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Speaker 1: So obviously it's getting later and later we're yeah, it's dark,

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Speaker 1: and it's it's uh, you know, it's dangerous to be

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Speaker 1: out there at that time. And so I turned to Elias.

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Speaker 2: Yeah, I hate the song. Just shut it, shut the song.

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Speaker 1: I hate it. I just I can't. And I turned

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Speaker 1: them and I go, especially now that we have our

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Speaker 1: new version. Yeah, and but I go, I go, well,

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Speaker 1: if you guys pay for the pro version, I love

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Speaker 1: it's my favorite. You guys pay for the proverb. And

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Speaker 1: we actually got a way more expensive version of that.

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Speaker 2: But I'm saying I hate the song, and so be like,

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Speaker 2: oh I got to hear that for the thing.

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Speaker 1: Yeah, yeah, yeah. But I turned to Elias and I go,

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Speaker 1: should we just quit? And then Gary Sneeze is like, no,

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Speaker 1: we have to do this, and he and he He's like,

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Speaker 1: grab a shovel, boys, because we're digging up John Steibeck's

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Speaker 1: body to see if the rumors are true, yeah, that

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Speaker 1: he was buried with a Pilo Nazi gold m h.

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Speaker 1: And I'm also going, how are we going to know

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Speaker 1: what kind of gold it is? Really?

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Speaker 2: Yeah? You know what I mean, it doesn't say that

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Speaker 2: on it.

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Speaker 1: I don't think they stamped it on there. And also,

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Speaker 1: obviously Elias is just curious if Steinbeck had what we

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Speaker 1: all think he had a monster hog, and he's saying

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Speaker 1: he can tell from the way that the pelvis is descended,

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Speaker 1: just the pelvic bone pulled down his head, Yeah, because

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Speaker 1: it would have dragged down, especially for the length of

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Speaker 1: time that he lived. That if he had a hog

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Speaker 1: like that, Yeah, that it would have his eliot crest

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Speaker 1: would be descended. So as we're all fighting and digging

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Speaker 1: and sweating and fighting, all of a sudden, I start

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Speaker 1: gett shot with bullets. Yeah, And I look up and

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Speaker 1: Tiffany the pop stars. I think you're alone now or whatever?

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Speaker 3: Yeah, yeah, she shooting me, okay, And so of course

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Speaker 3: Seary's shovel I knock a couple of bullets, never doing

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Speaker 3: any of the digging or hunting herself.

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Speaker 4: I was following the other hunters.

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Speaker 1: And then and then right when it's almost dug up,

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Speaker 1: and I go, oh, he really must have this gold

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Speaker 1: because she loves that stuff. Yes, And so I start

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Speaker 1: hitting the bullets back with the shovel, and one of

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Speaker 1: the bullets freaking takes her wig off.

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Speaker 2: And tricking you into thinking you're alone. Now setting up

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Speaker 2: setting that up so long ago. Oh yeah, no, getting

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Speaker 2: of that song stuck in your head, so you're trained

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Speaker 2: to think that you're alone. Now, then Tiffany is actually

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Speaker 2: there shooting you.

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Speaker 1: And uh and Gary gets killed and the Lias gets killed.

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Speaker 2: Yeah, and then.

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Speaker 1: I kill her and then.

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Speaker 2: And then you were just tired at that point because

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Speaker 2: I know you did not finish getting the gold.

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Speaker 1: No, I didn't dig up, and I didn't get to

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Speaker 1: see if you can eat down there.

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Speaker 2: Hey, welcome to Hollywood Hambook and Insider's guy to kicking

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Speaker 2: button dropping names in the red carpet lineback. Always of

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Speaker 2: this industry we call showbiz. We already introduced, we are

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Speaker 2: just always doing different stuff with this model. We already introduced.

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Speaker 2: The guests in the ad. Have you ever ever ever

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Speaker 2: in your life heard another show do that it was a.

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Speaker 4: Pre roll ad?

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Speaker 2: Is it a pre roll?

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Speaker 1: Oh good?

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Speaker 5: Sometimes, because I just assumed it was a mid roll ad.

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Speaker 5: And I know I'm not saying that because of this. Yeah,

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Speaker 5: because what.

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Speaker 2: Ever have you ever heard of somebody like that right

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Speaker 2: doing doing the injury the guest in the ad?

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Speaker 4: Right well? And precedented?

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Speaker 1: Sometimes it does say pre roll at the top of

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Speaker 1: an ad and then we'll read it and then when

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Speaker 1: we go uh to listen to the show, like they

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Speaker 1: just threw it in the fucking middles, just like, Okay, guys, thanks.

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Speaker 2: And someone will say on the internet like, I think

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Speaker 2: this was maybe supposed to be somewhere else, because I

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Speaker 2: think they were trying to tell us the story but

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Speaker 2: with the ads, but they're all out of order.

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Speaker 1: Yeah, and then we just are always punished for putting

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Speaker 1: any care into what we do in right, just fucking

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Speaker 1: no reward.

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Speaker 2: Ever, everyone else here knows it makes them look bad,

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Speaker 2: and so they will sabotage us to maintain the status quo.

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Speaker 1: They're all paying off and it's working. Yeah, and it's

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Speaker 1: working and it's working, and the status quo is alive

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Speaker 1: and healthy. Do you think do you think that's ideal

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Speaker 1: ad placement? Like from I wonder from your perspective creatively,

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Speaker 1: because clearly you're trying to do something, if you're if

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Speaker 1: you're throwing in some some story elements into your your ads,

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Speaker 1: it seems like pre roll works for you.

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Speaker 4: But like I wonder, from.

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Speaker 5: The advertisers perspective, do they think I have to think

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Speaker 5: maybe mid Roll is the most engaged like you're kind

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Speaker 5: of in the middy episode should go to break, then

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Speaker 5: you've got your audience already hooked. They're maybe more likely

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Speaker 5: to listen to that, or maybe they're already in the

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Speaker 5: middle of like their workout or their commute, so they're

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Speaker 5: not going to skip through the ad.

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Speaker 1: Oh yeah, obous, that's my assumption. That's the most obvious

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Speaker 1: thing in the world.

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Speaker 4: So you think that was a trite observation that I

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Speaker 4: shouldn't have made.

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Speaker 1: Yeah, that's insanely stupid.

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Speaker 2: Okay, all right, that's exactly what I was thinking.

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Speaker 4: Okay, well, I'm sorry.

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Speaker 1: You start the podcast, like anybody knows if they want

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Speaker 1: to skip ads that you just like skip to when

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Speaker 1: you actually oh now I'm hearing the theme song. Okay,

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Speaker 1: now I'm gonna listen. But then when one comes up

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Speaker 1: in the middle, everyone knows it both anecdotally from their

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Speaker 1: own lives and just be thinking for one fucking second,

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Speaker 1: how long did it take you to say it? I mean,

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Speaker 1: I take it.

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Speaker 5: I's spend a little bit of time just detailing the

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Speaker 5: logic that corn man.

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Speaker 1: All right, that's corny, but.

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Speaker 2: It also doesn't apply to another reason why it's so stupid.

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Speaker 2: It doesn't really apply to us because there are metrics. Now.

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Speaker 2: I don't know if you know about this because you're

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Speaker 2: operating independently, but you can see ads whether people drop

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Speaker 2: out or not when they're listening to ads. Oh interest,

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Speaker 2: there's a little graph that you know, a little line No,

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Speaker 2: I haven't seen creeping across the graph. It goes up

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Speaker 2: and down depending on when people are skipping or actually

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Speaker 2: listening to the ads and ours. If you look at ours,

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Speaker 2: it looks like the line is looks like my freakin' Dingling,

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Speaker 2: which sticks straight out.

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Speaker 5: Yeah straight yeah, no angle on that bad boy, just

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Speaker 5: no parallel with the floor, and a lot of the

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Speaker 5: other shows lines looks like my Dingling.

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Speaker 2: It goes straight down, which is yeah, it flat wides

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Speaker 2: for a while and then goes down got it and

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Speaker 2: like come back and like after like twenty five minute mark,

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Speaker 2: and then goes.

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Speaker 1: Back up and popped back up a little bit. Peek

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Speaker 1: it out.

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Speaker 4: So then the post roll is like.

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Speaker 5: Way down right yeah, because once the episode's over then

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Speaker 5: people aren't engaged anymore.

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Speaker 4: They're just yeah, I mean, oh I got it?

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Speaker 1: Yeah, post roll on your dog, yeah, yo, dude, hey man,

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Speaker 1: can we talk about the ad again. Let me just

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Speaker 1: say I'm sorry I blew by your steady Bobin for

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Speaker 1: apples thing.

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Speaker 2: I already like that.

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Speaker 1: I was thinking of that. I was going to say,

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Speaker 1: can you explain what that was to me? Steady Bob Yeah,

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Speaker 1: for apples?

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Speaker 2: Yeah?

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Speaker 4: What is that? Is that a corny activity?

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Speaker 1: Man? Like?

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Speaker 2: Oh yeah, so you are hearing that and thinking like

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Speaker 2: that sounds like a fun like date idea or something.

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Speaker 4: Sounds kind of yeah, wholesome.

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Speaker 1: It's germs, Okay, it's apples, which are one of the

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Speaker 1: corniest fruits, and it's like a Halloween activity, right, So

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Speaker 1: I guess you'd be doing it so you can like

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Speaker 1: bring up your monster fuck song. I did this kind

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Speaker 1: of famous song.

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Speaker 4: You think that's the thing. I try to like September

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Speaker 4: rolls around.

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Speaker 2: I feel like you start to get a little like

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Speaker 2: excited to bring out the monster fuck again.

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Speaker 1: Well, I think if you're buying for apples, it's pretty

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Speaker 1: likely that the monster mash will come on. You'll go like,

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Speaker 1: oh man, this actually reminds me of something very funny

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Speaker 1: I've done.

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Speaker 5: I mean, I don't know, I don't think that doesn't

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Speaker 5: sound like a fair characterization of me. I don't think

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Speaker 5: I'm someone who goes around bragging about bits I've.

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Speaker 4: Done on shows.

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Speaker 2: Mmmm. Anyway, I mean I.

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Speaker 5: Do it every year because Ackerman asked me to do it.

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Speaker 5: It's the one time he allows me to go on

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Speaker 5: Comedy Bang Bang once a year to do the monster

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Speaker 5: fuck and so like that's when it comes up, and

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Speaker 5: a lot of people do mention it to me on

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Speaker 5: social but I don't think it's the thing I bring

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Speaker 5: up on my own.

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Speaker 2: Seems like you should be allowed at this point to

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Speaker 2: do other holiday songs.

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Speaker 1: Mmmm, I could, I guess. I guess.

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Speaker 5: Then it just becomes like, is that just gonna seem

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Speaker 5: derivative of in the same way that monsters holidays?

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Speaker 2: But what would seem derivative of the thing that you

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Speaker 2: do now is doing it over and over again?

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Speaker 4: Sure instead of.

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Speaker 2: Doing you know, like giving something new, like your gross

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Speaker 2: out your signature grows out comedy for other holidays.

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Speaker 4: I see, Yeah, I don't know.

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Speaker 5: I guess there's I mean, there is something to the

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Speaker 5: element of like, oh, the I guess, the the meta

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Speaker 5: joke of I'm sure if I'm using meta correctly, but

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Speaker 5: the the the the like the joke of doing the

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Speaker 5: same bit every year is that I resented as it's

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Speaker 5: a new bit, and then so I just do the

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Speaker 5: exact same thing. I think, like if it was like

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Speaker 5: it was actually a new bit in a way, that's

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Speaker 5: almost rule of.

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Speaker 1: Thirty sevens the rule of thirty right right, it's now,

201
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Speaker 1: it's in the stage. Now where has stop being funny? Yeah,

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Speaker 1: but it's going to come.

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Speaker 5: Back around and then again thirty seven years from now

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Speaker 5: or he gets yeah, thirty thirty one years from now.

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Speaker 4: However long I've been doing.

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Speaker 1: It, yeah, six years, six years? Man, what a ride?

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Speaker 1: Huh goddamn.

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Speaker 2: People are thinking two episodes in a row with Jess

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Speaker 2: Wiger and no Mitch. That's very smart, very smart thing

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Speaker 2: to think. We are thinking that as well. Yeah, what

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Speaker 2: happens is we should get Kevin.

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Speaker 1: Kevin.

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Speaker 2: I shouldn't have to open the door to do this.

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Speaker 1: Keevin, please, please, here's my dog.

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Speaker 6: You want to shout that way?

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Speaker 1: He loves it when you shout that loud.

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Speaker 2: I want the door. Can you just have the door

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Speaker 2: to swing?

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Speaker 1: It didn't seem too startled, Yeah, but he was going

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Speaker 1: to be he's going to be licking the walls. Well,

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Speaker 1: now he's getting some showing on the foam in the corner.

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Speaker 1: Oh yeah, from freaking Wagger. He likes it.

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Speaker 7: Chef Kevin, Hi, Chef, Hey guys, Chef Kevin here, thanks

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Speaker 7: for having me.

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Speaker 2: You almost fucked up walk us through the process of

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Speaker 2: of booking this episode. Sure, okay.

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Speaker 7: I reached out to Nick and Mitch, like, what did

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Speaker 7: you say?

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Speaker 1: Nick?

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Speaker 2: A month ago as well? Again, you want me to

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Speaker 2: find out on I mean I could. I could look

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Speaker 2: it up in my email. That would be thrilling.

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Speaker 5: Okay, I'll be looking while while you're giving some more background.

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Speaker 2: Cool.

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Speaker 7: So I reached out like a month ago, I said, Hey,

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Speaker 7: Sean and Hayes would love to have you guys both

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Speaker 7: on Are you available any saturdays in February I believe,

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Speaker 7: I said, And then they both said the what's today?

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Speaker 2: The third would work for them.

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Speaker 7: And then I asked a couple days ago if they

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Speaker 7: could do because I originally asked for eleven am yes,

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Speaker 7: And then I said, could you guys actually do ten thirds?

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Speaker 1: Sorry real quick, Just so everyone listening knows, neither Hayes

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Speaker 1: nor I are giving Kevin the famous stretched out symbol

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Speaker 1: during this story. It may seem like if you just

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Speaker 1: imagine Kevin telling a story at this pace that there

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Speaker 1: must be someone across from him sort of pulling their

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Speaker 1: fingers apart, like they're pulling taffy.

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Speaker 4: We're both just staring at him in horror.

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Speaker 1: Yeah, in disbelief. I was finally able to get my

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Speaker 1: shit together enough just to say what was happening? But

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Speaker 1: but go ahead, Kevin.

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Speaker 2: In fear.

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Speaker 1: He actually put Bosh back to sleep.

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Speaker 4: Yeah, so you both said yes.

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Speaker 7: Then Mitch said he couldn't do today, kind of last minute.

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Speaker 4: Yeah, so what January fifth?

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Speaker 2: You emailed us, Yeah, and you asked him if the

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Speaker 2: follow up was, can you guys do half an hour earlier? Yeah?

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Speaker 2: He said, I will not be doing the show at all.

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Speaker 5: Right, I sadly have to This is Mitch's email, So

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Speaker 5: Kevin emailed, hey, guys, can you do ten thirty on Saturday?

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Speaker 4: Thanks Mitch. I sadly have to back out Saturday.

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Speaker 5: I'm going to the super Bowl last minute, So that

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Speaker 5: will kind of timestamp when this record is. I apologize,

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Speaker 5: Tell the guys I'm sorry. So yeah, that was his him.

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Speaker 1: You don't think a time stamp said February third, and

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Speaker 1: the time, Oh.

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Speaker 4: I guess I kind of I kind of zoned out.

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Speaker 4: You guys all zoned out.

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Speaker 2: It's okay, right.

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Speaker 5: I guess maybe people might not know what February what

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Speaker 5: might what my thinking was February third. People that date

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Speaker 5: might not mean anything but super Bowl weekend. They might

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Speaker 5: have a memory attached to that.

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Speaker 1: Sure, and please do you call it the Big Game?

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Speaker 2: Oh?

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Speaker 4: I apologize, of course, the Big Game.

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Speaker 2: Uh.

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Speaker 1: I wonder why you can't call it the Super Game?

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Speaker 2: Yeah?

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Speaker 1: They own super Yeah.

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Speaker 5: Right, I think it's probably safest legally to just excise

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Speaker 5: both words. If you used one or the other, it

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Speaker 5: might be somewhat actionable, right, Just freaking corny mother.

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Speaker 2: So Mitch's not the first time this is I think

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Speaker 2: this exact same thing happened.

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Speaker 4: Yeah, last time led on another record.

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Speaker 1: Book, both of you guys in the day before, which

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Speaker 1: was like, actually, I'm not going to be there.

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Speaker 2: People are and they also think like, oh, Mitch must

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Speaker 2: have like some good connections, like some good friends who

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Speaker 2: go to the Super Bowl. Nope, be paid three thousand

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Speaker 2: dollars of your Patreon money. That's where that's your buddy,

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Speaker 2: it's you. You are the friends.

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Speaker 1: I really want to support these podcasters. They did work

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Speaker 1: so hard, give me so much content. They freaking eat

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Speaker 1: cheese fry in front of a mic. I gotta, I

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Speaker 1: gotta give him the money. I aron all day fixing

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Speaker 1: air conditioners or whatever, crawling around an event, and then

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Speaker 1: fucking what does he do with the money? Flies out

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Speaker 1: three thousand dollars. That's not counting how much he paid

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Speaker 1: for the flights.

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Speaker 2: And for I bet he paid for his friend too.

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Speaker 2: I don't know if he paid for maybe. I don't

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Speaker 2: know if he paid for his friend. I think he

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Speaker 2: definitely went out of pocket for himself. He's staying with

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Speaker 2: a friend, so he doesn't have a hospitality expense the flight.

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Speaker 5: But he's gonna buy that guy dinner. Yeah, you'll buy

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Speaker 5: his friend dinner, I'm sure, and some drinks. But he

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Speaker 5: bragged about the flight like that. This is he bred.

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Speaker 5: This is how I knew how much he spent on

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Speaker 5: the tickets. He bragged about how much he'd saved on

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Speaker 5: the flight because he used he like, bought a flight

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Speaker 5: to Dallas with a connection in Minnesota. So he's just

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Speaker 5: going to get off the plane in Minneapolis, and so

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Speaker 5: that was cheaper than flying directly there, I guess.

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Speaker 2: And it was because of that decision, YEA, that it's

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Speaker 2: gonna take your thinking, like it's Saturday morning, why isn't

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Speaker 2: he available? For sure, because he saved like fifty bucks

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Speaker 2: to do a nine hour flight to Minneapolis, so he

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Speaker 2: had to probably leave it like six am.

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Speaker 4: Yeah, probably that's probably what happened.

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Speaker 5: Yeah, so, I mean it also could have been just

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Speaker 5: ten thirty was too early for him to start. That

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Speaker 5: could also have been in like he could he could

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Speaker 5: still be at home right now.

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Speaker 4: Who knows.

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Speaker 1: And for anyone who thinks, hey, these guys shouldn't be

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Speaker 1: in Mitch's pockets like this talking about the actual hard

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Speaker 1: numbers three thousand dollars that he paid for the tickets.

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Speaker 1: Anybody who wants to say that, here's what I have

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Speaker 1: to say to you. Mitch probably agrees.

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Speaker 4: So this is a continuing pattern.

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Speaker 1: It's a theme, right that Mitch bails on your ass,

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Speaker 1: he hangs you out to dry.

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Speaker 5: Yeah, I guess so. I mean, you know, it's it's

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Speaker 5: part of our working daily ship. Sure, yeah, I mean

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Speaker 5: I think we figure it out. But yeah, I've been

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Speaker 5: I've voiced my frustrations with Mitch at times, and he's

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Speaker 5: voices frustrat with me. We both have a kind of

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Speaker 5: a problems with each other. For different reasons. But yeah,

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Speaker 5: I will say that, like, he's not normally he doesn't

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Speaker 5: normally flake out like this on me, but it is

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Speaker 5: it is interesting that he's done this twice to you, guys.

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Speaker 2: No, this is on you. This is he's doing this

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Speaker 2: to you. You think he's doing this to me? Yea,

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Speaker 2: because here you are just like flopping around on the deck,

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Speaker 2: m like like a fish.

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Speaker 5: I guess sure, sure, Yeah, you guys are roasting me relentlessly,

351
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Speaker 5: calling me a corny ass motherfucker.

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Speaker 1: Well, and you're gonna and this is gonna be one

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Speaker 1: of the worst episodes of the year for you a guys.

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Speaker 1: And when they make the list, yeah, of all the

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Speaker 1: worst podcast episodes for the year, they're gonna go, Well,

356
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Speaker 1: the time Nick Waiger was on Hollywood Handbook and you're

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Speaker 1: exposed and Mitch knows that when he's with you, he's

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Speaker 1: sort of able to booy some of your traits, uh,

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Speaker 1: and that when he leaves you alone, he's going to

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Speaker 1: be fully exposing you as it's just so fucking corny.

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Speaker 2: I was really looking forward to that list because I thought,

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Speaker 2: oh god, it will be so great to like hear

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Speaker 2: all the episodes where they just got nothing going. The

364
00:17:10,440 --> 00:17:14,560
Speaker 2: host and the guests clearly just have no chemistry whatsoever,

365
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Speaker 2: nothing to talk about. That seemed like such a fun

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Speaker 2: list if we had not been on it so much.

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Speaker 1: Yeah, that's exactly right. I was really ready to just

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Speaker 1: dance on the graves of all my enemies, and then

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Speaker 1: I come to find out that.

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Speaker 2: It's your own name on the grave, like Scrooge.

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Speaker 1: Yeah, it's like screwed.

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Speaker 4: Who made this?

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Speaker 1: Is?

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Speaker 5: This was like a Pace magazine thing on the ear

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Speaker 5: Wolf subreddit. It's Paced, It's past Okah.

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Speaker 1: Yeah, I mean Pace.

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Speaker 2: You know they can be that.

378
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Speaker 5: Hey, they went after UCB for not paying coaches, I

379
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Speaker 5: mean they how.

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Speaker 2: Dare they this sacred institution right, m how dare you

381
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Speaker 2: suggest that they reimburse them for their labor when they

382
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Speaker 2: get attention for it, priceless attention.

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Speaker 4: Amen.

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Speaker 2: There's no amount of money they could that could be

385
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Speaker 2: enough to equal the amount of attention they get for

386
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Speaker 2: being coaches and the feeling of power.

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Speaker 1: It's a rock star lifestyle, man, I mean I can say,

388
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Speaker 1: and I've been through it, Jesus, Nick.

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Speaker 4: I've been on Harold Knight, I've been on mod Night.

390
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Speaker 4: I know what it's like.

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Speaker 2: It's electric the money would cheapen it, and I'm sure

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Speaker 2: all the coaches would say that as well. Can I

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Speaker 2: can we just step back for a Sace is obsessed

394
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Speaker 2: with money and paying people for work, shame?

395
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Speaker 1: Can we can we just step back for a sec?

396
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Speaker 1: It's more complicated than you think, though.

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Speaker 2: That's what I'm saying. This is my background. Yeah, I'm

398
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Speaker 2: slavishly devoted to my theater. Yeah, the same way you

399
00:18:54,040 --> 00:18:56,159
Speaker 2: feel about uh the Harvory lampoo.

400
00:18:56,320 --> 00:19:00,359
Speaker 1: Yeah, oh yeah, yeah. Did you see fewd on Stupid Jo? Sure?

401
00:19:01,080 --> 00:19:04,400
Speaker 4: I know, uh, all, my that's not my thing.

402
00:19:04,440 --> 00:19:05,960
Speaker 1: I'm not in all my heroes.

403
00:19:06,160 --> 00:19:06,360
Speaker 2: Yeah.

404
00:19:06,400 --> 00:19:08,480
Speaker 1: I guess it's really for me and my cronies, right,

405
00:19:09,560 --> 00:19:13,879
Speaker 1: but it was a portrayal of every single one of

406
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Speaker 1: my greatest heroes.

407
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Speaker 4: John Gamberling, armand Whitesman, John Day.

408
00:19:19,119 --> 00:19:25,199
Speaker 1: Armand Whitesman, you know. And uh and it was so

409
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Speaker 1: cool to see my life up there on the screen,

410
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Speaker 1: right partying in a castle.

411
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Speaker 2: I'm drinking softball with the crimsoids and not even taking

412
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Speaker 2: it seriously at all.

413
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Speaker 1: Leave, yeah, not even caring and that.

414
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Speaker 2: Making a mockery of it.

415
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Speaker 1: And and giving a little bit of a middle finger

416
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Speaker 1: to just about everybody because if you can't laugh, then

417
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Speaker 1: why are we even on this fucking stupid blue marble

418
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Speaker 1: we called the planet.

419
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Speaker 5: Is there any sort of hazing involved in joining the Lampoon?

420
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Speaker 2: Uh?

421
00:19:59,280 --> 00:20:02,160
Speaker 1: Yeah, I will. We'll fuck with you. Oh yeah, oh yeah,

422
00:20:02,320 --> 00:20:04,600
Speaker 1: you come rolling in there. Man, you're gonna take some

423
00:20:04,720 --> 00:20:10,280
Speaker 1: licks right unfortunately. But at the same time, that's what

424
00:20:10,359 --> 00:20:13,439
Speaker 1: makes you so strong and funny. Later is that, like,

425
00:20:13,960 --> 00:20:16,840
Speaker 1: you know, you earned your spot because one thing we'll

426
00:20:16,880 --> 00:20:20,880
Speaker 1: do is if you're a woman, we won't let you in.

427
00:20:22,960 --> 00:20:27,440
Speaker 2: If you're not white. I heard that wasn't true. Yeah,

428
00:20:27,480 --> 00:20:28,240
Speaker 2: it is true.

429
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Speaker 1: We yeah, if you're not white, We're basically like we

430
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Speaker 1: might let you in, but.

431
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Speaker 5: Will never really take you seriously. See to me, I

432
00:20:36,160 --> 00:20:38,520
Speaker 5: asked about I asked about hazing. This just sounds like

433
00:20:39,320 --> 00:20:42,919
Speaker 5: a discriminatory practice and who you're admitting, like, that's not

434
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Speaker 5: what it care character it is. Hazing is like oh,

435
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Speaker 5: you have to drink a bunch of you know, a

436
00:20:46,880 --> 00:20:49,080
Speaker 5: bunch of shots or something, or oh no.

437
00:20:49,000 --> 00:20:58,200
Speaker 8: We never make you do that, Okay, we will. One

438
00:20:58,240 --> 00:21:01,159
Speaker 8: thing we really like to do is just mess up

439
00:21:01,200 --> 00:21:03,520
Speaker 8: a castle and just make somebody clean it up.

440
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Speaker 1: And that's cool. And so in the way we're hazing,

441
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Speaker 1: like the cleaning staff that we pay for, right.

442
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Speaker 5: I did hear from someone who was I don't know

443
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Speaker 5: if they were associated with a lampoon or they had

444
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Speaker 5: a friend who was at the lampoon, but that they

445
00:21:19,320 --> 00:21:21,960
Speaker 5: were that there was some sort of plate breaking ritual

446
00:21:22,119 --> 00:21:24,159
Speaker 5: like people like everyone was going in somewhere and like

447
00:21:24,200 --> 00:21:26,800
Speaker 5: just shattering plate, like throwing plates on the ground.

448
00:21:27,200 --> 00:21:31,399
Speaker 1: We'll do that anywhere. Their service staff, we will disrespect them.

449
00:21:32,400 --> 00:21:34,840
Speaker 1: That's a fucking joke to us. We never have had

450
00:21:34,920 --> 00:21:39,120
Speaker 1: jobs or anything, I guess, so we will absolutely make

451
00:21:39,160 --> 00:21:42,440
Speaker 1: their lives more difficult by just smashing shit and making

452
00:21:42,440 --> 00:21:45,000
Speaker 1: a mess. And that is sort of how we get

453
00:21:45,040 --> 00:21:48,160
Speaker 1: our kicks. And so yeah, in a way, we are

454
00:21:48,160 --> 00:21:53,320
Speaker 1: hazing anyone who didn't go to Harvard, really and we're

455
00:21:53,359 --> 00:21:55,920
Speaker 1: just giving freaking jobs to each other and stuff, not

456
00:21:55,960 --> 00:21:56,520
Speaker 1: like we need them.

457
00:21:56,560 --> 00:22:00,399
Speaker 4: But what do you think Harvard is alone among the

458
00:22:00,440 --> 00:22:01,119
Speaker 4: IVY leagues?

459
00:22:01,200 --> 00:22:03,520
Speaker 5: Is like kind of having a that sort of humor

460
00:22:03,600 --> 00:22:07,760
Speaker 5: magazine that people hold up is this is influential and

461
00:22:07,800 --> 00:22:10,480
Speaker 5: this is what you know. This is a feeder too,

462
00:22:11,000 --> 00:22:17,400
Speaker 5: Nick shot Fire Dartmouth Jack. Watch the movie Oh oh

463
00:22:17,400 --> 00:22:19,480
Speaker 5: it's the Tiger.

464
00:22:20,560 --> 00:22:23,320
Speaker 1: But why are they alone and being so influential. I

465
00:22:23,359 --> 00:22:26,880
Speaker 1: guess because we're just so funny, me and my crony.

466
00:22:27,040 --> 00:22:32,280
Speaker 2: Sure, all the Stanford Chappies out there are foaming at

467
00:22:32,280 --> 00:22:32,800
Speaker 2: the mouth.

468
00:22:35,080 --> 00:22:39,160
Speaker 1: Yeah, I can't believe that. Uh Nick Wiger went after

469
00:22:39,200 --> 00:22:41,159
Speaker 1: those guys. I didn't think this corny bitch had it

470
00:22:41,160 --> 00:22:43,600
Speaker 1: in him, but he's actually really.

471
00:22:43,359 --> 00:22:46,480
Speaker 4: Freaking slashing them. I'll go after the chappies.

472
00:22:47,000 --> 00:22:50,760
Speaker 2: So you did a whole new song for the double Yeah,

473
00:22:50,800 --> 00:22:52,200
Speaker 2: we know we have to do that.

474
00:22:52,520 --> 00:22:54,480
Speaker 4: I mean you don't have to, Yeah, we do.

475
00:22:54,840 --> 00:22:58,919
Speaker 2: Okay, everyone is looking at what you did now that

476
00:22:59,000 --> 00:23:01,240
Speaker 2: we are making. I don't know if you've heard we

477
00:23:01,359 --> 00:23:02,679
Speaker 2: have bookou Bucks now.

478
00:23:02,760 --> 00:23:05,520
Speaker 5: Yeah, you guys are you? You're doing a bon bonus

479
00:23:05,520 --> 00:23:07,640
Speaker 5: episodes on the on Stitch your Premium.

480
00:23:07,640 --> 00:23:08,879
Speaker 4: Correct, it's the name of the service.

481
00:23:09,000 --> 00:23:10,160
Speaker 2: Yeah, I don't say it like that.

482
00:23:10,640 --> 00:23:14,560
Speaker 1: Yeah, man, you got the name right, Stitch your Premium.

483
00:23:14,600 --> 00:23:17,240
Speaker 2: I hear it saying like, oh, it's like Stitch your Premium.

484
00:23:17,400 --> 00:23:21,160
Speaker 2: It's like you're taking five dollars a month payments and

485
00:23:21,240 --> 00:23:25,000
Speaker 2: like taking a fraction of a cent off each one. Meanwhile,

486
00:23:25,320 --> 00:23:29,520
Speaker 2: I'm taking fifteen dollars like a person like a listener.

487
00:23:30,119 --> 00:23:32,679
Speaker 1: Yeah we're not exactly flying to the super Bowl with it,

488
00:23:32,760 --> 00:23:37,359
Speaker 1: but uh, that's not that's not exactly what we need

489
00:23:37,400 --> 00:23:41,480
Speaker 1: from our listeners. See when you when you go behind

490
00:23:41,480 --> 00:23:43,840
Speaker 1: a paywall like Stitch your Premium and yeah, oh we

491
00:23:43,880 --> 00:23:46,919
Speaker 1: don't like the paywall. One thing is you get a

492
00:23:46,960 --> 00:23:51,840
Speaker 1: lot of shows our old show there, this show Hollywood

493
00:23:51,840 --> 00:23:54,760
Speaker 1: master Class. People are saying, he's very funny. Is there

494
00:23:55,440 --> 00:23:57,720
Speaker 1: even the teachers Lounge our greatest enemy, We're in there

495
00:23:57,800 --> 00:24:01,080
Speaker 1: having a party in there with them. It's fun, Mike,

496
00:24:01,119 --> 00:24:03,960
Speaker 1: because your ship. Yeah, I pay for your shit. I

497
00:24:04,200 --> 00:24:05,919
Speaker 1: just get your shit and then if I want someone else,

498
00:24:05,960 --> 00:24:06,760
Speaker 1: I got to pay for that.

499
00:24:06,680 --> 00:24:10,040
Speaker 5: Too, Right, Yeah, I mean I think the Patreon modney

500
00:24:10,520 --> 00:24:13,280
Speaker 5: I think I don't like to say it was corny,

501
00:24:13,280 --> 00:24:15,800
Speaker 5: but I do think the Patreon model ultimately is going

502
00:24:15,880 --> 00:24:18,800
Speaker 5: to be is going to run into a critical mass

503
00:24:18,800 --> 00:24:21,280
Speaker 5: issue where it's like, how many five dollars a month

504
00:24:21,320 --> 00:24:23,960
Speaker 5: patreons are you going to pay for individual podcasts? Like

505
00:24:24,000 --> 00:24:26,560
Speaker 5: if you know the if every every podcast is setting

506
00:24:26,640 --> 00:24:29,399
Speaker 5: up their own little mini paywall, how many of those

507
00:24:29,440 --> 00:24:30,840
Speaker 5: am I ultimately going to subscribe to?

508
00:24:30,920 --> 00:24:31,400
Speaker 4: Eventually?

509
00:24:31,720 --> 00:24:33,960
Speaker 5: Likes with Stitch your Premium we'll probably see people bundle

510
00:24:34,000 --> 00:24:36,400
Speaker 5: into other paywald services.

511
00:24:36,520 --> 00:24:38,360
Speaker 1: Yeah, that's why we're nice to our fans.

512
00:24:38,400 --> 00:24:40,080
Speaker 2: So what is that?

513
00:24:40,080 --> 00:24:40,800
Speaker 4: What do you mean by that?

514
00:24:40,880 --> 00:24:41,160
Speaker 2: Maybe?

515
00:24:41,240 --> 00:24:44,480
Speaker 1: Explain, do you you explain what it means Nick, that

516
00:24:44,640 --> 00:24:46,040
Speaker 1: we're actually nice to you?

517
00:24:46,119 --> 00:24:47,680
Speaker 4: Oh, you're actually nice to your fans.

518
00:24:47,840 --> 00:24:51,480
Speaker 1: Explain because people are saying. People are probably going, wait

519
00:24:51,480 --> 00:24:53,560
Speaker 1: a minute, why didn't they just do a ringin Patreon

520
00:24:53,880 --> 00:24:59,040
Speaker 1: And it's like, oh, yeah, that would have been bookoo bucks. Yeah,

521
00:24:59,200 --> 00:25:01,359
Speaker 1: that would have been a bunch of books for sure.

522
00:25:01,480 --> 00:25:05,640
Speaker 1: I'd be even freaking super Bowl right now. But I'm

523
00:25:05,640 --> 00:25:08,919
Speaker 1: actually nice in my fans, and you don't have to

524
00:25:08,920 --> 00:25:10,840
Speaker 1: pay five bucks just for my show. You pay for

525
00:25:10,880 --> 00:25:12,960
Speaker 1: that this other show, Hollywood master Class. I heard it's

526
00:25:13,040 --> 00:25:18,000
Speaker 1: really funny and even our enemies of Teacher's lunge up there.

527
00:25:18,640 --> 00:25:21,400
Speaker 2: What else did you do that's different for the double Yeah,

528
00:25:21,440 --> 00:25:23,600
Speaker 2: how did you do that? Now we're going to be

529
00:25:23,640 --> 00:25:24,840
Speaker 2: expected to do well.

530
00:25:25,760 --> 00:25:27,639
Speaker 5: I mean I would say that we have a we

531
00:25:28,160 --> 00:25:32,320
Speaker 5: do You guys have a pretty loose format for your show,

532
00:25:32,920 --> 00:25:35,479
Speaker 5: and we have a little bit of a stricter structure format.

533
00:25:35,720 --> 00:25:42,000
Speaker 2: The tight the like razor sharp format, right, the Swiss.

534
00:25:42,040 --> 00:25:47,160
Speaker 1: The food well, you really should get to the forks.

535
00:25:48,800 --> 00:25:52,119
Speaker 5: I wouldn't say we have like precise you know it's

536
00:25:52,160 --> 00:25:54,320
Speaker 5: not precise, but we we have like a general sort

537
00:25:54,320 --> 00:25:57,960
Speaker 5: of mechanism for how we construct our normal shows, and

538
00:25:57,960 --> 00:25:59,800
Speaker 5: they're all centered around usually an individual.

539
00:26:00,240 --> 00:26:02,800
Speaker 4: So you know, this is the episode we're gonna review Denny's.

540
00:26:02,520 --> 00:26:06,200
Speaker 2: Wlay the song that other people did for you, right

541
00:26:06,280 --> 00:26:07,840
Speaker 2: that that is an element? Yeah, there's.

542
00:26:09,280 --> 00:26:11,679
Speaker 1: I wanted to ask, is there anything you want us

543
00:26:11,720 --> 00:26:14,560
Speaker 1: to say for a drop? A lot of times people

544
00:26:14,760 --> 00:26:17,240
Speaker 1: pull ship out of our ship to do it drop.

545
00:26:17,440 --> 00:26:19,440
Speaker 1: I heard someone say was in a drop because.

546
00:26:19,240 --> 00:26:22,240
Speaker 2: I heard someone say, oh, I should maybe subscribe to

547
00:26:22,320 --> 00:26:24,840
Speaker 2: sitch a premium because they said something about the dough Boys,

548
00:26:24,840 --> 00:26:26,560
Speaker 2: and maybe I could cut that up for a drop.

549
00:26:27,359 --> 00:26:31,160
Speaker 2: Get out of my bay Wall subscription feed, Get out

550
00:26:31,160 --> 00:26:31,520
Speaker 2: of here.

551
00:26:32,080 --> 00:26:34,880
Speaker 1: If you're just pan to make a drop, forget it here.

552
00:26:34,880 --> 00:26:40,840
Speaker 1: I'll give you the fucking drop free. Fuck the Doe Boy.

553
00:26:41,840 --> 00:26:45,960
Speaker 2: Put a drop shield on it, Brett, so they try

554
00:26:46,040 --> 00:26:48,200
Speaker 2: to splice it for a drop.

555
00:26:48,280 --> 00:26:49,680
Speaker 1: Brett initiate drop shield.

556
00:26:51,800 --> 00:26:54,680
Speaker 6: Uh what what is that?

557
00:26:55,040 --> 00:26:57,000
Speaker 2: Brett doesn't feel like he's been allowed to do enough

558
00:26:57,000 --> 00:27:00,200
Speaker 2: this episode. Now he's punishing us m Jimmy.

559
00:27:00,160 --> 00:27:02,200
Speaker 5: By drop shield, I just I want to try to

560
00:27:02,240 --> 00:27:04,960
Speaker 5: because I like bread. I'm also unclear on what you mean.

561
00:27:05,240 --> 00:27:06,679
Speaker 5: Are you sug guessing some sort of light. It's a

562
00:27:06,720 --> 00:27:08,680
Speaker 5: protective shield that when they try.

563
00:27:08,359 --> 00:27:11,600
Speaker 2: To splice it, okay, deflex the splice.

564
00:27:11,760 --> 00:27:14,119
Speaker 5: Oh so it like encrypts that little element. If you

565
00:27:14,119 --> 00:27:17,159
Speaker 5: try to pull it out, say any shield.

566
00:27:17,080 --> 00:27:20,479
Speaker 2: Ricochet, the splice ricochets into one of their other apps.

567
00:27:20,560 --> 00:27:23,080
Speaker 6: M Oh so it can't just say dough boy. They

568
00:27:23,080 --> 00:27:25,480
Speaker 6: can't just take out dough boys from that has to

569
00:27:25,480 --> 00:27:26,359
Speaker 6: be fuck the dough boys.

570
00:27:27,080 --> 00:27:29,280
Speaker 2: No bread. They aren't allowed to spice any of it.

571
00:27:29,320 --> 00:27:30,719
Speaker 2: They'll be tempted. That was spicy.

572
00:27:30,960 --> 00:27:32,960
Speaker 1: That's a perfect that would be a perfect.

573
00:27:32,720 --> 00:27:35,880
Speaker 4: Tron perfect spice. They try to.

574
00:27:35,920 --> 00:27:38,520
Speaker 1: Get you the seest drop they've ever heard in their life.

575
00:27:38,560 --> 00:27:40,159
Speaker 1: And remember then when they go in to splice it,

576
00:27:40,160 --> 00:27:43,040
Speaker 1: it's going to freaking shoot off ricochet like what Hayes said,

577
00:27:43,119 --> 00:27:45,480
Speaker 1: And the skull made of ones and zeros comes out

578
00:27:45,480 --> 00:27:46,520
Speaker 1: on their screen and goes.

579
00:27:49,160 --> 00:27:50,560
Speaker 4: Eats one of their other apps.

580
00:27:52,160 --> 00:27:53,920
Speaker 6: Got it, So I'll shield the entire thing.

581
00:27:53,960 --> 00:27:57,119
Speaker 4: Then the skill today, the skull is going to have

582
00:27:57,200 --> 00:27:57,840
Speaker 4: a nice day.

583
00:27:58,240 --> 00:28:00,960
Speaker 2: Have a nice day, I'll all the other screens in

584
00:28:01,000 --> 00:28:03,880
Speaker 2: their house, the skull appearing have a nice day.

585
00:28:04,920 --> 00:28:07,800
Speaker 1: Yeah, and he actually is giving them the opposite. Yes,

586
00:28:10,920 --> 00:28:13,720
Speaker 1: So Nick, what do you want me to drop on you? Well,

587
00:28:13,720 --> 00:28:15,760
Speaker 1: you just said any drop you want. You just said

588
00:28:15,760 --> 00:28:17,240
Speaker 1: that this this is going to be shielded.

589
00:28:17,320 --> 00:28:18,159
Speaker 4: So I didn't know.

590
00:28:18,240 --> 00:28:19,160
Speaker 2: I mean we shielded.

591
00:28:19,280 --> 00:28:21,080
Speaker 1: No, we shielded just that one phrase.

592
00:28:21,440 --> 00:28:23,720
Speaker 5: Can we will do it again? Can you shield just

593
00:28:23,920 --> 00:28:25,679
Speaker 5: a fragment of an MP three file?

594
00:28:25,880 --> 00:28:27,600
Speaker 1: Like? Is that technologically possible?

595
00:28:28,400 --> 00:28:29,800
Speaker 6: I can Yeah, I can do anything.

596
00:28:29,920 --> 00:28:32,680
Speaker 1: Okay, all right, he's the lead engineer.

597
00:28:32,840 --> 00:28:36,880
Speaker 6: Yeah, we haven't been properly introduced, but I'm.

598
00:28:36,760 --> 00:28:39,840
Speaker 1: Just saying Dustin marshall over all right, Yeah.

599
00:28:39,600 --> 00:28:46,360
Speaker 2: This is brand Morris. How do you Here's what I want? Yeah,

600
00:28:46,480 --> 00:28:49,520
Speaker 2: you can feel I'm sure it's in this room. Us

601
00:28:49,560 --> 00:28:53,479
Speaker 2: having to do the extra episode has sapped all of

602
00:28:53,520 --> 00:28:54,920
Speaker 2: our strength.

603
00:28:55,120 --> 00:28:56,440
Speaker 1: Is this the extra episode?

604
00:28:56,640 --> 00:28:57,960
Speaker 2: Or might well be?

605
00:28:58,280 --> 00:29:01,520
Speaker 5: Oh okay, but it's the same thing. It's all crap now,

606
00:29:01,760 --> 00:29:03,880
Speaker 5: that's all mush. That is the thing we've run into

607
00:29:03,960 --> 00:29:05,760
Speaker 5: because we do did you so? Is this your second

608
00:29:05,800 --> 00:29:07,680
Speaker 5: record of the day? Did you do another one earlier?

609
00:29:08,200 --> 00:29:11,000
Speaker 2: No? Not even But we've had to do other extra

610
00:29:11,080 --> 00:29:13,920
Speaker 2: records in the past that were recording, and I thought

611
00:29:13,960 --> 00:29:18,520
Speaker 2: that maybe each one would be half as good because

612
00:29:18,680 --> 00:29:22,920
Speaker 2: we're taking one amount of energy and distributing it across

613
00:29:22,960 --> 00:29:25,800
Speaker 2: more of a show. But it's actually somehow even less

614
00:29:26,000 --> 00:29:28,600
Speaker 2: energy than we were starting with in the first place.

615
00:29:28,680 --> 00:29:30,400
Speaker 1: Just knowing that we have to do too, I think

616
00:29:30,480 --> 00:29:32,160
Speaker 1: means that each one is maybe.

617
00:29:31,920 --> 00:29:35,080
Speaker 5: A quarter Yeah, yeah, yeah, I think I think definitely,

618
00:29:35,120 --> 00:29:38,200
Speaker 5: Like that's kind of an issue we've had as well.

619
00:29:38,240 --> 00:29:41,320
Speaker 5: I mean for us most more, it's more logistically that

620
00:29:41,400 --> 00:29:43,560
Speaker 5: we will that, yeah, that will double up records, so

621
00:29:43,600 --> 00:29:45,360
Speaker 5: we'll do like a regular we'll do a full episode

622
00:29:45,440 --> 00:29:48,320
Speaker 5: and then a bonus episode, and so it's like, you know,

623
00:29:48,320 --> 00:29:50,080
Speaker 5: we're doing twice the talking and yeah.

624
00:29:49,880 --> 00:29:50,640
Speaker 1: It's like shit, man.

625
00:29:50,760 --> 00:29:52,720
Speaker 2: And so my my question, the reason they asked you,

626
00:29:52,880 --> 00:29:56,360
Speaker 2: is how do you handle that, like morally that you're

627
00:29:56,400 --> 00:29:58,040
Speaker 2: just like getting away with this, Yeah, like.

628
00:29:58,000 --> 00:30:01,560
Speaker 1: We're charging our fans more money basically for a worse

629
00:30:01,640 --> 00:30:02,760
Speaker 1: product in it.

630
00:30:02,840 --> 00:30:07,440
Speaker 5: Right, Yeah, I guess that's part of I mean, that's

631
00:30:07,440 --> 00:30:09,560
Speaker 5: that's part of the calculation behind it, right, Like you

632
00:30:09,600 --> 00:30:11,719
Speaker 5: want to make it as good as possible, but and

633
00:30:11,760 --> 00:30:14,320
Speaker 5: then you you you I guess they're guilt is kind

634
00:30:14,320 --> 00:30:16,160
Speaker 5: of a motivating factor of like, Okay, I want to

635
00:30:16,160 --> 00:30:18,120
Speaker 5: make sure that this thing, this product that someone is

636
00:30:18,120 --> 00:30:22,120
Speaker 5: paying extra for is not of worse.

637
00:30:21,960 --> 00:30:23,520
Speaker 4: Quality, but then it is worse?

638
00:30:24,840 --> 00:30:26,720
Speaker 1: Are you driven by shame?

639
00:30:27,040 --> 00:30:30,320
Speaker 2: But then look, here's what I'm guessing happens. Yeah, the

640
00:30:30,360 --> 00:30:33,000
Speaker 2: shame as you're like driving home from the record, you're

641
00:30:33,040 --> 00:30:35,120
Speaker 2: just racked by shame and you want to drive into

642
00:30:35,200 --> 00:30:37,440
Speaker 2: a bridge abutment. But then you go home, open the

643
00:30:37,440 --> 00:30:39,200
Speaker 2: fridge and it's full of that sweet corn.

644
00:30:41,000 --> 00:30:43,240
Speaker 5: You think because I'm corny, Like the corn is my

645
00:30:43,240 --> 00:30:47,640
Speaker 5: favorite food, sweet ears of corn, gold corn, that gold

646
00:30:47,680 --> 00:30:48,600
Speaker 5: and sweet corn.

647
00:30:48,880 --> 00:30:51,880
Speaker 2: Your face is bathed in the yellow light from all

648
00:30:51,880 --> 00:30:52,640
Speaker 2: the sweet cord.

649
00:30:53,040 --> 00:30:54,880
Speaker 1: Yeah, you're fringing, mixing up some.

650
00:30:56,840 --> 00:30:57,239
Speaker 4: I would say.

651
00:30:57,280 --> 00:30:59,360
Speaker 5: I would say actually having a lote asado to me

652
00:30:59,400 --> 00:31:02,160
Speaker 5: would be less corny, because that's like, oh yeah, this

653
00:31:02,160 --> 00:31:06,840
Speaker 5: this is corn based. But that's not a conventional Caucasian

654
00:31:06,880 --> 00:31:07,640
Speaker 5: white person food.

655
00:31:07,640 --> 00:31:13,760
Speaker 1: That's engine explaining that imagine who would explain that.

656
00:31:12,440 --> 00:31:14,040
Speaker 4: That's what I'm That's what I'm saying.

657
00:31:14,160 --> 00:31:16,360
Speaker 1: Yeah, no, but imagine who would tell us about that?

658
00:31:17,240 --> 00:31:17,680
Speaker 2: Are you saying?

659
00:31:17,720 --> 00:31:20,320
Speaker 1: Are you saying a corny person is explain. I'm not

660
00:31:20,360 --> 00:31:23,560
Speaker 1: saying anything the Corny Man. I'm just asking you imagine

661
00:31:24,160 --> 00:31:24,880
Speaker 1: the Corny Man.

662
00:31:25,080 --> 00:31:25,320
Speaker 2: Yeah.

663
00:31:25,520 --> 00:31:27,720
Speaker 1: Do you want me to do the full corny mass

664
00:31:28,360 --> 00:31:30,160
Speaker 1: from a Total Devastation album?

665
00:31:30,240 --> 00:31:31,040
Speaker 2: Yes? Yeah?

666
00:31:31,240 --> 00:31:32,560
Speaker 1: Have I done that on the show before?

667
00:31:32,800 --> 00:31:35,440
Speaker 2: Yes, but not this song parody version of it?

668
00:31:36,120 --> 00:31:39,360
Speaker 1: Mmm mm hmm. Yeah. I wonder what I wonder how

669
00:31:39,400 --> 00:31:44,000
Speaker 1: it would change the lyrics to the Corny Man. I

670
00:31:44,120 --> 00:31:46,520
Speaker 1: might need a few minutes. Do you know the song

671
00:31:46,560 --> 00:31:47,200
Speaker 1: of Corny Man?

672
00:31:47,320 --> 00:31:47,520
Speaker 2: No?

673
00:31:47,640 --> 00:31:48,120
Speaker 4: I don't.

674
00:31:49,280 --> 00:31:50,320
Speaker 1: Is this from a musical?

675
00:31:50,880 --> 00:31:52,840
Speaker 4: I didn't know it either, Okay.

676
00:31:53,120 --> 00:31:56,120
Speaker 1: I mean so Total Devastation had a song called the

677
00:31:56,160 --> 00:32:00,560
Speaker 1: Horny Man. Who's Total Devastation. They were sort of like

678
00:32:00,600 --> 00:32:06,360
Speaker 1: a yeah, that's fun. Yeah, a musical artist, yeah, weed rappers?

679
00:32:06,440 --> 00:32:09,400
Speaker 1: Oh hell yeah mmmm. And I do know most of

680
00:32:09,440 --> 00:32:14,080
Speaker 1: the words to the Corny Man, but I don't really

681
00:32:14,120 --> 00:32:15,280
Speaker 1: know how to change them.

682
00:32:15,400 --> 00:32:18,360
Speaker 4: You had, but you've been having to talk, so it's.

683
00:32:18,360 --> 00:32:21,160
Speaker 1: And it's well, and I have been checking in with

684
00:32:21,240 --> 00:32:24,560
Speaker 1: myself do I have anything? And the answer is not really.

685
00:32:24,440 --> 00:32:27,920
Speaker 2: Even one line? What's an original line? And we can

686
00:32:27,960 --> 00:32:28,520
Speaker 2: all do it?

687
00:32:28,560 --> 00:32:30,560
Speaker 5: So the original line, the original song is called the

688
00:32:30,600 --> 00:32:33,280
Speaker 5: Horny Man. Well, it's interesting doing a lot of it.

689
00:32:33,400 --> 00:32:36,320
Speaker 5: Yeah sure, okay, yeah, so sing some of it?

690
00:32:37,360 --> 00:32:40,760
Speaker 1: H one two mic check. It came to get nicke

691
00:32:40,760 --> 00:32:41,520
Speaker 1: it's can I get with it?

692
00:32:41,760 --> 00:32:42,160
Speaker 2: Can I hit it?

693
00:32:42,120 --> 00:32:43,680
Speaker 1: Because I'm a horny man. I love to hit skins. See,

694
00:32:43,680 --> 00:32:44,920
Speaker 1: I got a gym hat. So it's to go in

695
00:32:44,920 --> 00:32:49,280
Speaker 1: getting hot like a toast women and women, you're.

696
00:32:49,120 --> 00:32:51,400
Speaker 2: Going too fast, mad skins like you're going too fast

697
00:32:51,400 --> 00:32:53,080
Speaker 2: for me to do it something sound like twisted but

698
00:32:53,080 --> 00:32:54,920
Speaker 2: I could do. Okay, So this is the corny man

699
00:32:55,080 --> 00:32:57,360
Speaker 2: one to check. It came to get breakfast? What's the

700
00:32:57,400 --> 00:32:57,880
Speaker 2: next live?

701
00:32:58,080 --> 00:33:04,040
Speaker 1: Yeah? Uh uh, you just came to get with it? So, honey,

702
00:33:04,080 --> 00:33:04,640
Speaker 1: can I hit it?

703
00:33:04,680 --> 00:33:09,200
Speaker 2: Okay? Maybe? Uh huh?

704
00:33:09,240 --> 00:33:09,840
Speaker 1: And what about it?

705
00:33:09,960 --> 00:33:10,680
Speaker 4: What about this part?

706
00:33:10,760 --> 00:33:13,040
Speaker 1: Came to get but this part is they quit it?

707
00:33:13,120 --> 00:33:15,520
Speaker 1: But this part's good. But this part's good. Hang on,

708
00:33:15,640 --> 00:33:19,800
Speaker 1: I came to play quit it. Wait, but this part's better.

709
00:33:20,320 --> 00:33:24,400
Speaker 1: He goes, he goes, he goes, he goes. See, everybody

710
00:33:24,400 --> 00:33:25,840
Speaker 1: loved me because I got a lot of flavor and

711
00:33:25,840 --> 00:33:27,920
Speaker 1: plus a blessed known from it. Wait, see, everybody loved

712
00:33:27,920 --> 00:33:29,160
Speaker 1: me because I got a lot of flavor and plus

713
00:33:29,160 --> 00:33:30,640
Speaker 1: the best known from my sexual behavior.

714
00:33:31,120 --> 00:33:32,240
Speaker 2: Okay, So that part.

715
00:33:32,320 --> 00:33:34,640
Speaker 1: I think he's talking about flavor already.

716
00:33:35,080 --> 00:33:38,920
Speaker 5: Sure, yeah, but I guess for me it's it's it

717
00:33:39,000 --> 00:33:41,240
Speaker 5: seems like is the thesis of this song. It's gonna

718
00:33:41,240 --> 00:33:45,000
Speaker 5: be about corn the food, or it's about being corny,

719
00:33:45,200 --> 00:33:48,200
Speaker 5: like the idea of being he made a corn Yeah,

720
00:33:48,280 --> 00:33:49,520
Speaker 5: you see the corny man.

721
00:33:49,720 --> 00:33:51,640
Speaker 2: I think we can find room for all these things

722
00:33:52,440 --> 00:33:54,200
Speaker 2: because everyone everybody loves me.

723
00:33:54,400 --> 00:33:56,600
Speaker 1: Sexual behavior, I'm hung like a hanging the green weaed

724
00:33:56,640 --> 00:33:58,280
Speaker 1: sling and like the hit squad on the side his

725
00:33:58,280 --> 00:33:58,800
Speaker 1: head bang, it.

726
00:34:00,400 --> 00:34:01,080
Speaker 2: Hit you like a dog.

727
00:34:01,120 --> 00:34:03,240
Speaker 1: All you need is a hug. You can be loved.

728
00:34:04,520 --> 00:34:06,600
Speaker 4: Is this your favorite song? You really know a lot

729
00:34:06,640 --> 00:34:06,880
Speaker 4: of it?

730
00:34:07,000 --> 00:34:11,440
Speaker 2: Yeah, I know, Yeah, he knows that. He's just saying it.

731
00:34:11,680 --> 00:34:14,960
Speaker 5: You were playing this a lot, and the opfice is

732
00:34:14,960 --> 00:34:16,919
Speaker 5: of the Harvard Lampoon. This is when you guys would

733
00:34:17,520 --> 00:34:18,319
Speaker 5: play to get Down.

734
00:34:18,400 --> 00:34:21,680
Speaker 1: Oh yeah, we would. We would throw that on and

735
00:34:21,760 --> 00:34:24,120
Speaker 1: we would just set a big pile of money.

736
00:34:23,840 --> 00:34:26,960
Speaker 2: On fire, warm our hands. That was part of the

737
00:34:27,000 --> 00:34:30,880
Speaker 2: big subversion, especially with all your old heroes I know

738
00:34:30,960 --> 00:34:34,520
Speaker 2: for the movie is that they were exclusively white, but

739
00:34:34,680 --> 00:34:37,120
Speaker 2: they would play this motown music.

740
00:34:37,760 --> 00:34:39,840
Speaker 1: Yeah, very Gordy.

741
00:34:40,280 --> 00:34:41,000
Speaker 4: Oh that's fun.

742
00:34:45,200 --> 00:34:47,360
Speaker 1: We are we doing anything with that flavor line? At

743
00:34:47,440 --> 00:34:48,120
Speaker 1: least before we.

744
00:34:48,280 --> 00:34:51,200
Speaker 2: Everybody loved me because I got an electric shaver, and

745
00:34:52,520 --> 00:34:54,600
Speaker 2: everybody know me for my corny ass behavior.

746
00:34:55,200 --> 00:34:57,520
Speaker 1: Plus the best known for my plus for my corny

747
00:34:57,520 --> 00:35:02,319
Speaker 1: ass behavior. Mmm, yeah, that's good.

748
00:35:02,640 --> 00:35:03,640
Speaker 6: Do you want me to shield that?

749
00:35:04,360 --> 00:35:04,640
Speaker 4: Yes?

750
00:35:04,960 --> 00:35:09,600
Speaker 2: Please, thank you. I see people like setting it out,

751
00:35:09,640 --> 00:35:12,160
Speaker 2: like doing the thing where they put the beat from

752
00:35:12,200 --> 00:35:14,560
Speaker 2: the real song on it, splicing the beat on it.

753
00:35:15,640 --> 00:35:18,280
Speaker 1: See everybody listening to my sweet buttery flavor.

754
00:35:18,360 --> 00:35:19,799
Speaker 4: Oh that's fun.

755
00:35:20,719 --> 00:35:22,720
Speaker 1: Plus I'm best known for my corny ass behavior.

756
00:35:22,800 --> 00:35:23,439
Speaker 2: Yes, that's right.

757
00:35:24,000 --> 00:35:24,439
Speaker 1: Mm hmm.

758
00:35:25,360 --> 00:35:28,080
Speaker 5: It's just difficult for me because I don't know the source.

759
00:35:28,760 --> 00:35:32,319
Speaker 5: So I'm just I'm sort of flailing here. I mean,

760
00:35:32,360 --> 00:35:36,640
Speaker 5: like right, like like doing a parody, doing a parody

761
00:35:36,719 --> 00:35:39,160
Speaker 5: in of itself? Is you know, it's it's just a

762
00:35:39,160 --> 00:35:40,719
Speaker 5: lot of it's fine in replace a lot.

763
00:35:40,640 --> 00:35:43,680
Speaker 1: Of He says, I'm getting love at the public Sam Malone.

764
00:35:43,760 --> 00:35:46,919
Speaker 1: Now there's something about like corn pone. Maybe they could go, yeah,

765
00:35:47,120 --> 00:35:49,879
Speaker 1: that's yeah, that's right. Yeah, he says, I'm getting love

766
00:35:49,880 --> 00:35:53,800
Speaker 1: at the club like Sam Malone at the public Sam Malone,

767
00:35:53,880 --> 00:35:56,360
Speaker 1: and I make a bitch moan when it's time to bone.

768
00:35:57,480 --> 00:36:00,840
Speaker 1: So maybe he just says, like I make some corn

769
00:36:00,880 --> 00:36:04,719
Speaker 1: pone and then it's time for poone.

770
00:36:06,120 --> 00:36:06,839
Speaker 2: Yeah, that's right.

771
00:36:06,920 --> 00:36:10,160
Speaker 1: So you're gonna rhyme corn pone with pone then pone.

772
00:36:10,280 --> 00:36:12,840
Speaker 2: Okay, So that's not rap to you all these rappers.

773
00:36:12,840 --> 00:36:17,200
Speaker 2: I've heard you complain about this, like you rhyme like

774
00:36:17,200 --> 00:36:21,520
Speaker 2: like the sweet ass with like ass and like that's

775
00:36:21,560 --> 00:36:23,320
Speaker 2: not a real rhyme. That's not music.

776
00:36:23,320 --> 00:36:24,279
Speaker 1: It's not poetry.

777
00:36:24,480 --> 00:36:26,960
Speaker 5: No, I mean, like I think it's if you're in

778
00:36:27,000 --> 00:36:29,279
Speaker 5: a pinch and that's what you got to land on.

779
00:36:29,360 --> 00:36:31,480
Speaker 5: I think that's fine. But what if you're doing two

780
00:36:31,560 --> 00:36:33,920
Speaker 5: different meanings for it.

781
00:36:33,440 --> 00:36:36,040
Speaker 4: Like ass means one thing, and well.

782
00:36:35,880 --> 00:36:39,439
Speaker 1: What if it's like, uh yeah, if you don't want

783
00:36:39,760 --> 00:36:41,480
Speaker 1: if you don't want to get a punch, pass me

784
00:36:41,560 --> 00:36:43,640
Speaker 1: that cup of punch, you know what I mean?

785
00:36:43,719 --> 00:36:48,759
Speaker 5: Like that's clever. Yeah, I think that's fine. That's okay, Yeah,

786
00:36:48,760 --> 00:36:50,719
Speaker 5: I think okay, So then you're going back on your

787
00:36:50,719 --> 00:36:52,520
Speaker 5: own work. Look, I'm not the I'm not the arbiter

788
00:36:52,600 --> 00:36:56,600
Speaker 5: of what is and isn't a good rap lyric come.

789
00:36:56,440 --> 00:36:58,799
Speaker 1: In and say all they need to do with this

790
00:36:59,000 --> 00:37:00,600
Speaker 1: rap music is that it see to.

791
00:37:00,600 --> 00:37:01,319
Speaker 2: The front of it.

792
00:37:01,600 --> 00:37:04,120
Speaker 9: Okay, why did you come in and say that this

793
00:37:04,320 --> 00:37:07,839
Speaker 9: morning that they need to do that, they have to

794
00:37:07,880 --> 00:37:09,799
Speaker 9: do that, they don't and they say they can go

795
00:37:09,800 --> 00:37:12,480
Speaker 9: ahead and borrow the sea from the front of my word.

796
00:37:12,280 --> 00:37:16,120
Speaker 4: Corny, then you're the orny man, and then you're the orne.

797
00:37:16,280 --> 00:37:19,600
Speaker 1: Right, that's taken Rny Adams already has that.

798
00:37:19,680 --> 00:37:20,520
Speaker 4: How's he doing?

799
00:37:21,320 --> 00:37:24,440
Speaker 1: I haven't seen I haven't heard a lot from is he? Okay,

800
00:37:24,560 --> 00:37:28,600
Speaker 1: he's he's on fire Man. He's probably gonna tape a special.

801
00:37:28,280 --> 00:37:31,080
Speaker 5: Because that little coda of Comedian, he kind of seemed

802
00:37:31,080 --> 00:37:33,400
Speaker 5: like he was flailing, and you know, it's like a

803
00:37:33,480 --> 00:37:35,360
Speaker 5: it's a it's not a sympathetic portrayal.

804
00:37:35,440 --> 00:37:37,400
Speaker 2: Could that have been that the movie shut off and

805
00:37:37,440 --> 00:37:38,960
Speaker 2: you saw your own reflection of the two?

806
00:37:40,719 --> 00:37:43,200
Speaker 5: You think I was looking at my own I'm looking

807
00:37:43,200 --> 00:37:45,520
Speaker 5: at myself like that little piece at.

808
00:37:45,320 --> 00:37:48,160
Speaker 2: The end where there was where he was flailing.

809
00:37:49,520 --> 00:37:52,200
Speaker 5: Yeah, I mean, I guess, I guess it's possible, But

810
00:37:52,320 --> 00:37:53,960
Speaker 5: I don't know. I don't know if I I characterize

811
00:37:54,000 --> 00:37:57,279
Speaker 5: myself as flailing like to me, that's that's kind of

812
00:37:57,320 --> 00:38:01,640
Speaker 5: a I think I maybe stalled out out. But also

813
00:38:01,680 --> 00:38:03,120
Speaker 5: this was years ago when I watched it, I don't

814
00:38:03,120 --> 00:38:05,279
Speaker 5: know if I was either those things. At this point, Hey, Kevin,

815
00:38:05,320 --> 00:38:06,600
Speaker 5: while you're here, I have a question.

816
00:38:07,239 --> 00:38:07,839
Speaker 2: Yeah, what's up?

817
00:38:07,960 --> 00:38:11,360
Speaker 5: What's up with this lightning McQueen, kleenex box on the table?

818
00:38:11,400 --> 00:38:13,440
Speaker 5: Why why is there like a cars theme?

819
00:38:13,640 --> 00:38:15,040
Speaker 1: Oh my god?

820
00:38:15,680 --> 00:38:21,800
Speaker 7: I get our tissues and uh paper towels and bulk

821
00:38:22,160 --> 00:38:25,040
Speaker 7: and they had a bunch of like Pixar and different

822
00:38:26,040 --> 00:38:27,520
Speaker 7: Disney ones and Spider Man.

823
00:38:27,760 --> 00:38:29,040
Speaker 4: Okay, so I got like other.

824
00:38:29,040 --> 00:38:32,279
Speaker 2: Guys who talks about cartoons, who loves the minions, the

825
00:38:32,360 --> 00:38:34,680
Speaker 2: cartoon characters that look like corn.

826
00:38:36,200 --> 00:38:38,319
Speaker 1: I had so much fun doing this podcast about the

827
00:38:38,400 --> 00:38:39,520
Speaker 1: Mickey parking structure.

828
00:38:41,160 --> 00:38:42,360
Speaker 4: I did have a lot of fun doing it.

829
00:38:42,400 --> 00:38:44,160
Speaker 5: In the podcast The Right I talked about the McKean

830
00:38:44,200 --> 00:38:45,080
Speaker 5: Brin's parking structure.

831
00:38:45,080 --> 00:38:45,839
Speaker 4: I did have a lot of fun.

832
00:38:46,360 --> 00:38:49,799
Speaker 5: So I I, Kevin, this is specifically a Car's three one.

833
00:38:49,800 --> 00:38:51,560
Speaker 5: I can tell because you've got cruise Er Mirez on

834
00:38:51,600 --> 00:38:52,279
Speaker 5: the side there.

835
00:38:52,800 --> 00:38:53,239
Speaker 2: Yeah, I do.

836
00:38:54,080 --> 00:38:57,080
Speaker 4: Did you did anyone see Cars three? It's I mean

837
00:38:57,120 --> 00:38:57,360
Speaker 4: it's not.

838
00:38:57,440 --> 00:38:59,719
Speaker 1: I don't think it was you, Nick. I didn't think

839
00:38:59,719 --> 00:39:00,279
Speaker 1: it was right.

840
00:39:00,360 --> 00:39:03,319
Speaker 5: But there was like a fun element where they had

841
00:39:03,320 --> 00:39:05,440
Speaker 5: they were they had a real passing of the torch,

842
00:39:06,120 --> 00:39:08,560
Speaker 5: and I wonder if they're going to continue that, if

843
00:39:08,600 --> 00:39:11,080
Speaker 5: they if they keep the franchise going, because I think

844
00:39:11,080 --> 00:39:13,520
Speaker 5: they were basically like, oh, Lightning McQueen is not going

845
00:39:13,560 --> 00:39:16,160
Speaker 5: to be I mean, spoiler alert, Lightning McQueen is not

846
00:39:16,200 --> 00:39:21,520
Speaker 5: going to be the fastest racer on the circuit forever.

847
00:39:21,880 --> 00:39:24,160
Speaker 5: So by the end there actually is like a very

848
00:39:24,440 --> 00:39:27,239
Speaker 5: it's basically like a like a relay race where he

849
00:39:27,400 --> 00:39:30,440
Speaker 5: hands the baton to Cruse Ramirez and Cruise Ramirez ends

850
00:39:30,520 --> 00:39:33,239
Speaker 5: up winning, and then he's kind of settled into the

851
00:39:34,000 --> 00:39:37,919
Speaker 5: mentor role that was previously occupied by Paul Newman's character.

852
00:39:38,040 --> 00:39:41,640
Speaker 2: Do your fans engage with this like authentically or are

853
00:39:41,680 --> 00:39:44,680
Speaker 2: they just like, holy shit, did they talk when you

854
00:39:44,680 --> 00:39:47,360
Speaker 2: say stuff like that? Are they just like what the fuck?

855
00:39:48,960 --> 00:39:52,640
Speaker 2: Or are they actually responding to the stuff that you're saying?

856
00:39:53,040 --> 00:39:56,560
Speaker 5: Yeah, question right. I think there's probably a little bit

857
00:39:56,600 --> 00:39:58,960
Speaker 5: of both. I think there are probably people who are

858
00:39:59,000 --> 00:40:01,480
Speaker 5: genuinely engaging, and I think there's also people who are

859
00:40:01,480 --> 00:40:04,400
Speaker 5: sort of like ironically engaging, kind of like a like,

860
00:40:04,800 --> 00:40:05,040
Speaker 5: do you.

861
00:40:04,960 --> 00:40:10,320
Speaker 1: Think that people that are genuinely engaging have children? Because

862
00:40:10,360 --> 00:40:15,640
Speaker 1: everything he likes for babies. I don't think, I just like,

863
00:40:16,520 --> 00:40:16,759
Speaker 1: I don't.

864
00:40:16,800 --> 00:40:17,600
Speaker 4: I mean, it's possible.

865
00:40:17,640 --> 00:40:20,680
Speaker 5: It's possible that you're exposed to your two children's programming

866
00:40:20,719 --> 00:40:22,839
Speaker 5: because you're you're your self a raising kids. So yeah,

867
00:40:22,880 --> 00:40:25,280
Speaker 5: but I don't think I only like things for babies.

868
00:40:25,440 --> 00:40:28,279
Speaker 5: I think I do like some family entertainment, but not

869
00:40:28,400 --> 00:40:28,600
Speaker 5: just that.

870
00:40:29,960 --> 00:40:32,080
Speaker 2: What time is it? Brett in the show?

871
00:40:32,719 --> 00:40:33,360
Speaker 6: In the show?

872
00:40:34,239 --> 00:40:35,600
Speaker 2: Yes, Oh, we're.

873
00:40:35,440 --> 00:40:36,040
Speaker 1: Doing the show.

874
00:40:36,080 --> 00:40:38,640
Speaker 2: He's punishing us again. Well, if you don't give me

875
00:40:38,640 --> 00:40:40,920
Speaker 2: stuff to do, then Mitch.

876
00:40:40,760 --> 00:40:45,360
Speaker 5: Is texting me, right, I text him back minutes he's texting.

877
00:40:46,000 --> 00:40:48,960
Speaker 5: He's texting me and Gabrius about something.

878
00:40:49,480 --> 00:40:52,240
Speaker 6: Oh good seeing he just shipped on my time to

879
00:40:52,280 --> 00:40:52,759
Speaker 6: speak too.

880
00:40:53,080 --> 00:40:56,319
Speaker 4: Sorry, I'm sorry, I'm sorry, Brett. I got locked into this.

881
00:40:58,760 --> 00:41:01,239
Speaker 1: How much time it is a it's forty We have

882
00:41:01,360 --> 00:41:03,480
Speaker 1: Brett for the record, and then I know then we

883
00:41:03,520 --> 00:41:04,680
Speaker 1: didn't really get to use them.

884
00:41:04,760 --> 00:41:04,960
Speaker 5: I know.

885
00:41:05,120 --> 00:41:07,279
Speaker 2: But you can you can also be like, you know,

886
00:41:07,360 --> 00:41:09,359
Speaker 2: you don't have to be passive aggressive about it. Bright.

887
00:41:09,400 --> 00:41:14,239
Speaker 4: You can be like, I can't see your face, so

888
00:41:14,320 --> 00:41:15,240
Speaker 4: to do it to Sean.

889
00:41:15,960 --> 00:41:18,640
Speaker 2: Direct it to Sean. What's up, dude, it's your computer.

890
00:41:18,800 --> 00:41:22,280
Speaker 2: It was my idea to put a computer there your idea.

891
00:41:22,040 --> 00:41:25,200
Speaker 1: Brett R Yeah, mad respect, Mad respect, mad respect?

892
00:41:25,440 --> 00:41:27,640
Speaker 2: What time is it in the show?

893
00:41:28,440 --> 00:41:30,280
Speaker 6: Forty one minutes?

894
00:41:30,320 --> 00:41:33,800
Speaker 2: Now, well, that's like the same length as our bonus episodes.

895
00:41:33,840 --> 00:41:34,359
Speaker 2: That's the thing.

896
00:41:34,400 --> 00:41:36,640
Speaker 4: Do we have to go to like do these have

897
00:41:36,719 --> 00:41:37,800
Speaker 4: to be longer.

898
00:41:37,560 --> 00:41:38,200
Speaker 2: For the ads?

899
00:41:38,200 --> 00:41:40,320
Speaker 1: It's starting to feel that way with the ads, with

900
00:41:40,480 --> 00:41:43,319
Speaker 1: the ads, rightween, the ads and everything? Wait, so you

901
00:41:43,440 --> 00:41:45,200
Speaker 1: run ads on your bonus episodes?

902
00:41:45,960 --> 00:41:47,719
Speaker 4: No? Right, no, but you're you're saying your.

903
00:41:47,680 --> 00:41:50,040
Speaker 5: Bonus episodes are your bonus episodes are a little shorter.

904
00:41:50,160 --> 00:41:52,120
Speaker 4: They're like a little bit more compressed.

905
00:41:53,520 --> 00:41:56,680
Speaker 1: Our bonus episodes. Yeah, well there's no ads there. I

906
00:41:56,680 --> 00:41:58,720
Speaker 1: guess a little bit shorter because I think they should

907
00:41:58,760 --> 00:42:00,719
Speaker 1: be thirty to thirty to forty five.

908
00:42:00,920 --> 00:42:02,920
Speaker 5: Yeah, that sounds good, guy, because I think, like, what

909
00:42:02,960 --> 00:42:04,960
Speaker 5: the this was a question Hayes asked earlier, and we

910
00:42:04,960 --> 00:42:07,000
Speaker 5: we are we partially addressed, and then we went on

911
00:42:07,040 --> 00:42:09,720
Speaker 5: a tangent. But the as far as the difference between

912
00:42:09,719 --> 00:42:12,160
Speaker 5: our normal episodes and our and our bonus episodes, our

913
00:42:12,200 --> 00:42:14,680
Speaker 5: bonus episodes are more compact, and I think they are.

914
00:42:14,719 --> 00:42:17,120
Speaker 5: You know, we've got these normally ninety minute episodes we

915
00:42:17,160 --> 00:42:20,360
Speaker 5: got by.

916
00:42:23,400 --> 00:42:26,960
Speaker 7: This has been an Earwolf production, executive produced by Scott Ackerman,

917
00:42:27,200 --> 00:42:29,080
Speaker 7: Chris Bannon, and Colin Anderson.

918
00:42:29,280 --> 00:42:36,960
Speaker 1: For more information and content, visit earwolf dot com.