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Speaker 1: It's one week away. Do you know what I'm talking about?

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Speaker 1: Will Disneyland?

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Speaker 2: Hey?

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Speaker 3: You know what?

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Speaker 4: We should do that?

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Speaker 5: But no, it's our stream. Our stream is available in

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Speaker 5: a week. Pod Meets World Live, presented by our pals

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Speaker 5: at Hyundai. I hope you guys have already bought your

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Speaker 5: ticket so that you can watch our Bully reunion.

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Speaker 3: We are doing our live show at the iHeart Theater,

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Speaker 3: but you can watch it.

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Speaker 5: Online moment dot Co slash Pod meets World. If you

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Speaker 5: haven't already purchased your ticket, make sure you get it

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Speaker 5: so you can celebrate with us, and.

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Speaker 4: Then we're going to Disneyland.

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Speaker 3: There's this great writer if you're writes for The Atlantic

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Speaker 3: names Jennifer To put out this article a couple of

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Speaker 3: weeks ago that I've been thinking about so much, and

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Speaker 3: I wanted to ask you guys. It's about the difference

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Speaker 3: between how old you are and how old you feel.

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Speaker 3: And she, you know, cites a few studies about how

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Speaker 3: mostly people feel twenty percent younger than they are once

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Speaker 3: they're over the age of like thirty five, but that

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Speaker 3: before that people either feel older than they are. Did

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Speaker 3: I say that right? I said, if you're over thirty five,

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Speaker 3: you feel younger than you actually are?

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Speaker 1: Yeah, four thirty five you feel older than you are?

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Speaker 2: Yes?

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Speaker 3: Or you want to be older than you actually are?

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Speaker 3: Are you trying to be?

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Speaker 1: Yeah?

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Speaker 3: And I've always had this weird issue where I always

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Speaker 3: felt like an old man, like from when I was

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Speaker 3: a kid. Where do you guys land on this issue?

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Speaker 5: I have wanted to be an old woman from the

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Speaker 5: time I was little. I thought being old was exactly

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Speaker 5: was exactly what I wanted. I just want to be old.

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Speaker 3: But how old do you feel now? Do you feel good?

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Speaker 1: Question?

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Speaker 5: I don't really know if you ask me how old

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Speaker 5: I feel like physically in my body, I feel probably

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Speaker 5: right about my age. I have more aches and pains

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Speaker 5: now than I did before, not a ton.

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Speaker 1: I'm not like you know, but like I Will.

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Speaker 5: Will and I sat in the same seats on the

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Speaker 5: long flight home that we had recently. We sat next

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Speaker 5: to each other and I was talking to Will. We

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Speaker 5: said we weren't going to talk, but we talked the

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Speaker 5: whole time we talked, and he sat next.

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Speaker 1: To each other and I was so I was.

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Speaker 5: I sat at the window and he sat in the aisle,

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Speaker 5: and so my neck has a kink from just looking

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Speaker 5: at Will on the plane. For however many hours I

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Speaker 5: was looking that direction, I kept going, oh, my neck hurts.

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Speaker 1: So you know, that's a that seems like.

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Speaker 5: A forty one, almost forty two year old thing to

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Speaker 5: have that I wouldn't have had as a kid.

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Speaker 1: I have some low back aches, you know.

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Speaker 5: But like as far as youthful orn mentally, well, again,

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Speaker 5: I feel like I forget more stuff now. But I

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Speaker 5: also feel like some of that is having children that

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Speaker 5: are still young and my mom brain, where so much

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Speaker 5: of my brain power goes toward taking care of small

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Speaker 5: children and thinking ahead for them and their schedules and

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Speaker 5: their plans. Maybe I'll get some of the maybe I'll

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Speaker 5: get some of that back. So I don't know, but

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Speaker 5: I I do also surprise myself that I'm going to

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Speaker 5: be forty two. I'm like, that can't be. I'm not

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Speaker 5: I'm not going to be forty two. I have to

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Speaker 5: be thirty two or something.

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Speaker 1: So, well, what about you.

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Speaker 2: I always wanted to be older when I was younger,

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Speaker 2: and I'm like the same, you know, I just did.

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Speaker 2: I was always attracted to older women. I always dated

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Speaker 2: older women. I just wanted to be older.

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Speaker 4: Than I was.

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Speaker 2: Also, we grow up very fast in the business we

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Speaker 2: were in, So by ten years old, I was smoking cigarettes,

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Speaker 2: I was going down in New York City by myself.

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Speaker 2: I was just I was older for my age. But

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Speaker 2: it's funny as I'm getting older and I'm the oldest

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Speaker 2: of the crew. I'm going to be forty seven this year,

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Speaker 2: I have the same feelings as you, Danielle, where I'm like, that.

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Speaker 3: Can't be right.

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Speaker 4: I can't be forty because in my head I'm thirty five.

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Speaker 2: Yeah if that frankly, I mean, I'm like in my

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Speaker 2: late twenties.

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Speaker 4: And it's funny because as.

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Speaker 2: Our parents' age, I think to myself, where God willing

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Speaker 2: I get to my parents' age. The thing that's so

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Speaker 2: interesting as you're living that chapter of your life is

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Speaker 2: your body is shutting down in a lot of ways,

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Speaker 2: and your mind is still. You might still feel like

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Speaker 2: you're twenty twenty five if you're lucky. So it's like

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Speaker 2: there's a disconnect between the body and the mind. And

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Speaker 2: what you were talking about, writer, there's a quote that

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Speaker 2: I have on my refrigerator. I have all these different

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Speaker 2: quote magnets, and one of them I look at every

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Speaker 2: day and I think it's from Satchel page was how

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Speaker 2: old would you be if you didn't know how old

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Speaker 2: you are?

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Speaker 3: Right?

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Speaker 2: So it's like if you've never Yeah, if you never

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Speaker 2: knew how old you were and somebody asked you, what

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Speaker 2: would your answer be? Yeah, So it's yeah, it's that

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Speaker 2: same kind of kind of thing.

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Speaker 4: What about you writers? Are you where you are in

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Speaker 4: your mind?

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Speaker 3: Or yeah? I actually think I'm pretty pretty pretty because

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Speaker 3: I've always wanted to be older, but I do think

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Speaker 3: that as I get older, I want to make an

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Speaker 3: effort to be younger because I yeah, I feel like

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Speaker 3: I feel like when I was growing up, I always

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Speaker 3: wanted to be older, you know, act more mature, and

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Speaker 3: now I want to act more more immature. So I

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Speaker 3: want to be less mature because like, you know, for instance,

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Speaker 3: when I talk to my college students, I'm like, their

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Speaker 3: way their brains work, just like it's so they're so open,

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Speaker 3: you know, and they're so there's still like absorbing new

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Speaker 3: ideas and you know, watching movies and reading scripts and

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Speaker 3: being like what that can change the way I think

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Speaker 3: about movies, And I'm like I always want to be

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Speaker 3: that way, you know, because that happened naturally. But now

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Speaker 3: as I get older, it gets harder and harder. You know,

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Speaker 3: you start becoming like an old man where you're just like, no,

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Speaker 3: I'm let me tell you what good movies are, what

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Speaker 3: a good book is, and I just don't want to

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Speaker 3: be that. So now I want to make an effort

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Speaker 3: to try and be younger.

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Speaker 2: Actually, well, that's what I always say. I've always said,

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Speaker 2: I live by this. There's a very big difference between

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Speaker 2: childish and childlike, and so childlike is a wonderful, wonderful thing.

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Speaker 2: Last night, I you know, we've been traveling this whole weekend.

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Speaker 2: We're around people all weekend. I love being at the

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Speaker 2: cons dungeon and dragons talking all that kind of stuff,

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Speaker 2: and I wanted to relax last night, so I put

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Speaker 2: on the new Batman animated movie and I got to

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Speaker 2: watch a nice animated film and I hate some popcorn,

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Speaker 2: and it was like, I love that stuff that, to

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Speaker 2: me is is just so enjoyable. And video games in

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Speaker 2: which I don't play a whole lot of, but you know,

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Speaker 2: tabletop and stuff like that, it's it's fun, it's enjoyable.

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Speaker 2: It's you know, hanging out with Indy at Disneyland, that day, right.

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Speaker 3: When you're with a kid, it's so yeah, it happens.

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Speaker 3: It just happens because you know, it's something my dad

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Speaker 3: always said. You know, he was encouraging me to have

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Speaker 3: kids all throughout my life, but he just always said,

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Speaker 3: you get to live for your childhood over again. You

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Speaker 3: get to have a second childhood. Yeah, and it's so true.

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Speaker 3: And you know, and what I have to remind myself

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Speaker 3: as a parent is to just allow myself to do that,

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Speaker 3: because you so easily get caught up and like did

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Speaker 3: you brush your teeth? Did you do this? Did we

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Speaker 3: we got to get to school on time, or take

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Speaker 3: this class? And what I realized is that what Indy

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Speaker 3: really wants and what I actually benefit the most from

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Speaker 3: is like just playing together and just being like as

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Speaker 3: as much of an eight year old in my brain

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Speaker 3: as I can. And it's so beneficial for him, it's

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Speaker 3: so beneficial for me, and we just have so much fun.

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Speaker 3: But it takes a lot to the sort of like

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Speaker 3: flip that switch and not being we should be doing

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Speaker 3: something constructive or productive, you know, and so it'd be like, no,

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Speaker 3: we're just gonna you know.

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Speaker 4: Say Adler with Adler that.

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Speaker 5: Was a ton of fun, I know, and I we

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Speaker 5: were actually just talking about the fact writer that one

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Speaker 5: of the ways I want to stay that I want

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Speaker 5: to stay young, and that kids help you is by

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Speaker 5: staying active and staying physical too, because will we also

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Speaker 5: talked about this. As you age, it becomes easier and

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Speaker 5: easier to just sit on the couch more. And I

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Speaker 5: really think that as far as staying young and staying

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Speaker 5: healthy is staying physically active. And it doesn't mean you

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Speaker 5: need to be weightlifting five times a week or doing

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Speaker 5: you know, running a marathon, which is great if you can,

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Speaker 5: but even just going outside and walking and and and

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Speaker 5: my kids are keeping me young in that way that

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Speaker 5: I am constantly running after them and anyway, Yeah.

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Speaker 2: Dogs will do that too. Get a dog, take a

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Speaker 2: dog for a walk, take dogs in the park. It's like, yeah,

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Speaker 2: it's great stuff.

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Speaker 1: Absolutely love it.

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Speaker 5: Well, let's uh jump into our recap today.

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Speaker 1: Welcome to Pod meets World. I'm Danielle Fischel, I'm.

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Speaker 4: Rather strong, and I'm Wilfredell.

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Speaker 5: So let's jump into our recap. This is season two,

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Speaker 5: episode seventeen on the air. It originally aired February tenth,

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Speaker 5: nineteen ninety five. The synopsis is that mister Feene makes

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Speaker 5: the decision to pull the plug on Corey and Shawn's

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Speaker 5: radio program at school when their format takes an inappropriate turn.

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Speaker 5: Eric enters the publisher's clearing how Sweepstakes.

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Speaker 1: It was directed by David Traynor.

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Speaker 5: It was written by Mark Bluman and Howard Buskang, and

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Speaker 5: it guest starred Jonathan C.

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Speaker 1: Kaplan as Alvin Nice Back.

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Speaker 3: He's back again, aln Is this the last time?

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Speaker 1: Or does he keep this is the last time?

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Speaker 3: This is insane that we didn't have more memories of

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Speaker 3: I mean, I know it was like season two, one

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Speaker 3: of our most recurring guest story.

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Speaker 4: What do I did?

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Speaker 2: So?

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Speaker 4: Is this three? Four?

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Speaker 1: This is as three? Yeah? I think this is four.

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Speaker 1: I think this is for yeah, four episodes.

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Speaker 4: Yeah, it's half as many as Danny did, right, yeah?

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Speaker 3: Crazy?

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Speaker 4: Yeah.

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Speaker 5: And then writer's good friend Hillary Tuck appears as Sarah

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Speaker 5: she will return later in our Disney World episode, and

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Speaker 5: Justin Thompson as Ludwig. So I thought maybe you guys

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Speaker 5: would think this was as interesting as I do. He

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Speaker 5: was also in an episode of Quantum Leap in nineteen

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Speaker 5: ninety two where he played Donald Trump.

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Speaker 4: Really I remember that episode.

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Speaker 3: But there's a Quantum Leap episode where somebody.

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Speaker 1: Ninety two where somebody was Donald Trump.

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Speaker 2: I remember that of such a good show, funny show,

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Speaker 2: such a I did too.

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Speaker 3: That's weird. That's like one of the few television shows

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Speaker 3: I really loved as a kid.

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Speaker 1: Right, Quantum Leap rewatch here?

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Speaker 4: I would love it? Are you kidding? I would love it?

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Speaker 4: I would love it. What I did not love was

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Speaker 4: this episode. I'm totally honest with you.

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Speaker 3: I thought you might like it. I didn't like it either,

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Speaker 3: but it was just kind of a romp, so I figured, like.

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Speaker 2: But to be a good row, it's a romp that

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Speaker 2: made no sense, made no sense.

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Speaker 4: This story made no sense.

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Speaker 2: There's a lot of Daz story with the I totally

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Speaker 2: forgot that Robin Leech was on this episode.

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Speaker 3: I wondered, I was like Rob Lee on this side.

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Speaker 2: I remember, had none of this and we'll get into

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Speaker 2: all this, but there's stuff that's happening.

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Speaker 3: I was going to be the only detractor because because

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Speaker 3: this episode does kind of loom large just because of

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Speaker 3: the whole like that, because that was just like in

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Speaker 3: my mind, we had fun, like I think we had

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Speaker 3: making this a fun episode.

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Speaker 5: It's not like there's a lot going on and you

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Speaker 5: guys don't it's not like, you know, yeah, I can

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Speaker 5: see how it's not your favorite, but it's also just

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Speaker 5: kind of a fun episode.

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Speaker 3: It's I don't know, I thought it was just kind

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Speaker 3: of dumb, dumb it was. It was just felt dumb

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Speaker 3: to me. I feel like, you know, and I know

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Speaker 3: dumb Sean is funny, but it's also like dumb Sean

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Speaker 3: drives things, dumb Eric drives. It just felt like and

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Speaker 3: then it just kind of felt like easy journ.

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Speaker 2: There was also dumb Cory in this one. It was

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Speaker 2: just kind of like everybody was dumb.

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Speaker 4: It was just weird.

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Speaker 3: It was a nice return of Phoenie likes driving, which

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Speaker 3: great and I saw that was cool to see.

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Speaker 5: But well, I think also, you know, we talked about

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Speaker 5: this before where you talk about the steaks in a

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Speaker 5: kid's show, when you can't really up the stakes too

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Speaker 5: much because you're then promoting stuff that families don't want

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Speaker 5: kids doing. So I think this suffers a little bit

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Speaker 5: from what the stakes could be. But I think if

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Speaker 5: you think about the idea of doing a kid romp

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Speaker 5: fun episode about free speech and what that means and

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Speaker 5: what and what free speech, but you also have responsibilities,

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Speaker 5: like if you think about it from that standpoint, like

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Speaker 5: I like the I like the message of the episode,

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Speaker 5: and I think it was a fun way to get there.

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Speaker 3: Yeah, I know, you do something where you're talking. The

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Speaker 3: fact that we're just doing it to meet girls is

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Speaker 3: just don't it's just like it.

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Speaker 5: It was just little things for me though, like well, okay,

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Speaker 5: I'm not even done talking about who's in this episode.

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Speaker 5: Glory Fortier as Jasmine. She was Agatha in The Walking Dead.

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Speaker 5: Still working, Oh, Grant Guilt as Spencer, another Sandlot actor.

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Speaker 1: He played Bertram Grover weeks.

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Speaker 4: Okay five times fast.

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Speaker 1: Robin Leach as Robin Leach to.

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Speaker 3: Either I believe we did that and I don't remember it.

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Speaker 2: And for all the younger people out there that are

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Speaker 2: Podmeats World fans and Boy Meets World fans. Robin Leach

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Speaker 2: was on a very popular show at the time, corn

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Speaker 2: Live Styles of the Rich and Famous, and he'd always yell,

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Speaker 2: here we are, Champagne dreams and Cavy all wishes and

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Speaker 2: it was.

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Speaker 1: It's really good.

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Speaker 4: And it was like that.

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Speaker 3: Indy watched this one with me and just did not

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Speaker 3: did not get the storyline at all. He still laughed

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Speaker 3: at you will, he still thought you were phony, but

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Speaker 3: did not like there was no understanding of what these

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Speaker 3: Matt He's like he got every magazine. He's like okay,

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Speaker 3: and I'm like, because they used to.

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Speaker 5: Never mind that that, I don't remember what that connection

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Speaker 5: was with.

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Speaker 2: The you had to buy Like they say, you didn't

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Speaker 2: have to buy the stuff to win this the publisher's

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Speaker 2: clearing house and it would always say like you might

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Speaker 2: have won ten thousand.

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Speaker 4: You know, and they'd come to your house with the

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Speaker 4: Robin Leach.

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Speaker 3: He didn't do that now, of course, not somebody else,

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Speaker 3: famous person mc McMahon.

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Speaker 4: Was publisher's clearing house. Yes, yeah, it's a little they.

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Speaker 3: Could not they couldn't get ed McMahon. So they yeah,

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Speaker 3: you know that they wrote this one way and then

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Speaker 3: they were like who else can.

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Speaker 2: We get possibly, And yeah, it was just kind of like,

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Speaker 2: let's get it, let's get actually.

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Speaker 5: Okay, Right, So we start the episode in the radio studio.

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Speaker 5: Mister Feoeney is launching the John Adams High radio station

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Speaker 5: after a ten year absence. He accidentally triggers a pig

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Speaker 5: sound effect instead of the horns blowing. Alvin Meesi is

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Speaker 5: his co host on a morning Zoo show, but poene

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Speaker 5: is hogging the mic from Alvin, but he does have

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Speaker 5: a funny joke nobody likes a hike cog and then

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Speaker 5: Phoeney decides to play his first song, Michael Bolton. I

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Speaker 5: love Michael Bolton.

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Speaker 3: It's interesting that Michael Bolton is like what we're making

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Speaker 3: fun of because popular still.

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Speaker 1: Yes, and it was huge cool and he's so good.

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Speaker 4: He's the bolt come on, yeah.

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Speaker 3: But I feel like he was really at a peak

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Speaker 3: in like ninety to ninety two, so at this point.

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Speaker 3: And I guess the other thing is he was very

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Speaker 3: like adult contemporary, So for teenagers, Michael Bolton would have

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Speaker 3: been cheesy. I loved him even back then.

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Speaker 4: Exactly what they wanted.

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Speaker 2: The funnier were It would have been Kenny g That's

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Speaker 2: exactly what they were looking for, but that for kids

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Speaker 2: would have been even worse.

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Speaker 3: Sing They said, Harry Como next, right.

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Speaker 2: Right, which well, that's one of the things we need

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Speaker 2: to talk about because in.

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Speaker 4: Thirty seconds he plays three songs.

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Speaker 3: Yes, oh yeah, and.

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Speaker 4: You never know songs.

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Speaker 2: It's like what what, Yeah, it's how did you play

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Speaker 2: all three songs in thirty.

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Speaker 5: Seconds, right, Yeah, what was the point of that? But

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Speaker 5: we cut to the school cafeteria. Sean is trying to

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Speaker 5: clip the wires to the speaker so they don't have

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Speaker 5: to hear the song. Sean is wearing an incredible album.

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Speaker 5: I think he's actually, yeah, so beautiful. It is a

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Speaker 5: heazard cream shirt with an awesome Paisley button down and

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Speaker 5: then like quilted vest and it's a cool look.

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Speaker 3: Man. Look yeah this is it kind of fits me better. Yeah,

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Speaker 3: it's like all the all the Sean ideas coalesced.

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Speaker 5: Have come together exactly. It really, I was really like, nah,

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Speaker 5: chef's kiss there.

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Speaker 4: I am.

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Speaker 2: I'm going to just start by saying something that I

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Speaker 2: very but I don't think we've ever really done on

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Speaker 2: the show, and I think this is the first time

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Speaker 2: I'm going to do it. But I'm going to have

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Speaker 2: a criticism of Ben's performance.

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Speaker 4: Interesting this entire episode, he seemed really mellow.

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Speaker 3: Well I know what I was he sick.

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Speaker 2: You can tell you that I thought he was sick

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Speaker 2: or something because he knows.

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Speaker 3: An episode about your voice and I could hear the

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Speaker 3: second he started talking.

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Speaker 2: Okay, so I wrote, is he's sick, because he's like,

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Speaker 2: it's so clear a cold subdued this entire episode.

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Speaker 3: He could have been medicine man. You could hear it

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Speaker 3: in his voice the second he started talking. That's what

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Speaker 3: I wrote down. I was like, oh my god, that's

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Speaker 3: the whole episode about using your voice and he's sick.

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Speaker 3: It's such a bummer.

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Speaker 2: Yes, the entire you could tell he's off. He's just off.

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Speaker 2: He's off. He doesn't have the energy.

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Speaker 5: It's such a shame that we worked together so closely

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Speaker 5: for all those years and we just don't know each

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Speaker 5: other at all. You know that all three of us

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Speaker 5: have written in our notes Ben has a cold.

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Speaker 4: Ben's got a cold. We knew it right away. Yeah, yeah, figured,

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Speaker 4: but I didn't know.

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Speaker 1: But there you go.

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Speaker 3: Off.

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Speaker 4: Ye.

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00:16:48,520 --> 00:16:51,200
Speaker 5: So mister Turner hands Shawan a plastic knife. The boys

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Speaker 5: accept it, and then they do their gasp when they

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Speaker 5: realized it was Turner. He tells them to get down.

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Speaker 5: Feene then follows up the smooth Sounds of Bolton with

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Speaker 5: Perry Cuomo, which is great. That is what they should

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Speaker 5: have gone with first, because I think my I think

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Speaker 5: they were trying to go for this is your parents' music.

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Speaker 5: And right, that is what Perry Como feels like.

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Speaker 3: But it also should have been like nineteen thirties. It

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00:17:12,400 --> 00:17:15,240
Speaker 3: should have gone like so old, like more fish, you

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Speaker 3: know that correct? Funny?

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Speaker 2: Yeah, yeah, it's less bound in his band of renown

393
00:17:19,160 --> 00:17:19,879
Speaker 2: stuff like that.

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Speaker 4: Exactly. Both of you looking at me like I'm crazy exactly.

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Speaker 4: Maybe that's the.

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Speaker 3: Problem is that then they would have been too obscure,

397
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Speaker 3: so they wanted it to be a.

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Speaker 2: Because he also he also says Menudo, which is which

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Speaker 2: is weird.

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Speaker 3: I don't get that. Yeah, but like.

401
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Speaker 2: Ernudo's a boy band from from eighties.

402
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Speaker 1: I was thinking it was still early nineties. Okay, yeah, okay.

403
00:17:38,880 --> 00:17:40,919
Speaker 5: So mister Turner says, if Corey and Sean don't like

404
00:17:40,920 --> 00:17:43,359
Speaker 5: what they hear, they should get on the radio station themselves.

405
00:17:43,640 --> 00:17:46,159
Speaker 5: Sean doesn't like this idea, but Corey starts to like

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Speaker 5: the idea of being on the radio, so he convinces

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Speaker 5: Sean to do it. I did think it was kind

408
00:17:51,440 --> 00:17:54,479
Speaker 5: of stupid funny that you guys both get into the

409
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Speaker 5: idea of what you have, like pressing the button.

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Speaker 1: We're just like, yeah, you.

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Speaker 4: Could tell you guys were playing at that that was like.

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00:18:02,800 --> 00:18:06,000
Speaker 5: Playing and having fun and I like that even if

413
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Speaker 5: it's not a joke that like gets a big, huge

414
00:18:08,280 --> 00:18:09,040
Speaker 5: guffa laugh.

415
00:18:09,160 --> 00:18:10,520
Speaker 1: It's just that's just fun to me.

416
00:18:10,640 --> 00:18:11,600
Speaker 4: You're just riffing. Yep.

417
00:18:12,480 --> 00:18:13,600
Speaker 1: Uh so I like that.

418
00:18:13,680 --> 00:18:16,080
Speaker 5: Corey says he has a radio voice, and Sean says

419
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Speaker 5: he has a radio face.

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Speaker 1: If they're serious, shirt of just my face.

421
00:18:22,040 --> 00:18:28,080
Speaker 5: It says that face for radio, if they're serious. Turner

422
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Speaker 5: says he will talk to Feenie later. Mister Feenie then

423
00:18:30,840 --> 00:18:33,840
Speaker 5: starts playing Mnudo through the speakers, and Turner concedes that

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Speaker 5: he will talk to him now.

425
00:18:36,400 --> 00:18:37,199
Speaker 4: In thirty seconds.

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00:18:37,760 --> 00:18:40,439
Speaker 1: That's right. And then we're in the Matthew's kitchen.

427
00:18:40,440 --> 00:18:43,600
Speaker 5: Corey come comes downstairs, giving the weather report to his family.

428
00:18:43,640 --> 00:18:46,040
Speaker 5: He's on his way to his first day on the radio.

429
00:18:46,640 --> 00:18:49,280
Speaker 5: Eric asks if he's taking requests and then tells Corey

430
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Speaker 5: to swallow.

431
00:18:49,960 --> 00:18:51,120
Speaker 1: His head and leave.

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Speaker 5: Isn't to swallow your head a little bit of like

433
00:18:56,040 --> 00:19:00,240
Speaker 5: a from a mister Feenie era insult, swallow your head?

434
00:19:00,240 --> 00:19:04,800
Speaker 2: It's like, yeah on this, yeah, exactly right, exactly exactly.

435
00:19:05,080 --> 00:19:07,040
Speaker 4: You're not George like that kind of stuff.

436
00:19:07,080 --> 00:19:09,720
Speaker 2: I think George was cool back in the day, right, right,

437
00:19:09,920 --> 00:19:10,480
Speaker 2: But that's.

438
00:19:10,320 --> 00:19:12,920
Speaker 3: Like a classic. This is like the classic. I don't know.

439
00:19:13,080 --> 00:19:15,560
Speaker 3: This is why this episode is not that interesting to me,

440
00:19:15,720 --> 00:19:21,720
Speaker 3: because it's like insult. Okay, it's somewhat cleverly worded insult,

441
00:19:21,760 --> 00:19:24,080
Speaker 3: but all Eric is doing is just insulting Core, and

442
00:19:24,119 --> 00:19:27,080
Speaker 3: it's like, okay, can we do something more? Could Eric

443
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Speaker 3: have something to say about Rio or music.

444
00:19:29,880 --> 00:19:31,800
Speaker 4: Or so tacked on?

445
00:19:31,880 --> 00:19:33,760
Speaker 2: This entire everything I was in there, it was just

446
00:19:33,800 --> 00:19:35,840
Speaker 2: like it seemed like they wrote a script and they might, oh, wait,

447
00:19:36,720 --> 00:19:38,679
Speaker 2: he's guaranteed to be here this week, We've got to

448
00:19:38,680 --> 00:19:39,400
Speaker 2: write something.

449
00:19:39,920 --> 00:19:40,639
Speaker 4: It just seems, you.

450
00:19:40,640 --> 00:19:42,280
Speaker 3: Know what, It felt color by numbers in a lot

451
00:19:42,320 --> 00:19:45,520
Speaker 3: of ways I see it. It was just like the obligatory

452
00:19:45,720 --> 00:19:48,439
Speaker 3: and sometimes that worked, like you know, the line that

453
00:19:48,440 --> 00:19:51,080
Speaker 3: we've always talked about maybe you know, maybe he doesn't

454
00:19:51,080 --> 00:19:53,520
Speaker 3: see us. It's so funny. It's like they could be

455
00:19:54,200 --> 00:19:57,000
Speaker 3: once you have that situation, it can be any line,

456
00:19:57,080 --> 00:19:59,000
Speaker 3: but that's a good one. But I feel like throughout

457
00:19:59,119 --> 00:20:01,679
Speaker 3: this episode there's a lot of zingers or like they

458
00:20:01,840 --> 00:20:02,520
Speaker 3: just fall flat.

459
00:20:02,520 --> 00:20:05,960
Speaker 5: I'm not like, oka, yeah, I get the idea, but yeah,

460
00:20:05,960 --> 00:20:08,000
Speaker 5: well it's another one of those situations too, where it's

461
00:20:08,040 --> 00:20:11,640
Speaker 5: like Ben comes down and says like, oh, radio, I'm

462
00:20:11,640 --> 00:20:13,119
Speaker 5: going to the radio. And then they were like, how

463
00:20:13,119 --> 00:20:14,840
Speaker 5: do we get him out of here? And it's like,

464
00:20:17,320 --> 00:20:19,920
Speaker 5: he really isn't needed in the scene. This is supposed

465
00:20:19,920 --> 00:20:21,960
Speaker 5: to be the setup for the best story, so get

466
00:20:22,040 --> 00:20:23,879
Speaker 5: him out of there, or don't even have him in it.

467
00:20:23,920 --> 00:20:26,400
Speaker 3: But part of the problem is part of the problem

468
00:20:26,480 --> 00:20:28,879
Speaker 3: is we're following Danger Boy, which was an episode that

469
00:20:28,920 --> 00:20:32,959
Speaker 3: I think while it had its surreal and absurdist, you know,

470
00:20:33,359 --> 00:20:37,720
Speaker 3: roller coaster moments, literally, it also just had that that

471
00:20:37,800 --> 00:20:41,640
Speaker 3: grounding stuff between Ben and Feenie that was so smart, yeah,

472
00:20:41,640 --> 00:20:44,679
Speaker 3: and it was so character based and grounded and relatable,

473
00:20:44,960 --> 00:20:46,639
Speaker 3: and I just this didn't have any of that. So

474
00:20:46,960 --> 00:20:49,280
Speaker 3: it felt like we just you know, and yeah, it

475
00:20:49,400 --> 00:20:52,440
Speaker 3: just felt like we're kind of like ping ponging between shows,

476
00:20:52,520 --> 00:20:54,200
Speaker 3: you know, different different tones.

477
00:20:54,119 --> 00:20:56,960
Speaker 2: And I think that I think that coupled with Ben

478
00:20:57,040 --> 00:21:00,320
Speaker 2: obviously giving a much more mellow performance because he didn't

479
00:21:00,320 --> 00:21:03,399
Speaker 2: feel well, and all just compounded into kind of a

480
00:21:03,880 --> 00:21:05,320
Speaker 2: episode for me all the way around.

481
00:21:06,040 --> 00:21:08,879
Speaker 5: Well, Corey takes off for school, saying Eric just doesn't

482
00:21:08,880 --> 00:21:11,520
Speaker 5: want him around. When he weasels mom and dad for money,

483
00:21:11,920 --> 00:21:14,480
Speaker 5: Eric sits down at the kitchen, and Alan asks Eric

484
00:21:14,640 --> 00:21:18,800
Speaker 5: to give it his best weasel, which I took it

485
00:21:18,920 --> 00:21:21,479
Speaker 5: could mean one of two things. Either give me your

486
00:21:21,520 --> 00:21:23,960
Speaker 5: best weasel, as in go ahead and give me your

487
00:21:23,960 --> 00:21:28,480
Speaker 5: best weaseling me for money, but also you nickname Morgan.

488
00:21:29,640 --> 00:21:32,600
Speaker 5: And she's then the first one who speaks. I know

489
00:21:32,640 --> 00:21:35,920
Speaker 5: he hasn't called her that, and so then I was like, maybe, yeah,

490
00:21:35,960 --> 00:21:37,159
Speaker 5: I'm not sure what that joke is.

491
00:21:37,320 --> 00:21:37,560
Speaker 4: Yep.

492
00:21:38,359 --> 00:21:40,840
Speaker 5: But so Morgan calls out Eric for blowing his money

493
00:21:40,840 --> 00:21:43,760
Speaker 5: on babes, and Eric says his allowance has not kept

494
00:21:43,760 --> 00:21:46,159
Speaker 5: pace with inflation and that Alan has no idea what

495
00:21:46,240 --> 00:21:48,800
Speaker 5: it costs to take out a pretty girl. And then,

496
00:21:48,920 --> 00:21:52,280
Speaker 5: after a death glare from Amy, Eric decides to try

497
00:21:52,320 --> 00:21:55,479
Speaker 5: that again. But then Morgan hands Eric a letter from

498
00:21:55,560 --> 00:21:58,119
Speaker 5: Robin Leach and the National Family publisher says he's the

499
00:21:58,160 --> 00:22:00,879
Speaker 5: winner of ten million. Eric believes it, and his family

500
00:22:00,960 --> 00:22:04,320
Speaker 5: obviously tries to tell him that's not realistic. Alan plays

501
00:22:04,359 --> 00:22:06,720
Speaker 5: along and says he can finally get the brain surgery

502
00:22:06,760 --> 00:22:07,200
Speaker 5: he needs.

503
00:22:08,280 --> 00:22:10,280
Speaker 1: He asks Amy if she knows what jokes.

504
00:22:11,320 --> 00:22:13,959
Speaker 2: It's so basic, it was like it was written by somebody.

505
00:22:13,960 --> 00:22:15,760
Speaker 2: It's just so different.

506
00:22:15,840 --> 00:22:16,160
Speaker 4: This way.

507
00:22:16,160 --> 00:22:21,000
Speaker 5: We also have jumped immediately into Eric being dumb as

508
00:22:21,040 --> 00:22:22,320
Speaker 5: a box of rocks.

509
00:22:22,359 --> 00:22:24,760
Speaker 4: All of a sudden, he's just he's really stupid.

510
00:22:24,800 --> 00:22:28,200
Speaker 2: Also, does he work because Alan eventually says, come to

511
00:22:28,240 --> 00:22:30,840
Speaker 2: the grocery stores play so does is he not.

512
00:22:30,760 --> 00:22:31,760
Speaker 3: Working there anymore?

513
00:22:32,240 --> 00:22:33,400
Speaker 1: He's not working there anymore?

514
00:22:33,600 --> 00:22:36,440
Speaker 5: You say, no, no thanks, I'm gonna get rich this way,

515
00:22:36,560 --> 00:22:39,399
Speaker 5: and so I think you're not working there anymore. But

516
00:22:39,400 --> 00:22:42,160
Speaker 5: they also were acting as if you've never worked there, yeah.

517
00:22:42,000 --> 00:22:44,280
Speaker 4: Which is It's just it's it was very confusing.

518
00:22:44,320 --> 00:22:45,880
Speaker 2: The whole thing was very weird, and he is he's

519
00:22:45,920 --> 00:22:49,000
Speaker 2: totally dumb now, and it was it was just kind

520
00:22:49,000 --> 00:22:51,440
Speaker 2: of they're going into that instant.

521
00:22:51,520 --> 00:22:52,919
Speaker 4: I don't know, it was very it's the whole thing

522
00:22:53,000 --> 00:22:53,680
Speaker 4: was just very odd.

523
00:22:53,720 --> 00:22:55,920
Speaker 3: It feels like I'm married with children scene or something.

524
00:22:55,960 --> 00:22:58,120
Speaker 3: You know, it's sort of like by.

525
00:22:59,480 --> 00:23:02,160
Speaker 2: Like, yeah, it was very by the numbers, very by

526
00:23:02,160 --> 00:23:04,000
Speaker 2: the numbers, and the numbers weren't all that great, so

527
00:23:04,080 --> 00:23:04,880
Speaker 2: it was just kind.

528
00:23:04,680 --> 00:23:05,040
Speaker 4: Of like.

529
00:23:07,320 --> 00:23:09,480
Speaker 5: He asks Amy if she knows what's inside his head,

530
00:23:09,480 --> 00:23:12,280
Speaker 5: and her response is life is like a box of chocolates.

531
00:23:12,320 --> 00:23:15,640
Speaker 3: And Eric said, yeah, and did you guys know at

532
00:23:15,680 --> 00:23:19,720
Speaker 3: Will's did you hear just our writers laughing, Yeah, of course,

533
00:23:19,880 --> 00:23:22,520
Speaker 3: like one of our It's like the audience wasn't as

534
00:23:22,560 --> 00:23:24,879
Speaker 3: with it, but you could. I could hear like the

535
00:23:25,000 --> 00:23:29,040
Speaker 3: chorus of dudes laughing, which the dude so familiar, right,

536
00:23:29,200 --> 00:23:30,879
Speaker 3: And I know what happened. I know that Will. You

537
00:23:30,960 --> 00:23:34,040
Speaker 3: probably had done it differently every time, and so they

538
00:23:34,080 --> 00:23:35,719
Speaker 3: lost it because that was the first time you had

539
00:23:35,720 --> 00:23:38,560
Speaker 3: done it that specific way, and they laughed harder than

540
00:23:38,560 --> 00:23:41,680
Speaker 3: the audience. And but it's kept the audio of.

541
00:23:41,640 --> 00:23:44,880
Speaker 4: Our five Forrest Gump preference.

542
00:23:45,640 --> 00:23:49,800
Speaker 2: Also, it's very like yeah, yeah.

543
00:23:49,280 --> 00:23:51,200
Speaker 5: Well, Amy tells Eric to go wait by the front

544
00:23:51,240 --> 00:23:53,480
Speaker 5: door for Robin Leech, and then we are back in

545
00:23:53,560 --> 00:23:56,320
Speaker 5: the radio studio. Corey and Shawn are starting their first

546
00:23:56,440 --> 00:23:59,960
Speaker 5: radio show. Sean is wearing the Atlas Heart shirt again.

547
00:24:00,400 --> 00:24:02,080
Speaker 3: M hmmm, you're.

548
00:24:02,920 --> 00:24:05,280
Speaker 1: Is this now two episodes in a row? See it

549
00:24:05,280 --> 00:24:05,960
Speaker 1: in Danger Boy?

550
00:24:06,119 --> 00:24:08,919
Speaker 3: No, I think it was one before. Yeah, okay, but

551
00:24:08,960 --> 00:24:11,119
Speaker 3: it's definitely becoming my my go to one of my.

552
00:24:11,400 --> 00:24:12,199
Speaker 1: Already your go to.

553
00:24:13,240 --> 00:24:16,359
Speaker 5: So they are interviewing Sarah from the student Council to

554
00:24:16,400 --> 00:24:20,000
Speaker 5: discuss the cancelation of the ninth grade spring dance. Sarah says,

555
00:24:20,040 --> 00:24:22,160
Speaker 5: there's no story here. They just ran out of money

556
00:24:22,160 --> 00:24:24,120
Speaker 5: and they're going to have a bake sale to save

557
00:24:24,160 --> 00:24:25,200
Speaker 5: the dance Corey.

558
00:24:25,240 --> 00:24:28,119
Speaker 2: And they never, by the way, never once talking to

559
00:24:28,200 --> 00:24:32,160
Speaker 2: the microphone. Not a single time are either of them

560
00:24:32,200 --> 00:24:34,480
Speaker 2: actually addressing the microphone at all.

561
00:24:34,880 --> 00:24:36,400
Speaker 5: You don't really need to hold the whole You don't

562
00:24:36,400 --> 00:24:37,480
Speaker 5: need to talk into a microphone.

563
00:24:37,640 --> 00:24:39,520
Speaker 4: No, this is this sounds sorry.

564
00:24:39,840 --> 00:24:41,840
Speaker 3: I'm sorry you guys.

565
00:24:42,000 --> 00:24:43,679
Speaker 5: You guys, you don't need to talk to the You

566
00:24:43,680 --> 00:24:45,440
Speaker 5: don't need to when you're sitting totally fine.

567
00:24:45,480 --> 00:24:50,800
Speaker 1: Everybody is a great episode of pod. Do you guys

568
00:24:50,840 --> 00:24:51,320
Speaker 1: like this show?

569
00:24:52,200 --> 00:24:55,440
Speaker 4: Everybody having fun? Everybody the entire episode. I'm just going

570
00:24:55,760 --> 00:24:56,240
Speaker 4: talking to.

571
00:24:56,200 --> 00:24:58,119
Speaker 3: Them, Okay, hold on, I wasn't going to bring this

572
00:24:58,240 --> 00:25:00,840
Speaker 3: up yet because it actually did ocur to me until

573
00:25:01,240 --> 00:25:05,640
Speaker 3: the dancing at the end. What school radio show goes

574
00:25:05,680 --> 00:25:08,359
Speaker 3: over the PA throughout the entire school?

575
00:25:08,920 --> 00:25:09,000
Speaker 2: Like?

576
00:25:09,080 --> 00:25:09,680
Speaker 3: What is that?

577
00:25:10,160 --> 00:25:12,560
Speaker 4: Who are they trying? You get?

578
00:25:15,080 --> 00:25:17,679
Speaker 2: Who's gonna call in?

579
00:25:17,760 --> 00:25:22,360
Speaker 3: It was constantly playing music over all the pas during class.

580
00:25:22,800 --> 00:25:25,560
Speaker 3: But what is happening when you have a radio station

581
00:25:25,880 --> 00:25:28,840
Speaker 3: that that people can tune into, right, you don't actually

582
00:25:28,880 --> 00:25:31,720
Speaker 3: just play it over the whole loudspeaker in the cafeteria.

583
00:25:31,840 --> 00:25:34,440
Speaker 5: No, you we only did that for the morning announcements.

584
00:25:34,560 --> 00:25:36,240
Speaker 5: The morning announcement we had.

585
00:25:37,000 --> 00:25:39,280
Speaker 3: But this is a radio show where people can call in.

586
00:25:39,760 --> 00:25:43,080
Speaker 3: That is just broadcasting throughout the entire school constantly. Yes,

587
00:25:43,119 --> 00:25:44,240
Speaker 3: that would be so annoying.

588
00:25:45,119 --> 00:25:45,760
Speaker 4: Is gonna call?

589
00:25:45,840 --> 00:25:48,240
Speaker 2: I'm sitting there and yelling at my screen the whole time, going,

590
00:25:48,440 --> 00:25:50,000
Speaker 2: who are you trying to get to call in?

591
00:25:50,400 --> 00:25:52,159
Speaker 1: There's no call in?

592
00:25:52,720 --> 00:25:55,080
Speaker 3: Who's calling in the middle of the school day.

593
00:25:55,359 --> 00:25:57,040
Speaker 4: It's like, what the hell is happening?

594
00:25:57,200 --> 00:25:58,159
Speaker 3: It made no sense.

595
00:25:58,440 --> 00:25:59,320
Speaker 4: It made no sense.

596
00:25:59,720 --> 00:26:02,240
Speaker 3: Yeah, there's no logic to this entire.

597
00:26:02,240 --> 00:26:03,960
Speaker 4: It does none none.

598
00:26:04,119 --> 00:26:06,120
Speaker 3: It's that's where to get past.

599
00:26:07,160 --> 00:26:08,560
Speaker 4: Yeah, it was so bizarre.

600
00:26:09,080 --> 00:26:13,000
Speaker 5: Yeah, Well, Corey pushes Sarah for more of a story,

601
00:26:13,040 --> 00:26:15,560
Speaker 5: to see what she's hiding. It's very boring, and then

602
00:26:15,600 --> 00:26:20,199
Speaker 5: there's some feedback this show is bad. Corey asks what

603
00:26:20,400 --> 00:26:22,680
Speaker 5: is the profit margin on a cupcake? And everyone in

604
00:26:22,720 --> 00:26:27,280
Speaker 5: the cafeteria listening groans. Corey asks Sean for help, but

605
00:26:27,320 --> 00:26:29,720
Speaker 5: he gets none. Corey begs people to call in, and

606
00:26:29,760 --> 00:26:32,879
Speaker 5: when no one does, Sean wants to go home. Corey

607
00:26:32,920 --> 00:26:35,680
Speaker 5: tries to grill Sarah, but she says, I don't know, man,

608
00:26:35,720 --> 00:26:36,480
Speaker 5: I'm just a kid.

609
00:26:37,320 --> 00:26:38,280
Speaker 3: I love that line.

610
00:26:40,800 --> 00:26:43,600
Speaker 5: Sarah says, no one else wanted to do Corey's radio show,

611
00:26:43,640 --> 00:26:46,479
Speaker 5: and then Sean notices that they have their first caller.

612
00:26:47,400 --> 00:26:49,879
Speaker 5: They pick up the phone and it's someone speaking German.

613
00:26:50,119 --> 00:26:53,280
Speaker 5: Corey informs him that the German hour is the next hour.

614
00:26:53,520 --> 00:26:54,120
Speaker 1: They hang up.

615
00:26:54,640 --> 00:26:59,240
Speaker 2: Sarah then every hour in this high school books for

616
00:26:59,320 --> 00:27:00,359
Speaker 2: a radio show.

617
00:27:00,600 --> 00:27:01,480
Speaker 3: Over all the pas.

618
00:27:02,240 --> 00:27:06,280
Speaker 4: The hell is happening right now? Is my question. I

619
00:27:06,320 --> 00:27:06,840
Speaker 4: don't get it.

620
00:27:06,880 --> 00:27:10,439
Speaker 3: There's no reality, none, It's like none, It's so weird.

621
00:27:11,280 --> 00:27:13,520
Speaker 5: Sarah then tries to leave, but Corey picks up a

622
00:27:13,520 --> 00:27:17,000
Speaker 5: call from Spencer. Spencer asks Sarah if she's still going

623
00:27:17,040 --> 00:27:19,760
Speaker 5: out with Joey Deruza. Corey tries to go back to

624
00:27:19,760 --> 00:27:22,359
Speaker 5: the bake sale, but Sean knows they're onto something. Sarah

625
00:27:22,359 --> 00:27:25,639
Speaker 5: says they broke up last week. Sean convinces Spencer to

626
00:27:25,680 --> 00:27:28,080
Speaker 5: ask Sarah out. She says yes, and they head to

627
00:27:28,119 --> 00:27:29,440
Speaker 5: meet by the Soda Machine.

628
00:27:29,520 --> 00:27:31,960
Speaker 4: Now this I did.

629
00:27:32,000 --> 00:27:34,600
Speaker 3: Like, and I think that there's a kernel of a

630
00:27:34,640 --> 00:27:38,640
Speaker 3: really cool idea in this episode baked into this episode,

631
00:27:38,640 --> 00:27:42,040
Speaker 3: which is that if you you know that, if you could,

632
00:27:42,080 --> 00:27:44,480
Speaker 3: you can cater to an audience and get more ratings

633
00:27:44,920 --> 00:27:47,280
Speaker 3: It's sort of like a commentary on what you do

634
00:27:47,320 --> 00:27:49,240
Speaker 3: when you have a television show, which is if you

635
00:27:49,280 --> 00:27:53,760
Speaker 3: go for like the sleazy easy thing, you you have

636
00:27:53,840 --> 00:27:56,000
Speaker 3: a show that might be popular, but it's not good

637
00:27:56,000 --> 00:27:58,440
Speaker 3: for the world. And I feel like this this episode

638
00:27:58,480 --> 00:28:02,000
Speaker 3: could have gone that direction, but it didn't quite get

639
00:28:02,040 --> 00:28:04,439
Speaker 3: there for me. Instead, it has this like free freedom

640
00:28:04,440 --> 00:28:07,320
Speaker 3: of speech stuff, which is okay, but like I like

641
00:28:07,400 --> 00:28:10,040
Speaker 3: the lesson that Corey and Sean should have, you know,

642
00:28:10,080 --> 00:28:12,639
Speaker 3: they can do like a dating show or whatever.

643
00:28:13,080 --> 00:28:15,879
Speaker 4: Become Howard Stern exactly. That would have been a great

644
00:28:16,080 --> 00:28:17,720
Speaker 4: lot where it should have gone.

645
00:28:17,760 --> 00:28:21,200
Speaker 2: It's like it gets so sensational and so crazy that

646
00:28:21,320 --> 00:28:23,800
Speaker 2: it then ends up they have to do some kind

647
00:28:23,840 --> 00:28:25,960
Speaker 2: of stunt in the school, somebody gets hurt.

648
00:28:26,000 --> 00:28:26,879
Speaker 4: It goes nuts.

649
00:28:27,280 --> 00:28:29,639
Speaker 2: As opposed to somebody just asked this girl out and

650
00:28:29,640 --> 00:28:30,879
Speaker 2: then people started listening to it.

651
00:28:30,800 --> 00:28:31,960
Speaker 4: It wasn't that big a deal.

652
00:28:32,119 --> 00:28:35,199
Speaker 1: It is exactly what you guys just said should have happened,

653
00:28:35,320 --> 00:28:36,920
Speaker 1: is exactly what happens.

654
00:28:37,040 --> 00:28:39,600
Speaker 5: It starts off with a girl just being asked out,

655
00:28:39,640 --> 00:28:41,600
Speaker 5: and then the next thing that happens is talking about

656
00:28:41,680 --> 00:28:44,280
Speaker 5: hip waiters in a bikini top, and then the more

657
00:28:44,400 --> 00:28:46,840
Speaker 5: escalation above that is that they have a rave in

658
00:28:46,880 --> 00:28:49,880
Speaker 5: the school, which again ties into what I was talking about,

659
00:28:49,960 --> 00:28:53,680
Speaker 5: which is you can only have elevated steaks for kids

660
00:28:53,720 --> 00:28:57,680
Speaker 5: programming so much you couldn't do a crazy, wacky stunt

661
00:28:57,720 --> 00:29:00,880
Speaker 5: where someone dies because you're a mill matters, or where

662
00:29:00,880 --> 00:29:05,560
Speaker 5: someone even gets really hurt. The problem with these kinds

663
00:29:05,600 --> 00:29:08,120
Speaker 5: of stakes in a kid's show is that you can

664
00:29:08,240 --> 00:29:11,720
Speaker 5: only go so far, and so they did. I actually

665
00:29:11,800 --> 00:29:13,600
Speaker 5: that's exactly what my point was at the beginning of

666
00:29:13,680 --> 00:29:15,920
Speaker 5: the episode, where I kind I like that idea that

667
00:29:15,960 --> 00:29:19,040
Speaker 5: there's this idea of free speech, but you get wrapped

668
00:29:19,120 --> 00:29:22,080
Speaker 5: up in the ratings and the success of it, but

669
00:29:22,200 --> 00:29:25,239
Speaker 5: you should have a responsibility with the speech that you

670
00:29:25,280 --> 00:29:27,080
Speaker 5: are with your free speech.

671
00:29:27,400 --> 00:29:31,240
Speaker 3: So I like that idea. I don't feel illustrates that well,

672
00:29:31,600 --> 00:29:34,600
Speaker 3: I feel like it it ends up being more I

673
00:29:34,600 --> 00:29:37,080
Speaker 3: don't know, it just doesn't feel like that that message

674
00:29:37,280 --> 00:29:40,560
Speaker 3: isn't resonated throughout the actual action. For me, it felt

675
00:29:40,920 --> 00:29:43,480
Speaker 3: it felt more about like the high jinks of you know,

676
00:29:43,600 --> 00:29:46,120
Speaker 3: hiding in the closet or running around here or turn

677
00:29:46,200 --> 00:29:48,160
Speaker 3: or flipping on the switch when we didn't and it

678
00:29:48,240 --> 00:29:51,000
Speaker 3: just didn't feel like that conversation landed for me. I

679
00:29:51,000 --> 00:29:51,320
Speaker 3: don't know.

680
00:29:51,720 --> 00:29:54,480
Speaker 4: I agree. I agree this whole thing I thought I found.

681
00:29:54,600 --> 00:29:56,680
Speaker 2: I felt like, I just what you're saying, Danielle, I

682
00:29:56,720 --> 00:29:58,120
Speaker 2: see what they were going for.

683
00:29:58,560 --> 00:30:01,800
Speaker 4: Yeah, it just never got for me. Yeah, and then

684
00:30:01,880 --> 00:30:02,720
Speaker 4: they got.

685
00:30:02,600 --> 00:30:05,120
Speaker 1: There for me. I got it. I got it. I

686
00:30:05,120 --> 00:30:07,760
Speaker 1: feel like I feel like Will was a little wasted.

687
00:30:07,840 --> 00:30:11,440
Speaker 5: You're funnier than this, and the BT story is a

688
00:30:11,480 --> 00:30:14,800
Speaker 5: little like, let's keep better on. Yeah, but I think

689
00:30:15,080 --> 00:30:17,920
Speaker 5: knowing the constraints of the raising of the stakes for

690
00:30:17,960 --> 00:30:20,680
Speaker 5: the first storyline and it being just kind of fun,

691
00:30:20,800 --> 00:30:24,200
Speaker 5: and the way Turner and Feenie are on just the

692
00:30:24,280 --> 00:30:27,640
Speaker 5: right amount of opposing sides before then very much being

693
00:30:27,640 --> 00:30:29,600
Speaker 5: on the same side. I thought all of that was

694
00:30:29,640 --> 00:30:33,360
Speaker 5: really strong, you know, other than Ben being sick, which

695
00:30:33,400 --> 00:30:36,720
Speaker 5: I could tell. I liked the I fought like Corey

696
00:30:36,720 --> 00:30:38,960
Speaker 5: and Sean it was kind of fun. So I don't

697
00:30:39,000 --> 00:30:40,960
Speaker 5: know they worked for me. I'll be the only one.

698
00:30:41,000 --> 00:30:42,520
Speaker 5: I'll stand on an island alone.

699
00:30:42,640 --> 00:30:45,160
Speaker 4: When when do you? When are you part of this show?

700
00:30:45,160 --> 00:30:45,320
Speaker 3: All?

701
00:30:45,480 --> 00:30:47,720
Speaker 1: I have no idea. I'm just I've never been on

702
00:30:47,760 --> 00:30:48,400
Speaker 1: Boy Meets Worlds.

703
00:30:48,600 --> 00:30:50,840
Speaker 2: I was going to say, I thought you're on way

704
00:30:50,880 --> 00:30:53,800
Speaker 2: more episodes in this second season, like, way more episodes

705
00:30:53,840 --> 00:30:54,120
Speaker 2: in this.

706
00:30:54,280 --> 00:30:56,680
Speaker 4: Again, I sat there, like, guys, another one that she's

707
00:30:56,720 --> 00:30:58,040
Speaker 4: not in. It was so strange.

708
00:30:58,200 --> 00:30:59,480
Speaker 1: I think it must be season three.

709
00:31:00,200 --> 00:31:03,560
Speaker 3: I remember that fact. It's funny because I always know

710
00:31:03,680 --> 00:31:09,440
Speaker 3: that Danielle, that it was more retro retrospectively, retroactively that

711
00:31:09,600 --> 00:31:13,320
Speaker 3: Tapanga became this like legendary essential part of our show.

712
00:31:13,600 --> 00:31:16,120
Speaker 3: In the actual reality of first and second season, she

713
00:31:16,240 --> 00:31:17,960
Speaker 3: just wasn't there. Thought I know.

714
00:31:18,440 --> 00:31:19,920
Speaker 1: I mean, I remembered that too.

715
00:31:20,600 --> 00:31:23,880
Speaker 5: I think what I'm what I'm realizing is how few

716
00:31:23,920 --> 00:31:25,600
Speaker 5: I don't remember how many I do if it I

717
00:31:25,680 --> 00:31:28,600
Speaker 5: end up doing eleven or thirteen this season. But what

718
00:31:28,680 --> 00:31:32,680
Speaker 5: I think I'm thinking is how few thirteen feels yeah.

719
00:31:32,600 --> 00:31:34,640
Speaker 1: Yeah, in the scheme of twenty two.

720
00:31:35,040 --> 00:31:37,200
Speaker 5: But I think part of that is because sometimes I'm

721
00:31:37,240 --> 00:31:39,479
Speaker 5: in the episode, but I'm there to say two things,

722
00:31:39,720 --> 00:31:41,320
Speaker 5: you know, and then it's like, well, no, wonder that

723
00:31:41,360 --> 00:31:44,200
Speaker 5: episode doesn't I don't really remember being there for that episode.

724
00:31:44,280 --> 00:31:46,200
Speaker 3: They just land so heavy, like I mean in a

725
00:31:46,480 --> 00:31:48,560
Speaker 3: good way, Like you know the fact that the Who's

726
00:31:48,600 --> 00:31:51,360
Speaker 3: Afraid of Corey Wolf ended with the two of you kissing.

727
00:31:52,080 --> 00:31:54,440
Speaker 3: The episode of the dance ended with the two of

728
00:31:54,480 --> 00:31:56,320
Speaker 3: you dancing. It was like it, you know, so it

729
00:31:56,400 --> 00:32:00,280
Speaker 3: feels like, oh, the tapanga storyline is the storyline, but

730
00:32:00,320 --> 00:32:02,960
Speaker 3: the reality of you being there week to week, it's

731
00:32:03,040 --> 00:32:03,840
Speaker 3: just then you're not there.

732
00:32:03,840 --> 00:32:11,240
Speaker 2: Then all, yeah, it's very strange.

733
00:32:15,360 --> 00:32:18,040
Speaker 5: So Corey tells Sean, no one is interested in this,

734
00:32:18,080 --> 00:32:20,800
Speaker 5: But then we cut to the school cafeteria and everyone

735
00:32:20,920 --> 00:32:24,560
Speaker 5: is cheering. Sean says, the flat phone lines are blowing up,

736
00:32:24,960 --> 00:32:26,520
Speaker 5: and I really felt like we could have had.

737
00:32:26,440 --> 00:32:28,320
Speaker 1: An insert shot of the phones blowing up.

738
00:32:28,840 --> 00:32:30,680
Speaker 5: You pointed down to them, and we had already done

739
00:32:30,720 --> 00:32:32,640
Speaker 5: another insert shot where like the one or two people

740
00:32:32,680 --> 00:32:33,840
Speaker 5: were calling, and I really.

741
00:32:33,600 --> 00:32:35,600
Speaker 1: Felt like I'd like to see all those nights.

742
00:32:35,880 --> 00:32:37,160
Speaker 3: A conversation with David Traynor.

743
00:32:37,400 --> 00:32:38,880
Speaker 1: Okay, time machine.

744
00:32:39,000 --> 00:32:41,840
Speaker 4: Time machine, First we have to invent Okay, No, it's great.

745
00:32:41,840 --> 00:32:44,040
Speaker 2: It's because because what you do is you obviously run

746
00:32:44,080 --> 00:32:46,640
Speaker 2: to the bank of phones at your school, of course,

747
00:32:46,680 --> 00:32:48,720
Speaker 2: to call into the local radio.

748
00:32:49,240 --> 00:32:51,680
Speaker 1: Absolutely calling who's calling.

749
00:32:53,680 --> 00:32:54,080
Speaker 4: Anyway?

750
00:32:54,200 --> 00:32:56,800
Speaker 5: Gosh, Corey doesn't think this is an interesting idea, and

751
00:32:56,800 --> 00:32:58,880
Speaker 5: he says it's just a bunch of lonely guys calling in.

752
00:32:59,120 --> 00:33:01,200
Speaker 5: Corey says, this is the first idea ever. And then

753
00:33:01,280 --> 00:33:04,120
Speaker 5: suddenly a line full of girls walk into the studio

754
00:33:04,280 --> 00:33:07,760
Speaker 5: today to get on the radio and tack to the boys.

755
00:33:08,040 --> 00:33:10,480
Speaker 3: She also looks like she's twenty four years Oh.

756
00:33:10,400 --> 00:33:12,000
Speaker 4: Yeah, absolutely does.

757
00:33:12,000 --> 00:33:13,800
Speaker 3: She looks like high schoolers do.

758
00:33:14,000 --> 00:33:16,280
Speaker 5: Just look exactly. She's I think, supposed to be maybe

759
00:33:16,280 --> 00:33:17,800
Speaker 5: even like a senior I.

760
00:33:17,760 --> 00:33:19,840
Speaker 3: Know, but maybe it's just the way she's dressers. I

761
00:33:19,840 --> 00:33:20,120
Speaker 3: don't know.

762
00:33:20,160 --> 00:33:21,920
Speaker 5: I was like, well, yes, we have another woman in

763
00:33:22,080 --> 00:33:23,560
Speaker 5: high high pantyhose.

764
00:33:23,840 --> 00:33:28,200
Speaker 4: Yes, yeah, yeah, exactly right.

765
00:33:28,280 --> 00:33:29,840
Speaker 3: It was a kitten on her shoes.

766
00:33:30,000 --> 00:33:31,600
Speaker 4: Yeah, crazy, exactly.

767
00:33:32,720 --> 00:33:35,200
Speaker 5: So Corey goes fully into it, and they start promoting

768
00:33:35,320 --> 00:33:39,040
Speaker 5: Jasmine Fontana, who is single and she's on the show,

769
00:33:39,240 --> 00:33:43,320
Speaker 5: and they are now calling the show Lunchtime Lust. A

770
00:33:43,360 --> 00:33:45,880
Speaker 5: bunch of guys from the cafeteria run toward the studio

771
00:33:45,920 --> 00:33:48,280
Speaker 5: when he says she likes to fish and nothing but

772
00:33:48,400 --> 00:33:51,080
Speaker 5: hip waiters and bikini bottom and a bikini top.

773
00:33:51,320 --> 00:33:54,600
Speaker 3: What is the what is this joke? It's repeated twice

774
00:33:54,720 --> 00:33:56,120
Speaker 3: Jasmine when she says.

775
00:33:55,880 --> 00:33:57,920
Speaker 1: Her name right, and then he goes, if it's not,

776
00:33:58,040 --> 00:33:59,200
Speaker 1: it should be right.

777
00:33:59,200 --> 00:34:01,200
Speaker 3: What don't understand think it.

778
00:34:01,200 --> 00:34:03,920
Speaker 2: Kind of sounds like a porn star name is I

779
00:34:03,960 --> 00:34:05,240
Speaker 2: think the joke they're going for.

780
00:34:05,320 --> 00:34:07,760
Speaker 5: Yeah, I think, or like a stripper name, like if

781
00:34:07,800 --> 00:34:09,719
Speaker 5: that's not her real name, it should.

782
00:34:09,520 --> 00:34:13,520
Speaker 2: Be, like should be Jasmine Fontana. Yeah, you are like,

783
00:34:13,560 --> 00:34:14,359
Speaker 2: that's the joke.

784
00:34:14,719 --> 00:34:17,080
Speaker 3: You are just like, I don't get it.

785
00:34:17,080 --> 00:34:19,440
Speaker 1: It's like that you say, if it's not, it should be.

786
00:34:19,960 --> 00:34:22,160
Speaker 3: And the next one is then Ben said, or we

787
00:34:22,200 --> 00:34:23,920
Speaker 3: say it again, we do it? Yes, And I was like,

788
00:34:23,960 --> 00:34:25,200
Speaker 3: I don't understand this joke.

789
00:34:25,880 --> 00:34:27,799
Speaker 4: Is this stripper porn name I think is what they're

790
00:34:27,880 --> 00:34:28,279
Speaker 4: doing for.

791
00:34:29,239 --> 00:34:33,840
Speaker 1: Yeah, the roxyar it all exactly. Yeah, Okay.

792
00:34:35,520 --> 00:34:37,880
Speaker 5: Corey says callers are asking if she's a good kisser,

793
00:34:38,000 --> 00:34:40,880
Speaker 5: and she says there's a way she can answer this question,

794
00:34:40,960 --> 00:34:44,279
Speaker 5: and she goes in to kiss Corey. Corey closes his

795
00:34:44,360 --> 00:34:47,680
Speaker 5: eyes and then boom, he opens them and it's mister Feene.

796
00:34:49,719 --> 00:34:51,720
Speaker 2: Yeah, that's a funny joke that you look at different,

797
00:34:51,840 --> 00:34:53,439
Speaker 2: look different, you look different up close.

798
00:34:53,520 --> 00:34:55,120
Speaker 4: I thought that is a funny, like.

799
00:34:55,160 --> 00:34:59,120
Speaker 3: Closing your eyes, but it is.

800
00:34:59,160 --> 00:35:03,680
Speaker 4: I agree, It's this is so pain by numbers this episode. Yeah,

801
00:35:03,760 --> 00:35:04,400
Speaker 4: I agree.

802
00:35:05,080 --> 00:35:07,959
Speaker 5: So Phoene is with a German kid, Ludwig, and tells

803
00:35:08,040 --> 00:35:11,480
Speaker 5: him to take over for the newly popular Corey and

804
00:35:11,520 --> 00:35:11,960
Speaker 5: Joan show.

805
00:35:12,200 --> 00:35:18,640
Speaker 3: Yeh yeah, I love I love the poor German kid

806
00:35:18,640 --> 00:35:21,359
Speaker 3: getting tied up. I love that whole storyline, like I'm

807
00:35:21,400 --> 00:35:22,319
Speaker 3: on board. Yeah yeah.

808
00:35:22,320 --> 00:35:24,960
Speaker 5: He plays only German music and he takes no request.

809
00:35:26,680 --> 00:35:29,279
Speaker 5: And then we're in the school hallway. Mister Phoene kicks

810
00:35:29,280 --> 00:35:31,719
Speaker 5: the boys out of the studio, but all the students

811
00:35:31,719 --> 00:35:35,360
Speaker 5: in the halls are clapping, and he tells Corey.

812
00:35:35,239 --> 00:35:39,239
Speaker 3: Always set is this I went the same hallway? I

813
00:35:39,280 --> 00:35:40,640
Speaker 3: don't think it is because we're not coming out of

814
00:35:40,640 --> 00:35:43,000
Speaker 3: the boys bathroom. It's like a whole new set, and

815
00:35:43,040 --> 00:35:47,480
Speaker 3: you never see the actual hallway, like there's nothing behind us,

816
00:35:47,920 --> 00:35:50,160
Speaker 3: like normally behind where if we were coming out of

817
00:35:50,200 --> 00:35:52,719
Speaker 3: the boys bathroom, I think there would be that, like

818
00:35:52,760 --> 00:35:54,799
Speaker 3: the upper level behind us, But it's not in.

819
00:35:54,760 --> 00:35:56,319
Speaker 4: This, is it not?

820
00:35:56,400 --> 00:36:01,080
Speaker 3: I just what Hallway said? Is this because it seems

821
00:36:01,080 --> 00:36:01,759
Speaker 3: like it's its own?

822
00:36:02,160 --> 00:36:03,640
Speaker 1: Is this the only time in the show you see it?

823
00:36:03,840 --> 00:36:04,080
Speaker 3: Yeah?

824
00:36:04,440 --> 00:36:07,080
Speaker 5: Oh okay, I don't remember seeing I don't remember even

825
00:36:07,120 --> 00:36:08,879
Speaker 5: the set that this was on, Yes, I don't.

826
00:36:10,120 --> 00:36:11,719
Speaker 1: And then we're in mister Feenie's classroom.

827
00:36:11,840 --> 00:36:14,560
Speaker 5: He's teaching Principal Feenie's teaching his class.

828
00:36:15,160 --> 00:36:18,799
Speaker 1: Mister Feenie is uh.

829
00:36:18,320 --> 00:36:20,080
Speaker 5: Says they were going to be studying the Bill of

830
00:36:20,160 --> 00:36:24,040
Speaker 5: Rights tomorrow and then says, oh, dear. Corey hears that

831
00:36:24,080 --> 00:36:26,480
Speaker 5: from behind him and asks Feenie what the first Amendment is.

832
00:36:26,560 --> 00:36:29,040
Speaker 5: Corey and Sean pretend to not remember, and they ask

833
00:36:29,120 --> 00:36:32,760
Speaker 5: Phoenie in a playful manner. Feenie mumbles, freedom of speech.

834
00:36:33,800 --> 00:36:36,600
Speaker 5: Corey asks if it applies to everybody, and Phoene says no.

835
00:36:37,160 --> 00:36:39,400
Speaker 5: Mister Feenie says that what they said on their on

836
00:36:39,440 --> 00:36:42,040
Speaker 5: the air was inappropriate and the rights of the Constitution

837
00:36:42,160 --> 00:36:45,920
Speaker 5: were intended for those with responsibility. Sean says, if it

838
00:36:45,920 --> 00:36:47,600
Speaker 5: doesn't apply to us, then why do we have to

839
00:36:47,680 --> 00:36:51,920
Speaker 5: learn it? Everybody's question when you're in school as a kid,

840
00:36:52,239 --> 00:36:52,840
Speaker 5: when am.

841
00:36:52,719 --> 00:36:56,839
Speaker 4: I ever gonna need this? Lots of times? By the way,

842
00:36:57,120 --> 00:36:57,920
Speaker 4: you don't.

843
00:36:57,960 --> 00:37:00,440
Speaker 5: Just for the record, one hundred percent, but it never

844
00:37:00,480 --> 00:37:02,600
Speaker 5: needed trig But you yeah, exactly.

845
00:37:02,920 --> 00:37:04,960
Speaker 3: But the point of the point of most of your

846
00:37:05,080 --> 00:37:06,600
Speaker 3: education is to learn how to learn.

847
00:37:06,960 --> 00:37:08,560
Speaker 4: Sure, yes, I don't disagree.

848
00:37:08,600 --> 00:37:11,760
Speaker 3: It's a worthwhile exercise, you know, to learn I agree,

849
00:37:12,600 --> 00:37:15,120
Speaker 3: math and science, even if you're not going to use those.

850
00:37:14,960 --> 00:37:17,680
Speaker 2: Like going to find you're also going to find the

851
00:37:17,719 --> 00:37:21,279
Speaker 2: people that have the scientific or mathematic aptitude to then

852
00:37:21,360 --> 00:37:24,320
Speaker 2: make that their career. That's also how you find like, wow,

853
00:37:24,320 --> 00:37:26,560
Speaker 2: I speak in math. It's like, okay, that's I'm going

854
00:37:26,640 --> 00:37:29,719
Speaker 2: to go into very well yeah, which I just never did.

855
00:37:29,800 --> 00:37:32,040
Speaker 3: So this whole freedom of speech thing just does not

856
00:37:32,080 --> 00:37:34,359
Speaker 3: make sense to me, Like, I just don't get what

857
00:37:34,440 --> 00:37:36,640
Speaker 3: the First Amendment has to do with because to me,

858
00:37:36,680 --> 00:37:40,520
Speaker 3: it's about the quality of the content. That's the point, right,

859
00:37:40,560 --> 00:37:43,320
Speaker 3: It's not the like right to say any of this.

860
00:37:43,440 --> 00:37:45,120
Speaker 4: He's not trying to silence them.

861
00:37:46,440 --> 00:37:48,680
Speaker 3: He's not saying like you're not He's saying, don't do

862
00:37:48,800 --> 00:37:51,960
Speaker 3: this crappy Like they had the right to have a show,

863
00:37:52,400 --> 00:37:54,200
Speaker 3: and no one was shutting them down just for the

864
00:37:54,239 --> 00:37:56,400
Speaker 3: sake of shutting it. Like it's it's just weird, Like

865
00:37:56,440 --> 00:37:58,560
Speaker 3: and I don't know, I always feel this way about

866
00:37:58,600 --> 00:38:00,960
Speaker 3: freedom of speech stuff. It's like, if you're using the

867
00:38:00,960 --> 00:38:04,160
Speaker 3: First Amendment, the First Amendment is about the legal right

868
00:38:04,239 --> 00:38:06,279
Speaker 3: to say something right, right, But that's not the same

869
00:38:06,280 --> 00:38:08,799
Speaker 3: as like whether you should or should not, or whether

870
00:38:08,840 --> 00:38:12,359
Speaker 3: you offend people or not, Like you should have consequences

871
00:38:12,400 --> 00:38:13,279
Speaker 3: for the things you say.

872
00:38:13,440 --> 00:38:15,520
Speaker 2: That's the thing you said the exact word. To me,

873
00:38:15,600 --> 00:38:18,480
Speaker 2: freedom of speech is not speech without consequence. Those are

874
00:38:18,520 --> 00:38:19,640
Speaker 2: two very different things.

875
00:38:19,640 --> 00:38:21,719
Speaker 3: You completely, and yet it always gets caught up in

876
00:38:21,719 --> 00:38:23,279
Speaker 3: this way, and I feel like this episode falls prey

877
00:38:23,360 --> 00:38:25,200
Speaker 3: to the same argument. It's like, yeah, you have the

878
00:38:25,360 --> 00:38:27,840
Speaker 3: right to stand up and be a Nazi or whatever,

879
00:38:28,000 --> 00:38:29,880
Speaker 3: but that doesn't make you a good person or doesn't

880
00:38:29,880 --> 00:38:32,040
Speaker 3: make it a good radio show right like right now.

881
00:38:32,080 --> 00:38:34,080
Speaker 5: And if you work for a place that then wants

882
00:38:34,120 --> 00:38:36,360
Speaker 5: to fire you, if you work for like a private

883
00:38:36,719 --> 00:38:39,120
Speaker 5: you know, the right school, they have the right to

884
00:38:39,160 --> 00:38:43,840
Speaker 5: fire you. Yes, yes, I agree with you. I agree

885
00:38:43,880 --> 00:38:47,400
Speaker 5: with you in principle, but we're doing ABC TGIF.

886
00:38:48,120 --> 00:38:50,680
Speaker 4: But there's a better version of this, I think is

887
00:38:50,719 --> 00:38:52,319
Speaker 4: what we're saying, and I don't agree.

888
00:38:52,960 --> 00:38:55,640
Speaker 3: So oversimplified, and I was just like, what does First

889
00:38:55,680 --> 00:38:58,520
Speaker 3: Amendment have to do with like what they're actually because

890
00:38:58,560 --> 00:39:00,960
Speaker 3: the point shouldn't be we have the right to say

891
00:39:00,960 --> 00:39:03,480
Speaker 3: this is the point should be do better shows, you know.

892
00:39:03,680 --> 00:39:06,319
Speaker 2: But that's where Phene turns around and the messages I'm

893
00:39:06,360 --> 00:39:08,440
Speaker 2: not telling you you can't say, I'm you know, if

894
00:39:08,440 --> 00:39:11,400
Speaker 2: they should come to the idea themselves that they are

895
00:39:11,440 --> 00:39:14,600
Speaker 2: appealing to the lowest common denominator. Yes, and so that's

896
00:39:14,640 --> 00:39:16,440
Speaker 2: the thing where it's Phoene kind of going, I'm not

897
00:39:16,480 --> 00:39:17,359
Speaker 2: going to silence you.

898
00:39:17,200 --> 00:39:20,040
Speaker 4: You've got to figure out why this is not okay.

899
00:39:20,120 --> 00:39:22,359
Speaker 5: Well, yeah, and I agree with you that what they

900
00:39:22,440 --> 00:39:25,080
Speaker 5: end up learning is like, oh, we can get great

901
00:39:25,160 --> 00:39:29,080
Speaker 5: listeners just by also being ourselves. So it still comes

902
00:39:29,120 --> 00:39:31,760
Speaker 5: down to I just want I just want listeners.

903
00:39:31,960 --> 00:39:33,080
Speaker 1: I just want good ratings.

904
00:39:33,560 --> 00:39:37,000
Speaker 3: Right, So they not about the responsibility to do something interesting.

905
00:39:37,160 --> 00:39:39,160
Speaker 3: It's just like, you can be honest, don't try and

906
00:39:39,239 --> 00:39:42,960
Speaker 3: be not be yourself. Was that a problem? Like being ourselves?

907
00:39:43,200 --> 00:39:45,920
Speaker 3: We were horny little boys, Like, that's not being ourselves.

908
00:39:46,040 --> 00:39:47,480
Speaker 3: Let's be honest. I don't know.

909
00:39:47,560 --> 00:39:50,239
Speaker 2: It's so weird, but have something to say, I think

910
00:39:50,360 --> 00:39:52,480
Speaker 2: is what this should have been about. And it didn't

911
00:39:52,520 --> 00:39:55,160
Speaker 2: seem to be about that at all. So yeah, I agree,

912
00:39:55,160 --> 00:39:56,160
Speaker 2: it was very strange.

913
00:39:56,520 --> 00:39:57,680
Speaker 1: So we're in the school hallway.

914
00:39:57,760 --> 00:40:00,400
Speaker 5: Jasmine Fontana tells Corey and Sean all the earls in

915
00:40:00,400 --> 00:40:02,680
Speaker 5: the locker room we're talking about their show, and then

916
00:40:02,719 --> 00:40:04,280
Speaker 5: asks when they'll be on the air again.

917
00:40:04,640 --> 00:40:06,279
Speaker 1: Corey says real soon.

918
00:40:06,320 --> 00:40:08,720
Speaker 5: But when she leaves, Corey and Sean have no idea

919
00:40:08,760 --> 00:40:12,160
Speaker 5: how to do this, and then Corey says, Hi to

920
00:40:12,200 --> 00:40:14,440
Speaker 5: mister Turner and his response is I don't know you.

921
00:40:14,920 --> 00:40:18,480
Speaker 5: Mister Turner says Feenie gave them responsibility and they abused it.

922
00:40:18,880 --> 00:40:21,640
Speaker 5: He can't do anything about it. Corey and Sean tried

923
00:40:21,680 --> 00:40:24,239
Speaker 5: to convince Turner to talk to feene for them. Sean says,

924
00:40:24,239 --> 00:40:28,080
Speaker 5: Feenie is totally ignoring the first commandment. Turner tells them

925
00:40:28,080 --> 00:40:31,600
Speaker 5: to stay away from the radio station, but he's gonna

926
00:40:31,640 --> 00:40:33,160
Speaker 5: talk to mister Feenie to see if he can give

927
00:40:33,200 --> 00:40:35,960
Speaker 5: them a second chance. Cory and Sewan really want to

928
00:40:35,960 --> 00:40:37,680
Speaker 5: get back on the air, and Corey knows they have

929
00:40:37,760 --> 00:40:40,160
Speaker 5: to do it by themselves, and Sewn agrees and says

930
00:40:40,200 --> 00:40:40,720
Speaker 5: they'll need.

931
00:40:40,640 --> 00:40:42,960
Speaker 1: Some help, which okay.

932
00:40:44,440 --> 00:40:47,719
Speaker 5: Jas they see Alvin in the hallway and ask him

933
00:40:47,719 --> 00:40:50,160
Speaker 5: if the radio. They ask him if he knows about

934
00:40:50,160 --> 00:40:52,600
Speaker 5: the radio station. He says it's his baby, and then

935
00:40:52,640 --> 00:40:55,000
Speaker 5: they grab him and they go take a go take

936
00:40:55,000 --> 00:40:57,279
Speaker 5: a look at the radio station, which he calls Junior.

937
00:41:00,000 --> 00:41:01,160
Speaker 1: And then we're in the Matthew's kitchen.

938
00:41:01,200 --> 00:41:03,040
Speaker 5: Amy is going through the mail and finds a ton

939
00:41:03,080 --> 00:41:06,200
Speaker 5: of magazines for Eric. Eric is convinced Robin Leach is

940
00:41:06,239 --> 00:41:08,200
Speaker 5: going to show up and give him millions of dollars,

941
00:41:08,760 --> 00:41:11,479
Speaker 5: especially since he is buying so many magazines. He's bought

942
00:41:11,480 --> 00:41:14,240
Speaker 5: one for every letter of the alphabet, so they can't

943
00:41:14,360 --> 00:41:14,879
Speaker 5: miss him.

944
00:41:15,640 --> 00:41:18,080
Speaker 4: I remember Chester, I remember that, Joe.

945
00:41:18,120 --> 00:41:19,080
Speaker 3: I love that joke.

946
00:41:19,160 --> 00:41:22,520
Speaker 4: I've heard from that magazine. This was the amazing thing.

947
00:41:22,560 --> 00:41:25,200
Speaker 2: Though, as I'm watching this, I've now said Robin Leach

948
00:41:25,280 --> 00:41:28,080
Speaker 2: ten times, and I still didn't remember that Rob le

949
00:41:28,239 --> 00:41:28,680
Speaker 2: showed up.

950
00:41:28,600 --> 00:41:30,960
Speaker 3: On the show. No, I was watching it going we're

951
00:41:30,960 --> 00:41:35,160
Speaker 3: talking about Robin Leach an awful lot, and you know

952
00:41:35,560 --> 00:41:39,040
Speaker 3: it was definitely a pre tape Robin Leach y and

953
00:41:39,120 --> 00:41:41,160
Speaker 3: so I bet you, like, I might not have even

954
00:41:41,200 --> 00:41:43,399
Speaker 3: been there when that happens, right, So like, I think

955
00:41:43,440 --> 00:41:45,960
Speaker 3: that's why I don't remember it. But it's weird because I,

956
00:41:46,000 --> 00:41:48,080
Speaker 3: of all the people we had on our show, I

957
00:41:48,280 --> 00:41:52,280
Speaker 3: knew who Robin Leach was. Like everybody I remember.

958
00:41:51,920 --> 00:41:54,960
Speaker 2: That, you just weren't there for it. It must have

959
00:41:55,000 --> 00:41:57,160
Speaker 2: been one of those things where you're right, he showed up.

960
00:41:57,200 --> 00:41:59,560
Speaker 2: We shot this once or twice and disappeared. So it's

961
00:41:59,680 --> 00:42:01,600
Speaker 2: a you know, a total of an hour of our

962
00:42:01,640 --> 00:42:05,640
Speaker 2: lives And I just didn't remember this at all at all. Yeah,

963
00:42:05,920 --> 00:42:07,040
Speaker 2: and I do remember Chester.

964
00:42:07,440 --> 00:42:08,920
Speaker 1: Yep magazine.

965
00:42:08,960 --> 00:42:11,040
Speaker 5: You had to change your name in order to get it.

966
00:42:11,040 --> 00:42:13,279
Speaker 5: It's a magazine for guy's name Chester. By the way,

967
00:42:13,400 --> 00:42:15,000
Speaker 5: in this episode, I thought was going to be the

968
00:42:15,040 --> 00:42:16,480
Speaker 5: one where you called yourself Kyle.

969
00:42:16,719 --> 00:42:19,280
Speaker 3: I did do, I said to myself. I was thinking

970
00:42:19,280 --> 00:42:20,440
Speaker 3: to myself and I was like, oh.

971
00:42:20,320 --> 00:42:24,960
Speaker 5: This is the joke exactly watching that scene, and I

972
00:42:25,000 --> 00:42:27,080
Speaker 5: went I also.

973
00:42:26,880 --> 00:42:29,759
Speaker 3: Thought when this line was said, I had to change

974
00:42:29,840 --> 00:42:32,640
Speaker 3: my name. I thought for sure when Robin Leach showed

975
00:42:32,719 --> 00:42:35,640
Speaker 3: up that she's going to be written to Chester and

976
00:42:35,640 --> 00:42:37,360
Speaker 3: that that's why you couldn't get it. And I was

977
00:42:37,400 --> 00:42:40,239
Speaker 3: going to be like, oh nice. The payoff is that

978
00:42:40,280 --> 00:42:42,879
Speaker 3: by you know, doing this scheme, and that makes more

979
00:42:42,920 --> 00:42:45,000
Speaker 3: sense to me and actually builds on it than what

980
00:42:45,080 --> 00:42:49,480
Speaker 3: does happen. We're just sitting very strange.

981
00:42:50,320 --> 00:42:53,640
Speaker 5: Uh So Alan tells Eric he should earn money and

982
00:42:53,680 --> 00:42:56,239
Speaker 5: work at his store. Eric is still convinced and he

983
00:42:56,400 --> 00:42:58,600
Speaker 5: as he leaves the room, Alan says he's glad he

984
00:42:58,719 --> 00:43:01,920
Speaker 5: changed his name. And this was really when I realized

985
00:43:02,680 --> 00:43:06,520
Speaker 5: Eric is just one hundred into full blown dummy hood.

986
00:43:06,800 --> 00:43:06,920
Speaker 2: Ye.

987
00:43:07,400 --> 00:43:10,600
Speaker 4: All of a sudden and uh, I guess we're there.

988
00:43:10,840 --> 00:43:13,640
Speaker 5: Yep, here we are, And then we're in mister Feenie's classroom.

989
00:43:13,680 --> 00:43:16,160
Speaker 5: Mister Turner comes into Tel Feeni he heard his students

990
00:43:16,160 --> 00:43:17,880
Speaker 5: were pulled off the air by censors.

991
00:43:18,200 --> 00:43:22,080
Speaker 3: You guys, get a good look at Tony's pleats. These are.

992
00:43:24,000 --> 00:43:27,160
Speaker 4: Cavalies, like sliced cheese on them.

993
00:43:27,280 --> 00:43:30,120
Speaker 3: I was just like, I remember those kinds of pants,

994
00:43:30,160 --> 00:43:32,200
Speaker 3: Like they're not cool anymore, but are they going to

995
00:43:32,280 --> 00:43:32,800
Speaker 3: come back?

996
00:43:33,320 --> 00:43:34,120
Speaker 1: They are cool again?

997
00:43:34,560 --> 00:43:34,759
Speaker 5: Are they?

998
00:43:34,800 --> 00:43:38,000
Speaker 1: Ze Cavalricci style pants, at least for in women's wear.

999
00:43:37,920 --> 00:43:41,320
Speaker 3: Are very cool. I don't understand what that is. Is

1000
00:43:41,880 --> 00:43:42,680
Speaker 3: that a brand name.

1001
00:43:42,600 --> 00:43:43,719
Speaker 1: Or is it a brand name?

1002
00:43:43,719 --> 00:43:47,520
Speaker 5: But they were like a very specific Here I'll show

1003
00:43:47,560 --> 00:43:49,440
Speaker 5: you a picture of z cava Ricci's.

1004
00:43:49,120 --> 00:43:51,520
Speaker 1: And you will, you will remember them.

1005
00:43:51,680 --> 00:43:53,840
Speaker 4: It meets world sponsored bys.

1006
00:43:53,360 --> 00:43:56,200
Speaker 5: Like here's a pair of z Cavalricci pants. Well that's

1007
00:43:56,239 --> 00:43:59,080
Speaker 5: a bad picture, but they're now I mean they're currently available.

1008
00:43:59,120 --> 00:44:02,680
Speaker 5: These are real onesurrently available on Poschmark for three hundred

1009
00:44:02,719 --> 00:44:06,239
Speaker 5: dollars because they are true vintage z Cavarecci pants. But

1010
00:44:06,280 --> 00:44:09,960
Speaker 5: they were just extremely pleated, Like here's a good picture

1011
00:44:09,960 --> 00:44:11,520
Speaker 5: of one, like this is a picture of a pair

1012
00:44:11,560 --> 00:44:14,399
Speaker 5: of like z Cavalrici's on a wall women.

1013
00:44:14,600 --> 00:44:16,359
Speaker 3: Yeah, but I feel like there was a period where

1014
00:44:16,360 --> 00:44:18,440
Speaker 3: men had those Like I remember thinking like those are

1015
00:44:18,480 --> 00:44:21,200
Speaker 3: cool grown up, yes, that I would never that I

1016
00:44:21,239 --> 00:44:23,360
Speaker 3: would someday get to wear. And now I feel like

1017
00:44:23,440 --> 00:44:25,600
Speaker 3: if you have pleated khakis, people make fun of you.

1018
00:44:26,160 --> 00:44:30,239
Speaker 2: Uhats are just the are the slice in the in

1019
00:44:30,280 --> 00:44:30,600
Speaker 2: the front?

1020
00:44:30,680 --> 00:44:34,640
Speaker 3: Right, Yeah, so it's like to make it to take

1021
00:44:34,680 --> 00:44:37,000
Speaker 3: the excess fabric and like bring it in. So it's

1022
00:44:37,000 --> 00:44:39,680
Speaker 3: actually like a way to be slimmy, right, it's to.

1023
00:44:39,760 --> 00:44:42,000
Speaker 5: Show Well, actually it's the other way around. It's that

1024
00:44:42,360 --> 00:44:45,319
Speaker 5: it's it's to add fullness to a certain area. So

1025
00:44:45,360 --> 00:44:47,520
Speaker 5: they sinch material in at the top that makes it

1026
00:44:47,600 --> 00:44:51,000
Speaker 5: grow because of the pleats, so you can add fullness.

1027
00:44:51,000 --> 00:44:53,760
Speaker 1: It's one of the you know, it's yeah, it's.

1028
00:44:53,560 --> 00:44:55,319
Speaker 5: It was just cool. It was the style. I had

1029
00:44:55,360 --> 00:44:57,640
Speaker 5: a pair of z cavalcies. I thought they were so awesome.

1030
00:44:58,120 --> 00:45:00,200
Speaker 4: It's different than Sergio Valente correct.

1031
00:45:00,320 --> 00:45:05,160
Speaker 5: Correct, Okay, but yeah those pants are pretty awesome. And

1032
00:45:05,320 --> 00:45:06,640
Speaker 5: he really he pulled him off.

1033
00:45:06,880 --> 00:45:09,200
Speaker 3: Yeah, He's had like the tiniest waiste in the world,

1034
00:45:09,239 --> 00:45:10,440
Speaker 3: so it's very flattering on him.

1035
00:45:10,560 --> 00:45:11,080
Speaker 1: Very flattering.

1036
00:45:11,120 --> 00:45:13,040
Speaker 3: Yep, I remember thinking those kinds of pants were cool.

1037
00:45:13,080 --> 00:45:15,319
Speaker 4: And still in that shape. The man is still in

1038
00:45:15,360 --> 00:45:16,760
Speaker 4: that shape, and say.

1039
00:45:17,080 --> 00:45:19,960
Speaker 5: Well, Turner says no, his aunt Ruth was a hippie

1040
00:45:20,000 --> 00:45:23,200
Speaker 5: and Phoenie says his papa was a rolling stone. Phoene

1041
00:45:23,280 --> 00:45:25,920
Speaker 5: says the kids showed bad taste on the radio. Turner

1042
00:45:25,920 --> 00:45:29,319
Speaker 5: asks who decides what's bad taste and Phoenie says, you're

1043
00:45:29,320 --> 00:45:32,239
Speaker 5: looking at him. Mister Turner fights for Corey and Sean.

1044
00:45:32,400 --> 00:45:35,279
Speaker 5: The students really loved the show, but now that they

1045
00:45:35,520 --> 00:45:37,960
Speaker 5: but now they can do it with adult supervision. Phoenie

1046
00:45:38,000 --> 00:45:40,960
Speaker 5: asks which adult adult will be supervising and Turner says,

1047
00:45:41,000 --> 00:45:43,399
Speaker 5: you're looking at him, You're looking at him. Phoenie says

1048
00:45:43,440 --> 00:45:47,040
Speaker 5: he will take it under consideration. Then, as Turner's about

1049
00:45:47,040 --> 00:45:49,600
Speaker 5: to leave, Phoenie asks if his aunt Ruth was at Woodstock.

1050
00:45:49,960 --> 00:45:53,120
Speaker 5: Turner says no, and Phoenie says, well, it must have

1051
00:45:53,239 --> 00:45:54,480
Speaker 5: been a different Ruthie.

1052
00:45:54,520 --> 00:45:54,880
Speaker 1: Turner.

1053
00:45:54,960 --> 00:45:59,960
Speaker 2: Then two very important jokes happening there. One Foenie was

1054
00:46:00,120 --> 00:46:04,520
Speaker 2: that Woodstock, and two there's a good chance he was

1055
00:46:04,560 --> 00:46:08,160
Speaker 2: sleeping with women while he was there, so that and

1056
00:46:08,200 --> 00:46:10,719
Speaker 2: one of them may have been they made turners on.

1057
00:46:11,200 --> 00:46:15,000
Speaker 3: But now, actually, just age wise, does Phoenie being a

1058
00:46:15,040 --> 00:46:16,480
Speaker 3: Woodstock make any sense?

1059
00:46:16,719 --> 00:46:20,120
Speaker 4: Woodstock has been sixty eight nine.

1060
00:46:20,200 --> 00:46:23,279
Speaker 3: Eight sixty nine, so if he's like sixty five, it

1061
00:46:23,280 --> 00:46:26,120
Speaker 3: would have been in his thirty ninety Yeah, okay, see

1062
00:46:26,360 --> 00:46:26,920
Speaker 3: he would.

1063
00:46:26,680 --> 00:46:29,640
Speaker 4: Have always used to matter you learn in school on.

1064
00:46:29,640 --> 00:46:31,440
Speaker 3: The older side of addition subtraction.

1065
00:46:31,680 --> 00:46:33,560
Speaker 2: Yeah, well he would have been one of the security

1066
00:46:33,560 --> 00:46:35,680
Speaker 2: guards that was our parking or something like that.

1067
00:46:35,719 --> 00:46:39,759
Speaker 3: Because has Woodstock were like eighteen to exact four? So

1068
00:46:40,239 --> 00:46:43,000
Speaker 3: absolutely this is such a touchstone joke, by the way,

1069
00:46:43,120 --> 00:46:46,720
Speaker 3: like I feel like every time you don't hear this anymore.

1070
00:46:46,760 --> 00:46:48,319
Speaker 3: But it used to always be like, well I was

1071
00:46:48,360 --> 00:46:51,360
Speaker 3: at Woodstock or like characters being at Woodstock would be

1072
00:46:51,400 --> 00:46:53,879
Speaker 3: like a way to reference, like I used to be hip.

1073
00:46:53,920 --> 00:46:54,879
Speaker 3: But it's such a.

1074
00:46:54,840 --> 00:46:56,480
Speaker 4: Generation, so what would that be?

1075
00:46:56,600 --> 00:46:56,799
Speaker 3: Now?

1076
00:46:56,880 --> 00:46:58,960
Speaker 4: What would this generation's.

1077
00:46:58,320 --> 00:47:02,120
Speaker 3: Woodstock ninety nine?

1078
00:47:02,200 --> 00:47:05,239
Speaker 2: I tried to go to fire Oh wow, what is

1079
00:47:05,360 --> 00:47:06,279
Speaker 2: probably what it would have been?

1080
00:47:06,760 --> 00:47:08,840
Speaker 3: You know, I do think I think nowadays, if you

1081
00:47:08,920 --> 00:47:12,279
Speaker 3: want to be counter cultural, you've been to Burning Man.

1082
00:47:12,560 --> 00:47:18,520
Speaker 3: Yeah it's right, yeah, but Coachella's colla, Well, it depends

1083
00:47:18,520 --> 00:47:21,319
Speaker 3: on what you're saying, Like after in the day. No,

1084
00:47:21,480 --> 00:47:25,520
Speaker 3: going to Coachella nowadays just means you're into popular bands

1085
00:47:25,520 --> 00:47:27,400
Speaker 3: and you like to call a music festival.

1086
00:47:27,680 --> 00:47:30,359
Speaker 4: But when it started, wasn't it like an underground kind of.

1087
00:47:31,560 --> 00:47:33,839
Speaker 1: Way, more indie back in back in the day.

1088
00:47:34,800 --> 00:47:37,320
Speaker 4: Maybe I've never been. I would also.

1089
00:47:37,280 --> 00:47:44,440
Speaker 5: Music festival in the desert with Free Love is definitely they.

1090
00:47:43,960 --> 00:47:46,919
Speaker 3: Say free Love to meet Coachella culturally says we paid

1091
00:47:46,960 --> 00:47:48,560
Speaker 3: a lot of money to go be in the heat

1092
00:47:48,600 --> 00:47:51,839
Speaker 3: and watch bands we like. Like, there's nothing alternative about

1093
00:47:51,840 --> 00:47:54,200
Speaker 3: Coachella in my mind, maybe it started that way, but

1094
00:47:54,480 --> 00:47:56,680
Speaker 3: I've never thought of Coachella as anything other than a

1095
00:47:56,719 --> 00:48:00,400
Speaker 3: giant popular music festival, whereas like Burning Man is like

1096
00:48:01,120 --> 00:48:05,799
Speaker 3: it's subversive in some way, It's it's anti mainstream in

1097
00:48:05,840 --> 00:48:08,279
Speaker 3: the way that Woodstock was, right, Like that was the

1098
00:48:08,280 --> 00:48:11,239
Speaker 3: point of Woodstock is that it was the you know,

1099
00:48:11,360 --> 00:48:15,359
Speaker 3: the long haired hippies coming together and like counter Yeah,

1100
00:48:15,360 --> 00:48:18,880
Speaker 3: it was countercultural. Coachilla doesn't have a countercultural vibe at all.

1101
00:48:18,920 --> 00:48:21,680
Speaker 2: It's just did Lallapalooza have a countercultural will that have

1102
00:48:21,760 --> 00:48:22,120
Speaker 2: been one?

1103
00:48:23,160 --> 00:48:25,399
Speaker 5: If we talk about any more music festivals where none

1104
00:48:25,440 --> 00:48:27,440
Speaker 5: of us actually know what's going on with them, I'm

1105
00:48:27,440 --> 00:48:28,760
Speaker 5: gonna stab myself and the eyeball.

1106
00:48:28,800 --> 00:48:31,319
Speaker 3: Will we know what Lilith Fair was all about? And

1107
00:48:31,320 --> 00:48:35,440
Speaker 3: that was definitely you know, there's a there's a vibe

1108
00:48:35,719 --> 00:48:38,160
Speaker 3: and a culture surrounding Lilith Fair that we can reference,

1109
00:48:38,200 --> 00:48:41,160
Speaker 3: we can all acknowledge. Okay, okay, Lallapalooz. I think was

1110
00:48:41,239 --> 00:48:44,200
Speaker 3: more grunge, right, that was more alternative music. No, it

1111
00:48:44,239 --> 00:48:46,520
Speaker 3: was slightly alternative rock, all.

1112
00:48:46,360 --> 00:48:48,640
Speaker 4: Too loud and outside for me. That's all I know.

1113
00:48:50,719 --> 00:48:53,400
Speaker 5: Just then, music starts blasting through the overhead speakers as

1114
00:48:53,480 --> 00:48:56,000
Speaker 5: Corey and Sewn announced the Bad Boys are back.

1115
00:48:56,520 --> 00:48:58,240
Speaker 1: And then we're in the school hallway.

1116
00:48:58,239 --> 00:49:00,080
Speaker 5: Foenie and Turner walk in from the back of the

1117
00:49:00,160 --> 00:49:03,520
Speaker 5: hallway and head towards Turner's classroom to see that all

1118
00:49:03,520 --> 00:49:06,400
Speaker 5: of the students are excited. Turner and Feeney are angry

1119
00:49:06,440 --> 00:49:08,560
Speaker 5: that the boys went behind their backs, so they split

1120
00:49:08,640 --> 00:49:12,120
Speaker 5: off to find them. Now this is not an important thing,

1121
00:49:12,160 --> 00:49:15,160
Speaker 5: but it really bumped me that they come from back

1122
00:49:15,360 --> 00:49:18,960
Speaker 5: where the radio station is. We saw you guys take

1123
00:49:19,040 --> 00:49:22,120
Speaker 5: Alvin Meaes in that direction to go to the radio station,

1124
00:49:22,520 --> 00:49:24,600
Speaker 5: and yet Feenie and Turner come running around the corner

1125
00:49:24,680 --> 00:49:26,960
Speaker 5: and head down the hallway, only then to split up,

1126
00:49:27,000 --> 00:49:29,360
Speaker 5: and like, it's almost as if they know you guys

1127
00:49:29,360 --> 00:49:31,759
Speaker 5: were not in the radio station, but there had been

1128
00:49:31,800 --> 00:49:33,000
Speaker 5: nothing to give that away.

1129
00:49:32,880 --> 00:49:34,319
Speaker 3: Yet, right right.

1130
00:49:35,120 --> 00:49:36,120
Speaker 1: I actually went.

1131
00:49:35,960 --> 00:49:38,560
Speaker 5: Back and watched it again to see if maybe I

1132
00:49:38,719 --> 00:49:41,000
Speaker 5: missed At the top of it, you guys saying the

1133
00:49:41,080 --> 00:49:44,080
Speaker 5: bad boys of radio are back from a secret location.

1134
00:49:44,400 --> 00:49:46,319
Speaker 5: Like I was like, there has to have been, but no,

1135
00:49:46,400 --> 00:49:48,959
Speaker 5: somehow they were on a search for you, even though

1136
00:49:49,480 --> 00:49:50,759
Speaker 5: it should have been assumed that.

1137
00:49:50,719 --> 00:49:52,600
Speaker 1: You were, of course in the radio station.

1138
00:49:52,880 --> 00:49:56,879
Speaker 3: So your directorial brand is taking over. I was like

1139
00:49:56,560 --> 00:50:00,400
Speaker 3: this order, yeah, No, it didn't bother me on It

1140
00:50:00,440 --> 00:50:03,239
Speaker 3: was like, yeah. I also think something that we haven't

1141
00:50:03,280 --> 00:50:06,520
Speaker 3: talked about is like a very popular movie was Pump

1142
00:50:06,600 --> 00:50:09,080
Speaker 3: Up the Volume. Do you remember, Oh sure, Christ And

1143
00:50:09,120 --> 00:50:12,000
Speaker 3: that was all about a pirate radio station and like,

1144
00:50:12,560 --> 00:50:14,799
Speaker 3: and I feel like there was a sort of in

1145
00:50:14,840 --> 00:50:16,640
Speaker 3: the culture in a way that you don't hear that

1146
00:50:16,680 --> 00:50:19,080
Speaker 3: about that movie that much anymore, but back in the nineties,

1147
00:50:19,120 --> 00:50:21,600
Speaker 3: I feel like that movie was like loomed large, and

1148
00:50:21,640 --> 00:50:24,400
Speaker 3: so this whole idea of us like broadcasting from a

1149
00:50:24,440 --> 00:50:27,120
Speaker 3: secret location kind of would have just made sense to

1150
00:50:27,200 --> 00:50:28,799
Speaker 3: your average person watching the show.

1151
00:50:31,040 --> 00:50:33,280
Speaker 5: Well, Turner and phoene stop in their tracks when Corey

1152
00:50:33,280 --> 00:50:35,479
Speaker 5: says Phoenie wanted them to talk about the spring dance,

1153
00:50:35,520 --> 00:50:37,600
Speaker 5: but instead they're going to give them a spring dance

1154
00:50:37,719 --> 00:50:41,000
Speaker 5: right here and right now. Sean tells everyone to dance.

1155
00:50:41,800 --> 00:50:44,520
Speaker 5: And then when Corey and Sean are looking for a

1156
00:50:44,640 --> 00:50:47,399
Speaker 5: particular tape, Sean says out loud into the mic, it's

1157
00:50:47,440 --> 00:50:51,240
Speaker 5: behind the janitor's mops and they've just given away their location.

1158
00:50:51,600 --> 00:50:52,880
Speaker 3: And then I give a dough.

1159
00:50:53,360 --> 00:50:54,399
Speaker 4: You got a dough in there?

1160
00:50:54,760 --> 00:50:59,359
Speaker 3: Yeah, Simpsons weird, just be completely riffing on Simpsons because

1161
00:50:59,360 --> 00:51:02,160
Speaker 3: you had done it in an episode in first season.

1162
00:51:02,440 --> 00:51:02,960
Speaker 4: Yeah, I did it.

1163
00:51:03,000 --> 00:51:04,719
Speaker 2: I ad lived it at the table read and it

1164
00:51:04,760 --> 00:51:06,040
Speaker 2: got a big laugh, so they put it in. And

1165
00:51:06,040 --> 00:51:07,880
Speaker 2: then Rusty ad lived it during the run through, so

1166
00:51:07,920 --> 00:51:10,640
Speaker 2: they put it in right sore, So we do. And

1167
00:51:10,680 --> 00:51:14,640
Speaker 2: I've also noticed your is now taken over for your

1168
00:51:14,760 --> 00:51:15,959
Speaker 2: ha like they're trying.

1169
00:51:15,960 --> 00:51:18,080
Speaker 4: It's now the Corey and Sean thing. You're trying to

1170
00:51:18,080 --> 00:51:19,759
Speaker 4: get the double, the double going. Yeah.

1171
00:51:21,080 --> 00:51:23,160
Speaker 5: So two seconds later, mister Feeney finds them in the

1172
00:51:23,160 --> 00:51:26,719
Speaker 5: closet and Sean says, don't move. Maybe he doesn't see us.

1173
00:51:27,360 --> 00:51:29,080
Speaker 2: Were you going to bring this at the beginning of that,

1174
00:51:29,120 --> 00:51:31,279
Speaker 2: I thought so, yeah, yeah, I mean it's.

1175
00:51:31,200 --> 00:51:34,360
Speaker 3: So funny, Yeah yeah, I thought this was funny and it's.

1176
00:51:34,200 --> 00:51:34,759
Speaker 4: A great line.

1177
00:51:34,800 --> 00:51:39,320
Speaker 2: It's a great line, obviously, brilliant comedic beat, really really great.

1178
00:51:49,280 --> 00:51:50,720
Speaker 1: So then we're in the radio studio.

1179
00:51:50,800 --> 00:51:53,480
Speaker 5: Mister feoene brings Corey and Sean back into the studio

1180
00:51:53,520 --> 00:51:55,680
Speaker 5: to talk to mister Turner. They asked Turner if he

1181
00:51:55,760 --> 00:51:58,279
Speaker 5: listened to the show and if he has any constructive criticism.

1182
00:51:58,560 --> 00:52:00,640
Speaker 5: Mister Turner is upset they didn't go with what they

1183
00:52:00,680 --> 00:52:02,920
Speaker 5: agreed on, and Sean said mister Feeney wasn't going to

1184
00:52:03,000 --> 00:52:05,520
Speaker 5: listen to him anyway. Turner says he was on the

1185
00:52:05,600 --> 00:52:07,799
Speaker 5: verge of giving them a second chance, and then they

1186
00:52:07,840 --> 00:52:10,359
Speaker 5: demonstrated why they don't deserve it. Corey says they were

1187
00:52:10,360 --> 00:52:13,600
Speaker 5: exercising their freedom of speech. Mister Turner asks them to

1188
00:52:13,680 --> 00:52:16,080
Speaker 5: explain why they turned the school into a rave and

1189
00:52:16,160 --> 00:52:18,799
Speaker 5: explain why it was so important they had to shaft him.

1190
00:52:19,200 --> 00:52:22,200
Speaker 5: Corey says he wouldn't understand, so Turner says, explain it

1191
00:52:22,280 --> 00:52:27,680
Speaker 5: like I'm stupid. He also accidentally flips on the radio

1192
00:52:27,840 --> 00:52:30,400
Speaker 5: light and we see it in glary.

1193
00:52:31,840 --> 00:52:37,000
Speaker 2: Possibly miss it, but you're sitting down and talking slow

1194
00:52:37,040 --> 00:52:38,240
Speaker 2: to him, so funny.

1195
00:52:38,480 --> 00:52:39,640
Speaker 4: I laughed out loud at that.

1196
00:52:39,640 --> 00:52:43,080
Speaker 2: That was really really fun I didn't remember it, but

1197
00:52:43,120 --> 00:52:43,879
Speaker 2: I was I didn't either.

1198
00:52:44,600 --> 00:52:45,520
Speaker 1: That's funny.

1199
00:52:45,640 --> 00:52:47,240
Speaker 4: That was really really funny.

1200
00:52:48,440 --> 00:52:49,600
Speaker 1: I also love his response.

1201
00:52:49,680 --> 00:52:52,080
Speaker 5: Sean starts talking super slow to him, and Turner says,

1202
00:52:52,360 --> 00:52:53,280
Speaker 5: pretend I'm smarter.

1203
00:52:53,960 --> 00:52:54,240
Speaker 3: Smarter.

1204
00:52:54,520 --> 00:52:56,920
Speaker 5: Yeah, I thought that was funny. Sean says, they were

1205
00:52:56,920 --> 00:52:59,520
Speaker 5: trying to find their place, and they're only seventh graders,

1206
00:52:59,560 --> 00:53:02,399
Speaker 5: They're no buddy. Turner turns on the mics. As we've

1207
00:53:02,400 --> 00:53:05,520
Speaker 5: already said, they are honest with mister Turner about being lost,

1208
00:53:05,560 --> 00:53:07,400
Speaker 5: and he says that's all they need to do. He

1209
00:53:07,520 --> 00:53:09,640
Speaker 5: reveals that they are on air and a lot of

1210
00:53:09,640 --> 00:53:11,880
Speaker 5: people are calling in, and then we do get the

1211
00:53:11,920 --> 00:53:14,800
Speaker 5: insert shot of all the phones calling in from.

1212
00:53:14,600 --> 00:53:16,920
Speaker 1: Where where are they calling from?

1213
00:53:20,080 --> 00:53:23,080
Speaker 5: Their first caller is mister Feenie, who compliments how mister

1214
00:53:23,120 --> 00:53:25,800
Speaker 5: Turner handled it and then says he has a question,

1215
00:53:26,200 --> 00:53:28,680
Speaker 5: what do you think is a proper punishment for these students?

1216
00:53:29,000 --> 00:53:31,880
Speaker 5: Turner says one week detention. Phoene says, I'm sorry. The

1217
00:53:31,960 --> 00:53:34,440
Speaker 5: radio signal must have gone out. Turner changes his answer

1218
00:53:34,440 --> 00:53:37,040
Speaker 5: to one month, and Phoene says he hears him loud

1219
00:53:37,040 --> 00:53:40,560
Speaker 5: and clear. And then Eric is the next caller who

1220
00:53:40,600 --> 00:53:42,560
Speaker 5: says to lock them up and throw away the key.

1221
00:53:43,640 --> 00:53:47,040
Speaker 5: Turner says they actually got off easy, and then Ludwig

1222
00:53:47,080 --> 00:53:49,160
Speaker 5: comes in with his father from the embassy and tells

1223
00:53:49,200 --> 00:53:51,080
Speaker 5: them Corey and Sean are the ones who tried to

1224
00:53:51,120 --> 00:53:54,400
Speaker 5: lock him up, and you guys jump up and have

1225
00:53:54,520 --> 00:53:57,320
Speaker 5: your frozen little faces and.

1226
00:53:57,200 --> 00:53:59,520
Speaker 3: Does this have to do with anything? It's what does

1227
00:53:59,520 --> 00:54:00,960
Speaker 3: this have to do with anything? Weird?

1228
00:54:01,480 --> 00:54:02,359
Speaker 4: So wah.

1229
00:54:03,920 --> 00:54:07,680
Speaker 3: It was scared that what the German embassy are gonna

1230
00:54:07,760 --> 00:54:13,359
Speaker 3: what like we've learned our lesson.

1231
00:54:13,080 --> 00:54:16,919
Speaker 4: Now, but now the Germans are after us, like what

1232
00:54:17,280 --> 00:54:18,280
Speaker 4: the hell is happening?

1233
00:54:18,440 --> 00:54:21,359
Speaker 3: So weird. I know exactly what happened. I know that

1234
00:54:21,440 --> 00:54:24,560
Speaker 3: they just the writers just love that the Ludwig character,

1235
00:54:24,800 --> 00:54:26,640
Speaker 3: you know, and you know what built throughout the week.

1236
00:54:26,640 --> 00:54:29,279
Speaker 3: It was probably like a one off joke about the

1237
00:54:29,320 --> 00:54:32,200
Speaker 3: phone call the German hours next and they're like, what

1238
00:54:32,239 --> 00:54:34,440
Speaker 3: if what if we saw the German kids right? And

1239
00:54:34,480 --> 00:54:37,319
Speaker 3: it did? It naturally evolved? And I totally, like I said,

1240
00:54:37,360 --> 00:54:39,640
Speaker 3: I actually really loved that kid after and I think

1241
00:54:39,640 --> 00:54:41,480
Speaker 3: it's funny, But then to have it be the end

1242
00:54:41,520 --> 00:54:46,440
Speaker 3: of the episode, Oh god, that's just wo Well.

1243
00:54:46,440 --> 00:54:48,400
Speaker 5: Then we're in the Matthew's living room. Eric is on

1244
00:54:48,440 --> 00:54:51,279
Speaker 5: the couch watching TV. Alan says, it's Friday night, go

1245
00:54:51,320 --> 00:54:54,560
Speaker 5: hang with girls and friends. Eric says, no money, no girls,

1246
00:54:54,560 --> 00:54:58,560
Speaker 5: no friends. Alan says, at least he has his magazines.

1247
00:54:58,840 --> 00:55:00,960
Speaker 5: The doorbell rings and Alan opens the door to see

1248
00:55:01,040 --> 00:55:04,640
Speaker 5: Robin Leach and some security guys. Eric thinks he's pulling

1249
00:55:04,640 --> 00:55:07,880
Speaker 5: his leg. And I'm going to assume they had to

1250
00:55:07,920 --> 00:55:09,880
Speaker 5: have asked ed McMahon to do this first, and he

1251
00:55:10,000 --> 00:55:12,120
Speaker 5: just couldn't do it, and then they just filled in

1252
00:55:12,239 --> 00:55:13,040
Speaker 5: Robin Leech heer.

1253
00:55:13,120 --> 00:55:16,840
Speaker 3: Maybe, and now what does this? I was trying to

1254
00:55:16,840 --> 00:55:19,040
Speaker 3: figure out why this. I kept thinking, Okay, this is

1255
00:55:19,040 --> 00:55:21,080
Speaker 3: going to be a dream sequence. That's why first they

1256
00:55:21,320 --> 00:55:24,799
Speaker 3: and it really should have been, because it makes no

1257
00:55:24,920 --> 00:55:27,120
Speaker 3: sense and none of it actually makes any sense.

1258
00:55:27,160 --> 00:55:29,879
Speaker 1: But why aren't there cameras right?

1259
00:55:29,920 --> 00:55:34,879
Speaker 3: Why is Robin Leach narrating to nobody? He is narrating

1260
00:55:34,920 --> 00:55:36,960
Speaker 3: what he's doing. Even at the end, after everybody leaves,

1261
00:55:37,000 --> 00:55:39,399
Speaker 3: Robin Leach is on the couch and he's narrating for

1262
00:55:39,440 --> 00:55:39,960
Speaker 3: no reason.

1263
00:55:40,120 --> 00:55:41,560
Speaker 4: There's no cameras, right, I.

1264
00:55:41,560 --> 00:55:44,000
Speaker 2: Guess the cameras are supposed to still be in front

1265
00:55:44,000 --> 00:55:46,839
Speaker 2: of Dorothy's house waiting for her to.

1266
00:55:46,960 --> 00:55:49,400
Speaker 3: Yeah, but then why is he narrated? Why is he talking?

1267
00:55:49,920 --> 00:55:51,879
Speaker 4: None of it, None of it makes any sense.

1268
00:55:51,920 --> 00:55:54,520
Speaker 5: It's absurd unless part of the joke is that he's

1269
00:55:54,520 --> 00:55:55,440
Speaker 5: so into the bit.

1270
00:55:55,560 --> 00:55:57,600
Speaker 1: It's not really even for the cameras. This is just

1271
00:55:57,719 --> 00:56:00,359
Speaker 1: all just.

1272
00:56:00,320 --> 00:56:01,280
Speaker 4: Going to the bathroom.

1273
00:56:02,760 --> 00:56:04,480
Speaker 3: But that's how you make that a joke. Yeah, don't

1274
00:56:04,560 --> 00:56:05,080
Speaker 3: just do it.

1275
00:56:05,160 --> 00:56:07,520
Speaker 2: I'm now turning on the thirty one install of it,

1276
00:56:07,560 --> 00:56:08,279
Speaker 2: Like you do like that?

1277
00:56:08,360 --> 00:56:10,320
Speaker 4: Yeah, yes, that would have been funny.

1278
00:56:10,440 --> 00:56:13,359
Speaker 3: I did love how you guys dismiss him completely once

1279
00:56:13,440 --> 00:56:15,520
Speaker 3: you know it's not for you. I thought that that

1280
00:56:15,600 --> 00:56:17,160
Speaker 3: you go from like two like.

1281
00:56:17,080 --> 00:56:20,160
Speaker 5: All right, I guess, and you're right for sure that

1282
00:56:20,239 --> 00:56:22,719
Speaker 5: this would have been funnier. And a way to keep

1283
00:56:22,760 --> 00:56:24,880
Speaker 5: it not in a dream sequence is oh my gosh,

1284
00:56:24,920 --> 00:56:26,839
Speaker 5: I'm going to win, and then it's to Chester and

1285
00:56:26,920 --> 00:56:28,840
Speaker 5: it is his alter ego, but he doesn't get to

1286
00:56:28,880 --> 00:56:30,200
Speaker 5: keep your money Chester.

1287
00:56:30,600 --> 00:56:33,240
Speaker 4: Yeah, yeah, yeah, exactly.

1288
00:56:33,440 --> 00:56:33,600
Speaker 2: Well.

1289
00:56:33,719 --> 00:56:35,680
Speaker 5: Robin Leech has a lot of lines. He says them

1290
00:56:35,680 --> 00:56:38,879
Speaker 5: all very fast too. Eric asks to see the check.

1291
00:56:38,960 --> 00:56:41,359
Speaker 5: Robin opens it and Eric starts jumping up and down

1292
00:56:41,400 --> 00:56:44,720
Speaker 5: until he realizes the name on the check says Dorothy Muldoon.

1293
00:56:45,520 --> 00:56:48,600
Speaker 5: Alan says, that's not you Chester. Robin says it's their

1294
00:56:48,640 --> 00:56:50,920
Speaker 5: neighbor who isn't home and asks if they can just

1295
00:56:51,080 --> 00:56:53,200
Speaker 5: sit and wait at their house until the winners get home.

1296
00:56:53,880 --> 00:56:56,759
Speaker 5: Robin talks about the great sofa and how wonderful the

1297
00:56:56,800 --> 00:56:59,560
Speaker 5: family is and details the thirty inch console television set,

1298
00:57:00,120 --> 00:57:02,440
Speaker 5: his Lifestyles of the Rich and Famous stick, and then

1299
00:57:02,719 --> 00:57:04,160
Speaker 5: we go to credits.

1300
00:57:04,520 --> 00:57:07,239
Speaker 3: Yeah, which again with Egg McMahon thing like, what does

1301
00:57:07,280 --> 00:57:09,200
Speaker 3: Lifestyles of the Rich and Famous have to do with

1302
00:57:09,560 --> 00:57:11,440
Speaker 3: showing up with a check? Like these are two different

1303
00:57:11,520 --> 00:57:14,920
Speaker 3: ideas that are completely just merged with a guy on

1304
00:57:15,040 --> 00:57:15,960
Speaker 3: TV with a voice.

1305
00:57:16,440 --> 00:57:19,720
Speaker 2: Yeah, it was an odd episode for me, and I

1306
00:57:19,840 --> 00:57:21,439
Speaker 2: was we were on a run for a while where

1307
00:57:21,440 --> 00:57:23,440
Speaker 2: I was liking most of them coming out, and this

1308
00:57:23,480 --> 00:57:24,640
Speaker 2: one to me felt.

1309
00:57:24,600 --> 00:57:28,880
Speaker 3: A danger boy. It just really was a solid classic boy. Yeah,

1310
00:57:28,880 --> 00:57:31,400
Speaker 3: this felt like a sort of pestige.

1311
00:57:31,200 --> 00:57:32,640
Speaker 4: Also, And I think you kind of touched on this

1312
00:57:32,680 --> 00:57:33,360
Speaker 4: a little bit righter.

1313
00:57:33,840 --> 00:57:37,520
Speaker 2: I remember this being kind of a pivotal episode, and

1314
00:57:37,600 --> 00:57:39,960
Speaker 2: I don't think it was. And I think the reason

1315
00:57:40,000 --> 00:57:43,520
Speaker 2: I remember it being so important was simply because of

1316
00:57:43,560 --> 00:57:47,360
Speaker 2: that one line of dialogue that we have quoted for

1317
00:57:47,400 --> 00:57:48,000
Speaker 2: thirty years.

1318
00:57:48,120 --> 00:57:50,120
Speaker 3: Well, but I also just think the idea of like

1319
00:57:50,640 --> 00:57:54,320
Speaker 3: taking over a radio station, right like, we had a

1320
00:57:54,320 --> 00:57:57,040
Speaker 3: lot of guest stars, you know, it's it's just that thing.

1321
00:57:57,120 --> 00:58:00,280
Speaker 3: But between the the experience of acting in something, and

1322
00:58:00,320 --> 00:58:03,560
Speaker 3: I know I've mentioned this before, like and then other times,

1323
00:58:03,760 --> 00:58:05,960
Speaker 3: like like when we talk about danger Boy, right like,

1324
00:58:05,960 --> 00:58:08,520
Speaker 3: what we remember is the roller coaster right right now

1325
00:58:08,600 --> 00:58:12,400
Speaker 3: watching it, it's that moment when Ben breaks in the

1326
00:58:12,440 --> 00:58:15,920
Speaker 3: classroom and says, everything's fun I'm doing It's like and

1327
00:58:15,960 --> 00:58:19,200
Speaker 3: it's like that probably didn't even register that was happening

1328
00:58:19,200 --> 00:58:21,200
Speaker 3: that week for most of us, because it was just

1329
00:58:21,240 --> 00:58:24,920
Speaker 3: Ben's amazing performance and Corey, you know this line and

1330
00:58:24,960 --> 00:58:28,040
Speaker 3: then this seemed so like what what actually is like

1331
00:58:28,320 --> 00:58:31,440
Speaker 3: lasts from an episode wasn't what sticks in our memory

1332
00:58:31,440 --> 00:58:33,760
Speaker 3: the most often because we were so into this the

1333
00:58:33,800 --> 00:58:35,520
Speaker 3: immediacy of what was going on, and I think the

1334
00:58:35,560 --> 00:58:38,400
Speaker 3: immediacy of this episode was super fun for us. I

1335
00:58:38,400 --> 00:58:40,080
Speaker 3: think like we were all happy, fun, like it's the

1336
00:58:40,160 --> 00:58:43,400
Speaker 3: obviously you and Rusty were just bantering and loving me,

1337
00:58:43,640 --> 00:58:45,520
Speaker 3: you know, all of this, so we we think about

1338
00:58:45,520 --> 00:58:48,240
Speaker 3: this episode as like with fond memories. But now we

1339
00:58:48,240 --> 00:58:50,520
Speaker 3: can watch it and be sort of critics.

1340
00:58:50,880 --> 00:58:52,240
Speaker 4: Yeah.

1341
00:58:52,280 --> 00:58:54,439
Speaker 5: Well, as someone who wasn't there that week and someone

1342
00:58:54,480 --> 00:58:56,760
Speaker 5: who wasn't in the episode, I think perhaps you guys

1343
00:58:56,760 --> 00:58:58,640
Speaker 5: are being a little too critical of it.

1344
00:58:58,840 --> 00:59:02,160
Speaker 3: I didn't definitely. I mean it's a romp, right, Like,

1345
00:59:02,200 --> 00:59:04,240
Speaker 3: the idea is that it's supposed to just be fun.

1346
00:59:04,640 --> 00:59:06,520
Speaker 5: Yeah, and the fact that you know, when you actually

1347
00:59:06,560 --> 00:59:08,960
Speaker 5: dissect what free speech means and it blah blah blah.

1348
00:59:09,000 --> 00:59:11,720
Speaker 5: I mean, truthfully, a lot of a lot of people

1349
00:59:12,040 --> 00:59:15,600
Speaker 5: don't understand the difference between no I gets the right

1350
00:59:15,720 --> 00:59:18,760
Speaker 5: to say something versus whether you know more.

1351
00:59:18,960 --> 00:59:20,720
Speaker 3: I wanted to bring it up because it's one of

1352
00:59:20,720 --> 00:59:21,800
Speaker 3: those things that bothers me.

1353
00:59:21,920 --> 00:59:24,520
Speaker 1: That right, right, culturally that was still that right. Yes,

1354
00:59:24,680 --> 00:59:25,720
Speaker 1: still don't understand.

1355
00:59:25,760 --> 00:59:28,040
Speaker 3: I didn't deal with it very well back then. You know,

1356
00:59:28,080 --> 00:59:30,040
Speaker 3: I'm not blaming the show. I'm just no, I just

1357
00:59:30,120 --> 00:59:32,280
Speaker 3: it's one of the many things that I'm like, really,

1358
00:59:32,320 --> 00:59:33,680
Speaker 3: this episode's a little mixed.

1359
00:59:33,720 --> 00:59:35,440
Speaker 4: I just think we've done better romps.

1360
00:59:35,600 --> 00:59:36,040
Speaker 3: We've done that.

1361
00:59:36,160 --> 00:59:40,240
Speaker 2: I've been involved with better romps than this previous rom Guys.

1362
00:59:40,000 --> 00:59:41,760
Speaker 5: I once did a show where I was covered in

1363
00:59:41,800 --> 00:59:45,560
Speaker 5: honey and there was a bear and it was great, sad.

1364
00:59:46,600 --> 00:59:49,400
Speaker 1: I just remember it being an amazing romp.

1365
00:59:49,200 --> 00:59:50,480
Speaker 4: That never happened.

1366
00:59:50,560 --> 00:59:54,240
Speaker 5: Okay, yeah, Well, our next episode, Season two, episode eighteen

1367
00:59:54,400 --> 00:59:57,480
Speaker 5: by Hook or by Crook. It originally aired February seventeenth,

1368
00:59:57,560 --> 00:59:59,880
Speaker 5: nineteen ninety five. You guys can join us for that

1369
01:00:00,080 --> 01:00:03,280
Speaker 5: recap next week. Thank you all for joining us for

1370
01:00:03,360 --> 01:00:05,720
Speaker 5: this episode. As always, you can follow us on Instagram

1371
01:00:05,720 --> 01:00:08,120
Speaker 5: Pod Meets World Show. You can send us your emails

1372
01:00:08,160 --> 01:00:11,960
Speaker 5: Podmeets Worldshow at gmail dot com and we have merch.

1373
01:00:12,080 --> 01:00:15,439
Speaker 4: Champagne merchandise and cave on James.

1374
01:00:16,160 --> 01:00:19,480
Speaker 5: Podmeetsworldshow dot com will send us out.

1375
01:00:19,880 --> 01:00:21,800
Speaker 4: We love you all, pod dismissed.

1376
01:00:23,880 --> 01:00:26,560
Speaker 2: Pod Meets World is an iHeart podcast produced and hosted

1377
01:00:26,560 --> 01:00:28,640
Speaker 2: by Danielle Fischel, Wilfordell.

1378
01:00:28,200 --> 01:00:28,960
Speaker 4: And Ryder Strong.

1379
01:00:29,160 --> 01:00:32,439
Speaker 2: Executive producers Jensen Karp and Amy Sugarman, Executive in charge

1380
01:00:32,440 --> 01:00:36,120
Speaker 2: of production, Danielle Romo, producer and editor, Taras Sudbach, producer,

1381
01:00:36,200 --> 01:00:39,600
Speaker 2: Jackie Rodriguez, engineer and Boy meets World superfan Easton Allen.

1382
01:00:39,680 --> 01:00:42,000
Speaker 2: Our theme song is by Kyle Morton of Typhoon, and

1383
01:00:42,040 --> 01:00:44,320
Speaker 2: you can follow us on Instagram at Pod meets World

1384
01:00:44,360 --> 01:00:47,880
Speaker 2: Show or email us at Podmeets Worldshow at gmail dot

1385
01:00:47,920 --> 01:00:48,280
Speaker 2: com