1 00:00:05,200 --> 00:00:07,440 Speaker 1: Hey, this is Annie and Samantha and that kind of 2 00:00:07,480 --> 00:00:09,479 Speaker 1: stuff I've never told your production of I Heart Radio. 3 00:00:18,560 --> 00:00:20,880 Speaker 1: And we are going to time stamp this one because 4 00:00:21,600 --> 00:00:24,000 Speaker 1: we're talking about some things that are ongoing or changing. 5 00:00:24,800 --> 00:00:28,920 Speaker 1: Today is December one. I feel like the listeners are 6 00:00:28,920 --> 00:00:32,199 Speaker 1: getting a real behind the curtains peak of how much 7 00:00:32,200 --> 00:00:36,280 Speaker 1: we recorded one day stuff for a time stamping. But 8 00:00:36,400 --> 00:00:39,640 Speaker 1: we have to or we will be told. This is 9 00:00:39,680 --> 00:00:44,040 Speaker 1: our date. We know, yep, yep, it was in date 10 00:00:44,800 --> 00:00:50,120 Speaker 1: most exactly in date up to date. So yes, as 11 00:00:50,159 --> 00:00:53,640 Speaker 1: we mentioned in our previous Monday Many, we are coming 12 00:00:53,680 --> 00:00:57,000 Speaker 1: to the end of one and we wanted to do 13 00:00:57,040 --> 00:00:59,400 Speaker 1: a few episodes rounding up some amazing stuff women have 14 00:00:59,520 --> 00:01:03,280 Speaker 1: been accomplishing recently that have been in the news, and 15 00:01:03,400 --> 00:01:07,120 Speaker 1: this is our our musical edition of ladies smashing some 16 00:01:07,280 --> 00:01:13,320 Speaker 1: records and being absolute powerhouses. And breakups, so many breakups. 17 00:01:13,760 --> 00:01:18,399 Speaker 1: All the breakups, I will say, some of the women 18 00:01:18,440 --> 00:01:21,080 Speaker 1: we were talking about. I have been listening on Spotify 19 00:01:21,360 --> 00:01:23,840 Speaker 1: and every time my partner goes should I be worried? 20 00:01:25,080 --> 00:01:27,560 Speaker 1: What are you trying to say to me? What is 21 00:01:27,600 --> 00:01:30,600 Speaker 1: happening me too? I've been listening to them a lot. 22 00:01:31,000 --> 00:01:32,800 Speaker 1: I have songs from all of these women on my 23 00:01:32,840 --> 00:01:37,119 Speaker 1: Tragedy fan fiction playlist. Oh yeah, I did. I did 24 00:01:37,160 --> 00:01:38,679 Speaker 1: tell him at one point. I was like, look, let 25 00:01:38,680 --> 00:01:41,560 Speaker 1: me just pretend like we broke up and be sad. Okay, 26 00:01:41,640 --> 00:01:44,760 Speaker 1: I just need this. That is a fan fiction plot. 27 00:01:44,840 --> 00:01:47,080 Speaker 1: That is a fan fiction plot that actually featured the 28 00:01:47,080 --> 00:01:52,880 Speaker 1: first person we're going to talk about, Rotterego perfect. But 29 00:01:52,960 --> 00:01:55,960 Speaker 1: they're also on my sad but Hopeful more a beat 30 00:01:56,000 --> 00:01:59,400 Speaker 1: fan fiction playlists. These women, Let's start with Olivia Rodrigo, 31 00:01:59,440 --> 00:02:02,440 Speaker 1: who was just named Entertainer of the Year by Time 32 00:02:02,480 --> 00:02:07,080 Speaker 1: magazine at just eighteen years old. Rodrigo, who already had 33 00:02:07,120 --> 00:02:09,840 Speaker 1: a fan base thanks to her work with Disney, released 34 00:02:09,919 --> 00:02:12,600 Speaker 1: the single Driver's License in January, and it took off 35 00:02:12,840 --> 00:02:15,720 Speaker 1: a TikTok staple that was also featured on an SNL 36 00:02:15,800 --> 00:02:18,600 Speaker 1: skit which we talked about on this very show actually, 37 00:02:18,600 --> 00:02:20,600 Speaker 1: when we talked about like sad, Like why do we 38 00:02:20,639 --> 00:02:23,120 Speaker 1: get these love songs that are so sad? Why do 39 00:02:23,240 --> 00:02:25,880 Speaker 1: they speak to all of us? Yes, And she actually 40 00:02:26,000 --> 00:02:30,120 Speaker 1: later ended up performing that song on SNL and Yeah, 41 00:02:30,120 --> 00:02:33,200 Speaker 1: people of all ages and backgrounds have really loved it. 42 00:02:33,400 --> 00:02:37,360 Speaker 1: Really connected to the teen angst of it, all of 43 00:02:37,440 --> 00:02:42,600 Speaker 1: it all, Yes, Yes. On January one, she became the 44 00:02:42,639 --> 00:02:45,280 Speaker 1: youngest solo artist ever to debut at number one on 45 00:02:45,320 --> 00:02:48,359 Speaker 1: the Billboard Hot one hundred. The song remained on the 46 00:02:48,400 --> 00:02:52,160 Speaker 1: Billboard Hot one hundred for eight weeks. In May one, 47 00:02:52,160 --> 00:02:54,800 Speaker 1: she debuted her album Sour, and it was praised by 48 00:02:54,840 --> 00:02:59,040 Speaker 1: critics and fans alike. Sour became Spotify's most popular release 49 00:02:59,160 --> 00:03:01,679 Speaker 1: by a female art in the first week, with three 50 00:03:01,760 --> 00:03:06,239 Speaker 1: hundred and eighty five million streams. The album garnered seven 51 00:03:06,360 --> 00:03:09,720 Speaker 1: Grammy nominations, including Best New Artist and Song, Record and 52 00:03:09,840 --> 00:03:12,720 Speaker 1: Album of the Year. Spotify announced she had the most 53 00:03:12,800 --> 00:03:16,080 Speaker 1: dream album and Song of the Year, and she appeared 54 00:03:16,080 --> 00:03:18,680 Speaker 1: at the White House to encourage young folks to get vaccinated. 55 00:03:18,720 --> 00:03:21,280 Speaker 1: So a big year for her, And we should say, like, 56 00:03:22,360 --> 00:03:24,800 Speaker 1: we are condensing a lot of what these women have 57 00:03:24,840 --> 00:03:29,400 Speaker 1: accomplished to this year here alone. We know they're really 58 00:03:29,480 --> 00:03:32,320 Speaker 1: huge all the years. Yes, yes. And also a lot 59 00:03:32,360 --> 00:03:34,360 Speaker 1: of the women were talking about have kind of broken 60 00:03:34,400 --> 00:03:39,040 Speaker 1: each other's records, like really recently, right, So there's also that, 61 00:03:39,120 --> 00:03:42,200 Speaker 1: but still a lot a lot. While Rodrigo will return 62 00:03:42,280 --> 00:03:45,000 Speaker 1: for season three of the High School Musical series, she 63 00:03:45,080 --> 00:03:47,320 Speaker 1: has also said quote songwriting is the thing I take 64 00:03:47,360 --> 00:03:50,840 Speaker 1: most seriously in my life. It's the most personally gratifying too, 65 00:03:50,880 --> 00:03:53,760 Speaker 1: and it's something she's been doing since she was very young. Um, 66 00:03:53,840 --> 00:03:55,920 Speaker 1: And in light of what's going on with Taylor Swift, 67 00:03:56,160 --> 00:03:58,800 Speaker 1: which we are going to get to, she has a 68 00:03:58,960 --> 00:04:01,240 Speaker 1: deal with her record lay Able to own her masters, 69 00:04:01,280 --> 00:04:04,120 Speaker 1: that is the copyright to the recordings of her songs, 70 00:04:04,160 --> 00:04:08,680 Speaker 1: something that hasn't traditionally been granted to artists. She has 71 00:04:08,680 --> 00:04:11,240 Speaker 1: faced accusations that her songs sound similar to others. She 72 00:04:11,360 --> 00:04:14,440 Speaker 1: credits Swift and two members of Paramore on her tracks 73 00:04:14,560 --> 00:04:16,840 Speaker 1: two separate checks, and she's been open about how it's 74 00:04:16,839 --> 00:04:19,279 Speaker 1: been frustrating to have her creativity called into question, but 75 00:04:19,360 --> 00:04:21,719 Speaker 1: also that it has been a learning experience about the 76 00:04:21,760 --> 00:04:24,799 Speaker 1: business side of music, something she claims it's absolutely critical 77 00:04:24,839 --> 00:04:26,880 Speaker 1: as a musician. And this is part of a bigger 78 00:04:26,920 --> 00:04:29,120 Speaker 1: conversation which we don't really have time to get into 79 00:04:29,240 --> 00:04:30,880 Speaker 1: right now, but we are going to touch on more 80 00:04:31,480 --> 00:04:36,880 Speaker 1: about influence and crediting and yeah, ownership in the music industry. 81 00:04:36,880 --> 00:04:40,600 Speaker 1: It's just it's really a big conversation right now. Um, 82 00:04:40,640 --> 00:04:43,880 Speaker 1: here's another quote. Young women are constantly compared to each 83 00:04:43,880 --> 00:04:47,400 Speaker 1: other I'm the new this are this woman meets that woman, 84 00:04:47,640 --> 00:04:50,320 Speaker 1: and that could be reductive. I'm just Olivia. I'm doing 85 00:04:50,360 --> 00:04:53,719 Speaker 1: my own thing. It's meaningful when people recognize that. Yes, 86 00:04:54,120 --> 00:04:56,040 Speaker 1: I will say, I don't know many of our songs. 87 00:04:56,080 --> 00:04:58,839 Speaker 1: I think I can recognize one or two because even 88 00:04:58,839 --> 00:05:02,119 Speaker 1: though yes, teenage jas can't travel all over the place, 89 00:05:02,440 --> 00:05:06,360 Speaker 1: I feel like I'm I'm eavesdropping on the younger kids, 90 00:05:07,240 --> 00:05:09,080 Speaker 1: you know what I mean. Like, I'm like, I'm not sure. 91 00:05:09,320 --> 00:05:10,800 Speaker 1: I'm not supposed to be listening to those I think 92 00:05:10,839 --> 00:05:13,039 Speaker 1: this is not for me, Like, not because I don't 93 00:05:13,040 --> 00:05:16,520 Speaker 1: want to. It's just more of a permission. Wise, am 94 00:05:16,520 --> 00:05:18,800 Speaker 1: I supposed to? I don't know, but I know she 95 00:05:19,000 --> 00:05:21,320 Speaker 1: does a good job and she's got a lot of 96 00:05:21,320 --> 00:05:24,839 Speaker 1: the fields. And speaking of the fields, we have to 97 00:05:24,839 --> 00:05:28,760 Speaker 1: talk about within this season of broken hearts, Adele releasing 98 00:05:28,800 --> 00:05:32,680 Speaker 1: her newest album, thirty Perfect. Her single easy on Me 99 00:05:32,880 --> 00:05:36,120 Speaker 1: quickly swept through all the hearts that I've ever been broken, 100 00:05:36,120 --> 00:05:38,159 Speaker 1: whether it was a paper cut or the deep tear 101 00:05:38,240 --> 00:05:40,359 Speaker 1: that still makes you tear up today though it happened 102 00:05:40,400 --> 00:05:43,680 Speaker 1: way back in second grade. I still think about you, Matt, 103 00:05:43,760 --> 00:05:47,120 Speaker 1: just kidding, I don't and her album became one of 104 00:05:47,160 --> 00:05:50,800 Speaker 1: the fastest selling albums in one and this being only 105 00:05:50,839 --> 00:05:54,840 Speaker 1: her fourth album since her original album nineteen So it's 106 00:05:54,880 --> 00:05:57,040 Speaker 1: kind of funny because she doesn't release often, so therefore 107 00:05:57,040 --> 00:06:01,280 Speaker 1: we anticipated so much more and it is a bigger deal. Um, 108 00:06:01,320 --> 00:06:04,039 Speaker 1: and it's highly anticipated by not only her fan base, 109 00:06:04,160 --> 00:06:07,159 Speaker 1: but again most people with hearts. Right if you have, 110 00:06:07,279 --> 00:06:11,520 Speaker 1: My mom loves Adele and I I was like, right 111 00:06:11,520 --> 00:06:13,440 Speaker 1: when I heard this, I pre ordered it. I was like, 112 00:06:13,480 --> 00:06:18,400 Speaker 1: that's a Christmas gift because I couldn't wait. Of course. 113 00:06:18,560 --> 00:06:21,360 Speaker 1: Well also stuff like that most likely she would buy 114 00:06:21,400 --> 00:06:27,359 Speaker 1: for herself exactly. Uh and yeah, and her standards and 115 00:06:27,480 --> 00:06:30,599 Speaker 1: ideas have brought on a new functionality on a mega 116 00:06:30,720 --> 00:06:35,200 Speaker 1: music app Spotify. As a woman with a specific intent 117 00:06:35,200 --> 00:06:36,960 Speaker 1: when it comes to the craft, she has been able 118 00:06:37,000 --> 00:06:40,159 Speaker 1: to convince Spotify to change this default option of shuffling 119 00:06:40,160 --> 00:06:42,960 Speaker 1: the album by having the album play as it is 120 00:06:43,040 --> 00:06:46,719 Speaker 1: laid out in her records. In this intent, she tweeted, 121 00:06:46,880 --> 00:06:49,159 Speaker 1: this was the only request I had in our ever 122 00:06:49,279 --> 00:06:52,280 Speaker 1: changing industry. We don't create albums with so much care 123 00:06:52,320 --> 00:06:55,000 Speaker 1: and thought into our track listing for no reason. Our 124 00:06:55,120 --> 00:06:57,559 Speaker 1: art tells the story, and our stories should be listened 125 00:06:57,600 --> 00:07:01,520 Speaker 1: to as we intended. Thank you Spotify for listening. Um. 126 00:07:01,560 --> 00:07:04,000 Speaker 1: And yes there came a lot of mixed reactions because 127 00:07:04,040 --> 00:07:06,640 Speaker 1: people love the shuffle button. I am one of those, 128 00:07:07,360 --> 00:07:11,200 Speaker 1: mainly because I am still scarred by iPod when you 129 00:07:11,200 --> 00:07:14,760 Speaker 1: would create the car fit was plugged in that the 130 00:07:14,800 --> 00:07:17,080 Speaker 1: one song kept playing every time and you end up 131 00:07:17,080 --> 00:07:19,520 Speaker 1: hating it. I really think that was the generation for me. 132 00:07:19,680 --> 00:07:24,440 Speaker 1: Not gonna lie um and which Spotify responded on their 133 00:07:24,480 --> 00:07:28,760 Speaker 1: Twitter anything for you, as they should. But they did 134 00:07:28,800 --> 00:07:32,000 Speaker 1: also release a statement saying, quote, as Adele mentioned, we 135 00:07:32,040 --> 00:07:34,520 Speaker 1: are excited to share that we have begun rolling out 136 00:07:34,600 --> 00:07:37,400 Speaker 1: a new premium feature that has been long requested by 137 00:07:37,400 --> 00:07:40,680 Speaker 1: both users and artists, to make play the default button 138 00:07:41,000 --> 00:07:43,880 Speaker 1: on all albums. Again, this is from a spokesperson from 139 00:07:43,880 --> 00:07:47,560 Speaker 1: Spotify talking to cnn UH. They continue, for those users 140 00:07:47,560 --> 00:07:49,840 Speaker 1: still wishing to shuffle an album, they can go to 141 00:07:49,880 --> 00:07:53,600 Speaker 1: the now playing view and select the shuffle toggle. As always, 142 00:07:53,680 --> 00:07:56,480 Speaker 1: we will continue to iterate our products and features to 143 00:07:56,520 --> 00:07:59,640 Speaker 1: create the best experiences for both artists and their fans. 144 00:08:00,040 --> 00:08:03,480 Speaker 1: And we know Spotify has kind of a spotty his 145 00:08:03,840 --> 00:08:06,520 Speaker 1: record when it comes to yeah, I did it. When 146 00:08:06,560 --> 00:08:11,440 Speaker 1: it comes to how they treat their artists. Just recently, 147 00:08:11,480 --> 00:08:14,360 Speaker 1: all the comedians are slowly pulling off their albums because 148 00:08:14,360 --> 00:08:17,640 Speaker 1: they're not giving the credit in the monetary compensations that 149 00:08:17,720 --> 00:08:20,440 Speaker 1: musicians are, So we do see a lot of that, 150 00:08:20,880 --> 00:08:22,640 Speaker 1: but it's good to see that they're talking listening to 151 00:08:22,720 --> 00:08:26,120 Speaker 1: one artist, I guess and to no one's surprise, her 152 00:08:26,160 --> 00:08:28,840 Speaker 1: single broke the most stream song in a day this 153 00:08:28,960 --> 00:08:32,679 Speaker 1: previous month, so she's been breaking records as well. And 154 00:08:32,880 --> 00:08:35,679 Speaker 1: if you need some more Adele, as we all do, 155 00:08:36,160 --> 00:08:38,880 Speaker 1: she has signed on for a residency in Las Vegas, 156 00:08:38,920 --> 00:08:41,679 Speaker 1: which is to start in January of twenty twenty two 157 00:08:41,800 --> 00:08:45,560 Speaker 1: at the Colisseum of Las Vegas Caesar's Palace hotel, titled 158 00:08:45,960 --> 00:08:49,800 Speaker 1: Weekends with Adele. I like this and we'll perform two 159 00:08:49,840 --> 00:08:54,360 Speaker 1: shows each weekend through Saturday, April two for twelve weeks. 160 00:08:54,480 --> 00:08:56,320 Speaker 1: Andy can we go? I wonder if we can get 161 00:08:56,320 --> 00:08:59,640 Speaker 1: the company to pay for it. We needed to make 162 00:08:59,640 --> 00:09:02,520 Speaker 1: this need to the other day, I was listening to 163 00:09:02,559 --> 00:09:06,680 Speaker 1: Adele and I was drinking wine and that song wide 164 00:09:06,720 --> 00:09:14,400 Speaker 1: Game on and I was sitting there like wine, wine, 165 00:09:14,440 --> 00:09:19,320 Speaker 1: I only soak up wine makes me laugh, and then 166 00:09:19,360 --> 00:09:35,600 Speaker 1: you climb into it and then I, UM, now, yes, 167 00:09:35,679 --> 00:09:38,280 Speaker 1: so we have to talk about Taylor Swift, who has 168 00:09:38,320 --> 00:09:42,600 Speaker 1: also had a huge record breaking year. But before we 169 00:09:42,679 --> 00:09:45,040 Speaker 1: get into that, let's go back to this master's thing. 170 00:09:45,880 --> 00:09:47,920 Speaker 1: So this is really complicated and we're gonna try to 171 00:09:47,920 --> 00:09:50,120 Speaker 1: condense it. UM. I imagine a lot of you have 172 00:09:50,160 --> 00:09:52,959 Speaker 1: looked it up. But briefly, Taylor Swift masters have been 173 00:09:52,960 --> 00:09:56,680 Speaker 1: sold three times without her consent. Swift's former label, Big 174 00:09:56,720 --> 00:10:00,120 Speaker 1: Machine Record Label, was acquired by artist manager school Or 175 00:10:00,160 --> 00:10:04,760 Speaker 1: Braun's Ithaca Holdings LLC, and Taylor Swift and Braun do 176 00:10:04,920 --> 00:10:08,000 Speaker 1: not have a good relationship, to say the least. Swift 177 00:10:08,040 --> 00:10:09,920 Speaker 1: calls him a bully and said he was quote the 178 00:10:10,000 --> 00:10:13,240 Speaker 1: definition of toxic mail privilege in her industry. Um and 179 00:10:13,280 --> 00:10:16,280 Speaker 1: Braun then sold the masters to her first six albums 180 00:10:16,320 --> 00:10:20,600 Speaker 1: from her debut album to Reputation UM to a private 181 00:10:20,640 --> 00:10:25,360 Speaker 1: equity firm called Shamrock Capital and for three hundred million dollars. 182 00:10:26,200 --> 00:10:28,640 Speaker 1: The urn back value is speculated to be around four 183 00:10:29,040 --> 00:10:33,000 Speaker 1: fifty million dollars, though some think that thanks to Swiss actions, 184 00:10:33,360 --> 00:10:37,320 Speaker 1: the value could be substantially less. Um and She's been 185 00:10:37,440 --> 00:10:39,760 Speaker 1: very open about her unhappiness with this and how she 186 00:10:39,800 --> 00:10:42,040 Speaker 1: feels she was not given a viable option to purchase 187 00:10:42,080 --> 00:10:45,440 Speaker 1: the masters herself. She said, quote, the fact is that 188 00:10:45,480 --> 00:10:48,320 Speaker 1: private equity enabled this man to think, according to his 189 00:10:48,440 --> 00:10:51,200 Speaker 1: own social media post, that he could quote buy me. 190 00:10:51,520 --> 00:10:55,400 Speaker 1: But I'm obviously not going willingly. By not owning her masters, 191 00:10:55,400 --> 00:10:58,280 Speaker 1: she doesn't benefit from them. She can't control how they're 192 00:10:58,360 --> 00:11:00,880 Speaker 1: used in terms of things like movies are television and 193 00:11:01,040 --> 00:11:04,320 Speaker 1: is limited and what she can perform at concerts. So 194 00:11:04,400 --> 00:11:06,280 Speaker 1: this is ten years of her life, her life's work, 195 00:11:06,600 --> 00:11:09,720 Speaker 1: out of her control without being consulted about it at all. 196 00:11:10,880 --> 00:11:12,959 Speaker 1: In an effort to listen the value of these masters, 197 00:11:13,000 --> 00:11:15,840 Speaker 1: Swift pledge to re record them herself, a pledge she 198 00:11:15,880 --> 00:11:19,240 Speaker 1: has so far upheld. Her contract allows for this after 199 00:11:19,280 --> 00:11:21,600 Speaker 1: a certain amount of time has passed. Like normally there's 200 00:11:21,640 --> 00:11:25,360 Speaker 1: a pretty long period, but um, she probably has one 201 00:11:25,400 --> 00:11:29,200 Speaker 1: that's shorter as like just the album cycle period. When 202 00:11:29,200 --> 00:11:31,520 Speaker 1: she signed her a new contract with the Universal Music Group, 203 00:11:32,280 --> 00:11:34,960 Speaker 1: she secured ownership of all albums she would create with them, 204 00:11:35,040 --> 00:11:42,080 Speaker 1: including the re recordings. Yes, very very savvy. This year 205 00:11:42,120 --> 00:11:46,199 Speaker 1: she recorded and released Fearless and Read Taylor's version Um. 206 00:11:46,320 --> 00:11:49,720 Speaker 1: When Red was released in November one, Spotify announced it 207 00:11:49,800 --> 00:11:52,439 Speaker 1: broke two records in one day, one for the most 208 00:11:52,480 --> 00:11:55,640 Speaker 1: streamed album by a woman in Spotify history, with eight 209 00:11:55,679 --> 00:11:59,240 Speaker 1: million streams, beating the previous record held by Taylor Swift 210 00:11:59,520 --> 00:12:03,160 Speaker 1: with seven eight point seven million streams fores album Folklore. 211 00:12:03,880 --> 00:12:06,760 Speaker 1: She also broke the record for most stream female artists 212 00:12:06,760 --> 00:12:09,520 Speaker 1: in a single day with one and twenty two point 213 00:12:09,600 --> 00:12:12,680 Speaker 1: nine million streams. She broke a record held by the 214 00:12:12,720 --> 00:12:15,160 Speaker 1: Beatles for over fifty years in the UK with the 215 00:12:15,240 --> 00:12:18,920 Speaker 1: fastest run of successive number one albums ever. Her ten 216 00:12:18,920 --> 00:12:22,800 Speaker 1: minutes song All Too Well. Taylor's version broke the record 217 00:12:22,840 --> 00:12:26,600 Speaker 1: previously held by Don mcclean's American Pie for longest song 218 00:12:26,720 --> 00:12:29,400 Speaker 1: to hold the top spot on the Billboard Top one 219 00:12:29,440 --> 00:12:31,959 Speaker 1: hundred for the longest period of time. That us a 220 00:12:32,080 --> 00:12:37,160 Speaker 1: very specific keep going. That's a big one for like 221 00:12:37,200 --> 00:12:39,560 Speaker 1: a long song to hold that spot for that long. 222 00:12:40,000 --> 00:12:43,560 Speaker 1: And so this song that's like fifty years before she 223 00:12:43,679 --> 00:12:46,600 Speaker 1: broke it, I think in between and so she sent 224 00:12:46,720 --> 00:12:50,040 Speaker 1: mcclaim flowers and he was like, oh, this was the best. 225 00:12:51,720 --> 00:12:54,480 Speaker 1: She also broke the record for most songs on the 226 00:12:54,480 --> 00:12:58,080 Speaker 1: Billboard Top one hundred simultaneously by a woman. The twenty 227 00:12:58,120 --> 00:13:02,840 Speaker 1: six songs from read Taylor's version and just if y I. 228 00:13:02,880 --> 00:13:05,960 Speaker 1: Throughout her career, she set thirty world records. Now, I 229 00:13:06,000 --> 00:13:09,800 Speaker 1: do think Adele some of the records you mentioned broke 230 00:13:09,880 --> 00:13:12,520 Speaker 1: some of these records. I'm pretty sure I can't remember 231 00:13:12,559 --> 00:13:15,440 Speaker 1: because I came out around the same time. So who 232 00:13:15,440 --> 00:13:19,400 Speaker 1: out did the other either? But like, okay, I just 233 00:13:19,400 --> 00:13:21,600 Speaker 1: said the previous month, I'm going to just hold to that. 234 00:13:22,880 --> 00:13:24,679 Speaker 1: I think they can't. Yeah, they did come out right 235 00:13:24,679 --> 00:13:26,319 Speaker 1: around the same time. I think Adele came out a 236 00:13:26,400 --> 00:13:33,280 Speaker 1: little later, but anyway, trying. Oh but this whole thing 237 00:13:33,360 --> 00:13:36,280 Speaker 1: is jump started a conversation around yeah, ownership of music 238 00:13:36,440 --> 00:13:39,000 Speaker 1: and the treatment of female artists. This isn't the first 239 00:13:39,000 --> 00:13:41,160 Speaker 1: time Swift has been vocal about how the music industry 240 00:13:41,160 --> 00:13:44,800 Speaker 1: screws artists and songwriters over financially and otherwise. She started 241 00:13:44,800 --> 00:13:49,200 Speaker 1: a whole conversation about streaming services like Spotify and artist 242 00:13:49,280 --> 00:13:52,760 Speaker 1: conversation um, like we were talking about with Scarlett Johansson 243 00:13:52,760 --> 00:13:54,960 Speaker 1: in our previous episode. Swift is one of the biggest 244 00:13:55,000 --> 00:13:59,200 Speaker 1: musicians out there, So if this is the kind of 245 00:13:59,200 --> 00:14:02,560 Speaker 1: deal she is getting, think of what artists without her 246 00:14:02,640 --> 00:14:06,480 Speaker 1: resources and further impacted by intersections like Race are getting 247 00:14:07,200 --> 00:14:10,839 Speaker 1: um and also younger artists. It's another example of women 248 00:14:10,920 --> 00:14:14,319 Speaker 1: facing off against mainly male lead industrial leaders just to 249 00:14:14,400 --> 00:14:17,520 Speaker 1: get what they're do. She's definitely not the first artist 250 00:14:17,559 --> 00:14:20,120 Speaker 1: to speak out about this by far. Prince was very 251 00:14:20,160 --> 00:14:22,600 Speaker 1: outspoken about his belief that artists should own their music, 252 00:14:22,840 --> 00:14:26,040 Speaker 1: and the Beatles, TLC, Kelly Clarkson and Kesha have fought 253 00:14:26,080 --> 00:14:30,680 Speaker 1: to get their masters back, among others. So very big conversation. 254 00:14:31,240 --> 00:14:35,000 Speaker 1: But this whole thing is also changed the industry. Fans 255 00:14:35,040 --> 00:14:38,040 Speaker 1: and corporations, including I Heart, which is interesting because we 256 00:14:38,080 --> 00:14:41,320 Speaker 1: don't technically own this, um have pledged it all my 257 00:14:41,480 --> 00:14:45,760 Speaker 1: listen to the Taylor's version of her songs, which so 258 00:14:45,800 --> 00:14:48,800 Speaker 1: far have surpassed listenership of the originals, and a short 259 00:14:48,880 --> 00:14:53,320 Speaker 1: amount of time Olivia Rodrigo spoke about how this influenced 260 00:14:53,320 --> 00:14:56,480 Speaker 1: her to make sure she got ownership, as we discussed earlier. 261 00:14:56,880 --> 00:15:00,880 Speaker 1: Music labels meanwhile, are putting in stipulations preventing artists from 262 00:15:00,880 --> 00:15:04,160 Speaker 1: re recording their work. So like trying to get around right, 263 00:15:04,920 --> 00:15:07,520 Speaker 1: I'm telling you there's all these like sneaky things. Because 264 00:15:07,560 --> 00:15:11,240 Speaker 1: when we were talking about previously about the mandatory arbitration, 265 00:15:11,800 --> 00:15:15,720 Speaker 1: it was specifically after people started suing for not giving 266 00:15:15,720 --> 00:15:19,200 Speaker 1: them their wages and or any discrimination, and they're like, oh, 267 00:15:19,200 --> 00:15:20,880 Speaker 1: we're having to pay too much in legal fees and 268 00:15:20,920 --> 00:15:22,880 Speaker 1: oh they may win lots more money than we want 269 00:15:22,920 --> 00:15:25,600 Speaker 1: to give them. So after that happened, that's when they're like, 270 00:15:25,600 --> 00:15:27,040 Speaker 1: you know, we're gonna steak this in so you can't 271 00:15:27,080 --> 00:15:28,200 Speaker 1: sue us and we don't have to pay you a 272 00:15:28,240 --> 00:15:31,000 Speaker 1: lot of money and we can still look good. Yeah, 273 00:15:31,120 --> 00:15:36,360 Speaker 1: this aftermath thing is interesting. Yeah, yeah, it's annoying. It's 274 00:15:36,440 --> 00:15:39,720 Speaker 1: very annoying for a lot of reasons because, like, again, 275 00:15:39,720 --> 00:15:42,640 Speaker 1: if you can't afford a lawyer, or I can just 276 00:15:42,680 --> 00:15:46,040 Speaker 1: imagine being so excited to get a deal and I 277 00:15:46,080 --> 00:15:47,600 Speaker 1: don't know what that I think it's okay, and then 278 00:15:47,640 --> 00:15:51,080 Speaker 1: you sign it and then later like what, well, I 279 00:15:51,080 --> 00:15:53,360 Speaker 1: mean you and I could talk about it personally without 280 00:15:53,480 --> 00:15:57,280 Speaker 1: even just jobs and having to learn from previous hosts 281 00:15:57,320 --> 00:15:59,480 Speaker 1: and me coming in with no money, like I can't 282 00:15:59,480 --> 00:16:02,800 Speaker 1: afford the all or how did y'all do this? No 283 00:16:02,920 --> 00:16:04,960 Speaker 1: wonder people just signed on the dime line because they're like, 284 00:16:05,000 --> 00:16:07,760 Speaker 1: well it's more than I was making. Yeah. Yeah, And 285 00:16:07,800 --> 00:16:11,040 Speaker 1: that's why having those having women speak up about it 286 00:16:11,080 --> 00:16:13,520 Speaker 1: and kind of share their experiences and what they learned 287 00:16:13,600 --> 00:16:16,880 Speaker 1: is so so so important. And yeah, if I I know, 288 00:16:16,920 --> 00:16:19,280 Speaker 1: I joked about this with you, Samantha, but I was 289 00:16:19,320 --> 00:16:22,080 Speaker 1: looking at all the albums she has left to rerecord 290 00:16:22,160 --> 00:16:24,080 Speaker 1: or she continues that if I was anybody who had 291 00:16:24,120 --> 00:16:26,040 Speaker 1: done her wrong, I'd be raising funds to buy her 292 00:16:26,120 --> 00:16:32,520 Speaker 1: masters to get them back so rerecorded. I mean, there's 293 00:16:32,560 --> 00:16:37,520 Speaker 1: definitely this like oh this name of like the past 294 00:16:37,840 --> 00:16:41,080 Speaker 1: exos who are running away like they have. So many 295 00:16:41,200 --> 00:16:43,280 Speaker 1: of the Taylor Swift fans or people just in general 296 00:16:43,360 --> 00:16:45,960 Speaker 1: are like, oh, they better watched their backs. That's happening, 297 00:16:46,000 --> 00:16:52,320 Speaker 1: that's coming yep, yep ye. And those conversations about militant 298 00:16:52,320 --> 00:16:55,880 Speaker 1: fan bases, the power of nostalgia, which is I find 299 00:16:55,920 --> 00:16:57,360 Speaker 1: really interesting because I've heard a lot of people who 300 00:16:57,360 --> 00:16:58,680 Speaker 1: are like, I remember listening to this when I was 301 00:16:58,720 --> 00:17:01,640 Speaker 1: so much younger, and now it's it's like still resting 302 00:17:02,640 --> 00:17:06,800 Speaker 1: um current lawsuits that Swift is facing, weaponization of memory. 303 00:17:07,080 --> 00:17:09,960 Speaker 1: Those their topics for a different day. Uh, but yeah, 304 00:17:10,000 --> 00:17:26,119 Speaker 1: this is a huge conversation that is happening, right, And 305 00:17:26,200 --> 00:17:27,840 Speaker 1: I didn't want to talk a little bit just quickly 306 00:17:27,840 --> 00:17:30,199 Speaker 1: about the current laws, So that has happened over infringement 307 00:17:30,280 --> 00:17:32,639 Speaker 1: rights for the song shake It Off, which we know 308 00:17:32,760 --> 00:17:36,760 Speaker 1: she kind of did some copyrighting of specific phrases and such. 309 00:17:36,800 --> 00:17:40,080 Speaker 1: But this actually started in seventeen by songwriter Sean Hall 310 00:17:40,080 --> 00:17:42,560 Speaker 1: and Nathan Butler, who wrote the songs play is Gonna 311 00:17:42,560 --> 00:17:45,240 Speaker 1: Play for three l W three Little Women really cute 312 00:17:45,240 --> 00:17:46,760 Speaker 1: little hip hop group if you don't know. It was 313 00:17:46,800 --> 00:17:49,920 Speaker 1: originally dismissed in eighteen by the US the Street Court, 314 00:17:50,040 --> 00:17:52,199 Speaker 1: but has been repelled and is set to go to 315 00:17:52,280 --> 00:17:55,280 Speaker 1: court in August two. And it's big news because they 316 00:17:55,280 --> 00:17:58,159 Speaker 1: are actually having to go to court, uh, instead of 317 00:17:58,200 --> 00:17:59,920 Speaker 1: just doing settlement. So it's going to be an interest 318 00:18:00,119 --> 00:18:05,080 Speaker 1: conversation for sure. Yes, and we will see how that 319 00:18:05,119 --> 00:18:08,240 Speaker 1: plays out. Um. And then we wandered around this this 320 00:18:08,320 --> 00:18:13,520 Speaker 1: list out with Megan the Stallion, who topped TikTok's usage 321 00:18:13,520 --> 00:18:17,560 Speaker 1: catalog for the second year in a row. It's true, um. 322 00:18:17,600 --> 00:18:19,639 Speaker 1: And if you have gone through TikTok like I have, 323 00:18:19,840 --> 00:18:22,280 Speaker 1: I've seen the dances. I will say one of her 324 00:18:22,280 --> 00:18:24,800 Speaker 1: big songs kind of missed one of the day's routines 325 00:18:24,800 --> 00:18:27,280 Speaker 1: because it was a winter of Black Creators stopped. It 326 00:18:27,320 --> 00:18:29,840 Speaker 1: was like you try it yourself, and it was quite comical. 327 00:18:29,960 --> 00:18:32,480 Speaker 1: We did talk about it because the instructions were there 328 00:18:32,560 --> 00:18:36,720 Speaker 1: and still did not happen. But all that to say, um, 329 00:18:36,760 --> 00:18:38,760 Speaker 1: and then there has been a bit of drama with 330 00:18:38,920 --> 00:18:40,560 Speaker 1: Megan the Stallion, so we didn't want to talk more 331 00:18:40,560 --> 00:18:44,200 Speaker 1: about that, not talking about exactly her past abusive relationship 332 00:18:44,400 --> 00:18:47,240 Speaker 1: with Tory Lanes forget him. But we're actually talking about 333 00:18:47,640 --> 00:18:50,640 Speaker 1: more battles with the labels. And one of the battles 334 00:18:50,680 --> 00:18:53,320 Speaker 1: happened with BTS, which is the big hite pop group 335 00:18:53,359 --> 00:18:56,600 Speaker 1: that we all know and love, with the remix of Butter, 336 00:18:56,920 --> 00:18:59,360 Speaker 1: which by the way, is one of the number one songs. UM. 337 00:18:59,440 --> 00:19:02,359 Speaker 1: Even with song's success in the Billboards number one spot 338 00:19:02,400 --> 00:19:05,840 Speaker 1: for over nine weeks, Megan's lawyers had to sue her 339 00:19:05,920 --> 00:19:09,360 Speaker 1: label fIF one after the label claim quote the song 340 00:19:09,400 --> 00:19:11,919 Speaker 1: would not be good for her career and requested on 341 00:19:11,960 --> 00:19:13,919 Speaker 1: top of that a hundred thousand dollar fee for it 342 00:19:13,960 --> 00:19:15,879 Speaker 1: to be even released and would take the profits of 343 00:19:15,880 --> 00:19:18,119 Speaker 1: the song. So all of these things happened because they 344 00:19:18,119 --> 00:19:21,200 Speaker 1: would not release the song. Her lawyers had to request 345 00:19:21,240 --> 00:19:24,200 Speaker 1: a restraining order to quote keep the label from stopping 346 00:19:24,240 --> 00:19:26,240 Speaker 1: the release. So they were just gonna flat out and 347 00:19:26,240 --> 00:19:29,560 Speaker 1: do this. Um. There's so many questions, including from Megan, 348 00:19:29,680 --> 00:19:32,080 Speaker 1: why there was such a pushback from them, with even 349 00:19:32,160 --> 00:19:35,119 Speaker 1: Megan having to remind them the value of international exposure 350 00:19:35,160 --> 00:19:38,560 Speaker 1: from this massive group, the collaboration which has been talked about, 351 00:19:38,600 --> 00:19:40,320 Speaker 1: like they've been kind of talking about it back and 352 00:19:40,320 --> 00:19:43,480 Speaker 1: forth on Twitter, wanting to collaborate, and everybody was really 353 00:19:43,480 --> 00:19:46,880 Speaker 1: excited about it, and it was getting a lot of publicity. Uh. 354 00:19:47,080 --> 00:19:49,720 Speaker 1: She was granted the order by a Texas judge and 355 00:19:49,760 --> 00:19:52,320 Speaker 1: has since then released a single which is fantastic. If 356 00:19:52,320 --> 00:19:55,199 Speaker 1: you haven't heard it, definitely, I'm not listening. Um. And 357 00:19:55,240 --> 00:19:57,080 Speaker 1: this is the second law. So she just had to 358 00:19:57,080 --> 00:19:59,400 Speaker 1: file against her record label in order to release her 359 00:19:59,400 --> 00:20:02,600 Speaker 1: own work, which by the way, again was her previous album, 360 00:20:02,640 --> 00:20:05,080 Speaker 1: which is on some of the top of the charts, 361 00:20:05,119 --> 00:20:09,000 Speaker 1: including in TikTok Hello Um. She's also requested to be 362 00:20:09,119 --> 00:20:11,880 Speaker 1: released from the record contract, but at this point, I've 363 00:20:12,000 --> 00:20:14,280 Speaker 1: not heard anything about that, if that's going to happen 364 00:20:14,359 --> 00:20:17,520 Speaker 1: or it's even going into court. And of course we 365 00:20:17,600 --> 00:20:20,840 Speaker 1: have to talk about the amazing fans who always has 366 00:20:20,920 --> 00:20:24,280 Speaker 1: to take that extra step after the legal implications of 367 00:20:24,280 --> 00:20:26,600 Speaker 1: the release of the remix of Butter. Fans of both 368 00:20:26,680 --> 00:20:30,000 Speaker 1: artists raised over a hundred thousand dollars in support of 369 00:20:30,080 --> 00:20:33,040 Speaker 1: Megan and donated to organizations like Black Women for Wellness, 370 00:20:33,119 --> 00:20:36,840 Speaker 1: Women for Afghan Women, and the Houston Food Bank. So amazing. 371 00:20:37,040 --> 00:20:40,159 Speaker 1: When we talk about the fan bases, my gosh, they 372 00:20:40,200 --> 00:20:44,480 Speaker 1: get done, that's all. And also we wanted to tell 373 00:20:44,600 --> 00:20:49,159 Speaker 1: our personal friend, I wish Megan congratulations on her graduation 374 00:20:49,280 --> 00:20:52,320 Speaker 1: from Texas Southern University with a Bachelor of Science degree 375 00:20:52,359 --> 00:20:55,840 Speaker 1: in health administration, and she tweeted, good morning, Hattie's it's 376 00:20:55,880 --> 00:20:57,960 Speaker 1: graduation day. I can't do it like her, so we're 377 00:20:58,000 --> 00:21:02,040 Speaker 1: not even try hashtag Megan the graduate and talking about 378 00:21:02,040 --> 00:21:04,159 Speaker 1: all the women who have been influences in her life, 379 00:21:04,200 --> 00:21:07,560 Speaker 1: including her late mother and her grandmother's She also talked 380 00:21:07,560 --> 00:21:10,000 Speaker 1: about the possible future plans, saying, you know what, I'm 381 00:21:10,000 --> 00:21:12,359 Speaker 1: going to open an assisted living facility and use the 382 00:21:12,400 --> 00:21:14,600 Speaker 1: money that I make from wrapping to open it. Then 383 00:21:14,600 --> 00:21:17,520 Speaker 1: I'm gonna let my classmates run it. So I love 384 00:21:17,560 --> 00:21:20,240 Speaker 1: that idea. I love that she continues to push forward 385 00:21:20,400 --> 00:21:24,600 Speaker 1: and grows. This is beautiful, Yes, yes, Chess, all of 386 00:21:24,680 --> 00:21:29,520 Speaker 1: this so inspiring. We're seeing women really shaking up things 387 00:21:29,600 --> 00:21:33,639 Speaker 1: and getting like technologies to change, love it, love it, 388 00:21:33,800 --> 00:21:38,240 Speaker 1: and we get all this fantastic music out of it. Well, listeners, 389 00:21:38,359 --> 00:21:41,280 Speaker 1: are there any artists that have been on your playlists 390 00:21:42,720 --> 00:21:44,920 Speaker 1: at the end of the year, Any songs we should 391 00:21:44,960 --> 00:21:47,199 Speaker 1: shout out, Any artists we should shout out? Please let 392 00:21:47,320 --> 00:21:49,160 Speaker 1: us know. You can email at stuff Idia mom stuff 393 00:21:49,160 --> 00:21:51,080 Speaker 1: at iHeart media dot com. You can find us on 394 00:21:51,080 --> 00:21:53,639 Speaker 1: Twitter at mom Stop podcast or on Instagram at stuff 395 00:21:53,640 --> 00:21:56,680 Speaker 1: I Never Told You. Thanks as always to our superproducer Christina, 396 00:21:56,880 --> 00:21:59,560 Speaker 1: who was also killing it. Oh yes, and thanks to 397 00:21:59,600 --> 00:22:01,480 Speaker 1: you for this thing. Top one never told his protection 398 00:22:01,480 --> 00:22:03,120 Speaker 1: of I Heart Radio. For more podcasts on my heart 399 00:22:03,160 --> 00:22:05,440 Speaker 1: Radio is a via radio app, Apple podcast or regulas 400 00:22:05,480 --> 00:22:07,359 Speaker 1: into favorite shows. H