1 00:00:01,800 --> 00:00:04,479 Speaker 1: And that's what you really missed with Jenna. 2 00:00:04,559 --> 00:00:07,320 Speaker 2: And Kevin An iHeartRadio. 3 00:00:06,640 --> 00:00:12,520 Speaker 1: Podcast, Welcome to and that's what you really missed originals. 4 00:00:17,840 --> 00:00:22,120 Speaker 1: This is Jenna, Yes, yes it is, and this is 5 00:00:22,880 --> 00:00:26,320 Speaker 1: Heaven and today is another competition. 6 00:00:27,080 --> 00:00:29,320 Speaker 2: I feel like it's Regional's eight point zero. 7 00:00:30,320 --> 00:00:34,720 Speaker 1: We've only done one Regionals prior to this, I know, 8 00:00:35,080 --> 00:00:42,360 Speaker 1: and yet it feels like yes, number ten. Here we are, original. 9 00:00:41,800 --> 00:00:46,920 Speaker 2: Song, original song. So I just want to set the 10 00:00:46,960 --> 00:00:54,840 Speaker 2: scene a little bit. Yeah, because we obviously before we 11 00:00:54,880 --> 00:00:58,680 Speaker 2: shoot an episode, we're getting sent the songs, the music, 12 00:00:58,720 --> 00:01:01,840 Speaker 2: we're learning it, we're recording it. We're a dance rehearsal. 13 00:01:02,680 --> 00:01:06,039 Speaker 2: So this episode features a bunch of a bunch of 14 00:01:06,040 --> 00:01:11,240 Speaker 2: original songs and also was sort of a pilot in 15 00:01:11,360 --> 00:01:13,880 Speaker 2: terms of a pilot program to see if we could 16 00:01:13,880 --> 00:01:18,080 Speaker 2: put out original songs and what they do well. And 17 00:01:19,080 --> 00:01:22,880 Speaker 2: loser like me was the one yes, and do you 18 00:01:22,959 --> 00:01:31,040 Speaker 2: remember what we did, Jenna, We would we didn't like 19 00:01:31,200 --> 00:01:36,679 Speaker 2: this song, that's correct, and we were all very concerned, 20 00:01:37,000 --> 00:01:43,000 Speaker 2: very concerned. Ryan still approved every single dance number we did, 21 00:01:43,120 --> 00:01:44,640 Speaker 2: so he'd have to come in at the end of 22 00:01:44,680 --> 00:01:47,119 Speaker 2: dance rehearsal and watch his performance and give his notes. 23 00:01:47,800 --> 00:01:51,560 Speaker 2: So he came in and we had decided to collectively 24 00:01:51,680 --> 00:01:58,280 Speaker 2: sort of bring up how we were feeling about this song. 25 00:01:58,800 --> 00:02:02,520 Speaker 2: And if you know Ryan, and he's in his creative 26 00:02:03,320 --> 00:02:10,160 Speaker 2: mojo feeling positive mood, you don't do what we did. Yeah, 27 00:02:10,240 --> 00:02:13,359 Speaker 2: would just be like, hey, we don't think this works, 28 00:02:14,960 --> 00:02:19,840 Speaker 2: we don't think this is very good. And he sort 29 00:02:19,880 --> 00:02:22,919 Speaker 2: of talked us off the ledge and also is like, well, 30 00:02:22,919 --> 00:02:24,960 Speaker 2: it's not up to you. I didn't say that, but 31 00:02:25,000 --> 00:02:28,040 Speaker 2: in so many words it's great. Yeah, he said, we're 32 00:02:28,120 --> 00:02:29,480 Speaker 2: just try it and if it doesn't work, then we 33 00:02:29,480 --> 00:02:32,400 Speaker 2: won't do it again. That sort of thing, you know. 34 00:02:33,880 --> 00:02:40,840 Speaker 1: Yeah, Okay, I remember this now because it was scary. 35 00:02:41,000 --> 00:02:44,360 Speaker 2: Very scary. We were just worried. But I have to say, 36 00:02:44,600 --> 00:02:50,480 Speaker 2: in context with the episode, watching it today, yes, and 37 00:02:50,560 --> 00:02:54,160 Speaker 2: thinking it is sixteen year olds writing this thing, Yeah, 38 00:02:54,720 --> 00:02:57,359 Speaker 2: it makes a lot of sense. But I think in 39 00:02:57,480 --> 00:02:59,720 Speaker 2: thinking about the song in terms of this is going 40 00:02:59,760 --> 00:03:01,840 Speaker 2: to go to the world. People are going to listen 41 00:03:01,880 --> 00:03:02,079 Speaker 2: to this. 42 00:03:03,720 --> 00:03:08,640 Speaker 1: Honestly, we're doing bangers. We've been doing Don't Stop Believe 43 00:03:08,720 --> 00:03:13,160 Speaker 1: and Somebody to Love, top forties, hits up on Hits Landslide. 44 00:03:13,200 --> 00:03:15,880 Speaker 1: We did in the last episode. How do you then 45 00:03:16,120 --> 00:03:19,840 Speaker 1: follow that with an original song that sounds like teenager 46 00:03:19,919 --> 00:03:24,520 Speaker 1: singing writing a song, but then you do it on 47 00:03:24,639 --> 00:03:27,760 Speaker 1: tour and people freaking loved it. 48 00:03:27,960 --> 00:03:32,399 Speaker 2: Well it comes out, oh man, and then smashes it 49 00:03:32,760 --> 00:03:36,200 Speaker 2: and debuts so high on the Billboard chart that we 50 00:03:36,360 --> 00:03:40,960 Speaker 2: all literally had to put our foot in our mouths. 51 00:03:41,240 --> 00:03:45,840 Speaker 2: We were so wrong in so many ways. 52 00:03:46,080 --> 00:03:48,920 Speaker 1: We're like, oh, well, well we won't do that again. 53 00:03:49,080 --> 00:03:54,040 Speaker 2: Happens. Yeah, we're gonna shut our mouth because let's go 54 00:03:54,160 --> 00:03:57,040 Speaker 2: back to we're not paid to make the music, write 55 00:03:57,080 --> 00:03:59,600 Speaker 2: the scripts. We're paid to perform. 56 00:03:59,280 --> 00:04:02,680 Speaker 1: It and hired for that, where we would have been 57 00:04:02,760 --> 00:04:04,560 Speaker 1: hired for that exactly. 58 00:04:04,880 --> 00:04:08,040 Speaker 2: Oh wow, that was embarrassing. I mean, I was glad 59 00:04:08,080 --> 00:04:10,400 Speaker 2: it was successful, but it was also like loops. 60 00:04:10,720 --> 00:04:13,200 Speaker 1: Yeah, yeah, it was just different. It was different than 61 00:04:13,240 --> 00:04:16,080 Speaker 1: we had anything we had done before. All eyes were 62 00:04:16,120 --> 00:04:19,640 Speaker 1: on us. It was you know, there's like pressure now, 63 00:04:21,080 --> 00:04:23,120 Speaker 1: different pressure than what we felt before. 64 00:04:23,520 --> 00:04:25,760 Speaker 2: So that was our little mess up. 65 00:04:26,000 --> 00:04:29,479 Speaker 1: There'll be more of those, don't worry, so definitely will 66 00:04:29,480 --> 00:04:34,880 Speaker 1: be okay. So this is season two, episode sixteen, Original song. 67 00:04:35,560 --> 00:04:38,920 Speaker 1: This is a competition episode. It aired on March fifteenth, 68 00:04:39,000 --> 00:04:40,880 Speaker 1: twenty eleven. 69 00:04:41,160 --> 00:04:43,120 Speaker 2: Happy almost early Saint Patrick's Day. 70 00:04:43,839 --> 00:04:49,480 Speaker 1: That's right, Kevin, Savor Holiday. The number one song was 71 00:04:49,680 --> 00:04:57,240 Speaker 1: still born this way Lady Gaga, which is coming soon only. 72 00:04:59,040 --> 00:05:00,960 Speaker 2: And I know we keep saying we don't remember a 73 00:05:01,000 --> 00:05:04,920 Speaker 2: lot of these number one movies, but be honest, here, 74 00:05:05,880 --> 00:05:07,800 Speaker 2: what is Battle Los Angeles? 75 00:05:09,440 --> 00:05:13,920 Speaker 1: It's an alien invasion movie, Kevin. I'm just kidding. I 76 00:05:14,000 --> 00:05:15,760 Speaker 1: didn't see it, and I don't know what it. 77 00:05:15,640 --> 00:05:19,960 Speaker 2: Is, what like as Neo's in it? And a couple 78 00:05:20,040 --> 00:05:22,360 Speaker 2: months ago, Jenna just shouted Neo. 79 00:05:25,240 --> 00:05:29,280 Speaker 1: I don't it's confusing. I don't even I don't hold on. 80 00:05:29,320 --> 00:05:30,720 Speaker 1: I got to google this now because I want to 81 00:05:30,760 --> 00:05:32,280 Speaker 1: see the poster. 82 00:05:32,480 --> 00:05:36,039 Speaker 2: While you google that. The Glee News On March sixteen, 83 00:05:36,040 --> 00:05:40,520 Speaker 2: twenty eleven, there's this incredible thing that goes on every 84 00:05:40,560 --> 00:05:43,560 Speaker 2: here called the Paileyfest where they bring in casts and 85 00:05:43,960 --> 00:05:46,520 Speaker 2: creators of TV shows. And we got to do it 86 00:05:47,400 --> 00:05:50,840 Speaker 2: and we were all there. It was you, Me, Ambernia, Heather, 87 00:05:51,040 --> 00:05:54,240 Speaker 2: Chris Corey, Darren, Matt, Jane, Ryan, Ian Brad and Dante 88 00:05:54,960 --> 00:05:57,840 Speaker 2: and there's clips online. There were about eighty of us 89 00:05:57,839 --> 00:06:00,760 Speaker 2: on that stage and it was a great time and 90 00:06:00,920 --> 00:06:03,160 Speaker 2: the fans are wild, you know, and you get to 91 00:06:03,200 --> 00:06:07,599 Speaker 2: actually talk in depth about I mean it's mostly Ryan talking. 92 00:06:07,640 --> 00:06:09,200 Speaker 2: We each get to like say a word because there's 93 00:06:09,200 --> 00:06:11,640 Speaker 2: so many of us, but I think we'll get one 94 00:06:11,720 --> 00:06:15,599 Speaker 2: question each. It was fun because we would always get 95 00:06:15,760 --> 00:06:19,719 Speaker 2: like new nuggets of information on evenings like that from 96 00:06:19,880 --> 00:06:21,960 Speaker 2: like Ryan brader Ian that would like reveal something we 97 00:06:22,000 --> 00:06:24,640 Speaker 2: didn't know before or something that was coming or whatever. 98 00:06:25,240 --> 00:06:29,880 Speaker 2: And I mean these were really for the fans, Pailey Fusts, 99 00:06:30,520 --> 00:06:34,960 Speaker 2: so afterwards, like fans would bum rush bum rush the 100 00:06:35,040 --> 00:06:37,560 Speaker 2: stage and come up and you'd meet them and sign 101 00:06:37,600 --> 00:06:40,960 Speaker 2: autographs and stuff at the end. But I always enjoyed 102 00:06:41,000 --> 00:06:41,760 Speaker 2: these Q and as. 103 00:06:41,880 --> 00:06:43,000 Speaker 1: I love a Q and A. 104 00:06:43,640 --> 00:06:45,680 Speaker 2: What have you found out about Battle Los Angeles? 105 00:06:46,000 --> 00:06:48,640 Speaker 1: Okay, so there's a film Battle of Los Angeles, which 106 00:06:48,640 --> 00:06:52,279 Speaker 1: I was like, no, that's not right. This is Battle 107 00:06:52,320 --> 00:06:56,680 Speaker 1: Los Angeles. It's yeah, twenty eleven, and it's a marine 108 00:06:56,720 --> 00:07:02,760 Speaker 1: staff sergeant that it's like a military signs fiction action film. Again, 109 00:07:02,920 --> 00:07:06,520 Speaker 1: I couldn't wouldn't have told you, wouldn't have been able 110 00:07:06,560 --> 00:07:09,520 Speaker 1: to recognize this. Never saw this poster. 111 00:07:11,800 --> 00:07:24,560 Speaker 2: I need to see this poster. So Brad Beaker our 112 00:07:25,320 --> 00:07:27,760 Speaker 2: favorite competition director. I don't know he ends up doing 113 00:07:27,800 --> 00:07:32,680 Speaker 2: all the competitions. Editor Extraordinaire. He directed this episode, and. 114 00:07:32,560 --> 00:07:34,880 Speaker 1: We have a lot of fun guest stars. We have 115 00:07:35,200 --> 00:07:38,000 Speaker 1: Kathy Gaffin is in it, Luretta Devine, who we later 116 00:07:38,160 --> 00:07:44,520 Speaker 1: will do RuPaul's Secret Celebrity drag race with Right Full Circle, 117 00:07:45,720 --> 00:07:50,239 Speaker 1: and this, Oh my gosh, the highest number of songs 118 00:07:50,240 --> 00:07:54,239 Speaker 1: featured in the series. Or this is the second highest 119 00:07:54,320 --> 00:07:56,240 Speaker 1: number of songs featured in the series, the first being 120 00:07:56,320 --> 00:07:58,720 Speaker 1: the pilot. This is eleven songs, but only nine were 121 00:07:58,720 --> 00:07:59,480 Speaker 1: really released. 122 00:08:01,880 --> 00:08:04,000 Speaker 2: I've never seen this Battle Los Angeles poster either. 123 00:08:04,520 --> 00:08:05,840 Speaker 1: Yeah, I'm sorry. 124 00:08:06,240 --> 00:08:09,000 Speaker 2: I'm sorry to this man. No offense to any of 125 00:08:09,000 --> 00:08:11,880 Speaker 2: these people. It was number one movie, so great for them, 126 00:08:12,760 --> 00:08:13,880 Speaker 2: like a video game cover. 127 00:08:14,480 --> 00:08:17,160 Speaker 1: Yeah, maybe it was a video game at some point. 128 00:08:18,320 --> 00:08:18,880 Speaker 2: I'll let it go. 129 00:08:19,280 --> 00:08:28,800 Speaker 1: Okay, Okay, We've got Misery, only child, Blackbird, trouty Mouth, 130 00:08:29,040 --> 00:08:34,680 Speaker 1: big ass Heart, helt in the Know, Jesus is my friend, Candles, 131 00:08:34,960 --> 00:08:37,920 Speaker 1: raise your glass, get it right? Loser like me? 132 00:08:39,559 --> 00:08:43,040 Speaker 2: Do you have a favorite of these original songs from 133 00:08:43,040 --> 00:08:43,680 Speaker 2: this episode? 134 00:08:44,200 --> 00:08:47,800 Speaker 1: O trouty Mouth has a special place in my heart, 135 00:08:49,120 --> 00:08:51,360 Speaker 1: but Helton in the Know also has a special place 136 00:08:51,400 --> 00:08:57,920 Speaker 1: in life. Yeah, I think trouty Mouth, the song, the context, 137 00:08:57,960 --> 00:09:01,760 Speaker 1: the writing, the performances were all really great and ridiculous 138 00:09:02,880 --> 00:09:07,040 Speaker 1: held in the no ambush performance just makes me giggle, giggle, giggle. 139 00:09:07,320 --> 00:09:10,640 Speaker 2: Helps of the Know was like an actual banger, like 140 00:09:10,679 --> 00:09:11,800 Speaker 2: an accidental banger. 141 00:09:12,600 --> 00:09:13,120 Speaker 1: Totally. 142 00:09:13,720 --> 00:09:15,760 Speaker 2: I think trouty Mouth was the one we all sang 143 00:09:15,800 --> 00:09:18,720 Speaker 2: the most. Yes, we say that for the rest of 144 00:09:18,760 --> 00:09:19,240 Speaker 2: the series. 145 00:09:19,480 --> 00:09:21,680 Speaker 1: Yes, exactly, that's in our future a lot. 146 00:09:22,280 --> 00:09:25,320 Speaker 2: Yeah, absolutely, Jenna tell us about this episode. 147 00:09:25,600 --> 00:09:28,800 Speaker 1: Oh my goodness. Okay, So the new Directions find out 148 00:09:28,800 --> 00:09:31,640 Speaker 1: that they can't perform sing because Chemical Romance has sent 149 00:09:31,679 --> 00:09:35,800 Speaker 1: them as season desist thanks to to Sylvester. Quinn wants 150 00:09:35,840 --> 00:09:39,280 Speaker 1: to start her campaign for prom Queen and King with Finn, 151 00:09:39,960 --> 00:09:44,520 Speaker 1: so she wants to keep her enemy Rachel close and 152 00:09:46,040 --> 00:09:53,520 Speaker 1: Pavaratti the Warblers mascot bird passes away, and Kurt also 153 00:09:53,600 --> 00:09:58,240 Speaker 1: speaks out to the Warblers about Blaine singing every solo. 154 00:09:59,360 --> 00:10:05,800 Speaker 1: So Blaine and Kurt will perform a do at regionals. 155 00:10:06,240 --> 00:10:08,640 Speaker 2: Regionals, is that a euphemism because they sure do? 156 00:10:11,520 --> 00:10:15,120 Speaker 1: And it's also, yes, exactly a secret to hang out together. 157 00:10:16,000 --> 00:10:18,800 Speaker 1: What is your favorite song, Kevin, out of all these. 158 00:10:19,920 --> 00:10:22,679 Speaker 2: Or probably I think I feel the same way, probably 159 00:10:22,880 --> 00:10:25,000 Speaker 2: choudy mouth and held to the know. I do have 160 00:10:25,040 --> 00:10:27,720 Speaker 2: to say so fun fact, in this episode, Loser Like 161 00:10:27,800 --> 00:10:34,320 Speaker 2: Me Adam Anders and Pure Astrom, who are both, you know, 162 00:10:34,480 --> 00:10:37,360 Speaker 2: very big songwrision producers who did all of our music 163 00:10:37,440 --> 00:10:40,160 Speaker 2: and are very successful outside of that as well, did 164 00:10:40,200 --> 00:10:47,040 Speaker 2: Loser Like Me with the Max Martin Mecca and show 165 00:10:47,160 --> 00:10:47,960 Speaker 2: back and seven. 166 00:10:48,480 --> 00:10:50,920 Speaker 1: It makes me even more embarrassed that we were like 167 00:10:51,000 --> 00:10:53,640 Speaker 1: this doesn't work, or this won't work, or we didn't 168 00:10:53,720 --> 00:10:57,120 Speaker 1: like it initially when Max Martin wrote on this song 169 00:10:58,280 --> 00:11:00,480 Speaker 1: like yeah, I'm embarrassed. 170 00:11:00,240 --> 00:11:02,079 Speaker 2: And if you don't know Max Martin, I don't know. 171 00:11:02,559 --> 00:11:06,000 Speaker 2: Max Martin is the biggest pop producer of Living under 172 00:11:06,000 --> 00:11:09,560 Speaker 2: a Rock and he and seven, who is a huge songwriter. 173 00:11:09,760 --> 00:11:13,240 Speaker 2: They wrote and produced What Makes You Beautiful by One 174 00:11:13,240 --> 00:11:17,880 Speaker 2: Direction and dozens of other gigantic hits, and they all 175 00:11:17,920 --> 00:11:22,120 Speaker 2: worked on this song. The song debut at number six. 176 00:11:22,360 --> 00:11:24,839 Speaker 1: Geez, like, where were we wrong? 177 00:11:24,880 --> 00:11:30,800 Speaker 2: It's our third top ten hits. It's absolutely insane. It 178 00:11:31,320 --> 00:11:33,800 Speaker 2: reached number thirty six in the US Adult Pop charts, 179 00:11:34,559 --> 00:11:36,559 Speaker 2: and it became the first Glee song other than a 180 00:11:36,600 --> 00:11:41,120 Speaker 2: Christmas song to appear on that chart. It's crazy. 181 00:11:41,480 --> 00:11:44,280 Speaker 1: That's wild. And then also, like we were talking about, 182 00:11:44,440 --> 00:11:47,760 Speaker 1: I think in the last episode, I said that the 183 00:11:47,840 --> 00:11:55,800 Speaker 1: Santana Brittany Army is so passionate that Trouty Mouth became 184 00:11:56,520 --> 00:12:00,680 Speaker 1: by demand, was released on iTunes, it was not going 185 00:12:00,720 --> 00:12:05,040 Speaker 1: to be like by popular demand. And then also Big 186 00:12:05,080 --> 00:12:08,440 Speaker 1: Ass Heart as well. So these these original songs just 187 00:12:08,600 --> 00:12:17,800 Speaker 1: kind of took off without even you know, no expectations. Yeah, okay, 188 00:12:18,200 --> 00:12:27,240 Speaker 1: So these episodes all lead up to the big competition, 189 00:12:29,360 --> 00:12:36,640 Speaker 1: and a lot of these episodes obviously contain the conflict 190 00:12:36,960 --> 00:12:38,800 Speaker 1: of what we're going to perform or how we're going 191 00:12:38,840 --> 00:12:40,559 Speaker 1: to perform if somebody else does it. 192 00:12:40,679 --> 00:12:47,319 Speaker 2: So why are not nobody ready? Why are these decisions 193 00:12:47,400 --> 00:12:50,160 Speaker 2: still being made the week of I. 194 00:12:50,120 --> 00:12:54,560 Speaker 3: Mean literally days the day of sometimes and the teachers 195 00:12:54,600 --> 00:12:57,080 Speaker 3: just like, yeah, write an original song. 196 00:12:57,800 --> 00:13:02,720 Speaker 1: Right right right, and we're just like, yeah, we can 197 00:13:02,720 --> 00:13:09,640 Speaker 1: offer absolutely So Rachel Rachel has previously written my Headband 198 00:13:10,760 --> 00:13:16,600 Speaker 1: and has come up with Only Child, which Finn says 199 00:13:16,720 --> 00:13:20,920 Speaker 1: is better than My Headband but still not quite there. 200 00:13:23,400 --> 00:13:30,600 Speaker 1: And and My Chemical Romance has sent a season desist 201 00:13:31,000 --> 00:13:35,559 Speaker 1: because Sue alerted the band of their battle with Peta 202 00:13:36,920 --> 00:13:37,760 Speaker 1: and the. 203 00:13:37,760 --> 00:13:42,599 Speaker 2: Drummer in ninety six. Luckily that's not true because the 204 00:13:42,640 --> 00:13:43,840 Speaker 2: drummer would have been sixteen. 205 00:13:44,559 --> 00:13:47,000 Speaker 1: Well, if it was, that would have been really bad. 206 00:13:47,920 --> 00:13:53,400 Speaker 2: Then she corrected it with, ohay, what was the other band? 207 00:13:54,040 --> 00:13:55,320 Speaker 2: Was it Jimmy Eat World or something? 208 00:13:55,400 --> 00:14:00,400 Speaker 1: Yes, Jimmy Heat World even better. So Quinn is friending 209 00:14:00,520 --> 00:14:04,680 Speaker 1: Rachel and keeping her enemies close because she needs Finn, 210 00:14:04,720 --> 00:14:08,520 Speaker 1: wants to get back with Finn to run for Tom 211 00:14:08,840 --> 00:14:14,000 Speaker 1: King and Queen and said, and so backs Rachel on 212 00:14:14,320 --> 00:14:18,920 Speaker 1: the vote that we should do original songs at regionals, 213 00:14:19,440 --> 00:14:26,560 Speaker 1: and everybody's kind of suspicious and surprised, and Santana also 214 00:14:26,720 --> 00:14:29,560 Speaker 1: believes that everybody should get it a fair chance at 215 00:14:29,600 --> 00:14:33,640 Speaker 1: writing an original song. So we're doing original songs and 216 00:14:33,720 --> 00:14:39,080 Speaker 1: everybody this week is going to be presenting their potential 217 00:14:39,800 --> 00:14:48,800 Speaker 1: choice songs, and Santana is clearly still very hurt over 218 00:14:48,880 --> 00:14:53,600 Speaker 1: Brittany staying with Artie, but she kind of renegs on 219 00:14:53,640 --> 00:14:55,520 Speaker 1: what she said, saying she was in love with her, 220 00:14:55,800 --> 00:14:59,760 Speaker 1: and Santanna is very hurt and angry that Brittany blew 221 00:14:59,760 --> 00:15:04,920 Speaker 1: her up or stumbles and the crubble pants yikes, yikes. 222 00:15:07,920 --> 00:15:14,120 Speaker 1: And then Sue approaches them and it turns out that 223 00:15:14,200 --> 00:15:16,200 Speaker 1: she put her in their lockers and there's dirt all 224 00:15:16,240 --> 00:15:19,200 Speaker 1: over Santa Brittany and I would not have wanted to 225 00:15:19,240 --> 00:15:22,040 Speaker 1: be in that scene. Absolutely not covered in dirt, thank 226 00:15:22,040 --> 00:15:22,640 Speaker 1: you so much. 227 00:15:22,760 --> 00:15:27,000 Speaker 2: But Brittany going, I don't even remember putting that in there? Do? 228 00:15:27,120 --> 00:15:28,320 Speaker 2: I feel like that's an ad lib? 229 00:15:28,760 --> 00:15:31,880 Speaker 1: Totally totally so good. 230 00:15:32,720 --> 00:15:34,880 Speaker 4: All right, So we get into some original songs here 231 00:15:36,160 --> 00:15:38,760 Speaker 4: we do, and I feel like this day all these 232 00:15:38,760 --> 00:15:40,440 Speaker 4: were done back to back to back, and it was 233 00:15:40,480 --> 00:15:43,160 Speaker 4: just sort of free form rock out get so much 234 00:15:43,360 --> 00:15:46,160 Speaker 4: former song and Jenna on the keys. 235 00:15:46,840 --> 00:15:50,920 Speaker 1: Okay, well that was embarrassing, and also I felt pressure 236 00:15:51,320 --> 00:15:53,760 Speaker 1: because I didn't want to look stupid, but I also 237 00:15:53,840 --> 00:15:56,680 Speaker 1: didn't like they didn't make me, like learn how to 238 00:15:56,680 --> 00:15:59,480 Speaker 1: play piano. I don't play piano, by the way, but 239 00:15:59,520 --> 00:16:05,320 Speaker 1: it was fun to said of the piano, something to do. 240 00:16:06,360 --> 00:16:09,480 Speaker 2: For Tina, that's right, get her in that shot. 241 00:16:11,040 --> 00:16:13,920 Speaker 1: And and Sam obviously is upset about all the jokes 242 00:16:13,920 --> 00:16:16,760 Speaker 1: about his mouth, but in real life we always made 243 00:16:16,800 --> 00:16:20,560 Speaker 1: jokes about courts big lips, his big lusher's lips, which 244 00:16:20,840 --> 00:16:24,920 Speaker 1: it was all in good fun and love. Out of love, 245 00:16:25,080 --> 00:16:27,520 Speaker 1: like I don't think are beautiful. Yeah, no, I don't 246 00:16:27,560 --> 00:16:32,640 Speaker 1: think he care. Okay, so we obviously are not performing 247 00:16:32,680 --> 00:16:35,800 Speaker 1: out of regionals. And then up in Axis Pac who didn't. 248 00:16:36,240 --> 00:16:39,200 Speaker 1: Also this wasn't really intended to be performed at regionals, 249 00:16:39,240 --> 00:16:41,200 Speaker 1: but he wrote a song for Lauren called the Guest Heart, 250 00:16:41,200 --> 00:16:45,200 Speaker 1: which is kind of cringy and well definitely my tarty 251 00:16:45,280 --> 00:16:49,840 Speaker 1: takes yeah. 252 00:16:47,920 --> 00:16:56,000 Speaker 2: And then Mercedes does an actual banger banger like hell 253 00:16:56,080 --> 00:16:58,280 Speaker 2: to the Note. I mean, obviously some of those Ian 254 00:16:58,400 --> 00:17:05,360 Speaker 2: lyrics are insane, but they really worked that out that performance, 255 00:17:05,440 --> 00:17:09,479 Speaker 2: the ad libs, the it all just works. 256 00:17:10,640 --> 00:17:11,679 Speaker 1: It really does. 257 00:17:12,760 --> 00:17:13,840 Speaker 2: It really does good. 258 00:17:14,680 --> 00:17:16,480 Speaker 1: Mama said, get your ass out of bad. I said, 259 00:17:19,720 --> 00:17:22,320 Speaker 1: they tried to take away my thoughts. I said, hell 260 00:17:22,520 --> 00:17:27,080 Speaker 1: to the now. Oh man, it's I'm not trying to devout, 261 00:17:27,119 --> 00:17:29,840 Speaker 1: but this show's got to stop out, so got to stop. 262 00:17:29,840 --> 00:17:30,399 Speaker 1: So shout. 263 00:17:32,640 --> 00:17:36,160 Speaker 2: Okay, it's really funny, it's really great. And then afterwards 264 00:17:36,400 --> 00:17:38,240 Speaker 2: Will says, what's your favorite song of all time? And 265 00:17:38,280 --> 00:17:41,600 Speaker 2: Brittany goes, my head band? What are all these songs 266 00:17:41,640 --> 00:17:44,520 Speaker 2: about headbands? 267 00:17:45,760 --> 00:17:49,720 Speaker 1: It's really funny? Okay, So Will is like, Okay, these 268 00:17:49,720 --> 00:17:52,520 Speaker 1: songs are really funny and whatever, but they don't tap 269 00:17:52,560 --> 00:17:57,000 Speaker 1: into pain and all really good hit songs are about 270 00:17:57,040 --> 00:18:07,760 Speaker 1: pain or dealing with your pain, except am sorry, Oh God. 271 00:18:08,000 --> 00:18:13,080 Speaker 1: And then we all kind of like randomly quote unquote 272 00:18:13,119 --> 00:18:16,040 Speaker 1: start bringing tromming about what Sue's done to us, filling 273 00:18:16,240 --> 00:18:19,639 Speaker 1: dirt in the lockers. My one line about Tina, you know, 274 00:18:19,720 --> 00:18:23,040 Speaker 1: Sue calling the government saying Tina wanted to change her 275 00:18:23,119 --> 00:18:28,120 Speaker 1: name to Tina Cohen loser, and mister She's like, well, 276 00:18:28,160 --> 00:18:29,800 Speaker 1: here's our song there it is. 277 00:18:32,280 --> 00:18:33,960 Speaker 2: Real quick he does. 278 00:18:36,080 --> 00:18:39,119 Speaker 1: Oh. And then and then we get into the scene 279 00:18:39,160 --> 00:18:40,840 Speaker 1: with Rachel and Quinn where they're going to write the 280 00:18:40,880 --> 00:18:44,240 Speaker 1: song together right because Quinn has offered that her services, 281 00:18:44,800 --> 00:18:49,240 Speaker 1: and they get into this very very good scene always 282 00:18:49,280 --> 00:18:52,800 Speaker 1: love a Quinn Rachel scene about Finn and how she 283 00:18:53,040 --> 00:18:55,080 Speaker 1: should just give up on him and she's gonna end 284 00:18:55,160 --> 00:18:59,120 Speaker 1: up heartbroken and she doesn't belong here and when will 285 00:18:59,200 --> 00:19:01,960 Speaker 1: you just get it right? And Rachel is found her 286 00:19:02,040 --> 00:19:06,240 Speaker 1: inspiration for her song, so she writes, get it right. 287 00:19:06,560 --> 00:19:09,040 Speaker 2: Nothing that heartbreak and betrayal to inspire you. 288 00:19:10,080 --> 00:19:14,720 Speaker 1: I ain't nothing like it. And then we're regionals. 289 00:19:14,800 --> 00:19:18,040 Speaker 2: Here we are We're at regionals, and the judges are 290 00:19:18,119 --> 00:19:20,320 Speaker 2: Tammy Gene Albertson played by Kathy Griffin. 291 00:19:22,840 --> 00:19:27,200 Speaker 1: Sorry, Chris was a huge and I think they became 292 00:19:27,240 --> 00:19:32,520 Speaker 1: friends after this, Yes, of course absolutely, who else is Judges? 293 00:19:32,520 --> 00:19:33,439 Speaker 1: Sorry I interrupted you. 294 00:19:34,400 --> 00:19:39,800 Speaker 2: Sister Mary Constance through at a Divine a dream girl herself, 295 00:19:41,600 --> 00:19:45,960 Speaker 2: and then Oral Intensity performs Jesus as My Friend and 296 00:19:46,040 --> 00:19:49,359 Speaker 2: new Directions is very confused, but everybody loves it. Shout 297 00:19:49,359 --> 00:19:52,520 Speaker 2: out to all of our friends in that number, Casey 298 00:19:52,600 --> 00:19:54,600 Speaker 2: Joe in that one. 299 00:19:55,760 --> 00:20:02,200 Speaker 1: And then the Warblers performed Candles. It's an interesting choice 300 00:20:02,200 --> 00:20:06,680 Speaker 1: for a song for a regional song. Yeah, and Raise 301 00:20:06,680 --> 00:20:10,720 Speaker 1: your Glass which becomes a very big hit as well. 302 00:20:12,080 --> 00:20:12,280 Speaker 2: Yeah. 303 00:20:13,080 --> 00:20:16,399 Speaker 1: M I have like very distinct memories like having a 304 00:20:16,400 --> 00:20:18,800 Speaker 1: break while the Warblers were on stage in our second 305 00:20:18,800 --> 00:20:23,480 Speaker 1: tour and listening to Raise your Glass and I had 306 00:20:23,480 --> 00:20:25,360 Speaker 1: to take a break from the song after for a while. 307 00:20:25,400 --> 00:20:26,199 Speaker 1: I have to be honest. 308 00:20:26,400 --> 00:20:28,000 Speaker 2: Oh I've taken a permanent break from it. 309 00:20:28,119 --> 00:20:31,600 Speaker 1: Yeah, yeah, I kind of be honest. The Pink hits 310 00:20:31,640 --> 00:20:34,680 Speaker 1: that everybody loves, I'm not a fan of as much her. 311 00:20:34,680 --> 00:20:38,639 Speaker 1: It's her other songs on her albums that I'm obsessed with. 312 00:20:38,720 --> 00:20:42,600 Speaker 1: And also she's the best performer live performer, and she's 313 00:20:42,680 --> 00:20:48,040 Speaker 1: my favorite tour I've ever been to. Everybody says, just 314 00:20:48,320 --> 00:20:54,159 Speaker 1: I'm just saying, it's really it's something else, Okay, I 315 00:20:54,400 --> 00:20:58,600 Speaker 1: digress new directions, perform, get it right, and lose her 316 00:20:58,640 --> 00:21:00,439 Speaker 1: like me. I'd also like to point out that we 317 00:21:00,480 --> 00:21:04,560 Speaker 1: are not in heels. We're not in kypezio heels anymore. 318 00:21:04,800 --> 00:21:08,760 Speaker 1: In dresses. We are in Doc Martins because we requested 319 00:21:08,800 --> 00:21:11,080 Speaker 1: them because we did not want to dance in heels 320 00:21:11,400 --> 00:21:12,800 Speaker 1: at our regionals anymore. 321 00:21:12,880 --> 00:21:16,440 Speaker 2: Oh smart, good for you, and they remember that. 322 00:21:17,680 --> 00:21:21,119 Speaker 1: I mean, the amount of complaining that we did in 323 00:21:21,160 --> 00:21:24,800 Speaker 1: those heels. The wardrobe was probably like Tulou, like, hey, 324 00:21:24,840 --> 00:21:26,560 Speaker 1: don't put them in heels anymore. We don't want to 325 00:21:26,600 --> 00:21:26,879 Speaker 1: hear it. 326 00:21:26,920 --> 00:21:31,320 Speaker 2: They're long, long days. It's insane to have that many 327 00:21:31,320 --> 00:21:32,040 Speaker 2: people in heels. 328 00:21:32,240 --> 00:21:34,760 Speaker 1: It's where I got my back injury from. Was like 329 00:21:34,880 --> 00:21:38,320 Speaker 1: all the pounding of running in heels on those bleachers 330 00:21:38,320 --> 00:21:40,600 Speaker 1: all the time. Anyway, we will return to the heels. 331 00:21:40,600 --> 00:21:42,840 Speaker 1: But I'm so glad that we had these Doc Martins. 332 00:21:44,720 --> 00:21:48,480 Speaker 1: It's weird. It was a weird choice, but whatever, because 333 00:21:48,480 --> 00:21:51,000 Speaker 1: there was like sequence on our dresses, but then we 334 00:21:51,119 --> 00:21:53,240 Speaker 1: had Doc Martins. I don't know, it felt like something 335 00:21:53,280 --> 00:21:54,960 Speaker 1: Gina would wear anyway, So yeah. 336 00:21:55,040 --> 00:21:56,120 Speaker 2: It definitely worked for you. 337 00:21:56,440 --> 00:22:08,840 Speaker 5: Yeah, so everybody loves Loser like me, even kurts up 338 00:22:08,880 --> 00:22:09,960 Speaker 5: on his feet. 339 00:22:11,000 --> 00:22:13,000 Speaker 1: And then we slushy in the audience. 340 00:22:12,960 --> 00:22:16,400 Speaker 2: A little meta slushy confetti. Did that on tour as well. 341 00:22:17,080 --> 00:22:22,320 Speaker 1: Yeah, we did with paper confetti. I remember always like 342 00:22:22,359 --> 00:22:25,040 Speaker 1: carrying those cups out on tour and like it's spilling. 343 00:22:27,400 --> 00:22:31,760 Speaker 2: I don't remember. Did somebody maybe somebody carried mine? 344 00:22:32,440 --> 00:22:33,639 Speaker 1: I thought you put it in your lap? 345 00:22:34,280 --> 00:22:35,320 Speaker 2: Did I know? 346 00:22:35,359 --> 00:22:37,000 Speaker 1: We'll have to go back and get some videos. 347 00:22:37,400 --> 00:22:42,920 Speaker 2: Yeah, the brain is not great. I do love the 348 00:22:43,640 --> 00:22:51,480 Speaker 2: judges scenes always, Kathy and Loretta going at it was 349 00:22:51,760 --> 00:22:56,959 Speaker 2: pretty great. And Kathy being this sort of tea party 350 00:22:57,080 --> 00:23:04,480 Speaker 2: Sarah palin ish m character was pretty great. Oh my god, 351 00:23:04,560 --> 00:23:06,040 Speaker 2: Rod about his gay hairdresser. 352 00:23:06,600 --> 00:23:11,359 Speaker 1: I it's really really good it I think it. It 353 00:23:11,480 --> 00:23:16,560 Speaker 1: hits a tarty take for me. So spoiler new directions win. 354 00:23:16,720 --> 00:23:20,560 Speaker 1: Finally we are going to Nationals. 355 00:23:21,040 --> 00:23:23,080 Speaker 2: Does does it feel a little anti climactic to you? 356 00:23:23,560 --> 00:23:24,000 Speaker 3: Yeah? 357 00:23:24,160 --> 00:23:27,560 Speaker 1: But again I think they all do, and I think 358 00:23:27,600 --> 00:23:30,359 Speaker 1: it's just because they were so climactic to us on 359 00:23:30,560 --> 00:23:33,800 Speaker 1: set that they don't read the same. 360 00:23:34,200 --> 00:23:35,359 Speaker 2: They're edited very quickly. 361 00:23:35,600 --> 00:23:39,800 Speaker 1: Yeah, yeah, I mean you'd be standing there shooting that 362 00:23:39,880 --> 00:23:43,840 Speaker 1: scene for god, how how long? Yeah? 363 00:23:44,040 --> 00:23:49,720 Speaker 2: Do you remember Sue coming out and punching that woman? Yes, again, I. 364 00:23:49,720 --> 00:23:52,880 Speaker 1: Mean one time. I think the first time we shot it, 365 00:23:53,720 --> 00:23:54,440 Speaker 1: I thought it was real. 366 00:23:56,720 --> 00:23:58,640 Speaker 2: I mean it looked great on camera too. 367 00:23:58,840 --> 00:23:59,359 Speaker 1: Mm hmmm. 368 00:23:59,800 --> 00:24:02,600 Speaker 2: So the other thing again going on, not to leave 369 00:24:02,680 --> 00:24:09,679 Speaker 2: these things for the last thing always, but after you know, 370 00:24:09,760 --> 00:24:13,000 Speaker 2: new directions, wins and all that, and Rachel gets MVP 371 00:24:13,320 --> 00:24:16,520 Speaker 2: and it's an emotional scene and it's sweet. There's the 372 00:24:16,560 --> 00:24:22,719 Speaker 2: whole Curt and Blaine relationship going on where Paveratti dies 373 00:24:23,600 --> 00:24:27,040 Speaker 2: and Kurt's care and he shows up dressed in black 374 00:24:27,560 --> 00:24:33,080 Speaker 2: and decides to perform Blackbird, and the Warblers just happen 375 00:24:33,160 --> 00:24:36,159 Speaker 2: to jump in with some backgrounds and it's a beautiful number. 376 00:24:37,119 --> 00:24:39,439 Speaker 2: And then Kurt sort of has just had it with 377 00:24:41,240 --> 00:24:44,639 Speaker 2: the with Blaine and the Pips where he feels like 378 00:24:45,320 --> 00:24:47,440 Speaker 2: anything Blaine wants to do goes. No one else gets 379 00:24:47,440 --> 00:24:51,600 Speaker 2: to sing, and Blaine sort of hears him, and so 380 00:24:51,640 --> 00:24:55,400 Speaker 2: when they go to come up with the vote on 381 00:24:55,440 --> 00:24:57,879 Speaker 2: the regional set list, Blaine stands up and says, I 382 00:24:57,920 --> 00:25:02,000 Speaker 2: think we should do a duet and everyone's like, what, no, 383 00:25:02,400 --> 00:25:04,840 Speaker 2: and then he says it, and then he'said, no, I 384 00:25:04,840 --> 00:25:06,359 Speaker 2: think it would be good, and they all agree, and 385 00:25:06,359 --> 00:25:10,040 Speaker 2: then he appoints Kurt as his duet partner, and then 386 00:25:10,040 --> 00:25:14,880 Speaker 2: the d a duet and it's really cute and then 387 00:25:17,080 --> 00:25:21,280 Speaker 2: they have one of the best first kisses and TV history. 388 00:25:22,200 --> 00:25:25,359 Speaker 2: Articles were written about how there was no true controversy 389 00:25:25,400 --> 00:25:29,440 Speaker 2: over the first kiss only celebration and how far TV 390 00:25:29,480 --> 00:25:34,320 Speaker 2: and pop culture had come right in the Atlantic, they 391 00:25:34,320 --> 00:25:41,359 Speaker 2: wrote about it. So after the competition, Blaine says, Kurt, 392 00:25:41,400 --> 00:25:43,160 Speaker 2: there is a moment when you say to yourself, oh, 393 00:25:43,160 --> 00:25:44,959 Speaker 2: there you are. I've been looking for you for forever, 394 00:25:46,000 --> 00:25:48,439 Speaker 2: watching you blackbird this week. That was the moment for 395 00:25:48,560 --> 00:25:51,560 Speaker 2: me about you. You move me, Kurt. And then he 396 00:25:51,640 --> 00:25:53,800 Speaker 2: says how getting to do a duet with him was 397 00:25:53,880 --> 00:25:56,560 Speaker 2: just an excuse to spend more time with him. Oh, 398 00:25:57,119 --> 00:26:05,280 Speaker 2: and then they kiss. Oh oh, and it's beautiful. Is 399 00:26:05,600 --> 00:26:10,400 Speaker 2: finally kiss on network TV. 400 00:26:11,040 --> 00:26:14,720 Speaker 1: It's pretty crazy. I don't think at the time I 401 00:26:14,840 --> 00:26:21,320 Speaker 1: realized how impactful that was going to be until it happened. 402 00:26:22,800 --> 00:26:26,240 Speaker 1: Like I'm sure for Chris and Darren is they could. 403 00:26:26,840 --> 00:26:28,600 Speaker 1: They had time to think about it and could tell, 404 00:26:28,720 --> 00:26:33,159 Speaker 1: and I'm for Ryan talked to them, but like just 405 00:26:33,200 --> 00:26:36,439 Speaker 1: like you're like, oh yeah, cool. Another two characters get together, 406 00:26:37,000 --> 00:26:41,040 Speaker 1: right and kiss. But I think the only other kiss 407 00:26:41,840 --> 00:26:45,359 Speaker 1: gay kiss on TV at the time was Dawson's Creek 408 00:26:46,920 --> 00:26:53,800 Speaker 1: with Jack and I think this was I don't think 409 00:26:53,800 --> 00:26:56,960 Speaker 1: it was until after it air that I realized how 410 00:26:57,040 --> 00:26:57,919 Speaker 1: massiveness was. 411 00:26:58,880 --> 00:27:01,399 Speaker 2: Yeah, I did clock that it was going to be 412 00:27:01,600 --> 00:27:06,240 Speaker 2: as a consumer of like all things gay secretly back then, right, 413 00:27:07,720 --> 00:27:11,920 Speaker 2: I knew like on paper that it would be a 414 00:27:11,960 --> 00:27:14,760 Speaker 2: big deal, but it's hard to be able when you're 415 00:27:14,800 --> 00:27:18,960 Speaker 2: inside of it. For us, because it wasn't our characters 416 00:27:19,000 --> 00:27:21,120 Speaker 2: doing it, it was sort of hard to, I think, 417 00:27:21,200 --> 00:27:26,439 Speaker 2: feel it. I'm sure Darren and Chris felt it on 418 00:27:26,480 --> 00:27:29,000 Speaker 2: social media and when they went in public and things, 419 00:27:29,200 --> 00:27:31,720 Speaker 2: but it was sort of hard to gauge, like we 420 00:27:31,800 --> 00:27:34,200 Speaker 2: need to be a big deal yet, but you can't 421 00:27:34,200 --> 00:27:38,399 Speaker 2: necessarily feel it because you're It's easier to realize that 422 00:27:38,480 --> 00:27:42,960 Speaker 2: now watching it this many years removed like a lot 423 00:27:43,000 --> 00:27:46,679 Speaker 2: of things that we talked about, right, But even watching 424 00:27:46,680 --> 00:27:49,720 Speaker 2: it then you're like, oh, yeah, these are our friends, right, 425 00:27:49,800 --> 00:27:51,920 Speaker 2: so there's just two other characters. We're all doing crazy stuff. 426 00:27:51,920 --> 00:27:55,399 Speaker 2: Every week, but it was important, and I think it 427 00:27:55,400 --> 00:27:58,680 Speaker 2: was important that it was earned, you know, just like 428 00:27:58,920 --> 00:28:02,159 Speaker 2: Santana and Britney store line that is still going right. 429 00:28:02,040 --> 00:28:07,800 Speaker 1: Now and falling in love immediately and expecting like you know, yeah, well, 430 00:28:08,359 --> 00:28:11,679 Speaker 1: I'm glad that happened. I'm grateful for it. 431 00:28:11,840 --> 00:28:12,119 Speaker 3: Yeah. 432 00:28:12,160 --> 00:28:13,840 Speaker 2: And I also have to say Brad Beaker did a 433 00:28:13,880 --> 00:28:16,320 Speaker 2: great job directing this. There's there were a couple times 434 00:28:16,320 --> 00:28:19,080 Speaker 2: in this episode was like, oh, it's a beautiful shot. Yeah, 435 00:28:20,119 --> 00:28:24,840 Speaker 2: some really beautiful moments. One of them when Leah is 436 00:28:24,840 --> 00:28:27,679 Speaker 2: standing at the mirror getting ready and Corey comes up 437 00:28:27,720 --> 00:28:32,000 Speaker 2: behind her before the competition and she's like, last time 438 00:28:32,000 --> 00:28:33,880 Speaker 2: we were here, you told me you loved me. It's 439 00:28:34,080 --> 00:28:36,600 Speaker 2: beautifully lit and beautifully shot. I loved it. 440 00:28:38,360 --> 00:28:38,920 Speaker 1: That one too. 441 00:28:39,440 --> 00:28:42,400 Speaker 6: Yeah, it's good to some TARTI takes Jenna, Oh my gosh, 442 00:28:42,440 --> 00:28:46,520 Speaker 6: let's do it, okay, Alchiez cringe moments. 443 00:28:46,680 --> 00:28:50,320 Speaker 2: I mean, stumblest crippled pants isn't a great moment. 444 00:28:51,040 --> 00:28:54,760 Speaker 1: Yeah, And the judges were not. While some of it 445 00:28:54,840 --> 00:28:58,760 Speaker 1: was very funny, some of it was not super. 446 00:29:00,760 --> 00:29:02,840 Speaker 2: That's always the dudges are always a safe place to 447 00:29:02,840 --> 00:29:03,200 Speaker 2: go for her. 448 00:29:03,240 --> 00:29:07,640 Speaker 1: The Yeah, Auchi's yeah. I think it was intentionally Auchi 449 00:29:08,160 --> 00:29:13,240 Speaker 1: to begin with oh yeah, best dance move, oh Man, 450 00:29:14,360 --> 00:29:18,960 Speaker 1: held to the no Yeah, help to the no, best song. 451 00:29:20,280 --> 00:29:21,760 Speaker 2: Ooh, croudy mouth. 452 00:29:23,240 --> 00:29:24,240 Speaker 1: I'll go with help to. 453 00:29:24,200 --> 00:29:32,000 Speaker 3: The know, best performance by a prop Parati Pavaratti's casket. 454 00:29:32,680 --> 00:29:34,600 Speaker 3: All they go together. 455 00:29:35,280 --> 00:29:37,840 Speaker 2: This sushies are good too, Okay, you know. 456 00:29:39,360 --> 00:29:44,200 Speaker 1: The best line. I'm going with Rod Remington. My hairdresser 457 00:29:44,360 --> 00:29:49,040 Speaker 1: is is gay? Okay he says, yes, my hairdresser is 458 00:29:49,040 --> 00:29:51,440 Speaker 1: a gay is the good and for fifteen years he's 459 00:29:51,440 --> 00:29:53,880 Speaker 1: been with his partner, also a hairdresser. I see no 460 00:29:54,040 --> 00:29:56,440 Speaker 1: reason why they shouldn't be allowed to marry and raise 461 00:29:56,480 --> 00:29:56,959 Speaker 1: a family. 462 00:29:57,160 --> 00:30:00,960 Speaker 2: Beautiful, It's beautiful. 463 00:30:01,520 --> 00:30:02,280 Speaker 1: It's really great. 464 00:30:03,400 --> 00:30:09,560 Speaker 2: It's really beautiful. I also like Quinn's line of prom 465 00:30:09,680 --> 00:30:12,360 Speaker 2: queens live on average five years longer than regular people. 466 00:30:14,240 --> 00:30:21,120 Speaker 2: It's pretty great to performance MVP Jenna oh Man, this 467 00:30:21,200 --> 00:30:22,040 Speaker 2: is a tough one. 468 00:30:22,280 --> 00:30:27,600 Speaker 1: This is a tough one. I'm going with Kurt. I'm 469 00:30:27,600 --> 00:30:28,320 Speaker 1: going with Kurt. 470 00:30:28,800 --> 00:30:38,600 Speaker 2: Yeah, yeah, I think so. I think Kurt or Rachel. 471 00:30:40,840 --> 00:30:45,560 Speaker 6: But she's got that speech at the end. 472 00:30:45,840 --> 00:30:49,720 Speaker 1: Quinn, Yeah, yeah, yeah, I like that one. 473 00:30:49,920 --> 00:30:54,720 Speaker 2: Okay. Shit we found on TikTok tell me. Look, I 474 00:30:54,760 --> 00:30:58,360 Speaker 2: know last episode we did something about Taylor Swift, but 475 00:30:58,480 --> 00:31:01,720 Speaker 2: this episode we're also doing something about Taylor Swift. And 476 00:31:02,400 --> 00:31:10,320 Speaker 2: this is by our girl, Alexa. Oh yay unofficial dot 477 00:31:11,120 --> 00:31:12,960 Speaker 2: oh god, I don't know how to pronounce your last name. 478 00:31:13,120 --> 00:31:18,560 Speaker 2: Pascucci Piscucci. There you go, heka Piscucci Italian. 479 00:31:19,440 --> 00:31:19,600 Speaker 1: Right. 480 00:31:21,440 --> 00:31:26,680 Speaker 2: She posted a TikTok and said I would just like 481 00:31:26,680 --> 00:31:30,000 Speaker 2: to thank Taylor Swift for not releasing When Emma Falls 482 00:31:30,000 --> 00:31:31,640 Speaker 2: in Love until now, so that I didn't have to 483 00:31:31,680 --> 00:31:33,960 Speaker 2: hear mister Shoes sing it about miss Pillsbury falling in 484 00:31:34,000 --> 00:31:37,479 Speaker 2: love with John Stamos ugly and she's sitting in her 485 00:31:37,480 --> 00:31:39,240 Speaker 2: car listening to it. 486 00:31:39,480 --> 00:31:41,360 Speaker 1: That's really funny. 487 00:31:41,600 --> 00:31:42,640 Speaker 2: Yeah, it's very good. 488 00:31:45,040 --> 00:31:47,920 Speaker 1: You know that song is supposedly about Emma Stone. 489 00:31:49,520 --> 00:31:50,440 Speaker 2: That's what I heard too. 490 00:31:51,960 --> 00:31:54,320 Speaker 1: I love that my daughter's name is in a song. 491 00:31:55,080 --> 00:31:59,800 Speaker 2: That's right. How cute. Thanks Alexa for that. Yeah, thank you, 492 00:32:00,000 --> 00:32:00,920 Speaker 2: thank you, hill Air. 493 00:32:01,840 --> 00:32:07,520 Speaker 1: Very funny. That is the show. And next week Gwyneth 494 00:32:07,520 --> 00:32:12,200 Speaker 1: Paltrow is back. And also I do a stunning rendition 495 00:32:12,360 --> 00:32:14,720 Speaker 1: of I Follow Rivers, so make sure you tune in. 496 00:32:15,080 --> 00:32:17,800 Speaker 2: Absolutely right. I need more of that attitude from you. 497 00:32:17,920 --> 00:32:19,000 Speaker 2: We'll talk about yourself. 498 00:32:19,520 --> 00:32:22,640 Speaker 1: Wuff wuff wuff. No, okay, we're going to talk about it. 499 00:32:22,680 --> 00:32:23,680 Speaker 1: We're going to get into it. 500 00:32:23,760 --> 00:32:25,480 Speaker 2: I know, I know it's the sore spot for you. 501 00:32:26,080 --> 00:32:28,880 Speaker 1: Yeah, Okay, come back next week. 502 00:32:28,920 --> 00:32:32,840 Speaker 2: Thanks for listening, and That's what you really missed. Thanks 503 00:32:32,880 --> 00:32:36,000 Speaker 2: for listening, and follow us on Instagram at and That's 504 00:32:36,040 --> 00:32:38,160 Speaker 2: what you really miss pod. Make sure to write us 505 00:32:38,200 --> 00:32:40,800 Speaker 2: a review and leave us five stars. See you next time.