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Speaker 1: Hey, everyone, this episode of Boy Meets World is called

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Speaker 1: the Eskimo. We have talked about it briefly in a

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Speaker 1: previous podcast episode, but we are not gonna mention it

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Speaker 1: throughout the episode. But we are aware that the term

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Speaker 1: eskimo is a derogatory term seen by many as offensive.

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Speaker 1: So it was recorded during a different time and we're

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Speaker 1: not going to harp on it through the episode, but

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Speaker 1: we did just want to acknowledge that we know it

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Speaker 1: is not a term that would be used today.

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Speaker 2: So I don't know if either of you are aware

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Speaker 2: of this, but I'm I'm married a woman named Susan,

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Speaker 2: beautiful woman, and we have a dog named Sammy. Nice

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Speaker 2: and yeah, you're going to meet her some day, both

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Speaker 2: the dog and my wife. You're gonna like them both.

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Speaker 2: And so we walk Sammy twice a day. I usually

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Speaker 2: walk her in the morning, Susan joins me. Sometimes. That

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Speaker 2: conversation when Susan Susan joins me in the morning is

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Speaker 2: usually normal husband wife stuff. What what are we eating

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Speaker 2: later in the day, what's your day look like? Normal

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Speaker 2: stuff like that. At night when we walk her after dinner,

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Speaker 2: we've started to throw questions out at each other that

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Speaker 2: spark entirely new conversations.

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Speaker 3: Wow, spicing it up, spicing it up, and.

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Speaker 2: Exactly this is after dinner. Let's talk about the dinner

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Speaker 2: we just midnight exactly.

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Speaker 3: So I have I have saved three of my favorite.

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Speaker 2: Questions that have sparked conversation that I would like to

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Speaker 2: throw out to the two of you. Oh, I love

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Speaker 2: this great so question. The first, Okay, you wake up

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Speaker 2: tomorrow morning and there's a billion dollars in your bank account.

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Speaker 2: What is the first billion dollar baller thing you do?

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Speaker 2: And it can't be like we pay off our mortgage,

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Speaker 2: we put a put aside college. What's a frivolous baller

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Speaker 2: thing you buy or do or change your life with

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Speaker 2: the money you find in your account tomorrow.

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Speaker 4: I mean, it can't just be like buying a second

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Speaker 4: home is.

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Speaker 2: No, mean it can if you're like, we've always wanted

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Speaker 2: a home in London or something, so yeah, I mean

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Speaker 2: you could. You could definitely do something like that. Some

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Speaker 2: people it's the private jet, some people it's the boat. Like.

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Speaker 2: The reason I'm asking is because Sue and I had

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Speaker 2: exactly the same answer instantaneously.

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Speaker 5: Really hold on, let me se if I can guess

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Speaker 5: movie theater, buy your own movie theater.

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Speaker 4: No, okay, your own buffet close? Are you serious? Private chef, private.

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Speaker 2: Private chef, twenty four hour private chef, like full time

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Speaker 2: private chef, every meal cater to perfectly cooked. Would be

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Speaker 2: our first billionaire ball.

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Speaker 5: And you would never do a private jet because it

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Speaker 5: wouldn't be big enough to make you comfortable.

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Speaker 2: Yeah, even to me, that's they're kind of a waste

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Speaker 2: of money. The new the jets out there, like the

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Speaker 2: Delta United with the apartments on them. I get those nice.

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Speaker 2: I'd fly on those, So that's ours would be, would

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Speaker 2: be a private jef.

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Speaker 5: Wow, don't really my okay, Like my real answer is

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Speaker 5: just like acreage specific Northwest, like a bunch of acreage

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Speaker 5: as much as I could, just like Oregon. Yeah, oh yeah,

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Speaker 5: like land with water that is not going to burn

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Speaker 5: and be very valuable and you know, uh, fifty years

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Speaker 5: when no one can live in Los Angeles anymore.

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Speaker 4: That's like the practical answer.

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Speaker 5: But no, the the really ridiculous answer is I would

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Speaker 5: love to have brand new socks to wear every day,

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Speaker 5: Like if.

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Speaker 2: Every rest of your life, if I could just.

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Speaker 5: Open up a brand new pair of like clean, brand

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Speaker 5: new socks, and put them on every day because I've

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Speaker 5: had that thought.

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Speaker 4: I'm like every I hate I don't know, I just

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Speaker 4: love the idea of like, oh, these are brand news socks.

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Speaker 4: That's my ridiculous answer.

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Speaker 3: I mean.

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Speaker 1: A private chef's a really good one. I did think jet.

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Speaker 1: I did think jet, but also I thought pretty high

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Speaker 1: up there with private jet or private chef was diamond grill.

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Speaker 4: Smiled. I had to look at a diamond grill. I

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Speaker 4: was so disappointed. Would suck?

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Speaker 1: I kind of want like the dentures version of a

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Speaker 1: diamond grill.

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Speaker 4: What about like diamond shoes?

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Speaker 5: What if you could get like like diamond and crustalis

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Speaker 5: or something like that, because then you can.

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Speaker 1: Take well, maybe I would just put one diamond in

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Speaker 1: each tooth.

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Speaker 3: So my real ty just the diamond in. But with

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Speaker 3: diamonds oh.

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Speaker 4: Man, I find I find it so distracting.

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Speaker 3: Me too, But I get that nose rings.

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Speaker 2: I just then stare at your nostril the whole time

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Speaker 2: someone a nose rings.

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Speaker 4: I'm usually pretty cool with.

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Speaker 3: What about diamond things?

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Speaker 2: Oh my god, okay, vampire those are good though, Okay, okay, actually, wait, what.

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Speaker 4: Am I thinking?

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Speaker 5: I mean a library? Obviously I want like you know,

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Speaker 5: the full on beauty.

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Speaker 4: In the library with with with the one of the

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Speaker 4: ladders of course, just just just like a whole separate Okay,

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Speaker 4: so land somewhere in the Pacific Northwest that is just

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Speaker 4: a giant library. And then like a little cabin I

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Speaker 4: can live in, but then it's.

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Speaker 2: A cabin next to giant library.

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Speaker 4: Get to my own perfect beautiful like research libraries.

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Speaker 2: Okay, all right. Question the second you come into a

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Speaker 2: room and the room is empty, there's two switches, it's

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Speaker 2: about time. Yeah, no, it gets worse. It gets so

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Speaker 2: much worse. There's two switches and you have to switch

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Speaker 2: one of them on. One of them fills the room

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Speaker 2: with spiders. The other one fills the rooms with snakes.

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Speaker 2: Oh which one do you do?

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Speaker 1: Super easy for me, snakes, super easy, don't even have

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Speaker 1: to think.

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Speaker 2: But I do snakes too, Yeah, absolutely, Yeah, I.

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Speaker 5: Mean I don't love spiders at all, like I definitely,

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Speaker 5: but a whole room really tell.

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Speaker 3: Me this question? I feel I feel attacked. I feel attacked.

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Speaker 1: Yeah, I have my legs and grill, and anytime we

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Speaker 1: talk about anything, anytime there's spiders mentioned, I assume they're

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Speaker 1: all under whatever wherever my legs are that I can't see,

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Speaker 1: and now I'm scared to even be sitting in my house.

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Speaker 5: Which is there any sort of size parameters? Are we

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Speaker 5: talking spiders as big as a fist?

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Speaker 3: I'm not going to be like spiders?

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Speaker 4: Or is it just a diversity of.

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Speaker 3: Can I can I take my headphones off while suck?

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Speaker 5: I can't do the spiders have hair if they have hair,

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Speaker 5: but Danielle has taken off her headphones.

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Speaker 4: By the way, is.

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Speaker 1: Now officially you let me know, you give me thumbs up,

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Speaker 1: you make them give you the things.

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Speaker 2: Up when we're done talking about the spiders.

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Speaker 5: So really, what we're talking about here is Raiders of

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Speaker 5: the Lost Dark versus Temple of Doom.

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Speaker 3: Correct, because it was bugs exactly.

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Speaker 2: And and I think it's because Danielle can't hear what

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Speaker 2: we're saying. So we're just talking like and the fangs

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Speaker 2: are coming in like this, and she has no idea

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Speaker 2: what we're talking, locking her eyes too. Okay, good, all right,

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Speaker 2: so we all.

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Speaker 4: Right, I don't know. I think I I think I

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Speaker 4: might actually go spiders.

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Speaker 2: Okay, all right, we're good, We're good, everybody's answered there,

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Speaker 2: we go, Okay, question the third and this one. We

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Speaker 2: loved this one, but this one is very It takes

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Speaker 2: some thought, excluding the day you were married or the

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Speaker 2: birth of your children, and knowing you can't change anything,

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Speaker 2: what is the one day in your life you'd like

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Speaker 2: to relive?

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Speaker 4: Oh, can't change anything.

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Speaker 5: I really did have the thought this summer that I

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Speaker 5: was living like the greatest day of my life.

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Speaker 4: I might have told you guys about it, or even

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Speaker 4: talked about on the podcast. I don't remember.

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Speaker 5: But like, we woke up next to the Salmon River.

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Speaker 5: We had you know, just sort of boon dock like

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Speaker 5: camp out, and woke up just you know, the three

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Speaker 5: of us in our van, woke up, made some food,

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Speaker 5: drove a couple of miles to the spot, the secret

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Speaker 5: spot that a friend of mine had shared with me

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Speaker 5: on Google Maps, and he was like, you should stop here.

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Speaker 4: And this is an Idaho. He's like, you should stop here.

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Speaker 4: This is a great hot spring. And you know, Indy

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Speaker 4: was like, didn't want to have to hike, and we

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Speaker 4: were like, no, no, let's go. Let's go.

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Speaker 5: And we hiked like two miles to just about like

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Speaker 5: a quarter mile of cascading waterfalls nestled in this beautiful

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Speaker 5: mountainous valley and the waterfalls were hot springs, so they

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Speaker 5: were like one hundred and five degrees and it was

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Speaker 5: just like one of the most gorgeous, like satisfying ends

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Speaker 5: to a hike.

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Speaker 4: And then we like you know, had we had packed.

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Speaker 5: A lunch and we ate lunch and hung out in

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Speaker 5: this pool and the view was incredible, and it was

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Speaker 5: just being with my family and and then you know,

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Speaker 5: going back to our van, hitting the road and doing

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Speaker 5: another day.

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Speaker 4: But it was just like one of those like perfect days.

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Speaker 5: And I was sitting there like when we got back

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Speaker 5: from the Hot Springs, I turned to Alex I was like,

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Speaker 5: I think this might be the happiest day of my life. Wow,

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Speaker 5: And just like so, you know, I'm so in love

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Speaker 5: with my wife, I'm so just proud of my son

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Speaker 5: and just having a great time. I was like, oh, so,

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Speaker 5: I don't know, Like, yeah, that's and that was only

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Speaker 5: you know, two months ago or whatever.

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Speaker 3: That's a good one. It is a good one, Danielle.

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Speaker 2: What do you got.

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Speaker 3: Nothing but jealousy for a day like that?

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Speaker 1: Yeah, Yeah, sounds like a good day. I haven't had

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Speaker 1: one of those days in a while. Uh Man, I

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Speaker 1: don't know, that's really hard. I think I would. I

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Speaker 1: think it would probably be.

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Speaker 3: I don't know. I'm just between.

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Speaker 1: It is tough because obviously, now that I have kids,

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Speaker 1: all of my best days of like, I can't imagine

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Speaker 1: wanting to relive a day that didn't involve them. But also,

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Speaker 1: I think, knowing what I know now about and being

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Speaker 1: an adult, there are probably days that I had as

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Speaker 1: a kid that I would appreciate way more now to

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Speaker 1: relive now, because I would be like, Wow, you know

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Speaker 1: I wanted to be an adult so bad when I

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Speaker 1: was a kid.

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Speaker 3: Please, I just want to be an adult. I just

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Speaker 3: want to be an adult.

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Speaker 1: And I do love being an adult. I do think

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Speaker 1: being an adult is better than being a kid. But

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Speaker 1: I so didn't appreciate being a kid that I feel

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Speaker 1: like maybe.

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Speaker 3: I should have appreciated that more. So it's tough.

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Speaker 1: It's I also don't think my best days of parenting

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Speaker 1: are behind me. I still feel like my best days

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Speaker 1: of parenting, at least my hope, if even in general

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Speaker 1: for my own life, I'm always like, listen, my best

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Speaker 1: days are still in front of me. So if I

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Speaker 1: think about days I've had with my kids thus far,

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Speaker 1: although some of them have been great. I think my

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Speaker 1: best ones are still ahead of me, so I don't

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Speaker 1: know that i'd want to relive any of the ones

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Speaker 1: I've had now. I think I would pick something for

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Speaker 1: my childhood. It would probably be something from the Boy

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Speaker 1: Meets World time. I would probably relive one of those,

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Speaker 1: you know, the final Tape night, or one of the

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Speaker 1: days that we got to go to Disneyland, you know,

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Speaker 1: like when they shut the park down and it was

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Speaker 1: a yeah, and I got to be with friends, and

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Speaker 1: you know, I would probably be one of those. I

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Speaker 1: don't know that I can think of a specific day,

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Speaker 1: but something like.

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Speaker 3: That about you.

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Speaker 2: Mine is definitely I see that. Mine came right to

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Speaker 2: my head right away. It's, you know, other than the

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Speaker 2: day I got married, which again which is why you

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Speaker 2: exclude it, is the day I got Boy Me Twirl

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Speaker 2: is arguably the happiest day of my life. I was

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Speaker 2: with my dad. We were in Hollywood. You know, now

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Speaker 2: that you live here, it's like, oh, okay, you're in Hollywood

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Speaker 2: and you're by the the Groumand's Chinese Theater and you

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Speaker 2: see the handprints and it's kind of like it's old

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Speaker 2: hat now. But I'm sixteen. I just you know, pick

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Speaker 2: up a payphone and call my agent pack in New York,

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Speaker 2: thinking I had a terrible audition. He says, you got it,

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Speaker 2: and my dad and I are jumping up and down

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Speaker 2: in the street. I know the show has already been

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Speaker 2: picked up for thirteen episodes. It's not like we're shooting

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Speaker 2: a pilot. It was magic. It was magic. It's the

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Speaker 2: only way I can describe it. So that day, I think,

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Speaker 2: is the day that I would want to I mean,

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Speaker 2: there's a ton and unlike Danielle, all my best days

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Speaker 2: are behind me every day since Benett Tie for Downhill,

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Speaker 2: but this is that day. Awesome.

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Speaker 1: Yeah.

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Speaker 5: So what's interesting to me is like, you know, I

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Speaker 5: kind of had those moments with previous jobs before pointings.

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Speaker 4: Work right, like where I got something I was like, yes,

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Speaker 4: this is the best job, and then of course the

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Speaker 4: project doesn't work out, doesn't get picked up, and so

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Speaker 4: I don't think of that.

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Speaker 5: So it's interesting that your pick is still like a

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Speaker 5: resounding effect within your life.

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Speaker 2: Yeah, you know, like definitely, Yeah, that's it. So those

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Speaker 2: are those are walking questions and as more build up,

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Speaker 2: I will continue to keep the good ones. Yeah, and

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Speaker 2: we will we will go from there. I promise no

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Speaker 2: more of the S word.

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Speaker 1: Danielle, Okay, thanks, I can't handle any of those. I

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Speaker 1: really have to check.

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Speaker 2: Out rhymes with riders.

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Speaker 5: I won't.

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Speaker 1: I won't.

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Speaker 2: I won't do that anymore.

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Speaker 4: I promise, Thank you.

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Speaker 1: I appreciate it. Welcome to Pod meets World. I'm Danielle Fischel,

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Speaker 1: I'm Spiderstrong.

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Speaker 2: I will Fordell.

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Speaker 1: So welcome to today's episode. We are recapping season five, episode thirteen,

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Speaker 1: the Eskimo. It originally aired January sixteenth, nineteen ninety eight.

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Speaker 2: We're in ninety eight, We're in the eights? Were in

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Speaker 2: the remember the eights?

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Speaker 3: I kind of the synopsis.

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Speaker 1: Sean tries to win tickets to the Super Bowl while

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Speaker 1: Eric and Jack search for compatible soulmates. It was directed

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Speaker 1: by Lisa Gottlieb, her one and only episode of Boy

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Speaker 1: Meets World. She is best known as the director of

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Speaker 1: the nineteen eighty five comedy Just One of the Guys,

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Speaker 1: but also was involved in the casting of the classic.

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Speaker 3: Blues Brothers movie.

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Speaker 1: This was her last credited job directing, but she went

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Speaker 1: into the world of teaching, film and TV. What Stops

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Speaker 1: at Columbia and the University of Miami, and it was

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Speaker 1: written by Jeff Manel. Do you want to talk about

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Speaker 1: our overall thoughts?

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Speaker 2: First of all, I don't know how. I didn't know

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Speaker 2: at the time that she directed Just One of the Guys.

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Speaker 2: Just One of the Guys is one of the greatest

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Speaker 2: movies that does not hold up even slightly in the

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Speaker 2: world nowadays. But it was.

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Speaker 4: I don't know what it is.

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Speaker 2: Oh god, Just one of the Guys is one of

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Speaker 2: those bad eighties high school movies. So what it is.

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Speaker 2: It's about a girl who's writing for her school paper,

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Speaker 2: and the school paper in the school that she's at

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Speaker 2: doesn't want to print any of her articles. So to

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Speaker 2: write a good article, she dresses like a boy and

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Speaker 2: goes to another high school chick like me, essentially with

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Speaker 2: way more misogyny, a nudity, and weirdness.

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Speaker 1: Yeah, I think it's most kind of known as for like,

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Speaker 1: the first place people of.

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Speaker 3: That age saw boobs for the.

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Speaker 2: First time, it was it was it's up there with

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Speaker 2: Revenge of the Nerds, where you look back and you're like, ooh,

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Speaker 2: this doesn't age well at all.

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Speaker 4: But it's Just.

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Speaker 2: One of the Guys, so that, Yeah, I'm surprised I

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Speaker 2: didn't get a chance talk with her about that. Well,

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Speaker 2: to answer your question, I did not like this episode.

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Speaker 2: Uh oh, I was not was not a fan.

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Speaker 4: Wasn't Lisa part of the Disney a fellowship?

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Speaker 5: Yeah, it was a directing fellowship where they would bring

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Speaker 5: directors who hadn't done television along and they would shadow

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Speaker 5: for a couple episodes and then sometimes get an episode.

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Speaker 4: So I remember her.

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Speaker 5: Yeah, I think that's why she was around, because I

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Speaker 5: remember her being around before, and then.

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Speaker 4: It kind of being a big deal that she was

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Speaker 4: doing an episode. Yeah.

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Speaker 2: Yeah, I honestly did not even remember being I thought

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Speaker 2: I was not in this episode. When I remember the

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Speaker 2: people talking about the the Eskimo, you were like, I'm

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Speaker 2: not even in that one.

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Speaker 3: I'm like, this is gonna be great.

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Speaker 2: I get to sit back and watch and I and

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Speaker 2: and I didn't hate it by any stretch. My favorite

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Speaker 2: to Panga so far. I thought you, Danielle were great.

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Speaker 2: I thought your physical comedy was really really good. They

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Speaker 2: gave you something to do, you were part of the crew.

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Speaker 3: Loved that.

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Speaker 2: I thought the Feenie storyline of what he was actually

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Speaker 2: trying to teach I found to be very muddled in

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Speaker 2: this episode. I didn't I didn't really get it. What

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Speaker 2: happens at the end wasn't the assignment. I don't I

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Speaker 2: don't get what Phoenie was trying to teach. I found

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Speaker 2: that to be very strange. And then the bat story

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Speaker 2: was kind of thrown in, so it was we've had

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Speaker 2: some bangers in a row, and it's very hot. When

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Speaker 2: I was watching this episode, I'm sure that didn't make

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Speaker 2: me feel good either. Thirty eight degrees here at the house.

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Speaker 3: H'm murky.

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Speaker 2: Yeah, it wasn't it. I didn't hate it, but it

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Speaker 2: wasn't my favorite.

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Speaker 5: This is this is one of those episodes that people

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Speaker 5: mentioned to me a lot and I don't really remember,

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Speaker 5: and I'm always kind of surprised that it's like a touchstone.

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Speaker 4: Episode for yeah, some of our fans. And I remember thinking, like, oh, right,

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Speaker 4: there was that Eskimo episode.

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Speaker 5: What was that about? Like what was going on? And

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Speaker 5: then I remembered, of course the Super or Bowl scene

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Speaker 5: because we just had so much fun doing that one. Yeah,

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Speaker 5: but like connecting it, like why were we trying to

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Speaker 5: get Super Bowl tan? You know?

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Speaker 4: And so so it was I was excited.

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Speaker 5: I did to rewatch it. I ended up watching it twice.

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Speaker 5: I find this to be a very strange episode. I

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Speaker 5: just think it's weird. And yeah, I mean we can

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Speaker 5: get into why hopefully while we're in it, But it

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Speaker 5: was it was really off putting to me the first

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Speaker 5: time I watched it through, and that's why I wanted

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Speaker 5: to watch it again. I liked it better the second time.

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Speaker 5: So this might be the first episode that I've watched

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Speaker 5: twice in a row for this podcast, and so it's

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Speaker 5: it's really interesting.

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Speaker 4: It doesn't feel it feels unusual. It feels like a

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Speaker 4: distinct episode.

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Speaker 5: And I think that for some of our fans it

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Speaker 5: might be their favorite or one of their best.

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Speaker 4: But for me, I was just like, I don't I

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Speaker 4: don't know how I feel about this.

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Speaker 5: I think my big headline that I finally settled on

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Speaker 5: is this felt like a Girl meets World episode. Ah interesting,

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Speaker 5: and maybe you know, we can talk about why, but

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Speaker 5: it felt like a Girl meets World episode to me.

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Speaker 3: Interested You're right.

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Speaker 1: I didn't think about that, but you're right, it does

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Speaker 1: feel like a Girl meets World episode. I thought I

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Speaker 1: did not remember that Lisa had been part of the

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Speaker 1: Disney Fellowship program, but I thought there were some To me,

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Speaker 1: it was very obvious that it had been directed perhaps

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Speaker 1: by a first timer or someone who had never at

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Speaker 1: least never directed our show before.

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Speaker 4: Completely different camera style.

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Speaker 1: Completely different camera style, camera style usually when you've got

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Speaker 1: a show that's going, that's successful and doing well. One

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Speaker 1: of the greatest aspects of what we do, and I

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Speaker 1: hope that our listeners have felt it through this podcast,

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Speaker 1: is the collaborative nature of.

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Speaker 3: What we do.

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Speaker 1: It is a group of people who are great at

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Speaker 1: what they do, who love TV, who love the entertainment industry,

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Speaker 1: all coming together to support the same goal, which should

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Speaker 1: be putting out the best quality project you.

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Speaker 4: Can version story that you can't hYP and.

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Speaker 1: This and in this episode, I thought, some of what

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Speaker 1: is taking me out of being able to pay attention

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Speaker 1: to the episode were some of the camera choices which

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Speaker 1: maybe just felt more film style and not multi camera style.

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Speaker 1: And I thought, I wonder why no one said, let's

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Speaker 1: let's do this, let's reblock, let's back up.

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Speaker 2: I don't know, but either some of the blocking was

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Speaker 2: really blocking.

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Speaker 1: It was strange and it yeah, I I I do

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Speaker 1: remember filming and loving that kitchen scene, the super Bowl

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Speaker 1: scene so much fun.

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Speaker 3: When you get to talk about chucked across the room.

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Speaker 3: I do.

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Speaker 2: I was rounded. I was like, is there some kind

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Speaker 2: of matt I don't see because she's getting just tossed.

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Speaker 3: Yeah, and it was. It was so much fun. Yeah.

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Speaker 1: So okay, well let's we'll we'll get into detail as

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Speaker 1: we go. Let's jump into our guest stars. We have

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Speaker 1: Tico Wells as a morning Zoo host DJ Johnny Latte.

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Speaker 1: He appeared in movies like Universal Soldier and The Relic,

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Speaker 1: and some classic TV shows like The Cosby Show two

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Speaker 1: two seven and The Drew Carey Show.

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Speaker 3: Versal Soldier That's where I knew him from.

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Speaker 2: Oh my Gosh, she dies horrible death and Universal Soldier.

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Speaker 2: That's a van dam movie. Okay, he gets he gets

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Speaker 2: held down to the chair and a needle is thrust

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Speaker 2: right through his face, back up through his head and

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Speaker 2: out comes out his cheek.

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Speaker 3: Ooh, that's a big needle.

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Speaker 2: Yeah, Dolph Lundgren does bad things to that guy.

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Speaker 3: That's okay. From Okay, we have Mindy Spence's Jill.

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Speaker 1: She was also seen in Step by Step, Seventh, Heaven,

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Speaker 1: That seventy Show, and King of Queen's and appears to

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Speaker 1: have left the business in two thousand and five.

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Speaker 3: We also have.

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Speaker 1: Carolyn or Caroline Keenan as Carol. She was another nineties

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Speaker 1: TV regular with stops on Home Improvement, Step by Step,

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Speaker 1: and Friends, and was also seen in the Replacements and

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Speaker 1: most notably The Day After Tomorrow.

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Speaker 2: She's great. She's done a ton of stuff. She's great.

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Speaker 1: We have Greg Collins as Freezing Guy. Greg was an

444
00:20:51,600 --> 00:20:54,119
Speaker 1: All American football player at Notre Dame who went on

445
00:20:54,200 --> 00:20:56,280
Speaker 1: to play in the NFL for the forty nine Ers,

446
00:20:56,320 --> 00:20:59,600
Speaker 1: Bills and the Seahawks, only to become a prolific character

447
00:20:59,640 --> 00:21:04,400
Speaker 1: actor and stuntman. Listen to these nineties blockbusters. He appears

448
00:21:04,400 --> 00:21:10,080
Speaker 1: in The Rock, Armageddon, Independence Day, con Air, Godzilla, and

449
00:21:10,280 --> 00:21:12,359
Speaker 1: Enemy of the State. It reads like a list of

450
00:21:12,440 --> 00:21:16,800
Speaker 1: Danielle's favorite movie It is seriously, yes, was.

451
00:21:16,760 --> 00:21:20,240
Speaker 5: He like an on camera actor or a stunt performer

452
00:21:20,280 --> 00:21:21,040
Speaker 5: in those movies?

453
00:21:21,160 --> 00:21:21,400
Speaker 2: Both?

454
00:21:21,440 --> 00:21:25,040
Speaker 4: Both? Both both question yeah, I want to have had

455
00:21:25,240 --> 00:21:26,280
Speaker 4: many lines both Yeah.

456
00:21:26,359 --> 00:21:28,800
Speaker 2: Yeah, he's The second I saw him, I was like, oh,

457
00:21:28,840 --> 00:21:30,040
Speaker 2: this guy was in everything.

458
00:21:30,119 --> 00:21:31,520
Speaker 4: Yeah, he looks so familiar.

459
00:21:31,600 --> 00:21:34,600
Speaker 5: Besides, yeah, it's funny because I mean I obviously worked

460
00:21:34,640 --> 00:21:35,439
Speaker 5: with him in this scene.

461
00:21:35,480 --> 00:21:37,400
Speaker 4: But yeah, I was also like, no, I know him

462
00:21:37,400 --> 00:21:38,120
Speaker 4: from somewhere else.

463
00:21:38,160 --> 00:21:38,280
Speaker 2: Too.

464
00:21:38,400 --> 00:21:39,400
Speaker 4: Yeah, that's interesting.

465
00:21:39,840 --> 00:21:44,440
Speaker 1: We have Glenn Chin as Eskimo, another character actor best

466
00:21:44,520 --> 00:21:47,280
Speaker 1: known for his work in fifty First Dates, Natural Born

467
00:21:47,359 --> 00:21:50,800
Speaker 1: Killers and as the sumo wrestler and Naked Gun thirty

468
00:21:50,840 --> 00:21:54,040
Speaker 1: three and a third. Glenn passed away in twenty eighteen

469
00:21:54,200 --> 00:21:57,720
Speaker 1: at the age of seventy, and then our beloved stand

470
00:21:57,720 --> 00:22:00,560
Speaker 1: in Matt Kirkwood returns to the show, this time as

471
00:22:00,920 --> 00:22:03,240
Speaker 1: Lunatic John do.

472
00:22:03,240 --> 00:22:08,480
Speaker 4: You think it actually said in the scripture? And one Lunatic?

473
00:22:10,040 --> 00:22:13,399
Speaker 1: Then Max Miller as Bobby, So we jump into our recap.

474
00:22:13,400 --> 00:22:16,240
Speaker 1: In Phoenie's classroom, Phoene is passing out graded papers and

475
00:22:16,280 --> 00:22:19,200
Speaker 1: calls out Sean, he never turned his in. Corey pipes

476
00:22:19,280 --> 00:22:22,280
Speaker 1: up he can explain. Phoene stops him he was speaking

477
00:22:22,320 --> 00:22:25,400
Speaker 1: to mister Hunter. Corey continues, anyway, Sean and I think

478
00:22:25,440 --> 00:22:27,879
Speaker 1: so much alike that we decided to write one paper.

479
00:22:28,280 --> 00:22:31,679
Speaker 1: Phoene responds, then you wouldn't mind sharing your grade. Sean's

480
00:22:31,680 --> 00:22:34,600
Speaker 1: into it and enthusiastically asks what they got. Phoene says

481
00:22:34,600 --> 00:22:36,840
Speaker 1: it was a well thought out paper, so it deserves

482
00:22:36,880 --> 00:22:40,879
Speaker 1: a B. Sean nods, very fair. Phoene proceeds divided by

483
00:22:40,920 --> 00:22:43,240
Speaker 1: two and then he rips the paper in half. They

484
00:22:43,280 --> 00:22:44,399
Speaker 1: now both get a D.

485
00:22:45,880 --> 00:22:47,399
Speaker 3: It is upset. It's yeah, funny.

486
00:22:47,600 --> 00:22:50,080
Speaker 1: Also, I did that math exactly the same way, and

487
00:22:50,160 --> 00:22:51,959
Speaker 1: I was like, I'm not sure how math with letters

488
00:22:52,000 --> 00:22:53,640
Speaker 1: really make sense, but but it does.

489
00:22:53,680 --> 00:22:54,080
Speaker 3: It works.

490
00:22:54,160 --> 00:22:55,800
Speaker 4: But well it does.

491
00:22:55,960 --> 00:22:59,400
Speaker 5: You can translate GPA out of grade letters to pronounce

492
00:22:59,440 --> 00:23:03,560
Speaker 5: what four point is good. So there's a formula for

493
00:23:03,640 --> 00:23:04,320
Speaker 5: figuring this out.

494
00:23:04,640 --> 00:23:09,439
Speaker 2: Okay, Now, so we're back to Sean not wanting to

495
00:23:09,480 --> 00:23:10,240
Speaker 2: go to college.

496
00:23:10,280 --> 00:23:12,760
Speaker 4: I'm so, I'm so my head was spinning.

497
00:23:12,800 --> 00:23:15,399
Speaker 5: I'm like, where are we ex Seawan was going to

498
00:23:15,440 --> 00:23:17,840
Speaker 5: college and upset that Corey wasn't going to the same one.

499
00:23:18,240 --> 00:23:21,080
Speaker 5: I was just like, oh, we're just resetting, yeah, trying

500
00:23:21,080 --> 00:23:23,919
Speaker 5: to go went to college before and then was going

501
00:23:24,000 --> 00:23:24,919
Speaker 5: to study with Feenie.

502
00:23:25,040 --> 00:23:27,240
Speaker 2: That was how Nity walked back into the classroom. So

503
00:23:27,560 --> 00:23:30,159
Speaker 2: it's again now the Sean going to college or not

504
00:23:30,200 --> 00:23:32,000
Speaker 2: going to college is just whatever they need for the

505
00:23:32,040 --> 00:23:32,639
Speaker 2: episode at the.

506
00:23:32,640 --> 00:23:35,000
Speaker 5: Time, right, which is only a I mean, it's season

507
00:23:35,000 --> 00:23:37,600
Speaker 5: five is just a little dizzy because season four had

508
00:23:37,760 --> 00:23:41,000
Speaker 5: Eric's wanted to get into college as a consistent arc,

509
00:23:41,200 --> 00:23:43,359
Speaker 5: you know, and and how he was trying to do

510
00:23:43,440 --> 00:23:46,000
Speaker 5: it changed week to week, but it went from the

511
00:23:46,000 --> 00:23:47,960
Speaker 5: beginning of the season not getting to college to the

512
00:23:48,080 --> 00:23:50,359
Speaker 5: end of the season getting into college. Like that was

513
00:23:50,400 --> 00:23:53,600
Speaker 5: such a whereas with this, yeah, there's there's just no trajectory.

514
00:23:53,640 --> 00:23:54,600
Speaker 4: There's no clear trajector.

515
00:23:54,640 --> 00:23:59,560
Speaker 1: It also eliminates stakes because you want to care or

516
00:23:59,680 --> 00:24:03,199
Speaker 1: root for something, and like, if we know there's a

517
00:24:03,240 --> 00:24:06,080
Speaker 1: goal in mind and there's that tension of but is

518
00:24:06,119 --> 00:24:10,320
Speaker 1: it going to happen, this is just like hmmm, yeah,

519
00:24:10,800 --> 00:24:12,719
Speaker 1: you'll see what we'll see what we need by the end.

520
00:24:13,840 --> 00:24:17,280
Speaker 2: I also thought and again as the episode progressed and

521
00:24:17,320 --> 00:24:20,119
Speaker 2: I saw how sean heavy an episode this was. It

522
00:24:20,240 --> 00:24:25,640
Speaker 2: shows how well written Trina's character was and how important

523
00:24:25,640 --> 00:24:30,399
Speaker 2: Trina's character was, which I found myself missing Angela because

524
00:24:30,440 --> 00:24:32,080
Speaker 2: I was like, wait a minute, now we're talking about

525
00:24:32,080 --> 00:24:35,880
Speaker 2: something super important with Sean and she's nowhere to be found, right.

526
00:24:35,920 --> 00:24:38,880
Speaker 4: No reference to him even having a girlfriend, no talking.

527
00:24:38,640 --> 00:24:41,360
Speaker 2: And yeah, you'd want I want to see these important

528
00:24:41,400 --> 00:24:44,080
Speaker 2: life decisions now. Because the character is introduced so well

529
00:24:44,440 --> 00:24:47,639
Speaker 2: and because there's such chemistry, I now want her involved

530
00:24:47,760 --> 00:24:48,720
Speaker 2: in these stories.

531
00:24:49,400 --> 00:24:50,000
Speaker 4: So I missed.

532
00:24:50,080 --> 00:24:52,160
Speaker 2: I missed seeing Angela. Frankly, I was like that's weird.

533
00:24:52,240 --> 00:24:54,639
Speaker 2: Little it's not even there, so yeah, it was weird.

534
00:24:56,000 --> 00:24:58,720
Speaker 1: Corey's upset, but Seawan is smiling. All right, still fair.

535
00:24:59,080 --> 00:25:01,359
Speaker 1: Corey won't take it, mister Feenie. It's the middle of

536
00:25:01,400 --> 00:25:03,240
Speaker 1: our senior year. Why are you being so tough on

537
00:25:03,320 --> 00:25:06,320
Speaker 1: us with these assignments. Phoene's also had enough. You're right,

538
00:25:06,520 --> 00:25:09,480
Speaker 1: let's forget about those d's. Make it to F's t

539
00:25:09,600 --> 00:25:12,240
Speaker 1: Panga gets involved, begging mister Feene not to fail them.

540
00:25:12,400 --> 00:25:16,359
Speaker 1: Phoene sighs ah. The Third Musketeer chimes in to Panga

541
00:25:16,400 --> 00:25:18,720
Speaker 1: insists and f follows you around for the rest of

542
00:25:18,760 --> 00:25:21,600
Speaker 1: your life. Corey's figured it out. We'll take your d's.

543
00:25:21,760 --> 00:25:25,479
Speaker 1: Our college applications are already in. Sean mutters, yeah, well

544
00:25:25,680 --> 00:25:28,719
Speaker 1: yours are. Corey is shocked, especially since he filled out

545
00:25:28,720 --> 00:25:32,280
Speaker 1: Shawn's applications for him. Sean rolls his eyes. Don't start.

546
00:25:32,640 --> 00:25:34,760
Speaker 1: What's the point People like me don't go to college.

547
00:25:35,440 --> 00:25:39,280
Speaker 1: So yeah, this is We've already had this conversation. Also,

548
00:25:39,359 --> 00:25:40,760
Speaker 1: you went to college and.

549
00:25:40,800 --> 00:25:42,320
Speaker 4: You loved it college.

550
00:25:42,520 --> 00:25:46,800
Speaker 1: Yeah, so, Phoene explains, do your assignments, mister Hunter, and

551
00:25:46,840 --> 00:25:49,719
Speaker 1: you'll go to college. Well maybe, but Sean wonders how

552
00:25:49,720 --> 00:25:51,800
Speaker 1: he'll be able to afford it if he gets in.

553
00:25:52,000 --> 00:25:54,879
Speaker 1: There's so many things standing in the way. I did

554
00:25:55,160 --> 00:25:59,760
Speaker 1: appreciate this being a factor that could be in Shawn's mind.

555
00:26:00,280 --> 00:26:04,240
Speaker 1: I did appreciate, yes, the introduction to the idea that

556
00:26:04,320 --> 00:26:07,600
Speaker 1: it's not whether or not Sean just wants to or

557
00:26:07,680 --> 00:26:11,880
Speaker 1: has the drive, to the actual reality of how will

558
00:26:11,920 --> 00:26:14,000
Speaker 1: I even afford it? I would have to apply for

559
00:26:14,320 --> 00:26:18,000
Speaker 1: grants and then loans and jobs, two jobs and working

560
00:26:18,160 --> 00:26:20,560
Speaker 1: like that. I love bringing that in.

561
00:26:20,680 --> 00:26:22,439
Speaker 4: Let's bring that them.

562
00:26:24,280 --> 00:26:25,479
Speaker 3: Oh good question.

563
00:26:26,000 --> 00:26:28,639
Speaker 1: How Sean paying for that big, old, fancy apartment that

564
00:26:28,680 --> 00:26:30,680
Speaker 1: he's in that he's never never.

565
00:26:30,520 --> 00:26:32,280
Speaker 2: There on the river with three bedrooms.

566
00:26:32,400 --> 00:26:35,480
Speaker 1: Yeah, but I guess is it is? It is the

567
00:26:35,520 --> 00:26:37,600
Speaker 1: idea that Jack's covering.

568
00:26:37,840 --> 00:26:38,960
Speaker 4: Might be helping a bit.

569
00:26:39,160 --> 00:26:43,000
Speaker 1: Maybe, Yeah, Jack's paying for the apartment, so Sean's.

570
00:26:42,880 --> 00:26:46,760
Speaker 3: Maybe the mob that he's.

571
00:26:46,600 --> 00:26:49,960
Speaker 2: Still He's still dropping off boxes down by the docks,

572
00:26:49,960 --> 00:26:52,920
Speaker 2: He's still working at Keller Mars. There's a lot going on.

573
00:26:53,960 --> 00:26:56,600
Speaker 4: He's so busy, got that side gig as a surgeon.

574
00:26:57,800 --> 00:26:59,920
Speaker 2: Babies, so much going on.

575
00:27:01,320 --> 00:27:04,080
Speaker 4: What do you guys think was the pitch for this?

576
00:27:04,240 --> 00:27:06,639
Speaker 4: A storyline? Like? What is the like what was the

577
00:27:06,680 --> 00:27:08,720
Speaker 4: germ of the idea? Like what in the writer's room?

578
00:27:08,760 --> 00:27:11,080
Speaker 4: What did they say? I The only thing I.

579
00:27:11,000 --> 00:27:12,920
Speaker 5: Could think is like what if they have to stand

580
00:27:12,920 --> 00:27:15,639
Speaker 5: on a billboard? Like is did they start with that

581
00:27:16,200 --> 00:27:19,440
Speaker 5: or was it? Because it's it's a very bizarre set

582
00:27:19,440 --> 00:27:22,240
Speaker 5: of circumstances to get us to a place where you

583
00:27:22,280 --> 00:27:24,840
Speaker 5: do have some good scenes like this, the set piece

584
00:27:24,880 --> 00:27:27,320
Speaker 5: of the billboard is interesting and kind of funny and weird,

585
00:27:27,680 --> 00:27:30,080
Speaker 5: and then you have the great kitchen scene with the

586
00:27:30,119 --> 00:27:33,600
Speaker 5: super Bowl like getting the super Bowl tickets and Topanga

587
00:27:33,680 --> 00:27:35,840
Speaker 5: not being able to help. But I'm just wondering, like

588
00:27:35,880 --> 00:27:38,679
Speaker 5: what the genesis of this storyline is, because it's it's

589
00:27:38,760 --> 00:27:41,080
Speaker 5: it's really weird, right, why do you pitch it?

590
00:27:41,160 --> 00:27:42,560
Speaker 2: How do you best in this episode?

591
00:27:42,640 --> 00:27:43,400
Speaker 4: Yeah? What do you say?

592
00:27:43,480 --> 00:27:44,119
Speaker 2: Like I don't know.

593
00:27:44,880 --> 00:27:47,119
Speaker 5: Feenie is really hard on them and they have to

594
00:27:48,200 --> 00:27:51,120
Speaker 5: defy their own characters, like you know, like what like oh,

595
00:27:51,680 --> 00:27:56,119
Speaker 5: Corey's gotta not help Sean and and Tipanga's gotta stay out,

596
00:27:56,160 --> 00:27:58,280
Speaker 5: you know, be quiet, and Sean's got to do something

597
00:27:58,280 --> 00:28:01,160
Speaker 5: impossible on his own. Like that is such an abstract

598
00:28:01,680 --> 00:28:04,679
Speaker 5: character based concept, and that's I think that's why it

599
00:28:04,680 --> 00:28:06,159
Speaker 5: reminded me of Girl Meets World because I feel like

600
00:28:06,160 --> 00:28:08,439
Speaker 5: Girl Meats World really lived in this zone of like

601
00:28:08,960 --> 00:28:11,680
Speaker 5: self awareness of characters kind of spinning their wheels about

602
00:28:11,720 --> 00:28:15,239
Speaker 5: their own characters, and like building a story out of

603
00:28:15,240 --> 00:28:17,359
Speaker 5: those characters wheel spinning.

604
00:28:17,640 --> 00:28:19,000
Speaker 4: And that's what this episode is.

605
00:28:19,040 --> 00:28:21,480
Speaker 5: And it's it's not the same thing as a propulsive

606
00:28:21,520 --> 00:28:22,760
Speaker 5: plot that reveals character.

607
00:28:23,080 --> 00:28:24,400
Speaker 4: It's a plot built.

608
00:28:24,119 --> 00:28:28,399
Speaker 5: Around characters and their flaws already and like then it

609
00:28:28,440 --> 00:28:29,920
Speaker 5: doesn't even change them.

610
00:28:30,080 --> 00:28:32,840
Speaker 4: It's a very it's a weird storytelling mode. I just can't.

611
00:28:33,040 --> 00:28:35,399
Speaker 1: The Super Bowl this year in nineteen ninety eight was

612
00:28:35,480 --> 00:28:39,000
Speaker 1: January twenty fifth, This air the sixteenth. I bet it

613
00:28:39,080 --> 00:28:42,840
Speaker 1: was literally the same way they plan around holidays. They

614
00:28:42,840 --> 00:28:45,520
Speaker 1: were like, let's see the Super super Bowl episode. Let's

615
00:28:45,560 --> 00:28:48,200
Speaker 1: do an episode to air the Supertowl, and they have

616
00:28:48,280 --> 00:28:50,040
Speaker 1: to get tickets and then it's like, well, what do

617
00:28:50,080 --> 00:28:50,880
Speaker 1: they each have to do?

618
00:28:51,000 --> 00:28:53,520
Speaker 3: And then you know, eight.

619
00:28:53,600 --> 00:28:55,840
Speaker 2: Ninety eight, the bronc goes one.

620
00:28:56,040 --> 00:28:58,080
Speaker 1: Right, Oh my god, will God will?

621
00:28:58,160 --> 00:28:58,959
Speaker 4: That would be crazy.

622
00:28:59,120 --> 00:29:04,160
Speaker 1: Let's see Bowl champ the Green Bay Packers versus the

623
00:29:04,240 --> 00:29:08,360
Speaker 1: Denver Broncos. The Broncos defeated the Packers thirty one to

624
00:29:08,400 --> 00:29:09,000
Speaker 1: twenty four?

625
00:29:09,160 --> 00:29:10,920
Speaker 4: What was ninety nine? Who won? Ninety nine?

626
00:29:11,440 --> 00:29:11,800
Speaker 3: Will?

627
00:29:12,640 --> 00:29:14,440
Speaker 2: Who won in ninety n I don't remember ninety nine

628
00:29:14,440 --> 00:29:16,960
Speaker 2: because ninety seven ninety eight was when John Elway finally

629
00:29:16,960 --> 00:29:19,160
Speaker 2: won his two Super Bowls. That's why had those stick out.

630
00:29:19,280 --> 00:29:22,560
Speaker 2: This was after the Cowboys run in the early nineties

631
00:29:22,560 --> 00:29:26,280
Speaker 2: of what ninety three ninety four? So yeah, I don't

632
00:29:26,280 --> 00:29:27,680
Speaker 2: remember who won A nine nine. Actually it might have

633
00:29:27,720 --> 00:29:29,480
Speaker 2: been Green Bay. It might have won in ninety nine.

634
00:29:29,880 --> 00:29:32,360
Speaker 1: No, it was the Broncos against the Falcons, and the

635
00:29:32,360 --> 00:29:33,280
Speaker 1: Broncos won again.

636
00:29:33,320 --> 00:29:34,320
Speaker 3: They so they won.

637
00:29:35,800 --> 00:29:37,200
Speaker 2: Ninety seven ninety eight that's what it was.

638
00:29:37,280 --> 00:29:38,480
Speaker 3: Yeah, ninety eight ninety nine.

639
00:29:38,520 --> 00:29:38,760
Speaker 6: Wow.

640
00:29:38,840 --> 00:29:42,160
Speaker 1: Wow, another new thing we learned about Bill?

641
00:29:42,280 --> 00:29:43,000
Speaker 3: Bill? Who's Bill?

642
00:29:43,440 --> 00:29:44,360
Speaker 4: Who's Bill?

643
00:29:44,640 --> 00:29:44,760
Speaker 5: Hi?

644
00:29:44,840 --> 00:29:46,080
Speaker 3: Bill, Nice to meet you.

645
00:29:46,800 --> 00:29:47,880
Speaker 2: It's nice to meet you too.

646
00:29:48,400 --> 00:29:48,880
Speaker 4: It was good call.

647
00:29:49,040 --> 00:29:52,720
Speaker 3: I'm not good Billy All Billy. Oh, that was originally

648
00:29:52,720 --> 00:29:55,240
Speaker 3: supposed to be my name. Really, yeah, it's to be

649
00:29:55,640 --> 00:29:56,120
Speaker 3: or Billy.

650
00:29:56,440 --> 00:29:58,720
Speaker 2: But my brother's favorite show was Lost in Space, so

651
00:29:58,720 --> 00:30:00,960
Speaker 2: they named me after Will Robinson Danger Will Robinson fro

652
00:30:00,960 --> 00:30:03,200
Speaker 2: Lost in Space. I was named after a television character.

653
00:30:03,320 --> 00:30:05,640
Speaker 4: Thought have you ever gone? By? William?

654
00:30:06,240 --> 00:30:11,040
Speaker 2: When I do something wrong? Doesn't know that my older

655
00:30:11,320 --> 00:30:13,360
Speaker 2: my mom calls me William, and my older brother Gary

656
00:30:13,400 --> 00:30:14,120
Speaker 2: a lot of times.

657
00:30:13,880 --> 00:30:15,600
Speaker 3: Calls that's cute.

658
00:30:16,080 --> 00:30:18,120
Speaker 1: So Sean goes on to question why they're doing all

659
00:30:18,120 --> 00:30:20,440
Speaker 1: these assignments in the first place. It's just busy work.

660
00:30:20,560 --> 00:30:23,000
Speaker 1: What could we possibly be left to learn? Phoene gives

661
00:30:23,040 --> 00:30:26,200
Speaker 1: him a death stare obviously disturbed by a comment like that.

662
00:30:26,640 --> 00:30:29,000
Speaker 1: And right here is where some of the stuff started,

663
00:30:29,000 --> 00:30:31,400
Speaker 1: where I was like, oh, new director. Here lots of

664
00:30:31,440 --> 00:30:36,640
Speaker 1: super close shots, close up and blocked, weird blocking, and we're.

665
00:30:36,560 --> 00:30:39,800
Speaker 5: Stacked at but where she brought the camera into the

666
00:30:39,840 --> 00:30:43,720
Speaker 5: sephomore So we're inside the set doing these raking like

667
00:30:43,800 --> 00:30:46,800
Speaker 5: two shots with close ups. It's a lot of singles,

668
00:30:46,840 --> 00:30:49,360
Speaker 5: a lot closer. Everything is played as if it's a

669
00:30:49,400 --> 00:30:50,240
Speaker 5: single camera show.

670
00:30:50,360 --> 00:30:52,360
Speaker 2: Yes, all right, but it also looks like when you've

671
00:30:52,400 --> 00:30:55,520
Speaker 2: got Danielle who's who's not the tallest person in the world,

672
00:30:55,560 --> 00:30:57,880
Speaker 2: and you've got it stacked. It looks like she's trying

673
00:30:57,920 --> 00:31:01,200
Speaker 2: to find her lens like I'm I'm leaning forward to

674
00:31:01,240 --> 00:31:03,880
Speaker 2: be on camera the whole time. It was very off putting.

675
00:31:04,120 --> 00:31:05,560
Speaker 4: My feeling is that we did not do this in

676
00:31:05,560 --> 00:31:06,520
Speaker 4: front of a live audience.

677
00:31:06,680 --> 00:31:09,479
Speaker 5: It feels it feels the lower energy and like a

678
00:31:09,480 --> 00:31:11,920
Speaker 5: little over rehearsed to me, and you know, there's there's

679
00:31:11,920 --> 00:31:15,120
Speaker 5: like a lack of an organic quality that usually follows

680
00:31:15,120 --> 00:31:17,280
Speaker 5: a lot of our show, or that accompanies a lot

681
00:31:17,320 --> 00:31:19,480
Speaker 5: of our show. And I couldn't help but think, oh,

682
00:31:19,480 --> 00:31:22,320
Speaker 5: it's because because she was really worried about camera and

683
00:31:22,360 --> 00:31:24,920
Speaker 5: like she was thinking about it more and again that

684
00:31:24,960 --> 00:31:27,400
Speaker 5: reminded me of Girl Meets World, because when directing Girl

685
00:31:27,400 --> 00:31:29,760
Speaker 5: Meets World, we did a lot of stuff to try

686
00:31:29,760 --> 00:31:31,520
Speaker 5: and get these kinds of shots, because this is a

687
00:31:31,560 --> 00:31:36,040
Speaker 5: more contemporary multi camera style, like you know nowadays they

688
00:31:36,080 --> 00:31:38,200
Speaker 5: try and get single like Disney Channel would always be

689
00:31:38,200 --> 00:31:40,440
Speaker 5: like I need to see both eyes of her character.

690
00:31:40,640 --> 00:31:42,760
Speaker 5: You don't let play things play in a wide you know,

691
00:31:42,760 --> 00:31:44,920
Speaker 5: to try and make it feel less like a play

692
00:31:45,040 --> 00:31:49,400
Speaker 5: less theatrical that's become the more contemporary style. It feels

693
00:31:49,440 --> 00:31:52,800
Speaker 5: weird and boy, like I miss the you know, the

694
00:31:52,880 --> 00:31:55,720
Speaker 5: sort of big wide shots where you see everybody's reaction

695
00:31:55,800 --> 00:31:56,320
Speaker 5: to each other.

696
00:31:56,720 --> 00:31:59,640
Speaker 4: This is like I don't get to see Phoene's face until.

697
00:31:59,400 --> 00:32:01,240
Speaker 5: It cuts to him, you know, when he and Danielle

698
00:32:01,240 --> 00:32:03,480
Speaker 5: are come and it's like right, you want to. I

699
00:32:03,600 --> 00:32:05,760
Speaker 5: like seeing people engaging with each other in the same shot.

700
00:32:05,840 --> 00:32:07,560
Speaker 5: That feels like more boys.

701
00:32:07,200 --> 00:32:07,640
Speaker 4: World to me.

702
00:32:07,720 --> 00:32:12,160
Speaker 1: Mm hmm, yeah, I agree. Corey begins the damage control.

703
00:32:12,240 --> 00:32:14,080
Speaker 1: He just means, we've been here four years and there's

704
00:32:14,080 --> 00:32:16,080
Speaker 1: nothing really left that you can teach us. This does

705
00:32:16,120 --> 00:32:19,360
Speaker 1: not make Feenie any calmer. Sean is stunned. Whoa look

706
00:32:19,360 --> 00:32:22,840
Speaker 1: at Phoenie, Man, Pheenie, you okay? Phoene's stare never breaks.

707
00:32:23,080 --> 00:32:26,640
Speaker 1: Corey whispers, this is the moment we talked about. Sean nods, yeah,

708
00:32:26,720 --> 00:32:29,880
Speaker 1: he's definitely gonna blow. Phoenie commands the boys stand up

709
00:32:29,880 --> 00:32:32,320
Speaker 1: and asks the rest of the class to leave. Cory

710
00:32:32,320 --> 00:32:34,960
Speaker 1: and Sean know this is bad. Tapanga tries to talk

711
00:32:35,000 --> 00:32:37,520
Speaker 1: Feenie down. Can't you give them a makeup assignment instead

712
00:32:37,520 --> 00:32:40,320
Speaker 1: of failing them? Feenie adds you'd better stay too, you

713
00:32:40,400 --> 00:32:43,200
Speaker 1: little control freak, And I liked at least that finally

714
00:32:43,200 --> 00:32:45,880
Speaker 1: we're just calling to Panga out for here's her new character.

715
00:32:46,400 --> 00:32:48,719
Speaker 3: Control freak to Panga this.

716
00:32:48,920 --> 00:32:53,080
Speaker 2: I thought I got optimistic at this point because I

717
00:32:53,120 --> 00:32:56,960
Speaker 2: was like, ooh, angry Feenie. Something we haven't really seen

718
00:32:57,000 --> 00:32:59,840
Speaker 2: a whole lot of Yeah, dressing down the kids for

719
00:33:00,120 --> 00:33:04,120
Speaker 2: kind of being laxadaisical in class. And I was like, ooh, okay,

720
00:33:04,120 --> 00:33:06,640
Speaker 2: this could really go somewhere, and then it kind of didn't,

721
00:33:06,840 --> 00:33:08,680
Speaker 2: and I was like, right, oh okay.

722
00:33:08,760 --> 00:33:12,000
Speaker 1: Right to Panga gasps and steps back. Phoene addresses the

723
00:33:12,000 --> 00:33:14,280
Speaker 1: three of them. So, just because you sent in your

724
00:33:14,280 --> 00:33:16,720
Speaker 1: college applications and nothing that I teach you from now

725
00:33:16,720 --> 00:33:19,720
Speaker 1: on means anything to Panga nods. I was just having

726
00:33:19,800 --> 00:33:22,600
Speaker 1: this discussion with them the other day. An angry Phenie

727
00:33:22,640 --> 00:33:26,040
Speaker 1: interrupts her quiet. She whimpers, you yelled at me, But

728
00:33:26,120 --> 00:33:30,200
Speaker 1: I'm Topanga and this again, this is very interesting blocking.

729
00:33:30,360 --> 00:33:31,280
Speaker 1: I'm barely even in.

730
00:33:31,240 --> 00:33:33,760
Speaker 3: The shot you can't see. It's like they you're on

731
00:33:33,880 --> 00:33:35,480
Speaker 3: stilt trying to look around.

732
00:33:35,520 --> 00:33:38,400
Speaker 2: It was we I mean, it makes me always wonder

733
00:33:38,960 --> 00:33:42,440
Speaker 2: why this take, Like what are the other docks about?

734
00:33:42,520 --> 00:33:44,840
Speaker 2: Like if this is the one you're using, it was right?

735
00:33:45,160 --> 00:33:48,200
Speaker 1: Yeah, So Phoene turns to Sean. I want this assignment

736
00:33:48,240 --> 00:33:50,960
Speaker 1: brought to my house by five pm this afternoon. Sean's

737
00:33:50,960 --> 00:33:55,440
Speaker 1: taken aback this afternoon today, that's impossible. Phoene walks towards

738
00:33:55,440 --> 00:33:58,280
Speaker 1: his chalkboard. Corey's worried. Shawn is still shocked that Phoene

739
00:33:58,360 --> 00:34:00,600
Speaker 1: asked him to do something completely impassive. He might as

740
00:34:00,600 --> 00:34:02,080
Speaker 1: well ask him to come up with tickets to the

741
00:34:02,080 --> 00:34:05,880
Speaker 1: super Bowl. Meanwhile, Phoenie has written impossible on the chalkboard.

742
00:34:06,080 --> 00:34:08,080
Speaker 1: He tells Sean his new assignment is to come up

743
00:34:08,120 --> 00:34:09,920
Speaker 1: with two tickets to the super Bowl by the end

744
00:34:09,960 --> 00:34:13,560
Speaker 1: of the week. Corey laughs, this is completely ridiculous. Phoene

745
00:34:13,560 --> 00:34:16,719
Speaker 1: cuts them off quiet. Corey frowns, You yelled at me,

746
00:34:17,080 --> 00:34:18,040
Speaker 1: but I'm Topanga.

747
00:34:18,480 --> 00:34:19,080
Speaker 2: That was funny.

748
00:34:19,239 --> 00:34:22,120
Speaker 1: Tapanga asks mister Feenie why he's so upset, and Phoene

749
00:34:22,120 --> 00:34:24,680
Speaker 1: tells her she has an assignment as well, but out

750
00:34:24,719 --> 00:34:28,600
Speaker 1: of other people's lives for one week. Otherwise you get

751
00:34:28,640 --> 00:34:32,320
Speaker 1: an f t Penga gasps again, but I've never failed before.

752
00:34:32,640 --> 00:34:35,760
Speaker 1: Phoene tells her there's a first time for everything. Corey laughs.

753
00:34:36,040 --> 00:34:39,880
Speaker 1: That argument doesn't get you anywhere with her. Great joke

754
00:34:40,440 --> 00:34:42,360
Speaker 1: is a funny joke, gast joke of the show, of

755
00:34:42,719 --> 00:34:43,760
Speaker 1: the episode, of the episode.

756
00:34:44,280 --> 00:34:45,000
Speaker 3: That's a funny joke.

757
00:34:45,040 --> 00:34:46,840
Speaker 1: And you know what's funny is that I didn't remember

758
00:34:46,880 --> 00:34:49,040
Speaker 1: what the context of the joke was.

759
00:34:49,080 --> 00:34:50,280
Speaker 3: I've seen that before.

760
00:34:50,360 --> 00:34:53,000
Speaker 1: Like I've seen that, I've seen that written, I've seen

761
00:34:53,040 --> 00:34:56,280
Speaker 1: people make like talk about that, and I have thought

762
00:34:56,760 --> 00:34:59,960
Speaker 1: I don't find it funny. It's annoying that he constantly

763
00:35:00,280 --> 00:35:02,520
Speaker 1: talking about how far he wants to get with the panga.

764
00:35:02,600 --> 00:35:05,040
Speaker 3: It's just kind of annoying. I think it's kind of gross.

765
00:35:05,320 --> 00:35:07,280
Speaker 2: And then the way.

766
00:35:07,120 --> 00:35:09,400
Speaker 1: It was in the scene and the way I was like,

767
00:35:09,800 --> 00:35:11,960
Speaker 1: that's funny, that's a good joke.

768
00:35:11,880 --> 00:35:12,560
Speaker 3: That's a good job.

769
00:35:13,000 --> 00:35:15,040
Speaker 5: Yeah. I don't know, really this is better than the

770
00:35:15,080 --> 00:35:19,440
Speaker 5: Balkans or I think this is when soup, I mean

771
00:35:19,480 --> 00:35:20,720
Speaker 5: when he says okay, sup.

772
00:35:20,560 --> 00:35:23,359
Speaker 3: Okay, okay, soup is great too.

773
00:35:23,480 --> 00:35:25,960
Speaker 5: I wish Ben it held for like another five seconds,

774
00:35:26,239 --> 00:35:28,399
Speaker 5: but it was such a great joke. And then even

775
00:35:28,400 --> 00:35:31,200
Speaker 5: the guy saying you've ruined billboards for me. I know

776
00:35:31,920 --> 00:35:34,320
Speaker 5: there's some witty stuff in this episode.

777
00:35:34,040 --> 00:35:36,080
Speaker 2: There is, but that joke that to me is up

778
00:35:36,080 --> 00:35:38,719
Speaker 2: there with like the I get I get as sick

779
00:35:38,760 --> 00:35:40,040
Speaker 2: as you can get without.

780
00:35:40,920 --> 00:35:43,920
Speaker 5: My favorite is that that Ben looks to me and

781
00:35:43,960 --> 00:35:45,680
Speaker 5: I just give him the space like yeah, I heard you,

782
00:35:46,040 --> 00:35:49,520
Speaker 5: like like he's somebody noticed, Like like it was almost

783
00:35:49,520 --> 00:35:51,360
Speaker 5: like did you get it?

784
00:35:51,400 --> 00:35:51,840
Speaker 4: Do you get it?

785
00:35:51,840 --> 00:35:54,839
Speaker 5: Do you get I'm talking about talking about I'm talking

786
00:35:54,840 --> 00:35:57,480
Speaker 5: about you know, and I just go, I gotcha, Like

787
00:35:57,840 --> 00:36:00,520
Speaker 5: it's We're all I had of you, dude, Like that

788
00:36:00,640 --> 00:36:02,600
Speaker 5: is that was funny?

789
00:36:02,840 --> 00:36:03,480
Speaker 2: So funny.

790
00:36:03,520 --> 00:36:06,600
Speaker 1: Now, Phoene addresses Cory, since you feel so responsible for

791
00:36:06,680 --> 00:36:09,399
Speaker 1: your friends, I put their fate in your hands if

792
00:36:09,440 --> 00:36:11,920
Speaker 1: either of them fails, So do you. With that, he

793
00:36:11,960 --> 00:36:14,080
Speaker 1: storms out of the classroom, giving Sean a little shove

794
00:36:14,160 --> 00:36:17,880
Speaker 1: and leaving the three in shock. Sean sarcastically says, thanks

795
00:36:17,920 --> 00:36:21,880
Speaker 1: a lot to Panga, and that starts a little runner

796
00:36:21,920 --> 00:36:22,719
Speaker 1: through the rest of the show.

797
00:36:22,719 --> 00:36:24,759
Speaker 4: I think it was this scene Phoene walks out of

798
00:36:24,760 --> 00:36:29,480
Speaker 4: a door that doesn't exist. He walked to the other side,

799
00:36:29,800 --> 00:36:32,800
Speaker 4: like the door is behind the students to the classroom

800
00:36:33,520 --> 00:36:36,560
Speaker 4: in this turn towards the turns towards the chalkboard, and

801
00:36:36,640 --> 00:36:40,520
Speaker 4: they added a door sound. We've never seen a door over.

802
00:36:40,360 --> 00:36:42,520
Speaker 3: There, you I've got I did not know.

803
00:36:43,600 --> 00:36:45,480
Speaker 5: I was like, what you couldn't have him crossing? It

804
00:36:45,520 --> 00:36:47,839
Speaker 5: was It's the weirdest thing. I was like, wait, what

805
00:36:48,120 --> 00:36:50,279
Speaker 5: And then they I could tell they had to add

806
00:36:50,320 --> 00:36:52,600
Speaker 5: a door sign because our door sound. And then what

807
00:36:52,640 --> 00:36:54,399
Speaker 5: I realized is like, right, they couldn't show they were

808
00:36:54,400 --> 00:36:57,600
Speaker 5: Actually it was a wing wall that she was shooting

809
00:36:57,840 --> 00:36:59,799
Speaker 5: up in. That's why we're getting all those close ups

810
00:36:59,840 --> 00:37:04,560
Speaker 5: that coverage, right. Honestly, think what happened is I think

811
00:37:04,840 --> 00:37:09,239
Speaker 5: that she, coming from film, like a film perspective, was

812
00:37:09,280 --> 00:37:11,600
Speaker 5: getting a lot more coverage than usual, and she was

813
00:37:11,640 --> 00:37:13,680
Speaker 5: trying to get and when they got in the editing room,

814
00:37:13,719 --> 00:37:15,560
Speaker 5: they were excited and they were like, look, we can

815
00:37:15,600 --> 00:37:18,760
Speaker 5: see their faces. Let's use these shots, when, of course,

816
00:37:19,120 --> 00:37:20,960
Speaker 5: sometimes it just is better just play the scene and

817
00:37:21,040 --> 00:37:23,480
Speaker 5: a wide and like I think this confrontation with Phoenie

818
00:37:23,480 --> 00:37:25,880
Speaker 5: and you like gasping, would have played better in a wide.

819
00:37:25,960 --> 00:37:28,359
Speaker 4: But if you have this like cool looking shot that kind.

820
00:37:28,239 --> 00:37:31,080
Speaker 5: Of feels a little more cinematic than normal episodes, I

821
00:37:31,080 --> 00:37:33,480
Speaker 5: could see our producers or our executives at the studio

822
00:37:33,600 --> 00:37:34,600
Speaker 5: or whatever being like.

823
00:37:34,840 --> 00:37:36,040
Speaker 4: Let's use that shot, you know.

824
00:37:36,080 --> 00:37:39,319
Speaker 5: So I feel like she might have provided too good

825
00:37:39,360 --> 00:37:41,520
Speaker 5: of shots or too too you know, and in just

826
00:37:41,640 --> 00:37:44,320
Speaker 5: too many options, too much coverage, Yeah, too many options,

827
00:37:44,360 --> 00:37:46,799
Speaker 5: and then they use it and it kind of killed

828
00:37:46,840 --> 00:37:48,040
Speaker 5: the energy.

829
00:37:48,080 --> 00:37:50,640
Speaker 4: That's that was my take. I don't know, but anyway,

830
00:37:50,680 --> 00:37:51,359
Speaker 4: I think what.

831
00:37:51,360 --> 00:37:53,680
Speaker 5: Happened is she was in the set with the cameras

832
00:37:53,960 --> 00:37:56,759
Speaker 5: and Phoene's exit, then you couldn't actually show his exit

833
00:37:56,800 --> 00:37:58,600
Speaker 5: because there's no door there and he just walks off

834
00:37:58,600 --> 00:37:59,000
Speaker 5: the set.

835
00:37:59,200 --> 00:38:00,520
Speaker 4: So they added this door sound.

836
00:38:03,080 --> 00:38:04,240
Speaker 2: I want to hear the door sound?

837
00:38:04,520 --> 00:38:06,600
Speaker 1: Wait, why couldn't so even if she had a camera

838
00:38:06,640 --> 00:38:09,160
Speaker 1: in the doorway. So that's obviously that's something you shoot

839
00:38:09,160 --> 00:38:10,880
Speaker 1: as a special that's something you shoot as a pickup.

840
00:38:10,920 --> 00:38:12,480
Speaker 1: You get the rest of the coverage you need, then

841
00:38:12,520 --> 00:38:14,279
Speaker 1: you drive the camera up and you shoot through the door.

842
00:38:14,280 --> 00:38:16,239
Speaker 1: Why couldn't they have gotten his exit before they brought

843
00:38:16,280 --> 00:38:17,800
Speaker 1: the camera into the doorframe.

844
00:38:17,440 --> 00:38:19,319
Speaker 4: Because there is no door. There is no door there.

845
00:38:19,480 --> 00:38:21,120
Speaker 4: That's a point. They're pretending that there's a door.

846
00:38:21,160 --> 00:38:24,719
Speaker 5: So I think it's can't can't it go out the

847
00:38:24,760 --> 00:38:26,560
Speaker 5: other way?

848
00:38:27,400 --> 00:38:30,399
Speaker 3: I don't know. I mean it's so it's interesting because

849
00:38:30,440 --> 00:38:31,160
Speaker 3: then he.

850
00:38:31,080 --> 00:38:32,920
Speaker 4: Would have crossed he would have crossed.

851
00:38:32,640 --> 00:38:34,080
Speaker 3: Through, he would have to pass you guys.

852
00:38:33,920 --> 00:38:37,040
Speaker 5: Like all of our faces and between just realized like

853
00:38:37,080 --> 00:38:39,560
Speaker 5: it's better for if he abandons them by walking away,

854
00:38:40,000 --> 00:38:42,239
Speaker 5: you know. Obviously it was like composition based, right, like

855
00:38:42,320 --> 00:38:44,520
Speaker 5: the composition of the shot of a three or four

856
00:38:44,600 --> 00:38:47,759
Speaker 5: shot that he exits by you know they liked that better,

857
00:38:47,840 --> 00:38:51,040
Speaker 5: even though it made no directional logic with the actual.

858
00:38:50,760 --> 00:38:53,239
Speaker 4: Set, so they went with it because of the That's

859
00:38:53,239 --> 00:38:55,680
Speaker 4: what I mean. I think she was thinking more storyboards.

860
00:38:55,800 --> 00:38:57,040
Speaker 4: She was thinking more.

861
00:38:56,960 --> 00:38:59,200
Speaker 5: Like, this is a cool shot to just walk off here,

862
00:38:59,640 --> 00:39:01,680
Speaker 5: and then there's no reason for him to walk that direction,

863
00:39:01,840 --> 00:39:03,279
Speaker 5: so then they just add a door sound to make

864
00:39:03,280 --> 00:39:04,320
Speaker 5: it clear that he's exiting.

865
00:39:04,880 --> 00:39:05,800
Speaker 4: Yeah. Wow.

866
00:39:06,960 --> 00:39:10,360
Speaker 1: Well Worth noting this episode would never be allowed in

867
00:39:10,440 --> 00:39:13,320
Speaker 1: twenty twenty four as the Super Bowl has since become

868
00:39:13,800 --> 00:39:17,279
Speaker 1: very litigious with media using their name in scripts or

869
00:39:17,280 --> 00:39:21,279
Speaker 1: for promotional use. So unless they are an official sponsor

870
00:39:21,760 --> 00:39:25,200
Speaker 1: or speaking about it for the news, you cannot say

871
00:39:25,360 --> 00:39:26,040
Speaker 1: super Bowl.

872
00:39:26,160 --> 00:39:30,160
Speaker 2: Oh come on in your programming? Yes, can you say Horse?

873
00:39:30,400 --> 00:39:32,120
Speaker 2: Are you still allowed to say that? Because come on,

874
00:39:32,280 --> 00:39:33,239
Speaker 2: that's ridiculous.

875
00:39:34,000 --> 00:39:37,000
Speaker 1: Oh that's why you hear so much talk about the

876
00:39:37,040 --> 00:39:40,640
Speaker 1: Big Game for sweepstakes or on the radio, because the

877
00:39:40,760 --> 00:39:43,840
Speaker 1: NFL sees any attention to the name as a violation

878
00:39:44,040 --> 00:39:44,960
Speaker 1: of their trademark.

879
00:39:45,000 --> 00:39:48,320
Speaker 5: All right, well, let's start a competition, a big yearly

880
00:39:48,360 --> 00:39:51,239
Speaker 5: event called Horse. I love to get everybody together and

881
00:39:51,280 --> 00:39:53,839
Speaker 5: we shovel Horse, and then we can sue everybody.

882
00:39:53,480 --> 00:39:54,600
Speaker 4: Who ever uses that word.

883
00:39:54,960 --> 00:39:56,440
Speaker 3: The word and we'll make millions.

884
00:39:56,600 --> 00:39:58,959
Speaker 4: Yeah, we'll make millions, and all as a dirt pile

885
00:39:59,000 --> 00:39:59,680
Speaker 4: and some horses.

886
00:40:00,160 --> 00:40:00,799
Speaker 3: I love it.

887
00:40:00,840 --> 00:40:03,560
Speaker 2: I will send cease and desist to everybody who tries

888
00:40:03,760 --> 00:40:05,120
Speaker 2: to bring horse into their.

889
00:40:05,239 --> 00:40:08,439
Speaker 3: Speaking of cease and desists. A lot of lawyers do.

890
00:40:08,560 --> 00:40:11,080
Speaker 1: Argue that this is an overstep, saying they only have

891
00:40:11,200 --> 00:40:15,000
Speaker 1: this ability for stores having things like a Super Bowl sale.

892
00:40:15,520 --> 00:40:17,600
Speaker 1: The networks are just extra cautious.

893
00:40:17,640 --> 00:40:18,160
Speaker 3: Anyway.

894
00:40:18,360 --> 00:40:21,640
Speaker 1: In twenty fourteen, Stephen Colbert was still on Comedy Central

895
00:40:21,760 --> 00:40:24,200
Speaker 1: and referred to it as the superb Owl.

896
00:40:25,880 --> 00:40:26,880
Speaker 3: Okay, that works.

897
00:40:26,960 --> 00:40:30,920
Speaker 1: There you go, same smelling, just putting the emphosis in

898
00:40:30,960 --> 00:40:34,400
Speaker 1: a different place. So then we are in the guy's apartment.

899
00:40:34,520 --> 00:40:37,200
Speaker 1: Eric is on the porch drinking coffee and reading a book.

900
00:40:38,440 --> 00:40:40,839
Speaker 1: It's not the porch, it's the balcony. He's on the balcony,

901
00:40:41,000 --> 00:40:41,399
Speaker 1: which is.

902
00:40:41,400 --> 00:40:42,759
Speaker 4: Kind of a cool set. I know.

903
00:40:43,120 --> 00:40:46,319
Speaker 2: I didn't think we ever went back out to the balcony. Yeah,

904
00:40:46,560 --> 00:40:48,839
Speaker 2: which we're going to start using that, but no, I

905
00:40:48,880 --> 00:40:51,400
Speaker 2: had again, didn't even think I was in this episode.

906
00:40:51,440 --> 00:40:53,600
Speaker 2: So I was like, oh, oh there I am, Well

907
00:40:53,640 --> 00:40:54,000
Speaker 2: there I am.

908
00:40:54,280 --> 00:40:56,680
Speaker 5: Why did this need to be oh, because you find

909
00:40:56,680 --> 00:40:58,759
Speaker 5: the girls, we find the girls. The idea is that

910
00:40:58,800 --> 00:41:00,360
Speaker 5: these the girls that you find the end of the

911
00:41:00,360 --> 00:41:02,160
Speaker 5: scene are the girls that you end up dating.

912
00:41:02,320 --> 00:41:04,759
Speaker 2: Yes, yeah, I think that's what they're going for.

913
00:41:04,920 --> 00:41:05,719
Speaker 4: Yeah, yeah, Ok.

914
00:41:08,239 --> 00:41:12,800
Speaker 1: The coffee pot placement needing to be on the edge

915
00:41:13,280 --> 00:41:17,640
Speaker 1: on the balcony instead of from the table where you're sitting,

916
00:41:18,960 --> 00:41:20,680
Speaker 1: just so we can have a reason to get you.

917
00:41:21,360 --> 00:41:23,520
Speaker 3: All of it is so it would have been great.

918
00:41:23,360 --> 00:41:24,799
Speaker 4: If at the end of the scene you accidentally knocked

919
00:41:24,800 --> 00:41:26,320
Speaker 4: the coffee pop sorry.

920
00:41:26,200 --> 00:41:26,600
Speaker 3: Killed her.

921
00:41:28,520 --> 00:41:30,759
Speaker 2: I want the one, get the other one? Yeah, no,

922
00:41:30,840 --> 00:41:33,680
Speaker 2: I mean there's so many Yeah, no, terrible, I mean,

923
00:41:34,600 --> 00:41:36,759
Speaker 2: and it is, it is. It just was very forced, like, oh,

924
00:41:36,760 --> 00:41:38,359
Speaker 2: the coffee is right over there.

925
00:41:38,840 --> 00:41:40,880
Speaker 1: Jack walks outside to join him. I didn't hear you

926
00:41:40,880 --> 00:41:42,520
Speaker 1: come home last night. Must have had a pretty good

927
00:41:42,520 --> 00:41:48,000
Speaker 1: time with your date Eric aka Sparkly Vampire Edward Cohen

928
00:41:48,160 --> 00:41:51,240
Speaker 1: thanks to some particularly bright lights. Did you not notice

929
00:41:51,239 --> 00:41:59,719
Speaker 1: how pale and sparkly you know? Oh, yes, you you

930
00:41:59,719 --> 00:42:03,359
Speaker 1: look like you've got you had a diamond facial you like, yes,

931
00:42:04,040 --> 00:42:04,399
Speaker 1: it was.

932
00:42:04,520 --> 00:42:08,160
Speaker 4: You smell his hand through the screen to smell.

933
00:42:08,000 --> 00:42:10,640
Speaker 2: Him just maybe it was booty dust.

934
00:42:12,960 --> 00:42:13,800
Speaker 3: It never nuts.

935
00:42:14,480 --> 00:42:16,600
Speaker 2: It could be stripper booty dust. Maybe Eric was just

936
00:42:16,680 --> 00:42:18,080
Speaker 2: out there enjoying the night.

937
00:42:18,200 --> 00:42:20,799
Speaker 1: It was it was I was like, wow, there's also

938
00:42:20,920 --> 00:42:23,799
Speaker 1: some new lighting. I'm not sure what's going on here,

939
00:42:24,920 --> 00:42:28,279
Speaker 1: so he casually responds, the evening began at seven. It

940
00:42:28,320 --> 00:42:31,080
Speaker 1: started with some intimate pre dinner conversation at a quaint,

941
00:42:31,080 --> 00:42:33,919
Speaker 1: little Mexican place. I happened to know, came back here,

942
00:42:33,960 --> 00:42:36,840
Speaker 1: and let's just say, my clothes were off within five minutes.

943
00:42:37,400 --> 00:42:40,640
Speaker 1: The inmates in the audience hoot and holler at this thought,

944
00:42:41,160 --> 00:42:43,720
Speaker 1: and then Jack corrects him while pouring from a coffee

945
00:42:43,719 --> 00:42:46,400
Speaker 1: pot that I mentioned precariously resting on the ledge.

946
00:42:46,920 --> 00:42:48,240
Speaker 3: You opened your big mouth.

947
00:42:48,360 --> 00:42:50,799
Speaker 1: She walked out, yate alone at Taco Bell, came home,

948
00:42:50,880 --> 00:42:52,759
Speaker 1: took off all your clothes, and were asleep by eight.

949
00:42:53,200 --> 00:42:58,160
Speaker 1: Eric responds, how'd you do? That's that's funny. It's funny.

950
00:42:58,239 --> 00:43:01,239
Speaker 4: It is one of the callback to the ripping your

951
00:43:01,239 --> 00:43:05,120
Speaker 4: pants off because nobody is home. Yeah, bye bye pants.

952
00:43:05,160 --> 00:43:07,760
Speaker 5: That's what he should have said, said, I'm home alone,

953
00:43:07,880 --> 00:43:08,640
Speaker 5: bye bye pants.

954
00:43:09,520 --> 00:43:10,520
Speaker 4: Yeah.

955
00:43:10,880 --> 00:43:12,279
Speaker 2: Not to get off on a tangent. And we can

956
00:43:12,280 --> 00:43:15,040
Speaker 2: make this just a yes or no naked sleeping yes

957
00:43:15,120 --> 00:43:17,880
Speaker 2: or no, no, no.

958
00:43:17,200 --> 00:43:18,720
Speaker 4: No, I used to, but not anymore.

959
00:43:19,400 --> 00:43:24,000
Speaker 2: Underwear but I no, yeah, no no no naked sleeping bad.

960
00:43:24,440 --> 00:43:28,759
Speaker 5: Yeah, I would probably bring it back then we have,

961
00:43:28,760 --> 00:43:30,120
Speaker 5: Now that we've talked about it, I might go to

962
00:43:30,160 --> 00:43:30,640
Speaker 5: naked today.

963
00:43:30,840 --> 00:43:32,239
Speaker 4: You know, what I noticed is that the first time

964
00:43:32,280 --> 00:43:35,839
Speaker 4: I slept naked in my dreams, I was naked. Yeah.

965
00:43:35,880 --> 00:43:40,319
Speaker 4: It was like which actually sounds kind of fun. All right,

966
00:43:40,360 --> 00:43:43,000
Speaker 4: I'm gonna go for it. Tonight's the night. Bye bye underwear.

967
00:43:48,320 --> 00:43:50,080
Speaker 4: All right. I love that.

968
00:43:50,280 --> 00:44:00,760
Speaker 3: However you currently are whatever. Actually, okay, that's funny. Gosh, okay,

969
00:44:00,880 --> 00:44:02,520
Speaker 3: jack'size not as good.

970
00:44:03,000 --> 00:44:05,719
Speaker 1: The guys are frustrated, but agree it's not them, it's

971
00:44:05,760 --> 00:44:08,520
Speaker 1: the women, all of them. Jack declares it's time to

972
00:44:08,560 --> 00:44:11,720
Speaker 1: be more choosy, find women who are more compatible. Eric agrees,

973
00:44:11,760 --> 00:44:15,080
Speaker 1: suggesting they embark on a mission to find their perfect companions,

974
00:44:15,239 --> 00:44:18,160
Speaker 1: their soulmates. Just then, Jack looks over the balcony and

975
00:44:18,200 --> 00:44:19,080
Speaker 1: notices some girls.

976
00:44:19,200 --> 00:44:20,480
Speaker 3: What about them?

977
00:44:20,800 --> 00:44:25,320
Speaker 1: Eric immediately starts yelling, hey, you too, No, not okay,

978
00:44:25,400 --> 00:44:26,040
Speaker 1: you too.

979
00:44:26,320 --> 00:44:27,040
Speaker 4: You too?

980
00:44:27,320 --> 00:44:29,160
Speaker 3: It was funny, that's all funny.

981
00:44:29,360 --> 00:44:29,680
Speaker 5: Yeah.

982
00:44:29,760 --> 00:44:31,080
Speaker 3: I like I like this.

983
00:44:31,239 --> 00:44:34,080
Speaker 1: I like this setup for a thing between Jack and Eric,

984
00:44:34,120 --> 00:44:35,880
Speaker 1: and I love the idea that then it's just two

985
00:44:35,960 --> 00:44:38,080
Speaker 1: randoms you pick, and I love it.

986
00:44:38,160 --> 00:44:39,080
Speaker 2: This scene was funny.

987
00:44:39,239 --> 00:44:40,040
Speaker 3: It was very funny.

988
00:44:40,640 --> 00:44:42,680
Speaker 1: Then we're in the Matthew's kitchen to Pengishon and Cory

989
00:44:42,719 --> 00:44:46,080
Speaker 1: are all stressed, gathered together and listening to the radio

990
00:44:47,280 --> 00:44:48,520
Speaker 1: as we've never done.

991
00:44:48,760 --> 00:44:51,040
Speaker 4: It's like that portable TV. Yeah we had in the

992
00:44:51,120 --> 00:44:51,920
Speaker 4: kitchen counter.

993
00:44:51,760 --> 00:44:53,600
Speaker 3: And I'm just like resting my arm on it.

994
00:44:53,760 --> 00:44:58,520
Speaker 1: Like here we are the three friends Hayking hanging out

995
00:44:58,560 --> 00:45:00,600
Speaker 1: from this radio.

996
00:45:01,200 --> 00:45:02,239
Speaker 2: Let's go radioing.

997
00:45:03,800 --> 00:45:07,480
Speaker 5: I actually was reminded of season one, the betting episode

998
00:45:07,760 --> 00:45:09,600
Speaker 5: a couple of times, because we listen to the radio

999
00:45:09,600 --> 00:45:12,040
Speaker 5: and that on the kitchen counter, and then we're jumping

1000
00:45:12,120 --> 00:45:14,399
Speaker 5: up and down grabbing the phone just like this. You're like, oh,

1001
00:45:14,440 --> 00:45:16,960
Speaker 5: this is kind of a fun callback to that Corey

1002
00:45:16,960 --> 00:45:18,520
Speaker 5: Shawn energy from season one.

1003
00:45:18,800 --> 00:45:21,360
Speaker 2: You're right, it is has just been the three of

1004
00:45:21,400 --> 00:45:23,640
Speaker 2: you in the kitchen together since season one.

1005
00:45:24,440 --> 00:45:25,560
Speaker 4: No, no, I'm.

1006
00:45:25,440 --> 00:45:26,960
Speaker 5: Also I don't think the three of us were ever

1007
00:45:27,280 --> 00:45:29,080
Speaker 5: just three of us in season one even.

1008
00:45:28,960 --> 00:45:31,920
Speaker 2: Well, no, Panga puts the lipstick on her face, it's

1009
00:45:31,920 --> 00:45:32,640
Speaker 2: the three of you.

1010
00:45:33,160 --> 00:45:34,480
Speaker 4: I walk in and then she walks out.

1011
00:45:34,520 --> 00:45:36,560
Speaker 5: But yeah, oh no, you're right, because I sit down

1012
00:45:36,600 --> 00:45:38,320
Speaker 5: and goes go because we look like horses.

1013
00:45:38,400 --> 00:45:39,200
Speaker 4: Yeah, you're right.

1014
00:45:40,160 --> 00:45:43,040
Speaker 1: So Sean has written down four can't miss ways on

1015
00:45:43,080 --> 00:45:45,319
Speaker 1: how to get Super Bowl tickets. Corey asks for the

1016
00:45:45,320 --> 00:45:48,319
Speaker 1: best one. Sean's best idea so far is I go

1017
00:45:48,400 --> 00:45:50,760
Speaker 1: back in time to the first Super Bowl when tickets

1018
00:45:50,760 --> 00:45:51,839
Speaker 1: weren't that hard to get.

1019
00:45:52,560 --> 00:45:53,480
Speaker 4: It's our time machine.

1020
00:45:53,480 --> 00:45:54,440
Speaker 3: It's our time machine.

1021
00:45:54,480 --> 00:45:59,360
Speaker 2: It brought Ben's response, I don't need to hear the

1022
00:46:00,080 --> 00:46:05,640
Speaker 2: ready to hear the other three. That's great, a legitimate

1023
00:46:05,719 --> 00:46:08,440
Speaker 2: laugh for me. I don't need to hear that.

1024
00:46:08,440 --> 00:46:09,879
Speaker 3: I don't even need to hear the other thing.

1025
00:46:09,920 --> 00:46:13,600
Speaker 5: It's interesting to me how much Corey oscillates between being

1026
00:46:14,280 --> 00:46:17,520
Speaker 5: as dumb as Sean right, and the letting Sean know

1027
00:46:17,600 --> 00:46:19,960
Speaker 5: that he's being dumb and like it's just basically whichever

1028
00:46:19,960 --> 00:46:21,080
Speaker 5: one's funnier for the moment.

1029
00:46:21,320 --> 00:46:23,440
Speaker 4: Yes, they will have Corey play right.

1030
00:46:35,480 --> 00:46:37,600
Speaker 1: To Bega breaks in with some common sense. If you're

1031
00:46:37,600 --> 00:46:39,640
Speaker 1: gonna go back in time, you could do the original

1032
00:46:39,680 --> 00:46:42,680
Speaker 1: assignment and we wouldn't be in this mess. She realizes

1033
00:46:42,719 --> 00:46:45,640
Speaker 1: what she's doing, so she stops herself and sayings la

1034
00:46:45,719 --> 00:46:49,000
Speaker 1: la la la. Corey reminds her that butting in, even

1035
00:46:49,040 --> 00:46:52,440
Speaker 1: in musical form, is still butting in. Sean realizes that

1036
00:46:52,560 --> 00:46:54,960
Speaker 1: was his next idea to ask t Banga they need

1037
00:46:55,000 --> 00:46:57,480
Speaker 1: advice from her. She reminds Sean that if she gives

1038
00:46:57,520 --> 00:47:00,000
Speaker 1: them advice, she gets an F. Sean rolls his eyes.

1039
00:47:00,160 --> 00:47:03,319
Speaker 1: You can get one stinking F in your life, Tapega argues, no,

1040
00:47:03,480 --> 00:47:05,719
Speaker 1: she can't. She's worked very hard to be perfect up

1041
00:47:05,719 --> 00:47:08,880
Speaker 1: till now. Seawn's disgusted. I am throwing up. I am

1042
00:47:08,920 --> 00:47:12,120
Speaker 1: throwing up all over you, which I thought was funny. Then,

1043
00:47:12,160 --> 00:47:15,080
Speaker 1: as if by magic, the radio DJ asks, are you

1044
00:47:15,239 --> 00:47:18,840
Speaker 1: ready to win some Super Bowl tickets? To Pega's eyes widened.

1045
00:47:18,840 --> 00:47:20,759
Speaker 1: But the boys don't put two and two together? Or

1046
00:47:20,800 --> 00:47:22,759
Speaker 1: they have become hard of hearing, or have they have

1047
00:47:22,800 --> 00:47:24,680
Speaker 1: been given an unrealistic plot point.

1048
00:47:24,440 --> 00:47:25,919
Speaker 3: By the writers. I'm not sure.

1049
00:47:25,920 --> 00:47:26,920
Speaker 2: I don't know what it is.

1050
00:47:26,960 --> 00:47:30,359
Speaker 3: I don't know which one it is. Everyone's funniest and oblivious.

1051
00:47:30,360 --> 00:47:33,000
Speaker 1: Sean asks, if I was a pair of Super Bowl tickets,

1052
00:47:33,040 --> 00:47:36,200
Speaker 1: how would I find me? Corey admits it's an interesting question.

1053
00:47:36,239 --> 00:47:39,440
Speaker 1: Sean another question, why would Phoene make up such an

1054
00:47:39,480 --> 00:47:42,880
Speaker 1: impossible assignment? The NFL music plays behind them, but it

1055
00:47:42,920 --> 00:47:46,040
Speaker 1: hasn't affected them at all. Tapega brings the boombox directly

1056
00:47:46,040 --> 00:47:48,239
Speaker 1: to the kitchen table to get their attention. They have

1057
00:47:48,360 --> 00:47:50,880
Speaker 1: the last Super Bowl tickets in the known universe, and

1058
00:47:50,920 --> 00:47:53,919
Speaker 1: there's only ten more chances to win, so call now

1059
00:47:54,680 --> 00:47:56,760
Speaker 1: to Pega is trying so hard to get their attention,

1060
00:47:56,800 --> 00:47:59,200
Speaker 1: but Corey shouts, will you turn down the radio? We're

1061
00:47:59,200 --> 00:48:01,959
Speaker 1: trying to thank you to Pega runs across the kitchen,

1062
00:48:02,040 --> 00:48:04,880
Speaker 1: running around the room, striking the Heisman pose. Corey yells

1063
00:48:04,920 --> 00:48:07,440
Speaker 1: at her no jazz or size in the kitchen. The

1064
00:48:07,520 --> 00:48:10,560
Speaker 1: DJ announces that he's down to the five final callers.

1065
00:48:10,880 --> 00:48:13,520
Speaker 1: Topega now frantically holds two items she got in the kitchen,

1066
00:48:13,560 --> 00:48:16,240
Speaker 1: a bowl and a can of soup. Famous scene alert.

1067
00:48:17,120 --> 00:48:19,200
Speaker 1: Corey tries to guess as to Panga plays a game

1068
00:48:19,239 --> 00:48:21,960
Speaker 1: of charades, bowl and can.

1069
00:48:22,640 --> 00:48:25,600
Speaker 3: There's trouble in the Balkans. He puts a.

1070
00:48:25,520 --> 00:48:28,160
Speaker 1: Piece of food in her mouth like she's lassy and asks,

1071
00:48:28,560 --> 00:48:29,880
Speaker 1: is that what the radio said?

1072
00:48:29,880 --> 00:48:30,200
Speaker 4: Girl?

1073
00:48:31,280 --> 00:48:33,560
Speaker 1: She spits out the food and tries again. This time

1074
00:48:33,600 --> 00:48:37,760
Speaker 1: he realizes the word is soup. He asks, soup or bowl?

1075
00:48:38,520 --> 00:48:44,480
Speaker 3: All right? Soup so funny? All right?

1076
00:48:44,520 --> 00:48:47,760
Speaker 1: Soup to Pega growls and jumps on his back, forcing

1077
00:48:47,760 --> 00:48:50,040
Speaker 1: his head to the boom box. The DJ says there's

1078
00:48:50,120 --> 00:48:52,880
Speaker 1: only one chance left to go to the super Bowl.

1079
00:48:53,160 --> 00:48:56,040
Speaker 1: Corey and Sean jump up for joy, forcing Topanga to

1080
00:48:56,160 --> 00:48:58,520
Speaker 1: fly backwards and land on the bums.

1081
00:48:59,440 --> 00:49:03,839
Speaker 2: Yes, I around this like three times you flew off

1082
00:49:03,920 --> 00:49:07,240
Speaker 2: his back. I mean that was a good hit, bigs.

1083
00:49:07,400 --> 00:49:09,279
Speaker 3: It was fun. I don't remember there be I don't

1084
00:49:09,280 --> 00:49:11,839
Speaker 3: remember ever being hurt. Do you remember me ever being hurt?

1085
00:49:12,360 --> 00:49:12,400
Speaker 2: No?

1086
00:49:12,840 --> 00:49:14,800
Speaker 4: But do you remember doing this the scene?

1087
00:49:15,160 --> 00:49:15,920
Speaker 3: Yeah?

1088
00:49:16,000 --> 00:49:16,239
Speaker 4: Yeah?

1089
00:49:16,800 --> 00:49:19,520
Speaker 5: How do you you have positive memories of this scene?

1090
00:49:20,040 --> 00:49:23,760
Speaker 3: I don't have bad memories of the scene, right I should?

1091
00:49:24,080 --> 00:49:24,520
Speaker 4: I don't know.

1092
00:49:24,560 --> 00:49:26,600
Speaker 5: I liked the scene watching it, but I got very

1093
00:49:26,640 --> 00:49:28,960
Speaker 5: stressed out and I realized, like, oh right, this was

1094
00:49:29,000 --> 00:49:31,440
Speaker 5: like a tough like this was like a lot.

1095
00:49:31,239 --> 00:49:35,000
Speaker 4: Of over like redirecting being done. It was like it

1096
00:49:35,040 --> 00:49:35,319
Speaker 4: was like.

1097
00:49:35,360 --> 00:49:37,279
Speaker 5: No, no, no, do it this way. Try, you know,

1098
00:49:37,400 --> 00:49:39,840
Speaker 5: like now just jump on feet are the thing? Like

1099
00:49:39,880 --> 00:49:46,440
Speaker 5: I just remember being like stressed out and like there

1100
00:49:46,440 --> 00:49:49,440
Speaker 5: was Michael redirecting. There was a lot of like how

1101
00:49:49,480 --> 00:49:51,279
Speaker 5: to make this funnier, how to make it bigger, you know,

1102
00:49:51,320 --> 00:49:53,120
Speaker 5: and like watching I'm like, yeah, there's a lot of

1103
00:49:53,120 --> 00:49:56,239
Speaker 5: funny beats in here, but I got stressed out watching it.

1104
00:49:56,280 --> 00:49:57,799
Speaker 5: I was like, am I stressed out right? And I

1105
00:49:57,800 --> 00:49:59,960
Speaker 5: was like, oh right, because we were like beating this

1106
00:50:00,080 --> 00:50:01,560
Speaker 5: to death try and you know, and it is.

1107
00:50:01,600 --> 00:50:02,320
Speaker 4: It's a very.

1108
00:50:02,120 --> 00:50:06,040
Speaker 5: Funny, funny written scene, but it, like the rest of

1109
00:50:06,040 --> 00:50:06,839
Speaker 5: this episode, it.

1110
00:50:06,800 --> 00:50:09,239
Speaker 4: Didn't feel light to me, like I wish it just

1111
00:50:09,239 --> 00:50:12,239
Speaker 4: had like a lighter, more spontaneous touch to it.

1112
00:50:12,320 --> 00:50:12,400
Speaker 2: There.

1113
00:50:12,480 --> 00:50:15,640
Speaker 1: Definitely think you're right that there was no audience and

1114
00:50:15,680 --> 00:50:19,279
Speaker 1: it was missing that charge of energy from us.

1115
00:50:20,640 --> 00:50:22,920
Speaker 5: And I just feel like, you know, like Ben feeding

1116
00:50:22,960 --> 00:50:25,640
Speaker 5: you the thing is like a really funny bit, but

1117
00:50:25,760 --> 00:50:28,840
Speaker 5: it felt pre planned. It didn't feel like I'm watching

1118
00:50:28,880 --> 00:50:31,799
Speaker 5: Corey make a decision grab a thing, like you could

1119
00:50:31,800 --> 00:50:34,160
Speaker 5: have played that a little slower, but instead it feels like,

1120
00:50:34,320 --> 00:50:36,040
Speaker 5: let me hit the beat that we're hitting and then

1121
00:50:36,120 --> 00:50:37,400
Speaker 5: let me hit the beat where we do this and

1122
00:50:37,440 --> 00:50:39,600
Speaker 5: let me you know. And I was like, yeah, listen

1123
00:50:39,640 --> 00:50:41,400
Speaker 5: to each other a little bit more, guys, like, you know,

1124
00:50:41,520 --> 00:50:42,120
Speaker 5: enjoy the scene.

1125
00:50:42,120 --> 00:50:43,680
Speaker 4: I could tell that. I don't know, I felt like

1126
00:50:43,719 --> 00:50:44,040
Speaker 4: we were.

1127
00:50:44,000 --> 00:50:46,080
Speaker 5: Kind of stressed out and I got stressed out watching huh,

1128
00:50:46,200 --> 00:50:48,040
Speaker 5: But still very funny scenes.

1129
00:50:48,160 --> 00:50:49,719
Speaker 3: Yeah, it worth it.

1130
00:50:49,800 --> 00:50:53,640
Speaker 1: I guess probably still could have been funnier, maybe with

1131
00:50:53,680 --> 00:50:56,120
Speaker 1: a little bit more maybe if it would have been

1132
00:50:56,120 --> 00:50:58,560
Speaker 1: a little bit more relaxed, but also maybe because there

1133
00:50:58,640 --> 00:51:03,239
Speaker 1: was no audience, our relax axed pace did actually hurt

1134
00:51:03,280 --> 00:51:05,480
Speaker 1: the comedy. So I don't know, it's hard to it's

1135
00:51:05,480 --> 00:51:08,320
Speaker 1: hard to tell. It's like there is such a fine

1136
00:51:08,360 --> 00:51:13,680
Speaker 1: line between something seeming too well planned out and also

1137
00:51:14,880 --> 00:51:18,080
Speaker 1: very specific beats being funnier than passive beats. So it's

1138
00:51:18,160 --> 00:51:20,680
Speaker 1: exactly you know it is. It's a hard it's a

1139
00:51:20,719 --> 00:51:21,600
Speaker 1: hard line to walk.

1140
00:51:22,560 --> 00:51:24,920
Speaker 4: I don't think it's anything anybody would really notice, but

1141
00:51:25,040 --> 00:51:27,879
Speaker 4: I noticed that, Oh my gosh, I'm getting the same

1142
00:51:27,880 --> 00:51:30,680
Speaker 4: feeling in my body watching I was like, right, yeah.

1143
00:51:30,760 --> 00:51:33,239
Speaker 2: So I would also say, Danielle, you're a very good

1144
00:51:33,280 --> 00:51:37,279
Speaker 2: physical comedian. And I'm surprised after this they didn't do

1145
00:51:37,400 --> 00:51:41,000
Speaker 2: more of this, yeah, because it was really funny. The

1146
00:51:41,040 --> 00:51:43,759
Speaker 2: physicality was hysterical, and I was like, why didn't they

1147
00:51:44,160 --> 00:51:46,719
Speaker 2: go into this more? Like why isn't a panga more

1148
00:51:46,840 --> 00:51:49,359
Speaker 2: klutzy or we learned something about her where we get

1149
00:51:49,360 --> 00:51:51,600
Speaker 2: more of this? Because you were really good at it,

1150
00:51:51,600 --> 00:51:52,919
Speaker 2: It's like this didn't make any sense.

1151
00:51:53,080 --> 00:51:53,400
Speaker 4: Thank you.

1152
00:51:53,480 --> 00:51:55,920
Speaker 1: I do just remember, and I know I've been asked before.

1153
00:51:56,040 --> 00:51:58,040
Speaker 1: People have been like, when you did that?

1154
00:51:58,120 --> 00:51:58,720
Speaker 4: It was?

1155
00:51:58,719 --> 00:52:01,080
Speaker 3: Was that a stunt? Double? Did you have a pad?

1156
00:52:01,400 --> 00:52:03,600
Speaker 1: And I remember that No, I did not, And I

1157
00:52:03,680 --> 00:52:07,520
Speaker 1: remember being excited by the fact that I got to

1158
00:52:07,600 --> 00:52:10,440
Speaker 1: do that, like I got to actually do that stunt.

1159
00:52:10,880 --> 00:52:15,359
Speaker 1: I don't necessarily remember feeling stressed about that aspect of it.

1160
00:52:15,440 --> 00:52:18,319
Speaker 1: I'm sure we were overrehearsed, but I think I was

1161
00:52:18,360 --> 00:52:20,840
Speaker 1: more just like, this is cool that I get to

1162
00:52:20,880 --> 00:52:21,879
Speaker 1: and it's going to look good.

1163
00:52:21,960 --> 00:52:22,480
Speaker 3: And it did.

1164
00:52:22,560 --> 00:52:24,640
Speaker 1: It looked good. It looks real, And I remember telling

1165
00:52:24,680 --> 00:52:26,960
Speaker 1: people like, no, I think I really just did that.

1166
00:52:27,000 --> 00:52:28,120
Speaker 1: Then when I watched it, I was like, yes, of

1167
00:52:28,120 --> 00:52:29,719
Speaker 1: course I remember this, Yes I really did it.

1168
00:52:30,120 --> 00:52:32,400
Speaker 2: But even the heisman stuff, even the smaller stuff, like

1169
00:52:32,480 --> 00:52:34,439
Speaker 2: just the physicality was very funny. It's like, why don't

1170
00:52:34,440 --> 00:52:35,560
Speaker 2: they write to this more?

1171
00:52:36,080 --> 00:52:36,520
Speaker 3: Thank you?

1172
00:52:36,600 --> 00:52:39,680
Speaker 1: Yeah, that would have been fun. I do enjoy physical comedy. Okay,

1173
00:52:39,840 --> 00:52:41,800
Speaker 1: so that would But that stunt would never happen today.

1174
00:52:42,320 --> 00:52:44,160
Speaker 4: You would never send an actor. Never.

1175
00:52:44,760 --> 00:52:46,320
Speaker 1: It would have a pad and you'd have to shoot

1176
00:52:46,360 --> 00:52:48,399
Speaker 1: it differently, and it'd make it look like the actor

1177
00:52:48,400 --> 00:52:51,839
Speaker 1: went flying and in some ways good, that's a good thing,

1178
00:52:52,000 --> 00:52:54,239
Speaker 1: but it is someways funny to see in some ways bad.

1179
00:52:54,280 --> 00:52:55,600
Speaker 3: It sure was funny to see me do it.

1180
00:52:55,800 --> 00:52:58,239
Speaker 1: Ye Corey is now shouting, they're giving away tickets to

1181
00:52:58,280 --> 00:53:02,000
Speaker 1: the super Bowl. Sean adds, we almost missed it. Thanks

1182
00:53:02,040 --> 00:53:05,080
Speaker 1: a lot to Panga, he says, looking at the radio,

1183
00:53:05,600 --> 00:53:07,880
Speaker 1: pretending he's looking at Topanga.

1184
00:53:08,000 --> 00:53:08,880
Speaker 3: Did you notice that?

1185
00:53:09,320 --> 00:53:09,880
Speaker 4: No?

1186
00:53:09,880 --> 00:53:12,800
Speaker 1: No, oh my gosh, I can't believe writer didn't notice it.

1187
00:53:12,840 --> 00:53:17,359
Speaker 1: As a director, I am back by the stairs, and

1188
00:53:17,440 --> 00:53:20,239
Speaker 1: you lean over the table as if where I am

1189
00:53:20,400 --> 00:53:22,239
Speaker 1: is on the floor in front of the back door.

1190
00:53:23,239 --> 00:53:24,880
Speaker 4: See that's what I mean. It was coverage.

1191
00:53:25,000 --> 00:53:27,279
Speaker 5: We were getting ridge, so it was like, let's bring

1192
00:53:27,280 --> 00:53:29,840
Speaker 5: the camera over here to get Seawn's shot right or

1193
00:53:29,880 --> 00:53:31,839
Speaker 5: your eye lines over here. It wasn't within the same

1194
00:53:31,880 --> 00:53:32,800
Speaker 5: scene right, which.

1195
00:53:32,640 --> 00:53:34,719
Speaker 2: We never did. It was just we're gonna, you know what,

1196
00:53:34,880 --> 00:53:36,799
Speaker 2: forget the cameras are here. You guys do your play,

1197
00:53:36,840 --> 00:53:38,640
Speaker 2: will do our thing. That's the way to do it.

1198
00:53:39,000 --> 00:53:41,799
Speaker 1: Because they go from you going thanks a lot to

1199
00:53:41,920 --> 00:53:45,400
Speaker 1: Panga to then me looking at you and it's like

1200
00:53:45,600 --> 00:53:49,160
Speaker 1: there's no universe where we buy. He's looking at her.

1201
00:53:49,560 --> 00:53:53,360
Speaker 1: It's it was so disorienting. It was very interesting.

1202
00:53:54,680 --> 00:53:57,000
Speaker 4: I love that you and I would have never noticed

1203
00:53:57,040 --> 00:53:59,560
Speaker 4: any of the stuff. That not a thing. What do

1204
00:53:59,600 --> 00:53:59,879
Speaker 4: I say?

1205
00:54:00,160 --> 00:54:02,759
Speaker 1: No, nope, never thought of it, never thought of it once.

1206
00:54:02,800 --> 00:54:04,000
Speaker 3: What do these directors even do?

1207
00:54:06,200 --> 00:54:07,319
Speaker 4: You don't need to to us.

1208
00:54:07,440 --> 00:54:08,760
Speaker 3: They just work with the actors.

1209
00:54:08,800 --> 00:54:10,080
Speaker 4: They just a good job.

1210
00:54:10,200 --> 00:54:12,600
Speaker 5: They tell us scene again from the top, ask us

1211
00:54:12,600 --> 00:54:13,840
Speaker 5: what we feel exactly?

1212
00:54:14,160 --> 00:54:16,400
Speaker 3: Nope, yeah, I'll tell you.

1213
00:54:16,440 --> 00:54:18,160
Speaker 2: Guys are good for anyway. Just let us do it.

1214
00:54:20,040 --> 00:54:22,160
Speaker 1: He runs to the phone and dials the radio station.

1215
00:54:22,200 --> 00:54:24,839
Speaker 1: When someone picks up, Sean excitedly shouts to Corey, I'm

1216
00:54:24,920 --> 00:54:25,600
Speaker 1: collar twenty.

1217
00:54:25,760 --> 00:54:27,480
Speaker 3: They jump up and down, and then Sean.

1218
00:54:27,280 --> 00:54:31,080
Speaker 5: Pauses, fact, I did full facting. I did not wait

1219
00:54:31,120 --> 00:54:32,520
Speaker 5: at all. It's like, literally.

1220
00:54:32,239 --> 00:54:37,000
Speaker 3: Dial but is that or is that?

1221
00:54:37,640 --> 00:54:38,000
Speaker 2: Pace?

1222
00:54:39,640 --> 00:54:40,640
Speaker 3: Pace it up faster.

1223
00:54:41,760 --> 00:54:41,960
Speaker 4: Yeah.

1224
00:54:42,080 --> 00:54:44,040
Speaker 2: I'm glad that you were able in the first call, though,

1225
00:54:44,080 --> 00:54:45,240
Speaker 2: to win the Super Bowl.

1226
00:54:45,440 --> 00:54:45,640
Speaker 4: Yeah.

1227
00:54:45,719 --> 00:54:48,120
Speaker 3: Yeah, that was believable.

1228
00:54:48,320 --> 00:54:51,000
Speaker 2: Uh huh, I loved it. You had me there, you

1229
00:54:51,040 --> 00:54:53,600
Speaker 2: had me at hello Sean.

1230
00:54:53,840 --> 00:54:57,000
Speaker 1: Sean pauses, I gotta do what and then there is

1231
00:54:57,080 --> 00:55:01,799
Speaker 1: quite an abrupt jump to the outdoor scre billboard. It's

1232
00:55:01,840 --> 00:55:05,080
Speaker 1: the w k Z n outdoor billboard. We see a

1233
00:55:05,080 --> 00:55:07,279
Speaker 1: few people standing on the ledge of their sign that

1234
00:55:07,360 --> 00:55:10,920
Speaker 1: reads radio because you only have to use one of

1235
00:55:10,960 --> 00:55:12,120
Speaker 1: your senses.

1236
00:55:12,080 --> 00:55:14,040
Speaker 3: And now you know what this is from.

1237
00:55:14,239 --> 00:55:18,400
Speaker 2: No, Yeah, that's that's the that was the ABC yellow campaign.

1238
00:55:18,960 --> 00:55:23,920
Speaker 2: Yeah is your friend? I mean they even with the

1239
00:55:23,960 --> 00:55:26,680
Speaker 2: circle where it was, I mean that was the straighten

1240
00:55:26,800 --> 00:55:27,279
Speaker 2: that year.

1241
00:55:27,520 --> 00:55:28,719
Speaker 4: Yeah, because that makes sense.

1242
00:55:28,719 --> 00:55:32,720
Speaker 2: Actually right now, do you think they did that as

1243
00:55:32,840 --> 00:55:37,600
Speaker 2: a joke about ABC or do you think ABC was like,

1244
00:55:37,800 --> 00:55:40,239
Speaker 2: this should be part of our campaign.

1245
00:55:40,480 --> 00:55:44,360
Speaker 5: I think our team did it as a joke. Let's

1246
00:55:44,360 --> 00:55:46,280
Speaker 5: just make it look like the campaign that that ABC

1247
00:55:46,440 --> 00:55:47,440
Speaker 5: is doing right now.

1248
00:55:47,680 --> 00:55:52,120
Speaker 2: So kind of a slight f you to the campaign there.

1249
00:55:53,560 --> 00:55:56,640
Speaker 2: So that's what I'm like, this is awful. Are they

1250
00:55:56,640 --> 00:55:58,160
Speaker 2: doing and then we're making fun of it? Or are

1251
00:55:58,160 --> 00:56:00,239
Speaker 2: they doing it like this is fun and this is

1252
00:56:00,320 --> 00:56:01,960
Speaker 2: kind of an homage to what ABC's doing.

1253
00:56:03,080 --> 00:56:03,960
Speaker 4: I don't know that.

1254
00:56:04,080 --> 00:56:05,399
Speaker 2: I don't I have no idea.

1255
00:56:05,680 --> 00:56:07,360
Speaker 4: I mean, maybe sort of neutral.

1256
00:56:07,440 --> 00:56:09,680
Speaker 5: I think it's sort of like because the audience would

1257
00:56:09,680 --> 00:56:11,560
Speaker 5: have also been able to recognize it, right because it

1258
00:56:11,600 --> 00:56:16,160
Speaker 5: was literally what was being on couple on TV that

1259
00:56:16,239 --> 00:56:18,440
Speaker 5: all the bumps and stuff would have that color scheme,

1260
00:56:18,640 --> 00:56:20,080
Speaker 5: so I think they were like, let's just do it

1261
00:56:20,120 --> 00:56:21,400
Speaker 5: in the same scheme as you know.

1262
00:56:21,719 --> 00:56:25,680
Speaker 2: I think it was just sort of are Okay.

1263
00:56:25,200 --> 00:56:28,239
Speaker 3: What was the set situation? I don't remember.

1264
00:56:28,600 --> 00:56:29,239
Speaker 4: This is why I.

1265
00:56:29,160 --> 00:56:30,560
Speaker 5: Think we didn't have an audience, because it had to

1266
00:56:30,560 --> 00:56:32,239
Speaker 5: be an elevated set in order for there to be

1267
00:56:32,360 --> 00:56:35,560
Speaker 5: that ladder to climb up and for this wide shot,

1268
00:56:35,880 --> 00:56:38,520
Speaker 5: and there's several of these wide shots. I think it

1269
00:56:38,719 --> 00:56:41,680
Speaker 5: was like to the left of the audience, we took

1270
00:56:41,719 --> 00:56:44,880
Speaker 5: over that whole area, like when you're facing the audience

1271
00:56:45,080 --> 00:56:45,760
Speaker 5: to their left.

1272
00:56:46,040 --> 00:56:47,160
Speaker 4: We just took over this whole air.

1273
00:56:47,239 --> 00:56:49,080
Speaker 5: I remember it being a very strange week because we

1274
00:56:49,160 --> 00:56:51,800
Speaker 5: had to have this giant billboard and then we also

1275
00:56:51,840 --> 00:56:54,320
Speaker 5: had to have the area where they were underneath the billboard,

1276
00:56:54,320 --> 00:56:58,439
Speaker 5: and they were completely separate. So like where the people

1277
00:56:58,440 --> 00:57:00,440
Speaker 5: are staying in the DJ and all that stuff is

1278
00:57:00,480 --> 00:57:02,080
Speaker 5: going on is in a different see.

1279
00:57:02,080 --> 00:57:03,279
Speaker 4: Connected to this.

1280
00:57:03,280 --> 00:57:06,520
Speaker 5: This was just isolated green screen, so it had green

1281
00:57:06,560 --> 00:57:08,800
Speaker 5: screen behind it, I think at least for this shot,

1282
00:57:09,080 --> 00:57:10,080
Speaker 5: and then the rest of it was.

1283
00:57:10,280 --> 00:57:12,120
Speaker 4: Yeah, it was a very weird week. I mean I

1284
00:57:12,120 --> 00:57:13,200
Speaker 4: remember it being very strange.

1285
00:57:13,600 --> 00:57:17,680
Speaker 1: Right, Okay, So then we are down on the sidewalk

1286
00:57:17,680 --> 00:57:20,880
Speaker 1: at the DJ's makeshift studio. Hey, hey, this is Johnny

1287
00:57:20,960 --> 00:57:24,360
Speaker 1: Latte from one oh two point five Wazne.

1288
00:57:24,680 --> 00:57:28,680
Speaker 3: Such a good jail, So good Johnny Latte, Morning Zoo.

1289
00:57:28,840 --> 00:57:31,280
Speaker 1: The camera zooms out to show Corey and topang Us

1290
00:57:31,280 --> 00:57:33,920
Speaker 1: standing by the booth with a handful of other spectators,

1291
00:57:33,960 --> 00:57:37,240
Speaker 1: all bundle up, bundled up in winter attire. Johnny Latte

1292
00:57:37,320 --> 00:57:39,600
Speaker 1: informs us that at sixteen degrees right now, as an

1293
00:57:39,600 --> 00:57:43,520
Speaker 1: aggressively shivering man is hauled away in a gurney, there

1294
00:57:43,560 --> 00:57:46,280
Speaker 1: are only three freezing contestants left, and there's a small

1295
00:57:46,320 --> 00:57:48,960
Speaker 1: group of well wishers cheering them on. Then one of

1296
00:57:49,000 --> 00:57:52,439
Speaker 1: the well wishers yells jump. Johnny also points out that's

1297
00:57:52,480 --> 00:57:56,840
Speaker 1: the obligatory lunatic. Johnny Ltte will be back with our

1298
00:57:56,960 --> 00:57:59,360
Speaker 1: thirty two of the Super Bowl madness. Right after a

1299
00:57:59,400 --> 00:58:03,760
Speaker 1: message from the Bahamas and now the Bahamas ad starts

1300
00:58:03,760 --> 00:58:05,960
Speaker 1: to play with a jingle, and the jingle is we

1301
00:58:06,040 --> 00:58:07,280
Speaker 1: are warm and you are cold.

1302
00:58:07,320 --> 00:58:08,520
Speaker 3: We don't need a Super Bowl.

1303
00:58:09,080 --> 00:58:12,200
Speaker 1: I at this point was so frustrated that we were

1304
00:58:12,920 --> 00:58:15,840
Speaker 1: this far into the scene and I still had no

1305
00:58:15,920 --> 00:58:19,800
Speaker 1: idea what what's going on? What's going on? What did

1306
00:58:19,800 --> 00:58:21,800
Speaker 1: they have to do. What is sean?

1307
00:58:21,920 --> 00:58:23,920
Speaker 3: What's what's it's something outside?

1308
00:58:24,560 --> 00:58:26,120
Speaker 4: There's Oh, you're right, they know.

1309
00:58:26,200 --> 00:58:28,520
Speaker 2: They never explained what I thought the same thing. I

1310
00:58:28,560 --> 00:58:31,840
Speaker 2: was like, sowa are they is it an outlast other people?

1311
00:58:31,960 --> 00:58:32,840
Speaker 3: Is that no idea?

1312
00:58:33,080 --> 00:58:33,280
Speaker 7: Yeah?

1313
00:58:33,320 --> 00:58:35,840
Speaker 4: Oh wow. The DJ never explains, not at all.

1314
00:58:35,920 --> 00:58:39,440
Speaker 1: He just we're just here, here we are, it's cold,

1315
00:58:39,760 --> 00:58:42,800
Speaker 1: we're outside, it's the morning zoo. And it's like he

1316
00:58:42,960 --> 00:58:45,560
Speaker 1: talks a long time. I'm half a page in the

1317
00:58:45,680 --> 00:58:48,360
Speaker 1: text that I'm typing on my computer, going when are

1318
00:58:48,360 --> 00:58:48,920
Speaker 1: we going to hear?

1319
00:58:48,960 --> 00:58:50,360
Speaker 3: What? What's the what are we doing?

1320
00:58:50,640 --> 00:58:51,040
Speaker 2: Yeah?

1321
00:58:51,120 --> 00:58:55,280
Speaker 5: It was so I was just the locations, the eye lines,

1322
00:58:55,320 --> 00:59:00,560
Speaker 5: because the ladder is actually behind the onlookers. The reality

1323
00:59:00,640 --> 00:59:02,640
Speaker 5: is the onlookers would be facing it. So when Matt

1324
00:59:02,680 --> 00:59:06,000
Speaker 5: Kirkwood yells jump, he's looking I think it a direction of.

1325
00:59:06,600 --> 00:59:11,120
Speaker 3: He's looking at the DJ, look at the DJ, and.

1326
00:59:09,720 --> 00:59:12,120
Speaker 5: And it's a I was like, whoa, you know. So

1327
00:59:12,200 --> 00:59:14,560
Speaker 5: when Corey like suddenly climbs up, I'm like, oh.

1328
00:59:14,480 --> 00:59:20,080
Speaker 2: That's it's just it's also you've got to, I imagine,

1329
00:59:20,120 --> 00:59:23,440
Speaker 2: because he doesn't explain it. You've got to be up

1330
00:59:23,480 --> 00:59:26,760
Speaker 2: there and outlast the other people, like it's basically a

1331
00:59:26,800 --> 00:59:30,160
Speaker 2: throwback to the twenties flag sitting, flagpole sitting. You got

1332
00:59:30,160 --> 00:59:33,560
Speaker 2: to be up there really cold, but other people are

1333
00:59:33,600 --> 00:59:35,960
Speaker 2: allowed to come up and hand you hot chocolate.

1334
00:59:36,040 --> 00:59:38,200
Speaker 4: I know I had the same question. It is Corey

1335
00:59:38,240 --> 00:59:40,760
Speaker 4: going to be a contestant, now just come up and

1336
00:59:40,840 --> 00:59:42,920
Speaker 4: here's a blanket and hot chocolate.

1337
00:59:42,600 --> 00:59:44,880
Speaker 3: Like, I don't think they'd allow that.

1338
00:59:44,920 --> 00:59:47,200
Speaker 2: Okay, it was the whole thing was so thrown together,

1339
00:59:47,600 --> 00:59:49,640
Speaker 2: this scene where it was like, what what's happening?

1340
00:59:50,120 --> 00:59:53,600
Speaker 1: Yeah, Sean kicks the speaker off the billboard ledge so

1341
00:59:53,600 --> 00:59:56,080
Speaker 1: he doesn't hear any more of that song. Luckily, Corey

1342
00:59:56,320 --> 00:59:59,560
Speaker 1: comes walking up the ladder, just missing the falling speaker

1343
00:59:59,560 --> 01:00:00,600
Speaker 1: that would have ailed him, but.

1344
01:00:00,600 --> 01:00:03,680
Speaker 3: Still singing we are warm and you are cold. Corey's

1345
01:00:03,680 --> 01:00:04,840
Speaker 3: brought him some hot chocolate.

1346
01:00:05,600 --> 01:00:08,000
Speaker 5: I love that he's in the audience down there listening

1347
01:00:08,000 --> 01:00:10,560
Speaker 5: to the radio when the DJ is live right in front.

1348
01:00:10,320 --> 01:00:12,080
Speaker 4: Of him, just so he could have this moment.

1349
01:00:13,040 --> 01:00:23,240
Speaker 2: None of By the way, it's not a ron is

1350
01:00:23,320 --> 01:00:26,120
Speaker 2: supposed to be a Phoene lesson episode This isn't a rawn.

1351
01:00:26,680 --> 01:00:29,040
Speaker 4: Don't know what it is? God, what's the last guy?

1352
01:00:29,160 --> 01:00:32,000
Speaker 1: Why couldn't he just have the song stuck in his head.

1353
01:00:32,400 --> 01:00:34,600
Speaker 1: Why did he need to have headphones on? Why couldn't

1354
01:00:34,600 --> 01:00:35,840
Speaker 1: he just be like us so catchy.

1355
01:00:36,320 --> 01:00:39,439
Speaker 2: Well, it's because everybody's not facing the DJ, so they're

1356
01:00:39,440 --> 01:00:41,400
Speaker 2: not actually listening to what they're saying, So you need

1357
01:00:41,400 --> 01:00:43,160
Speaker 2: to also have the headphone seeking here.

1358
01:00:43,760 --> 01:00:44,960
Speaker 4: Maybe that's what it is.

1359
01:00:45,920 --> 01:00:48,880
Speaker 1: Sewn is ecstatic and frantically pours from the thermos into

1360
01:00:48,920 --> 01:00:51,280
Speaker 1: the cup, but catches a glance at his fellow contestant,

1361
01:00:51,360 --> 01:00:53,640
Speaker 1: who is also dramatically freezing.

1362
01:00:54,000 --> 01:00:56,400
Speaker 3: Sean tells Corey, I can't do this, this isn't right.

1363
01:00:56,680 --> 01:00:58,800
Speaker 1: He walks over to his opponent and takes a big

1364
01:00:58,880 --> 01:01:01,080
Speaker 1: swig of hot chocolate right in front of his face.

1365
01:01:01,320 --> 01:01:05,760
Speaker 1: He screams yeah and laughs, maniatically the man size.

1366
01:01:05,840 --> 01:01:08,840
Speaker 3: That's it. I don't even like football. I like billboards,

1367
01:01:08,880 --> 01:01:10,240
Speaker 3: and you've ruined this for me.

1368
01:01:10,640 --> 01:01:13,440
Speaker 4: That is, I mean, that line is so great landing.

1369
01:01:14,200 --> 01:01:16,920
Speaker 3: I mean yeah, the billboards. I wanted to be close

1370
01:01:16,960 --> 01:01:17,560
Speaker 3: to a billboard.

1371
01:01:17,640 --> 01:01:20,240
Speaker 4: I mean god, that I mean to me, that is

1372
01:01:20,320 --> 01:01:24,600
Speaker 4: like quintessential brilliant. Michael Jacobs like, here's the spot.

1373
01:01:24,320 --> 01:01:26,880
Speaker 5: For the joke, right, and the joke is, you know

1374
01:01:27,080 --> 01:01:29,240
Speaker 5: the guy is going to cave in the face of

1375
01:01:29,280 --> 01:01:32,960
Speaker 5: Sean's cruelty, and then you add this extra layer of

1376
01:01:33,040 --> 01:01:36,360
Speaker 5: irony to I mean, just brilliant. I'm so funny football,

1377
01:01:36,400 --> 01:01:37,600
Speaker 5: I'm just here for the billboard.

1378
01:01:39,760 --> 01:01:41,720
Speaker 4: So smart. It is so smart.

1379
01:01:42,120 --> 01:01:43,040
Speaker 3: Corey is ecstatic.

1380
01:01:43,080 --> 01:01:45,680
Speaker 1: There's only one more guy Sean has to outlast to

1381
01:01:45,720 --> 01:01:49,360
Speaker 1: win those tickets. Sean admits, I can't win this Cory.

1382
01:01:49,560 --> 01:01:51,919
Speaker 1: Corey tries to encourage him. Of course he can win,

1383
01:01:52,160 --> 01:01:54,200
Speaker 1: but Sean simply points to the other guy. It's a

1384
01:01:54,240 --> 01:01:56,720
Speaker 1: man and a big winter coat, happily sitting on the

1385
01:01:56,760 --> 01:02:00,480
Speaker 1: ledge of a billboard eating an ice cream cone. Corey

1386
01:02:00,520 --> 01:02:04,919
Speaker 1: whispers the other guy's inn Eskimo. Sean nods he's from

1387
01:02:04,920 --> 01:02:07,880
Speaker 1: the Inuit tribe. He comes to Philadelphia with his family

1388
01:02:07,960 --> 01:02:12,480
Speaker 1: every January for summer vacation. The man cheerfully sings, I

1389
01:02:12,600 --> 01:02:15,800
Speaker 1: am warm and you are cold. Sean says, I really

1390
01:02:15,800 --> 01:02:17,720
Speaker 1: thought I had a chance to go to the Super Bowl,

1391
01:02:17,920 --> 01:02:20,040
Speaker 1: but I guess I never really did. There's always going

1392
01:02:20,120 --> 01:02:22,160
Speaker 1: to be an Eskimo standing in my way, isn't there.

1393
01:02:22,680 --> 01:02:24,959
Speaker 1: Corey says he'll help him down. As Sean figures out

1394
01:02:25,280 --> 01:02:28,120
Speaker 1: this whole thing was impossible, Corey thinks Feoenie knew that.

1395
01:02:28,520 --> 01:02:31,480
Speaker 1: And then we're in Phoenie's classroom. Phoene's at his desk,

1396
01:02:31,520 --> 01:02:33,680
Speaker 1: and Corey and the gang barge in. All right, we

1397
01:02:33,720 --> 01:02:36,120
Speaker 1: got this one figured out. Phoene asks, you got the

1398
01:02:36,120 --> 01:02:39,520
Speaker 1: super Bowl tickets? Sean grins. This was never about the tickets.

1399
01:02:39,800 --> 01:02:43,840
Speaker 1: Phoene raises an eyebrow. It wasn't. Corey's very proud of himself.

1400
01:02:43,960 --> 01:02:46,040
Speaker 1: You don't think we know you. You don't think we

1401
01:02:46,120 --> 01:02:47,880
Speaker 1: know that when you're teaching us something, we should look

1402
01:02:47,920 --> 01:02:50,720
Speaker 1: for the lesson behind the lesson. We figured this one

1403
01:02:50,720 --> 01:02:53,480
Speaker 1: out all by ourselves. Tapanga ads and I didn't even

1404
01:02:53,520 --> 01:02:56,640
Speaker 1: help them, mister Feenie. Sean explains, even though we thought

1405
01:02:56,680 --> 01:02:59,479
Speaker 1: something was impossible, we still should have tried, because that's

1406
01:02:59,520 --> 01:03:02,080
Speaker 1: all you want it to. Panga brags. You see how

1407
01:03:02,120 --> 01:03:04,040
Speaker 1: I haven't given them any advice on what to say.

1408
01:03:04,120 --> 01:03:07,360
Speaker 1: I don't fail, I don't. The three give each other

1409
01:03:07,400 --> 01:03:09,320
Speaker 1: a big group hug as. Corey asks, aren't you proud

1410
01:03:09,320 --> 01:03:09,520
Speaker 1: of us?

1411
01:03:09,560 --> 01:03:11,320
Speaker 3: Mister Feenie. Phoene is unmoved.

1412
01:03:11,480 --> 01:03:13,640
Speaker 1: Where are the super Bowl tickets? The three of them

1413
01:03:13,680 --> 01:03:14,520
Speaker 1: burst into laughter.

1414
01:03:14,680 --> 01:03:16,000
Speaker 3: Good joke, mister Feenie.

1415
01:03:16,120 --> 01:03:19,880
Speaker 1: Topanga begins to speak, mister Feenie that, but Feeni interrupts her. No,

1416
01:03:20,120 --> 01:03:22,919
Speaker 1: miss Lawrence, all you had to do was stay out

1417
01:03:22,920 --> 01:03:26,040
Speaker 1: of it. Phoene asks them again, in a very serious tone,

1418
01:03:26,480 --> 01:03:29,640
Speaker 1: where are the tickets? Sean tells him he really tried.

1419
01:03:30,040 --> 01:03:33,000
Speaker 1: Corey adds, and we know that's what you wanted. Phoene

1420
01:03:33,000 --> 01:03:35,400
Speaker 1: shakes his head. You have no idea what I want.

1421
01:03:35,680 --> 01:03:39,520
Speaker 1: He stands up. Get the tickets or fail. Tapanga begins

1422
01:03:39,520 --> 01:03:41,640
Speaker 1: to say, mister Feenie, but he cuts her off again,

1423
01:03:42,200 --> 01:03:45,439
Speaker 1: stay out of it or fail. Corey tries to reason

1424
01:03:45,480 --> 01:03:47,680
Speaker 1: with him, and Peoene cuts him off as well. Help

1425
01:03:47,720 --> 01:03:51,160
Speaker 1: them both or fail. He walks away without another word.

1426
01:03:51,200 --> 01:03:54,200
Speaker 1: As the three of them stand there shocked, Sean states again,

1427
01:03:54,640 --> 01:03:56,080
Speaker 1: thanks a lot to Panga.

1428
01:03:56,440 --> 01:03:57,919
Speaker 5: I think this might be the same with the door

1429
01:03:58,120 --> 01:04:00,560
Speaker 5: way walk away walk. Oh yeah, this might because I

1430
01:04:00,600 --> 01:04:03,560
Speaker 5: think that's a dramatic walkout. So the rest of the

1431
01:04:03,560 --> 01:04:07,360
Speaker 5: episode felt very strange to me, And when I watch

1432
01:04:07,400 --> 01:04:09,760
Speaker 5: it a second time, I kind of started to get

1433
01:04:09,800 --> 01:04:10,200
Speaker 5: an idea.

1434
01:04:10,280 --> 01:04:12,720
Speaker 4: Why this is the end of.

1435
01:04:12,720 --> 01:04:16,320
Speaker 5: The episode, Like we do learn the lesson exactly right,

1436
01:04:16,400 --> 01:04:17,880
Speaker 5: Like nothing changes, That's what I'm saying.

1437
01:04:17,920 --> 01:04:20,240
Speaker 2: I don't it's all muddled. What is he trying to teach?

1438
01:04:20,400 --> 01:04:22,960
Speaker 2: And they learned what he's trying to teach. They figured

1439
01:04:22,960 --> 01:04:23,400
Speaker 2: it out.

1440
01:04:23,440 --> 01:04:25,840
Speaker 4: And it's and it's just we haven't been suffered enough.

1441
01:04:26,120 --> 01:04:28,240
Speaker 4: It's like Feeny just gets to.

1442
01:04:28,240 --> 01:04:30,840
Speaker 5: Yell at us and then we learn the same lesson.

1443
01:04:30,880 --> 01:04:33,520
Speaker 5: We just do it more like Sean just works.

1444
01:04:33,280 --> 01:04:37,520
Speaker 4: Harder and it's what we've done all the things exactly, still.

1445
01:04:37,400 --> 01:04:40,080
Speaker 2: Doesn't do exactly. The assignment was not to go to

1446
01:04:40,120 --> 01:04:42,400
Speaker 2: the super Bowl. It wasn't go to the super Bowl.

1447
01:04:42,800 --> 01:04:44,720
Speaker 2: And that's what Sean did, is he ends up at

1448
01:04:44,720 --> 01:04:47,920
Speaker 2: the super Bowl saying, look, nothing's impossible. Well, for all

1449
01:04:47,920 --> 01:04:50,400
Speaker 2: we know, he snuck in and didn't The assignment was

1450
01:04:50,440 --> 01:04:53,400
Speaker 2: to get super Bowl tickets, which he never did.

1451
01:04:53,520 --> 01:04:55,280
Speaker 3: Yeah, I did sneak in.

1452
01:04:56,120 --> 01:04:56,760
Speaker 4: I just don't know.

1453
01:04:56,920 --> 01:04:59,600
Speaker 5: I just feel like this the more the more touching

1454
01:04:59,720 --> 01:05:02,480
Speaker 5: scene and at the end, you know, with Corey and

1455
01:05:02,480 --> 01:05:05,560
Speaker 5: Topanga and Feeni, they're all saying the same thing that

1456
01:05:05,560 --> 01:05:09,440
Speaker 5: they say in this verbatim, like no one the lesson

1457
01:05:09,480 --> 01:05:12,080
Speaker 5: doesn't change. And that's why it was like, wait, what

1458
01:05:12,400 --> 01:05:13,400
Speaker 5: is this episode about?

1459
01:05:13,400 --> 01:05:14,840
Speaker 4: And it seems like it's about.

1460
01:05:14,560 --> 01:05:17,520
Speaker 5: Phenie punishing us, like it seems like it's about FIENI

1461
01:05:17,760 --> 01:05:22,640
Speaker 5: torturing us and like, I don't know it. It's it's

1462
01:05:22,680 --> 01:05:26,800
Speaker 5: just not that like I just wanted the best lessons,

1463
01:05:26,920 --> 01:05:30,120
Speaker 5: best feeni lessons are revelatory, right, It's like through the

1464
01:05:30,200 --> 01:05:33,840
Speaker 5: experience you'll reveal something and like ah, and we've had

1465
01:05:33,880 --> 01:05:35,680
Speaker 5: that up until now. But then the rest of the

1466
01:05:35,720 --> 01:05:40,280
Speaker 5: episode it's just like authoritarian I told you you did it,

1467
01:05:40,520 --> 01:05:41,720
Speaker 5: or you're not enough for it.

1468
01:05:41,760 --> 01:05:43,280
Speaker 4: You know, it's a weird tone.

1469
01:05:43,560 --> 01:05:46,959
Speaker 1: It's like, oh, well, I do think I walked away

1470
01:05:46,960 --> 01:05:52,040
Speaker 1: from the episode thinking I I kind of felt like

1471
01:05:52,080 --> 01:05:57,240
Speaker 1: the lesson was, actually, your good attributes could actually could

1472
01:05:57,320 --> 01:05:59,360
Speaker 1: you They could be taken to a fault. You know,

1473
01:05:59,400 --> 01:06:01,560
Speaker 1: we've all heard the saying of like, oh she's kind

1474
01:06:01,680 --> 01:06:03,439
Speaker 1: to a fault and you know it's because oh she's

1475
01:06:03,440 --> 01:06:05,760
Speaker 1: so kind people and taking advantage of her she doesn't,

1476
01:06:05,760 --> 01:06:08,280
Speaker 1: you know, those kinds of things. And I do think

1477
01:06:08,320 --> 01:06:11,880
Speaker 1: the idea that like Corey loves his friend so much

1478
01:06:12,000 --> 01:06:14,160
Speaker 1: that at the beginning of the episode, what he was

1479
01:06:14,200 --> 01:06:17,040
Speaker 1: doing to help him was trying to put his name

1480
01:06:17,080 --> 01:06:19,560
Speaker 1: on a paper he didn't really write and give him

1481
01:06:19,600 --> 01:06:22,080
Speaker 1: a good grade that he wouldn't have otherwise earned, and

1482
01:06:22,120 --> 01:06:25,520
Speaker 1: that that is not actually that's enabling, that's not helping

1483
01:06:25,560 --> 01:06:28,520
Speaker 1: your friend. And Topanga, who is a control freak and

1484
01:06:28,560 --> 01:06:31,680
Speaker 1: wants to see everybody succeed like I did walk away,

1485
01:06:31,680 --> 01:06:37,960
Speaker 1: got them to thinking, yeah, and that for Sean, I think.

1486
01:06:38,960 --> 01:06:40,200
Speaker 4: You know, don't give up like that.

1487
01:06:40,240 --> 01:06:43,520
Speaker 1: Seawan is always so quick to say, my circumstances will

1488
01:06:43,560 --> 01:06:47,080
Speaker 1: stop me, and so I shouldn't even bother because I have.

1489
01:06:47,200 --> 01:06:49,840
Speaker 4: An easy way out. But we've all learned all our lessons.

1490
01:06:49,880 --> 01:06:52,240
Speaker 5: My mind now that literally everything you've just described we've

1491
01:06:52,280 --> 01:06:54,919
Speaker 5: already gone through and we still have what ten more

1492
01:06:55,000 --> 01:06:58,040
Speaker 5: minutes of the episode, And I'm not sure why, except

1493
01:06:58,080 --> 01:06:59,520
Speaker 5: to really drill this.

1494
01:06:59,480 --> 01:07:02,720
Speaker 4: Point home felt plotting to me. Yeah, P L O

1495
01:07:02,800 --> 01:07:04,760
Speaker 4: D D I NG like plotting, Like it was like

1496
01:07:04,920 --> 01:07:07,000
Speaker 4: right next beat and.

1497
01:07:06,960 --> 01:07:08,840
Speaker 5: Just hit it harder and hit it harder, to the

1498
01:07:08,880 --> 01:07:14,280
Speaker 5: point where the final moment where Feenie grabs your hands

1499
01:07:14,360 --> 01:07:16,200
Speaker 5: like in this like really affect.

1500
01:07:16,360 --> 01:07:18,600
Speaker 4: I was like, I know what, this isn't right. This

1501
01:07:18,640 --> 01:07:20,360
Speaker 4: is not Feenie. Like Phoenie's the guy who won't say

1502
01:07:20,360 --> 01:07:21,720
Speaker 4: I love you by the end of points.

1503
01:07:22,280 --> 01:07:24,720
Speaker 5: He's the guy who would never he would walk away

1504
01:07:24,760 --> 01:07:26,800
Speaker 5: from that scene and leave you.

1505
01:07:26,760 --> 01:07:27,720
Speaker 4: Guys to be like a ha.

1506
01:07:27,880 --> 01:07:30,080
Speaker 5: So it's like it's like we had to. It's a

1507
01:07:30,120 --> 01:07:32,520
Speaker 5: doubling down, Like the whole episode ends here and then

1508
01:07:32,560 --> 01:07:32,920
Speaker 5: we just.

1509
01:07:32,920 --> 01:07:33,439
Speaker 4: Do it again.

1510
01:07:35,080 --> 01:07:49,880
Speaker 1: Right, we're back at the guy's apartment, Jack sitting at

1511
01:07:49,880 --> 01:07:52,120
Speaker 1: his laptop as Eric walks down the stairs. What are

1512
01:07:52,120 --> 01:07:54,320
Speaker 1: you doing? They're gonna be here any minute. Jack says

1513
01:07:54,360 --> 01:07:56,680
Speaker 1: he has a psych test on Monday. Eric's eyes, this

1514
01:07:56,840 --> 01:07:59,120
Speaker 1: is why you'll never end up with any woman worth having.

1515
01:07:59,400 --> 01:08:03,160
Speaker 1: He slams Jack's laptop shut. We finally found two girls

1516
01:08:03,160 --> 01:08:05,760
Speaker 1: that are different from any other girls we've dated before.

1517
01:08:06,120 --> 01:08:08,600
Speaker 1: Jack asks how they're different, and Eric explains, because they're

1518
01:08:08,600 --> 01:08:13,320
Speaker 1: coming back. They're coming back because there's compatibility. Now, we

1519
01:08:13,400 --> 01:08:15,840
Speaker 1: haven't seen your first date with We didn't know there

1520
01:08:15,920 --> 01:08:18,280
Speaker 1: was a first date, so now we're just told this

1521
01:08:18,320 --> 01:08:19,120
Speaker 1: is a second date.

1522
01:08:19,280 --> 01:08:23,519
Speaker 5: Confused, it's like, oh, they those girls from the balcony, right,

1523
01:08:23,920 --> 01:08:24,880
Speaker 5: we don't they haven't.

1524
01:08:25,120 --> 01:08:27,439
Speaker 1: So there were the girls from the balcony and you've

1525
01:08:27,439 --> 01:08:29,400
Speaker 1: already had a date with them and it went well,

1526
01:08:29,640 --> 01:08:30,919
Speaker 1: and now they're coming back.

1527
01:08:30,760 --> 01:08:37,040
Speaker 2: Coming Did you see any food signs or did the

1528
01:08:37,400 --> 01:08:38,799
Speaker 2: back change?

1529
01:08:38,960 --> 01:08:42,360
Speaker 5: And there it's completely different there's a bar. Now's that island.

1530
01:08:42,520 --> 01:08:45,559
Speaker 5: That bar island never existed a bar, and.

1531
01:08:45,479 --> 01:08:48,960
Speaker 2: Then there's cabinets behind where there need to be food pictures.

1532
01:08:49,000 --> 01:08:50,519
Speaker 4: I know, they totally different.

1533
01:08:50,560 --> 01:08:53,479
Speaker 5: For the date scene, they needed two separate sitting areas,

1534
01:08:53,640 --> 01:08:56,520
Speaker 5: and so they created this barstool citting.

1535
01:08:56,200 --> 01:08:57,559
Speaker 4: Area, which I think we're in now.

1536
01:08:57,760 --> 01:09:00,919
Speaker 2: The rest of Yeah, but it's a different apartment.

1537
01:09:01,400 --> 01:09:01,959
Speaker 3: Is amazing.

1538
01:09:02,400 --> 01:09:05,040
Speaker 1: Jack argues, I'm studying so I can get my soulmate

1539
01:09:05,120 --> 01:09:08,200
Speaker 1: a nice life someday. Eric retorts, do like me, become

1540
01:09:08,240 --> 01:09:10,280
Speaker 1: a secret agent. Once you're in the CIA, they take

1541
01:09:10,320 --> 01:09:12,240
Speaker 1: care of you for life, or they kill you.

1542
01:09:12,280 --> 01:09:14,519
Speaker 5: That's good advice, by the way, I know this is

1543
01:09:14,560 --> 01:09:17,720
Speaker 5: classic Wilfredo, like figuring out some great business with your

1544
01:09:17,720 --> 01:09:19,479
Speaker 5: shirt time, but you don't.

1545
01:09:19,240 --> 01:09:23,599
Speaker 4: Actually tie your shoes. It's it's great business.

1546
01:09:23,600 --> 01:09:25,720
Speaker 5: It's perfect because you have you know, like it's just

1547
01:09:25,880 --> 01:09:27,880
Speaker 5: good acting to like give yourself something to do so

1548
01:09:27,880 --> 01:09:28,920
Speaker 5: you're not just standing there and.

1549
01:09:28,840 --> 01:09:31,040
Speaker 4: You're doing it perfectly. But that you know. I watched

1550
01:09:31,040 --> 01:09:31,719
Speaker 4: the episode twice.

1551
01:09:31,840 --> 01:09:33,479
Speaker 5: The second time I was like, he just kind of

1552
01:09:33,479 --> 01:09:35,240
Speaker 5: tugs on his laces that are already tied.

1553
01:09:35,640 --> 01:09:38,080
Speaker 4: I love it, but if.

1554
01:09:37,920 --> 01:09:39,960
Speaker 2: I had to do it over again. I would go

1555
01:09:40,040 --> 01:09:42,720
Speaker 2: the extra beat with the joke and absolutely have Eric

1556
01:09:42,720 --> 01:09:47,360
Speaker 2: and velcros shoes totally abbs like he doesn't know how

1557
01:09:47,400 --> 01:09:49,200
Speaker 2: to tie is. She would never mention it, but Eric

1558
01:09:49,280 --> 01:09:51,680
Speaker 2: always wears velcro shoes. I would go the extra mile

1559
01:09:51,720 --> 01:09:52,120
Speaker 2: if I had to.

1560
01:09:52,120 --> 01:09:52,519
Speaker 4: Do it together.

1561
01:09:52,600 --> 01:09:55,519
Speaker 3: That's so funny. Right then the doorbell buzzes.

1562
01:09:55,600 --> 01:09:59,360
Speaker 1: Eric excitedly whispers soulmates, but Jack's still not convinced. What

1563
01:09:59,400 --> 01:10:01,519
Speaker 1: are the chances we find two girls who are anything

1564
01:10:01,600 --> 01:10:04,439
Speaker 1: like us? Eric providently asks back, what are the chances

1565
01:10:04,479 --> 01:10:07,679
Speaker 1: we didn't? But you already know you guys have already

1566
01:10:07,720 --> 01:10:08,920
Speaker 1: gone out on a date.

1567
01:10:08,760 --> 01:10:10,639
Speaker 4: With Well, that's what I understand. Like their team, that's

1568
01:10:10,640 --> 01:10:12,839
Speaker 4: why they had What if we didn't? I don't understand

1569
01:10:12,840 --> 01:10:13,360
Speaker 4: that line.

1570
01:10:13,760 --> 01:10:18,639
Speaker 3: It's a romp. No it didn't.

1571
01:10:18,800 --> 01:10:20,800
Speaker 2: Again, this whole bet story seemed very and it's not

1572
01:10:20,840 --> 01:10:21,799
Speaker 2: a bad beat story.

1573
01:10:22,160 --> 01:10:24,439
Speaker 3: I love The idea for the bet story is great.

1574
01:10:24,600 --> 01:10:27,719
Speaker 2: They they each date girls that are like the opposite

1575
01:10:27,760 --> 01:10:30,920
Speaker 2: and they try to switch them classic sitcom three's company kinds.

1576
01:10:30,960 --> 01:10:32,760
Speaker 4: Doesn't it feel very obvious?

1577
01:10:33,040 --> 01:10:34,679
Speaker 2: Of course a little too much.

1578
01:10:35,600 --> 01:10:36,400
Speaker 4: I love the idea.

1579
01:10:36,439 --> 01:10:38,680
Speaker 5: I actually think both the actresses are great, Like, I

1580
01:10:38,720 --> 01:10:41,439
Speaker 5: think it's a very but it felt, especially when it

1581
01:10:41,479 --> 01:10:44,840
Speaker 5: gets to the slapping blocking like it just all felt

1582
01:10:44,840 --> 01:10:46,880
Speaker 5: like so on the nose.

1583
01:10:48,680 --> 01:10:51,600
Speaker 2: I like the idea of the bet story. The execution

1584
01:10:51,680 --> 01:10:52,679
Speaker 2: I did not think was great.

1585
01:10:53,200 --> 01:10:54,240
Speaker 3: Yeah.

1586
01:10:54,439 --> 01:10:56,960
Speaker 1: Eric opens the door and two pretty blonde girls walk in.

1587
01:10:57,160 --> 01:10:59,920
Speaker 1: Eric smirks, boy, do we have an evening planned for you?

1588
01:11:00,040 --> 01:11:02,639
Speaker 1: Jack joins in a wonderful little French restaurant with only

1589
01:11:02,680 --> 01:11:05,719
Speaker 1: four tables, seven courses and we can linger for hours.

1590
01:11:06,439 --> 01:11:06,639
Speaker 3: Now.

1591
01:11:06,720 --> 01:11:08,840
Speaker 1: Jack has like the full date planned, but he was

1592
01:11:08,880 --> 01:11:10,519
Speaker 1: also studying for his psych test.

1593
01:11:10,280 --> 01:11:12,080
Speaker 3: On Monday and had to be convinced to go in

1594
01:11:12,160 --> 01:11:12,639
Speaker 3: on the date.

1595
01:11:13,880 --> 01:11:18,720
Speaker 5: Eric Schut's a ROMP episode was written by Ai.

1596
01:11:19,600 --> 01:11:21,560
Speaker 3: Yeah exactly.

1597
01:11:22,760 --> 01:11:24,160
Speaker 4: AOL Messenger version.

1598
01:11:24,320 --> 01:11:26,320
Speaker 3: Yeah you've got seen.

1599
01:11:30,479 --> 01:11:33,599
Speaker 1: Eric shouts, hope you brought your fat pants ladies.

1600
01:11:34,880 --> 01:11:38,160
Speaker 2: Kind of a great line. I want to use that now.

1601
01:11:39,240 --> 01:11:41,760
Speaker 1: Jack's date laughs a little too hard at that joke,

1602
01:11:41,800 --> 01:11:44,200
Speaker 1: and then Eric's date announces I love French food, but

1603
01:11:44,240 --> 01:11:45,759
Speaker 1: I can't stay too late because I have an exam

1604
01:11:45,800 --> 01:11:48,639
Speaker 1: on Monday. But Jack's date has other plans. Hey give

1605
01:11:48,680 --> 01:11:50,559
Speaker 1: me a couple of tacos and I'm a happy girl.

1606
01:11:50,920 --> 01:11:54,479
Speaker 1: Jack is confused, but I got these reservations. Then the

1607
01:11:54,479 --> 01:11:57,240
Speaker 1: girl points to her math and yells, tackle.

1608
01:11:57,240 --> 01:11:58,840
Speaker 2: People do this to me all the time.

1609
01:11:59,240 --> 01:12:01,880
Speaker 3: But this was a this was a Corey thing did this.

1610
01:12:02,360 --> 01:12:08,960
Speaker 5: So it's the show referencing a different character characters in joke.

1611
01:12:12,000 --> 01:12:14,719
Speaker 5: Maybe in the Boy Meets World universe there was taco

1612
01:12:14,840 --> 01:12:16,759
Speaker 5: place where they did this as their commercial.

1613
01:12:16,960 --> 01:12:17,599
Speaker 4: Like their low.

1614
01:12:17,560 --> 01:12:21,000
Speaker 5: Commercial was a guy tacoll so everybody sort of knows

1615
01:12:21,000 --> 01:12:21,960
Speaker 5: it as like a band.

1616
01:12:22,080 --> 01:12:23,960
Speaker 3: That guy was named Michael Jacobs.

1617
01:12:24,160 --> 01:12:29,679
Speaker 4: Yes, give me live readings. No, no, it's wow taco.

1618
01:12:30,240 --> 01:12:32,639
Speaker 2: It's Miguel Jacob's taco house, Miguel.

1619
01:12:34,640 --> 01:12:35,559
Speaker 4: Let's make commercials.

1620
01:12:35,600 --> 01:12:38,920
Speaker 5: Let's go into AI and have Miguel Taco commercials where

1621
01:12:38,960 --> 01:12:45,000
Speaker 5: somebody points with their au taco Miguel's Tacas nineteen ninety eight.

1622
01:12:45,120 --> 01:12:55,920
Speaker 2: Exactly, Jacobs Jacobs, Miguel Jacob's Taco cos. No, we don't.

1623
01:12:56,600 --> 01:12:57,000
Speaker 4: I want to.

1624
01:13:01,000 --> 01:13:05,200
Speaker 3: Oh my god, Jensen just wrote Jacob.

1625
01:13:08,160 --> 01:13:10,720
Speaker 2: Miguel Jacob taco cassa. Yes, that's it.

1626
01:13:11,479 --> 01:13:14,360
Speaker 3: Oh my gosh.

1627
01:13:14,479 --> 01:13:21,120
Speaker 5: Okay, is it a taco pointing to his own like

1628
01:13:21,120 --> 01:13:22,800
Speaker 5: a cartoon taco taco?

1629
01:13:23,760 --> 01:13:26,840
Speaker 7: A cartoon taco with his side pointing to his mouth

1630
01:13:29,920 --> 01:13:33,840
Speaker 7: Miguel Yacosa.

1631
01:13:38,560 --> 01:13:40,800
Speaker 2: Oh this is the best. Oh you have to chart

1632
01:13:40,840 --> 01:13:41,479
Speaker 2: this pop up.

1633
01:13:43,800 --> 01:13:47,320
Speaker 1: Oh my gosh. Eric agrees, I love tacos. But then

1634
01:13:47,400 --> 01:13:50,240
Speaker 1: his date reminds him about Jack's reservations. She and Jack

1635
01:13:50,280 --> 01:13:52,960
Speaker 1: both say in unison, we can't just not show up. Man,

1636
01:13:54,080 --> 01:13:54,920
Speaker 1: I was a good read by me.

1637
01:13:55,000 --> 01:13:58,400
Speaker 3: Huh. Then Jack's date had my finger over the word.

1638
01:13:58,200 --> 01:14:04,479
Speaker 2: Man it Man, what's that up in the road ahead?

1639
01:14:07,320 --> 01:14:07,880
Speaker 4: What is this?

1640
01:14:08,640 --> 01:14:09,240
Speaker 3: What is this?

1641
01:14:10,160 --> 01:14:11,599
Speaker 2: What is this thing called love?

1642
01:14:14,880 --> 01:14:16,040
Speaker 4: I remember all of those.

1643
01:14:16,080 --> 01:14:17,880
Speaker 5: We do that all the time because it's like the

1644
01:14:18,080 --> 01:14:19,720
Speaker 5: ultimate bad actor thing to do.

1645
01:14:19,800 --> 01:14:21,880
Speaker 3: It's like to just completely misread a.

1646
01:14:21,880 --> 01:14:25,880
Speaker 5: Sentence, but like read it correctly. Just not talk about

1647
01:14:25,960 --> 01:14:26,439
Speaker 5: human van.

1648
01:14:28,520 --> 01:14:30,599
Speaker 3: Oh my gosh, I just had a full flashback.

1649
01:14:30,640 --> 01:14:31,599
Speaker 2: Do you think you are? Were?

1650
01:14:31,720 --> 01:14:33,400
Speaker 3: Anyway?

1651
01:14:33,680 --> 01:14:37,400
Speaker 4: Who do you think you are? Anyway?

1652
01:14:38,320 --> 01:14:40,280
Speaker 3: We would do this all the time, all the time.

1653
01:14:40,640 --> 01:14:41,160
Speaker 4: Oh my god.

1654
01:14:41,240 --> 01:14:44,439
Speaker 5: Indy had this exact thing happen in his class or

1655
01:14:44,520 --> 01:14:46,320
Speaker 5: when he was doing the Little Mermaid play.

1656
01:14:46,560 --> 01:14:48,560
Speaker 4: One of the one of the actors.

1657
01:14:48,479 --> 01:14:51,559
Speaker 5: You know, seven years old or whatever, and I forget

1658
01:14:51,560 --> 01:14:55,160
Speaker 5: what the line was. It was like, oh, some friend

1659
01:14:55,240 --> 01:14:57,960
Speaker 5: you are or some friend you turned out to be

1660
01:14:58,080 --> 01:15:01,800
Speaker 5: Sebastian is the line. Okay, she said some friend you

1661
01:15:01,920 --> 01:15:07,040
Speaker 5: turned out to be Sebastian and he was like, what

1662
01:15:07,160 --> 01:15:09,360
Speaker 5: is why was she saying it like that? And He's like,

1663
01:15:09,360 --> 01:15:11,160
Speaker 5: I kept wanted to say somebody didn't want to tell

1664
01:15:11,200 --> 01:15:13,120
Speaker 5: the other students, and then finding the teacher, like the

1665
01:15:13,200 --> 01:15:15,120
Speaker 5: weeks of rids On. Finding the teacher was like, why

1666
01:15:15,120 --> 01:15:19,200
Speaker 5: are you saying some friend you turned out to be Sebastian?

1667
01:15:19,800 --> 01:15:21,680
Speaker 4: And so Andy just thought this was the funniest thing.

1668
01:15:21,680 --> 01:15:23,639
Speaker 5: I was like, findy and so I told him all

1669
01:15:23,640 --> 01:15:25,160
Speaker 5: of these ones where I was like, we have the

1670
01:15:25,240 --> 01:15:27,360
Speaker 5: exact same things, so he knows.

1671
01:15:27,200 --> 01:15:28,960
Speaker 4: Them now too. We say them all the time.

1672
01:15:29,080 --> 01:15:32,240
Speaker 3: Oh god, I think he was anyway.

1673
01:15:31,680 --> 01:15:35,599
Speaker 1: That is as you guys were doing that, I was

1674
01:15:35,760 --> 01:15:42,200
Speaker 1: a teenager again. Oh man, my stomach truly, my stomach

1675
01:15:42,240 --> 01:15:45,680
Speaker 1: hurt smif from laughing. Eric asks if everyone's ready, and

1676
01:15:45,680 --> 01:15:48,000
Speaker 1: they head out into the hallway. While standing at the elevator,

1677
01:15:48,120 --> 01:15:50,320
Speaker 1: Eric asks his date, Jill, if she has any brothers

1678
01:15:50,400 --> 01:15:50,920
Speaker 1: or sisters.

1679
01:15:51,280 --> 01:15:52,559
Speaker 3: Jill nods one sister.

1680
01:15:52,680 --> 01:15:54,720
Speaker 1: We were separated when my parents got divorced, but I

1681
01:15:54,760 --> 01:15:57,960
Speaker 1: reconnected with her when I came to Penbrook. Pretty weird huh.

1682
01:15:58,160 --> 01:16:00,599
Speaker 1: Jack and Eric stare at each other and disbelieve. Jack

1683
01:16:00,680 --> 01:16:03,720
Speaker 1: asks his date Carol what she's studying. She responds, you

1684
01:16:03,760 --> 01:16:05,559
Speaker 1: don't need to study for what I'm gonna do. Once

1685
01:16:05,560 --> 01:16:07,679
Speaker 1: you're in the CIA, they take care of you for life.

1686
01:16:07,920 --> 01:16:12,120
Speaker 1: Eric follows up or they Carol finishes his sentence, kill you,

1687
01:16:12,280 --> 01:16:15,160
Speaker 1: kill you. The girls get into the elevator and Eric

1688
01:16:15,200 --> 01:16:18,160
Speaker 1: quickly pulls Jack aside. I want Carol, Jack a grease.

1689
01:16:18,240 --> 01:16:20,640
Speaker 1: Jill's perfect for me. Jack and Jill. Why didn't we

1690
01:16:20,680 --> 01:16:24,559
Speaker 1: see it before? Eric shrieks Eric and Carol. The boys

1691
01:16:24,600 --> 01:16:27,240
Speaker 1: wiggle their hands together as they let out happy shrieks

1692
01:16:27,280 --> 01:16:29,440
Speaker 1: before joining their soulmates in the elevator.

1693
01:16:30,360 --> 01:16:32,200
Speaker 3: My stomach hurts, how do.

1694
01:16:32,200 --> 01:16:35,639
Speaker 4: You spell Miguel Jacobs? By the way, I'm already developed AI.

1695
01:16:36,439 --> 01:16:39,400
Speaker 3: I already got one.

1696
01:16:38,640 --> 01:16:40,519
Speaker 2: Guys, I'm currently working on the design.

1697
01:16:40,560 --> 01:16:42,240
Speaker 4: I got it. I already got one great one.

1698
01:16:42,560 --> 01:16:45,320
Speaker 2: Do you think it's why a cop? Or I think

1699
01:16:45,320 --> 01:16:49,040
Speaker 2: it's And we assumed listener is gonna say, no, you

1700
01:16:49,120 --> 01:16:50,800
Speaker 2: have to use a why all right?

1701
01:16:51,560 --> 01:16:53,640
Speaker 1: I think you have to use a y right so

1702
01:16:53,680 --> 01:16:55,200
Speaker 1: that you get the proper pronunciation.

1703
01:16:55,960 --> 01:16:59,320
Speaker 3: So, oh my god, I wrote everything to the designer,

1704
01:16:59,360 --> 01:17:02,360
Speaker 3: and his own response back was what about feet? Does

1705
01:17:02,400 --> 01:17:06,680
Speaker 3: he have feet? Oh? Does he have feet?

1706
01:17:06,760 --> 01:17:07,040
Speaker 2: Question?

1707
01:17:07,520 --> 01:17:09,640
Speaker 3: You don't have feet. I'm want to eat the taco.

1708
01:17:10,160 --> 01:17:13,680
Speaker 4: Literally the first one that popped up. It's terrifying how

1709
01:17:13,720 --> 01:17:15,960
Speaker 4: good it is. That's the first one that came up

1710
01:17:16,000 --> 01:17:16,400
Speaker 4: on Ai.

1711
01:17:17,320 --> 01:17:18,880
Speaker 3: You guys, it's so good.

1712
01:17:20,000 --> 01:17:22,439
Speaker 4: It's pretty perfect. You know what.

1713
01:17:22,479 --> 01:17:24,040
Speaker 1: This is better than what was in my mind. In

1714
01:17:24,080 --> 01:17:26,360
Speaker 1: my mind, we were seeing the profile of the tao,

1715
01:17:26,520 --> 01:17:29,920
Speaker 1: the side of the taco. But this is so much better. Yeah,

1716
01:17:30,000 --> 01:17:33,640
Speaker 1: look at this big wide mouth. Oh my gosh, this

1717
01:17:33,800 --> 01:17:50,920
Speaker 1: is perfect, and it says Miguel Jacob's Taco cossat. So

1718
01:17:51,000 --> 01:17:53,920
Speaker 1: then we are back on the WKZN billboard. It now

1719
01:17:54,000 --> 01:17:57,280
Speaker 1: reads I'm going to the super Bowl thanks to WKZN,

1720
01:17:57,320 --> 01:17:58,719
Speaker 1: with a picture of the Eskimo.

1721
01:17:59,840 --> 01:18:02,200
Speaker 5: The restaurants should be sponsored by w KZEN. There should

1722
01:18:02,200 --> 01:18:05,160
Speaker 5: be like, oh yeah, brought to you.

1723
01:18:05,160 --> 01:18:08,479
Speaker 1: On the back Sean sitting on the ledge all alone.

1724
01:18:08,760 --> 01:18:11,559
Speaker 1: Corey and Tapanga walk up and spot Sean. Topega says,

1725
01:18:11,600 --> 01:18:13,840
Speaker 1: I told you he'd be here, and Corey argues, no,

1726
01:18:13,920 --> 01:18:16,479
Speaker 1: you didn't. You were waiving a dollar and yawning at me.

1727
01:18:16,920 --> 01:18:20,680
Speaker 1: Tapanga shouts, bill board, how much simpler, could it be?

1728
01:18:21,400 --> 01:18:23,679
Speaker 1: They walk up the ladder, still arguing, and the start

1729
01:18:23,680 --> 01:18:27,320
Speaker 1: of another handful of very crazy camera angles. Sean yells

1730
01:18:27,360 --> 01:18:30,160
Speaker 1: at them, Hey, Lucy, Ricky, I'm up here trying to think.

1731
01:18:30,320 --> 01:18:33,840
Speaker 4: You get your head stepped on. It was funny. I

1732
01:18:33,920 --> 01:18:35,600
Speaker 4: love the panga dynamic in this.

1733
01:18:36,120 --> 01:18:38,360
Speaker 3: I love the idea that they're Lucy and Ricky. That's

1734
01:18:38,520 --> 01:18:39,000
Speaker 3: that's good.

1735
01:18:39,040 --> 01:18:41,920
Speaker 2: Again, favorite topanga so far, arguably of the series. This

1736
01:18:42,040 --> 01:18:45,040
Speaker 2: is my favorite tapanga, so at least of the modern tipanga.

1737
01:18:45,200 --> 01:18:47,800
Speaker 2: Of the modern tapanga, this is my favorite version right here,

1738
01:18:47,840 --> 01:18:50,240
Speaker 2: like you're part of the gang. They finally wrote something

1739
01:18:50,360 --> 01:18:52,920
Speaker 2: for you, and it's like Topanga's here. So that was great.

1740
01:18:53,040 --> 01:18:54,160
Speaker 4: Yeah.

1741
01:18:53,280 --> 01:18:53,479
Speaker 3: Yeah.

1742
01:18:54,280 --> 01:18:56,040
Speaker 1: They finally make it up to the ledge and Corey

1743
01:18:56,040 --> 01:18:59,080
Speaker 1: asks what he's thinking about. Sean says, whenever I've wanted

1744
01:18:59,120 --> 01:19:01,639
Speaker 1: anything in my life, there's always been an Eskimo standing

1745
01:19:01,680 --> 01:19:04,320
Speaker 1: in my way. Corey turns to Tapanga for advice. She

1746
01:19:04,360 --> 01:19:06,680
Speaker 1: starts playing charades, but Corey doesn't get it. She just

1747
01:19:06,720 --> 01:19:10,720
Speaker 1: shouts metaphor. It's all very funny, and I don't know how.

1748
01:19:10,880 --> 01:19:13,320
Speaker 1: I don't know how Tapega doesn't fail the assignment. I

1749
01:19:13,360 --> 01:19:17,040
Speaker 1: guess we just choose not to share that I told

1750
01:19:17,120 --> 01:19:17,599
Speaker 1: him stuff.

1751
01:19:17,720 --> 01:19:19,080
Speaker 2: Well, no one understands the assignment.

1752
01:19:19,160 --> 01:19:22,240
Speaker 3: Okay, that's that's true that way, Yeah.

1753
01:19:21,479 --> 01:19:23,960
Speaker 1: Sean continues, Remember when you went to summer camp and

1754
01:19:23,960 --> 01:19:26,720
Speaker 1: I couldn't afford to That was an eskimo. He grew

1755
01:19:26,760 --> 01:19:28,719
Speaker 1: up in a trailer park. Everyone else had a house.

1756
01:19:28,880 --> 01:19:32,400
Speaker 1: That's another eskimo. Sean explains, there's so many things standing

1757
01:19:32,400 --> 01:19:35,080
Speaker 1: in my way, but he's had enough. He declares he's

1758
01:19:35,120 --> 01:19:37,240
Speaker 1: going to the super Bowl. Corey reminds him he has

1759
01:19:37,280 --> 01:19:39,559
Speaker 1: no tickets and no way of getting there. Sean says

1760
01:19:39,560 --> 01:19:42,080
Speaker 1: it doesn't matter. People like him don't get anywhere because

1761
01:19:42,080 --> 01:19:44,719
Speaker 1: they don't believe they can get there. He's his own

1762
01:19:44,800 --> 01:19:48,160
Speaker 1: worst eskimo. Corey tries reasoning with him, he doesn't need

1763
01:19:48,200 --> 01:19:50,680
Speaker 1: to go anywhere. Sean knows I do have to go

1764
01:19:50,800 --> 01:19:53,640
Speaker 1: somewhere because if I don't, I'll never go anywhere. He

1765
01:19:53,720 --> 01:19:56,160
Speaker 1: tells Corey to be his best friend and get out

1766
01:19:56,200 --> 01:20:00,240
Speaker 1: of his way. Corey obliges, and they all watch Sean leave. Now,

1767
01:20:00,560 --> 01:20:04,599
Speaker 1: this is the lesson Sean didn't necessarily have when they

1768
01:20:04,600 --> 01:20:07,120
Speaker 1: went back to the classroom. Before Sean came back going

1769
01:20:07,160 --> 01:20:09,519
Speaker 1: you just wanted me to try. But that isn't true.

1770
01:20:09,680 --> 01:20:12,160
Speaker 1: He wanted him to realize if you always see an

1771
01:20:12,160 --> 01:20:15,720
Speaker 1: obstacle and decide, well, there's my obstacle, it's I'm not

1772
01:20:15,760 --> 01:20:17,880
Speaker 1: ever going to push past it and I just turn

1773
01:20:17,960 --> 01:20:19,360
Speaker 1: back and go, isn't that good enough?

1774
01:20:19,720 --> 01:20:21,640
Speaker 3: No, that isn't ever going to be good enough in

1775
01:20:21,720 --> 01:20:22,160
Speaker 3: your life.

1776
01:20:22,240 --> 01:20:25,920
Speaker 4: It's doubling down. Yeah you didn't you didn't run a marathon.

1777
01:20:25,960 --> 01:20:27,400
Speaker 4: You just sprinted, but you just got to go.

1778
01:20:27,800 --> 01:20:30,160
Speaker 5: It's fine, It's just more of the same, right, It's

1779
01:20:30,160 --> 01:20:31,400
Speaker 5: just like you have to go further.

1780
01:20:31,920 --> 01:20:34,080
Speaker 4: You haven't been punished enough. You have both go.

1781
01:20:34,680 --> 01:20:39,360
Speaker 1: You haven't realized that you're you're the person who's stopping you,

1782
01:20:39,520 --> 01:20:42,640
Speaker 1: not the actual obstacle. I think in the first when

1783
01:20:42,680 --> 01:20:44,880
Speaker 1: you first went to the classroom, you were like, oh,

1784
01:20:44,960 --> 01:20:48,000
Speaker 1: I worked my hardest until there was a true roadblock

1785
01:20:48,080 --> 01:20:50,160
Speaker 1: that I couldn't imagine a way around.

1786
01:20:50,600 --> 01:20:54,200
Speaker 3: And then I said, well I did the best that

1787
01:20:54,280 --> 01:20:54,759
Speaker 3: I could.

1788
01:20:55,040 --> 01:20:58,360
Speaker 1: But Feenie was saying, no, you have to go even

1789
01:20:58,520 --> 01:21:01,920
Speaker 1: past that, and you have to realize that you're so

1790
01:21:02,120 --> 01:21:05,439
Speaker 1: far the thing that stopped you every time, not about

1791
01:21:05,479 --> 01:21:08,360
Speaker 1: the money, not about the and maybe that idea as

1792
01:21:08,400 --> 01:21:10,920
Speaker 1: a big ole. You got to pull yourselfself up by

1793
01:21:10,920 --> 01:21:14,600
Speaker 1: your bootstraps thing, you know, if you really want to

1794
01:21:14,600 --> 01:21:16,839
Speaker 1: afford it, you work two jobs and you do it overnight.

1795
01:21:16,920 --> 01:21:21,120
Speaker 1: Like There's maybe some of that in there, But ultimately

1796
01:21:21,400 --> 01:21:26,960
Speaker 1: you did in this scene teach yourself something about your

1797
01:21:27,120 --> 01:21:30,920
Speaker 1: past that you did not know in that previous scene

1798
01:21:30,920 --> 01:21:31,720
Speaker 1: in the classroom.

1799
01:21:31,840 --> 01:21:34,679
Speaker 2: But he never got the tickets.

1800
01:21:34,560 --> 01:21:37,160
Speaker 3: That we know of. That we know of.

1801
01:21:37,880 --> 01:21:40,880
Speaker 1: He may have done a grateful dead thing and waved

1802
01:21:40,880 --> 01:21:43,160
Speaker 1: his finger up in the air outside of the super

1803
01:21:43,160 --> 01:21:46,479
Speaker 1: Bowl asking for a miracle, and somebody said, hey, you

1804
01:21:46,479 --> 01:21:47,799
Speaker 1: can have my extra ticket.

1805
01:21:48,160 --> 01:21:50,360
Speaker 3: We don't know. I do wish they explained that a

1806
01:21:50,360 --> 01:21:50,720
Speaker 3: little bit.

1807
01:21:50,960 --> 01:21:53,800
Speaker 2: I mean, I think Sean just broke into the super Bowl.

1808
01:21:54,240 --> 01:21:55,240
Speaker 3: I know, I think so too.

1809
01:21:55,560 --> 01:21:57,599
Speaker 4: Yeah, Sophie, he turned Sean into a criminal.

1810
01:21:57,920 --> 01:22:00,400
Speaker 1: Yes, then we're back in the guy's apartment. They are

1811
01:22:00,439 --> 01:22:02,320
Speaker 1: in different outfits.

1812
01:22:03,160 --> 01:22:03,360
Speaker 4: Yes.

1813
01:22:03,600 --> 01:22:06,240
Speaker 1: So this is the third date, Date three, third date.

1814
01:22:06,520 --> 01:22:08,640
Speaker 1: The didn't see date one. We saw the beginning of

1815
01:22:08,720 --> 01:22:11,320
Speaker 1: date two. This is now date three. This is sex

1816
01:22:11,400 --> 01:22:14,240
Speaker 1: date right right, this is the time when it happens.

1817
01:22:14,320 --> 01:22:14,599
Speaker 4: Yeah.

1818
01:22:15,320 --> 01:22:18,120
Speaker 1: Eric makes his way over to Carol as Jack sits

1819
01:22:18,120 --> 01:22:20,960
Speaker 1: next to Jill on the couch. Carol wins as Eric

1820
01:22:21,040 --> 01:22:23,679
Speaker 1: stares into her soul. She wonders why he's so close

1821
01:22:23,720 --> 01:22:25,280
Speaker 1: to her, and why is he even sitting next to

1822
01:22:25,280 --> 01:22:28,080
Speaker 1: her in the first place. She thinks he's confused. Eric

1823
01:22:28,080 --> 01:22:29,960
Speaker 1: grabs her hand and holds it to his chest. You

1824
01:22:30,000 --> 01:22:32,400
Speaker 1: think I'm confused. Your name is Carol, you want to

1825
01:22:32,439 --> 01:22:34,800
Speaker 1: work in espionage. You love tacos. You have no idea

1826
01:22:34,840 --> 01:22:37,640
Speaker 1: what color amber is. Now, who's confused? She pulls her

1827
01:22:37,680 --> 01:22:39,840
Speaker 1: hand back. I am, and you're sitting even closer to

1828
01:22:39,880 --> 01:22:44,040
Speaker 1: me now. Meanwhile, Jack is explaining to Jill, and are

1829
01:22:44,040 --> 01:22:45,960
Speaker 1: we supposed to ad buy that they don't hear.

1830
01:22:45,920 --> 01:22:48,800
Speaker 2: Each You can't hear anything. Well, they're almost six feet away.

1831
01:22:48,800 --> 01:22:49,920
Speaker 3: Okay, all right, got it.

1832
01:22:52,200 --> 01:22:54,920
Speaker 1: Meanwhile Jack is explaining to Jill, your studies are important

1833
01:22:54,920 --> 01:22:57,240
Speaker 1: to you. You appreciate French cuisine, and you want to read

1834
01:22:57,240 --> 01:23:00,000
Speaker 1: the Sunday Times book review section in an unfurnished apartment

1835
01:23:00,080 --> 01:23:01,680
Speaker 1: while you lie on the hardwood floor with your lover

1836
01:23:01,760 --> 01:23:05,280
Speaker 1: massage in your bare feet. Jill shrugs, yeah. So we

1837
01:23:05,360 --> 01:23:07,320
Speaker 1: cut back to Eric, whose legs are now propped onto

1838
01:23:07,400 --> 01:23:09,880
Speaker 1: Carol's while he nuzzles his head into her shoulder. She's

1839
01:23:09,880 --> 01:23:12,400
Speaker 1: had enough. Now you're way too close. You're hitting on me.

1840
01:23:12,840 --> 01:23:16,000
Speaker 1: Eric softly asks, am I. Carol throws his legs off

1841
01:23:16,000 --> 01:23:18,599
Speaker 1: of her. Yes, what is going on here? Eric stares

1842
01:23:18,640 --> 01:23:20,640
Speaker 1: into her eyes. Don't you see we were meant for

1843
01:23:20,680 --> 01:23:22,720
Speaker 1: each other. The reason I want someone like you is

1844
01:23:22,760 --> 01:23:26,200
Speaker 1: because you're someone like me. She softly slaps him on

1845
01:23:26,200 --> 01:23:28,559
Speaker 1: the head. She's here to see Jack. She thought he

1846
01:23:28,600 --> 01:23:31,439
Speaker 1: and Eric were best friends. Eric nods best friends. We

1847
01:23:31,479 --> 01:23:34,880
Speaker 1: support each other entirely. Then, and what can only be

1848
01:23:35,000 --> 01:23:39,559
Speaker 1: described as an optical camera pan, Jack shouts to Jill.

1849
01:23:40,000 --> 01:23:42,479
Speaker 1: Eric's a moron. I lay out his clothes in the morning.

1850
01:23:42,520 --> 01:23:45,080
Speaker 1: You and I belong together. We're like peanut, butter and jelly.

1851
01:23:45,360 --> 01:23:50,400
Speaker 1: We're like jelly and jelly. Carol makes her way over

1852
01:23:50,439 --> 01:23:53,280
Speaker 1: to Jack. She's not comfortable here. Jill tells Eric she'd

1853
01:23:53,320 --> 01:23:58,120
Speaker 1: like to leave. Eric is disgusted. I'm with Carol, how rude?

1854
01:24:00,200 --> 01:24:00,840
Speaker 1: Great read?

1855
01:24:01,160 --> 01:24:01,519
Speaker 4: I wrote?

1856
01:24:01,800 --> 01:24:05,479
Speaker 1: Amazing read. Jack pleads to Jill. At least let me

1857
01:24:05,520 --> 01:24:07,240
Speaker 1: walk you home. That way we can talk and you

1858
01:24:07,240 --> 01:24:09,519
Speaker 1: can see how right we are for each other. Carol

1859
01:24:09,600 --> 01:24:11,759
Speaker 1: just wants to know what's going on here. Eric asks,

1860
01:24:11,800 --> 01:24:14,160
Speaker 1: we were just switching you around. What's the big deal?

1861
01:24:14,800 --> 01:24:16,559
Speaker 3: The girls slap the boys across the face.

1862
01:24:16,560 --> 01:24:20,800
Speaker 2: In Udison, the roommates switch big Seinfeld thing.

1863
01:24:21,040 --> 01:24:21,960
Speaker 3: They just stole it.

1864
01:24:24,040 --> 01:24:25,920
Speaker 1: Jack says they were just trying to form serious and

1865
01:24:25,960 --> 01:24:29,000
Speaker 1: meaningful relationships. Eric adds, with a couple of hotties who

1866
01:24:29,000 --> 01:24:31,599
Speaker 1: have the same interests we do. Don't you want that too?

1867
01:24:32,080 --> 01:24:34,639
Speaker 1: He turns to Carol, I know you do. He turns

1868
01:24:34,680 --> 01:24:37,360
Speaker 1: to Jill. You I don't know what you want, Carol

1869
01:24:37,400 --> 01:24:46,880
Speaker 1: admits I. Carol admits we just went out with you

1870
01:24:46,880 --> 01:24:49,640
Speaker 1: because we thought you were cute. Jill adds, besides, who

1871
01:24:49,680 --> 01:24:52,400
Speaker 1: would want to be with someone exactly like ourselves? Nobody

1872
01:24:52,840 --> 01:24:55,320
Speaker 1: makes a sandwich out of jelly and jelly. That would

1873
01:24:55,320 --> 01:24:59,160
Speaker 1: be tedious and redundant. Jack looks at her lovingly. We

1874
01:24:59,240 --> 01:25:02,479
Speaker 1: have the same volc tabulary. Eric turns to Carol. We

1875
01:25:02,520 --> 01:25:05,639
Speaker 1: could look those words up together. But she doesn't want

1876
01:25:05,640 --> 01:25:07,320
Speaker 1: to look those words up with him. She wants someone

1877
01:25:07,360 --> 01:25:09,600
Speaker 1: who can tell her what they mean. Jill adds, I

1878
01:25:09,600 --> 01:25:12,000
Speaker 1: spend all day with me. You seemed like fun, and

1879
01:25:12,040 --> 01:25:15,400
Speaker 1: now we'll never know. With that, The girls leave now alone.

1880
01:25:15,520 --> 01:25:18,800
Speaker 1: Eric declares, we learned an important lesson here today. Jack

1881
01:25:18,960 --> 01:25:21,360
Speaker 1: looks like finding soulmates isn't going to be as easy

1882
01:25:21,360 --> 01:25:24,640
Speaker 1: as we thought. Jack suggests, maybe the girls taught us

1883
01:25:24,680 --> 01:25:26,400
Speaker 1: we were too aggressive and we just have to sit

1884
01:25:26,479 --> 01:25:29,120
Speaker 1: back and let the universe bring our soulmates to us.

1885
01:25:29,600 --> 01:25:32,840
Speaker 1: Eric grins, you're a wise man, Jack Hunter. Then we

1886
01:25:32,880 --> 01:25:35,599
Speaker 1: cut to the hallway outside the elevator. Jill and Carol

1887
01:25:35,640 --> 01:25:39,080
Speaker 1: are not so patiently waiting, arms folded. Jill breaks the silence.

1888
01:25:39,360 --> 01:25:41,320
Speaker 1: I guess they're actually not coming after us.

1889
01:25:41,560 --> 01:25:45,519
Speaker 3: Carol laughs. Those idiots, what they learned.

1890
01:25:45,320 --> 01:25:47,120
Speaker 4: The wrong lesson. They were supposed to go out and

1891
01:25:47,240 --> 01:25:49,040
Speaker 4: chase them down, and the girls would have been fine,

1892
01:25:49,200 --> 01:25:50,519
Speaker 4: and they would have been soulmates for her.

1893
01:25:50,600 --> 01:25:54,519
Speaker 3: But why would they have girls? Would they?

1894
01:25:54,520 --> 01:25:56,920
Speaker 2: Did it now be Eric and Carol and Jack and Jill?

1895
01:25:57,240 --> 01:25:59,720
Speaker 5: Or Yeah, they just gave that whole speech that that's

1896
01:26:00,760 --> 01:26:01,799
Speaker 5: no they should be.

1897
01:26:01,960 --> 01:26:03,440
Speaker 2: So that'll be the original.

1898
01:26:03,920 --> 01:26:06,679
Speaker 4: Yeah. Yeah, So you guys just learned the wrong lesson.

1899
01:26:06,680 --> 01:26:09,120
Speaker 4: As the joke like, if you had listened to them, you.

1900
01:26:09,120 --> 01:26:11,400
Speaker 5: Would have learned the lesson, like we should try it,

1901
01:26:11,479 --> 01:26:13,840
Speaker 5: make it make it work with the girl who's not

1902
01:26:14,040 --> 01:26:14,280
Speaker 5: like me.

1903
01:26:14,600 --> 01:26:16,599
Speaker 4: Okay, I'll go after her and make it work.

1904
01:26:16,640 --> 01:26:18,840
Speaker 5: But instead you guys were like, well, we don't need

1905
01:26:18,840 --> 01:26:21,200
Speaker 5: soul mates, or let's wait and they'll come to us.

1906
01:26:21,640 --> 01:26:24,400
Speaker 1: Okay, okay, yeah, all right, but that's not that's not

1907
01:26:24,439 --> 01:26:26,400
Speaker 1: what Eric or Jack wanted.

1908
01:26:27,000 --> 01:26:28,679
Speaker 2: But we're boys, doesn't.

1909
01:26:28,479 --> 01:26:40,800
Speaker 6: Okay, doesn't matter what you want.

1910
01:26:42,080 --> 01:26:44,519
Speaker 1: And then we're back in Phoenie's classroom. Corey enters with Tapanga.

1911
01:26:44,640 --> 01:26:47,479
Speaker 1: He's failed, mister Feoene. As we speak, our young Sean

1912
01:26:47,600 --> 01:26:51,240
Speaker 1: is foolishly rolling westward towards San Diego and certain disappointment.

1913
01:26:51,720 --> 01:26:54,680
Speaker 1: Phoene perks up, did he get the tickets? Corey explains no,

1914
01:26:55,160 --> 01:26:57,679
Speaker 1: He said the tickets didn't matter. He said nothing mattered

1915
01:26:57,720 --> 01:27:00,559
Speaker 1: and that he'd find a way in Phoenix smiles.

1916
01:27:00,840 --> 01:27:01,559
Speaker 3: That's what he said.

1917
01:27:02,040 --> 01:27:04,120
Speaker 1: Corey answers, Yeah, I was standing in front of him

1918
01:27:04,120 --> 01:27:05,360
Speaker 1: and he asked me to move out of the way

1919
01:27:05,400 --> 01:27:08,200
Speaker 1: so he could go. Phoene approaches Corey, clearly happy with

1920
01:27:08,240 --> 01:27:10,400
Speaker 1: the way things turned out. Did you move out of

1921
01:27:10,400 --> 01:27:13,559
Speaker 1: the way, mister Matthews. Corey nods, yeah, I mean I

1922
01:27:13,640 --> 01:27:16,000
Speaker 1: really felt like I should. I know, the assignment was

1923
01:27:16,040 --> 01:27:18,040
Speaker 1: to help him succeed, but he didn't need my help

1924
01:27:18,040 --> 01:27:20,200
Speaker 1: on this one. Corey concludes he was going to do

1925
01:27:20,240 --> 01:27:22,800
Speaker 1: this on his own no matter what. Guess I failed. Huh,

1926
01:27:23,000 --> 01:27:26,200
Speaker 1: Phoene smiles. On the contrary, you passed with flying colors,

1927
01:27:26,280 --> 01:27:30,120
Speaker 1: and so does mister Hunter. Corey's demeanor changes, Of course

1928
01:27:30,160 --> 01:27:32,800
Speaker 1: we did, and clearly you've wasted all your time. As

1929
01:27:32,840 --> 01:27:36,559
Speaker 1: I continue to comprehend nothing, Phoene sits down next to him.

1930
01:27:36,720 --> 01:27:38,880
Speaker 1: Sean isn't going to go to college and succeed because

1931
01:27:38,880 --> 01:27:41,080
Speaker 1: you want him to. He has to want to and

1932
01:27:41,120 --> 01:27:43,320
Speaker 1: believe that he can. The only way he can do

1933
01:27:43,360 --> 01:27:46,599
Speaker 1: that is on his own without your help. Corey wonders,

1934
01:27:46,800 --> 01:27:49,479
Speaker 1: then why did you want me to help him? Phoeni explains,

1935
01:27:49,640 --> 01:27:53,400
Speaker 1: you need to know you won't always be able to

1936
01:27:53,400 --> 01:27:56,639
Speaker 1: to Panga smiles as she realizes, pretty soon we're all

1937
01:27:56,640 --> 01:27:58,280
Speaker 1: going to have to do things on our own without

1938
01:27:58,320 --> 01:28:01,880
Speaker 1: someone's help, right, mister. Phoenie to Penga continues, I think

1939
01:28:01,880 --> 01:28:03,720
Speaker 1: I know why you've been so upset, and I think

1940
01:28:03,720 --> 01:28:05,600
Speaker 1: I know why you're going to keep giving us assignments

1941
01:28:05,640 --> 01:28:08,479
Speaker 1: every day until our last day with you. Phoene warns

1942
01:28:08,520 --> 01:28:11,880
Speaker 1: her she's butting in to Pega nods, Yeah, I am

1943
01:28:12,120 --> 01:28:15,360
Speaker 1: so fail me. That's life, Pheenie reminds her you won't

1944
01:28:15,360 --> 01:28:18,880
Speaker 1: be perfect anymore. To Penga shrugs, well, no one should

1945
01:28:18,880 --> 01:28:21,479
Speaker 1: be perfect. You learn from failure, and I need to

1946
01:28:21,520 --> 01:28:24,360
Speaker 1: know that, right, Phoenie's the one that's taken aback. Now,

1947
01:28:24,600 --> 01:28:26,959
Speaker 1: you just yelled at me just so much.

1948
01:28:27,520 --> 01:28:30,479
Speaker 4: So much thematic time. I know, here's the theme of me.

1949
01:28:30,680 --> 01:28:32,559
Speaker 5: Here, here's the theme of your character, and here's the

1950
01:28:32,600 --> 01:28:34,560
Speaker 5: way I feel about our themes, about the themes of

1951
01:28:34,600 --> 01:28:37,720
Speaker 5: our character that you're talking the thematically about you. Oh

1952
01:28:37,800 --> 01:28:42,160
Speaker 5: my god, they know which is it's just very heavy

1953
01:28:42,200 --> 01:28:44,000
Speaker 5: handed and very sentimental.

1954
01:28:44,880 --> 01:28:49,200
Speaker 1: Yeah, you just yelled at me, But I'm mister Phoenie.

1955
01:28:49,320 --> 01:28:51,479
Speaker 3: To Penga smiles. One day you're going to have to

1956
01:28:51,560 --> 01:28:52,080
Speaker 3: let us go.

1957
01:28:52,320 --> 01:28:54,360
Speaker 1: One day you won't be able to teach us anymore,

1958
01:28:54,400 --> 01:28:55,920
Speaker 1: and you can't be sure if we're going to be

1959
01:28:55,960 --> 01:28:58,960
Speaker 1: all right. Phoene pauses for a moment. Life is a

1960
01:28:59,000 --> 01:29:02,200
Speaker 1: lot tougher than school, my DearS, Corey ads, but the

1961
01:29:02,280 --> 01:29:04,519
Speaker 1: right thing to do is just step aside and let

1962
01:29:04,640 --> 01:29:07,120
Speaker 1: us live it. We learned that because you taught it

1963
01:29:07,120 --> 01:29:09,759
Speaker 1: to us. He grabs both of their hands and holds

1964
01:29:09,800 --> 01:29:12,920
Speaker 1: them tight while they smile at him with admiration.

1965
01:29:14,880 --> 01:29:17,840
Speaker 2: And no Sean there for kind of this important I

1966
01:29:17,880 --> 01:29:19,839
Speaker 2: mean moment and scene.

1967
01:29:20,240 --> 01:29:26,120
Speaker 1: Nope, a scene that's like about you going to college. Yeah,

1968
01:29:26,160 --> 01:29:28,040
Speaker 1: all right, well then we're in the tag. We are

1969
01:29:28,040 --> 01:29:30,680
Speaker 1: in Chubby's. A crowd is gathered around the TV as

1970
01:29:30,720 --> 01:29:33,960
Speaker 1: Alan shoots ooh, what a game. Eric adds this is

1971
01:29:34,000 --> 01:29:38,600
Speaker 1: the best super Bowl since Super Bowl XX. Tapang is confused.

1972
01:29:38,920 --> 01:29:42,439
Speaker 1: She asks Amy, this makes them so happy. Morgan, who

1973
01:29:42,439 --> 01:29:44,639
Speaker 1: found herself in the episode, shakes her head in despair.

1974
01:29:44,840 --> 01:29:48,559
Speaker 3: What else is on? Amy tells her like football, never

1975
01:29:48,720 --> 01:29:49,639
Speaker 3: not a single one of them?

1976
01:29:49,680 --> 01:29:53,160
Speaker 2: Okay, wait a second super Bowl XX was super Bowl

1977
01:29:53,320 --> 01:29:54,799
Speaker 2: twenty one by the Giants.

1978
01:29:55,800 --> 01:29:57,799
Speaker 3: Oh my gosh, really I want to google.

1979
01:29:58,160 --> 01:30:01,280
Speaker 2: Oh it was the Patriots that lost by that. Yeah, okay, gotcha.

1980
01:30:01,520 --> 01:30:04,320
Speaker 2: This is refrigerator Perry one. Okay.

1981
01:30:04,640 --> 01:30:07,800
Speaker 1: Amy tells her that Fox is counterprogramming with America's worst

1982
01:30:07,800 --> 01:30:11,320
Speaker 1: family atrocities. Alan butts in, you change that channel, You're

1983
01:30:11,360 --> 01:30:12,639
Speaker 1: going to be on that program.

1984
01:30:12,800 --> 01:30:15,000
Speaker 2: Good shot at Fox. By the way, at the time,

1985
01:30:15,120 --> 01:30:16,960
Speaker 2: that was just a straight up shot.

1986
01:30:16,760 --> 01:30:19,360
Speaker 4: Of yeah, you think the super Bowl this year and

1987
01:30:19,400 --> 01:30:20,439
Speaker 4: that's maybe.

1988
01:30:21,240 --> 01:30:23,360
Speaker 1: It was also in California, so it was probably a

1989
01:30:23,400 --> 01:30:26,560
Speaker 1: big deal for Yeah.

1990
01:30:25,840 --> 01:30:29,160
Speaker 2: But Fox at the time was doing like Worst Bear

1991
01:30:29,200 --> 01:30:31,600
Speaker 2: Attacks and all that. Remember the shows that were like

1992
01:30:31,880 --> 01:30:34,160
Speaker 2: so these were great. That was a great just shot

1993
01:30:34,160 --> 01:30:34,960
Speaker 2: at Fox at the time.

1994
01:30:35,040 --> 01:30:38,439
Speaker 1: Yeah, Eric and Allan start to cheer loudly in bump chests.

1995
01:30:38,479 --> 01:30:41,840
Speaker 1: The rest of Chubbies joins in. Once the celebration calms down,

1996
01:30:41,880 --> 01:30:44,920
Speaker 1: Phoene stands up and excitedly shouts, look at that. Alan

1997
01:30:45,040 --> 01:30:47,880
Speaker 1: is confused, Look at what the play's over? Phoene explains,

1998
01:30:47,920 --> 01:30:50,440
Speaker 1: he's looking at the crowd. Look at the boy holding.

1999
01:30:50,160 --> 01:30:50,639
Speaker 3: Up the sign.

2000
01:30:51,080 --> 01:30:53,960
Speaker 1: Corey notices it too, the one that says, hey, Phoenie,

2001
01:30:54,240 --> 01:30:57,360
Speaker 1: nothing's impossible. He and Phoene look at each other, grinning

2002
01:30:57,360 --> 01:31:01,760
Speaker 1: from ear to ear, and the audience sees none of it.

2003
01:31:02,640 --> 01:31:06,200
Speaker 1: Where's that insert crowd?

2004
01:31:07,600 --> 01:31:10,960
Speaker 3: All right, Well, we had a good run.

2005
01:31:14,360 --> 01:31:17,360
Speaker 2: There's got to be a dud occasionally. You can't have

2006
01:31:17,360 --> 01:31:18,200
Speaker 2: a banger every week.

2007
01:31:18,280 --> 01:31:19,639
Speaker 4: I just don't know if this is a dud.

2008
01:31:19,680 --> 01:31:21,840
Speaker 5: I think it's just a strange one, you know. And

2009
01:31:21,880 --> 01:31:24,679
Speaker 5: I actually think if this had come earlier in season five,

2010
01:31:24,760 --> 01:31:27,240
Speaker 5: we would have been probably delighted. Like if this came

2011
01:31:27,280 --> 01:31:29,400
Speaker 5: after the first couple episodes, we'd be like, oh cool.

2012
01:31:29,920 --> 01:31:33,840
Speaker 5: But the last this coming in a round of like

2013
01:31:33,880 --> 01:31:37,600
Speaker 5: great Angela episodes and like sort of a return to

2014
01:31:37,720 --> 01:31:39,719
Speaker 5: the sense of boy meets world magic.

2015
01:31:40,120 --> 01:31:41,920
Speaker 4: This just felt this just felt.

2016
01:31:41,640 --> 01:31:44,479
Speaker 3: Off yea off, Yeah, but you got to do it.

2017
01:31:44,760 --> 01:31:45,719
Speaker 4: We really did pick it apart.

2018
01:31:46,040 --> 01:31:48,719
Speaker 1: I feel like once, I feel like what I've realized

2019
01:31:48,720 --> 01:31:51,519
Speaker 1: for a lot of our critiques on episodes is that

2020
01:31:51,560 --> 01:31:56,440
Speaker 1: we feel like there could have been a simpler way

2021
01:31:56,600 --> 01:32:01,720
Speaker 1: to get across the lesson, and this one feels like

2022
01:32:02,280 --> 01:32:04,960
Speaker 1: they took an idea like I would have, and maybe

2023
01:32:05,439 --> 01:32:07,040
Speaker 1: we would have been critical of it had it been

2024
01:32:07,080 --> 01:32:09,200
Speaker 1: more of a romp. But an episode about trying to

2025
01:32:09,240 --> 01:32:13,240
Speaker 1: get tickets to the Super Bowl sounds fun but mixed

2026
01:32:13,280 --> 01:32:17,679
Speaker 1: with a real convoluted Feeney lesson.

2027
01:32:18,160 --> 01:32:22,519
Speaker 2: Yeah, new director, new direct ca.

2028
01:32:23,360 --> 01:32:27,599
Speaker 1: And a b story that maybe so Yeah, I think

2029
01:32:27,760 --> 01:32:30,519
Speaker 1: I think maybe it needed a little bit of pairing down.

2030
01:32:31,439 --> 01:32:34,479
Speaker 2: Yeah, maybe maybe it tried to do too much too many.

2031
01:32:34,400 --> 01:32:37,200
Speaker 1: Las tried, yes, lots of spinning plates.

2032
01:32:37,439 --> 01:32:39,599
Speaker 2: And I'd like to know where Sean is at this point.

2033
01:32:39,760 --> 01:32:43,160
Speaker 2: I'd like to know where in his academic career he is,

2034
01:32:43,200 --> 01:32:45,360
Speaker 2: because it's starting to change every week.

2035
01:32:45,560 --> 01:32:46,960
Speaker 3: Right, I thought you were going to say you wanted

2036
01:32:47,000 --> 01:32:49,040
Speaker 3: him to drop a pin. You want to know what I.

2037
01:32:48,960 --> 01:32:50,840
Speaker 2: Always said, I know exactly where writers I have a

2038
01:32:50,880 --> 01:32:53,120
Speaker 2: camera set up in his sear I know where.

2039
01:32:53,560 --> 01:32:55,439
Speaker 3: You have a Google You're following him, right, I do.

2040
01:32:56,520 --> 01:32:58,240
Speaker 2: I'm shutting it down tonight though, as he goes back

2041
01:32:58,240 --> 01:32:59,360
Speaker 2: to naked sleeping.

2042
01:33:00,080 --> 01:33:01,000
Speaker 3: Right, you don't want to see that.

2043
01:33:02,200 --> 01:33:05,760
Speaker 5: We got into the car this weekend Alex and she

2044
01:33:05,800 --> 01:33:07,800
Speaker 5: got an alert on her phone that was like you

2045
01:33:07,880 --> 01:33:09,880
Speaker 5: were being followed by an air tag or there was

2046
01:33:09,920 --> 01:33:13,000
Speaker 5: an air tag. We're like, what what did somebody? And

2047
01:33:13,000 --> 01:33:14,880
Speaker 5: we're like sitting there going what is going on? And

2048
01:33:14,920 --> 01:33:17,640
Speaker 5: then my son's friend from the back seat was like,

2049
01:33:17,680 --> 01:33:19,080
Speaker 5: We're like, do you have an air taxit?

2050
01:33:19,080 --> 01:33:19,200
Speaker 2: Oh?

2051
01:33:19,240 --> 01:33:21,000
Speaker 4: Yeah, my mom has an air tag on my backpack.

2052
01:33:21,120 --> 01:33:24,400
Speaker 5: But isn't that interesting? It warns yeah, stock that you

2053
01:33:24,439 --> 01:33:25,920
Speaker 5: were like, somebody's tracking you.

2054
01:33:26,080 --> 01:33:27,800
Speaker 4: I know, I had no idea yea, But.

2055
01:33:27,800 --> 01:33:29,680
Speaker 5: Alex and I were like, what did somebody put one

2056
01:33:29,680 --> 01:33:32,320
Speaker 5: in your car and took it? Took a little too

2057
01:33:32,320 --> 01:33:33,880
Speaker 5: long for all of to pipe up in the backseat.

2058
01:33:33,880 --> 01:33:35,040
Speaker 4: We're like, well, yeah, that would have been good.

2059
01:33:35,320 --> 01:33:36,000
Speaker 3: That would have been Yeah.

2060
01:33:36,200 --> 01:33:37,880
Speaker 1: When you heard us freaking out about the air tag,

2061
01:33:37,960 --> 01:33:39,320
Speaker 1: maybe maybe mention that.

2062
01:33:39,320 --> 01:33:40,080
Speaker 2: That's a great name.

2063
01:33:40,840 --> 01:33:41,080
Speaker 3: Oli.

2064
01:33:41,160 --> 01:33:45,000
Speaker 2: I'm a big fan of the I always.

2065
01:33:44,200 --> 01:33:46,800
Speaker 1: Join us for our next episode recap, which is season five,

2066
01:33:46,840 --> 01:33:48,040
Speaker 1: episode fourteen.

2067
01:33:48,280 --> 01:33:50,799
Speaker 3: It's a big one heartbreak Corey.

2068
01:33:51,160 --> 01:33:51,400
Speaker 4: Oh.

2069
01:33:51,439 --> 01:33:56,400
Speaker 2: I saw this on the list intro to Lauren ski Lage.

2070
01:33:56,240 --> 01:33:58,800
Speaker 3: Huge episode Ski Lodge.

2071
01:33:58,840 --> 01:34:03,200
Speaker 2: Already Ski Lodge, Ski Lodge. Well, Topang and Corey have

2072
01:34:03,240 --> 01:34:05,640
Speaker 2: been have been happy for like four episodes now, so

2073
01:34:05,640 --> 01:34:08,280
Speaker 2: it's time for him to get some strange We all

2074
01:34:08,320 --> 01:34:08,560
Speaker 2: know that.

2075
01:34:09,120 --> 01:34:10,679
Speaker 3: Thank what's this question?

2076
01:34:10,680 --> 01:34:14,280
Speaker 1: I know, Yeah, it's already Ski Lodge episode. So that

2077
01:34:14,400 --> 01:34:17,800
Speaker 1: originally aired February sixth, nineteen ninety eight. So I was

2078
01:34:17,960 --> 01:34:21,960
Speaker 1: right when we talked about when this aired January sixteenth.

2079
01:34:22,120 --> 01:34:25,360
Speaker 1: We was our last episode before the super Bowl on

2080
01:34:25,439 --> 01:34:28,160
Speaker 1: January twenty fifth. We didn't have another episode air until

2081
01:34:28,160 --> 01:34:32,000
Speaker 1: February sixth, so this was our super Bowl episode.

2082
01:34:32,000 --> 01:34:33,920
Speaker 4: Gotcha? All right?

2083
01:34:34,200 --> 01:34:36,519
Speaker 1: Well, thank you all for joining us for this episode

2084
01:34:36,560 --> 01:34:38,559
Speaker 1: of Podmeets World. As always, you can follow us on

2085
01:34:38,560 --> 01:34:40,960
Speaker 1: Instagram pod meets World Show. You can send us your

2086
01:34:40,960 --> 01:34:43,679
Speaker 1: emails pod meets World Show at gmail dot com. And

2087
01:34:44,040 --> 01:34:46,680
Speaker 1: we're probably gonna have Taco March.

2088
01:34:47,120 --> 01:34:50,960
Speaker 4: Miguel Yacom Taco Cossum March.

2089
01:34:51,760 --> 01:34:57,720
Speaker 1: Dogo Pod Meets Worldshow dot com will send us out.

2090
01:34:58,280 --> 01:35:02,439
Speaker 2: We love you all, pod dismissed. Podmets World is niheart

2091
01:35:02,520 --> 01:35:05,920
Speaker 2: podcast producer and hosted by Danielle Fischel, Wilfredell and Ryder

2092
01:35:05,960 --> 01:35:09,840
Speaker 2: Strong executive producers, Jensen Carp and Amy Sugarman, Executive in

2093
01:35:09,920 --> 01:35:14,599
Speaker 2: charge of production, Danielle Romo, producer and editor, Tara sudbachsch producer,

2094
01:35:14,680 --> 01:35:17,920
Speaker 2: Maddy Moore, engineer and Boy Meets World superfan Easton Allen.

2095
01:35:18,120 --> 01:35:20,320
Speaker 2: Our theme song is by Kyle Morton of Typhoon and

2096
01:35:20,360 --> 01:35:22,800
Speaker 2: you can follow us on Instagram at Podmeats World Show

2097
01:35:23,040 --> 01:35:27,680
Speaker 2: or email us at Podmetsworldshow at gmail dot com