WEBVTT - Be Kind, Rewind: “Home” with David Kendall

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<v Speaker 1>Susan and I are like twenty again, out living our lives.

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<v Speaker 1>We've had dinner with friends, other friends, believe it or not,

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<v Speaker 1>than you guys.

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<v Speaker 2>Yeah people, Yeah, yeah, it wasn't us.

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<v Speaker 1>And last night we went to what's called a play applot,

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<v Speaker 1>say that right?

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<v Speaker 3>Oh my god?

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<v Speaker 4>At the Pantagious we saw Harry Potter.

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<v Speaker 2>Oh you saw a little play called Harry Potter.

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<v Speaker 3>Harry Potter, what'd you think?

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<v Speaker 4>Okay?

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<v Speaker 1>Couple things, God, First of all, the production is unreal.

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<v Speaker 1>I mean, like the magic they're doing on the stage,

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<v Speaker 1>and it's yes, incredible, I mean really incredible.

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<v Speaker 2>Would Adler and Keaton enjoy it?

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<v Speaker 3>Yeah?

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<v Speaker 1>It was full of kids, like it was, Oh my god,

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<v Speaker 1>of kids. So this is where the story comes in,

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<v Speaker 1>which is interesting. I Walt, I, my wife and I

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<v Speaker 1>we went and had a wonderful dinner and then we

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<v Speaker 1>walk in.

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<v Speaker 4>And we were in kind of we've got great seats.

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<v Speaker 1>We're in the center of the aisle, so you know,

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<v Speaker 1>obviously we've got to walk past everybody.

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<v Speaker 4>They've got to stand up and let us in.

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<v Speaker 1>And like I said, it was full of kids, and

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<v Speaker 1>a group of kids that were probably thirteen or fourteen

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<v Speaker 1>all stood up to let us buy and the first

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<v Speaker 1>guy went, first kid went, you're on Boy Mets WORLDO.

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<v Speaker 4>So A.

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<v Speaker 1>My wife's like, you just got recognized and you never

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<v Speaker 1>get recognized, which is sea for know.

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<v Speaker 4>What's funny is I was you two twenty last night?

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<v Speaker 1>Wow, So that's no, it'll stick before see you two

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<v Speaker 1>twenty just hits yes, trying too hard, but so I

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<v Speaker 1>was like, yes I am. And all the other kids,

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<v Speaker 1>oh my god, it was great. We saw the first

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<v Speaker 1>half of the play. It was absolutely incredible. And then

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<v Speaker 1>during intermission they came up and said can I have

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<v Speaker 1>a picture?

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<v Speaker 4>Can I have?

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<v Speaker 1>And I'm looking at them and I said, you're all

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<v Speaker 1>so young, yeah, to be Boy Meets World fans, And

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<v Speaker 1>they all said the same thing.

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<v Speaker 4>Of course.

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<v Speaker 1>My mom was a huge fan of the show. My

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<v Speaker 1>dad was a huge fan of the show. But we're

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<v Speaker 1>going through the entire thing. It is so great. We

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<v Speaker 1>love it so much.

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<v Speaker 4>And then one young man named Lucas came up to me.

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<v Speaker 2>Lucas, Shout out to Lucas.

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<v Speaker 1>Shout out to Lucas, who was the first young man

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<v Speaker 1>who recognized me, and he said, I also want to

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<v Speaker 1>let you know that I'm such a fan of pod

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<v Speaker 1>Meets World. That it made my best friend and I

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<v Speaker 1>start our own podcast.

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<v Speaker 3>Aw.

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<v Speaker 1>No shout out to the podcast called Oh Shut Up.

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<v Speaker 1>I've never heard it, they're just starting it. They're two

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<v Speaker 1>like fourteen year olds. I didn't get his friend's name.

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<v Speaker 1>I apologized. I met him, but I didn't get his name.

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<v Speaker 3>But to Lucas and the Oh.

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<v Speaker 1>Shut Up podcast, Wow, that was inspired by them loving

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<v Speaker 1>pod Meets World at.

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<v Speaker 4>Like thirteen years old. Wow, so we.

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<v Speaker 1>Are we writer and I saw this at nineties con

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<v Speaker 1>younger and younger generations are finding boy Meets World again

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<v Speaker 1>because they're watching with their kids or sometimes their grandkids

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<v Speaker 1>and they're watching the show.

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<v Speaker 4>And now younger kids are finding the podcast too.

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<v Speaker 1>And it was such a cool thing to be at

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<v Speaker 1>this amazing theater. If you've never been in the Pantage,

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<v Speaker 1>it's it's gorgeous and watching this incredible stage show. And

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<v Speaker 1>I want to hear I want to hear what you

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<v Speaker 1>thought of the play, Lucas, Harrison, and Jamie. Apparently producer

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<v Speaker 1>Jensen has already done the shout out for the Ocean

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<v Speaker 1>Up podcast. No, the play was some of most of

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<v Speaker 1>the acting was was good. Really, some of it was

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<v Speaker 1>a little high school.

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<v Speaker 2>Wow, writer, have you seen it twice?

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<v Speaker 3>I saw it.

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<v Speaker 5>I saw on Broadway London and on Broadway. I saw

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<v Speaker 5>it on Broadway, Okay, cried the entire time and was

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<v Speaker 5>I just going through an emotional thing? Yes, I don't know.

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<v Speaker 3>Then I went and saw in.

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<v Speaker 5>La two weeks ago, cried the entire time. I really

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<v Speaker 5>loved it even more. Id you Harry Potter as a dad?

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<v Speaker 3>It's a father son story.

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<v Speaker 4>It's like, it's the way like.

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<v Speaker 5>I, you know, had Indy went through the such Harry

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<v Speaker 5>Potter phase. I had never read Harry Potter like back

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<v Speaker 5>in the day, never, so I did it all with Indy,

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<v Speaker 5>and I, you know, I liked it. I never like

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<v Speaker 5>loved the Harry. I just felt I was too old.

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<v Speaker 5>But when we saw the play on Broadway, I was like,

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<v Speaker 5>this is my way into Harry Potter. It was just

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<v Speaker 5>it got me. It's time travel, which I'm obsessed with

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<v Speaker 5>time travel.

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<v Speaker 1>Right, But it's also men of meta universes, which you

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<v Speaker 1>hate multiverse.

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<v Speaker 5>I know there's a little bit of fans service, but

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<v Speaker 5>I just think the writing is so good. I think

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<v Speaker 5>I think it's the best of all the Harry Potter stuff.

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<v Speaker 5>It's the one for me, And I also just love

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<v Speaker 5>the magic being live, like all.

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<v Speaker 3>The theater tricks that they do.

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<v Speaker 5>They do things like people transform on stage, there's flames

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<v Speaker 5>arcing across they go on the train, the roof of

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<v Speaker 5>the train, and like the special effects are so much

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<v Speaker 5>more fun when they're live, you know, Like watching magic

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<v Speaker 5>in the movies is like okay, c G I most

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<v Speaker 5>of the time. Like for me after the third one,

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<v Speaker 5>the visual effects I don't really like, but the.

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<v Speaker 3>Visual effects of the play like, oh so good.

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<v Speaker 2>How old do you need? How old do you think?

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<v Speaker 2>Is the perfect time for me to start? Addler on

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<v Speaker 2>Harry Potter?

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<v Speaker 4>It depends the first book.

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<v Speaker 1>The first I would argue maybe book and a half

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<v Speaker 1>to two books could be for younger audiences.

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<v Speaker 4>By book three, it starts to get pretty scary.

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<v Speaker 2>There is not a Adler doesn't mind scary.

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<v Speaker 3>He doesn't mind sick. I think five or six, Indy

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<v Speaker 3>was a little old. Indy was a little young.

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<v Speaker 2>But I think you were reading it to him, right, Yes,

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<v Speaker 2>I read.

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<v Speaker 5>Him the first three books, and yes he tapped out

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<v Speaker 5>of the third one.

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<v Speaker 3>Yeah, because I got there too early, and I think

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<v Speaker 3>it give me a little sick.

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<v Speaker 5>Seven Yeah, was scary. It was just not as interesting.

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<v Speaker 5>It was more complicated.

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<v Speaker 1>Like that, it gets very intricate, it gets more characters.

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<v Speaker 1>It's almost like a kid's story and ends as a

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<v Speaker 1>full fantasy series.

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<v Speaker 5>The first one is like a roll doll book like

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<v Speaker 5>it's it's like good for kindergart's first graders to listen to.

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<v Speaker 1>It's great Sorcerers Stone. Yeah, I think you could start

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<v Speaker 1>SORCER's Stone with them.

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<v Speaker 2>Do you need to have read any of the books

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<v Speaker 2>to enjoy the play?

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<v Speaker 3>Yeah?

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<v Speaker 5>Yeah, okay yeah, or seeing the movies. You have to

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<v Speaker 5>have seen the movies to really enjoy the play.

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<v Speaker 1>I think you need to know. I mean because again

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<v Speaker 1>they're going back with old characters and new characters and

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<v Speaker 1>yeah it doesn't yeah.

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<v Speaker 2>Okay, well so fun. Another question, why do you think

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<v Speaker 2>you and suit because I also am reliving my twenties.

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<v Speaker 2>I am going out all the time. Yeah, just all

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<v Speaker 2>the time. I have three lunches this week with three

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<v Speaker 2>different girlfriends.

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<v Speaker 4>That's crazy.

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<v Speaker 2>So what what's what's causing your twenties renaissance?

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<v Speaker 1>People are forcing us, I think would be the short answer.

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<v Speaker 1>Oh okay, yeah, it's like, hey, you want to go

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<v Speaker 1>over for dinner and we're like, yeah, like that, I

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<v Speaker 1>think it's pretty much what's happening, or like, hey, we

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<v Speaker 1>got tickets for the thing. Now we are we are

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<v Speaker 1>we are actually enjoying it where it's been. It's also

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<v Speaker 1>we know that this summer is going to be b

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<v Speaker 1>A N A N A s. Yeah, because spell bananas,

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<v Speaker 1>because we know we're going on tour, and so that's happening,

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<v Speaker 1>and we're having construction done in the house. It is

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<v Speaker 1>like the next three or four months are going to

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<v Speaker 1>be crazy pants.

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<v Speaker 2>So living while you can.

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<v Speaker 4>Yeah, but we're also just.

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<v Speaker 1>Spending as much time just with the two of us

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<v Speaker 1>as we can because we know she's going to be

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<v Speaker 1>shooting out to sis go a lot, I'm going to

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<v Speaker 1>be on tour. So yeah, there's we're spending as much

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<v Speaker 1>time with each other as we can, and somehow that's

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<v Speaker 1>arcing out to meeting new people and other friends and

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<v Speaker 1>uh yeah, so we're going out and eating at restaurants

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<v Speaker 1>and yeah, it's been it's been nice.

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<v Speaker 3>And once you start doing it, it gets easier and easier.

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<v Speaker 2>Right, Yeah, Well it's.

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<v Speaker 4>Like, yeah, it's like exercise or anything.

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<v Speaker 5>I feel like once you like get it that, I mean,

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<v Speaker 5>this is the problem like for so many people coming

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<v Speaker 5>out of the pandemic, right, it's like they got so

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<v Speaker 5>used to just being home and like walk down that

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<v Speaker 5>the idea of like you just have to get into

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<v Speaker 5>the habit, like when you socialize, you just keep going.

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<v Speaker 1>It's so fun, that doesn't I can My balance is

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<v Speaker 1>one night a week, maybe two, and then I want

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<v Speaker 1>the rest at home. The idea we're four times a

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<v Speaker 1>week's yeah, that's insane to me.

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<v Speaker 2>No, No, I do agree with you. Will a night

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<v Speaker 2>out once a week sounds great.

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<v Speaker 1>We literally, as we were driving there last night, looked

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<v Speaker 1>at each other and both at almost the same time said,

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<v Speaker 1>if this play is not as entertaining as season three

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<v Speaker 1>Love Island, USA, we're.

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<v Speaker 4>Both gonna be us so because we had to drive

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<v Speaker 4>to get to it, we're Love Island right there in

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<v Speaker 4>that room over there. So luckily it was very good.

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<v Speaker 1>But again shout out to Lucas, Harrison and Jamie and

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<v Speaker 1>the Shut Up podcast, which was partially inspired by us

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<v Speaker 1>on Pod Meats World helping the next generation people so

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<v Speaker 1>you don't have a parent, I'm doing it.

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<v Speaker 2>Welcome to pod meets World.

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<v Speaker 4>I'm Daniel Fishal, I'm Rider Strong and I'm Wilfordell.

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<v Speaker 2>We have hit the midpoint of season six and we

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<v Speaker 2>are taking a break to bring you more Rewind episodes,

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<v Speaker 2>a new group of four episodes where we ask a

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<v Speaker 2>past guest to come back on the podcast and pick

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<v Speaker 2>any episode we've already recapped to talk about in order

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<v Speaker 2>to bring their POV and thoughts to Pod Meets World.

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<v Speaker 2>And this week we are bringing back a former writer, director, showrunner,

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<v Speaker 2>and producer of Boy Meets World, a name we constantly

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<v Speaker 2>say when we need an answer for something we don't know.

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<v Speaker 2>By this point, we should probably have merch that says

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<v Speaker 2>We'll have to ask Kendall about that when he's back on.

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<v Speaker 2>So when we asked him to come back for a

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<v Speaker 2>be kind Rewind episode, he picked season two episode twenty three,

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<v Speaker 2>an emotional roller coaster home and the close of what

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<v Speaker 2>was the start of a David Kendall era of the show.

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<v Speaker 2>So welcome back to Pod Meets World. A man near

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<v Speaker 2>and dear to our hearts and someone who knows where

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<v Speaker 2>all the bodies are buried. It's David Kendall.

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<v Speaker 6>A Okay, can you see me?

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<v Speaker 7>Can you hear me? Can if you can hear it?

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<v Speaker 7>Can you hear me see me. Okay, good, I just

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<v Speaker 7>want to see if I can get you guys, just.

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<v Speaker 2>Well, still listen to you. You're still directed, Kendall. All right,

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<v Speaker 2>still here, good, welcome back. So good to see you

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<v Speaker 2>as always. I was really excited when I found out

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<v Speaker 2>that you picked this episode for us. First of all,

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<v Speaker 2>it's a real throwback for us, considering we are at

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<v Speaker 2>the midway point of season six.

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<v Speaker 7>You're in middle of six now, okay, yeah, yeah.

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<v Speaker 2>So going back to two is just the warmest, coziest.

0:10:39.760 --> 0:10:40.800
<v Speaker 4>That's what you got from it?

0:10:41.240 --> 0:10:43.720
<v Speaker 2>Blank it? Yes, what did you get from it?

0:10:43.720 --> 0:10:46.320
<v Speaker 4>It just made me sad. It made me sad for

0:10:46.600 --> 0:10:47.280
<v Speaker 4>in the show.

0:10:47.080 --> 0:10:49.320
<v Speaker 2>We are now, right, what do you mean?

0:10:49.520 --> 0:10:53.800
<v Speaker 1>Because because it's so good it is, the characters are

0:10:53.960 --> 0:10:56.880
<v Speaker 1>so like well drawn and like, yeah.

0:10:56.840 --> 0:11:02.439
<v Speaker 2>It's a tight episode. Ere thing makes.

0:11:01.400 --> 0:11:05.280
<v Speaker 1>Television show than we're watching right now, just two different shows.

0:11:05.320 --> 0:11:09.600
<v Speaker 1>And I was arguably having more fun shooting season six

0:11:09.720 --> 0:11:11.440
<v Speaker 1>because we were all together in our cast.

0:11:11.600 --> 0:11:13.880
<v Speaker 4>But but man, it was it was like slipping into

0:11:13.880 --> 0:11:14.440
<v Speaker 4>a warm tub.

0:11:14.440 --> 0:11:15.640
<v Speaker 1>And at first it was great, and then it just

0:11:15.679 --> 0:11:18.920
<v Speaker 1>made me sad.

0:11:19.040 --> 0:11:21.640
<v Speaker 5>You directed season six, right, we must have seen an

0:11:21.640 --> 0:11:22.679
<v Speaker 5>episode because you came back.

0:11:23.040 --> 0:11:23.520
<v Speaker 4>I came back.

0:11:24.280 --> 0:11:24.640
<v Speaker 1>I was.

0:11:25.040 --> 0:11:28.560
<v Speaker 6>I ran for two and three, I was not there

0:11:28.640 --> 0:11:31.680
<v Speaker 6>at all for four. I got into the rotation in

0:11:31.720 --> 0:11:33.880
<v Speaker 6>season five and was there through to the end.

0:11:35.000 --> 0:11:36.360
<v Speaker 7>I tried to take that season.

0:11:36.160 --> 0:11:39.559
<v Speaker 5>Six episodes you would have directed that we've seen already.

0:11:39.720 --> 0:11:43.120
<v Speaker 6>I can't remember where you are in it. But I

0:11:43.160 --> 0:11:46.439
<v Speaker 6>picked this episode because it's the only episode that I

0:11:46.480 --> 0:11:51.760
<v Speaker 6>worked on as a writer, producer and director of the show.

0:11:51.800 --> 0:11:54.040
<v Speaker 6>Because it's the end of season two, and that was

0:11:54.040 --> 0:11:59.360
<v Speaker 6>my first season, and I, you know, I hired myself

0:11:59.440 --> 0:12:02.880
<v Speaker 6>to direct it, and uh, you know, and it was

0:12:02.920 --> 0:12:05.199
<v Speaker 6>only the second episode of television I had ever directed,

0:12:05.920 --> 0:12:10.600
<v Speaker 6>and so it yeah, important to me in a lot

0:12:10.640 --> 0:12:13.120
<v Speaker 6>of ways, and and and it turned out great, and

0:12:13.160 --> 0:12:14.920
<v Speaker 6>you know, I watched it the other night and it

0:12:14.960 --> 0:12:20.560
<v Speaker 6>really holds up. And also, uh, when you did the

0:12:20.600 --> 0:12:25.320
<v Speaker 6>first rewatch, when you showed this, yeah, it's it said

0:12:25.400 --> 0:12:26.720
<v Speaker 6>David Trainor had directed it.

0:12:26.760 --> 0:12:30.640
<v Speaker 1>So right, I'm curious when you were you were I've

0:12:30.720 --> 0:12:31.720
<v Speaker 1>let that show, I've.

0:12:32.200 --> 0:12:32.720
<v Speaker 7>Let that shoe.

0:12:33.200 --> 0:12:34.880
<v Speaker 2>I'm glad you know the date and.

0:12:34.800 --> 0:12:39.080
<v Speaker 1>The time when you were producing the show and hired

0:12:39.080 --> 0:12:39.960
<v Speaker 1>yourself as a director.

0:12:39.960 --> 0:12:41.360
<v Speaker 4>What was the interview process like.

0:12:41.800 --> 0:12:42.400
<v Speaker 7>It was tough?

0:12:42.679 --> 0:12:43.439
<v Speaker 2>Yeah, it was tough.

0:12:43.520 --> 0:12:43.920
<v Speaker 7>It was tough.

0:12:44.000 --> 0:12:47.240
<v Speaker 6>Yeah, tough questions, tough questions, but I got through it.

0:12:47.240 --> 0:12:49.040
<v Speaker 7>It's kind of a blur. It's kind of a blur.

0:12:49.440 --> 0:12:51.800
<v Speaker 2>So I'm glad we're setting the record straight. Home was

0:12:51.840 --> 0:12:54.280
<v Speaker 2>not directed by David Trainer was directed by David Kendall.

0:12:54.320 --> 0:12:56.199
<v Speaker 2>That is an I m d be mistakes.

0:12:56.559 --> 0:12:58.840
<v Speaker 7>Well, you know, hell with them? Yeah? Or the heck

0:12:58.840 --> 0:12:59.719
<v Speaker 7>with them? Can I say hell?

0:13:01.120 --> 0:13:02.640
<v Speaker 2>You can say whatever you want.

0:13:02.800 --> 0:13:04.520
<v Speaker 7>Okay, Okay, you're gonna blip this out.

0:13:06.240 --> 0:13:14.000
<v Speaker 2>We won't use it as a all right, Okay, Well,

0:13:14.080 --> 0:13:17.320
<v Speaker 2>let's remind our audience what the synopsis of the show is.

0:13:17.440 --> 0:13:20.640
<v Speaker 2>Sean is invited to stay with the Matthews after Chet

0:13:20.679 --> 0:13:23.120
<v Speaker 2>takes off, he starts to feel like a burden and

0:13:23.280 --> 0:13:27.120
<v Speaker 2>sneaks out. Sean ends up on mister Turner's doorstep yet again,

0:13:27.240 --> 0:13:30.160
<v Speaker 2>where Turner gives him a lecture about finding direction in life.

0:13:30.600 --> 0:13:34.720
<v Speaker 2>So this episode you directed, you produced, you helped write,

0:13:34.800 --> 0:13:36.920
<v Speaker 2>it was so much for you? Was this like a

0:13:37.080 --> 0:13:39.040
<v Speaker 2>super big undertaking for you?

0:13:39.640 --> 0:13:41.679
<v Speaker 6>Well, you know, at that point, it's the end of

0:13:41.720 --> 0:13:44.400
<v Speaker 6>the season, so the scripture are pretty much done, or

0:13:44.440 --> 0:13:48.439
<v Speaker 6>they should be. But it was just kind of a

0:13:48.559 --> 0:13:50.839
<v Speaker 6>nice thing for me just to be selfish for a moment.

0:13:51.360 --> 0:13:53.920
<v Speaker 6>Is I was involved. You know, I was on the floor.

0:13:53.960 --> 0:13:56.880
<v Speaker 6>I'm running the room, I know you folks, and it's like,

0:13:57.040 --> 0:14:00.280
<v Speaker 6>I'm I want to direct, and it's like, here's an opportunity.

0:14:00.320 --> 0:14:03.680
<v Speaker 6>And the networks was cool with it. Michael was cool

0:14:03.679 --> 0:14:06.480
<v Speaker 6>with it, and you know, it worked out, so it

0:14:06.520 --> 0:14:08.920
<v Speaker 6>was it was also great fun. I got to throw

0:14:08.960 --> 0:14:11.360
<v Speaker 6>some visual things in there that you know, because I'm

0:14:11.360 --> 0:14:13.920
<v Speaker 6>on the floor with you guys, and I was happy

0:14:13.960 --> 0:14:16.320
<v Speaker 6>with the staging and you know I was.

0:14:16.360 --> 0:14:17.240
<v Speaker 7>I was really excited.

0:14:17.360 --> 0:14:20.200
<v Speaker 6>And you know, looking back thousands of years later, it's

0:14:20.200 --> 0:14:21.600
<v Speaker 6>still like, hey, this is a good episode.

0:14:21.840 --> 0:14:24.400
<v Speaker 4>It What was the first one you directed? You said

0:14:24.400 --> 0:14:25.040
<v Speaker 4>this was number two?

0:14:25.120 --> 0:14:25.280
<v Speaker 1>Oh?

0:14:25.400 --> 0:14:28.040
<v Speaker 6>I on Just the ten of Us, the Growing Plaint

0:14:28.080 --> 0:14:32.280
<v Speaker 6>spin off. In my previous life, I directed an episode

0:14:32.280 --> 0:14:33.920
<v Speaker 6>of Just a ten of Us.

0:14:33.920 --> 0:14:34.200
<v Speaker 4>Cool.

0:14:34.560 --> 0:14:37.080
<v Speaker 3>Do you remember if we knew we were picked up

0:14:37.160 --> 0:14:39.520
<v Speaker 3>or not? You never knew, We never knew.

0:14:39.560 --> 0:14:41.720
<v Speaker 7>I mean that was a point. It's like we lived

0:14:41.760 --> 0:14:43.720
<v Speaker 7>on the bubble for all those years, at least of

0:14:43.720 --> 0:14:45.520
<v Speaker 7>the years I was there, and.

0:14:45.960 --> 0:14:50.240
<v Speaker 6>That was part of the redoing or revamping or whatever

0:14:50.280 --> 0:14:53.680
<v Speaker 6>we did in season two. Was it was not a guaranteed.

0:14:53.760 --> 0:14:56.120
<v Speaker 6>It was not a lock. The show is not a lock,

0:14:56.440 --> 0:14:57.640
<v Speaker 6>and I don't know if it ever was.

0:14:58.200 --> 0:15:00.600
<v Speaker 2>We talk about this a lot about like how the

0:15:00.640 --> 0:15:05.160
<v Speaker 2>season story ideas come together. Where in the process from

0:15:05.240 --> 0:15:09.840
<v Speaker 2>a writer and director showrunner perspective, where does the idea

0:15:10.000 --> 0:15:13.200
<v Speaker 2>for what the finale of a season might be? Where

0:15:13.200 --> 0:15:15.720
<v Speaker 2>does that come in the process? Is it very early on?

0:15:16.240 --> 0:15:18.160
<v Speaker 6>Well, usually early on you have an idea of where

0:15:18.200 --> 0:15:20.520
<v Speaker 6>you want to go okay, and what the kind of

0:15:20.520 --> 0:15:22.640
<v Speaker 6>big markers are going to be, and what the kind

0:15:22.640 --> 0:15:25.160
<v Speaker 6>of for one of a better turn, the milestone episodes

0:15:25.160 --> 0:15:28.240
<v Speaker 6>are going to be where the big turns are, And

0:15:29.520 --> 0:15:32.880
<v Speaker 6>it was I can't remember where the inception of this

0:15:33.040 --> 0:15:35.240
<v Speaker 6>came from, but it was like, you know, we were

0:15:35.280 --> 0:15:38.000
<v Speaker 6>looking to evolve the show. Bringing in Tony was a

0:15:38.000 --> 0:15:40.800
<v Speaker 6>great addition and the chemistry that he had with everybody

0:15:40.880 --> 0:15:45.400
<v Speaker 6>was great. And again, it's a TV show, it's a comedy.

0:15:45.600 --> 0:15:48.880
<v Speaker 6>We try to take the character seriously, and taking Sean's

0:15:48.880 --> 0:15:51.280
<v Speaker 6>home life seriously and his friendship with.

0:15:53.160 --> 0:15:53.960
<v Speaker 7>Corey seriously.

0:15:54.000 --> 0:15:57.480
<v Speaker 6>What would be a nice evolution And since the teachers

0:15:57.520 --> 0:16:01.880
<v Speaker 6>were mentors, it was it just kind of seemed organic.

0:16:01.920 --> 0:16:04.560
<v Speaker 6>I don't I don't remember the the pulling and hauling

0:16:04.600 --> 0:16:06.840
<v Speaker 6>and and and stuff that went on in the room,

0:16:06.840 --> 0:16:11.800
<v Speaker 6>but it seemed like a nice logical, organic conclusion and

0:16:11.880 --> 0:16:15.000
<v Speaker 6>a way to keep people tuned into what's what's going

0:16:15.080 --> 0:16:17.560
<v Speaker 6>to happen next year? And also what's also was good

0:16:17.560 --> 0:16:19.560
<v Speaker 6>for us in the show and people running show, is

0:16:19.680 --> 0:16:21.200
<v Speaker 6>the network just going to think, what's going to happen?

0:16:21.240 --> 0:16:22.840
<v Speaker 7>Will this look interesting next year? Right?

0:16:23.120 --> 0:16:25.320
<v Speaker 2>So do you think from like day one at the

0:16:25.320 --> 0:16:27.960
<v Speaker 2>start of season two, was the idea at the end

0:16:27.960 --> 0:16:30.240
<v Speaker 2>of this Sean's gonna end up living with mister Turner.

0:16:30.280 --> 0:16:30.400
<v Speaker 7>Oh?

0:16:30.440 --> 0:16:32.880
<v Speaker 6>Absolutely not, because we don't know that Tony's going to

0:16:32.920 --> 0:16:34.440
<v Speaker 6>work out, We don't know how the chemistry is going

0:16:34.520 --> 0:16:37.720
<v Speaker 6>to be, and you know, you usually want to be

0:16:37.880 --> 0:16:39.520
<v Speaker 6>or at like I want to be, you know, eight

0:16:39.600 --> 0:16:43.720
<v Speaker 6>or ken stories ahead. But it was just kind of

0:16:43.760 --> 0:16:48.520
<v Speaker 6>working and it's, uh, it worked out nice.

0:16:48.960 --> 0:16:52.760
<v Speaker 5>Now we've already had the episode where Sean is going

0:16:52.840 --> 0:16:55.200
<v Speaker 5>to take the baseball bat to Turner's bike, right, that

0:16:55.280 --> 0:16:58.080
<v Speaker 5>was only that was like three or four episodes before.

0:16:57.800 --> 0:17:01.440
<v Speaker 1>This, Harley's last episode, Harley's well, the character of Harley's

0:17:01.480 --> 0:17:02.120
<v Speaker 1>last episode.

0:17:02.320 --> 0:17:05.240
<v Speaker 5>Yeah, yeah, I think because by then you could tell

0:17:05.280 --> 0:17:07.280
<v Speaker 5>that you guys were already planting the seeds for me,

0:17:07.400 --> 0:17:09.760
<v Speaker 5>Yeah and Turner to be together that way, we.

0:17:09.600 --> 0:17:12.080
<v Speaker 6>Were starting that and seeing how you guys worked off.

0:17:12.160 --> 0:17:15.600
<v Speaker 6>And also one of the great blessings of the show

0:17:15.680 --> 0:17:18.680
<v Speaker 6>is how much how the chemistry was between so many

0:17:18.680 --> 0:17:22.159
<v Speaker 6>of you of you actors, and it's like, hey, Tony's

0:17:22.160 --> 0:17:25.439
<v Speaker 6>stuff is looking really good with with with Ben, with Feoenie,

0:17:25.480 --> 0:17:28.159
<v Speaker 6>I mean, some of their their discussions, the back and

0:17:28.200 --> 0:17:32.120
<v Speaker 6>forth between uh, Turner and Foenie are just great. And

0:17:33.119 --> 0:17:36.359
<v Speaker 6>the back and forth with with Sean and Tony was

0:17:36.400 --> 0:17:39.200
<v Speaker 6>so good in that episode. Just looking at it other night,

0:17:39.359 --> 0:17:41.879
<v Speaker 6>there are so many things like when he gets you know,

0:17:42.280 --> 0:17:44.320
<v Speaker 6>when he starts yelling at Sean and and in the

0:17:44.359 --> 0:17:47.760
<v Speaker 6>ballroom dancing line, and it's like he's yelling, but.

0:17:47.680 --> 0:17:50.960
<v Speaker 7>He's not an a hole. He's yelling at this kid.

0:17:50.920 --> 0:17:52.960
<v Speaker 6>Who's who's screwed up, and it's like you're still on

0:17:53.040 --> 0:17:55.720
<v Speaker 6>his side, which is, you know, not a small accomplishment.

0:17:56.080 --> 0:17:58.000
<v Speaker 1>That's one of the things I think watching this episode

0:17:58.240 --> 0:18:00.000
<v Speaker 1>made me realize so much about seasons.

0:18:00.200 --> 0:18:01.639
<v Speaker 4>And I'm not going to sit here in Bashion season six,

0:18:01.680 --> 0:18:08.439
<v Speaker 4>they're just different. They're just different. I know, but it

0:18:08.640 --> 0:18:10.400
<v Speaker 4>so made me miss the adults.

0:18:11.000 --> 0:18:12.960
<v Speaker 1>It made me miss the grown ups of the show

0:18:13.000 --> 0:18:15.200
<v Speaker 1>because we became the grown ups of the show. So

0:18:15.480 --> 0:18:19.240
<v Speaker 1>Rusty and Betsy weren't there, Tony wasn't there, even Kat Thompson.

0:18:19.280 --> 0:18:21.720
<v Speaker 1>I mean, there were scenes that just took place between adults,

0:18:21.720 --> 0:18:23.520
<v Speaker 1>and it was such a nice break from it being

0:18:23.560 --> 0:18:26.280
<v Speaker 1>a kid show quote unquote that it really was a

0:18:26.320 --> 0:18:27.240
<v Speaker 1>wonderful balance that it.

0:18:27.280 --> 0:18:30.679
<v Speaker 5>Was also as adults were we kind of act crazy

0:18:30.800 --> 0:18:33.679
<v Speaker 5>and six you're like you're you as like Eric as

0:18:33.680 --> 0:18:36.320
<v Speaker 5>an adult is not like that's not what's happening.

0:18:36.440 --> 0:18:38.200
<v Speaker 3>And Sean and Corey are kind of flailing.

0:18:38.240 --> 0:18:39.920
<v Speaker 5>So it's like there isn't that ground I mean, I

0:18:39.960 --> 0:18:43.240
<v Speaker 5>guess Beanie's there, but he's also kind of like out

0:18:43.240 --> 0:18:46.440
<v Speaker 5>of his element too, Like this has such a clearer

0:18:46.520 --> 0:18:51.440
<v Speaker 5>like worldview that is so grounding and and and comfort comforting,

0:18:51.480 --> 0:18:53.800
<v Speaker 5>you know, and then as kids, like we mess up

0:18:53.840 --> 0:18:56.199
<v Speaker 5>and but there's a sense that like I don't know,

0:18:56.240 --> 0:18:59.800
<v Speaker 5>it's it's I missed like the Matthews House, I miss

0:19:00.160 --> 0:19:00.600
<v Speaker 5>the school.

0:19:00.680 --> 0:19:02.840
<v Speaker 6>I like to do a show for six or seven years,

0:19:02.880 --> 0:19:04.240
<v Speaker 6>it's nearly impossible.

0:19:04.440 --> 0:19:07.720
<v Speaker 5>I mean, going to college really destabilized our sense of location,

0:19:07.920 --> 0:19:10.840
<v Speaker 5>Like you know, the student union kind of becomes that,

0:19:10.880 --> 0:19:13.040
<v Speaker 5>but like the dorm rooms never fuel because everyone's got

0:19:13.040 --> 0:19:14.920
<v Speaker 5>their separate room, Like it just doesn't.

0:19:14.960 --> 0:19:16.280
<v Speaker 3>Whereas when I watched.

0:19:16.000 --> 0:19:18.800
<v Speaker 5>This episode, it's like, ah, there's an apartment where Turner,

0:19:18.920 --> 0:19:20.480
<v Speaker 5>you know, and even that is going to become a

0:19:20.600 --> 0:19:22.040
<v Speaker 5>center of a new show.

0:19:21.880 --> 0:19:24.800
<v Speaker 7>Had to grow and the characters I know, of course,

0:19:24.920 --> 0:19:26.800
<v Speaker 7>don't like change. Dave, I know you do.

0:19:26.960 --> 0:19:29.680
<v Speaker 6>I remember the drop shot when you watched the first

0:19:29.720 --> 0:19:33.280
<v Speaker 6>episode of season two. And also it was nice to

0:19:33.320 --> 0:19:37.520
<v Speaker 6>see how the promise. I guess I'm tooting my own

0:19:37.520 --> 0:19:39.399
<v Speaker 6>horn a little, but of what we started in season

0:19:39.400 --> 0:19:42.200
<v Speaker 6>two ended and sign of all kind of came together

0:19:42.240 --> 0:19:45.359
<v Speaker 6>in those last episode season two, pushing us all into

0:19:45.359 --> 0:19:45.960
<v Speaker 6>season three.

0:19:46.320 --> 0:19:52.119
<v Speaker 2>Yes, and I love how beautifully the A and B

0:19:52.440 --> 0:19:56.720
<v Speaker 2>storyline connect in this one. It's just so to me.

0:19:56.880 --> 0:20:01.760
<v Speaker 2>It is such a mastery of writing when you're able

0:20:01.840 --> 0:20:05.080
<v Speaker 2>to get the fact that mister Turner in his life

0:20:05.200 --> 0:20:07.960
<v Speaker 2>is being confronted with the idea that he's having a

0:20:08.040 --> 0:20:11.680
<v Speaker 2>hard time with commitment and why is that? And maybe

0:20:11.760 --> 0:20:15.439
<v Speaker 2>it's because he's been selfish for too long and he

0:20:15.440 --> 0:20:18.240
<v Speaker 2>he likes being selfish, he likes doing his own thing,

0:20:18.400 --> 0:20:22.800
<v Speaker 2>and how that culminates in the fact that Sean needs somebody,

0:20:23.160 --> 0:20:26.960
<v Speaker 2>and it just it's so well, like literally, it's one

0:20:27.000 --> 0:20:30.879
<v Speaker 2>of the tightest episodes on TV I've ever seen. Well,

0:20:30.880 --> 0:20:31.800
<v Speaker 2>there's another layer of it.

0:20:31.800 --> 0:20:34.200
<v Speaker 1>There's another layer too, where there's then moments of the

0:20:34.359 --> 0:20:38.080
<v Speaker 1>c story that come into the A story with Phoenie,

0:20:38.119 --> 0:20:39.960
<v Speaker 1>you know, telling Eric to miss the locker and all

0:20:39.960 --> 0:20:42.080
<v Speaker 1>that kind of stuff where it's like Feoene's involved in

0:20:42.080 --> 0:20:44.840
<v Speaker 1>the Matthews lives too, So even that story comes in.

0:20:44.920 --> 0:20:46.880
<v Speaker 4>It was really great, really really well, well.

0:20:46.840 --> 0:20:48.760
<v Speaker 6>What's so great there's so many great things about the

0:20:48.760 --> 0:20:50.800
<v Speaker 6>show we're still talking about it a billion years later.

0:20:51.280 --> 0:20:55.399
<v Speaker 6>Is Bill is so strong that Bill can do a

0:20:55.440 --> 0:20:57.600
<v Speaker 6>moment and it's just you feel his present throughout it.

0:20:57.640 --> 0:21:01.280
<v Speaker 6>I mean, Eric Locker is just a great guy, and.

0:21:01.680 --> 0:21:06.520
<v Speaker 2>He tells you everything yes yes, yeah, it's a tiny snippet,

0:21:06.760 --> 0:21:09.600
<v Speaker 2>and tells you everything you need to know about their relationship.

0:21:10.640 --> 0:21:13.520
<v Speaker 2>And of course, when you know right from the from

0:21:13.560 --> 0:21:15.720
<v Speaker 2>the minute he says, I need you to do some

0:21:15.840 --> 0:21:20.159
<v Speaker 2>yard work, you know instantly this of course is going

0:21:20.200 --> 0:21:22.359
<v Speaker 2>to be one of the three Secrets, one of the

0:21:22.400 --> 0:21:24.720
<v Speaker 2>Three Secrets is that he needed to get his brain

0:21:24.840 --> 0:21:28.239
<v Speaker 2>off of it. But also it's a fun way of feeling, like,

0:21:28.440 --> 0:21:32.040
<v Speaker 2>you know, Phoene's getting free work. It's just so great.

0:21:32.080 --> 0:21:34.120
<v Speaker 2>I love I truly loved everything.

0:21:34.040 --> 0:21:35.760
<v Speaker 3>Going back to going back to what what Will was

0:21:35.760 --> 0:21:37.080
<v Speaker 3>talking about With the adults too.

0:21:36.960 --> 0:21:40.119
<v Speaker 5>It's really interesting to think about how much time the

0:21:40.200 --> 0:21:42.639
<v Speaker 5>adults are concerned about the kids.

0:21:42.840 --> 0:21:44.600
<v Speaker 3>Like they're all talking to each other.

0:21:44.680 --> 0:21:48.720
<v Speaker 5>They're all figured it's like Sewan's not like Seawn's life

0:21:48.720 --> 0:21:51.119
<v Speaker 5>experience is not happening in a vacuum. There's like this

0:21:51.240 --> 0:21:54.280
<v Speaker 5>sort of Greek chorus of God's you know, like the

0:21:54.880 --> 0:21:56.480
<v Speaker 5>adults sitting around being like what are we going to

0:21:56.520 --> 0:21:58.320
<v Speaker 5>do about Sean? Who's going to take care of Sean?

0:21:58.359 --> 0:21:59.520
<v Speaker 5>What's happening with Seawn's dad?

0:21:59.640 --> 0:22:02.639
<v Speaker 3>I don't know? And like that is I really missed that?

0:22:02.720 --> 0:22:03.760
<v Speaker 3>Like that is so comforting.

0:22:04.080 --> 0:22:06.080
<v Speaker 7>How good is Darlene? How good is Darlene?

0:22:07.680 --> 0:22:08.160
<v Speaker 4>Phenomenal?

0:22:08.240 --> 0:22:10.080
<v Speaker 1>But it's also the thing that's so great is that

0:22:10.359 --> 0:22:13.719
<v Speaker 1>the keeping it another step towards how real it is.

0:22:14.240 --> 0:22:16.760
<v Speaker 1>It easily could have gone Sitcom with We're all just

0:22:16.840 --> 0:22:17.760
<v Speaker 1>so concerned about Sean.

0:22:17.760 --> 0:22:19.600
<v Speaker 4>What's gonna happen with Sean, but it was also Alan

0:22:19.720 --> 0:22:24.280
<v Speaker 4>going we can't afford this, Yeah, yeah, our family can't

0:22:24.320 --> 0:22:25.640
<v Speaker 4>physically afford this.

0:22:25.640 --> 0:22:27.960
<v Speaker 1>This is affecting us too, and man, I feel so

0:22:28.040 --> 0:22:30.320
<v Speaker 1>bad for Sean, but there comes a point where we're

0:22:30.359 --> 0:22:31.760
<v Speaker 1>not going to be able to do this anymore. So

0:22:31.760 --> 0:22:33.879
<v Speaker 1>it was just even another layer of realism onto it,

0:22:33.920 --> 0:22:35.040
<v Speaker 1>which is just so great.

0:22:34.840 --> 0:22:36.440
<v Speaker 6>But just another thing and looking at it the other

0:22:36.520 --> 0:22:39.760
<v Speaker 6>night is the moment where Sean arrives with the cop

0:22:39.800 --> 0:22:44.480
<v Speaker 6>at the door or excuse me, the cat, Darling Vogel

0:22:44.520 --> 0:22:48.040
<v Speaker 6>and Tony Quannard having the scene and it's interrupted the

0:22:48.080 --> 0:22:50.240
<v Speaker 6>cops of the door. There's an act break, but it

0:22:50.320 --> 0:22:54.480
<v Speaker 6>really plays like five six minutes of straight ahead action

0:22:54.840 --> 0:22:57.880
<v Speaker 6>without any breaks in the time is just straight ahead.

0:22:58.520 --> 0:23:02.920
<v Speaker 6>They're talking about their relationship, the cop arrives, Kat excuses

0:23:02.960 --> 0:23:05.640
<v Speaker 6>herself and the two guys sit down and you see

0:23:05.640 --> 0:23:08.960
<v Speaker 6>this kind of fun bonding with this undercurrent of you know,

0:23:09.000 --> 0:23:11.119
<v Speaker 6>you're screwing up, Sewan, someone needs to be there for you,

0:23:11.200 --> 0:23:13.240
<v Speaker 6>and it's just and you're both hitting all the marks,

0:23:13.240 --> 0:23:15.000
<v Speaker 6>you're both hating all the wonderful thing.

0:23:15.080 --> 0:23:17.560
<v Speaker 5>That's one of my favorite scenes, like watching it back too, like,

0:23:17.600 --> 0:23:20.160
<v Speaker 5>because that's where I turned right.

0:23:20.320 --> 0:23:21.919
<v Speaker 3>Like, what do you want to know about where you are?

0:23:22.520 --> 0:23:24.040
<v Speaker 3>I mean, at that moment, you're just and then we

0:23:24.080 --> 0:23:24.800
<v Speaker 3>put our feet up.

0:23:24.800 --> 0:23:26.639
<v Speaker 4>I was just like, Oh, that's.

0:23:26.400 --> 0:23:28.160
<v Speaker 3>Like going to be such a big part of the show.

0:23:28.200 --> 0:23:30.159
<v Speaker 3>And you can just see it come together right there.

0:23:30.200 --> 0:23:31.960
<v Speaker 3>You're like, oh, now they have to live together.

0:23:32.320 --> 0:23:35.639
<v Speaker 4>That physicality is that was and I think this was

0:23:35.640 --> 0:23:36.280
<v Speaker 4>all you, David.

0:23:36.400 --> 0:23:39.280
<v Speaker 1>I mean, all the messicality of her taking his hands

0:23:39.280 --> 0:23:42.040
<v Speaker 1>and putting his hands on her face and all that

0:23:42.119 --> 0:23:42.920
<v Speaker 1>kind of Oh, it.

0:23:42.840 --> 0:23:43.800
<v Speaker 4>Was just was wonderful.

0:23:43.840 --> 0:23:46.600
<v Speaker 2>Really well, speaking of the adults on the show, I

0:23:46.640 --> 0:23:50.320
<v Speaker 2>want to talk to you specifically about Blake Clark, because he's.

0:23:50.760 --> 0:23:53.280
<v Speaker 7>Oh goodness great, Yeah, Blake is great.

0:23:53.560 --> 0:23:56.919
<v Speaker 2>I mean we talk about I mean, this is this

0:23:56.920 --> 0:23:59.080
<v Speaker 2>could almost be considered a drive by for him if

0:23:59.080 --> 0:24:00.600
<v Speaker 2>it weren't for the fact that he was a recurring

0:24:00.680 --> 0:24:04.160
<v Speaker 2>character on the show already. What we talk a lot

0:24:04.160 --> 0:24:07.160
<v Speaker 2>about is when we get a fantastic guest star that

0:24:07.320 --> 0:24:10.520
<v Speaker 2>pops in, has only a couple of scenes but leaves

0:24:10.520 --> 0:24:13.600
<v Speaker 2>a lasting impression. We call that like a great drive by. Yes,

0:24:14.320 --> 0:24:17.800
<v Speaker 2>he does that. He has one very short scene where

0:24:17.840 --> 0:24:20.800
<v Speaker 2>he's not even in the room with any of the

0:24:20.840 --> 0:24:25.439
<v Speaker 2>other characters, and it makes a dramatic impact. He has

0:24:25.520 --> 0:24:29.280
<v Speaker 2>a little bit of a thinking outside the box pick

0:24:29.520 --> 0:24:31.359
<v Speaker 2>for this as an actor, because he was mostly known

0:24:31.400 --> 0:24:32.879
<v Speaker 2>as a stand up comedian. I mean, I know he

0:24:32.880 --> 0:24:36.160
<v Speaker 2>had done some home improvement, but do you remember how

0:24:36.240 --> 0:24:38.600
<v Speaker 2>you guys landed on him for this role.

0:24:39.359 --> 0:24:41.320
<v Speaker 6>I can't remember. I think he just read and he

0:24:41.440 --> 0:24:44.080
<v Speaker 6>nailed it. And so many great things about Blake, and

0:24:44.119 --> 0:24:46.600
<v Speaker 6>I've worked with him on other years after that is

0:24:47.440 --> 0:24:49.080
<v Speaker 6>and this was true in the writer's room when you're

0:24:49.119 --> 0:24:51.399
<v Speaker 6>working on stuff and trying to come up with stuff

0:24:51.400 --> 0:24:53.960
<v Speaker 6>for Blake, is like everybody ends up talking like Blake.

0:24:54.119 --> 0:24:57.040
<v Speaker 1>Yeah, oh yeah, yeah, Sean.

0:24:58.640 --> 0:25:01.080
<v Speaker 7>It's so infectious. It's kind of attitudes.

0:25:01.400 --> 0:25:04.160
<v Speaker 6>And everybody and your picture lines and your pigeon like Blake.

0:25:04.720 --> 0:25:07.359
<v Speaker 6>And just to answer the question from because I not

0:25:07.400 --> 0:25:10.160
<v Speaker 6>only did I watch the episode, I listened to your rewatch.

0:25:10.600 --> 0:25:12.240
<v Speaker 2>Oh you listened to twenty three?

0:25:13.640 --> 0:25:15.439
<v Speaker 7>I did you know? I'm nerdy that way? You know?

0:25:15.800 --> 0:25:16.119
<v Speaker 2>Okay?

0:25:16.400 --> 0:25:21.840
<v Speaker 6>And that when you see uh Chet at the restaurant

0:25:22.080 --> 0:25:24.920
<v Speaker 6>and you see out the window that's a giant TV

0:25:25.160 --> 0:25:26.359
<v Speaker 6>pushed up against the window.

0:25:26.520 --> 0:25:28.560
<v Speaker 3>Amazing and somebody ran out.

0:25:28.400 --> 0:25:30.520
<v Speaker 6>And just shot some stock footage of just kind of

0:25:31.960 --> 0:25:34.400
<v Speaker 6>we shot the stock footage of just cars driving by,

0:25:34.720 --> 0:25:38.920
<v Speaker 6>and we had you know, uh, the lighting department propped

0:25:38.920 --> 0:25:40.760
<v Speaker 6>the TV up so it's right by the window. Wow,

0:25:40.880 --> 0:25:42.720
<v Speaker 6>And we put a shade over the window so you

0:25:43.080 --> 0:25:46.600
<v Speaker 6>eyed un't time to study it, and so it was

0:25:46.640 --> 0:25:47.560
<v Speaker 6>a nice little effect.

0:25:47.600 --> 0:25:48.880
<v Speaker 3>So, you know, really amazing.

0:25:49.320 --> 0:25:51.800
<v Speaker 5>I want to say shout out to our lighting department too,

0:25:51.840 --> 0:25:54.720
<v Speaker 5>because they're also that scene with Sean and Corey in

0:25:54.800 --> 0:25:58.560
<v Speaker 5>the in the bedroom. Yeah, yeah, wonderful in a way

0:25:58.600 --> 0:26:00.760
<v Speaker 5>that our shows usually aren't.

0:26:00.960 --> 0:26:03.320
<v Speaker 3>And the way that the black, the lighty, the shadow

0:26:03.359 --> 0:26:06.359
<v Speaker 3>is right over Sean's eyes, it's really effective. I was like,

0:26:06.840 --> 0:26:07.720
<v Speaker 3>actually noticed it.

0:26:07.760 --> 0:26:10.480
<v Speaker 5>I was like, this the show is like a noir

0:26:10.800 --> 0:26:12.600
<v Speaker 5>suddenly has like this noir look to it.

0:26:12.680 --> 0:26:13.760
<v Speaker 3>That was really cool.

0:26:14.119 --> 0:26:16.440
<v Speaker 6>And Ben's moment when he says he needs a home

0:26:16.800 --> 0:26:22.239
<v Speaker 6>and he does so cute and fun and smart and

0:26:22.400 --> 0:26:24.879
<v Speaker 6>funny and and you know, everybody was great in that

0:26:24.880 --> 0:26:28.680
<v Speaker 6>episode and Ben, uh, you know, Ben nails its it all.

0:26:28.720 --> 0:26:30.600
<v Speaker 5>Absolutely God when he comes out of the tree at

0:26:30.640 --> 0:26:36.520
<v Speaker 5>the end and he's like, oh God, I broke God's

0:26:36.640 --> 0:26:37.520
<v Speaker 5>so funny and.

0:26:37.840 --> 0:26:42.240
<v Speaker 7>Ben is ninety year old, man. I mean take the rolls,

0:26:42.280 --> 0:26:42.399
<v Speaker 7>you know.

0:26:44.200 --> 0:26:47.000
<v Speaker 2>And by the way, we will say he's also been

0:26:47.160 --> 0:26:49.040
<v Speaker 2>a high point of season six for us.

0:26:49.080 --> 0:26:50.920
<v Speaker 4>One of the one of the few high points of

0:26:50.920 --> 0:26:52.160
<v Speaker 4>season six has been seas.

0:26:53.160 --> 0:26:56.760
<v Speaker 2>He is having so much fun. He's back to very

0:26:56.800 --> 0:27:00.919
<v Speaker 2>neurotic Corey and that that has been really nice.

0:27:01.320 --> 0:27:03.520
<v Speaker 3>But he seems so young in this does doesn't he like?

0:27:03.800 --> 0:27:06.520
<v Speaker 5>Because I'm physically the same size, but Ben is so

0:27:06.640 --> 0:27:08.440
<v Speaker 5>much smaller when we started the shows, like.

0:27:08.920 --> 0:27:11.000
<v Speaker 7>I think his moments before his voice changed too.

0:27:11.119 --> 0:27:13.840
<v Speaker 4>Yeah, yeah, I remember that he came back. I think

0:27:13.840 --> 0:27:15.280
<v Speaker 4>for season three it was like, hey, how you doing.

0:27:15.320 --> 0:27:16.720
<v Speaker 4>It's like whoa wow?

0:27:17.080 --> 0:27:34.040
<v Speaker 2>Yeah, Hi, okay, So I know we must have I

0:27:34.080 --> 0:27:36.240
<v Speaker 2>know we talked about it when we did our original recap.

0:27:36.280 --> 0:27:38.240
<v Speaker 2>I'm not as prepared to as David. I did not

0:27:38.280 --> 0:27:39.000
<v Speaker 2>re listen to it.

0:27:39.119 --> 0:27:41.920
<v Speaker 1>Yeah, I'm curious during your re listen, did you also

0:27:41.960 --> 0:27:44.159
<v Speaker 1>miss the adults? No?

0:27:45.400 --> 0:27:52.000
<v Speaker 2>Okay? What was in the bag that Kat left at

0:27:52.000 --> 0:27:53.840
<v Speaker 2>his house? I think we decided it must have been

0:27:53.840 --> 0:27:54.080
<v Speaker 2>a bra.

0:27:54.240 --> 0:27:57.480
<v Speaker 7>You decide, okay. I think it's good to not know

0:27:57.560 --> 0:27:58.040
<v Speaker 7>what it is.

0:27:58.280 --> 0:27:58.600
<v Speaker 2>Oh.

0:27:58.640 --> 0:28:00.280
<v Speaker 7>I think to have it open for disc USh and

0:28:00.320 --> 0:28:01.359
<v Speaker 7>it's actually more interesting.

0:28:01.400 --> 0:28:05.520
<v Speaker 4>You're going a Tarantino exactly what we were doing. That

0:28:07.280 --> 0:28:08.239
<v Speaker 4>glow that comes out.

0:28:11.080 --> 0:28:13.159
<v Speaker 7>Better to not know and not not define it.

0:28:13.359 --> 0:28:14.080
<v Speaker 3>Ever, say that word.

0:28:14.359 --> 0:28:15.760
<v Speaker 7>It's better to not define it.

0:28:15.920 --> 0:28:18.360
<v Speaker 4>Will you have a problem with panties? Panties?

0:28:18.720 --> 0:28:21.000
<v Speaker 2>People do it. It doesn't bother me really. Yeah.

0:28:21.040 --> 0:28:23.600
<v Speaker 5>Wait, panties is like moist, where some people like it,

0:28:23.600 --> 0:28:25.199
<v Speaker 5>and moist is totally fine for me.

0:28:25.280 --> 0:28:27.000
<v Speaker 7>But what about moist panties?

0:28:34.320 --> 0:28:37.240
<v Speaker 2>I think it was a bra. She said she has

0:28:37.280 --> 0:28:41.200
<v Speaker 2>more than one of them, and and that it was

0:28:41.240 --> 0:28:43.720
<v Speaker 2>fine to leave at his house.

0:28:44.680 --> 0:28:47.600
<v Speaker 4>There's a braw fit in that tiny little don't they fold?

0:28:47.840 --> 0:28:52.360
<v Speaker 2>I meant, oh, it's not that tiny. It's a lunch bag.

0:28:52.400 --> 0:28:55.000
<v Speaker 2>It's a brown paper or lunch bag definitely fits in there.

0:28:55.040 --> 0:28:57.320
<v Speaker 4>Wait. Does he use the singular or plural?

0:28:57.960 --> 0:28:59.240
<v Speaker 3>I think he uses the plural?

0:28:59.280 --> 0:29:01.800
<v Speaker 4>Does he uses same? You say you left these or

0:29:01.840 --> 0:29:04.040
<v Speaker 4>you left this? Because this is a bra.

0:29:04.480 --> 0:29:07.080
<v Speaker 6>Let it be a mystery for the generations to ponder.

0:29:07.280 --> 0:29:09.280
<v Speaker 2>Okay, okay, says this it's a bra.

0:29:10.000 --> 0:29:11.720
<v Speaker 4>We still think it's Fanny's.

0:29:12.160 --> 0:29:13.840
<v Speaker 2>He doesn't say these, he doesn't.

0:29:13.880 --> 0:29:18.080
<v Speaker 4>Okay, you got it. This is the show, Dave.

0:29:18.280 --> 0:29:21.120
<v Speaker 7>This is what happened? Okay, Yeah, that's.

0:29:21.000 --> 0:29:22.840
<v Speaker 2>What happens when you know, when you do a TV

0:29:22.920 --> 0:29:24.720
<v Speaker 2>show together for seven years and then you do a

0:29:24.760 --> 0:29:26.880
<v Speaker 2>podcast together for about seven years.

0:29:28.160 --> 0:29:31.040
<v Speaker 1>And your friends twenty years in the middle tour and

0:29:31.080 --> 0:29:33.320
<v Speaker 1>then tour exactly.

0:29:33.840 --> 0:29:36.040
<v Speaker 2>I know another thing we must have spent a long

0:29:36.080 --> 0:29:38.720
<v Speaker 2>time talking about, because I'm even having flashbacks as I'm

0:29:38.760 --> 0:29:44.120
<v Speaker 2>saying it. It is about cat needling Turner about marriage

0:29:44.440 --> 0:29:45.080
<v Speaker 2>and love.

0:29:45.240 --> 0:29:46.680
<v Speaker 7>Oh yeah, we'll have a thing about that.

0:29:46.840 --> 0:29:51.560
<v Speaker 2>After the war months of dating. Yes, yes, it's a

0:29:51.600 --> 0:29:55.960
<v Speaker 2>real or get off the pot conversation? And is what

0:29:55.960 --> 0:29:56.680
<v Speaker 2>do you think.

0:29:56.520 --> 0:29:58.400
<v Speaker 7>Of the original line to get off.

0:29:59.800 --> 0:29:59.880
<v Speaker 1>That?

0:30:00.000 --> 0:30:00.760
<v Speaker 4>It would have been better?

0:30:01.160 --> 0:30:01.360
<v Speaker 7>Yeah?

0:30:02.200 --> 0:30:04.400
<v Speaker 2>What do you think? Is it was this? Looking back?

0:30:04.480 --> 0:30:07.000
<v Speaker 2>Do you think that was premature of her? Or what's

0:30:07.040 --> 0:30:08.120
<v Speaker 2>your what's your take on it?

0:30:09.320 --> 0:30:13.040
<v Speaker 7>Yeah, it's premature, but people do premature things. I mean,

0:30:13.080 --> 0:30:13.479
<v Speaker 7>that's the thing.

0:30:13.520 --> 0:30:16.920
<v Speaker 6>People say inappropriate things all the time. So and also

0:30:17.520 --> 0:30:19.400
<v Speaker 6>I think, and I looked at it again the other night,

0:30:19.960 --> 0:30:21.400
<v Speaker 6>she's almost joking.

0:30:22.160 --> 0:30:23.240
<v Speaker 7>If Tony had.

0:30:23.200 --> 0:30:26.600
<v Speaker 6>Had decided to diffuse that with a laugh, it would

0:30:26.600 --> 0:30:29.560
<v Speaker 6>have not got serious contes that mean you want to

0:30:29.560 --> 0:30:29.960
<v Speaker 6>marry me?

0:30:30.600 --> 0:30:32.040
<v Speaker 7>And he could have made a joke about that.

0:30:32.120 --> 0:30:35.640
<v Speaker 6>He took it seriously, right, you got that right?

0:30:34.960 --> 0:30:36.680
<v Speaker 2>Right? Yeah?

0:30:37.120 --> 0:30:38.280
<v Speaker 4>Okay, yeah.

0:30:38.320 --> 0:30:41.160
<v Speaker 6>And also it's probably it could be inappropriate, but you know,

0:30:41.600 --> 0:30:43.320
<v Speaker 6>maybe that's how she felt in the moment, if we're

0:30:43.320 --> 0:30:46.360
<v Speaker 6>taking Kat as a real character. But also people say

0:30:46.400 --> 0:30:47.920
<v Speaker 6>things they shouldn't all the time.

0:30:48.160 --> 0:30:54.560
<v Speaker 2>Yeah, absolutely, yeah. And and people, especially uh adults in

0:30:54.640 --> 0:30:58.280
<v Speaker 2>relationships of a certain age where you start to feel

0:30:58.280 --> 0:31:00.840
<v Speaker 2>the pressure of am I gonna get married? Am I

0:31:00.880 --> 0:31:04.080
<v Speaker 2>going to have a family? Every relationship starts to take

0:31:04.120 --> 0:31:07.360
<v Speaker 2>on a new level of importance. And if you think

0:31:07.400 --> 0:31:10.280
<v Speaker 2>you found somebody you could settle down with. I can

0:31:10.360 --> 0:31:13.000
<v Speaker 2>understand from her perspective being like, do you think you

0:31:13.040 --> 0:31:14.360
<v Speaker 2>could feel the same way about me?

0:31:14.560 --> 0:31:17.640
<v Speaker 6>Because gave her an opening he said forever. Yeah, and

0:31:18.080 --> 0:31:20.120
<v Speaker 6>it's you know, and she could just be saying, what

0:31:20.160 --> 0:31:22.280
<v Speaker 6>do you mean by forever? I mean, it's just I

0:31:22.600 --> 0:31:24.920
<v Speaker 6>don't think it was a horrible thing, you know.

0:31:25.240 --> 0:31:27.960
<v Speaker 2>And the way it ties in perfectly with the fact

0:31:28.000 --> 0:31:31.720
<v Speaker 2>that she left something and unmentionable at his house and

0:31:31.800 --> 0:31:34.640
<v Speaker 2>it bothered him so much. She's like, you don't you

0:31:34.680 --> 0:31:36.600
<v Speaker 2>don't have to do this every time I leave something

0:31:36.600 --> 0:31:39.400
<v Speaker 2>at your house that has a feeling. Yeah, that's a

0:31:39.440 --> 0:31:42.640
<v Speaker 2>feeling you would get where you're like, why is it

0:31:42.760 --> 0:31:46.000
<v Speaker 2>so offensive to you for an item of mine to

0:31:46.120 --> 0:31:50.440
<v Speaker 2>be in your home for longer than like the evening.

0:31:50.480 --> 0:31:52.000
<v Speaker 2>You don't have to bring it back to me every time,

0:31:52.040 --> 0:31:55.760
<v Speaker 2>So it's obviously been on her mind. Another thing we've

0:31:55.800 --> 0:31:58.360
<v Speaker 2>noticed is a big deal in the Boy Meets World

0:31:58.480 --> 0:32:02.960
<v Speaker 2>universe are the SA tease and we have a big

0:32:03.040 --> 0:32:06.480
<v Speaker 2>emphasis on them, especially for Eric here in season two,

0:32:07.200 --> 0:32:11.160
<v Speaker 2>Can you, David let everyone know in our audience how

0:32:11.280 --> 0:32:13.920
<v Speaker 2>vital that score was for tra.

0:32:15.040 --> 0:32:16.680
<v Speaker 6>It was a make or break thing. It was kind

0:32:16.720 --> 0:32:19.800
<v Speaker 6>of defining who you are, what your brain is. I mean,

0:32:19.840 --> 0:32:22.560
<v Speaker 6>it's it's it's it's crap because that doesn't define who

0:32:22.560 --> 0:32:24.800
<v Speaker 6>you are, who you can be. But it was really

0:32:24.840 --> 0:32:29.160
<v Speaker 6>like getting a brand in your face, like okay, what

0:32:29.280 --> 0:32:31.880
<v Speaker 6>your what your number is, or what it's going to be.

0:32:32.080 --> 0:32:35.320
<v Speaker 6>And uh, you know, I'm glad it's it's that is

0:32:35.320 --> 0:32:37.880
<v Speaker 6>de emphasized, you know so much, and we put enough

0:32:37.880 --> 0:32:42.480
<v Speaker 6>pressure on kids without this kind of horrible marker. And yeah,

0:32:42.640 --> 0:32:46.160
<v Speaker 6>because the show is a coming of age in so

0:32:46.240 --> 0:32:50.480
<v Speaker 6>many ways, and Eric is trying to redefine himself a

0:32:50.520 --> 0:32:53.280
<v Speaker 6>little bit, and uh, you know, see what he can do,

0:32:53.400 --> 0:32:55.560
<v Speaker 6>see what he can be. And Jason is great too.

0:32:55.680 --> 0:32:58.640
<v Speaker 6>I mean there's see you believe their friends. That's another thing,

0:32:58.680 --> 0:33:01.000
<v Speaker 6>their chemistry. You believe these guys were friends, and.

0:33:01.080 --> 0:33:03.160
<v Speaker 1>He was also Ryder and I have talked about how

0:33:03.240 --> 0:33:06.080
<v Speaker 1>and Danielle has has We've all discussed how I learned

0:33:06.120 --> 0:33:08.160
<v Speaker 1>how to act kind of as the show was going,

0:33:08.520 --> 0:33:11.400
<v Speaker 1>and every time I'm with Jason, especially in the early episodes,

0:33:11.480 --> 0:33:15.400
<v Speaker 1>you just see the difference in the caliber of sitcom

0:33:15.440 --> 0:33:17.240
<v Speaker 1>actor for that age. I mean, Jason was working on

0:33:17.280 --> 0:33:19.120
<v Speaker 1>another level than I was at that point. He was

0:33:19.280 --> 0:33:23.440
<v Speaker 1>just so good and so natural with the comedy. And

0:33:23.480 --> 0:33:25.480
<v Speaker 1>eventually I got there. And I think one of the

0:33:25.480 --> 0:33:27.840
<v Speaker 1>reasons is because I was working with people like Jason.

0:33:28.280 --> 0:33:30.880
<v Speaker 3>This is his last episode, it was, right, Was this.

0:33:30.760 --> 0:33:32.480
<v Speaker 4>The last time we saw season two? Yeah, I don't

0:33:32.480 --> 0:33:33.720
<v Speaker 4>know if he came back for a season. So he

0:33:33.800 --> 0:33:35.240
<v Speaker 4>walks off that he does.

0:33:35.440 --> 0:33:35.760
<v Speaker 3>He does.

0:33:35.840 --> 0:33:40.120
<v Speaker 5>He's one of the few exits like the other way

0:33:40.160 --> 0:33:41.440
<v Speaker 5>from Phoenie's yard, like.

0:33:48.800 --> 0:33:50.960
<v Speaker 3>Camera oh my gosh.

0:33:51.040 --> 0:33:53.200
<v Speaker 1>Yeah, No, it was just the whole episode is It

0:33:53.320 --> 0:33:56.160
<v Speaker 1>was great and everybody, you forget how big a cast

0:33:56.200 --> 0:33:58.520
<v Speaker 1>we have until you see an episode like this, and

0:33:58.560 --> 0:34:01.640
<v Speaker 1>there's multiple storylines going on with that all intersect, but

0:34:01.760 --> 0:34:03.000
<v Speaker 1>it seemed like we had forty.

0:34:02.800 --> 0:34:04.680
<v Speaker 4>People in the company when you're watching this episode.

0:34:04.720 --> 0:34:06.920
<v Speaker 1>It was really amazing to see kind of the dance

0:34:06.920 --> 0:34:07.880
<v Speaker 1>of everybody working.

0:34:07.640 --> 0:34:09.280
<v Speaker 4>Around and it worked. It all worked great.

0:34:09.760 --> 0:34:11.920
<v Speaker 6>Yeah, it's a great episode. It was fun to see

0:34:12.040 --> 0:34:16.240
<v Speaker 6>Ivory ocean Ash the policeman as policemen. In Growing Pains,

0:34:16.239 --> 0:34:18.040
<v Speaker 6>he played a part called cop.

0:34:18.120 --> 0:34:21.960
<v Speaker 1>So you know. He was also also in Seinfeld he

0:34:22.000 --> 0:34:24.680
<v Speaker 1>played the one eyed police officer who's trying to find

0:34:24.680 --> 0:34:27.680
<v Speaker 1>newman a white whale. So he's I mean he right

0:34:27.680 --> 0:34:30.360
<v Speaker 1>when he popped on. This guy constantly plays a police.

0:34:30.080 --> 0:34:31.839
<v Speaker 7>Officer that's cop or policeman. Yeah.

0:34:31.880 --> 0:34:32.040
<v Speaker 1>Yeah.

0:34:33.160 --> 0:34:37.640
<v Speaker 2>We joke a lot about the very serious young writer

0:34:37.800 --> 0:34:42.799
<v Speaker 2>Strong and how seriously he took his craft. You were

0:34:42.800 --> 0:34:46.360
<v Speaker 2>there obviously dealing with some of his very first big

0:34:46.520 --> 0:34:51.440
<v Speaker 2>dramatic scenes and episodes. Right, What do you remember about

0:34:51.760 --> 0:34:57.800
<v Speaker 2>as the director steering the ship for young dramatic writer Strong.

0:34:58.680 --> 0:35:02.359
<v Speaker 6>What I remember is that his instincts were always good,

0:35:03.160 --> 0:35:05.480
<v Speaker 6>and he always understood it and always felt it and

0:35:05.520 --> 0:35:10.560
<v Speaker 6>always took it seriously in a good way. Those memory

0:35:10.600 --> 0:35:14.520
<v Speaker 6>banks are pretty dusty, I think we were probably looking

0:35:14.560 --> 0:35:17.640
<v Speaker 6>at trying to make sure it didn't get too darker introspective,

0:35:18.280 --> 0:35:22.000
<v Speaker 6>But those memory are are pretty dusty and just kind

0:35:22.000 --> 0:35:25.319
<v Speaker 6>of remember, you know, the stuff in the scene where

0:35:25.440 --> 0:35:27.200
<v Speaker 6>you know, what do you want to know about women?

0:35:28.360 --> 0:35:32.279
<v Speaker 6>And the moments where he says he needs to leave

0:35:32.880 --> 0:35:34.480
<v Speaker 6>to me. They play real, and I don't think they

0:35:34.520 --> 0:35:39.680
<v Speaker 6>get too melodramatic. Maybe there's some takes that that were melodramatic,

0:35:39.719 --> 0:35:41.799
<v Speaker 6>or maybe there's moments and run throughs that were, but

0:35:42.560 --> 0:35:47.960
<v Speaker 6>you know, it's I don't remember thinking, oh my goodness,

0:35:47.960 --> 0:35:49.520
<v Speaker 6>this is not gonna work. This guy's not on the

0:35:49.600 --> 0:35:51.520
<v Speaker 6>show that we're in, the same show we're doing. I mean,

0:35:51.560 --> 0:35:53.080
<v Speaker 6>what do you remember writer about that?

0:35:53.600 --> 0:35:55.640
<v Speaker 5>I think I think by this at this point, I

0:35:55.719 --> 0:35:57.960
<v Speaker 5>probably was had a lighter touch. I think it was

0:35:58.000 --> 0:36:00.120
<v Speaker 5>more like seasons three and four that it real they

0:36:00.200 --> 0:36:02.480
<v Speaker 5>started to get like you know, I mean by the

0:36:02.520 --> 0:36:05.399
<v Speaker 5>time Turners in the hospital, and I'm like, I feel

0:36:05.400 --> 0:36:07.640
<v Speaker 5>like that was when you had your got I'm a

0:36:07.760 --> 0:36:11.440
<v Speaker 5>drum yeah, godolog And that's when I think at this point,

0:36:11.840 --> 0:36:14.080
<v Speaker 5>as much as I wanted it to like, I feel

0:36:14.120 --> 0:36:16.440
<v Speaker 5>like I probably were We all had a light touch.

0:36:16.480 --> 0:36:18.680
<v Speaker 5>You know, and I just I just love working with Tony,

0:36:18.800 --> 0:36:21.800
<v Speaker 5>Like you can tell that we're just having fun and like, yeah.

0:36:21.719 --> 0:36:22.759
<v Speaker 7>So Tony keeps it.

0:36:22.960 --> 0:36:25.000
<v Speaker 6>He keeps it light, even the serious stuff, which is

0:36:25.040 --> 0:36:27.840
<v Speaker 6>just you know, gifted an actor he is.

0:36:27.960 --> 0:36:29.879
<v Speaker 4>Yeah, he's what's supposed to be there.

0:36:30.080 --> 0:36:32.600
<v Speaker 1>I'm sorry that he and Kat are supposed to be

0:36:32.640 --> 0:36:35.000
<v Speaker 1>what like early thirties, thirty two to thirty three kind

0:36:35.040 --> 0:36:35.920
<v Speaker 1>of age right now?

0:36:36.120 --> 0:36:37.520
<v Speaker 3>Sure, I think late, I don't think.

0:36:37.719 --> 0:36:38.120
<v Speaker 7>I don't know.

0:36:38.160 --> 0:36:40.080
<v Speaker 2>I think I was going to say mid thirties.

0:36:40.200 --> 0:36:41.640
<v Speaker 5>I was going to say I was going to say

0:36:41.760 --> 0:36:44.240
<v Speaker 5>very school in their twenty really think, okay.

0:36:44.560 --> 0:36:46.880
<v Speaker 4>I I was curious where they would where they would.

0:36:46.640 --> 0:36:48.879
<v Speaker 7>Be I think somewhere between twenty eight and thirty three.

0:36:48.880 --> 0:36:51.600
<v Speaker 4>But it's like, yep, yeah, that makes sense.

0:36:51.680 --> 0:36:52.000
<v Speaker 1>Okay.

0:36:52.600 --> 0:36:56.680
<v Speaker 2>Well, this episode ends on like a seemingly very promising

0:36:56.800 --> 0:37:00.760
<v Speaker 2>note that Sean is going to move in with mister Turner,

0:37:01.200 --> 0:37:05.360
<v Speaker 2>and then very quickly in season three, we get to

0:37:05.880 --> 0:37:12.040
<v Speaker 2>a mysterious motorcycle accident. Do you remember before knowing there

0:37:12.120 --> 0:37:14.280
<v Speaker 2>was going to be a motorcycle accident, do you remember

0:37:14.360 --> 0:37:18.880
<v Speaker 2>any of the long term ideas for a Sean Turner

0:37:18.960 --> 0:37:20.040
<v Speaker 2>living together scenario?

0:37:20.239 --> 0:37:22.480
<v Speaker 6>When was the motorcycle accident? I don't think it was

0:37:22.480 --> 0:37:23.440
<v Speaker 6>season three?

0:37:23.840 --> 0:37:27.480
<v Speaker 3>I think it was season four. Wasn't in three?

0:37:27.600 --> 0:37:28.600
<v Speaker 7>Did? I did? Think he did?

0:37:28.800 --> 0:37:29.280
<v Speaker 4>And three?

0:37:29.600 --> 0:37:31.960
<v Speaker 7>Tony was live and healthy when I left.

0:37:31.760 --> 0:37:36.880
<v Speaker 2>The show, I was, I was alive and healthy.

0:37:37.080 --> 0:37:40.400
<v Speaker 5>I think season three is when my mom comes back

0:37:40.480 --> 0:37:42.520
<v Speaker 5>and I go back to No, that was season four too,

0:37:42.719 --> 0:37:43.640
<v Speaker 5>wasn't the season.

0:37:43.760 --> 0:37:47.920
<v Speaker 6>I think season three? When does Chet have his heart attacks?

0:37:48.360 --> 0:37:49.760
<v Speaker 4>Was that season six?

0:37:50.480 --> 0:37:50.800
<v Speaker 7>Okay?

0:37:50.920 --> 0:37:51.480
<v Speaker 4>Yeah?

0:37:51.560 --> 0:37:55.040
<v Speaker 6>Yeah, but yeah, I Tony was alive, he was fine.

0:37:55.320 --> 0:37:56.680
<v Speaker 6>He was obeying traffic laws.

0:37:56.719 --> 0:37:57.360
<v Speaker 7>I guess that's.

0:37:57.239 --> 0:38:00.319
<v Speaker 1>When people are yelling at their their radio in their

0:38:00.320 --> 0:38:01.160
<v Speaker 1>phones right now.

0:38:01.880 --> 0:38:03.960
<v Speaker 4>Way, how do you not know you've seen it? How

0:38:04.000 --> 0:38:05.960
<v Speaker 4>do you now not know? Yes? I think he was.

0:38:06.040 --> 0:38:07.680
<v Speaker 4>Think Tony was there for all of two and all

0:38:07.719 --> 0:38:08.799
<v Speaker 4>of three, right right?

0:38:09.080 --> 0:38:12.400
<v Speaker 2>They moved together for all of three, yeah, and then four. Okay.

0:38:14.160 --> 0:38:18.400
<v Speaker 2>Do you remember any of your ideas for for Turner

0:38:18.560 --> 0:38:21.240
<v Speaker 2>going into season three? Do you remember anything of yours

0:38:21.280 --> 0:38:23.520
<v Speaker 2>that was like, here's a storyline for them that I

0:38:23.560 --> 0:38:24.200
<v Speaker 2>really want to do.

0:38:24.680 --> 0:38:28.520
<v Speaker 6>I know, but you asked I remember any my ideas,

0:38:28.640 --> 0:38:31.279
<v Speaker 6>And normally I think there's a code you don't say

0:38:31.280 --> 0:38:34.240
<v Speaker 6>what your jokes were or anything. But I do remember

0:38:34.320 --> 0:38:37.320
<v Speaker 6>the shaving cream on the I'm.

0:38:37.160 --> 0:38:39.319
<v Speaker 2>So glad you said that because I noticed it when

0:38:39.320 --> 0:38:41.640
<v Speaker 2>I washed it. I was like, how did I miss

0:38:41.719 --> 0:38:45.320
<v Speaker 2>that the first time? It's so funny, great.

0:38:45.200 --> 0:38:47.960
<v Speaker 7>I remember that that was my shaving.

0:38:48.040 --> 0:38:52.960
<v Speaker 2>His unibrow is brilliant, really good.

0:38:52.840 --> 0:38:56.040
<v Speaker 6>And you know, and and you know, Rider was a

0:38:56.040 --> 0:38:58.040
<v Speaker 6>good sport about it. You know, you never know how

0:38:58.080 --> 0:39:00.200
<v Speaker 6>someone's going to react when you just say, I'm to

0:39:00.280 --> 0:39:03.960
<v Speaker 6>draw attention to this. Yeah, as a teenager, so you

0:39:03.960 --> 0:39:04.759
<v Speaker 6>know it was.

0:39:04.880 --> 0:39:05.440
<v Speaker 7>It was good gag.

0:39:05.520 --> 0:39:09.600
<v Speaker 6>And all the s's in the refrigerator when Amy was

0:39:09.640 --> 0:39:11.360
<v Speaker 6>marking that, I was just I was glad to be

0:39:11.400 --> 0:39:13.800
<v Speaker 6>able to throw in a couple of you know, visual

0:39:14.120 --> 0:39:15.720
<v Speaker 6>things in that episode.

0:39:15.880 --> 0:39:18.839
<v Speaker 2>And then the S matches the patch on the back

0:39:18.880 --> 0:39:21.239
<v Speaker 2>of the jeans. It makes me laugh. So it made

0:39:21.280 --> 0:39:21.919
<v Speaker 2>me laugh so.

0:39:21.880 --> 0:39:25.880
<v Speaker 4>Much, big What do you think my mom's going to do?

0:39:26.200 --> 0:39:27.960
<v Speaker 1>She's going to take it back, patch it, clean it

0:39:28.000 --> 0:39:29.879
<v Speaker 1>and put an S on it like that was oh god,

0:39:29.920 --> 0:39:30.759
<v Speaker 1>it was such a good lie.

0:39:31.480 --> 0:39:34.120
<v Speaker 4>I also forgot already we have to do a rewatch

0:39:34.120 --> 0:39:36.399
<v Speaker 4>of the rewatch of the recast of the RePOP because

0:39:36.440 --> 0:39:40.360
<v Speaker 4>I forgot Lily did two seasons.

0:39:40.719 --> 0:39:42.480
<v Speaker 1>I know, I thought she was only in the first

0:39:42.480 --> 0:39:44.239
<v Speaker 1>season when I see her sitting at the tables, like.

0:39:44.160 --> 0:39:45.640
<v Speaker 4>Oh she did too full too.

0:39:45.960 --> 0:39:46.759
<v Speaker 2>Yeah, I thought she.

0:39:46.800 --> 0:39:49.840
<v Speaker 4>Was on a season. Then she wasn't. And then Lindsay came.

0:39:49.719 --> 0:39:54.560
<v Speaker 6>On and you know, the network said, you don't need her.

0:39:55.040 --> 0:39:58.120
<v Speaker 6>You're going to uh tell her or her reps or

0:39:58.120 --> 0:40:00.960
<v Speaker 6>her parents that she's not coming back for season three.

0:40:01.000 --> 0:40:03.279
<v Speaker 6>That was really a wonderful moment in the show.

0:40:03.680 --> 0:40:04.839
<v Speaker 4>So you had to do that.

0:40:04.960 --> 0:40:05.480
<v Speaker 3>You had to do it.

0:40:05.560 --> 0:40:08.839
<v Speaker 6>I was instructed to do that, and so rather than

0:40:08.880 --> 0:40:11.960
<v Speaker 6>the network do it, I thought it would be more

0:40:11.960 --> 0:40:15.239
<v Speaker 6>appropriate for people who worked on the show to call

0:40:15.440 --> 0:40:16.880
<v Speaker 6>you know, her dad.

0:40:16.680 --> 0:40:19.080
<v Speaker 2>And that was you know, how did that conversation go?

0:40:21.000 --> 0:40:24.400
<v Speaker 6>They again, that's in dim memories, but they seemed to

0:40:24.400 --> 0:40:26.480
<v Speaker 6>take it well and didn't sound all that surprised, or

0:40:26.480 --> 0:40:29.799
<v Speaker 6>maybe it was just a professional approach, but that was

0:40:30.520 --> 0:40:33.120
<v Speaker 6>you know, you You've talked about it a little bit,

0:40:33.520 --> 0:40:35.919
<v Speaker 6>and it is amazing. The show ran for seven years

0:40:35.960 --> 0:40:40.839
<v Speaker 6>and it's still insanely popular. Is it wasn't treated all

0:40:40.840 --> 0:40:43.440
<v Speaker 6>that well by Networking Studio in terms of you know,

0:40:43.560 --> 0:40:45.719
<v Speaker 6>being cheap. It's just like, you don't need the little girl.

0:40:45.760 --> 0:40:48.279
<v Speaker 6>You're going to get rid of her, and it's just

0:40:48.320 --> 0:40:49.960
<v Speaker 6>a discussion. No, it's not a discussion.

0:40:50.000 --> 0:40:50.600
<v Speaker 7>You're going to do it.

0:40:51.960 --> 0:40:55.240
<v Speaker 1>I think I think her dad, whose name is also David,

0:40:55.280 --> 0:40:57.839
<v Speaker 1>probably was a little more pragmatic about it because he's

0:40:57.880 --> 0:41:01.160
<v Speaker 1>a producer, so he probably you know, like, okay, I

0:41:01.200 --> 0:41:01.680
<v Speaker 1>get ITV.

0:41:01.840 --> 0:41:05.480
<v Speaker 2>We've also discussed that Lily didn't necessarily seem like she

0:41:05.640 --> 0:41:06.800
<v Speaker 2>was loving Oh.

0:41:06.920 --> 0:41:09.120
<v Speaker 6>I had heard that she you know that the first

0:41:09.160 --> 0:41:12.680
<v Speaker 6>season I wasn't there, So you guys can can see

0:41:12.680 --> 0:41:15.399
<v Speaker 6>if this comports with your memory. Was when she heard

0:41:15.400 --> 0:41:16.359
<v Speaker 6>about the pickup.

0:41:16.120 --> 0:41:18.520
<v Speaker 4>She cried in front of the audience. Yeah, she started

0:41:18.520 --> 0:41:19.520
<v Speaker 4>balling in front of the audience.

0:41:19.800 --> 0:41:21.720
<v Speaker 6>Normally, that's not the reaction you want from an actor.

0:41:21.719 --> 0:41:23.560
<v Speaker 6>Where guess what, there's another season.

0:41:26.000 --> 0:41:31.800
<v Speaker 4>She started yelling, I don't want to do this anything. Yeah,

0:41:34.040 --> 0:41:34.239
<v Speaker 4>it was.

0:41:34.239 --> 0:41:35.840
<v Speaker 5>The bad time when we got picked up for the

0:41:35.880 --> 0:41:37.839
<v Speaker 5>back nine, it was it was best for her.

0:41:38.880 --> 0:41:41.839
<v Speaker 7>Yeah, yeah, okay, she seriously didn't want to be there.

0:41:41.920 --> 0:41:44.399
<v Speaker 6>Yeah, I don't feel so bad now, Yeah I don't

0:41:44.400 --> 0:41:45.319
<v Speaker 6>feel quite so bad.

0:41:45.360 --> 0:41:48.239
<v Speaker 2>But this episode also does a really good job of

0:41:48.440 --> 0:41:55.719
<v Speaker 2>highlighting the chemistry between Will and Bill. Yes, I mean

0:41:56.719 --> 0:41:59.880
<v Speaker 2>it's kind of a magical pairing. What do you remember

0:42:00.160 --> 0:42:02.920
<v Speaker 2>about noticing that chemistry and then playing to it.

0:42:03.120 --> 0:42:07.400
<v Speaker 6>Well, it's you know, writers are kind of in the

0:42:07.440 --> 0:42:09.360
<v Speaker 6>best way. Maybe this isn't the right word.

0:42:09.640 --> 0:42:12.320
<v Speaker 7>Are whores? Is like, if something works, we're going to

0:42:12.440 --> 0:42:13.120
<v Speaker 7>go for it.

0:42:14.200 --> 0:42:15.200
<v Speaker 4>We're gonna write more of this.

0:42:15.560 --> 0:42:17.080
<v Speaker 6>You know, somebody gets the left, We're going to go

0:42:17.120 --> 0:42:18.920
<v Speaker 6>for this. This works great.

0:42:19.480 --> 0:42:22.040
<v Speaker 2>Maybe another word would be an opportunity writer.

0:42:26.320 --> 0:42:30.560
<v Speaker 6>That's okay, you're taking wrors a bad way, you know, No,

0:42:30.600 --> 0:42:35.160
<v Speaker 6>not as bad way, just alternatives.

0:42:36.840 --> 0:42:38.160
<v Speaker 7>Yes, we're sex workers.

0:42:38.360 --> 0:42:42.840
<v Speaker 6>We're sex workers making our customers happy.

0:42:42.880 --> 0:42:45.200
<v Speaker 7>Good, okay.

0:42:46.280 --> 0:42:48.520
<v Speaker 6>Yeah, it's just if this works, it's just you know,

0:42:48.920 --> 0:42:51.319
<v Speaker 6>it's it's your guys fault for making it work, you know,

0:42:51.920 --> 0:42:54.319
<v Speaker 6>and it's okay, this this is a great relationship.

0:42:54.600 --> 0:42:58.120
<v Speaker 2>We did talk about that recently, that it would would know.

0:43:00.360 --> 0:43:02.279
<v Speaker 4>It's almost every episode somewhere.

0:43:02.320 --> 0:43:06.680
<v Speaker 2>But we we talked about how we especially will will

0:43:06.719 --> 0:43:10.440
<v Speaker 2>notice that if if something gets a laugh in one episode,

0:43:11.120 --> 0:43:14.400
<v Speaker 2>we'll notice it again, if not the next episode, the

0:43:14.440 --> 0:43:16.600
<v Speaker 2>episode after that, and maybe even a couple of them

0:43:16.640 --> 0:43:18.920
<v Speaker 2>where it's like they worked the first time, will it

0:43:19.000 --> 0:43:20.160
<v Speaker 2>work the second time?

0:43:21.600 --> 0:43:23.560
<v Speaker 1>I mean how many I'm what was it first season

0:43:23.560 --> 0:43:25.960
<v Speaker 1>with Danger Boy, I'm this boy.

0:43:26.760 --> 0:43:28.000
<v Speaker 4>You know they tried.

0:43:30.920 --> 0:43:32.719
<v Speaker 3>One time and then you build on it, and then

0:43:32.760 --> 0:43:33.400
<v Speaker 3>you build.

0:43:33.160 --> 0:43:34.840
<v Speaker 7>On I don't know if that was ever written.

0:43:36.280 --> 0:43:38.879
<v Speaker 1>It just a mister feenie with an exclamation point. Eric

0:43:38.920 --> 0:43:40.640
<v Speaker 1>stands by the fence, mister feenie. That was it.

0:43:40.680 --> 0:43:42.200
<v Speaker 4>And then I could just milk.

0:43:41.960 --> 0:43:48.200
<v Speaker 6>It and well, I'm a whore, Dave, you're a sex worker.

0:43:49.880 --> 0:43:52.720
<v Speaker 2>But no, I remember, he's an opportune.

0:43:56.040 --> 0:43:56.279
<v Speaker 6>I have.

0:43:59.000 --> 0:43:59.839
<v Speaker 3>Really milk.

0:44:00.440 --> 0:44:01.759
<v Speaker 1>We just have to hurry up because I have to

0:44:01.760 --> 0:44:04.640
<v Speaker 1>have an opportunist test later to make sure I'm healthy.

0:44:06.040 --> 0:44:06.320
<v Speaker 3>Yeah.

0:44:06.400 --> 0:44:09.960
<v Speaker 1>The uh no, the the The thing I remember distinctly

0:44:10.040 --> 0:44:12.560
<v Speaker 1>was every time opening the script and seeing Eric and

0:44:12.840 --> 0:44:15.200
<v Speaker 1>Feoeni together, I was just I knew it was going

0:44:15.280 --> 0:44:16.000
<v Speaker 1>to be an awesome week.

0:44:16.080 --> 0:44:18.200
<v Speaker 4>I was just so happy because I knew working with Bill.

0:44:18.239 --> 0:44:21.040
<v Speaker 1>First of all, you were still kind of scared is

0:44:21.080 --> 0:44:23.120
<v Speaker 1>not the right word, but scared around Bill.

0:44:23.160 --> 0:44:26.480
<v Speaker 4>I mean he was into Yeah, he was the consummate professional.

0:44:26.680 --> 0:44:29.840
<v Speaker 1>He was never angry, but he was also never the

0:44:29.880 --> 0:44:32.080
<v Speaker 1>big warming Hey how was your weekend?

0:44:32.080 --> 0:44:33.080
<v Speaker 4>That just wasn't Bill.

0:44:33.080 --> 0:44:36.440
<v Speaker 1>Right, But he always treated you with the utmost respect.

0:44:36.480 --> 0:44:38.640
<v Speaker 1>He treated you like another actor. You knew you were

0:44:38.640 --> 0:44:41.360
<v Speaker 1>going to learn as you was like, just keep your

0:44:41.400 --> 0:44:42.799
<v Speaker 1>mouth shut and learn as much as you can. And

0:44:42.800 --> 0:44:44.799
<v Speaker 1>then when he did throw a compliment your way, it

0:44:45.040 --> 0:44:47.600
<v Speaker 1>was the most amazing thing that ever happened.

0:44:47.680 --> 0:44:50.160
<v Speaker 6>He lived through what you guys lived through, which is

0:44:50.239 --> 0:44:51.560
<v Speaker 6>amazing to think about that.

0:44:51.760 --> 0:44:53.799
<v Speaker 4>But he never told us that. We didn't know that.

0:44:53.920 --> 0:45:00.640
<v Speaker 1>He wouldn't tell We talked to years later, he said, Oh,

0:45:00.760 --> 0:45:02.600
<v Speaker 1>under no circumstances was I going to tell you that

0:45:02.640 --> 0:45:03.560
<v Speaker 1>I had been through any of this.

0:45:03.880 --> 0:45:04.399
<v Speaker 4>So he didn't.

0:45:04.520 --> 0:45:06.719
<v Speaker 2>I don't think he wanted us to ask him questions.

0:45:08.239 --> 0:45:10.799
<v Speaker 2>He was like, I was not trying to relate too

0:45:10.880 --> 0:45:11.360
<v Speaker 2>much to you.

0:45:12.440 --> 0:45:15.160
<v Speaker 6>Has it been told on the podcast the story that

0:45:15.760 --> 0:45:19.399
<v Speaker 6>Bill wasn't entirely comfortable with being mister feenie, Oh yeah,

0:45:19.600 --> 0:45:24.040
<v Speaker 6>in the front ear and what he said to David Traynor, I.

0:45:24.000 --> 0:45:25.879
<v Speaker 2>Would love to hear it from your POV as well.

0:45:25.880 --> 0:45:27.920
<v Speaker 6>All right, well they might have to blit the word

0:45:28.320 --> 0:45:31.040
<v Speaker 6>is he said, Am I really going to have to

0:45:31.040 --> 0:45:32.920
<v Speaker 6>stand on the other side of this fence.

0:45:32.719 --> 0:45:33.800
<v Speaker 7>For five years?

0:45:36.080 --> 0:45:36.440
<v Speaker 4>Seven?

0:45:40.560 --> 0:45:44.719
<v Speaker 6>So that has never been told on the podcast. I

0:45:44.760 --> 0:45:46.920
<v Speaker 6>asked Bill about that, and I said, did you say that,

0:45:46.960 --> 0:45:48.799
<v Speaker 6>and he said, I.

0:45:48.719 --> 0:45:50.879
<v Speaker 2>Suppose yes, sounds about right.

0:45:53.520 --> 0:45:56.080
<v Speaker 7>Oh my god, now it can be told.

0:45:56.160 --> 0:45:57.360
<v Speaker 3>Yeah, it's incredible.

0:45:57.560 --> 0:46:00.360
<v Speaker 2>We asked you about whether or not we at the

0:46:00.440 --> 0:46:02.320
<v Speaker 2>end of By the time we were doing this finale,

0:46:02.440 --> 0:46:04.480
<v Speaker 2>we knew whether we were picked up or not. We

0:46:05.200 --> 0:46:08.360
<v Speaker 2>it feels like we were a show always on the bubble.

0:46:08.840 --> 0:46:11.520
<v Speaker 6>I don't know if we knew it, definitely, because also

0:46:13.000 --> 0:46:15.120
<v Speaker 6>it was a strategy by Disney to keep us guessing

0:46:15.160 --> 0:46:17.520
<v Speaker 6>and keep us on our toes and keep us, you know,

0:46:18.880 --> 0:46:19.960
<v Speaker 6>not asking for too much.

0:46:20.560 --> 0:46:24.719
<v Speaker 2>Right. Wow, looking back now, with so much on your

0:46:24.760 --> 0:46:28.359
<v Speaker 2>shoulders in season two, what do you think was the heart?

0:46:28.440 --> 0:46:31.080
<v Speaker 2>What was the hardest part? Was it being a director,

0:46:31.120 --> 0:46:33.680
<v Speaker 2>was it being a showrunner? Was it being a producer?

0:46:34.520 --> 0:46:38.040
<v Speaker 6>There's nothing harder than running a show. Okay, it is

0:46:38.239 --> 0:46:42.600
<v Speaker 6>a miserable job. Yeah, and it's just it's twenty four

0:46:42.640 --> 0:46:47.640
<v Speaker 6>to seven and the pressures and it's great job. I mean,

0:46:47.920 --> 0:46:50.840
<v Speaker 6>it's wonderful and it's very satisfying. But it's not like

0:46:51.960 --> 0:46:53.719
<v Speaker 6>I think people in the middle of running a show aren't.

0:46:53.920 --> 0:46:55.840
<v Speaker 6>I'm having the best time.

0:46:56.200 --> 0:46:56.880
<v Speaker 7>I don't think you say that.

0:46:56.920 --> 0:46:58.239
<v Speaker 6>When you're running a show, you do that when you're

0:46:58.239 --> 0:47:00.600
<v Speaker 6>directing or when you're acting, when things are going well,

0:47:00.760 --> 0:47:04.600
<v Speaker 6>but running the show is is is really difficult, and

0:47:04.600 --> 0:47:08.360
<v Speaker 6>there's always pressures and it's like, you know, somebody was

0:47:08.360 --> 0:47:11.040
<v Speaker 6>that teaching a class or something. Someone said, so, what's

0:47:11.080 --> 0:47:12.200
<v Speaker 6>a typical day in running a show?

0:47:12.239 --> 0:47:14.439
<v Speaker 7>Said? There is no typical day in a running show.

0:47:14.640 --> 0:47:16.480
<v Speaker 6>Yeah, you know, your script could be thrown out, the

0:47:16.520 --> 0:47:18.960
<v Speaker 6>outline that you thought was going to work, the network doesn't.

0:47:18.760 --> 0:47:19.080
<v Speaker 7>Want to do.

0:47:20.280 --> 0:47:22.359
<v Speaker 6>The actor that you thought you had can't do it,

0:47:22.400 --> 0:47:24.759
<v Speaker 6>and and you're going to have to rearrange scripts so

0:47:24.800 --> 0:47:27.319
<v Speaker 6>that you can keep that actor in the arc. I mean,

0:47:27.360 --> 0:47:30.120
<v Speaker 6>it's just the cut is seven minutes long, and you

0:47:30.120 --> 0:47:31.680
<v Speaker 6>thought it was only going to be three minutes long.

0:47:32.040 --> 0:47:34.600
<v Speaker 7>And it's always.

0:47:34.239 --> 0:47:37.640
<v Speaker 2>Just it's just constantly putting out fires, right.

0:47:37.520 --> 0:47:40.840
<v Speaker 6>Putting out fires, And it's just, you know, is that

0:47:40.880 --> 0:47:43.000
<v Speaker 6>script going to read well? You think we are so

0:47:43.040 --> 0:47:45.480
<v Speaker 6>confident in the script, it's going to be great. Holy cow,

0:47:45.600 --> 0:47:47.719
<v Speaker 6>there wasn't a laugh. We're going to be here all night,

0:47:47.800 --> 0:47:48.000
<v Speaker 6>you know.

0:47:48.040 --> 0:47:51.320
<v Speaker 7>It's just you don't know, and it's great, and it's great.

0:47:51.360 --> 0:47:53.200
<v Speaker 1>Can I ask you, what do you remember what the

0:47:53.239 --> 0:47:55.560
<v Speaker 1>biggest fire was you ever had to put out as

0:47:55.600 --> 0:47:56.480
<v Speaker 1>the show runner a boy.

0:47:58.719 --> 0:48:01.040
<v Speaker 7>They were there's so much any that they always kind

0:48:01.080 --> 0:48:01.399
<v Speaker 7>of blur.

0:48:02.040 --> 0:48:04.439
<v Speaker 6>And I was as I was going through getting ready

0:48:04.440 --> 0:48:06.319
<v Speaker 6>for this episode and looking at the episodes that I

0:48:06.360 --> 0:48:10.960
<v Speaker 6>had directed, I was remembering, I think it was the

0:48:11.000 --> 0:48:14.080
<v Speaker 6>show that the Truman Show parody. I can't remember what

0:48:14.080 --> 0:48:16.759
<v Speaker 6>it was called, but uh, in.

0:48:16.680 --> 0:48:18.920
<v Speaker 4>Case you just we just recap that, Okay.

0:48:19.560 --> 0:48:23.960
<v Speaker 6>A nutty show. It's it's very very nutty. And the

0:48:24.000 --> 0:48:29.279
<v Speaker 6>table reading was a flat line. It was just nothing work.

0:48:29.360 --> 0:48:33.160
<v Speaker 6>This is gonna be hell. And of course I'm not

0:48:33.200 --> 0:48:34.920
<v Speaker 6>in the room now, I'm just on the stage waiting

0:48:34.960 --> 0:48:38.279
<v Speaker 6>for pages. And it was like, okay, you're not going

0:48:38.320 --> 0:48:40.840
<v Speaker 6>to have the script tomorrow. They're still working on it,

0:48:40.920 --> 0:48:44.640
<v Speaker 6>so you know, what do we do? Well, we should

0:48:44.680 --> 0:48:49.879
<v Speaker 6>have the first act by tomorrow, okay. And we ended

0:48:49.960 --> 0:48:53.880
<v Speaker 6>up block shooting the script on two different days. We

0:48:53.920 --> 0:48:56.000
<v Speaker 6>did the A story one day and the Bat story

0:48:56.040 --> 0:48:59.080
<v Speaker 6>the other day, and that was just like what you do?

0:48:59.360 --> 0:49:03.080
<v Speaker 3>You know, it was a tough episode because you have

0:49:03.200 --> 0:49:04.279
<v Speaker 3>the water coming down.

0:49:04.960 --> 0:49:09.320
<v Speaker 4>I'm the Truman Show. There's water on the set.

0:49:09.440 --> 0:49:12.000
<v Speaker 5>There's like them climbing out of a window, and then

0:49:12.040 --> 0:49:14.120
<v Speaker 5>there's a huge crowd in the student union.

0:49:14.200 --> 0:49:15.520
<v Speaker 3>That's a complicated episode.

0:49:15.640 --> 0:49:17.640
<v Speaker 1>Oh man, So wait, I have I have a question

0:49:17.640 --> 0:49:19.600
<v Speaker 1>for you, because you obviously are somebody who wore so

0:49:19.600 --> 0:49:21.759
<v Speaker 1>many hats on the show. When you come back to

0:49:21.880 --> 0:49:24.760
<v Speaker 1>direct something like The Truman Show and the script doesn't work.

0:49:24.800 --> 0:49:27.680
<v Speaker 4>Right, do you then also go into the writer's room

0:49:27.719 --> 0:49:30.120
<v Speaker 4>or are you like, no, no, no, no, no, no, no

0:49:30.640 --> 0:49:31.239
<v Speaker 4>no no.

0:49:31.440 --> 0:49:32.960
<v Speaker 6>I get the fun job. I get to go home,

0:49:34.120 --> 0:49:39.160
<v Speaker 6>go home, Okay, so you know, I get the fun job,

0:49:39.560 --> 0:49:42.279
<v Speaker 6>get the show. Another moment I remember in that is

0:49:42.320 --> 0:49:47.040
<v Speaker 6>the Beast story was, uh, Corey and and Sean are

0:49:47.160 --> 0:49:51.320
<v Speaker 6>trying to apply foene with with a nice brunch to improve,

0:49:51.360 --> 0:49:56.040
<v Speaker 6>which was funny, really funny, and and you guys were great.

0:49:56.080 --> 0:49:59.759
<v Speaker 6>The last moment of it, when Phoebe is flunking them

0:50:00.280 --> 0:50:04.400
<v Speaker 6>is Ben flings a waffle at the table and Bill

0:50:04.640 --> 0:50:08.080
<v Speaker 6>starts to eat it. If I had told Bill, We're

0:50:08.080 --> 0:50:09.839
<v Speaker 6>going to throw a waffle at you and you're going

0:50:09.880 --> 0:50:12.600
<v Speaker 6>to eat it, he never would have done that. But

0:50:12.640 --> 0:50:15.440
<v Speaker 6>the fact that it just kind of happened was I

0:50:15.520 --> 0:50:18.840
<v Speaker 6>was very happy because it's a great gag. If you

0:50:18.880 --> 0:50:21.800
<v Speaker 6>had telled William Daniels, Bill they're gonna throw a waffle

0:50:21.800 --> 0:50:22.000
<v Speaker 6>at you.

0:50:22.040 --> 0:50:23.800
<v Speaker 7>You're gonna eat it? He would have he would have

0:50:23.800 --> 0:50:25.120
<v Speaker 7>looked at me a skance.

0:50:25.120 --> 0:50:27.600
<v Speaker 2>Right, But the fact that it was spontaneous.

0:50:26.920 --> 0:50:30.319
<v Speaker 4>Yes, and his idea, Yes, yes, they have to eat this.

0:50:35.520 --> 0:50:36.040
<v Speaker 7>Yeah.

0:50:36.080 --> 0:50:39.120
<v Speaker 6>So you know, things happen when when you don't plan it.

0:50:39.160 --> 0:50:42.880
<v Speaker 6>But I remember that week was very strange because the

0:50:42.920 --> 0:50:44.160
<v Speaker 6>table reading flat line.

0:50:44.800 --> 0:50:47.120
<v Speaker 1>And that makes sense because I did not like the

0:50:47.120 --> 0:50:49.280
<v Speaker 1>A story, mostly because and we talked about this, because

0:50:49.320 --> 0:50:52.000
<v Speaker 1>of my performance. I felt like it was it wasn't

0:50:52.040 --> 0:50:55.440
<v Speaker 1>really played for comedy and it wasn't really played for drama,

0:50:55.520 --> 0:50:57.520
<v Speaker 1>so it kind of fell somewhere in the middle.

0:50:58.280 --> 0:51:00.000
<v Speaker 4>But the man the bet story was hysteric.

0:51:00.320 --> 0:51:00.680
<v Speaker 7>Be sorry.

0:51:00.680 --> 0:51:02.760
<v Speaker 6>It was funny, and you know, there's some good moments

0:51:02.760 --> 0:51:04.880
<v Speaker 6>in it, as there always are in that, but it

0:51:04.960 --> 0:51:08.680
<v Speaker 6>was by that time there was just kind of nuttiness.

0:51:08.719 --> 0:51:09.920
<v Speaker 7>I mean I was not in the room for any

0:51:09.960 --> 0:51:10.120
<v Speaker 7>of that.

0:51:10.200 --> 0:51:12.520
<v Speaker 6>Basically, I got the script delivered and it's like, Okay,

0:51:12.640 --> 0:51:15.520
<v Speaker 6>this is my job this week. But uh, you know,

0:51:15.640 --> 0:51:17.919
<v Speaker 6>I don't think America was dying to see boy Me's

0:51:17.920 --> 0:51:19.280
<v Speaker 6>World do a Truman Show parody.

0:51:19.280 --> 0:51:19.640
<v Speaker 7>I don't know.

0:51:19.800 --> 0:51:24.080
<v Speaker 1>Now, how did you feel coming back to the show

0:51:24.200 --> 0:51:27.319
<v Speaker 1>to direct episodes later, like did you have to bite

0:51:27.360 --> 0:51:29.960
<v Speaker 1>your tongue sometimes with the direction they were taking some

0:51:30.080 --> 0:51:32.759
<v Speaker 1>of the characters, or did you like you said, were

0:51:32.760 --> 0:51:34.400
<v Speaker 1>you like, not my business, I'm going to direct with

0:51:34.400 --> 0:51:35.840
<v Speaker 1>the handmade from.

0:51:35.800 --> 0:51:37.680
<v Speaker 6>For the most part, is like, this is my job.

0:51:37.960 --> 0:51:42.640
<v Speaker 6>I remember the episode with the young artist, the girl

0:51:42.680 --> 0:51:43.640
<v Speaker 6>who's in the same.

0:51:43.480 --> 0:51:44.960
<v Speaker 7>Age as but.

0:51:46.680 --> 0:51:47.640
<v Speaker 2>Alexandra Nikita.

0:51:47.760 --> 0:51:52.000
<v Speaker 6>Yes, And I remember getting the script and reading it

0:51:52.000 --> 0:51:53.520
<v Speaker 6>at homegoing this.

0:51:53.640 --> 0:51:58.719
<v Speaker 7>Makes no sense. This is what's going to happen. I

0:51:58.760 --> 0:52:06.000
<v Speaker 7>don't know what's going I couldn't sleep. What is what

0:52:06.040 --> 0:52:08.520
<v Speaker 7>are people going to say? Are they going to send

0:52:08.600 --> 0:52:09.040
<v Speaker 7>us home?

0:52:09.480 --> 0:52:11.759
<v Speaker 6>And I know it's not my job. Should I come

0:52:11.840 --> 0:52:14.200
<v Speaker 6>up with ways to solve it? But that's not what

0:52:14.680 --> 0:52:17.440
<v Speaker 6>I do? And so, you know, it was the table

0:52:17.480 --> 0:52:21.600
<v Speaker 6>reading and it was fine. Yeah, there's some nice jokes,

0:52:22.160 --> 0:52:25.240
<v Speaker 6>here's some moments that worked, and the notes were okay,

0:52:25.640 --> 0:52:27.800
<v Speaker 6>and it was like it was a kind of a lesson,

0:52:27.800 --> 0:52:29.480
<v Speaker 6>and this is your job, David. You're going to show

0:52:29.520 --> 0:52:31.680
<v Speaker 6>up and you're gonna direct, direct it. And I remember

0:52:31.800 --> 0:52:37.000
<v Speaker 6>a couple of things Bennett asked me while we were

0:52:37.160 --> 0:52:39.880
<v Speaker 6>on the floor, is you know Corey's doing this, and

0:52:39.880 --> 0:52:43.160
<v Speaker 6>then the next scene he's doing this. There's it doesn't

0:52:43.400 --> 0:52:46.320
<v Speaker 6>make sense the transition, what's going on? And I, thinking

0:52:46.320 --> 0:52:49.520
<v Speaker 6>on my feet, said, imagine a scene where this happened

0:52:49.560 --> 0:52:51.880
<v Speaker 6>and Corey learned this and this allowed him to change

0:52:51.880 --> 0:52:54.680
<v Speaker 6>his mind. This would be the connecting thread from that

0:52:54.760 --> 0:52:57.040
<v Speaker 6>scene to the scene. But we don't need to see

0:52:57.040 --> 0:52:58.799
<v Speaker 6>that scene. The audience needs to see that scene. So

0:52:58.880 --> 0:53:00.560
<v Speaker 6>let's imagine that that scene took place.

0:53:01.719 --> 0:53:02.080
<v Speaker 7>You know, so.

0:53:04.280 --> 0:53:07.520
<v Speaker 5>You wrote an extra scene that you couldn't actually write

0:53:07.800 --> 0:53:09.120
<v Speaker 5>and just gave it to the actor.

0:53:09.000 --> 0:53:12.000
<v Speaker 7>Right, Yeah, so you know, it's what what you do.

0:53:12.200 --> 0:53:16.000
<v Speaker 6>And and it was just a lesson as I was

0:53:16.040 --> 0:53:19.280
<v Speaker 6>still kind of learning how to be a director. And

0:53:19.680 --> 0:53:22.080
<v Speaker 6>you get the script, you make it as good as

0:53:22.080 --> 0:53:25.560
<v Speaker 6>you can. You find every single moment if someone asked

0:53:25.560 --> 0:53:29.600
<v Speaker 6>you for your input as a producer and and but

0:53:29.640 --> 0:53:30.880
<v Speaker 6>your that's not what your job is.

0:53:30.960 --> 0:53:32.239
<v Speaker 7>That's what I mean.

0:53:32.239 --> 0:53:35.400
<v Speaker 6>It's like in a way a kin you guys tell

0:53:35.440 --> 0:53:37.120
<v Speaker 6>me because I'm not an actor, of being an actor,

0:53:37.320 --> 0:53:39.520
<v Speaker 6>like here's the script, I'm going to make this work

0:53:39.760 --> 0:53:40.680
<v Speaker 6>because that's my job.

0:53:42.440 --> 0:53:44.640
<v Speaker 2>It's so funny hearing you talk about that stuff, like

0:53:44.880 --> 0:53:49.720
<v Speaker 2>thinking about now being a director myself, and how many

0:53:49.960 --> 0:53:54.240
<v Speaker 2>of my conversations as a director with actors focus around

0:53:54.360 --> 0:53:59.640
<v Speaker 2>things I don't have any control, you know, and it

0:53:59.719 --> 0:54:03.359
<v Speaker 2>being like but story wise and but character but why

0:54:03.400 --> 0:54:06.239
<v Speaker 2>from here to here? And exactly what you said? You

0:54:06.280 --> 0:54:09.719
<v Speaker 2>can you can give backstory, you can give subtext, you

0:54:09.800 --> 0:54:12.799
<v Speaker 2>can give hypotheticals, but at the end of the day,

0:54:12.880 --> 0:54:15.800
<v Speaker 2>if what really is something that an actor is bumping

0:54:15.920 --> 0:54:18.960
<v Speaker 2>up against can only be changed in the writing, There's

0:54:18.960 --> 0:54:21.440
<v Speaker 2>only so much I can do right now, and I

0:54:21.480 --> 0:54:23.120
<v Speaker 2>will pass along your message.

0:54:24.080 --> 0:54:27.359
<v Speaker 4>Are you the conduit then to then say, actor told me, Well,

0:54:27.400 --> 0:54:27.799
<v Speaker 4>in a lot.

0:54:27.719 --> 0:54:29.799
<v Speaker 5>Of ways, actors have more power than the director. So

0:54:30.000 --> 0:54:32.400
<v Speaker 5>the actors have more potential to go to the showrunner

0:54:32.480 --> 0:54:34.799
<v Speaker 5>or the writers and say this needs to change. The

0:54:34.840 --> 0:54:38.080
<v Speaker 5>director kind of can't do that, like because the actors

0:54:38.120 --> 0:54:39.600
<v Speaker 5>are going to have to be there the next week,

0:54:39.600 --> 0:54:41.120
<v Speaker 5>and you know, been a director, you might only be

0:54:41.160 --> 0:54:43.480
<v Speaker 5>there for one week, so you don't have the authority

0:54:43.520 --> 0:54:43.759
<v Speaker 5>you could.

0:54:43.840 --> 0:54:45.000
<v Speaker 3>You could maybe bring.

0:54:44.880 --> 0:54:48.160
<v Speaker 5>It up, but like you're not on the poster.

0:54:48.719 --> 0:54:48.919
<v Speaker 7>Yeah.

0:54:48.920 --> 0:54:51.440
<v Speaker 2>True, But on all the shows I have worked on,

0:54:52.280 --> 0:54:55.560
<v Speaker 2>I have found so far that when a situation like

0:54:55.600 --> 0:54:58.000
<v Speaker 2>that comes up and I say to them, would you

0:54:58.160 --> 0:55:02.080
<v Speaker 2>like me to bring this up the showrunner? Every time

0:55:02.200 --> 0:55:04.759
<v Speaker 2>the actor says, I would love that, thank you, and

0:55:04.800 --> 0:55:08.560
<v Speaker 2>then I am able to go. Sometimes in thirty minutes

0:55:08.600 --> 0:55:10.640
<v Speaker 2>when we break for lunch, go right up to the

0:55:10.640 --> 0:55:13.719
<v Speaker 2>writer's room and say, hey, from the floor, this is

0:55:13.719 --> 0:55:16.200
<v Speaker 2>what we're coming into right now, this is what this

0:55:16.280 --> 0:55:19.120
<v Speaker 2>actor has said, this is how they're feeling. Do you

0:55:19.320 --> 0:55:22.200
<v Speaker 2>want to incorporate do you want to change it before

0:55:22.280 --> 0:55:24.399
<v Speaker 2>run through? Do you like, is there something you want

0:55:24.440 --> 0:55:27.319
<v Speaker 2>to do to fix it so that they get what

0:55:27.360 --> 0:55:29.720
<v Speaker 2>they want and you can see it for run through?

0:55:30.000 --> 0:55:32.399
<v Speaker 2>Or do you want to see it as is right

0:55:32.440 --> 0:55:35.080
<v Speaker 2>now and then you can change it overnight? Or do

0:55:35.120 --> 0:55:36.760
<v Speaker 2>you want to have a conversation with them? And there's

0:55:36.920 --> 0:55:38.520
<v Speaker 2>always a solution always.

0:55:39.000 --> 0:55:42.080
<v Speaker 6>And another thing I'm fond of doing is just saying

0:55:42.719 --> 0:55:44.000
<v Speaker 6>your writers are very smart.

0:55:44.360 --> 0:55:44.640
<v Speaker 3>Yep.

0:55:46.040 --> 0:55:47.880
<v Speaker 4>Commit try yeah, try it.

0:55:48.080 --> 0:55:51.759
<v Speaker 6>You could surprise you and them and they're smart. If

0:55:51.760 --> 0:55:55.120
<v Speaker 6>it doesn't work, they'll change it. But commit And often

0:55:56.080 --> 0:55:58.120
<v Speaker 6>you know, and you guys know that as actors, you

0:55:58.160 --> 0:56:01.920
<v Speaker 6>try something that you don't think might be wobbly or iffy,

0:56:02.400 --> 0:56:04.800
<v Speaker 6>and you know what, the commitment made it work?

0:56:05.440 --> 0:56:07.919
<v Speaker 4>Yeah, Well, We used to hear that, especially during the

0:56:08.280 --> 0:56:08.960
<v Speaker 4>earlier days.

0:56:08.960 --> 0:56:10.960
<v Speaker 1>We would hear Michael and some of the other writers

0:56:10.960 --> 0:56:13.560
<v Speaker 1>and producers say stuff like that, like, if you don't commit,

0:56:13.880 --> 0:56:15.560
<v Speaker 1>we don't know if it's going to work or not

0:56:15.760 --> 0:56:17.760
<v Speaker 1>right exactly, So you've got to give it one hundred

0:56:17.760 --> 0:56:19.040
<v Speaker 1>percent and we'll see.

0:56:19.120 --> 0:56:21.879
<v Speaker 4>Okay, you gave it on and it's dead. That's on us.

0:56:22.000 --> 0:56:24.000
<v Speaker 6>And the hardest thing in the world in show business

0:56:24.360 --> 0:56:26.400
<v Speaker 6>is getting a TV show and a series on the

0:56:26.440 --> 0:56:29.680
<v Speaker 6>air and getting it in production. And you earn the

0:56:29.760 --> 0:56:35.080
<v Speaker 6>right to have the actors with respect commit to everything

0:56:35.120 --> 0:56:38.400
<v Speaker 6>that you've been given. Ye and you know they're obviously

0:56:38.520 --> 0:56:41.480
<v Speaker 6>compromising gray areas and it's not an absolute, but that's what.

0:56:42.200 --> 0:56:44.160
<v Speaker 6>This is what And I feel that as director, it's

0:56:44.160 --> 0:56:46.359
<v Speaker 6>like they're giving this to me. I'm going to try

0:56:46.400 --> 0:56:48.560
<v Speaker 6>to understand it. If I don't understand it, I'll ask

0:56:48.600 --> 0:56:50.839
<v Speaker 6>before I'm out there. And it's so, what does this mean?

0:56:50.920 --> 0:56:52.520
<v Speaker 6>I want to make sure I understand this, And it's

0:56:52.560 --> 0:56:53.800
<v Speaker 6>like commit commit.

0:56:53.880 --> 0:56:57.480
<v Speaker 7>I mean it's just look at all the I'm looking

0:56:57.520 --> 0:57:00.719
<v Speaker 7>at Will, all the surreal stuff that that Foudel was

0:57:00.760 --> 0:57:04.120
<v Speaker 7>given that because of commitment, it made it work that

0:57:04.600 --> 0:57:06.560
<v Speaker 7>it shouldn't have worked, but can't work?

0:57:20.600 --> 0:57:25.560
<v Speaker 2>You went on to direct an uncountable amount of family TV.

0:57:26.240 --> 0:57:28.360
<v Speaker 2>Well you may, what's the total? Do you know?

0:57:28.600 --> 0:57:31.640
<v Speaker 6>It's over two hundred episodes as directory.

0:57:31.960 --> 0:57:36.760
<v Speaker 2>Wow, Hannah Montana, even Stephens, Smart Guy, Victorious. The list

0:57:36.840 --> 0:57:41.600
<v Speaker 2>goes on and on and on. Sydney to the Max, Yes, Yes, yes, yes.

0:57:42.000 --> 0:57:46.560
<v Speaker 2>How is Boy Meets World the show with the biggest

0:57:46.600 --> 0:57:49.800
<v Speaker 2>cult following? I mean we were always on the bubble.

0:57:49.880 --> 0:57:51.960
<v Speaker 2>How is this going to show you that?

0:57:52.240 --> 0:57:53.200
<v Speaker 7>I was going to ask you that?

0:57:53.560 --> 0:57:58.880
<v Speaker 6>And if there's anything that you have learned from doing

0:57:58.880 --> 0:58:03.680
<v Speaker 6>the show and watching the show and touring with it.

0:58:03.800 --> 0:58:04.600
<v Speaker 7>I don't know.

0:58:04.680 --> 0:58:09.560
<v Speaker 6>I asked chat Shebt that question yesterday. Did you why

0:58:09.640 --> 0:58:12.480
<v Speaker 6>is the sitcom Boy Meets World so beloved and popular?

0:58:12.520 --> 0:58:13.960
<v Speaker 7>I asked chat Gibt yesterday?

0:58:14.000 --> 0:58:14.760
<v Speaker 2>And what was the answer.

0:58:15.880 --> 0:58:19.440
<v Speaker 6>Okay, I'll just read you the bullet points. Yeah, relatable

0:58:19.440 --> 0:58:25.120
<v Speaker 6>coming of age journey, timeless life lessons, three, genuine character development,

0:58:25.560 --> 0:58:28.920
<v Speaker 6>four iconic relationships Corey and Topanga and Corey and Sean,

0:58:29.560 --> 0:58:33.080
<v Speaker 6>five perfect blend of comedy and heart, six nostalgia and

0:58:33.080 --> 0:58:37.040
<v Speaker 6>cultural impact, and seven spin off love. That's what Chatchibt

0:58:37.200 --> 0:58:42.440
<v Speaker 6>said yeah, that the Girl Girl three brought a new

0:58:42.480 --> 0:58:43.959
<v Speaker 6>audience to the original show.

0:58:44.000 --> 0:58:46.200
<v Speaker 1>And yeah, yeah, Daniel, you were on a show called

0:58:46.240 --> 0:58:47.919
<v Speaker 1>Girl Meets World, which was after Boy Meets World.

0:58:48.040 --> 0:58:49.360
<v Speaker 2>Well, tell me more about this show.

0:58:49.440 --> 0:58:50.400
<v Speaker 4>I really don't want to.

0:58:50.720 --> 0:59:01.320
<v Speaker 2>Okay, thanks, when's that rewatched? You know another thing I'd

0:59:01.320 --> 0:59:04.320
<v Speaker 2>like to throw in the mix being an underdog. I

0:59:04.360 --> 0:59:07.480
<v Speaker 2>think being a little bit of an underdog helps. We

0:59:07.480 --> 0:59:09.360
<v Speaker 2>were kind of a show.

0:59:09.600 --> 0:59:09.840
<v Speaker 4>Yeah.

0:59:09.920 --> 0:59:15.000
<v Speaker 2>I think I think we were a show that that

0:59:15.200 --> 0:59:19.440
<v Speaker 2>maintained even though people didn't think it was going to last,

0:59:19.640 --> 0:59:22.240
<v Speaker 2>you know. I mean, and I think when you have

0:59:23.160 --> 0:59:26.600
<v Speaker 2>I think that by definition, having a cult following must

0:59:26.680 --> 0:59:30.480
<v Speaker 2>mean you weren't as popular or successful as some of

0:59:30.520 --> 0:59:34.600
<v Speaker 2>the other shows were in its time, but it holds

0:59:34.680 --> 0:59:36.080
<v Speaker 2>value for a longer period.

0:59:36.280 --> 0:59:40.320
<v Speaker 6>I think i'd said before is boy Mese World? Oh

0:59:40.320 --> 0:59:42.320
<v Speaker 6>I'm working on boy Mese World? It went from what

0:59:42.480 --> 0:59:44.280
<v Speaker 6>is that? To is that still on?

0:59:45.480 --> 0:59:49.160
<v Speaker 2>And to oh my gosh, you worked on Boys I know.

0:59:49.280 --> 0:59:53.040
<v Speaker 6>I remember when we did the picketing the writers Gil

0:59:53.160 --> 0:59:56.600
<v Speaker 6>Yes ticketing day and and fans showed up.

0:59:56.640 --> 0:59:58.040
<v Speaker 7>I mean, that was incredible.

0:59:58.080 --> 1:00:00.400
<v Speaker 6>The other thing that CHATCHYBT missed because it's it's just

1:00:00.440 --> 1:00:05.120
<v Speaker 6>a machine. Is the chemistry is the so much great chemistry.

1:00:05.800 --> 1:00:08.720
<v Speaker 1>Now we never got it when we were on the air,

1:00:08.760 --> 1:00:11.320
<v Speaker 1>because it was always we came on TGIF and all

1:00:11.360 --> 1:00:14.920
<v Speaker 1>the press, everything was all JLIL and family matters. And

1:00:14.960 --> 1:00:17.360
<v Speaker 1>then they left and we were maybe it's gonna be

1:00:17.440 --> 1:00:19.280
<v Speaker 1>us and then Sabrina comes on and we're like, what

1:00:19.400 --> 1:00:20.960
<v Speaker 1>the actual is happening?

1:00:21.000 --> 1:00:23.840
<v Speaker 4>We're now they're getting all the press. We were always skipped.

1:00:23.920 --> 1:00:26.080
<v Speaker 1>We were always skipped, and I think there is something

1:00:26.160 --> 1:00:29.200
<v Speaker 1>to that to people at first, like, well, Boy Meets

1:00:29.200 --> 1:00:31.360
<v Speaker 1>World was my favorite, and then it just kind of

1:00:31.440 --> 1:00:32.800
<v Speaker 1>kept growing and growing, and then I think it was

1:00:32.880 --> 1:00:35.680
<v Speaker 1>the second round. Was it ABC Family in the second

1:00:35.760 --> 1:00:37.800
<v Speaker 1>round or did it go right to Disney.

1:00:37.440 --> 1:00:40.880
<v Speaker 4>Channel the second round? Disney Channel wherever re aired it.

1:00:41.520 --> 1:00:43.680
<v Speaker 1>I think that's really where because then it was on

1:00:43.960 --> 1:00:48.800
<v Speaker 1>MTV and Disney Channel and all these different plays, and

1:00:48.840 --> 1:00:50.880
<v Speaker 1>I think by that point the second run is really

1:00:50.920 --> 1:00:52.880
<v Speaker 1>where the people started to and it.

1:00:52.800 --> 1:00:55.440
<v Speaker 6>Was a really strong ensemble. I think the other TJF

1:00:55.480 --> 1:00:58.480
<v Speaker 6>shows were more geared towards one or two characters, and

1:00:58.520 --> 1:01:01.640
<v Speaker 6>this was about a group of friends growing up and

1:01:02.840 --> 1:01:04.880
<v Speaker 6>mentors and life lessons.

1:01:04.880 --> 1:01:05.960
<v Speaker 7>But that's the chemistry.

1:01:06.240 --> 1:01:08.600
<v Speaker 1>I think there's also something to the fact that there

1:01:08.680 --> 1:01:12.120
<v Speaker 1>was very little, if anything about our show that was kitchy,

1:01:12.880 --> 1:01:15.480
<v Speaker 1>where it was like Sabrina was Sabrina. But it was

1:01:15.520 --> 1:01:18.720
<v Speaker 1>always also about magic, right, you know, a lot of

1:01:18.720 --> 1:01:21.240
<v Speaker 1>there was always some kind of little hook and they

1:01:21.280 --> 1:01:21.880
<v Speaker 1>were magical.

1:01:21.920 --> 1:01:22.280
<v Speaker 4>They were this.

1:01:22.440 --> 1:01:24.880
<v Speaker 1>We were just it was a family show. There was

1:01:24.920 --> 1:01:27.360
<v Speaker 1>a bunch of people growing up together. There's a great

1:01:27.360 --> 1:01:29.800
<v Speaker 1>line writer and I were talking about what we all were.

1:01:29.840 --> 1:01:32.400
<v Speaker 1>But I went to go see The Harry Potter and

1:01:32.400 --> 1:01:35.000
<v Speaker 1>the Curse of the Golden Child or whatever it's called

1:01:35.040 --> 1:01:37.680
<v Speaker 1>last night at the Pantagious and there's a line where

1:01:37.720 --> 1:01:39.680
<v Speaker 1>the two of the characters are talking and one of

1:01:39.720 --> 1:01:42.280
<v Speaker 1>them says the other, I always thought being a parent

1:01:42.880 --> 1:01:44.080
<v Speaker 1>was the hardest job in the world.

1:01:44.200 --> 1:01:46.760
<v Speaker 4>It's not. It's growing up. Growing up is the hardest

1:01:46.840 --> 1:01:47.520
<v Speaker 4>job in the world.

1:01:47.760 --> 1:01:51.640
<v Speaker 1>And I think there's something about watching especially Corey and

1:01:51.680 --> 1:01:54.200
<v Speaker 1>Sean and Corey and sewn at Tapanga all growing up

1:01:54.240 --> 1:01:56.640
<v Speaker 1>together with the same age of the people that are

1:01:56.640 --> 1:01:59.800
<v Speaker 1>watching the show. Yes, that was the crux of the show,

1:01:59.840 --> 1:02:02.520
<v Speaker 1>as we're all growing up together as opposed to and

1:02:02.520 --> 1:02:05.600
<v Speaker 1>they're all great shows as opposed to you're watching me

1:02:06.040 --> 1:02:08.040
<v Speaker 1>what it's like to be a witch. Yeah, you know,

1:02:08.080 --> 1:02:10.919
<v Speaker 1>those are two very different things, and I think one

1:02:10.920 --> 1:02:14.320
<v Speaker 1>of them sustains because growing up is growing up, no

1:02:14.400 --> 1:02:17.440
<v Speaker 1>matter when you're doing it. So I think that's another

1:02:17.440 --> 1:02:19.280
<v Speaker 1>reason why the show has continued to last for as

1:02:19.280 --> 1:02:19.760
<v Speaker 1>long as it has.

1:02:19.800 --> 1:02:21.840
<v Speaker 6>And also, the people who were our audience who grew

1:02:21.840 --> 1:02:24.600
<v Speaker 6>with the show are now in their thirties and forties,

1:02:24.600 --> 1:02:27.000
<v Speaker 6>and the people who are who run the world now,

1:02:27.120 --> 1:02:30.280
<v Speaker 6>you know, it's just like that's the group that has

1:02:30.320 --> 1:02:32.800
<v Speaker 6>taken their place front and center in the world.

1:02:33.040 --> 1:02:34.120
<v Speaker 1>Yeah.

1:02:34.160 --> 1:02:36.480
<v Speaker 2>Well, one of the other things that chat GPT missed

1:02:36.680 --> 1:02:40.360
<v Speaker 2>is David Kendall. Yes, you, David Kendall is one of

1:02:40.400 --> 1:02:43.280
<v Speaker 2>the reasons Boy Meets World is still being talked about.

1:02:43.360 --> 1:02:46.640
<v Speaker 2>You were obviously such an instrumental part of our show,

1:02:47.360 --> 1:02:50.360
<v Speaker 2>and you wore so many hats. We absolutely love you,

1:02:50.640 --> 1:02:54.160
<v Speaker 2>We appreciate you, Thank you for being here. You're still

1:02:54.280 --> 1:02:56.360
<v Speaker 2>the very first person we name when we go. You

1:02:56.400 --> 1:02:57.720
<v Speaker 2>know what we should we need to know the answer

1:02:57.720 --> 1:03:02.000
<v Speaker 2>to this, we got We gotta Kendall. Kend Kendall will know.

1:03:02.600 --> 1:03:04.360
<v Speaker 7>Okay, I'm embarrassed, but.

1:03:06.680 --> 1:03:09.320
<v Speaker 4>This was directed by David TRANP.

1:03:11.400 --> 1:03:13.720
<v Speaker 2>I will do that because I am d d You

1:03:13.720 --> 1:03:16.080
<v Speaker 2>know what, I think you probably could email I m

1:03:16.120 --> 1:03:17.440
<v Speaker 2>dB and get this corrected.

1:03:19.120 --> 1:03:23.240
<v Speaker 3>He's got two hundred episodes of television. What's one?

1:03:24.680 --> 1:03:27.320
<v Speaker 2>Thank you, David. Always always a pleasure to see you

1:03:27.360 --> 1:03:28.120
<v Speaker 2>and spend time with you.

1:03:28.360 --> 1:03:29.520
<v Speaker 7>I love you guys, you know that.

1:03:29.720 --> 1:03:32.800
<v Speaker 4>And can we do a lunch?

1:03:33.080 --> 1:03:33.760
<v Speaker 7>What are you doing now?

1:03:35.280 --> 1:03:36.160
<v Speaker 2>One more podcast?

1:03:38.040 --> 1:03:38.760
<v Speaker 4>We're working?

1:03:38.920 --> 1:03:39.160
<v Speaker 3>Dave?

1:03:39.440 --> 1:03:48.480
<v Speaker 6>Okay, well, good so soon. Loved you all, loved your

1:03:48.480 --> 1:03:50.880
<v Speaker 6>spouses and children, those of you that have them.

1:03:51.280 --> 1:03:58.360
<v Speaker 2>Yes, thank you so much, David. I love how how

1:03:58.440 --> 1:04:00.800
<v Speaker 2>much detail he knew about that episod, even though David

1:04:00.800 --> 1:04:04.480
<v Speaker 2>Trayner now it's unbelievable.

1:04:04.840 --> 1:04:07.200
<v Speaker 4>It's just hearing him talk about it.

1:04:07.240 --> 1:04:10.200
<v Speaker 1>You think about how rare it truly is to have

1:04:10.240 --> 1:04:14.280
<v Speaker 1>somebody who's executive producing, writing, and directing. I mean, you

1:04:14.360 --> 1:04:17.080
<v Speaker 1>get here, you're now in like the Seinfeld kind of

1:04:17.120 --> 1:04:19.080
<v Speaker 1>there's a handful of people that do it.

1:04:19.120 --> 1:04:21.640
<v Speaker 4>I mean Tim Allen didn't do that for for Home Improvement.

1:04:21.640 --> 1:04:24.240
<v Speaker 1>I mean all the biggest sitcoms, they weren't writing direct

1:04:24.280 --> 1:04:27.560
<v Speaker 1>I mean it's very rarefied air and television to wear

1:04:27.640 --> 1:04:28.760
<v Speaker 1>all three of those hats.

1:04:28.560 --> 1:04:30.440
<v Speaker 2>At the same and now it's shocking that he was like,

1:04:30.840 --> 1:04:33.080
<v Speaker 2>there's no harder job in the world. This is not

1:04:33.120 --> 1:04:36.200
<v Speaker 2>the shocking party. There's no harder job in the entertainment

1:04:36.280 --> 1:04:38.480
<v Speaker 2>universe than show running. And then he was like, and

1:04:38.520 --> 1:04:40.960
<v Speaker 2>so I was show running and decided let me direct

1:04:41.000 --> 1:04:42.200
<v Speaker 2>this one.

1:04:42.840 --> 1:04:44.440
<v Speaker 5>But I remember talking to him when we were when

1:04:44.440 --> 1:04:47.960
<v Speaker 5>we were at the strike and asking him like, what

1:04:48.000 --> 1:04:50.120
<v Speaker 5>do you know, because it was always kind of surprising

1:04:50.160 --> 1:04:52.640
<v Speaker 5>to me that he stuck with directing, because he started

1:04:52.680 --> 1:04:55.080
<v Speaker 5>as a writer on Growing Pains and then you know,

1:04:55.160 --> 1:04:56.280
<v Speaker 5>got to be a showrunner.

1:04:56.320 --> 1:04:58.520
<v Speaker 3>And but he was like, no, no, directing is why

1:04:58.600 --> 1:05:01.600
<v Speaker 3>you do this. He just working with actors.

1:05:01.600 --> 1:05:04.120
<v Speaker 5>He loves being on set. And it's cool because I

1:05:04.120 --> 1:05:06.600
<v Speaker 5>feel the same way. You know, like whiting is kind

1:05:06.640 --> 1:05:09.120
<v Speaker 5>of it's like a means to an end.

1:05:09.160 --> 1:05:09.320
<v Speaker 3>You know.

1:05:09.400 --> 1:05:11.520
<v Speaker 5>It's like you want to tell stories, so you have

1:05:11.600 --> 1:05:13.800
<v Speaker 5>to write to get it out. But like it's lonely

1:05:14.080 --> 1:05:16.200
<v Speaker 5>or you're in a room and it's competitive, it's like

1:05:16.280 --> 1:05:19.480
<v Speaker 5>it's hard, you know, whereas directing, even when it's hard,

1:05:19.640 --> 1:05:22.800
<v Speaker 5>it feels like you're just I don't know, it's so exciting.

1:05:22.800 --> 1:05:24.240
<v Speaker 5>It's so exciting to be on a set and a

1:05:24.280 --> 1:05:26.920
<v Speaker 5>problem solve in real time with actors and your crew.

1:05:27.160 --> 1:05:29.600
<v Speaker 5>It's so fun, even when it's hard, it's fun, whereas

1:05:29.600 --> 1:05:31.800
<v Speaker 5>I think show running it's really thankless.

1:05:32.080 --> 1:05:32.560
<v Speaker 2>Totally.

1:05:32.920 --> 1:05:35.800
<v Speaker 1>Yeah, if either of you had to make a guess,

1:05:36.040 --> 1:05:40.640
<v Speaker 1>why do you think Michael never directed an episode? That's

1:05:40.680 --> 1:05:44.080
<v Speaker 1>a really good question, because I mean he basically was

1:05:44.200 --> 1:05:46.120
<v Speaker 1>kind of doing it anyway a lot of the time.

1:05:46.280 --> 1:05:48.840
<v Speaker 1>So why do you think he never took the reins

1:05:48.840 --> 1:05:50.840
<v Speaker 1>of one, I mean a special one that meant something

1:05:50.840 --> 1:05:52.360
<v Speaker 1>to him. It's kind of now that I'm thinking about it,

1:05:52.440 --> 1:05:54.880
<v Speaker 1>seems odd that he never directed an episode.

1:05:56.240 --> 1:05:57.240
<v Speaker 3>Yeah, that's a good question.

1:05:57.520 --> 1:06:01.240
<v Speaker 2>That is a good question something only can be answered.

1:06:02.440 --> 1:06:02.920
<v Speaker 3>Jacobs.

1:06:03.480 --> 1:06:05.960
<v Speaker 5>Well, he did end up directing a movie, right, Yeah, relatively,

1:06:05.960 --> 1:06:07.880
<v Speaker 5>And so he directed a lot of theater too, didn't

1:06:07.920 --> 1:06:08.600
<v Speaker 5>he No?

1:06:09.080 --> 1:06:10.840
<v Speaker 4>Oh, I thought he directed some of the plays that

1:06:10.880 --> 1:06:12.720
<v Speaker 4>he thinks. Oh, I thought he did.

1:06:13.200 --> 1:06:13.280
<v Speaker 1>No.

1:06:14.440 --> 1:06:19.440
<v Speaker 5>Yeah, I there's I know there were there were there

1:06:19.440 --> 1:06:22.360
<v Speaker 5>were complaints from the d g A a lot h.

1:06:23.840 --> 1:06:25.800
<v Speaker 3>That he was overstepping uh.

1:06:25.840 --> 1:06:28.320
<v Speaker 5>And I mean, you know, I remember like talking to

1:06:28.360 --> 1:06:30.160
<v Speaker 5>people that DJA like how oh yeah, that we used

1:06:30.200 --> 1:06:32.800
<v Speaker 5>to get calls about Michael all the time, because directors

1:06:32.880 --> 1:06:35.440
<v Speaker 5>or director's assistants would be able to like call and

1:06:35.480 --> 1:06:38.720
<v Speaker 5>say this person should not be doing this job, overstepping

1:06:38.720 --> 1:06:39.400
<v Speaker 5>their bounds.

1:06:39.920 --> 1:06:43.600
<v Speaker 1>But oh, he directed an episode of My Two Dads,

1:06:43.600 --> 1:06:46.600
<v Speaker 1>so he that episode, so yeah why not?

1:06:46.680 --> 1:06:49.600
<v Speaker 4>Maybe yeah maybe, I mean it's true.

1:06:49.640 --> 1:06:53.240
<v Speaker 1>He could have could have hated it, so we'll have

1:06:53.240 --> 1:06:54.080
<v Speaker 1>to ask him someday.

1:06:54.520 --> 1:06:56.600
<v Speaker 2>Well, thank you all for joining us for this episode

1:06:56.600 --> 1:06:58.400
<v Speaker 2>of Pod Meets World. As always, you can follow us

1:06:58.440 --> 1:07:00.640
<v Speaker 2>on Instagram pod Meets World Show. You can send us

1:07:00.640 --> 1:07:03.480
<v Speaker 2>your emails pod Meets World Show at gmail dot com.

1:07:03.520 --> 1:07:05.400
<v Speaker 2>And we have got merch.

1:07:06.640 --> 1:07:08.000
<v Speaker 4>I got nothing merch.

1:07:10.000 --> 1:07:13.160
<v Speaker 2>Wow, you got nothing nothing.

1:07:13.280 --> 1:07:18.080
<v Speaker 5>We've emptied the merch bucket, emptied the merch bucket.

1:07:18.160 --> 1:07:19.160
<v Speaker 4>I get merchie.

1:07:19.200 --> 1:07:21.200
<v Speaker 3>Merch just go back to the original. What did you

1:07:21.240 --> 1:07:23.280
<v Speaker 3>say we used to just go merch.

1:07:23.360 --> 1:07:24.800
<v Speaker 4>March something like that. Yeah.

1:07:24.840 --> 1:07:27.440
<v Speaker 1>Those are just sounds more than anything else. And he

1:07:27.560 --> 1:07:28.400
<v Speaker 1>Kendall to direct me.

1:07:29.360 --> 1:07:33.080
<v Speaker 2>Pod Meets Worldshow dot com will send us out.

1:07:33.440 --> 1:07:35.240
<v Speaker 4>We love you all, pod dismissed.

1:07:36.400 --> 1:07:39.160
<v Speaker 1>Pod Meats World is nheart podcast producer and hosted by

1:07:39.240 --> 1:07:43.400
<v Speaker 1>Danielle Fischel, Wilfredell and Ryder Strong. Executive producers Jensen parp

1:07:43.440 --> 1:07:46.720
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1:07:47.040 --> 1:07:51.320
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1:07:51.320 --> 1:07:54.000
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1:07:58.920 --> 1:08:02.840
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