1 00:00:00,120 --> 00:00:04,800 Speaker 1: Hello, This is Richard mcclinsmith here. Unexplained. Season seven has 2 00:00:04,880 --> 00:00:08,480 Speaker 1: now finished, but we'll be back on Friday, September sixth 3 00:00:08,560 --> 00:00:12,319 Speaker 1: to begin season eight. In the meantime, I'm replaying some 4 00:00:12,360 --> 00:00:15,920 Speaker 1: of my favorite episodes from the archives. Most of the 5 00:00:15,960 --> 00:00:19,480 Speaker 1: time when writing for Unexplained, I like to find stories 6 00:00:19,480 --> 00:00:22,880 Speaker 1: with far more information than I can possibly pack into 7 00:00:22,880 --> 00:00:26,840 Speaker 1: one episode. But once in a while, a story is 8 00:00:27,000 --> 00:00:30,480 Speaker 1: just too good to ignore, even when the details are 9 00:00:30,480 --> 00:00:33,920 Speaker 1: a little thin on the ground. The tale of the 10 00:00:33,960 --> 00:00:37,919 Speaker 1: so called Cooneen Ghost House in Ireland just so happens 11 00:00:37,960 --> 00:00:41,640 Speaker 1: to be considered one of the most compelling haunted house 12 00:00:41,680 --> 00:00:48,440 Speaker 1: stories of all time. This is Unexplained, Season four, episode nineteen, 13 00:00:49,400 --> 00:01:04,520 Speaker 1: A View from a Hill. Any regular listeners of this 14 00:01:04,600 --> 00:01:08,040 Speaker 1: show will have gathered that Unexplained is rather fond of 15 00:01:08,080 --> 00:01:12,640 Speaker 1: a good old haunted house story. Such stories often have 16 00:01:12,720 --> 00:01:15,720 Speaker 1: the magical ability to conjure a sense of unique and 17 00:01:15,800 --> 00:01:19,200 Speaker 1: specific places, while at the same time leave us feeling 18 00:01:19,480 --> 00:01:22,840 Speaker 1: as though the hauntings are in fact occurring wherever we 19 00:01:23,160 --> 00:01:26,039 Speaker 1: happen to be, as if the story itself were the 20 00:01:26,120 --> 00:01:31,720 Speaker 1: portal through which distant, ghoulish specters can seep into our lives. 21 00:01:32,880 --> 00:01:35,840 Speaker 1: The story of the Coonian Ghost House of Ireland is 22 00:01:36,040 --> 00:01:39,919 Speaker 1: just one such tale, a strange and troubling thing, owing 23 00:01:39,959 --> 00:01:43,320 Speaker 1: mostly to the fact that, despite it often being regarded 24 00:01:43,319 --> 00:01:47,199 Speaker 1: as one of the most compelling supposed true life hauntings, 25 00:01:47,240 --> 00:01:49,880 Speaker 1: there is so little on record with which to support 26 00:01:49,960 --> 00:01:53,960 Speaker 1: this claim. Much like the apparent ghost or spirit at 27 00:01:54,000 --> 00:01:56,640 Speaker 1: the heart of it, the story is a slippery and 28 00:01:56,680 --> 00:02:01,400 Speaker 1: amorphous one, seemingly rooted in real time tangible things, but 29 00:02:01,560 --> 00:02:06,080 Speaker 1: existing mostly as fable told and retold over the years, 30 00:02:06,520 --> 00:02:10,680 Speaker 1: passed from one generation to the next, never quite keeping still, 31 00:02:11,240 --> 00:02:16,280 Speaker 1: the facts, never quite staying fixed. What we do know 32 00:02:16,600 --> 00:02:19,160 Speaker 1: is the Murphy family, the owners of the home at 33 00:02:19,160 --> 00:02:22,600 Speaker 1: the time and apparent focus of the phenomena, were very 34 00:02:22,720 --> 00:02:28,040 Speaker 1: much real, appearing in a census recorded in nineteen eleven. 35 00:02:28,480 --> 00:02:31,959 Speaker 1: The house too, very much existed and in fact still 36 00:02:32,000 --> 00:02:36,400 Speaker 1: stands in the County of fer Manor, located today just 37 00:02:36,440 --> 00:02:40,359 Speaker 1: to the north of the border in northern Ireland. That 38 00:02:40,400 --> 00:02:43,440 Speaker 1: we have anything of record about it at all is 39 00:02:43,520 --> 00:02:47,040 Speaker 1: due largely to the work of Sir Sean Leslie, a 40 00:02:47,080 --> 00:02:51,200 Speaker 1: writer with many broad and varied interests and avid chaser 41 00:02:51,400 --> 00:02:56,720 Speaker 1: of supposed true life ghost stories, born John Randolph in 42 00:02:56,760 --> 00:03:01,040 Speaker 1: eighteen eighty five, the sun of wealthy socialite Leone Jerome 43 00:03:01,480 --> 00:03:06,120 Speaker 1: and aristocrat John Leslie, the second Shawn Lesley grew up 44 00:03:06,320 --> 00:03:10,760 Speaker 1: within the palatial walls of the family stately home, Castle Leslie, 45 00:03:11,120 --> 00:03:14,840 Speaker 1: in County Monaghan, just twenty miles to the east of Coonyon. 46 00:03:16,480 --> 00:03:19,079 Speaker 1: The castle is said by many to itself be haunted, 47 00:03:19,440 --> 00:03:22,360 Speaker 1: though it isn't known whether Leslie, who changed his name 48 00:03:22,440 --> 00:03:25,320 Speaker 1: to the Irish shorn out of affection for his homeland, 49 00:03:25,880 --> 00:03:30,280 Speaker 1: ever experienced this himself. Though Leslie credits his time at 50 00:03:30,280 --> 00:03:34,120 Speaker 1: the English boarding school Eton College with fostering his fascination 51 00:03:34,520 --> 00:03:38,200 Speaker 1: in the possibility of ghosts and the paranormal, it wasn't 52 00:03:38,280 --> 00:03:42,040 Speaker 1: until his time at Cambridge University that his passion for 53 00:03:42,120 --> 00:03:46,960 Speaker 1: the ghost story was truly cemented. There he was introduced 54 00:03:47,040 --> 00:03:51,520 Speaker 1: to Provost Montague Road's James, otherwise known by his pen 55 00:03:51,640 --> 00:03:55,520 Speaker 1: name m R James, considered by many to be the 56 00:03:55,520 --> 00:03:59,880 Speaker 1: finest purveyor of ghost stories that ever lived. It is, ever, 57 00:04:00,200 --> 00:04:03,680 Speaker 1: from his own fictional writings that Leslie was greatly influenced 58 00:04:03,720 --> 00:04:08,000 Speaker 1: by the prolific m R James. However, it was potentially 59 00:04:08,040 --> 00:04:11,480 Speaker 1: real accounts of ghosts that Leslie was most interested in. 60 00:04:12,600 --> 00:04:15,680 Speaker 1: Having spent much of his life collecting and recording as 61 00:04:15,720 --> 00:04:19,400 Speaker 1: many accounts of true life hauntings he could find, Leslie 62 00:04:19,400 --> 00:04:22,719 Speaker 1: would eventually collate those he felt especially compelling in his 63 00:04:22,839 --> 00:04:27,680 Speaker 1: nineteen fifty six publication Sean Leslie's Ghost Book. It is 64 00:04:27,760 --> 00:04:31,159 Speaker 1: there that Leslie presents what he describes as the last 65 00:04:31,240 --> 00:04:34,359 Speaker 1: word on the famous series of phenomena known as the 66 00:04:34,440 --> 00:04:39,400 Speaker 1: Coonian Ghost, from which much of the following story is taken. 67 00:04:40,480 --> 00:04:43,960 Speaker 1: When Leslie asked m R James shortly before he died 68 00:04:44,560 --> 00:04:47,760 Speaker 1: what he really thought on the subject of ghosts, he 69 00:04:47,839 --> 00:04:51,560 Speaker 1: is said to have replied, depend upon it. Some of 70 00:04:51,600 --> 00:04:54,799 Speaker 1: these things are so, but we do not know the rules. 71 00:04:56,040 --> 00:05:07,120 Speaker 1: You're listening to unexplained, And I'm Richard MacLean Smith. The 72 00:05:07,200 --> 00:05:10,880 Speaker 1: small brick farmhouse stood silhouetted and still in the night, 73 00:05:11,600 --> 00:05:15,679 Speaker 1: a black monolith under moonlight, perched up high on the hill. 74 00:05:17,240 --> 00:05:20,359 Speaker 1: To observe this quiet scene from a distance is to 75 00:05:20,400 --> 00:05:24,800 Speaker 1: participate in the grand illusion of permanence, or the world 76 00:05:24,839 --> 00:05:29,039 Speaker 1: seeming for a moment like a grand tableaux fixed in time. 77 00:05:30,800 --> 00:05:33,800 Speaker 1: Should we gaze on this house a little while longer, however, 78 00:05:34,400 --> 00:05:37,920 Speaker 1: it would not be long before our illusion was punctured 79 00:05:38,200 --> 00:05:41,560 Speaker 1: by the distant core of a disgruntled crow, or the 80 00:05:41,600 --> 00:05:45,560 Speaker 1: haunting screech of a fox in the undergrowth, or by 81 00:05:45,600 --> 00:05:49,280 Speaker 1: the movement of a thin mist steadily creeping toward it 82 00:05:49,680 --> 00:05:53,599 Speaker 1: from out of the valley below. In fact, should we 83 00:05:53,640 --> 00:05:56,719 Speaker 1: stare long enough, we would see that even the stars 84 00:05:56,760 --> 00:06:00,320 Speaker 1: above that seemed so fixed in the sky in a 85 00:06:00,360 --> 00:06:05,600 Speaker 1: state of constant shift. Inside the house, a small fire 86 00:06:05,760 --> 00:06:09,320 Speaker 1: cracked and crackled in the hearth. As Bridget Murphy and 87 00:06:09,400 --> 00:06:13,240 Speaker 1: her oldest daughter Anne slept under the soft flickering light 88 00:06:13,320 --> 00:06:17,160 Speaker 1: of the flames. Next door, in the bedroom to their right, 89 00:06:17,640 --> 00:06:21,440 Speaker 1: eighteen year old Mary, fourteen year old Bridget, nine year 90 00:06:21,480 --> 00:06:24,800 Speaker 1: old Catherine, and the youngest, five year old Jane Anne 91 00:06:25,320 --> 00:06:29,280 Speaker 1: slept soundly together in their bed, while twenty three year 92 00:06:29,279 --> 00:06:32,359 Speaker 1: old James had the fortune of a bed to himself 93 00:06:32,680 --> 00:06:36,120 Speaker 1: at the other end of the house. It had been 94 00:06:36,160 --> 00:06:39,400 Speaker 1: only a matter of months since eight had become seven, 95 00:06:40,080 --> 00:06:44,040 Speaker 1: after Michael Murphy, the father and Bridget's husband, had been 96 00:06:44,120 --> 00:06:47,840 Speaker 1: violently upended from his cart and fallen head first onto 97 00:06:47,880 --> 00:06:53,960 Speaker 1: a rock, killing him instantly. That night, with the fire 98 00:06:54,080 --> 00:06:58,160 Speaker 1: having all but gone out, Bridget awoke suddenly in the dark, 99 00:06:58,839 --> 00:07:02,479 Speaker 1: alerted to what sound like something moving about in the 100 00:07:02,520 --> 00:07:07,240 Speaker 1: attic above. Although the room, which could only be accessed 101 00:07:07,279 --> 00:07:10,520 Speaker 1: from a stone stairwell outside, was being used as a 102 00:07:10,520 --> 00:07:14,080 Speaker 1: makeshift barn, she knew only too well that it was 103 00:07:14,120 --> 00:07:20,040 Speaker 1: currently unoccupied. Hearing the sound again, with Anne fast asleep 104 00:07:20,080 --> 00:07:23,480 Speaker 1: beside her, Bridget made a quick check of the bedrooms, 105 00:07:23,800 --> 00:07:28,679 Speaker 1: but found all her children accounted for, having just returned 106 00:07:28,720 --> 00:07:32,240 Speaker 1: to the central room. A tremendous thud rang out from 107 00:07:32,280 --> 00:07:35,720 Speaker 1: behind her, followed by the startled screams of her four 108 00:07:35,840 --> 00:07:40,520 Speaker 1: daughters as they bolted from their bed, with James joining 109 00:07:40,520 --> 00:07:46,360 Speaker 1: them moments later, Bridget urged him to investigate upstairs, as 110 00:07:46,400 --> 00:07:49,360 Speaker 1: the rest of the family huddled by the hearth. The 111 00:07:49,440 --> 00:07:52,960 Speaker 1: sound of footsteps could be heard above. As James inspected 112 00:07:53,000 --> 00:07:58,720 Speaker 1: the attic, finding nothing inside but bales of straw. No 113 00:07:58,880 --> 00:08:03,040 Speaker 1: sooner had he returned downstairs, a violent bang echoed through 114 00:08:03,040 --> 00:08:07,920 Speaker 1: the house, Then another and another, each one louder than 115 00:08:08,000 --> 00:08:12,600 Speaker 1: the next. Make it stop, cried Catherine, as Bridget gathered 116 00:08:12,600 --> 00:08:15,480 Speaker 1: her in her arms, and they all looked anxiously toward 117 00:08:15,560 --> 00:08:21,280 Speaker 1: each other. When finally the banging stopped. It would be 118 00:08:21,320 --> 00:08:25,200 Speaker 1: a few nights later, when young Jane Anne woke up screaming, 119 00:08:25,520 --> 00:08:28,600 Speaker 1: having felt the bed move across the room, and that 120 00:08:28,680 --> 00:08:39,240 Speaker 1: something had been pressing down on her from above. Over 121 00:08:39,280 --> 00:08:44,160 Speaker 1: the next few weeks, the terrifying sounds continued, always beginning 122 00:08:44,200 --> 00:08:46,800 Speaker 1: late at night in the children's bedroom or from the 123 00:08:46,840 --> 00:08:50,640 Speaker 1: makeshift barn above, but not once did they see any 124 00:08:50,679 --> 00:08:55,720 Speaker 1: sign of a culprit. Confused and scared, Bridget sought the 125 00:08:55,760 --> 00:08:58,920 Speaker 1: counsel of her friends and neighbours, inviting them round to 126 00:08:58,960 --> 00:09:02,960 Speaker 1: hear it for themselves. Together, they sat huddled in the 127 00:09:03,000 --> 00:09:06,560 Speaker 1: center room as the colossal bangs echoed through the walls 128 00:09:06,720 --> 00:09:11,040 Speaker 1: and rattled the windows, or that strange foot dragging sound 129 00:09:11,360 --> 00:09:13,840 Speaker 1: lurched from one side of the ceiling to the other, 130 00:09:15,120 --> 00:09:19,679 Speaker 1: And soon the rumours began to circulate. One neighbour had 131 00:09:19,720 --> 00:09:23,160 Speaker 1: heard that the Sherry family, the previous owners of the house, 132 00:09:23,559 --> 00:09:28,040 Speaker 1: had only stayed one night before hurriedly leaving for reasons unknown. 133 00:09:29,200 --> 00:09:32,800 Speaker 1: The property had remained unoccupied for six months before it 134 00:09:32,880 --> 00:09:37,320 Speaker 1: was sold. Others told of a man that had hung 135 00:09:37,400 --> 00:09:42,800 Speaker 1: himself in one of the bedrooms many years before. By 136 00:09:42,880 --> 00:09:47,559 Speaker 1: now convinced that something outther worldly was taking place, Bridget 137 00:09:47,679 --> 00:09:53,000 Speaker 1: turned to their local priest, Father Smith, for help. Smith 138 00:09:53,120 --> 00:09:55,679 Speaker 1: arrived at the house late one night, keen to make 139 00:09:55,720 --> 00:09:59,199 Speaker 1: an assessment for himself before deciding what could be done. 140 00:09:59,559 --> 00:10:02,199 Speaker 1: To find the family in a state of deep distress. 141 00:10:03,400 --> 00:10:05,760 Speaker 1: Asking for them all to gather in the central room, 142 00:10:06,520 --> 00:10:10,280 Speaker 1: Smith solemnly made his way around the house before being 143 00:10:10,360 --> 00:10:15,440 Speaker 1: led upstairs by James to inspect the barn. Returning back down, 144 00:10:16,040 --> 00:10:21,240 Speaker 1: Smith requested permission to stay the night. As the family slept, 145 00:10:21,600 --> 00:10:25,920 Speaker 1: He took a seat by the fire and waited. And 146 00:10:25,960 --> 00:10:29,840 Speaker 1: then it came. It was like the sound of straw 147 00:10:29,920 --> 00:10:34,120 Speaker 1: being rustled from the room above, followed by a tremendous thud. 148 00:10:35,360 --> 00:10:38,520 Speaker 1: As the others ran screaming from their beds. The sound 149 00:10:38,600 --> 00:10:42,040 Speaker 1: only intensified until it was as if a horse was 150 00:10:42,120 --> 00:10:47,640 Speaker 1: kicking at the walls. Without thinking, Smith gathered them together 151 00:10:48,080 --> 00:10:53,200 Speaker 1: and hastily recited Mass. As the family held hands and 152 00:10:53,240 --> 00:10:57,880 Speaker 1: clutched each other tightly. Smith's forthright voice rose over their 153 00:10:57,960 --> 00:11:02,679 Speaker 1: quiet whimperings, and slowly the sickening noise began to dissipate 154 00:11:03,520 --> 00:11:14,400 Speaker 1: until it stopped altogether. As Smith related his findings back 155 00:11:14,440 --> 00:11:17,360 Speaker 1: to the church, a different set of rumors were beginning 156 00:11:17,360 --> 00:11:21,920 Speaker 1: to circulate in the nearby towns. When the girls attended 157 00:11:21,960 --> 00:11:25,280 Speaker 1: their crochet lessons, others in the class would move away 158 00:11:25,280 --> 00:11:28,960 Speaker 1: from them, pointing and whispering from a distance that the 159 00:11:29,000 --> 00:11:32,559 Speaker 1: family had the black Art and had used it deliberately 160 00:11:32,840 --> 00:11:37,880 Speaker 1: to invite a demon into their home. Others rejected the 161 00:11:37,920 --> 00:11:42,040 Speaker 1: nonsense entirely, believing instead that the family were just making 162 00:11:42,120 --> 00:11:46,320 Speaker 1: the whole thing up. Having spoken to Father Smith, the 163 00:11:46,400 --> 00:11:51,360 Speaker 1: regional bishop instructed local reverend Eugene Coyne from nearby McGuire's 164 00:11:51,360 --> 00:11:56,240 Speaker 1: Bridge to get a second opinion. Since Smith's visit, the 165 00:11:56,320 --> 00:12:00,480 Speaker 1: disturbances had steadily intensified and were already in full swing 166 00:12:00,679 --> 00:12:05,760 Speaker 1: when Coin arrived late one autumn night, with an anxious 167 00:12:05,800 --> 00:12:10,360 Speaker 1: Bridget hurriedly showing him into the children's bedroom. Coin looked 168 00:12:10,360 --> 00:12:13,200 Speaker 1: on aghast at the terror on the faces of the 169 00:12:13,240 --> 00:12:16,680 Speaker 1: girls lying down on their bed as a series of 170 00:12:16,720 --> 00:12:21,560 Speaker 1: bangs rattled out around them. Turning to two men in 171 00:12:21,600 --> 00:12:25,280 Speaker 1: the room who had also come to help, Coin told 172 00:12:25,280 --> 00:12:27,720 Speaker 1: them to take hold of the children's arms and legs 173 00:12:27,960 --> 00:12:31,000 Speaker 1: to make sure they weren't the source of the disturbances 174 00:12:32,679 --> 00:12:35,760 Speaker 1: at the next break in the bangs, while being careful 175 00:12:35,960 --> 00:12:38,440 Speaker 1: not to hurt the children. The men did as they 176 00:12:38,480 --> 00:12:44,160 Speaker 1: were told and held them down. Satisfied they were sufficiently restrained, 177 00:12:44,800 --> 00:12:47,160 Speaker 1: Coin took a seat at the end of the bed, 178 00:12:48,240 --> 00:12:51,240 Speaker 1: but almost as soon as he'd sat down, the thumping 179 00:12:51,400 --> 00:12:55,720 Speaker 1: started again, continuing for ten minutes until the other two 180 00:12:55,760 --> 00:12:59,319 Speaker 1: men leapt suddenly from the bed, crying out in horror. 181 00:13:00,200 --> 00:13:05,040 Speaker 1: Something had pushed them off, they cried. Having felt nothing himself, 182 00:13:05,360 --> 00:13:09,360 Speaker 1: Coin resisted the urge to move, but just moments later, 183 00:13:09,880 --> 00:13:13,160 Speaker 1: with his eyes firmly on the children, there came the 184 00:13:13,200 --> 00:13:17,760 Speaker 1: most peculiar sensation at his back, as if something else 185 00:13:17,800 --> 00:13:21,200 Speaker 1: in the room had drawn right up to him, And 186 00:13:21,240 --> 00:13:26,800 Speaker 1: then the bangs started again. Just then a Collie, the 187 00:13:26,880 --> 00:13:31,800 Speaker 1: family farm dog, wandered into the room, giving Coin an idea. 188 00:13:33,160 --> 00:13:35,920 Speaker 1: Picking the dog up, he placed it under the bed. 189 00:13:37,559 --> 00:13:41,160 Speaker 1: Whatever is there, he said, I ask you, if you 190 00:13:41,280 --> 00:13:44,880 Speaker 1: have the power to do it, push the dog back out. 191 00:13:45,920 --> 00:13:50,160 Speaker 1: A deafening cacophony of bangs engulfed the room like nothing 192 00:13:50,200 --> 00:13:54,480 Speaker 1: they'd heard before, sending the dog leaping and yapping from 193 00:13:54,480 --> 00:13:57,080 Speaker 1: out of the bed in a fit of terror, before 194 00:13:57,120 --> 00:14:02,160 Speaker 1: scurrying out of the room altogether. As Father Coyne later 195 00:14:02,240 --> 00:14:05,439 Speaker 1: explained to Bridget, Though he regretted to be the bearer 196 00:14:05,600 --> 00:14:08,960 Speaker 1: of such disturbing news. There was no doubt in his 197 00:14:09,080 --> 00:14:12,959 Speaker 1: mind that they were sharing their home with something malicious 198 00:14:13,800 --> 00:14:25,400 Speaker 1: and most likely diabolical. In the following days, fathers Coin 199 00:14:25,520 --> 00:14:29,560 Speaker 1: and Smith continued to visit the house, often together, as 200 00:14:29,560 --> 00:14:32,920 Speaker 1: they attempted to bring comfort to the family, but also 201 00:14:33,320 --> 00:14:37,000 Speaker 1: with talk of performing a possible exorcism, it was vital 202 00:14:37,080 --> 00:14:39,480 Speaker 1: for them to get a better understanding of what they 203 00:14:39,480 --> 00:14:44,080 Speaker 1: were dealing with. On each occasion, after the children had 204 00:14:44,080 --> 00:14:48,880 Speaker 1: been put to bed, the knocking would start up, sometimes instantly, 205 00:14:49,080 --> 00:14:53,920 Speaker 1: but other times a good hour later. One night, with 206 00:14:54,000 --> 00:14:58,080 Speaker 1: the children fast asleep and the house completely silent save 207 00:14:58,160 --> 00:15:01,320 Speaker 1: for the sound at the fire in the heart, Coin 208 00:15:01,400 --> 00:15:04,600 Speaker 1: requested to hear more about the strange noises that seemed 209 00:15:04,600 --> 00:15:08,480 Speaker 1: to emanate from the attic room. As father Smith stayed 210 00:15:08,480 --> 00:15:12,320 Speaker 1: with bridget by the fire, James lit a candle and 211 00:15:12,400 --> 00:15:15,800 Speaker 1: led Coin into the second bedroom, the gentle light of 212 00:15:15,840 --> 00:15:20,000 Speaker 1: the candle pushing the shadows away as they went. The 213 00:15:20,120 --> 00:15:24,080 Speaker 1: room was sizeable, with blinds pulled down over both its windows, 214 00:15:24,520 --> 00:15:29,680 Speaker 1: and in the corner a bed covered with a white quilt. Together, 215 00:15:29,960 --> 00:15:34,280 Speaker 1: they stood for a moment and listened, their faces bathed 216 00:15:34,320 --> 00:15:36,840 Speaker 1: in the orange light of the candle as the rest 217 00:15:36,880 --> 00:15:42,200 Speaker 1: of the room was shrouded in darkness. There, said James, suddenly, 218 00:15:42,480 --> 00:15:47,600 Speaker 1: pointing to the ceiling. Do you hear it? Coin strained 219 00:15:47,640 --> 00:15:52,480 Speaker 1: to listen. It was barely perceptible at first, as if 220 00:15:52,480 --> 00:15:56,320 Speaker 1: a small animal were burrowing into straw, yet it was 221 00:15:56,400 --> 00:15:59,520 Speaker 1: clearly moving from one side of the room to the other. 222 00:16:01,280 --> 00:16:05,480 Speaker 1: Asking James to stay put, Coyn took another candle and 223 00:16:05,600 --> 00:16:08,280 Speaker 1: slowly made his way out of the house and up 224 00:16:08,360 --> 00:16:12,640 Speaker 1: the stone steps to the attic door. Pushing it open, 225 00:16:13,280 --> 00:16:19,600 Speaker 1: Coyn peered into the darkness, lit his candle and stepped inside. 226 00:16:19,800 --> 00:16:22,960 Speaker 1: As he stood in the silent room, pushing the shadows 227 00:16:22,960 --> 00:16:29,160 Speaker 1: back with the candlelight, he saw nothing but bundles of straw. 228 00:16:29,200 --> 00:16:32,880 Speaker 1: Moments later, Coyn returned to the bedroom, where once again 229 00:16:33,160 --> 00:16:36,280 Speaker 1: he could hear that peculiar sound coming from the room above. 230 00:16:37,720 --> 00:16:41,760 Speaker 1: Having asked James to repeat the test, this time, Coyn 231 00:16:41,800 --> 00:16:46,840 Speaker 1: stood below as James went upstairs to investigate, with the 232 00:16:46,880 --> 00:16:51,520 Speaker 1: priest carefully listening out. Despite clearly hearing James enter the room, 233 00:16:52,160 --> 00:17:02,280 Speaker 1: not once did the other noise desist. As soon as 234 00:17:02,360 --> 00:17:07,280 Speaker 1: James joined Coyn back downstairs, something even more peculiar occurred, 235 00:17:08,119 --> 00:17:10,480 Speaker 1: as both men would later go on to a test. 236 00:17:11,040 --> 00:17:14,040 Speaker 1: It felt as if something had rushed down from above, 237 00:17:14,520 --> 00:17:17,600 Speaker 1: shooting past them like a gust of wind, straight down 238 00:17:17,640 --> 00:17:22,439 Speaker 1: into the floor. Unnerved, Coyn ordered James to lift up 239 00:17:22,480 --> 00:17:25,760 Speaker 1: the blinds, and in an instant the room was bathed 240 00:17:25,840 --> 00:17:29,840 Speaker 1: in the hazy light of dawn. Then, turning to look 241 00:17:29,920 --> 00:17:34,159 Speaker 1: back into the room, James gasped in horror, Pointing a 242 00:17:34,200 --> 00:17:41,320 Speaker 1: finger toward the bed. Coyne slowly turned around. The quilt 243 00:17:42,119 --> 00:17:46,800 Speaker 1: was moving softly, billowing about as if being blown by 244 00:17:46,840 --> 00:17:52,160 Speaker 1: the wind. Coyn stepped forward and brushed his hand over it, 245 00:17:52,720 --> 00:17:55,080 Speaker 1: and felt for a moment as if a barrel of 246 00:17:55,160 --> 00:18:00,600 Speaker 1: eels were squirming about underneath it. Stepping back, he watched 247 00:18:00,640 --> 00:18:04,840 Speaker 1: with alarm as the amorphous sheet seemed gradually to fix 248 00:18:04,880 --> 00:18:08,720 Speaker 1: into shape, outlining what appeared to be some kind of 249 00:18:08,800 --> 00:18:13,760 Speaker 1: figure lying underneath at the point where a chest might be. 250 00:18:14,440 --> 00:18:18,240 Speaker 1: Coin watched with amusement as the quilt began to rise 251 00:18:18,240 --> 00:18:21,520 Speaker 1: and fall, as if that chest were heaving up and down, 252 00:18:22,240 --> 00:18:26,960 Speaker 1: struggling to breathe, And then suddenly the entire quilt began 253 00:18:27,119 --> 00:18:31,040 Speaker 1: undulating violently, as if whatever was under it were in 254 00:18:31,080 --> 00:18:36,040 Speaker 1: the final throes of death. Wasting no more time, Father 255 00:18:36,160 --> 00:18:40,840 Speaker 1: Coin broke immediately into mass, directing it toward that shape, 256 00:18:41,240 --> 00:18:44,200 Speaker 1: as a steady din of what sounded like a hideous 257 00:18:44,240 --> 00:18:48,080 Speaker 1: gurgling flooded the room, as if something were dying right 258 00:18:48,119 --> 00:18:51,520 Speaker 1: in front of them. All the while he kept on 259 00:18:52,240 --> 00:18:55,800 Speaker 1: spitting out the words with ever increasing intensity, as the 260 00:18:55,840 --> 00:18:59,439 Speaker 1: bed began to rock back and forth, lifting the legs 261 00:18:59,520 --> 00:19:03,639 Speaker 1: inches from the ground. And then, as quick as it 262 00:19:03,680 --> 00:19:08,040 Speaker 1: had begun, the quilt dropped down and the mayhem ceased. 263 00:19:15,040 --> 00:19:18,120 Speaker 1: As were traveled far and wide at the apparent hauntings 264 00:19:18,119 --> 00:19:21,359 Speaker 1: in the Murphy's home, more and more people requested to 265 00:19:21,359 --> 00:19:25,359 Speaker 1: come and observe it for themselves. One evening, a well 266 00:19:25,400 --> 00:19:27,960 Speaker 1: known horse dealer arrived at the house to see what 267 00:19:28,040 --> 00:19:31,879 Speaker 1: all the fuss was about. Sitting next to his driver 268 00:19:32,160 --> 00:19:34,960 Speaker 1: as they approached on his pony and trap, there was 269 00:19:35,000 --> 00:19:37,919 Speaker 1: no doubt some apprehension as they caught sight of that 270 00:19:38,119 --> 00:19:42,000 Speaker 1: small stone house perched high up on the hill before them, 271 00:19:42,280 --> 00:19:46,960 Speaker 1: its windows like eyes flickering ominously with the candlelight from within. 272 00:19:49,160 --> 00:19:51,879 Speaker 1: All was quiet as the driver brought them to a 273 00:19:51,920 --> 00:19:57,040 Speaker 1: stop outside. James, who'd been expecting them, greeted the horse 274 00:19:57,080 --> 00:20:01,320 Speaker 1: dealer before showing him inside, while the i was instructed 275 00:20:01,320 --> 00:20:06,680 Speaker 1: to wait alone under the moonlight. It was some time later, 276 00:20:07,119 --> 00:20:10,520 Speaker 1: as the driver blew into his hands to keep them warm, 277 00:20:10,760 --> 00:20:14,040 Speaker 1: that he noticed the silhouette of a figure walking toward 278 00:20:14,160 --> 00:20:18,240 Speaker 1: him from out of the distant dark. The driver watched 279 00:20:18,280 --> 00:20:21,760 Speaker 1: it as it drew closer and closer, until eventually it 280 00:20:21,920 --> 00:20:26,760 Speaker 1: passed him by and disappeared into the night. It was strange, 281 00:20:26,760 --> 00:20:29,640 Speaker 1: he thought, since there were some distance from the nearest 282 00:20:29,640 --> 00:20:34,840 Speaker 1: neighbor or village for that matter. Thinking nothing more of it, 283 00:20:35,400 --> 00:20:38,399 Speaker 1: the driver had just turned his attention back to keeping 284 00:20:38,480 --> 00:20:42,280 Speaker 1: warm when he caught sight of another figure approaching from 285 00:20:42,359 --> 00:20:45,520 Speaker 1: out of the same direction as the one before, only 286 00:20:45,560 --> 00:20:48,480 Speaker 1: for them to again pass straight by without a word 287 00:20:49,080 --> 00:20:54,639 Speaker 1: and then vanish. Grabbing a torchlight, the driver held it 288 00:20:54,720 --> 00:20:58,720 Speaker 1: out behind him and squinted into the dark, but saw nothing. 289 00:21:00,119 --> 00:21:02,959 Speaker 1: Turning back, he jumped at the sight of yet another 290 00:21:03,040 --> 00:21:06,960 Speaker 1: figure emerging from out of the distance, again from the 291 00:21:07,000 --> 00:21:11,520 Speaker 1: same place as the other two. Calling out, the driver 292 00:21:11,680 --> 00:21:15,040 Speaker 1: demanded to know their business, but got nothing in response, 293 00:21:15,840 --> 00:21:19,240 Speaker 1: as all the while the figure drew nearer and nearer 294 00:21:19,920 --> 00:21:23,520 Speaker 1: walked past the cart and vanished back into the night. 295 00:21:24,400 --> 00:21:27,600 Speaker 1: Just then, a heavy gust of wind swept across the hill, 296 00:21:28,000 --> 00:21:31,120 Speaker 1: blowing out the driver's light and throwing the pony into 297 00:21:31,119 --> 00:21:34,680 Speaker 1: a frenzy neighing and stamping and raising up on two 298 00:21:34,720 --> 00:21:39,199 Speaker 1: feet before the driver could bring it under control. It 299 00:21:39,320 --> 00:21:42,680 Speaker 1: was with some relief when his employer emerged moments later 300 00:21:42,800 --> 00:21:45,679 Speaker 1: from out of the house and demanded to be taken 301 00:21:45,800 --> 00:21:56,359 Speaker 1: back home, though both Father Smith and Coyne urged the 302 00:21:56,440 --> 00:22:00,000 Speaker 1: church to grant permission to conduct an exorcism in the air, 303 00:22:00,000 --> 00:22:02,880 Speaker 1: and it was decided not to take such drastic measures. 304 00:22:04,320 --> 00:22:08,240 Speaker 1: Perhaps one of the most unusual incidences occurred shortly before 305 00:22:08,240 --> 00:22:12,400 Speaker 1: Father Coin was due to transfer to another parish. On 306 00:22:12,400 --> 00:22:16,200 Speaker 1: one afternoon, while out visiting a sick neighbour of the Murphy's, 307 00:22:16,640 --> 00:22:19,800 Speaker 1: Coin was passing the Murphy household when he decided to 308 00:22:19,880 --> 00:22:23,879 Speaker 1: check in on the family. Little had changed since he 309 00:22:23,960 --> 00:22:26,520 Speaker 1: last saw them, but on this occasion he had a 310 00:22:26,560 --> 00:22:31,200 Speaker 1: holy pix with him containing the consecrated host wafers of bread, 311 00:22:31,440 --> 00:22:34,520 Speaker 1: which are considered in Catholicism to be the body of 312 00:22:34,600 --> 00:22:38,720 Speaker 1: Jesus Christ. As more of an experiment than anything else, 313 00:22:39,240 --> 00:22:43,360 Speaker 1: Coin entered the children's bedroom, and, holding the pix aloft, 314 00:22:43,760 --> 00:22:46,840 Speaker 1: made the sign of the Cross with it. This moment 315 00:22:47,080 --> 00:22:50,840 Speaker 1: was followed immediately with such loud bangs everyone else present 316 00:22:51,000 --> 00:22:53,600 Speaker 1: through themselves to the ground in fear of what might 317 00:22:53,640 --> 00:22:58,120 Speaker 1: happen next. Panicking, Coin was then said to have placed 318 00:22:58,160 --> 00:23:01,240 Speaker 1: the picks on the floor, at which point the sound 319 00:23:01,480 --> 00:23:04,600 Speaker 1: seemed to travel through the wall down toward the small 320 00:23:04,680 --> 00:23:08,560 Speaker 1: holy container, before dropping under the floor below it, moving 321 00:23:08,640 --> 00:23:11,600 Speaker 1: deeper and deeper into the ground until it could no 322 00:23:11,680 --> 00:23:16,439 Speaker 1: longer be heard. In the end. Unable to escape the 323 00:23:16,480 --> 00:23:20,840 Speaker 1: strange phenomena, Bridget Murphy eventually decided to pack up and 324 00:23:20,920 --> 00:23:24,720 Speaker 1: move the family to America. Though it isn't known what 325 00:23:24,840 --> 00:23:28,280 Speaker 1: happened to them after their arrival in America, or if 326 00:23:28,320 --> 00:23:31,639 Speaker 1: they continued to be plagued by similar hauntings. Some have 327 00:23:31,800 --> 00:23:35,120 Speaker 1: reported that passengers traveling on the same boat as them 328 00:23:35,359 --> 00:23:39,160 Speaker 1: heard peculiar noises coming from the family's cabin late at night. 329 00:23:40,560 --> 00:23:43,000 Speaker 1: As for the clergyman that had spent so much time 330 00:23:43,040 --> 00:23:47,520 Speaker 1: with the family, as Shawn Leslie noted, their involvement apparently 331 00:23:47,800 --> 00:23:50,080 Speaker 1: was said to have led to two of them suffering 332 00:23:50,160 --> 00:23:56,680 Speaker 1: spinal meningitis and facial paralysis, respectively, while a third suffered 333 00:23:56,720 --> 00:24:06,240 Speaker 1: a complete nervous breakdown. Unexplained is an AV Club Productions 334 00:24:06,280 --> 00:24:10,879 Speaker 1: podcast created by Richard McLain smith. All other elements of 335 00:24:10,880 --> 00:24:14,320 Speaker 1: the podcast, including the music, are also produced by me 336 00:24:14,600 --> 00:24:19,920 Speaker 1: Richard mcclinsmith. Unexplained. The book and audiobook, with stories never 337 00:24:20,000 --> 00:24:23,760 Speaker 1: before featured on the show, is now available to buy worldwide. 338 00:24:24,280 --> 00:24:28,159 Speaker 1: You can purchase from Amazon, Barnes and Noble, Waterstones and 339 00:24:28,280 --> 00:24:32,640 Speaker 1: other bookstores. Please subscribe to and rate the show wherever 340 00:24:32,680 --> 00:24:35,240 Speaker 1: you get your podcasts, and feel free to get in 341 00:24:35,320 --> 00:24:38,840 Speaker 1: touch with any thoughts or ideas regarding the stories you've 342 00:24:38,840 --> 00:24:41,560 Speaker 1: heard on the show. Perhaps you have an explanation of 343 00:24:41,600 --> 00:24:44,320 Speaker 1: your own you'd like to share. You can find out 344 00:24:44,320 --> 00:24:48,120 Speaker 1: more at Unexplained podcast dot com and reach us online 345 00:24:48,160 --> 00:24:53,240 Speaker 1: through Twitter at Unexplained Pod and Facebook at Facebook dot com, 346 00:24:53,280 --> 00:25:15,639 Speaker 1: Forward Slash Unexplained Podcast, bolpopopo