>the demo again. And I've always thought that. Uh. The

1:31:16.920 --> 1:31:24.160
<v Speaker 1>thing I love about Remote Control is uh, uh we

1:31:24.200 --> 1:31:28.639
<v Speaker 1>had no time to second guess ourselves. You know, we

1:31:28.680 --> 1:31:31.280
<v Speaker 1>had a we you know, every year we used to

1:31:32.000 --> 1:31:36.000
<v Speaker 1>uh we used to make a record in December January

1:31:36.040 --> 1:31:41.479
<v Speaker 1>February because the tour would always like started April or

1:31:41.600 --> 1:31:44.120
<v Speaker 1>March or April, and we would tour all year long

1:31:44.200 --> 1:31:47.519
<v Speaker 1>in the United States or go to Europe or go wherever.

1:31:48.280 --> 1:31:51.320
<v Speaker 1>But we tour constantly from like April to the end

1:31:51.320 --> 1:31:56.200
<v Speaker 1>of the year. Uh So we had a short window

1:31:56.240 --> 1:32:00.679
<v Speaker 1>of time two create a new record. And we did

1:32:00.680 --> 1:32:04.280
<v Speaker 1>this like over and over and you know whatever, twelve times,

1:32:04.720 --> 1:32:08.120
<v Speaker 1>and so we had a we had only a month

1:32:08.560 --> 1:32:12.400
<v Speaker 1>I think the month of January in that year that

1:32:12.400 --> 1:32:15.639
<v Speaker 1>that we did Remote Control, which was I think seventy nine,

1:32:16.680 --> 1:32:21.920
<v Speaker 1>and uh, we didn't have any you know, and you know,

1:32:22.360 --> 1:32:24.920
<v Speaker 1>after the first two or three albums, you kind of

1:32:25.000 --> 1:32:28.679
<v Speaker 1>run out of songs, you know that you've created all

1:32:28.680 --> 1:32:31.760
<v Speaker 1>those years before you got the record deal, right, So

1:32:31.840 --> 1:32:38.759
<v Speaker 1>we didn't have any songs, really, and I had I had, uh, Uh,

1:32:38.920 --> 1:32:44.080
<v Speaker 1>I'd read this book. I'm a veracious, voracious reader, and

1:32:44.280 --> 1:32:48.640
<v Speaker 1>I had read this book by Jersey Kosinski. And I

1:32:48.720 --> 1:32:51.800
<v Speaker 1>read all of his books. The Painted Bird was a

1:32:51.800 --> 1:32:56.479
<v Speaker 1>great book. And uh one of his books was called

1:32:56.520 --> 1:32:59.759
<v Speaker 1>Being There, Okay, And so I had read this book

1:33:00.000 --> 1:33:04.320
<v Speaker 1>all Being There about the about the rich kid who

1:33:04.439 --> 1:33:08.080
<v Speaker 1>was put in a you know, a boarding school or

1:33:08.760 --> 1:33:12.760
<v Speaker 1>or daycare and never got to do anything. It was

1:33:12.960 --> 1:33:15.639
<v Speaker 1>all he did was watch TV and he had no

1:33:15.760 --> 1:33:21.440
<v Speaker 1>real experience of life. It was all virtual experience. And

1:33:21.520 --> 1:33:25.000
<v Speaker 1>so I had this idea, and I approached Todd with

1:33:25.200 --> 1:33:29.000
<v Speaker 1>I said, you know this. We grew up in Arizona,

1:33:29.360 --> 1:33:34.360
<v Speaker 1>the band, and we watched TV all day long because

1:33:34.680 --> 1:33:37.679
<v Speaker 1>you know, it was a hundred and fifty in this summer,

1:33:38.760 --> 1:33:41.680
<v Speaker 1>it was a hundred twenty degrees outside, so you were

1:33:42.040 --> 1:33:44.800
<v Speaker 1>you know a lot of time was spent watching TV.

1:33:45.280 --> 1:33:48.360
<v Speaker 1>And that's why I you know, watching all those Westerns

1:33:49.160 --> 1:33:53.240
<v Speaker 1>Cereals series on TV. And it's kind of where I

1:33:53.320 --> 1:33:55.080
<v Speaker 1>kind of got the idea that I wanted to be

1:33:55.120 --> 1:33:59.840
<v Speaker 1>a cowboy so bad. And I said, let's let's you.

1:34:00.120 --> 1:34:03.120
<v Speaker 1>I figured this book is obscure. Nobody has ever heard

1:34:03.120 --> 1:34:06.000
<v Speaker 1>of this book. And I'm gonna I'm gonna take this

1:34:06.120 --> 1:34:10.439
<v Speaker 1>idea and turn it into remote control with Todd. And

1:34:10.640 --> 1:34:13.120
<v Speaker 1>you know about the idea of the kid who just

1:34:13.640 --> 1:34:18.160
<v Speaker 1>has no real experience. It's all virtual experience. He doesn't

1:34:18.160 --> 1:34:20.479
<v Speaker 1>know anything. He doesn't know about love, he doesn't know

1:34:20.520 --> 1:34:24.040
<v Speaker 1>about feeling, he doesn't know about anything. It's all TV.

1:34:24.800 --> 1:34:31.400
<v Speaker 1>And so, uh we had we had some musical material

1:34:32.200 --> 1:34:37.439
<v Speaker 1>and uh so Todd said, he goes, Okay, this is

1:34:37.439 --> 1:34:41.080
<v Speaker 1>what we're gonna do. We're gonna we're gonna show up

1:34:41.120 --> 1:34:45.599
<v Speaker 1>the studio every day and then in the morning, we're

1:34:45.640 --> 1:34:49.479
<v Speaker 1>gonna write the lyrics to a song, and then we're

1:34:49.479 --> 1:34:51.240
<v Speaker 1>gonna take a lunch break, and then we're gonna come

1:34:51.280 --> 1:34:53.360
<v Speaker 1>back and then we're gonna figure out the music and

1:34:53.400 --> 1:34:56.080
<v Speaker 1>record the song in the afternoon, and then we're gonna

1:34:56.120 --> 1:34:59.040
<v Speaker 1>put on the vocals at night, and by the end

1:34:59.120 --> 1:35:01.720
<v Speaker 1>of the day we'll have a whole song. And so

1:35:01.840 --> 1:35:03.960
<v Speaker 1>that's what we did. We would go in and we'd

1:35:03.960 --> 1:35:06.400
<v Speaker 1>all sit down together, all of us, seven of us

1:35:06.479 --> 1:35:11.160
<v Speaker 1>with Todd, and say, okay, what's the what do you

1:35:11.280 --> 1:35:15.240
<v Speaker 1>what's the first thing you do? Well, turn me on?

1:35:15.960 --> 1:35:19.040
<v Speaker 1>Turn it you turn it on? Right, Okay, first song

1:35:19.200 --> 1:35:22.840
<v Speaker 1>is going to be called turned me On. And so

1:35:22.920 --> 1:35:25.400
<v Speaker 1>we'd sit there and we'd all brainstorm turned me on,

1:35:25.600 --> 1:35:27.920
<v Speaker 1>turned me onto. And then in the afternoon we go

1:35:28.320 --> 1:35:30.400
<v Speaker 1>do the music and then we put the vocals on.

1:35:30.640 --> 1:35:32.280
<v Speaker 1>Then the next day we command and tell you now

1:35:32.360 --> 1:35:37.759
<v Speaker 1>what okay, uh, TV is King, We love TV. Okay,

1:35:37.920 --> 1:35:40.720
<v Speaker 1>TV is Kate. That's the next song. So and we

1:35:40.800 --> 1:35:46.920
<v Speaker 1>did that for the whole record. And but like I said,

1:35:48.000 --> 1:35:52.160
<v Speaker 1>we didn't have any time to go back and second

1:35:52.200 --> 1:35:54.559
<v Speaker 1>guess ourselves and go, oh no, well this could be

1:35:54.560 --> 1:35:56.479
<v Speaker 1>a little bit better. And though if we do a

1:35:56.479 --> 1:36:00.320
<v Speaker 1>little you know, echo on this or delay on this

1:36:00.640 --> 1:36:05.040
<v Speaker 1>or that, are just no. Just go with your gut,

1:36:05.520 --> 1:36:09.760
<v Speaker 1>go with your instinct, go with your first impression and

1:36:09.880 --> 1:36:13.760
<v Speaker 1>do it. And then you can't change it because you

1:36:13.760 --> 1:36:17.280
<v Speaker 1>don't have the time or the money because the tour

1:36:17.400 --> 1:36:19.480
<v Speaker 1>is coming up and the record's got to be released.

1:36:19.920 --> 1:36:22.479
<v Speaker 1>So that it all works That's why I kind of

1:36:22.520 --> 1:36:25.400
<v Speaker 1>love that album. And uh, you know you're going in

1:36:25.400 --> 1:36:28.559
<v Speaker 1>the wrong direction commercially with A and M. Right then

1:36:28.640 --> 1:36:33.280
<v Speaker 1>you get dropped, right, ultimately picked up by Capital. You

1:36:33.320 --> 1:36:35.080
<v Speaker 1>know what was going through the heads of the band

1:36:35.080 --> 1:36:37.919
<v Speaker 1>when you're having you know, less and less commercial success

1:36:37.960 --> 1:36:39.960
<v Speaker 1>and then you're dropped And how do you get a

1:36:40.040 --> 1:36:44.600
<v Speaker 1>deal with Capital? You know? Give us the background on that. Okay,

1:36:44.800 --> 1:36:48.960
<v Speaker 1>our live performance just I mean it was always art

1:36:49.000 --> 1:36:51.640
<v Speaker 1>for art's sake. I mean, you know we're gonna go

1:36:51.720 --> 1:36:53.960
<v Speaker 1>out and do a show that it's going to blow

1:36:54.040 --> 1:36:57.439
<v Speaker 1>your mind. We're gonna spend money. We don't care if

1:36:57.520 --> 1:37:01.639
<v Speaker 1>we're in debt. We don't care. It's all about the show.

1:37:01.800 --> 1:37:06.280
<v Speaker 1>It's about the art. And we really were worried about

1:37:06.400 --> 1:37:08.280
<v Speaker 1>you know, every every time we did a record for

1:37:08.320 --> 1:37:12.320
<v Speaker 1>A and M, they would give us an advance. You know,

1:37:12.439 --> 1:37:14.880
<v Speaker 1>back then it was peanut money. It was like a

1:37:14.960 --> 1:37:19.639
<v Speaker 1>hundred grand or something, and we never recouped. We never

1:37:19.680 --> 1:37:22.360
<v Speaker 1>made enough sold enough records to pay off the advance

1:37:22.439 --> 1:37:25.439
<v Speaker 1>to make it. But we didn't care because we had

1:37:25.439 --> 1:37:29.240
<v Speaker 1>a show that blew people's minds. I mean, we created

1:37:29.320 --> 1:37:33.519
<v Speaker 1>a leg a visually, a visual performance legacy that's pretty

1:37:33.600 --> 1:37:38.840
<v Speaker 1>much unmatched by anyone, I think. But so you know,

1:37:38.920 --> 1:37:40.679
<v Speaker 1>we would go out on the road and we would

1:37:40.760 --> 1:37:45.120
<v Speaker 1>I mean one whole one time for the completion backward principle.

1:37:45.360 --> 1:37:49.559
<v Speaker 1>I mean, we built a set that was all around.

1:37:50.640 --> 1:37:57.360
<v Speaker 1>So you can't pack round stuff in a truck very efficiently,

1:37:58.160 --> 1:38:00.599
<v Speaker 1>you know, so you have to get an another chart.

1:38:01.160 --> 1:38:03.720
<v Speaker 1>Oh we don't care. Fuck it, we don't care. It's

1:38:03.880 --> 1:38:07.080
<v Speaker 1>so what So, I mean a couple of times, you know,

1:38:07.200 --> 1:38:09.840
<v Speaker 1>we ran out of money out on the road and

1:38:09.880 --> 1:38:11.960
<v Speaker 1>the manager had to call up A and M and go, hey,

1:38:11.960 --> 1:38:14.200
<v Speaker 1>look they're out of you know, they're promoting your record.

1:38:14.240 --> 1:38:16.800
<v Speaker 1>They're on the road, they're out of money. We need

1:38:16.840 --> 1:38:19.600
<v Speaker 1>to send us some money. So they would send the

1:38:19.680 --> 1:38:24.120
<v Speaker 1>money and add it to the tab, you know. And

1:38:24.160 --> 1:38:27.160
<v Speaker 1>so finally that got to be, you know, as you say,

1:38:27.280 --> 1:38:29.719
<v Speaker 1>that got to be. You know, we ended up leaving

1:38:29.720 --> 1:38:34.080
<v Speaker 1>ANM just massively in the red. And we you know,

1:38:34.160 --> 1:38:37.040
<v Speaker 1>we gave him publishing, we gave him everything. We could

1:38:37.320 --> 1:38:40.840
<v Speaker 1>just keep doing the show. It was about the show.

1:38:41.439 --> 1:38:47.360
<v Speaker 1>And uh so when we went to I mean and

1:38:47.400 --> 1:38:50.120
<v Speaker 1>then and then so they dropped us, and so then

1:38:50.439 --> 1:38:56.000
<v Speaker 1>we uh looked every high and low for another company.

1:38:56.479 --> 1:39:02.640
<v Speaker 1>And we met this guy at uh Capitol who who

1:39:02.800 --> 1:39:06.680
<v Speaker 1>uh was? His name was Bobby Columbi. He was an

1:39:06.680 --> 1:39:09.599
<v Speaker 1>A and R guy, okay, but he was a drummer.

1:39:10.240 --> 1:39:15.040
<v Speaker 1>He used to be in Blood, Sweat and Tears, right

1:39:15.080 --> 1:39:20.280
<v Speaker 1>and still owns the name right. Bobby loved Prairie Prince.

1:39:20.960 --> 1:39:23.360
<v Speaker 1>He just thought, oh my god, this guy is so so.

1:39:23.479 --> 1:39:27.879
<v Speaker 1>Bobby Columbia as an an our guy at at Capitol,

1:39:29.240 --> 1:39:33.479
<v Speaker 1>convinced them to give us a deal. He gave. They

1:39:33.479 --> 1:39:37.240
<v Speaker 1>gave us a three record deal, but each record was

1:39:38.479 --> 1:39:42.360
<v Speaker 1>based on the performance of the record before it. They said,

1:39:42.360 --> 1:39:45.080
<v Speaker 1>if the first record does nothing, you're not going to

1:39:45.120 --> 1:39:48.959
<v Speaker 1>get another record the second ring, you know. So anyway,

1:39:50.320 --> 1:39:55.960
<v Speaker 1>and and Bobby had this guy David Foster, okay, and

1:39:56.760 --> 1:40:02.760
<v Speaker 1>David Foster, and he thought, oh god, you know well,

1:40:02.800 --> 1:40:05.040
<v Speaker 1>I mean, the only thing we knew about David Foster

1:40:05.200 --> 1:40:08.479
<v Speaker 1>was he just did Boogie Wonderland. Okay, that was the

1:40:08.520 --> 1:40:12.040
<v Speaker 1>record before us Earth Wind and Fire, Boogie Wonderland. He

1:40:12.080 --> 1:40:15.480
<v Speaker 1>had a number one song after the Love Has Gone Okay,

1:40:15.600 --> 1:40:21.840
<v Speaker 1>And we were very skeptical. Okay, we went on and

1:40:21.960 --> 1:40:24.799
<v Speaker 1>Bobby was saying, when you guys gotta get on the radio.

1:40:25.400 --> 1:40:28.400
<v Speaker 1>You gotta sell records. You've got it. In order to

1:40:28.400 --> 1:40:31.800
<v Speaker 1>get a second record here, you've got to make a name.

1:40:32.040 --> 1:40:36.160
<v Speaker 1>You've got to do something commercially. Oh god, we're just

1:40:36.240 --> 1:40:39.280
<v Speaker 1>going on, man. And then so David Foster came up

1:40:39.320 --> 1:40:46.599
<v Speaker 1>to San Francisco and uh to meet with us and

1:40:46.840 --> 1:40:49.040
<v Speaker 1>you know, to kind of check out our songs and stuff.

1:40:49.600 --> 1:40:57.639
<v Speaker 1>And and I mean, I mean, the guys, guys unbelievable. Okay.

1:40:57.920 --> 1:41:04.559
<v Speaker 1>He is a brilliant posician, a brilliant arranger. I mean,

1:41:04.800 --> 1:41:07.320
<v Speaker 1>he came up and we said, okay. He goes, okay,

1:41:07.400 --> 1:41:10.599
<v Speaker 1>we'll play me some songs. I said, okay, well okay,

1:41:10.640 --> 1:41:15.000
<v Speaker 1>So we played him this song Amnesia, and he goes, well, okay,

1:41:15.040 --> 1:41:17.240
<v Speaker 1>and then he sat down on the piano and he

1:41:17.320 --> 1:41:20.240
<v Speaker 1>kind of, you know that, he goes, what if you

1:41:20.320 --> 1:41:23.840
<v Speaker 1>kind of did a modulation here and kind of a

1:41:23.880 --> 1:41:27.000
<v Speaker 1>big kind of put in this kind of oo part

1:41:27.080 --> 1:41:34.200
<v Speaker 1>and kind of and we were just oh, you know he,

1:41:34.439 --> 1:41:37.200
<v Speaker 1>I mean, he just floored us. He floored us with

1:41:37.320 --> 1:41:41.760
<v Speaker 1>his brilliance and we just went, wow, man, this guy,

1:41:42.200 --> 1:41:47.000
<v Speaker 1>this guy, this is amazing, you know. And and like

1:41:47.000 --> 1:41:53.439
<v Speaker 1>like he said, what about ballads? You know, you have

1:41:53.479 --> 1:41:57.840
<v Speaker 1>any ballads. He went, well, you know, we did a

1:41:57.840 --> 1:42:01.920
<v Speaker 1>ballot on the last record, and you know, it wasn't

1:42:01.920 --> 1:42:04.920
<v Speaker 1>a single. And because you know, the company's looking for

1:42:04.960 --> 1:42:07.200
<v Speaker 1>a ballad, they're looking for a ballad to be the

1:42:07.200 --> 1:42:12.120
<v Speaker 1>first single, because ballads are happening, you know, it's everybody

1:42:12.160 --> 1:42:17.519
<v Speaker 1>has got a big rock ballad coming out. Journey R

1:42:17.560 --> 1:42:20.200
<v Speaker 1>e O. I mean, all these bands were having huge

1:42:20.280 --> 1:42:25.120
<v Speaker 1>success with ballots, and we just kind of went, well,

1:42:25.240 --> 1:42:29.960
<v Speaker 1>you know, but Vince, our keyboard player, Vince well Nick,

1:42:31.160 --> 1:42:34.360
<v Speaker 1>uh he said, well, you know, I have this kind

1:42:34.360 --> 1:42:40.360
<v Speaker 1>of progression I've been working on, and so he started playing, Uh,

1:42:40.439 --> 1:42:44.000
<v Speaker 1>I don't want to wait anymore for David, and David

1:42:44.040 --> 1:42:48.160
<v Speaker 1>went wow. And then you know, David sits down and

1:42:48.200 --> 1:42:51.840
<v Speaker 1>go again and then and then you put a modulation

1:42:52.000 --> 1:42:55.439
<v Speaker 1>and then the big finish and then the chorus out

1:42:55.640 --> 1:43:00.840
<v Speaker 1>and the you know, payoff, and and he said, man,

1:43:00.880 --> 1:43:03.400
<v Speaker 1>this is it, this will this will work. And I

1:43:03.479 --> 1:43:06.320
<v Speaker 1>had written the lyrics to it. Uh, he goes, let

1:43:06.360 --> 1:43:09.120
<v Speaker 1>me hear the lyrics. I wrote game the lyrics because man,

1:43:09.160 --> 1:43:11.439
<v Speaker 1>this is this is what they're looking for, this is

1:43:11.479 --> 1:43:14.360
<v Speaker 1>what Capital is looking for a ballad like this. And

1:43:15.200 --> 1:43:21.800
<v Speaker 1>so we just kind of went this, Okay, you know,

1:43:22.080 --> 1:43:26.880
<v Speaker 1>this guy is incredible. Okay, let's we're good with this. Okay,

1:43:26.960 --> 1:43:32.639
<v Speaker 1>let's do it. We're good with this. And uh at

1:43:32.640 --> 1:43:36.599
<v Speaker 1>the time, we had a manager. His name was Ricky Farr,

1:43:37.120 --> 1:43:40.160
<v Speaker 1>and Ricky Farr was a Welshman who had a big

1:43:40.160 --> 1:43:44.200
<v Speaker 1>Sounded Lights company. Uh and he used to do the

1:43:44.200 --> 1:43:48.240
<v Speaker 1>the the Sounding Lights touring for big you know, Rod

1:43:48.360 --> 1:43:51.920
<v Speaker 1>Stewart and Stevie Wonder and just you know, he was

1:43:52.040 --> 1:43:54.760
<v Speaker 1>a big time company and he had never managed the

1:43:54.800 --> 1:43:57.599
<v Speaker 1>band before. And he was the one that first took

1:43:57.680 --> 1:44:01.519
<v Speaker 1>us to England. He goes, you guys, with your kind

1:44:01.560 --> 1:44:06.800
<v Speaker 1>of sarcasm and your parody, they're gonna love you in

1:44:06.840 --> 1:44:10.040
<v Speaker 1>the UK. So he took us right away. That the

1:44:10.080 --> 1:44:12.679
<v Speaker 1>first thing he did was take us to England and

1:44:12.880 --> 1:44:16.479
<v Speaker 1>uh and that was a really smart move. I mean,

1:44:16.479 --> 1:44:20.000
<v Speaker 1>we are huge in England and are in the UK,

1:44:20.439 --> 1:44:28.719
<v Speaker 1>and so uh, you know, we just we we we

1:44:28.720 --> 1:44:31.679
<v Speaker 1>we went for it right away. We went for David

1:44:31.720 --> 1:44:36.000
<v Speaker 1>Foster and uh and we did that. We did, you know,

1:44:36.760 --> 1:44:43.559
<v Speaker 1>I actually uh uh we we you know, we got

1:44:43.600 --> 1:44:45.720
<v Speaker 1>towards the end of the recording of the record and

1:44:45.920 --> 1:44:48.600
<v Speaker 1>when we still had weird songs. We still had, you know,

1:44:48.760 --> 1:44:52.040
<v Speaker 1>Mr Hate and Attack of the fifty foot Woman. And

1:44:52.720 --> 1:44:55.840
<v Speaker 1>you know it wasn't like you know, it wasn't like

1:44:55.920 --> 1:44:59.160
<v Speaker 1>it was all so commercial, and so you know, we

1:44:59.200 --> 1:45:04.960
<v Speaker 1>wanted to maintain our weirdness and uh and we got

1:45:05.040 --> 1:45:08.360
<v Speaker 1>to the end of the project and he goes, well,

1:45:08.400 --> 1:45:11.400
<v Speaker 1>you know, we we I know they want to release

1:45:11.720 --> 1:45:16.559
<v Speaker 1>a ballad, but uh uh they all they want that.

1:45:16.720 --> 1:45:19.320
<v Speaker 1>We need a rock song. We need an A O

1:45:19.600 --> 1:45:23.519
<v Speaker 1>R kind of rock song. And we played you know,

1:45:23.800 --> 1:45:26.360
<v Speaker 1>he goes, I don't hear it. I don't. I don't

1:45:26.520 --> 1:45:29.080
<v Speaker 1>you haven't played it. You don't have that. And so

1:45:29.160 --> 1:45:31.160
<v Speaker 1>he was the one that said, you know, I have

1:45:31.240 --> 1:45:35.360
<v Speaker 1>a friend, this this studio musician guy who's in a

1:45:35.360 --> 1:45:38.800
<v Speaker 1>band called Toto. His name is Steve Luca Fur. And

1:45:38.880 --> 1:45:41.519
<v Speaker 1>he goes, how about if we meet you and I

1:45:41.640 --> 1:45:43.559
<v Speaker 1>and Steve meet and we try to come up with

1:45:43.600 --> 1:45:48.840
<v Speaker 1>a rock song. And so we did, and we met

1:45:49.600 --> 1:45:54.240
<v Speaker 1>early one morning out in the valley here and and

1:45:54.280 --> 1:45:56.400
<v Speaker 1>Steve came up with talked to you later in about

1:45:56.439 --> 1:46:01.880
<v Speaker 1>ten seconds, and I mean, the guy is brilliant, and

1:46:01.880 --> 1:46:06.320
<v Speaker 1>and so you know, we we we recorded talked to

1:46:06.320 --> 1:46:12.080
<v Speaker 1>you later and uh, and he's it's okay. I mean

1:46:12.120 --> 1:46:14.800
<v Speaker 1>that's what we got it, you know. And I think

1:46:14.920 --> 1:46:17.280
<v Speaker 1>you know that I told you before we were doing

1:46:17.280 --> 1:46:20.439
<v Speaker 1>Completion Backward Principle. I think Completion Backward Principle was our

1:46:21.479 --> 1:46:26.200
<v Speaker 1>greatest record. Uh. I mean I love the first album,

1:46:26.240 --> 1:46:34.880
<v Speaker 1>but we've been doing Completion Backward live, uh, the whole album,

1:46:35.000 --> 1:46:38.160
<v Speaker 1>like top to bottom, starting well, talk to you later,

1:46:38.280 --> 1:46:41.719
<v Speaker 1>and right on through the whole album, and it's really

1:46:41.760 --> 1:46:45.479
<v Speaker 1>gotten a great response. And I love those songs. I

1:46:45.520 --> 1:46:50.559
<v Speaker 1>love Amnesia and I love Mr Hayde. I completely go mental.

1:46:51.960 --> 1:46:57.120
<v Speaker 1>I mean I I could be a X murderer if

1:46:57.120 --> 1:47:00.479
<v Speaker 1>with the straight I love it. I love that. I mean,

1:47:00.479 --> 1:47:04.080
<v Speaker 1>I love the I love you know, I do these

1:47:04.160 --> 1:47:07.800
<v Speaker 1>characters and I lose myself, you know, I just completely

1:47:07.880 --> 1:47:11.320
<v Speaker 1>lose myself in the character and in the and I

1:47:12.000 --> 1:47:16.479
<v Speaker 1>sometimes I get a little out of control. But uh,

1:47:18.400 --> 1:47:21.599
<v Speaker 1>you know it's so great to be able to do that,

1:47:21.640 --> 1:47:24.120
<v Speaker 1>to have the venue, to be able to do that.

1:47:24.320 --> 1:47:26.800
<v Speaker 1>You know. So you make that record, you have a

1:47:26.800 --> 1:47:29.680
<v Speaker 1>certain amount of success, then you team up together and

1:47:29.720 --> 1:47:32.559
<v Speaker 1>you even have more success. So tell me about outside inside.

1:47:32.600 --> 1:47:36.040
<v Speaker 1>You know, we had we had great success, as you say,

1:47:36.200 --> 1:47:40.280
<v Speaker 1>and we get ready to do the next record, and

1:47:40.280 --> 1:47:43.799
<v Speaker 1>and Faz says, you know, let's let's try it again

1:47:44.479 --> 1:47:47.080
<v Speaker 1>with you and Luke and I, let's try it again.

1:47:47.200 --> 1:47:49.439
<v Speaker 1>And so we got together and we wrote She's Beauty

1:47:49.439 --> 1:47:54.599
<v Speaker 1>in about ten minutes, and I mean, once again, Luke's

1:47:54.640 --> 1:48:02.920
<v Speaker 1>just you know, crazy, crazy good and uh uh we

1:48:03.000 --> 1:48:05.960
<v Speaker 1>had a great time recording that record, and and and

1:48:06.439 --> 1:48:08.559
<v Speaker 1>you know we would it would have been even a

1:48:08.600 --> 1:48:12.120
<v Speaker 1>bigger selling record if it hadn't been for this guy

1:48:12.200 --> 1:48:16.680
<v Speaker 1>named Val Garay who was the manager of Martha Davis.

1:48:17.439 --> 1:48:19.840
<v Speaker 1>And I had known Martha for a long time, and

1:48:20.040 --> 1:48:22.880
<v Speaker 1>we wanted to do we wanted to do a duet

1:48:22.960 --> 1:48:27.599
<v Speaker 1>on the record, and and so we we picked this

1:48:27.720 --> 1:48:33.320
<v Speaker 1>song mony Monkey Time, Curtis Mayfield song, and Martha came

1:48:33.360 --> 1:48:36.479
<v Speaker 1>in and we did a duet on Monkey Time, and

1:48:37.600 --> 1:48:42.519
<v Speaker 1>uh it was I mean, Fause just said, Okay, this

1:48:42.640 --> 1:48:45.040
<v Speaker 1>is great. This is gonna be the second single after

1:48:45.120 --> 1:48:48.880
<v Speaker 1>She's a Beauty. And but then when we get ready,

1:48:49.040 --> 1:48:51.000
<v Speaker 1>you know, She's a Beauty is a big hit, goes

1:48:51.040 --> 1:48:59.040
<v Speaker 1>to number two. H h yeah, that's you know, I mean,

1:49:00.360 --> 1:49:02.559
<v Speaker 1>I so wanted to number one record, but I mean

1:49:03.439 --> 1:49:08.000
<v Speaker 1>it was so good for us and so great and

1:49:08.000 --> 1:49:14.320
<v Speaker 1>and uh and you know it's still people go crazy

1:49:14.360 --> 1:49:18.200
<v Speaker 1>when we played that song, and so we're ready to

1:49:18.240 --> 1:49:21.559
<v Speaker 1>follow it up with the second song, second single, Monkey Time.

1:49:22.120 --> 1:49:28.840
<v Speaker 1>And her manager, the manager of the Motels, this guy says, no,

1:49:28.920 --> 1:49:31.840
<v Speaker 1>you can't release this. Uh, this is We've got a

1:49:31.840 --> 1:49:35.439
<v Speaker 1>Motel's record coming out in about six months, and this

1:49:35.520 --> 1:49:38.679
<v Speaker 1>is gonna hurt. It's gonna hurt that it's gonna hurt

1:49:38.720 --> 1:49:45.360
<v Speaker 1>the sales of this record. And everybody flipped out. Okay,

1:49:46.080 --> 1:49:49.760
<v Speaker 1>I mean at this time, at this point we had uh.

1:49:49.920 --> 1:49:53.920
<v Speaker 1>We were with the management company Fitzgerald Hartley and they

1:49:53.960 --> 1:49:57.920
<v Speaker 1>also managed Total and Mark and Larry. You know, we

1:49:57.960 --> 1:50:01.000
<v Speaker 1>went to the record company. No, no, no, this is

1:50:01.040 --> 1:50:04.200
<v Speaker 1>only going to help you. This is gonna help your

1:50:04.320 --> 1:50:11.679
<v Speaker 1>Motels record. No now and Motels were also on Capitol uh,

1:50:11.960 --> 1:50:14.960
<v Speaker 1>and he and jumped at it. He went to the

1:50:14.960 --> 1:50:17.599
<v Speaker 1>record company and said, you can't put this out. I

1:50:17.680 --> 1:50:21.320
<v Speaker 1>refused to let you. I'm gonna jumped it. I'm gonna

1:50:21.400 --> 1:50:28.040
<v Speaker 1>sue you, I'm gonna uh and I everyone was just flabbergasted.

1:50:28.080 --> 1:50:31.519
<v Speaker 1>We couldn't understand it. And and he did it, and

1:50:31.560 --> 1:50:33.640
<v Speaker 1>we couldn't release it. We had to go. You know.

1:50:33.760 --> 1:50:36.120
<v Speaker 1>We fought it for you know, I don't know a

1:50:36.120 --> 1:50:39.720
<v Speaker 1>long time, and finally we realized, now they're not going

1:50:39.760 --> 1:50:42.040
<v Speaker 1>to do it. You've gotta if you want to do it,

1:50:42.120 --> 1:50:46.280
<v Speaker 1>you have to rerecorded. You have to peel out her

1:50:46.360 --> 1:50:50.920
<v Speaker 1>vocal and re recorded. And so we went back in

1:50:51.000 --> 1:50:58.080
<v Speaker 1>the studio and we replaced her vocal with h one

1:50:58.120 --> 1:51:01.120
<v Speaker 1>of our one of our dances at the time, Michelle

1:51:01.120 --> 1:51:04.120
<v Speaker 1>Gray her name is who ends who is now Todd's wife,

1:51:04.800 --> 1:51:09.160
<v Speaker 1>and and she did a wonderful job. It sounded great.

1:51:09.280 --> 1:51:14.280
<v Speaker 1>But it was six months later. The whole month everything

1:51:14.400 --> 1:51:19.599
<v Speaker 1>was gone, momentum gone, you know, and so it never happened.

1:51:19.680 --> 1:51:24.320
<v Speaker 1>It never it never charted, and you know, the momentum

1:51:24.360 --> 1:51:36.639
<v Speaker 1>of the record. That was it. The record was done. Okay,

1:51:36.680 --> 1:51:40.720
<v Speaker 1>So after all that success with Foster, how do you

1:51:40.800 --> 1:51:43.639
<v Speaker 1>decide to then work with Todd Agan, which ultimately kills

1:51:43.680 --> 1:51:47.240
<v Speaker 1>the band. I was hoping you wouldn't ask that, But

1:51:49.880 --> 1:51:51.479
<v Speaker 1>I don't know how to see this, but I think

1:51:51.640 --> 1:51:55.560
<v Speaker 1>it was for the best. As I look back in retrospect,

1:51:56.040 --> 1:51:58.840
<v Speaker 1>I think it was time for me to move on.

1:51:59.640 --> 1:52:02.839
<v Speaker 1>But of course I didn't know that then, did I? Uh,

1:52:02.880 --> 1:52:09.080
<v Speaker 1>And everybody flipped out. What happened was David came. You know,

1:52:09.200 --> 1:52:15.920
<v Speaker 1>David was booked to the third album, and uh, David

1:52:16.000 --> 1:52:18.600
<v Speaker 1>came and sat down with the band and he goes, Okay, look,

1:52:19.200 --> 1:52:22.320
<v Speaker 1>we had great success with talk to You Later, even

1:52:22.360 --> 1:52:26.160
<v Speaker 1>more success with She's a Beauty. So what I want

1:52:26.160 --> 1:52:32.080
<v Speaker 1>to do is I want to right four songs with

1:52:32.800 --> 1:52:36.920
<v Speaker 1>Fee and Luke and I like we did on talk

1:52:37.280 --> 1:52:42.519
<v Speaker 1>to You Later and She's a beauty. And so that

1:52:42.600 --> 1:52:46.519
<v Speaker 1>way I've got I've got a first, second, and third

1:52:46.600 --> 1:52:51.479
<v Speaker 1>and fourth single and you know, one of you know,

1:52:51.560 --> 1:52:55.320
<v Speaker 1>a couple of them bound to work, and it's gonna

1:52:55.360 --> 1:52:57.439
<v Speaker 1>be you know, it's gonna be huge. It's gonna be

1:52:57.439 --> 1:53:03.840
<v Speaker 1>a big, massive record. And uh. And on the B side,

1:53:05.080 --> 1:53:08.000
<v Speaker 1>you guys can do whatever you want. You can produce it,

1:53:08.400 --> 1:53:10.840
<v Speaker 1>you can write it, you can do any songs you want.

1:53:11.240 --> 1:53:14.800
<v Speaker 1>You can. I don't care. You can do whatever you want,

1:53:16.040 --> 1:53:19.400
<v Speaker 1>and I will let you do whatever you want. And

1:53:19.560 --> 1:53:25.160
<v Speaker 1>all I want is side. That was what he proposed

1:53:25.200 --> 1:53:32.880
<v Speaker 1>to the band, and everyone everyone said and so and

1:53:32.920 --> 1:53:35.559
<v Speaker 1>the band said, you know, I don't we don't want

1:53:35.600 --> 1:53:38.840
<v Speaker 1>to do that. No, we're a band. You can't tell

1:53:38.920 --> 1:53:43.600
<v Speaker 1>us what to do. We're a band. And I was

1:53:43.640 --> 1:53:49.960
<v Speaker 1>the only one going, man, guys, you gotta just you know,

1:53:50.160 --> 1:53:54.320
<v Speaker 1>don't don't, don't let your pride fault, you know, kill

1:53:54.400 --> 1:53:58.440
<v Speaker 1>us here. It's it's okay, you know, it'll be okay.

1:53:58.760 --> 1:54:03.080
<v Speaker 1>And now they wouldn't do it. I don't know. In retrospect,

1:54:03.120 --> 1:54:07.040
<v Speaker 1>I understand, you know, it's they their pride was hurt.

1:54:07.120 --> 1:54:09.360
<v Speaker 1>They felt, you know, we're a band, you can't tell

1:54:09.479 --> 1:54:15.520
<v Speaker 1>us what to do. Uh And and also they were,

1:54:15.560 --> 1:54:18.800
<v Speaker 1>you know, they were I think a little miffed that

1:54:18.920 --> 1:54:22.599
<v Speaker 1>the two hits that we had we had were written

1:54:23.880 --> 1:54:29.240
<v Speaker 1>by me and Steve and David and uh. So they said, no,

1:54:29.320 --> 1:54:31.800
<v Speaker 1>we're not going to do it. And the management said,

1:54:31.840 --> 1:54:34.080
<v Speaker 1>don't do this. The record company said don't do this.

1:54:34.320 --> 1:54:37.920
<v Speaker 1>I said, don't do this, the agency said don't do

1:54:38.120 --> 1:54:44.600
<v Speaker 1>everyone said don't do this. And they went, no, we're

1:54:44.600 --> 1:54:47.120
<v Speaker 1>doing that's what we're doing. And so they got Todd

1:54:47.200 --> 1:54:52.520
<v Speaker 1>back on the phone and they said, you know, and

1:54:52.560 --> 1:54:58.200
<v Speaker 1>they made and I I I was devastated. I have

1:54:58.280 --> 1:55:00.160
<v Speaker 1>to say. I went to l A and I said,

1:55:00.200 --> 1:55:03.440
<v Speaker 1>I don't know what I'm gonna do. And I made

1:55:03.440 --> 1:55:06.360
<v Speaker 1>a record. I made I made my first solo record,

1:55:07.320 --> 1:55:10.760
<v Speaker 1>uh with David Foster, because he was there sitting there available,

1:55:11.120 --> 1:55:13.680
<v Speaker 1>and I talked the record company into letting me use

1:55:13.800 --> 1:55:17.200
<v Speaker 1>him for a solo album, and they said okay, and

1:55:17.240 --> 1:55:20.560
<v Speaker 1>then the band went ahead without me in San Francisco

1:55:20.880 --> 1:55:24.560
<v Speaker 1>and made a record with Todd and and I came

1:55:24.560 --> 1:55:27.080
<v Speaker 1>back and you know, I got my record done, and

1:55:27.120 --> 1:55:29.080
<v Speaker 1>I came back to San Francisco and they went, well,

1:55:29.400 --> 1:55:32.920
<v Speaker 1>you know, our records almost done, and you know, you

1:55:32.920 --> 1:55:34.840
<v Speaker 1>can We've got a couple of songs that you can

1:55:34.880 --> 1:55:38.680
<v Speaker 1>sing if you want. And you know, up until that point,

1:55:38.760 --> 1:55:41.080
<v Speaker 1>I had pretty much sung every record, every song on

1:55:41.080 --> 1:55:45.720
<v Speaker 1>the record, and so I was pretty much crushed. And

1:55:45.840 --> 1:55:49.040
<v Speaker 1>I sang a couple of you know, I brought them

1:55:49.040 --> 1:55:52.880
<v Speaker 1>one song, uh that I didn't use on my solo record,

1:55:52.880 --> 1:55:56.280
<v Speaker 1>piece by piece, and we recorded that and then I

1:55:56.520 --> 1:55:59.920
<v Speaker 1>sang I did another song that I wrote about Marlo

1:56:00.080 --> 1:56:05.040
<v Speaker 1>Brando Stella I've written. I loved Marlon Brando, He's the

1:56:05.040 --> 1:56:09.560
<v Speaker 1>best I've I've written a whole bunch of songs over

1:56:09.560 --> 1:56:11.640
<v Speaker 1>the years about Marlin and Brando. I could have been

1:56:11.680 --> 1:56:15.480
<v Speaker 1>somebody about the you know, on the waterfront, and I

1:56:15.520 --> 1:56:22.000
<v Speaker 1>wrote Stella from street Car named Desire, and uh so, anyway,

1:56:22.400 --> 1:56:26.800
<v Speaker 1>I ended up doing just three songs on the record,

1:56:28.040 --> 1:56:34.920
<v Speaker 1>and it didn't do well. As you know, it didn't

1:56:34.920 --> 1:56:41.000
<v Speaker 1>do well. And I at and we without and did

1:56:41.040 --> 1:56:45.400
<v Speaker 1>the tour, and the tour didn't do well, and everything

1:56:45.520 --> 1:56:49.880
<v Speaker 1>kind of crumbled around us. The management said, well, you know,

1:56:50.280 --> 1:56:52.600
<v Speaker 1>we're gonna have to release you guys, because this is

1:56:52.680 --> 1:56:56.880
<v Speaker 1>a huge mistake. And then you know, the record company

1:56:57.400 --> 1:57:02.360
<v Speaker 1>pretty much released us the day the tour began. So

1:57:03.040 --> 1:57:06.320
<v Speaker 1>you know, the tour starts at April one, and on

1:57:06.320 --> 1:57:10.360
<v Speaker 1>on March one, they release us. And so we go

1:57:10.480 --> 1:57:13.440
<v Speaker 1>out and we have all this national tour book. We've

1:57:13.480 --> 1:57:17.000
<v Speaker 1>got no record company support, no A and R guys,

1:57:17.120 --> 1:57:22.560
<v Speaker 1>no promotion, no record play, no radio play, I mean nothing,

1:57:22.680 --> 1:57:27.360
<v Speaker 1>we got nothing. So it didn't go well. And so

1:57:27.440 --> 1:57:33.360
<v Speaker 1>I got back. We got back and uh I just went,

1:57:33.480 --> 1:57:38.000
<v Speaker 1>you know, we we the management had left us. I mean,

1:57:38.040 --> 1:57:41.920
<v Speaker 1>I was so discouraged and so uh and I thought,

1:57:42.000 --> 1:57:46.400
<v Speaker 1>you know, well, I guess this is this is this

1:57:46.480 --> 1:57:49.920
<v Speaker 1>is this could be great. I've gotta I've gotta, I've

1:57:49.960 --> 1:57:52.360
<v Speaker 1>got to start my own life. You know, I had

1:57:52.360 --> 1:57:56.480
<v Speaker 1>been you know, we had been a seven man band

1:57:57.080 --> 1:57:59.960
<v Speaker 1>for at that point, we had been a seven man

1:58:00.000 --> 1:58:05.120
<v Speaker 1>band for about fifteen years, and we did everything together.

1:58:05.600 --> 1:58:10.160
<v Speaker 1>We split everything evenly. We were a bunch of hippies. Okay,

1:58:10.160 --> 1:58:13.960
<v Speaker 1>we're a bunch of hippies. And whatever it was, everybody

1:58:14.000 --> 1:58:17.720
<v Speaker 1>decided together. We did it all together. It was all together.

1:58:18.280 --> 1:58:22.200
<v Speaker 1>And I just thought, you know, it's time to grow up.

1:58:22.440 --> 1:58:26.600
<v Speaker 1>It's time to be a man and grow up and

1:58:26.600 --> 1:58:32.280
<v Speaker 1>and take responsibility for yourself. And so I said, okay, guys,

1:58:32.360 --> 1:58:37.840
<v Speaker 1>you know, I'm gonna leave the band. I'm gonna, I'm gonna,

1:58:37.920 --> 1:58:40.800
<v Speaker 1>I'm gonna I'm gonna leave town. Pretty much. I had

1:58:40.840 --> 1:58:43.880
<v Speaker 1>to leave town, and so I did. So I just

1:58:44.320 --> 1:58:48.280
<v Speaker 1>packed up and I got my car and I drove

1:58:48.320 --> 1:58:52.680
<v Speaker 1>to l A. And I had a girl. I had

1:58:52.680 --> 1:58:54.880
<v Speaker 1>a girlfriend at a time at the time that I

1:58:54.920 --> 1:58:58.840
<v Speaker 1>was living that was living in l A. And her

1:59:00.600 --> 1:59:05.480
<v Speaker 1>her parents owned some apartment buildings in l A. So

1:59:05.560 --> 1:59:08.280
<v Speaker 1>they gave me an apartment, you know, really cheap, because

1:59:08.280 --> 1:59:10.880
<v Speaker 1>I didn't have any money, and you know, we spend

1:59:10.920 --> 1:59:14.240
<v Speaker 1>everything on the show, and I didn't have much money,

1:59:14.280 --> 1:59:16.120
<v Speaker 1>and so they gave me a cheap apartment. And I

1:59:16.160 --> 1:59:23.240
<v Speaker 1>moved here, and and I, you know, I I just

1:59:23.680 --> 1:59:26.320
<v Speaker 1>I just you know that. And you know what happened

1:59:26.840 --> 1:59:31.080
<v Speaker 1>was I started writing songs with Richard Marks, and I thought,

1:59:31.120 --> 1:59:33.760
<v Speaker 1>you know, and I just had blind faith. I just said, well,

1:59:33.880 --> 1:59:38.120
<v Speaker 1>you know, I gotta I've gotta make my own life.

1:59:38.440 --> 1:59:41.360
<v Speaker 1>You know, I've been I've been a part of a

1:59:41.400 --> 1:59:44.280
<v Speaker 1>group for so long, and I've got a stand up

1:59:44.320 --> 1:59:47.560
<v Speaker 1>for myself and I've got to you know, I've got

1:59:47.560 --> 1:59:50.760
<v Speaker 1>to get my ship together. And I and you know,

1:59:50.800 --> 1:59:55.080
<v Speaker 1>I had known Richard and and I think at the

1:59:55.160 --> 1:59:58.720
<v Speaker 1>time we had maybe written a couple of songs together.

1:59:58.760 --> 2:00:03.840
<v Speaker 1>I think we wrote had written that Vixen hit. You know,

2:00:04.920 --> 2:00:06.800
<v Speaker 1>I've been living on the edge of a Broken Heart,

2:00:07.560 --> 2:00:10.200
<v Speaker 1>and we had a big hit with that. And so

2:00:10.240 --> 2:00:13.600
<v Speaker 1>I said, I said, let's write. He said, I want

2:00:13.600 --> 2:00:16.720
<v Speaker 1>to be. This was before he had a record deal,

2:00:16.800 --> 2:00:18.920
<v Speaker 1>before he had just at the at that point, he

2:00:18.960 --> 2:00:21.760
<v Speaker 1>was just a songwriter and had written songs for a

2:00:21.760 --> 2:00:26.360
<v Speaker 1>lot of other people, Kidney Rogers and and uh a

2:00:26.400 --> 2:00:29.240
<v Speaker 1>lot of people, and so he said, I want to

2:00:29.280 --> 2:00:33.400
<v Speaker 1>be I want to be an artist. I want to perform.

2:00:33.440 --> 2:00:40.320
<v Speaker 1>So he got a deal at Manhattan subsidiary of Capital,

2:00:41.160 --> 2:00:43.240
<v Speaker 1>and he said, let's write some songs from my record,

2:00:44.440 --> 2:00:47.520
<v Speaker 1>and I said, okay, great, so we did so I

2:00:47.560 --> 2:00:52.160
<v Speaker 1>think we wrote. I wrote four songs for him on

2:00:52.320 --> 2:00:58.560
<v Speaker 1>his first record, and you know, he's he is a

2:00:58.600 --> 2:01:02.440
<v Speaker 1>big hit for record sold three million elbows, I think,

2:01:02.960 --> 2:01:07.520
<v Speaker 1>and uh and uh, and then we you know, the

2:01:07.560 --> 2:01:09.400
<v Speaker 1>next record, and I wrote more songs with him on

2:01:09.440 --> 2:01:11.920
<v Speaker 1>the next record and the next record and the next record,

2:01:11.960 --> 2:01:16.040
<v Speaker 1>and and I just, you know, I thought to myself,

2:01:16.080 --> 2:01:19.400
<v Speaker 1>you know, this is this is this is the right

2:01:19.440 --> 2:01:24.680
<v Speaker 1>thing to do, you know, I I I you know

2:01:24.720 --> 2:01:28.440
<v Speaker 1>that the way things happened wasn't great, but it was

2:01:28.480 --> 2:01:33.680
<v Speaker 1>good for me because I stood up and and you know,

2:01:33.800 --> 2:01:35.920
<v Speaker 1>I was a man. I stood up and said, Okay,

2:01:36.000 --> 2:01:39.960
<v Speaker 1>I'm good. I'm gonna go. I'm gonna lead my own path,

2:01:41.120 --> 2:01:42.880
<v Speaker 1>you know, lead my own way. So how did you

2:01:42.920 --> 2:01:46.680
<v Speaker 1>meet Roger Richard Marks? I met him. He wrote a

2:01:46.760 --> 2:01:50.840
<v Speaker 1>song for in in eighty three. He wrote a song

2:01:50.920 --> 2:01:55.160
<v Speaker 1>for Lionel Ritchie and he came to l A to

2:01:55.440 --> 2:01:59.040
<v Speaker 1>see him recorded. He got at eighteen years old. He

2:01:59.080 --> 2:02:02.640
<v Speaker 1>placed the song when Lionel the Guy's brilliant Okay. His

2:02:02.800 --> 2:02:09.360
<v Speaker 1>dad was a jingle writer in Chicago. He wrote the

2:02:09.400 --> 2:02:14.520
<v Speaker 1>double Mint Gum jing Built. He wrote my dog's better

2:02:14.560 --> 2:02:18.839
<v Speaker 1>than your dog, my kennel ration. He wrote all these singles,

2:02:18.880 --> 2:02:20.880
<v Speaker 1>so Richard, and he was the keyboard He was a

2:02:20.960 --> 2:02:24.360
<v Speaker 1>jazz keyboard player. Dick his name was Dick Marks. He

2:02:24.480 --> 2:02:29.640
<v Speaker 1>was an incredible guy, really great, and he taught Richard,

2:02:30.040 --> 2:02:36.240
<v Speaker 1>you know, music theory and keyboards and writing stuff. I mean. Anyway,

2:02:36.680 --> 2:02:42.040
<v Speaker 1>Richard came UH to l A and he wanted to

2:02:42.080 --> 2:02:46.360
<v Speaker 1>meet David Foster, and he knew about him, and he

2:02:46.400 --> 2:02:49.240
<v Speaker 1>asked Lionel, and David's goes, yeah, he's doing the tubes

2:02:49.280 --> 2:02:55.320
<v Speaker 1>down the street at Lion's Share uh and and Lionel

2:02:55.360 --> 2:02:57.280
<v Speaker 1>set it up where he could Richard could come to

2:02:57.320 --> 2:03:03.800
<v Speaker 1>the studio and just watch and and he did. He

2:03:03.800 --> 2:03:06.400
<v Speaker 1>showed him one day when we were in the studio recording,

2:03:06.600 --> 2:03:10.480
<v Speaker 1>and you know, he's just sitting back there. And at

2:03:10.480 --> 2:03:14.080
<v Speaker 1>the end of the session he goes, he had no

2:03:14.280 --> 2:03:18.120
<v Speaker 1>he knew of me, and he said, Hi, I'm Richard Marks.

2:03:18.160 --> 2:03:20.360
<v Speaker 1>He introduced himself and he said, you know, I think

2:03:20.400 --> 2:03:23.320
<v Speaker 1>your lyrics are really interesting. Would you write a song

2:03:23.360 --> 2:03:30.560
<v Speaker 1>with me? I said, I don't know who. He goes,

2:03:30.640 --> 2:03:35.080
<v Speaker 1>I'm just a kid from Chicago, and I said, well, okay, okay,

2:03:35.640 --> 2:03:38.640
<v Speaker 1>no problem, Let's write a song. And so I did.

2:03:38.680 --> 2:03:41.240
<v Speaker 1>We wrote a song. We wrote a song called who

2:03:41.320 --> 2:03:45.400
<v Speaker 1>Loves Your Baby, which was the tagline from ko Jack

2:03:47.640 --> 2:03:51.080
<v Speaker 1>and which is I put on my first solo record,

2:03:51.120 --> 2:03:55.160
<v Speaker 1>who Loves Your Baby. And you know, we just kind

2:03:55.160 --> 2:03:58.880
<v Speaker 1>of clicked. We just we couldn't be more different. Okay,

2:03:58.920 --> 2:04:04.320
<v Speaker 1>we couldn't be are different people. Uh you know, he

2:04:04.760 --> 2:04:08.000
<v Speaker 1>but it's just something. I'm the godfather to his sons.

2:04:08.080 --> 2:04:11.160
<v Speaker 1>He has got three beautiful sons who are very very

2:04:11.200 --> 2:04:17.160
<v Speaker 1>talented musicians, and uh, you know, I've just like I said,

2:04:17.200 --> 2:04:20.839
<v Speaker 1>for like thirty thirty eight forty years, we've been best friends.

2:04:20.840 --> 2:04:24.160
<v Speaker 1>And we still right together all the time. And I

2:04:24.200 --> 2:04:29.080
<v Speaker 1>know his son's very well. And uh he lives out here.

2:04:29.200 --> 2:04:31.560
<v Speaker 1>He lived in Chicago for years and years and then

2:04:31.760 --> 2:04:37.000
<v Speaker 1>he divorced his wife and moved recently moved to l

2:04:37.040 --> 2:04:41.160
<v Speaker 1>A And uh so we see each other a lot,

2:04:41.240 --> 2:04:43.280
<v Speaker 1>and you know, and over the years we've been we've

2:04:43.280 --> 2:04:46.320
<v Speaker 1>been working on this record on the my my solo

2:04:46.360 --> 2:04:48.560
<v Speaker 1>record of the fee Wave, the Rights Again record. We

2:04:48.600 --> 2:04:53.600
<v Speaker 1>started making this record gosh in two thousand thirteen, for

2:04:53.920 --> 2:04:57.320
<v Speaker 1>like seven years ago, we started making it. The main

2:04:57.440 --> 2:05:00.920
<v Speaker 1>the first song I used to go every summer when

2:05:00.920 --> 2:05:03.880
<v Speaker 1>he lived in Chicago. I used to go to Chicago

2:05:03.960 --> 2:05:10.440
<v Speaker 1>every summer. And his parents had a cabin in Manaqua, Wisconsin,

2:05:11.200 --> 2:05:14.280
<v Speaker 1>way up in northern Wisconsin. And we would go with

2:05:14.320 --> 2:05:17.120
<v Speaker 1>the boys on a boys trip to Wisconsin. And we

2:05:17.320 --> 2:05:19.680
<v Speaker 1>drive up there and spend a week at the cabin

2:05:20.480 --> 2:05:23.080
<v Speaker 1>and go fishing, and we go first BacT riding, and

2:05:23.120 --> 2:05:26.880
<v Speaker 1>we go go kart you know, just have a great time.

2:05:27.280 --> 2:05:32.240
<v Speaker 1>And so that summer the boys were getting older, and

2:05:32.440 --> 2:05:34.960
<v Speaker 1>the summer of two thousand thirteen, I went up there

2:05:34.960 --> 2:05:37.000
<v Speaker 1>and I said, well, look and we've done another boys trips.

2:05:37.040 --> 2:05:40.280
<v Speaker 1>We went whitewater rafting and with in Wyoming and we

2:05:40.360 --> 2:05:43.080
<v Speaker 1>do all some all some kind of a boy's trip

2:05:43.920 --> 2:05:46.120
<v Speaker 1>and we went. I went up to the summer and

2:05:46.360 --> 2:05:49.680
<v Speaker 1>the boy said, you know, we'd want ago. We want

2:05:49.680 --> 2:05:51.960
<v Speaker 1>to hang like hang out with our girlfriends and go

2:05:52.000 --> 2:05:54.880
<v Speaker 1>to the movies. We don't want to do a boys trip.

2:05:57.080 --> 2:05:59.760
<v Speaker 1>I came all the way from Okay, and so Richard said,

2:06:00.040 --> 2:06:03.360
<v Speaker 1>and he had a studio at his house, and he said, well,

2:06:03.440 --> 2:06:07.720
<v Speaker 1>let's go write a song and let's do and then

2:06:07.960 --> 2:06:09.960
<v Speaker 1>he said, let's do a solo record for you yes,

2:06:10.000 --> 2:06:15.080
<v Speaker 1>about time he had he hadn't done one since and

2:06:15.400 --> 2:06:19.560
<v Speaker 1>which he helped me with also, And so we went

2:06:19.560 --> 2:06:23.200
<v Speaker 1>to the studio and we wrote, Uh, we wrote four

2:06:23.240 --> 2:06:28.040
<v Speaker 1>songs Fake the four songs on the record, Faker we wrote.

2:06:28.080 --> 2:06:33.360
<v Speaker 1>Faker was the first song we wrote. And and uh,

2:06:33.480 --> 2:06:36.880
<v Speaker 1>and then you know, I got busy, He got busy.

2:06:37.040 --> 2:06:38.760
<v Speaker 1>I went on the road. He went on the road,

2:06:38.880 --> 2:06:42.240
<v Speaker 1>and you know, it just years and years kept going by,

2:06:42.400 --> 2:06:46.560
<v Speaker 1>and we we never got, you know, back around to

2:06:46.680 --> 2:06:53.040
<v Speaker 1>it until until the summer of two thousand nineteen. He

2:06:53.240 --> 2:06:55.600
<v Speaker 1>just he had he was here in California and he goes,

2:06:55.800 --> 2:06:58.280
<v Speaker 1>let's do it. It's been too long. It's been five

2:06:58.360 --> 2:07:01.480
<v Speaker 1>years since we started. Let's go back and finish it.

2:07:02.480 --> 2:07:04.440
<v Speaker 1>So we did. So we went back to the studio

2:07:04.560 --> 2:07:08.840
<v Speaker 1>and we finished the record. And I'm really proud of it.

2:07:09.280 --> 2:07:14.760
<v Speaker 1>And uh, like I said, at the beginning, we were,

2:07:14.800 --> 2:07:19.880
<v Speaker 1>you know, he goes, let's do some gigs. Okay, I'll, I'll,

2:07:19.440 --> 2:07:22.839
<v Speaker 1>I'll give you my band, okay, and we'll do gigs.

2:07:23.440 --> 2:07:27.640
<v Speaker 1>And we had it all planned for the for May

2:07:27.840 --> 2:07:32.200
<v Speaker 1>of because I you know, I've got the whole month off,

2:07:32.560 --> 2:07:35.680
<v Speaker 1>I'm not touring, and well, and we'll do some gigs,

2:07:35.760 --> 2:07:41.200
<v Speaker 1>and of course COVID killed it in and then and

2:07:41.240 --> 2:07:45.160
<v Speaker 1>then as we thought the whole pandemic was was fading away,

2:07:45.880 --> 2:07:49.200
<v Speaker 1>we planned, we booked more dates for January of this year,

2:07:50.080 --> 2:07:53.640
<v Speaker 1>and and then the whole thing got killed again. So

2:07:53.720 --> 2:07:56.120
<v Speaker 1>how did you get back together with the Tubes? I

2:07:56.960 --> 2:08:02.320
<v Speaker 1>left the band in like eighty seven something like that

2:08:02.880 --> 2:08:05.320
<v Speaker 1>and moved to l A and pretty much had no

2:08:05.440 --> 2:08:09.720
<v Speaker 1>contact with them. They went on for a while. It's funny.

2:08:09.880 --> 2:08:13.320
<v Speaker 1>They they called up the guy the bass player they

2:08:13.320 --> 2:08:20.640
<v Speaker 1>had fired, you know, years ago, and and said, you know,

2:08:20.800 --> 2:08:22.800
<v Speaker 1>we lost our lead singer. You want to come back

2:08:22.800 --> 2:08:25.480
<v Speaker 1>in the band. So he came back, and they went

2:08:25.520 --> 2:08:29.480
<v Speaker 1>out for a while as the Tubes without me, and

2:08:29.560 --> 2:08:32.440
<v Speaker 1>had this guy as the lead singer. But he he

2:08:32.520 --> 2:08:35.480
<v Speaker 1>had been in Hawaii smoking pot for twenty five years

2:08:35.520 --> 2:08:38.080
<v Speaker 1>and he had no voice. He couldn't sing it. He

2:08:38.120 --> 2:08:40.680
<v Speaker 1>couldn't sing, he couldn't hit the high notes, he couldn't

2:08:40.720 --> 2:08:45.440
<v Speaker 1>sing She's a beauty. And so they did not go well,

2:08:45.840 --> 2:08:50.360
<v Speaker 1>and you know, and finally they gave up and they said, Okay,

2:08:50.440 --> 2:08:54.760
<v Speaker 1>that's it, We're done. And then they hadn't worked for

2:08:54.760 --> 2:08:59.480
<v Speaker 1>a while, and uh, and then I told you we were.

2:08:59.240 --> 2:09:03.760
<v Speaker 1>We were popular in Europe. Uh. We had done some

2:09:03.840 --> 2:09:11.960
<v Speaker 1>big during the heyday in like in like Uh we

2:09:12.000 --> 2:09:15.040
<v Speaker 1>went there first time in seven and then we went

2:09:15.080 --> 2:09:22.680
<v Speaker 1>back in se you know we we So anyway, a

2:09:22.760 --> 2:09:29.360
<v Speaker 1>promoter from Germany, his name was Henning Turgel contacted the

2:09:29.360 --> 2:09:34.520
<v Speaker 1>band and said, ah, you guys haven't been here for

2:09:34.560 --> 2:09:37.600
<v Speaker 1>a while. You know, we hadn't been there since three

2:09:37.840 --> 2:09:42.840
<v Speaker 1>This was He said, I am going to offer you

2:09:42.880 --> 2:09:51.840
<v Speaker 1>a six show tour of Western Europe and the UK. Uh,

2:09:53.040 --> 2:09:59.680
<v Speaker 1>but only if fees in the band. That's the deal.

2:10:00.040 --> 2:10:05.400
<v Speaker 1>M And so they called me up and they said,

2:10:06.120 --> 2:10:11.280
<v Speaker 1>we have this offer, you know. And and I, you know,

2:10:11.440 --> 2:10:16.920
<v Speaker 1>I was very skeptical and uh, I said, well you

2:10:16.960 --> 2:10:22.080
<v Speaker 1>know what what what is? You know, what's happening with

2:10:22.120 --> 2:10:28.960
<v Speaker 1>the band? He went, well, you know, Uh, Bill was

2:10:29.000 --> 2:10:32.600
<v Speaker 1>not in the band anymore because, like I said, drugs

2:10:33.320 --> 2:10:37.520
<v Speaker 1>and Mike the synthesizer. He he left the band when

2:10:37.560 --> 2:10:40.520
<v Speaker 1>I left. He moved to New York City and he's

2:10:40.720 --> 2:10:45.320
<v Speaker 1>done very well as a graphic designer. And UH and

2:10:45.400 --> 2:10:50.520
<v Speaker 1>the keyboard player Vince audition for The Grateful Dead in

2:10:52.760 --> 2:10:57.880
<v Speaker 1>UH when there other keyboard player died and he got

2:10:57.880 --> 2:11:01.800
<v Speaker 1>the gig. So Vince is in The Grateful Dead, Mike's

2:11:01.880 --> 2:11:09.200
<v Speaker 1>gone bills battling addiction, and they've got another keyboard player.

2:11:09.240 --> 2:11:12.080
<v Speaker 1>So there are a four man band with a different

2:11:12.160 --> 2:11:14.840
<v Speaker 1>keyboard player. And they said, this is the story, and

2:11:15.320 --> 2:11:18.760
<v Speaker 1>nobody's nobody's everyone's grown up. You know, we're not doing

2:11:18.800 --> 2:11:22.240
<v Speaker 1>drugs anymore. You know, I thought them for years, I

2:11:22.320 --> 2:11:24.240
<v Speaker 1>was the only guy that didn't do drugs. I was

2:11:24.280 --> 2:11:28.120
<v Speaker 1>the only guy. And it was really difficult, you know,

2:11:28.200 --> 2:11:30.560
<v Speaker 1>to go into a city and and all they thought

2:11:30.560 --> 2:11:35.400
<v Speaker 1>about who's the coke dealer, you know, and and they said, no,

2:11:35.600 --> 2:11:37.920
<v Speaker 1>we're all we've all grown up. We're not doing it.

2:11:38.000 --> 2:11:44.800
<v Speaker 1>We're all straight. I said, really, yeah, And okay, I said, okay,

2:11:44.840 --> 2:11:48.360
<v Speaker 1>So we did it. So I I went back to

2:11:48.400 --> 2:11:51.880
<v Speaker 1>the band and we did this sixty show tour in

2:11:51.880 --> 2:11:58.600
<v Speaker 1>in in the spring of and and I had so

2:11:58.680 --> 2:12:01.920
<v Speaker 1>much fun that I just I said, okay, well, let's

2:12:02.000 --> 2:12:08.480
<v Speaker 1>keep doing this. And so here we are, gosh, thirty

2:12:08.560 --> 2:12:13.839
<v Speaker 1>years later, almost in almost fifty years from the beginning.

2:12:14.400 --> 2:12:17.960
<v Speaker 1>So Fee, thanks so much for doing us. You know,

2:12:18.040 --> 2:12:20.960
<v Speaker 1>I loved hearing about the polo, and certainly I'm a

2:12:21.040 --> 2:12:23.760
<v Speaker 1>huge tubes fan, some of the bottom lines, some of

2:12:23.800 --> 2:12:27.320
<v Speaker 1>the rocksy even when one time, Hollywood Bolivard when the

2:12:27.360 --> 2:12:29.400
<v Speaker 1>first album came out, I was working in a sporting

2:12:29.400 --> 2:12:32.200
<v Speaker 1>goods store and you did an in store it Peaches

2:12:32.320 --> 2:12:35.920
<v Speaker 1>Records and came dressed up totally is kulud. Oh God,

2:12:35.960 --> 2:12:38.560
<v Speaker 1>I remember that I stopped there in my lunch break.

2:12:38.640 --> 2:12:40.520
<v Speaker 1>So it's a great honor to do this with you,

2:12:41.080 --> 2:12:43.280
<v Speaker 1>so thanks so much for doing that. Thank you for

2:12:43.360 --> 2:12:47.360
<v Speaker 1>having me. You know, I read your letter and I just,

2:12:47.600 --> 2:12:50.120
<v Speaker 1>you know, I think so. I think you're so great

2:12:50.240 --> 2:12:53.240
<v Speaker 1>and it's really a privilege and an honor. A few

2:12:53.320 --> 2:12:57.200
<v Speaker 1>year podcast. Thank you so much for having Until next time,

2:12:57.800 --> 2:12:59.160
<v Speaker 1>This is Bob left Sense