WEBVTT - S04 Episode 19: A View from a Hill (RERUN)

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<v Speaker 1>Hello, This is Richard mcclinsmith here. Unexplained. Season seven has

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<v Speaker 1>now finished, but we'll be back on Friday, September sixth

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<v Speaker 1>to begin season eight. In the meantime, I'm replaying some

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<v Speaker 1>of my favorite episodes from the archives. Most of the

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<v Speaker 1>time when writing for Unexplained, I like to find stories

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<v Speaker 1>with far more information than I can possibly pack into

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<v Speaker 1>one episode. But once in a while, a story is

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<v Speaker 1>just too good to ignore, even when the details are

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<v Speaker 1>a little thin on the ground. The tale of the

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<v Speaker 1>so called Cooneen Ghost House in Ireland just so happens

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<v Speaker 1>to be considered one of the most compelling haunted house

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<v Speaker 1>stories of all time. This is Unexplained, Season four, episode nineteen,

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<v Speaker 1>A View from a Hill. Any regular listeners of this

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<v Speaker 1>show will have gathered that Unexplained is rather fond of

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<v Speaker 1>a good old haunted house story. Such stories often have

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<v Speaker 1>the magical ability to conjure a sense of unique and

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<v Speaker 1>specific places, while at the same time leave us feeling

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<v Speaker 1>as though the hauntings are in fact occurring wherever we

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<v Speaker 1>happen to be, as if the story itself were the

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<v Speaker 1>portal through which distant, ghoulish specters can seep into our lives.

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<v Speaker 1>The story of the Coonian Ghost House of Ireland is

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<v Speaker 1>just one such tale, a strange and troubling thing, owing

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<v Speaker 1>mostly to the fact that, despite it often being regarded

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<v Speaker 1>as one of the most compelling supposed true life hauntings,

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<v Speaker 1>there is so little on record with which to support

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<v Speaker 1>this claim. Much like the apparent ghost or spirit at

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<v Speaker 1>the heart of it, the story is a slippery and

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<v Speaker 1>amorphous one, seemingly rooted in real time tangible things, but

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<v Speaker 1>existing mostly as fable told and retold over the years,

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<v Speaker 1>passed from one generation to the next, never quite keeping still,

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<v Speaker 1>the facts, never quite staying fixed. What we do know

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<v Speaker 1>is the Murphy family, the owners of the home at

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<v Speaker 1>the time and apparent focus of the phenomena, were very

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<v Speaker 1>much real, appearing in a census recorded in nineteen eleven.

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<v Speaker 1>The house too, very much existed and in fact still

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<v Speaker 1>stands in the County of fer Manor, located today just

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<v Speaker 1>to the north of the border in northern Ireland. That

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<v Speaker 1>we have anything of record about it at all is

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<v Speaker 1>due largely to the work of Sir Sean Leslie, a

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<v Speaker 1>writer with many broad and varied interests and avid chaser

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<v Speaker 1>of supposed true life ghost stories, born John Randolph in

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<v Speaker 1>eighteen eighty five, the sun of wealthy socialite Leone Jerome

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<v Speaker 1>and aristocrat John Leslie, the second Shawn Lesley grew up

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<v Speaker 1>within the palatial walls of the family stately home, Castle Leslie,

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<v Speaker 1>in County Monaghan, just twenty miles to the east of Coonyon.

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<v Speaker 1>The castle is said by many to itself be haunted,

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<v Speaker 1>though it isn't known whether Leslie, who changed his name

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<v Speaker 1>to the Irish shorn out of affection for his homeland,

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<v Speaker 1>ever experienced this himself. Though Leslie credits his time at

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<v Speaker 1>the English boarding school Eton College with fostering his fascination

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<v Speaker 1>in the possibility of ghosts and the paranormal, it wasn't

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<v Speaker 1>until his time at Cambridge University that his passion for

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<v Speaker 1>the ghost story was truly cemented. There he was introduced

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<v Speaker 1>to Provost Montague Road's James, otherwise known by his pen

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<v Speaker 1>name m R James, considered by many to be the

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<v Speaker 1>finest purveyor of ghost stories that ever lived. It is, ever,

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<v Speaker 1>from his own fictional writings that Leslie was greatly influenced

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<v Speaker 1>by the prolific m R James. However, it was potentially

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<v Speaker 1>real accounts of ghosts that Leslie was most interested in.

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<v Speaker 1>Having spent much of his life collecting and recording as

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<v Speaker 1>many accounts of true life hauntings he could find, Leslie

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<v Speaker 1>would eventually collate those he felt especially compelling in his

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<v Speaker 1>nineteen fifty six publication Sean Leslie's Ghost Book. It is

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<v Speaker 1>there that Leslie presents what he describes as the last

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<v Speaker 1>word on the famous series of phenomena known as the

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<v Speaker 1>Coonian Ghost, from which much of the following story is taken.

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<v Speaker 1>When Leslie asked m R James shortly before he died

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<v Speaker 1>what he really thought on the subject of ghosts, he

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<v Speaker 1>is said to have replied, depend upon it. Some of

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<v Speaker 1>these things are so, but we do not know the rules.

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<v Speaker 1>You're listening to unexplained, And I'm Richard MacLean Smith. The

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<v Speaker 1>small brick farmhouse stood silhouetted and still in the night,

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<v Speaker 1>a black monolith under moonlight, perched up high on the hill.

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<v Speaker 1>To observe this quiet scene from a distance is to

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<v Speaker 1>participate in the grand illusion of permanence, or the world

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<v Speaker 1>seeming for a moment like a grand tableaux fixed in time.

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<v Speaker 1>Should we gaze on this house a little while longer, however,

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<v Speaker 1>it would not be long before our illusion was punctured

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<v Speaker 1>by the distant core of a disgruntled crow, or the

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<v Speaker 1>haunting screech of a fox in the undergrowth, or by

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<v Speaker 1>the movement of a thin mist steadily creeping toward it

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<v Speaker 1>from out of the valley below. In fact, should we

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<v Speaker 1>stare long enough, we would see that even the stars

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<v Speaker 1>above that seemed so fixed in the sky in a

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<v Speaker 1>state of constant shift. Inside the house, a small fire

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<v Speaker 1>cracked and crackled in the hearth. As Bridget Murphy and

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<v Speaker 1>her oldest daughter Anne slept under the soft flickering light

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<v Speaker 1>of the flames. Next door, in the bedroom to their right,

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<v Speaker 1>eighteen year old Mary, fourteen year old Bridget, nine year

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<v Speaker 1>old Catherine, and the youngest, five year old Jane Anne

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<v Speaker 1>slept soundly together in their bed, while twenty three year

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<v Speaker 1>old James had the fortune of a bed to himself

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<v Speaker 1>at the other end of the house. It had been

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<v Speaker 1>only a matter of months since eight had become seven,

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<v Speaker 1>after Michael Murphy, the father and Bridget's husband, had been

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<v Speaker 1>violently upended from his cart and fallen head first onto

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<v Speaker 1>a rock, killing him instantly. That night, with the fire

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<v Speaker 1>having all but gone out, Bridget awoke suddenly in the dark,

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<v Speaker 1>alerted to what sound like something moving about in the

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<v Speaker 1>attic above. Although the room, which could only be accessed

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<v Speaker 1>from a stone stairwell outside, was being used as a

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<v Speaker 1>makeshift barn, she knew only too well that it was

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<v Speaker 1>currently unoccupied. Hearing the sound again, with Anne fast asleep

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<v Speaker 1>beside her, Bridget made a quick check of the bedrooms,

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<v Speaker 1>but found all her children accounted for, having just returned

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<v Speaker 1>to the central room. A tremendous thud rang out from

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<v Speaker 1>behind her, followed by the startled screams of her four

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<v Speaker 1>daughters as they bolted from their bed, with James joining

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<v Speaker 1>them moments later, Bridget urged him to investigate upstairs, as

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<v Speaker 1>the rest of the family huddled by the hearth. The

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<v Speaker 1>sound of footsteps could be heard above. As James inspected

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<v Speaker 1>the attic, finding nothing inside but bales of straw. No

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<v Speaker 1>sooner had he returned downstairs, a violent bang echoed through

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<v Speaker 1>the house, Then another and another, each one louder than

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<v Speaker 1>the next. Make it stop, cried Catherine, as Bridget gathered

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<v Speaker 1>her in her arms, and they all looked anxiously toward

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<v Speaker 1>each other. When finally the banging stopped. It would be

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<v Speaker 1>a few nights later, when young Jane Anne woke up screaming,

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<v Speaker 1>having felt the bed move across the room, and that

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<v Speaker 1>something had been pressing down on her from above. Over

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<v Speaker 1>the next few weeks, the terrifying sounds continued, always beginning

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<v Speaker 1>late at night in the children's bedroom or from the

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<v Speaker 1>makeshift barn above, but not once did they see any

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<v Speaker 1>sign of a culprit. Confused and scared, Bridget sought the

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<v Speaker 1>counsel of her friends and neighbours, inviting them round to

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<v Speaker 1>hear it for themselves. Together, they sat huddled in the

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<v Speaker 1>center room as the colossal bangs echoed through the walls

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<v Speaker 1>and rattled the windows, or that strange foot dragging sound

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<v Speaker 1>lurched from one side of the ceiling to the other,

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<v Speaker 1>And soon the rumours began to circulate. One neighbour had

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<v Speaker 1>heard that the Sherry family, the previous owners of the house,

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<v Speaker 1>had only stayed one night before hurriedly leaving for reasons unknown.

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<v Speaker 1>The property had remained unoccupied for six months before it

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<v Speaker 1>was sold. Others told of a man that had hung

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<v Speaker 1>himself in one of the bedrooms many years before. By

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<v Speaker 1>now convinced that something outther worldly was taking place, Bridget

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<v Speaker 1>turned to their local priest, Father Smith, for help. Smith

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<v Speaker 1>arrived at the house late one night, keen to make

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<v Speaker 1>an assessment for himself before deciding what could be done.

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<v Speaker 1>To find the family in a state of deep distress.

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<v Speaker 1>Asking for them all to gather in the central room,

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<v Speaker 1>Smith solemnly made his way around the house before being

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<v Speaker 1>led upstairs by James to inspect the barn. Returning back down,

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<v Speaker 1>Smith requested permission to stay the night. As the family slept,

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<v Speaker 1>He took a seat by the fire and waited. And

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<v Speaker 1>then it came. It was like the sound of straw

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<v Speaker 1>being rustled from the room above, followed by a tremendous thud.

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<v Speaker 1>As the others ran screaming from their beds. The sound

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<v Speaker 1>only intensified until it was as if a horse was

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<v Speaker 1>kicking at the walls. Without thinking, Smith gathered them together

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<v Speaker 1>and hastily recited Mass. As the family held hands and

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<v Speaker 1>clutched each other tightly. Smith's forthright voice rose over their

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<v Speaker 1>quiet whimperings, and slowly the sickening noise began to dissipate

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<v Speaker 1>until it stopped altogether. As Smith related his findings back

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<v Speaker 1>to the church, a different set of rumors were beginning

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<v Speaker 1>to circulate in the nearby towns. When the girls attended

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<v Speaker 1>their crochet lessons, others in the class would move away

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<v Speaker 1>from them, pointing and whispering from a distance that the

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<v Speaker 1>family had the black Art and had used it deliberately

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<v Speaker 1>to invite a demon into their home. Others rejected the

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<v Speaker 1>nonsense entirely, believing instead that the family were just making

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<v Speaker 1>the whole thing up. Having spoken to Father Smith, the

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<v Speaker 1>regional bishop instructed local reverend Eugene Coyne from nearby McGuire's

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<v Speaker 1>Bridge to get a second opinion. Since Smith's visit, the

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<v Speaker 1>disturbances had steadily intensified and were already in full swing

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<v Speaker 1>when Coin arrived late one autumn night, with an anxious

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<v Speaker 1>Bridget hurriedly showing him into the children's bedroom. Coin looked

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<v Speaker 1>on aghast at the terror on the faces of the

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<v Speaker 1>girls lying down on their bed as a series of

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<v Speaker 1>bangs rattled out around them. Turning to two men in

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<v Speaker 1>the room who had also come to help, Coin told

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<v Speaker 1>them to take hold of the children's arms and legs

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<v Speaker 1>to make sure they weren't the source of the disturbances

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<v Speaker 1>at the next break in the bangs, while being careful

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<v Speaker 1>not to hurt the children. The men did as they

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<v Speaker 1>were told and held them down. Satisfied they were sufficiently restrained,

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<v Speaker 1>Coin took a seat at the end of the bed,

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<v Speaker 1>but almost as soon as he'd sat down, the thumping

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<v Speaker 1>started again, continuing for ten minutes until the other two

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<v Speaker 1>men leapt suddenly from the bed, crying out in horror.

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<v Speaker 1>Something had pushed them off, they cried. Having felt nothing himself,

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<v Speaker 1>Coin resisted the urge to move, but just moments later,

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<v Speaker 1>with his eyes firmly on the children, there came the

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<v Speaker 1>most peculiar sensation at his back, as if something else

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<v Speaker 1>in the room had drawn right up to him, And

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<v Speaker 1>then the bangs started again. Just then a Collie, the

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<v Speaker 1>family farm dog, wandered into the room, giving Coin an idea.

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<v Speaker 1>Picking the dog up, he placed it under the bed.

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<v Speaker 1>Whatever is there, he said, I ask you, if you

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<v Speaker 1>have the power to do it, push the dog back out.

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<v Speaker 1>A deafening cacophony of bangs engulfed the room like nothing

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<v Speaker 1>they'd heard before, sending the dog leaping and yapping from

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<v Speaker 1>out of the bed in a fit of terror, before

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<v Speaker 1>scurrying out of the room altogether. As Father Coyne later

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<v Speaker 1>explained to Bridget, Though he regretted to be the bearer

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<v Speaker 1>of such disturbing news. There was no doubt in his

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<v Speaker 1>mind that they were sharing their home with something malicious

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<v Speaker 1>and most likely diabolical. In the following days, fathers Coin

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<v Speaker 1>and Smith continued to visit the house, often together, as

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<v Speaker 1>they attempted to bring comfort to the family, but also

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<v Speaker 1>with talk of performing a possible exorcism, it was vital

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<v Speaker 1>for them to get a better understanding of what they

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<v Speaker 1>were dealing with. On each occasion, after the children had

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<v Speaker 1>been put to bed, the knocking would start up, sometimes instantly,

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<v Speaker 1>but other times a good hour later. One night, with

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<v Speaker 1>the children fast asleep and the house completely silent save

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<v Speaker 1>for the sound at the fire in the heart, Coin

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<v Speaker 1>requested to hear more about the strange noises that seemed

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<v Speaker 1>to emanate from the attic room. As father Smith stayed

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<v Speaker 1>with bridget by the fire, James lit a candle and

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<v Speaker 1>led Coin into the second bedroom, the gentle light of

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<v Speaker 1>the candle pushing the shadows away as they went. The

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<v Speaker 1>room was sizeable, with blinds pulled down over both its windows,

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<v Speaker 1>and in the corner a bed covered with a white quilt. Together,

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<v Speaker 1>they stood for a moment and listened, their faces bathed

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<v Speaker 1>in the orange light of the candle as the rest

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<v Speaker 1>of the room was shrouded in darkness. There, said James, suddenly,

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<v Speaker 1>pointing to the ceiling. Do you hear it? Coin strained

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<v Speaker 1>to listen. It was barely perceptible at first, as if

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<v Speaker 1>a small animal were burrowing into straw, yet it was

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<v Speaker 1>clearly moving from one side of the room to the other.

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<v Speaker 1>Asking James to stay put, Coyn took another candle and

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<v Speaker 1>slowly made his way out of the house and up

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<v Speaker 1>the stone steps to the attic door. Pushing it open,

0:16:13.280 --> 0:16:19.600
<v Speaker 1>Coyn peered into the darkness, lit his candle and stepped inside.

0:16:19.800 --> 0:16:22.960
<v Speaker 1>As he stood in the silent room, pushing the shadows

0:16:22.960 --> 0:16:29.160
<v Speaker 1>back with the candlelight, he saw nothing but bundles of straw.

0:16:29.200 --> 0:16:32.880
<v Speaker 1>Moments later, Coyn returned to the bedroom, where once again

0:16:33.160 --> 0:16:36.280
<v Speaker 1>he could hear that peculiar sound coming from the room above.

0:16:37.720 --> 0:16:41.760
<v Speaker 1>Having asked James to repeat the test, this time, Coyn

0:16:41.800 --> 0:16:46.840
<v Speaker 1>stood below as James went upstairs to investigate, with the

0:16:46.880 --> 0:16:51.520
<v Speaker 1>priest carefully listening out. Despite clearly hearing James enter the room,

0:16:52.160 --> 0:17:02.280
<v Speaker 1>not once did the other noise desist. As soon as

0:17:02.360 --> 0:17:07.280
<v Speaker 1>James joined Coyn back downstairs, something even more peculiar occurred,

0:17:08.119 --> 0:17:10.480
<v Speaker 1>as both men would later go on to a test.

0:17:11.040 --> 0:17:14.040
<v Speaker 1>It felt as if something had rushed down from above,

0:17:14.520 --> 0:17:17.600
<v Speaker 1>shooting past them like a gust of wind, straight down

0:17:17.640 --> 0:17:22.439
<v Speaker 1>into the floor. Unnerved, Coyn ordered James to lift up

0:17:22.480 --> 0:17:25.760
<v Speaker 1>the blinds, and in an instant the room was bathed

0:17:25.840 --> 0:17:29.840
<v Speaker 1>in the hazy light of dawn. Then, turning to look

0:17:29.920 --> 0:17:34.159
<v Speaker 1>back into the room, James gasped in horror, Pointing a

0:17:34.200 --> 0:17:41.320
<v Speaker 1>finger toward the bed. Coyne slowly turned around. The quilt

0:17:42.119 --> 0:17:46.800
<v Speaker 1>was moving softly, billowing about as if being blown by

0:17:46.840 --> 0:17:52.160
<v Speaker 1>the wind. Coyn stepped forward and brushed his hand over it,

0:17:52.720 --> 0:17:55.080
<v Speaker 1>and felt for a moment as if a barrel of

0:17:55.160 --> 0:18:00.600
<v Speaker 1>eels were squirming about underneath it. Stepping back, he watched

0:18:00.640 --> 0:18:04.840
<v Speaker 1>with alarm as the amorphous sheet seemed gradually to fix

0:18:04.880 --> 0:18:08.720
<v Speaker 1>into shape, outlining what appeared to be some kind of

0:18:08.800 --> 0:18:13.760
<v Speaker 1>figure lying underneath at the point where a chest might be.

0:18:14.440 --> 0:18:18.240
<v Speaker 1>Coin watched with amusement as the quilt began to rise

0:18:18.240 --> 0:18:21.520
<v Speaker 1>and fall, as if that chest were heaving up and down,

0:18:22.240 --> 0:18:26.960
<v Speaker 1>struggling to breathe, And then suddenly the entire quilt began

0:18:27.119 --> 0:18:31.040
<v Speaker 1>undulating violently, as if whatever was under it were in

0:18:31.080 --> 0:18:36.040
<v Speaker 1>the final throes of death. Wasting no more time, Father

0:18:36.160 --> 0:18:40.840
<v Speaker 1>Coin broke immediately into mass, directing it toward that shape,

0:18:41.240 --> 0:18:44.200
<v Speaker 1>as a steady din of what sounded like a hideous

0:18:44.240 --> 0:18:48.080
<v Speaker 1>gurgling flooded the room, as if something were dying right

0:18:48.119 --> 0:18:51.520
<v Speaker 1>in front of them. All the while he kept on

0:18:52.240 --> 0:18:55.800
<v Speaker 1>spitting out the words with ever increasing intensity, as the

0:18:55.840 --> 0:18:59.439
<v Speaker 1>bed began to rock back and forth, lifting the legs

0:18:59.520 --> 0:19:03.639
<v Speaker 1>inches from the ground. And then, as quick as it

0:19:03.680 --> 0:19:08.040
<v Speaker 1>had begun, the quilt dropped down and the mayhem ceased.

0:19:15.040 --> 0:19:18.120
<v Speaker 1>As were traveled far and wide at the apparent hauntings

0:19:18.119 --> 0:19:21.359
<v Speaker 1>in the Murphy's home, more and more people requested to

0:19:21.359 --> 0:19:25.359
<v Speaker 1>come and observe it for themselves. One evening, a well

0:19:25.400 --> 0:19:27.960
<v Speaker 1>known horse dealer arrived at the house to see what

0:19:28.040 --> 0:19:31.879
<v Speaker 1>all the fuss was about. Sitting next to his driver

0:19:32.160 --> 0:19:34.960
<v Speaker 1>as they approached on his pony and trap, there was

0:19:35.000 --> 0:19:37.919
<v Speaker 1>no doubt some apprehension as they caught sight of that

0:19:38.119 --> 0:19:42.000
<v Speaker 1>small stone house perched high up on the hill before them,

0:19:42.280 --> 0:19:46.960
<v Speaker 1>its windows like eyes flickering ominously with the candlelight from within.

0:19:49.160 --> 0:19:51.879
<v Speaker 1>All was quiet as the driver brought them to a

0:19:51.920 --> 0:19:57.040
<v Speaker 1>stop outside. James, who'd been expecting them, greeted the horse

0:19:57.080 --> 0:20:01.320
<v Speaker 1>dealer before showing him inside, while the i was instructed

0:20:01.320 --> 0:20:06.680
<v Speaker 1>to wait alone under the moonlight. It was some time later,

0:20:07.119 --> 0:20:10.520
<v Speaker 1>as the driver blew into his hands to keep them warm,

0:20:10.760 --> 0:20:14.040
<v Speaker 1>that he noticed the silhouette of a figure walking toward

0:20:14.160 --> 0:20:18.240
<v Speaker 1>him from out of the distant dark. The driver watched

0:20:18.280 --> 0:20:21.760
<v Speaker 1>it as it drew closer and closer, until eventually it

0:20:21.920 --> 0:20:26.760
<v Speaker 1>passed him by and disappeared into the night. It was strange,

0:20:26.760 --> 0:20:29.640
<v Speaker 1>he thought, since there were some distance from the nearest

0:20:29.640 --> 0:20:34.840
<v Speaker 1>neighbor or village for that matter. Thinking nothing more of it,

0:20:35.400 --> 0:20:38.399
<v Speaker 1>the driver had just turned his attention back to keeping

0:20:38.480 --> 0:20:42.280
<v Speaker 1>warm when he caught sight of another figure approaching from

0:20:42.359 --> 0:20:45.520
<v Speaker 1>out of the same direction as the one before, only

0:20:45.560 --> 0:20:48.480
<v Speaker 1>for them to again pass straight by without a word

0:20:49.080 --> 0:20:54.639
<v Speaker 1>and then vanish. Grabbing a torchlight, the driver held it

0:20:54.720 --> 0:20:58.720
<v Speaker 1>out behind him and squinted into the dark, but saw nothing.

0:21:00.119 --> 0:21:02.959
<v Speaker 1>Turning back, he jumped at the sight of yet another

0:21:03.040 --> 0:21:06.960
<v Speaker 1>figure emerging from out of the distance, again from the

0:21:07.000 --> 0:21:11.520
<v Speaker 1>same place as the other two. Calling out, the driver

0:21:11.680 --> 0:21:15.040
<v Speaker 1>demanded to know their business, but got nothing in response,

0:21:15.840 --> 0:21:19.240
<v Speaker 1>as all the while the figure drew nearer and nearer

0:21:19.920 --> 0:21:23.520
<v Speaker 1>walked past the cart and vanished back into the night.

0:21:24.400 --> 0:21:27.600
<v Speaker 1>Just then, a heavy gust of wind swept across the hill,

0:21:28.000 --> 0:21:31.120
<v Speaker 1>blowing out the driver's light and throwing the pony into

0:21:31.119 --> 0:21:34.680
<v Speaker 1>a frenzy neighing and stamping and raising up on two

0:21:34.720 --> 0:21:39.199
<v Speaker 1>feet before the driver could bring it under control. It

0:21:39.320 --> 0:21:42.680
<v Speaker 1>was with some relief when his employer emerged moments later

0:21:42.800 --> 0:21:45.679
<v Speaker 1>from out of the house and demanded to be taken

0:21:45.800 --> 0:21:56.359
<v Speaker 1>back home, though both Father Smith and Coyne urged the

0:21:56.440 --> 0:22:00.000
<v Speaker 1>church to grant permission to conduct an exorcism in the air,

0:22:00.000 --> 0:22:02.880
<v Speaker 1>and it was decided not to take such drastic measures.

0:22:04.320 --> 0:22:08.240
<v Speaker 1>Perhaps one of the most unusual incidences occurred shortly before

0:22:08.240 --> 0:22:12.400
<v Speaker 1>Father Coin was due to transfer to another parish. On

0:22:12.400 --> 0:22:16.200
<v Speaker 1>one afternoon, while out visiting a sick neighbour of the Murphy's,

0:22:16.640 --> 0:22:19.800
<v Speaker 1>Coin was passing the Murphy household when he decided to

0:22:19.880 --> 0:22:23.879
<v Speaker 1>check in on the family. Little had changed since he

0:22:23.960 --> 0:22:26.520
<v Speaker 1>last saw them, but on this occasion he had a

0:22:26.560 --> 0:22:31.200
<v Speaker 1>holy pix with him containing the consecrated host wafers of bread,

0:22:31.440 --> 0:22:34.520
<v Speaker 1>which are considered in Catholicism to be the body of

0:22:34.600 --> 0:22:38.720
<v Speaker 1>Jesus Christ. As more of an experiment than anything else,

0:22:39.240 --> 0:22:43.360
<v Speaker 1>Coin entered the children's bedroom, and, holding the pix aloft,

0:22:43.760 --> 0:22:46.840
<v Speaker 1>made the sign of the Cross with it. This moment

0:22:47.080 --> 0:22:50.840
<v Speaker 1>was followed immediately with such loud bangs everyone else present

0:22:51.000 --> 0:22:53.600
<v Speaker 1>through themselves to the ground in fear of what might

0:22:53.640 --> 0:22:58.120
<v Speaker 1>happen next. Panicking, Coin was then said to have placed

0:22:58.160 --> 0:23:01.240
<v Speaker 1>the picks on the floor, at which point the sound

0:23:01.480 --> 0:23:04.600
<v Speaker 1>seemed to travel through the wall down toward the small

0:23:04.680 --> 0:23:08.560
<v Speaker 1>holy container, before dropping under the floor below it, moving

0:23:08.640 --> 0:23:11.600
<v Speaker 1>deeper and deeper into the ground until it could no

0:23:11.680 --> 0:23:16.439
<v Speaker 1>longer be heard. In the end. Unable to escape the

0:23:16.480 --> 0:23:20.840
<v Speaker 1>strange phenomena, Bridget Murphy eventually decided to pack up and

0:23:20.920 --> 0:23:24.720
<v Speaker 1>move the family to America. Though it isn't known what

0:23:24.840 --> 0:23:28.280
<v Speaker 1>happened to them after their arrival in America, or if

0:23:28.320 --> 0:23:31.639
<v Speaker 1>they continued to be plagued by similar hauntings. Some have

0:23:31.800 --> 0:23:35.120
<v Speaker 1>reported that passengers traveling on the same boat as them

0:23:35.359 --> 0:23:39.160
<v Speaker 1>heard peculiar noises coming from the family's cabin late at night.

0:23:40.560 --> 0:23:43.000
<v Speaker 1>As for the clergyman that had spent so much time

0:23:43.040 --> 0:23:47.520
<v Speaker 1>with the family, as Shawn Leslie noted, their involvement apparently

0:23:47.800 --> 0:23:50.080
<v Speaker 1>was said to have led to two of them suffering

0:23:50.160 --> 0:23:56.680
<v Speaker 1>spinal meningitis and facial paralysis, respectively, while a third suffered

0:23:56.720 --> 0:24:06.240
<v Speaker 1>a complete nervous breakdown. Unexplained is an AV Club Productions

0:24:06.280 --> 0:24:10.879
<v Speaker 1>podcast created by Richard McLain smith. All other elements of

0:24:10.880 --> 0:24:14.320
<v Speaker 1>the podcast, including the music, are also produced by me

0:24:14.600 --> 0:24:19.920
<v Speaker 1>Richard mcclinsmith. Unexplained. The book and audiobook, with stories never

0:24:20.000 --> 0:24:23.760
<v Speaker 1>before featured on the show, is now available to buy worldwide.

0:24:24.280 --> 0:24:28.159
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