WEBVTT - Michael Ian Black, Our Close Friend

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<v Speaker 1>So I was thinking this morning about where we kind

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<v Speaker 1>of went wrong societally one second, and where we where

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<v Speaker 1>we diverged from the kind of righteous path and got

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<v Speaker 1>to this place we are in where it is this puritanical,

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<v Speaker 1>sort of shame based culture. And there's I mean, it's

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<v Speaker 1>handmaid Tale. It's essentially handmaid Tale. It's like I mean,

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<v Speaker 1>if you extend it, you know, to its logical conclusion,

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<v Speaker 1>and how do we fight back? And Michael, I'd like

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<v Speaker 1>you to participate because I do think that I can.

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<v Speaker 2>Actually it's important topic.

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<v Speaker 3>Well, I can pinpoint them. Do you watch this?

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<v Speaker 2>I don't. I don't own a television. I don't watch television.

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<v Speaker 3>But have you been to at a lot of times

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<v Speaker 3>they have in restaurants?

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<v Speaker 2>Now, I've read the Margaret Atwood novel.

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<v Speaker 4>Ah, Yeah, have you seen that?

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<v Speaker 3>Have you seen have you seen this? The novel cover?

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<v Speaker 2>Yeah, I have to book.

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<v Speaker 4>I've seen every word, see every word.

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<v Speaker 3>There's not a word in it. He hasn't seen I've

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<v Speaker 3>seen some of the names. I haven't seen.

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<v Speaker 2>Yeah, but I loved it. I loved it. I haven't

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<v Speaker 2>read it, but I loved it.

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<v Speaker 1>Yes, and it's so important and I and I and

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<v Speaker 1>it's a warning.

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<v Speaker 3>And as I look at our own and obviously the

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<v Speaker 3>artists reflecting.

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<v Speaker 1>Life, as I look at our own journey societally, what

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<v Speaker 1>I'm realizing is we have an opportunity to push back.

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<v Speaker 1>And I think that at midnight tonight, all of us

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<v Speaker 1>and anybody else we can get in on this. We

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<v Speaker 1>need to post I don't have an account on this

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<v Speaker 1>thing anymore, but we need to.

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<v Speaker 3>Post on x formerly.

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<v Speaker 1>Twitter two words sex gifts in solidarity with the actor

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<v Speaker 1>Dean Norris who put Hank straighter on Breaking Bad, who

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<v Speaker 1>I suppose accidentally tweeted this one day. Maybe he meant

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<v Speaker 1>to type it into a search bar and everyone shamed.

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<v Speaker 4>That was the and they clowned on him and they

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<v Speaker 4>laughed at him. That was the inflection point.

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<v Speaker 3>That was the inflaction point, where from that point.

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<v Speaker 1>Forward it's it's all, oh, well, how do we put

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<v Speaker 1>that toothpaste back in the tube where you're not allowed

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<v Speaker 1>to try to search for sex gifts and accidentally post

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<v Speaker 1>it publicly and never take it down.

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<v Speaker 4>Is that what we're saying. And instead of when someone's

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<v Speaker 4>in the pit, instead of pointing and saying that guy's

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<v Speaker 4>in the pit, isn't he from breaking bad. You and

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<v Speaker 4>under the dome and you get under the dome with him,

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<v Speaker 4>get under the dome, And that's Breen. That's what Breen says.

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<v Speaker 4>Do you see that on this podcast?

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<v Speaker 2>I thought this will be a fun uh industry podcast,

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<v Speaker 2>will joke around. I didn't realize it was going to

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<v Speaker 2>get this deep this quick.

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<v Speaker 4>We didn't either. It worked like this. This is the

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<v Speaker 4>world we live in, you know what I mean. We

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<v Speaker 4>don't plan this, Mike. What we gotta do is we

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<v Speaker 4>love to go back to laughing and chopping it up,

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<v Speaker 4>but like this, like the world won't let us these days.

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<v Speaker 2>Yeah, it's so important that we you know, a lot

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<v Speaker 2>of people, a lot of people's attention is focused on

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<v Speaker 2>what's going on in like Washington, d C. Yeah, but

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<v Speaker 2>not enough people I feel like are paying attention to

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<v Speaker 2>what's going on in de Nors's service part that part

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<v Speaker 2>and it's timeline and does it raise uncomfortable questions? Is

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<v Speaker 2>that why people are maybe avoiding it? Yeah? Us, but

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<v Speaker 2>but but if we don't confront those questions, we don't

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<v Speaker 2>make progress, We don't move forward.

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<v Speaker 4>You know.

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<v Speaker 1>I didn't want to look at it at first, Mike,

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<v Speaker 1>because I see myself That's why I didn't want to

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<v Speaker 1>look at it, because I seen.

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<v Speaker 4>I was looking right back on the gifts.

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<v Speaker 3>Yeah, I see myself in the gifts, Richie.

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<v Speaker 4>Are you okay?

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<v Speaker 3>So Richie, So, just so you know, because you're not

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<v Speaker 3>in the room with us.

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<v Speaker 4>So Richie just sustained. Uh, he was a grievous head injury.

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<v Speaker 3>He was trying to crawl under the monitor that we're

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<v Speaker 3>looking at you on and he he stood up too

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<v Speaker 3>early and he really broadsided this thing with his with

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<v Speaker 3>his shoulder blade and it looked really painful.

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<v Speaker 1>And so and I think he's gonna adjust the camera

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<v Speaker 1>a little bit. And now we're back in.

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<v Speaker 4>You get on camera, Richie. So, So, Michael, can you

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<v Speaker 4>want to say hi? Just so he knows that you're

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<v Speaker 4>healthy and you're fine, Okay, Michael. Michael is an end

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<v Speaker 4>path and so that actually really hurt him.

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<v Speaker 2>Chie.

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<v Speaker 3>So he's gonna put his headphones out, Richie, Michael, I'm

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<v Speaker 3>back on.

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<v Speaker 4>He said, Will you do me a favor?

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<v Speaker 3>Respond the answers, yes, Richie, yes.

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<v Speaker 2>My own peace of mind. Will you go through the

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<v Speaker 2>NFL concussion protocols?

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<v Speaker 1>I'd be a lot more comfortable, Richie. Ok So we

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<v Speaker 1>got a blue tent over there. This isn't because we don't.

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<v Speaker 4>Need to see that.

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<v Speaker 2>Yeah, yeah, I would. I would get I would get

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<v Speaker 2>one of the team doctors out here, too sweet, and

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<v Speaker 2>get some gatorade. If we're doing the NFL protocols, let's

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<v Speaker 2>get some gatorade again. I think the blue tent is

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<v Speaker 2>a great idea. Did you get you did you consult?

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<v Speaker 3>Did you consult on those protocols?

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<v Speaker 4>Michael?

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<v Speaker 1>I know it's a passionate years. You are a bit

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<v Speaker 1>of an.

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<v Speaker 2>As you know. I went to ring during my time

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<v Speaker 2>in the NFL. And when here's the thing, here's the

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<v Speaker 2>thing that people who aren't professional football players.

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<v Speaker 4>What do they get wrong?

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<v Speaker 3>Yeah, what do they get wrong?

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<v Speaker 1>When you suit up for an NFL coadators are gladiators.

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<v Speaker 2>We they're they're gladiators in the back of our heads

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<v Speaker 2>when we say we're going to leave it all out

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<v Speaker 2>on the field. That's not that's not hyperbole.

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<v Speaker 3>It's not a phrase that that might mean you're live.

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<v Speaker 2>That's right, and definitely and talk when we talk. That's

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<v Speaker 2>also another I.

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<v Speaker 4>Don't think he did freeze. I think he's processing.

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<v Speaker 1>That and I think what might be happening is he's

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<v Speaker 1>choosing his words extremely carefully, which we always encourage.

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<v Speaker 2>We do talk, and but when we go out there,

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<v Speaker 2>we know that we might not come back. Once we

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<v Speaker 2>leave the game, okay, once once guys are beat up

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<v Speaker 2>and battered and retired where they get cut, then you

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<v Speaker 2>start thinking about, oh geez, what was I doing to

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<v Speaker 2>my body? And then as an X player, although you're

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<v Speaker 2>never really out of the game, you know what I mean,

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<v Speaker 2>Once you're in, you're in. Once you're an ex player,

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<v Speaker 2>you retention starts focusing on the guys coming up, and

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<v Speaker 2>they don't want to hear about the concussions. They don't

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<v Speaker 2>want to hear about the injuries because they're still Ingladiator.

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<v Speaker 4>They're invisible. Oh that's never going to be made.

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<v Speaker 2>Right, they think. And you have to have that mind.

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<v Speaker 1>You don't want to look at that part of it, Yes,

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<v Speaker 1>because it because you can't play scared, not in this game.

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<v Speaker 2>No, this is war, guys, this is war out there.

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<v Speaker 2>And uh yeah, when I was throwing my body around,

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<v Speaker 2>when I was winning those two rings, I wasn't worried

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<v Speaker 2>about concussions. I wasn't worried about knees. I wasn't worried

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<v Speaker 2>about my miniscus. I wasn't worried about any.

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<v Speaker 4>Of it back then.

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<v Speaker 2>The damn w diad my right and I was using

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<v Speaker 2>candle left and camera right. O.

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<v Speaker 4>That's and that's Richie's job too, which is what they call.

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<v Speaker 4>It's kind of a new profession. They don't really have

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<v Speaker 4>a name for it yet. They just call it Richie's job.

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<v Speaker 4>They don't know what it is. But he sits over

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<v Speaker 4>there and he is wearing eye black. He has Bruce

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<v Speaker 4>two fourteen written on it, which is a passage from

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<v Speaker 4>a book that he wants us to read. It's a

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<v Speaker 4>good book.

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<v Speaker 2>It might be a novella of Bruce all Mighty.

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<v Speaker 4>I think it might be a novella of Bruce Almighty,

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<v Speaker 4>which he thinks is the Bible. Is that possible.

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<v Speaker 1>I know Bruce Balanche released a book not that long ago,

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<v Speaker 1>and I was curious whether that was the Bruce in question.

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<v Speaker 3>But we are thinking it's Bruce Almighty.

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<v Speaker 4>I mean, just because of it's like related to being God.

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<v Speaker 4>I don't know.

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<v Speaker 2>Bruce Blanche is also related to God.

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<v Speaker 4>I mean, I mean Jesus, he's a god of the

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<v Speaker 4>one liner. It's like.

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<v Speaker 3>You you name me a power more Almighty it comes

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<v Speaker 3>to know.

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<v Speaker 4>The wickeding hen.

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<v Speaker 2>Find it. You're not.

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<v Speaker 1>You don't get to be center square without talking to

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<v Speaker 1>the big man upstairs.

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<v Speaker 2>I don't think so.

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<v Speaker 3>M mmmmmmmmm.

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<v Speaker 4>You ever done one of these before, Mike?

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<v Speaker 2>One of which? One of what?

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<v Speaker 4>One of these? One of these?

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<v Speaker 3>One of these bad birds?

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<v Speaker 4>Brother?

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<v Speaker 2>A pod? Have I done a podcast with pop in.

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<v Speaker 3>Your fucking cherry hair?

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<v Speaker 4>Brother? Or what? Yeah? Have you done a podcast?

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<v Speaker 3>You ever done one of these things?

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<v Speaker 2>This is my first? Is that what you want to hear?

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<v Speaker 4>This is my It's that I wish more. You wouldn't know.

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<v Speaker 4>So many people coming in here and saying.

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<v Speaker 3>Oh, oh yeah, I've had my own two or three podcasts.

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<v Speaker 4>Oh uh a podcast? Right yeah, and you can like

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<v Speaker 4>it's okay. They want to seem like there old hands

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<v Speaker 4>at this whatever. It feels like it's my first time

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<v Speaker 4>every time too. You don't got to put on a

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<v Speaker 4>show for us. It's it's all.

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<v Speaker 5>Uh, here's the thing, guys, tell me the thing. Please,

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<v Speaker 5>This is obviously important for you.

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<v Speaker 2>And when I walk through your door and I wipe

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<v Speaker 2>my feet on your welcome Matt and I sit down

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<v Speaker 2>in the studio and we have this interview. My job

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<v Speaker 2>The way I see it is to support you. My

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<v Speaker 2>job is to make you, guys look as awesome as

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<v Speaker 2>you can look. So if that means I come in

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<v Speaker 2>here and I have to play dumb, what's a podcast? No,

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<v Speaker 2>I've never done a podcast. Be more than me, and

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<v Speaker 2>that's what I'm gonna do.

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<v Speaker 3>The first damn guest who understood the assignment?

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<v Speaker 4>You know what I mean? Here we do.

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<v Speaker 1>There's a lot of people who and we talk about this.

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<v Speaker 1>They come on to do a show Michael, and they say,

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<v Speaker 1>what can I get?

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<v Speaker 4>What's that?

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<v Speaker 3>What's there for me?

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<v Speaker 4>I'm here, I have a TV show to watch.

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<v Speaker 1>Yeah, can I tell? Can I talk to people about

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<v Speaker 1>my book or my project or my podcast?

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<v Speaker 4>Ris Ahmed, do you.

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<v Speaker 2>Come on a podcast or a television program? What have

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<v Speaker 2>you to be interviewed? What about you? It's about the host,

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<v Speaker 2>about the hosts.

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<v Speaker 1>Well, the host is there every week, so people are

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<v Speaker 1>tuning in for the host's.

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<v Speaker 2>For some random jerk off actor who you know was

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<v Speaker 2>the second supporting lead on some c W dramedy from

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<v Speaker 2>nineteen ninety four. They're there to see you, and if

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<v Speaker 2>and and and if if that actor or actually shows

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<v Speaker 2>up and they contribute a little something they sprinkle little startust,

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<v Speaker 2>so much the better. But that's not why people are

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<v Speaker 2>tuning in. They're tuning in for you, guys. That's why.

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<v Speaker 2>That's why I'm here.

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<v Speaker 1>Say damn thing that happened to you when you were

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<v Speaker 1>on the field in the NFL, which is I'm gonna

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<v Speaker 1>do my fucking job. You could come with me, or

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<v Speaker 1>you can be in my way. But if you're in

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<v Speaker 1>my way, you're getting steamrolled.

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<v Speaker 4>Well let's let's support you in supporting us, just so

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<v Speaker 4>we're all on the same page about like what works.

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<v Speaker 3>And what does Hey one hand washed the other.

0:12:19.800 --> 0:12:23.839
<v Speaker 4>Everyone here, everyone here is like pretty nice. I can

0:12:23.880 --> 0:12:26.360
<v Speaker 4>do it the heart with the hand.

0:12:26.480 --> 0:12:28.600
<v Speaker 3>I was trying it. I almost had it, but my

0:12:28.679 --> 0:12:29.840
<v Speaker 3>other fingers were in the way.

0:12:30.360 --> 0:12:33.040
<v Speaker 4>Yeah. Oh, and you can do yes all the way

0:12:33.160 --> 0:12:33.480
<v Speaker 4>you have to.

0:12:33.559 --> 0:12:35.000
<v Speaker 2>You have to wrap all your fingers and then you

0:12:35.000 --> 0:12:37.560
<v Speaker 2>get a perfect little Taylor Swift.

0:12:37.640 --> 0:12:42.280
<v Speaker 4>Oh that's so good. Let's meet everyone real quick. You

0:12:42.360 --> 0:12:46.079
<v Speaker 4>met Richie. He might have forgotten because of uh the

0:12:46.160 --> 0:12:49.600
<v Speaker 4>head injuries. Yeah, uh, this is.

0:12:50.600 --> 0:12:52.120
<v Speaker 2>Do not let him go to sleep, don't let him

0:12:52.120 --> 0:12:53.880
<v Speaker 2>shut his eyes, do not let him go to sleep.

0:12:54.280 --> 0:12:56.480
<v Speaker 3>I'll try and see bloods drying up a little bit too.

0:12:58.080 --> 0:12:59.280
<v Speaker 3>About who else we got to.

0:12:59.160 --> 0:13:00.400
<v Speaker 4>That's and there.

0:13:00.679 --> 0:13:02.760
<v Speaker 3>The way I knew Casey was in the booth, and

0:13:02.800 --> 0:13:04.520
<v Speaker 3>again you're you're you're not here, which.

0:13:04.360 --> 0:13:06.440
<v Speaker 4>Is fine, it's all the time.

0:13:07.600 --> 0:13:09.760
<v Speaker 1>The way I knew it was Casey was when Richie

0:13:09.840 --> 0:13:13.000
<v Speaker 1>went to get on camera. There are three cameras in here,

0:13:14.040 --> 0:13:19.400
<v Speaker 1>and Casey tried the other two first, yep, And so

0:13:19.480 --> 0:13:21.400
<v Speaker 1>I said, well, I know who's working the booth today,

0:13:23.240 --> 0:13:26.199
<v Speaker 1>because when he leaned in front, and you probably felt this,

0:13:26.640 --> 0:13:31.480
<v Speaker 1>we saw fully his back and ass, then we saw

0:13:32.040 --> 0:13:33.760
<v Speaker 1>just a piece of his shoulder.

0:13:34.080 --> 0:13:36.880
<v Speaker 3>And then we got his face. And Casey likes to

0:13:36.880 --> 0:13:41.800
<v Speaker 3>build suspense. He likes to build tension, and it's something

0:13:41.840 --> 0:13:44.600
<v Speaker 3>that can't be taught. You know that drama in the

0:13:44.640 --> 0:13:45.640
<v Speaker 3>podcasting space.

0:13:46.120 --> 0:13:49.200
<v Speaker 2>That's just classic story structure. And and we we have

0:13:49.280 --> 0:13:49.880
<v Speaker 2>to applaud that.

0:13:50.320 --> 0:13:54.880
<v Speaker 4>And can I tell you something that a reputation, So

0:13:54.960 --> 0:13:58.520
<v Speaker 4>let's just put a pinion that so that Michael old Michael,

0:13:59.120 --> 0:14:03.960
<v Speaker 4>let me rephrase that. Okay, I feel I must tell

0:14:04.000 --> 0:14:04.480
<v Speaker 4>you something.

0:14:04.960 --> 0:14:06.560
<v Speaker 2>Oh okay, no, he has no choice.

0:14:06.600 --> 0:14:10.480
<v Speaker 4>Then, A something you've built in your career that I've

0:14:10.520 --> 0:14:17.079
<v Speaker 4>noticed is that millennium Falcon. It's it's it's a little

0:14:17.120 --> 0:14:22.160
<v Speaker 4>like that, Michael. Usually when someone comes on the Zoom,

0:14:22.680 --> 0:14:25.000
<v Speaker 4>Casey and Kevin and the other producers like to make

0:14:25.040 --> 0:14:28.200
<v Speaker 4>sure that they're wearing headphones, that they're using a recording

0:14:28.240 --> 0:14:29.520
<v Speaker 4>app or something like that.

0:14:30.880 --> 0:14:33.320
<v Speaker 1>It's endless the amount of fut saying they will do

0:14:33.440 --> 0:14:34.960
<v Speaker 1>with these guests in order.

0:14:34.760 --> 0:14:39.240
<v Speaker 3>To get some sort of like quality recording from them.

0:14:39.320 --> 0:14:39.760
<v Speaker 4>Mm hmmm.

0:14:40.320 --> 0:14:43.440
<v Speaker 3>They also they forbid us from talking for a lot

0:14:43.480 --> 0:14:43.680
<v Speaker 3>of it.

0:14:44.120 --> 0:14:51.320
<v Speaker 4>Your presence has created an environment of the first time

0:14:51.360 --> 0:14:53.080
<v Speaker 4>ever where they have just shut the fuck up and

0:14:53.160 --> 0:14:54.440
<v Speaker 4>let the show just happen.

0:14:54.560 --> 0:14:58.840
<v Speaker 1>You have neutralized two of our greatest enemies, our producer

0:14:58.880 --> 0:14:59.360
<v Speaker 1>and our engine.

0:14:59.560 --> 0:15:02.400
<v Speaker 4>Have you been that You have to understi Brick.

0:15:03.960 --> 0:15:07.320
<v Speaker 2>You have to understand something. I'm a classically trained actor,

0:15:09.040 --> 0:15:12.400
<v Speaker 2>so when I speak to you, I'm using the entire

0:15:12.480 --> 0:15:16.760
<v Speaker 2>instrument that part, right, So what does the microphone do.

0:15:16.800 --> 0:15:19.840
<v Speaker 2>The microphone amplifies it, you know, it digitizes its sense.

0:15:20.120 --> 0:15:23.320
<v Speaker 2>I don't need that because I'm classically trained. So when

0:15:23.320 --> 0:15:27.440
<v Speaker 2>I breathe from the diaphragm back of the house, right,

0:15:28.040 --> 0:15:32.080
<v Speaker 2>I'm projecting as a classical chained actor, and that projection

0:15:32.440 --> 0:15:35.440
<v Speaker 2>goes through the internet and out on your side.

0:15:35.520 --> 0:15:42.000
<v Speaker 4>You can speak in a high definition loss list vocal tone. Yes,

0:15:42.120 --> 0:15:47.440
<v Speaker 4>the same way, Larry Olivia, by the way, to the

0:15:47.480 --> 0:15:48.640
<v Speaker 4>back of the proscenium.

0:15:48.880 --> 0:15:53.280
<v Speaker 3>We don't need quick time because your timing is impeakable.

0:15:53.480 --> 0:15:57.760
<v Speaker 2>Please tell your production stat that I speak in flak.

0:15:58.280 --> 0:16:01.800
<v Speaker 2>I use that, uh methodology. I don't know what you

0:16:01.840 --> 0:16:04.640
<v Speaker 2>call it. I use I use that format, Michael, I

0:16:04.640 --> 0:16:06.920
<v Speaker 2>don't use them because the sound quality is better. So

0:16:06.960 --> 0:16:08.200
<v Speaker 2>when I speak, it's in flack.

0:16:08.560 --> 0:16:11.560
<v Speaker 3>Michael, will you invite me into your mind palace for

0:16:11.600 --> 0:16:15.200
<v Speaker 3>a moment? Who do you imagine in the back of

0:16:15.200 --> 0:16:16.920
<v Speaker 3>the house as you're projecting?

0:16:17.000 --> 0:16:19.920
<v Speaker 1>And I know these tricks because you are classically trained

0:16:20.240 --> 0:16:23.640
<v Speaker 1>and you're not just talking to some nameless, faceless audience.

0:16:23.320 --> 0:16:24.120
<v Speaker 3>Member back there.

0:16:24.200 --> 0:16:24.600
<v Speaker 2>You can't.

0:16:24.760 --> 0:16:28.160
<v Speaker 3>There's a memory you're accessing, and there's an individual that

0:16:28.240 --> 0:16:31.760
<v Speaker 3>we speak to, a woman, and it's a woman, and.

0:16:31.760 --> 0:16:34.840
<v Speaker 1>It has to be, of course who and it's getting

0:16:35.000 --> 0:16:39.320
<v Speaker 1>It could be your grandma, it could be a sexual partner.

0:16:40.400 --> 0:16:42.360
<v Speaker 4>You know, we can talk about that. We can talk

0:16:42.360 --> 0:16:43.880
<v Speaker 4>about that here now.

0:16:44.840 --> 0:16:49.920
<v Speaker 2>So now we're getting into process and craft and if

0:16:49.920 --> 0:16:56.760
<v Speaker 2>we may, A lot of actors are reluctant to talk

0:16:56.760 --> 0:17:00.480
<v Speaker 2>about the process, because especially now in one you see,

0:17:00.480 --> 0:17:02.000
<v Speaker 2>they want you to see the finished performance.

0:17:02.040 --> 0:17:04.879
<v Speaker 1>You know, not only not only that, not only that,

0:17:05.000 --> 0:17:06.399
<v Speaker 1>not only that, Michael, but they want to pull the

0:17:06.480 --> 0:17:09.600
<v Speaker 1>ladder back up behind them, don't they don't they pull

0:17:09.640 --> 0:17:10.320
<v Speaker 1>the ladder.

0:17:10.040 --> 0:17:10.760
<v Speaker 4>Back up, Michael.

0:17:10.840 --> 0:17:12.720
<v Speaker 3>Where they say, where they say, where they stay, where

0:17:12.720 --> 0:17:17.000
<v Speaker 3>they stay. Only for me only I get to have

0:17:17.119 --> 0:17:19.600
<v Speaker 3>some Only I enjoy the toys.

0:17:19.880 --> 0:17:21.480
<v Speaker 4>And what I've always respect.

0:17:21.200 --> 0:17:23.359
<v Speaker 3>What I've always admired, and I know I'm interrupting you,

0:17:23.720 --> 0:17:27.320
<v Speaker 3>is that you go. Everybody, get in here. There are

0:17:27.320 --> 0:17:28.200
<v Speaker 3>plenty to go around.

0:17:29.760 --> 0:17:31.880
<v Speaker 4>Take the ladder and throw a rope down as well.

0:17:32.040 --> 0:17:35.000
<v Speaker 3>Yeah, here's the ladder. And by the way, actually I

0:17:35.040 --> 0:17:37.000
<v Speaker 3>built a whole fucking escalator.

0:17:37.040 --> 0:17:39.760
<v Speaker 4>It's not working right now, but it's there so you

0:17:39.760 --> 0:17:42.080
<v Speaker 4>can rest the ladder and they can grip the ladder

0:17:43.080 --> 0:17:47.400
<v Speaker 4>as the ladder itself is carried up the escalator. And

0:17:48.040 --> 0:17:51.280
<v Speaker 4>there's a rope just in case, and a rope with

0:17:51.320 --> 0:17:51.960
<v Speaker 4>a bucket too.

0:17:53.320 --> 0:17:56.119
<v Speaker 2>I guess we need to hoist something. We need a

0:17:56.119 --> 0:18:01.000
<v Speaker 2>pulley system as well. So important, you guys, and so critical,

0:18:01.080 --> 0:18:05.160
<v Speaker 2>but you I'm so glad. No It's an important point

0:18:05.160 --> 0:18:08.640
<v Speaker 2>you made, and I'm glad. I'm glad you you raised it. Now,

0:18:08.720 --> 0:18:12.280
<v Speaker 2>I do want to just put a quick caveat into

0:18:12.280 --> 0:18:15.320
<v Speaker 2>what you said, because I agree with everything that you're saying. However,

0:18:16.280 --> 0:18:19.359
<v Speaker 2>I want to make sure the audience, your audience understands

0:18:19.400 --> 0:18:22.440
<v Speaker 2>that when we talk about constructing an escalator. Oh yeah,

0:18:22.480 --> 0:18:25.879
<v Speaker 2>those guys, you're using union labor.

0:18:26.200 --> 0:18:27.560
<v Speaker 4>Oh yeah, mm hmm.

0:18:28.080 --> 0:18:29.800
<v Speaker 2>I just want everybody, I don't want to be very

0:18:29.800 --> 0:18:30.639
<v Speaker 2>clear about.

0:18:30.359 --> 0:18:35.000
<v Speaker 4>That because otherwise they will you're extremely violent.

0:18:35.600 --> 0:18:37.080
<v Speaker 2>I don't, I don't, I don't want I don't want

0:18:37.080 --> 0:18:38.439
<v Speaker 2>them picketing my mind palace.

0:18:38.680 --> 0:18:40.000
<v Speaker 4>I'm not a bad actor.

0:18:41.960 --> 0:18:45.680
<v Speaker 2>When I am projecting. Let's say I'm at the old VIC.

0:18:45.760 --> 0:18:50.159
<v Speaker 2>Let's say I'm doing lear again. There's a couple of

0:18:50.200 --> 0:18:54.080
<v Speaker 2>things going on. Obviously, I'm in my given circumstances. Ah,

0:18:54.520 --> 0:18:58.879
<v Speaker 2>I'm lear, I'm addressing my daughter's Yeah, I'm going I'm

0:18:58.880 --> 0:19:02.440
<v Speaker 2>slowly going mad. I'm aged, I'm impurio.

0:19:02.600 --> 0:19:05.280
<v Speaker 4>Can we just can we just explain to the like

0:19:05.520 --> 0:19:07.600
<v Speaker 4>the audience, you know, trying to remember the audience he's

0:19:07.600 --> 0:19:09.240
<v Speaker 4>talking about Dennis Leary.

0:19:09.200 --> 0:19:12.639
<v Speaker 1>As you yes, as you mentioned the audience. We also

0:19:12.720 --> 0:19:13.679
<v Speaker 1>want to bring them in.

0:19:13.840 --> 0:19:19.959
<v Speaker 4>Yeah. Yes, and this is a famous uh rant that

0:19:20.000 --> 0:19:23.359
<v Speaker 4>he went on that has now performed. It's a rant

0:19:23.440 --> 0:19:24.280
<v Speaker 4>to his daughters.

0:19:24.560 --> 0:19:27.040
<v Speaker 1>Yeah, and he's he's he's talking about the sort of

0:19:27.119 --> 0:19:28.879
<v Speaker 1>modern phenomenon.

0:19:28.680 --> 0:19:31.440
<v Speaker 3>Of the starbucksification of society.

0:19:32.160 --> 0:19:36.159
<v Speaker 1>And it's a beautiful monolog. It's a beautiful piece, but

0:19:36.280 --> 0:19:37.120
<v Speaker 1>it is you.

0:19:37.000 --> 0:19:40.800
<v Speaker 3>Know, it builds to this crescendo of it's a smoke,

0:19:40.840 --> 0:19:46.439
<v Speaker 3>a frappa chok alup? Can I get a cup of coffee?

0:19:46.720 --> 0:19:49.520
<v Speaker 3>You know what happened to a cup of mud? A

0:19:49.560 --> 0:19:54.560
<v Speaker 3>cup of joe and just drip coffee please, And the

0:19:54.680 --> 0:19:58.520
<v Speaker 3>and his daughters of course are silent.

0:20:00.080 --> 0:20:03.280
<v Speaker 2>Oh yeah, Well, what people don't know if you've never

0:20:03.320 --> 0:20:07.680
<v Speaker 2>seen Leary, it's it's it's performed all over the world,

0:20:07.720 --> 0:20:10.240
<v Speaker 2>as you said, I think last count. It's in almost

0:20:10.480 --> 0:20:12.320
<v Speaker 2>it's been translated into almost.

0:20:12.000 --> 0:20:14.680
<v Speaker 3>Everything, every language. Yeah, not all the good ones.

0:20:14.720 --> 0:20:18.639
<v Speaker 2>But yeah, they do not they do not work it.

0:20:18.800 --> 0:20:19.800
<v Speaker 4>Just yeah, it's big.

0:20:20.119 --> 0:20:22.600
<v Speaker 3>They haven't cracked it, not for lack of trying.

0:20:24.560 --> 0:20:26.439
<v Speaker 2>And what people don't know is if you haven't seen it,

0:20:26.480 --> 0:20:30.119
<v Speaker 2>the play is performed one performer, in this case me,

0:20:30.680 --> 0:20:33.120
<v Speaker 2>I'm playing all the parts. So I'm playing Dennis Leary,

0:20:33.160 --> 0:20:36.959
<v Speaker 2>I'm playing the daughters. I'm playing I'm playing the frappuccino

0:20:37.200 --> 0:20:39.200
<v Speaker 2>at a certain point, and.

0:20:39.200 --> 0:20:42.120
<v Speaker 3>The barista, the pretentious barista, yes.

0:20:41.960 --> 0:20:47.760
<v Speaker 2>The anxious barista. There's twenty three different narratives. It's a

0:20:47.800 --> 0:20:51.040
<v Speaker 2>three and a half hour show. It's it's taxing, it's exhausting,

0:20:51.480 --> 0:20:54.080
<v Speaker 2>and so yes, I'm keeping my given circumstances in mind.

0:20:54.320 --> 0:20:58.800
<v Speaker 2>But I'm also cognizant of the fact that we've asked

0:20:58.840 --> 0:21:01.480
<v Speaker 2>these people, this audience to pay six hundred and fifty

0:21:01.520 --> 0:21:03.720
<v Speaker 2>dollars per ticket to sit there for three and a

0:21:03.760 --> 0:21:07.639
<v Speaker 2>half hours and steals. I want to make sure everybody

0:21:07.640 --> 0:21:09.840
<v Speaker 2>can has a perfect eye line, I want to make

0:21:09.840 --> 0:21:11.840
<v Speaker 2>sure everybody can hear me. And I want to make

0:21:11.880 --> 0:21:15.359
<v Speaker 2>sure that woman who you referenced in the back row

0:21:15.920 --> 0:21:19.560
<v Speaker 2>is just as invested as all of the celebrities in

0:21:19.600 --> 0:21:22.479
<v Speaker 2>the front row, because obviously, when I do Larry, you know,

0:21:22.520 --> 0:21:23.360
<v Speaker 2>you get you get you.

0:21:23.280 --> 0:21:26.600
<v Speaker 3>Get at there's going, yeah, there's going to be.

0:21:27.720 --> 0:21:30.879
<v Speaker 2>The Obamas are going to show up, right Vin's Fallen

0:21:31.000 --> 0:21:32.200
<v Speaker 2>is there three times a week.

0:21:32.200 --> 0:21:38.919
<v Speaker 4>I don't know why Sary himself is often there, but

0:21:39.080 --> 0:21:41.639
<v Speaker 4>in my mind, who I'm speaking to isn't.

0:21:41.840 --> 0:21:47.359
<v Speaker 2>Isn't my grandmother. It's not a sexual partner. It's twelve

0:21:47.560 --> 0:21:57.400
<v Speaker 2>year old, uh, person of color. She's in seventh grade.

0:21:57.800 --> 0:22:00.439
<v Speaker 2>She's starting to think for the first time out, what

0:22:00.440 --> 0:22:01.959
<v Speaker 2>do I want to do with my life? What do

0:22:02.000 --> 0:22:02.680
<v Speaker 2>I want to be?

0:22:02.880 --> 0:22:05.800
<v Speaker 3>Is she sick or something? Is she wounded? Something bad happened?

0:22:05.960 --> 0:22:09.679
<v Speaker 2>Well, yeah, no, she's she's got a terminal illness. Oh no,

0:22:10.400 --> 0:22:12.920
<v Speaker 2>it's true. And and but she does. The parents are

0:22:12.960 --> 0:22:15.439
<v Speaker 2>like her parents are like, you know, Olivia, You're going

0:22:15.520 --> 0:22:17.439
<v Speaker 2>to be fine. You know, we just we just need

0:22:17.480 --> 0:22:18.960
<v Speaker 2>to get this way. She's not going to be fine.

0:22:19.119 --> 0:22:20.760
<v Speaker 2>So she's thinking, what am I going to do with

0:22:20.760 --> 0:22:22.119
<v Speaker 2>my She doesn't know she's going to be dead in

0:22:22.119 --> 0:22:27.760
<v Speaker 2>six months. I want to make sure and hear every word,

0:22:28.200 --> 0:22:32.000
<v Speaker 2>understand every word, and is able to forget about her

0:22:32.160 --> 0:22:35.720
<v Speaker 2>terminal illness. She doesn't know he's criminal. She thinks is

0:22:35.800 --> 0:22:38.879
<v Speaker 2>just going to be chronic for those three and a

0:22:38.920 --> 0:22:40.800
<v Speaker 2>half hours. That's who I'm thinking.

0:22:40.480 --> 0:22:45.800
<v Speaker 4>About, twelve year old minority Olivia Wilde. But if she

0:22:45.880 --> 0:22:47.400
<v Speaker 4>were a person of color.

0:22:48.119 --> 0:22:50.720
<v Speaker 2>And probably question her own sexuality, it's.

0:22:50.560 --> 0:22:53.520
<v Speaker 4>A terminal illness that she thinks she has become by

0:22:53.640 --> 0:22:59.919
<v Speaker 4>curious directing and acting chops. But that will never be

0:23:00.160 --> 0:23:05.159
<v Speaker 4>realized unbeknownst to all except you, the performer, who is

0:23:05.320 --> 0:23:08.640
<v Speaker 4>getting a read on every single person in.

0:23:08.600 --> 0:23:12.719
<v Speaker 1>That And people say, lear is a tragedy, you know,

0:23:13.320 --> 0:23:15.480
<v Speaker 1>And there's also a tragedy taking place.

0:23:15.240 --> 0:23:17.200
<v Speaker 3>In the back of the in the back of the audience.

0:23:17.200 --> 0:23:17.439
<v Speaker 4>For you.

0:23:17.840 --> 0:23:19.920
<v Speaker 1>I want to touch on ticket prices because you mentioned

0:23:19.960 --> 0:23:23.240
<v Speaker 1>six hundred and fifty dollars a ticket for the back.

0:23:23.000 --> 0:23:27.720
<v Speaker 3>Of the balcony. There's been some criticism. You come under

0:23:27.720 --> 0:23:28.640
<v Speaker 3>fire a little.

0:23:28.400 --> 0:23:33.639
<v Speaker 1>Bit for the for the sort of inflated you know, cost,

0:23:33.760 --> 0:23:36.160
<v Speaker 1>and people think maybe they we're talking about secondary markets,

0:23:36.200 --> 0:23:36.600
<v Speaker 1>and it's not.

0:23:37.359 --> 0:23:39.560
<v Speaker 2>It's not that it's not retale.

0:23:39.600 --> 0:23:40.600
<v Speaker 4>This is face value.

0:23:40.840 --> 0:23:43.760
<v Speaker 3>And I I have a question.

0:23:43.880 --> 0:23:46.359
<v Speaker 4>I want to pose face value and you know what

0:23:46.359 --> 0:23:48.280
<v Speaker 4>I'm talking and the Valueah, the value of the.

0:23:48.240 --> 0:23:50.560
<v Speaker 2>Face is quite high.

0:23:50.880 --> 0:23:54.639
<v Speaker 4>Uh, there's a there's a a question I want to

0:23:54.680 --> 0:23:56.760
<v Speaker 4>pose to your critics.

0:23:56.760 --> 0:23:59.440
<v Speaker 3>And you don't have to even fear for this part.

0:23:59.440 --> 0:24:01.000
<v Speaker 3>If you want to go a glass of water or something.

0:24:02.400 --> 0:24:08.680
<v Speaker 3>How much should a memory cost? How much should a

0:24:08.720 --> 0:24:16.400
<v Speaker 3>memory call? Can you put a price on a memory?

0:24:16.560 --> 0:24:19.399
<v Speaker 3>You probably eight hundred bucks, right, you can't well, I

0:24:19.440 --> 0:24:21.160
<v Speaker 3>mean you can't, yeah, of course you do.

0:24:22.000 --> 0:24:24.080
<v Speaker 2>Like we know what, we got a pizza the other

0:24:24.200 --> 0:24:27.560
<v Speaker 2>night and it was thirty five bucks, so I remember that.

0:24:27.920 --> 0:24:32.200
<v Speaker 3>Yeah, right, so it could be thirty five bucks.

0:24:32.640 --> 0:24:35.199
<v Speaker 2>Yeah, yeah, I mean with Chip it was thirty five.

0:24:35.280 --> 0:24:38.639
<v Speaker 1>Depends on the memory too, I guess it depends on

0:24:38.680 --> 0:24:41.560
<v Speaker 1>which one some of our free I.

0:24:41.560 --> 0:24:45.879
<v Speaker 2>Would like to say something to those critics too, because

0:24:45.920 --> 0:24:48.080
<v Speaker 2>obviously I hear the criticism.

0:24:48.359 --> 0:24:50.280
<v Speaker 1>Did I turn the volume down on me? Because I

0:24:50.280 --> 0:24:53.480
<v Speaker 1>know you could get a little a little bit like

0:24:53.720 --> 0:24:56.240
<v Speaker 1>fire up, you know, because.

0:24:56.000 --> 0:24:59.240
<v Speaker 3>It's by the way they're coming for you know, you're lively.

0:25:00.280 --> 0:25:05.080
<v Speaker 2>Yeah. What they don't know. What those critics don't know

0:25:05.160 --> 0:25:08.360
<v Speaker 2>is yes, the tickets are at six hundred and fifty dollars.

0:25:08.840 --> 0:25:08.959
<v Speaker 4>Mm.

0:25:10.840 --> 0:25:12.240
<v Speaker 3>Sorry, start with what they do know, it'd be a

0:25:12.240 --> 0:25:14.200
<v Speaker 3>shorter episode, right.

0:25:14.200 --> 0:25:18.600
<v Speaker 4>They don't know if the go ahead, if the whole

0:25:18.640 --> 0:25:20.480
<v Speaker 4>episode were us saying, if the whole.

0:25:20.240 --> 0:25:24.120
<v Speaker 3>Episode was felling at one of these two categories, if

0:25:24.160 --> 0:25:31.200
<v Speaker 3>that were like we were restrict to talking about that.

0:25:29.400 --> 0:25:30.520
<v Speaker 4>That was very short.

0:25:30.640 --> 0:25:31.680
<v Speaker 3>We're obviously going to cover.

0:25:31.800 --> 0:25:35.800
<v Speaker 4>We like to wander around a little bit and like

0:25:35.840 --> 0:25:37.240
<v Speaker 4>we go on tangents.

0:25:37.520 --> 0:25:40.920
<v Speaker 3>We'll cover other stuff, and we have. If we were

0:25:42.200 --> 0:25:47.879
<v Speaker 3>under the under the very strict you know sort of constriction,

0:25:48.400 --> 0:25:51.440
<v Speaker 3>uh strict constriction that can't be right, but at any.

0:25:52.040 --> 0:25:53.000
<v Speaker 4>We wouldn't raise it.

0:25:53.080 --> 0:25:55.199
<v Speaker 1>We wouldn't do that if we were only doing one

0:25:55.240 --> 0:25:57.679
<v Speaker 1>of them. I'm just supporting you, but go ahead. What

0:25:57.720 --> 0:25:58.639
<v Speaker 1>is it that they don't know.

0:25:59.720 --> 0:26:01.800
<v Speaker 2>What they don't know is, yes, the tickets started six

0:26:01.880 --> 0:26:04.040
<v Speaker 2>hundred and fifty dollars and they go up from there.

0:26:04.240 --> 0:26:08.680
<v Speaker 2>What they don't know is that I insisted that we

0:26:08.840 --> 0:26:14.800
<v Speaker 2>set aside a block of tickets every Egle performance for

0:26:14.960 --> 0:26:20.280
<v Speaker 2>people who can't afford to pay those kinds of prices.

0:26:20.600 --> 0:26:23.480
<v Speaker 2>So we set aside an entire block of two tickets

0:26:23.600 --> 0:26:26.159
<v Speaker 2>for people who just pay what, pay what they.

0:26:26.040 --> 0:26:31.119
<v Speaker 4>Can and have like industry connections of some kind like

0:26:31.160 --> 0:26:31.840
<v Speaker 4>who oh, no.

0:26:31.920 --> 0:26:34.240
<v Speaker 2>You need to know somebody, right, absolutely, no.

0:26:34.200 --> 0:26:37.280
<v Speaker 4>Someone and know someone who like It would be advantageous

0:26:37.320 --> 0:26:40.920
<v Speaker 4>for you as a performer in your career to potentially

0:26:41.760 --> 0:26:44.600
<v Speaker 4>anybody walk to the door, right no, no, no, no no.

0:26:44.880 --> 0:26:47.480
<v Speaker 2>When I said people who can't afford it, I was

0:26:47.520 --> 0:26:50.160
<v Speaker 2>hoping it was implied people who can't afford it? Who

0:26:50.200 --> 0:26:50.800
<v Speaker 2>can help me?

0:26:52.640 --> 0:26:53.639
<v Speaker 3>Yeah, and they do.

0:26:53.640 --> 0:26:56.359
<v Speaker 1>They they don't want to pay, but they know somebody

0:26:56.359 --> 0:27:05.119
<v Speaker 1>who Yeah, director or something.

0:27:05.720 --> 0:27:07.840
<v Speaker 4>Talk about not being able to put a price on

0:27:07.880 --> 0:27:13.840
<v Speaker 4>a memory. Uh, I'm remembering when we were colleagues together

0:27:15.040 --> 0:27:20.600
<v Speaker 4>at ear Wolf when you were doing Mike and tomm

0:27:20.640 --> 0:27:26.480
<v Speaker 4>eat snacks and topics and there. Ask you if you've

0:27:26.480 --> 0:27:31.240
<v Speaker 4>done one of these before. Obviously the game has changed.

0:27:32.000 --> 0:27:34.680
<v Speaker 4>One of these is not the same as one of those.

0:27:34.760 --> 0:27:36.639
<v Speaker 3>Have you done a podcast? Yeah, have you done one

0:27:36.640 --> 0:27:37.119
<v Speaker 3>of these?

0:27:38.080 --> 0:27:41.679
<v Speaker 4>Like it's a little different. Like if I could go

0:27:41.800 --> 0:27:47.280
<v Speaker 4>back and say to ear Wolf me, like what this

0:27:47.480 --> 0:27:52.679
<v Speaker 4>was going to become, I would blow my own braids.

0:27:53.920 --> 0:27:55.800
<v Speaker 3>I would eat a bullet and I and I and

0:27:55.880 --> 0:27:56.400
<v Speaker 3>I would say.

0:27:56.400 --> 0:27:59.240
<v Speaker 1>I would say to younger me, and I'm sure you've

0:27:59.240 --> 0:27:59.760
<v Speaker 1>had these moments.

0:27:59.760 --> 0:28:01.200
<v Speaker 4>I would say, if.

0:28:01.040 --> 0:28:06.720
<v Speaker 3>You can do literally anything else, if you don't have

0:28:06.960 --> 0:28:09.560
<v Speaker 3>to do this, go do that.

0:28:09.720 --> 0:28:11.800
<v Speaker 4>But you know what I is gonna be hard what

0:28:11.840 --> 0:28:14.679
<v Speaker 4>Earwolf me would say to me now, I would say,

0:28:14.880 --> 0:28:19.280
<v Speaker 4>don't you remember, old man, you can't You can't do

0:28:19.320 --> 0:28:20.000
<v Speaker 4>anything else.

0:28:20.840 --> 0:28:27.399
<v Speaker 3>This is to pretend that it's a choice. Is the

0:28:27.440 --> 0:28:29.320
<v Speaker 3>thing that actually that's the great comedy.

0:28:30.080 --> 0:28:33.959
<v Speaker 1>I think that occurs sometimes in this business there there

0:28:34.040 --> 0:28:36.760
<v Speaker 1>is still comedy being made. It's everytime somebody asks you, like,

0:28:37.080 --> 0:28:40.400
<v Speaker 1>when did you decide to become I.

0:28:40.320 --> 0:28:43.520
<v Speaker 2>Didn't choose this. It chose me. Yes, yeah, it choose me.

0:28:43.720 --> 0:28:45.600
<v Speaker 4>But it's different, The snacks are different.

0:28:48.000 --> 0:28:52.600
<v Speaker 2>Here's the thing. And you alluded to this before when

0:28:52.640 --> 0:28:57.360
<v Speaker 2>you look like this, Yeah, what am I going to

0:28:57.080 --> 0:28:58.640
<v Speaker 2>get a job at a bank?

0:28:58.920 --> 0:29:02.600
<v Speaker 3>Face face car, great black card lying around the block?

0:29:02.680 --> 0:29:05.200
<v Speaker 1>Nobody can get their money out, So yeah, that's oh,

0:29:05.240 --> 0:29:06.920
<v Speaker 1>that's great.

0:29:06.800 --> 0:29:08.680
<v Speaker 2>What am I going to work at an office? I'm

0:29:08.680 --> 0:29:10.120
<v Speaker 2>gonna you know, I'm gonna work with my hands. No,

0:29:10.400 --> 0:29:12.640
<v Speaker 2>I'm gonna work with what God gave you.

0:29:12.640 --> 0:29:14.600
<v Speaker 4>You're there so much it's like you work there at

0:29:14.640 --> 0:29:14.960
<v Speaker 4>the bank.

0:29:15.560 --> 0:29:18.520
<v Speaker 2>Well, yeah, I don't have a choice. You know, when

0:29:18.560 --> 0:29:19.760
<v Speaker 2>the money comes in, the money comes in.

0:29:20.000 --> 0:29:22.400
<v Speaker 4>Laughing all the way there. We're not gonna send someone

0:29:22.400 --> 0:29:24.600
<v Speaker 4>else to go get us. Laugh now he's laughing. I'll

0:29:24.640 --> 0:29:25.080
<v Speaker 4>steal it.

0:29:25.720 --> 0:29:29.160
<v Speaker 2>No. I most of my money these days is tied

0:29:29.240 --> 0:29:32.360
<v Speaker 2>up in Ethereum, e.

0:29:32.400 --> 0:29:37.360
<v Speaker 4>Thereum, Classic or y I went with Classic, Yeah, okay,

0:29:37.520 --> 0:29:38.560
<v Speaker 4>yeah that's right.

0:29:40.760 --> 0:29:43.080
<v Speaker 2>And then I've got and then you know, a NFT

0:29:43.280 --> 0:29:47.040
<v Speaker 2>portfolio kind of took a nose dive. But I think

0:29:48.400 --> 0:29:50.360
<v Speaker 2>I'm buying on the dip. I keep buying. I think

0:29:50.360 --> 0:29:51.680
<v Speaker 2>those board apes are coming back.

0:29:52.080 --> 0:29:53.000
<v Speaker 4>M m m m.

0:29:54.600 --> 0:29:56.600
<v Speaker 3>You can't keep a board ape down.

0:29:57.480 --> 0:30:01.240
<v Speaker 4>There's something about to me word apes are boring apes,

0:30:02.880 --> 0:30:05.920
<v Speaker 4>and so that's not a quality I'm attracted to.

0:30:07.960 --> 0:30:11.080
<v Speaker 2>It's an investment. It's an investment class. You're not you

0:30:11.080 --> 0:30:11.480
<v Speaker 2>know you don't.

0:30:11.520 --> 0:30:13.200
<v Speaker 4>Yeah, it's not where I like to invest my time.

0:30:13.360 --> 0:30:14.440
<v Speaker 4>Boring apes get bored.

0:30:15.440 --> 0:30:18.440
<v Speaker 1>I have an entire theater of my imagination going on

0:30:18.560 --> 0:30:19.560
<v Speaker 1>at all times.

0:30:20.440 --> 0:30:24.920
<v Speaker 4>Maybe there's a curious ape out there who was there

0:30:24.960 --> 0:30:29.280
<v Speaker 4>all along that we could be investing our time in instead,

0:30:29.360 --> 0:30:35.520
<v Speaker 4>and maybe we could buy his stories as well grow

0:30:36.240 --> 0:30:38.040
<v Speaker 4>in value over time.

0:30:39.840 --> 0:30:42.120
<v Speaker 3>I don't even think you need to change the artwork.

0:30:44.080 --> 0:30:46.720
<v Speaker 3>I think it's branding. I think it's language. I think

0:30:46.800 --> 0:30:47.600
<v Speaker 3>it's marketing.

0:30:47.840 --> 0:30:50.200
<v Speaker 1>I think, Michael, you're buying up these boring apes, go

0:30:50.200 --> 0:30:51.920
<v Speaker 1>ahead and start calling them something else.

0:30:53.160 --> 0:30:54.800
<v Speaker 4>I'm interested as here.

0:30:55.240 --> 0:30:57.640
<v Speaker 2>You You may not like this idea, but I feel

0:30:57.640 --> 0:31:02.840
<v Speaker 2>like that. I feel like I got a feeling all I.

0:31:04.480 --> 0:31:05.320
<v Speaker 4>Think.

0:31:05.920 --> 0:31:09.040
<v Speaker 2>I hope you will. I'm just going to pitch this out.

0:31:09.720 --> 0:31:13.640
<v Speaker 2>It just came to me now forty curious Sape. Yes,

0:31:14.160 --> 0:31:19.520
<v Speaker 2>what about a collab between Curious.

0:31:18.960 --> 0:31:26.880
<v Speaker 4>Ape, Curious Ape George, Curious George, get it.

0:31:27.000 --> 0:31:29.400
<v Speaker 3>Take it, put them on some.

0:31:31.120 --> 0:31:34.120
<v Speaker 2>I'm I'm not even gonna deal with it because.

0:31:34.040 --> 0:31:36.480
<v Speaker 3>They can wait. They'll wait, it'll be there.

0:31:36.880 --> 0:31:39.880
<v Speaker 2>Yeah, it just drives up my value when I don't

0:31:39.880 --> 0:31:40.080
<v Speaker 2>pick it.

0:31:40.160 --> 0:31:44.000
<v Speaker 3>Yes, sometimes you have to tell them no mm.

0:31:43.960 --> 0:31:49.760
<v Speaker 4>Hm in order to really yes, curious Ape George, Curious

0:31:49.760 --> 0:31:50.440
<v Speaker 4>Ape George.

0:31:51.240 --> 0:31:55.240
<v Speaker 2>And I mean I'm picturing I'm picturing uh, scholastic books.

0:31:55.240 --> 0:31:58.840
<v Speaker 2>I'm picturing happy meals. And obviously I wouldn't.

0:31:58.880 --> 0:32:00.400
<v Speaker 3>I got mountain dew on the horn as well.

0:32:00.400 --> 0:32:02.840
<v Speaker 4>I just want to make sure it's it's school tastic.

0:32:04.040 --> 0:32:05.400
<v Speaker 2>Oh, oh, it's school test.

0:32:05.480 --> 0:32:07.800
<v Speaker 4>It's not. You said it in like a weird way.

0:32:07.880 --> 0:32:08.960
<v Speaker 4>It's school testing.

0:32:08.960 --> 0:32:11.760
<v Speaker 3>When we're speaking extemporaneously and we're speaking so quickly.

0:32:11.920 --> 0:32:15.960
<v Speaker 4>Yeah, it's easy to mess up the school tastic book

0:32:16.000 --> 0:32:19.960
<v Speaker 4>fair the yeah all that, it's it's it's it's not

0:32:20.000 --> 0:32:20.600
<v Speaker 4>whatever you says.

0:32:20.560 --> 0:32:23.959
<v Speaker 3>It's like a schoolarly schooler venture.

0:32:24.080 --> 0:32:26.280
<v Speaker 2>And so we were in a nice little we had

0:32:26.320 --> 0:32:27.200
<v Speaker 2>a nice little thing going.

0:32:27.400 --> 0:32:30.080
<v Speaker 4>I think it's nice. Let's just say for me, I

0:32:30.160 --> 0:32:31.840
<v Speaker 4>like to treat people how I like to be treated.

0:32:31.880 --> 0:32:33.880
<v Speaker 4>I like to learn a little bit of a golden rule.

0:32:33.920 --> 0:32:36.520
<v Speaker 4>I like to improve my performance if I get something wrong,

0:32:36.600 --> 0:32:40.360
<v Speaker 4>you respect me by telling me what I got wrong,

0:32:40.800 --> 0:32:44.040
<v Speaker 4>understanding that I can do better.

0:32:44.280 --> 0:32:46.800
<v Speaker 1>Your mind place has something in its teeth, essentially, and

0:32:46.840 --> 0:32:48.600
<v Speaker 1>we don't want to go out into the day and

0:32:48.800 --> 0:32:50.840
<v Speaker 1>a big piece of spinach hanging out that part.

0:32:51.480 --> 0:32:54.440
<v Speaker 2>I definitely like appreciate this and hear you, and I

0:32:54.480 --> 0:32:56.280
<v Speaker 2>think feedback is so important, which is why I'm going

0:32:56.320 --> 0:32:59.640
<v Speaker 2>to give you some feedback. But it's this schoolastic book fair.

0:32:59.720 --> 0:33:04.959
<v Speaker 2>It is scholastic look fair and schools I don't know

0:33:05.000 --> 0:33:08.600
<v Speaker 2>where what would that mean? What would it mean?

0:33:08.760 --> 0:33:11.000
<v Speaker 3>You know, the kids all got scolios or something. By

0:33:11.040 --> 0:33:12.280
<v Speaker 3>the way, it's fine if they do.

0:33:14.280 --> 0:33:19.320
<v Speaker 4>It's like I'm I'm saying, well, I know it's school

0:33:19.400 --> 0:33:22.640
<v Speaker 4>tastic if it were real, which is the school is fantastic,

0:33:22.680 --> 0:33:28.440
<v Speaker 4>and it also includes a lot of these great books. Well,

0:33:28.560 --> 0:33:30.760
<v Speaker 4>so do we do like things that are correct?

0:33:33.040 --> 0:33:35.080
<v Speaker 1>I don't want to derail the whole episode and get

0:33:35.120 --> 0:33:39.600
<v Speaker 1>bogged down in this school tastic which you know, just

0:33:39.640 --> 0:33:42.920
<v Speaker 1>correct and we get talk whatever the you know, chewing

0:33:43.080 --> 0:33:45.680
<v Speaker 1>school taking a big old fat dipper skull.

0:33:46.040 --> 0:33:46.160
<v Speaker 5>Uh.

0:33:46.840 --> 0:33:51.360
<v Speaker 4>You know in school, it's like not hundred times yes,

0:33:51.520 --> 0:33:52.440
<v Speaker 4>I don't like that.

0:33:53.840 --> 0:33:59.200
<v Speaker 2>I just feel like, go ahead in the scholastic school tastic.

0:34:00.280 --> 0:34:01.440
<v Speaker 2>I want to circle back.

0:34:02.440 --> 0:34:03.480
<v Speaker 4>Let's get into it.

0:34:05.400 --> 0:34:08.400
<v Speaker 1>And maybe Mountain do involved that. I wouldn't mind having

0:34:08.440 --> 0:34:17.279
<v Speaker 1>a you know, some some more established corporate backing for this. Uh,

0:34:17.520 --> 0:34:23.760
<v Speaker 1>get Black to voice it, not you having the same

0:34:23.840 --> 0:34:27.120
<v Speaker 1>ideas me, not that.

0:34:28.760 --> 0:34:30.880
<v Speaker 4>Ideas. Not you have.

0:34:32.560 --> 0:34:38.880
<v Speaker 1>Me Jazz Black and he's going and I don't do

0:34:38.920 --> 0:34:44.960
<v Speaker 1>it Jack Black, but he's going, you know, like he's

0:34:45.000 --> 0:34:46.000
<v Speaker 1>sort of riffing out.

0:34:46.200 --> 0:34:49.279
<v Speaker 3>Is you doing a guitar sound with his mouth? As

0:34:49.760 --> 0:34:52.280
<v Speaker 3>a curious George.

0:34:54.160 --> 0:34:58.960
<v Speaker 4>Mountain dew is there? Am I no wonder he's got

0:34:59.000 --> 0:35:02.560
<v Speaker 4>so much energy? Am I crazy for going straight to

0:35:03.600 --> 0:35:07.560
<v Speaker 4>the yellow hat and thinking like, how can we twenty

0:35:07.680 --> 0:35:11.360
<v Speaker 4>six that? How can we take the yellow hat which is.

0:35:11.400 --> 0:35:12.520
<v Speaker 3>Just a two liter bottle of mountain?

0:35:12.680 --> 0:35:17.879
<v Speaker 4>It's still yellow, right, make it a little more.

0:35:18.480 --> 0:35:20.200
<v Speaker 2>I think we get Cynthia or Reva.

0:35:20.000 --> 0:35:21.040
<v Speaker 4>Cynthia, Riva.

0:35:23.520 --> 0:35:26.920
<v Speaker 3>If Cynthia, if Cynthia is available, it's a.

0:35:26.920 --> 0:35:31.600
<v Speaker 4>Big many yellow hat. If she's wearing a two liter

0:35:31.680 --> 0:35:36.680
<v Speaker 4>bottle of Mountain dew made to look more yellow than

0:35:36.840 --> 0:35:39.320
<v Speaker 4>than it currently is, and you react like it was

0:35:39.360 --> 0:35:40.120
<v Speaker 4>always that color.

0:35:40.400 --> 0:35:43.040
<v Speaker 2>We're I think we're doing a signature flavor for the

0:35:43.080 --> 0:35:43.920
<v Speaker 2>release of the film.

0:35:43.960 --> 0:35:44.640
<v Speaker 4>I think we are.

0:35:45.200 --> 0:35:47.000
<v Speaker 2>Yeah, you know, I think it's banana.

0:35:47.040 --> 0:35:50.799
<v Speaker 4>And man, I literally said it before you and I

0:35:50.840 --> 0:35:54.480
<v Speaker 4>literally said that before you banana, you know. And now

0:35:54.520 --> 0:35:55.239
<v Speaker 4>I'm part of this.

0:35:57.160 --> 0:35:59.120
<v Speaker 1>I wasn't listening at the beginning of it, but we're

0:35:59.120 --> 0:36:02.160
<v Speaker 1>talking about a banana and.

0:36:01.120 --> 0:36:05.800
<v Speaker 4>And I love that is why it's being yellow good.

0:36:06.280 --> 0:36:07.799
<v Speaker 2>I hate that it's so good.

0:36:08.000 --> 0:36:11.800
<v Speaker 4>That's pussied me off. I know we're coming out of that.

0:36:12.200 --> 0:36:15.200
<v Speaker 2>We just got into the ballpark. We're not gonna where

0:36:15.239 --> 0:36:15.719
<v Speaker 2>were you?

0:36:15.880 --> 0:36:18.200
<v Speaker 4>That's what I said. I got nowhere to go from here,

0:36:18.800 --> 0:36:22.080
<v Speaker 4>you know. That's what I'm worried about, is like, uh oh,

0:36:22.320 --> 0:36:24.120
<v Speaker 4>there's no way to improve it.

0:36:24.960 --> 0:36:30.440
<v Speaker 6>So I'm really excited about the board. AP's curious George collaboration,

0:36:30.600 --> 0:36:35.200
<v Speaker 6>Mountain do Cynthio, Revo, Jack Black and At a flavor

0:36:35.920 --> 0:36:38.280
<v Speaker 6>and it's just a question of.

0:36:39.000 --> 0:36:41.600
<v Speaker 1>I know there's gonna be a bidding war. Ye Do

0:36:41.760 --> 0:36:45.520
<v Speaker 1>we have a favorite? Do we have somewhere we're aiming at?

0:36:45.560 --> 0:36:49.440
<v Speaker 3>Because if we know that. I think we could strategize

0:36:49.480 --> 0:36:51.320
<v Speaker 3>this go ahead, Oonie.

0:36:51.360 --> 0:36:52.960
<v Speaker 4>I'm just like Oonie. I think it's going to be

0:36:53.560 --> 0:36:54.839
<v Speaker 4>all over this.

0:36:55.960 --> 0:36:57.279
<v Speaker 2>Yeah, that was my first thought.

0:36:57.840 --> 0:37:01.920
<v Speaker 4>Sony pictures Soonie Ouonie and Sonny, I think are probably

0:37:01.920 --> 0:37:04.600
<v Speaker 4>the two big players in the game. I'd like to

0:37:04.640 --> 0:37:06.960
<v Speaker 4>immediately rule out Apple because I think they're going to

0:37:07.040 --> 0:37:08.360
<v Speaker 4>want to change Baniana to Apple.

0:37:09.040 --> 0:37:11.120
<v Speaker 2>M oh yeah, yeah, I think.

0:37:11.360 --> 0:37:13.640
<v Speaker 4>And so and so. What I would say is, what

0:37:13.719 --> 0:37:17.480
<v Speaker 4>I would say is and you can't have us, by

0:37:17.520 --> 0:37:19.759
<v Speaker 4>the way, that might mainly I'm actually come over the top.

0:37:20.920 --> 0:37:22.160
<v Speaker 4>M h m hm.

0:37:22.880 --> 0:37:26.560
<v Speaker 2>The only I feel like the only thing left is

0:37:26.600 --> 0:37:29.439
<v Speaker 2>to figure out something for Shalomy to do. Should be there,

0:37:31.680 --> 0:37:33.160
<v Speaker 2>I think so.

0:37:33.160 --> 0:37:36.360
<v Speaker 3>So the minions are there with Sallo May.

0:37:36.920 --> 0:37:39.200
<v Speaker 1>It's interesting as we talk about Oonie, as we talk

0:37:39.239 --> 0:37:40.200
<v Speaker 1>about the minions.

0:37:40.320 --> 0:37:42.080
<v Speaker 3>I saw and I don't know if you were here

0:37:42.120 --> 0:37:42.440
<v Speaker 3>for this.

0:37:42.600 --> 0:37:43.920
<v Speaker 4>My gol.

0:37:45.120 --> 0:37:50.200
<v Speaker 3>Frenchis Mustard did an installation the other day Monsters and

0:37:50.320 --> 0:37:51.560
<v Speaker 3>Minions coming soon.

0:37:53.360 --> 0:37:54.480
<v Speaker 4>Did you go to that installation?

0:37:54.560 --> 0:37:55.440
<v Speaker 3>Were you at the installation?

0:37:56.920 --> 0:38:01.440
<v Speaker 2>No, I have not secured my take gets to the installation.

0:38:01.560 --> 0:38:03.640
<v Speaker 1>And I and I I knew you weren't there because

0:38:03.640 --> 0:38:06.480
<v Speaker 1>I would have seen you because I basically set up shopping.

0:38:06.160 --> 0:38:08.319
<v Speaker 4>And he made it there. He shut it down.

0:38:08.719 --> 0:38:10.920
<v Speaker 3>Oh yeah, they had to drag me out of that thing.

0:38:12.320 --> 0:38:17.600
<v Speaker 3>Goomy Dominion's new friend, Goomy, little green monster. They've accidentally created.

0:38:18.640 --> 0:38:24.280
<v Speaker 3>Goomy turned the Mustard green. Hmm for our purposes.

0:38:24.320 --> 0:38:25.120
<v Speaker 4>It's not ideal.

0:38:26.160 --> 0:38:30.680
<v Speaker 3>We're working in the space of yellow. Mm hmm. Could

0:38:30.719 --> 0:38:37.200
<v Speaker 3>the curious George board ape turned Goomy yellow as a

0:38:37.280 --> 0:38:42.200
<v Speaker 3>sort of revenge epic? The whole journey, yes, is to

0:38:42.239 --> 0:38:43.480
<v Speaker 3>turn Goomy yellow.

0:38:43.800 --> 0:38:44.719
<v Speaker 4>I'm then he has.

0:38:44.640 --> 0:38:45.960
<v Speaker 3>To apologize to the Mustard.

0:38:46.040 --> 0:38:48.760
<v Speaker 4>I'm nervous about involving Goomy at all, honestly.

0:38:48.840 --> 0:38:50.479
<v Speaker 2>Can we talk about IP real quick?

0:38:50.600 --> 0:38:50.920
<v Speaker 3>Yeah?

0:38:50.960 --> 0:38:53.120
<v Speaker 4>Please, Yes, let's introduce.

0:38:54.480 --> 0:38:55.080
<v Speaker 2>Monsters.

0:38:56.640 --> 0:39:02.240
<v Speaker 3>Is that Mountain dew or Yeah?

0:39:02.560 --> 0:39:04.200
<v Speaker 4>Don't talk to her, Mike. I just want to let

0:39:04.200 --> 0:39:09.040
<v Speaker 4>you know you're killing that's your wife. Yeah, my wife

0:39:09.040 --> 0:39:10.319
<v Speaker 4>calls me a lot when I record it.

0:39:10.360 --> 0:39:11.839
<v Speaker 3>Like I'm listening outside the door.

0:39:12.080 --> 0:39:15.799
<v Speaker 4>I know this call. I know this call, and it's

0:39:15.880 --> 0:39:18.439
<v Speaker 4>just like, don't change a damn thing.

0:39:18.840 --> 0:39:21.560
<v Speaker 1>Right, I'm right outside the door. I'm listening to the episode.

0:39:21.560 --> 0:39:25.800
<v Speaker 1>And this is why I married you. Yes, yeah, I

0:39:25.840 --> 0:39:27.120
<v Speaker 1>can't believe I get this for free.

0:39:27.640 --> 0:39:28.879
<v Speaker 2>Congratulatory call.

0:39:30.200 --> 0:39:32.320
<v Speaker 3>I can't believe I get this ship for free. Every

0:39:32.440 --> 0:39:35.400
<v Speaker 3>day people just have to pay eight.

0:39:36.440 --> 0:39:40.360
<v Speaker 2>The IP because millions monsters, that's a dream Works property.

0:39:41.880 --> 0:39:45.320
<v Speaker 4>It's elimination. Monsters are illumination, which is the property of

0:39:45.360 --> 0:39:46.640
<v Speaker 4>Suny Pictures Illumination.

0:39:47.719 --> 0:39:50.560
<v Speaker 2>Okay, so we're gonna, okay, so I'm gonna have to

0:39:50.640 --> 0:39:54.160
<v Speaker 2>do a Japan trip just to sort of hammer this out.

0:39:55.080 --> 0:40:00.200
<v Speaker 4>Yes, it's fine, getting shoot and while we're there, me

0:40:00.320 --> 0:40:04.320
<v Speaker 4>guess they love you there And it's not a guess.

0:40:04.360 --> 0:40:05.120
<v Speaker 4>I'm sure of it.

0:40:05.880 --> 0:40:10.480
<v Speaker 2>Yeah, I mean, yeah, you know, don't don't make me

0:40:10.600 --> 0:40:10.840
<v Speaker 2>do this.

0:40:11.239 --> 0:40:15.120
<v Speaker 4>Okay, it's lost in transit translation. You're over there, you're

0:40:15.120 --> 0:40:18.680
<v Speaker 4>making money. Everything about that movie is the same, except

0:40:18.680 --> 0:40:22.680
<v Speaker 4>you are actually converting that relationship at the end and

0:40:22.880 --> 0:40:25.360
<v Speaker 4>not a little. Yeah, it's not. There's no will they won't.

0:40:25.400 --> 0:40:27.520
<v Speaker 4>They they will, and they do.

0:40:27.800 --> 0:40:30.440
<v Speaker 3>We land the plane, you know they did, and it's

0:40:30.440 --> 0:40:34.399
<v Speaker 3>a fucking jumbo jet. We land the plane on that one.

0:40:34.480 --> 0:40:35.920
<v Speaker 4>And it's a jet.

0:40:36.440 --> 0:40:41.840
<v Speaker 2>It's a jumbo jet. And that makes Yeah, it's just

0:40:42.160 --> 0:40:50.200
<v Speaker 2>it's it's it's it's weird. I'll be honest, massive, massive, cavernous.

0:40:50.520 --> 0:40:54.799
<v Speaker 1>YEP and we don't gotta we don't got to go

0:40:54.880 --> 0:40:58.640
<v Speaker 1>any further than that. I think we've described though right

0:40:58.719 --> 0:41:06.000
<v Speaker 1>about y Chalom for Goomy is exactly what I say.

0:41:06.239 --> 0:41:07.840
<v Speaker 1>But Hayes said he didn't know if he wanted to

0:41:07.840 --> 0:41:08.320
<v Speaker 1>get Goomy.

0:41:08.400 --> 0:41:10.359
<v Speaker 4>I would love to say that solves it for me.

0:41:11.640 --> 0:41:13.640
<v Speaker 4>Uh and it does.

0:41:14.400 --> 0:41:17.560
<v Speaker 1>Yeah, so then, and I so love it. So just

0:41:17.640 --> 0:41:23.080
<v Speaker 1>to to very quickly recap, just to make sure, because

0:41:23.080 --> 0:41:26.440
<v Speaker 1>it's for the audience and for Casey and for everyone

0:41:26.480 --> 0:41:30.360
<v Speaker 1>else involved, and for Richie, who you're gonna be.

0:41:30.320 --> 0:41:33.959
<v Speaker 2>Sick, Richie if he's if he's throwing up.

0:41:34.200 --> 0:41:38.040
<v Speaker 4>That's good, right, But that's not good, right, that's not like,

0:41:38.880 --> 0:41:41.600
<v Speaker 4>you know, just just.

0:41:41.480 --> 0:41:44.080
<v Speaker 2>A little dizzy. Put him in an ice bath.

0:41:45.480 --> 0:41:54.360
<v Speaker 4>Again, this is all like normal second second takes bath. Yeah,

0:41:55.400 --> 0:41:58.120
<v Speaker 4>his eyes are crossed, but like vertically one is going

0:41:58.200 --> 0:41:59.160
<v Speaker 4>up with what's going down.

0:42:00.120 --> 0:42:01.600
<v Speaker 2>It's that's fine.

0:42:01.680 --> 0:42:05.719
<v Speaker 3>It's ethereum. It's it's ethereum being invested into n f T.

0:42:05.880 --> 0:42:08.920
<v Speaker 3>It's the board, Curious Ape George.

0:42:08.600 --> 0:42:11.080
<v Speaker 4>Just curious Ape George. It's I think.

0:42:11.280 --> 0:42:16.239
<v Speaker 3>It's curious Ape George. And forget the board, although we

0:42:16.280 --> 0:42:18.239
<v Speaker 3>will be speaking to the board the border Mountain dew

0:42:18.640 --> 0:42:20.200
<v Speaker 3>because they're going to get involved as a two liter

0:42:20.239 --> 0:42:20.800
<v Speaker 3>bottle of mountain.

0:42:21.640 --> 0:42:23.080
<v Speaker 4>Cynthia Rivo's head.

0:42:24.560 --> 0:42:28.480
<v Speaker 3>Jack Black is the voice of the ape. He's rim,

0:42:28.680 --> 0:42:34.359
<v Speaker 3>you know, speaking dumb, and he's doing this and there

0:42:34.560 --> 0:42:39.799
<v Speaker 3>is Goomy involved. Timothy Shallome is Goomy as punishment for

0:42:39.880 --> 0:42:40.640
<v Speaker 3>his crimes.

0:42:40.680 --> 0:42:41.880
<v Speaker 4>He's being turned yellow.

0:42:43.160 --> 0:42:50.719
<v Speaker 3>Cynthia Cynthy O Rivo is doing thed.

0:42:49.000 --> 0:42:51.400
<v Speaker 4>With mount heads yellow favor.

0:42:51.480 --> 0:42:53.239
<v Speaker 2>And what I like about it is that it's hitting

0:42:53.239 --> 0:42:55.320
<v Speaker 2>all four quadrants, hitting everybody.

0:42:55.360 --> 0:42:59.160
<v Speaker 3>We're going Nie, We're going Soony, We're going to Japan.

0:43:01.360 --> 0:43:07.160
<v Speaker 3>The property, which is division of Sunni is illumination. Looking

0:43:07.239 --> 0:43:09.880
<v Speaker 3>at the landscape of media right now, should we do

0:43:10.239 --> 0:43:14.960
<v Speaker 3>ablomination and get Blum in here? Can you get Jason

0:43:14.960 --> 0:43:19.360
<v Speaker 3>Blum on the horn for me? I mean, is horror

0:43:19.400 --> 0:43:22.080
<v Speaker 3>hot right now? Are you looking at these box office numbers?

0:43:23.560 --> 0:43:26.480
<v Speaker 2>Uh? I'm sweating looking at the box office numbers.

0:43:26.560 --> 0:43:28.160
<v Speaker 4>That's scary.

0:43:29.000 --> 0:43:32.080
<v Speaker 2>Yeah, it's scary how hot horror is.

0:43:32.120 --> 0:43:35.000
<v Speaker 1>It's scary how much money they're making. And so I

0:43:35.080 --> 0:43:37.200
<v Speaker 1>think that we do want to and Goomy's a monster,

0:43:37.239 --> 0:43:38.520
<v Speaker 1>by the way, so we can do this.

0:43:38.960 --> 0:43:41.600
<v Speaker 3>We may want him to be tortured and killed or

0:43:41.640 --> 0:43:43.120
<v Speaker 3>something like that, you know.

0:43:43.360 --> 0:43:46.960
<v Speaker 4>Yeah, mm hmmm. The show is called Have I Got

0:43:47.080 --> 0:43:53.120
<v Speaker 4>News for u? Us? Uh, it's on right now. It's

0:43:53.120 --> 0:43:54.920
<v Speaker 4>on their TV right now, they turn on, it's on.

0:43:56.640 --> 0:43:59.319
<v Speaker 2>Well, we're on hiatus right now, it's on, it's on

0:43:59.360 --> 0:44:02.640
<v Speaker 2>the it's on the cable news network, and we're on

0:44:02.680 --> 0:44:05.640
<v Speaker 2>hiatus until the fall. So if you turn your TV

0:44:05.719 --> 0:44:07.640
<v Speaker 2>on right now, I don't know. I don't know what's

0:44:07.680 --> 0:44:09.080
<v Speaker 2>on your TV, but.

0:44:09.080 --> 0:44:11.640
<v Speaker 3>I have all different I'll turn on and wait.

0:44:11.960 --> 0:44:16.640
<v Speaker 4>That's the magic of it. Every person's individual TV has.

0:44:16.480 --> 0:44:19.640
<v Speaker 1>A different Well, Mike, I don't even have a movie

0:44:19.719 --> 0:44:23.239
<v Speaker 1>on it, don't even have one. But if they but

0:44:23.320 --> 0:44:27.920
<v Speaker 1>if they crack open just to a random page of

0:44:28.040 --> 0:44:33.560
<v Speaker 1>Margaret Atwood's handmade tale, perhaps they will be able to

0:44:34.840 --> 0:44:39.040
<v Speaker 1>through osmosis and ingest some of what you are transmitting

0:44:39.080 --> 0:44:45.920
<v Speaker 1>on this show. Yeah, the warnings, the truth, Yeah, all

0:44:47.080 --> 0:44:48.880
<v Speaker 1>My commitment to.

0:44:51.120 --> 0:44:59.520
<v Speaker 2>This craft has always been about the truth and only

0:44:59.560 --> 0:45:04.640
<v Speaker 2>the truth. So sometimes, look, sometimes the truth is funny.

0:45:04.640 --> 0:45:07.279
<v Speaker 2>Sometimes we get a little chuckle, and that's okay, better

0:45:07.320 --> 0:45:11.799
<v Speaker 2>than it's nice. It's nice, right, it feels good.

0:45:11.920 --> 0:45:12.800
<v Speaker 4>No, it's nice.

0:45:13.520 --> 0:45:16.399
<v Speaker 2>Sometimes the truth can hurt, and that doesn't feel good,

0:45:16.440 --> 0:45:17.080
<v Speaker 2>but in the end.

0:45:17.719 --> 0:45:19.600
<v Speaker 4>Bye bye

0:45:21.600 --> 0:45:23.600
<v Speaker 2>Okay.