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Speaker 1: First of all, you don't know me. We all about

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Speaker 1: that high school drama, Girl drama, Girl, all about.

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Speaker 2: Them high school queens. We'll take you for a ride.

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Speaker 2: And our comic girl cheering for the right teams, drama.

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Speaker 3: Queens, my girl of girl fashion, but your tough girl,

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Speaker 3: you could sit with us.

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Speaker 1: Girl Drama, Queens Drama, Queens Drama, Queens Drama, Drama, Queens drama, Queens.

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Speaker 4: How Holly for hero Sason eight, Episode fourteen, Air date

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Speaker 4: February eighth, twenty eleven.

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Speaker 2: Oh, this was a fun one. Hi, guys, Hey.

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Speaker 5: Guys, Hello, Hello, this was a fun one. I feel

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Speaker 5: like we went through a stretch of just a lot

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Speaker 5: of heavy, high stakes drama, and we've been getting this

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Speaker 5: lovely reprieve of wild bachelorette, bachelorette parties, dogs on skateboards,

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Speaker 5: this episode of Superheroes and Spandex. I mean, it's fun ride.

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Speaker 4: We're just having fun now.

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Speaker 3: It really does feel like coasting into the second half

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Speaker 3: of season eight.

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Speaker 2: Everyone in the writer's room was like, let's just have

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Speaker 2: a nice time.

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Speaker 4: Yeah, yeah, yeah, sure.

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Speaker 5: Do you remember how tired we would be when we

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Speaker 5: would come back from Christmas because we had already been

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Speaker 5: shooting for so many months, and it's like that second

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Speaker 5: half of a twenty two episode season is just tough.

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Speaker 5: It's I'm sure it was very welcome when we saw

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Speaker 5: scripts that were light and fun. Yeah, because to come

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Speaker 5: back to heaviness, it's just it's challenging, it's hard.

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Speaker 4: It was just too much. There was so much of

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Speaker 4: us lamenting. We really needed this.

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Speaker 5: Yes, lamenting so many times you can nearly die in

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Speaker 5: a season, right, That's it.

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Speaker 3: I was going to say lamenting, suffering, almost dying. It's

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Speaker 3: like at some point people needed a breather. And even

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Speaker 3: the fact that Peter Kowalski, our wonderful DP directed this episode.

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Speaker 3: Pete Pete is the jolliest man a so to have

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Speaker 3: someone who's just jolly and sweet do some really kind

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Speaker 3: of silly, lighthearted material with us, you can see how

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Speaker 3: much fun everyone's having in the episode.

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Speaker 2: I totally agree.

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Speaker 4: All right, here's the synopsis. Brooke, Quinn, and Hayley decide

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Speaker 4: to use their talents for greater good to help a

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Speaker 4: young girl being bullied. Meanwhile, Julian takes on a directing

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Speaker 4: job and helps out a friend aka mouth Chase. Mentors

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Speaker 4: Chuck and Nathan and his fellow classmates stand up to

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Speaker 4: a bully of their own written by Heroin Strauss. Yeah

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Speaker 4: they did not, They didn't. I mean, it wasn't nothing.

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Speaker 4: It was it was like, you know, it was something they.

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Speaker 5: Know they did. Absolutely, am I incorrect? They did nothing.

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Speaker 5: It was it was Clay who weirdly shows up in

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Speaker 5: the back of the classroom.

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Speaker 2: Oh oh yes, yes, no, you're friends.

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Speaker 5: They just sort of like talk at a poker table

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Speaker 5: while studying.

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Speaker 4: That's right, you did something. But Nathan, and we got

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Speaker 4: Quentin who played Michael in The blind Side, Quentin who

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Speaker 4: was a lovely person. He came and played Nathan's classmate

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Speaker 4: in this episode. But yet, No, they really didn't do

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Speaker 4: anything but complain.

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Speaker 5: Tommy was his character's name. Yeah, but yeah they didn't.

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Speaker 5: And also, I mean, we're going to get to it,

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Speaker 5: but I have thoughts about that scene of showing up

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Speaker 5: an adult and now having also been in college. I

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Speaker 5: just I that was a very TV moment as opposed

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Speaker 5: to how it probably would happen in real life.

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Speaker 2: Yeah.

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Speaker 4: Yeah, So one of my favorite things about this episode

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Speaker 4: was the showcase once again of Brooks unbelievable ability to

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Speaker 4: sew at rapid speeds so fast, goll Lee, you're talented.

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Speaker 3: Thanks, you know, it's it's really it is her superhero skill.

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Speaker 2: Really. Yeah, three outfits in three minutes, let's go.

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Speaker 5: Yeah, it's so funny because everyone's talking about their superpowers

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Speaker 5: in the episode and no one at any point goes,

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Speaker 5: by the way, you sewed three complete, different sized costumes

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Speaker 5: in twelve minutes, by the way.

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Speaker 3: With buckles and zippers and corsets and pleather and gloves

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Speaker 3: and tight.

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Speaker 2: Masks, laser cut masks. Yeah.

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Speaker 5: Also, you got it all right on the first try.

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Speaker 2: Perfectly. Yeah, thank you, thank you.

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Speaker 5: I would say your Brooks vision, in her instincts and

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Speaker 5: her hand eye coordination to sew that fast would definitely

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Speaker 5: be the superpowers of the episode.

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Speaker 4: A true skill that actually would be really funny in

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Speaker 4: a superhero movie, just superheroes that have totally useless skills.

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Speaker 4: I mean it's not totally useless, but in the realm

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Speaker 4: of life saving, you know, as superheroes do someone who

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Speaker 4: just can sew at an unbelievable rate, it would be

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Speaker 4: really funny.

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Speaker 5: I don't know if this is still a thing, but

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Speaker 5: do you remember when you used to go to like

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Speaker 5: fairs and carnivals and there was that person where you'd

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Speaker 5: pay like five bucks and if they would guess your

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Speaker 5: weight within five pounds, and if they were wrong, you

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Speaker 5: got like a giant prize. Like they were like scary, right.

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Speaker 4: This sounds like vaudeville. How old are you?

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Speaker 2: Fifty nine?

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Speaker 5: But it's it's like I don't see it anymore. But

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Speaker 5: it was. It was this thing whereas like people who

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Speaker 5: unless there was some sort of secret trick I'm unaware of,

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Speaker 5: like they could just eyeball a person and be like

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Speaker 5: one point thirty two two fourteen, and whenever I watched it,

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Speaker 5: they were always really accurate. But I'm wondering if because

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Speaker 5: of the times we live in now, we kind of

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Speaker 5: pulled that one back.

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Speaker 4: Maybe maybe we did. Are you are you feeling like

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Speaker 4: this is that Brooks superpower that she just knows she

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Speaker 4: can just guess everything that measurement.

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Speaker 5: She just looked at her friends and was like, I

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Speaker 5: know your exact sizes for spandex, your head, your glove.

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Speaker 5: I mean, that's crazy. It was a head to toe costume.

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Speaker 2: Boots, all of it.

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Speaker 5: You had a pregnant belly. She's never made something for

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Speaker 5: you pregnant before?

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Speaker 3: What I've never designed anything for a pregnant person and

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Speaker 3: here we are, Oh wait, that's not true.

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Speaker 2: I made Peyton's wedding dress. Sorry. Still though, still, that

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Speaker 2: wasn't spandex.

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Speaker 5: I would also say another superpower of Brooks is a

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Speaker 5: sleep fighting, which is always funny to me to see

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Speaker 5: on TV. But you really sold it very very well.

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Speaker 5: That was a great way to open was with sleep fighting.

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Speaker 2: Thank you. I really appreciate that.

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Speaker 4: That was so fun, the like cartoon opening, all of

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Speaker 4: the different drawings so original.

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Speaker 3: Yeah, it was fun to see her boredom be sort

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Speaker 3: of highlighted in a way that worked for the story

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Speaker 3: and was also just adorable.

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Speaker 2: I loved the comic book strips.

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Speaker 3: I love that even Alex gets made into one, you know,

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Speaker 3: in front of the red bedroom sign.

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Speaker 2: Like it was. The whole thing was really just enjoyable.

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Speaker 3: And I remember going into the office, like the art

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Speaker 3: department office when we were getting this episode ready and

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Speaker 3: seeing how they were doing all that stuff and just

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Speaker 3: feeling really jazzed about what this was going to be

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Speaker 3: like to play with. And I, you know, I love

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Speaker 3: the scene where you come in and you basically catch

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Speaker 3: me playing with like g I Joe figure.

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Speaker 2: It's just so fun.

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Speaker 4: It was a It was a really perfect setup for

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Speaker 4: being out of work, not knowing what to do. She's home,

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Speaker 4: She's so not a typical, you know, housewife, that old

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Speaker 4: fashioned version of a housewife. You know, she just is

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Speaker 4: like antsy and needing to do something with her hands

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Speaker 4: and her time. And I really I thought it was

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Speaker 4: really well done. The way Harrow and Strauss wrote this

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Speaker 4: episode and the way that they would tied in all

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Speaker 4: the little pieces, Chantelle's excitement, Quinn's excitement to just get

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Speaker 4: to get out and do something.

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Speaker 3: For it, for a secret or a scan or so

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Speaker 3: adrenaline activity.

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Speaker 4: Clay's just like, what do we have to can we

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Speaker 4: we just got shot?

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Speaker 5: Can we relax up?

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Speaker 4: Just like no, I'm on, let's do it. Find me

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Speaker 4: somebody else to fight. But all the little pieces tied together, Yeah,

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Speaker 4: and it was It was fun using the crisis hotline

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Speaker 4: as the as the way in it.

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Speaker 2: All just all just worked.

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Speaker 4: Everything came together well.

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Speaker 3: And I like that we get to see you getting

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Speaker 3: kind of pulled into Brooke and Quinn's desire for an

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Speaker 3: activity on your own at the crisis center. When you

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Speaker 3: start humming the Batman theme song and going Haley to yourself.

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Speaker 3: It's like, oh, we got her. And it's fun as

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Speaker 3: an audience member to see Brooke and Quinn get Haley

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Speaker 3: before Brook and Quinn know they've gotten Haley.

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Speaker 4: Oh yeah, we had a ball. This was so fun

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Speaker 4: to just do comedy, a whole episode of comedy. You know,

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Speaker 4: before I got One Tree Hill. When I moved to

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Speaker 4: LA from New York in my early twenties, I was

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Speaker 4: the sitcom girl.

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Speaker 2: Like I was.

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Speaker 4: I would never got dramas. I was always doing sitcoms,

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Speaker 4: all the pilots that I had done since I was fourteen.

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Speaker 4: I was like the go to sitcom girl. And I

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Speaker 4: got One Tree Hill and then I had to cry

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Speaker 4: on command, which I kind of learned when I was

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Speaker 4: on a soap opera for a couple of years. But

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Speaker 4: but yeah, it was like, I just I've been crying

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Speaker 4: on this show for so long.

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Speaker 2: We all were.

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Speaker 5: I was off camera so happy.

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Speaker 4: Yes, Oh god, I was so happy to have some

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Speaker 4: comedy in my life.

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Speaker 2: God, it felt great to do this episode.

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Speaker 5: Did kick Ass Like we we actually name check kick

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Speaker 5: Ass a lot several times. So was it like a

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Speaker 5: cross promotion or was it just the right time? I mean,

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Speaker 5: because it was the popular movie, and we just asked

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Speaker 5: if we could use their name. But you know what

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Speaker 5: I mean, it was like weirdly specific, and we talked

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Speaker 5: about it like at least three times.

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Speaker 4: I think it had just come out and everybody was

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Speaker 4: talking about and excited about it, right, and we had

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Speaker 4: an that Halloween episode, and so it just made I

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Speaker 4: don't know, so do you know behind the scenes on that.

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Speaker 3: I don't remember. Honestly, I don't know where the obsession

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Speaker 3: came from. But it felt really right, you know, certainly

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Speaker 3: for me in this wanting to take the power back

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Speaker 3: being able to do it, you know, with that movie,

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Speaker 3: I remember tracked, but I don't know why it was

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Speaker 3: such a focal point.

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Speaker 4: I think superheroes were just having a moment, Like it

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Speaker 4: was when everything right, like all the Marvel movies were

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Speaker 4: starting to become a thing. Everybody was making a superhero

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Speaker 4: show or a movie, and this was Yeah, it did

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Speaker 4: that a lot, Like Yeah, so we started calming a

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Speaker 4: lot on our show on pop culture things that were happening.

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Speaker 2: I wouldn't be surprised.

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Speaker 5: It makes a good deal of sense because it kick

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Speaker 5: ass as about two regular people who are just tired

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Speaker 5: of it, and they so they're not they don't have

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Speaker 5: any superpowers or even like super weapons or anything. So

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Speaker 5: its sense. It was just odd because typically in our show,

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Speaker 5: like in our universe, we're not actually like call like,

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Speaker 5: we're not actually experiencing Well, you know that's not true though,

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Speaker 5: because Julian's poster was a real movie. So yeah, I

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Speaker 5: guess this isn't the first time. Yeah, we've done this

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Speaker 5: because you know, typically on TV show that they're not

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Speaker 5: actually talking about real life things, like everything is just

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Speaker 5: sort of another piece of fiction from that universe.

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Speaker 2: Skills had his whole notebook thing.

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Speaker 4: Yeah, the notebook. But also like when gossip Girl was

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Speaker 4: getting popular or they would do things that were we

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Speaker 4: would sort of do you know, joke jokey things like

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Speaker 4: Vampire Diaries. I feel like we were always commenting on

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Speaker 4: things that not overtly, but there were all these sort

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Speaker 4: of undercut commentaries on things that were going on. Right,

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Speaker 4: Am I crazy? I feel like that happened a lot.

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Speaker 5: Yeah, I think it probably did. And just to completely

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Speaker 5: hijack this, I have to go back and point out

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Speaker 5: thanks to one of uh, our good buddy Easton reminded

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Speaker 5: me that they these barkers, they weren't barkers, these vaudeville

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Speaker 5: acts that would guess your weight. They would also guess

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Speaker 5: your age too. Yeah, what a dangerous game. Could you

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Speaker 5: imagine that your job is to guess people's age and weight?

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Speaker 5: Oh my gosh, I would I would lose all of

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Speaker 5: the prizes on the first day because I would be

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Speaker 5: wildly underguessing both for everybody.

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Speaker 2: Yeah.

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Speaker 5: Yeah, they'd be like you somehow lost US ten thousand

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Speaker 5: dollars worth of stuffed animals.

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Speaker 3: You're like, yeah, because I was trying not to get

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Speaker 3: punched in the face.

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Speaker 5: Yeah, I was raised, right, guy, Come on, Okay, back

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Speaker 5: to the show. Yeah, but the kick guessing it worked,

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Speaker 5: and it was just it was so fun. I also

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Speaker 5: really liked seeing Clay and Quinn just have a light scene. Yeah,

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Speaker 5: he's kind of giving her grief about the one picture

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Speaker 5: he took of Millie diving for the bouquet, which was

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Speaker 5: so fantastic, and it was like it was very easy,

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Speaker 5: you just point and click, you know, but it was

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Speaker 5: it's been so long because even though they've we've had

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Speaker 5: a couple episodes since all of the Katie stuff, Like

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Speaker 5: the last episode, if you remember, it was her telling

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Speaker 5: him like I actually was stalking her, Like even then,

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Speaker 5: it still wasn't liice. This is the first time we

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Speaker 5: got to see the two of them like just being silly,

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Speaker 5: just having fun. And I've missed that.

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Speaker 3: Yeah, especially because their love story was born out of

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Speaker 3: their friendship, their humor with each other, that kind of ease.

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Speaker 2: It's nice to see them back in some ease. Yeah.

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Speaker 5: And Clay's line about I have a strict rule in

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Speaker 5: my life where I don't do anything that people wouldn't

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Speaker 5: be feel sorry for me if I died doing.

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Speaker 2: Yes, I wrote that down.

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Speaker 5: So good.

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Speaker 2: Poor guy, he just wanted to jump off.

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Speaker 4: A bridge with a rope tight around his ankles. Come on, Yeah,

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Speaker 4: so sad, that's great. Yeah. There were some really good lines,

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Speaker 4: and there were great lines. I mean, Chuck Chuck had

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Speaker 4: so many great throwaway lines, like you want to come

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Speaker 4: over for dinner it's meat night.

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Speaker 5: Chuck had two moments that were they were such good

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Speaker 5: lines because they were really funny and then equally tragic. Yes,

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Speaker 5: one of them was that you want to come over

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Speaker 5: it's meat night, which I thought was so funny and

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Speaker 5: again very sad. And then later in the episode, the

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Speaker 5: chase is like saying something like us your dad around

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Speaker 5: and he says no, he goes, I was supposed to

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Speaker 5: my dad last summer, but he bailed and chases like,

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Speaker 5: what what happened? And he said his favorite kid rock

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Speaker 5: cover band was playing Can't pass stuff like that up?

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Speaker 5: And I was like, it's such a funny choice to

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Speaker 5: make it a cover band of kid rock of kid

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Speaker 5: rock and also like again but simultaneously wildly tragic.

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Speaker 4: This is what makes these guys such great, such a

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Speaker 4: great team as writers. They were really capable of doing that,

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Speaker 4: And Chuck is a perfect character for it too, because

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Speaker 4: that's man. I mean, that's the heart of so much

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Speaker 4: comedy everything on top of it. You know, it's hilarious

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Speaker 4: on the top, but when you go to the notes

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Speaker 4: a little bit below it, you're like, ooh, what's going

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Speaker 4: on that it caused that?

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Speaker 2: Yeah, they're great, so smart.

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Speaker 5: Another gem they had was when Alex goes to red

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Speaker 5: bedroom and Mea is there and she's like, hey, I

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Speaker 5: want to I want to record, and me is basically

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Speaker 5: just like, nah, you can get lost, and she goes, cool,

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Speaker 5: I'll go talk to Haley. Why talk to the greasy

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Speaker 5: rag when you can talk to the mechanic.

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Speaker 2: It's like it's so good, Like, okay.

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Speaker 4: But this is why I'm not here for Alex. I'm

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Speaker 4: so over her. Just it's just it's so manipulative. She

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Speaker 4: shows up and she's super bitchy and creates this This

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Speaker 4: is like narcissism one on one, Like she creates all

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Speaker 4: of this drama. Mia is just minding her own business.

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Speaker 4: She comes in, creates all this drama. MIA's upset with her,

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Speaker 4: like because she's been insulting her, and then when she

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Speaker 4: comes back, she's like, I really just wish we could

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Speaker 4: be professionals. Well, I think you're an amazing artist.

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Speaker 5: Like off, I'm sorry, no, no, I'm going to push

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Speaker 5: back on this one because I feel like when she

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Speaker 5: shows up she is sincere. Also, we finally got some

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Speaker 5: acknowledgment of her kissing Chase during the Truth.

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Speaker 3: Which, by the way, I was like, wait, how does

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Speaker 3: Mia know about that? But whatever, at least it was acknowledged.

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Speaker 5: Yes, I mean her and Chase had sex the wedding,

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Speaker 5: so maybe they've been talking. I don't know. They had

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Speaker 5: that weird exchange at the bar, so I don't know

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Speaker 5: what's going on.

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Speaker 2: Wait, are you talking about chasing Mia?

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Speaker 5: Chasing. Mia had sex at the wedding.

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Speaker 2: Right and Alex kissed Chase.

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Speaker 3: During Alex and MIA's truce at the fundraiser night.

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Speaker 4: At the ball, I forgot about that. Yeah, okay, I

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Speaker 4: missed that moment in the scene.

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Speaker 2: Okay.

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Speaker 5: So I felt like she showed up, and I mean,

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Speaker 5: I mean, listen, she brought the edge quick. But I

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Speaker 5: felt like she started off not trying to be a jerk.

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Speaker 5: But then I do hear what you're saying. I think

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Speaker 5: she got the littlest bit of pushback from Mia, and

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Speaker 5: then she said something the effect of like, yeah, I

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Speaker 5: know you guys were back together when I saw him

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Speaker 5: kissing that five foot brown mole, Harry Mole.

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Speaker 4: Yeah, she just kept attacking her. It's like when when

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Speaker 4: you're minding your own business and someone comes in and

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Speaker 4: starts attacking you and you get upset, and then they're

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Speaker 4: just like, oh look, Europe, you're so upset.

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Speaker 2: You're so volatile. You're like, am I you're hysterical? Or

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Speaker 2: am I normal person? And you're a jack?

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Speaker 3: Well I also think that, I mean to your point, Joy,

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Speaker 3: It's like, we obviously talk about this stuff a lot.

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Speaker 3: The narcissistic tendency of baiting, baiting and baiting and baiting

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Speaker 3: and picking on and picking on and picking out, and

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Speaker 3: when someone finally retorts being like whoa, you're really intense,

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Speaker 3: or like oof a, what a bully, and you're like,

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Speaker 3: I'm sorry, You've been bullying me for how long?

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Speaker 2: And I finally told you to go yourself? And now

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Speaker 2: I'm rude.

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Speaker 6: Yeah, yeah, yeah, But what I like about this this

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Speaker 6: is the fun part, right, This is when you know

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Speaker 6: the writing is good because you can have a whole

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Speaker 6: room full of people be like I actually identify with Mia,

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Speaker 6: and then you've got people being like, no, I actually

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Speaker 6: identify with Alex.

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Speaker 3: Well, I see the dynamic here and that that's when

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Speaker 3: I know something is working because depending on how you

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Speaker 3: see it, saw it, maybe your own personal history whatever, Like,

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Speaker 3: everybody's got a different opinion.

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Speaker 2: And I'm like, that's good writing.

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Speaker 3: So hats off, hats off to Heroin Strauss because they're

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Speaker 3: making us like actually feel things.

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Speaker 5: Yeah. Well, and because Alex wants something, So there's the

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Speaker 5: added layer two of like is this just an act

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Speaker 5: to get what she wants? Now that she always dies?

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Speaker 4: And hey, friend, yeah, I'm going to be the bigger

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Speaker 4: person here. Yes, I just want to let you know

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Speaker 4: that I'm the bigger person. I just want you to

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Speaker 4: You're like.

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Speaker 2: Is that what's happening.

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Speaker 5: I'm also a little surprised that we waited this long

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Speaker 5: to showcase Janna's singing. Yeah, typically when we bring people

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Speaker 5: in who have a musical talent, and maybe just because

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Speaker 5: she got brought in primarily as an actor, I probably

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Speaker 5: maybe they wanted an actress who could sing, you know,

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Speaker 5: But I just I found myself going, she's really good.

381
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Speaker 5: This song is great. I'm just surprised it took us

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Speaker 5: a season and a half to see this.

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Speaker 2: Nobody knew when she came in.

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Speaker 4: She was just kind came in as an actor, and

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Speaker 4: as she got her series regular part in the show

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Speaker 4: and continued to you know, build her own career in

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Speaker 4: pr and all that, then she went to a record label.

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Speaker 4: I think I'm correct about this. So, Janna, if you're

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Speaker 4: out there and I'm miss telling your story, I'm sorry,

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00:20:17,560 --> 00:20:21,199
Speaker 4: but this is what I remember. That she went to

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Speaker 4: a record label and was working on getting a deal

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Speaker 4: and so, and I don't know how it went down

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Speaker 4: with talking with show writers or creators or whatever and

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Speaker 4: saying like, hey, can I sing but eventually that was

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Speaker 4: done in tandem with her record deal.

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Speaker 2: Yeah, because we were still living together. Oh you were,

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Speaker 2: so you know the story about it, and I do.

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Speaker 3: Okay, tell Shanna was going back and forth to Nashville

399
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Speaker 3: a lot, like she was really starting to pursue this

400
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Speaker 3: because she does to your point, Rob, I mean, she's

401
00:20:50,240 --> 00:20:53,720
Speaker 3: got such a great voice, and you know, there was

402
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Speaker 3: a lot of how do you figure out somebody's schedule

403
00:20:57,720 --> 00:20:59,239
Speaker 3: and how is she going to go and do this?

404
00:20:59,280 --> 00:21:00,800
Speaker 3: And how is she going to stay on the show,

405
00:21:00,880 --> 00:21:08,000
Speaker 3: and so you know, it becomes easier to work out

406
00:21:08,080 --> 00:21:10,560
Speaker 3: doing two jobs at once, which no movie studio or

407
00:21:10,640 --> 00:21:12,760
Speaker 3: record label really wants to let you do unless it's

408
00:21:12,800 --> 00:21:15,439
Speaker 3: mutually beneficial. Yeah, and so I think there was a

409
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Speaker 3: you know, if my memory serves me correctly, I mean,

410
00:21:18,040 --> 00:21:22,000
Speaker 3: my god, this is over a decade ago. But I

411
00:21:22,040 --> 00:21:24,439
Speaker 3: don't remember if it was the label that got in

412
00:21:24,440 --> 00:21:26,760
Speaker 3: talks with Warner Brothers or with Warner Brothers that gotten

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Speaker 3: talks with her label.

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Speaker 2: Obviously we'll have to have her come and talk to

415
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Speaker 2: us about it again on an episode.

416
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Speaker 3: But they worked it out, and yeah, I mean she

417
00:21:35,320 --> 00:21:38,000
Speaker 3: was just like flying back and forth all the time.

418
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Speaker 4: It did feel like it kind of came out of nowhere.

419
00:21:40,840 --> 00:21:44,919
Speaker 3: Yeah, well it's a surprise on the show, That's what

420
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Speaker 3: I mean. Yeah, for the character, you're like, wait what.

421
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Speaker 3: And I do think they were smart at least two have.

422
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Speaker 3: I liked that they had the her saying the thing

423
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Speaker 3: everyone knew she'd never said on camera to Quinn at

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Speaker 3: the hotel and Quinn being like, yes, you told me

425
00:22:00,080 --> 00:22:03,120
Speaker 3: one million times during Brooks Bachelorette because everyone blacked out,

426
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Speaker 3: So it was like, oh okay, like they nodded to

427
00:22:06,720 --> 00:22:09,159
Speaker 3: their own surprise for the audience, I thought, in a

428
00:22:09,280 --> 00:22:12,960
Speaker 3: very clever way. Yeah, But I do think when people

429
00:22:12,960 --> 00:22:14,880
Speaker 3: are like, well that seems random, it's like, well, yeah,

430
00:22:14,880 --> 00:22:17,280
Speaker 3: they had to get a deal done with the studio

431
00:22:17,320 --> 00:22:20,080
Speaker 3: and the record label, and they weren't gonna worth talking

432
00:22:20,119 --> 00:22:23,919
Speaker 3: about it until everything was settled. But yeah, then Jana was,

433
00:22:24,160 --> 00:22:26,200
Speaker 3: you know, going back and forth out of our little

434
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Speaker 3: apartment in downtown and going to Nashville and just I

435
00:22:29,720 --> 00:22:33,240
Speaker 3: mean she threw herself into it like so full steamad

436
00:22:33,320 --> 00:22:35,040
Speaker 3: and it was so cool to watch it.

437
00:22:35,480 --> 00:22:38,520
Speaker 4: Yeah, super talented. But I do wish they had teased

438
00:22:38,520 --> 00:22:40,280
Speaker 4: it out a little bit more. I wish there had

439
00:22:40,320 --> 00:22:42,919
Speaker 4: been just more of a yeah overnight, like, oh, by

440
00:22:42,960 --> 00:22:44,439
Speaker 4: the way, I've always wanted to be a singer.

441
00:22:44,880 --> 00:22:47,480
Speaker 2: Okay, I mean they're gonna let me sing on my

442
00:22:47,560 --> 00:22:50,359
Speaker 2: next movie. You're like, what next movie? What singing? Yeah,

443
00:22:50,680 --> 00:22:51,440
Speaker 2: There's so many.

444
00:22:51,240 --> 00:22:53,520
Speaker 4: Ways to have done it and introduced it that this

445
00:22:53,600 --> 00:22:56,400
Speaker 4: felt a little weak to me. But I'm glad we got.

446
00:22:56,200 --> 00:22:56,680
Speaker 2: It in there.

447
00:22:57,160 --> 00:22:59,120
Speaker 4: Rob, Sorry, you keep wanting to say something, you.

448
00:22:59,080 --> 00:23:01,600
Speaker 5: Know, I'm just it's like, I wish I had that

449
00:23:01,640 --> 00:23:04,040
Speaker 5: good of a talent that I could just like sandbag

450
00:23:04,080 --> 00:23:07,640
Speaker 5: and randomly pull out a half later, like I show

451
00:23:07,720 --> 00:23:10,000
Speaker 5: up and my bag of tricks has been exposed in

452
00:23:10,000 --> 00:23:12,920
Speaker 5: like thirty minutes. You like, I've already peaked. You've seen

453
00:23:12,960 --> 00:23:15,320
Speaker 5: all of my things, and it's like casually a year

454
00:23:15,320 --> 00:23:17,040
Speaker 5: and a half into the job, She's like, oh, by

455
00:23:17,080 --> 00:23:19,840
Speaker 5: the way, I can sing like a beautiful song like

456
00:23:19,880 --> 00:23:20,400
Speaker 5: an angel.

457
00:23:20,600 --> 00:23:22,720
Speaker 4: Yeah, and I write amazing songs too.

458
00:23:22,880 --> 00:23:25,240
Speaker 5: Oh can you dance too? Like, oh, are you a

459
00:23:25,280 --> 00:23:26,960
Speaker 5: triple threat? And just have been hiding it?

460
00:23:27,800 --> 00:23:31,719
Speaker 4: She bust out her tap shooth seriously, so funny.

461
00:23:31,840 --> 00:23:32,359
Speaker 2: It was great.

462
00:23:32,400 --> 00:23:35,879
Speaker 5: The song was great. It worked awesome in the episode and.

463
00:23:35,840 --> 00:23:40,679
Speaker 4: Chase, speaking of you know, Alex and Chase. I've loved

464
00:23:40,720 --> 00:23:43,280
Speaker 4: that we got to watch him in a new role

465
00:23:43,320 --> 00:23:45,840
Speaker 4: besides just being a bartender and being the guy that's like, oh,

466
00:23:45,840 --> 00:23:48,600
Speaker 4: I can't decide between two girls, like to actually have

467
00:23:48,680 --> 00:23:53,639
Speaker 4: a depth of character, to work with this kid and

468
00:23:53,680 --> 00:23:58,080
Speaker 4: try and discover a new part of his character, his personality.

469
00:24:00,560 --> 00:24:05,919
Speaker 2: Big Brother was a great choice also for.

470
00:24:04,800 --> 00:24:08,760
Speaker 4: Chase, and fun for Steven. Really fun to watch him

471
00:24:08,800 --> 00:24:11,199
Speaker 4: in that role because I never I don't know that

472
00:24:11,240 --> 00:24:13,320
Speaker 4: I would have put I would have put skills there,

473
00:24:13,440 --> 00:24:14,639
Speaker 4: I would have put mouth there.

474
00:24:15,160 --> 00:24:16,960
Speaker 2: But Chase, who's always just.

475
00:24:16,920 --> 00:24:20,000
Speaker 4: Been interacting with the adults, he does have so much

476
00:24:20,040 --> 00:24:22,399
Speaker 4: to offer and to see like his kind heart and

477
00:24:22,440 --> 00:24:24,240
Speaker 4: see so much more of him than just the guy

478
00:24:24,320 --> 00:24:27,440
Speaker 4: that's being torn between two women's was really nice.

479
00:24:27,640 --> 00:24:31,720
Speaker 5: Break I agree. Also, I mean, I'm I'm gonna say that,

480
00:24:32,040 --> 00:24:34,119
Speaker 5: and this is a big statement given our show. In

481
00:24:34,160 --> 00:24:38,800
Speaker 5: these characters' histories, but Chuck may have one of the

482
00:24:38,840 --> 00:24:44,720
Speaker 5: most tragic backstories and lives of all the characters. I mean,

483
00:24:44,920 --> 00:24:47,760
Speaker 5: his dad is obviously like a no show deadbeat, and

484
00:24:47,800 --> 00:24:50,320
Speaker 5: when he does show, he's apt because advice clearly is awful,

485
00:24:50,320 --> 00:24:53,560
Speaker 5: So he's just wasted space and his mom, we come

486
00:24:53,600 --> 00:24:55,800
Speaker 5: to find out, is the woman who is day drinking

487
00:24:56,200 --> 00:24:57,280
Speaker 5: in an empty trick.

488
00:24:57,920 --> 00:25:01,200
Speaker 2: Yeah, it's like this kidnas heady.

489
00:25:01,640 --> 00:25:06,040
Speaker 5: I think, goodness, he gets Chase, who's actually earnest and

490
00:25:06,119 --> 00:25:08,800
Speaker 5: excited to be there and trying to, you know, be

491
00:25:09,160 --> 00:25:12,239
Speaker 5: a good role model for him. Yeah. And because I

492
00:25:12,280 --> 00:25:16,320
Speaker 5: remember this storyline and where it's headed, it's it's great,

493
00:25:16,400 --> 00:25:18,720
Speaker 5: but it kind of tells me. I've always thought like

494
00:25:19,000 --> 00:25:22,280
Speaker 5: that Chuck's a dick, and now I'm like, yeah, but

495
00:25:22,440 --> 00:25:25,680
Speaker 5: you know, you know, yeah, he gets he gets an excuse.

496
00:25:25,960 --> 00:25:29,200
Speaker 4: That's the brilliance of Hero and Strauss again, that they

497
00:25:29,359 --> 00:25:32,159
Speaker 4: saw they knew the storyline for Chuck. They've seen all

498
00:25:32,160 --> 00:25:34,280
Speaker 4: the stuff that we've done, and he's always been a

499
00:25:34,359 --> 00:25:38,880
Speaker 4: caricature of himself, his family. You know, we joke about

500
00:25:38,960 --> 00:25:41,600
Speaker 4: why his mom's an alcoholic, you know, and it's like

501
00:25:41,640 --> 00:25:45,760
Speaker 4: always a punchline. And instead of instead of actually treating

502
00:25:45,760 --> 00:25:49,400
Speaker 4: it with the tenderness that it deserves, which even in

503
00:25:49,440 --> 00:25:52,600
Speaker 4: the comedy, as you're saying, it's so tragic underneath it all.

504
00:25:53,520 --> 00:25:55,639
Speaker 4: That's the brilliance of it is that you can treat

505
00:25:55,680 --> 00:25:59,639
Speaker 4: something with tenderness by being honest about how humans behave

506
00:25:59,840 --> 00:26:03,320
Speaker 4: or round tragedy, which often is making light of it,

507
00:26:03,920 --> 00:26:06,600
Speaker 4: but trusting the audience to be smart enough to feel

508
00:26:06,640 --> 00:26:12,320
Speaker 4: all those layers and really giving Chuck and his mom

509
00:26:12,440 --> 00:26:16,640
Speaker 4: too these little moments where instead of them being caricatures,

510
00:26:16,640 --> 00:26:19,160
Speaker 4: we actually really care about them and see their humanity.

511
00:26:19,280 --> 00:26:22,919
Speaker 4: It added so much to our show, even that.

512
00:26:22,800 --> 00:26:27,320
Speaker 5: Little moment of they kind of the in the very

513
00:26:27,359 --> 00:26:29,480
Speaker 5: short amount of time that she was on camera. It

514
00:26:29,520 --> 00:26:33,000
Speaker 5: was very efficient in that they humanized her a bit,

515
00:26:33,040 --> 00:26:34,960
Speaker 5: because you're right, Joy, all she has ever been is

516
00:26:34,960 --> 00:26:36,520
Speaker 5: a punchline. I don't even know if we've ever seen

517
00:26:36,520 --> 00:26:37,720
Speaker 5: this actress before. I don't.

518
00:26:37,840 --> 00:26:39,960
Speaker 4: We haven't, right, Yeah, I feel like we have, but

519
00:26:40,119 --> 00:26:41,800
Speaker 4: maybe she just looks familiar.

520
00:26:41,400 --> 00:26:44,439
Speaker 2: Because okay, at least oh yeah, in school? I like,

521
00:26:44,800 --> 00:26:45,760
Speaker 2: did we slap her?

522
00:26:45,760 --> 00:26:48,960
Speaker 4: Did I slap her? Did she like what happened? Something

523
00:26:49,000 --> 00:26:50,080
Speaker 4: happened with her at school?

524
00:26:50,280 --> 00:26:52,880
Speaker 2: Yeah? You guys had a little kerfuffull of some fight.

525
00:26:53,359 --> 00:26:56,479
Speaker 5: Yeah. But I just liked that rather than because they

526
00:26:56,480 --> 00:26:59,080
Speaker 5: could have just had her drunk at the bar and

527
00:26:59,280 --> 00:27:03,120
Speaker 5: didn't even say anything. But I like that she rather

528
00:27:03,160 --> 00:27:05,639
Speaker 5: than throwing herself at Chase, even though she's kind of

529
00:27:05,680 --> 00:27:08,639
Speaker 5: doing it, she says, if I weren't off men right now,

530
00:27:08,800 --> 00:27:11,280
Speaker 5: So it's kind of like, oh, so she's aware her

531
00:27:11,320 --> 00:27:15,000
Speaker 5: husband is a dud. She's struggling, you know, like it

532
00:27:15,040 --> 00:27:17,080
Speaker 5: was just it was just enough to go like, okay,

533
00:27:17,080 --> 00:27:19,600
Speaker 5: there's a human being there, as opposed to just like

534
00:27:19,680 --> 00:27:22,040
Speaker 5: a punchline and a cautionary tale.

535
00:27:23,720 --> 00:27:23,920
Speaker 1: Yeah.

536
00:27:24,040 --> 00:27:25,840
Speaker 3: I also think it would have been it would have

537
00:27:25,880 --> 00:27:28,520
Speaker 3: really been a hat on a hat after Mia and

538
00:27:28,600 --> 00:27:31,800
Speaker 3: Alex fighting over him, to have like another random woman

539
00:27:31,920 --> 00:27:35,320
Speaker 3: just throwing herself at It's like, guys, this is not how.

540
00:27:35,200 --> 00:27:38,479
Speaker 2: People interact in the real world. So yeah, it's to

541
00:27:38,520 --> 00:27:38,960
Speaker 2: your point.

542
00:27:39,000 --> 00:27:42,760
Speaker 3: It's nice because it it gives us a backstory for

543
00:27:42,920 --> 00:27:45,920
Speaker 3: her to know that she's been in a struggle with this,

544
00:27:46,160 --> 00:27:49,680
Speaker 3: you know, with Chuck's dad, her ex. However she identifies

545
00:27:49,760 --> 00:27:52,960
Speaker 3: him in her life. It sounds like they're split, if

546
00:27:53,000 --> 00:27:56,240
Speaker 3: you know, the guy hasn't seen his kid in a year.

547
00:27:57,119 --> 00:28:01,439
Speaker 3: But yeah, it just gives a little bit of extra depth,

548
00:28:01,600 --> 00:28:04,920
Speaker 3: and then it gives us information as an audience when

549
00:28:04,960 --> 00:28:08,840
Speaker 3: we're hearing all these terrible things that Chuck's dad says

550
00:28:08,880 --> 00:28:12,240
Speaker 3: to him, these sort of terrible life lessons that he's

551
00:28:12,280 --> 00:28:17,040
Speaker 3: giving this young boy you know, and you go, oh,

552
00:28:17,280 --> 00:28:20,600
Speaker 3: I'm beginning to get the picture here of why that

553
00:28:20,720 --> 00:28:22,720
Speaker 3: kid acts the way he acts, of why he might

554
00:28:22,760 --> 00:28:25,600
Speaker 3: be competitive with his best friend, of why he might

555
00:28:25,640 --> 00:28:26,880
Speaker 3: be acting out.

556
00:28:26,680 --> 00:28:29,800
Speaker 2: In a way. And it is really nice to see,

557
00:28:31,040 --> 00:28:34,080
Speaker 2: just like a grown up who cares, try to be

558
00:28:34,160 --> 00:28:34,639
Speaker 2: a mentor.

559
00:28:34,960 --> 00:28:39,920
Speaker 5: Yeah. Yeah, there are very few instances in which being

560
00:28:40,080 --> 00:28:43,600
Speaker 5: raised by a pack of wolves would have been preferable

561
00:28:43,880 --> 00:28:47,200
Speaker 5: to your actual parents. And I think Chuck may qualify.

562
00:28:47,360 --> 00:28:49,440
Speaker 4: You may qualify because what is that.

563
00:28:49,720 --> 00:28:51,760
Speaker 5: My dad says guys can bail on each other all

564
00:28:51,800 --> 00:28:54,720
Speaker 5: the time. It's like, your dad's terrible.

565
00:28:54,800 --> 00:28:56,880
Speaker 2: He's the worst. Yeah.

566
00:28:56,920 --> 00:28:59,600
Speaker 4: And when Chuck, oh, I forgot about this moment, you know,

567
00:28:59,640 --> 00:29:01,720
Speaker 4: you do this punch thing where he punches Chase and

568
00:29:01,760 --> 00:29:03,720
Speaker 4: he's like, you just got chucked. You know. It's like

569
00:29:03,800 --> 00:29:06,960
Speaker 4: funny at first, but when he invites Chase to dinner

570
00:29:07,160 --> 00:29:09,360
Speaker 4: and Chase starts saying, oh, I can't really do that

571
00:29:09,560 --> 00:29:12,960
Speaker 4: or like it wouldn't be appropriate or whatever, Chuck immediately

572
00:29:13,080 --> 00:29:16,320
Speaker 4: regresses and punches him as like, oh, it's the joke again,

573
00:29:16,360 --> 00:29:19,200
Speaker 4: ha ha, you know, just trying to cover up the

574
00:29:19,320 --> 00:29:23,840
Speaker 4: immense pain of feeling rejected by somebody he's just starting

575
00:29:23,840 --> 00:29:26,400
Speaker 4: to trust again. There were so many layers in this

576
00:29:26,800 --> 00:29:29,160
Speaker 4: storyline and it was so quick in the episode, but

577
00:29:30,040 --> 00:29:44,000
Speaker 4: the more we talk about it, the more impressed I am.

578
00:29:44,600 --> 00:29:48,640
Speaker 5: Also, it was great because I love Stephen and I

579
00:29:48,640 --> 00:29:51,280
Speaker 5: think he hasn't been given a lot to do on

580
00:29:51,280 --> 00:29:52,840
Speaker 5: the show. Yeah, he's just sort of been the like

581
00:29:53,080 --> 00:29:55,720
Speaker 5: guy between two gals. So this was really nice to

582
00:29:55,760 --> 00:29:58,360
Speaker 5: get to give him the opportunity to play a different speed.

583
00:29:59,120 --> 00:30:03,040
Speaker 5: And I loved because we see how earnest he is,

584
00:30:03,120 --> 00:30:05,600
Speaker 5: like the fact that he shows up wearing a pilot's

585
00:30:05,600 --> 00:30:09,200
Speaker 5: hat and that he got a second pilot hat for Chuck.

586
00:30:09,800 --> 00:30:11,480
Speaker 5: It's like, and he's waiting out in front of the car,

587
00:30:11,480 --> 00:30:13,760
Speaker 5: I thought like, Oh, he's actually putting effort in, like

588
00:30:13,880 --> 00:30:16,640
Speaker 5: he cares right. And then that Chuck walks out and

589
00:30:16,680 --> 00:30:19,920
Speaker 5: goes nice hat do they make him for guys and

590
00:30:20,040 --> 00:30:24,960
Speaker 5: slaps it out of his hand. Was so funny, and

591
00:30:25,000 --> 00:30:27,280
Speaker 5: it made me feel so bad for Chase that he's

592
00:30:27,320 --> 00:30:29,720
Speaker 5: like he's putting himself out there and this nine year

593
00:30:29,760 --> 00:30:35,240
Speaker 5: old just absolutely bodies him.

594
00:30:35,280 --> 00:30:38,680
Speaker 2: It's so funny. I love I love too, the way

595
00:30:38,800 --> 00:30:40,360
Speaker 2: every storyline really has to do.

596
00:30:40,440 --> 00:30:44,720
Speaker 4: With different ways to deal with your bullies. I mean,

597
00:30:44,840 --> 00:30:47,880
Speaker 4: Chuck's always been a bully, except when he kind of

598
00:30:47,880 --> 00:30:50,160
Speaker 4: became friends with Jamie, but through being a bully, he

599
00:30:50,200 --> 00:30:55,200
Speaker 4: was a bully first. And then the way that I

600
00:30:55,240 --> 00:30:57,560
Speaker 4: guess Alex and Mia feel like they're kind of bullying

601
00:30:57,560 --> 00:31:01,400
Speaker 4: each other all the time. I mean, whatever that storyline is.

602
00:31:01,440 --> 00:31:04,880
Speaker 4: But but yeah, everything kind of all ties together.

603
00:31:05,200 --> 00:31:08,680
Speaker 5: What did you guys think about the Clay showing up

604
00:31:08,720 --> 00:31:10,080
Speaker 5: in the classroom scene.

605
00:31:10,160 --> 00:31:14,120
Speaker 4: I thought, in real life the teacher would probably not

606
00:31:14,200 --> 00:31:15,760
Speaker 4: have let him talk so much.

607
00:31:16,440 --> 00:31:23,000
Speaker 3: Yeah, yeah, it's a big hero moment, and you go,

608
00:31:23,200 --> 00:31:23,960
Speaker 3: this is cute.

609
00:31:23,960 --> 00:31:27,160
Speaker 2: But what Yeah, what did you think of it?

610
00:31:27,240 --> 00:31:27,480
Speaker 4: Wrong?

611
00:31:29,160 --> 00:31:33,920
Speaker 5: To me? I laughed, you know, because it joins exactly right.

612
00:31:34,000 --> 00:31:37,320
Speaker 5: It's like, if someone's in your class who's not a student,

613
00:31:37,760 --> 00:31:41,880
Speaker 5: you don't entertain that, especially when they're trying to prove

614
00:31:42,000 --> 00:31:45,520
Speaker 5: you inadequate or wrong. So the fact that he humors

615
00:31:45,520 --> 00:31:47,200
Speaker 5: me and like lets me and then asks me a

616
00:31:47,280 --> 00:31:50,560
Speaker 5: question back, I was just like, and it's just odd

617
00:31:50,640 --> 00:31:56,480
Speaker 5: because he's not it's not really like owning the guy.

618
00:31:56,960 --> 00:31:59,120
Speaker 5: He's not really rubbing his nose anything. He's just like

619
00:32:00,280 --> 00:32:01,200
Speaker 5: not the real world.

620
00:32:01,760 --> 00:32:04,720
Speaker 4: It just I wish Clay had brought the actual basketball

621
00:32:04,720 --> 00:32:06,640
Speaker 4: player that he was talking about, or was a football

622
00:32:06,680 --> 00:32:07,280
Speaker 4: I guess.

623
00:32:07,080 --> 00:32:09,040
Speaker 5: Football, Yeah, Troy, the guy he just signed.

624
00:32:09,080 --> 00:32:12,520
Speaker 4: Yeah, I wish he had actually brought the guy. Yes,

625
00:32:12,760 --> 00:32:15,720
Speaker 4: that would have been something that stopped the class well, and.

626
00:32:15,640 --> 00:32:20,000
Speaker 2: That probably would have made Kellerman pause.

627
00:32:20,720 --> 00:32:22,880
Speaker 3: But the thing that I sort of couldn't get over

628
00:32:23,440 --> 00:32:26,760
Speaker 3: was that he was essentially showing you deference and respect

629
00:32:26,840 --> 00:32:29,280
Speaker 3: in his own classroom, where he's made it clear that

630
00:32:29,320 --> 00:32:35,480
Speaker 3: he doesn't respect anyone. Yeah, anyone's experiences, anyone's opinions, anyone's BMI.

631
00:32:35,880 --> 00:32:40,000
Speaker 3: Like he's literally fat shaming a male athlete. Like the

632
00:32:40,120 --> 00:32:44,240
Speaker 3: whole thing is so he he doesn't care about other

633
00:32:44,280 --> 00:32:47,760
Speaker 3: people's feelings or experiences, and then he just is wrapped

634
00:32:47,760 --> 00:32:50,160
Speaker 3: with attention while Clay's on me and I'm like, I

635
00:32:50,200 --> 00:32:51,600
Speaker 3: don't get it well.

636
00:32:51,640 --> 00:32:54,560
Speaker 5: And it was also odd because there was a perfect

637
00:32:54,600 --> 00:32:58,880
Speaker 5: opportunity for Clay to go, Yeah, a top ten NFL

638
00:32:59,000 --> 00:33:02,560
Speaker 5: draft just got some by one of your students because

639
00:33:02,800 --> 00:33:06,960
Speaker 5: of this gay like he had an opportunity to really

640
00:33:07,040 --> 00:33:11,160
Speaker 5: big up Nathan, and instead he kept it all about

641
00:33:11,160 --> 00:33:14,600
Speaker 5: the agency and therefore himself because he never establishes a

642
00:33:14,600 --> 00:33:17,640
Speaker 5: connection and it was just like, this isn't your fight,

643
00:33:17,800 --> 00:33:20,000
Speaker 5: and why wouldn't you take that opportunity to be like

644
00:33:20,720 --> 00:33:22,560
Speaker 5: one of your students did exactly that?

645
00:33:23,080 --> 00:33:25,160
Speaker 2: Yeah, the only I totally thought that too.

646
00:33:25,200 --> 00:33:28,200
Speaker 4: But also I think I giving Clay the benefit of

647
00:33:28,240 --> 00:33:30,080
Speaker 4: the doubt that he wouldn't have wanted to cause more

648
00:33:30,120 --> 00:33:32,920
Speaker 4: trouble for Nathan because at this point there was you're

649
00:33:33,000 --> 00:33:35,680
Speaker 4: just a total stranger. But if he was tied to Nathan,

650
00:33:35,800 --> 00:33:37,080
Speaker 4: then it would have.

651
00:33:38,520 --> 00:33:39,400
Speaker 5: Yes, I don't.

652
00:33:39,240 --> 00:33:41,440
Speaker 2: Know, maybe put a bigger target on his back.

653
00:33:41,640 --> 00:33:44,320
Speaker 5: Yeah, yeah, yeah, And I think also Nathan doesn't have

654
00:33:44,320 --> 00:33:47,120
Speaker 5: his degree yet, so he shouldn't be practicing as an agent.

655
00:33:47,200 --> 00:33:52,360
Speaker 5: So right, it's well, this skeleton guy is a jerk,

656
00:33:52,360 --> 00:33:54,520
Speaker 5: you don't want to give him that information to a

657
00:33:54,520 --> 00:33:56,280
Speaker 5: good point.

658
00:33:56,720 --> 00:33:59,920
Speaker 4: But even more the reason why than the actual football

659
00:34:00,360 --> 00:34:03,400
Speaker 4: walking in and being like, hey, one of you know,

660
00:34:04,000 --> 00:34:06,120
Speaker 4: somebody one of your students or maybe not.

661
00:34:06,160 --> 00:34:06,480
Speaker 5: Just like.

662
00:34:07,960 --> 00:34:09,680
Speaker 2: I'll never mind, I take it back. I just I

663
00:34:09,719 --> 00:34:10,840
Speaker 2: think it would have made more.

664
00:34:11,239 --> 00:34:13,359
Speaker 5: You're right, Joy, How cool would that moment have been

665
00:34:13,600 --> 00:34:15,800
Speaker 5: if it had been Clay talking and going hold on

666
00:34:15,880 --> 00:34:18,319
Speaker 5: a second, hey, Troy, how much did we how much

667
00:34:18,480 --> 00:34:20,400
Speaker 5: was a signing bonus? And then Troy's and outside the

668
00:34:20,400 --> 00:34:22,680
Speaker 5: class going I was sixty eight million.

669
00:34:22,840 --> 00:34:25,960
Speaker 2: Yes, yeah, and hugs and a hug and a.

670
00:34:25,920 --> 00:34:29,160
Speaker 5: Hug exactly and a hug. It's not too late to

671
00:34:29,200 --> 00:34:31,640
Speaker 5: reshoot that scene, right, let's do it.

672
00:34:32,480 --> 00:34:35,839
Speaker 3: Totally absolutely well, we'll figure out how to pay for it.

673
00:34:36,440 --> 00:34:40,760
Speaker 5: I loved also because there were parts of the episode where,

674
00:34:41,880 --> 00:34:44,239
Speaker 5: like just going back to the bowling, I loved that

675
00:34:44,320 --> 00:34:47,280
Speaker 5: there was the moment of like there was a great

676
00:34:47,560 --> 00:34:53,319
Speaker 5: blend of blurring reality and then also sticking to it, like, yeah,

677
00:34:53,320 --> 00:34:57,239
Speaker 5: there's this great moment when Quinn walks into the room

678
00:34:57,360 --> 00:35:00,440
Speaker 5: when Haley and Brook are talking and I think maybe

679
00:35:00,480 --> 00:35:05,680
Speaker 5: she turns to leave, and suddenly Brooke is behind her. Yes, yeah,

680
00:35:05,719 --> 00:35:08,320
Speaker 5: I can't let you do that, and true Batman style,

681
00:35:08,360 --> 00:35:10,239
Speaker 5: and of course Quinn is like what the hell Like,

682
00:35:10,640 --> 00:35:12,040
Speaker 5: So that was one of those ones where it's like

683
00:35:12,080 --> 00:35:13,960
Speaker 5: we sort of bent the rules and I loved it.

684
00:35:14,480 --> 00:35:17,440
Speaker 4: And when the girls enters with the bushes, is that

685
00:35:17,520 --> 00:35:18,239
Speaker 4: what you're gonna say?

686
00:35:18,480 --> 00:35:21,840
Speaker 5: Yes, because with the flipping, I was like, oh what,

687
00:35:22,080 --> 00:35:24,480
Speaker 5: And then of course we see you all awkwardly stepping

688
00:35:24,480 --> 00:35:25,160
Speaker 5: over the hedge.

689
00:35:25,200 --> 00:35:30,000
Speaker 7: I'm like, perfect, yeah, yeah, it's actually just it's how

690
00:35:30,040 --> 00:35:32,160
Speaker 7: cool we think we look and then you see that

691
00:35:32,480 --> 00:35:35,880
Speaker 7: we're just We're just a couple of awkward gals.

692
00:35:36,440 --> 00:35:37,120
Speaker 2: Yeah.

693
00:35:37,160 --> 00:35:39,640
Speaker 5: And there's another great line. I think maybe it was

694
00:35:39,960 --> 00:35:43,640
Speaker 5: a Hailey. It was either Haley or Brook when uh,

695
00:35:44,120 --> 00:35:46,560
Speaker 5: it's in a discussion about standing up to these bullies

696
00:35:46,560 --> 00:35:51,359
Speaker 5: and someone's like apprehensive and the line is relax, their

697
00:35:51,440 --> 00:35:52,560
Speaker 5: kids not crips.

698
00:35:54,000 --> 00:35:54,680
Speaker 2: Brook says it.

699
00:35:55,040 --> 00:35:57,280
Speaker 5: Yeah, yeah, well done.

700
00:35:57,560 --> 00:35:57,759
Speaker 1: Yeah.

701
00:35:57,840 --> 00:35:58,440
Speaker 2: Yeah.

702
00:35:58,440 --> 00:36:00,800
Speaker 3: There were a few things I have in the episode

703
00:36:00,800 --> 00:36:03,200
Speaker 3: that gave me a giggle, like being when I say

704
00:36:03,239 --> 00:36:06,040
Speaker 3: to Haley, no one's gonna hit a pregnant lady.

705
00:36:06,320 --> 00:36:08,880
Speaker 2: Yeah, she goes, you want me to use my onborn

706
00:36:08,960 --> 00:36:14,759
Speaker 2: baby as a human shield. It's like just the humor

707
00:36:14,920 --> 00:36:17,440
Speaker 2: that they gave to us in this I really had

708
00:36:17,480 --> 00:36:18,319
Speaker 2: a nice time with.

709
00:36:18,480 --> 00:36:20,600
Speaker 4: It was just so much comic timing. I love that

710
00:36:20,640 --> 00:36:22,880
Speaker 4: they just wrote the jokes and trusted us to handle

711
00:36:22,920 --> 00:36:25,040
Speaker 4: them because it was so fun, the three of us

712
00:36:25,040 --> 00:36:27,480
Speaker 4: being able to play off of each other and it

713
00:36:27,560 --> 00:36:30,080
Speaker 4: wasn't set upset up, laugh it was pure, just like

714
00:36:30,160 --> 00:36:33,720
Speaker 4: they just wrote it real and we we were able

715
00:36:33,719 --> 00:36:36,960
Speaker 4: to you know, insert the just in our relationships, insert

716
00:36:37,000 --> 00:36:41,160
Speaker 4: that comedy. But I loved this scene with the three

717
00:36:41,200 --> 00:36:43,920
Speaker 4: of us.

718
00:36:42,640 --> 00:36:45,760
Speaker 2: Being so ridiculous in front of these girls.

719
00:36:45,800 --> 00:36:49,000
Speaker 4: Can you imagine, especially now as a mom, that I

720
00:36:49,200 --> 00:36:51,600
Speaker 4: go into high I mean, I go into the middle school,

721
00:36:51,600 --> 00:36:53,319
Speaker 4: in the high school, and I see these kids all

722
00:36:53,320 --> 00:36:57,480
Speaker 4: the time. If I showed up with two of my friends.

723
00:36:57,360 --> 00:37:04,439
Speaker 3: In span spanding masks trying to protect I mean, thank

724
00:37:04,480 --> 00:37:05,400
Speaker 3: god Haley.

725
00:37:05,160 --> 00:37:06,719
Speaker 4: Did have a trick up her sleep, because I think

726
00:37:06,760 --> 00:37:10,200
Speaker 4: it worked. But I mean, and she's like missus Scott,

727
00:37:10,480 --> 00:37:13,200
Speaker 4: so mortified, so embarrassing.

728
00:37:15,000 --> 00:37:19,960
Speaker 5: Quinn getting overly excited was such a wonderful Quinn moment. Yes,

729
00:37:20,480 --> 00:37:22,399
Speaker 5: and you, guys happened even in the height of all

730
00:37:22,440 --> 00:37:23,880
Speaker 5: of the three of you being amped. You had to

731
00:37:23,920 --> 00:37:26,280
Speaker 5: be like, hey, hey, hey, I'm.

732
00:37:26,160 --> 00:37:28,880
Speaker 4: Shut her bug. This is after she's taking the photos

733
00:37:28,960 --> 00:37:31,520
Speaker 4: with the camera backwards. Didn't either of you notice that

734
00:37:32,560 --> 00:37:35,520
Speaker 4: I didn't, Yes, completely backwards. She just taking photos of

735
00:37:35,520 --> 00:37:38,440
Speaker 4: herself over and over again. But it looks like the girls.

736
00:37:39,360 --> 00:37:40,600
Speaker 5: Oh my gosh.

737
00:37:40,680 --> 00:37:42,520
Speaker 2: The whole thing is so absurd.

738
00:37:43,239 --> 00:37:47,959
Speaker 5: It's absurd and it's great and it was fun also

739
00:37:48,160 --> 00:37:53,960
Speaker 5: funny and absurd. Let's talk about Julian's commercial. Yes, the

740
00:37:54,160 --> 00:37:59,839
Speaker 5: TC the THCHG. Has that ever been done? On the show.

741
00:37:59,840 --> 00:38:01,880
Speaker 4: But for that reference, oh no.

742
00:38:01,960 --> 00:38:04,520
Speaker 5: Wow, well that was that was great because it was

743
00:38:04,640 --> 00:38:05,160
Speaker 5: just a thing.

744
00:38:05,239 --> 00:38:07,719
Speaker 4: It was just becoming a thing. I mean, marijuana wasn't

745
00:38:07,760 --> 00:38:11,600
Speaker 4: legal almost anywhere except maybe Colorado or Oregon or something,

746
00:38:11,640 --> 00:38:15,560
Speaker 4: but like THHC was not. I don't think it was

747
00:38:15,680 --> 00:38:19,320
Speaker 4: legal at that point. I don't know that dates the show.

748
00:38:19,480 --> 00:38:23,399
Speaker 5: That like a pot reference was a was a big deal.

749
00:38:24,800 --> 00:38:28,960
Speaker 5: So here's what I thought was so funny about it was. Okay,

750
00:38:29,040 --> 00:38:30,960
Speaker 5: it's at the end of it, right, if you go

751
00:38:31,080 --> 00:38:34,919
Speaker 5: back and watch closely, Lee finish her mouth finishes his take.

752
00:38:35,600 --> 00:38:39,960
Speaker 5: Julian calls cut and for some reason, he's in mouth

753
00:38:40,000 --> 00:38:42,680
Speaker 5: is sitting on a little mini sofa. For some reason,

754
00:38:43,280 --> 00:38:47,319
Speaker 5: there was an ad on his hands and knees behind

755
00:38:47,440 --> 00:38:50,040
Speaker 5: the couch. Watch when he calls cut, that little guy

756
00:38:50,080 --> 00:38:52,680
Speaker 5: who has a line or two sorry, the smaller guy.

757
00:38:52,880 --> 00:38:53,640
Speaker 4: Yeah, he just.

758
00:38:53,600 --> 00:38:56,319
Speaker 5: Stands up from behind, like that's something you would only

759
00:38:56,360 --> 00:38:59,040
Speaker 5: ever do if like a to have off camera dialogue

760
00:38:59,080 --> 00:38:59,600
Speaker 5: red ye.

761
00:39:00,040 --> 00:39:02,759
Speaker 3: Where someone has like the fishing wire that's pulling the

762
00:39:02,800 --> 00:39:05,320
Speaker 3: door open because it looks like the house is haunted.

763
00:39:05,840 --> 00:39:08,000
Speaker 5: The camera is five feet away from Lee, like there's

764
00:39:08,160 --> 00:39:10,719
Speaker 5: no reason on earth that they wanted to have this

765
00:39:10,840 --> 00:39:13,800
Speaker 5: poor guy on his hands and knees behind the couch.

766
00:39:14,040 --> 00:39:17,120
Speaker 5: Yet as soon as cut is called, he pops up,

767
00:39:17,200 --> 00:39:19,720
Speaker 5: which I was like, this is incredible. Why is it happening?

768
00:39:19,760 --> 00:39:24,800
Speaker 5: And then the fact that like fifty crew members appear

769
00:39:25,440 --> 00:39:29,080
Speaker 5: for this local commercial. The clap out League gets is

770
00:39:29,120 --> 00:39:30,960
Speaker 5: the kind of clap out as an actor you get

771
00:39:31,040 --> 00:39:35,040
Speaker 5: when you are wrapping a show after like nine seasons. Yes,

772
00:39:36,400 --> 00:39:40,480
Speaker 5: it's incredible. The budget for this local commercial was that

773
00:39:40,640 --> 00:39:42,560
Speaker 5: of like a super Bowl commercial.

774
00:39:42,880 --> 00:39:45,760
Speaker 4: Yeah, it was pretty amazing, But why.

775
00:39:45,719 --> 00:39:48,400
Speaker 5: Was Here's the thing too, There's no way that was scripted.

776
00:39:49,080 --> 00:39:51,279
Speaker 5: You don't ever get that specific in the action text,

777
00:39:51,320 --> 00:39:56,520
Speaker 5: which makes me wonder, was Pete just being funny?

778
00:39:56,640 --> 00:39:57,200
Speaker 2: Why?

779
00:39:57,200 --> 00:40:01,120
Speaker 5: Why was that? Why was that young man behind the couch?

780
00:40:01,960 --> 00:40:04,160
Speaker 4: I can see it happening, you know, depending on what

781
00:40:04,280 --> 00:40:07,680
Speaker 4: time of day they had they shot it. I mean,

782
00:40:08,120 --> 00:40:10,400
Speaker 4: everybody was just having a good time on this episode,

783
00:40:10,480 --> 00:40:13,200
Speaker 4: it seems like, and Pete being the jolliest guy ever.

784
00:40:13,360 --> 00:40:15,400
Speaker 4: I'm sure it was just like, yeah, okay, we just

785
00:40:15,440 --> 00:40:16,920
Speaker 4: need to fill it in a little bit more. You,

786
00:40:17,000 --> 00:40:18,799
Speaker 4: I don't know, crouch down behind the couch. You go

787
00:40:18,840 --> 00:40:20,960
Speaker 4: stand over there and hold the boom, like, let's just

788
00:40:21,320 --> 00:40:23,080
Speaker 4: fill it in and get it done.

789
00:40:23,280 --> 00:40:26,240
Speaker 5: You go like you're hide and go seeking behind the couch,

790
00:40:26,600 --> 00:40:28,960
Speaker 5: the only actor in the shot. Okay, there was one

791
00:40:29,000 --> 00:40:32,879
Speaker 5: other moment that made me laugh out loud for absolutely

792
00:40:33,120 --> 00:40:35,800
Speaker 5: the silliest of reasons. It's the very end of the episode.

793
00:40:36,160 --> 00:40:40,359
Speaker 5: You've all come home, and it's now Quinnstern to come home,

794
00:40:40,680 --> 00:40:43,880
Speaker 5: and she's being cute and flirty with Clay and she

795
00:40:43,960 --> 00:40:46,400
Speaker 5: pushes him down on the bag bed and she's like,

796
00:40:47,000 --> 00:40:50,400
Speaker 5: shut her, Bug's gonna get you. And then she holds

797
00:40:50,400 --> 00:40:53,759
Speaker 5: her hand up in the air. She snaps and the

798
00:40:53,840 --> 00:40:57,520
Speaker 5: lights go off, which means they have to have some

799
00:40:57,680 --> 00:41:00,319
Speaker 5: type of clap or such a lash. Yeah, And if

800
00:41:00,320 --> 00:41:03,799
Speaker 5: they had a clapper situation, then that would have meant

801
00:41:04,200 --> 00:41:07,319
Speaker 5: every time Katie shot the gun, the light would have

802
00:41:07,400 --> 00:41:12,200
Speaker 5: gone off and on. And I just thought it would

803
00:41:12,200 --> 00:41:14,200
Speaker 5: have been so funny if when she shot Quinn, the

804
00:41:14,280 --> 00:41:17,120
Speaker 5: light went off, went walk back over, turn it back on,

805
00:41:17,320 --> 00:41:20,319
Speaker 5: go back to her spot, shoot walk back over, turn

806
00:41:20,320 --> 00:41:20,840
Speaker 5: it back.

807
00:41:20,960 --> 00:41:23,000
Speaker 4: Or flip it up and like try and clap while she's.

808
00:41:22,880 --> 00:41:25,520
Speaker 5: Holding the gun and or just shoot the ceiling like boom,

809
00:41:25,520 --> 00:41:29,160
Speaker 5: she shoots Quinn. Then she shoots the ceiling. That would

810
00:41:29,160 --> 00:41:32,120
Speaker 5: have been such a tremendous moment to see. To see

811
00:41:32,200 --> 00:41:34,480
Speaker 5: Katie caught off guard by the clapper.

812
00:41:34,520 --> 00:41:37,720
Speaker 2: Absolutely absurd. The clapper saves lives.

813
00:41:40,480 --> 00:41:42,239
Speaker 5: It's such a dumb thing to point out, but it

814
00:41:42,280 --> 00:41:45,000
Speaker 5: really really cracked me up. It's great, okay, you know

815
00:41:45,040 --> 00:41:49,680
Speaker 5: who absolutely walk off home run Antoine. She has this

816
00:41:50,000 --> 00:41:53,160
Speaker 5: amazing moment. First of all, so good to have Lisa back,

817
00:41:53,200 --> 00:41:55,520
Speaker 5: and so good to have Mouth and Milly back because

818
00:41:55,520 --> 00:41:58,600
Speaker 5: they're adorable together. I love the moment, by the way,

819
00:41:58,640 --> 00:42:02,360
Speaker 5: when is sort of confiding in Julian about how He's like,

820
00:42:02,400 --> 00:42:06,280
Speaker 5: I don't know, and Julian shows him the picture of

821
00:42:06,640 --> 00:42:08,640
Speaker 5: Millie diving for the bouquet, and he's like, does this

822
00:42:08,680 --> 00:42:10,720
Speaker 5: look like a woman who wants to take things slow?

823
00:42:11,360 --> 00:42:15,400
Speaker 5: But it's at the scene at the table in Skills

824
00:42:15,440 --> 00:42:19,080
Speaker 5: and Mouth's apartment when he asks, when Mouth asks Millie

825
00:42:19,080 --> 00:42:21,640
Speaker 5: to move in, and all of a sudden, they cut

826
00:42:21,680 --> 00:42:24,600
Speaker 5: from this close tight two shot sort of back to

827
00:42:24,719 --> 00:42:27,080
Speaker 5: like a kind of like a bigger, wider shot, almost

828
00:42:27,120 --> 00:42:29,919
Speaker 5: like a master and you see Skills get up from

829
00:42:29,960 --> 00:42:34,839
Speaker 5: behind the couch, doesn't say a word, just reaches between them,

830
00:42:35,200 --> 00:42:38,440
Speaker 5: grabs a fry and then Pat's mouth on the shoulder

831
00:42:38,520 --> 00:42:41,560
Speaker 5: and walks out. But like, do yourself a favor and

832
00:42:41,640 --> 00:42:46,279
Speaker 5: go back and watch the that moment, because the expression

833
00:42:46,560 --> 00:42:49,919
Speaker 5: on Antoine's face is perfect.

834
00:42:50,400 --> 00:42:53,080
Speaker 2: Is it just totally like stoic, just like he's like,

835
00:42:53,600 --> 00:42:54,360
Speaker 2: I'm not here.

836
00:42:54,680 --> 00:42:57,439
Speaker 5: No, no, it's like he's it's sort of like he's

837
00:42:57,480 --> 00:43:01,760
Speaker 5: proud of mouth. And it's also about for in time. Okay,

838
00:43:02,080 --> 00:43:06,480
Speaker 5: it's like this knowing, like at a boy. So the

839
00:43:06,840 --> 00:43:09,920
Speaker 5: fact that they gave him no words is perfect because

840
00:43:09,960 --> 00:43:12,560
Speaker 5: his face says it all. And the choice to steal

841
00:43:12,560 --> 00:43:13,600
Speaker 5: a French fry is great.

842
00:43:14,200 --> 00:43:16,319
Speaker 4: Yeah, I watch it on my phone, so I think

843
00:43:16,360 --> 00:43:18,640
Speaker 4: I was just he was probably a little too small

844
00:43:18,640 --> 00:43:21,040
Speaker 4: for me to notice his facial expression there, So I'll

845
00:43:21,080 --> 00:43:22,160
Speaker 4: have to go back and watch that.

846
00:43:22,160 --> 00:43:22,720
Speaker 2: That's great.

847
00:43:22,920 --> 00:43:27,120
Speaker 4: He always made such interesting choices, Antoine, so fun and.

848
00:43:27,160 --> 00:43:29,000
Speaker 5: Last but not least, so if you broke the fourth

849
00:43:29,000 --> 00:43:31,920
Speaker 5: wall at the end. Have we ever done that intentionally?

850
00:43:34,120 --> 00:43:38,160
Speaker 3: I don't think we had, but it was it was exactly.

851
00:43:41,560 --> 00:43:46,200
Speaker 3: It was something Peter really wanted and so we talked

852
00:43:46,239 --> 00:43:49,840
Speaker 3: a lot about the way that it worked in Ferris Bueller,

853
00:43:50,719 --> 00:43:51,919
Speaker 3: and we just went for it.

854
00:43:51,960 --> 00:43:52,600
Speaker 2: Did they do it.

855
00:43:52,560 --> 00:43:56,319
Speaker 4: In kick Ass as well? Was that kind of the I.

856
00:43:56,280 --> 00:44:00,600
Speaker 3: Don't remember, not to be honest, but I do know

857
00:44:00,640 --> 00:44:03,600
Speaker 3: that we shot that both ways just in case the

858
00:44:03,600 --> 00:44:07,480
Speaker 3: studio didn't like it, So making it in the episode

859
00:44:07,600 --> 00:44:08,560
Speaker 3: was cool for all of us.

860
00:44:08,600 --> 00:44:10,920
Speaker 2: We were like, all right, the vision worked.

861
00:44:11,400 --> 00:44:13,799
Speaker 4: Did you get to keep any of the art of

862
00:44:13,880 --> 00:44:15,480
Speaker 4: you as the Dazzle?

863
00:44:15,920 --> 00:44:16,960
Speaker 2: Yeah, they gave me.

864
00:44:18,560 --> 00:44:21,600
Speaker 3: When we wrapped that season, they gave me like a

865
00:44:21,640 --> 00:44:26,960
Speaker 3: framed storyboard of a couple of those shots that were

866
00:44:27,000 --> 00:44:27,680
Speaker 3: really sweet.

867
00:44:28,239 --> 00:44:32,520
Speaker 4: I'm super into you being a superhero, Like, where do

868
00:44:32,560 --> 00:44:35,480
Speaker 4: we start this campaign? I need as my next Marvel

869
00:44:35,520 --> 00:44:36,680
Speaker 4: superhero tomorrow.

870
00:44:36,920 --> 00:44:39,200
Speaker 2: You'd be great. I'm so into it. All I want

871
00:44:39,239 --> 00:44:40,600
Speaker 2: to do is stunts and run around.

872
00:44:40,640 --> 00:44:43,080
Speaker 5: And I'm sure Hollywood's listening.

873
00:44:43,200 --> 00:44:47,080
Speaker 2: Great Hollywood, if you're listening, Hello, super serious hair.

874
00:44:48,000 --> 00:44:50,040
Speaker 4: You know, this is the mistake that they make in

875
00:44:50,080 --> 00:44:51,960
Speaker 4: a lot of these I mean, Marvel's getting it, but

876
00:44:52,400 --> 00:44:55,640
Speaker 4: there's just such a lack of comedy, in my opinion,

877
00:44:55,640 --> 00:44:58,520
Speaker 4: in some of these superhero movies that I this is

878
00:44:58,520 --> 00:45:00,640
Speaker 4: what I is what you love about Indiana Jones or

879
00:45:00,840 --> 00:45:03,160
Speaker 4: what down he did in Iron Man. You know, it's

880
00:45:03,280 --> 00:45:05,960
Speaker 4: just so brilliant because that's the real life that you

881
00:45:06,040 --> 00:45:07,960
Speaker 4: need to relate if you're going to watch something that

882
00:45:08,080 --> 00:45:10,000
Speaker 4: is super reality.

883
00:45:10,680 --> 00:45:11,359
Speaker 2: To be able to.

884
00:45:11,320 --> 00:45:16,720
Speaker 4: Watch something that has has its roots down dropped into

885
00:45:16,840 --> 00:45:21,960
Speaker 4: real human feelings like this is terrifying making jokes you

886
00:45:22,000 --> 00:45:23,480
Speaker 4: know what we would do if we were in the

887
00:45:23,480 --> 00:45:27,680
Speaker 4: middle of a really scary situation. Especially the female superheroes,

888
00:45:27,680 --> 00:45:30,560
Speaker 4: there's always this sense of like the Laura Croft of

889
00:45:30,600 --> 00:45:33,640
Speaker 4: it all, like I'm so sexy, look at me, instead

890
00:45:33,640 --> 00:45:36,640
Speaker 4: of like, where is the superhero woman who can fall

891
00:45:36,719 --> 00:45:39,000
Speaker 4: like be sexy but also fall on her face and

892
00:45:39,000 --> 00:45:40,560
Speaker 4: be like that definitely was not my plan.

893
00:45:41,840 --> 00:45:44,160
Speaker 2: I want to see about the humor, I know.

894
00:45:44,880 --> 00:45:46,640
Speaker 5: I think that's part of the reason Guardians of the

895
00:45:46,680 --> 00:45:50,839
Speaker 5: Galaxy was so successful. Yes, because like Iron Man worked,

896
00:45:50,840 --> 00:45:52,960
Speaker 5: but that was that was a lot of just Downy

897
00:45:53,000 --> 00:45:55,960
Speaker 5: doing that's him, Yes, that's just him bringing his own thing.

898
00:45:55,960 --> 00:46:01,279
Speaker 5: Whereas Guardians was intentionally funny. There was dialogue that was

899
00:46:01,400 --> 00:46:03,480
Speaker 5: very funny, and then they brought in people who could

900
00:46:03,520 --> 00:46:05,799
Speaker 5: do funny, and I think that's why it worked so

901
00:46:05,840 --> 00:46:08,120
Speaker 5: well because it was sort of a new tone we

902
00:46:08,160 --> 00:46:11,440
Speaker 5: hadn't seen yet. Yeah, in Big tent Pole superhero movies.

903
00:46:12,239 --> 00:46:15,000
Speaker 4: Yeah, I'm dying to watch a woman be a superhero

904
00:46:15,360 --> 00:46:18,080
Speaker 4: like that. I really have not seen it, but I

905
00:46:18,080 --> 00:46:18,680
Speaker 4: would love to.

906
00:46:31,200 --> 00:46:31,319
Speaker 5: Do.

907
00:46:31,360 --> 00:46:33,920
Speaker 4: We want to do an honorable mention. I think so

908
00:46:34,600 --> 00:46:37,520
Speaker 4: a good mind to Michael Mays. I thought Michael was great.

909
00:46:37,840 --> 00:46:40,600
Speaker 4: Sorry to interrupt, Yeah, I just I thought he nailed it,

910
00:46:40,719 --> 00:46:43,920
Speaker 4: every piece of it. He actually seemed to understand a

911
00:46:44,000 --> 00:46:46,239
Speaker 4: level of the depth that they had written for him.

912
00:46:47,239 --> 00:46:49,840
Speaker 4: He wasn't just saying lines. He really like there was

913
00:46:49,880 --> 00:46:53,120
Speaker 4: some stuff underneath his performance that I appreciated for a

914
00:46:53,200 --> 00:46:55,040
Speaker 4: kid that age totally.

915
00:46:55,880 --> 00:46:58,360
Speaker 3: I was going to say, you know, our department and wardrobe,

916
00:46:58,400 --> 00:47:02,280
Speaker 3: because they really without their comic strip in those costumes,

917
00:47:02,840 --> 00:47:07,120
Speaker 3: this might not have been so funny. It might have

918
00:47:07,280 --> 00:47:12,359
Speaker 3: just been really embarrassing. And I thought they really helped us.

919
00:47:13,400 --> 00:47:15,279
Speaker 3: They helped us get over what we were all a

920
00:47:15,320 --> 00:47:17,359
Speaker 3: little anxious about when we read this script and we

921
00:47:17,360 --> 00:47:19,239
Speaker 3: were like, who ate an edible and wrote this?

922
00:47:19,440 --> 00:47:23,680
Speaker 2: Like what is going on? And they helped us pull

923
00:47:23,719 --> 00:47:26,800
Speaker 2: it off. So really, you know, hats off to those teams.

924
00:47:26,920 --> 00:47:29,719
Speaker 5: I'll give my honorable mention to the gentleman who ate

925
00:47:29,760 --> 00:47:36,080
Speaker 5: an edible and wrote this script. They did a fantastic job. Yes,

926
00:47:37,400 --> 00:47:42,879
Speaker 5: all right, listener question, Oh okay, nickname clow motion. If

927
00:47:43,000 --> 00:47:46,120
Speaker 5: someone asked you to describe your character by recommending one

928
00:47:46,280 --> 00:47:49,600
Speaker 5: episode for them to watch, what episode would you recommend?

929
00:47:49,920 --> 00:47:55,200
Speaker 4: Ooh, it might be this one. To be honest, I

930
00:47:55,239 --> 00:47:58,279
Speaker 4: mean you see all sides of Hayley. Yeah, I mean

931
00:47:58,520 --> 00:48:01,160
Speaker 4: sorry if it's crazy, but like, you get to see

932
00:48:01,160 --> 00:48:03,760
Speaker 4: all sides of hers. She's a goof she's a teacher.

933
00:48:04,239 --> 00:48:07,400
Speaker 4: She handles, she takes control, handle situation. She's always kind

934
00:48:07,400 --> 00:48:10,400
Speaker 4: of bouncing around, handling and solving things for people all

935
00:48:10,440 --> 00:48:15,920
Speaker 4: the time. She's a trusted friend. She's a mom, she's

936
00:48:15,960 --> 00:48:19,640
Speaker 4: a wife. She's a goofball. She's also like serious and

937
00:48:19,719 --> 00:48:22,840
Speaker 4: really cares about people. What you see in the crisis Center,

938
00:48:23,200 --> 00:48:25,480
Speaker 4: I think you get to see it like the whole range.

939
00:48:25,560 --> 00:48:27,640
Speaker 4: So sure, eight fourteen.

940
00:48:27,920 --> 00:48:29,840
Speaker 5: Except they're going to watch the second episode and be like,

941
00:48:29,880 --> 00:48:34,160
Speaker 5: where's all the spandex? But no, that's good.

942
00:48:34,200 --> 00:48:35,560
Speaker 4: Just for Haley. I would say this one.

943
00:48:35,640 --> 00:48:37,000
Speaker 5: Yeah, how about Brooke.

944
00:48:40,480 --> 00:48:42,719
Speaker 2: God, I really don't know.

945
00:48:44,400 --> 00:48:47,640
Speaker 3: We're so far in you know, part of me thinks,

946
00:48:48,680 --> 00:48:51,120
Speaker 3: to your point about this episode for Haley, I'm like, wait,

947
00:48:51,120 --> 00:48:54,719
Speaker 3: would the Bachelorette episode be so funny for Brooke, and

948
00:48:54,760 --> 00:48:58,960
Speaker 3: then part of me goes to, you know, the one

949
00:48:59,000 --> 00:49:02,880
Speaker 3: at the end of season six where she finally admits

950
00:49:02,920 --> 00:49:05,160
Speaker 3: to Julian that she loves him, you know, on the

951
00:49:05,160 --> 00:49:09,400
Speaker 3: movie set because she really had to process.

952
00:49:09,000 --> 00:49:12,960
Speaker 2: Some things, and oh, I don't know.

953
00:49:13,000 --> 00:49:15,640
Speaker 3: Then there's some high school stuff. It's like in what

954
00:49:15,880 --> 00:49:17,000
Speaker 3: stage and place?

955
00:49:17,920 --> 00:49:21,359
Speaker 2: You know? That feels tough, But I guess, you.

956
00:49:21,239 --> 00:49:26,440
Speaker 3: Know, to the point of the person asking, yeah, if

957
00:49:26,440 --> 00:49:28,239
Speaker 3: you really wanted to get to know one of us

958
00:49:29,360 --> 00:49:33,319
Speaker 3: in one episode, I guess when we're more adult, it

959
00:49:33,400 --> 00:49:33,960
Speaker 3: makes sense.

960
00:49:34,719 --> 00:49:37,239
Speaker 4: Yeah, what about the one where Victoria you find out

961
00:49:37,320 --> 00:49:42,040
Speaker 4: Victoria is the one that sabotaged the company and she

962
00:49:42,160 --> 00:49:43,080
Speaker 4: comes in and.

963
00:49:43,000 --> 00:49:44,719
Speaker 2: What were you guys fight it was? She had that

964
00:49:44,840 --> 00:49:47,960
Speaker 2: great line, Yeah it's prison mother or something like that

965
00:49:48,040 --> 00:49:50,480
Speaker 2: when we fought in the store. I feel, unless.

966
00:49:50,200 --> 00:49:52,640
Speaker 4: I'm blending episodes together in my mind, I feel like

967
00:49:52,680 --> 00:49:55,000
Speaker 4: that episode was pretty well rounded for Brooke because you

968
00:49:55,080 --> 00:49:58,240
Speaker 4: got to see her relationship with her mom, her company,

969
00:49:58,320 --> 00:50:01,120
Speaker 4: the thing's falling apart, how she's handled it, her integrity,

970
00:50:01,680 --> 00:50:04,400
Speaker 4: the struggle that she's wrestling with between being you know,

971
00:50:04,560 --> 00:50:07,040
Speaker 4: being a good boss and a good person and trying

972
00:50:07,080 --> 00:50:10,680
Speaker 4: to save herself and her work and maintain her relationships,

973
00:50:10,719 --> 00:50:14,040
Speaker 4: and there was a lot to Brook in that episode.

974
00:50:14,280 --> 00:50:16,840
Speaker 5: I also don't think you could go wrong with the

975
00:50:16,880 --> 00:50:21,440
Speaker 5: Bachelorte episode. I agree with you because you see a

976
00:50:21,760 --> 00:50:27,319
Speaker 5: pretty full spectrum of who Brooke is, starting with the silliness,

977
00:50:28,160 --> 00:50:32,960
Speaker 5: ending with the grace towards Sylvia, and that's true. Oh yeah,

978
00:50:33,120 --> 00:50:36,319
Speaker 5: to see a really good thorough picture.

979
00:50:36,000 --> 00:50:39,560
Speaker 4: Of Brook and that yes, oh and her willingness to

980
00:50:39,600 --> 00:50:41,359
Speaker 4: have to admit about Yeah.

981
00:50:41,560 --> 00:50:45,879
Speaker 5: Truth I think is I don't know, high school Brook.

982
00:50:45,920 --> 00:50:47,279
Speaker 5: But I agree with you. I would sort of go

983
00:50:47,360 --> 00:50:50,319
Speaker 5: I would skew adult because that's like who everyone's growing into.

984
00:50:50,360 --> 00:50:52,080
Speaker 5: But yeah, I think that one would do it.

985
00:50:52,640 --> 00:50:53,800
Speaker 2: What do you think for Clay?

986
00:50:54,400 --> 00:50:57,680
Speaker 5: You know, I think the episode where he proposes to

987
00:50:57,800 --> 00:51:01,799
Speaker 5: Quinn with Logan in there with the Green Lantern.

988
00:51:01,520 --> 00:51:04,400
Speaker 2: Ring, Yeah, yeah, because.

989
00:51:04,160 --> 00:51:07,480
Speaker 5: I think you really get a glimpse of Clay's world

990
00:51:07,600 --> 00:51:10,960
Speaker 5: and what's important to him. I think he's also figured himself.

991
00:51:10,520 --> 00:51:12,799
Speaker 2: Out a lot by that and his personality you can

992
00:51:12,840 --> 00:51:14,359
Speaker 2: really see there too. Yeah.

993
00:51:14,440 --> 00:51:17,160
Speaker 5: Yeah, he's really settled in himself. So yeah, I would

994
00:51:17,160 --> 00:51:22,040
Speaker 5: say that episode is a really good snapshot of who

995
00:51:22,080 --> 00:51:22,560
Speaker 5: I think he.

996
00:51:22,640 --> 00:51:27,759
Speaker 2: Is great question close, Yeah, good one. Well it's been

997
00:51:27,760 --> 00:51:29,520
Speaker 2: a real folks, let's do it.

998
00:51:32,320 --> 00:51:35,680
Speaker 5: Most likely to guess age and wait at a fair.

999
00:51:36,000 --> 00:51:40,680
Speaker 4: Oh, most likely.

1000
00:51:40,560 --> 00:51:43,360
Speaker 5: To organize a flash mob.

1001
00:51:44,360 --> 00:51:49,040
Speaker 4: I mean I would totally do that person. I don't

1002
00:51:49,040 --> 00:51:49,719
Speaker 4: think Haley would.

1003
00:51:50,320 --> 00:51:55,640
Speaker 2: No, it's funny. My my initial person reaction was Lisa Goldstein,

1004
00:51:56,120 --> 00:51:57,920
Speaker 2: Oh really really yeah.

1005
00:51:57,960 --> 00:52:00,239
Speaker 3: Well, because she's such a good dancer, and you know

1006
00:52:00,320 --> 00:52:02,600
Speaker 3: she was a Disney princess for so long. Oh yeah,

1007
00:52:02,640 --> 00:52:05,960
Speaker 3: she's used to the parades, and he's in a flashmob

1008
00:52:06,160 --> 00:52:08,000
Speaker 3: kind of a choreographed parade.

1009
00:52:08,080 --> 00:52:10,440
Speaker 2: It is. That's where my head went immediately.

1010
00:52:10,960 --> 00:52:13,839
Speaker 4: I feel like you would probably not volunteer for that job,

1011
00:52:13,880 --> 00:52:15,680
Speaker 4: but you also would be really good at it though,

1012
00:52:15,719 --> 00:52:19,560
Speaker 4: So because you are, I think you'd be a good coordinator.

1013
00:52:19,880 --> 00:52:22,279
Speaker 4: So if somebody gave you that job at like for

1014
00:52:22,320 --> 00:52:23,759
Speaker 4: their wedding, Like one of your friends was like, I

1015
00:52:23,800 --> 00:52:25,520
Speaker 4: need you to organize a flash mob for my wedding,

1016
00:52:25,560 --> 00:52:26,799
Speaker 4: I think you'd be all over it.

1017
00:52:26,880 --> 00:52:29,080
Speaker 3: I would be so stressed, but I would not let

1018
00:52:29,120 --> 00:52:32,520
Speaker 3: him down. I'd be like, God, I hate that.

1019
00:52:32,560 --> 00:52:34,840
Speaker 2: It's me. I have to find a choreographer now.

1020
00:52:37,160 --> 00:52:38,960
Speaker 4: If I ever get married. Again, I'm putting you on

1021
00:52:39,000 --> 00:52:40,879
Speaker 4: the project. I agree, just for fun.

1022
00:52:41,280 --> 00:52:43,640
Speaker 5: She was out of her comfort zone doing that, though,

1023
00:52:43,640 --> 00:52:45,760
Speaker 5: And let's be honest, we saw the way she danced.

1024
00:52:45,800 --> 00:52:49,319
Speaker 5: I don't think showing anyone how to dance, so no,

1025
00:52:49,360 --> 00:52:50,200
Speaker 5: I don't think it would be that.

1026
00:52:50,280 --> 00:52:50,719
Speaker 2: It's fair.

1027
00:52:50,760 --> 00:52:54,920
Speaker 3: That's fair after seeing how seriously he took his ushering

1028
00:52:55,040 --> 00:52:57,640
Speaker 3: job at Brooke and Julian's wedding, I would say, skills,

1029
00:52:58,520 --> 00:52:59,960
Speaker 3: you wouldn't expect.

1030
00:52:59,480 --> 00:53:02,000
Speaker 2: It, but I think he would crush it, Skills and

1031
00:53:02,080 --> 00:53:05,520
Speaker 2: Jamie if you sent them out to make that happenable. Yeah,

1032
00:53:05,520 --> 00:53:06,560
Speaker 2: where's that episode?

1033
00:53:06,640 --> 00:53:11,640
Speaker 5: I could also see Mouth organizing something like that for Millie.

1034
00:53:12,640 --> 00:53:15,120
Speaker 5: He just seems he just because he's just so sweet.

1035
00:53:15,160 --> 00:53:17,200
Speaker 5: I could just see if that was something she liked, because,

1036
00:53:17,200 --> 00:53:19,800
Speaker 5: like we obviously know, ballerinas are a thing for her.

1037
00:53:20,360 --> 00:53:22,279
Speaker 5: I could see him going out of his comfort zone

1038
00:53:22,320 --> 00:53:22,480
Speaker 5: for that.

1039
00:53:23,760 --> 00:53:28,240
Speaker 2: Yeah. Well, we've solved it, folks, We've done it. Everyone.

1040
00:53:28,960 --> 00:53:35,000
Speaker 5: Next episode is season eight, episode fifteen, Valentine's Day is over.

1041
00:53:35,520 --> 00:53:37,799
Speaker 3: See that makes it sound like everyone's fun is also

1042
00:53:37,880 --> 00:53:39,920
Speaker 3: coming to annou No?

1043
00:53:40,480 --> 00:53:42,160
Speaker 2: Oh, no, is it? Do we know?

1044
00:53:42,680 --> 00:53:45,000
Speaker 5: I don't know what happened to you to find out.

1045
00:53:46,000 --> 00:53:52,040
Speaker 4: Yes, I'm gonna have to. Thanks for joining us week Hey,

1046
00:53:52,080 --> 00:53:52,960
Speaker 4: thanks for listening.

1047
00:53:53,040 --> 00:53:55,280
Speaker 3: Don't forget to leave us a review. You can also

1048
00:53:55,360 --> 00:53:58,440
Speaker 3: follow us on Instagram at Drama Queen's ot.

1049
00:53:59,000 --> 00:54:03,160
Speaker 2: Or email us at Drama Queens at iHeartRadio dot com.

1050
00:54:03,400 --> 00:54:07,040
Speaker 4: See you next time we all about that.

1051
00:54:07,080 --> 00:54:09,960
Speaker 1: High school drama Girl Drama Girl, all about them high

1052
00:54:10,000 --> 00:54:11,560
Speaker 1: school queens.

1053
00:54:11,600 --> 00:54:13,759
Speaker 2: We'll take you for a ride. And our comic girl

1054
00:54:14,560 --> 00:54:15,760
Speaker 2: cheering for the right teams.

1055
00:54:15,840 --> 00:54:19,640
Speaker 4: Drama Queenslise my girl, rough girl fashion with your tough

1056
00:54:19,680 --> 00:54:23,000
Speaker 1: Girl, you could sit with us Girl Drama Queens, Drama Queise, Drama,

1057
00:54:23,080 --> 00:54:26,719
Speaker 1: Queens Drama Drama Queens Drama Queens