1 00:00:04,200 --> 00:00:05,960 Speaker 1: There Are No Girls on the Internet. As a production 2 00:00:05,960 --> 00:00:13,080 Speaker 1: of I Heart Radio and Unboss Creative. I'm Bridget Todd 3 00:00:13,240 --> 00:00:14,920 Speaker 1: and this is there are No Girls on the Internet. 4 00:00:17,800 --> 00:00:20,119 Speaker 1: If you don't follow TikTok, you might not know. Like 5 00:00:20,160 --> 00:00:23,040 Speaker 1: everyone is mad at Jimmy Fallon and Addison Ray, let 6 00:00:23,040 --> 00:00:25,439 Speaker 1: me break it down for you. Last week on This 7 00:00:25,560 --> 00:00:28,720 Speaker 1: Night Show with Jimmy Fallen, TikTok dance star Addison Ray 8 00:00:29,080 --> 00:00:31,800 Speaker 1: joined host Jimmy Fallon for a segment called Addison Ray 9 00:00:31,880 --> 00:00:34,960 Speaker 1: Teaches Jimmy Eight TikTok Dances No. One of Space. It 10 00:00:35,040 --> 00:00:37,320 Speaker 1: was a cute segment or Addison Ray showed Jimmy Fallon 11 00:00:37,560 --> 00:00:39,519 Speaker 1: how to do eight dances that have gone viral on 12 00:00:39,560 --> 00:00:42,120 Speaker 1: the platform TikTok as Jimmy held up signs for the 13 00:00:42,159 --> 00:00:45,479 Speaker 1: audience with each dances name. But the backlash started when 14 00:00:45,520 --> 00:00:48,080 Speaker 1: folks pointed out that, like most viral dances on TikTok, 15 00:00:48,320 --> 00:00:51,120 Speaker 1: the dances were created by black youth on the platform. Now, 16 00:00:51,240 --> 00:00:53,960 Speaker 1: Jimmy Fallon's team says when they uploaded the segment to YouTube, 17 00:00:54,160 --> 00:00:57,120 Speaker 1: they included the credits and the description, but that's pretty 18 00:00:57,120 --> 00:00:59,800 Speaker 1: different from crediting them on the show, and it would 19 00:00:59,800 --> 00:01:01,360 Speaker 1: have been pretty easy to put the name of the 20 00:01:01,360 --> 00:01:04,319 Speaker 1: creator on the title card, but they didn't. If you 21 00:01:04,360 --> 00:01:06,800 Speaker 1: were watching, you might have even thought that Addison, who 22 00:01:06,880 --> 00:01:10,199 Speaker 1: is white, created the dances. This is just the latest 23 00:01:10,240 --> 00:01:13,120 Speaker 1: example of what black creators on social media say happens 24 00:01:13,160 --> 00:01:15,880 Speaker 1: to them all the time. They create something that takes 25 00:01:15,920 --> 00:01:18,800 Speaker 1: off on social media platforms and it's just assumed to 26 00:01:18,840 --> 00:01:21,720 Speaker 1: belong to the entire Internet, which on its face doesn't 27 00:01:21,720 --> 00:01:24,800 Speaker 1: seem so terrible, but it actually does matter. Who gets 28 00:01:24,800 --> 00:01:26,880 Speaker 1: credit for things that go big online and who doesn't. 29 00:01:27,240 --> 00:01:30,679 Speaker 1: Other people benefit materially from things that black people create online, 30 00:01:30,920 --> 00:01:33,880 Speaker 1: while those original black creators go overlooked and in some 31 00:01:33,959 --> 00:01:38,840 Speaker 1: cases completely unnamed. We in his reach for a get 32 00:01:38,880 --> 00:01:43,640 Speaker 1: quit abrazon fleek the buk. Most of us have heard 33 00:01:43,680 --> 00:01:46,840 Speaker 1: the expression on fleek. I heard it in advertisements from 34 00:01:46,880 --> 00:01:50,680 Speaker 1: everything from Hefty Bags to Arby's. But Peaches Monroe, the 35 00:01:50,800 --> 00:01:54,080 Speaker 1: black team who first popularized the expression in a vine video, 36 00:01:54,600 --> 00:01:57,560 Speaker 1: didn't see a dime from the corporations who capitalized off 37 00:01:57,560 --> 00:02:01,200 Speaker 1: of her creation. This happens again in again, especially on 38 00:02:01,280 --> 00:02:05,240 Speaker 1: platforms like TikTok. Last year, fourteen year old Jelila Harmon 39 00:02:05,280 --> 00:02:08,800 Speaker 1: filmed herself doing the Renegade dance on Instagram. TikTok user 40 00:02:08,880 --> 00:02:11,679 Speaker 1: global dot Jones copied the dance on TikTok and it 41 00:02:11,720 --> 00:02:16,520 Speaker 1: started spreading. That's been huge. TikTok er Charlie Demilio, who 42 00:02:16,600 --> 00:02:19,680 Speaker 1: has over a hundred thousand followers on the platform, posted 43 00:02:19,720 --> 00:02:21,600 Speaker 1: a video of herself doing it, and then it took 44 00:02:21,639 --> 00:02:24,480 Speaker 1: off like wildfire. The dance showed up on big shows 45 00:02:24,520 --> 00:02:28,880 Speaker 1: like Good Morning America, only nobody credited Jelila and Charlie 46 00:02:28,919 --> 00:02:32,239 Speaker 1: Demilio became known as quote the CEO of the Renegade 47 00:02:32,280 --> 00:02:35,760 Speaker 1: Dance Challenge. Now compare that to someone like Kombucha Girl, 48 00:02:36,120 --> 00:02:40,080 Speaker 1: a white woman named Brittany Tomilson. When Britney's hilarious TikTok 49 00:02:40,200 --> 00:02:42,880 Speaker 1: video of her skeptical taste testing kombucha for the first 50 00:02:42,919 --> 00:02:45,880 Speaker 1: time went viral, she was credited and ended up being 51 00:02:45,919 --> 00:02:49,639 Speaker 1: in a Super Bowl commercial because of that TikTok. Meanwhile, 52 00:02:49,919 --> 00:02:53,120 Speaker 1: it took users on social media to aggressively advocate for 53 00:02:53,240 --> 00:02:55,840 Speaker 1: Jelila for her to even be credited with creating the 54 00:02:55,880 --> 00:02:59,440 Speaker 1: Renegade challenge. Getting credited for things that you create online 55 00:02:59,480 --> 00:03:03,040 Speaker 1: can be changing. It can mean opportunities endorsements and more, 56 00:03:03,120 --> 00:03:05,280 Speaker 1: and it shouldn't be such a fight for black creators 57 00:03:05,520 --> 00:03:08,440 Speaker 1: to simply be credited for what they create. Online law 58 00:03:08,480 --> 00:03:12,280 Speaker 1: professor kJ Green argues that both online and offline, black 59 00:03:12,360 --> 00:03:15,480 Speaker 1: public creativity has been rendered public domain in ways that 60 00:03:15,560 --> 00:03:18,840 Speaker 1: can often leave black creators getting screwed. Now, Black folks 61 00:03:18,880 --> 00:03:21,359 Speaker 1: have always had our stuff stolen, but the speed of 62 00:03:21,400 --> 00:03:24,440 Speaker 1: the Internet means that our intellectual property, our dances and 63 00:03:24,560 --> 00:03:28,240 Speaker 1: jokes and ideas, can be stolen really quickly. As Shamira 64 00:03:28,320 --> 00:03:31,880 Speaker 1: Ibraham puts it over at broadly, this means the means 65 00:03:31,919 --> 00:03:34,600 Speaker 1: in which black niches have been rifled through, hand selected, 66 00:03:34,639 --> 00:03:37,040 Speaker 1: and proliferated may not be new, but the advent of 67 00:03:37,120 --> 00:03:39,840 Speaker 1: social media has accelerated the speed at which these trends 68 00:03:40,080 --> 00:03:43,480 Speaker 1: have floored into the mainstream and ultimately corporatized for gain, 69 00:03:44,040 --> 00:03:46,960 Speaker 1: especially in instances where the nuances of the privacy policy 70 00:03:47,400 --> 00:03:50,920 Speaker 1: may contain obscure language that allows for corporations to own, license, 71 00:03:50,960 --> 00:03:54,240 Speaker 1: and publish original and innovative content at their whim, however 72 00:03:54,320 --> 00:03:58,120 Speaker 1: unethical it may be. Now, Addison raisons acknowledge the backlash 73 00:03:58,160 --> 00:04:00,800 Speaker 1: to the Jimmy Fallen segment. It's kind of hard to 74 00:04:00,960 --> 00:04:03,680 Speaker 1: credit during the show. But they all know that I 75 00:04:03,800 --> 00:04:06,040 Speaker 1: love them so much, and um, I mean I support 76 00:04:06,080 --> 00:04:08,640 Speaker 1: all of them so much, and hopefully one day we 77 00:04:08,680 --> 00:04:11,440 Speaker 1: can all meet up and dance together. I want to 78 00:04:11,480 --> 00:04:14,440 Speaker 1: see a world we're crediting black digital creators, but they're brilliant. 79 00:04:14,800 --> 00:04:18,000 Speaker 1: Isn't just an afterthought? To hear more about black digital 80 00:04:18,080 --> 00:04:20,480 Speaker 1: creators and the struggle to be credited. Check out the 81 00:04:20,520 --> 00:04:22,240 Speaker 1: episode of There Are No Girls on the Internet with 82 00:04:22,320 --> 00:04:25,080 Speaker 1: black creator mar Sebastian. You can find the link to 83 00:04:25,120 --> 00:04:32,000 Speaker 1: the full episode in the show description. Got a story 84 00:04:32,000 --> 00:04:33,880 Speaker 1: about an interesting thing in tech, or just want to 85 00:04:33,920 --> 00:04:36,279 Speaker 1: say hi? You can re us at Hello at tangodi 86 00:04:36,360 --> 00:04:38,920 Speaker 1: dot com. You can also find transcripts for today's episode 87 00:04:38,920 --> 00:04:41,080 Speaker 1: at tangodi dot com. There Are No Girls on the 88 00:04:41,120 --> 00:04:43,760 Speaker 1: Internet was created by me Bridget Tod. It's a production 89 00:04:43,800 --> 00:04:46,680 Speaker 1: of I Heart Radio and Unboss creative Jonathan Strickland as 90 00:04:46,680 --> 00:04:50,040 Speaker 1: our executive producer. Terry Harrison is our producer and sound engineer. 91 00:04:50,520 --> 00:04:53,719 Speaker 1: Michaelmato is our contributing producer. I'm your host, Bridget Todd. 92 00:04:54,640 --> 00:04:56,360 Speaker 1: If you want to help us grow, rate and review 93 00:04:56,400 --> 00:04:59,720 Speaker 1: us on Apple Podcasts For more podcasts from I Heart Radio, 94 00:05:00,040 --> 00:05:01,880 Speaker 1: called the I Heart Made You app, Apple Podcast or 95 00:05:01,880 --> 00:05:15,600 Speaker 1: where you get your podcasts, M