WEBVTT - TGI – Episode 513 “The Eskimo”

0:00:00.560 --> 0:00:04.080
<v Speaker 1>Hey, everyone, this episode of Boy Meets World is called

0:00:04.240 --> 0:00:07.040
<v Speaker 1>the Eskimo. We have talked about it briefly in a

0:00:07.080 --> 0:00:10.200
<v Speaker 1>previous podcast episode, but we are not gonna mention it

0:00:10.240 --> 0:00:13.720
<v Speaker 1>throughout the episode. But we are aware that the term

0:00:13.840 --> 0:00:17.800
<v Speaker 1>eskimo is a derogatory term seen by many as offensive.

0:00:17.960 --> 0:00:22.239
<v Speaker 1>So it was recorded during a different time and we're

0:00:22.280 --> 0:00:23.680
<v Speaker 1>not going to harp on it through the episode, but

0:00:23.720 --> 0:00:25.480
<v Speaker 1>we did just want to acknowledge that we know it

0:00:25.520 --> 0:00:38.159
<v Speaker 1>is not a term that would be used today.

0:00:47.560 --> 0:00:49.840
<v Speaker 2>So I don't know if either of you are aware

0:00:49.840 --> 0:00:53.320
<v Speaker 2>of this, but I'm I'm married a woman named Susan,

0:00:54.480 --> 0:00:58.280
<v Speaker 2>beautiful woman, and we have a dog named Sammy. Nice

0:00:58.320 --> 0:01:00.920
<v Speaker 2>and yeah, you're going to meet her some day, both

0:01:00.960 --> 0:01:02.840
<v Speaker 2>the dog and my wife. You're gonna like them both.

0:01:03.840 --> 0:01:06.800
<v Speaker 2>And so we walk Sammy twice a day. I usually

0:01:06.800 --> 0:01:09.560
<v Speaker 2>walk her in the morning, Susan joins me. Sometimes. That

0:01:09.600 --> 0:01:11.800
<v Speaker 2>conversation when Susan Susan joins me in the morning is

0:01:11.880 --> 0:01:16.000
<v Speaker 2>usually normal husband wife stuff. What what are we eating

0:01:16.080 --> 0:01:18.240
<v Speaker 2>later in the day, what's your day look like? Normal

0:01:18.240 --> 0:01:23.360
<v Speaker 2>stuff like that. At night when we walk her after dinner,

0:01:23.920 --> 0:01:26.800
<v Speaker 2>we've started to throw questions out at each other that

0:01:27.000 --> 0:01:29.679
<v Speaker 2>spark entirely new conversations.

0:01:29.959 --> 0:01:32.399
<v Speaker 3>Wow, spicing it up, spicing it up, and.

0:01:34.120 --> 0:01:37.479
<v Speaker 2>Exactly this is after dinner. Let's talk about the dinner

0:01:37.520 --> 0:01:39.960
<v Speaker 2>we just midnight exactly.

0:01:40.520 --> 0:01:44.000
<v Speaker 3>So I have I have saved three of my favorite.

0:01:43.640 --> 0:01:48.000
<v Speaker 2>Questions that have sparked conversation that I would like to

0:01:48.040 --> 0:01:50.120
<v Speaker 2>throw out to the two of you. Oh, I love

0:01:50.160 --> 0:01:56.280
<v Speaker 2>this great so question. The first, Okay, you wake up

0:01:56.280 --> 0:01:59.120
<v Speaker 2>tomorrow morning and there's a billion dollars in your bank account.

0:02:00.880 --> 0:02:04.920
<v Speaker 2>What is the first billion dollar baller thing you do?

0:02:05.160 --> 0:02:07.520
<v Speaker 2>And it can't be like we pay off our mortgage,

0:02:07.560 --> 0:02:12.000
<v Speaker 2>we put a put aside college. What's a frivolous baller

0:02:12.120 --> 0:02:15.639
<v Speaker 2>thing you buy or do or change your life with

0:02:15.720 --> 0:02:17.520
<v Speaker 2>the money you find in your account tomorrow.

0:02:19.080 --> 0:02:21.560
<v Speaker 4>I mean, it can't just be like buying a second

0:02:21.560 --> 0:02:21.960
<v Speaker 4>home is.

0:02:22.320 --> 0:02:24.240
<v Speaker 2>No, mean it can if you're like, we've always wanted

0:02:24.240 --> 0:02:25.760
<v Speaker 2>a home in London or something, so yeah, I mean

0:02:25.800 --> 0:02:27.960
<v Speaker 2>you could. You could definitely do something like that. Some

0:02:28.000 --> 0:02:31.440
<v Speaker 2>people it's the private jet, some people it's the boat. Like.

0:02:31.480 --> 0:02:33.120
<v Speaker 2>The reason I'm asking is because Sue and I had

0:02:33.160 --> 0:02:35.440
<v Speaker 2>exactly the same answer instantaneously.

0:02:36.280 --> 0:02:38.040
<v Speaker 5>Really hold on, let me se if I can guess

0:02:38.560 --> 0:02:40.320
<v Speaker 5>movie theater, buy your own movie theater.

0:02:40.360 --> 0:02:49.399
<v Speaker 4>No, okay, your own buffet close? Are you serious? Private chef, private.

0:02:49.120 --> 0:02:53.079
<v Speaker 2>Private chef, twenty four hour private chef, like full time

0:02:53.720 --> 0:02:57.400
<v Speaker 2>private chef, every meal cater to perfectly cooked. Would be

0:02:57.720 --> 0:02:59.120
<v Speaker 2>our first billionaire ball.

0:02:59.240 --> 0:03:01.200
<v Speaker 5>And you would never do a private jet because it

0:03:01.200 --> 0:03:02.959
<v Speaker 5>wouldn't be big enough to make you comfortable.

0:03:03.040 --> 0:03:05.360
<v Speaker 2>Yeah, even to me, that's they're kind of a waste

0:03:05.360 --> 0:03:07.320
<v Speaker 2>of money. The new the jets out there, like the

0:03:07.360 --> 0:03:11.639
<v Speaker 2>Delta United with the apartments on them. I get those nice.

0:03:11.680 --> 0:03:14.200
<v Speaker 2>I'd fly on those, So that's ours would be, would

0:03:14.240 --> 0:03:15.000
<v Speaker 2>be a private jef.

0:03:16.120 --> 0:03:20.640
<v Speaker 5>Wow, don't really my okay, Like my real answer is

0:03:20.680 --> 0:03:24.399
<v Speaker 5>just like acreage specific Northwest, like a bunch of acreage

0:03:24.639 --> 0:03:29.840
<v Speaker 5>as much as I could, just like Oregon. Yeah, oh yeah,

0:03:29.880 --> 0:03:32.120
<v Speaker 5>like land with water that is not going to burn

0:03:32.919 --> 0:03:36.640
<v Speaker 5>and be very valuable and you know, uh, fifty years

0:03:36.640 --> 0:03:38.720
<v Speaker 5>when no one can live in Los Angeles anymore.

0:03:39.160 --> 0:03:40.240
<v Speaker 4>That's like the practical answer.

0:03:40.320 --> 0:03:44.720
<v Speaker 5>But no, the the really ridiculous answer is I would

0:03:44.760 --> 0:03:47.640
<v Speaker 5>love to have brand new socks to wear every day,

0:03:48.680 --> 0:03:49.040
<v Speaker 5>Like if.

0:03:49.040 --> 0:03:51.000
<v Speaker 2>Every rest of your life, if I could just.

0:03:51.080 --> 0:03:54.320
<v Speaker 5>Open up a brand new pair of like clean, brand

0:03:54.400 --> 0:03:56.240
<v Speaker 5>new socks, and put them on every day because I've

0:03:56.280 --> 0:03:56.760
<v Speaker 5>had that thought.

0:03:56.800 --> 0:03:59.720
<v Speaker 4>I'm like every I hate I don't know, I just

0:03:59.760 --> 0:04:02.640
<v Speaker 4>love the idea of like, oh, these are brand news socks.

0:04:03.080 --> 0:04:04.680
<v Speaker 4>That's my ridiculous answer.

0:04:06.680 --> 0:04:07.240
<v Speaker 3>I mean.

0:04:08.600 --> 0:04:11.480
<v Speaker 1>A private chef's a really good one. I did think jet.

0:04:11.800 --> 0:04:17.000
<v Speaker 1>I did think jet, but also I thought pretty high

0:04:17.120 --> 0:04:29.400
<v Speaker 1>up there with private jet or private chef was diamond grill.

0:04:27.920 --> 0:04:30.159
<v Speaker 4>Smiled. I had to look at a diamond grill. I

0:04:30.279 --> 0:04:33.200
<v Speaker 4>was so disappointed. Would suck?

0:04:35.400 --> 0:04:39.039
<v Speaker 1>I kind of want like the dentures version of a

0:04:39.240 --> 0:04:40.279
<v Speaker 1>diamond grill.

0:04:40.640 --> 0:04:42.080
<v Speaker 4>What about like diamond shoes?

0:04:42.120 --> 0:04:45.800
<v Speaker 5>What if you could get like like diamond and crustalis

0:04:45.920 --> 0:04:47.360
<v Speaker 5>or something like that, because then you can.

0:04:47.800 --> 0:04:51.120
<v Speaker 1>Take well, maybe I would just put one diamond in

0:04:51.279 --> 0:04:52.000
<v Speaker 1>each tooth.

0:04:52.160 --> 0:04:56.279
<v Speaker 3>So my real ty just the diamond in. But with

0:04:56.400 --> 0:04:57.920
<v Speaker 3>diamonds oh.

0:04:57.680 --> 0:05:00.360
<v Speaker 4>Man, I find I find it so distracting.

0:05:00.200 --> 0:05:02.000
<v Speaker 3>Me too, But I get that nose rings.

0:05:02.000 --> 0:05:03.680
<v Speaker 2>I just then stare at your nostril the whole time

0:05:03.720 --> 0:05:05.000
<v Speaker 2>someone a nose rings.

0:05:05.000 --> 0:05:05.960
<v Speaker 4>I'm usually pretty cool with.

0:05:06.960 --> 0:05:08.480
<v Speaker 3>What about diamond things?

0:05:09.200 --> 0:05:16.520
<v Speaker 2>Oh my god, okay, vampire those are good though, Okay, okay, actually, wait, what.

0:05:16.520 --> 0:05:17.000
<v Speaker 4>Am I thinking?

0:05:17.160 --> 0:05:20.320
<v Speaker 5>I mean a library? Obviously I want like you know,

0:05:20.560 --> 0:05:21.760
<v Speaker 5>the full on beauty.

0:05:21.440 --> 0:05:24.800
<v Speaker 4>In the library with with with the one of the

0:05:24.880 --> 0:05:28.919
<v Speaker 4>ladders of course, just just just like a whole separate Okay,

0:05:28.920 --> 0:05:31.960
<v Speaker 4>so land somewhere in the Pacific Northwest that is just

0:05:32.120 --> 0:05:34.440
<v Speaker 4>a giant library. And then like a little cabin I

0:05:34.480 --> 0:05:36.400
<v Speaker 4>can live in, but then it's.

0:05:36.279 --> 0:05:39.680
<v Speaker 2>A cabin next to giant library.

0:05:39.680 --> 0:05:42.560
<v Speaker 4>Get to my own perfect beautiful like research libraries.

0:05:42.560 --> 0:05:49.320
<v Speaker 2>Okay, all right. Question the second you come into a

0:05:49.400 --> 0:05:54.160
<v Speaker 2>room and the room is empty, there's two switches, it's

0:05:54.160 --> 0:05:57.080
<v Speaker 2>about time. Yeah, no, it gets worse. It gets so

0:05:57.160 --> 0:06:01.159
<v Speaker 2>much worse. There's two switches and you have to switch

0:06:01.320 --> 0:06:04.320
<v Speaker 2>one of them on. One of them fills the room

0:06:04.320 --> 0:06:07.279
<v Speaker 2>with spiders. The other one fills the rooms with snakes.

0:06:07.600 --> 0:06:09.040
<v Speaker 2>Oh which one do you do?

0:06:09.760 --> 0:06:13.160
<v Speaker 1>Super easy for me, snakes, super easy, don't even have

0:06:13.200 --> 0:06:13.360
<v Speaker 1>to think.

0:06:13.400 --> 0:06:16.880
<v Speaker 2>But I do snakes too, Yeah, absolutely, Yeah, I.

0:06:16.920 --> 0:06:19.479
<v Speaker 5>Mean I don't love spiders at all, like I definitely,

0:06:19.680 --> 0:06:22.560
<v Speaker 5>but a whole room really tell.

0:06:22.400 --> 0:06:25.320
<v Speaker 3>Me this question? I feel I feel attacked. I feel attacked.

0:06:25.400 --> 0:06:28.159
<v Speaker 1>Yeah, I have my legs and grill, and anytime we

0:06:28.200 --> 0:06:30.839
<v Speaker 1>talk about anything, anytime there's spiders mentioned, I assume they're

0:06:30.880 --> 0:06:33.360
<v Speaker 1>all under whatever wherever my legs are that I can't see,

0:06:33.400 --> 0:06:35.280
<v Speaker 1>and now I'm scared to even be sitting in my house.

0:06:35.320 --> 0:06:39.479
<v Speaker 5>Which is there any sort of size parameters? Are we

0:06:39.520 --> 0:06:41.120
<v Speaker 5>talking spiders as big as a fist?

0:06:41.200 --> 0:06:43.240
<v Speaker 3>I'm not going to be like spiders?

0:06:43.320 --> 0:06:44.960
<v Speaker 4>Or is it just a diversity of.

0:06:45.279 --> 0:06:47.719
<v Speaker 3>Can I can I take my headphones off while suck?

0:06:48.200 --> 0:06:51.560
<v Speaker 5>I can't do the spiders have hair if they have hair,

0:06:53.080 --> 0:06:55.400
<v Speaker 5>but Danielle has taken off her headphones.

0:06:55.400 --> 0:06:56.320
<v Speaker 4>By the way, is.

0:06:56.400 --> 0:06:59.160
<v Speaker 1>Now officially you let me know, you give me thumbs up,

0:06:59.200 --> 0:07:01.040
<v Speaker 1>you make them give you the things.

0:07:00.800 --> 0:07:02.520
<v Speaker 2>Up when we're done talking about the spiders.

0:07:02.560 --> 0:07:05.280
<v Speaker 5>So really, what we're talking about here is Raiders of

0:07:05.320 --> 0:07:07.320
<v Speaker 5>the Lost Dark versus Temple of Doom.

0:07:07.400 --> 0:07:10.200
<v Speaker 3>Correct, because it was bugs exactly.

0:07:10.440 --> 0:07:13.760
<v Speaker 2>And and I think it's because Danielle can't hear what

0:07:13.760 --> 0:07:16.840
<v Speaker 2>we're saying. So we're just talking like and the fangs

0:07:16.880 --> 0:07:18.800
<v Speaker 2>are coming in like this, and she has no idea

0:07:18.840 --> 0:07:23.080
<v Speaker 2>what we're talking, locking her eyes too. Okay, good, all right,

0:07:23.200 --> 0:07:23.680
<v Speaker 2>so we all.

0:07:23.640 --> 0:07:25.320
<v Speaker 4>Right, I don't know. I think I I think I

0:07:25.400 --> 0:07:26.400
<v Speaker 4>might actually go spiders.

0:07:26.600 --> 0:07:30.120
<v Speaker 2>Okay, all right, we're good, We're good, everybody's answered there,

0:07:30.120 --> 0:07:33.600
<v Speaker 2>we go, Okay, question the third and this one. We

0:07:33.640 --> 0:07:36.200
<v Speaker 2>loved this one, but this one is very It takes

0:07:36.200 --> 0:07:41.640
<v Speaker 2>some thought, excluding the day you were married or the

0:07:41.640 --> 0:07:46.240
<v Speaker 2>birth of your children, and knowing you can't change anything,

0:07:47.040 --> 0:07:49.280
<v Speaker 2>what is the one day in your life you'd like

0:07:49.320 --> 0:07:49.800
<v Speaker 2>to relive?

0:07:51.080 --> 0:07:53.960
<v Speaker 4>Oh, can't change anything.

0:07:57.680 --> 0:08:00.360
<v Speaker 5>I really did have the thought this summer that I

0:08:00.400 --> 0:08:02.080
<v Speaker 5>was living like the greatest day of my life.

0:08:03.280 --> 0:08:04.640
<v Speaker 4>I might have told you guys about it, or even

0:08:04.640 --> 0:08:05.920
<v Speaker 4>talked about on the podcast. I don't remember.

0:08:05.960 --> 0:08:08.200
<v Speaker 5>But like, we woke up next to the Salmon River.

0:08:08.680 --> 0:08:10.400
<v Speaker 5>We had you know, just sort of boon dock like

0:08:10.480 --> 0:08:15.040
<v Speaker 5>camp out, and woke up just you know, the three

0:08:15.080 --> 0:08:18.440
<v Speaker 5>of us in our van, woke up, made some food,

0:08:19.000 --> 0:08:21.239
<v Speaker 5>drove a couple of miles to the spot, the secret

0:08:21.400 --> 0:08:23.040
<v Speaker 5>spot that a friend of mine had shared with me

0:08:23.080 --> 0:08:25.480
<v Speaker 5>on Google Maps, and he was like, you should stop here.

0:08:25.480 --> 0:08:27.360
<v Speaker 4>And this is an Idaho. He's like, you should stop here.

0:08:27.360 --> 0:08:30.280
<v Speaker 4>This is a great hot spring. And you know, Indy

0:08:30.400 --> 0:08:32.600
<v Speaker 4>was like, didn't want to have to hike, and we

0:08:32.600 --> 0:08:34.000
<v Speaker 4>were like, no, no, let's go. Let's go.

0:08:34.280 --> 0:08:39.720
<v Speaker 5>And we hiked like two miles to just about like

0:08:39.960 --> 0:08:44.400
<v Speaker 5>a quarter mile of cascading waterfalls nestled in this beautiful

0:08:44.440 --> 0:08:48.320
<v Speaker 5>mountainous valley and the waterfalls were hot springs, so they

0:08:48.320 --> 0:08:51.440
<v Speaker 5>were like one hundred and five degrees and it was

0:08:51.520 --> 0:08:55.040
<v Speaker 5>just like one of the most gorgeous, like satisfying ends

0:08:55.080 --> 0:08:55.679
<v Speaker 5>to a hike.

0:08:56.040 --> 0:08:58.239
<v Speaker 4>And then we like you know, had we had packed.

0:08:57.960 --> 0:09:00.200
<v Speaker 5>A lunch and we ate lunch and hung out in

0:09:00.200 --> 0:09:02.120
<v Speaker 5>this pool and the view was incredible, and it was

0:09:02.200 --> 0:09:04.480
<v Speaker 5>just being with my family and and then you know,

0:09:05.120 --> 0:09:07.280
<v Speaker 5>going back to our van, hitting the road and doing

0:09:07.320 --> 0:09:07.880
<v Speaker 5>another day.

0:09:07.920 --> 0:09:10.120
<v Speaker 4>But it was just like one of those like perfect days.

0:09:10.120 --> 0:09:11.719
<v Speaker 5>And I was sitting there like when we got back

0:09:11.720 --> 0:09:13.400
<v Speaker 5>from the Hot Springs, I turned to Alex I was like,

0:09:13.559 --> 0:09:16.480
<v Speaker 5>I think this might be the happiest day of my life. Wow,

0:09:16.600 --> 0:09:19.240
<v Speaker 5>And just like so, you know, I'm so in love

0:09:19.320 --> 0:09:21.920
<v Speaker 5>with my wife, I'm so just proud of my son

0:09:22.000 --> 0:09:24.040
<v Speaker 5>and just having a great time. I was like, oh, so,

0:09:24.240 --> 0:09:26.160
<v Speaker 5>I don't know, Like, yeah, that's and that was only

0:09:26.200 --> 0:09:27.320
<v Speaker 5>you know, two months ago or whatever.

0:09:27.400 --> 0:09:30.280
<v Speaker 3>That's a good one. It is a good one, Danielle.

0:09:30.320 --> 0:09:31.040
<v Speaker 2>What do you got.

0:09:33.240 --> 0:09:35.160
<v Speaker 3>Nothing but jealousy for a day like that?

0:09:35.400 --> 0:09:38.280
<v Speaker 1>Yeah, Yeah, sounds like a good day. I haven't had

0:09:38.280 --> 0:09:41.920
<v Speaker 1>one of those days in a while. Uh Man, I

0:09:41.920 --> 0:09:44.120
<v Speaker 1>don't know, that's really hard. I think I would. I

0:09:44.120 --> 0:09:45.560
<v Speaker 1>think it would probably be.

0:09:49.000 --> 0:09:50.800
<v Speaker 3>I don't know. I'm just between.

0:09:51.080 --> 0:09:53.240
<v Speaker 1>It is tough because obviously, now that I have kids,

0:09:54.280 --> 0:09:57.320
<v Speaker 1>all of my best days of like, I can't imagine

0:09:57.320 --> 0:10:01.439
<v Speaker 1>wanting to relive a day that didn't involve them. But also,

0:10:01.920 --> 0:10:05.440
<v Speaker 1>I think, knowing what I know now about and being

0:10:05.440 --> 0:10:07.920
<v Speaker 1>an adult, there are probably days that I had as

0:10:07.960 --> 0:10:12.520
<v Speaker 1>a kid that I would appreciate way more now to

0:10:12.600 --> 0:10:14.760
<v Speaker 1>relive now, because I would be like, Wow, you know

0:10:14.800 --> 0:10:16.920
<v Speaker 1>I wanted to be an adult so bad when I

0:10:16.960 --> 0:10:17.360
<v Speaker 1>was a kid.

0:10:17.360 --> 0:10:18.640
<v Speaker 3>Please, I just want to be an adult. I just

0:10:18.679 --> 0:10:19.320
<v Speaker 3>want to be an adult.

0:10:19.400 --> 0:10:21.560
<v Speaker 1>And I do love being an adult. I do think

0:10:21.559 --> 0:10:23.600
<v Speaker 1>being an adult is better than being a kid. But

0:10:24.600 --> 0:10:28.640
<v Speaker 1>I so didn't appreciate being a kid that I feel

0:10:28.679 --> 0:10:29.199
<v Speaker 1>like maybe.

0:10:29.040 --> 0:10:32.079
<v Speaker 3>I should have appreciated that more. So it's tough.

0:10:32.120 --> 0:10:35.960
<v Speaker 1>It's I also don't think my best days of parenting

0:10:36.080 --> 0:10:38.280
<v Speaker 1>are behind me. I still feel like my best days

0:10:38.280 --> 0:10:40.760
<v Speaker 1>of parenting, at least my hope, if even in general

0:10:40.760 --> 0:10:42.560
<v Speaker 1>for my own life, I'm always like, listen, my best

0:10:42.600 --> 0:10:44.959
<v Speaker 1>days are still in front of me. So if I

0:10:45.000 --> 0:10:47.120
<v Speaker 1>think about days I've had with my kids thus far,

0:10:47.240 --> 0:10:49.000
<v Speaker 1>although some of them have been great. I think my

0:10:49.080 --> 0:10:51.000
<v Speaker 1>best ones are still ahead of me, so I don't

0:10:51.000 --> 0:10:52.319
<v Speaker 1>know that i'd want to relive any of the ones

0:10:52.360 --> 0:10:53.800
<v Speaker 1>I've had now. I think I would pick something for

0:10:53.920 --> 0:10:56.280
<v Speaker 1>my childhood. It would probably be something from the Boy

0:10:56.360 --> 0:10:59.640
<v Speaker 1>Meets World time. I would probably relive one of those,

0:11:00.120 --> 0:11:04.480
<v Speaker 1>you know, the final Tape night, or one of the

0:11:04.559 --> 0:11:06.360
<v Speaker 1>days that we got to go to Disneyland, you know,

0:11:06.360 --> 0:11:07.760
<v Speaker 1>like when they shut the park down and it was

0:11:07.800 --> 0:11:11.880
<v Speaker 1>a yeah, and I got to be with friends, and

0:11:12.360 --> 0:11:14.120
<v Speaker 1>you know, I would probably be one of those. I

0:11:14.160 --> 0:11:15.960
<v Speaker 1>don't know that I can think of a specific day,

0:11:15.960 --> 0:11:16.600
<v Speaker 1>but something like.

0:11:16.600 --> 0:11:17.280
<v Speaker 3>That about you.

0:11:17.880 --> 0:11:19.760
<v Speaker 2>Mine is definitely I see that. Mine came right to

0:11:19.800 --> 0:11:22.040
<v Speaker 2>my head right away. It's, you know, other than the

0:11:22.080 --> 0:11:23.640
<v Speaker 2>day I got married, which again which is why you

0:11:23.679 --> 0:11:25.720
<v Speaker 2>exclude it, is the day I got Boy Me Twirl

0:11:26.000 --> 0:11:28.679
<v Speaker 2>is arguably the happiest day of my life. I was

0:11:28.720 --> 0:11:33.480
<v Speaker 2>with my dad. We were in Hollywood. You know, now

0:11:33.480 --> 0:11:36.040
<v Speaker 2>that you live here, it's like, oh, okay, you're in Hollywood

0:11:36.080 --> 0:11:38.960
<v Speaker 2>and you're by the the Groumand's Chinese Theater and you

0:11:38.960 --> 0:11:40.760
<v Speaker 2>see the handprints and it's kind of like it's old

0:11:40.760 --> 0:11:45.079
<v Speaker 2>hat now. But I'm sixteen. I just you know, pick

0:11:45.160 --> 0:11:47.240
<v Speaker 2>up a payphone and call my agent pack in New York,

0:11:47.280 --> 0:11:49.319
<v Speaker 2>thinking I had a terrible audition. He says, you got it,

0:11:49.360 --> 0:11:51.400
<v Speaker 2>and my dad and I are jumping up and down

0:11:51.400 --> 0:11:53.160
<v Speaker 2>in the street. I know the show has already been

0:11:53.200 --> 0:11:55.240
<v Speaker 2>picked up for thirteen episodes. It's not like we're shooting

0:11:55.240 --> 0:11:58.040
<v Speaker 2>a pilot. It was magic. It was magic. It's the

0:11:58.120 --> 0:12:00.880
<v Speaker 2>only way I can describe it. So that day, I think,

0:12:00.960 --> 0:12:02.760
<v Speaker 2>is the day that I would want to I mean,

0:12:02.800 --> 0:12:05.600
<v Speaker 2>there's a ton and unlike Danielle, all my best days

0:12:05.600 --> 0:12:08.200
<v Speaker 2>are behind me every day since Benett Tie for Downhill,

0:12:08.760 --> 0:12:11.679
<v Speaker 2>but this is that day. Awesome.

0:12:11.920 --> 0:12:12.280
<v Speaker 1>Yeah.

0:12:12.440 --> 0:12:14.640
<v Speaker 5>So what's interesting to me is like, you know, I

0:12:14.720 --> 0:12:18.479
<v Speaker 5>kind of had those moments with previous jobs before pointings.

0:12:18.080 --> 0:12:20.880
<v Speaker 4>Work right, like where I got something I was like, yes,

0:12:21.000 --> 0:12:23.120
<v Speaker 4>this is the best job, and then of course the

0:12:23.160 --> 0:12:25.800
<v Speaker 4>project doesn't work out, doesn't get picked up, and so

0:12:25.840 --> 0:12:26.439
<v Speaker 4>I don't think of that.

0:12:26.520 --> 0:12:29.760
<v Speaker 5>So it's interesting that your pick is still like a

0:12:29.800 --> 0:12:31.280
<v Speaker 5>resounding effect within your life.

0:12:31.360 --> 0:12:34.439
<v Speaker 2>Yeah, you know, like definitely, Yeah, that's it. So those

0:12:34.440 --> 0:12:37.400
<v Speaker 2>are those are walking questions and as more build up,

0:12:37.600 --> 0:12:40.240
<v Speaker 2>I will continue to keep the good ones. Yeah, and

0:12:40.280 --> 0:12:42.160
<v Speaker 2>we will we will go from there. I promise no

0:12:42.240 --> 0:12:43.520
<v Speaker 2>more of the S word.

0:12:43.640 --> 0:12:46.160
<v Speaker 1>Danielle, Okay, thanks, I can't handle any of those. I

0:12:46.200 --> 0:12:47.120
<v Speaker 1>really have to check.

0:12:46.920 --> 0:12:48.840
<v Speaker 2>Out rhymes with riders.

0:12:49.840 --> 0:12:50.280
<v Speaker 5>I won't.

0:12:50.400 --> 0:12:50.760
<v Speaker 1>I won't.

0:12:50.800 --> 0:12:51.720
<v Speaker 2>I won't do that anymore.

0:12:51.720 --> 0:12:52.560
<v Speaker 4>I promise, Thank you.

0:12:52.640 --> 0:12:55.840
<v Speaker 1>I appreciate it. Welcome to Pod meets World. I'm Danielle Fischel,

0:12:56.040 --> 0:12:56.960
<v Speaker 1>I'm Spiderstrong.

0:12:58.960 --> 0:12:59.840
<v Speaker 2>I will Fordell.

0:13:13.360 --> 0:13:18.679
<v Speaker 1>So welcome to today's episode. We are recapping season five, episode thirteen,

0:13:18.960 --> 0:13:23.200
<v Speaker 1>the Eskimo. It originally aired January sixteenth, nineteen ninety eight.

0:13:24.480 --> 0:13:26.840
<v Speaker 2>We're in ninety eight, We're in the eights? Were in

0:13:26.880 --> 0:13:27.880
<v Speaker 2>the remember the eights?

0:13:28.120 --> 0:13:31.200
<v Speaker 3>I kind of the synopsis.

0:13:31.400 --> 0:13:34.120
<v Speaker 1>Sean tries to win tickets to the Super Bowl while

0:13:34.320 --> 0:13:38.200
<v Speaker 1>Eric and Jack search for compatible soulmates. It was directed

0:13:38.240 --> 0:13:41.640
<v Speaker 1>by Lisa Gottlieb, her one and only episode of Boy

0:13:41.679 --> 0:13:44.000
<v Speaker 1>Meets World. She is best known as the director of

0:13:44.040 --> 0:13:46.600
<v Speaker 1>the nineteen eighty five comedy Just One of the Guys,

0:13:46.920 --> 0:13:50.240
<v Speaker 1>but also was involved in the casting of the classic.

0:13:49.960 --> 0:13:51.160
<v Speaker 3>Blues Brothers movie.

0:13:51.559 --> 0:13:54.600
<v Speaker 1>This was her last credited job directing, but she went

0:13:54.640 --> 0:13:57.080
<v Speaker 1>into the world of teaching, film and TV. What Stops

0:13:57.120 --> 0:14:00.599
<v Speaker 1>at Columbia and the University of Miami, and it was

0:14:00.640 --> 0:14:04.199
<v Speaker 1>written by Jeff Manel. Do you want to talk about

0:14:04.200 --> 0:14:05.240
<v Speaker 1>our overall thoughts?

0:14:05.440 --> 0:14:08.280
<v Speaker 2>First of all, I don't know how. I didn't know

0:14:08.400 --> 0:14:11.040
<v Speaker 2>at the time that she directed Just One of the Guys.

0:14:11.520 --> 0:14:13.320
<v Speaker 2>Just One of the Guys is one of the greatest

0:14:13.320 --> 0:14:16.720
<v Speaker 2>movies that does not hold up even slightly in the

0:14:16.800 --> 0:14:18.760
<v Speaker 2>world nowadays. But it was.

0:14:18.800 --> 0:14:19.640
<v Speaker 4>I don't know what it is.

0:14:19.760 --> 0:14:22.400
<v Speaker 2>Oh god, Just one of the Guys is one of

0:14:22.400 --> 0:14:25.160
<v Speaker 2>those bad eighties high school movies. So what it is.

0:14:25.200 --> 0:14:28.240
<v Speaker 2>It's about a girl who's writing for her school paper,

0:14:28.840 --> 0:14:30.840
<v Speaker 2>and the school paper in the school that she's at

0:14:31.000 --> 0:14:33.440
<v Speaker 2>doesn't want to print any of her articles. So to

0:14:33.480 --> 0:14:35.920
<v Speaker 2>write a good article, she dresses like a boy and

0:14:35.960 --> 0:14:39.800
<v Speaker 2>goes to another high school chick like me, essentially with

0:14:40.000 --> 0:14:42.800
<v Speaker 2>way more misogyny, a nudity, and weirdness.

0:14:43.000 --> 0:14:46.080
<v Speaker 1>Yeah, I think it's most kind of known as for like,

0:14:46.120 --> 0:14:48.120
<v Speaker 1>the first place people of.

0:14:48.040 --> 0:14:49.600
<v Speaker 3>That age saw boobs for the.

0:14:49.600 --> 0:14:51.960
<v Speaker 2>First time, it was it was it's up there with

0:14:52.000 --> 0:14:54.160
<v Speaker 2>Revenge of the Nerds, where you look back and you're like, ooh,

0:14:54.200 --> 0:14:55.640
<v Speaker 2>this doesn't age well at all.

0:14:55.760 --> 0:14:56.920
<v Speaker 4>But it's Just.

0:14:56.960 --> 0:14:59.240
<v Speaker 2>One of the Guys, so that, Yeah, I'm surprised I

0:14:59.240 --> 0:15:01.320
<v Speaker 2>didn't get a chance talk with her about that. Well,

0:15:01.640 --> 0:15:03.760
<v Speaker 2>to answer your question, I did not like this episode.

0:15:04.200 --> 0:15:07.120
<v Speaker 2>Uh oh, I was not was not a fan.

0:15:07.600 --> 0:15:12.120
<v Speaker 4>Wasn't Lisa part of the Disney a fellowship?

0:15:12.200 --> 0:15:14.480
<v Speaker 5>Yeah, it was a directing fellowship where they would bring

0:15:14.920 --> 0:15:18.360
<v Speaker 5>directors who hadn't done television along and they would shadow

0:15:18.480 --> 0:15:22.480
<v Speaker 5>for a couple episodes and then sometimes get an episode.

0:15:22.640 --> 0:15:23.600
<v Speaker 4>So I remember her.

0:15:23.960 --> 0:15:25.520
<v Speaker 5>Yeah, I think that's why she was around, because I

0:15:25.560 --> 0:15:27.360
<v Speaker 5>remember her being around before, and then.

0:15:27.280 --> 0:15:28.840
<v Speaker 4>It kind of being a big deal that she was

0:15:28.880 --> 0:15:30.520
<v Speaker 4>doing an episode. Yeah.

0:15:30.760 --> 0:15:33.800
<v Speaker 2>Yeah, I honestly did not even remember being I thought

0:15:33.840 --> 0:15:37.400
<v Speaker 2>I was not in this episode. When I remember the

0:15:37.480 --> 0:15:41.240
<v Speaker 2>people talking about the the Eskimo, you were like, I'm

0:15:41.240 --> 0:15:41.840
<v Speaker 2>not even in that one.

0:15:41.840 --> 0:15:42.760
<v Speaker 3>I'm like, this is gonna be great.

0:15:42.760 --> 0:15:44.840
<v Speaker 2>I get to sit back and watch and I and

0:15:44.840 --> 0:15:47.280
<v Speaker 2>and I didn't hate it by any stretch. My favorite

0:15:47.280 --> 0:15:51.280
<v Speaker 2>to Panga so far. I thought you, Danielle were great.

0:15:51.320 --> 0:15:54.640
<v Speaker 2>I thought your physical comedy was really really good. They

0:15:54.720 --> 0:15:57.400
<v Speaker 2>gave you something to do, you were part of the crew.

0:15:58.120 --> 0:15:58.640
<v Speaker 3>Loved that.

0:15:58.880 --> 0:16:02.440
<v Speaker 2>I thought the Feenie storyline of what he was actually

0:16:02.440 --> 0:16:05.200
<v Speaker 2>trying to teach I found to be very muddled in

0:16:05.240 --> 0:16:08.560
<v Speaker 2>this episode. I didn't I didn't really get it. What

0:16:08.680 --> 0:16:11.600
<v Speaker 2>happens at the end wasn't the assignment. I don't I

0:16:11.720 --> 0:16:14.640
<v Speaker 2>don't get what Phoenie was trying to teach. I found

0:16:14.680 --> 0:16:17.480
<v Speaker 2>that to be very strange. And then the bat story

0:16:17.560 --> 0:16:20.240
<v Speaker 2>was kind of thrown in, so it was we've had

0:16:20.280 --> 0:16:23.280
<v Speaker 2>some bangers in a row, and it's very hot. When

0:16:23.280 --> 0:16:25.000
<v Speaker 2>I was watching this episode, I'm sure that didn't make

0:16:25.040 --> 0:16:27.200
<v Speaker 2>me feel good either. Thirty eight degrees here at the house.

0:16:27.360 --> 0:16:28.920
<v Speaker 3>H'm murky.

0:16:29.200 --> 0:16:31.600
<v Speaker 2>Yeah, it wasn't it. I didn't hate it, but it

0:16:31.680 --> 0:16:32.800
<v Speaker 2>wasn't my favorite.

0:16:34.560 --> 0:16:36.560
<v Speaker 5>This is this is one of those episodes that people

0:16:36.720 --> 0:16:39.920
<v Speaker 5>mentioned to me a lot and I don't really remember,

0:16:39.920 --> 0:16:42.640
<v Speaker 5>and I'm always kind of surprised that it's like a touchstone.

0:16:42.240 --> 0:16:46.720
<v Speaker 4>Episode for yeah, some of our fans. And I remember thinking, like, oh, right,

0:16:46.840 --> 0:16:48.120
<v Speaker 4>there was that Eskimo episode.

0:16:48.160 --> 0:16:50.080
<v Speaker 5>What was that about? Like what was going on? And

0:16:50.120 --> 0:16:52.720
<v Speaker 5>then I remembered, of course the Super or Bowl scene

0:16:52.760 --> 0:16:54.960
<v Speaker 5>because we just had so much fun doing that one. Yeah,

0:16:54.960 --> 0:16:56.600
<v Speaker 5>but like connecting it, like why were we trying to

0:16:56.640 --> 0:16:57.520
<v Speaker 5>get Super Bowl tan? You know?

0:16:57.680 --> 0:17:00.000
<v Speaker 4>And so so it was I was excited.

0:17:00.000 --> 0:17:03.400
<v Speaker 5>I did to rewatch it. I ended up watching it twice.

0:17:03.480 --> 0:17:06.639
<v Speaker 5>I find this to be a very strange episode. I

0:17:06.720 --> 0:17:09.679
<v Speaker 5>just think it's weird. And yeah, I mean we can

0:17:09.720 --> 0:17:11.720
<v Speaker 5>get into why hopefully while we're in it, But it

0:17:11.760 --> 0:17:13.800
<v Speaker 5>was it was really off putting to me the first

0:17:13.840 --> 0:17:15.360
<v Speaker 5>time I watched it through, and that's why I wanted

0:17:15.359 --> 0:17:17.760
<v Speaker 5>to watch it again. I liked it better the second time.

0:17:18.320 --> 0:17:20.040
<v Speaker 5>So this might be the first episode that I've watched

0:17:20.040 --> 0:17:24.080
<v Speaker 5>twice in a row for this podcast, and so it's

0:17:24.119 --> 0:17:24.840
<v Speaker 5>it's really interesting.

0:17:25.000 --> 0:17:28.919
<v Speaker 4>It doesn't feel it feels unusual. It feels like a

0:17:29.000 --> 0:17:30.040
<v Speaker 4>distinct episode.

0:17:30.200 --> 0:17:32.280
<v Speaker 5>And I think that for some of our fans it

0:17:32.400 --> 0:17:34.480
<v Speaker 5>might be their favorite or one of their best.

0:17:34.520 --> 0:17:36.680
<v Speaker 4>But for me, I was just like, I don't I

0:17:36.720 --> 0:17:38.080
<v Speaker 4>don't know how I feel about this.

0:17:39.359 --> 0:17:42.920
<v Speaker 5>I think my big headline that I finally settled on

0:17:43.119 --> 0:17:47.359
<v Speaker 5>is this felt like a Girl meets World episode. Ah interesting,

0:17:47.920 --> 0:17:49.720
<v Speaker 5>and maybe you know, we can talk about why, but

0:17:50.080 --> 0:17:52.000
<v Speaker 5>it felt like a Girl meets World episode to me.

0:17:52.080 --> 0:17:52.920
<v Speaker 3>Interested You're right.

0:17:52.960 --> 0:17:54.600
<v Speaker 1>I didn't think about that, but you're right, it does

0:17:54.640 --> 0:17:58.760
<v Speaker 1>feel like a Girl meets World episode. I thought I

0:17:58.800 --> 0:18:00.840
<v Speaker 1>did not remember that Lisa had been part of the

0:18:00.880 --> 0:18:04.040
<v Speaker 1>Disney Fellowship program, but I thought there were some To me,

0:18:04.119 --> 0:18:08.040
<v Speaker 1>it was very obvious that it had been directed perhaps

0:18:08.040 --> 0:18:10.600
<v Speaker 1>by a first timer or someone who had never at

0:18:10.680 --> 0:18:12.520
<v Speaker 1>least never directed our show before.

0:18:12.880 --> 0:18:14.560
<v Speaker 4>Completely different camera style.

0:18:14.480 --> 0:18:20.000
<v Speaker 1>Completely different camera style, camera style usually when you've got

0:18:20.000 --> 0:18:23.840
<v Speaker 1>a show that's going, that's successful and doing well. One

0:18:23.880 --> 0:18:26.159
<v Speaker 1>of the greatest aspects of what we do, and I

0:18:26.160 --> 0:18:29.639
<v Speaker 1>hope that our listeners have felt it through this podcast,

0:18:30.040 --> 0:18:32.040
<v Speaker 1>is the collaborative nature of.

0:18:32.000 --> 0:18:32.640
<v Speaker 3>What we do.

0:18:33.040 --> 0:18:35.679
<v Speaker 1>It is a group of people who are great at

0:18:35.720 --> 0:18:40.000
<v Speaker 1>what they do, who love TV, who love the entertainment industry,

0:18:40.520 --> 0:18:43.800
<v Speaker 1>all coming together to support the same goal, which should

0:18:43.880 --> 0:18:47.160
<v Speaker 1>be putting out the best quality project you.

0:18:47.160 --> 0:18:50.119
<v Speaker 4>Can version story that you can't hYP and.

0:18:50.440 --> 0:18:53.520
<v Speaker 1>This and in this episode, I thought, some of what

0:18:53.800 --> 0:18:56.119
<v Speaker 1>is taking me out of being able to pay attention

0:18:56.160 --> 0:18:58.480
<v Speaker 1>to the episode were some of the camera choices which

0:18:58.480 --> 0:19:03.399
<v Speaker 1>maybe just felt more film style and not multi camera style.

0:19:04.000 --> 0:19:08.359
<v Speaker 1>And I thought, I wonder why no one said, let's

0:19:08.920 --> 0:19:11.600
<v Speaker 1>let's do this, let's reblock, let's back up.

0:19:11.840 --> 0:19:15.479
<v Speaker 2>I don't know, but either some of the blocking was

0:19:15.560 --> 0:19:17.000
<v Speaker 2>really blocking.

0:19:17.240 --> 0:19:21.320
<v Speaker 1>It was strange and it yeah, I I I do

0:19:21.440 --> 0:19:25.400
<v Speaker 1>remember filming and loving that kitchen scene, the super Bowl

0:19:25.520 --> 0:19:26.600
<v Speaker 1>scene so much fun.

0:19:27.600 --> 0:19:31.840
<v Speaker 3>When you get to talk about chucked across the room.

0:19:32.119 --> 0:19:32.600
<v Speaker 3>I do.

0:19:32.840 --> 0:19:34.880
<v Speaker 2>I was rounded. I was like, is there some kind

0:19:34.880 --> 0:19:37.960
<v Speaker 2>of matt I don't see because she's getting just tossed.

0:19:38.400 --> 0:19:41.080
<v Speaker 3>Yeah, and it was. It was so much fun. Yeah.

0:19:41.119 --> 0:19:43.679
<v Speaker 1>So okay, well let's we'll we'll get into detail as

0:19:43.720 --> 0:19:46.399
<v Speaker 1>we go. Let's jump into our guest stars. We have

0:19:46.600 --> 0:19:51.000
<v Speaker 1>Tico Wells as a morning Zoo host DJ Johnny Latte.

0:19:51.520 --> 0:19:54.720
<v Speaker 1>He appeared in movies like Universal Soldier and The Relic,

0:19:54.960 --> 0:19:57.440
<v Speaker 1>and some classic TV shows like The Cosby Show two

0:19:57.440 --> 0:19:59.960
<v Speaker 1>two seven and The Drew Carey Show.

0:20:00.119 --> 0:20:02.760
<v Speaker 3>Versal Soldier That's where I knew him from.

0:20:02.920 --> 0:20:06.320
<v Speaker 2>Oh my Gosh, she dies horrible death and Universal Soldier.

0:20:06.640 --> 0:20:09.880
<v Speaker 2>That's a van dam movie. Okay, he gets he gets

0:20:09.960 --> 0:20:12.119
<v Speaker 2>held down to the chair and a needle is thrust

0:20:12.160 --> 0:20:13.840
<v Speaker 2>right through his face, back up through his head and

0:20:13.880 --> 0:20:14.840
<v Speaker 2>out comes out his cheek.

0:20:14.920 --> 0:20:16.280
<v Speaker 3>Ooh, that's a big needle.

0:20:16.440 --> 0:20:19.680
<v Speaker 2>Yeah, Dolph Lundgren does bad things to that guy.

0:20:19.880 --> 0:20:23.720
<v Speaker 3>That's okay. From Okay, we have Mindy Spence's Jill.

0:20:23.920 --> 0:20:26.240
<v Speaker 1>She was also seen in Step by Step, Seventh, Heaven,

0:20:26.359 --> 0:20:29.480
<v Speaker 1>That seventy Show, and King of Queen's and appears to

0:20:29.520 --> 0:20:31.200
<v Speaker 1>have left the business in two thousand and five.

0:20:31.560 --> 0:20:32.200
<v Speaker 3>We also have.

0:20:32.440 --> 0:20:36.520
<v Speaker 1>Carolyn or Caroline Keenan as Carol. She was another nineties

0:20:36.560 --> 0:20:39.280
<v Speaker 1>TV regular with stops on Home Improvement, Step by Step,

0:20:39.359 --> 0:20:42.000
<v Speaker 1>and Friends, and was also seen in the Replacements and

0:20:42.040 --> 0:20:44.280
<v Speaker 1>most notably The Day After Tomorrow.

0:20:44.480 --> 0:20:47.480
<v Speaker 2>She's great. She's done a ton of stuff. She's great.

0:20:48.000 --> 0:20:51.560
<v Speaker 1>We have Greg Collins as Freezing Guy. Greg was an

0:20:51.600 --> 0:20:54.119
<v Speaker 1>All American football player at Notre Dame who went on

0:20:54.200 --> 0:20:56.280
<v Speaker 1>to play in the NFL for the forty nine Ers,

0:20:56.320 --> 0:20:59.600
<v Speaker 1>Bills and the Seahawks, only to become a prolific character

0:20:59.640 --> 0:21:04.400
<v Speaker 1>actor and stuntman. Listen to these nineties blockbusters. He appears

0:21:04.400 --> 0:21:10.080
<v Speaker 1>in The Rock, Armageddon, Independence Day, con Air, Godzilla, and

0:21:10.280 --> 0:21:12.359
<v Speaker 1>Enemy of the State. It reads like a list of

0:21:12.440 --> 0:21:16.800
<v Speaker 1>Danielle's favorite movie It is seriously, yes, was.

0:21:16.760 --> 0:21:20.240
<v Speaker 5>He like an on camera actor or a stunt performer

0:21:20.280 --> 0:21:21.040
<v Speaker 5>in those movies?

0:21:21.160 --> 0:21:21.400
<v Speaker 2>Both?

0:21:21.440 --> 0:21:25.040
<v Speaker 4>Both? Both both question yeah, I want to have had

0:21:25.240 --> 0:21:26.280
<v Speaker 4>many lines both Yeah.

0:21:26.359 --> 0:21:28.800
<v Speaker 2>Yeah, he's The second I saw him, I was like, oh,

0:21:28.840 --> 0:21:30.040
<v Speaker 2>this guy was in everything.

0:21:30.119 --> 0:21:31.520
<v Speaker 4>Yeah, he looks so familiar.

0:21:31.600 --> 0:21:34.600
<v Speaker 5>Besides, yeah, it's funny because I mean I obviously worked

0:21:34.640 --> 0:21:35.439
<v Speaker 5>with him in this scene.

0:21:35.480 --> 0:21:37.400
<v Speaker 4>But yeah, I was also like, no, I know him

0:21:37.400 --> 0:21:38.120
<v Speaker 4>from somewhere else.

0:21:38.160 --> 0:21:38.280
<v Speaker 2>Too.

0:21:38.400 --> 0:21:39.400
<v Speaker 4>Yeah, that's interesting.

0:21:39.840 --> 0:21:44.440
<v Speaker 1>We have Glenn Chin as Eskimo, another character actor best

0:21:44.520 --> 0:21:47.280
<v Speaker 1>known for his work in fifty First Dates, Natural Born

0:21:47.359 --> 0:21:50.800
<v Speaker 1>Killers and as the sumo wrestler and Naked Gun thirty

0:21:50.840 --> 0:21:54.040
<v Speaker 1>three and a third. Glenn passed away in twenty eighteen

0:21:54.200 --> 0:21:57.720
<v Speaker 1>at the age of seventy, and then our beloved stand

0:21:57.720 --> 0:22:00.560
<v Speaker 1>in Matt Kirkwood returns to the show, this time as

0:22:00.920 --> 0:22:03.240
<v Speaker 1>Lunatic John do.

0:22:03.240 --> 0:22:08.480
<v Speaker 4>You think it actually said in the scripture? And one Lunatic?

0:22:10.040 --> 0:22:13.399
<v Speaker 1>Then Max Miller as Bobby, So we jump into our recap.

0:22:13.400 --> 0:22:16.240
<v Speaker 1>In Phoenie's classroom, Phoene is passing out graded papers and

0:22:16.280 --> 0:22:19.200
<v Speaker 1>calls out Sean, he never turned his in. Corey pipes

0:22:19.280 --> 0:22:22.280
<v Speaker 1>up he can explain. Phoene stops him he was speaking

0:22:22.320 --> 0:22:25.400
<v Speaker 1>to mister Hunter. Corey continues, anyway, Sean and I think

0:22:25.440 --> 0:22:27.879
<v Speaker 1>so much alike that we decided to write one paper.

0:22:28.280 --> 0:22:31.679
<v Speaker 1>Phoene responds, then you wouldn't mind sharing your grade. Sean's

0:22:31.680 --> 0:22:34.600
<v Speaker 1>into it and enthusiastically asks what they got. Phoene says

0:22:34.600 --> 0:22:36.840
<v Speaker 1>it was a well thought out paper, so it deserves

0:22:36.880 --> 0:22:40.879
<v Speaker 1>a B. Sean nods, very fair. Phoene proceeds divided by

0:22:40.920 --> 0:22:43.240
<v Speaker 1>two and then he rips the paper in half. They

0:22:43.280 --> 0:22:44.399
<v Speaker 1>now both get a D.

0:22:45.880 --> 0:22:47.399
<v Speaker 3>It is upset. It's yeah, funny.

0:22:47.600 --> 0:22:50.080
<v Speaker 1>Also, I did that math exactly the same way, and

0:22:50.160 --> 0:22:51.959
<v Speaker 1>I was like, I'm not sure how math with letters

0:22:52.000 --> 0:22:53.640
<v Speaker 1>really make sense, but but it does.

0:22:53.680 --> 0:22:54.080
<v Speaker 3>It works.

0:22:54.160 --> 0:22:55.800
<v Speaker 4>But well it does.

0:22:55.960 --> 0:22:59.400
<v Speaker 5>You can translate GPA out of grade letters to pronounce

0:22:59.440 --> 0:23:03.560
<v Speaker 5>what four point is good. So there's a formula for

0:23:03.640 --> 0:23:04.320
<v Speaker 5>figuring this out.

0:23:04.640 --> 0:23:09.439
<v Speaker 2>Okay, Now, so we're back to Sean not wanting to

0:23:09.480 --> 0:23:10.240
<v Speaker 2>go to college.

0:23:10.280 --> 0:23:12.760
<v Speaker 4>I'm so, I'm so my head was spinning.

0:23:12.800 --> 0:23:15.399
<v Speaker 5>I'm like, where are we ex Seawan was going to

0:23:15.440 --> 0:23:17.840
<v Speaker 5>college and upset that Corey wasn't going to the same one.

0:23:18.240 --> 0:23:21.080
<v Speaker 5>I was just like, oh, we're just resetting, yeah, trying

0:23:21.080 --> 0:23:23.919
<v Speaker 5>to go went to college before and then was going

0:23:24.000 --> 0:23:24.919
<v Speaker 5>to study with Feenie.

0:23:25.040 --> 0:23:27.240
<v Speaker 2>That was how Nity walked back into the classroom. So

0:23:27.560 --> 0:23:30.159
<v Speaker 2>it's again now the Sean going to college or not

0:23:30.200 --> 0:23:32.000
<v Speaker 2>going to college is just whatever they need for the

0:23:32.040 --> 0:23:32.639
<v Speaker 2>episode at the.

0:23:32.640 --> 0:23:35.000
<v Speaker 5>Time, right, which is only a I mean, it's season

0:23:35.000 --> 0:23:37.600
<v Speaker 5>five is just a little dizzy because season four had

0:23:37.760 --> 0:23:41.000
<v Speaker 5>Eric's wanted to get into college as a consistent arc,

0:23:41.200 --> 0:23:43.359
<v Speaker 5>you know, and and how he was trying to do

0:23:43.440 --> 0:23:46.000
<v Speaker 5>it changed week to week, but it went from the

0:23:46.000 --> 0:23:47.960
<v Speaker 5>beginning of the season not getting to college to the

0:23:48.080 --> 0:23:50.359
<v Speaker 5>end of the season getting into college. Like that was

0:23:50.400 --> 0:23:53.600
<v Speaker 5>such a whereas with this, yeah, there's there's just no trajectory.

0:23:53.640 --> 0:23:54.600
<v Speaker 4>There's no clear trajector.

0:23:54.640 --> 0:23:59.560
<v Speaker 1>It also eliminates stakes because you want to care or

0:23:59.680 --> 0:24:03.199
<v Speaker 1>root for something, and like, if we know there's a

0:24:03.240 --> 0:24:06.080
<v Speaker 1>goal in mind and there's that tension of but is

0:24:06.119 --> 0:24:10.320
<v Speaker 1>it going to happen, this is just like hmmm, yeah,

0:24:10.800 --> 0:24:12.719
<v Speaker 1>you'll see what we'll see what we need by the end.

0:24:13.840 --> 0:24:17.280
<v Speaker 2>I also thought and again as the episode progressed and

0:24:17.320 --> 0:24:20.119
<v Speaker 2>I saw how sean heavy an episode this was. It

0:24:20.240 --> 0:24:25.640
<v Speaker 2>shows how well written Trina's character was and how important

0:24:25.640 --> 0:24:30.399
<v Speaker 2>Trina's character was, which I found myself missing Angela because

0:24:30.440 --> 0:24:32.080
<v Speaker 2>I was like, wait a minute, now we're talking about

0:24:32.080 --> 0:24:35.880
<v Speaker 2>something super important with Sean and she's nowhere to be found, right.

0:24:35.920 --> 0:24:38.880
<v Speaker 4>No reference to him even having a girlfriend, no talking.

0:24:38.640 --> 0:24:41.360
<v Speaker 2>And yeah, you'd want I want to see these important

0:24:41.400 --> 0:24:44.080
<v Speaker 2>life decisions now. Because the character is introduced so well

0:24:44.440 --> 0:24:47.639
<v Speaker 2>and because there's such chemistry, I now want her involved

0:24:47.760 --> 0:24:48.720
<v Speaker 2>in these stories.

0:24:49.400 --> 0:24:50.000
<v Speaker 4>So I missed.

0:24:50.080 --> 0:24:52.160
<v Speaker 2>I missed seeing Angela. Frankly, I was like that's weird.

0:24:52.240 --> 0:24:54.639
<v Speaker 2>Little it's not even there, so yeah, it was weird.

0:24:56.000 --> 0:24:58.720
<v Speaker 1>Corey's upset, but Seawan is smiling. All right, still fair.

0:24:59.080 --> 0:25:01.359
<v Speaker 1>Corey won't take it, mister Feenie. It's the middle of

0:25:01.400 --> 0:25:03.240
<v Speaker 1>our senior year. Why are you being so tough on

0:25:03.320 --> 0:25:06.320
<v Speaker 1>us with these assignments. Phoene's also had enough. You're right,

0:25:06.520 --> 0:25:09.480
<v Speaker 1>let's forget about those d's. Make it to F's t

0:25:09.600 --> 0:25:12.240
<v Speaker 1>Panga gets involved, begging mister Feene not to fail them.

0:25:12.400 --> 0:25:16.359
<v Speaker 1>Phoene sighs ah. The Third Musketeer chimes in to Panga

0:25:16.400 --> 0:25:18.720
<v Speaker 1>insists and f follows you around for the rest of

0:25:18.760 --> 0:25:21.600
<v Speaker 1>your life. Corey's figured it out. We'll take your d's.

0:25:21.760 --> 0:25:25.479
<v Speaker 1>Our college applications are already in. Sean mutters, yeah, well

0:25:25.680 --> 0:25:28.719
<v Speaker 1>yours are. Corey is shocked, especially since he filled out

0:25:28.720 --> 0:25:32.280
<v Speaker 1>Shawn's applications for him. Sean rolls his eyes. Don't start.

0:25:32.640 --> 0:25:34.760
<v Speaker 1>What's the point People like me don't go to college.

0:25:35.440 --> 0:25:39.280
<v Speaker 1>So yeah, this is We've already had this conversation. Also,

0:25:39.359 --> 0:25:40.760
<v Speaker 1>you went to college and.

0:25:40.800 --> 0:25:42.320
<v Speaker 4>You loved it college.

0:25:42.520 --> 0:25:46.800
<v Speaker 1>Yeah, so, Phoene explains, do your assignments, mister Hunter, and

0:25:46.840 --> 0:25:49.719
<v Speaker 1>you'll go to college. Well maybe, but Sean wonders how

0:25:49.720 --> 0:25:51.800
<v Speaker 1>he'll be able to afford it if he gets in.

0:25:52.000 --> 0:25:54.879
<v Speaker 1>There's so many things standing in the way. I did

0:25:55.160 --> 0:25:59.760
<v Speaker 1>appreciate this being a factor that could be in Shawn's mind.

0:26:00.280 --> 0:26:04.240
<v Speaker 1>I did appreciate, yes, the introduction to the idea that

0:26:04.320 --> 0:26:07.600
<v Speaker 1>it's not whether or not Sean just wants to or

0:26:07.680 --> 0:26:11.880
<v Speaker 1>has the drive, to the actual reality of how will

0:26:11.920 --> 0:26:14.000
<v Speaker 1>I even afford it? I would have to apply for

0:26:14.320 --> 0:26:18.000
<v Speaker 1>grants and then loans and jobs, two jobs and working

0:26:18.160 --> 0:26:20.560
<v Speaker 1>like that. I love bringing that in.

0:26:20.680 --> 0:26:22.439
<v Speaker 4>Let's bring that them.

0:26:24.280 --> 0:26:25.479
<v Speaker 3>Oh good question.

0:26:26.000 --> 0:26:28.639
<v Speaker 1>How Sean paying for that big, old, fancy apartment that

0:26:28.680 --> 0:26:30.680
<v Speaker 1>he's in that he's never never.

0:26:30.520 --> 0:26:32.280
<v Speaker 2>There on the river with three bedrooms.

0:26:32.400 --> 0:26:35.480
<v Speaker 1>Yeah, but I guess is it is? It is the

0:26:35.520 --> 0:26:37.600
<v Speaker 1>idea that Jack's covering.

0:26:37.840 --> 0:26:38.960
<v Speaker 4>Might be helping a bit.

0:26:39.160 --> 0:26:43.000
<v Speaker 1>Maybe, Yeah, Jack's paying for the apartment, so Sean's.

0:26:42.880 --> 0:26:46.760
<v Speaker 3>Maybe the mob that he's.

0:26:46.600 --> 0:26:49.960
<v Speaker 2>Still He's still dropping off boxes down by the docks,

0:26:49.960 --> 0:26:52.920
<v Speaker 2>He's still working at Keller Mars. There's a lot going on.

0:26:53.960 --> 0:26:56.600
<v Speaker 4>He's so busy, got that side gig as a surgeon.

0:26:57.800 --> 0:26:59.920
<v Speaker 2>Babies, so much going on.

0:27:01.320 --> 0:27:04.080
<v Speaker 4>What do you guys think was the pitch for this?

0:27:04.240 --> 0:27:06.639
<v Speaker 4>A storyline? Like? What is the like what was the

0:27:06.680 --> 0:27:08.720
<v Speaker 4>germ of the idea? Like what in the writer's room?

0:27:08.760 --> 0:27:11.080
<v Speaker 4>What did they say? I The only thing I.

0:27:11.000 --> 0:27:12.920
<v Speaker 5>Could think is like what if they have to stand

0:27:12.920 --> 0:27:15.639
<v Speaker 5>on a billboard? Like is did they start with that

0:27:16.200 --> 0:27:19.440
<v Speaker 5>or was it? Because it's it's a very bizarre set

0:27:19.440 --> 0:27:22.240
<v Speaker 5>of circumstances to get us to a place where you

0:27:22.280 --> 0:27:24.840
<v Speaker 5>do have some good scenes like this, the set piece

0:27:24.880 --> 0:27:27.320
<v Speaker 5>of the billboard is interesting and kind of funny and weird,

0:27:27.680 --> 0:27:30.080
<v Speaker 5>and then you have the great kitchen scene with the

0:27:30.119 --> 0:27:33.600
<v Speaker 5>super Bowl like getting the super Bowl tickets and Topanga

0:27:33.680 --> 0:27:35.840
<v Speaker 5>not being able to help. But I'm just wondering, like

0:27:35.880 --> 0:27:38.679
<v Speaker 5>what the genesis of this storyline is, because it's it's

0:27:38.760 --> 0:27:41.080
<v Speaker 5>it's really weird, right, why do you pitch it?

0:27:41.160 --> 0:27:42.560
<v Speaker 2>How do you best in this episode?

0:27:42.640 --> 0:27:43.400
<v Speaker 4>Yeah? What do you say?

0:27:43.480 --> 0:27:44.119
<v Speaker 2>Like I don't know.

0:27:44.880 --> 0:27:47.119
<v Speaker 5>Feenie is really hard on them and they have to

0:27:48.200 --> 0:27:51.120
<v Speaker 5>defy their own characters, like you know, like what like oh,

0:27:51.680 --> 0:27:56.119
<v Speaker 5>Corey's gotta not help Sean and and Tipanga's gotta stay out,

0:27:56.160 --> 0:27:58.280
<v Speaker 5>you know, be quiet, and Sean's got to do something

0:27:58.280 --> 0:28:01.160
<v Speaker 5>impossible on his own. Like that is such an abstract

0:28:01.680 --> 0:28:04.679
<v Speaker 5>character based concept, and that's I think that's why it

0:28:04.680 --> 0:28:06.159
<v Speaker 5>reminded me of Girl Meets World because I feel like

0:28:06.160 --> 0:28:08.439
<v Speaker 5>Girl Meats World really lived in this zone of like

0:28:08.960 --> 0:28:11.680
<v Speaker 5>self awareness of characters kind of spinning their wheels about

0:28:11.720 --> 0:28:15.239
<v Speaker 5>their own characters, and like building a story out of

0:28:15.240 --> 0:28:17.359
<v Speaker 5>those characters wheel spinning.

0:28:17.640 --> 0:28:19.000
<v Speaker 4>And that's what this episode is.

0:28:19.040 --> 0:28:21.480
<v Speaker 5>And it's it's not the same thing as a propulsive

0:28:21.520 --> 0:28:22.760
<v Speaker 5>plot that reveals character.

0:28:23.080 --> 0:28:24.400
<v Speaker 4>It's a plot built.

0:28:24.119 --> 0:28:28.399
<v Speaker 5>Around characters and their flaws already and like then it

0:28:28.440 --> 0:28:29.920
<v Speaker 5>doesn't even change them.

0:28:30.080 --> 0:28:32.840
<v Speaker 4>It's a very it's a weird storytelling mode. I just can't.

0:28:33.040 --> 0:28:35.399
<v Speaker 1>The Super Bowl this year in nineteen ninety eight was

0:28:35.480 --> 0:28:39.000
<v Speaker 1>January twenty fifth, This air the sixteenth. I bet it

0:28:39.080 --> 0:28:42.840
<v Speaker 1>was literally the same way they plan around holidays. They

0:28:42.840 --> 0:28:45.520
<v Speaker 1>were like, let's see the Super super Bowl episode. Let's

0:28:45.560 --> 0:28:48.200
<v Speaker 1>do an episode to air the Supertowl, and they have

0:28:48.280 --> 0:28:50.040
<v Speaker 1>to get tickets and then it's like, well, what do

0:28:50.080 --> 0:28:50.880
<v Speaker 1>they each have to do?

0:28:51.000 --> 0:28:53.520
<v Speaker 3>And then you know, eight.

0:28:53.600 --> 0:28:55.840
<v Speaker 2>Ninety eight, the bronc goes one.

0:28:56.040 --> 0:28:58.080
<v Speaker 1>Right, Oh my god, will God will?

0:28:58.160 --> 0:28:58.959
<v Speaker 4>That would be crazy.

0:28:59.120 --> 0:29:04.160
<v Speaker 1>Let's see Bowl champ the Green Bay Packers versus the

0:29:04.240 --> 0:29:08.360
<v Speaker 1>Denver Broncos. The Broncos defeated the Packers thirty one to

0:29:08.400 --> 0:29:09.000
<v Speaker 1>twenty four?

0:29:09.160 --> 0:29:10.920
<v Speaker 4>What was ninety nine? Who won? Ninety nine?

0:29:11.440 --> 0:29:11.800
<v Speaker 3>Will?

0:29:12.640 --> 0:29:14.440
<v Speaker 2>Who won in ninety n I don't remember ninety nine

0:29:14.440 --> 0:29:16.960
<v Speaker 2>because ninety seven ninety eight was when John Elway finally

0:29:16.960 --> 0:29:19.160
<v Speaker 2>won his two Super Bowls. That's why had those stick out.

0:29:19.280 --> 0:29:22.560
<v Speaker 2>This was after the Cowboys run in the early nineties

0:29:22.560 --> 0:29:26.280
<v Speaker 2>of what ninety three ninety four? So yeah, I don't

0:29:26.280 --> 0:29:27.680
<v Speaker 2>remember who won A nine nine. Actually it might have

0:29:27.720 --> 0:29:29.480
<v Speaker 2>been Green Bay. It might have won in ninety nine.

0:29:29.880 --> 0:29:32.360
<v Speaker 1>No, it was the Broncos against the Falcons, and the

0:29:32.360 --> 0:29:33.280
<v Speaker 1>Broncos won again.

0:29:33.320 --> 0:29:34.320
<v Speaker 3>They so they won.

0:29:35.800 --> 0:29:37.200
<v Speaker 2>Ninety seven ninety eight that's what it was.

0:29:37.280 --> 0:29:38.480
<v Speaker 3>Yeah, ninety eight ninety nine.

0:29:38.520 --> 0:29:38.760
<v Speaker 6>Wow.

0:29:38.840 --> 0:29:42.160
<v Speaker 1>Wow, another new thing we learned about Bill?

0:29:42.280 --> 0:29:43.000
<v Speaker 3>Bill? Who's Bill?

0:29:43.440 --> 0:29:44.360
<v Speaker 4>Who's Bill?

0:29:44.640 --> 0:29:44.760
<v Speaker 5>Hi?

0:29:44.840 --> 0:29:46.080
<v Speaker 3>Bill, Nice to meet you.

0:29:46.800 --> 0:29:47.880
<v Speaker 2>It's nice to meet you too.

0:29:48.400 --> 0:29:48.880
<v Speaker 4>It was good call.

0:29:49.040 --> 0:29:52.720
<v Speaker 3>I'm not good Billy All Billy. Oh, that was originally

0:29:52.720 --> 0:29:55.240
<v Speaker 3>supposed to be my name. Really, yeah, it's to be

0:29:55.640 --> 0:29:56.120
<v Speaker 3>or Billy.

0:29:56.440 --> 0:29:58.720
<v Speaker 2>But my brother's favorite show was Lost in Space, so

0:29:58.720 --> 0:30:00.960
<v Speaker 2>they named me after Will Robinson Danger Will Robinson fro

0:30:00.960 --> 0:30:03.200
<v Speaker 2>Lost in Space. I was named after a television character.

0:30:03.320 --> 0:30:05.640
<v Speaker 4>Thought have you ever gone? By? William?

0:30:06.240 --> 0:30:11.040
<v Speaker 2>When I do something wrong? Doesn't know that my older

0:30:11.320 --> 0:30:13.360
<v Speaker 2>my mom calls me William, and my older brother Gary

0:30:13.400 --> 0:30:14.120
<v Speaker 2>a lot of times.

0:30:13.880 --> 0:30:15.600
<v Speaker 3>Calls that's cute.

0:30:16.080 --> 0:30:18.120
<v Speaker 1>So Sean goes on to question why they're doing all

0:30:18.120 --> 0:30:20.440
<v Speaker 1>these assignments in the first place. It's just busy work.

0:30:20.560 --> 0:30:23.000
<v Speaker 1>What could we possibly be left to learn? Phoene gives

0:30:23.040 --> 0:30:26.200
<v Speaker 1>him a death stare obviously disturbed by a comment like that.

0:30:26.640 --> 0:30:29.000
<v Speaker 1>And right here is where some of the stuff started,

0:30:29.000 --> 0:30:31.400
<v Speaker 1>where I was like, oh, new director. Here lots of

0:30:31.440 --> 0:30:36.640
<v Speaker 1>super close shots, close up and blocked, weird blocking, and we're.

0:30:36.560 --> 0:30:39.800
<v Speaker 5>Stacked at but where she brought the camera into the

0:30:39.840 --> 0:30:43.720
<v Speaker 5>sephomore So we're inside the set doing these raking like

0:30:43.800 --> 0:30:46.800
<v Speaker 5>two shots with close ups. It's a lot of singles,

0:30:46.840 --> 0:30:49.360
<v Speaker 5>a lot closer. Everything is played as if it's a

0:30:49.400 --> 0:30:50.240
<v Speaker 5>single camera show.

0:30:50.360 --> 0:30:52.360
<v Speaker 2>Yes, all right, but it also looks like when you've

0:30:52.400 --> 0:30:55.520
<v Speaker 2>got Danielle who's who's not the tallest person in the world,

0:30:55.560 --> 0:30:57.880
<v Speaker 2>and you've got it stacked. It looks like she's trying

0:30:57.920 --> 0:31:01.200
<v Speaker 2>to find her lens like I'm I'm leaning forward to

0:31:01.240 --> 0:31:03.880
<v Speaker 2>be on camera the whole time. It was very off putting.

0:31:04.120 --> 0:31:05.560
<v Speaker 4>My feeling is that we did not do this in

0:31:05.560 --> 0:31:06.520
<v Speaker 4>front of a live audience.

0:31:06.680 --> 0:31:09.479
<v Speaker 5>It feels it feels the lower energy and like a

0:31:09.480 --> 0:31:11.920
<v Speaker 5>little over rehearsed to me, and you know, there's there's

0:31:11.920 --> 0:31:15.120
<v Speaker 5>like a lack of an organic quality that usually follows

0:31:15.120 --> 0:31:17.280
<v Speaker 5>a lot of our show, or that accompanies a lot

0:31:17.320 --> 0:31:19.480
<v Speaker 5>of our show. And I couldn't help but think, oh,

0:31:19.480 --> 0:31:22.320
<v Speaker 5>it's because because she was really worried about camera and

0:31:22.360 --> 0:31:24.920
<v Speaker 5>like she was thinking about it more and again that

0:31:24.960 --> 0:31:27.400
<v Speaker 5>reminded me of Girl Meets World, because when directing Girl

0:31:27.400 --> 0:31:29.760
<v Speaker 5>Meets World, we did a lot of stuff to try

0:31:29.760 --> 0:31:31.520
<v Speaker 5>and get these kinds of shots, because this is a

0:31:31.560 --> 0:31:36.040
<v Speaker 5>more contemporary multi camera style, like you know nowadays they

0:31:36.080 --> 0:31:38.200
<v Speaker 5>try and get single like Disney Channel would always be

0:31:38.200 --> 0:31:40.440
<v Speaker 5>like I need to see both eyes of her character.

0:31:40.640 --> 0:31:42.760
<v Speaker 5>You don't let play things play in a wide you know,

0:31:42.760 --> 0:31:44.920
<v Speaker 5>to try and make it feel less like a play

0:31:45.040 --> 0:31:49.400
<v Speaker 5>less theatrical that's become the more contemporary style. It feels

0:31:49.440 --> 0:31:52.800
<v Speaker 5>weird and boy, like I miss the you know, the

0:31:52.880 --> 0:31:55.720
<v Speaker 5>sort of big wide shots where you see everybody's reaction

0:31:55.800 --> 0:31:56.320
<v Speaker 5>to each other.

0:31:56.720 --> 0:31:59.640
<v Speaker 4>This is like I don't get to see Phoene's face until.

0:31:59.400 --> 0:32:01.240
<v Speaker 5>It cuts to him, you know, when he and Danielle

0:32:01.240 --> 0:32:03.480
<v Speaker 5>are come and it's like right, you want to. I

0:32:03.600 --> 0:32:05.760
<v Speaker 5>like seeing people engaging with each other in the same shot.

0:32:05.840 --> 0:32:07.560
<v Speaker 5>That feels like more boys.

0:32:07.200 --> 0:32:07.640
<v Speaker 4>World to me.

0:32:07.720 --> 0:32:12.160
<v Speaker 1>Mm hmm, yeah, I agree. Corey begins the damage control.

0:32:12.240 --> 0:32:14.080
<v Speaker 1>He just means, we've been here four years and there's

0:32:14.080 --> 0:32:16.080
<v Speaker 1>nothing really left that you can teach us. This does

0:32:16.120 --> 0:32:19.360
<v Speaker 1>not make Feenie any calmer. Sean is stunned. Whoa look

0:32:19.360 --> 0:32:22.840
<v Speaker 1>at Phoenie, Man, Pheenie, you okay? Phoene's stare never breaks.

0:32:23.080 --> 0:32:26.640
<v Speaker 1>Corey whispers, this is the moment we talked about. Sean nods, yeah,

0:32:26.720 --> 0:32:29.880
<v Speaker 1>he's definitely gonna blow. Phoenie commands the boys stand up

0:32:29.880 --> 0:32:32.320
<v Speaker 1>and asks the rest of the class to leave. Cory

0:32:32.320 --> 0:32:34.960
<v Speaker 1>and Sean know this is bad. Tapanga tries to talk

0:32:35.000 --> 0:32:37.520
<v Speaker 1>Feenie down. Can't you give them a makeup assignment instead

0:32:37.520 --> 0:32:40.320
<v Speaker 1>of failing them? Feenie adds you'd better stay too, you

0:32:40.400 --> 0:32:43.200
<v Speaker 1>little control freak, And I liked at least that finally

0:32:43.200 --> 0:32:45.880
<v Speaker 1>we're just calling to Panga out for here's her new character.

0:32:46.400 --> 0:32:48.719
<v Speaker 3>Control freak to Panga this.

0:32:48.920 --> 0:32:53.080
<v Speaker 2>I thought I got optimistic at this point because I

0:32:53.120 --> 0:32:56.960
<v Speaker 2>was like, ooh, angry Feenie. Something we haven't really seen

0:32:57.000 --> 0:32:59.840
<v Speaker 2>a whole lot of Yeah, dressing down the kids for

0:33:00.120 --> 0:33:04.120
<v Speaker 2>kind of being laxadaisical in class. And I was like, ooh, okay,

0:33:04.120 --> 0:33:06.640
<v Speaker 2>this could really go somewhere, and then it kind of didn't,

0:33:06.840 --> 0:33:08.680
<v Speaker 2>and I was like, right, oh okay.

0:33:08.760 --> 0:33:12.000
<v Speaker 1>Right to Panga gasps and steps back. Phoene addresses the

0:33:12.000 --> 0:33:14.280
<v Speaker 1>three of them. So, just because you sent in your

0:33:14.280 --> 0:33:16.720
<v Speaker 1>college applications and nothing that I teach you from now

0:33:16.720 --> 0:33:19.720
<v Speaker 1>on means anything to Panga nods. I was just having

0:33:19.800 --> 0:33:22.600
<v Speaker 1>this discussion with them the other day. An angry Phenie

0:33:22.640 --> 0:33:26.040
<v Speaker 1>interrupts her quiet. She whimpers, you yelled at me, But

0:33:26.120 --> 0:33:30.200
<v Speaker 1>I'm Topanga and this again, this is very interesting blocking.

0:33:30.360 --> 0:33:31.280
<v Speaker 1>I'm barely even in.

0:33:31.240 --> 0:33:33.760
<v Speaker 3>The shot you can't see. It's like they you're on

0:33:33.880 --> 0:33:35.480
<v Speaker 3>stilt trying to look around.

0:33:35.520 --> 0:33:38.400
<v Speaker 2>It was we I mean, it makes me always wonder

0:33:38.960 --> 0:33:42.440
<v Speaker 2>why this take, Like what are the other docks about?

0:33:42.520 --> 0:33:44.840
<v Speaker 2>Like if this is the one you're using, it was right?

0:33:45.160 --> 0:33:48.200
<v Speaker 1>Yeah, So Phoene turns to Sean. I want this assignment

0:33:48.240 --> 0:33:50.960
<v Speaker 1>brought to my house by five pm this afternoon. Sean's

0:33:50.960 --> 0:33:55.440
<v Speaker 1>taken aback this afternoon today, that's impossible. Phoene walks towards

0:33:55.440 --> 0:33:58.280
<v Speaker 1>his chalkboard. Corey's worried. Shawn is still shocked that Phoene

0:33:58.360 --> 0:34:00.600
<v Speaker 1>asked him to do something completely impassive. He might as

0:34:00.600 --> 0:34:02.080
<v Speaker 1>well ask him to come up with tickets to the

0:34:02.080 --> 0:34:05.880
<v Speaker 1>super Bowl. Meanwhile, Phoenie has written impossible on the chalkboard.

0:34:06.080 --> 0:34:08.080
<v Speaker 1>He tells Sean his new assignment is to come up

0:34:08.120 --> 0:34:09.920
<v Speaker 1>with two tickets to the super Bowl by the end

0:34:09.960 --> 0:34:13.560
<v Speaker 1>of the week. Corey laughs, this is completely ridiculous. Phoene

0:34:13.560 --> 0:34:16.719
<v Speaker 1>cuts them off quiet. Corey frowns, You yelled at me,

0:34:17.080 --> 0:34:18.040
<v Speaker 1>but I'm Topanga.

0:34:18.480 --> 0:34:19.080
<v Speaker 2>That was funny.

0:34:19.239 --> 0:34:22.120
<v Speaker 1>Tapanga asks mister Feenie why he's so upset, and Phoene

0:34:22.120 --> 0:34:24.680
<v Speaker 1>tells her she has an assignment as well, but out

0:34:24.719 --> 0:34:28.600
<v Speaker 1>of other people's lives for one week. Otherwise you get

0:34:28.640 --> 0:34:32.320
<v Speaker 1>an f t Penga gasps again, but I've never failed before.

0:34:32.640 --> 0:34:35.760
<v Speaker 1>Phoene tells her there's a first time for everything. Corey laughs.

0:34:36.040 --> 0:34:39.880
<v Speaker 1>That argument doesn't get you anywhere with her. Great joke

0:34:40.440 --> 0:34:42.360
<v Speaker 1>is a funny joke, gast joke of the show, of

0:34:42.719 --> 0:34:43.760
<v Speaker 1>the episode, of the episode.

0:34:44.280 --> 0:34:45.000
<v Speaker 3>That's a funny joke.

0:34:45.040 --> 0:34:46.840
<v Speaker 1>And you know what's funny is that I didn't remember

0:34:46.880 --> 0:34:49.040
<v Speaker 1>what the context of the joke was.

0:34:49.080 --> 0:34:50.280
<v Speaker 3>I've seen that before.

0:34:50.360 --> 0:34:53.000
<v Speaker 1>Like I've seen that, I've seen that written, I've seen

0:34:53.040 --> 0:34:56.280
<v Speaker 1>people make like talk about that, and I have thought

0:34:56.760 --> 0:34:59.960
<v Speaker 1>I don't find it funny. It's annoying that he constantly

0:35:00.280 --> 0:35:02.520
<v Speaker 1>talking about how far he wants to get with the panga.

0:35:02.600 --> 0:35:05.040
<v Speaker 3>It's just kind of annoying. I think it's kind of gross.

0:35:05.320 --> 0:35:07.280
<v Speaker 2>And then the way.

0:35:07.120 --> 0:35:09.400
<v Speaker 1>It was in the scene and the way I was like,

0:35:09.800 --> 0:35:11.960
<v Speaker 1>that's funny, that's a good joke.

0:35:11.880 --> 0:35:12.560
<v Speaker 3>That's a good job.

0:35:13.000 --> 0:35:15.040
<v Speaker 5>Yeah. I don't know, really this is better than the

0:35:15.080 --> 0:35:19.440
<v Speaker 5>Balkans or I think this is when soup, I mean

0:35:19.480 --> 0:35:20.720
<v Speaker 5>when he says okay, sup.

0:35:20.560 --> 0:35:23.359
<v Speaker 3>Okay, okay, soup is great too.

0:35:23.480 --> 0:35:25.960
<v Speaker 5>I wish Ben it held for like another five seconds,

0:35:26.239 --> 0:35:28.399
<v Speaker 5>but it was such a great joke. And then even

0:35:28.400 --> 0:35:31.200
<v Speaker 5>the guy saying you've ruined billboards for me. I know

0:35:31.920 --> 0:35:34.320
<v Speaker 5>there's some witty stuff in this episode.

0:35:34.040 --> 0:35:36.080
<v Speaker 2>There is, but that joke that to me is up

0:35:36.080 --> 0:35:38.719
<v Speaker 2>there with like the I get I get as sick

0:35:38.760 --> 0:35:40.040
<v Speaker 2>as you can get without.

0:35:40.920 --> 0:35:43.920
<v Speaker 5>My favorite is that that Ben looks to me and

0:35:43.960 --> 0:35:45.680
<v Speaker 5>I just give him the space like yeah, I heard you,

0:35:46.040 --> 0:35:49.520
<v Speaker 5>like like he's somebody noticed, Like like it was almost

0:35:49.520 --> 0:35:51.360
<v Speaker 5>like did you get it?

0:35:51.400 --> 0:35:51.840
<v Speaker 4>Do you get it?

0:35:51.840 --> 0:35:54.839
<v Speaker 5>Do you get I'm talking about talking about I'm talking

0:35:54.840 --> 0:35:57.480
<v Speaker 5>about you know, and I just go, I gotcha, Like

0:35:57.840 --> 0:36:00.520
<v Speaker 5>it's We're all I had of you, dude, Like that

0:36:00.640 --> 0:36:02.600
<v Speaker 5>is that was funny?

0:36:02.840 --> 0:36:03.480
<v Speaker 2>So funny.

0:36:03.520 --> 0:36:06.600
<v Speaker 1>Now, Phoene addresses Cory, since you feel so responsible for

0:36:06.680 --> 0:36:09.399
<v Speaker 1>your friends, I put their fate in your hands if

0:36:09.440 --> 0:36:11.920
<v Speaker 1>either of them fails, So do you. With that, he

0:36:11.960 --> 0:36:14.080
<v Speaker 1>storms out of the classroom, giving Sean a little shove

0:36:14.160 --> 0:36:17.880
<v Speaker 1>and leaving the three in shock. Sean sarcastically says, thanks

0:36:17.920 --> 0:36:21.880
<v Speaker 1>a lot to Panga, and that starts a little runner

0:36:21.920 --> 0:36:22.719
<v Speaker 1>through the rest of the show.

0:36:22.719 --> 0:36:24.759
<v Speaker 4>I think it was this scene Phoene walks out of

0:36:24.760 --> 0:36:29.480
<v Speaker 4>a door that doesn't exist. He walked to the other side,

0:36:29.800 --> 0:36:32.800
<v Speaker 4>like the door is behind the students to the classroom

0:36:33.520 --> 0:36:36.560
<v Speaker 4>in this turn towards the turns towards the chalkboard, and

0:36:36.640 --> 0:36:40.520
<v Speaker 4>they added a door sound. We've never seen a door over.

0:36:40.360 --> 0:36:42.520
<v Speaker 3>There, you I've got I did not know.

0:36:43.600 --> 0:36:45.480
<v Speaker 5>I was like, what you couldn't have him crossing? It

0:36:45.520 --> 0:36:47.839
<v Speaker 5>was It's the weirdest thing. I was like, wait, what

0:36:48.120 --> 0:36:50.279
<v Speaker 5>And then they I could tell they had to add

0:36:50.320 --> 0:36:52.600
<v Speaker 5>a door sign because our door sound. And then what

0:36:52.640 --> 0:36:54.399
<v Speaker 5>I realized is like, right, they couldn't show they were

0:36:54.400 --> 0:36:57.600
<v Speaker 5>Actually it was a wing wall that she was shooting

0:36:57.840 --> 0:36:59.799
<v Speaker 5>up in. That's why we're getting all those close ups

0:36:59.840 --> 0:37:04.560
<v Speaker 5>that coverage, right. Honestly, think what happened is I think

0:37:04.840 --> 0:37:09.239
<v Speaker 5>that she, coming from film, like a film perspective, was

0:37:09.280 --> 0:37:11.600
<v Speaker 5>getting a lot more coverage than usual, and she was

0:37:11.640 --> 0:37:13.680
<v Speaker 5>trying to get and when they got in the editing room,

0:37:13.719 --> 0:37:15.560
<v Speaker 5>they were excited and they were like, look, we can

0:37:15.600 --> 0:37:18.760
<v Speaker 5>see their faces. Let's use these shots, when, of course,

0:37:19.120 --> 0:37:20.960
<v Speaker 5>sometimes it just is better just play the scene and

0:37:21.040 --> 0:37:23.480
<v Speaker 5>a wide and like I think this confrontation with Phoenie

0:37:23.480 --> 0:37:25.880
<v Speaker 5>and you like gasping, would have played better in a wide.

0:37:25.960 --> 0:37:28.359
<v Speaker 4>But if you have this like cool looking shot that kind.

0:37:28.239 --> 0:37:31.080
<v Speaker 5>Of feels a little more cinematic than normal episodes, I

0:37:31.080 --> 0:37:33.480
<v Speaker 5>could see our producers or our executives at the studio

0:37:33.600 --> 0:37:34.600
<v Speaker 5>or whatever being like.

0:37:34.840 --> 0:37:36.040
<v Speaker 4>Let's use that shot, you know.

0:37:36.080 --> 0:37:39.319
<v Speaker 5>So I feel like she might have provided too good

0:37:39.360 --> 0:37:41.520
<v Speaker 5>of shots or too too you know, and in just

0:37:41.640 --> 0:37:44.320
<v Speaker 5>too many options, too much coverage, Yeah, too many options,

0:37:44.360 --> 0:37:46.799
<v Speaker 5>and then they use it and it kind of killed

0:37:46.840 --> 0:37:48.040
<v Speaker 5>the energy.

0:37:48.080 --> 0:37:50.640
<v Speaker 4>That's that was my take. I don't know, but anyway,

0:37:50.680 --> 0:37:51.359
<v Speaker 4>I think what.

0:37:51.360 --> 0:37:53.680
<v Speaker 5>Happened is she was in the set with the cameras

0:37:53.960 --> 0:37:56.759
<v Speaker 5>and Phoene's exit, then you couldn't actually show his exit

0:37:56.800 --> 0:37:58.600
<v Speaker 5>because there's no door there and he just walks off

0:37:58.600 --> 0:37:59.000
<v Speaker 5>the set.

0:37:59.200 --> 0:38:00.520
<v Speaker 4>So they added this door sound.

0:38:03.080 --> 0:38:04.240
<v Speaker 2>I want to hear the door sound?

0:38:04.520 --> 0:38:06.600
<v Speaker 1>Wait, why couldn't so even if she had a camera

0:38:06.640 --> 0:38:09.160
<v Speaker 1>in the doorway. So that's obviously that's something you shoot

0:38:09.160 --> 0:38:10.880
<v Speaker 1>as a special that's something you shoot as a pickup.

0:38:10.920 --> 0:38:12.480
<v Speaker 1>You get the rest of the coverage you need, then

0:38:12.520 --> 0:38:14.279
<v Speaker 1>you drive the camera up and you shoot through the door.

0:38:14.280 --> 0:38:16.239
<v Speaker 1>Why couldn't they have gotten his exit before they brought

0:38:16.280 --> 0:38:17.800
<v Speaker 1>the camera into the doorframe.

0:38:17.440 --> 0:38:19.319
<v Speaker 4>Because there is no door. There is no door there.

0:38:19.480 --> 0:38:21.120
<v Speaker 4>That's a point. They're pretending that there's a door.

0:38:21.160 --> 0:38:24.719
<v Speaker 5>So I think it's can't can't it go out the

0:38:24.760 --> 0:38:26.560
<v Speaker 5>other way?

0:38:27.400 --> 0:38:30.399
<v Speaker 3>I don't know. I mean it's so it's interesting because

0:38:30.440 --> 0:38:31.160
<v Speaker 3>then he.

0:38:31.080 --> 0:38:32.920
<v Speaker 4>Would have crossed he would have crossed.

0:38:32.640 --> 0:38:34.080
<v Speaker 3>Through, he would have to pass you guys.

0:38:33.920 --> 0:38:37.040
<v Speaker 5>Like all of our faces and between just realized like

0:38:37.080 --> 0:38:39.560
<v Speaker 5>it's better for if he abandons them by walking away,

0:38:40.000 --> 0:38:42.239
<v Speaker 5>you know. Obviously it was like composition based, right, like

0:38:42.320 --> 0:38:44.520
<v Speaker 5>the composition of the shot of a three or four

0:38:44.600 --> 0:38:47.759
<v Speaker 5>shot that he exits by you know they liked that better,

0:38:47.840 --> 0:38:51.040
<v Speaker 5>even though it made no directional logic with the actual.

0:38:50.760 --> 0:38:53.239
<v Speaker 4>Set, so they went with it because of the That's

0:38:53.239 --> 0:38:55.680
<v Speaker 4>what I mean. I think she was thinking more storyboards.

0:38:55.800 --> 0:38:57.040
<v Speaker 4>She was thinking more.

0:38:56.960 --> 0:38:59.200
<v Speaker 5>Like, this is a cool shot to just walk off here,

0:38:59.640 --> 0:39:01.680
<v Speaker 5>and then there's no reason for him to walk that direction,

0:39:01.840 --> 0:39:03.279
<v Speaker 5>so then they just add a door sound to make

0:39:03.280 --> 0:39:04.320
<v Speaker 5>it clear that he's exiting.

0:39:04.880 --> 0:39:05.800
<v Speaker 4>Yeah. Wow.

0:39:06.960 --> 0:39:10.360
<v Speaker 1>Well Worth noting this episode would never be allowed in

0:39:10.440 --> 0:39:13.320
<v Speaker 1>twenty twenty four as the Super Bowl has since become

0:39:13.800 --> 0:39:17.279
<v Speaker 1>very litigious with media using their name in scripts or

0:39:17.280 --> 0:39:21.279
<v Speaker 1>for promotional use. So unless they are an official sponsor

0:39:21.760 --> 0:39:25.200
<v Speaker 1>or speaking about it for the news, you cannot say

0:39:25.360 --> 0:39:26.040
<v Speaker 1>super Bowl.

0:39:26.160 --> 0:39:30.160
<v Speaker 2>Oh come on in your programming? Yes, can you say Horse?

0:39:30.400 --> 0:39:32.120
<v Speaker 2>Are you still allowed to say that? Because come on,

0:39:32.280 --> 0:39:33.239
<v Speaker 2>that's ridiculous.

0:39:34.000 --> 0:39:37.000
<v Speaker 1>Oh that's why you hear so much talk about the

0:39:37.040 --> 0:39:40.640
<v Speaker 1>Big Game for sweepstakes or on the radio, because the

0:39:40.760 --> 0:39:43.840
<v Speaker 1>NFL sees any attention to the name as a violation

0:39:44.040 --> 0:39:44.960
<v Speaker 1>of their trademark.

0:39:45.000 --> 0:39:48.320
<v Speaker 5>All right, well, let's start a competition, a big yearly

0:39:48.360 --> 0:39:51.239
<v Speaker 5>event called Horse. I love to get everybody together and

0:39:51.280 --> 0:39:53.839
<v Speaker 5>we shovel Horse, and then we can sue everybody.

0:39:53.480 --> 0:39:54.600
<v Speaker 4>Who ever uses that word.

0:39:54.960 --> 0:39:56.440
<v Speaker 3>The word and we'll make millions.

0:39:56.600 --> 0:39:58.959
<v Speaker 4>Yeah, we'll make millions, and all as a dirt pile

0:39:59.000 --> 0:39:59.680
<v Speaker 4>and some horses.

0:40:00.160 --> 0:40:00.799
<v Speaker 3>I love it.

0:40:00.840 --> 0:40:03.560
<v Speaker 2>I will send cease and desist to everybody who tries

0:40:03.760 --> 0:40:05.120
<v Speaker 2>to bring horse into their.

0:40:05.239 --> 0:40:08.439
<v Speaker 3>Speaking of cease and desists. A lot of lawyers do.

0:40:08.560 --> 0:40:11.080
<v Speaker 1>Argue that this is an overstep, saying they only have

0:40:11.200 --> 0:40:15.000
<v Speaker 1>this ability for stores having things like a Super Bowl sale.

0:40:15.520 --> 0:40:17.600
<v Speaker 1>The networks are just extra cautious.

0:40:17.640 --> 0:40:18.160
<v Speaker 3>Anyway.

0:40:18.360 --> 0:40:21.640
<v Speaker 1>In twenty fourteen, Stephen Colbert was still on Comedy Central

0:40:21.760 --> 0:40:24.200
<v Speaker 1>and referred to it as the superb Owl.

0:40:25.880 --> 0:40:26.880
<v Speaker 3>Okay, that works.

0:40:26.960 --> 0:40:30.920
<v Speaker 1>There you go, same smelling, just putting the emphosis in

0:40:30.960 --> 0:40:34.400
<v Speaker 1>a different place. So then we are in the guy's apartment.

0:40:34.520 --> 0:40:37.200
<v Speaker 1>Eric is on the porch drinking coffee and reading a book.

0:40:38.440 --> 0:40:40.839
<v Speaker 1>It's not the porch, it's the balcony. He's on the balcony,

0:40:41.000 --> 0:40:41.399
<v Speaker 1>which is.

0:40:41.400 --> 0:40:42.759
<v Speaker 4>Kind of a cool set. I know.

0:40:43.120 --> 0:40:46.319
<v Speaker 2>I didn't think we ever went back out to the balcony. Yeah,

0:40:46.560 --> 0:40:48.839
<v Speaker 2>which we're going to start using that, but no, I

0:40:48.880 --> 0:40:51.400
<v Speaker 2>had again, didn't even think I was in this episode.

0:40:51.440 --> 0:40:53.600
<v Speaker 2>So I was like, oh, oh there I am, Well

0:40:53.640 --> 0:40:54.000
<v Speaker 2>there I am.

0:40:54.280 --> 0:40:56.680
<v Speaker 5>Why did this need to be oh, because you find

0:40:56.680 --> 0:40:58.759
<v Speaker 5>the girls, we find the girls. The idea is that

0:40:58.800 --> 0:41:00.360
<v Speaker 5>these the girls that you find the end of the

0:41:00.360 --> 0:41:02.160
<v Speaker 5>scene are the girls that you end up dating.

0:41:02.320 --> 0:41:04.759
<v Speaker 2>Yes, yeah, I think that's what they're going for.

0:41:04.920 --> 0:41:05.719
<v Speaker 4>Yeah, yeah, Ok.

0:41:08.239 --> 0:41:12.800
<v Speaker 1>The coffee pot placement needing to be on the edge

0:41:13.280 --> 0:41:17.640
<v Speaker 1>on the balcony instead of from the table where you're sitting,

0:41:18.960 --> 0:41:20.680
<v Speaker 1>just so we can have a reason to get you.

0:41:21.360 --> 0:41:23.520
<v Speaker 3>All of it is so it would have been great.

0:41:23.360 --> 0:41:24.799
<v Speaker 4>If at the end of the scene you accidentally knocked

0:41:24.800 --> 0:41:26.320
<v Speaker 4>the coffee pop sorry.

0:41:26.200 --> 0:41:26.600
<v Speaker 3>Killed her.

0:41:28.520 --> 0:41:30.759
<v Speaker 2>I want the one, get the other one? Yeah, no,

0:41:30.840 --> 0:41:33.680
<v Speaker 2>I mean there's so many Yeah, no, terrible, I mean,

0:41:34.600 --> 0:41:36.759
<v Speaker 2>and it is, it is. It just was very forced, like, oh,

0:41:36.760 --> 0:41:38.359
<v Speaker 2>the coffee is right over there.

0:41:38.840 --> 0:41:40.880
<v Speaker 1>Jack walks outside to join him. I didn't hear you

0:41:40.880 --> 0:41:42.520
<v Speaker 1>come home last night. Must have had a pretty good

0:41:42.520 --> 0:41:48.000
<v Speaker 1>time with your date Eric aka Sparkly Vampire Edward Cohen

0:41:48.160 --> 0:41:51.240
<v Speaker 1>thanks to some particularly bright lights. Did you not notice

0:41:51.239 --> 0:41:59.719
<v Speaker 1>how pale and sparkly you know? Oh, yes, you you

0:41:59.719 --> 0:42:03.359
<v Speaker 1>look like you've got you had a diamond facial you like, yes,

0:42:04.040 --> 0:42:04.399
<v Speaker 1>it was.

0:42:04.520 --> 0:42:08.160
<v Speaker 4>You smell his hand through the screen to smell.

0:42:08.000 --> 0:42:10.640
<v Speaker 2>Him just maybe it was booty dust.

0:42:12.960 --> 0:42:13.800
<v Speaker 3>It never nuts.

0:42:14.480 --> 0:42:16.600
<v Speaker 2>It could be stripper booty dust. Maybe Eric was just

0:42:16.680 --> 0:42:18.080
<v Speaker 2>out there enjoying the night.

0:42:18.200 --> 0:42:20.799
<v Speaker 1>It was it was I was like, wow, there's also

0:42:20.920 --> 0:42:23.799
<v Speaker 1>some new lighting. I'm not sure what's going on here,

0:42:24.920 --> 0:42:28.279
<v Speaker 1>so he casually responds, the evening began at seven. It

0:42:28.320 --> 0:42:31.080
<v Speaker 1>started with some intimate pre dinner conversation at a quaint,

0:42:31.080 --> 0:42:33.919
<v Speaker 1>little Mexican place. I happened to know, came back here,

0:42:33.960 --> 0:42:36.840
<v Speaker 1>and let's just say, my clothes were off within five minutes.

0:42:37.400 --> 0:42:40.640
<v Speaker 1>The inmates in the audience hoot and holler at this thought,

0:42:41.160 --> 0:42:43.720
<v Speaker 1>and then Jack corrects him while pouring from a coffee

0:42:43.719 --> 0:42:46.400
<v Speaker 1>pot that I mentioned precariously resting on the ledge.

0:42:46.920 --> 0:42:48.240
<v Speaker 3>You opened your big mouth.

0:42:48.360 --> 0:42:50.799
<v Speaker 1>She walked out, yate alone at Taco Bell, came home,

0:42:50.880 --> 0:42:52.759
<v Speaker 1>took off all your clothes, and were asleep by eight.

0:42:53.200 --> 0:42:58.160
<v Speaker 1>Eric responds, how'd you do? That's that's funny. It's funny.

0:42:58.239 --> 0:43:01.239
<v Speaker 4>It is one of the callback to the ripping your

0:43:01.239 --> 0:43:05.120
<v Speaker 4>pants off because nobody is home. Yeah, bye bye pants.

0:43:05.160 --> 0:43:07.760
<v Speaker 5>That's what he should have said, said, I'm home alone,

0:43:07.880 --> 0:43:08.640
<v Speaker 5>bye bye pants.

0:43:09.520 --> 0:43:10.520
<v Speaker 4>Yeah.

0:43:10.880 --> 0:43:12.279
<v Speaker 2>Not to get off on a tangent. And we can

0:43:12.280 --> 0:43:15.040
<v Speaker 2>make this just a yes or no naked sleeping yes

0:43:15.120 --> 0:43:17.880
<v Speaker 2>or no, no, no.

0:43:17.200 --> 0:43:18.720
<v Speaker 4>No, I used to, but not anymore.

0:43:19.400 --> 0:43:24.000
<v Speaker 2>Underwear but I no, yeah, no no no naked sleeping bad.

0:43:24.440 --> 0:43:28.759
<v Speaker 5>Yeah, I would probably bring it back then we have,

0:43:28.760 --> 0:43:30.120
<v Speaker 5>Now that we've talked about it, I might go to

0:43:30.160 --> 0:43:30.640
<v Speaker 5>naked today.

0:43:30.840 --> 0:43:32.239
<v Speaker 4>You know, what I noticed is that the first time

0:43:32.280 --> 0:43:35.839
<v Speaker 4>I slept naked in my dreams, I was naked. Yeah.

0:43:35.880 --> 0:43:40.319
<v Speaker 4>It was like which actually sounds kind of fun. All right,

0:43:40.360 --> 0:43:43.000
<v Speaker 4>I'm gonna go for it. Tonight's the night. Bye bye underwear.

0:43:48.320 --> 0:43:50.080
<v Speaker 4>All right. I love that.

0:43:50.280 --> 0:44:00.760
<v Speaker 3>However you currently are whatever. Actually, okay, that's funny. Gosh, okay,

0:44:00.880 --> 0:44:02.520
<v Speaker 3>jack'size not as good.

0:44:03.000 --> 0:44:05.719
<v Speaker 1>The guys are frustrated, but agree it's not them, it's

0:44:05.760 --> 0:44:08.520
<v Speaker 1>the women, all of them. Jack declares it's time to

0:44:08.560 --> 0:44:11.720
<v Speaker 1>be more choosy, find women who are more compatible. Eric agrees,

0:44:11.760 --> 0:44:15.080
<v Speaker 1>suggesting they embark on a mission to find their perfect companions,

0:44:15.239 --> 0:44:18.160
<v Speaker 1>their soulmates. Just then, Jack looks over the balcony and

0:44:18.200 --> 0:44:19.080
<v Speaker 1>notices some girls.

0:44:19.200 --> 0:44:20.480
<v Speaker 3>What about them?

0:44:20.800 --> 0:44:25.320
<v Speaker 1>Eric immediately starts yelling, hey, you too, No, not okay,

0:44:25.400 --> 0:44:26.040
<v Speaker 1>you too.

0:44:26.320 --> 0:44:27.040
<v Speaker 4>You too?

0:44:27.320 --> 0:44:29.160
<v Speaker 3>It was funny, that's all funny.

0:44:29.360 --> 0:44:29.680
<v Speaker 5>Yeah.

0:44:29.760 --> 0:44:31.080
<v Speaker 3>I like I like this.

0:44:31.239 --> 0:44:34.080
<v Speaker 1>I like this setup for a thing between Jack and Eric,

0:44:34.120 --> 0:44:35.880
<v Speaker 1>and I love the idea that then it's just two

0:44:35.960 --> 0:44:38.080
<v Speaker 1>randoms you pick, and I love it.

0:44:38.160 --> 0:44:39.080
<v Speaker 2>This scene was funny.

0:44:39.239 --> 0:44:40.040
<v Speaker 3>It was very funny.

0:44:40.640 --> 0:44:42.680
<v Speaker 1>Then we're in the Matthew's kitchen to Pengishon and Cory

0:44:42.719 --> 0:44:46.080
<v Speaker 1>are all stressed, gathered together and listening to the radio

0:44:47.280 --> 0:44:48.520
<v Speaker 1>as we've never done.

0:44:48.760 --> 0:44:51.040
<v Speaker 4>It's like that portable TV. Yeah we had in the

0:44:51.120 --> 0:44:51.920
<v Speaker 4>kitchen counter.

0:44:51.760 --> 0:44:53.600
<v Speaker 3>And I'm just like resting my arm on it.

0:44:53.760 --> 0:44:58.520
<v Speaker 1>Like here we are the three friends Hayking hanging out

0:44:58.560 --> 0:45:00.600
<v Speaker 1>from this radio.

0:45:01.200 --> 0:45:02.239
<v Speaker 2>Let's go radioing.

0:45:03.800 --> 0:45:07.480
<v Speaker 5>I actually was reminded of season one, the betting episode

0:45:07.760 --> 0:45:09.600
<v Speaker 5>a couple of times, because we listen to the radio

0:45:09.600 --> 0:45:12.040
<v Speaker 5>and that on the kitchen counter, and then we're jumping

0:45:12.120 --> 0:45:14.399
<v Speaker 5>up and down grabbing the phone just like this. You're like, oh,

0:45:14.440 --> 0:45:16.960
<v Speaker 5>this is kind of a fun callback to that Corey

0:45:16.960 --> 0:45:18.520
<v Speaker 5>Shawn energy from season one.

0:45:18.800 --> 0:45:21.360
<v Speaker 2>You're right, it is has just been the three of

0:45:21.400 --> 0:45:23.640
<v Speaker 2>you in the kitchen together since season one.

0:45:24.440 --> 0:45:25.560
<v Speaker 4>No, no, I'm.

0:45:25.440 --> 0:45:26.960
<v Speaker 5>Also I don't think the three of us were ever

0:45:27.280 --> 0:45:29.080
<v Speaker 5>just three of us in season one even.

0:45:28.960 --> 0:45:31.920
<v Speaker 2>Well, no, Panga puts the lipstick on her face, it's

0:45:31.920 --> 0:45:32.640
<v Speaker 2>the three of you.

0:45:33.160 --> 0:45:34.480
<v Speaker 4>I walk in and then she walks out.

0:45:34.520 --> 0:45:36.560
<v Speaker 5>But yeah, oh no, you're right, because I sit down

0:45:36.600 --> 0:45:38.320
<v Speaker 5>and goes go because we look like horses.

0:45:38.400 --> 0:45:39.200
<v Speaker 4>Yeah, you're right.

0:45:40.160 --> 0:45:43.040
<v Speaker 1>So Sean has written down four can't miss ways on

0:45:43.080 --> 0:45:45.319
<v Speaker 1>how to get Super Bowl tickets. Corey asks for the

0:45:45.320 --> 0:45:48.319
<v Speaker 1>best one. Sean's best idea so far is I go

0:45:48.400 --> 0:45:50.760
<v Speaker 1>back in time to the first Super Bowl when tickets

0:45:50.760 --> 0:45:51.839
<v Speaker 1>weren't that hard to get.

0:45:52.560 --> 0:45:53.480
<v Speaker 4>It's our time machine.

0:45:53.480 --> 0:45:54.440
<v Speaker 3>It's our time machine.

0:45:54.480 --> 0:45:59.360
<v Speaker 2>It brought Ben's response, I don't need to hear the

0:46:00.080 --> 0:46:05.640
<v Speaker 2>ready to hear the other three. That's great, a legitimate

0:46:05.719 --> 0:46:08.440
<v Speaker 2>laugh for me. I don't need to hear that.

0:46:08.440 --> 0:46:09.879
<v Speaker 3>I don't even need to hear the other thing.

0:46:09.920 --> 0:46:13.600
<v Speaker 5>It's interesting to me how much Corey oscillates between being

0:46:14.280 --> 0:46:17.520
<v Speaker 5>as dumb as Sean right, and the letting Sean know

0:46:17.600 --> 0:46:19.960
<v Speaker 5>that he's being dumb and like it's just basically whichever

0:46:19.960 --> 0:46:21.080
<v Speaker 5>one's funnier for the moment.

0:46:21.320 --> 0:46:23.440
<v Speaker 4>Yes, they will have Corey play right.

0:46:35.480 --> 0:46:37.600
<v Speaker 1>To Bega breaks in with some common sense. If you're

0:46:37.600 --> 0:46:39.640
<v Speaker 1>gonna go back in time, you could do the original

0:46:39.680 --> 0:46:42.680
<v Speaker 1>assignment and we wouldn't be in this mess. She realizes

0:46:42.719 --> 0:46:45.640
<v Speaker 1>what she's doing, so she stops herself and sayings la

0:46:45.719 --> 0:46:49.000
<v Speaker 1>la la la. Corey reminds her that butting in, even

0:46:49.040 --> 0:46:52.440
<v Speaker 1>in musical form, is still butting in. Sean realizes that

0:46:52.560 --> 0:46:54.960
<v Speaker 1>was his next idea to ask t Banga they need

0:46:55.000 --> 0:46:57.480
<v Speaker 1>advice from her. She reminds Sean that if she gives

0:46:57.520 --> 0:47:00.000
<v Speaker 1>them advice, she gets an F. Sean rolls his eyes.

0:47:00.160 --> 0:47:03.319
<v Speaker 1>You can get one stinking F in your life, Tapega argues, no,

0:47:03.480 --> 0:47:05.719
<v Speaker 1>she can't. She's worked very hard to be perfect up

0:47:05.719 --> 0:47:08.880
<v Speaker 1>till now. Seawn's disgusted. I am throwing up. I am

0:47:08.920 --> 0:47:12.120
<v Speaker 1>throwing up all over you, which I thought was funny. Then,

0:47:12.160 --> 0:47:15.080
<v Speaker 1>as if by magic, the radio DJ asks, are you

0:47:15.239 --> 0:47:18.840
<v Speaker 1>ready to win some Super Bowl tickets? To Pega's eyes widened.

0:47:18.840 --> 0:47:20.759
<v Speaker 1>But the boys don't put two and two together? Or

0:47:20.800 --> 0:47:22.759
<v Speaker 1>they have become hard of hearing, or have they have

0:47:22.800 --> 0:47:24.680
<v Speaker 1>been given an unrealistic plot point.

0:47:24.440 --> 0:47:25.919
<v Speaker 3>By the writers. I'm not sure.

0:47:25.920 --> 0:47:26.920
<v Speaker 2>I don't know what it is.

0:47:26.960 --> 0:47:30.359
<v Speaker 3>I don't know which one it is. Everyone's funniest and oblivious.

0:47:30.360 --> 0:47:33.000
<v Speaker 1>Sean asks, if I was a pair of Super Bowl tickets,

0:47:33.040 --> 0:47:36.200
<v Speaker 1>how would I find me? Corey admits it's an interesting question.

0:47:36.239 --> 0:47:39.440
<v Speaker 1>Sean another question, why would Phoene make up such an

0:47:39.480 --> 0:47:42.880
<v Speaker 1>impossible assignment? The NFL music plays behind them, but it

0:47:42.920 --> 0:47:46.040
<v Speaker 1>hasn't affected them at all. Tapega brings the boombox directly

0:47:46.040 --> 0:47:48.239
<v Speaker 1>to the kitchen table to get their attention. They have

0:47:48.360 --> 0:47:50.880
<v Speaker 1>the last Super Bowl tickets in the known universe, and

0:47:50.920 --> 0:47:53.919
<v Speaker 1>there's only ten more chances to win, so call now

0:47:54.680 --> 0:47:56.760
<v Speaker 1>to Pega is trying so hard to get their attention,

0:47:56.800 --> 0:47:59.200
<v Speaker 1>but Corey shouts, will you turn down the radio? We're

0:47:59.200 --> 0:48:01.959
<v Speaker 1>trying to thank you to Pega runs across the kitchen,

0:48:02.040 --> 0:48:04.880
<v Speaker 1>running around the room, striking the Heisman pose. Corey yells

0:48:04.920 --> 0:48:07.440
<v Speaker 1>at her no jazz or size in the kitchen. The

0:48:07.520 --> 0:48:10.560
<v Speaker 1>DJ announces that he's down to the five final callers.

0:48:10.880 --> 0:48:13.520
<v Speaker 1>Topega now frantically holds two items she got in the kitchen,

0:48:13.560 --> 0:48:16.240
<v Speaker 1>a bowl and a can of soup. Famous scene alert.

0:48:17.120 --> 0:48:19.200
<v Speaker 1>Corey tries to guess as to Panga plays a game

0:48:19.239 --> 0:48:21.960
<v Speaker 1>of charades, bowl and can.

0:48:22.640 --> 0:48:25.600
<v Speaker 3>There's trouble in the Balkans. He puts a.

0:48:25.520 --> 0:48:28.160
<v Speaker 1>Piece of food in her mouth like she's lassy and asks,

0:48:28.560 --> 0:48:29.880
<v Speaker 1>is that what the radio said?

0:48:29.880 --> 0:48:30.200
<v Speaker 4>Girl?

0:48:31.280 --> 0:48:33.560
<v Speaker 1>She spits out the food and tries again. This time

0:48:33.600 --> 0:48:37.760
<v Speaker 1>he realizes the word is soup. He asks, soup or bowl?

0:48:38.520 --> 0:48:44.480
<v Speaker 3>All right? Soup so funny? All right?

0:48:44.520 --> 0:48:47.760
<v Speaker 1>Soup to Pega growls and jumps on his back, forcing

0:48:47.760 --> 0:48:50.040
<v Speaker 1>his head to the boom box. The DJ says there's

0:48:50.120 --> 0:48:52.880
<v Speaker 1>only one chance left to go to the super Bowl.

0:48:53.160 --> 0:48:56.040
<v Speaker 1>Corey and Sean jump up for joy, forcing Topanga to

0:48:56.160 --> 0:48:58.520
<v Speaker 1>fly backwards and land on the bums.

0:48:59.440 --> 0:49:03.839
<v Speaker 2>Yes, I around this like three times you flew off

0:49:03.920 --> 0:49:07.240
<v Speaker 2>his back. I mean that was a good hit, bigs.

0:49:07.400 --> 0:49:09.279
<v Speaker 3>It was fun. I don't remember there be I don't

0:49:09.280 --> 0:49:11.839
<v Speaker 3>remember ever being hurt. Do you remember me ever being hurt?

0:49:12.360 --> 0:49:12.400
<v Speaker 2>No?

0:49:12.840 --> 0:49:14.800
<v Speaker 4>But do you remember doing this the scene?

0:49:15.160 --> 0:49:15.920
<v Speaker 3>Yeah?

0:49:16.000 --> 0:49:16.239
<v Speaker 4>Yeah?

0:49:16.800 --> 0:49:19.520
<v Speaker 5>How do you you have positive memories of this scene?

0:49:20.040 --> 0:49:23.760
<v Speaker 3>I don't have bad memories of the scene, right I should?

0:49:24.080 --> 0:49:24.520
<v Speaker 4>I don't know.

0:49:24.560 --> 0:49:26.600
<v Speaker 5>I liked the scene watching it, but I got very

0:49:26.640 --> 0:49:28.960
<v Speaker 5>stressed out and I realized, like, oh right, this was

0:49:29.000 --> 0:49:31.440
<v Speaker 5>like a tough like this was like a lot.

0:49:31.239 --> 0:49:35.000
<v Speaker 4>Of over like redirecting being done. It was like it

0:49:35.040 --> 0:49:35.319
<v Speaker 4>was like.

0:49:35.360 --> 0:49:37.279
<v Speaker 5>No, no, no, do it this way. Try, you know,

0:49:37.400 --> 0:49:39.840
<v Speaker 5>like now just jump on feet are the thing? Like

0:49:39.880 --> 0:49:46.440
<v Speaker 5>I just remember being like stressed out and like there

0:49:46.440 --> 0:49:49.440
<v Speaker 5>was Michael redirecting. There was a lot of like how

0:49:49.480 --> 0:49:51.279
<v Speaker 5>to make this funnier, how to make it bigger, you know,

0:49:51.320 --> 0:49:53.120
<v Speaker 5>and like watching I'm like, yeah, there's a lot of

0:49:53.120 --> 0:49:56.239
<v Speaker 5>funny beats in here, but I got stressed out watching it.

0:49:56.280 --> 0:49:57.799
<v Speaker 5>I was like, am I stressed out right? And I

0:49:57.800 --> 0:49:59.960
<v Speaker 5>was like, oh right, because we were like beating this

0:50:00.080 --> 0:50:01.560
<v Speaker 5>to death try and you know, and it is.

0:50:01.600 --> 0:50:02.320
<v Speaker 4>It's a very.

0:50:02.120 --> 0:50:06.040
<v Speaker 5>Funny, funny written scene, but it, like the rest of

0:50:06.040 --> 0:50:06.839
<v Speaker 5>this episode, it.

0:50:06.800 --> 0:50:09.239
<v Speaker 4>Didn't feel light to me, like I wish it just

0:50:09.239 --> 0:50:12.239
<v Speaker 4>had like a lighter, more spontaneous touch to it.

0:50:12.320 --> 0:50:12.400
<v Speaker 2>There.

0:50:12.480 --> 0:50:15.640
<v Speaker 1>Definitely think you're right that there was no audience and

0:50:15.680 --> 0:50:19.279
<v Speaker 1>it was missing that charge of energy from us.

0:50:20.640 --> 0:50:22.920
<v Speaker 5>And I just feel like, you know, like Ben feeding

0:50:22.960 --> 0:50:25.640
<v Speaker 5>you the thing is like a really funny bit, but

0:50:25.760 --> 0:50:28.840
<v Speaker 5>it felt pre planned. It didn't feel like I'm watching

0:50:28.880 --> 0:50:31.799
<v Speaker 5>Corey make a decision grab a thing, like you could

0:50:31.800 --> 0:50:34.160
<v Speaker 5>have played that a little slower, but instead it feels like,

0:50:34.320 --> 0:50:36.040
<v Speaker 5>let me hit the beat that we're hitting and then

0:50:36.120 --> 0:50:37.400
<v Speaker 5>let me hit the beat where we do this and

0:50:37.440 --> 0:50:39.600
<v Speaker 5>let me you know. And I was like, yeah, listen

0:50:39.640 --> 0:50:41.400
<v Speaker 5>to each other a little bit more, guys, like, you know,

0:50:41.520 --> 0:50:42.120
<v Speaker 5>enjoy the scene.

0:50:42.120 --> 0:50:43.680
<v Speaker 4>I could tell that. I don't know, I felt like

0:50:43.719 --> 0:50:44.040
<v Speaker 4>we were.

0:50:44.000 --> 0:50:46.080
<v Speaker 5>Kind of stressed out and I got stressed out watching huh,

0:50:46.200 --> 0:50:48.040
<v Speaker 5>But still very funny scenes.

0:50:48.160 --> 0:50:49.719
<v Speaker 3>Yeah, it worth it.

0:50:49.800 --> 0:50:53.640
<v Speaker 1>I guess probably still could have been funnier, maybe with

0:50:53.680 --> 0:50:56.120
<v Speaker 1>a little bit more maybe if it would have been

0:50:56.120 --> 0:50:58.560
<v Speaker 1>a little bit more relaxed, but also maybe because there

0:50:58.640 --> 0:51:03.239
<v Speaker 1>was no audience, our relax axed pace did actually hurt

0:51:03.280 --> 0:51:05.480
<v Speaker 1>the comedy. So I don't know, it's hard to it's

0:51:05.480 --> 0:51:08.320
<v Speaker 1>hard to tell. It's like there is such a fine

0:51:08.360 --> 0:51:13.680
<v Speaker 1>line between something seeming too well planned out and also

0:51:14.880 --> 0:51:18.080
<v Speaker 1>very specific beats being funnier than passive beats. So it's

0:51:18.160 --> 0:51:20.680
<v Speaker 1>exactly you know it is. It's a hard it's a

0:51:20.719 --> 0:51:21.600
<v Speaker 1>hard line to walk.

0:51:22.560 --> 0:51:24.920
<v Speaker 4>I don't think it's anything anybody would really notice, but

0:51:25.040 --> 0:51:27.879
<v Speaker 4>I noticed that, Oh my gosh, I'm getting the same

0:51:27.880 --> 0:51:30.680
<v Speaker 4>feeling in my body watching I was like, right, yeah.

0:51:30.760 --> 0:51:33.239
<v Speaker 2>So I would also say, Danielle, you're a very good

0:51:33.280 --> 0:51:37.279
<v Speaker 2>physical comedian. And I'm surprised after this they didn't do

0:51:37.400 --> 0:51:41.000
<v Speaker 2>more of this, yeah, because it was really funny. The

0:51:41.040 --> 0:51:43.759
<v Speaker 2>physicality was hysterical, and I was like, why didn't they

0:51:44.160 --> 0:51:46.719
<v Speaker 2>go into this more? Like why isn't a panga more

0:51:46.840 --> 0:51:49.359
<v Speaker 2>klutzy or we learned something about her where we get

0:51:49.360 --> 0:51:51.600
<v Speaker 2>more of this? Because you were really good at it,

0:51:51.600 --> 0:51:52.919
<v Speaker 2>It's like this didn't make any sense.

0:51:53.080 --> 0:51:53.400
<v Speaker 4>Thank you.

0:51:53.480 --> 0:51:55.920
<v Speaker 1>I do just remember, and I know I've been asked before.

0:51:56.040 --> 0:51:58.040
<v Speaker 1>People have been like, when you did that?

0:51:58.120 --> 0:51:58.720
<v Speaker 4>It was?

0:51:58.719 --> 0:52:01.080
<v Speaker 3>Was that a stunt? Double? Did you have a pad?

0:52:01.400 --> 0:52:03.600
<v Speaker 1>And I remember that No, I did not, And I

0:52:03.680 --> 0:52:07.520
<v Speaker 1>remember being excited by the fact that I got to

0:52:07.600 --> 0:52:10.440
<v Speaker 1>do that, like I got to actually do that stunt.

0:52:10.880 --> 0:52:15.359
<v Speaker 1>I don't necessarily remember feeling stressed about that aspect of it.

0:52:15.440 --> 0:52:18.319
<v Speaker 1>I'm sure we were overrehearsed, but I think I was

0:52:18.360 --> 0:52:20.840
<v Speaker 1>more just like, this is cool that I get to

0:52:20.880 --> 0:52:21.879
<v Speaker 1>and it's going to look good.

0:52:21.960 --> 0:52:22.480
<v Speaker 3>And it did.

0:52:22.560 --> 0:52:24.640
<v Speaker 1>It looked good. It looks real, And I remember telling

0:52:24.680 --> 0:52:26.960
<v Speaker 1>people like, no, I think I really just did that.

0:52:27.000 --> 0:52:28.120
<v Speaker 1>Then when I watched it, I was like, yes, of

0:52:28.120 --> 0:52:29.719
<v Speaker 1>course I remember this, Yes I really did it.

0:52:30.120 --> 0:52:32.400
<v Speaker 2>But even the heisman stuff, even the smaller stuff, like

0:52:32.480 --> 0:52:34.439
<v Speaker 2>just the physicality was very funny. It's like, why don't

0:52:34.440 --> 0:52:35.560
<v Speaker 2>they write to this more?

0:52:36.080 --> 0:52:36.520
<v Speaker 3>Thank you?

0:52:36.600 --> 0:52:39.680
<v Speaker 1>Yeah, that would have been fun. I do enjoy physical comedy. Okay,

0:52:39.840 --> 0:52:41.800
<v Speaker 1>so that would But that stunt would never happen today.

0:52:42.320 --> 0:52:44.160
<v Speaker 4>You would never send an actor. Never.

0:52:44.760 --> 0:52:46.320
<v Speaker 1>It would have a pad and you'd have to shoot

0:52:46.360 --> 0:52:48.399
<v Speaker 1>it differently, and it'd make it look like the actor

0:52:48.400 --> 0:52:51.839
<v Speaker 1>went flying and in some ways good, that's a good thing,

0:52:52.000 --> 0:52:54.239
<v Speaker 1>but it is someways funny to see in some ways bad.

0:52:54.280 --> 0:52:55.600
<v Speaker 3>It sure was funny to see me do it.

0:52:55.800 --> 0:52:58.239
<v Speaker 1>Ye Corey is now shouting, they're giving away tickets to

0:52:58.280 --> 0:53:02.000
<v Speaker 1>the super Bowl. Sean adds, we almost missed it. Thanks

0:53:02.040 --> 0:53:05.080
<v Speaker 1>a lot to Panga, he says, looking at the radio,

0:53:05.600 --> 0:53:07.880
<v Speaker 1>pretending he's looking at Topanga.

0:53:08.000 --> 0:53:08.880
<v Speaker 3>Did you notice that?

0:53:09.320 --> 0:53:09.880
<v Speaker 4>No?

0:53:09.880 --> 0:53:12.800
<v Speaker 1>No, oh my gosh, I can't believe writer didn't notice it.

0:53:12.840 --> 0:53:17.359
<v Speaker 1>As a director, I am back by the stairs, and

0:53:17.440 --> 0:53:20.239
<v Speaker 1>you lean over the table as if where I am

0:53:20.400 --> 0:53:22.239
<v Speaker 1>is on the floor in front of the back door.

0:53:23.239 --> 0:53:24.880
<v Speaker 4>See that's what I mean. It was coverage.

0:53:25.000 --> 0:53:27.279
<v Speaker 5>We were getting ridge, so it was like, let's bring

0:53:27.280 --> 0:53:29.840
<v Speaker 5>the camera over here to get Seawn's shot right or

0:53:29.880 --> 0:53:31.839
<v Speaker 5>your eye lines over here. It wasn't within the same

0:53:31.880 --> 0:53:32.800
<v Speaker 5>scene right, which.

0:53:32.640 --> 0:53:34.719
<v Speaker 2>We never did. It was just we're gonna, you know what,

0:53:34.880 --> 0:53:36.799
<v Speaker 2>forget the cameras are here. You guys do your play,

0:53:36.840 --> 0:53:38.640
<v Speaker 2>will do our thing. That's the way to do it.

0:53:39.000 --> 0:53:41.799
<v Speaker 1>Because they go from you going thanks a lot to

0:53:41.920 --> 0:53:45.400
<v Speaker 1>Panga to then me looking at you and it's like

0:53:45.600 --> 0:53:49.160
<v Speaker 1>there's no universe where we buy. He's looking at her.

0:53:49.560 --> 0:53:53.360
<v Speaker 1>It's it was so disorienting. It was very interesting.

0:53:54.680 --> 0:53:57.000
<v Speaker 4>I love that you and I would have never noticed

0:53:57.040 --> 0:53:59.560
<v Speaker 4>any of the stuff. That not a thing. What do

0:53:59.600 --> 0:53:59.879
<v Speaker 4>I say?

0:54:00.160 --> 0:54:02.759
<v Speaker 1>No, nope, never thought of it, never thought of it once.

0:54:02.800 --> 0:54:04.000
<v Speaker 3>What do these directors even do?

0:54:06.200 --> 0:54:07.319
<v Speaker 4>You don't need to to us.

0:54:07.440 --> 0:54:08.760
<v Speaker 3>They just work with the actors.

0:54:08.800 --> 0:54:10.080
<v Speaker 4>They just a good job.

0:54:10.200 --> 0:54:12.600
<v Speaker 5>They tell us scene again from the top, ask us

0:54:12.600 --> 0:54:13.840
<v Speaker 5>what we feel exactly?

0:54:14.160 --> 0:54:16.400
<v Speaker 3>Nope, yeah, I'll tell you.

0:54:16.440 --> 0:54:18.160
<v Speaker 2>Guys are good for anyway. Just let us do it.

0:54:20.040 --> 0:54:22.160
<v Speaker 1>He runs to the phone and dials the radio station.

0:54:22.200 --> 0:54:24.839
<v Speaker 1>When someone picks up, Sean excitedly shouts to Corey, I'm

0:54:24.920 --> 0:54:25.600
<v Speaker 1>collar twenty.

0:54:25.760 --> 0:54:27.480
<v Speaker 3>They jump up and down, and then Sean.

0:54:27.280 --> 0:54:31.080
<v Speaker 5>Pauses, fact, I did full facting. I did not wait

0:54:31.120 --> 0:54:32.520
<v Speaker 5>at all. It's like, literally.

0:54:32.239 --> 0:54:37.000
<v Speaker 3>Dial but is that or is that?

0:54:37.640 --> 0:54:38.000
<v Speaker 2>Pace?

0:54:39.640 --> 0:54:40.640
<v Speaker 3>Pace it up faster.

0:54:41.760 --> 0:54:41.960
<v Speaker 4>Yeah.

0:54:42.080 --> 0:54:44.040
<v Speaker 2>I'm glad that you were able in the first call, though,

0:54:44.080 --> 0:54:45.240
<v Speaker 2>to win the Super Bowl.

0:54:45.440 --> 0:54:45.640
<v Speaker 4>Yeah.

0:54:45.719 --> 0:54:48.120
<v Speaker 3>Yeah, that was believable.

0:54:48.320 --> 0:54:51.000
<v Speaker 2>Uh huh, I loved it. You had me there, you

0:54:51.040 --> 0:54:53.600
<v Speaker 2>had me at hello Sean.

0:54:53.840 --> 0:54:57.000
<v Speaker 1>Sean pauses, I gotta do what and then there is

0:54:57.080 --> 0:55:01.799
<v Speaker 1>quite an abrupt jump to the outdoor scre billboard. It's

0:55:01.840 --> 0:55:05.080
<v Speaker 1>the w k Z n outdoor billboard. We see a

0:55:05.080 --> 0:55:07.279
<v Speaker 1>few people standing on the ledge of their sign that

0:55:07.360 --> 0:55:10.920
<v Speaker 1>reads radio because you only have to use one of

0:55:10.960 --> 0:55:12.120
<v Speaker 1>your senses.

0:55:12.080 --> 0:55:14.040
<v Speaker 3>And now you know what this is from.

0:55:14.239 --> 0:55:18.400
<v Speaker 2>No, Yeah, that's that's the that was the ABC yellow campaign.

0:55:18.960 --> 0:55:23.920
<v Speaker 2>Yeah is your friend? I mean they even with the

0:55:23.960 --> 0:55:26.680
<v Speaker 2>circle where it was, I mean that was the straighten

0:55:26.800 --> 0:55:27.279
<v Speaker 2>that year.

0:55:27.520 --> 0:55:28.719
<v Speaker 4>Yeah, because that makes sense.

0:55:28.719 --> 0:55:32.720
<v Speaker 2>Actually right now, do you think they did that as

0:55:32.840 --> 0:55:37.600
<v Speaker 2>a joke about ABC or do you think ABC was like,

0:55:37.800 --> 0:55:40.239
<v Speaker 2>this should be part of our campaign.

0:55:40.480 --> 0:55:44.360
<v Speaker 5>I think our team did it as a joke. Let's

0:55:44.360 --> 0:55:46.280
<v Speaker 5>just make it look like the campaign that that ABC

0:55:46.440 --> 0:55:47.440
<v Speaker 5>is doing right now.

0:55:47.680 --> 0:55:52.120
<v Speaker 2>So kind of a slight f you to the campaign there.

0:55:53.560 --> 0:55:56.640
<v Speaker 2>So that's what I'm like, this is awful. Are they

0:55:56.640 --> 0:55:58.160
<v Speaker 2>doing and then we're making fun of it? Or are

0:55:58.160 --> 0:56:00.239
<v Speaker 2>they doing it like this is fun and this is

0:56:00.320 --> 0:56:01.960
<v Speaker 2>kind of an homage to what ABC's doing.

0:56:03.080 --> 0:56:03.960
<v Speaker 4>I don't know that.

0:56:04.080 --> 0:56:05.399
<v Speaker 2>I don't I have no idea.

0:56:05.680 --> 0:56:07.360
<v Speaker 4>I mean, maybe sort of neutral.

0:56:07.440 --> 0:56:09.680
<v Speaker 5>I think it's sort of like because the audience would

0:56:09.680 --> 0:56:11.560
<v Speaker 5>have also been able to recognize it, right because it

0:56:11.600 --> 0:56:16.160
<v Speaker 5>was literally what was being on couple on TV that

0:56:16.239 --> 0:56:18.440
<v Speaker 5>all the bumps and stuff would have that color scheme,

0:56:18.640 --> 0:56:20.080
<v Speaker 5>so I think they were like, let's just do it

0:56:20.120 --> 0:56:21.400
<v Speaker 5>in the same scheme as you know.

0:56:21.719 --> 0:56:25.680
<v Speaker 2>I think it was just sort of are Okay.

0:56:25.200 --> 0:56:28.239
<v Speaker 3>What was the set situation? I don't remember.

0:56:28.600 --> 0:56:29.239
<v Speaker 4>This is why I.

0:56:29.160 --> 0:56:30.560
<v Speaker 5>Think we didn't have an audience, because it had to

0:56:30.560 --> 0:56:32.239
<v Speaker 5>be an elevated set in order for there to be

0:56:32.360 --> 0:56:35.560
<v Speaker 5>that ladder to climb up and for this wide shot,

0:56:35.880 --> 0:56:38.520
<v Speaker 5>and there's several of these wide shots. I think it

0:56:38.719 --> 0:56:41.680
<v Speaker 5>was like to the left of the audience, we took

0:56:41.719 --> 0:56:44.880
<v Speaker 5>over that whole area, like when you're facing the audience

0:56:45.080 --> 0:56:45.760
<v Speaker 5>to their left.

0:56:46.040 --> 0:56:47.160
<v Speaker 4>We just took over this whole air.

0:56:47.239 --> 0:56:49.080
<v Speaker 5>I remember it being a very strange week because we

0:56:49.160 --> 0:56:51.800
<v Speaker 5>had to have this giant billboard and then we also

0:56:51.840 --> 0:56:54.320
<v Speaker 5>had to have the area where they were underneath the billboard,

0:56:54.320 --> 0:56:58.439
<v Speaker 5>and they were completely separate. So like where the people

0:56:58.440 --> 0:57:00.440
<v Speaker 5>are staying in the DJ and all that stuff is

0:57:00.480 --> 0:57:02.080
<v Speaker 5>going on is in a different see.

0:57:02.080 --> 0:57:03.279
<v Speaker 4>Connected to this.

0:57:03.280 --> 0:57:06.520
<v Speaker 5>This was just isolated green screen, so it had green

0:57:06.560 --> 0:57:08.800
<v Speaker 5>screen behind it, I think at least for this shot,

0:57:09.080 --> 0:57:10.080
<v Speaker 5>and then the rest of it was.

0:57:10.280 --> 0:57:12.120
<v Speaker 4>Yeah, it was a very weird week. I mean I

0:57:12.120 --> 0:57:13.200
<v Speaker 4>remember it being very strange.

0:57:13.600 --> 0:57:17.680
<v Speaker 1>Right, Okay, So then we are down on the sidewalk

0:57:17.680 --> 0:57:20.880
<v Speaker 1>at the DJ's makeshift studio. Hey, hey, this is Johnny

0:57:20.960 --> 0:57:24.360
<v Speaker 1>Latte from one oh two point five Wazne.

0:57:24.680 --> 0:57:28.680
<v Speaker 3>Such a good jail, So good Johnny Latte, Morning Zoo.

0:57:28.840 --> 0:57:31.280
<v Speaker 1>The camera zooms out to show Corey and topang Us

0:57:31.280 --> 0:57:33.920
<v Speaker 1>standing by the booth with a handful of other spectators,

0:57:33.960 --> 0:57:37.240
<v Speaker 1>all bundle up, bundled up in winter attire. Johnny Latte

0:57:37.320 --> 0:57:39.600
<v Speaker 1>informs us that at sixteen degrees right now, as an

0:57:39.600 --> 0:57:43.520
<v Speaker 1>aggressively shivering man is hauled away in a gurney, there

0:57:43.560 --> 0:57:46.280
<v Speaker 1>are only three freezing contestants left, and there's a small

0:57:46.320 --> 0:57:48.960
<v Speaker 1>group of well wishers cheering them on. Then one of

0:57:49.000 --> 0:57:52.439
<v Speaker 1>the well wishers yells jump. Johnny also points out that's

0:57:52.480 --> 0:57:56.840
<v Speaker 1>the obligatory lunatic. Johnny Ltte will be back with our

0:57:56.960 --> 0:57:59.360
<v Speaker 1>thirty two of the Super Bowl madness. Right after a

0:57:59.400 --> 0:58:03.760
<v Speaker 1>message from the Bahamas and now the Bahamas ad starts

0:58:03.760 --> 0:58:05.960
<v Speaker 1>to play with a jingle, and the jingle is we

0:58:06.040 --> 0:58:07.280
<v Speaker 1>are warm and you are cold.

0:58:07.320 --> 0:58:08.520
<v Speaker 3>We don't need a Super Bowl.

0:58:09.080 --> 0:58:12.200
<v Speaker 1>I at this point was so frustrated that we were

0:58:12.920 --> 0:58:15.840
<v Speaker 1>this far into the scene and I still had no

0:58:15.920 --> 0:58:19.800
<v Speaker 1>idea what what's going on? What's going on? What did

0:58:19.800 --> 0:58:21.800
<v Speaker 1>they have to do. What is sean?

0:58:21.920 --> 0:58:23.920
<v Speaker 3>What's what's it's something outside?

0:58:24.560 --> 0:58:26.120
<v Speaker 4>There's Oh, you're right, they know.

0:58:26.200 --> 0:58:28.520
<v Speaker 2>They never explained what I thought the same thing. I

0:58:28.560 --> 0:58:31.840
<v Speaker 2>was like, sowa are they is it an outlast other people?

0:58:31.960 --> 0:58:32.840
<v Speaker 3>Is that no idea?

0:58:33.080 --> 0:58:33.280
<v Speaker 7>Yeah?

0:58:33.320 --> 0:58:35.840
<v Speaker 4>Oh wow. The DJ never explains, not at all.

0:58:35.920 --> 0:58:39.440
<v Speaker 1>He just we're just here, here we are, it's cold,

0:58:39.760 --> 0:58:42.800
<v Speaker 1>we're outside, it's the morning zoo. And it's like he

0:58:42.960 --> 0:58:45.560
<v Speaker 1>talks a long time. I'm half a page in the

0:58:45.680 --> 0:58:48.360
<v Speaker 1>text that I'm typing on my computer, going when are

0:58:48.360 --> 0:58:48.920
<v Speaker 1>we going to hear?

0:58:48.960 --> 0:58:50.360
<v Speaker 3>What? What's the what are we doing?

0:58:50.640 --> 0:58:51.040
<v Speaker 2>Yeah?

0:58:51.120 --> 0:58:55.280
<v Speaker 5>It was so I was just the locations, the eye lines,

0:58:55.320 --> 0:59:00.560
<v Speaker 5>because the ladder is actually behind the onlookers. The reality

0:59:00.640 --> 0:59:02.640
<v Speaker 5>is the onlookers would be facing it. So when Matt

0:59:02.680 --> 0:59:06.000
<v Speaker 5>Kirkwood yells jump, he's looking I think it a direction of.

0:59:06.600 --> 0:59:11.120
<v Speaker 3>He's looking at the DJ, look at the DJ, and.

0:59:09.720 --> 0:59:12.120
<v Speaker 5>And it's a I was like, whoa, you know. So

0:59:12.200 --> 0:59:14.560
<v Speaker 5>when Corey like suddenly climbs up, I'm like, oh.

0:59:14.480 --> 0:59:20.080
<v Speaker 2>That's it's just it's also you've got to, I imagine,

0:59:20.120 --> 0:59:23.440
<v Speaker 2>because he doesn't explain it. You've got to be up

0:59:23.480 --> 0:59:26.760
<v Speaker 2>there and outlast the other people, like it's basically a

0:59:26.800 --> 0:59:30.160
<v Speaker 2>throwback to the twenties flag sitting, flagpole sitting. You got

0:59:30.160 --> 0:59:33.560
<v Speaker 2>to be up there really cold, but other people are

0:59:33.600 --> 0:59:35.960
<v Speaker 2>allowed to come up and hand you hot chocolate.

0:59:36.040 --> 0:59:38.200
<v Speaker 4>I know I had the same question. It is Corey

0:59:38.240 --> 0:59:40.760
<v Speaker 4>going to be a contestant, now just come up and

0:59:40.840 --> 0:59:42.920
<v Speaker 4>here's a blanket and hot chocolate.

0:59:42.600 --> 0:59:44.880
<v Speaker 3>Like, I don't think they'd allow that.

0:59:44.920 --> 0:59:47.200
<v Speaker 2>Okay, it was the whole thing was so thrown together,

0:59:47.600 --> 0:59:49.640
<v Speaker 2>this scene where it was like, what what's happening?

0:59:50.120 --> 0:59:53.600
<v Speaker 1>Yeah, Sean kicks the speaker off the billboard ledge so

0:59:53.600 --> 0:59:56.080
<v Speaker 1>he doesn't hear any more of that song. Luckily, Corey

0:59:56.320 --> 0:59:59.560
<v Speaker 1>comes walking up the ladder, just missing the falling speaker

0:59:59.560 --> 1:00:00.600
<v Speaker 1>that would have ailed him, but.

1:00:00.600 --> 1:00:03.680
<v Speaker 3>Still singing we are warm and you are cold. Corey's

1:00:03.680 --> 1:00:04.840
<v Speaker 3>brought him some hot chocolate.

1:00:05.600 --> 1:00:08.000
<v Speaker 5>I love that he's in the audience down there listening

1:00:08.000 --> 1:00:10.560
<v Speaker 5>to the radio when the DJ is live right in front.

1:00:10.320 --> 1:00:12.080
<v Speaker 4>Of him, just so he could have this moment.

1:00:13.040 --> 1:00:23.240
<v Speaker 2>None of By the way, it's not a ron is

1:00:23.320 --> 1:00:26.120
<v Speaker 2>supposed to be a Phoene lesson episode This isn't a rawn.

1:00:26.680 --> 1:00:29.040
<v Speaker 4>Don't know what it is? God, what's the last guy?

1:00:29.160 --> 1:00:32.000
<v Speaker 1>Why couldn't he just have the song stuck in his head.

1:00:32.400 --> 1:00:34.600
<v Speaker 1>Why did he need to have headphones on? Why couldn't

1:00:34.600 --> 1:00:35.840
<v Speaker 1>he just be like us so catchy.

1:00:36.320 --> 1:00:39.439
<v Speaker 2>Well, it's because everybody's not facing the DJ, so they're

1:00:39.440 --> 1:00:41.400
<v Speaker 2>not actually listening to what they're saying, So you need

1:00:41.400 --> 1:00:43.160
<v Speaker 2>to also have the headphone seeking here.

1:00:43.760 --> 1:00:44.960
<v Speaker 4>Maybe that's what it is.

1:00:45.920 --> 1:00:48.880
<v Speaker 1>Sewn is ecstatic and frantically pours from the thermos into

1:00:48.920 --> 1:00:51.280
<v Speaker 1>the cup, but catches a glance at his fellow contestant,

1:00:51.360 --> 1:00:53.640
<v Speaker 1>who is also dramatically freezing.

1:00:54.000 --> 1:00:56.400
<v Speaker 3>Sean tells Corey, I can't do this, this isn't right.

1:00:56.680 --> 1:00:58.800
<v Speaker 1>He walks over to his opponent and takes a big

1:00:58.880 --> 1:01:01.080
<v Speaker 1>swig of hot chocolate right in front of his face.

1:01:01.320 --> 1:01:05.760
<v Speaker 1>He screams yeah and laughs, maniatically the man size.

1:01:05.840 --> 1:01:08.840
<v Speaker 3>That's it. I don't even like football. I like billboards,

1:01:08.880 --> 1:01:10.240
<v Speaker 3>and you've ruined this for me.

1:01:10.640 --> 1:01:13.440
<v Speaker 4>That is, I mean, that line is so great landing.

1:01:14.200 --> 1:01:16.920
<v Speaker 3>I mean yeah, the billboards. I wanted to be close

1:01:16.960 --> 1:01:17.560
<v Speaker 3>to a billboard.

1:01:17.640 --> 1:01:20.240
<v Speaker 4>I mean god, that I mean to me, that is

1:01:20.320 --> 1:01:24.600
<v Speaker 4>like quintessential brilliant. Michael Jacobs like, here's the spot.

1:01:24.320 --> 1:01:26.880
<v Speaker 5>For the joke, right, and the joke is, you know

1:01:27.080 --> 1:01:29.240
<v Speaker 5>the guy is going to cave in the face of

1:01:29.280 --> 1:01:32.960
<v Speaker 5>Sean's cruelty, and then you add this extra layer of

1:01:33.040 --> 1:01:36.360
<v Speaker 5>irony to I mean, just brilliant. I'm so funny football,

1:01:36.400 --> 1:01:37.600
<v Speaker 5>I'm just here for the billboard.

1:01:39.760 --> 1:01:41.720
<v Speaker 4>So smart. It is so smart.

1:01:42.120 --> 1:01:43.040
<v Speaker 3>Corey is ecstatic.

1:01:43.080 --> 1:01:45.680
<v Speaker 1>There's only one more guy Sean has to outlast to

1:01:45.720 --> 1:01:49.360
<v Speaker 1>win those tickets. Sean admits, I can't win this Cory.

1:01:49.560 --> 1:01:51.919
<v Speaker 1>Corey tries to encourage him. Of course he can win,

1:01:52.160 --> 1:01:54.200
<v Speaker 1>but Sean simply points to the other guy. It's a

1:01:54.240 --> 1:01:56.720
<v Speaker 1>man and a big winter coat, happily sitting on the

1:01:56.760 --> 1:02:00.480
<v Speaker 1>ledge of a billboard eating an ice cream cone. Corey

1:02:00.520 --> 1:02:04.919
<v Speaker 1>whispers the other guy's inn Eskimo. Sean nods he's from

1:02:04.920 --> 1:02:07.880
<v Speaker 1>the Inuit tribe. He comes to Philadelphia with his family

1:02:07.960 --> 1:02:12.480
<v Speaker 1>every January for summer vacation. The man cheerfully sings, I

1:02:12.600 --> 1:02:15.800
<v Speaker 1>am warm and you are cold. Sean says, I really

1:02:15.800 --> 1:02:17.720
<v Speaker 1>thought I had a chance to go to the Super Bowl,

1:02:17.920 --> 1:02:20.040
<v Speaker 1>but I guess I never really did. There's always going

1:02:20.120 --> 1:02:22.160
<v Speaker 1>to be an Eskimo standing in my way, isn't there.

1:02:22.680 --> 1:02:24.959
<v Speaker 1>Corey says he'll help him down. As Sean figures out

1:02:25.280 --> 1:02:28.120
<v Speaker 1>this whole thing was impossible, Corey thinks Feoenie knew that.

1:02:28.520 --> 1:02:31.480
<v Speaker 1>And then we're in Phoenie's classroom. Phoene's at his desk,

1:02:31.520 --> 1:02:33.680
<v Speaker 1>and Corey and the gang barge in. All right, we

1:02:33.720 --> 1:02:36.120
<v Speaker 1>got this one figured out. Phoene asks, you got the

1:02:36.120 --> 1:02:39.520
<v Speaker 1>super Bowl tickets? Sean grins. This was never about the tickets.

1:02:39.800 --> 1:02:43.840
<v Speaker 1>Phoene raises an eyebrow. It wasn't. Corey's very proud of himself.

1:02:43.960 --> 1:02:46.040
<v Speaker 1>You don't think we know you. You don't think we

1:02:46.120 --> 1:02:47.880
<v Speaker 1>know that when you're teaching us something, we should look

1:02:47.920 --> 1:02:50.720
<v Speaker 1>for the lesson behind the lesson. We figured this one

1:02:50.720 --> 1:02:53.480
<v Speaker 1>out all by ourselves. Tapanga ads and I didn't even

1:02:53.520 --> 1:02:56.640
<v Speaker 1>help them, mister Feenie. Sean explains, even though we thought

1:02:56.680 --> 1:02:59.479
<v Speaker 1>something was impossible, we still should have tried, because that's

1:02:59.520 --> 1:03:02.080
<v Speaker 1>all you want it to. Panga brags. You see how

1:03:02.120 --> 1:03:04.040
<v Speaker 1>I haven't given them any advice on what to say.

1:03:04.120 --> 1:03:07.360
<v Speaker 1>I don't fail, I don't. The three give each other

1:03:07.400 --> 1:03:09.320
<v Speaker 1>a big group hug as. Corey asks, aren't you proud

1:03:09.320 --> 1:03:09.520
<v Speaker 1>of us?

1:03:09.560 --> 1:03:11.320
<v Speaker 3>Mister Feenie. Phoene is unmoved.

1:03:11.480 --> 1:03:13.640
<v Speaker 1>Where are the super Bowl tickets? The three of them

1:03:13.680 --> 1:03:14.520
<v Speaker 1>burst into laughter.

1:03:14.680 --> 1:03:16.000
<v Speaker 3>Good joke, mister Feenie.

1:03:16.120 --> 1:03:19.880
<v Speaker 1>Topanga begins to speak, mister Feenie that, but Feeni interrupts her. No,

1:03:20.120 --> 1:03:22.919
<v Speaker 1>miss Lawrence, all you had to do was stay out

1:03:22.920 --> 1:03:26.040
<v Speaker 1>of it. Phoene asks them again, in a very serious tone,

1:03:26.480 --> 1:03:29.640
<v Speaker 1>where are the tickets? Sean tells him he really tried.

1:03:30.040 --> 1:03:33.000
<v Speaker 1>Corey adds, and we know that's what you wanted. Phoene

1:03:33.000 --> 1:03:35.400
<v Speaker 1>shakes his head. You have no idea what I want.

1:03:35.680 --> 1:03:39.520
<v Speaker 1>He stands up. Get the tickets or fail. Tapanga begins

1:03:39.520 --> 1:03:41.640
<v Speaker 1>to say, mister Feenie, but he cuts her off again,

1:03:42.200 --> 1:03:45.439
<v Speaker 1>stay out of it or fail. Corey tries to reason

1:03:45.480 --> 1:03:47.680
<v Speaker 1>with him, and Peoene cuts him off as well. Help

1:03:47.720 --> 1:03:51.160
<v Speaker 1>them both or fail. He walks away without another word.

1:03:51.200 --> 1:03:54.200
<v Speaker 1>As the three of them stand there shocked, Sean states again,

1:03:54.640 --> 1:03:56.080
<v Speaker 1>thanks a lot to Panga.

1:03:56.440 --> 1:03:57.919
<v Speaker 5>I think this might be the same with the door

1:03:58.120 --> 1:04:00.560
<v Speaker 5>way walk away walk. Oh yeah, this might because I

1:04:00.600 --> 1:04:03.560
<v Speaker 5>think that's a dramatic walkout. So the rest of the

1:04:03.560 --> 1:04:07.360
<v Speaker 5>episode felt very strange to me, And when I watch

1:04:07.400 --> 1:04:09.760
<v Speaker 5>it a second time, I kind of started to get

1:04:09.800 --> 1:04:10.200
<v Speaker 5>an idea.

1:04:10.280 --> 1:04:12.720
<v Speaker 4>Why this is the end of.

1:04:12.720 --> 1:04:16.320
<v Speaker 5>The episode, Like we do learn the lesson exactly right,

1:04:16.400 --> 1:04:17.880
<v Speaker 5>Like nothing changes, That's what I'm saying.

1:04:17.920 --> 1:04:20.240
<v Speaker 2>I don't it's all muddled. What is he trying to teach?

1:04:20.400 --> 1:04:22.960
<v Speaker 2>And they learned what he's trying to teach. They figured

1:04:22.960 --> 1:04:23.400
<v Speaker 2>it out.

1:04:23.440 --> 1:04:25.840
<v Speaker 4>And it's and it's just we haven't been suffered enough.

1:04:26.120 --> 1:04:28.240
<v Speaker 4>It's like Feeny just gets to.

1:04:28.240 --> 1:04:30.840
<v Speaker 5>Yell at us and then we learn the same lesson.

1:04:30.880 --> 1:04:33.520
<v Speaker 5>We just do it more like Sean just works.

1:04:33.280 --> 1:04:37.520
<v Speaker 4>Harder and it's what we've done all the things exactly, still.

1:04:37.400 --> 1:04:40.080
<v Speaker 2>Doesn't do exactly. The assignment was not to go to

1:04:40.120 --> 1:04:42.400
<v Speaker 2>the super Bowl. It wasn't go to the super Bowl.

1:04:42.800 --> 1:04:44.720
<v Speaker 2>And that's what Sean did, is he ends up at

1:04:44.720 --> 1:04:47.920
<v Speaker 2>the super Bowl saying, look, nothing's impossible. Well, for all

1:04:47.920 --> 1:04:50.400
<v Speaker 2>we know, he snuck in and didn't The assignment was

1:04:50.440 --> 1:04:53.400
<v Speaker 2>to get super Bowl tickets, which he never did.

1:04:53.520 --> 1:04:55.280
<v Speaker 3>Yeah, I did sneak in.

1:04:56.120 --> 1:04:56.760
<v Speaker 4>I just don't know.

1:04:56.920 --> 1:04:59.600
<v Speaker 5>I just feel like this the more the more touching

1:04:59.720 --> 1:05:02.480
<v Speaker 5>scene and at the end, you know, with Corey and

1:05:02.480 --> 1:05:05.560
<v Speaker 5>Topanga and Feeni, they're all saying the same thing that

1:05:05.560 --> 1:05:09.440
<v Speaker 5>they say in this verbatim, like no one the lesson

1:05:09.480 --> 1:05:12.080
<v Speaker 5>doesn't change. And that's why it was like, wait, what

1:05:12.400 --> 1:05:13.400
<v Speaker 5>is this episode about?

1:05:13.400 --> 1:05:14.840
<v Speaker 4>And it seems like it's about.

1:05:14.560 --> 1:05:17.520
<v Speaker 5>Phenie punishing us, like it seems like it's about FIENI

1:05:17.760 --> 1:05:22.640
<v Speaker 5>torturing us and like, I don't know it. It's it's

1:05:22.680 --> 1:05:26.800
<v Speaker 5>just not that like I just wanted the best lessons,

1:05:26.920 --> 1:05:30.120
<v Speaker 5>best feeni lessons are revelatory, right, It's like through the

1:05:30.200 --> 1:05:33.840
<v Speaker 5>experience you'll reveal something and like ah, and we've had

1:05:33.880 --> 1:05:35.680
<v Speaker 5>that up until now. But then the rest of the

1:05:35.720 --> 1:05:40.280
<v Speaker 5>episode it's just like authoritarian I told you you did it,

1:05:40.520 --> 1:05:41.720
<v Speaker 5>or you're not enough for it.

1:05:41.760 --> 1:05:43.280
<v Speaker 4>You know, it's a weird tone.

1:05:43.560 --> 1:05:46.959
<v Speaker 1>It's like, oh, well, I do think I walked away

1:05:46.960 --> 1:05:52.040
<v Speaker 1>from the episode thinking I I kind of felt like

1:05:52.080 --> 1:05:57.240
<v Speaker 1>the lesson was, actually, your good attributes could actually could

1:05:57.320 --> 1:05:59.360
<v Speaker 1>you They could be taken to a fault. You know,

1:05:59.400 --> 1:06:01.560
<v Speaker 1>we've all heard the saying of like, oh she's kind

1:06:01.680 --> 1:06:03.439
<v Speaker 1>to a fault and you know it's because oh she's

1:06:03.440 --> 1:06:05.760
<v Speaker 1>so kind people and taking advantage of her she doesn't,

1:06:05.760 --> 1:06:08.280
<v Speaker 1>you know, those kinds of things. And I do think

1:06:08.320 --> 1:06:11.880
<v Speaker 1>the idea that like Corey loves his friend so much

1:06:12.000 --> 1:06:14.160
<v Speaker 1>that at the beginning of the episode, what he was

1:06:14.200 --> 1:06:17.040
<v Speaker 1>doing to help him was trying to put his name

1:06:17.080 --> 1:06:19.560
<v Speaker 1>on a paper he didn't really write and give him

1:06:19.600 --> 1:06:22.080
<v Speaker 1>a good grade that he wouldn't have otherwise earned, and

1:06:22.120 --> 1:06:25.520
<v Speaker 1>that that is not actually that's enabling, that's not helping

1:06:25.560 --> 1:06:28.520
<v Speaker 1>your friend. And Topanga, who is a control freak and

1:06:28.560 --> 1:06:31.680
<v Speaker 1>wants to see everybody succeed like I did walk away,

1:06:31.680 --> 1:06:37.960
<v Speaker 1>got them to thinking, yeah, and that for Sean, I think.

1:06:38.960 --> 1:06:40.200
<v Speaker 4>You know, don't give up like that.

1:06:40.240 --> 1:06:43.520
<v Speaker 1>Seawan is always so quick to say, my circumstances will

1:06:43.560 --> 1:06:47.080
<v Speaker 1>stop me, and so I shouldn't even bother because I have.

1:06:47.200 --> 1:06:49.840
<v Speaker 4>An easy way out. But we've all learned all our lessons.

1:06:49.880 --> 1:06:52.240
<v Speaker 5>My mind now that literally everything you've just described we've

1:06:52.280 --> 1:06:54.919
<v Speaker 5>already gone through and we still have what ten more

1:06:55.000 --> 1:06:58.040
<v Speaker 5>minutes of the episode, And I'm not sure why, except

1:06:58.080 --> 1:06:59.520
<v Speaker 5>to really drill this.

1:06:59.480 --> 1:07:02.720
<v Speaker 4>Point home felt plotting to me. Yeah, P L O

1:07:02.800 --> 1:07:04.760
<v Speaker 4>D D I NG like plotting, Like it was like

1:07:04.920 --> 1:07:07.000
<v Speaker 4>right next beat and.

1:07:06.960 --> 1:07:08.840
<v Speaker 5>Just hit it harder and hit it harder, to the

1:07:08.880 --> 1:07:14.280
<v Speaker 5>point where the final moment where Feenie grabs your hands

1:07:14.360 --> 1:07:16.200
<v Speaker 5>like in this like really affect.

1:07:16.360 --> 1:07:18.600
<v Speaker 4>I was like, I know what, this isn't right. This

1:07:18.640 --> 1:07:20.360
<v Speaker 4>is not Feenie. Like Phoenie's the guy who won't say

1:07:20.360 --> 1:07:21.720
<v Speaker 4>I love you by the end of points.

1:07:22.280 --> 1:07:24.720
<v Speaker 5>He's the guy who would never he would walk away

1:07:24.760 --> 1:07:26.800
<v Speaker 5>from that scene and leave you.

1:07:26.760 --> 1:07:27.720
<v Speaker 4>Guys to be like a ha.

1:07:27.880 --> 1:07:30.080
<v Speaker 5>So it's like it's like we had to. It's a

1:07:30.120 --> 1:07:32.520
<v Speaker 5>doubling down, Like the whole episode ends here and then

1:07:32.560 --> 1:07:32.920
<v Speaker 5>we just.

1:07:32.920 --> 1:07:33.439
<v Speaker 4>Do it again.

1:07:35.080 --> 1:07:49.880
<v Speaker 1>Right, we're back at the guy's apartment, Jack sitting at

1:07:49.880 --> 1:07:52.120
<v Speaker 1>his laptop as Eric walks down the stairs. What are

1:07:52.120 --> 1:07:54.320
<v Speaker 1>you doing? They're gonna be here any minute. Jack says

1:07:54.360 --> 1:07:56.680
<v Speaker 1>he has a psych test on Monday. Eric's eyes, this

1:07:56.840 --> 1:07:59.120
<v Speaker 1>is why you'll never end up with any woman worth having.

1:07:59.400 --> 1:08:03.160
<v Speaker 1>He slams Jack's laptop shut. We finally found two girls

1:08:03.160 --> 1:08:05.760
<v Speaker 1>that are different from any other girls we've dated before.

1:08:06.120 --> 1:08:08.600
<v Speaker 1>Jack asks how they're different, and Eric explains, because they're

1:08:08.600 --> 1:08:13.320
<v Speaker 1>coming back. They're coming back because there's compatibility. Now, we

1:08:13.400 --> 1:08:15.840
<v Speaker 1>haven't seen your first date with We didn't know there

1:08:15.920 --> 1:08:18.280
<v Speaker 1>was a first date, so now we're just told this

1:08:18.320 --> 1:08:19.120
<v Speaker 1>is a second date.

1:08:19.280 --> 1:08:23.519
<v Speaker 5>Confused, it's like, oh, they those girls from the balcony, right,

1:08:23.920 --> 1:08:24.880
<v Speaker 5>we don't they haven't.

1:08:25.120 --> 1:08:27.439
<v Speaker 1>So there were the girls from the balcony and you've

1:08:27.439 --> 1:08:29.400
<v Speaker 1>already had a date with them and it went well,

1:08:29.640 --> 1:08:30.919
<v Speaker 1>and now they're coming back.

1:08:30.760 --> 1:08:37.040
<v Speaker 2>Coming Did you see any food signs or did the

1:08:37.400 --> 1:08:38.799
<v Speaker 2>back change?

1:08:38.960 --> 1:08:42.360
<v Speaker 5>And there it's completely different there's a bar. Now's that island.

1:08:42.520 --> 1:08:45.559
<v Speaker 5>That bar island never existed a bar, and.

1:08:45.479 --> 1:08:48.960
<v Speaker 2>Then there's cabinets behind where there need to be food pictures.

1:08:49.000 --> 1:08:50.519
<v Speaker 4>I know, they totally different.

1:08:50.560 --> 1:08:53.479
<v Speaker 5>For the date scene, they needed two separate sitting areas,

1:08:53.640 --> 1:08:56.520
<v Speaker 5>and so they created this barstool citting.

1:08:56.200 --> 1:08:57.559
<v Speaker 4>Area, which I think we're in now.

1:08:57.760 --> 1:09:00.919
<v Speaker 2>The rest of Yeah, but it's a different apartment.

1:09:01.400 --> 1:09:01.959
<v Speaker 3>Is amazing.

1:09:02.400 --> 1:09:05.040
<v Speaker 1>Jack argues, I'm studying so I can get my soulmate

1:09:05.120 --> 1:09:08.200
<v Speaker 1>a nice life someday. Eric retorts, do like me, become

1:09:08.240 --> 1:09:10.280
<v Speaker 1>a secret agent. Once you're in the CIA, they take

1:09:10.320 --> 1:09:12.240
<v Speaker 1>care of you for life, or they kill you.

1:09:12.280 --> 1:09:14.519
<v Speaker 5>That's good advice, by the way, I know this is

1:09:14.560 --> 1:09:17.720
<v Speaker 5>classic Wilfredo, like figuring out some great business with your

1:09:17.720 --> 1:09:19.479
<v Speaker 5>shirt time, but you don't.

1:09:19.240 --> 1:09:23.599
<v Speaker 4>Actually tie your shoes. It's it's great business.

1:09:23.600 --> 1:09:25.720
<v Speaker 5>It's perfect because you have you know, like it's just

1:09:25.880 --> 1:09:27.880
<v Speaker 5>good acting to like give yourself something to do so

1:09:27.880 --> 1:09:28.920
<v Speaker 5>you're not just standing there and.

1:09:28.840 --> 1:09:31.040
<v Speaker 4>You're doing it perfectly. But that you know. I watched

1:09:31.040 --> 1:09:31.719
<v Speaker 4>the episode twice.

1:09:31.840 --> 1:09:33.479
<v Speaker 5>The second time I was like, he just kind of

1:09:33.479 --> 1:09:35.240
<v Speaker 5>tugs on his laces that are already tied.

1:09:35.640 --> 1:09:38.080
<v Speaker 4>I love it, but if.

1:09:37.920 --> 1:09:39.960
<v Speaker 2>I had to do it over again. I would go

1:09:40.040 --> 1:09:42.720
<v Speaker 2>the extra beat with the joke and absolutely have Eric

1:09:42.720 --> 1:09:47.360
<v Speaker 2>and velcros shoes totally abbs like he doesn't know how

1:09:47.400 --> 1:09:49.200
<v Speaker 2>to tie is. She would never mention it, but Eric

1:09:49.280 --> 1:09:51.680
<v Speaker 2>always wears velcro shoes. I would go the extra mile

1:09:51.720 --> 1:09:52.120
<v Speaker 2>if I had to.

1:09:52.120 --> 1:09:52.519
<v Speaker 4>Do it together.

1:09:52.600 --> 1:09:55.519
<v Speaker 3>That's so funny. Right then the doorbell buzzes.

1:09:55.600 --> 1:09:59.360
<v Speaker 1>Eric excitedly whispers soulmates, but Jack's still not convinced. What

1:09:59.400 --> 1:10:01.519
<v Speaker 1>are the chances we find two girls who are anything

1:10:01.600 --> 1:10:04.439
<v Speaker 1>like us? Eric providently asks back, what are the chances

1:10:04.479 --> 1:10:07.679
<v Speaker 1>we didn't? But you already know you guys have already

1:10:07.720 --> 1:10:08.920
<v Speaker 1>gone out on a date.

1:10:08.760 --> 1:10:10.639
<v Speaker 4>With Well, that's what I understand. Like their team, that's

1:10:10.640 --> 1:10:12.839
<v Speaker 4>why they had What if we didn't? I don't understand

1:10:12.840 --> 1:10:13.360
<v Speaker 4>that line.

1:10:13.760 --> 1:10:18.639
<v Speaker 3>It's a romp. No it didn't.

1:10:18.800 --> 1:10:20.800
<v Speaker 2>Again, this whole bet story seemed very and it's not

1:10:20.840 --> 1:10:21.799
<v Speaker 2>a bad beat story.

1:10:22.160 --> 1:10:24.439
<v Speaker 3>I love The idea for the bet story is great.

1:10:24.600 --> 1:10:27.719
<v Speaker 2>They they each date girls that are like the opposite

1:10:27.760 --> 1:10:30.920
<v Speaker 2>and they try to switch them classic sitcom three's company kinds.

1:10:30.960 --> 1:10:32.760
<v Speaker 4>Doesn't it feel very obvious?

1:10:33.040 --> 1:10:34.679
<v Speaker 2>Of course a little too much.

1:10:35.600 --> 1:10:36.400
<v Speaker 4>I love the idea.

1:10:36.439 --> 1:10:38.680
<v Speaker 5>I actually think both the actresses are great, Like, I

1:10:38.720 --> 1:10:41.439
<v Speaker 5>think it's a very but it felt, especially when it

1:10:41.479 --> 1:10:44.840
<v Speaker 5>gets to the slapping blocking like it just all felt

1:10:44.840 --> 1:10:46.880
<v Speaker 5>like so on the nose.

1:10:48.680 --> 1:10:51.600
<v Speaker 2>I like the idea of the bet story. The execution

1:10:51.680 --> 1:10:52.679
<v Speaker 2>I did not think was great.

1:10:53.200 --> 1:10:54.240
<v Speaker 3>Yeah.

1:10:54.439 --> 1:10:56.960
<v Speaker 1>Eric opens the door and two pretty blonde girls walk in.

1:10:57.160 --> 1:10:59.920
<v Speaker 1>Eric smirks, boy, do we have an evening planned for you?

1:11:00.040 --> 1:11:02.639
<v Speaker 1>Jack joins in a wonderful little French restaurant with only

1:11:02.680 --> 1:11:05.719
<v Speaker 1>four tables, seven courses and we can linger for hours.

1:11:06.439 --> 1:11:06.639
<v Speaker 3>Now.

1:11:06.720 --> 1:11:08.840
<v Speaker 1>Jack has like the full date planned, but he was

1:11:08.880 --> 1:11:10.519
<v Speaker 1>also studying for his psych test.

1:11:10.280 --> 1:11:12.080
<v Speaker 3>On Monday and had to be convinced to go in

1:11:12.160 --> 1:11:12.639
<v Speaker 3>on the date.

1:11:13.880 --> 1:11:18.720
<v Speaker 5>Eric Schut's a ROMP episode was written by Ai.

1:11:19.600 --> 1:11:21.560
<v Speaker 3>Yeah exactly.

1:11:22.760 --> 1:11:24.160
<v Speaker 4>AOL Messenger version.

1:11:24.320 --> 1:11:26.320
<v Speaker 3>Yeah you've got seen.

1:11:30.479 --> 1:11:33.599
<v Speaker 1>Eric shouts, hope you brought your fat pants ladies.

1:11:34.880 --> 1:11:38.160
<v Speaker 2>Kind of a great line. I want to use that now.

1:11:39.240 --> 1:11:41.760
<v Speaker 1>Jack's date laughs a little too hard at that joke,

1:11:41.800 --> 1:11:44.200
<v Speaker 1>and then Eric's date announces I love French food, but

1:11:44.240 --> 1:11:45.759
<v Speaker 1>I can't stay too late because I have an exam

1:11:45.800 --> 1:11:48.639
<v Speaker 1>on Monday. But Jack's date has other plans. Hey give

1:11:48.680 --> 1:11:50.559
<v Speaker 1>me a couple of tacos and I'm a happy girl.

1:11:50.920 --> 1:11:54.479
<v Speaker 1>Jack is confused, but I got these reservations. Then the

1:11:54.479 --> 1:11:57.240
<v Speaker 1>girl points to her math and yells, tackle.

1:11:57.240 --> 1:11:58.840
<v Speaker 2>People do this to me all the time.

1:11:59.240 --> 1:12:01.880
<v Speaker 3>But this was a this was a Corey thing did this.

1:12:02.360 --> 1:12:08.960
<v Speaker 5>So it's the show referencing a different character characters in joke.

1:12:12.000 --> 1:12:14.719
<v Speaker 5>Maybe in the Boy Meets World universe there was taco

1:12:14.840 --> 1:12:16.759
<v Speaker 5>place where they did this as their commercial.

1:12:16.960 --> 1:12:17.599
<v Speaker 4>Like their low.

1:12:17.560 --> 1:12:21.000
<v Speaker 5>Commercial was a guy tacoll so everybody sort of knows

1:12:21.000 --> 1:12:21.960
<v Speaker 5>it as like a band.

1:12:22.080 --> 1:12:23.960
<v Speaker 3>That guy was named Michael Jacobs.

1:12:24.160 --> 1:12:29.679
<v Speaker 4>Yes, give me live readings. No, no, it's wow taco.

1:12:30.240 --> 1:12:32.639
<v Speaker 2>It's Miguel Jacob's taco house, Miguel.

1:12:34.640 --> 1:12:35.559
<v Speaker 4>Let's make commercials.

1:12:35.600 --> 1:12:38.920
<v Speaker 5>Let's go into AI and have Miguel Taco commercials where

1:12:38.960 --> 1:12:45.000
<v Speaker 5>somebody points with their au taco Miguel's Tacas nineteen ninety eight.

1:12:45.120 --> 1:12:55.920
<v Speaker 2>Exactly, Jacobs Jacobs, Miguel Jacob's Taco cos. No, we don't.

1:12:56.600 --> 1:12:57.000
<v Speaker 4>I want to.

1:13:01.000 --> 1:13:05.200
<v Speaker 3>Oh my god, Jensen just wrote Jacob.

1:13:08.160 --> 1:13:10.720
<v Speaker 2>Miguel Jacob taco cassa. Yes, that's it.

1:13:11.479 --> 1:13:14.360
<v Speaker 3>Oh my gosh.

1:13:14.479 --> 1:13:21.120
<v Speaker 5>Okay, is it a taco pointing to his own like

1:13:21.120 --> 1:13:22.800
<v Speaker 5>a cartoon taco taco?

1:13:23.760 --> 1:13:26.840
<v Speaker 7>A cartoon taco with his side pointing to his mouth

1:13:29.920 --> 1:13:33.840
<v Speaker 7>Miguel Yacosa.

1:13:38.560 --> 1:13:40.800
<v Speaker 2>Oh this is the best. Oh you have to chart

1:13:40.840 --> 1:13:41.479
<v Speaker 2>this pop up.

1:13:43.800 --> 1:13:47.320
<v Speaker 1>Oh my gosh. Eric agrees, I love tacos. But then

1:13:47.400 --> 1:13:50.240
<v Speaker 1>his date reminds him about Jack's reservations. She and Jack

1:13:50.280 --> 1:13:52.960
<v Speaker 1>both say in unison, we can't just not show up. Man,

1:13:54.080 --> 1:13:54.920
<v Speaker 1>I was a good read by me.

1:13:55.000 --> 1:13:58.400
<v Speaker 3>Huh. Then Jack's date had my finger over the word.

1:13:58.200 --> 1:14:04.479
<v Speaker 2>Man it Man, what's that up in the road ahead?

1:14:07.320 --> 1:14:07.880
<v Speaker 4>What is this?

1:14:08.640 --> 1:14:09.240
<v Speaker 3>What is this?

1:14:10.160 --> 1:14:11.599
<v Speaker 2>What is this thing called love?

1:14:14.880 --> 1:14:16.040
<v Speaker 4>I remember all of those.

1:14:16.080 --> 1:14:17.880
<v Speaker 5>We do that all the time because it's like the

1:14:18.080 --> 1:14:19.720
<v Speaker 5>ultimate bad actor thing to do.

1:14:19.800 --> 1:14:21.880
<v Speaker 3>It's like to just completely misread a.

1:14:21.880 --> 1:14:25.880
<v Speaker 5>Sentence, but like read it correctly. Just not talk about

1:14:25.960 --> 1:14:26.439
<v Speaker 5>human van.

1:14:28.520 --> 1:14:30.599
<v Speaker 3>Oh my gosh, I just had a full flashback.

1:14:30.640 --> 1:14:31.599
<v Speaker 2>Do you think you are? Were?

1:14:31.720 --> 1:14:33.400
<v Speaker 3>Anyway?

1:14:33.680 --> 1:14:37.400
<v Speaker 4>Who do you think you are? Anyway?

1:14:38.320 --> 1:14:40.280
<v Speaker 3>We would do this all the time, all the time.

1:14:40.640 --> 1:14:41.160
<v Speaker 4>Oh my god.

1:14:41.240 --> 1:14:44.439
<v Speaker 5>Indy had this exact thing happen in his class or

1:14:44.520 --> 1:14:46.320
<v Speaker 5>when he was doing the Little Mermaid play.

1:14:46.560 --> 1:14:48.560
<v Speaker 4>One of the one of the actors.

1:14:48.479 --> 1:14:51.559
<v Speaker 5>You know, seven years old or whatever, and I forget

1:14:51.560 --> 1:14:55.160
<v Speaker 5>what the line was. It was like, oh, some friend

1:14:55.240 --> 1:14:57.960
<v Speaker 5>you are or some friend you turned out to be

1:14:58.080 --> 1:15:01.800
<v Speaker 5>Sebastian is the line. Okay, she said some friend you

1:15:01.920 --> 1:15:07.040
<v Speaker 5>turned out to be Sebastian and he was like, what

1:15:07.160 --> 1:15:09.360
<v Speaker 5>is why was she saying it like that? And He's like,

1:15:09.360 --> 1:15:11.160
<v Speaker 5>I kept wanted to say somebody didn't want to tell

1:15:11.200 --> 1:15:13.120
<v Speaker 5>the other students, and then finding the teacher, like the

1:15:13.200 --> 1:15:15.120
<v Speaker 5>weeks of rids On. Finding the teacher was like, why

1:15:15.120 --> 1:15:19.200
<v Speaker 5>are you saying some friend you turned out to be Sebastian?

1:15:19.800 --> 1:15:21.680
<v Speaker 4>And so Andy just thought this was the funniest thing.

1:15:21.680 --> 1:15:23.639
<v Speaker 5>I was like, findy and so I told him all

1:15:23.640 --> 1:15:25.160
<v Speaker 5>of these ones where I was like, we have the

1:15:25.240 --> 1:15:27.360
<v Speaker 5>exact same things, so he knows.

1:15:27.200 --> 1:15:28.960
<v Speaker 4>Them now too. We say them all the time.

1:15:29.080 --> 1:15:32.240
<v Speaker 3>Oh god, I think he was anyway.

1:15:31.680 --> 1:15:35.599
<v Speaker 1>That is as you guys were doing that, I was

1:15:35.760 --> 1:15:42.200
<v Speaker 1>a teenager again. Oh man, my stomach truly, my stomach

1:15:42.240 --> 1:15:45.680
<v Speaker 1>hurt smif from laughing. Eric asks if everyone's ready, and

1:15:45.680 --> 1:15:48.000
<v Speaker 1>they head out into the hallway. While standing at the elevator,

1:15:48.120 --> 1:15:50.320
<v Speaker 1>Eric asks his date, Jill, if she has any brothers

1:15:50.400 --> 1:15:50.920
<v Speaker 1>or sisters.

1:15:51.280 --> 1:15:52.559
<v Speaker 3>Jill nods one sister.

1:15:52.680 --> 1:15:54.720
<v Speaker 1>We were separated when my parents got divorced, but I

1:15:54.760 --> 1:15:57.960
<v Speaker 1>reconnected with her when I came to Penbrook. Pretty weird huh.

1:15:58.160 --> 1:16:00.599
<v Speaker 1>Jack and Eric stare at each other and disbelieve. Jack

1:16:00.680 --> 1:16:03.720
<v Speaker 1>asks his date Carol what she's studying. She responds, you

1:16:03.760 --> 1:16:05.559
<v Speaker 1>don't need to study for what I'm gonna do. Once

1:16:05.560 --> 1:16:07.679
<v Speaker 1>you're in the CIA, they take care of you for life.

1:16:07.920 --> 1:16:12.120
<v Speaker 1>Eric follows up or they Carol finishes his sentence, kill you,

1:16:12.280 --> 1:16:15.160
<v Speaker 1>kill you. The girls get into the elevator and Eric

1:16:15.200 --> 1:16:18.160
<v Speaker 1>quickly pulls Jack aside. I want Carol, Jack a grease.

1:16:18.240 --> 1:16:20.640
<v Speaker 1>Jill's perfect for me. Jack and Jill. Why didn't we

1:16:20.680 --> 1:16:24.559
<v Speaker 1>see it before? Eric shrieks Eric and Carol. The boys

1:16:24.600 --> 1:16:27.240
<v Speaker 1>wiggle their hands together as they let out happy shrieks

1:16:27.280 --> 1:16:29.440
<v Speaker 1>before joining their soulmates in the elevator.

1:16:30.360 --> 1:16:32.200
<v Speaker 3>My stomach hurts, how do.

1:16:32.200 --> 1:16:35.639
<v Speaker 4>You spell Miguel Jacobs? By the way, I'm already developed AI.

1:16:36.439 --> 1:16:39.400
<v Speaker 3>I already got one.

1:16:38.640 --> 1:16:40.519
<v Speaker 2>Guys, I'm currently working on the design.

1:16:40.560 --> 1:16:42.240
<v Speaker 4>I got it. I already got one great one.

1:16:42.560 --> 1:16:45.320
<v Speaker 2>Do you think it's why a cop? Or I think

1:16:45.320 --> 1:16:49.040
<v Speaker 2>it's And we assumed listener is gonna say, no, you

1:16:49.120 --> 1:16:50.800
<v Speaker 2>have to use a why all right?

1:16:51.560 --> 1:16:53.640
<v Speaker 1>I think you have to use a y right so

1:16:53.680 --> 1:16:55.200
<v Speaker 1>that you get the proper pronunciation.

1:16:55.960 --> 1:16:59.320
<v Speaker 3>So, oh my god, I wrote everything to the designer,

1:16:59.360 --> 1:17:02.360
<v Speaker 3>and his own response back was what about feet? Does

1:17:02.400 --> 1:17:06.680
<v Speaker 3>he have feet? Oh? Does he have feet?

1:17:06.760 --> 1:17:07.040
<v Speaker 2>Question?

1:17:07.520 --> 1:17:09.640
<v Speaker 3>You don't have feet. I'm want to eat the taco.

1:17:10.160 --> 1:17:13.680
<v Speaker 4>Literally the first one that popped up. It's terrifying how

1:17:13.720 --> 1:17:15.960
<v Speaker 4>good it is. That's the first one that came up

1:17:16.000 --> 1:17:16.400
<v Speaker 4>on Ai.

1:17:17.320 --> 1:17:18.880
<v Speaker 3>You guys, it's so good.

1:17:20.000 --> 1:17:22.439
<v Speaker 4>It's pretty perfect. You know what.

1:17:22.479 --> 1:17:24.040
<v Speaker 1>This is better than what was in my mind. In

1:17:24.080 --> 1:17:26.360
<v Speaker 1>my mind, we were seeing the profile of the tao,

1:17:26.520 --> 1:17:29.920
<v Speaker 1>the side of the taco. But this is so much better. Yeah,

1:17:30.000 --> 1:17:33.640
<v Speaker 1>look at this big wide mouth. Oh my gosh, this

1:17:33.800 --> 1:17:50.920
<v Speaker 1>is perfect, and it says Miguel Jacob's Taco cossat. So

1:17:51.000 --> 1:17:53.920
<v Speaker 1>then we are back on the WKZN billboard. It now

1:17:54.000 --> 1:17:57.280
<v Speaker 1>reads I'm going to the super Bowl thanks to WKZN,

1:17:57.320 --> 1:17:58.719
<v Speaker 1>with a picture of the Eskimo.

1:17:59.840 --> 1:18:02.200
<v Speaker 5>The restaurants should be sponsored by w KZEN. There should

1:18:02.200 --> 1:18:05.160
<v Speaker 5>be like, oh yeah, brought to you.

1:18:05.160 --> 1:18:08.479
<v Speaker 1>On the back Sean sitting on the ledge all alone.

1:18:08.760 --> 1:18:11.559
<v Speaker 1>Corey and Tapanga walk up and spot Sean. Topega says,

1:18:11.600 --> 1:18:13.840
<v Speaker 1>I told you he'd be here, and Corey argues, no,

1:18:13.920 --> 1:18:16.479
<v Speaker 1>you didn't. You were waiving a dollar and yawning at me.

1:18:16.920 --> 1:18:20.680
<v Speaker 1>Tapanga shouts, bill board, how much simpler, could it be?

1:18:21.400 --> 1:18:23.679
<v Speaker 1>They walk up the ladder, still arguing, and the start

1:18:23.680 --> 1:18:27.320
<v Speaker 1>of another handful of very crazy camera angles. Sean yells

1:18:27.360 --> 1:18:30.160
<v Speaker 1>at them, Hey, Lucy, Ricky, I'm up here trying to think.

1:18:30.320 --> 1:18:33.840
<v Speaker 4>You get your head stepped on. It was funny. I

1:18:33.920 --> 1:18:35.600
<v Speaker 4>love the panga dynamic in this.

1:18:36.120 --> 1:18:38.360
<v Speaker 3>I love the idea that they're Lucy and Ricky. That's

1:18:38.520 --> 1:18:39.000
<v Speaker 3>that's good.

1:18:39.040 --> 1:18:41.920
<v Speaker 2>Again, favorite topanga so far, arguably of the series. This

1:18:42.040 --> 1:18:45.040
<v Speaker 2>is my favorite tapanga, so at least of the modern tipanga.

1:18:45.200 --> 1:18:47.800
<v Speaker 2>Of the modern tapanga, this is my favorite version right here,

1:18:47.840 --> 1:18:50.240
<v Speaker 2>like you're part of the gang. They finally wrote something

1:18:50.360 --> 1:18:52.920
<v Speaker 2>for you, and it's like Topanga's here. So that was great.

1:18:53.040 --> 1:18:54.160
<v Speaker 4>Yeah.

1:18:53.280 --> 1:18:53.479
<v Speaker 3>Yeah.

1:18:54.280 --> 1:18:56.040
<v Speaker 1>They finally make it up to the ledge and Corey

1:18:56.040 --> 1:18:59.080
<v Speaker 1>asks what he's thinking about. Sean says, whenever I've wanted

1:18:59.120 --> 1:19:01.639
<v Speaker 1>anything in my life, there's always been an Eskimo standing

1:19:01.680 --> 1:19:04.320
<v Speaker 1>in my way. Corey turns to Tapanga for advice. She

1:19:04.360 --> 1:19:06.680
<v Speaker 1>starts playing charades, but Corey doesn't get it. She just

1:19:06.720 --> 1:19:10.720
<v Speaker 1>shouts metaphor. It's all very funny, and I don't know how.

1:19:10.880 --> 1:19:13.320
<v Speaker 1>I don't know how Tapega doesn't fail the assignment. I

1:19:13.360 --> 1:19:17.040
<v Speaker 1>guess we just choose not to share that I told

1:19:17.120 --> 1:19:17.599
<v Speaker 1>him stuff.

1:19:17.720 --> 1:19:19.080
<v Speaker 2>Well, no one understands the assignment.

1:19:19.160 --> 1:19:22.240
<v Speaker 3>Okay, that's that's true that way, Yeah.

1:19:21.479 --> 1:19:23.960
<v Speaker 1>Sean continues, Remember when you went to summer camp and

1:19:23.960 --> 1:19:26.720
<v Speaker 1>I couldn't afford to That was an eskimo. He grew

1:19:26.760 --> 1:19:28.719
<v Speaker 1>up in a trailer park. Everyone else had a house.

1:19:28.880 --> 1:19:32.400
<v Speaker 1>That's another eskimo. Sean explains, there's so many things standing

1:19:32.400 --> 1:19:35.080
<v Speaker 1>in my way, but he's had enough. He declares he's

1:19:35.120 --> 1:19:37.240
<v Speaker 1>going to the super Bowl. Corey reminds him he has

1:19:37.280 --> 1:19:39.559
<v Speaker 1>no tickets and no way of getting there. Sean says

1:19:39.560 --> 1:19:42.080
<v Speaker 1>it doesn't matter. People like him don't get anywhere because

1:19:42.080 --> 1:19:44.719
<v Speaker 1>they don't believe they can get there. He's his own

1:19:44.800 --> 1:19:48.160
<v Speaker 1>worst eskimo. Corey tries reasoning with him, he doesn't need

1:19:48.200 --> 1:19:50.680
<v Speaker 1>to go anywhere. Sean knows I do have to go

1:19:50.800 --> 1:19:53.640
<v Speaker 1>somewhere because if I don't, I'll never go anywhere. He

1:19:53.720 --> 1:19:56.160
<v Speaker 1>tells Corey to be his best friend and get out

1:19:56.200 --> 1:20:00.240
<v Speaker 1>of his way. Corey obliges, and they all watch Sean leave. Now,

1:20:00.560 --> 1:20:04.599
<v Speaker 1>this is the lesson Sean didn't necessarily have when they

1:20:04.600 --> 1:20:07.120
<v Speaker 1>went back to the classroom. Before Sean came back going

1:20:07.160 --> 1:20:09.519
<v Speaker 1>you just wanted me to try. But that isn't true.

1:20:09.680 --> 1:20:12.160
<v Speaker 1>He wanted him to realize if you always see an

1:20:12.160 --> 1:20:15.720
<v Speaker 1>obstacle and decide, well, there's my obstacle, it's I'm not

1:20:15.760 --> 1:20:17.880
<v Speaker 1>ever going to push past it and I just turn

1:20:17.960 --> 1:20:19.360
<v Speaker 1>back and go, isn't that good enough?

1:20:19.720 --> 1:20:21.640
<v Speaker 3>No, that isn't ever going to be good enough in

1:20:21.720 --> 1:20:22.160
<v Speaker 3>your life.

1:20:22.240 --> 1:20:25.920
<v Speaker 4>It's doubling down. Yeah you didn't you didn't run a marathon.

1:20:25.960 --> 1:20:27.400
<v Speaker 4>You just sprinted, but you just got to go.

1:20:27.800 --> 1:20:30.160
<v Speaker 5>It's fine, It's just more of the same, right, It's

1:20:30.160 --> 1:20:31.400
<v Speaker 5>just like you have to go further.

1:20:31.920 --> 1:20:34.080
<v Speaker 4>You haven't been punished enough. You have both go.

1:20:34.680 --> 1:20:39.360
<v Speaker 1>You haven't realized that you're you're the person who's stopping you,

1:20:39.520 --> 1:20:42.640
<v Speaker 1>not the actual obstacle. I think in the first when

1:20:42.680 --> 1:20:44.880
<v Speaker 1>you first went to the classroom, you were like, oh,

1:20:44.960 --> 1:20:48.000
<v Speaker 1>I worked my hardest until there was a true roadblock

1:20:48.080 --> 1:20:50.160
<v Speaker 1>that I couldn't imagine a way around.

1:20:50.600 --> 1:20:54.200
<v Speaker 3>And then I said, well I did the best that

1:20:54.280 --> 1:20:54.759
<v Speaker 3>I could.

1:20:55.040 --> 1:20:58.360
<v Speaker 1>But Feenie was saying, no, you have to go even

1:20:58.520 --> 1:21:01.920
<v Speaker 1>past that, and you have to realize that you're so

1:21:02.120 --> 1:21:05.439
<v Speaker 1>far the thing that stopped you every time, not about

1:21:05.479 --> 1:21:08.360
<v Speaker 1>the money, not about the and maybe that idea as

1:21:08.400 --> 1:21:10.920
<v Speaker 1>a big ole. You got to pull yourselfself up by

1:21:10.920 --> 1:21:14.600
<v Speaker 1>your bootstraps thing, you know, if you really want to

1:21:14.600 --> 1:21:16.839
<v Speaker 1>afford it, you work two jobs and you do it overnight.

1:21:16.920 --> 1:21:21.120
<v Speaker 1>Like There's maybe some of that in there, But ultimately

1:21:21.400 --> 1:21:26.960
<v Speaker 1>you did in this scene teach yourself something about your

1:21:27.120 --> 1:21:30.920
<v Speaker 1>past that you did not know in that previous scene

1:21:30.920 --> 1:21:31.720
<v Speaker 1>in the classroom.

1:21:31.840 --> 1:21:34.679
<v Speaker 2>But he never got the tickets.

1:21:34.560 --> 1:21:37.160
<v Speaker 3>That we know of. That we know of.

1:21:37.880 --> 1:21:40.880
<v Speaker 1>He may have done a grateful dead thing and waved

1:21:40.880 --> 1:21:43.160
<v Speaker 1>his finger up in the air outside of the super

1:21:43.160 --> 1:21:46.479
<v Speaker 1>Bowl asking for a miracle, and somebody said, hey, you

1:21:46.479 --> 1:21:47.799
<v Speaker 1>can have my extra ticket.

1:21:48.160 --> 1:21:50.360
<v Speaker 3>We don't know. I do wish they explained that a

1:21:50.360 --> 1:21:50.720
<v Speaker 3>little bit.

1:21:50.960 --> 1:21:53.800
<v Speaker 2>I mean, I think Sean just broke into the super Bowl.

1:21:54.240 --> 1:21:55.240
<v Speaker 3>I know, I think so too.

1:21:55.560 --> 1:21:57.599
<v Speaker 4>Yeah, Sophie, he turned Sean into a criminal.

1:21:57.920 --> 1:22:00.400
<v Speaker 1>Yes, then we're back in the guy's apartment. They are

1:22:00.439 --> 1:22:02.320
<v Speaker 1>in different outfits.

1:22:03.160 --> 1:22:03.360
<v Speaker 4>Yes.

1:22:03.600 --> 1:22:06.240
<v Speaker 1>So this is the third date, Date three, third date.

1:22:06.520 --> 1:22:08.640
<v Speaker 1>The didn't see date one. We saw the beginning of

1:22:08.720 --> 1:22:11.320
<v Speaker 1>date two. This is now date three. This is sex

1:22:11.400 --> 1:22:14.240
<v Speaker 1>date right right, this is the time when it happens.

1:22:14.320 --> 1:22:14.599
<v Speaker 4>Yeah.

1:22:15.320 --> 1:22:18.120
<v Speaker 1>Eric makes his way over to Carol as Jack sits

1:22:18.120 --> 1:22:20.960
<v Speaker 1>next to Jill on the couch. Carol wins as Eric

1:22:21.040 --> 1:22:23.679
<v Speaker 1>stares into her soul. She wonders why he's so close

1:22:23.720 --> 1:22:25.280
<v Speaker 1>to her, and why is he even sitting next to

1:22:25.280 --> 1:22:28.080
<v Speaker 1>her in the first place. She thinks he's confused. Eric

1:22:28.080 --> 1:22:29.960
<v Speaker 1>grabs her hand and holds it to his chest. You

1:22:30.000 --> 1:22:32.400
<v Speaker 1>think I'm confused. Your name is Carol, you want to

1:22:32.439 --> 1:22:34.800
<v Speaker 1>work in espionage. You love tacos. You have no idea

1:22:34.840 --> 1:22:37.640
<v Speaker 1>what color amber is. Now, who's confused? She pulls her

1:22:37.680 --> 1:22:39.840
<v Speaker 1>hand back. I am, and you're sitting even closer to

1:22:39.880 --> 1:22:44.040
<v Speaker 1>me now. Meanwhile, Jack is explaining to Jill, and are

1:22:44.040 --> 1:22:45.960
<v Speaker 1>we supposed to ad buy that they don't hear.

1:22:45.920 --> 1:22:48.800
<v Speaker 2>Each You can't hear anything. Well, they're almost six feet away.

1:22:48.800 --> 1:22:49.920
<v Speaker 3>Okay, all right, got it.

1:22:52.200 --> 1:22:54.920
<v Speaker 1>Meanwhile Jack is explaining to Jill, your studies are important

1:22:54.920 --> 1:22:57.240
<v Speaker 1>to you. You appreciate French cuisine, and you want to read

1:22:57.240 --> 1:23:00.000
<v Speaker 1>the Sunday Times book review section in an unfurnished apartment

1:23:00.080 --> 1:23:01.680
<v Speaker 1>while you lie on the hardwood floor with your lover

1:23:01.760 --> 1:23:05.280
<v Speaker 1>massage in your bare feet. Jill shrugs, yeah. So we

1:23:05.360 --> 1:23:07.320
<v Speaker 1>cut back to Eric, whose legs are now propped onto

1:23:07.400 --> 1:23:09.880
<v Speaker 1>Carol's while he nuzzles his head into her shoulder. She's

1:23:09.880 --> 1:23:12.400
<v Speaker 1>had enough. Now you're way too close. You're hitting on me.

1:23:12.840 --> 1:23:16.000
<v Speaker 1>Eric softly asks, am I. Carol throws his legs off

1:23:16.000 --> 1:23:18.599
<v Speaker 1>of her. Yes, what is going on here? Eric stares

1:23:18.640 --> 1:23:20.640
<v Speaker 1>into her eyes. Don't you see we were meant for

1:23:20.680 --> 1:23:22.720
<v Speaker 1>each other. The reason I want someone like you is

1:23:22.760 --> 1:23:26.200
<v Speaker 1>because you're someone like me. She softly slaps him on

1:23:26.200 --> 1:23:28.559
<v Speaker 1>the head. She's here to see Jack. She thought he

1:23:28.600 --> 1:23:31.439
<v Speaker 1>and Eric were best friends. Eric nods best friends. We

1:23:31.479 --> 1:23:34.880
<v Speaker 1>support each other entirely. Then, and what can only be

1:23:35.000 --> 1:23:39.559
<v Speaker 1>described as an optical camera pan, Jack shouts to Jill.

1:23:40.000 --> 1:23:42.479
<v Speaker 1>Eric's a moron. I lay out his clothes in the morning.

1:23:42.520 --> 1:23:45.080
<v Speaker 1>You and I belong together. We're like peanut, butter and jelly.

1:23:45.360 --> 1:23:50.400
<v Speaker 1>We're like jelly and jelly. Carol makes her way over

1:23:50.439 --> 1:23:53.280
<v Speaker 1>to Jack. She's not comfortable here. Jill tells Eric she'd

1:23:53.320 --> 1:23:58.120
<v Speaker 1>like to leave. Eric is disgusted. I'm with Carol, how rude?

1:24:00.200 --> 1:24:00.840
<v Speaker 1>Great read?

1:24:01.160 --> 1:24:01.519
<v Speaker 4>I wrote?

1:24:01.800 --> 1:24:05.479
<v Speaker 1>Amazing read. Jack pleads to Jill. At least let me

1:24:05.520 --> 1:24:07.240
<v Speaker 1>walk you home. That way we can talk and you

1:24:07.240 --> 1:24:09.519
<v Speaker 1>can see how right we are for each other. Carol

1:24:09.600 --> 1:24:11.759
<v Speaker 1>just wants to know what's going on here. Eric asks,

1:24:11.800 --> 1:24:14.160
<v Speaker 1>we were just switching you around. What's the big deal?

1:24:14.800 --> 1:24:16.559
<v Speaker 3>The girls slap the boys across the face.

1:24:16.560 --> 1:24:20.800
<v Speaker 2>In Udison, the roommates switch big Seinfeld thing.

1:24:21.040 --> 1:24:21.960
<v Speaker 3>They just stole it.

1:24:24.040 --> 1:24:25.920
<v Speaker 1>Jack says they were just trying to form serious and

1:24:25.960 --> 1:24:29.000
<v Speaker 1>meaningful relationships. Eric adds, with a couple of hotties who

1:24:29.000 --> 1:24:31.599
<v Speaker 1>have the same interests we do. Don't you want that too?

1:24:32.080 --> 1:24:34.639
<v Speaker 1>He turns to Carol, I know you do. He turns

1:24:34.680 --> 1:24:37.360
<v Speaker 1>to Jill. You I don't know what you want, Carol

1:24:37.400 --> 1:24:46.880
<v Speaker 1>admits I. Carol admits we just went out with you

1:24:46.880 --> 1:24:49.640
<v Speaker 1>because we thought you were cute. Jill adds, besides, who

1:24:49.680 --> 1:24:52.400
<v Speaker 1>would want to be with someone exactly like ourselves? Nobody

1:24:52.840 --> 1:24:55.320
<v Speaker 1>makes a sandwich out of jelly and jelly. That would

1:24:55.320 --> 1:24:59.160
<v Speaker 1>be tedious and redundant. Jack looks at her lovingly. We

1:24:59.240 --> 1:25:02.479
<v Speaker 1>have the same volc tabulary. Eric turns to Carol. We

1:25:02.520 --> 1:25:05.639
<v Speaker 1>could look those words up together. But she doesn't want

1:25:05.640 --> 1:25:07.320
<v Speaker 1>to look those words up with him. She wants someone

1:25:07.360 --> 1:25:09.600
<v Speaker 1>who can tell her what they mean. Jill adds, I

1:25:09.600 --> 1:25:12.000
<v Speaker 1>spend all day with me. You seemed like fun, and

1:25:12.040 --> 1:25:15.400
<v Speaker 1>now we'll never know. With that, The girls leave now alone.

1:25:15.520 --> 1:25:18.800
<v Speaker 1>Eric declares, we learned an important lesson here today. Jack

1:25:18.960 --> 1:25:21.360
<v Speaker 1>looks like finding soulmates isn't going to be as easy

1:25:21.360 --> 1:25:24.640
<v Speaker 1>as we thought. Jack suggests, maybe the girls taught us

1:25:24.680 --> 1:25:26.400
<v Speaker 1>we were too aggressive and we just have to sit

1:25:26.479 --> 1:25:29.120
<v Speaker 1>back and let the universe bring our soulmates to us.

1:25:29.600 --> 1:25:32.840
<v Speaker 1>Eric grins, you're a wise man, Jack Hunter. Then we

1:25:32.880 --> 1:25:35.599
<v Speaker 1>cut to the hallway outside the elevator. Jill and Carol

1:25:35.640 --> 1:25:39.080
<v Speaker 1>are not so patiently waiting, arms folded. Jill breaks the silence.

1:25:39.360 --> 1:25:41.320
<v Speaker 1>I guess they're actually not coming after us.

1:25:41.560 --> 1:25:45.519
<v Speaker 3>Carol laughs. Those idiots, what they learned.

1:25:45.320 --> 1:25:47.120
<v Speaker 4>The wrong lesson. They were supposed to go out and

1:25:47.240 --> 1:25:49.040
<v Speaker 4>chase them down, and the girls would have been fine,

1:25:49.200 --> 1:25:50.519
<v Speaker 4>and they would have been soulmates for her.

1:25:50.600 --> 1:25:54.519
<v Speaker 3>But why would they have girls? Would they?

1:25:54.520 --> 1:25:56.920
<v Speaker 2>Did it now be Eric and Carol and Jack and Jill?

1:25:57.240 --> 1:25:59.720
<v Speaker 5>Or Yeah, they just gave that whole speech that that's

1:26:00.760 --> 1:26:01.799
<v Speaker 5>no they should be.

1:26:01.960 --> 1:26:03.440
<v Speaker 2>So that'll be the original.

1:26:03.920 --> 1:26:06.679
<v Speaker 4>Yeah. Yeah, So you guys just learned the wrong lesson.

1:26:06.680 --> 1:26:09.120
<v Speaker 4>As the joke like, if you had listened to them, you.

1:26:09.120 --> 1:26:11.400
<v Speaker 5>Would have learned the lesson, like we should try it,

1:26:11.479 --> 1:26:13.840
<v Speaker 5>make it make it work with the girl who's not

1:26:14.040 --> 1:26:14.280
<v Speaker 5>like me.

1:26:14.600 --> 1:26:16.599
<v Speaker 4>Okay, I'll go after her and make it work.

1:26:16.640 --> 1:26:18.840
<v Speaker 5>But instead you guys were like, well, we don't need

1:26:18.840 --> 1:26:21.200
<v Speaker 5>soul mates, or let's wait and they'll come to us.

1:26:21.640 --> 1:26:24.400
<v Speaker 1>Okay, okay, yeah, all right, but that's not that's not

1:26:24.439 --> 1:26:26.400
<v Speaker 1>what Eric or Jack wanted.

1:26:27.000 --> 1:26:28.679
<v Speaker 2>But we're boys, doesn't.

1:26:28.479 --> 1:26:40.800
<v Speaker 6>Okay, doesn't matter what you want.

1:26:42.080 --> 1:26:44.519
<v Speaker 1>And then we're back in Phoenie's classroom. Corey enters with Tapanga.

1:26:44.640 --> 1:26:47.479
<v Speaker 1>He's failed, mister Feoene. As we speak, our young Sean

1:26:47.600 --> 1:26:51.240
<v Speaker 1>is foolishly rolling westward towards San Diego and certain disappointment.

1:26:51.720 --> 1:26:54.680
<v Speaker 1>Phoene perks up, did he get the tickets? Corey explains no,

1:26:55.160 --> 1:26:57.679
<v Speaker 1>He said the tickets didn't matter. He said nothing mattered

1:26:57.720 --> 1:27:00.559
<v Speaker 1>and that he'd find a way in Phoenix smiles.

1:27:00.840 --> 1:27:01.559
<v Speaker 3>That's what he said.

1:27:02.040 --> 1:27:04.120
<v Speaker 1>Corey answers, Yeah, I was standing in front of him

1:27:04.120 --> 1:27:05.360
<v Speaker 1>and he asked me to move out of the way

1:27:05.400 --> 1:27:08.200
<v Speaker 1>so he could go. Phoene approaches Corey, clearly happy with

1:27:08.240 --> 1:27:10.400
<v Speaker 1>the way things turned out. Did you move out of

1:27:10.400 --> 1:27:13.559
<v Speaker 1>the way, mister Matthews. Corey nods, yeah, I mean I

1:27:13.640 --> 1:27:16.000
<v Speaker 1>really felt like I should. I know, the assignment was

1:27:16.040 --> 1:27:18.040
<v Speaker 1>to help him succeed, but he didn't need my help

1:27:18.040 --> 1:27:20.200
<v Speaker 1>on this one. Corey concludes he was going to do

1:27:20.240 --> 1:27:22.800
<v Speaker 1>this on his own no matter what. Guess I failed. Huh,

1:27:23.000 --> 1:27:26.200
<v Speaker 1>Phoene smiles. On the contrary, you passed with flying colors,

1:27:26.280 --> 1:27:30.120
<v Speaker 1>and so does mister Hunter. Corey's demeanor changes, Of course

1:27:30.160 --> 1:27:32.800
<v Speaker 1>we did, and clearly you've wasted all your time. As

1:27:32.840 --> 1:27:36.559
<v Speaker 1>I continue to comprehend nothing, Phoene sits down next to him.

1:27:36.720 --> 1:27:38.880
<v Speaker 1>Sean isn't going to go to college and succeed because

1:27:38.880 --> 1:27:41.080
<v Speaker 1>you want him to. He has to want to and

1:27:41.120 --> 1:27:43.320
<v Speaker 1>believe that he can. The only way he can do

1:27:43.360 --> 1:27:46.599
<v Speaker 1>that is on his own without your help. Corey wonders,

1:27:46.800 --> 1:27:49.479
<v Speaker 1>then why did you want me to help him? Phoeni explains,

1:27:49.640 --> 1:27:53.400
<v Speaker 1>you need to know you won't always be able to

1:27:53.400 --> 1:27:56.639
<v Speaker 1>to Panga smiles as she realizes, pretty soon we're all

1:27:56.640 --> 1:27:58.280
<v Speaker 1>going to have to do things on our own without

1:27:58.320 --> 1:28:01.880
<v Speaker 1>someone's help, right, mister. Phoenie to Penga continues, I think

1:28:01.880 --> 1:28:03.720
<v Speaker 1>I know why you've been so upset, and I think

1:28:03.720 --> 1:28:05.600
<v Speaker 1>I know why you're going to keep giving us assignments

1:28:05.640 --> 1:28:08.479
<v Speaker 1>every day until our last day with you. Phoene warns

1:28:08.520 --> 1:28:11.880
<v Speaker 1>her she's butting in to Pega nods, Yeah, I am

1:28:12.120 --> 1:28:15.360
<v Speaker 1>so fail me. That's life, Pheenie reminds her you won't

1:28:15.360 --> 1:28:18.880
<v Speaker 1>be perfect anymore. To Penga shrugs, well, no one should

1:28:18.880 --> 1:28:21.479
<v Speaker 1>be perfect. You learn from failure, and I need to

1:28:21.520 --> 1:28:24.360
<v Speaker 1>know that, right, Phoenie's the one that's taken aback. Now,

1:28:24.600 --> 1:28:26.959
<v Speaker 1>you just yelled at me just so much.

1:28:27.520 --> 1:28:30.479
<v Speaker 4>So much thematic time. I know, here's the theme of me.

1:28:30.680 --> 1:28:32.559
<v Speaker 5>Here, here's the theme of your character, and here's the

1:28:32.600 --> 1:28:34.560
<v Speaker 5>way I feel about our themes, about the themes of

1:28:34.600 --> 1:28:37.720
<v Speaker 5>our character that you're talking the thematically about you. Oh

1:28:37.800 --> 1:28:42.160
<v Speaker 5>my god, they know which is it's just very heavy

1:28:42.200 --> 1:28:44.000
<v Speaker 5>handed and very sentimental.

1:28:44.880 --> 1:28:49.200
<v Speaker 1>Yeah, you just yelled at me, But I'm mister Phoenie.

1:28:49.320 --> 1:28:51.479
<v Speaker 3>To Penga smiles. One day you're going to have to

1:28:51.560 --> 1:28:52.080
<v Speaker 3>let us go.

1:28:52.320 --> 1:28:54.360
<v Speaker 1>One day you won't be able to teach us anymore,

1:28:54.400 --> 1:28:55.920
<v Speaker 1>and you can't be sure if we're going to be

1:28:55.960 --> 1:28:58.960
<v Speaker 1>all right. Phoene pauses for a moment. Life is a

1:28:59.000 --> 1:29:02.200
<v Speaker 1>lot tougher than school, my DearS, Corey ads, but the

1:29:02.280 --> 1:29:04.519
<v Speaker 1>right thing to do is just step aside and let

1:29:04.640 --> 1:29:07.120
<v Speaker 1>us live it. We learned that because you taught it

1:29:07.120 --> 1:29:09.759
<v Speaker 1>to us. He grabs both of their hands and holds

1:29:09.800 --> 1:29:12.920
<v Speaker 1>them tight while they smile at him with admiration.

1:29:14.880 --> 1:29:17.840
<v Speaker 2>And no Sean there for kind of this important I

1:29:17.880 --> 1:29:19.839
<v Speaker 2>mean moment and scene.

1:29:20.240 --> 1:29:26.120
<v Speaker 1>Nope, a scene that's like about you going to college. Yeah,

1:29:26.160 --> 1:29:28.040
<v Speaker 1>all right, well then we're in the tag. We are

1:29:28.040 --> 1:29:30.680
<v Speaker 1>in Chubby's. A crowd is gathered around the TV as

1:29:30.720 --> 1:29:33.960
<v Speaker 1>Alan shoots ooh, what a game. Eric adds this is

1:29:34.000 --> 1:29:38.600
<v Speaker 1>the best super Bowl since Super Bowl XX. Tapang is confused.

1:29:38.920 --> 1:29:42.439
<v Speaker 1>She asks Amy, this makes them so happy. Morgan, who

1:29:42.439 --> 1:29:44.639
<v Speaker 1>found herself in the episode, shakes her head in despair.

1:29:44.840 --> 1:29:48.559
<v Speaker 3>What else is on? Amy tells her like football, never

1:29:48.720 --> 1:29:49.639
<v Speaker 3>not a single one of them?

1:29:49.680 --> 1:29:53.160
<v Speaker 2>Okay, wait a second super Bowl XX was super Bowl

1:29:53.320 --> 1:29:54.799
<v Speaker 2>twenty one by the Giants.

1:29:55.800 --> 1:29:57.799
<v Speaker 3>Oh my gosh, really I want to google.

1:29:58.160 --> 1:30:01.280
<v Speaker 2>Oh it was the Patriots that lost by that. Yeah, okay, gotcha.

1:30:01.520 --> 1:30:04.320
<v Speaker 2>This is refrigerator Perry one. Okay.

1:30:04.640 --> 1:30:07.800
<v Speaker 1>Amy tells her that Fox is counterprogramming with America's worst

1:30:07.800 --> 1:30:11.320
<v Speaker 1>family atrocities. Alan butts in, you change that channel, You're

1:30:11.360 --> 1:30:12.639
<v Speaker 1>going to be on that program.

1:30:12.800 --> 1:30:15.000
<v Speaker 2>Good shot at Fox. By the way, at the time,

1:30:15.120 --> 1:30:16.960
<v Speaker 2>that was just a straight up shot.

1:30:16.760 --> 1:30:19.360
<v Speaker 4>Of yeah, you think the super Bowl this year and

1:30:19.400 --> 1:30:20.439
<v Speaker 4>that's maybe.

1:30:21.240 --> 1:30:23.360
<v Speaker 1>It was also in California, so it was probably a

1:30:23.400 --> 1:30:26.560
<v Speaker 1>big deal for Yeah.

1:30:25.840 --> 1:30:29.160
<v Speaker 2>But Fox at the time was doing like Worst Bear

1:30:29.200 --> 1:30:31.600
<v Speaker 2>Attacks and all that. Remember the shows that were like

1:30:31.880 --> 1:30:34.160
<v Speaker 2>so these were great. That was a great just shot

1:30:34.160 --> 1:30:34.960
<v Speaker 2>at Fox at the time.

1:30:35.040 --> 1:30:38.439
<v Speaker 1>Yeah, Eric and Allan start to cheer loudly in bump chests.

1:30:38.479 --> 1:30:41.840
<v Speaker 1>The rest of Chubbies joins in. Once the celebration calms down,

1:30:41.880 --> 1:30:44.920
<v Speaker 1>Phoene stands up and excitedly shouts, look at that. Alan

1:30:45.040 --> 1:30:47.880
<v Speaker 1>is confused, Look at what the play's over? Phoene explains,

1:30:47.920 --> 1:30:50.440
<v Speaker 1>he's looking at the crowd. Look at the boy holding.

1:30:50.160 --> 1:30:50.639
<v Speaker 3>Up the sign.

1:30:51.080 --> 1:30:53.960
<v Speaker 1>Corey notices it too, the one that says, hey, Phoenie,

1:30:54.240 --> 1:30:57.360
<v Speaker 1>nothing's impossible. He and Phoene look at each other, grinning

1:30:57.360 --> 1:31:01.760
<v Speaker 1>from ear to ear, and the audience sees none of it.

1:31:02.640 --> 1:31:06.200
<v Speaker 1>Where's that insert crowd?

1:31:07.600 --> 1:31:10.960
<v Speaker 3>All right, Well, we had a good run.

1:31:14.360 --> 1:31:17.360
<v Speaker 2>There's got to be a dud occasionally. You can't have

1:31:17.360 --> 1:31:18.200
<v Speaker 2>a banger every week.

1:31:18.280 --> 1:31:19.639
<v Speaker 4>I just don't know if this is a dud.

1:31:19.680 --> 1:31:21.840
<v Speaker 5>I think it's just a strange one, you know. And

1:31:21.880 --> 1:31:24.679
<v Speaker 5>I actually think if this had come earlier in season five,

1:31:24.760 --> 1:31:27.240
<v Speaker 5>we would have been probably delighted. Like if this came

1:31:27.280 --> 1:31:29.400
<v Speaker 5>after the first couple episodes, we'd be like, oh cool.

1:31:29.920 --> 1:31:33.840
<v Speaker 5>But the last this coming in a round of like

1:31:33.880 --> 1:31:37.600
<v Speaker 5>great Angela episodes and like sort of a return to

1:31:37.720 --> 1:31:39.719
<v Speaker 5>the sense of boy meets world magic.

1:31:40.120 --> 1:31:41.920
<v Speaker 4>This just felt this just felt.

1:31:41.640 --> 1:31:44.479
<v Speaker 3>Off yea off, Yeah, but you got to do it.

1:31:44.760 --> 1:31:45.719
<v Speaker 4>We really did pick it apart.

1:31:46.040 --> 1:31:48.719
<v Speaker 1>I feel like once, I feel like what I've realized

1:31:48.720 --> 1:31:51.519
<v Speaker 1>for a lot of our critiques on episodes is that

1:31:51.560 --> 1:31:56.440
<v Speaker 1>we feel like there could have been a simpler way

1:31:56.600 --> 1:32:01.720
<v Speaker 1>to get across the lesson, and this one feels like

1:32:02.280 --> 1:32:04.960
<v Speaker 1>they took an idea like I would have, and maybe

1:32:05.439 --> 1:32:07.040
<v Speaker 1>we would have been critical of it had it been

1:32:07.080 --> 1:32:09.200
<v Speaker 1>more of a romp. But an episode about trying to

1:32:09.240 --> 1:32:13.240
<v Speaker 1>get tickets to the Super Bowl sounds fun but mixed

1:32:13.280 --> 1:32:17.679
<v Speaker 1>with a real convoluted Feeney lesson.

1:32:18.160 --> 1:32:22.519
<v Speaker 2>Yeah, new director, new direct ca.

1:32:23.360 --> 1:32:27.599
<v Speaker 1>And a b story that maybe so Yeah, I think

1:32:27.760 --> 1:32:30.519
<v Speaker 1>I think maybe it needed a little bit of pairing down.

1:32:31.439 --> 1:32:34.479
<v Speaker 2>Yeah, maybe maybe it tried to do too much too many.

1:32:34.400 --> 1:32:37.200
<v Speaker 1>Las tried, yes, lots of spinning plates.

1:32:37.439 --> 1:32:39.599
<v Speaker 2>And I'd like to know where Sean is at this point.

1:32:39.760 --> 1:32:43.160
<v Speaker 2>I'd like to know where in his academic career he is,

1:32:43.200 --> 1:32:45.360
<v Speaker 2>because it's starting to change every week.

1:32:45.560 --> 1:32:46.960
<v Speaker 3>Right, I thought you were going to say you wanted

1:32:47.000 --> 1:32:49.040
<v Speaker 3>him to drop a pin. You want to know what I.

1:32:48.960 --> 1:32:50.840
<v Speaker 2>Always said, I know exactly where writers I have a

1:32:50.880 --> 1:32:53.120
<v Speaker 2>camera set up in his sear I know where.

1:32:53.560 --> 1:32:55.439
<v Speaker 3>You have a Google You're following him, right, I do.

1:32:56.520 --> 1:32:58.240
<v Speaker 2>I'm shutting it down tonight though, as he goes back

1:32:58.240 --> 1:32:59.360
<v Speaker 2>to naked sleeping.

1:33:00.080 --> 1:33:01.000
<v Speaker 3>Right, you don't want to see that.

1:33:02.200 --> 1:33:05.760
<v Speaker 5>We got into the car this weekend Alex and she

1:33:05.800 --> 1:33:07.800
<v Speaker 5>got an alert on her phone that was like you

1:33:07.880 --> 1:33:09.880
<v Speaker 5>were being followed by an air tag or there was

1:33:09.920 --> 1:33:13.000
<v Speaker 5>an air tag. We're like, what what did somebody? And

1:33:13.000 --> 1:33:14.880
<v Speaker 5>we're like sitting there going what is going on? And

1:33:14.920 --> 1:33:17.640
<v Speaker 5>then my son's friend from the back seat was like,

1:33:17.680 --> 1:33:19.080
<v Speaker 5>We're like, do you have an air taxit?

1:33:19.080 --> 1:33:19.200
<v Speaker 2>Oh?

1:33:19.240 --> 1:33:21.000
<v Speaker 4>Yeah, my mom has an air tag on my backpack.

1:33:21.120 --> 1:33:24.400
<v Speaker 5>But isn't that interesting? It warns yeah, stock that you

1:33:24.439 --> 1:33:25.920
<v Speaker 5>were like, somebody's tracking you.

1:33:26.080 --> 1:33:27.800
<v Speaker 4>I know, I had no idea yea, But.

1:33:27.800 --> 1:33:29.680
<v Speaker 5>Alex and I were like, what did somebody put one

1:33:29.680 --> 1:33:32.320
<v Speaker 5>in your car and took it? Took a little too

1:33:32.320 --> 1:33:33.880
<v Speaker 5>long for all of to pipe up in the backseat.

1:33:33.880 --> 1:33:35.040
<v Speaker 4>We're like, well, yeah, that would have been good.

1:33:35.320 --> 1:33:36.000
<v Speaker 3>That would have been Yeah.

1:33:36.200 --> 1:33:37.880
<v Speaker 1>When you heard us freaking out about the air tag,

1:33:37.960 --> 1:33:39.320
<v Speaker 1>maybe maybe mention that.

1:33:39.320 --> 1:33:40.080
<v Speaker 2>That's a great name.

1:33:40.840 --> 1:33:41.080
<v Speaker 3>Oli.

1:33:41.160 --> 1:33:45.000
<v Speaker 2>I'm a big fan of the I always.

1:33:44.200 --> 1:33:46.800
<v Speaker 1>Join us for our next episode recap, which is season five,

1:33:46.840 --> 1:33:48.040
<v Speaker 1>episode fourteen.

1:33:48.280 --> 1:33:50.799
<v Speaker 3>It's a big one heartbreak Corey.

1:33:51.160 --> 1:33:51.400
<v Speaker 4>Oh.

1:33:51.439 --> 1:33:56.400
<v Speaker 2>I saw this on the list intro to Lauren ski Lage.

1:33:56.240 --> 1:33:58.800
<v Speaker 3>Huge episode Ski Lodge.

1:33:58.840 --> 1:34:03.200
<v Speaker 2>Already Ski Lodge, Ski Lodge. Well, Topang and Corey have

1:34:03.240 --> 1:34:05.640
<v Speaker 2>been have been happy for like four episodes now, so

1:34:05.640 --> 1:34:08.280
<v Speaker 2>it's time for him to get some strange We all

1:34:08.320 --> 1:34:08.560
<v Speaker 2>know that.

1:34:09.120 --> 1:34:10.679
<v Speaker 3>Thank what's this question?

1:34:10.680 --> 1:34:14.280
<v Speaker 1>I know, Yeah, it's already Ski Lodge episode. So that

1:34:14.400 --> 1:34:17.800
<v Speaker 1>originally aired February sixth, nineteen ninety eight. So I was

1:34:17.960 --> 1:34:21.960
<v Speaker 1>right when we talked about when this aired January sixteenth.

1:34:22.120 --> 1:34:25.360
<v Speaker 1>We was our last episode before the super Bowl on

1:34:25.439 --> 1:34:28.160
<v Speaker 1>January twenty fifth. We didn't have another episode air until

1:34:28.160 --> 1:34:32.000
<v Speaker 1>February sixth, so this was our super Bowl episode.

1:34:32.000 --> 1:34:33.920
<v Speaker 4>Gotcha? All right?

1:34:34.200 --> 1:34:36.519
<v Speaker 1>Well, thank you all for joining us for this episode

1:34:36.560 --> 1:34:38.559
<v Speaker 1>of Podmeets World. As always, you can follow us on

1:34:38.560 --> 1:34:40.960
<v Speaker 1>Instagram pod meets World Show. You can send us your

1:34:40.960 --> 1:34:43.679
<v Speaker 1>emails pod meets World Show at gmail dot com. And

1:34:44.040 --> 1:34:46.680
<v Speaker 1>we're probably gonna have Taco March.

1:34:47.120 --> 1:34:50.960
<v Speaker 4>Miguel Yacom Taco Cossum March.

1:34:51.760 --> 1:34:57.720
<v Speaker 1>Dogo Pod Meets Worldshow dot com will send us out.

1:34:58.280 --> 1:35:02.439
<v Speaker 2>We love you all, pod dismissed. Podmets World is niheart

1:35:02.520 --> 1:35:05.920
<v Speaker 2>podcast producer and hosted by Danielle Fischel, Wilfredell and Ryder

1:35:05.960 --> 1:35:09.840
<v Speaker 2>Strong executive producers, Jensen Carp and Amy Sugarman, Executive in

1:35:09.920 --> 1:35:14.599
<v Speaker 2>charge of production, Danielle Romo, producer and editor, Tara sudbachsch producer,

1:35:14.680 --> 1:35:17.920
<v Speaker 2>Maddy Moore, engineer and Boy Meets World superfan Easton Allen.

1:35:18.120 --> 1:35:20.320
<v Speaker 2>Our theme song is by Kyle Morton of Typhoon and

1:35:20.360 --> 1:35:22.800
<v Speaker 2>you can follow us on Instagram at Podmeats World Show

1:35:23.040 --> 1:35:27.680
<v Speaker 2>or email us at Podmetsworldshow at gmail dot com