WEBVTT - The Superheroes of Tree Hill • EP 814

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<v Speaker 1>First of all, you don't know me. We all about

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<v Speaker 1>that high school drama, Girl drama, Girl, all about.

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<v Speaker 2>Them high school queens. We'll take you for a ride.

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<v Speaker 2>And our comic girl cheering for the right teams, drama.

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<v Speaker 3>Queens, my girl of girl fashion, but your tough girl,

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<v Speaker 3>you could sit with us.

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<v Speaker 1>Girl Drama, Queens Drama, Queens Drama, Queens Drama, Drama, Queens drama, Queens.

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<v Speaker 4>How Holly for hero Sason eight, Episode fourteen, Air date

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<v Speaker 4>February eighth, twenty eleven.

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<v Speaker 2>Oh, this was a fun one. Hi, guys, Hey.

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<v Speaker 5>Guys, Hello, Hello, this was a fun one. I feel

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<v Speaker 5>like we went through a stretch of just a lot

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<v Speaker 5>of heavy, high stakes drama, and we've been getting this

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<v Speaker 5>lovely reprieve of wild bachelorette, bachelorette parties, dogs on skateboards,

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<v Speaker 5>this episode of Superheroes and Spandex. I mean, it's fun ride.

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<v Speaker 4>We're just having fun now.

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<v Speaker 3>It really does feel like coasting into the second half

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<v Speaker 3>of season eight.

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<v Speaker 2>Everyone in the writer's room was like, let's just have

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<v Speaker 2>a nice time.

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<v Speaker 4>Yeah, yeah, yeah, sure.

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<v Speaker 5>Do you remember how tired we would be when we

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<v Speaker 5>would come back from Christmas because we had already been

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<v Speaker 5>shooting for so many months, and it's like that second

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<v Speaker 5>half of a twenty two episode season is just tough.

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<v Speaker 5>It's I'm sure it was very welcome when we saw

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<v Speaker 5>scripts that were light and fun. Yeah, because to come

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<v Speaker 5>back to heaviness, it's just it's challenging, it's hard.

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<v Speaker 4>It was just too much. There was so much of

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<v Speaker 4>us lamenting. We really needed this.

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<v Speaker 5>Yes, lamenting so many times you can nearly die in

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<v Speaker 5>a season, right, That's it.

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<v Speaker 3>I was going to say lamenting, suffering, almost dying. It's

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<v Speaker 3>like at some point people needed a breather. And even

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<v Speaker 3>the fact that Peter Kowalski, our wonderful DP directed this episode.

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<v Speaker 3>Pete Pete is the jolliest man a so to have

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<v Speaker 3>someone who's just jolly and sweet do some really kind

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<v Speaker 3>of silly, lighthearted material with us, you can see how

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<v Speaker 3>much fun everyone's having in the episode.

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<v Speaker 2>I totally agree.

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<v Speaker 4>All right, here's the synopsis. Brooke, Quinn, and Hayley decide

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<v Speaker 4>to use their talents for greater good to help a

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<v Speaker 4>young girl being bullied. Meanwhile, Julian takes on a directing

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<v Speaker 4>job and helps out a friend aka mouth Chase. Mentors

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<v Speaker 4>Chuck and Nathan and his fellow classmates stand up to

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<v Speaker 4>a bully of their own written by Heroin Strauss. Yeah

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<v Speaker 4>they did not, They didn't. I mean, it wasn't nothing.

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<v Speaker 4>It was it was like, you know, it was something they.

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<v Speaker 5>Know they did. Absolutely, am I incorrect? They did nothing.

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<v Speaker 5>It was it was Clay who weirdly shows up in

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<v Speaker 5>the back of the classroom.

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<v Speaker 2>Oh oh yes, yes, no, you're friends.

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<v Speaker 5>They just sort of like talk at a poker table

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<v Speaker 5>while studying.

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<v Speaker 4>That's right, you did something. But Nathan, and we got

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<v Speaker 4>Quentin who played Michael in The blind Side, Quentin who

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<v Speaker 4>was a lovely person. He came and played Nathan's classmate

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<v Speaker 4>in this episode. But yet, No, they really didn't do

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<v Speaker 4>anything but complain.

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<v Speaker 5>Tommy was his character's name. Yeah, but yeah they didn't.

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<v Speaker 5>And also, I mean, we're going to get to it,

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<v Speaker 5>but I have thoughts about that scene of showing up

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<v Speaker 5>an adult and now having also been in college. I

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<v Speaker 5>just I that was a very TV moment as opposed

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<v Speaker 5>to how it probably would happen in real life.

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<v Speaker 2>Yeah.

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<v Speaker 4>Yeah, So one of my favorite things about this episode

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<v Speaker 4>was the showcase once again of Brooks unbelievable ability to

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<v Speaker 4>sew at rapid speeds so fast, goll Lee, you're talented.

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<v Speaker 3>Thanks, you know, it's it's really it is her superhero skill.

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<v Speaker 2>Really. Yeah, three outfits in three minutes, let's go.

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<v Speaker 5>Yeah, it's so funny because everyone's talking about their superpowers

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<v Speaker 5>in the episode and no one at any point goes,

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<v Speaker 5>by the way, you sewed three complete, different sized costumes

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<v Speaker 5>in twelve minutes, by the way.

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<v Speaker 3>With buckles and zippers and corsets and pleather and gloves

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<v Speaker 3>and tight.

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<v Speaker 2>Masks, laser cut masks. Yeah.

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<v Speaker 5>Also, you got it all right on the first try.

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<v Speaker 2>Perfectly. Yeah, thank you, thank you.

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<v Speaker 5>I would say your Brooks vision, in her instincts and

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<v Speaker 5>her hand eye coordination to sew that fast would definitely

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<v Speaker 5>be the superpowers of the episode.

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<v Speaker 4>A true skill that actually would be really funny in

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<v Speaker 4>a superhero movie, just superheroes that have totally useless skills.

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<v Speaker 4>I mean it's not totally useless, but in the realm

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<v Speaker 4>of life saving, you know, as superheroes do someone who

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<v Speaker 4>just can sew at an unbelievable rate, it would be

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<v Speaker 4>really funny.

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<v Speaker 5>I don't know if this is still a thing, but

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<v Speaker 5>do you remember when you used to go to like

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<v Speaker 5>fairs and carnivals and there was that person where you'd

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<v Speaker 5>pay like five bucks and if they would guess your

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<v Speaker 5>weight within five pounds, and if they were wrong, you

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<v Speaker 5>got like a giant prize. Like they were like scary, right.

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<v Speaker 4>This sounds like vaudeville. How old are you?

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<v Speaker 2>Fifty nine?

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<v Speaker 5>But it's it's like I don't see it anymore. But

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<v Speaker 5>it was. It was this thing whereas like people who

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<v Speaker 5>unless there was some sort of secret trick I'm unaware of,

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<v Speaker 5>like they could just eyeball a person and be like

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<v Speaker 5>one point thirty two two fourteen, and whenever I watched it,

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<v Speaker 5>they were always really accurate. But I'm wondering if because

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<v Speaker 5>of the times we live in now, we kind of

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<v Speaker 5>pulled that one back.

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<v Speaker 4>Maybe maybe we did. Are you are you feeling like

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<v Speaker 4>this is that Brooks superpower that she just knows she

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<v Speaker 4>can just guess everything that measurement.

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<v Speaker 5>She just looked at her friends and was like, I

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<v Speaker 5>know your exact sizes for spandex, your head, your glove.

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<v Speaker 5>I mean, that's crazy. It was a head to toe costume.

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<v Speaker 2>Boots, all of it.

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<v Speaker 5>You had a pregnant belly. She's never made something for

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<v Speaker 5>you pregnant before?

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<v Speaker 3>What I've never designed anything for a pregnant person and

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<v Speaker 3>here we are, Oh wait, that's not true.

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<v Speaker 2>I made Peyton's wedding dress. Sorry. Still though, still, that

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<v Speaker 2>wasn't spandex.

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<v Speaker 5>I would also say another superpower of Brooks is a

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<v Speaker 5>sleep fighting, which is always funny to me to see

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<v Speaker 5>on TV. But you really sold it very very well.

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<v Speaker 5>That was a great way to open was with sleep fighting.

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<v Speaker 2>Thank you. I really appreciate that.

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<v Speaker 4>That was so fun, the like cartoon opening, all of

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<v Speaker 4>the different drawings so original.

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<v Speaker 3>Yeah, it was fun to see her boredom be sort

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<v Speaker 3>of highlighted in a way that worked for the story

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<v Speaker 3>and was also just adorable.

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<v Speaker 2>I loved the comic book strips.

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<v Speaker 3>I love that even Alex gets made into one, you know,

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<v Speaker 3>in front of the red bedroom sign.

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<v Speaker 2>Like it was. The whole thing was really just enjoyable.

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<v Speaker 3>And I remember going into the office, like the art

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<v Speaker 3>department office when we were getting this episode ready and

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<v Speaker 3>seeing how they were doing all that stuff and just

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<v Speaker 3>feeling really jazzed about what this was going to be

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<v Speaker 3>like to play with. And I, you know, I love

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<v Speaker 3>the scene where you come in and you basically catch

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<v Speaker 3>me playing with like g I Joe figure.

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<v Speaker 2>It's just so fun.

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<v Speaker 4>It was a It was a really perfect setup for

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<v Speaker 4>being out of work, not knowing what to do. She's home,

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<v Speaker 4>She's so not a typical, you know, housewife, that old

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<v Speaker 4>fashioned version of a housewife. You know, she just is

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<v Speaker 4>like antsy and needing to do something with her hands

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<v Speaker 4>and her time. And I really I thought it was

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<v Speaker 4>really well done. The way Harrow and Strauss wrote this

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<v Speaker 4>episode and the way that they would tied in all

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<v Speaker 4>the little pieces, Chantelle's excitement, Quinn's excitement to just get

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<v Speaker 4>to get out and do something.

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<v Speaker 3>For it, for a secret or a scan or so

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<v Speaker 3>adrenaline activity.

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<v Speaker 4>Clay's just like, what do we have to can we

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<v Speaker 4>we just got shot?

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<v Speaker 5>Can we relax up?

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<v Speaker 4>Just like no, I'm on, let's do it. Find me

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<v Speaker 4>somebody else to fight. But all the little pieces tied together, Yeah,

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<v Speaker 4>and it was It was fun using the crisis hotline

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<v Speaker 4>as the as the way in it.

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<v Speaker 2>All just all just worked.

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<v Speaker 4>Everything came together well.

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<v Speaker 3>And I like that we get to see you getting

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<v Speaker 3>kind of pulled into Brooke and Quinn's desire for an

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<v Speaker 3>activity on your own at the crisis center. When you

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<v Speaker 3>start humming the Batman theme song and going Haley to yourself.

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<v Speaker 3>It's like, oh, we got her. And it's fun as

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<v Speaker 3>an audience member to see Brooke and Quinn get Haley

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<v Speaker 3>before Brook and Quinn know they've gotten Haley.

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<v Speaker 4>Oh yeah, we had a ball. This was so fun

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<v Speaker 4>to just do comedy, a whole episode of comedy. You know,

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<v Speaker 4>before I got One Tree Hill. When I moved to

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<v Speaker 4>LA from New York in my early twenties, I was

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<v Speaker 4>the sitcom girl.

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<v Speaker 2>Like I was.

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<v Speaker 4>I would never got dramas. I was always doing sitcoms,

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<v Speaker 4>all the pilots that I had done since I was fourteen.

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<v Speaker 4>I was like the go to sitcom girl. And I

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<v Speaker 4>got One Tree Hill and then I had to cry

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<v Speaker 4>on command, which I kind of learned when I was

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<v Speaker 4>on a soap opera for a couple of years. But

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<v Speaker 4>but yeah, it was like, I just I've been crying

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<v Speaker 4>on this show for so long.

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<v Speaker 2>We all were.

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<v Speaker 5>I was off camera so happy.

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<v Speaker 4>Yes, Oh god, I was so happy to have some

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<v Speaker 4>comedy in my life.

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<v Speaker 2>God, it felt great to do this episode.

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<v Speaker 5>Did kick Ass Like we we actually name check kick

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<v Speaker 5>Ass a lot several times. So was it like a

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<v Speaker 5>cross promotion or was it just the right time? I mean,

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<v Speaker 5>because it was the popular movie, and we just asked

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<v Speaker 5>if we could use their name. But you know what

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<v Speaker 5>I mean, it was like weirdly specific, and we talked

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<v Speaker 5>about it like at least three times.

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<v Speaker 4>I think it had just come out and everybody was

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<v Speaker 4>talking about and excited about it, right, and we had

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<v Speaker 4>an that Halloween episode, and so it just made I

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<v Speaker 4>don't know, so do you know behind the scenes on that.

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<v Speaker 3>I don't remember. Honestly, I don't know where the obsession

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<v Speaker 3>came from. But it felt really right, you know, certainly

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<v Speaker 3>for me in this wanting to take the power back

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<v Speaker 3>being able to do it, you know, with that movie,

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<v Speaker 3>I remember tracked, but I don't know why it was

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<v Speaker 3>such a focal point.

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<v Speaker 4>I think superheroes were just having a moment, Like it

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<v Speaker 4>was when everything right, like all the Marvel movies were

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<v Speaker 4>starting to become a thing. Everybody was making a superhero

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<v Speaker 4>show or a movie, and this was Yeah, it did

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<v Speaker 4>that a lot, Like Yeah, so we started calming a

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<v Speaker 4>lot on our show on pop culture things that were happening.

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<v Speaker 2>I wouldn't be surprised.

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<v Speaker 5>It makes a good deal of sense because it kick

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<v Speaker 5>ass as about two regular people who are just tired

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<v Speaker 5>of it, and they so they're not they don't have

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<v Speaker 5>any superpowers or even like super weapons or anything. So

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<v Speaker 5>its sense. It was just odd because typically in our show,

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<v Speaker 5>like in our universe, we're not actually like call like,

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<v Speaker 5>we're not actually experiencing Well, you know that's not true though,

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<v Speaker 5>because Julian's poster was a real movie. So yeah, I

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<v Speaker 5>guess this isn't the first time. Yeah, we've done this

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<v Speaker 5>because you know, typically on TV show that they're not

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<v Speaker 5>actually talking about real life things, like everything is just

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<v Speaker 5>sort of another piece of fiction from that universe.

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<v Speaker 2>Skills had his whole notebook thing.

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<v Speaker 4>Yeah, the notebook. But also like when gossip Girl was

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<v Speaker 4>getting popular or they would do things that were we

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<v Speaker 4>would sort of do you know, joke jokey things like

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<v Speaker 4>Vampire Diaries. I feel like we were always commenting on

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<v Speaker 4>things that not overtly, but there were all these sort

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<v Speaker 4>of undercut commentaries on things that were going on. Right,

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<v Speaker 4>Am I crazy? I feel like that happened a lot.

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<v Speaker 5>Yeah, I think it probably did. And just to completely

0:12:10.040 --> 0:12:11.880
<v Speaker 5>hijack this, I have to go back and point out

0:12:11.920 --> 0:12:14.800
<v Speaker 5>thanks to one of uh, our good buddy Easton reminded

0:12:14.840 --> 0:12:17.920
<v Speaker 5>me that they these barkers, they weren't barkers, these vaudeville

0:12:17.960 --> 0:12:20.400
<v Speaker 5>acts that would guess your weight. They would also guess

0:12:20.440 --> 0:12:24.680
<v Speaker 5>your age too. Yeah, what a dangerous game. Could you

0:12:24.720 --> 0:12:28.240
<v Speaker 5>imagine that your job is to guess people's age and weight?

0:12:29.080 --> 0:12:31.880
<v Speaker 5>Oh my gosh, I would I would lose all of

0:12:31.920 --> 0:12:33.680
<v Speaker 5>the prizes on the first day because I would be

0:12:33.760 --> 0:12:36.640
<v Speaker 5>wildly underguessing both for everybody.

0:12:36.800 --> 0:12:37.000
<v Speaker 2>Yeah.

0:12:37.320 --> 0:12:40.120
<v Speaker 5>Yeah, they'd be like you somehow lost US ten thousand

0:12:40.120 --> 0:12:42.080
<v Speaker 5>dollars worth of stuffed animals.

0:12:42.840 --> 0:12:44.559
<v Speaker 3>You're like, yeah, because I was trying not to get

0:12:44.600 --> 0:12:45.480
<v Speaker 3>punched in the face.

0:12:45.800 --> 0:12:49.520
<v Speaker 5>Yeah, I was raised, right, guy, Come on, Okay, back

0:12:49.559 --> 0:12:53.480
<v Speaker 5>to the show. Yeah, but the kick guessing it worked,

0:12:53.840 --> 0:12:56.800
<v Speaker 5>and it was just it was so fun. I also

0:12:57.480 --> 0:13:03.200
<v Speaker 5>really liked seeing Clay and Quinn just have a light scene. Yeah,

0:13:03.480 --> 0:13:05.760
<v Speaker 5>he's kind of giving her grief about the one picture

0:13:05.800 --> 0:13:08.920
<v Speaker 5>he took of Millie diving for the bouquet, which was

0:13:09.360 --> 0:13:12.280
<v Speaker 5>so fantastic, and it was like it was very easy,

0:13:12.320 --> 0:13:13.840
<v Speaker 5>you just point and click, you know, but it was

0:13:14.200 --> 0:13:18.240
<v Speaker 5>it's been so long because even though they've we've had

0:13:18.280 --> 0:13:20.760
<v Speaker 5>a couple episodes since all of the Katie stuff, Like

0:13:20.880 --> 0:13:23.959
<v Speaker 5>the last episode, if you remember, it was her telling

0:13:24.000 --> 0:13:27.600
<v Speaker 5>him like I actually was stalking her, Like even then,

0:13:27.640 --> 0:13:29.160
<v Speaker 5>it still wasn't liice. This is the first time we

0:13:29.280 --> 0:13:31.960
<v Speaker 5>got to see the two of them like just being silly,

0:13:32.640 --> 0:13:35.719
<v Speaker 5>just having fun. And I've missed that.

0:13:36.080 --> 0:13:41.280
<v Speaker 3>Yeah, especially because their love story was born out of

0:13:41.320 --> 0:13:44.680
<v Speaker 3>their friendship, their humor with each other, that kind of ease.

0:13:45.360 --> 0:13:48.640
<v Speaker 2>It's nice to see them back in some ease. Yeah.

0:13:48.679 --> 0:13:52.160
<v Speaker 5>And Clay's line about I have a strict rule in

0:13:52.200 --> 0:13:55.760
<v Speaker 5>my life where I don't do anything that people wouldn't

0:13:55.760 --> 0:13:57.920
<v Speaker 5>be feel sorry for me if I died doing.

0:13:58.360 --> 0:14:00.959
<v Speaker 2>Yes, I wrote that down.

0:14:01.920 --> 0:14:02.440
<v Speaker 5>So good.

0:14:02.840 --> 0:14:05.319
<v Speaker 2>Poor guy, he just wanted to jump off.

0:14:05.160 --> 0:14:09.040
<v Speaker 4>A bridge with a rope tight around his ankles. Come on, Yeah,

0:14:09.280 --> 0:14:13.040
<v Speaker 4>so sad, that's great. Yeah. There were some really good lines,

0:14:13.080 --> 0:14:15.559
<v Speaker 4>and there were great lines. I mean, Chuck Chuck had

0:14:15.640 --> 0:14:18.520
<v Speaker 4>so many great throwaway lines, like you want to come

0:14:18.559 --> 0:14:19.920
<v Speaker 4>over for dinner it's meat night.

0:14:22.880 --> 0:14:25.520
<v Speaker 5>Chuck had two moments that were they were such good

0:14:25.560 --> 0:14:29.960
<v Speaker 5>lines because they were really funny and then equally tragic. Yes,

0:14:30.320 --> 0:14:31.800
<v Speaker 5>one of them was that you want to come over

0:14:31.880 --> 0:14:34.440
<v Speaker 5>it's meat night, which I thought was so funny and

0:14:34.480 --> 0:14:37.600
<v Speaker 5>again very sad. And then later in the episode, the

0:14:37.680 --> 0:14:39.640
<v Speaker 5>chase is like saying something like us your dad around

0:14:39.680 --> 0:14:44.000
<v Speaker 5>and he says no, he goes, I was supposed to

0:14:44.120 --> 0:14:47.040
<v Speaker 5>my dad last summer, but he bailed and chases like,

0:14:47.080 --> 0:14:49.480
<v Speaker 5>what what happened? And he said his favorite kid rock

0:14:49.520 --> 0:14:52.360
<v Speaker 5>cover band was playing Can't pass stuff like that up?

0:14:53.040 --> 0:14:55.640
<v Speaker 5>And I was like, it's such a funny choice to

0:14:55.680 --> 0:14:59.520
<v Speaker 5>make it a cover band of kid rock of kid

0:14:59.600 --> 0:15:04.400
<v Speaker 5>rock and also like again but simultaneously wildly tragic.

0:15:05.040 --> 0:15:07.040
<v Speaker 4>This is what makes these guys such great, such a

0:15:07.040 --> 0:15:10.360
<v Speaker 4>great team as writers. They were really capable of doing that,

0:15:10.400 --> 0:15:13.400
<v Speaker 4>And Chuck is a perfect character for it too, because

0:15:13.400 --> 0:15:15.960
<v Speaker 4>that's man. I mean, that's the heart of so much

0:15:16.000 --> 0:15:19.440
<v Speaker 4>comedy everything on top of it. You know, it's hilarious

0:15:19.200 --> 0:15:21.440
<v Speaker 4>on the top, but when you go to the notes

0:15:21.480 --> 0:15:24.840
<v Speaker 4>a little bit below it, you're like, ooh, what's going

0:15:24.880 --> 0:15:26.560
<v Speaker 4>on that it caused that?

0:15:28.000 --> 0:15:29.960
<v Speaker 2>Yeah, they're great, so smart.

0:15:42.680 --> 0:15:45.920
<v Speaker 5>Another gem they had was when Alex goes to red

0:15:45.960 --> 0:15:47.720
<v Speaker 5>bedroom and Mea is there and she's like, hey, I

0:15:47.720 --> 0:15:49.640
<v Speaker 5>want to I want to record, and me is basically

0:15:49.680 --> 0:15:52.120
<v Speaker 5>just like, nah, you can get lost, and she goes, cool,

0:15:52.120 --> 0:15:54.840
<v Speaker 5>I'll go talk to Haley. Why talk to the greasy

0:15:54.920 --> 0:15:56.600
<v Speaker 5>rag when you can talk to the mechanic.

0:15:57.520 --> 0:16:04.560
<v Speaker 2>It's like it's so good, Like, okay.

0:16:02.480 --> 0:16:05.600
<v Speaker 4>But this is why I'm not here for Alex. I'm

0:16:05.680 --> 0:16:11.680
<v Speaker 4>so over her. Just it's just it's so manipulative. She

0:16:11.840 --> 0:16:16.080
<v Speaker 4>shows up and she's super bitchy and creates this This

0:16:16.160 --> 0:16:18.440
<v Speaker 4>is like narcissism one on one, Like she creates all

0:16:18.480 --> 0:16:20.880
<v Speaker 4>of this drama. Mia is just minding her own business.

0:16:21.240 --> 0:16:24.760
<v Speaker 4>She comes in, creates all this drama. MIA's upset with her,

0:16:25.040 --> 0:16:27.840
<v Speaker 4>like because she's been insulting her, and then when she

0:16:27.880 --> 0:16:30.360
<v Speaker 4>comes back, she's like, I really just wish we could

0:16:30.400 --> 0:16:33.360
<v Speaker 4>be professionals. Well, I think you're an amazing artist.

0:16:33.760 --> 0:16:38.680
<v Speaker 5>Like off, I'm sorry, no, no, I'm going to push

0:16:38.680 --> 0:16:41.360
<v Speaker 5>back on this one because I feel like when she

0:16:41.520 --> 0:16:45.720
<v Speaker 5>shows up she is sincere. Also, we finally got some

0:16:45.760 --> 0:16:49.280
<v Speaker 5>acknowledgment of her kissing Chase during the Truth.

0:16:49.440 --> 0:16:50.920
<v Speaker 3>Which, by the way, I was like, wait, how does

0:16:51.000 --> 0:16:54.160
<v Speaker 3>Mia know about that? But whatever, at least it was acknowledged.

0:16:54.400 --> 0:16:56.200
<v Speaker 5>Yes, I mean her and Chase had sex the wedding,

0:16:56.280 --> 0:16:59.160
<v Speaker 5>so maybe they've been talking. I don't know. They had

0:16:59.160 --> 0:17:00.840
<v Speaker 5>that weird exchange at the bar, so I don't know

0:17:00.880 --> 0:17:01.200
<v Speaker 5>what's going on.

0:17:01.480 --> 0:17:03.080
<v Speaker 2>Wait, are you talking about chasing Mia?

0:17:03.520 --> 0:17:06.080
<v Speaker 5>Chasing. Mia had sex at the wedding.

0:17:05.960 --> 0:17:08.639
<v Speaker 2>Right and Alex kissed Chase.

0:17:09.000 --> 0:17:13.920
<v Speaker 3>During Alex and MIA's truce at the fundraiser night.

0:17:13.880 --> 0:17:16.840
<v Speaker 4>At the ball, I forgot about that. Yeah, okay, I

0:17:16.880 --> 0:17:18.080
<v Speaker 4>missed that moment in the scene.

0:17:18.160 --> 0:17:18.440
<v Speaker 2>Okay.

0:17:18.480 --> 0:17:22.120
<v Speaker 5>So I felt like she showed up, and I mean,

0:17:22.200 --> 0:17:23.919
<v Speaker 5>I mean, listen, she brought the edge quick. But I

0:17:23.920 --> 0:17:26.560
<v Speaker 5>felt like she started off not trying to be a jerk.

0:17:26.840 --> 0:17:28.600
<v Speaker 5>But then I do hear what you're saying. I think

0:17:28.640 --> 0:17:31.359
<v Speaker 5>she got the littlest bit of pushback from Mia, and

0:17:31.400 --> 0:17:35.399
<v Speaker 5>then she said something the effect of like, yeah, I

0:17:35.440 --> 0:17:37.760
<v Speaker 5>know you guys were back together when I saw him

0:17:38.000 --> 0:17:42.560
<v Speaker 5>kissing that five foot brown mole, Harry Mole.

0:17:44.520 --> 0:17:47.800
<v Speaker 4>Yeah, she just kept attacking her. It's like when when

0:17:48.400 --> 0:17:50.159
<v Speaker 4>you're minding your own business and someone comes in and

0:17:50.160 --> 0:17:52.520
<v Speaker 4>starts attacking you and you get upset, and then they're

0:17:52.600 --> 0:17:55.280
<v Speaker 4>just like, oh look, Europe, you're so upset.

0:17:55.520 --> 0:17:59.600
<v Speaker 2>You're so volatile. You're like, am I you're hysterical? Or

0:17:59.640 --> 0:18:02.240
<v Speaker 2>am I normal person? And you're a jack?

0:18:02.640 --> 0:18:05.760
<v Speaker 3>Well I also think that, I mean to your point, Joy,

0:18:05.800 --> 0:18:10.159
<v Speaker 3>It's like, we obviously talk about this stuff a lot.

0:18:09.119 --> 0:18:16.280
<v Speaker 3>The narcissistic tendency of baiting, baiting and baiting and baiting

0:18:16.320 --> 0:18:17.840
<v Speaker 3>and picking on and picking on and picking out, and

0:18:17.880 --> 0:18:22.440
<v Speaker 3>when someone finally retorts being like whoa, you're really intense,

0:18:22.600 --> 0:18:25.800
<v Speaker 3>or like oof a, what a bully, and you're like,

0:18:26.000 --> 0:18:28.720
<v Speaker 3>I'm sorry, You've been bullying me for how long?

0:18:28.760 --> 0:18:30.760
<v Speaker 2>And I finally told you to go yourself? And now

0:18:30.800 --> 0:18:31.399
<v Speaker 2>I'm rude.

0:18:31.720 --> 0:18:36.480
<v Speaker 6>Yeah, yeah, yeah, But what I like about this this

0:18:36.560 --> 0:18:38.399
<v Speaker 6>is the fun part, right, This is when you know

0:18:38.440 --> 0:18:40.400
<v Speaker 6>the writing is good because you can have a whole

0:18:40.480 --> 0:18:43.640
<v Speaker 6>room full of people be like I actually identify with Mia,

0:18:43.720 --> 0:18:45.560
<v Speaker 6>and then you've got people being like, no, I actually

0:18:45.640 --> 0:18:46.720
<v Speaker 6>identify with Alex.

0:18:47.040 --> 0:18:49.880
<v Speaker 3>Well, I see the dynamic here and that that's when

0:18:49.920 --> 0:18:55.000
<v Speaker 3>I know something is working because depending on how you

0:18:55.560 --> 0:19:00.639
<v Speaker 3>see it, saw it, maybe your own personal history whatever, Like,

0:19:00.760 --> 0:19:02.280
<v Speaker 3>everybody's got a different opinion.

0:19:02.400 --> 0:19:03.639
<v Speaker 2>And I'm like, that's good writing.

0:19:03.760 --> 0:19:06.800
<v Speaker 3>So hats off, hats off to Heroin Strauss because they're

0:19:06.840 --> 0:19:08.879
<v Speaker 3>making us like actually feel things.

0:19:09.160 --> 0:19:13.199
<v Speaker 5>Yeah. Well, and because Alex wants something, So there's the

0:19:13.240 --> 0:19:15.480
<v Speaker 5>added layer two of like is this just an act

0:19:15.520 --> 0:19:18.240
<v Speaker 5>to get what she wants? Now that she always dies?

0:19:19.840 --> 0:19:22.399
<v Speaker 4>And hey, friend, yeah, I'm going to be the bigger

0:19:22.440 --> 0:19:25.040
<v Speaker 4>person here. Yes, I just want to let you know

0:19:25.080 --> 0:19:27.679
<v Speaker 4>that I'm the bigger person. I just want you to

0:19:27.680 --> 0:19:28.160
<v Speaker 4>You're like.

0:19:28.200 --> 0:19:29.240
<v Speaker 2>Is that what's happening.

0:19:30.040 --> 0:19:35.320
<v Speaker 5>I'm also a little surprised that we waited this long

0:19:35.440 --> 0:19:40.320
<v Speaker 5>to showcase Janna's singing. Yeah, typically when we bring people

0:19:40.400 --> 0:19:42.679
<v Speaker 5>in who have a musical talent, and maybe just because

0:19:42.800 --> 0:19:45.040
<v Speaker 5>she got brought in primarily as an actor, I probably

0:19:45.359 --> 0:19:47.280
<v Speaker 5>maybe they wanted an actress who could sing, you know,

0:19:47.400 --> 0:19:51.280
<v Speaker 5>But I just I found myself going, she's really good.

0:19:51.800 --> 0:19:55.240
<v Speaker 5>This song is great. I'm just surprised it took us

0:19:55.680 --> 0:19:57.800
<v Speaker 5>a season and a half to see this.

0:19:58.840 --> 0:20:00.960
<v Speaker 2>Nobody knew when she came in.

0:20:01.080 --> 0:20:03.240
<v Speaker 4>She was just kind came in as an actor, and

0:20:03.440 --> 0:20:07.679
<v Speaker 4>as she got her series regular part in the show

0:20:07.760 --> 0:20:10.840
<v Speaker 4>and continued to you know, build her own career in

0:20:10.840 --> 0:20:13.000
<v Speaker 4>pr and all that, then she went to a record label.

0:20:13.480 --> 0:20:15.879
<v Speaker 4>I think I'm correct about this. So, Janna, if you're

0:20:15.880 --> 0:20:17.560
<v Speaker 4>out there and I'm miss telling your story, I'm sorry,

0:20:17.560 --> 0:20:21.199
<v Speaker 4>but this is what I remember. That she went to

0:20:21.240 --> 0:20:23.359
<v Speaker 4>a record label and was working on getting a deal

0:20:23.480 --> 0:20:25.880
<v Speaker 4>and so, and I don't know how it went down

0:20:25.920 --> 0:20:28.679
<v Speaker 4>with talking with show writers or creators or whatever and

0:20:28.680 --> 0:20:32.000
<v Speaker 4>saying like, hey, can I sing but eventually that was

0:20:32.320 --> 0:20:34.560
<v Speaker 4>done in tandem with her record deal.

0:20:34.960 --> 0:20:38.000
<v Speaker 2>Yeah, because we were still living together. Oh you were,

0:20:38.080 --> 0:20:39.520
<v Speaker 2>so you know the story about it, and I do.

0:20:39.600 --> 0:20:44.520
<v Speaker 3>Okay, tell Shanna was going back and forth to Nashville

0:20:44.840 --> 0:20:48.360
<v Speaker 3>a lot, like she was really starting to pursue this

0:20:48.400 --> 0:20:50.200
<v Speaker 3>because she does to your point, Rob, I mean, she's

0:20:50.240 --> 0:20:53.720
<v Speaker 3>got such a great voice, and you know, there was

0:20:53.760 --> 0:20:57.680
<v Speaker 3>a lot of how do you figure out somebody's schedule

0:20:57.720 --> 0:20:59.239
<v Speaker 3>and how is she going to go and do this?

0:20:59.280 --> 0:21:00.800
<v Speaker 3>And how is she going to stay on the show,

0:21:00.880 --> 0:21:08.000
<v Speaker 3>and so you know, it becomes easier to work out

0:21:08.080 --> 0:21:10.560
<v Speaker 3>doing two jobs at once, which no movie studio or

0:21:10.640 --> 0:21:12.760
<v Speaker 3>record label really wants to let you do unless it's

0:21:12.800 --> 0:21:15.439
<v Speaker 3>mutually beneficial. Yeah, and so I think there was a

0:21:15.560 --> 0:21:17.959
<v Speaker 3>you know, if my memory serves me correctly, I mean,

0:21:18.040 --> 0:21:22.000
<v Speaker 3>my god, this is over a decade ago. But I

0:21:22.040 --> 0:21:24.439
<v Speaker 3>don't remember if it was the label that got in

0:21:24.440 --> 0:21:26.760
<v Speaker 3>talks with Warner Brothers or with Warner Brothers that gotten

0:21:26.760 --> 0:21:28.040
<v Speaker 3>talks with her label.

0:21:28.280 --> 0:21:30.280
<v Speaker 2>Obviously we'll have to have her come and talk to

0:21:30.320 --> 0:21:31.760
<v Speaker 2>us about it again on an episode.

0:21:32.400 --> 0:21:35.200
<v Speaker 3>But they worked it out, and yeah, I mean she

0:21:35.320 --> 0:21:38.000
<v Speaker 3>was just like flying back and forth all the time.

0:21:38.320 --> 0:21:40.520
<v Speaker 4>It did feel like it kind of came out of nowhere.

0:21:40.840 --> 0:21:44.919
<v Speaker 3>Yeah, well it's a surprise on the show, That's what

0:21:44.960 --> 0:21:47.560
<v Speaker 3>I mean. Yeah, for the character, you're like, wait what.

0:21:47.720 --> 0:21:52.119
<v Speaker 3>And I do think they were smart at least two have.

0:21:52.480 --> 0:21:55.840
<v Speaker 3>I liked that they had the her saying the thing

0:21:55.920 --> 0:21:58.359
<v Speaker 3>everyone knew she'd never said on camera to Quinn at

0:21:58.359 --> 0:22:00.000
<v Speaker 3>the hotel and Quinn being like, yes, you told me

0:22:00.080 --> 0:22:03.120
<v Speaker 3>one million times during Brooks Bachelorette because everyone blacked out,

0:22:03.520 --> 0:22:06.639
<v Speaker 3>So it was like, oh okay, like they nodded to

0:22:06.720 --> 0:22:09.159
<v Speaker 3>their own surprise for the audience, I thought, in a

0:22:09.280 --> 0:22:12.960
<v Speaker 3>very clever way. Yeah, But I do think when people

0:22:12.960 --> 0:22:14.880
<v Speaker 3>are like, well that seems random, it's like, well, yeah,

0:22:14.880 --> 0:22:17.280
<v Speaker 3>they had to get a deal done with the studio

0:22:17.320 --> 0:22:20.080
<v Speaker 3>and the record label, and they weren't gonna worth talking

0:22:20.119 --> 0:22:23.919
<v Speaker 3>about it until everything was settled. But yeah, then Jana was,

0:22:24.160 --> 0:22:26.200
<v Speaker 3>you know, going back and forth out of our little

0:22:26.200 --> 0:22:29.680
<v Speaker 3>apartment in downtown and going to Nashville and just I

0:22:29.720 --> 0:22:33.240
<v Speaker 3>mean she threw herself into it like so full steamad

0:22:33.320 --> 0:22:35.040
<v Speaker 3>and it was so cool to watch it.

0:22:35.480 --> 0:22:38.520
<v Speaker 4>Yeah, super talented. But I do wish they had teased

0:22:38.520 --> 0:22:40.280
<v Speaker 4>it out a little bit more. I wish there had

0:22:40.320 --> 0:22:42.919
<v Speaker 4>been just more of a yeah overnight, like, oh, by

0:22:42.960 --> 0:22:44.439
<v Speaker 4>the way, I've always wanted to be a singer.

0:22:44.880 --> 0:22:47.480
<v Speaker 2>Okay, I mean they're gonna let me sing on my

0:22:47.560 --> 0:22:50.359
<v Speaker 2>next movie. You're like, what next movie? What singing? Yeah,

0:22:50.680 --> 0:22:51.440
<v Speaker 2>There's so many.

0:22:51.240 --> 0:22:53.520
<v Speaker 4>Ways to have done it and introduced it that this

0:22:53.600 --> 0:22:56.400
<v Speaker 4>felt a little weak to me. But I'm glad we got.

0:22:56.200 --> 0:22:56.680
<v Speaker 2>It in there.

0:22:57.160 --> 0:22:59.120
<v Speaker 4>Rob, Sorry, you keep wanting to say something, you.

0:22:59.080 --> 0:23:01.600
<v Speaker 5>Know, I'm just it's like, I wish I had that

0:23:01.640 --> 0:23:04.040
<v Speaker 5>good of a talent that I could just like sandbag

0:23:04.080 --> 0:23:07.640
<v Speaker 5>and randomly pull out a half later, like I show

0:23:07.720 --> 0:23:10.000
<v Speaker 5>up and my bag of tricks has been exposed in

0:23:10.000 --> 0:23:12.920
<v Speaker 5>like thirty minutes. You like, I've already peaked. You've seen

0:23:12.960 --> 0:23:15.320
<v Speaker 5>all of my things, and it's like casually a year

0:23:15.320 --> 0:23:17.040
<v Speaker 5>and a half into the job, She's like, oh, by

0:23:17.080 --> 0:23:19.840
<v Speaker 5>the way, I can sing like a beautiful song like

0:23:19.880 --> 0:23:20.400
<v Speaker 5>an angel.

0:23:20.600 --> 0:23:22.720
<v Speaker 4>Yeah, and I write amazing songs too.

0:23:22.880 --> 0:23:25.240
<v Speaker 5>Oh can you dance too? Like, oh, are you a

0:23:25.280 --> 0:23:26.960
<v Speaker 5>triple threat? And just have been hiding it?

0:23:27.800 --> 0:23:31.719
<v Speaker 4>She bust out her tap shooth seriously, so funny.

0:23:31.840 --> 0:23:32.359
<v Speaker 2>It was great.

0:23:32.400 --> 0:23:35.879
<v Speaker 5>The song was great. It worked awesome in the episode and.

0:23:35.840 --> 0:23:40.679
<v Speaker 4>Chase, speaking of you know, Alex and Chase. I've loved

0:23:40.720 --> 0:23:43.280
<v Speaker 4>that we got to watch him in a new role

0:23:43.320 --> 0:23:45.840
<v Speaker 4>besides just being a bartender and being the guy that's like, oh,

0:23:45.840 --> 0:23:48.600
<v Speaker 4>I can't decide between two girls, like to actually have

0:23:48.680 --> 0:23:53.639
<v Speaker 4>a depth of character, to work with this kid and

0:23:53.680 --> 0:23:58.080
<v Speaker 4>try and discover a new part of his character, his personality.

0:24:00.560 --> 0:24:05.919
<v Speaker 2>Big Brother was a great choice also for.

0:24:04.800 --> 0:24:08.760
<v Speaker 4>Chase, and fun for Steven. Really fun to watch him

0:24:08.800 --> 0:24:11.199
<v Speaker 4>in that role because I never I don't know that

0:24:11.240 --> 0:24:13.320
<v Speaker 4>I would have put I would have put skills there,

0:24:13.440 --> 0:24:14.639
<v Speaker 4>I would have put mouth there.

0:24:15.160 --> 0:24:16.960
<v Speaker 2>But Chase, who's always just.

0:24:16.920 --> 0:24:20.000
<v Speaker 4>Been interacting with the adults, he does have so much

0:24:20.040 --> 0:24:22.399
<v Speaker 4>to offer and to see like his kind heart and

0:24:22.440 --> 0:24:24.240
<v Speaker 4>see so much more of him than just the guy

0:24:24.320 --> 0:24:27.440
<v Speaker 4>that's being torn between two women's was really nice.

0:24:27.640 --> 0:24:31.720
<v Speaker 5>Break I agree. Also, I mean, I'm I'm gonna say that,

0:24:32.040 --> 0:24:34.119
<v Speaker 5>and this is a big statement given our show. In

0:24:34.160 --> 0:24:38.800
<v Speaker 5>these characters' histories, but Chuck may have one of the

0:24:38.840 --> 0:24:44.720
<v Speaker 5>most tragic backstories and lives of all the characters. I mean,

0:24:44.920 --> 0:24:47.760
<v Speaker 5>his dad is obviously like a no show deadbeat, and

0:24:47.800 --> 0:24:50.320
<v Speaker 5>when he does show, he's apt because advice clearly is awful,

0:24:50.320 --> 0:24:53.560
<v Speaker 5>So he's just wasted space and his mom, we come

0:24:53.600 --> 0:24:55.800
<v Speaker 5>to find out, is the woman who is day drinking

0:24:56.200 --> 0:24:57.280
<v Speaker 5>in an empty trick.

0:24:57.920 --> 0:25:01.200
<v Speaker 2>Yeah, it's like this kidnas heady.

0:25:01.640 --> 0:25:06.040
<v Speaker 5>I think, goodness, he gets Chase, who's actually earnest and

0:25:06.119 --> 0:25:08.800
<v Speaker 5>excited to be there and trying to, you know, be

0:25:09.160 --> 0:25:12.239
<v Speaker 5>a good role model for him. Yeah. And because I

0:25:12.280 --> 0:25:16.320
<v Speaker 5>remember this storyline and where it's headed, it's it's great,

0:25:16.400 --> 0:25:18.720
<v Speaker 5>but it kind of tells me. I've always thought like

0:25:19.000 --> 0:25:22.280
<v Speaker 5>that Chuck's a dick, and now I'm like, yeah, but

0:25:22.440 --> 0:25:25.680
<v Speaker 5>you know, you know, yeah, he gets he gets an excuse.

0:25:25.960 --> 0:25:29.200
<v Speaker 4>That's the brilliance of Hero and Strauss again, that they

0:25:29.359 --> 0:25:32.159
<v Speaker 4>saw they knew the storyline for Chuck. They've seen all

0:25:32.160 --> 0:25:34.280
<v Speaker 4>the stuff that we've done, and he's always been a

0:25:34.359 --> 0:25:38.880
<v Speaker 4>caricature of himself, his family. You know, we joke about

0:25:38.960 --> 0:25:41.600
<v Speaker 4>why his mom's an alcoholic, you know, and it's like

0:25:41.640 --> 0:25:45.760
<v Speaker 4>always a punchline. And instead of instead of actually treating

0:25:45.760 --> 0:25:49.400
<v Speaker 4>it with the tenderness that it deserves, which even in

0:25:49.440 --> 0:25:52.600
<v Speaker 4>the comedy, as you're saying, it's so tragic underneath it all.

0:25:53.520 --> 0:25:55.639
<v Speaker 4>That's the brilliance of it is that you can treat

0:25:55.680 --> 0:25:59.639
<v Speaker 4>something with tenderness by being honest about how humans behave

0:25:59.840 --> 0:26:03.320
<v Speaker 4>or round tragedy, which often is making light of it,

0:26:03.920 --> 0:26:06.600
<v Speaker 4>but trusting the audience to be smart enough to feel

0:26:06.640 --> 0:26:12.320
<v Speaker 4>all those layers and really giving Chuck and his mom

0:26:12.440 --> 0:26:16.640
<v Speaker 4>too these little moments where instead of them being caricatures,

0:26:16.640 --> 0:26:19.160
<v Speaker 4>we actually really care about them and see their humanity.

0:26:19.280 --> 0:26:22.919
<v Speaker 4>It added so much to our show, even that.

0:26:22.800 --> 0:26:27.320
<v Speaker 5>Little moment of they kind of the in the very

0:26:27.359 --> 0:26:29.480
<v Speaker 5>short amount of time that she was on camera. It

0:26:29.520 --> 0:26:33.000
<v Speaker 5>was very efficient in that they humanized her a bit,

0:26:33.040 --> 0:26:34.960
<v Speaker 5>because you're right, Joy, all she has ever been is

0:26:34.960 --> 0:26:36.520
<v Speaker 5>a punchline. I don't even know if we've ever seen

0:26:36.520 --> 0:26:37.720
<v Speaker 5>this actress before. I don't.

0:26:37.840 --> 0:26:39.960
<v Speaker 4>We haven't, right, Yeah, I feel like we have, but

0:26:40.119 --> 0:26:41.800
<v Speaker 4>maybe she just looks familiar.

0:26:41.400 --> 0:26:44.439
<v Speaker 2>Because okay, at least oh yeah, in school? I like,

0:26:44.800 --> 0:26:45.760
<v Speaker 2>did we slap her?

0:26:45.760 --> 0:26:48.960
<v Speaker 4>Did I slap her? Did she like what happened? Something

0:26:49.000 --> 0:26:50.080
<v Speaker 4>happened with her at school?

0:26:50.280 --> 0:26:52.880
<v Speaker 2>Yeah? You guys had a little kerfuffull of some fight.

0:26:53.359 --> 0:26:56.479
<v Speaker 5>Yeah. But I just liked that rather than because they

0:26:56.480 --> 0:26:59.080
<v Speaker 5>could have just had her drunk at the bar and

0:26:59.280 --> 0:27:03.120
<v Speaker 5>didn't even say anything. But I like that she rather

0:27:03.160 --> 0:27:05.639
<v Speaker 5>than throwing herself at Chase, even though she's kind of

0:27:05.680 --> 0:27:08.639
<v Speaker 5>doing it, she says, if I weren't off men right now,

0:27:08.800 --> 0:27:11.280
<v Speaker 5>So it's kind of like, oh, so she's aware her

0:27:11.320 --> 0:27:15.000
<v Speaker 5>husband is a dud. She's struggling, you know, like it

0:27:15.040 --> 0:27:17.080
<v Speaker 5>was just it was just enough to go like, okay,

0:27:17.080 --> 0:27:19.600
<v Speaker 5>there's a human being there, as opposed to just like

0:27:19.680 --> 0:27:22.040
<v Speaker 5>a punchline and a cautionary tale.

0:27:23.720 --> 0:27:23.920
<v Speaker 1>Yeah.

0:27:24.040 --> 0:27:25.840
<v Speaker 3>I also think it would have been it would have

0:27:25.880 --> 0:27:28.520
<v Speaker 3>really been a hat on a hat after Mia and

0:27:28.600 --> 0:27:31.800
<v Speaker 3>Alex fighting over him, to have like another random woman

0:27:31.920 --> 0:27:35.320
<v Speaker 3>just throwing herself at It's like, guys, this is not how.

0:27:35.200 --> 0:27:38.479
<v Speaker 2>People interact in the real world. So yeah, it's to

0:27:38.520 --> 0:27:38.960
<v Speaker 2>your point.

0:27:39.000 --> 0:27:42.760
<v Speaker 3>It's nice because it it gives us a backstory for

0:27:42.920 --> 0:27:45.920
<v Speaker 3>her to know that she's been in a struggle with this,

0:27:46.160 --> 0:27:49.680
<v Speaker 3>you know, with Chuck's dad, her ex. However she identifies

0:27:49.760 --> 0:27:52.960
<v Speaker 3>him in her life. It sounds like they're split, if

0:27:53.000 --> 0:27:56.240
<v Speaker 3>you know, the guy hasn't seen his kid in a year.

0:27:57.119 --> 0:28:01.439
<v Speaker 3>But yeah, it just gives a little bit of extra depth,

0:28:01.600 --> 0:28:04.920
<v Speaker 3>and then it gives us information as an audience when

0:28:04.960 --> 0:28:08.840
<v Speaker 3>we're hearing all these terrible things that Chuck's dad says

0:28:08.880 --> 0:28:12.240
<v Speaker 3>to him, these sort of terrible life lessons that he's

0:28:12.280 --> 0:28:17.040
<v Speaker 3>giving this young boy you know, and you go, oh,

0:28:17.280 --> 0:28:20.600
<v Speaker 3>I'm beginning to get the picture here of why that

0:28:20.720 --> 0:28:22.720
<v Speaker 3>kid acts the way he acts, of why he might

0:28:22.760 --> 0:28:25.600
<v Speaker 3>be competitive with his best friend, of why he might

0:28:25.640 --> 0:28:26.880
<v Speaker 3>be acting out.

0:28:26.680 --> 0:28:29.800
<v Speaker 2>In a way. And it is really nice to see,

0:28:31.040 --> 0:28:34.080
<v Speaker 2>just like a grown up who cares, try to be

0:28:34.160 --> 0:28:34.639
<v Speaker 2>a mentor.

0:28:34.960 --> 0:28:39.920
<v Speaker 5>Yeah. Yeah, there are very few instances in which being

0:28:40.080 --> 0:28:43.600
<v Speaker 5>raised by a pack of wolves would have been preferable

0:28:43.880 --> 0:28:47.200
<v Speaker 5>to your actual parents. And I think Chuck may qualify.

0:28:47.360 --> 0:28:49.440
<v Speaker 4>You may qualify because what is that.

0:28:49.720 --> 0:28:51.760
<v Speaker 5>My dad says guys can bail on each other all

0:28:51.800 --> 0:28:54.720
<v Speaker 5>the time. It's like, your dad's terrible.

0:28:54.800 --> 0:28:56.880
<v Speaker 2>He's the worst. Yeah.

0:28:56.920 --> 0:28:59.600
<v Speaker 4>And when Chuck, oh, I forgot about this moment, you know,

0:28:59.640 --> 0:29:01.720
<v Speaker 4>you do this punch thing where he punches Chase and

0:29:01.760 --> 0:29:03.720
<v Speaker 4>he's like, you just got chucked. You know. It's like

0:29:03.800 --> 0:29:06.960
<v Speaker 4>funny at first, but when he invites Chase to dinner

0:29:07.160 --> 0:29:09.360
<v Speaker 4>and Chase starts saying, oh, I can't really do that

0:29:09.560 --> 0:29:12.960
<v Speaker 4>or like it wouldn't be appropriate or whatever, Chuck immediately

0:29:13.080 --> 0:29:16.320
<v Speaker 4>regresses and punches him as like, oh, it's the joke again,

0:29:16.360 --> 0:29:19.200
<v Speaker 4>ha ha, you know, just trying to cover up the

0:29:19.320 --> 0:29:23.840
<v Speaker 4>immense pain of feeling rejected by somebody he's just starting

0:29:23.840 --> 0:29:26.400
<v Speaker 4>to trust again. There were so many layers in this

0:29:26.800 --> 0:29:29.160
<v Speaker 4>storyline and it was so quick in the episode, but

0:29:30.040 --> 0:29:44.000
<v Speaker 4>the more we talk about it, the more impressed I am.

0:29:44.600 --> 0:29:48.640
<v Speaker 5>Also, it was great because I love Stephen and I

0:29:48.640 --> 0:29:51.280
<v Speaker 5>think he hasn't been given a lot to do on

0:29:51.280 --> 0:29:52.840
<v Speaker 5>the show. Yeah, he's just sort of been the like

0:29:53.080 --> 0:29:55.720
<v Speaker 5>guy between two gals. So this was really nice to

0:29:55.760 --> 0:29:58.360
<v Speaker 5>get to give him the opportunity to play a different speed.

0:29:59.120 --> 0:30:03.040
<v Speaker 5>And I loved because we see how earnest he is,

0:30:03.120 --> 0:30:05.600
<v Speaker 5>like the fact that he shows up wearing a pilot's

0:30:05.600 --> 0:30:09.200
<v Speaker 5>hat and that he got a second pilot hat for Chuck.

0:30:09.800 --> 0:30:11.480
<v Speaker 5>It's like, and he's waiting out in front of the car,

0:30:11.480 --> 0:30:13.760
<v Speaker 5>I thought like, Oh, he's actually putting effort in, like

0:30:13.880 --> 0:30:16.640
<v Speaker 5>he cares right. And then that Chuck walks out and

0:30:16.680 --> 0:30:19.920
<v Speaker 5>goes nice hat do they make him for guys and

0:30:20.040 --> 0:30:24.960
<v Speaker 5>slaps it out of his hand. Was so funny, and

0:30:25.000 --> 0:30:27.280
<v Speaker 5>it made me feel so bad for Chase that he's

0:30:27.320 --> 0:30:29.720
<v Speaker 5>like he's putting himself out there and this nine year

0:30:29.760 --> 0:30:35.240
<v Speaker 5>old just absolutely bodies him.

0:30:35.280 --> 0:30:38.680
<v Speaker 2>It's so funny. I love I love too, the way

0:30:38.800 --> 0:30:40.360
<v Speaker 2>every storyline really has to do.

0:30:40.440 --> 0:30:44.720
<v Speaker 4>With different ways to deal with your bullies. I mean,

0:30:44.840 --> 0:30:47.880
<v Speaker 4>Chuck's always been a bully, except when he kind of

0:30:47.880 --> 0:30:50.160
<v Speaker 4>became friends with Jamie, but through being a bully, he

0:30:50.200 --> 0:30:55.200
<v Speaker 4>was a bully first. And then the way that I

0:30:55.240 --> 0:30:57.560
<v Speaker 4>guess Alex and Mia feel like they're kind of bullying

0:30:57.560 --> 0:31:01.400
<v Speaker 4>each other all the time. I mean, whatever that storyline is.

0:31:01.440 --> 0:31:04.880
<v Speaker 4>But but yeah, everything kind of all ties together.

0:31:05.200 --> 0:31:08.680
<v Speaker 5>What did you guys think about the Clay showing up

0:31:08.720 --> 0:31:10.080
<v Speaker 5>in the classroom scene.

0:31:10.160 --> 0:31:14.120
<v Speaker 4>I thought, in real life the teacher would probably not

0:31:14.200 --> 0:31:15.760
<v Speaker 4>have let him talk so much.

0:31:16.440 --> 0:31:23.000
<v Speaker 3>Yeah, yeah, it's a big hero moment, and you go,

0:31:23.200 --> 0:31:23.960
<v Speaker 3>this is cute.

0:31:23.960 --> 0:31:27.160
<v Speaker 2>But what Yeah, what did you think of it?

0:31:27.240 --> 0:31:27.480
<v Speaker 4>Wrong?

0:31:29.160 --> 0:31:33.920
<v Speaker 5>To me? I laughed, you know, because it joins exactly right.

0:31:34.000 --> 0:31:37.320
<v Speaker 5>It's like, if someone's in your class who's not a student,

0:31:37.760 --> 0:31:41.880
<v Speaker 5>you don't entertain that, especially when they're trying to prove

0:31:42.000 --> 0:31:45.520
<v Speaker 5>you inadequate or wrong. So the fact that he humors

0:31:45.520 --> 0:31:47.200
<v Speaker 5>me and like lets me and then asks me a

0:31:47.280 --> 0:31:50.560
<v Speaker 5>question back, I was just like, and it's just odd

0:31:50.640 --> 0:31:56.480
<v Speaker 5>because he's not it's not really like owning the guy.

0:31:56.960 --> 0:31:59.120
<v Speaker 5>He's not really rubbing his nose anything. He's just like

0:32:00.280 --> 0:32:01.200
<v Speaker 5>not the real world.

0:32:01.760 --> 0:32:04.720
<v Speaker 4>It just I wish Clay had brought the actual basketball

0:32:04.720 --> 0:32:06.640
<v Speaker 4>player that he was talking about, or was a football

0:32:06.680 --> 0:32:07.280
<v Speaker 4>I guess.

0:32:07.080 --> 0:32:09.040
<v Speaker 5>Football, Yeah, Troy, the guy he just signed.

0:32:09.080 --> 0:32:12.520
<v Speaker 4>Yeah, I wish he had actually brought the guy. Yes,

0:32:12.760 --> 0:32:15.720
<v Speaker 4>that would have been something that stopped the class well, and.

0:32:15.640 --> 0:32:20.000
<v Speaker 2>That probably would have made Kellerman pause.

0:32:20.720 --> 0:32:22.880
<v Speaker 3>But the thing that I sort of couldn't get over

0:32:23.440 --> 0:32:26.760
<v Speaker 3>was that he was essentially showing you deference and respect

0:32:26.840 --> 0:32:29.280
<v Speaker 3>in his own classroom, where he's made it clear that

0:32:29.320 --> 0:32:35.480
<v Speaker 3>he doesn't respect anyone. Yeah, anyone's experiences, anyone's opinions, anyone's BMI.

0:32:35.880 --> 0:32:40.000
<v Speaker 3>Like he's literally fat shaming a male athlete. Like the

0:32:40.120 --> 0:32:44.240
<v Speaker 3>whole thing is so he he doesn't care about other

0:32:44.280 --> 0:32:47.760
<v Speaker 3>people's feelings or experiences, and then he just is wrapped

0:32:47.760 --> 0:32:50.160
<v Speaker 3>with attention while Clay's on me and I'm like, I

0:32:50.200 --> 0:32:51.600
<v Speaker 3>don't get it well.

0:32:51.640 --> 0:32:54.560
<v Speaker 5>And it was also odd because there was a perfect

0:32:54.600 --> 0:32:58.880
<v Speaker 5>opportunity for Clay to go, Yeah, a top ten NFL

0:32:59.000 --> 0:33:02.560
<v Speaker 5>draft just got some by one of your students because

0:33:02.800 --> 0:33:06.960
<v Speaker 5>of this gay like he had an opportunity to really

0:33:07.040 --> 0:33:11.160
<v Speaker 5>big up Nathan, and instead he kept it all about

0:33:11.160 --> 0:33:14.600
<v Speaker 5>the agency and therefore himself because he never establishes a

0:33:14.600 --> 0:33:17.640
<v Speaker 5>connection and it was just like, this isn't your fight,

0:33:17.800 --> 0:33:20.000
<v Speaker 5>and why wouldn't you take that opportunity to be like

0:33:20.720 --> 0:33:22.560
<v Speaker 5>one of your students did exactly that?

0:33:23.080 --> 0:33:25.160
<v Speaker 2>Yeah, the only I totally thought that too.

0:33:25.200 --> 0:33:28.200
<v Speaker 4>But also I think I giving Clay the benefit of

0:33:28.240 --> 0:33:30.080
<v Speaker 4>the doubt that he wouldn't have wanted to cause more

0:33:30.120 --> 0:33:32.920
<v Speaker 4>trouble for Nathan because at this point there was you're

0:33:33.000 --> 0:33:35.680
<v Speaker 4>just a total stranger. But if he was tied to Nathan,

0:33:35.800 --> 0:33:37.080
<v Speaker 4>then it would have.

0:33:38.520 --> 0:33:39.400
<v Speaker 5>Yes, I don't.

0:33:39.240 --> 0:33:41.440
<v Speaker 2>Know, maybe put a bigger target on his back.

0:33:41.640 --> 0:33:44.320
<v Speaker 5>Yeah, yeah, yeah, And I think also Nathan doesn't have

0:33:44.320 --> 0:33:47.120
<v Speaker 5>his degree yet, so he shouldn't be practicing as an agent.

0:33:47.200 --> 0:33:52.360
<v Speaker 5>So right, it's well, this skeleton guy is a jerk,

0:33:52.360 --> 0:33:54.520
<v Speaker 5>you don't want to give him that information to a

0:33:54.520 --> 0:33:56.280
<v Speaker 5>good point.

0:33:56.720 --> 0:33:59.920
<v Speaker 4>But even more the reason why than the actual football

0:34:00.360 --> 0:34:03.400
<v Speaker 4>walking in and being like, hey, one of you know,

0:34:04.000 --> 0:34:06.120
<v Speaker 4>somebody one of your students or maybe not.

0:34:06.160 --> 0:34:06.480
<v Speaker 5>Just like.

0:34:07.960 --> 0:34:09.680
<v Speaker 2>I'll never mind, I take it back. I just I

0:34:09.719 --> 0:34:10.840
<v Speaker 2>think it would have made more.

0:34:11.239 --> 0:34:13.359
<v Speaker 5>You're right, Joy, How cool would that moment have been

0:34:13.600 --> 0:34:15.800
<v Speaker 5>if it had been Clay talking and going hold on

0:34:15.880 --> 0:34:18.319
<v Speaker 5>a second, hey, Troy, how much did we how much

0:34:18.480 --> 0:34:20.400
<v Speaker 5>was a signing bonus? And then Troy's and outside the

0:34:20.400 --> 0:34:22.680
<v Speaker 5>class going I was sixty eight million.

0:34:22.840 --> 0:34:25.960
<v Speaker 2>Yes, yeah, and hugs and a hug and a.

0:34:25.920 --> 0:34:29.160
<v Speaker 5>Hug exactly and a hug. It's not too late to

0:34:29.200 --> 0:34:31.640
<v Speaker 5>reshoot that scene, right, let's do it.

0:34:32.480 --> 0:34:35.839
<v Speaker 3>Totally absolutely well, we'll figure out how to pay for it.

0:34:36.440 --> 0:34:40.760
<v Speaker 5>I loved also because there were parts of the episode where,

0:34:41.880 --> 0:34:44.239
<v Speaker 5>like just going back to the bowling, I loved that

0:34:44.320 --> 0:34:47.280
<v Speaker 5>there was the moment of like there was a great

0:34:47.560 --> 0:34:53.319
<v Speaker 5>blend of blurring reality and then also sticking to it, like, yeah,

0:34:53.320 --> 0:34:57.239
<v Speaker 5>there's this great moment when Quinn walks into the room

0:34:57.360 --> 0:35:00.440
<v Speaker 5>when Haley and Brook are talking and I think maybe

0:35:00.480 --> 0:35:05.680
<v Speaker 5>she turns to leave, and suddenly Brooke is behind her. Yes, yeah,

0:35:05.719 --> 0:35:08.320
<v Speaker 5>I can't let you do that, and true Batman style,

0:35:08.360 --> 0:35:10.239
<v Speaker 5>and of course Quinn is like what the hell Like,

0:35:10.640 --> 0:35:12.040
<v Speaker 5>So that was one of those ones where it's like

0:35:12.080 --> 0:35:13.960
<v Speaker 5>we sort of bent the rules and I loved it.

0:35:14.480 --> 0:35:17.440
<v Speaker 4>And when the girls enters with the bushes, is that

0:35:17.520 --> 0:35:18.239
<v Speaker 4>what you're gonna say?

0:35:18.480 --> 0:35:21.840
<v Speaker 5>Yes, because with the flipping, I was like, oh what,

0:35:22.080 --> 0:35:24.480
<v Speaker 5>And then of course we see you all awkwardly stepping

0:35:24.480 --> 0:35:25.160
<v Speaker 5>over the hedge.

0:35:25.200 --> 0:35:30.000
<v Speaker 7>I'm like, perfect, yeah, yeah, it's actually just it's how

0:35:30.040 --> 0:35:32.160
<v Speaker 7>cool we think we look and then you see that

0:35:32.480 --> 0:35:35.880
<v Speaker 7>we're just We're just a couple of awkward gals.

0:35:36.440 --> 0:35:37.120
<v Speaker 2>Yeah.

0:35:37.160 --> 0:35:39.640
<v Speaker 5>And there's another great line. I think maybe it was

0:35:39.960 --> 0:35:43.640
<v Speaker 5>a Hailey. It was either Haley or Brook when uh,

0:35:44.120 --> 0:35:46.560
<v Speaker 5>it's in a discussion about standing up to these bullies

0:35:46.560 --> 0:35:51.359
<v Speaker 5>and someone's like apprehensive and the line is relax, their

0:35:51.440 --> 0:35:52.560
<v Speaker 5>kids not crips.

0:35:54.000 --> 0:35:54.680
<v Speaker 2>Brook says it.

0:35:55.040 --> 0:35:57.280
<v Speaker 5>Yeah, yeah, well done.

0:35:57.560 --> 0:35:57.759
<v Speaker 1>Yeah.

0:35:57.840 --> 0:35:58.440
<v Speaker 2>Yeah.

0:35:58.440 --> 0:36:00.800
<v Speaker 3>There were a few things I have in the episode

0:36:00.800 --> 0:36:03.200
<v Speaker 3>that gave me a giggle, like being when I say

0:36:03.239 --> 0:36:06.040
<v Speaker 3>to Haley, no one's gonna hit a pregnant lady.

0:36:06.320 --> 0:36:08.880
<v Speaker 2>Yeah, she goes, you want me to use my onborn

0:36:08.960 --> 0:36:14.759
<v Speaker 2>baby as a human shield. It's like just the humor

0:36:14.920 --> 0:36:17.440
<v Speaker 2>that they gave to us in this I really had

0:36:17.480 --> 0:36:18.319
<v Speaker 2>a nice time with.

0:36:18.480 --> 0:36:20.600
<v Speaker 4>It was just so much comic timing. I love that

0:36:20.640 --> 0:36:22.880
<v Speaker 4>they just wrote the jokes and trusted us to handle

0:36:22.920 --> 0:36:25.040
<v Speaker 4>them because it was so fun, the three of us

0:36:25.040 --> 0:36:27.480
<v Speaker 4>being able to play off of each other and it

0:36:27.560 --> 0:36:30.080
<v Speaker 4>wasn't set upset up, laugh it was pure, just like

0:36:30.160 --> 0:36:33.720
<v Speaker 4>they just wrote it real and we we were able

0:36:33.719 --> 0:36:36.960
<v Speaker 4>to you know, insert the just in our relationships, insert

0:36:37.000 --> 0:36:41.160
<v Speaker 4>that comedy. But I loved this scene with the three

0:36:41.200 --> 0:36:43.920
<v Speaker 4>of us.

0:36:42.640 --> 0:36:45.760
<v Speaker 2>Being so ridiculous in front of these girls.

0:36:45.800 --> 0:36:49.000
<v Speaker 4>Can you imagine, especially now as a mom, that I

0:36:49.200 --> 0:36:51.600
<v Speaker 4>go into high I mean, I go into the middle school,

0:36:51.600 --> 0:36:53.319
<v Speaker 4>in the high school, and I see these kids all

0:36:53.320 --> 0:36:57.480
<v Speaker 4>the time. If I showed up with two of my friends.

0:36:57.360 --> 0:37:04.439
<v Speaker 3>In span spanding masks trying to protect I mean, thank

0:37:04.480 --> 0:37:05.400
<v Speaker 3>god Haley.

0:37:05.160 --> 0:37:06.719
<v Speaker 4>Did have a trick up her sleep, because I think

0:37:06.760 --> 0:37:10.200
<v Speaker 4>it worked. But I mean, and she's like missus Scott,

0:37:10.480 --> 0:37:13.200
<v Speaker 4>so mortified, so embarrassing.

0:37:15.000 --> 0:37:19.960
<v Speaker 5>Quinn getting overly excited was such a wonderful Quinn moment. Yes,

0:37:20.480 --> 0:37:22.399
<v Speaker 5>and you, guys happened even in the height of all

0:37:22.440 --> 0:37:23.880
<v Speaker 5>of the three of you being amped. You had to

0:37:23.920 --> 0:37:26.280
<v Speaker 5>be like, hey, hey, hey, I'm.

0:37:26.160 --> 0:37:28.880
<v Speaker 4>Shut her bug. This is after she's taking the photos

0:37:28.960 --> 0:37:31.520
<v Speaker 4>with the camera backwards. Didn't either of you notice that

0:37:32.560 --> 0:37:35.520
<v Speaker 4>I didn't, Yes, completely backwards. She just taking photos of

0:37:35.520 --> 0:37:38.440
<v Speaker 4>herself over and over again. But it looks like the girls.

0:37:39.360 --> 0:37:40.600
<v Speaker 5>Oh my gosh.

0:37:40.680 --> 0:37:42.520
<v Speaker 2>The whole thing is so absurd.

0:37:43.239 --> 0:37:47.959
<v Speaker 5>It's absurd and it's great and it was fun also

0:37:48.160 --> 0:37:53.960
<v Speaker 5>funny and absurd. Let's talk about Julian's commercial. Yes, the

0:37:54.160 --> 0:37:59.839
<v Speaker 5>TC the THCHG. Has that ever been done? On the show.

0:37:59.840 --> 0:38:01.880
<v Speaker 4>But for that reference, oh no.

0:38:01.960 --> 0:38:04.520
<v Speaker 5>Wow, well that was that was great because it was

0:38:04.640 --> 0:38:05.160
<v Speaker 5>just a thing.

0:38:05.239 --> 0:38:07.719
<v Speaker 4>It was just becoming a thing. I mean, marijuana wasn't

0:38:07.760 --> 0:38:11.600
<v Speaker 4>legal almost anywhere except maybe Colorado or Oregon or something,

0:38:11.640 --> 0:38:15.560
<v Speaker 4>but like THHC was not. I don't think it was

0:38:15.680 --> 0:38:19.320
<v Speaker 4>legal at that point. I don't know that dates the show.

0:38:19.480 --> 0:38:23.399
<v Speaker 5>That like a pot reference was a was a big deal.

0:38:24.800 --> 0:38:28.960
<v Speaker 5>So here's what I thought was so funny about it was. Okay,

0:38:29.040 --> 0:38:30.960
<v Speaker 5>it's at the end of it, right, if you go

0:38:31.080 --> 0:38:34.919
<v Speaker 5>back and watch closely, Lee finish her mouth finishes his take.

0:38:35.600 --> 0:38:39.960
<v Speaker 5>Julian calls cut and for some reason, he's in mouth

0:38:40.000 --> 0:38:42.680
<v Speaker 5>is sitting on a little mini sofa. For some reason,

0:38:43.280 --> 0:38:47.319
<v Speaker 5>there was an ad on his hands and knees behind

0:38:47.440 --> 0:38:50.040
<v Speaker 5>the couch. Watch when he calls cut, that little guy

0:38:50.080 --> 0:38:52.680
<v Speaker 5>who has a line or two sorry, the smaller guy.

0:38:52.880 --> 0:38:53.640
<v Speaker 4>Yeah, he just.

0:38:53.600 --> 0:38:56.319
<v Speaker 5>Stands up from behind, like that's something you would only

0:38:56.360 --> 0:38:59.040
<v Speaker 5>ever do if like a to have off camera dialogue

0:38:59.080 --> 0:38:59.600
<v Speaker 5>red ye.

0:39:00.040 --> 0:39:02.759
<v Speaker 3>Where someone has like the fishing wire that's pulling the

0:39:02.800 --> 0:39:05.320
<v Speaker 3>door open because it looks like the house is haunted.

0:39:05.840 --> 0:39:08.000
<v Speaker 5>The camera is five feet away from Lee, like there's

0:39:08.160 --> 0:39:10.719
<v Speaker 5>no reason on earth that they wanted to have this

0:39:10.840 --> 0:39:13.800
<v Speaker 5>poor guy on his hands and knees behind the couch.

0:39:14.040 --> 0:39:17.120
<v Speaker 5>Yet as soon as cut is called, he pops up,

0:39:17.200 --> 0:39:19.720
<v Speaker 5>which I was like, this is incredible. Why is it happening?

0:39:19.760 --> 0:39:24.800
<v Speaker 5>And then the fact that like fifty crew members appear

0:39:25.440 --> 0:39:29.080
<v Speaker 5>for this local commercial. The clap out League gets is

0:39:29.120 --> 0:39:30.960
<v Speaker 5>the kind of clap out as an actor you get

0:39:31.040 --> 0:39:35.040
<v Speaker 5>when you are wrapping a show after like nine seasons. Yes,

0:39:36.400 --> 0:39:40.480
<v Speaker 5>it's incredible. The budget for this local commercial was that

0:39:40.640 --> 0:39:42.560
<v Speaker 5>of like a super Bowl commercial.

0:39:42.880 --> 0:39:45.760
<v Speaker 4>Yeah, it was pretty amazing, But why.

0:39:45.719 --> 0:39:48.400
<v Speaker 5>Was Here's the thing too, There's no way that was scripted.

0:39:49.080 --> 0:39:51.279
<v Speaker 5>You don't ever get that specific in the action text,

0:39:51.320 --> 0:39:56.520
<v Speaker 5>which makes me wonder, was Pete just being funny?

0:39:56.640 --> 0:39:57.200
<v Speaker 2>Why?

0:39:57.200 --> 0:40:01.120
<v Speaker 5>Why was that? Why was that young man behind the couch?

0:40:01.960 --> 0:40:04.160
<v Speaker 4>I can see it happening, you know, depending on what

0:40:04.280 --> 0:40:07.680
<v Speaker 4>time of day they had they shot it. I mean,

0:40:08.120 --> 0:40:10.400
<v Speaker 4>everybody was just having a good time on this episode,

0:40:10.480 --> 0:40:13.200
<v Speaker 4>it seems like, and Pete being the jolliest guy ever.

0:40:13.360 --> 0:40:15.400
<v Speaker 4>I'm sure it was just like, yeah, okay, we just

0:40:15.440 --> 0:40:16.920
<v Speaker 4>need to fill it in a little bit more. You,

0:40:17.000 --> 0:40:18.799
<v Speaker 4>I don't know, crouch down behind the couch. You go

0:40:18.840 --> 0:40:20.960
<v Speaker 4>stand over there and hold the boom, like, let's just

0:40:21.320 --> 0:40:23.080
<v Speaker 4>fill it in and get it done.

0:40:23.280 --> 0:40:26.240
<v Speaker 5>You go like you're hide and go seeking behind the couch,

0:40:26.600 --> 0:40:28.960
<v Speaker 5>the only actor in the shot. Okay, there was one

0:40:29.000 --> 0:40:32.879
<v Speaker 5>other moment that made me laugh out loud for absolutely

0:40:33.120 --> 0:40:35.800
<v Speaker 5>the silliest of reasons. It's the very end of the episode.

0:40:36.160 --> 0:40:40.359
<v Speaker 5>You've all come home, and it's now Quinnstern to come home,

0:40:40.680 --> 0:40:43.880
<v Speaker 5>and she's being cute and flirty with Clay and she

0:40:43.960 --> 0:40:46.400
<v Speaker 5>pushes him down on the bag bed and she's like,

0:40:47.000 --> 0:40:50.400
<v Speaker 5>shut her, Bug's gonna get you. And then she holds

0:40:50.400 --> 0:40:53.759
<v Speaker 5>her hand up in the air. She snaps and the

0:40:53.840 --> 0:40:57.520
<v Speaker 5>lights go off, which means they have to have some

0:40:57.680 --> 0:41:00.319
<v Speaker 5>type of clap or such a lash. Yeah, And if

0:41:00.320 --> 0:41:03.799
<v Speaker 5>they had a clapper situation, then that would have meant

0:41:04.200 --> 0:41:07.319
<v Speaker 5>every time Katie shot the gun, the light would have

0:41:07.400 --> 0:41:12.200
<v Speaker 5>gone off and on. And I just thought it would

0:41:12.200 --> 0:41:14.200
<v Speaker 5>have been so funny if when she shot Quinn, the

0:41:14.280 --> 0:41:17.120
<v Speaker 5>light went off, went walk back over, turn it back on,

0:41:17.320 --> 0:41:20.319
<v Speaker 5>go back to her spot, shoot walk back over, turn

0:41:20.320 --> 0:41:20.840
<v Speaker 5>it back.

0:41:20.960 --> 0:41:23.000
<v Speaker 4>Or flip it up and like try and clap while she's.

0:41:22.880 --> 0:41:25.520
<v Speaker 5>Holding the gun and or just shoot the ceiling like boom,

0:41:25.520 --> 0:41:29.160
<v Speaker 5>she shoots Quinn. Then she shoots the ceiling. That would

0:41:29.160 --> 0:41:32.120
<v Speaker 5>have been such a tremendous moment to see. To see

0:41:32.200 --> 0:41:34.480
<v Speaker 5>Katie caught off guard by the clapper.

0:41:34.520 --> 0:41:37.720
<v Speaker 2>Absolutely absurd. The clapper saves lives.

0:41:40.480 --> 0:41:42.239
<v Speaker 5>It's such a dumb thing to point out, but it

0:41:42.280 --> 0:41:45.000
<v Speaker 5>really really cracked me up. It's great, okay, you know

0:41:45.040 --> 0:41:49.680
<v Speaker 5>who absolutely walk off home run Antoine. She has this

0:41:50.000 --> 0:41:53.160
<v Speaker 5>amazing moment. First of all, so good to have Lisa back,

0:41:53.200 --> 0:41:55.520
<v Speaker 5>and so good to have Mouth and Milly back because

0:41:55.520 --> 0:41:58.600
<v Speaker 5>they're adorable together. I love the moment, by the way,

0:41:58.640 --> 0:42:02.360
<v Speaker 5>when is sort of confiding in Julian about how He's like,

0:42:02.400 --> 0:42:06.280
<v Speaker 5>I don't know, and Julian shows him the picture of

0:42:06.640 --> 0:42:08.640
<v Speaker 5>Millie diving for the bouquet, and he's like, does this

0:42:08.680 --> 0:42:10.720
<v Speaker 5>look like a woman who wants to take things slow?

0:42:11.360 --> 0:42:15.400
<v Speaker 5>But it's at the scene at the table in Skills

0:42:15.440 --> 0:42:19.080
<v Speaker 5>and Mouth's apartment when he asks, when Mouth asks Millie

0:42:19.080 --> 0:42:21.640
<v Speaker 5>to move in, and all of a sudden, they cut

0:42:21.680 --> 0:42:24.600
<v Speaker 5>from this close tight two shot sort of back to

0:42:24.719 --> 0:42:27.080
<v Speaker 5>like a kind of like a bigger, wider shot, almost

0:42:27.120 --> 0:42:29.919
<v Speaker 5>like a master and you see Skills get up from

0:42:29.960 --> 0:42:34.839
<v Speaker 5>behind the couch, doesn't say a word, just reaches between them,

0:42:35.200 --> 0:42:38.440
<v Speaker 5>grabs a fry and then Pat's mouth on the shoulder

0:42:38.520 --> 0:42:41.560
<v Speaker 5>and walks out. But like, do yourself a favor and

0:42:41.640 --> 0:42:46.279
<v Speaker 5>go back and watch the that moment, because the expression

0:42:46.560 --> 0:42:49.919
<v Speaker 5>on Antoine's face is perfect.

0:42:50.400 --> 0:42:53.080
<v Speaker 2>Is it just totally like stoic, just like he's like,

0:42:53.600 --> 0:42:54.360
<v Speaker 2>I'm not here.

0:42:54.680 --> 0:42:57.439
<v Speaker 5>No, no, it's like he's it's sort of like he's

0:42:57.480 --> 0:43:01.760
<v Speaker 5>proud of mouth. And it's also about for in time. Okay,

0:43:02.080 --> 0:43:06.480
<v Speaker 5>it's like this knowing, like at a boy. So the

0:43:06.840 --> 0:43:09.920
<v Speaker 5>fact that they gave him no words is perfect because

0:43:09.960 --> 0:43:12.560
<v Speaker 5>his face says it all. And the choice to steal

0:43:12.560 --> 0:43:13.600
<v Speaker 5>a French fry is great.

0:43:14.200 --> 0:43:16.319
<v Speaker 4>Yeah, I watch it on my phone, so I think

0:43:16.360 --> 0:43:18.640
<v Speaker 4>I was just he was probably a little too small

0:43:18.640 --> 0:43:21.040
<v Speaker 4>for me to notice his facial expression there, So I'll

0:43:21.080 --> 0:43:22.160
<v Speaker 4>have to go back and watch that.

0:43:22.160 --> 0:43:22.720
<v Speaker 2>That's great.

0:43:22.920 --> 0:43:27.120
<v Speaker 4>He always made such interesting choices, Antoine, so fun and.

0:43:27.160 --> 0:43:29.000
<v Speaker 5>Last but not least, so if you broke the fourth

0:43:29.000 --> 0:43:31.920
<v Speaker 5>wall at the end. Have we ever done that intentionally?

0:43:34.120 --> 0:43:38.160
<v Speaker 3>I don't think we had, but it was it was exactly.

0:43:41.560 --> 0:43:46.200
<v Speaker 3>It was something Peter really wanted and so we talked

0:43:46.239 --> 0:43:49.840
<v Speaker 3>a lot about the way that it worked in Ferris Bueller,

0:43:50.719 --> 0:43:51.919
<v Speaker 3>and we just went for it.

0:43:51.960 --> 0:43:52.600
<v Speaker 2>Did they do it.

0:43:52.560 --> 0:43:56.319
<v Speaker 4>In kick Ass as well? Was that kind of the I.

0:43:56.280 --> 0:44:00.600
<v Speaker 3>Don't remember, not to be honest, but I do know

0:44:00.640 --> 0:44:03.600
<v Speaker 3>that we shot that both ways just in case the

0:44:03.600 --> 0:44:07.480
<v Speaker 3>studio didn't like it, So making it in the episode

0:44:07.600 --> 0:44:08.560
<v Speaker 3>was cool for all of us.

0:44:08.600 --> 0:44:10.920
<v Speaker 2>We were like, all right, the vision worked.

0:44:11.400 --> 0:44:13.799
<v Speaker 4>Did you get to keep any of the art of

0:44:13.880 --> 0:44:15.480
<v Speaker 4>you as the Dazzle?

0:44:15.920 --> 0:44:16.960
<v Speaker 2>Yeah, they gave me.

0:44:18.560 --> 0:44:21.600
<v Speaker 3>When we wrapped that season, they gave me like a

0:44:21.640 --> 0:44:26.960
<v Speaker 3>framed storyboard of a couple of those shots that were

0:44:27.000 --> 0:44:27.680
<v Speaker 3>really sweet.

0:44:28.239 --> 0:44:32.520
<v Speaker 4>I'm super into you being a superhero, Like, where do

0:44:32.560 --> 0:44:35.480
<v Speaker 4>we start this campaign? I need as my next Marvel

0:44:35.520 --> 0:44:36.680
<v Speaker 4>superhero tomorrow.

0:44:36.920 --> 0:44:39.200
<v Speaker 2>You'd be great. I'm so into it. All I want

0:44:39.239 --> 0:44:40.600
<v Speaker 2>to do is stunts and run around.

0:44:40.640 --> 0:44:43.080
<v Speaker 5>And I'm sure Hollywood's listening.

0:44:43.200 --> 0:44:47.080
<v Speaker 2>Great Hollywood, if you're listening, Hello, super serious hair.

0:44:48.000 --> 0:44:50.040
<v Speaker 4>You know, this is the mistake that they make in

0:44:50.080 --> 0:44:51.960
<v Speaker 4>a lot of these I mean, Marvel's getting it, but

0:44:52.400 --> 0:44:55.640
<v Speaker 4>there's just such a lack of comedy, in my opinion,

0:44:55.640 --> 0:44:58.520
<v Speaker 4>in some of these superhero movies that I this is

0:44:58.520 --> 0:45:00.640
<v Speaker 4>what I is what you love about Indiana Jones or

0:45:00.840 --> 0:45:03.160
<v Speaker 4>what down he did in Iron Man. You know, it's

0:45:03.280 --> 0:45:05.960
<v Speaker 4>just so brilliant because that's the real life that you

0:45:06.040 --> 0:45:07.960
<v Speaker 4>need to relate if you're going to watch something that

0:45:08.080 --> 0:45:10.000
<v Speaker 4>is super reality.

0:45:10.680 --> 0:45:11.359
<v Speaker 2>To be able to.

0:45:11.320 --> 0:45:16.720
<v Speaker 4>Watch something that has has its roots down dropped into

0:45:16.840 --> 0:45:21.960
<v Speaker 4>real human feelings like this is terrifying making jokes you

0:45:22.000 --> 0:45:23.480
<v Speaker 4>know what we would do if we were in the

0:45:23.480 --> 0:45:27.680
<v Speaker 4>middle of a really scary situation. Especially the female superheroes,

0:45:27.680 --> 0:45:30.560
<v Speaker 4>there's always this sense of like the Laura Croft of

0:45:30.600 --> 0:45:33.640
<v Speaker 4>it all, like I'm so sexy, look at me, instead

0:45:33.640 --> 0:45:36.640
<v Speaker 4>of like, where is the superhero woman who can fall

0:45:36.719 --> 0:45:39.000
<v Speaker 4>like be sexy but also fall on her face and

0:45:39.000 --> 0:45:40.560
<v Speaker 4>be like that definitely was not my plan.

0:45:41.840 --> 0:45:44.160
<v Speaker 2>I want to see about the humor, I know.

0:45:44.880 --> 0:45:46.640
<v Speaker 5>I think that's part of the reason Guardians of the

0:45:46.680 --> 0:45:50.839
<v Speaker 5>Galaxy was so successful. Yes, because like Iron Man worked,

0:45:50.840 --> 0:45:52.960
<v Speaker 5>but that was that was a lot of just Downy

0:45:53.000 --> 0:45:55.960
<v Speaker 5>doing that's him, Yes, that's just him bringing his own thing.

0:45:55.960 --> 0:46:01.279
<v Speaker 5>Whereas Guardians was intentionally funny. There was dialogue that was

0:46:01.400 --> 0:46:03.480
<v Speaker 5>very funny, and then they brought in people who could

0:46:03.520 --> 0:46:05.799
<v Speaker 5>do funny, and I think that's why it worked so

0:46:05.840 --> 0:46:08.120
<v Speaker 5>well because it was sort of a new tone we

0:46:08.160 --> 0:46:11.440
<v Speaker 5>hadn't seen yet. Yeah, in Big tent Pole superhero movies.

0:46:12.239 --> 0:46:15.000
<v Speaker 4>Yeah, I'm dying to watch a woman be a superhero

0:46:15.360 --> 0:46:18.080
<v Speaker 4>like that. I really have not seen it, but I

0:46:18.080 --> 0:46:18.680
<v Speaker 4>would love to.

0:46:31.200 --> 0:46:31.319
<v Speaker 5>Do.

0:46:31.360 --> 0:46:33.920
<v Speaker 4>We want to do an honorable mention. I think so

0:46:34.600 --> 0:46:37.520
<v Speaker 4>a good mind to Michael Mays. I thought Michael was great.

0:46:37.840 --> 0:46:40.600
<v Speaker 4>Sorry to interrupt, Yeah, I just I thought he nailed it,

0:46:40.719 --> 0:46:43.920
<v Speaker 4>every piece of it. He actually seemed to understand a

0:46:44.000 --> 0:46:46.239
<v Speaker 4>level of the depth that they had written for him.

0:46:47.239 --> 0:46:49.840
<v Speaker 4>He wasn't just saying lines. He really like there was

0:46:49.880 --> 0:46:53.120
<v Speaker 4>some stuff underneath his performance that I appreciated for a

0:46:53.200 --> 0:46:55.040
<v Speaker 4>kid that age totally.

0:46:55.880 --> 0:46:58.360
<v Speaker 3>I was going to say, you know, our department and wardrobe,

0:46:58.400 --> 0:47:02.280
<v Speaker 3>because they really without their comic strip in those costumes,

0:47:02.840 --> 0:47:07.120
<v Speaker 3>this might not have been so funny. It might have

0:47:07.280 --> 0:47:12.359
<v Speaker 3>just been really embarrassing. And I thought they really helped us.

0:47:13.400 --> 0:47:15.279
<v Speaker 3>They helped us get over what we were all a

0:47:15.320 --> 0:47:17.359
<v Speaker 3>little anxious about when we read this script and we

0:47:17.360 --> 0:47:19.239
<v Speaker 3>were like, who ate an edible and wrote this?

0:47:19.440 --> 0:47:23.680
<v Speaker 2>Like what is going on? And they helped us pull

0:47:23.719 --> 0:47:26.800
<v Speaker 2>it off. So really, you know, hats off to those teams.

0:47:26.920 --> 0:47:29.719
<v Speaker 5>I'll give my honorable mention to the gentleman who ate

0:47:29.760 --> 0:47:36.080
<v Speaker 5>an edible and wrote this script. They did a fantastic job. Yes,

0:47:37.400 --> 0:47:42.879
<v Speaker 5>all right, listener question, Oh okay, nickname clow motion. If

0:47:43.000 --> 0:47:46.120
<v Speaker 5>someone asked you to describe your character by recommending one

0:47:46.280 --> 0:47:49.600
<v Speaker 5>episode for them to watch, what episode would you recommend?

0:47:49.920 --> 0:47:55.200
<v Speaker 4>Ooh, it might be this one. To be honest, I

0:47:55.239 --> 0:47:58.279
<v Speaker 4>mean you see all sides of Hayley. Yeah, I mean

0:47:58.520 --> 0:48:01.160
<v Speaker 4>sorry if it's crazy, but like, you get to see

0:48:01.160 --> 0:48:03.760
<v Speaker 4>all sides of hers. She's a goof she's a teacher.

0:48:04.239 --> 0:48:07.400
<v Speaker 4>She handles, she takes control, handle situation. She's always kind

0:48:07.400 --> 0:48:10.400
<v Speaker 4>of bouncing around, handling and solving things for people all

0:48:10.440 --> 0:48:15.920
<v Speaker 4>the time. She's a trusted friend. She's a mom, she's

0:48:15.960 --> 0:48:19.640
<v Speaker 4>a wife. She's a goofball. She's also like serious and

0:48:19.719 --> 0:48:22.840
<v Speaker 4>really cares about people. What you see in the crisis Center,

0:48:23.200 --> 0:48:25.480
<v Speaker 4>I think you get to see it like the whole range.

0:48:25.560 --> 0:48:27.640
<v Speaker 4>So sure, eight fourteen.

0:48:27.920 --> 0:48:29.840
<v Speaker 5>Except they're going to watch the second episode and be like,

0:48:29.880 --> 0:48:34.160
<v Speaker 5>where's all the spandex? But no, that's good.

0:48:34.200 --> 0:48:35.560
<v Speaker 4>Just for Haley. I would say this one.

0:48:35.640 --> 0:48:37.000
<v Speaker 5>Yeah, how about Brooke.

0:48:40.480 --> 0:48:42.719
<v Speaker 2>God, I really don't know.

0:48:44.400 --> 0:48:47.640
<v Speaker 3>We're so far in you know, part of me thinks,

0:48:48.680 --> 0:48:51.120
<v Speaker 3>to your point about this episode for Haley, I'm like, wait,

0:48:51.120 --> 0:48:54.719
<v Speaker 3>would the Bachelorette episode be so funny for Brooke, and

0:48:54.760 --> 0:48:58.960
<v Speaker 3>then part of me goes to, you know, the one

0:48:59.000 --> 0:49:02.880
<v Speaker 3>at the end of season six where she finally admits

0:49:02.920 --> 0:49:05.160
<v Speaker 3>to Julian that she loves him, you know, on the

0:49:05.160 --> 0:49:09.400
<v Speaker 3>movie set because she really had to process.

0:49:09.000 --> 0:49:12.960
<v Speaker 2>Some things, and oh, I don't know.

0:49:13.000 --> 0:49:15.640
<v Speaker 3>Then there's some high school stuff. It's like in what

0:49:15.880 --> 0:49:17.000
<v Speaker 3>stage and place?

0:49:17.920 --> 0:49:21.359
<v Speaker 2>You know? That feels tough, But I guess, you.

0:49:21.239 --> 0:49:26.440
<v Speaker 3>Know, to the point of the person asking, yeah, if

0:49:26.440 --> 0:49:28.239
<v Speaker 3>you really wanted to get to know one of us

0:49:29.360 --> 0:49:33.319
<v Speaker 3>in one episode, I guess when we're more adult, it

0:49:33.400 --> 0:49:33.960
<v Speaker 3>makes sense.

0:49:34.719 --> 0:49:37.239
<v Speaker 4>Yeah, what about the one where Victoria you find out

0:49:37.320 --> 0:49:42.040
<v Speaker 4>Victoria is the one that sabotaged the company and she

0:49:42.160 --> 0:49:43.080
<v Speaker 4>comes in and.

0:49:43.000 --> 0:49:44.719
<v Speaker 2>What were you guys fight it was? She had that

0:49:44.840 --> 0:49:47.960
<v Speaker 2>great line, Yeah it's prison mother or something like that

0:49:48.040 --> 0:49:50.480
<v Speaker 2>when we fought in the store. I feel, unless.

0:49:50.200 --> 0:49:52.640
<v Speaker 4>I'm blending episodes together in my mind, I feel like

0:49:52.680 --> 0:49:55.000
<v Speaker 4>that episode was pretty well rounded for Brooke because you

0:49:55.080 --> 0:49:58.240
<v Speaker 4>got to see her relationship with her mom, her company,

0:49:58.320 --> 0:50:01.120
<v Speaker 4>the thing's falling apart, how she's handled it, her integrity,

0:50:01.680 --> 0:50:04.400
<v Speaker 4>the struggle that she's wrestling with between being you know,

0:50:04.560 --> 0:50:07.040
<v Speaker 4>being a good boss and a good person and trying

0:50:07.080 --> 0:50:10.680
<v Speaker 4>to save herself and her work and maintain her relationships,

0:50:10.719 --> 0:50:14.040
<v Speaker 4>and there was a lot to Brook in that episode.

0:50:14.280 --> 0:50:16.840
<v Speaker 5>I also don't think you could go wrong with the

0:50:16.880 --> 0:50:21.440
<v Speaker 5>Bachelorte episode. I agree with you because you see a

0:50:21.760 --> 0:50:27.319
<v Speaker 5>pretty full spectrum of who Brooke is, starting with the silliness,

0:50:28.160 --> 0:50:32.960
<v Speaker 5>ending with the grace towards Sylvia, and that's true. Oh yeah,

0:50:33.120 --> 0:50:36.319
<v Speaker 5>to see a really good thorough picture.

0:50:36.000 --> 0:50:39.560
<v Speaker 4>Of Brook and that yes, oh and her willingness to

0:50:39.600 --> 0:50:41.359
<v Speaker 4>have to admit about Yeah.

0:50:41.560 --> 0:50:45.879
<v Speaker 5>Truth I think is I don't know, high school Brook.

0:50:45.920 --> 0:50:47.279
<v Speaker 5>But I agree with you. I would sort of go

0:50:47.360 --> 0:50:50.319
<v Speaker 5>I would skew adult because that's like who everyone's growing into.

0:50:50.360 --> 0:50:52.080
<v Speaker 5>But yeah, I think that one would do it.

0:50:52.640 --> 0:50:53.800
<v Speaker 2>What do you think for Clay?

0:50:54.400 --> 0:50:57.680
<v Speaker 5>You know, I think the episode where he proposes to

0:50:57.800 --> 0:51:01.799
<v Speaker 5>Quinn with Logan in there with the Green Lantern.

0:51:01.520 --> 0:51:04.400
<v Speaker 2>Ring, Yeah, yeah, because.

0:51:04.160 --> 0:51:07.480
<v Speaker 5>I think you really get a glimpse of Clay's world

0:51:07.600 --> 0:51:10.960
<v Speaker 5>and what's important to him. I think he's also figured himself.

0:51:10.520 --> 0:51:12.799
<v Speaker 2>Out a lot by that and his personality you can

0:51:12.840 --> 0:51:14.359
<v Speaker 2>really see there too. Yeah.

0:51:14.440 --> 0:51:17.160
<v Speaker 5>Yeah, he's really settled in himself. So yeah, I would

0:51:17.160 --> 0:51:22.040
<v Speaker 5>say that episode is a really good snapshot of who

0:51:22.080 --> 0:51:22.560
<v Speaker 5>I think he.

0:51:22.640 --> 0:51:27.759
<v Speaker 2>Is great question close, Yeah, good one. Well it's been

0:51:27.760 --> 0:51:29.520
<v Speaker 2>a real folks, let's do it.

0:51:32.320 --> 0:51:35.680
<v Speaker 5>Most likely to guess age and wait at a fair.

0:51:36.000 --> 0:51:40.680
<v Speaker 4>Oh, most likely.

0:51:40.560 --> 0:51:43.360
<v Speaker 5>To organize a flash mob.

0:51:44.360 --> 0:51:49.040
<v Speaker 4>I mean I would totally do that person. I don't

0:51:49.040 --> 0:51:49.719
<v Speaker 4>think Haley would.

0:51:50.320 --> 0:51:55.640
<v Speaker 2>No, it's funny. My my initial person reaction was Lisa Goldstein,

0:51:56.120 --> 0:51:57.920
<v Speaker 2>Oh really really yeah.

0:51:57.960 --> 0:52:00.239
<v Speaker 3>Well, because she's such a good dancer, and you know

0:52:00.320 --> 0:52:02.600
<v Speaker 3>she was a Disney princess for so long. Oh yeah,

0:52:02.640 --> 0:52:05.960
<v Speaker 3>she's used to the parades, and he's in a flashmob

0:52:06.160 --> 0:52:08.000
<v Speaker 3>kind of a choreographed parade.

0:52:08.080 --> 0:52:10.440
<v Speaker 2>It is. That's where my head went immediately.

0:52:10.960 --> 0:52:13.839
<v Speaker 4>I feel like you would probably not volunteer for that job,

0:52:13.880 --> 0:52:15.680
<v Speaker 4>but you also would be really good at it though,

0:52:15.719 --> 0:52:19.560
<v Speaker 4>So because you are, I think you'd be a good coordinator.

0:52:19.880 --> 0:52:22.279
<v Speaker 4>So if somebody gave you that job at like for

0:52:22.320 --> 0:52:23.759
<v Speaker 4>their wedding, Like one of your friends was like, I

0:52:23.800 --> 0:52:25.520
<v Speaker 4>need you to organize a flash mob for my wedding,

0:52:25.560 --> 0:52:26.799
<v Speaker 4>I think you'd be all over it.

0:52:26.880 --> 0:52:29.080
<v Speaker 3>I would be so stressed, but I would not let

0:52:29.120 --> 0:52:32.520
<v Speaker 3>him down. I'd be like, God, I hate that.

0:52:32.560 --> 0:52:34.840
<v Speaker 2>It's me. I have to find a choreographer now.

0:52:37.160 --> 0:52:38.960
<v Speaker 4>If I ever get married. Again, I'm putting you on

0:52:39.000 --> 0:52:40.879
<v Speaker 4>the project. I agree, just for fun.

0:52:41.280 --> 0:52:43.640
<v Speaker 5>She was out of her comfort zone doing that, though,

0:52:43.640 --> 0:52:45.760
<v Speaker 5>And let's be honest, we saw the way she danced.

0:52:45.800 --> 0:52:49.319
<v Speaker 5>I don't think showing anyone how to dance, so no,

0:52:49.360 --> 0:52:50.200
<v Speaker 5>I don't think it would be that.

0:52:50.280 --> 0:52:50.719
<v Speaker 2>It's fair.

0:52:50.760 --> 0:52:54.920
<v Speaker 3>That's fair after seeing how seriously he took his ushering

0:52:55.040 --> 0:52:57.640
<v Speaker 3>job at Brooke and Julian's wedding, I would say, skills,

0:52:58.520 --> 0:52:59.960
<v Speaker 3>you wouldn't expect.

0:52:59.480 --> 0:53:02.000
<v Speaker 2>It, but I think he would crush it, Skills and

0:53:02.080 --> 0:53:05.520
<v Speaker 2>Jamie if you sent them out to make that happenable. Yeah,

0:53:05.520 --> 0:53:06.560
<v Speaker 2>where's that episode?

0:53:06.640 --> 0:53:11.640
<v Speaker 5>I could also see Mouth organizing something like that for Millie.

0:53:12.640 --> 0:53:15.120
<v Speaker 5>He just seems he just because he's just so sweet.

0:53:15.160 --> 0:53:17.200
<v Speaker 5>I could just see if that was something she liked, because,

0:53:17.200 --> 0:53:19.800
<v Speaker 5>like we obviously know, ballerinas are a thing for her.

0:53:20.360 --> 0:53:22.279
<v Speaker 5>I could see him going out of his comfort zone

0:53:22.320 --> 0:53:22.480
<v Speaker 5>for that.

0:53:23.760 --> 0:53:28.240
<v Speaker 2>Yeah. Well, we've solved it, folks, We've done it. Everyone.

0:53:28.960 --> 0:53:35.000
<v Speaker 5>Next episode is season eight, episode fifteen, Valentine's Day is over.

0:53:35.520 --> 0:53:37.799
<v Speaker 3>See that makes it sound like everyone's fun is also

0:53:37.880 --> 0:53:39.920
<v Speaker 3>coming to annou No?

0:53:40.480 --> 0:53:42.160
<v Speaker 2>Oh, no, is it? Do we know?

0:53:42.680 --> 0:53:45.000
<v Speaker 5>I don't know what happened to you to find out.

0:53:46.000 --> 0:53:52.040
<v Speaker 4>Yes, I'm gonna have to. Thanks for joining us week Hey,

0:53:52.080 --> 0:53:52.960
<v Speaker 4>thanks for listening.

0:53:53.040 --> 0:53:55.280
<v Speaker 3>Don't forget to leave us a review. You can also

0:53:55.360 --> 0:53:58.440
<v Speaker 3>follow us on Instagram at Drama Queen's ot.

0:53:59.000 --> 0:54:03.160
<v Speaker 2>Or email us at Drama Queens at iHeartRadio dot com.

0:54:03.400 --> 0:54:07.040
<v Speaker 4>See you next time we all about that.

0:54:07.080 --> 0:54:09.960
<v Speaker 1>High school drama Girl Drama Girl, all about them high

0:54:10.000 --> 0:54:11.560
<v Speaker 1>school queens.

0:54:11.600 --> 0:54:13.759
<v Speaker 2>We'll take you for a ride. And our comic girl

0:54:14.560 --> 0:54:15.760
<v Speaker 2>cheering for the right teams.

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