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Speaker 1: Taking a Walk.

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Speaker 2: It's interesting when you're surrounded by great people. They're usually

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Speaker 2: pretty cool. There's not much ego. Everybody just does their work.

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Speaker 2: Everybody's really humble, nice and respectful. And I learned a

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Speaker 2: lot from that because you know, you work with a

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Speaker 2: lot of people that run the gamut, and you know

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Speaker 2: who's full of shit and who's the real deal. And

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Speaker 2: it's such a treat. It's such an honor to work

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Speaker 2: with people that are great because they're just they know

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Speaker 2: what they're doing and they make it easier for you.

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Speaker 2: It's like a great dance partner, a great tennis partner.

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Speaker 2: You know, they just make you better. And so I

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Speaker 2: felt quite calm and collected, even though it was overwhelming,

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Speaker 2: especially because also Peter was they're filming a documentary something

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Speaker 2: great the song fell into. I can't even relax. I'm

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Speaker 2: just like, oh, on it. But you know, at the

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Speaker 2: same time, they everybody just made me feel comfortable and

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Speaker 2: that I have a write and belong here.

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Speaker 3: I'm Buzz Night, the host of but Taking a Walk pot.

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Speaker 3: This is the podcast where we talk with a variety

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Speaker 3: of musicians about their latest music projects.

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Speaker 1: Now, if you like what we do with Taking a Walk.

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Speaker 3: I'd love if you could share this or other episodes

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Speaker 3: with your friends.

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Speaker 1: Also, we love feedback.

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Speaker 3: So you can give me feedback by writing to me

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Speaker 3: at Buzz at Buzznightmedia dot com, or go to Apple

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Speaker 3: Podcasts leave us a review. On this episode, we're talking

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Speaker 3: with Grammy nominated singer Leslie Mendelssohn. She's collaborated with Jackson

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Speaker 3: Brown and many others. She has a great sound. She

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Speaker 3: has new music out called After the Party. It's her

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Speaker 3: fourth studio album. Let's talk with Leslie now on Taking

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Speaker 3: a Walk. Leslie, thanks for being on Taking a Walk.

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Speaker 3: Congratulations on your fourth album After the Party. We're gonna

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Speaker 3: celebrate that, but I want to ask you to start.

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Speaker 1: Tell me who influenced you to be a socially concerned artist.

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Speaker 2: I think it starts with John Lennon. I was always

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Speaker 2: a Beatles fan, but you know his political activism, you

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Speaker 2: know when he became a solo artist. I mean even

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Speaker 2: throughout his whole career with the Beatles, he always pushed back.

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Speaker 2: And that's what I love, you know, being able to

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Speaker 2: push back against whether it's authority, the regime, the government,

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Speaker 2: you know, and just speaking truth in your music. Bob

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Speaker 2: Marley does it, and you know csn Y, you know,

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Speaker 2: carisby Stiel's Nashy like people that are that and when

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Speaker 2: the message is good and there's truth and the songs

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Speaker 2: are good, that's a home run. So that's that always

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Speaker 2: turned me on.

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Speaker 3: Talk about some other musical influences, I know you have

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Speaker 3: a lot of them.

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Speaker 2: Yeah, Well, like I said, I grew up on the Beatles.

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Speaker 2: There were my first loves. And then but I grew

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Speaker 2: up on the radio and I loved pop music. I

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Speaker 2: love just you know, in high school or whatever or

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Speaker 2: after high school there's like Nirvana and everyone from Nirvana

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Speaker 2: to like Frank Sinatra or you know, like it was

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Speaker 2: just a huge there's no boundaries when it. If it's

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Speaker 2: a good song, I love it. I like, you know,

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Speaker 2: I got into country music a little later, but like

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Speaker 2: my influences early on was probably just like you know,

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Speaker 2: radio pop rock and just let's see and but then

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Speaker 2: when I got an acoustic guitar, I got into like

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Speaker 2: Joni Mitchell and Neil Young and that whole Laurel Canyon scene.

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Speaker 1: How does it make you feel that you not only

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Speaker 1: have a fan base in the traditional sense, but you're

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Speaker 1: also really adored by fellow artists.

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Speaker 2: Oh well, do tel I have no idea. That's nice.

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Speaker 2: I mean it's always nice to hear I like that.

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Speaker 1: Can you talk about that moment that was at Austin

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Speaker 1: City Limits when you performed with this fella named Jackson Brown?

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Speaker 2: Oh?

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Speaker 3: Him?

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Speaker 2: Well, okay, So speaking of like going back to when

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Speaker 2: I was mentioning Joni Mitchell and Laurel Canyon, when I

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Speaker 2: got my first acoustic guitar, I learned These Days. That

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Speaker 2: was one of my first songs that I learned. I mean,

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Speaker 2: I love Jackson Brown, and so when I had this

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Speaker 2: opportunity to work with him, it was amazing. And it

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Speaker 2: happened so casually too. I was doing this what do

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Speaker 2: they call it, like a house concert in Brooklyn, and

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Speaker 2: a director came up to me and said he liked

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Speaker 2: what I just did, He liked my set, and if

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Speaker 2: I'd be interested in collaborating, you know, doing some original

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Speaker 2: music for his documentary and possibly teaming up with Jackson Brown.

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Speaker 2: I'm like, uh, okay, And we got this opportunity, me

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Speaker 2: and my co writer Steve McEwan to sketch something out.

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Speaker 2: We said to Jackson, He's like, I really like this

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Speaker 2: I can work with this, and then when we got together,

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Speaker 2: we got together in New York and finished the song,

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Speaker 2: and then we recorded it in his studio in Santa Monica,

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Speaker 2: and then it made it into the movie. The movie's

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Speaker 2: called five b and for those who haven't heard of

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Speaker 2: it or seen it, it's about the beginning of the

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Speaker 2: AIDS epidemic and San Francisco General. That's five bees, the

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Speaker 2: first dedicated AIDS ward in that hospital, and the music

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Speaker 2: plays over the end titled the End Credits. It's a

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Speaker 2: beautiful documentary though it's really about the relationship between the

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Speaker 2: nurses and the patients. They were the first ones to

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Speaker 2: give the patients love anyway, So that happened, and then

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Speaker 2: Jackson put it on his latest record too, which is great,

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Speaker 2: and it's called a Human Touch, and he invited me

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Speaker 2: out to tour with him. I would open the show

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Speaker 2: and then join him on stage, and then when it

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Speaker 2: came time for them to do Austin City Limits, he

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Speaker 2: invited me to sing the song because it was on

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Speaker 2: his record, So that was a pretty great moment. I

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Speaker 2: love that show too, so to be able to sing

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Speaker 2: that song with Jackson on that show is pretty special.

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Speaker 1: These days, still blows me away thinking about the fact

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Speaker 1: that wasn't he like nineteen years old or something when

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Speaker 1: he wrote that he was sixteen sixteen.

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Speaker 2: It's insane, like the wisdom that he has on it's

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Speaker 2: just it's mind blowing his perspective on life.

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Speaker 1: So you've collaborated with a few other notables, going from

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Speaker 1: Bob Weir to Roger Daltrey to some others. Can you

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Speaker 1: talk about those experiences and what that meant to you.

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Speaker 2: Well, let's start with Bob Weir. As a kid, there

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Speaker 2: was another influential band for me. It was The Grateful Dead,

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Speaker 2: and growing up on Long Island, there was a plethora

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Speaker 2: of Grateful Dead cover bands to sit in with, and

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Speaker 2: I never saw the Dead. So when I remember seeing

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Speaker 2: this band reckoning, and I just thought they were playing

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Speaker 2: these songs and I'm like, what is this because it

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Speaker 2: didn't sound like anything I've ever heard before. But I

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Speaker 2: got it and the band was great, and so you know,

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Speaker 2: and that music is such a vehicle, like if you're

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Speaker 2: having a good night and you can expand on the music,

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Speaker 2: it's really could be transcendent. And I remember, especially one

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Speaker 2: night listening to this music and then I got into

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Speaker 2: him and you know, started listening to tapes and stuff

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Speaker 2: like that. But I love the songs because the harmonies

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Speaker 2: were amazing, to these great melodies, and so I kind

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Speaker 2: of did a lot of I learned a lot of

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Speaker 2: the songs. I just loved it. And so flash forward

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Speaker 2: to I don't even know how many years later, I

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Speaker 2: was invited to sing with Bob for his show We're Here,

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Speaker 2: which was this web series he had about ten years ago,

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Speaker 2: and he would invite singer songwriters to come and sing

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Speaker 2: in his studio in Marin at tri in Marin, and

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Speaker 2: he would conduct the show where he'd have the band,

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Speaker 2: we'd sing songs, we sang some of mine, we sing

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Speaker 2: some hints, some covers, and then in between sets he

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Speaker 2: would conduct this David Letterman type of interview. And I

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Speaker 2: sat on the couch between Dave's schools and Steve Parrish,

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Speaker 2: which is like two mountain men and me. It's just

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Speaker 2: you could see it online. It's funny and I loved

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Speaker 2: it though. The band was great, and that's what actually

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Speaker 2: kicked off my relationship with Steve Kimmock and Jason Crosby,

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Speaker 2: who was an old friend from Long Island. And it

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Speaker 2: was a great band. Dave's Schools, Jay Laine, you know,

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Speaker 2: and they're still my friends to this day, so that

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Speaker 2: was pretty special. And then Bob came and sang on

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Speaker 2: my record. They sing Blue Bayou, which turned out to

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Speaker 2: be collectively one of our favorite songs, so that was

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Speaker 2: really cool that he sang that with me. So as

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Speaker 2: far as Roger Daltrey, it kind of ties back in

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Speaker 2: a strange way to even me meeting Bob Weir because

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Speaker 2: I was working in London and I was working with

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Speaker 2: The Who's management and Justin Kreutzman, who's Bill Kreutzman's son,

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Speaker 2: the drummer of The Grateful Dead son is a documentary maker.

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Speaker 2: He was in the audience one night when I was

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Speaker 2: in London because he was making a documentary about Pete Townsend.

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Speaker 2: So he was the one who saw me and connected

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Speaker 2: the dots for me and Bob. But as far as

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Speaker 2: me working with Roger, it was actually after I was

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Speaker 2: living in London when I got invited to open for

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Speaker 2: The Who. Because I was back in twenty nineteen, they

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Speaker 2: asked me to open for them at Madison Square Garden

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Speaker 2: and I remember getting the call and I was just like,

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Speaker 2: I just said, why I was like why, I don't understand,

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Speaker 2: and they were like, well, we wanted somebody, you know,

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Speaker 2: we wanted somebody from New York and they were doing

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Speaker 2: this huge, big orchestra symphony thing, so they wanted something small.

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Speaker 2: And because I've worked with them and I've opened for

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Speaker 2: Roger before and that just kind of randomly happened too.

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Speaker 2: But because I knew the crew, they were just like,

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Speaker 2: come open for us, and it was That was just

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Speaker 2: one of the most wild things because I did it

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Speaker 2: with just me and an acoustic guitar and my co writer.

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Speaker 2: We played two guitars at Madison Square Garden, but it

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Speaker 2: went overwhell. They had me back a few more times.

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Speaker 2: So I've opened for The Who a handful of times

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Speaker 2: and then Rogers had me out like for three or

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Speaker 2: four tours, and those are a little bit more my speed,

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Speaker 2: because you know, The Who plays big stadiums and Roger

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Speaker 2: plays just these lovely theaters, which I like that because

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Speaker 2: the sound for me is better and I love a theater,

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Speaker 2: especially when I'm just doing solo or duo acoustic. It

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Speaker 2: just but I just did one. I just opened for

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Speaker 2: him a few weeks ago and Billy, which was fun.

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Speaker 1: You're still in awe of what's happened in your career, aren't.

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Speaker 2: You, Well, you know, I mean I should maybe, but

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Speaker 2: I'm not because I'm just kind of always looking forward

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Speaker 2: to what's next. Because it's hard to hang your hat

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Speaker 2: on anything because you got to keep moving, you got

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Speaker 2: to keep working. And so I'm very proud of the

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Speaker 2: work that I've done with these legends. But you know

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Speaker 2: that's it.

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Speaker 4: Keep moving, all right, Well, let's keep moving. Let's talk

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Speaker 4: about after the party. I want you to brag about

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Speaker 4: it though, this group of amazing collaborations on this project.

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Speaker 4: So brag away, Leslie Mendelssohn.

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Speaker 2: Well, specifically, what do you want to know?

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Speaker 3: Well, okay, on this whole project, let's start with Peter

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Speaker 3: Asher Hello, Like, yeah, okay, okay.

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Speaker 2: We could start there. So my co writer, Steve, I'll

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Speaker 2: just call him Steve now. He met Peter, I think

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Speaker 2: at the Grammys. Steve is one of few Grammys at

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Speaker 2: this point, and they were friends. And I don't even

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Speaker 2: know how it happened, but I was wound up at

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Speaker 2: a dinner with Peter and Jackson Brown. I sat next

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Speaker 2: to them, so you can imagine just sitting next to

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Speaker 2: them for an hour or so, just I kept my

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Speaker 2: mouth shut the whole time. I just can't even believe that,

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Speaker 2: you know, It's just a lot of music history in

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Speaker 2: one small, little corner of an Italian restaurant. And after

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Speaker 2: that dinner, Peter had asked Steve if he wanted to

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Speaker 2: come listen to the new record he just produced for

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Speaker 2: Susannah Hawks. And again, I'm a huge Bengals fan from

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Speaker 2: when I was a kid. So Susanna has like the

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Speaker 2: greatest voice, and I love their songs, and I was like, absolutely,

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Speaker 2: I want to go. And so we heard some mixes

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Speaker 2: and I met Susanna and she's just the sweetest. And

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Speaker 2: then after we listened, we just asked Peter if he was,

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Speaker 2: you know, if he likes producing, and if he'd be

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Speaker 2: up for listening to some of my stuff and possibly producing.

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Speaker 2: He said yes, and so we sent him some songs

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Speaker 2: and yeah, there we go.

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Speaker 1: Okay, another one to brag about Tyler Chester.

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Speaker 2: Yeah, so that happened around the same time. I had

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Speaker 2: this opportunity to work with Tyler. So I'm like, let's

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Speaker 2: do a few songs. And I love the stuff that

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Speaker 2: happened with him. He's I mean, I'm a fan of

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Speaker 2: his work from Madison Cunningham, and it was Bob Cloud,

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Speaker 2: Bob Blob from Jackson's Band who connected us, and yeah,

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Speaker 2: we wound up doing a few songs. So I had

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Speaker 2: all the opportunities to work with these great producers, and

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Speaker 2: I didn't want to say like, well, I've already started

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Speaker 2: with this one or that one. I'm just like yes.

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Speaker 2: And so at the end of the day, I just

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Speaker 2: collected these songs and like, these all work together, let's

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Speaker 2: just put them on the same record. I'm not the

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Speaker 2: first one who's done it.

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Speaker 3: So and then a couple of other notables that were

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Speaker 3: part of the sessions, Waddie walktell Leland Sklark, Jim Keltner, Oh.

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Speaker 2: Those bums, none of those Yeah, now they're great. I

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Speaker 2: mean when Peter asked me who I wanted to work with,

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Speaker 2: I said, well, let's get the dream team. You know,

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Speaker 2: it just seemed like unobtainable, but like because of Peter,

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Speaker 2: it made it happen. And oddly enough, I know Wattie

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Speaker 2: walked out because my dad and him went to high

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Speaker 2: school together in Jackson Heights, Queens. Wow, so they you know,

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Speaker 2: they were in a band together when they were kids.

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Speaker 2: They had lost touch, but then got back together through

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Speaker 2: Facebook or something and reconnected. And then Waddie invited him

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Speaker 2: to himself and meet to see Stevie Nicks down in

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Speaker 2: Atlantic City. So then I got to meet Wattie, you know,

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Speaker 2: and he was so gracious and funny, and ever since

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Speaker 2: then he's been like Uncle Wattie because we've kept in

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Speaker 2: touch and he's just he's the best. So we actually

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Speaker 2: got to work together, which was a dream come true

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Speaker 2: for me.

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Speaker 1: What did you learn from this amazing collection of people

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Speaker 1: in those sessions.

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Speaker 2: It's interesting when you're surrounded by great people, they're usually

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Speaker 2: pretty cool. There's not much ego. Everybody just does their work.

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Speaker 2: Everybody's really humble, nice and respectful. And I learned a

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Speaker 2: lot from that because you know, you work with a

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Speaker 2: lot of people that run the gamut, and you know

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Speaker 2: who's full of shit and who's the real deal. And

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Speaker 2: it's such a treat. It's such an honor to work

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Speaker 2: with people that are great because they're just they know

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Speaker 2: what they're doing and they make it easier for you.

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Speaker 2: It's like a great dance partner, a great tennis partner.

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Speaker 2: You know, they just make you better. And so I

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Speaker 2: felt quite calm and collected, even though it was overwhelming,

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Speaker 2: especially because also Peter, they're filming a documentary something great

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Speaker 2: this song fell into. I can't even relax. I'm just like,

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Speaker 2: oh on it. But you know, at the same time,

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Speaker 2: everybody just made me feel comfortable and that I have

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Speaker 2: a write and belong here.

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Speaker 1: We'll be right back with the Taking a Walk Podcast.

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Speaker 1: Welcome back to the Taking a Walk Podcast.

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Speaker 3: Can you talk about your creative process for after the

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Speaker 3: party and specifically, is it evolving from maybe previous albums

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Speaker 3: in any different ways?

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Speaker 2: I hope so, I like to think so. I feel

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Speaker 2: like each time I make a record, i'd like to

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Speaker 2: think that it gets better at least the process. You

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Speaker 2: can only hope the songwriting that people like it as

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Speaker 2: much as your last one. And I'm proud of these

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Speaker 2: songs in this collection kind of was born during the

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Speaker 2: pandemic because you know, there's nothing going on, and a

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Speaker 2: lot of these songs were visions of better days. And

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Speaker 2: so even though my twenty twenty record came out, well

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Speaker 2: I recorded it before the pandemic, it came out like

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Speaker 2: smack during like April or May of it, so, which

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Speaker 2: was crazy. But you know, in A lot of those

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Speaker 2: topics on that record dealt with a lot of anxieties

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Speaker 2: from the past year or two of just the twenty

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Speaker 2: four hour news cycle, depression, gun violence, that, you know,

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Speaker 2: like a lot of hot topics. But then this record,

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Speaker 2: even though it was created during the pandemic, I felt

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Speaker 2: like it was looking towards the future of just like

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Speaker 2: when we're through it all, So it's kind of in

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Speaker 2: a way more hopeful. I don't know if that answered

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Speaker 2: any of the questions here.

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Speaker 3: Rock and roll radio that's packed with loads of fun.

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Speaker 3: You mentioned listening to things on the radio earlier in

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Speaker 3: the interview. Were you listening to the radio in the

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Speaker 3: New York metropolitan area.

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Speaker 1: When you were influenced Long Island?

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Speaker 2: Long Island?

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Speaker 1: What were you listening to?

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Speaker 2: Let me think back, Okay, there was like, well there

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Speaker 2: was Z one hundred, which was like the pop music,

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Speaker 2: which was like the NTV of radio, which was fine sometimes.

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Speaker 2: And then what were the rock stations, K rock, YEP,

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Speaker 2: W B L I and I think that was more

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Speaker 2: like light FM, which I dug too. I was I'm

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Speaker 2: all about light FM. Those are I love those songs,

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Speaker 2: you know, anything from like Phil Collins to whoever you know. Yeah,

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Speaker 2: I love it all. I love it. I'm sure when

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Speaker 2: we're done with this, I'll start remembering call letters. But

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Speaker 2: I'm not sure.

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Speaker 1: It wasn't a quiz, you know.

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Speaker 2: So I'm sorry you remember.

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Speaker 1: It came off like a quiz. It wasn't intended to be.

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Speaker 2: This is a real gotcha media, isn't it.

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Speaker 1: Yeah right, I come out of radio, so that's why

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Speaker 1: it was curious.

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Speaker 2: So yeah, well I'm still listening to Howard Stern, so

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Speaker 2: I listened to him on.

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Speaker 3: Series Yeah, the Good Life and Appreciation of the Little Things.

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Speaker 1: I imagine that was heavily influenced during the COVID lockdown.

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Speaker 2: Actually that was That's funny because that was the last

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Speaker 2: song I had written with Steve for this collection of songs,

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Speaker 2: and I feel like we were out of the pandemic

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Speaker 2: by them. But sure, I mean, just slide it right

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Speaker 2: in there. But this was kind of my me tipping

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Speaker 2: my hat to some of my other favorite songwriters, like well,

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Speaker 2: Jimmy Webb and the way he would write for like

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Speaker 2: Glenn Campbell, And this song puts me into the Glenn

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Speaker 2: Campbell good Time hour. I love that style of like

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Speaker 2: country pop music but from the seventies. I love Whyalon

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Speaker 2: Jennings and Willie Nelson and that. To me, this kind

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Speaker 2: of song feels like it embodies that and that time,

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Speaker 2: and the topic is just it is just from the

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Speaker 2: hard and wanting better things or appreciating the little things.

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Speaker 2: Like you said, like it's not so bad kid, relax.

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Speaker 1: Can you talk about the joy of playing live in

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Speaker 1: front of people?

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Speaker 2: Yeah, yeah I can. I actually really love it. I'm

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Speaker 2: very lucky I get to do what I do. I

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Speaker 2: appreciate it. I take a deep breath before I go on,

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Speaker 2: so I could really try to be in the moment.

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Speaker 2: I really like connecting with people. I love talking shit,

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Speaker 2: and I love singing songs where people like if it

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Speaker 2: and it's not like I mean, I like making music.

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Speaker 2: It's fine when you're home and you're creating, and some

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Speaker 2: days I just I love doing it. Some days I

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Speaker 2: can't be bothered. But you know, when you're in front

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Speaker 2: of an audience, they give you that energy and they're

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Speaker 2: there to be entertained, and I'm like, I'm here. I'm

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Speaker 2: the one at that moment going to deliver. And so

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Speaker 2: you know, I think I used to terrify me. I

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Speaker 2: used to hate talking between songs because I never knew

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Speaker 2: what to say that the more I do it and

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Speaker 2: the more experiences I grab, you know, that are under

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Speaker 2: my belt, I can't speak you know what I'm saying.

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Speaker 2: I collect under my belt. I don't know, it sounds wrong,

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Speaker 2: but you know what I mean, the more I have

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Speaker 2: to talk about and it's just it's becoming more fun.

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Speaker 1: When you're on the road. Are you constantly writing as well?

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Speaker 1: Or do you just focus on the performance.

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Speaker 2: I mean I'll come up with little ideas here and there,

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Speaker 2: like during sound check if I just start playing something

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Speaker 2: that I like, I'll like, oh that sounds nice, and

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Speaker 2: I'll record it. But yeah, mostly just there's the whole

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Speaker 2: regiment of the day. I like the groove of being

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Speaker 2: on tour, you know, waking up in a hotel or

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Speaker 2: you know, eat your breakfast, map out the day you

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Speaker 2: get on the road. You know, maybe you'll get into town.

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Speaker 2: You know, just like there's just something about the rhythm

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Speaker 2: of it. I like it. And then you know, getting

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Speaker 2: to the club soundcheck and then I get into like

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Speaker 2: a kind of a meditative state and then try to.

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Speaker 1: Relax as much as possible, and then you hit the

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Speaker 1: stage and go you know, you love the artist community,

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Speaker 1: the musician community.

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Speaker 3: Who are some of the musicians that you're fond of

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Speaker 3: that might be not on people's radar these days.

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Speaker 2: Well, I think Emily King is doing some great work.

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Speaker 2: She's got this amazing voice, and her songs are really

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Speaker 2: personal and she's great players, so they really come across. Well,

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Speaker 2: I think she's fantastic. Well, there's an artist named Sam

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Speaker 2: Fender that I like. He's in England. He's great and

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Speaker 2: he's kind of big over there, but nobody really knows

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Speaker 2: who he is. And over here I love Iron and Wine.

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Speaker 2: I mean, people know who he is. But I think

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Speaker 2: he's just made a beautiful record, a new record that

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Speaker 2: I love, and I got to meet him a few

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Speaker 2: weeks ago. I was asked to sing at Carnegie Hall

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Speaker 2: for the Crosby Still Is a Nash tribute and he's

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Speaker 2: just incredible. A couple of those artists on that stage

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Speaker 2: are great, like Sarah Jirose was there and if O'Donovan.

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Speaker 2: I think they're just incredible folk singers, and you know,

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Speaker 2: in that in the Americana genre, I think they're they're great.

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Speaker 1: There's a few you know you've had, you know, so

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Speaker 1: many of those great collaborators that we were talking about

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Speaker 1: previously that you've worked with. Is there anybody on the

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Speaker 1: dream list of collaborators that you haven't worked with?

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Speaker 2: Like I was just saying Iron and Wine, Sam Beam,

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Speaker 2: I mean, I just I'd love to sing with him

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Speaker 2: one day. I love his voice and saying with Bonnivert.

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Speaker 2: I think he's just incredible. And yeah, there's just there's

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Speaker 2: a couple of guys off the bat.

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Speaker 3: In closing, as you're a continuous learner, I could tell

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Speaker 3: what are you still wishing you could learn that you

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Speaker 3: haven't learned.

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Speaker 2: As far as like lessons or instruments or anything. Well,

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Speaker 2: I always want to just get better at whatever I'm doing,

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Speaker 2: but you know, maybe learn a language one day that's

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Speaker 2: besides just being like just a dumb American, like learn

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Speaker 2: some Spanish or Italian or something that's on the bucket list.

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Speaker 1: Leslie, I've so enjoyed talking to you on taking a walk.

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Speaker 3: Congratulations on after the party, and good luck on it

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Speaker 3: as you take it to the world. Thank you.

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Speaker 2: That was great talking to you.

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Speaker 1: Thanks, Leslie.

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Speaker 3: I appreciate it.

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Speaker 1: Okay, Okay, you take care of yourself, Okay.

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Speaker 2: All right, thank you.

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Speaker 3: Thank you, thanks, bye bye, thanks for listening to the

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Speaker 3: Taking a Walk podcast with Leslie Mendelssohn.

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Speaker 1: You could find Taking a Walk at Apple

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Speaker 3: Podcasts, Spotify, and of course, on the iHeartRadio app, America's

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Speaker 3: number one podcast network, iHeart