1 00:00:00,120 --> 00:00:02,480 Speaker 1: From the Mercedes Benz interview Loud. 2 00:00:02,640 --> 00:00:04,480 Speaker 2: You know, wasn't that long ago when Nelly for Toado 3 00:00:04,600 --> 00:00:07,320 Speaker 2: came in to say hi to us? Yeah, now she's 4 00:00:07,360 --> 00:00:11,440 Speaker 2: back to say hi again. I see her out there. 5 00:00:11,600 --> 00:00:14,240 Speaker 2: Why why are you out there and we're in here? 6 00:00:14,720 --> 00:00:15,720 Speaker 2: Should we go out there? 7 00:00:16,079 --> 00:00:18,360 Speaker 3: I bet Nate's out there just talking and talking and 8 00:00:18,360 --> 00:00:19,360 Speaker 3: farting and laughing. 9 00:00:19,520 --> 00:00:23,920 Speaker 2: Let her go. Nate's putting makeup on Nelly for Nate. 10 00:00:24,000 --> 00:00:26,360 Speaker 2: Don't put makeup on our guests. She looks fine, she 11 00:00:26,400 --> 00:00:29,880 Speaker 2: looks good. Oh, my gosh. Anyway, a new album which 12 00:00:29,960 --> 00:00:34,280 Speaker 2: drops tonight, and we're about to play. Well, I don't 13 00:00:34,280 --> 00:00:35,519 Speaker 2: know if they know this. We're about to play a 14 00:00:35,560 --> 00:00:38,280 Speaker 2: cut off that album. You know, sometimes we get in 15 00:00:38,320 --> 00:00:41,440 Speaker 2: trouble playing cuts before we were supposed to. Well, we're 16 00:00:41,440 --> 00:00:49,200 Speaker 2: gonna take that chance. Nellie for Toado, My gosh, she's 17 00:00:49,280 --> 00:00:51,800 Speaker 2: all loaded down with cocktails and jewelry. 18 00:00:52,000 --> 00:00:55,760 Speaker 3: I want all the jewelry she has on It looks amazing. 19 00:00:56,760 --> 00:00:58,200 Speaker 2: It's always nice to accessorize. 20 00:01:00,120 --> 00:01:01,240 Speaker 3: No, I'm so good. 21 00:01:01,760 --> 00:01:03,600 Speaker 1: I'm so happy to be back. 22 00:01:04,959 --> 00:01:06,560 Speaker 2: Yes, it was, Yeah, it was. 23 00:01:06,720 --> 00:01:07,600 Speaker 1: That was a full year ago. 24 00:01:07,959 --> 00:01:11,160 Speaker 2: It was a full year ago. Wow, with the Timberland 25 00:01:11,200 --> 00:01:14,479 Speaker 2: and justin Timberlake song. Oh, I think that's what we're 26 00:01:14,520 --> 00:01:15,000 Speaker 2: talking about. 27 00:01:15,240 --> 00:01:17,760 Speaker 1: I was like, what what were what song? Were we 28 00:01:17,920 --> 00:01:21,240 Speaker 1: talking about? You like, this is cool, it's very nice 29 00:01:21,280 --> 00:01:23,640 Speaker 1: and cool. I like that ring, look at that snake ring. 30 00:01:24,800 --> 00:01:28,800 Speaker 2: Let's just talk about let's just talk about accessories, let's talk. 31 00:01:31,080 --> 00:01:33,640 Speaker 1: Where we're Okay, I got it. I love headphones. 32 00:01:34,440 --> 00:01:34,800 Speaker 3: Do you. 33 00:01:36,360 --> 00:01:38,080 Speaker 2: Two days in a row people said that they live 34 00:01:39,040 --> 00:01:41,840 Speaker 2: because you know, sometimes we'll get people the option. We 35 00:01:41,880 --> 00:01:43,600 Speaker 2: don't have to do headphones now. 36 00:01:43,600 --> 00:01:46,600 Speaker 1: They're fun, But I'm a narcissist. I like to hear 37 00:01:46,600 --> 00:01:49,560 Speaker 1: my voice like back in my hair, Like that's important. 38 00:01:50,720 --> 00:01:52,680 Speaker 1: I mean when it's got like the effects. 39 00:01:52,720 --> 00:01:54,200 Speaker 2: You know, sure it's true. 40 00:01:54,240 --> 00:01:57,080 Speaker 1: I mean no one likes the rob recorded vocal. Right 41 00:01:57,080 --> 00:01:58,160 Speaker 1: when you hear your voice. 42 00:01:58,400 --> 00:02:01,440 Speaker 2: This is true. We we don't sound We sound like 43 00:02:01,480 --> 00:02:05,880 Speaker 2: frogs without headphones. So we're celebrating Tonight's tonight, right the 44 00:02:05,920 --> 00:02:07,600 Speaker 2: album comes up tonight? Is that true? 45 00:02:07,800 --> 00:02:11,440 Speaker 4: Apparently an Australian fan was like, actually, it's not tomorrow. 46 00:02:11,639 --> 00:02:14,920 Speaker 4: It's tonight in Australia, So yeah. 47 00:02:14,800 --> 00:02:16,320 Speaker 2: So when is it? When is it not for us? 48 00:02:16,840 --> 00:02:17,160 Speaker 4: Uh? 49 00:02:17,200 --> 00:02:21,240 Speaker 1: For you? It's tomorrow Friday Friday. All the new albums 50 00:02:21,240 --> 00:02:22,000 Speaker 1: come out on Friday. 51 00:02:22,480 --> 00:02:22,720 Speaker 2: They do. 52 00:02:23,040 --> 00:02:26,680 Speaker 1: Yeah, always come out on Friday Friday in Australia already, 53 00:02:26,720 --> 00:02:27,040 Speaker 1: isn't it. 54 00:02:27,440 --> 00:02:29,720 Speaker 4: That's what I'm saying, like my album, But actually I 55 00:02:29,720 --> 00:02:31,560 Speaker 4: don't know. I think it might be like all what time? 56 00:02:31,600 --> 00:02:32,120 Speaker 4: Anybody know? 57 00:02:32,280 --> 00:02:32,840 Speaker 3: I don't. I think. 58 00:02:34,240 --> 00:02:35,560 Speaker 1: Ahead. It's a mystery. 59 00:02:35,720 --> 00:02:37,440 Speaker 2: This is the most confusing moment of mine. 60 00:02:37,480 --> 00:02:40,880 Speaker 1: Is it midnight international? 61 00:02:39,440 --> 00:02:42,240 Speaker 2: Midnight locally? Okay? 62 00:02:42,320 --> 00:02:46,040 Speaker 1: So tonight and midnight the album comes out? Okay everywhere? Well, 63 00:02:46,200 --> 00:02:46,920 Speaker 1: I've got anywhere. 64 00:02:46,960 --> 00:02:49,320 Speaker 2: I have a problem with this, and I'll tell you why. 65 00:02:49,360 --> 00:02:52,680 Speaker 2: In this trouble. I already have a cut from your album, 66 00:02:52,760 --> 00:02:54,760 Speaker 2: and I know it's not supposed to play until after midnight, 67 00:02:54,800 --> 00:02:56,520 Speaker 2: but I'm gonna play it anyway. No matter what you say, 68 00:02:56,720 --> 00:03:01,480 Speaker 2: it's gonna happen. You don't. I'm excited because sometimes, you know, 69 00:03:01,840 --> 00:03:04,959 Speaker 2: sometimes management gets all mad. They don't want, they don't 70 00:03:04,960 --> 00:03:06,800 Speaker 2: wants to play it until it's time. But we're gonna 71 00:03:06,800 --> 00:03:09,120 Speaker 2: play it anyway, just to piss off, piss off everyone. 72 00:03:09,160 --> 00:03:11,480 Speaker 2: That's just the way it's gonna be. So this album, 73 00:03:11,480 --> 00:03:13,960 Speaker 2: you actually collaborated with your play whatever you with your 74 00:03:14,080 --> 00:03:15,200 Speaker 2: daughter on this album. 75 00:03:15,280 --> 00:03:16,640 Speaker 1: Oh my god. And guess what. 76 00:03:16,720 --> 00:03:21,000 Speaker 4: It's her twenty first birthday tomorrow, one year old. 77 00:03:21,040 --> 00:03:22,880 Speaker 1: I know she's doing and I have six and five. 78 00:03:23,280 --> 00:03:26,760 Speaker 2: Who don't you have a damn you have a lot 79 00:03:26,800 --> 00:03:27,200 Speaker 2: going on. 80 00:03:27,600 --> 00:03:28,200 Speaker 1: Oh my god. 81 00:03:29,720 --> 00:03:30,320 Speaker 2: But it's great. 82 00:03:30,480 --> 00:03:32,720 Speaker 1: So this is all the joy and beauty. 83 00:03:32,800 --> 00:03:36,520 Speaker 2: But also it's all a beauty, a beautiful thing. Hey, 84 00:03:36,520 --> 00:03:38,800 Speaker 2: can I tell you something? Before you got here, we 85 00:03:38,840 --> 00:03:41,880 Speaker 2: were having some fun. I'm saying we're not having fun now. 86 00:03:43,720 --> 00:03:45,080 Speaker 2: But you remember what year was this? 87 00:03:48,000 --> 00:03:52,240 Speaker 1: What the here? Timbaland gave me the best beat in 88 00:03:52,280 --> 00:03:54,920 Speaker 1: the world. Well, if I DJ were with. 89 00:03:54,840 --> 00:03:57,120 Speaker 4: My friends, if someone lets me take over the iPad 90 00:03:57,160 --> 00:04:00,320 Speaker 4: at a club or something, I play this song, so 91 00:04:00,360 --> 00:04:04,960 Speaker 4: I win every time. California by Tupuc wins. But but 92 00:04:05,000 --> 00:04:09,040 Speaker 4: this is right up there with it. Sorry, but that's 93 00:04:08,680 --> 00:04:09,600 Speaker 4: just listen. 94 00:04:12,240 --> 00:04:15,080 Speaker 2: I mean, this song is just it stands the testing. 95 00:04:15,240 --> 00:04:15,880 Speaker 2: I love it. 96 00:04:16,680 --> 00:04:19,960 Speaker 1: I love it. Of course it's karaoke. I'm karaoke with everybody. 97 00:04:20,040 --> 00:04:21,200 Speaker 2: What about this one? Hold on hold? 98 00:04:24,680 --> 00:04:30,719 Speaker 1: Remember I love the song song It's finest? Yeah it was. 99 00:04:30,800 --> 00:04:32,760 Speaker 4: Yeah. I was actually twenty years old when I wrote 100 00:04:32,760 --> 00:04:36,480 Speaker 4: this on a on a guitar the traditional way I wrote. 101 00:04:36,560 --> 00:04:38,800 Speaker 2: So I didn't know that I did. Yeah, such a 102 00:04:38,800 --> 00:04:39,400 Speaker 2: great song. 103 00:04:39,560 --> 00:04:43,520 Speaker 1: Thank you is being trapped in a little hotel room. 104 00:04:43,560 --> 00:04:45,400 Speaker 1: You know, sad when you're twenty. That's good. 105 00:04:45,480 --> 00:04:46,560 Speaker 2: We're all sad when we're twenty. 106 00:04:46,640 --> 00:04:49,000 Speaker 1: I know that's what I mean. We could all write I'm. 107 00:04:48,880 --> 00:04:52,120 Speaker 2: Like a rite and of course, uh, Timberlin, oh this 108 00:04:52,200 --> 00:04:54,599 Speaker 2: is my favorite. Give it to me your paying meta. 109 00:04:54,880 --> 00:04:57,640 Speaker 4: Like we are singing about being in the club listening 110 00:04:57,720 --> 00:04:58,560 Speaker 4: to our own song. 111 00:04:58,960 --> 00:05:02,080 Speaker 1: That's hilarious. Did you ever do it in the club? 112 00:05:02,120 --> 00:05:04,839 Speaker 1: Listening to you about being in the couple of times? 113 00:05:04,680 --> 00:05:07,480 Speaker 2: That's gonna be weird. You're listening to a song about 114 00:05:07,480 --> 00:05:09,120 Speaker 2: you and the club while you're in the club listening 115 00:05:09,120 --> 00:05:09,680 Speaker 2: to the song about it. 116 00:05:09,960 --> 00:05:12,000 Speaker 1: Yes, yes, I know it's fun. 117 00:05:11,839 --> 00:05:15,360 Speaker 2: Though, head exploding. Yes, But now I'm we're about to 118 00:05:15,360 --> 00:05:17,320 Speaker 2: play something new and that's gonna happen in a minute. 119 00:05:17,360 --> 00:05:20,159 Speaker 2: So okay, what's going on other than being a mom, 120 00:05:20,480 --> 00:05:23,880 Speaker 2: being a collaborator, having an album out and looking fabulous? 121 00:05:24,000 --> 00:05:25,640 Speaker 1: There's my god, thanks, There's gonna be. 122 00:05:25,640 --> 00:05:26,960 Speaker 2: A list of other things going on too. 123 00:05:27,080 --> 00:05:29,160 Speaker 1: I'm just I'm just like, I put a lot of 124 00:05:29,240 --> 00:05:32,080 Speaker 1: energy into the album. I'm real like music. 125 00:05:32,200 --> 00:05:33,880 Speaker 4: I want to say, I'm a music nerd like I 126 00:05:33,960 --> 00:05:36,280 Speaker 4: just I'm constantly listening to making new playlists and making 127 00:05:36,279 --> 00:05:38,760 Speaker 4: more music or thinking, not strategizing, how to make more music. 128 00:05:38,800 --> 00:05:40,680 Speaker 4: So this is like a dream come true for me 129 00:05:41,040 --> 00:05:43,039 Speaker 4: because it's not fair that I had four years. 130 00:05:43,120 --> 00:05:43,600 Speaker 1: It's not fair. 131 00:05:43,640 --> 00:05:46,240 Speaker 4: People don't get four years to make albums and just 132 00:05:46,360 --> 00:05:48,240 Speaker 4: long story, but I got four years, and it's like 133 00:05:48,520 --> 00:05:49,440 Speaker 4: it's really good. 134 00:05:49,520 --> 00:05:50,440 Speaker 1: I'm really proud of it. 135 00:05:51,000 --> 00:05:53,880 Speaker 2: I don't usually when people write albums, Nellie, when they 136 00:05:53,880 --> 00:05:55,960 Speaker 2: write an album, they're at a certain place in their life. 137 00:05:55,960 --> 00:05:57,840 Speaker 2: But four years, you've been a lot of places in 138 00:05:57,880 --> 00:06:01,400 Speaker 2: your life, so you've had time to write at for sure. 139 00:06:01,560 --> 00:06:04,279 Speaker 1: For sure, Yeah, I definitely. I like to keep one 140 00:06:04,320 --> 00:06:06,560 Speaker 1: foot in the industry and one foot in a very 141 00:06:06,839 --> 00:06:07,920 Speaker 1: very normal life. 142 00:06:07,960 --> 00:06:11,760 Speaker 4: I'm talking as normal as you can imagine that more 143 00:06:11,760 --> 00:06:15,640 Speaker 4: boring than that for tado, Like I don't know, just 144 00:06:15,680 --> 00:06:18,120 Speaker 4: like I mean, of course, like you spice it up 145 00:06:18,160 --> 00:06:20,120 Speaker 4: with some concerts and you're traveling around the world and 146 00:06:20,120 --> 00:06:24,920 Speaker 4: you're doing fun stuff. But I think that I need 147 00:06:24,960 --> 00:06:29,200 Speaker 4: that normal because it like I gotta get off the 148 00:06:29,200 --> 00:06:31,039 Speaker 4: wheel sometimes to feel you know. 149 00:06:31,160 --> 00:06:33,640 Speaker 1: You go to the grocery store and grocery, go to 150 00:06:33,760 --> 00:06:37,240 Speaker 1: the grocery store. Yeah, I do all those things. I'm 151 00:06:37,279 --> 00:06:39,080 Speaker 1: good at kind of being looking. Like yesterday I was 152 00:06:39,120 --> 00:06:41,040 Speaker 1: at customs at the airport. 153 00:06:41,040 --> 00:06:42,680 Speaker 4: And the guy was like, you know what, every time 154 00:06:42,680 --> 00:06:44,479 Speaker 4: you come through, I've seen you three times now. 155 00:06:44,880 --> 00:06:48,120 Speaker 1: And I I always have to look you get me 156 00:06:48,160 --> 00:06:49,920 Speaker 1: every time. I never know it's you to look at 157 00:06:49,920 --> 00:06:51,440 Speaker 1: your passport and I'm like, I know, I like to 158 00:06:51,520 --> 00:06:53,760 Speaker 1: keep it low key. I travel by myself sometimes he's 159 00:06:53,800 --> 00:06:55,680 Speaker 1: like yeah, I'm like, yeah, I like to keep one 160 00:06:55,680 --> 00:06:57,080 Speaker 1: foot in like just regular life. 161 00:06:57,120 --> 00:06:58,360 Speaker 2: You know, let's talk about it. 162 00:06:58,360 --> 00:07:00,800 Speaker 1: But I love the entertainer. Maybe that's why, because I 163 00:07:00,800 --> 00:07:01,840 Speaker 1: want to keep doing it. Love it. 164 00:07:01,880 --> 00:07:03,719 Speaker 2: That's something you love doing, but you also love everything 165 00:07:03,720 --> 00:07:05,160 Speaker 2: else in your life. So let's talk about when you 166 00:07:05,200 --> 00:07:07,680 Speaker 2: write an album. When you put an album together, it's 167 00:07:07,680 --> 00:07:10,360 Speaker 2: about life and life experiences and to that. So you're 168 00:07:10,400 --> 00:07:12,600 Speaker 2: living a life of being an entertainer, but you're also 169 00:07:12,640 --> 00:07:15,520 Speaker 2: living a life of normalcy. Yeah, so our songs about 170 00:07:15,560 --> 00:07:18,320 Speaker 2: normalcy as exciting for us as so you know what 171 00:07:18,320 --> 00:07:18,680 Speaker 2: I'm saying. 172 00:07:18,760 --> 00:07:21,000 Speaker 1: I mean, I'm not normal. I love a normal, but 173 00:07:21,200 --> 00:07:22,880 Speaker 1: I don't think my brain is like normal. 174 00:07:23,440 --> 00:07:25,960 Speaker 4: Abnormal is like, if you see me in the studio, 175 00:07:26,120 --> 00:07:28,320 Speaker 4: it's not normal, you know. I write ten songs at 176 00:07:28,360 --> 00:07:29,880 Speaker 4: the same time, and I have like I could have 177 00:07:29,920 --> 00:07:31,600 Speaker 4: twenty people in there and make a party out of it. 178 00:07:31,960 --> 00:07:34,800 Speaker 4: I also have in attent of ADHD, so I could 179 00:07:34,840 --> 00:07:35,640 Speaker 4: do a lot of things at once. 180 00:07:35,680 --> 00:07:37,600 Speaker 1: But I also get bored very easily. People ask me 181 00:07:37,640 --> 00:07:39,560 Speaker 1: a lot. They're like, why do you have so many 182 00:07:39,840 --> 00:07:42,640 Speaker 1: strange different genres that you dabble in? It makes no sense, 183 00:07:42,840 --> 00:07:45,960 Speaker 1: you know, like what genre are you? And I don't 184 00:07:45,960 --> 00:07:47,400 Speaker 1: know if everybody knows. But I do have. 185 00:07:47,320 --> 00:07:50,320 Speaker 4: Songs with like jessingers, like Michael Buble or like you know, 186 00:07:50,760 --> 00:07:51,640 Speaker 4: Andre Bochelly. 187 00:07:52,040 --> 00:07:53,320 Speaker 1: I have a song with a Game, I have a 188 00:07:53,360 --> 00:07:53,920 Speaker 1: song with n E. 189 00:07:54,040 --> 00:07:54,240 Speaker 3: R D. 190 00:07:54,440 --> 00:07:56,040 Speaker 1: I have a song with a lot of different kinds 191 00:07:56,080 --> 00:07:57,560 Speaker 1: of dance acts. 192 00:07:57,480 --> 00:07:58,120 Speaker 2: Very diverse. 193 00:07:58,280 --> 00:08:00,800 Speaker 1: Yeah, so, and that's because I get board very easily. 194 00:08:01,280 --> 00:08:04,840 Speaker 4: So I guess it's been good to have the ADHD 195 00:08:04,880 --> 00:08:06,320 Speaker 4: because it keeps me kind of going. I have a 196 00:08:06,360 --> 00:08:11,560 Speaker 4: whole album in Spanish, well, the song with Mamba Steradio 197 00:08:11,560 --> 00:08:15,000 Speaker 4: on this new album, yeah, my Portuguese. I sing a 198 00:08:15,000 --> 00:08:16,720 Speaker 4: little in Portuguese as well, So this is on the 199 00:08:16,760 --> 00:08:20,800 Speaker 4: new album. My new album has one song with some you. 200 00:08:20,760 --> 00:08:24,080 Speaker 2: Don't mind talking about collapse? Come on talking too quickly? 201 00:08:24,280 --> 00:08:26,200 Speaker 2: No no, no, no no, there's a lot coming out here. 202 00:08:26,760 --> 00:08:28,560 Speaker 2: Go as fast as you want. But talk about the 203 00:08:28,560 --> 00:08:32,400 Speaker 2: collaborations on this album any surprise, Yeah. 204 00:08:32,120 --> 00:08:34,480 Speaker 1: Yeah, actually no, I like to kind of work with people. 205 00:08:34,640 --> 00:08:36,880 Speaker 1: Maybe some people hadn't heard before. There's a really good 206 00:08:36,920 --> 00:08:38,720 Speaker 1: South African art world. He has a lot of fans. 207 00:08:38,760 --> 00:08:40,920 Speaker 1: Actually his name is Blackie. He's on a song called Crown. 208 00:08:40,960 --> 00:08:41,800 Speaker 2: I've heard of Blackie. 209 00:08:42,000 --> 00:08:44,400 Speaker 1: Yeah, there you go. Then you know Blackie? Yeah, so 210 00:08:44,520 --> 00:08:45,640 Speaker 1: Blackie's not on Crown. 211 00:08:45,800 --> 00:08:48,559 Speaker 4: And then I've got this incredible artist, Charlotte Day Wilson. 212 00:08:48,760 --> 00:08:50,600 Speaker 4: Her voice just kind of takes you back to like 213 00:08:50,920 --> 00:08:53,400 Speaker 4: seventies vinyl, you know, and it's called All Comes Back. 214 00:08:53,440 --> 00:08:57,160 Speaker 4: It's a ballad. And then I've got Bamba Sterio on 215 00:08:57,200 --> 00:09:00,640 Speaker 4: a Spanish song. I've got this really, I'm amazing singer 216 00:09:00,679 --> 00:09:03,280 Speaker 4: songwriter Grey Hawking on one song called Better for Worse. 217 00:09:05,240 --> 00:09:08,400 Speaker 4: So yeah, there's there's there's heartbreak, there's like there's there's 218 00:09:08,400 --> 00:09:10,439 Speaker 4: a little bit of everything, but you can also dance. 219 00:09:11,480 --> 00:09:13,040 Speaker 2: Well. I know that I know the song about to 220 00:09:13,040 --> 00:09:15,640 Speaker 2: pop in a few minutes is a damn song. It's 221 00:09:15,760 --> 00:09:17,840 Speaker 2: very rhythmic. Do you didn't even know what someone? I'm playing? 222 00:09:18,000 --> 00:09:20,200 Speaker 4: See Lewis and Toblo also on my album. But this 223 00:09:20,280 --> 00:09:22,319 Speaker 4: other song is just as you Lewis producing. 224 00:09:22,600 --> 00:09:24,960 Speaker 2: How is to doing? By the way. We haven't seen 225 00:09:24,960 --> 00:09:25,720 Speaker 2: to in a while? 226 00:09:26,200 --> 00:09:26,800 Speaker 4: Oh my god. 227 00:09:26,840 --> 00:09:29,280 Speaker 1: Her and As she made a really cool, like really cool. 228 00:09:29,720 --> 00:09:31,320 Speaker 4: They made a bunch of new songs together, and she's 229 00:09:31,320 --> 00:09:34,719 Speaker 4: she's working on her her new album and I love 230 00:09:34,920 --> 00:09:36,760 Speaker 4: I performed in New York with her in Brooklyn a 231 00:09:36,800 --> 00:09:38,120 Speaker 4: couple of weeks ago. We performed the song for the 232 00:09:38,120 --> 00:09:40,840 Speaker 4: first time together and me here and hy we love that. 233 00:09:40,840 --> 00:09:42,880 Speaker 2: Sho wait hold on, it's just turning a song by the. 234 00:09:42,880 --> 00:09:45,000 Speaker 1: Way, uh and the song my number one and dance 235 00:09:45,120 --> 00:09:49,120 Speaker 1: radio it did it really did? Yeah, it was. It's 236 00:09:49,360 --> 00:09:52,360 Speaker 1: it's kind of like a really cool, like it's a 237 00:09:52,400 --> 00:09:53,040 Speaker 1: cool song. 238 00:09:52,880 --> 00:09:54,760 Speaker 2: If you're just turning us on. Nellie Pertato is here 239 00:09:54,880 --> 00:09:57,360 Speaker 2: and she's a million miles an hour because you have 240 00:09:57,640 --> 00:10:00,080 Speaker 2: a lot of energy because you're so excited. I can 241 00:10:00,120 --> 00:10:02,360 Speaker 2: tell this is this is your NiFe. No, no, do 242 00:10:02,360 --> 00:10:03,080 Speaker 2: not turn that down. 243 00:10:03,120 --> 00:10:03,840 Speaker 1: I know a dial? 244 00:10:04,080 --> 00:10:07,800 Speaker 2: What's up? Gandhi? Do not dial anything down Please don't no, no, 245 00:10:07,880 --> 00:10:08,439 Speaker 2: not allowed. 246 00:10:08,559 --> 00:10:11,320 Speaker 3: When you're talking about collaborating, obviously you said you collaborated 247 00:10:11,360 --> 00:10:14,680 Speaker 3: with your daughter who's twenty one years old now tomorrow tomorrow, 248 00:10:14,800 --> 00:10:18,560 Speaker 3: Happy birthday, Navy, Happy birthday. Does she come with a 249 00:10:18,559 --> 00:10:21,320 Speaker 3: bunch of ideas and say, mom, please don't insert your 250 00:10:21,320 --> 00:10:23,280 Speaker 3: opinion like most twenty one year olds would, or she 251 00:10:23,360 --> 00:10:27,119 Speaker 3: following mama's lead because you're you, she has opinions. 252 00:10:27,240 --> 00:10:28,160 Speaker 2: Of course she does. 253 00:10:28,480 --> 00:10:32,960 Speaker 4: She's you raised her that way, super sertive and strong 254 00:10:33,040 --> 00:10:35,840 Speaker 4: willed from birth, so great person. 255 00:10:35,880 --> 00:10:40,080 Speaker 1: Have them studio. She'll be like, no, sorry, you know 256 00:10:40,080 --> 00:10:40,640 Speaker 1: I don't want that. 257 00:10:40,679 --> 00:10:42,280 Speaker 2: I don't think you're going to embarrass me. Mom. 258 00:10:42,320 --> 00:10:45,520 Speaker 4: No, she's got a musical mind, so she actually know 259 00:10:45,640 --> 00:10:48,800 Speaker 4: what's interesting. She kind of reminded me to make a 260 00:10:48,880 --> 00:10:53,440 Speaker 4: quality album with depth and musicality. 261 00:10:53,360 --> 00:10:57,000 Speaker 2: And wait, hold on, what were you gonna do just 262 00:10:57,040 --> 00:11:02,160 Speaker 2: turn on auto tunes like shallow album like this. 263 00:11:05,200 --> 00:11:07,679 Speaker 1: Iles of music. 264 00:11:07,800 --> 00:11:11,079 Speaker 3: But does she tell you like, Mom, don't do this, 265 00:11:11,200 --> 00:11:13,320 Speaker 3: don't do this because you're gonna embarrass me, Like my 266 00:11:13,440 --> 00:11:15,480 Speaker 3: kids will say, Mom, that is cringe. 267 00:11:15,840 --> 00:11:18,000 Speaker 2: Don't do that. Like does she do that to you 268 00:11:18,080 --> 00:11:19,000 Speaker 2: with anything else? 269 00:11:20,040 --> 00:11:21,280 Speaker 1: Oh my god, are you kidding me? 270 00:11:21,360 --> 00:11:23,320 Speaker 4: When I first started using social media, she was a 271 00:11:23,360 --> 00:11:25,960 Speaker 4: teenager and she was sixteen, and I made the mistake 272 00:11:25,960 --> 00:11:26,400 Speaker 4: of being like. 273 00:11:26,320 --> 00:11:28,160 Speaker 1: Do you like this run on my Instagram? 274 00:11:28,280 --> 00:11:33,800 Speaker 4: And she'd be like, so so so anyways, yeah, yeah no, 275 00:11:33,880 --> 00:11:36,600 Speaker 4: but not now now now now, now mom's doing her 276 00:11:36,600 --> 00:11:38,720 Speaker 4: own thing. She's got it down. But uh yeah, I 277 00:11:38,720 --> 00:11:40,720 Speaker 4: definitely I love talking her about music. 278 00:11:40,720 --> 00:11:42,720 Speaker 1: It's awesome. Well, you know why I've found with your kids, 279 00:11:42,720 --> 00:11:45,160 Speaker 1: it's just like you trust them, you know when they 280 00:11:45,200 --> 00:11:47,200 Speaker 1: when they become adults, and you have so much in 281 00:11:47,240 --> 00:11:49,840 Speaker 1: common that when it comes to art and music and work, 282 00:11:49,960 --> 00:11:51,680 Speaker 1: like because she's in the same field, she works in 283 00:11:51,679 --> 00:11:54,880 Speaker 1: the business, and uh I trust her opinion. It's like 284 00:11:54,920 --> 00:11:55,800 Speaker 1: having like a twin. 285 00:11:56,960 --> 00:12:02,360 Speaker 4: You ever wanted two brains your friends? 286 00:12:02,600 --> 00:12:05,120 Speaker 2: But do you do? You still still sometimes draw that 287 00:12:05,160 --> 00:12:06,959 Speaker 2: line between medding. 288 00:12:07,000 --> 00:12:09,800 Speaker 1: Yeah, yeah, I'm not. I'm not like party mom. It's 289 00:12:09,800 --> 00:12:10,600 Speaker 1: not how it goes down. 290 00:12:12,600 --> 00:12:14,120 Speaker 2: I was looking at a song we're about to play 291 00:12:14,160 --> 00:12:16,559 Speaker 2: from your new album. It's only a little for two 292 00:12:16,600 --> 00:12:21,439 Speaker 2: minutes long. Is there is there ever a conscious decision 293 00:12:21,480 --> 00:12:24,480 Speaker 2: in producing an album or a song track by track 294 00:12:24,720 --> 00:12:28,120 Speaker 2: where a song needs to be five minutes long versus 295 00:12:28,160 --> 00:12:30,800 Speaker 2: one minute long, or it's just whatever it needs to 296 00:12:30,840 --> 00:12:34,000 Speaker 2: be to create the art. 297 00:12:34,320 --> 00:12:39,000 Speaker 4: Yeah, I'm pretty specific because I also co produce most 298 00:12:39,040 --> 00:12:41,240 Speaker 4: of my albums, so I'm a producer as well. 299 00:12:41,320 --> 00:12:43,199 Speaker 1: So I sit there, I'm so picky. 300 00:12:43,240 --> 00:12:46,000 Speaker 4: At the end of it, I'm like, it's too long. 301 00:12:46,120 --> 00:12:48,280 Speaker 4: We need to take out like three lines of that 302 00:12:48,360 --> 00:12:50,800 Speaker 4: last chorus. We need to make the bridge shorter, we 303 00:12:50,840 --> 00:12:52,800 Speaker 4: need to like want to change the lyrics in the 304 00:12:52,800 --> 00:12:53,280 Speaker 4: first verse. 305 00:12:53,320 --> 00:12:54,480 Speaker 1: So I'm very, very picky. 306 00:12:54,679 --> 00:12:58,720 Speaker 4: I'm very like like sound librarian in the studio, and 307 00:12:58,760 --> 00:13:02,839 Speaker 4: I notice, like really things nobody probably notices, and it 308 00:13:02,920 --> 00:13:04,240 Speaker 4: tanged them at the last minute. 309 00:13:04,480 --> 00:13:07,680 Speaker 1: So yeah, two minutes to five. Yeah, big difference. It 310 00:13:07,679 --> 00:13:08,400 Speaker 1: depends on the song. 311 00:13:08,440 --> 00:13:09,439 Speaker 2: It depends on this, I guess. 312 00:13:09,559 --> 00:13:11,840 Speaker 4: But it's funny because my one of my co producers, 313 00:13:11,840 --> 00:13:14,360 Speaker 4: he made this one song longer. I agreed to it, 314 00:13:14,600 --> 00:13:16,560 Speaker 4: but every time I hear it, all I can hear 315 00:13:16,640 --> 00:13:18,000 Speaker 4: is my shorter version, you know what I mean. 316 00:13:19,320 --> 00:13:21,319 Speaker 2: Well, it's your album, though at the end of the day, 317 00:13:21,360 --> 00:13:22,119 Speaker 2: it's yours. 318 00:13:22,120 --> 00:13:24,199 Speaker 4: And I'm still second guessing it's on the last minute, 319 00:13:24,240 --> 00:13:26,360 Speaker 4: Like maybe I liked it, but I but we have 320 00:13:26,400 --> 00:13:29,240 Speaker 4: this song called demoitis in the industry, So when you're 321 00:13:29,240 --> 00:13:31,840 Speaker 4: a musician in the studio, you have demoitis, and like 322 00:13:32,200 --> 00:13:34,880 Speaker 4: you might be I liked it better before, and like 323 00:13:34,920 --> 00:13:37,000 Speaker 4: your collaborators will be like, you just have demoitis. You 324 00:13:37,080 --> 00:13:38,520 Speaker 4: just like that version because you did it a year 325 00:13:38,520 --> 00:13:39,920 Speaker 4: when you've been listening to it in your headphones and 326 00:13:39,960 --> 00:13:42,439 Speaker 4: in the car, they're just your songs. 327 00:13:42,120 --> 00:13:44,800 Speaker 2: That makes it sound like it's your problem, right. I 328 00:13:44,800 --> 00:13:46,600 Speaker 2: wonder if anyone ever has ever produced a song and 329 00:13:46,600 --> 00:13:49,200 Speaker 2: they head it toussled around so much it comes up 330 00:13:49,240 --> 00:13:52,920 Speaker 2: to be like four seconds long. Well that's what you want. 331 00:13:53,120 --> 00:13:54,920 Speaker 1: You can chop it too much, too, Yeah, you can 332 00:13:54,920 --> 00:13:55,559 Speaker 1: make it too short. 333 00:13:55,600 --> 00:13:57,160 Speaker 2: Well, I I like short. 334 00:13:56,920 --> 00:13:58,760 Speaker 1: Songs, though lately a lot of a lot of songs are. 335 00:13:58,679 --> 00:14:00,480 Speaker 4: Short, and I would say, like, I like two and 336 00:14:00,520 --> 00:14:02,280 Speaker 4: a half minutes, but I'll do fortunately like the Weekend's 337 00:14:02,320 --> 00:14:04,080 Speaker 4: new song and love I love it. 338 00:14:04,080 --> 00:14:05,839 Speaker 2: We're playing it, we're playing a lot, We're playing it 339 00:14:05,840 --> 00:14:07,720 Speaker 2: a lot. But this song, it doesn't need to be 340 00:14:07,800 --> 00:14:09,160 Speaker 2: longer or shorter. It's perfect. 341 00:14:09,640 --> 00:14:11,160 Speaker 1: It's four and a half minutes a weekend song. 342 00:14:11,360 --> 00:14:12,160 Speaker 2: But see what I mean? 343 00:14:12,320 --> 00:14:12,960 Speaker 1: Why do I know that? 344 00:14:13,200 --> 00:14:15,959 Speaker 2: What about people? A Custodaly, you have short attention span 345 00:14:16,640 --> 00:14:19,080 Speaker 2: and I need a shorter song because I'm like, that's what. 346 00:14:18,960 --> 00:14:21,560 Speaker 4: I'm saying, Like sometimes short like that song by Tate 347 00:14:21,600 --> 00:14:25,920 Speaker 4: McCrae's only two and a half minutes, that song by Yeah, yeah, 348 00:14:25,960 --> 00:14:28,600 Speaker 4: that song. But then I've noticed lately people putting out 349 00:14:28,600 --> 00:14:31,360 Speaker 4: slightly longer, like three three and a half minutes, just right. 350 00:14:32,200 --> 00:14:34,560 Speaker 1: Notice that. Can't you take a song and like songs. 351 00:14:34,280 --> 00:14:36,560 Speaker 4: Are back in style again, edit it and then just 352 00:14:36,640 --> 00:14:38,760 Speaker 4: keep that last bit for the remix. 353 00:14:39,880 --> 00:14:41,560 Speaker 1: And re release it as the remix album. 354 00:14:41,640 --> 00:14:43,400 Speaker 2: You can do whatever you want, but look at a 355 00:14:43,880 --> 00:14:45,960 Speaker 2: look at a song like Bohemian Rhapsody, which is like 356 00:14:46,040 --> 00:14:50,560 Speaker 2: seven years long, Way to Heaven forty five years? What's scary? 357 00:14:50,600 --> 00:14:54,200 Speaker 2: What Charlie xcx y's the Queen? 358 00:14:54,800 --> 00:14:58,400 Speaker 1: Actually I love that? Oh my god, I have to 359 00:14:58,400 --> 00:14:59,360 Speaker 1: see that live show. 360 00:14:59,560 --> 00:15:01,640 Speaker 2: So what's your day all about? On the eve of 361 00:15:01,920 --> 00:15:04,360 Speaker 2: popping the new album here in the States at midnight tonight? 362 00:15:04,800 --> 00:15:07,120 Speaker 2: Is it all just traveling around talking to people, getting 363 00:15:07,160 --> 00:15:09,280 Speaker 2: your one jazzed up about it, talking about them? 364 00:15:09,520 --> 00:15:10,400 Speaker 1: I get a massage? 365 00:15:10,880 --> 00:15:15,360 Speaker 2: Yeah, yeah, god? Had you had like a five hour 366 00:15:15,440 --> 00:15:16,160 Speaker 2: massage yesterday? 367 00:15:16,160 --> 00:15:18,120 Speaker 1: Oh my god? I will tell you exactly where to go. 368 00:15:18,240 --> 00:15:19,440 Speaker 1: Cotta leah, beauty and wellness. 369 00:15:19,480 --> 00:15:19,800 Speaker 2: Go there. 370 00:15:19,800 --> 00:15:22,200 Speaker 1: It's really close. Oh my god, five hours, no way. 371 00:15:22,200 --> 00:15:24,920 Speaker 1: I did all kinds of sweet yees. Yeah. 372 00:15:25,000 --> 00:15:27,160 Speaker 4: Oh like yesterday, I got a manicure, I got the 373 00:15:27,200 --> 00:15:28,200 Speaker 4: seven look seven. 374 00:15:28,280 --> 00:15:30,760 Speaker 1: My album's called seven. But it went simple. You know, 375 00:15:30,800 --> 00:15:35,480 Speaker 1: it's very nice. But thanks. But yeah, I'll be talking 376 00:15:35,520 --> 00:15:36,840 Speaker 1: about it. I'll be excited. 377 00:15:37,200 --> 00:15:38,760 Speaker 4: I'll be You know what I can't wait to do 378 00:15:38,920 --> 00:15:40,760 Speaker 4: is have all my sounds on social media so I 379 00:15:40,760 --> 00:15:42,920 Speaker 4: can make a bunch of tiktoks and reels, because that's. 380 00:15:42,760 --> 00:15:43,520 Speaker 1: Like one of my favorites. 381 00:15:43,600 --> 00:15:44,800 Speaker 2: Do you love producing tiktoks? 382 00:15:45,960 --> 00:15:46,880 Speaker 1: It's like a hobby, you know what. 383 00:15:46,960 --> 00:15:47,840 Speaker 2: Let Neves do it all. 384 00:15:48,240 --> 00:15:51,680 Speaker 4: No, no, no, I mean I have people to help me, 385 00:15:51,840 --> 00:15:54,000 Speaker 4: have a team, but I do a lot of my own. 386 00:15:54,040 --> 00:15:55,400 Speaker 2: I just see you off in the corner and just 387 00:15:55,440 --> 00:15:58,600 Speaker 2: do it. I just see Nelly at home in bed, 388 00:15:58,720 --> 00:16:00,440 Speaker 2: lights off at four in the morning to making her 389 00:16:00,440 --> 00:16:02,040 Speaker 2: own ticketo you just go into town. 390 00:16:02,120 --> 00:16:04,200 Speaker 1: Yeah, could be or I'm late, like I actually was 391 00:16:04,240 --> 00:16:06,400 Speaker 1: late today because I was making a TikTok in the 392 00:16:06,440 --> 00:16:07,400 Speaker 1: shower at the hotel. 393 00:16:07,800 --> 00:16:08,520 Speaker 2: In the shower. 394 00:16:08,680 --> 00:16:12,760 Speaker 1: Yeah. Sorry, elder. We're clothes on? Oh no, I had 395 00:16:12,760 --> 00:16:15,600 Speaker 1: clothes on. I wasn't thinking about I was making a 396 00:16:15,640 --> 00:16:17,640 Speaker 1: TikTok to the weekend song because I love it so 397 00:16:17,720 --> 00:16:19,880 Speaker 1: much and I've been rinsing it, get the metaphor in 398 00:16:19,920 --> 00:16:21,320 Speaker 1: the shower, sing the song. 399 00:16:21,480 --> 00:16:24,800 Speaker 4: Yes, so so that's why I was late. So that's 400 00:16:24,800 --> 00:16:27,480 Speaker 4: so embarrassing, Like, like, do you guys like knowing that 401 00:16:27,480 --> 00:16:28,440 Speaker 4: that I made a TikTok? 402 00:16:28,440 --> 00:16:31,400 Speaker 1: And that made me right. I needed to capture the moment. 403 00:16:31,440 --> 00:16:32,840 Speaker 2: But I don't feel like you were late though. Oh 404 00:16:32,840 --> 00:16:33,960 Speaker 2: we have people who are late. 405 00:16:34,160 --> 00:16:35,960 Speaker 1: Yeah, right, and that's why I just got here. 406 00:16:36,040 --> 00:16:37,600 Speaker 2: That's all you need to do. As long as you're here, 407 00:16:38,200 --> 00:16:39,920 Speaker 2: we have people to show it. Just okay, be here 408 00:16:39,920 --> 00:16:41,680 Speaker 2: at eight o'clock for the interviewal show at eight fifteen, 409 00:16:41,800 --> 00:16:42,440 Speaker 2: Like what are you doing? 410 00:16:42,680 --> 00:16:43,640 Speaker 1: Yeah, you can't for radio. 411 00:16:43,680 --> 00:16:45,920 Speaker 4: I grew up doing radio, right, I'm old school, Like 412 00:16:46,000 --> 00:16:47,440 Speaker 4: I was twenty when I started doing this, and I 413 00:16:47,640 --> 00:16:48,600 Speaker 4: traveled across. 414 00:16:48,280 --> 00:16:49,320 Speaker 1: The entire country. 415 00:16:49,520 --> 00:16:52,080 Speaker 2: Well, thank god for you for radio stations A day here. 416 00:16:52,120 --> 00:16:54,680 Speaker 2: What she's saying, Katie Perry. 417 00:16:56,080 --> 00:16:56,360 Speaker 1: The same. 418 00:16:56,480 --> 00:16:59,440 Speaker 2: She's late, but she's a good friend. We allow her. 419 00:17:00,360 --> 00:17:03,560 Speaker 2: She's okay, she could be well, no one should be 420 00:17:03,600 --> 00:17:07,720 Speaker 2: allowed to be late. You're you're fine, you did great today. 421 00:17:07,720 --> 00:17:09,680 Speaker 1: Okay, thanks, Yeah, so I wasn't late. 422 00:17:09,800 --> 00:17:12,720 Speaker 2: So Nellie for Tato. The album seven is out tonight 423 00:17:12,760 --> 00:17:15,560 Speaker 2: at midnight. But I'm going to play you an the 424 00:17:15,640 --> 00:17:16,400 Speaker 2: legal cut now. 425 00:17:16,720 --> 00:17:17,040 Speaker 1: Okay. 426 00:17:17,119 --> 00:17:19,959 Speaker 2: We like, Oh my god, please, we like getting attorneys. 427 00:17:20,560 --> 00:17:24,359 Speaker 2: You know, attorney's offices aren't even open yet. It's too early, 428 00:17:24,400 --> 00:17:26,040 Speaker 2: so we can play it now and when they come in, 429 00:17:26,200 --> 00:17:29,679 Speaker 2: we'll be gone. We'll meet the spa. Let's all go 430 00:17:30,960 --> 00:17:33,600 Speaker 2: the song I've decided from your album. I've decided to 431 00:17:33,600 --> 00:17:37,280 Speaker 2: play Honesty. Why because it makes me want to dance? 432 00:17:37,320 --> 00:17:42,160 Speaker 2: It makes it, it sounds sonically, it takes me back 433 00:17:42,200 --> 00:17:43,680 Speaker 2: to when I used to go to the clubs a lot. 434 00:17:43,800 --> 00:17:45,159 Speaker 1: Will you dance with me when we play it? 435 00:17:45,240 --> 00:17:46,120 Speaker 2: You don't see me dance? 436 00:17:48,160 --> 00:17:49,399 Speaker 1: I'm going to try still alone. 437 00:17:49,440 --> 00:17:52,560 Speaker 2: It's nasty. Do a solo dance. Dance with Danielle? 438 00:17:52,680 --> 00:17:52,840 Speaker 1: Yeah? 439 00:17:52,920 --> 00:17:55,560 Speaker 2: Yeah, but this you can. 440 00:17:55,440 --> 00:17:57,960 Speaker 1: Get up on here. All right, let's go. Has anyone 441 00:17:58,000 --> 00:18:01,680 Speaker 1: ever done that? It won't hold anyone's. 442 00:18:01,320 --> 00:18:03,959 Speaker 2: Wat My heart saved a lot of money on the furniture. 443 00:18:03,960 --> 00:18:09,199 Speaker 2: I wouldn't do it. Yeah, they cut corners and they 444 00:18:09,200 --> 00:18:09,480 Speaker 2: built it. 445 00:18:09,680 --> 00:18:12,040 Speaker 1: I would force them to have to replace it. 446 00:18:14,359 --> 00:18:16,199 Speaker 2: If you break the furniture, we get new furniture. So 447 00:18:16,240 --> 00:18:18,680 Speaker 2: there's there's a problem. Thank you so much for coming 448 00:18:18,720 --> 00:18:19,119 Speaker 2: up today. 449 00:18:19,320 --> 00:18:21,560 Speaker 1: Oh my god. I love seeing you all. Thank you. 450 00:18:21,880 --> 00:18:22,640 Speaker 1: I love to be here. 451 00:18:22,680 --> 00:18:25,160 Speaker 2: Thank you. And I love the fact that we're world 452 00:18:25,160 --> 00:18:28,600 Speaker 2: premiering a song on our show illegally. 453 00:18:29,840 --> 00:18:30,600 Speaker 1: Yeah, let's go. 454 00:18:31,000 --> 00:18:31,280 Speaker 2: Okay. 455 00:18:31,320 --> 00:18:34,560 Speaker 1: The album is The Rules anyway, Rules schmools. 456 00:18:35,280 --> 00:18:38,000 Speaker 2: The song is called Honesty. It's Nellie for Toto from 457 00:18:38,000 --> 00:18:41,320 Speaker 2: the album set Tonight. Have you ever heard this on 458 00:18:41,359 --> 00:18:42,480 Speaker 2: the radio yet? You no no. 459 00:18:46,359 --> 00:18:46,760 Speaker 3: Volume? 460 00:18:48,640 --> 00:18:51,440 Speaker 2: Yes, speaker