WEBVTT - A Polite Word for Liar

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<v Speaker 1>Pushkin.

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<v Speaker 2>I always flatter myself. I think I'm going to be

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<v Speaker 2>able to play it that fast, and I actually can.

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<v Speaker 2>So take it from your introduction again after the three

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<v Speaker 2>chords a little slower.

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<v Speaker 3>If you ever want to treat yourself to something wonderful,

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<v Speaker 3>type in the name Adler and the word harmonica on YouTube.

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<v Speaker 3>This is from an Australian program called four Corners from

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<v Speaker 3>nineteen sixty one. There are a hundred videos like this.

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<v Speaker 2>Do people take it seriously with this instrument? Well, nasty question.

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<v Speaker 1>I do.

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<v Speaker 4>Oh, I take myself so seriously.

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<v Speaker 2>I do take it.

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<v Speaker 1>You haven't.

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<v Speaker 5>Well.

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<v Speaker 2>If Vowan Williams writes for the mouth Ogan, he's not

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<v Speaker 2>doing this for a joke.

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<v Speaker 3>My name is Malcolm Gladwell. You're listening to Revisionist History,

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<v Speaker 3>my podcast about things Overlooked and Misunderstood. This is the

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<v Speaker 3>first of two episodes about memory, about the myths we

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<v Speaker 3>hold about it, and the games are Memories Playing. This

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<v Speaker 3>one is about an argument between two old friends over

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<v Speaker 3>what supposedly happened or did not happen during a raid

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<v Speaker 3>on a house supposedly full of Nazis in July nineteen

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<v Speaker 3>forty five, or maybe April of nineteen forty six.

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<v Speaker 1>I have no idea.

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<v Speaker 5>This is an interview with Larry Adlard by Dorothy Horowitz

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<v Speaker 5>on February the fifth, nineteen eighty six. And Harry Adler

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<v Speaker 5>is the virtuo so hand organ player? Is that correct title?

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<v Speaker 5>Did you say hand organ mouth Oregon?

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<v Speaker 2>Because the hand organs which you've grown from mongy.

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<v Speaker 3>By the time Larry Adler sat down to tell his

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<v Speaker 3>life story to a historian with the American Jewish Committee,

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<v Speaker 3>his reputation was well known.

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<v Speaker 2>Perfectly all right with me? No no, no, no, no no.

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<v Speaker 5>No mouth Oregon player or harmonica player.

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<v Speaker 2>I use the word mouth organ, but the people who

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<v Speaker 2>manufacture it could harmony.

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<v Speaker 5>And I might add a raccont tour par excellence. And

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<v Speaker 5>we hope you're going to indulge in a lot of

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<v Speaker 5>that because we're going to want to know all about you.

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<v Speaker 2>Of course, you know that raconteur is a very polite

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<v Speaker 2>word for liar.

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<v Speaker 3>Raconteur is a very polite word for liar. That could

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<v Speaker 3>easily be on Larry Adler's tombstone. Larry Adler was the

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<v Speaker 3>greatest harmonica player in the world. Your grandparents would know

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<v Speaker 3>exactly who he was. I have to admit I'd never

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<v Speaker 3>heard of him until I was rooting around one day

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<v Speaker 3>in the oral history archives at the New York Public Library.

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<v Speaker 3>I ran across his interview, listened to it for a

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<v Speaker 3>few moments, and was about to give up when Adler

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<v Speaker 3>began to tell the story of his affair with Ingrid Bergmann,

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<v Speaker 3>back when she was considered the most beautiful actress in

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<v Speaker 3>the world. They met while Adler was on tour at

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<v Speaker 3>the end of the Second World War entertaining the troops

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<v Speaker 3>in Europe. Late one night, He's in a bar in Augsburg, Germany,

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<v Speaker 3>playing the piano.

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<v Speaker 2>And she came into the room where I was playing,

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<v Speaker 2>like when I was playing, asked me what it was.

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<v Speaker 2>I said it was something I made up, and she said,

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<v Speaker 2>have you written it down? I said no, I can't

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<v Speaker 2>write music. And he said, you're very smugging't you. You're

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<v Speaker 2>not only ignorant, you're proud of your ignorance. How I'm

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<v Speaker 2>at Ingrid Bergmann.

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<v Speaker 3>Adler tells his interviewer that he'd just recently read a

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<v Speaker 3>biography of Bergmann in which Bergmann's husband claimed that he

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<v Speaker 3>Larry Adler had come to him and confessed their affair.

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<v Speaker 2>I know I wouldn't have done such a thing, because

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<v Speaker 2>I wouldn't have done that to England. I wouldn't have

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<v Speaker 2>named what would happening to her husband. However, it is

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<v Speaker 2>in the book, and I can't deny that he said

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<v Speaker 2>that to the author of the book. But as I say,

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<v Speaker 2>I can't see me doing it. It is against my

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<v Speaker 2>nature and my principles.

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<v Speaker 3>Just to be clear, Larry Adler was having an affair

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<v Speaker 3>with one of the most famous actresses in the world,

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<v Speaker 3>and the actress's husband says Adler confessed it to him.

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<v Speaker 3>You would think that would be a memorable event. But

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<v Speaker 3>Adler's response is maybe, I guess it could have happened

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<v Speaker 3>by the way in.

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<v Speaker 2>War in peace and I'm paraphrasing, of course, because you

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<v Speaker 2>can't remember tolstoy word for would. There's a sequence where

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<v Speaker 2>a young man who's been at a I think the

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<v Speaker 2>Battle of Borodino is in Moscow in a drawing room,

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<v Speaker 2>telling these very attractive young ladies about his war experiences.

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<v Speaker 2>But he was behind the lines. He didn't see action.

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<v Speaker 2>He only heard about action from other soldiers. But he

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<v Speaker 2>saw that he was losing his audience because he couldn't

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<v Speaker 2>give them any tales of battle action. So he began

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<v Speaker 2>to use the story that other soldiers had told him,

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<v Speaker 2>but making it personal, as if he had experienced that action.

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<v Speaker 2>And then Tolstoy has a line very much like this,

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<v Speaker 2>and he realized as he spoke that the truth was

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<v Speaker 2>slipping away from him, and soon he would no longer

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<v Speaker 2>know what the truth was now. I think that applies

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<v Speaker 2>very much to anybody telling any story about anything.

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<v Speaker 3>The officer in Tolstoy's War and Peace tells a story

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<v Speaker 3>that isn't true, and from then on forgets that it

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<v Speaker 3>isn't true. Larry Adler doesn't call the officer a liar

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<v Speaker 3>or say he shouldn't make things up. Adler says, that's

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<v Speaker 3>the way memories work. They're up for grabs. In fact,

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<v Speaker 3>throughout the Oral History, Adler keeps summoning memories and simultaneously

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<v Speaker 3>discounting them until he has completely convinced you that that's

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<v Speaker 3>the way we all ought to act. The interview culminates

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<v Speaker 3>in the story of the raid on the Munich boarding

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<v Speaker 3>house full of Nazis with his old friend, the dashingly

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<v Speaker 3>handsome spy named Hans Werner aka John Whites. But we're

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<v Speaker 3>getting ahead of ourselves. Larry Adler was born in Baltimore

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<v Speaker 3>in nineteen fourteen to Jewish immigrants from Ukraine. His dad

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<v Speaker 3>was a plumber. At the age of two, he wandered

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<v Speaker 3>away from home and was later found at a local bar,

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<v Speaker 3>standing on top of a pool table and singing I've

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<v Speaker 3>got the profiteering blues to wild applause.

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<v Speaker 6>He was a prodigy.

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<v Speaker 3>At fourteen, he took his harmone on the train to

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<v Speaker 3>New York City and talked his way into performing on Broadway.

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<v Speaker 2>I passed the Paramount Theater and Rudey Valet's name was

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<v Speaker 2>on the marquee.

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<v Speaker 3>Rudy Valley was basically the jay Z of the nineteen twenties.

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<v Speaker 2>So I got off the streetcar, sneak past the stage

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<v Speaker 2>door man found Rudy Valley and started to play for him,

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<v Speaker 2>and he interrupted, I mean, look, I'm just a master

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<v Speaker 2>of ceremonies, your kid, I'm not an agent.

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<v Speaker 3>Valley put him on that very night. It was obvious

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<v Speaker 3>even then that Adler was something special. He had perfect pitch,

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<v Speaker 3>an astounding musical memory. He could make the harmonica sing

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<v Speaker 3>in a way that no one else has ever done.

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<v Speaker 3>If you watch any of those old videos of Adler,

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<v Speaker 3>on YouTube. He's mesmerizing, slender, long, thin fingers, huge forehead,

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<v Speaker 3>oversized eyes. There's a wonderful story about him in The

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<v Speaker 3>New Yorker in nineteen forty two, which describes him as

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<v Speaker 3>resembling a very young and slightly sinister kitten. Once, when

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<v Speaker 3>he's living in Beverly Hills, Adler gets a call from

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<v Speaker 3>Charlie Chaplin. Chaplin says, please come over and make a

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<v Speaker 3>fourth for tennis, because Bill Tilden can't make it. Bill

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<v Speaker 3>Tilden argued with the greatest tennis player of all time

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<v Speaker 3>after Roger Federer. Adler goes over. There's a woman there

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<v Speaker 3>with badly combed hair and black sneakers and a man

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<v Speaker 3>with a weird mustache. They hit for a while and

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<v Speaker 3>he realizes, Oh, the woman is Greta Garbo, and the

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<v Speaker 3>man with the weird mustache Salvado'dlly Tilden, Garbo, Dolly Chaplain.

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<v Speaker 3>This kind of thing happens to Adler all the time.

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<v Speaker 3>He wanted to subtitle his autobiography name drops keep falling

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<v Speaker 3>on My Head. He was friends with the legendary composer

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<v Speaker 3>Frank Lesser, but he hated Lesser's wife, whom he called

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<v Speaker 3>wait for it the evil of two lessers. I mean,

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<v Speaker 3>how much do you love this guy?

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<v Speaker 7>Prince Philip wrote me a wonderful letter when my father

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<v Speaker 7>died from Buckingham Palace and said, you know how close

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<v Speaker 7>they were.

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<v Speaker 3>That's Peter Adler, Larry's son. Prince Philip, of course is

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<v Speaker 3>the Queen's husband.

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<v Speaker 7>Well, they were both members of an infamous club called

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<v Speaker 7>the Thursday Club, and I think there were only thirteen members,

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<v Speaker 7>and they would meet every other Thursday at Wheeler's Restaurant

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<v Speaker 7>and all get very drunk and tell tales and whatever

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<v Speaker 7>they did. And we were living in Grosvenor's Square at

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<v Speaker 7>the time, and in the middle of the afternoon, my

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<v Speaker 7>father arrives without warning, totally drunk with Prince Philip. They'd

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<v Speaker 7>come straight from a Thursday Club lunch. And the fact

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<v Speaker 7>that my father had never given my mother any warning

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<v Speaker 7>he was arriving with the Duke of Edinburgh. I don't

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<v Speaker 7>think you forgave him.

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<v Speaker 3>But the greatest Larry Adler story comes earlier. Adler is

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<v Speaker 3>in Germany entertaining the American troops. He's touring with Jack Benny,

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<v Speaker 3>one of the most famous entertainers of the day, and

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<v Speaker 3>Ingrid Bergmann, who has just met at the Piano Bar

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<v Speaker 3>in Augsburg and is possibly already sleeping.

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<v Speaker 2>With And the story is Jack Benny Ingrid Bergman and

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<v Speaker 2>I were in Munich July nineteen forty five and we

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<v Speaker 2>met this young man, John Whites, who is the commander

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<v Speaker 2>of an OSS unit.

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<v Speaker 3>John Whites the second old friend in this story. From

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<v Speaker 3>the nineteen sixties to the nineteen eighties, John Whites was

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<v Speaker 3>a successful high end men's fashion designer. He made the

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<v Speaker 3>kind of clothes he would put it in an overnight

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<v Speaker 3>bag before jumping on the concord to make a lunch

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<v Speaker 3>date at the Savoy in London. In shirts. White's favored

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<v Speaker 3>what was known as the European cut, which, as a

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<v Speaker 3>fashion critic once wrote, disqualified anyone without a perfectly flat stomach.

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<v Speaker 3>Whites was six foot two, insanely handsome, raced sports cars

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<v Speaker 3>at Lahmann and Sebron, wrote best selling thrillers and scholarly biographies.

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<v Speaker 3>Educated in exclusive English boarding schools, aristocratic bearing, married to

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<v Speaker 3>a stunning actress, Susan Kohner. He was basically James Bond.

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<v Speaker 4>What was the world that your father was?

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<v Speaker 3>Father and mother inhabited in sort of sixties and seventies

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<v Speaker 3>New York.

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<v Speaker 6>I was a pretty, you know, kind of beautiful people set.

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<v Speaker 3>That's John White's son Chris. He and his brother Paul

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<v Speaker 3>are both filmmakers in Los Angeles.

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<v Speaker 6>There's actually there's a book called The Beautiful People in which.

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<v Speaker 8>My parents are featured, along with the rest of their bunch.

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<v Speaker 3>You've probably seen some of the Whites brothers films about

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<v Speaker 3>a boy, The Exquisite in Good Company, American Pie if

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<v Speaker 3>you're wondering their father was a big fan of American Pie.

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<v Speaker 6>But our dad really loved it.

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<v Speaker 9>Yeah, he defends you know.

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<v Speaker 2>So.

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<v Speaker 6>I remember him.

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<v Speaker 10>Saying that he was in a coffee shop and some

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<v Speaker 10>old guy said to him, well, sarcastic, I bet you

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<v Speaker 10>really proud of your kids for making this horrible film,

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<v Speaker 10>And he's I don't know where he came up with this,

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<v Speaker 10>but he said, haven't you ever masturbated in your life?

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<v Speaker 3>John Whites was German born in Berlin in nineteen twenty

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<v Speaker 3>three as Hans Werner Whitz. He was also Jewish and

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<v Speaker 3>of that class of wealthy assimilated German Jews, for whom

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<v Speaker 3>those two identities were not a contradiction. His father, Robert

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<v Speaker 3>had fought for Germany in the First World War and

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<v Speaker 3>won an Iron Cross.

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<v Speaker 6>Vacations in the north of Germany and kind of a

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<v Speaker 6>beautiful life.

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<v Speaker 3>Then Hitler took power. Whites's family fled in nineteen thirty eight,

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<v Speaker 3>then onto Shanghai where he waited for his American visa

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<v Speaker 3>and played rugby on the side, and finally to America.

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<v Speaker 3>In nineteen forty one, John Whites joins the US Army

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<v Speaker 3>and gets recruited by the legendary wartime spymaster while Bill

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<v Speaker 3>Donovan into the USS, the forerunner of today's CIA. Then

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<v Speaker 3>he sent too occupied Europe as an undercover spy. Because

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<v Speaker 3>of course he doesn't have to pretend to be German,

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<v Speaker 3>He's actually German. He's dropped into France, makes contact with

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<v Speaker 3>the resistance. He's part of the group that liberated one

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<v Speaker 3>of the most infamous concentration camps, Daco.

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<v Speaker 8>He told me about when he was in Dachause seeing

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<v Speaker 8>a gas chamber and there was a little window whereby

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<v Speaker 8>the operator could tell whether the people inside were dead

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<v Speaker 8>or not, and next to it was a.

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<v Speaker 6>Picture of his little child. He described it as being

0:13:45.916 --> 0:13:49.156
<v Speaker 6>the way that a taxi driver would have a picture

0:13:49.196 --> 0:13:52.996
<v Speaker 6>of his family and children like taped to the dashboard,

0:13:54.556 --> 0:13:56.636
<v Speaker 6>but that really stuck with them.

0:13:57.956 --> 0:14:00.716
<v Speaker 3>After the war, Daca was turned into a holding pen

0:14:00.796 --> 0:14:03.836
<v Speaker 3>for prisoners of war. Whites was sent into the camp

0:14:04.076 --> 0:14:07.156
<v Speaker 3>to spy on the captured German soldiers to impersonate a

0:14:07.196 --> 0:14:11.836
<v Speaker 3>German pow. Some German soldiers after the war ended would

0:14:11.836 --> 0:14:14.516
<v Speaker 3>burn off their SS tattoos with the end of a cigarette.

0:14:15.116 --> 0:14:18.316
<v Speaker 3>Whites got a tattoo and then burned himself as well

0:14:18.756 --> 0:14:20.396
<v Speaker 3>to make the impersonation real.

0:14:21.236 --> 0:14:25.156
<v Speaker 6>Now you'd say he had PTSD actually, but nobody talked

0:14:25.156 --> 0:14:29.196
<v Speaker 6>about it in that way. So he was, you know,

0:14:30.636 --> 0:14:33.276
<v Speaker 6>a drinker, not a sloppy one, but someone who sort

0:14:33.276 --> 0:14:36.796
<v Speaker 6>of regularly until he suddenly cut it off like cold

0:14:36.836 --> 0:14:40.516
<v Speaker 6>turkey at some point in our childhood. He didn't sleep well,

0:14:40.916 --> 0:14:44.476
<v Speaker 6>He woke up very early in the morning. He had

0:14:45.356 --> 0:14:49.396
<v Speaker 6>incredibly regular habits born of the Army, of kind of

0:14:49.516 --> 0:14:54.316
<v Speaker 6>keeping things in order. He was if he was crossed

0:14:54.676 --> 0:14:59.036
<v Speaker 6>by a stranger, if someone was rude to him or impolite,

0:14:59.236 --> 0:15:03.636
<v Speaker 6>he would be very scary and dangerous. He definitely seemed

0:15:04.036 --> 0:15:08.836
<v Speaker 6>from the war someone who had no physical fear of

0:15:08.876 --> 0:15:12.916
<v Speaker 6>other people, and that was really scary as a child to.

0:15:13.476 --> 0:15:17.676
<v Speaker 3>Watch White told his sons that he didn't know whether

0:15:17.716 --> 0:15:20.076
<v Speaker 3>he could ever be a good father. The war had

0:15:20.156 --> 0:15:21.076
<v Speaker 3>changed him too much.

0:15:21.676 --> 0:15:23.716
<v Speaker 9>Chris and I used to talk about our childhood as

0:15:24.276 --> 0:15:27.716
<v Speaker 9>growing up in a behind the iron curtain. I think

0:15:27.756 --> 0:15:32.636
<v Speaker 9>you had to have sort of surreptitious modes of self expression,

0:15:33.156 --> 0:15:35.916
<v Speaker 9>and humor was a big aspect of that.

0:15:36.716 --> 0:15:38.436
<v Speaker 11>The fact that we ended up working together is partly

0:15:38.476 --> 0:15:41.036
<v Speaker 11>because we sort of developed this shared sense of humor,

0:15:41.316 --> 0:15:44.436
<v Speaker 11>and it was kind of like a samizdat method of

0:15:44.516 --> 0:15:51.396
<v Speaker 11>maintaining our autonomy with a very sort of domineering dad

0:15:51.916 --> 0:15:58.236
<v Speaker 11>who was always ready for things to lapse into complete Yeah.

0:15:57.916 --> 0:16:02.956
<v Speaker 3>Yeah, a dad who was always ready for things to

0:16:02.996 --> 0:16:10.196
<v Speaker 3>lapse into catastrophe. Back to Munich, the war has just ended.

0:16:10.836 --> 0:16:13.676
<v Speaker 3>Whites is now running an undercover operation against a German

0:16:13.716 --> 0:16:17.076
<v Speaker 3>guerrilla group called Werewolf. It's made up of ex Nazi

0:16:17.116 --> 0:16:21.556
<v Speaker 3>soldiers who are causing trouble across liberated Europe. A Werewolf

0:16:21.636 --> 0:16:24.436
<v Speaker 3>cell had holed up in a Munich rooming house not

0:16:24.556 --> 0:16:28.356
<v Speaker 3>far from the Deutsche Theater. John Whites has infiltrated the

0:16:28.356 --> 0:16:31.916
<v Speaker 3>group under the name Hans Werner. Then work comes in

0:16:31.956 --> 0:16:35.676
<v Speaker 3>from the Allied Brass round up the Werewolf members, And

0:16:35.876 --> 0:16:40.236
<v Speaker 3>just as the order is issued, Whites runs into Larry Adler,

0:16:40.796 --> 0:16:42.916
<v Speaker 3>Ingrid Bergmann, and Jack Penny.

0:16:43.036 --> 0:16:47.916
<v Speaker 2>And he said that they had found the house where

0:16:47.956 --> 0:16:50.996
<v Speaker 2>they knew there were eight German soldiers. Now the war

0:16:51.116 --> 0:16:54.676
<v Speaker 2>was over. Therefore these soldiers had neither surrendered nor been captured.

0:16:55.316 --> 0:16:58.116
<v Speaker 2>John and his OSS unit were going to raid them,

0:16:58.716 --> 0:17:00.996
<v Speaker 2>and would Jack, Ingrid and I like to come along?

0:17:01.036 --> 0:17:01.156
<v Speaker 6>Well?

0:17:01.236 --> 0:17:04.396
<v Speaker 2>Jack and Ingrid refused that were terrified of the idea.

0:17:04.516 --> 0:17:05.116
<v Speaker 2>I loved it.

0:17:06.276 --> 0:17:10.596
<v Speaker 3>Now let's just pause here while I point not the obvious.

0:17:10.596 --> 0:17:14.836
<v Speaker 3>A twenty something John White's the dashingly handsome undercover spy

0:17:15.436 --> 0:17:21.396
<v Speaker 3>runs into, respectively America's most famous actress, America's most famous comedian,

0:17:21.716 --> 0:17:25.356
<v Speaker 3>and the world's greatest harmonica player, presumably at a nightclub,

0:17:25.676 --> 0:17:27.876
<v Speaker 3>and he invites all three of them to join him

0:17:27.916 --> 0:17:30.476
<v Speaker 3>in raiding a house full of Nazi gorillas, and one

0:17:30.516 --> 0:17:33.676
<v Speaker 3>of them, the skinny harmonica player from Baltimore, says, yes,

0:17:35.116 --> 0:17:38.836
<v Speaker 3>the Whites Brothers disciples of Hollywood, do not find this

0:17:39.076 --> 0:17:40.316
<v Speaker 3>as odd as I did?

0:17:40.716 --> 0:17:42.556
<v Speaker 4>Does it strike you one of the many weird things

0:17:42.556 --> 0:17:45.076
<v Speaker 4>with that story is the notion that you are an

0:17:45.116 --> 0:17:48.476
<v Speaker 4>OSS officer in Munich you're going to do this bus

0:17:48.916 --> 0:17:52.316
<v Speaker 4>and you bring along a famous harmonica player.

0:17:54.196 --> 0:17:55.196
<v Speaker 11>What's strange about that.

0:17:57.116 --> 0:17:59.196
<v Speaker 9>I guess it's a testament of the power of celebrity.

0:18:00.596 --> 0:18:01.996
<v Speaker 11>It was kind of like a ride along, you.

0:18:01.956 --> 0:18:04.116
<v Speaker 8>Know, like Kevin Hart and ICEQ.

0:18:08.036 --> 0:18:11.836
<v Speaker 3>So Larry Adler for his mission, I'm guessing he's lying

0:18:11.836 --> 0:18:14.236
<v Speaker 3>in the arms of the world's most beautiful actress. He

0:18:14.316 --> 0:18:17.156
<v Speaker 3>gets up, puts on a helmet and goes off to

0:18:17.196 --> 0:18:18.636
<v Speaker 3>capture some Nazis.

0:18:19.276 --> 0:18:21.436
<v Speaker 2>So I met these oss men at four thirty in

0:18:21.476 --> 0:18:23.876
<v Speaker 2>the morning. We got into a jeep, went to this

0:18:23.996 --> 0:18:28.316
<v Speaker 2>house and according to John, the oss men burst into

0:18:28.396 --> 0:18:30.596
<v Speaker 2>the house. Two of the Germans fired back at them

0:18:30.636 --> 0:18:34.276
<v Speaker 2>and were killed. The other six were captured Kifrais.

0:18:34.836 --> 0:18:39.716
<v Speaker 3>According to John, John Whitez remembers a gunfight, but Adler

0:18:39.956 --> 0:18:41.636
<v Speaker 3>remembers something completely different.

0:18:42.116 --> 0:18:44.276
<v Speaker 2>My story is when we got into the house, there

0:18:44.316 --> 0:18:47.796
<v Speaker 2>were two old ladies. There was no firing, no one

0:18:47.876 --> 0:18:51.476
<v Speaker 2>was hurt in any way. And so there are these

0:18:51.516 --> 0:18:54.876
<v Speaker 2>two diametrically opposed stories my two people who were there.

0:18:57.436 --> 0:19:01.236
<v Speaker 3>In John Whitez's memory, a house full of Nazis a

0:19:01.316 --> 0:19:06.636
<v Speaker 3>nasty battle, death drama. In Larryadler's memory of the same night. Nothing,

0:19:07.156 --> 0:19:10.676
<v Speaker 3>no nazis, no gunfight, no one dies. They burst in

0:19:10.956 --> 0:19:13.316
<v Speaker 3>and all they find is a room full of harmless

0:19:13.316 --> 0:19:22.036
<v Speaker 3>old women, presumably knitting. But wait, there's another version, same characters,

0:19:22.436 --> 0:19:25.556
<v Speaker 3>same setup, only it's supposed to take place almost a

0:19:25.636 --> 0:19:28.116
<v Speaker 3>year later, in April of nineteen forty six.

0:19:28.916 --> 0:19:32.836
<v Speaker 2>I told this story to a group of publishers in

0:19:32.836 --> 0:19:34.516
<v Speaker 2>London when I made a speech, and one of the

0:19:34.516 --> 0:19:36.836
<v Speaker 2>publishers told me, after, what, mister Bradler, did you know

0:19:38.116 --> 0:19:40.876
<v Speaker 2>that the raid you're talking about is mentioned in another book?

0:19:42.316 --> 0:19:44.956
<v Speaker 2>And John Whites is mentioned, but not by name. He's

0:19:44.996 --> 0:19:47.356
<v Speaker 2>called Werner because that was his name as an agent

0:19:47.396 --> 0:19:50.796
<v Speaker 2>to infiltrate the German lions. John under the name of

0:19:50.796 --> 0:19:53.636
<v Speaker 2>Werner is leading the raid. You are with him, and

0:19:53.676 --> 0:19:57.476
<v Speaker 2>now there are eighteen Nazi soldiers. The house is surrounded

0:19:57.476 --> 0:20:01.836
<v Speaker 2>by armored carriers and floodlights. And I still remember two

0:20:01.996 --> 0:20:05.636
<v Speaker 2>old ladies. So the question is who is right?

0:20:08.236 --> 0:20:09.876
<v Speaker 1>Exactly who's right?

0:20:10.596 --> 0:20:13.516
<v Speaker 3>For the rest of their days, Adler and Whites will

0:20:13.596 --> 0:20:14.316
<v Speaker 3>argue about it.

0:20:14.956 --> 0:20:17.476
<v Speaker 9>I remember Larry bringing up the story to Needle Dad

0:20:20.716 --> 0:20:21.196
<v Speaker 9>and my dad.

0:20:22.076 --> 0:20:25.996
<v Speaker 6>The funny thing is my father could be very very

0:20:26.116 --> 0:20:28.636
<v Speaker 6>forbidding and peremptory with people who sort of crossed him.

0:20:28.836 --> 0:20:29.596
<v Speaker 8>For some reason.

0:20:29.676 --> 0:20:33.156
<v Speaker 6>He had a soft spot for Larry.

0:20:33.796 --> 0:20:37.516
<v Speaker 3>Everyone had a sou spot for Larry.

0:20:38.676 --> 0:20:41.556
<v Speaker 9>What I heard at lunch was you were rounding up

0:20:41.596 --> 0:20:48.236
<v Speaker 9>these Nazis, and all I saw was old women. Oh Larry,

0:20:50.196 --> 0:20:52.276
<v Speaker 9>you some shut up and have another champagne.

0:21:02.956 --> 0:21:06.316
<v Speaker 3>There's a very specific idea about memory embedded in the

0:21:06.316 --> 0:21:10.116
<v Speaker 3>story Larry Adler tells from War and Peace, the story

0:21:10.156 --> 0:21:12.476
<v Speaker 3>about the soldier entertaining a group of young ladies in

0:21:12.516 --> 0:21:17.236
<v Speaker 3>Moscow and the Battle of Borodino. The officer wants to

0:21:17.236 --> 0:21:20.276
<v Speaker 3>impress the people around him, so he moves himself to

0:21:20.316 --> 0:21:23.196
<v Speaker 3>the front lines, and once he makes that improvement on

0:21:23.276 --> 0:21:25.876
<v Speaker 3>the truth in the service of his own ego, what

0:21:26.036 --> 0:21:29.716
<v Speaker 3>actually happens slips away. He becomes the victim of his

0:21:29.796 --> 0:21:36.476
<v Speaker 3>own self deception. That's the theory Adler believed in he

0:21:36.516 --> 0:21:39.036
<v Speaker 3>tells another story about the time he was in Newfoundland

0:21:39.116 --> 0:21:42.236
<v Speaker 3>during the war entertaining troops. He needs to get back

0:21:42.276 --> 0:21:45.316
<v Speaker 3>to Gander Airport because he has a nightclub appearance scheduled

0:21:45.356 --> 0:21:48.036
<v Speaker 3>in New York. He finds an airman who is a

0:21:48.076 --> 0:21:50.476
<v Speaker 3>cargo plane which is going to be towing a glider,

0:21:50.996 --> 0:21:53.276
<v Speaker 3>and he says to Adler, you can ride in the glider.

0:21:53.876 --> 0:21:56.116
<v Speaker 2>I was in the glider, the captain was in the

0:21:56.116 --> 0:21:58.276
<v Speaker 2>front plane. And how exciting it was for me being

0:21:58.316 --> 0:22:00.636
<v Speaker 2>in the glidder being towed, And how the most exciting

0:22:00.676 --> 0:22:03.956
<v Speaker 2>part came when we were over Gander Airport and he

0:22:04.036 --> 0:22:06.756
<v Speaker 2>cut the glider loose by a release mechanism and we

0:22:06.876 --> 0:22:08.996
<v Speaker 2>floated down in this heavenly feeling I had of his

0:22:09.196 --> 0:22:10.756
<v Speaker 2>escape that I never wanted the land.

0:22:12.196 --> 0:22:14.196
<v Speaker 3>Adler tells that story for years.

0:22:15.316 --> 0:22:18.996
<v Speaker 2>Well, my daughter found a diary. It covered my trip

0:22:19.036 --> 0:22:22.516
<v Speaker 2>to Newfoundland. I wasn't in the glider. I was in

0:22:22.556 --> 0:22:26.316
<v Speaker 2>the front plane. Now you see how that took over.

0:22:26.356 --> 0:22:29.636
<v Speaker 2>It's a better story being in the glider. It makes

0:22:29.356 --> 0:22:31.116
<v Speaker 2>it if you say to somebody, I was in the

0:22:31.156 --> 0:22:33.716
<v Speaker 2>first front plane, but we were towing a glider, that's

0:22:33.716 --> 0:22:36.636
<v Speaker 2>no story. I was in the glider and that was

0:22:36.756 --> 0:22:39.596
<v Speaker 2>very exciting. That's more of a story. So that after

0:22:39.636 --> 0:22:42.756
<v Speaker 2>a while, the wish to be in the glider took

0:22:42.796 --> 0:22:45.476
<v Speaker 2>over and became fat and put me in the glider.

0:22:45.916 --> 0:22:47.556
<v Speaker 2>And the truth is that I've never been in a

0:22:47.596 --> 0:22:52.556
<v Speaker 2>glider in my life. That's what I mean by self deception.

0:22:54.236 --> 0:22:56.916
<v Speaker 3>Adler knew he had a big ego, and he simply

0:22:56.956 --> 0:22:59.956
<v Speaker 3>assumed that his ego was out in the world, rewriting

0:22:59.996 --> 0:23:04.236
<v Speaker 3>history on his behalf, which seems to make sense. Adler

0:23:04.316 --> 0:23:08.236
<v Speaker 3>is the compulsive storyteller, right the name dropper. In his

0:23:08.316 --> 0:23:11.556
<v Speaker 3>New Yorker profile, there's this line. The most casual request

0:23:11.596 --> 0:23:15.716
<v Speaker 3>for information from a newspaper reporter or interviewer will often

0:23:15.756 --> 0:23:20.196
<v Speaker 3>bring in reply a twelve or fifteen typewritten single space

0:23:20.356 --> 0:23:24.716
<v Speaker 3>narrative composed and typed by Larry in person and containing

0:23:24.836 --> 0:23:29.316
<v Speaker 3>dialogue and anecdotes. I think that whenever we run across

0:23:29.316 --> 0:23:32.396
<v Speaker 3>someone telling a false story, we assume that this is

0:23:32.396 --> 0:23:37.676
<v Speaker 3>what's happening, that the lie is driven by ego. In

0:23:37.716 --> 0:23:40.276
<v Speaker 3>the next episode, I'm going to talk about an instant

0:23:40.276 --> 0:23:43.716
<v Speaker 3>that you'll almost certainly remember. A modern version of Adler's

0:23:43.716 --> 0:23:48.076
<v Speaker 3>glider story. Somebody famous was caught saying, in effect that

0:23:48.156 --> 0:23:50.276
<v Speaker 3>they were in the glider when they were actually in

0:23:50.316 --> 0:23:54.796
<v Speaker 3>the plane pulling the glider, and the overwhelming assumption was

0:23:54.796 --> 0:23:58.356
<v Speaker 3>that the storyteller changed the details of what happened because

0:23:58.436 --> 0:24:03.916
<v Speaker 3>he wanted to look better, braver, bolder. But here's my question,

0:24:04.716 --> 0:24:07.756
<v Speaker 3>why do we always have to frame memory, disagreements and

0:24:07.996 --> 0:24:11.276
<v Speaker 3>errors in terms of character. Why do we always need

0:24:11.316 --> 0:24:14.476
<v Speaker 3>a culprit, because I'm not sure Adler can be explained

0:24:14.516 --> 0:24:17.356
<v Speaker 3>the way as an egotist. There were all kinds of

0:24:17.436 --> 0:24:18.716
<v Speaker 3>ways in which he was anything.

0:24:18.756 --> 0:24:25.836
<v Speaker 5>But at what point, I know, life became somewhat complicated here.

0:24:26.516 --> 0:24:28.756
<v Speaker 3>Adler was part of a group that went to Washington

0:24:29.076 --> 0:24:31.716
<v Speaker 3>in the middle of the McCarthy era to protest the

0:24:31.756 --> 0:24:35.916
<v Speaker 3>anti communist hysteria sweeping through Hollywood. Then he got accused

0:24:35.956 --> 0:24:40.156
<v Speaker 3>of being a communist. He went bankrupt fighting McCarthyism at

0:24:40.156 --> 0:24:43.836
<v Speaker 3>the height of his career, he was blacklisted, lost everything.

0:24:44.316 --> 0:24:50.676
<v Speaker 2>Then Roy Cohn, who was McCarthy's advisor, offered me a deal.

0:24:51.196 --> 0:24:55.596
<v Speaker 2>He had arranged that I would give testimony secretly before

0:24:55.636 --> 0:24:59.436
<v Speaker 2>the McCarthy Internal Security Committee, and he said, what we're

0:24:59.436 --> 0:25:01.236
<v Speaker 2>going to do is, I've prepared a list of names

0:25:01.276 --> 0:25:04.556
<v Speaker 2>for you. All of these people have been named by others.

0:25:04.876 --> 0:25:07.716
<v Speaker 2>They've already been named, We know their names. Who just

0:25:07.796 --> 0:25:10.716
<v Speaker 2>read their names off, and you're not hurting anybody.

0:25:11.396 --> 0:25:14.396
<v Speaker 3>In the middle of a national hysteria, one that would

0:25:14.436 --> 0:25:17.956
<v Speaker 3>end up ruining countless lives, Adler is offered a get

0:25:17.956 --> 0:25:20.596
<v Speaker 3>out of jail free card. He won't take it.

0:25:21.036 --> 0:25:22.796
<v Speaker 2>Nice of mister con What the hell's the sense of

0:25:22.876 --> 0:25:25.316
<v Speaker 2>me reading a list of names that you already know.

0:25:26.116 --> 0:25:28.036
<v Speaker 2>So he looked out of the window and he spread

0:25:28.036 --> 0:25:30.556
<v Speaker 2>his hands and he says, go fight City Hall. We're

0:25:30.596 --> 0:25:32.516
<v Speaker 2>all trying to get you back to work later and

0:25:32.556 --> 0:25:36.756
<v Speaker 2>you're not helping us. So that was that. I wouldn't

0:25:36.756 --> 0:25:38.756
<v Speaker 2>have given the name of an enemy. I just am

0:25:38.836 --> 0:25:42.116
<v Speaker 2>against the principle of the informer. I always have been.

0:25:42.276 --> 0:25:43.436
<v Speaker 2>I still am.

0:25:44.116 --> 0:25:46.996
<v Speaker 3>Adler ended up moving his whole family to London. He

0:25:47.076 --> 0:25:49.796
<v Speaker 3>gave up their house in Beverly Hills, the beach house

0:25:49.836 --> 0:25:53.716
<v Speaker 3>in Malibu. The tennis matches with the Stars started over.

0:25:54.756 --> 0:25:57.996
<v Speaker 3>Chris White says his father liked Adler not just because

0:25:58.036 --> 0:26:01.916
<v Speaker 3>of his musical genius or his hilarious stories, but because

0:26:01.956 --> 0:26:05.356
<v Speaker 3>he had and I'm quoting a major set of balls.

0:26:06.276 --> 0:26:07.596
<v Speaker 3>Here's Peter Adler again.

0:26:08.156 --> 0:26:11.236
<v Speaker 7>He would really chake huge risks on principle. He was

0:26:11.276 --> 0:26:15.756
<v Speaker 7>a very, very principled man, and I remember him doing it,

0:26:15.796 --> 0:26:18.796
<v Speaker 7>which terrified me. He did a public reading of the

0:26:18.996 --> 0:26:22.796
<v Speaker 7>Satanic Verses with various other artists at the time that

0:26:22.876 --> 0:26:26.796
<v Speaker 7>Salman Rushdie had de fatois put on him, you know,

0:26:26.916 --> 0:26:31.476
<v Speaker 7>simply to protest against this kind of nonsense. And he

0:26:31.716 --> 0:26:33.396
<v Speaker 7>would do a lot of things like that, and he

0:26:34.156 --> 0:26:36.516
<v Speaker 7>wasn't doing it for publicity. He's doing it because he

0:26:36.556 --> 0:26:37.556
<v Speaker 7>really cared about it.

0:26:41.036 --> 0:26:43.876
<v Speaker 3>So maybe when the young John Whites asks Larry Adler

0:26:44.196 --> 0:26:46.156
<v Speaker 3>if he wants to do a ride along on that

0:26:46.236 --> 0:26:50.236
<v Speaker 3>rate of Munich, it's not a lark. Maybe he's serious,

0:26:51.036 --> 0:26:55.956
<v Speaker 3>and maybe Adler volunteered because it was important. Remember he's

0:26:55.996 --> 0:26:59.356
<v Speaker 3>a Jew in Munich, the birthplace of the Nazi Party.

0:27:00.316 --> 0:27:03.276
<v Speaker 3>If it's all a lark, then the grandmother version is funny.

0:27:04.036 --> 0:27:06.516
<v Speaker 3>It's the kind of punchline you can imagine landing well

0:27:06.556 --> 0:27:10.756
<v Speaker 3>at a Hollywood dinner party. Larry Adler, the compulsive storyteller,

0:27:11.116 --> 0:27:15.236
<v Speaker 3>wins over another crowd. But if he's serious about the raid,

0:27:15.836 --> 0:27:20.156
<v Speaker 3>then the grandmothers aren't funny. They're not a punchline. They're

0:27:20.156 --> 0:27:21.996
<v Speaker 3>a sad and awkward ending.

0:27:22.556 --> 0:27:25.516
<v Speaker 2>My story is duller. One would not never even tell

0:27:25.636 --> 0:27:28.636
<v Speaker 2>such a story, And I would tell it only because

0:27:29.036 --> 0:27:30.156
<v Speaker 2>that is my memory of it.

0:27:32.916 --> 0:27:38.236
<v Speaker 3>He's right, But then consider his companion, John Whites, would

0:27:38.236 --> 0:27:40.956
<v Speaker 3>go on to write many books, among them Friends in

0:27:41.036 --> 0:27:44.676
<v Speaker 3>High Places, a thriller with a really complicated core.

0:27:45.876 --> 0:27:48.516
<v Speaker 9>The main character was somebody who was in the auto

0:27:48.556 --> 0:27:50.996
<v Speaker 9>industry and was joining the Nazi Party in order to

0:27:51.036 --> 0:27:52.156
<v Speaker 9>get ahead in his career.

0:27:52.436 --> 0:27:52.916
<v Speaker 12>I think he.

0:27:54.436 --> 0:27:57.716
<v Speaker 9>Felt about himself that he hadn't in Jewish. Maybe there,

0:27:57.756 --> 0:28:03.276
<v Speaker 9>but for the grace of God would go his moral center.

0:28:04.276 --> 0:28:08.076
<v Speaker 3>When John Whites turned to writing serious historical biographies, his

0:28:08.196 --> 0:28:11.236
<v Speaker 3>subjects were Germans, from the same class he had come from,

0:28:11.676 --> 0:28:18.156
<v Speaker 3>wealthy cosmopolitan intellectuals who ended up serving Hitler. You don't

0:28:18.156 --> 0:28:20.796
<v Speaker 3>have to be a psychoanalyst to make sense of these stories.

0:28:21.636 --> 0:28:25.036
<v Speaker 3>There are Whites's attempt to sort through the conflict between

0:28:25.036 --> 0:28:28.636
<v Speaker 3>his love of his native Germany and his devastation about

0:28:28.636 --> 0:28:29.956
<v Speaker 3>what his Germany had done.

0:28:32.716 --> 0:28:35.356
<v Speaker 12>It's long ago, now, I know, But well, I was

0:28:35.436 --> 0:28:38.356
<v Speaker 12>young and I could wear all sorts of clothes and

0:28:38.436 --> 0:28:39.276
<v Speaker 12>make them look real.

0:28:39.916 --> 0:28:43.276
<v Speaker 3>In nineteen ninety seven, Whites went on the Charlie Rose Show.

0:28:44.156 --> 0:28:48.236
<v Speaker 3>He and Rose talked happily about White's new biography until

0:28:48.356 --> 0:28:51.996
<v Speaker 3>Rose started to ask Whites about White's own experience during

0:28:52.036 --> 0:28:52.356
<v Speaker 3>the war.

0:28:52.756 --> 0:28:55.916
<v Speaker 12>Did you go into Germany? I was in Germany when

0:28:56.836 --> 0:28:58.676
<v Speaker 12>after I want to pull this out of you. John

0:28:59.716 --> 0:29:00.796
<v Speaker 12>the journalist.

0:29:00.556 --> 0:29:02.876
<v Speaker 3>Yes, Whites doesn't want to talk about it.

0:29:03.196 --> 0:29:09.836
<v Speaker 12>I started in France during the general time of the invasion.

0:29:09.916 --> 0:29:14.396
<v Speaker 12>Plans plans, yes, the parachute into No, no, oh never.

0:29:14.436 --> 0:29:14.996
<v Speaker 1>How did you get in it?

0:29:15.916 --> 0:29:18.156
<v Speaker 12>You have many ways of being delivered, but not by

0:29:18.196 --> 0:29:19.556
<v Speaker 12>parachute because they can see you coming.

0:29:19.836 --> 0:29:20.476
<v Speaker 1>So how'd you get in?

0:29:21.116 --> 0:29:22.116
<v Speaker 12>You can go in by both.

0:29:22.196 --> 0:29:24.396
<v Speaker 1>Did you get by a small plane? How did you

0:29:24.436 --> 0:29:24.796
<v Speaker 1>get in?

0:29:25.916 --> 0:29:27.916
<v Speaker 12>Well, by by my small airplane.

0:29:28.036 --> 0:29:29.716
<v Speaker 1>Small airplane, small landed.

0:29:30.476 --> 0:29:34.196
<v Speaker 12>There were many beaches, small plane landed on the fly,

0:29:35.236 --> 0:29:36.396
<v Speaker 12>you know the dead.

0:29:37.076 --> 0:29:39.316
<v Speaker 3>This goes on and on.

0:29:39.836 --> 0:29:46.796
<v Speaker 1>How many trips did you make in and out of France? Ten?

0:29:48.276 --> 0:29:52.996
<v Speaker 12>No, no, no, lesser more, oh much, less less.

0:29:52.036 --> 0:29:56.836
<v Speaker 1>Than one, less than four being the journalist all right.

0:29:56.956 --> 0:29:59.356
<v Speaker 3>Finally Rose just gets exasperated.

0:29:59.596 --> 0:30:03.796
<v Speaker 1>Tell me why you're so at this late stage? What

0:30:03.916 --> 0:30:06.916
<v Speaker 1>is the what is the code that keeps you from

0:30:06.996 --> 0:30:07.996
<v Speaker 1>being more forthcoming?

0:30:08.076 --> 0:30:08.276
<v Speaker 6>Well?

0:30:08.756 --> 0:30:13.956
<v Speaker 12>General Donovan issued a MEMORIZLEL. Donovan, Yes, our boss, head

0:30:13.996 --> 0:30:14.996
<v Speaker 12>of a lesson, which.

0:30:14.796 --> 0:30:15.836
<v Speaker 1>Said, for as.

0:30:15.716 --> 0:30:18.916
<v Speaker 12>Long as there are people alive. I spoke to one

0:30:19.796 --> 0:30:23.356
<v Speaker 12>a day before yesterday on the phone, an eighty nine

0:30:23.396 --> 0:30:28.476
<v Speaker 12>year old ex colonel of panzas of Armored Forces Knight

0:30:28.636 --> 0:30:32.116
<v Speaker 12>crosswearer who was a resistance officer. As long as there are

0:30:32.076 --> 0:30:37.676
<v Speaker 12>people alive, you'd be amazed that how many Germans, stupid

0:30:37.676 --> 0:30:43.676
<v Speaker 12>ones would still be angry at somebody who brought some

0:30:43.756 --> 0:30:44.676
<v Speaker 12>form of resistance.

0:30:46.396 --> 0:30:49.796
<v Speaker 3>This is nineteen ninety seven, the war has been over

0:30:50.116 --> 0:30:53.476
<v Speaker 3>for more than half a century, and Whites refuses to

0:30:53.516 --> 0:30:56.516
<v Speaker 3>give anything more than the barest details of his experience

0:30:56.916 --> 0:31:00.236
<v Speaker 3>because of a memo written by his former boss, who,

0:31:00.236 --> 0:31:04.676
<v Speaker 3>by the way, has been dead for decades. Whites and

0:31:04.716 --> 0:31:08.596
<v Speaker 3>Adler are principled men. It's just that their principles take

0:31:08.636 --> 0:31:15.036
<v Speaker 3>different on matters of emotional significance. One man shrouds his

0:31:15.116 --> 0:31:18.036
<v Speaker 3>memories in a blanket of chatter and whimsy. The other

0:31:18.236 --> 0:31:23.036
<v Speaker 3>falls silent and retreats. When we encounter conflicts and memory,

0:31:23.196 --> 0:31:25.756
<v Speaker 3>we want to label one party as a liar. We

0:31:25.836 --> 0:31:29.236
<v Speaker 3>want to make a judgment. This strategy is authentic. This

0:31:29.316 --> 0:31:33.436
<v Speaker 3>strategy is dubious. Adler is the egotistical one, Whites is

0:31:33.476 --> 0:31:37.436
<v Speaker 3>the evasive one. But why why can't we just accept

0:31:37.636 --> 0:31:39.876
<v Speaker 3>that all of us deal with the uncertainty of our

0:31:39.916 --> 0:31:46.236
<v Speaker 3>experiences in different ways. Memory does not reveal character. That's

0:31:46.276 --> 0:31:53.516
<v Speaker 3>our mistake. In the early nineteen nineties, John Whites talked

0:31:53.516 --> 0:31:56.596
<v Speaker 3>to a historian named Perry Biddiscombe, who was working on

0:31:56.636 --> 0:32:00.516
<v Speaker 3>a book about the werewolf movement. Biddiscomb found White's name

0:32:00.516 --> 0:32:03.476
<v Speaker 3>in the phone book and called him out of the blue.

0:32:03.516 --> 0:32:06.996
<v Speaker 3>This time, Whites told yet another version of the raid.

0:32:07.396 --> 0:32:11.556
<v Speaker 3>In this version, there was no shooting, no resistance, no

0:32:11.636 --> 0:32:15.436
<v Speaker 3>one died. The members of Werewolf were all punks, too

0:32:15.476 --> 0:32:18.876
<v Speaker 3>young to have fought in the war, full of false bravado.

0:32:19.036 --> 0:32:22.796
<v Speaker 3>Whites and his team of Allied soldiers surrounded the housing

0:32:22.876 --> 0:32:26.396
<v Speaker 3>complex where the Werewolf lived and arrested them. Then, and

0:32:26.476 --> 0:32:30.556
<v Speaker 3>I'm quoting now from Bidiscombe's notes, the scene was invaded

0:32:30.636 --> 0:32:35.076
<v Speaker 3>by forlorn mothers and grandmothers, each insisting that her lad

0:32:35.556 --> 0:32:38.276
<v Speaker 3>was really a good boy and could not possibly be

0:32:38.316 --> 0:32:44.916
<v Speaker 3>mixed up in this werewolf nastiness. Do you see what

0:32:45.036 --> 0:32:49.116
<v Speaker 3>Whites did? He took his version and combined it with

0:32:49.236 --> 0:32:53.716
<v Speaker 3>Larry Adler's version. There were arrests, and they were grandmothers.

0:32:54.076 --> 0:32:56.636
<v Speaker 3>I've no idea whether it was conscious or not, but

0:32:56.676 --> 0:32:59.836
<v Speaker 3>at the end of his life, Whites decided that friendship

0:32:59.996 --> 0:33:03.796
<v Speaker 3>was more important than memory. He decided not to be

0:33:03.876 --> 0:33:10.156
<v Speaker 3>a memory fundamentalist Larry Adler, for his heart, gave his

0:33:10.236 --> 0:33:13.076
<v Speaker 3>last concert in May of two thousand and one at

0:33:13.076 --> 0:33:22.476
<v Speaker 3>the Royal Albert Hall. It was Prince Philip's eightieth birthday

0:33:22.476 --> 0:33:25.836
<v Speaker 3>celebration and the Duke wanted his old friend to play

0:33:25.836 --> 0:33:33.596
<v Speaker 3>for him. Adler was near the end. His son Peter

0:33:33.716 --> 0:33:34.636
<v Speaker 3>knew he wasn't well.

0:33:35.596 --> 0:33:39.916
<v Speaker 7>Now he was in hospital, and he, much to my horror,

0:33:40.876 --> 0:33:43.876
<v Speaker 7>had himself checked out and he was wheeled onto the

0:33:43.916 --> 0:33:46.396
<v Speaker 7>stage at the Royal Albert Hole by a nurse in

0:33:46.396 --> 0:33:47.036
<v Speaker 7>a wheelchair.

0:33:48.596 --> 0:33:51.956
<v Speaker 3>If the past is hazy and uncertain, then all you

0:33:52.076 --> 0:33:56.156
<v Speaker 3>have is a present. That's what propelled Larry Adler to

0:33:56.236 --> 0:33:58.956
<v Speaker 3>seek his fortune on Broadway as a kid, to give

0:33:58.996 --> 0:34:02.316
<v Speaker 3>the harmonica. It's due to risk it all fighting McCarthy

0:34:02.556 --> 0:34:04.756
<v Speaker 3>to leave Ingrid Bergman in the early morning hours to

0:34:04.796 --> 0:34:07.796
<v Speaker 3>go round up some Nazis. Even at the very end

0:34:07.836 --> 0:34:10.756
<v Speaker 3>of his life. He wasn't going to stay in the hospital,

0:34:10.876 --> 0:34:20.156
<v Speaker 3>was he. He privileged experiences over memories, And.

0:34:20.156 --> 0:34:24.436
<v Speaker 7>He played the harmonica from the wheelchair and blew every

0:34:24.476 --> 0:34:27.436
<v Speaker 7>other ushist off the stage, and he was wheeled off

0:34:27.476 --> 0:34:30.516
<v Speaker 7>to a standing ovation and he was looking straight into Cameron.

0:34:30.596 --> 0:34:32.996
<v Speaker 7>I'm sure at me going, you do not tell me

0:34:33.076 --> 0:34:35.596
<v Speaker 7>what to do and died a few days later.

0:34:37.356 --> 0:34:42.676
<v Speaker 3>I checked he actually died two and a half months later. Somewhere.

0:34:43.276 --> 0:34:56.956
<v Speaker 3>Larry Adler is laughing. Revisionist History is a Panoply production.

0:34:57.836 --> 0:35:01.636
<v Speaker 3>The senior producer is Mia Lobel, with Jacob Smith and

0:35:01.716 --> 0:35:06.436
<v Speaker 3>Camille Baptista. Our editor is Julia Barton. Flann Williams is

0:35:06.436 --> 0:35:10.396
<v Speaker 3>our engineer. Fact checking by Beth Johnson. Original music by

0:35:10.476 --> 0:35:14.556
<v Speaker 3>Luis Kerra. Special thanks to Andy Bowers and Jacob Weisberg.

0:35:15.476 --> 0:35:24.436
<v Speaker 3>I'm Malcolm Gladwell.

0:35:24.596 --> 0:35:29.676
<v Speaker 2>I tell a story about getting to these to Israel.

0:35:29.836 --> 0:35:33.836
<v Speaker 2>Just after the Sixth Day War. Special service officer met

0:35:33.916 --> 0:35:36.516
<v Speaker 2>me at the airport. I even remember his name, Major Zaffreer,

0:35:37.396 --> 0:35:40.036
<v Speaker 2>and he told me that an Israeli soldier had written

0:35:40.036 --> 0:35:43.956
<v Speaker 2>the song char milshaff So I learned it was damn

0:35:44.036 --> 0:35:47.836
<v Speaker 2>good tune. I played at first at Larish in the

0:35:47.876 --> 0:35:51.316
<v Speaker 2>Sinai and there were about two hundred tangs, about two

0:35:51.356 --> 0:35:53.956
<v Speaker 2>thousand sols. General Rabin, who was then Chief of Staff,

0:35:53.996 --> 0:35:57.076
<v Speaker 2>he was there. I played and the audience went mad.

0:35:57.596 --> 0:35:59.596
<v Speaker 2>The opplause went on and on. I played it again.

0:36:00.076 --> 0:36:03.196
<v Speaker 2>It made me play it six times, and I then said,

0:36:03.236 --> 0:36:06.196
<v Speaker 2>my friends, I haven't got the vocabulary to describe the

0:36:06.236 --> 0:36:09.476
<v Speaker 2>emotional experience of this moment. I'll never forge get it.

0:36:09.716 --> 0:36:11.676
<v Speaker 2>But there are other artists who have come down to

0:36:11.756 --> 0:36:14.396
<v Speaker 2>the Sinai. They're waiting to entertain you. I don't hold

0:36:14.476 --> 0:36:17.156
<v Speaker 2>up the show. Please don't ask me to play Charmel

0:36:17.236 --> 0:36:20.836
<v Speaker 2>Shak again. And it Israeli soldier calls out, You'll play

0:36:20.876 --> 0:36:24.076
<v Speaker 2>it till you get it right now. Isn't that a

0:36:24.076 --> 0:36:26.756
<v Speaker 2>great story? But of course it's not true. It's an

0:36:26.756 --> 0:36:30.676
<v Speaker 2>opera story. This the tenor singing Pollianchi. Now all the

0:36:30.676 --> 0:36:33.916
<v Speaker 2>details that I told you, Major Solfrier, the Charmel shaf

0:36:34.276 --> 0:36:36.916
<v Speaker 2>playing it at l reach, that's all true. But believe me,

0:36:36.996 --> 0:36:40.756
<v Speaker 2>I only played it once. However, twisting that opera story

0:36:40.796 --> 0:36:43.636
<v Speaker 2>around makes it a much better story. I agree,