WEBVTT - Jimmy Kimmel Talks ABC Suspension and State of Late-Night TV

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<v Speaker 1>Bloomberg Audio Studios, podcasts, radio News.

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<v Speaker 2>Thanks for being here.

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<v Speaker 1>I know it's been a weird few weeks, has it. Yeah,

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<v Speaker 1>I can sell. I want to start at the beginning,

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<v Speaker 1>if we can.

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<v Speaker 2>When I was born. Yes, it was in a manger.

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<v Speaker 3>Well, so since you brought it up, we're going to

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<v Speaker 3>talk about everything that happened. Have you listened to this

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<v Speaker 3>AI podcast about your life?

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<v Speaker 2>No? I found it doing some research.

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<v Speaker 3>They have an AI voice that just narrates that The

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<v Speaker 3>first episode is your life until you get hired on ABC,

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<v Speaker 3>The second episode is your career at ABC until recently,

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<v Speaker 3>and the third episode is very recent.

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<v Speaker 2>We can fact check it.

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<v Speaker 3>Does it have the details of my divorce? No, but

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<v Speaker 3>it does have a line. The Kimmels weren't wealthy, but

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<v Speaker 3>they weren't struggling either. They were in that sweet spot

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<v Speaker 3>of American middle class life where dreams seemed achievable and

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<v Speaker 3>laughter came easily around the dinner table.

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<v Speaker 2>It's pretty spot on. This AI is terrified. How long

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<v Speaker 2>after the.

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<v Speaker 3>Initial episode where you made the comments about the assassination

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<v Speaker 3>of Charlie Kirk the Monday episode? Yeah, did you realize

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<v Speaker 3>there was a problem.

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<v Speaker 2>I didn't think there was a big problem.

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<v Speaker 1>I you know, I just saw it as distortion on

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<v Speaker 1>the part of some of the right wing media networks,

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<v Speaker 1>and I was I aimed to correct it. I have

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<v Speaker 1>problems like all the time, and it's kind of funny

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<v Speaker 1>because sometimes you think, oh, this is not a problem,

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<v Speaker 1>and then it turns into a big problem.

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<v Speaker 2>And then sometimes it goes the other.

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<v Speaker 1>Way where you think like, oh, oh, this is gonna

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<v Speaker 1>be a problem nobody really notices. And so at what

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<v Speaker 1>point did you realize this was a problem. I think

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<v Speaker 1>when they pulled the show off the air, Well, that's unusual.

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<v Speaker 3>Yeah, And what were the conversations that Data and Bob

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<v Speaker 3>that led to that.

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<v Speaker 1>I hate to disappoint you, but they were really good conversations.

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<v Speaker 1>I'm not actinking, I mean really really good conversations.

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<v Speaker 2>They are.

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<v Speaker 1>These are people that I've known for a long time

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<v Speaker 1>and who I like very much, and who were you know,

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<v Speaker 1>who wanted we all wanted this to work out best.

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<v Speaker 1>And I will tell you like, I mean, first of all,

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<v Speaker 1>I ruined Dana's weekend. It was just NonStop phone calls

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<v Speaker 1>all weekend. But I don't think what I don't think

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<v Speaker 1>the result, which I think turned out to be very positive.

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<v Speaker 1>Would have been as positive if I hadn't talked to

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<v Speaker 1>Dana as much as I did, because it helped me

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<v Speaker 1>think everything through and it helped me just kind of

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<v Speaker 1>understand where everyone was coming from. I can sometimes be reactionary,

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<v Speaker 1>I can sometimes be aggressive, and I can sometimes be unpleasant,

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<v Speaker 1>and I think that.

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<v Speaker 2>It helped me.

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<v Speaker 1>Really having those days to think about it was helpful.

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<v Speaker 3>I have a dumb question about this as someone who

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<v Speaker 3>is kind of reporting on it in real time, trying

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<v Speaker 3>to figure out what's happening. So the show goes up there,

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<v Speaker 3>you have all these conversations, and when you made it

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<v Speaker 3>or when you all made a decision put the show

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<v Speaker 3>back on the air, as my understanding of the time was,

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<v Speaker 3>it still wasn't exactly clear what you were going to say.

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<v Speaker 3>They still hadn't resolved the issues at the affiliates. So

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<v Speaker 3>what are the what do you resolve in those conversations

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<v Speaker 3>to know you're going back if you haven't figured out

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<v Speaker 3>a lot of the things that come out of it.

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<v Speaker 1>I think just the spirit of what I'm going to

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<v Speaker 1>say rather than specifically what I was going to say,

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<v Speaker 1>And I think that's something that we all agreed on

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<v Speaker 1>and I think that ultimately, I wanted to kind of

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<v Speaker 1>cover every base if I could, and sometimes you can

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<v Speaker 1>do that and sometimes you can't do that. And it

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<v Speaker 1>was something really that had to come from inside me.

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<v Speaker 1>It had to be truthful, and I had to lay

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<v Speaker 1>it all out there and just be honest about what

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<v Speaker 1>I was feeling and what I'd experienced. And I think

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<v Speaker 1>I did, and I think that it probably went about

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<v Speaker 1>as well as it could go. I knew that it

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<v Speaker 1>wasn't going to be perfect, and there were always going

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<v Speaker 1>to be people that didn't like it and didn't accept it.

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<v Speaker 1>But the important thing to me was that I was

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<v Speaker 1>able to explain what I was saying, what I was

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<v Speaker 1>trying to say.

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<v Speaker 3>If you felt like your initial comments had been mischaracterized,

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<v Speaker 3>I didn't feel like it anywhere It was intentionally and

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<v Speaker 3>I think maliciously mischaracterized.

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<v Speaker 2>Yeah did you?

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<v Speaker 3>I mean, do you feel like you have become more

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<v Speaker 3>political in your commentary on the show over the course

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<v Speaker 3>of hosting it.

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<v Speaker 2>What do you think? I think?

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<v Speaker 3>I think if you talked to me when my first

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<v Speaker 3>interaction with Timmy Kimmel was the man yeah, yeah, yeah,

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<v Speaker 3>which is you and Corolla at this point, as best

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<v Speaker 3>I can tell around and complete opposite ends of the

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<v Speaker 3>political spectrum, but still friends.

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<v Speaker 2>Yeah.

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<v Speaker 3>Yeah, and it's you know, it feels like you became

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<v Speaker 3>far more comfortable and insistent on talking not just about politics,

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<v Speaker 3>but about personal things. Maybe because you got older, maybe

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<v Speaker 3>because you've got more comfortable in the role, Maybe because

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<v Speaker 3>the world around has changed.

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<v Speaker 1>All of those things. Yeah, all of those things, for sure.

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<v Speaker 1>I think maturity is part of it. I think you

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<v Speaker 1>figure out who you are. I think that when I

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<v Speaker 1>started the show, I was mostly my homepage was ESPN

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<v Speaker 1>dot com. It's kind of all I really cared about

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<v Speaker 1>was We've been a radio sports guy. I've been a

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<v Speaker 1>sports guy. I did football picks on Fox NFL Sunday

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<v Speaker 1>for years.

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<v Speaker 2>In radio, Yeah, I was on k Rock with Kevin

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<v Speaker 2>and Bean.

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<v Speaker 1>I was mostly interested in sports, and I was interested

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<v Speaker 1>in politics. I've always been a you know, even as

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<v Speaker 1>a kid. My parents are very liberal. I've been a

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<v Speaker 1>Democrat since I was a little boy. I think the

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<v Speaker 1>first like political cartoon I ever drew was of Jimmy

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<v Speaker 1>Carter and John Anderson. You know, It's like I was

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<v Speaker 1>like twelve or something, and I've always been interested in politics,

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<v Speaker 1>but I was never a particularly political person. I also

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<v Speaker 1>think maybe maybe he did, but maybe he didn't have

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<v Speaker 1>to be back then, you know. I mean, I think

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<v Speaker 1>this is a very different situation.

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<v Speaker 2>That we're in now.

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<v Speaker 1>And also my job, as I see it, is to

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<v Speaker 1>talk about the news of the day, and these are

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<v Speaker 1>the big stories of the day pretty much every day.

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<v Speaker 1>And how much of that, Like, can you see a

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<v Speaker 1>difference because we're in Trump too?

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<v Speaker 2>Do you feel like it was.

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<v Speaker 3>The need to talk about politics is greater when he

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<v Speaker 3>has been president as opposed to when other people, like,

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<v Speaker 3>cause you started when Bush was president, then you had Obama, Trump,

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<v Speaker 3>Biden Trump. It does feel I think they've got more

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<v Speaker 3>political over time. But do you think it is also

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<v Speaker 3>sort of a I don't want to use the word quirk,

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<v Speaker 3>but a facet of Trump and his relationship at the media.

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<v Speaker 1>Yeah, I mean, he's on TV all day every day,

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<v Speaker 1>so he gives us a lot to use to deal with.

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<v Speaker 1>You know, that's unusual. That's not how it used to be.

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<v Speaker 1>You occasionally get a video of George Bush, like walking

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<v Speaker 1>the wrong way on stage, and then you'd make a

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<v Speaker 1>week out of it, you know, or or somebody trips.

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<v Speaker 2>Or something like that.

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<v Speaker 1>But now it's just you hear him, you see him,

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<v Speaker 1>you He's just presented himself so frequently at it makes it.

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<v Speaker 2>It's just more digestible, and.

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<v Speaker 1>It's more digestible and less digestible at the same time. Right,

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<v Speaker 1>do you feel like you interact with a lot of comedians.

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<v Speaker 2>Do you think there's there's some.

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<v Speaker 3>Writers and comedians I've spoken with who feel like comedy

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<v Speaker 3>has actually been harder with him as president. What you

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<v Speaker 3>just said is, in a way, it's in some there's

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<v Speaker 3>more material to work with. What would you say his

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<v Speaker 3>impact on comedy has been.

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<v Speaker 1>Well, is there more I don't know if there's more material,

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<v Speaker 1>it's just more focused in one area. I'm not a

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<v Speaker 1>stand up comic. I know, for stand up comics, you know,

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<v Speaker 1>they work out their material and they do mostly that

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<v Speaker 1>material every night. So politics change so quickly, it doesn't

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<v Speaker 1>necessarily lend itself to that job. For me, I've always

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<v Speaker 1>been more interested in doing new jokes every When I

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<v Speaker 1>started on the radio every day and doing new jokes

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<v Speaker 1>every night. I don't love the idea of repeating myself.

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<v Speaker 1>It feels more like acting to me than broadcasting. And

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<v Speaker 1>I think essentially I'm a broadcaster and I'm more interested

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<v Speaker 1>in that, so I can't speak to whether it's made

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<v Speaker 1>their job more difficult. I know a lot of them

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<v Speaker 1>just try to stay away from it. And I get it,

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<v Speaker 1>you know, it's I get it. You're walking into a

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<v Speaker 1>town and you don't know who's in the room, and

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<v Speaker 1>you just want to make people laugh, and they're not

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<v Speaker 1>necessarily on a crusade, And I get it. And I

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<v Speaker 1>don't think any of those guys should be required to

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<v Speaker 1>speak the way I do, or the way Stephen Colbert

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<v Speaker 1>does or John Stewart does. And I think that applies

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<v Speaker 1>to people on television too.

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<v Speaker 2>They don't.

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<v Speaker 1>You don't have to do this, I choose to do it.

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<v Speaker 1>Since you came back, have you asked Trumper Car to

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<v Speaker 1>come on?

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<v Speaker 2>No, I haven't.

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<v Speaker 1>I wouldn't necessarily be interested in Brendan Carr on the show,

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<v Speaker 1>but yeah, I'd love to have Trump on the show

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<v Speaker 1>for sure.

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<v Speaker 2>Yeah. I mean, I feel like he knows that he wants.

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<v Speaker 1>I don't know, all right, I'll ask him.

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<v Speaker 2>I'm curious about it.

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<v Speaker 3>You had avise I'm sorry on this week and you

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<v Speaker 3>asked you pressed him a lot on the Rio Comedy

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<v Speaker 3>Festival that a bunch of Commis went and did do

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<v Speaker 3>you ask someone who interviews for a living. Did you

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<v Speaker 3>give him a heads up you were going to ask

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<v Speaker 3>him about that?

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<v Speaker 2>Yes? I mean, you know how talk shows are.

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<v Speaker 1>We basically understand there's an understanding of what you're going

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<v Speaker 1>to talk about. Sometimes it veers off into various directions,

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<v Speaker 1>but you always they always know basically what the topics

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<v Speaker 1>are going to.

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<v Speaker 2>Be and why.

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<v Speaker 3>I guess did you feel as important to ask him

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<v Speaker 3>about that because you had a point of view on

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<v Speaker 3>comedians going to that festival.

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<v Speaker 2>It seemed like you were against it.

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<v Speaker 1>I wouldn't have gone, but I wanted to hear his reasons,

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<v Speaker 1>and I thought he had some compelling reasons. And it's

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<v Speaker 1>nothing's black and white. It's not something I would do.

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<v Speaker 1>But I do understand the idea that if we close

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<v Speaker 1>ourselves off to the world or we isolate somebody, that

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<v Speaker 1>maybe it's not good. I don't know that my my

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<v Speaker 1>reasoning is the correct reasoning. I also, well, you know,

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<v Speaker 1>we see it, and we see it happening in this

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<v Speaker 1>country too.

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<v Speaker 2>I mean, we travel abroad.

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<v Speaker 1>Many of us don't want to be held accountable for

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<v Speaker 1>what our president does and says.

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<v Speaker 2>As an American you know, going someplace.

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<v Speaker 1>I'm fortunate enough to be well known and people know

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<v Speaker 1>where I'm coming from. But I think it would be

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<v Speaker 1>a different situation if people didn't know who I was.

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<v Speaker 1>And I think I'd probably be the first thing i'd

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<v Speaker 1>say as I got into every cab is I didn't

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<v Speaker 1>vote for him?

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<v Speaker 2>Just FYI? You know? So I do think.

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<v Speaker 1>That there's you know that kind of makes me understand,

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<v Speaker 1>right that position?

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<v Speaker 2>Better? Have you done a paid gig for a desk?

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<v Speaker 2>It is that? Let me think Bill Gates once.

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<v Speaker 3>Yeah, that's two Bill Gates references.

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<v Speaker 1>And okay, and I would kill him in tennis. No, No,

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<v Speaker 1>I would not kill him in tennis. He would kill

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<v Speaker 1>me in tennis.

0:11:54.200 --> 0:11:56.840
<v Speaker 3>But you have But because you've interviewed so many, do you,

0:11:57.000 --> 0:11:58.680
<v Speaker 3>is there like a dream guest you've never had that

0:11:58.760 --> 0:11:59.839
<v Speaker 3>you still really want to have.

0:12:00.120 --> 0:12:03.600
<v Speaker 1>Yes, I would love to have Banksy on the show. Yeah,

0:12:03.960 --> 0:12:04.679
<v Speaker 1>that's my dream.

0:12:04.760 --> 0:12:07.240
<v Speaker 2>Guess. Okay, some people have Daft Punk, you have Banksy.

0:12:07.440 --> 0:12:11.439
<v Speaker 3>Yeah, you brought up you brought up Colbert earlier.

0:12:11.440 --> 0:12:14.320
<v Speaker 1>You've spoken out a little bit. I think learned about

0:12:14.320 --> 0:12:14.800
<v Speaker 1>the coverage.

0:12:14.840 --> 0:12:19.160
<v Speaker 3>You feel like CBS or someone is putting numbers out

0:12:19.200 --> 0:12:21.360
<v Speaker 3>there about how much money easily thing and you think

0:12:21.360 --> 0:12:22.800
<v Speaker 3>that can't be possible.

0:12:22.840 --> 0:12:23.880
<v Speaker 2>Why is that it?

0:12:24.080 --> 0:12:27.040
<v Speaker 1>Because it just doesn't make any I know what the

0:12:27.080 --> 0:12:28.439
<v Speaker 1>budgets for these shows are.

0:12:28.640 --> 0:12:29.440
<v Speaker 2>I know what I make.

0:12:29.520 --> 0:12:31.800
<v Speaker 1>I know what Steven makes, I know what the ad

0:12:31.880 --> 0:12:32.880
<v Speaker 1>sales people make.

0:12:33.240 --> 0:12:35.720
<v Speaker 2>I know that there are.

0:12:35.760 --> 0:12:40.480
<v Speaker 1>Values that nobody bothers to consider, like the affiliate fees

0:12:40.559 --> 0:12:42.720
<v Speaker 1>that have to be you have to account for a

0:12:42.760 --> 0:12:45.320
<v Speaker 1>portion of that when you talk about an hour of

0:12:45.360 --> 0:12:48.240
<v Speaker 1>television every night, five nights a week. So I know

0:12:48.320 --> 0:12:51.280
<v Speaker 1>that it's it's not forty million dollars. It is the

0:12:51.280 --> 0:12:55.000
<v Speaker 1>show losing money that I don't know. I can't imagine

0:12:55.040 --> 0:12:57.199
<v Speaker 1>it's losing a lot of money if it is, So what.

0:12:57.320 --> 0:13:00.440
<v Speaker 2>Is the ballpark? The budget for these shows these days?

0:13:02.120 --> 0:13:04.040
<v Speaker 2>One hundred and twenty million dollars.

0:13:04.480 --> 0:13:06.560
<v Speaker 1>And so I may make about that much, a little more,

0:13:06.600 --> 0:13:08.800
<v Speaker 1>a little less. Yeah, I mean, you never really know,

0:13:08.920 --> 0:13:09.719
<v Speaker 1>you know, because how much?

0:13:09.800 --> 0:13:10.160
<v Speaker 2>How much?

0:13:10.440 --> 0:13:12.559
<v Speaker 3>How much do you attribute the affiliate fee to your

0:13:12.640 --> 0:13:14.240
<v Speaker 3>show versus every other?

0:13:14.320 --> 0:13:15.480
<v Speaker 2>Well, I don't know what.

0:13:15.360 --> 0:13:20.400
<v Speaker 1>The specific affiliate fees. Each market has a different amount

0:13:20.400 --> 0:13:23.160
<v Speaker 1>that they pay. But I also know this, I know

0:13:23.280 --> 0:13:25.920
<v Speaker 1>that if we're losing so much money, none of us

0:13:25.920 --> 0:13:26.440
<v Speaker 1>would be on.

0:13:26.840 --> 0:13:29.199
<v Speaker 2>That's kind of all you need to know. I mean,

0:13:29.640 --> 0:13:30.199
<v Speaker 2>he's not on.

0:13:30.280 --> 0:13:34.920
<v Speaker 1>This is not PBS, you know, so yeah, well, yeah

0:13:35.200 --> 0:13:39.200
<v Speaker 1>he is not on. But if they lost forty million

0:13:39.240 --> 0:13:41.400
<v Speaker 1>dollars last year, they would have canceled it already. Yeah,

0:13:41.440 --> 0:13:44.640
<v Speaker 1>they would. They were sent everyone home. Okay, so you

0:13:44.679 --> 0:13:47.280
<v Speaker 1>set me up for that one. Your contract is up next,

0:13:47.320 --> 0:13:48.160
<v Speaker 1>may I believe?

0:13:48.360 --> 0:13:51.560
<v Speaker 2>Yeah? Are you going to stick around past that? Well?

0:13:51.600 --> 0:13:52.480
<v Speaker 2>You know, it's funny.

0:13:52.600 --> 0:13:56.880
<v Speaker 1>I often answer that question and then I do the

0:13:56.880 --> 0:13:58.360
<v Speaker 1>opposite of what I said.

0:13:58.600 --> 0:14:00.920
<v Speaker 2>Previously said this is going to be my last one.

0:14:01.040 --> 0:14:03.199
<v Speaker 1>A few last three contracts, I said this is the

0:14:03.280 --> 0:14:04.559
<v Speaker 1>last one.

0:14:04.679 --> 0:14:08.240
<v Speaker 2>So I've learned not to say anything anymore.

0:14:07.840 --> 0:14:12.000
<v Speaker 1>Because it upsets my staff, and it's best that I

0:14:12.240 --> 0:14:15.240
<v Speaker 1>just you know, when I make a decision, I will

0:14:15.360 --> 0:14:18.280
<v Speaker 1>make that decision. Okay, since we're not going to get

0:14:18.280 --> 0:14:20.160
<v Speaker 1>into the decision. Have you made a decision and you're

0:14:20.200 --> 0:14:21.760
<v Speaker 1>just not ready to talk about it, or you haven't

0:14:21.760 --> 0:14:24.840
<v Speaker 1>made a decision, Well, that would kind of say that

0:14:24.920 --> 0:14:27.960
<v Speaker 1>I'd made a decision, right, So I think I'd just rather.

0:14:29.480 --> 0:14:35.000
<v Speaker 2>Rather not talk about it. Let's imagine a world. I'll

0:14:35.000 --> 0:14:38.120
<v Speaker 2>tell you when I decide. Okay, all right, I appreciate it.

0:14:38.440 --> 0:14:40.760
<v Speaker 3>Let's imagine a world after the show, because there will

0:14:40.800 --> 0:14:42.600
<v Speaker 3>be a moment after the show. Now, I don't know

0:14:42.680 --> 0:14:45.000
<v Speaker 3>when you don't know, you don't think. I can't imagine

0:14:45.000 --> 0:14:46.640
<v Speaker 3>that the world is going to go on without me?

0:14:46.720 --> 0:14:47.400
<v Speaker 2>But go ahead.

0:14:49.400 --> 0:14:51.480
<v Speaker 3>Have you given any thought to what you'd want to

0:14:51.520 --> 0:14:53.640
<v Speaker 3>do after it? Your friends at Ted Sarandaz, you could

0:14:53.680 --> 0:14:55.680
<v Speaker 3>go on Netflix, your friends with Bill Simmons, you could

0:14:55.680 --> 0:14:56.800
<v Speaker 3>do a podcast, not trade one.

0:14:56.760 --> 0:14:59.200
<v Speaker 2>I mean besides playing Bogle on Netflix. I find Bogle

0:14:59.240 --> 0:15:02.200
<v Speaker 2>on Netflix. Yeah, I've given a thought, you know.

0:15:02.280 --> 0:15:06.080
<v Speaker 1>I because I thought I really was going to leave,

0:15:06.200 --> 0:15:08.440
<v Speaker 1>like nine years ago, or whenever I said.

0:15:08.280 --> 0:15:09.000
<v Speaker 2>I was going to leave.

0:15:09.200 --> 0:15:12.240
<v Speaker 1>I started a production company, and I'm interested in a

0:15:12.280 --> 0:15:13.000
<v Speaker 1>lot of things.

0:15:13.040 --> 0:15:15.280
<v Speaker 2>You know, I have a lot of ideas.

0:15:15.560 --> 0:15:18.640
<v Speaker 1>Most of them are not good ideas, but some of

0:15:18.680 --> 0:15:20.760
<v Speaker 1>them I think are really good ideas, and they're not

0:15:20.840 --> 0:15:24.960
<v Speaker 1>just television related. I have a lot of different projects

0:15:25.000 --> 0:15:28.040
<v Speaker 1>that I'm interested in. I'm just like, I just what's

0:15:28.440 --> 0:15:32.720
<v Speaker 1>when you're really well, I'm working on a show with

0:15:32.760 --> 0:15:36.520
<v Speaker 1>Mark Rober on Netflix, and I'm working Tube for those

0:15:36.560 --> 0:15:39.520
<v Speaker 1>who don't Yeah, Mark rovers the YouTuber your kids know

0:15:39.560 --> 0:15:40.000
<v Speaker 1>who he is.

0:15:40.080 --> 0:15:42.960
<v Speaker 2>If you don't know who he is. I've got a.

0:15:43.800 --> 0:15:47.360
<v Speaker 1>Sitcom with a guy named Chris Destefano's a very funny comic.

0:15:48.160 --> 0:15:53.400
<v Speaker 1>I've got some really some other projects that are not

0:15:54.400 --> 0:15:57.920
<v Speaker 1>television related that I can't necessarily talk about yet, but

0:15:57.920 --> 0:16:00.280
<v Speaker 1>I think are going to be really a lot of

0:16:00.320 --> 0:16:02.000
<v Speaker 1>fun and hopefully successful.

0:16:02.200 --> 0:16:07.000
<v Speaker 2>You mentioned talking about it being the end. I was curious.

0:16:07.040 --> 0:16:07.880
<v Speaker 2>I didn't ask you earlier.

0:16:07.960 --> 0:16:09.960
<v Speaker 3>Was there ever a moment in that kind of the

0:16:10.160 --> 0:16:12.000
<v Speaker 3>week or two of chaos where you thought your show

0:16:12.040 --> 0:16:12.800
<v Speaker 3>was never going to go back?

0:16:12.800 --> 0:16:13.040
<v Speaker 2>Oh?

0:16:13.120 --> 0:16:16.080
<v Speaker 1>Yeah, yeah right, I did because and I'll tell you why.

0:16:17.240 --> 0:16:21.640
<v Speaker 1>Because you know, I'm a troublemaker just by nature. And

0:16:22.120 --> 0:16:27.880
<v Speaker 1>I my first year, the Lakers beat the Pistons in

0:16:27.920 --> 0:16:32.560
<v Speaker 1>the NBA playoffs and I said something to the effect of, well,

0:16:32.640 --> 0:16:35.360
<v Speaker 1>I hope they don't burn Detroit down.

0:16:35.640 --> 0:16:37.800
<v Speaker 2>And everyone in Detroit was very unhappy.

0:16:37.840 --> 0:16:40.080
<v Speaker 3>This was the four Finals that the Lakers ended up losing,

0:16:40.120 --> 0:16:41.880
<v Speaker 3>but they want a game maybe in Detroit.

0:16:42.160 --> 0:16:44.360
<v Speaker 1>Yeah it was a game, all right, right, No, you're right,

0:16:46.280 --> 0:16:49.640
<v Speaker 1>but I said that, and people were mad and they

0:16:49.640 --> 0:16:52.680
<v Speaker 1>pulled me off the air in Detroit, and a guy

0:16:52.680 --> 0:16:55.880
<v Speaker 1>who's really been like. My mentor at ABC, Alex Wallow,

0:16:56.000 --> 0:16:58.400
<v Speaker 1>said to me, he said, you know, if we don't

0:16:58.440 --> 0:17:01.280
<v Speaker 1>have Detroit, you you're done the show.

0:17:01.440 --> 0:17:02.280
<v Speaker 2>The show's over.

0:17:02.920 --> 0:17:05.399
<v Speaker 1>And I said really, and he said, yeah, you can't

0:17:05.800 --> 0:17:09.720
<v Speaker 1>go forward without a major market like that, which was

0:17:09.760 --> 0:17:12.800
<v Speaker 1>news to me. So I went to Detroit and did

0:17:12.840 --> 0:17:14.680
<v Speaker 1>the show for a week there and kissed as much

0:17:14.720 --> 0:17:18.399
<v Speaker 1>ass as I possibly could. But the idea that I

0:17:18.440 --> 0:17:23.240
<v Speaker 1>would not have whatever was forty affiliates, I mean, knowing

0:17:23.280 --> 0:17:27.800
<v Speaker 1>that Trunker, I was like, well, that's it, because there

0:17:27.960 --> 0:17:30.760
<v Speaker 1>seemed to be a list of demands presented to me

0:17:30.840 --> 0:17:32.399
<v Speaker 1>that and I was not going to go along with

0:17:32.480 --> 0:17:35.240
<v Speaker 1>any of them. And I was like, well, I guess

0:17:35.280 --> 0:17:36.080
<v Speaker 1>I guess we're done.

0:17:36.080 --> 0:17:37.960
<v Speaker 2>I said to my wife, that's it. It's over.

0:17:38.520 --> 0:17:41.920
<v Speaker 3>Did you see that thing about the number of people

0:17:41.920 --> 0:17:43.280
<v Speaker 3>who canceled Disney Plus?

0:17:43.480 --> 0:17:46.320
<v Speaker 2>Because I did. Yeah, you think that's real? I hope. So,

0:17:46.560 --> 0:17:47.040
<v Speaker 2>I don't know.

0:17:48.720 --> 0:17:50.679
<v Speaker 1>I mean it gave me a feeling of power that

0:17:50.720 --> 0:17:51.880
<v Speaker 1>I've never had before.

0:17:53.920 --> 0:17:55.960
<v Speaker 3>You brought up YouTube, which I think a lot of

0:17:55.960 --> 0:17:58.320
<v Speaker 3>people would say has been sort of one of the

0:17:58.359 --> 0:18:01.320
<v Speaker 3>primary sources of the down fall of Late Night.

0:18:01.320 --> 0:18:02.440
<v Speaker 2>Our last little.

0:18:02.200 --> 0:18:07.000
<v Speaker 3>Bit, how have you changed your show to kind of

0:18:07.080 --> 0:18:09.120
<v Speaker 3>appeal to people on YouTube, and why do you think

0:18:09.160 --> 0:18:10.400
<v Speaker 3>you can't make more money there.

0:18:10.800 --> 0:18:15.400
<v Speaker 1>I never have changed my show to make it for YouTube.

0:18:16.480 --> 0:18:20.280
<v Speaker 1>I'm very conscious of the fact that ABC pays for

0:18:20.359 --> 0:18:24.400
<v Speaker 1>the show and YouTube pays nothing, and YouTube gets to

0:18:24.440 --> 0:18:28.240
<v Speaker 1>sell it and keep half the money. And that's quite

0:18:28.280 --> 0:18:31.920
<v Speaker 1>a deal for them, it really is. But I've never

0:18:31.960 --> 0:18:35.400
<v Speaker 1>made the show for YouTube. With that said, I love

0:18:35.440 --> 0:18:37.919
<v Speaker 1>YouTube and I love being on YouTube because all you

0:18:38.080 --> 0:18:41.600
<v Speaker 1>really want, deep down is for as many people to

0:18:41.640 --> 0:18:45.119
<v Speaker 1>see your stuff as you can. And I know that

0:18:45.160 --> 0:18:47.080
<v Speaker 1>it has hurt because it is so easy to watch

0:18:47.119 --> 0:18:48.280
<v Speaker 1>the monologue on YouTube.

0:18:48.320 --> 0:18:48.520
<v Speaker 2>Now.

0:18:48.760 --> 0:18:50.800
<v Speaker 1>I know that it has hurt the ratings not just

0:18:50.840 --> 0:18:53.680
<v Speaker 1>for our show but all of the shows. And maybe

0:18:53.720 --> 0:18:56.680
<v Speaker 1>that's kind of what has killed late night TV. More

0:18:56.840 --> 0:18:59.320
<v Speaker 1>likely the fact that we have our lead ins are

0:18:59.440 --> 0:19:01.560
<v Speaker 1>a tenth of what they were when I started.

0:19:02.080 --> 0:19:04.080
<v Speaker 2>That's probably more likely the reason.

0:19:04.480 --> 0:19:07.119
<v Speaker 1>But I love the idea that people in other countries

0:19:07.160 --> 0:19:10.560
<v Speaker 1>are watching YouTube. I love the idea that do you

0:19:10.600 --> 0:19:13.760
<v Speaker 1>look at the views for your I do, yes. I

0:19:13.800 --> 0:19:17.760
<v Speaker 1>looked recently, and I was alarmed to see that the

0:19:17.800 --> 0:19:22.000
<v Speaker 1>most watched video from your show had fewer reviews than

0:19:22.119 --> 0:19:24.040
<v Speaker 1>the average Mister Beast video. And I don't know what

0:19:24.080 --> 0:19:27.159
<v Speaker 1>that says about the state of the world, but I

0:19:27.160 --> 0:19:29.600
<v Speaker 1>think it says mister Beast is kicking ass, is what

0:19:29.640 --> 0:19:33.000
<v Speaker 1>it says. Yeah, well, you know what, there is a

0:19:33.000 --> 0:19:35.360
<v Speaker 1>big difference. When you do the show every night, You're

0:19:35.400 --> 0:19:37.119
<v Speaker 1>not going to get as many views. But we still

0:19:37.160 --> 0:19:39.640
<v Speaker 1>I mean, I woke up this morning there were two

0:19:39.720 --> 0:19:42.399
<v Speaker 1>point two million views of my monologue the night before.

0:19:42.600 --> 0:19:45.560
<v Speaker 1>So for everyone who says Late Night is dying, it's

0:19:45.640 --> 0:19:46.399
<v Speaker 1>just not true.

0:19:46.920 --> 0:19:49.919
<v Speaker 2>We still have you know, you know it's probably a

0:19:49.960 --> 0:19:50.240
<v Speaker 2>three and.

0:19:50.240 --> 0:19:53.520
<v Speaker 1>A half million right now, We'll still have five six

0:19:53.560 --> 0:19:55.720
<v Speaker 1>million people watching the show every night.

0:19:56.160 --> 0:19:57.199
<v Speaker 2>That's a lot of people.

0:19:57.320 --> 0:20:00.440
<v Speaker 1>I mean, that's more than most of the primetime show, right,

0:20:00.760 --> 0:20:04.000
<v Speaker 1>And you know, all hear that about primetime ratings.

0:20:03.600 --> 0:20:07.000
<v Speaker 3>Get kind of covered in a weird bit, Like you

0:20:07.000 --> 0:20:09.560
<v Speaker 3>talked about two point two million views on YouTube, right,

0:20:09.560 --> 0:20:12.000
<v Speaker 3>And the metric for review on YouTube is totally different

0:20:12.000 --> 0:20:13.480
<v Speaker 3>from the metric for a view on TV.

0:20:13.600 --> 0:20:15.240
<v Speaker 2>Right, you watch it for thirty seconds.

0:20:15.520 --> 0:20:19.320
<v Speaker 1>Big Talk is three seconds. I think YouTube is thirty.

0:20:19.359 --> 0:20:20.800
<v Speaker 1>You have to watch it for at least thirty So.

0:20:20.960 --> 0:20:22.919
<v Speaker 3>We have YouTube comms, right, here if you want to

0:20:23.280 --> 0:20:25.240
<v Speaker 3>and TV I think is like.

0:20:25.280 --> 0:20:27.359
<v Speaker 2>A five minute chunk that you have.

0:20:27.480 --> 0:20:31.000
<v Speaker 3>It's usually the average number of people watching it over

0:20:31.040 --> 0:20:34.000
<v Speaker 3>the full course is what the rating that gets reported.

0:20:35.000 --> 0:20:36.000
<v Speaker 2>We had Greg up here.

0:20:36.240 --> 0:20:38.280
<v Speaker 3>Why do you think that topical comedy thing has never

0:20:38.320 --> 0:20:39.400
<v Speaker 3>really worked on Netflix?

0:20:40.640 --> 0:20:41.200
<v Speaker 2>I don't know.

0:20:41.480 --> 0:20:43.920
<v Speaker 1>I think maybe people are expecting something different.

0:20:44.280 --> 0:20:46.040
<v Speaker 2>People are very regimented. Yea.

0:20:46.160 --> 0:20:48.679
<v Speaker 1>You know, when we started our show, we wanted to

0:20:48.800 --> 0:20:50.800
<v Speaker 1>we wanted to do everything different. It was like, Oh,

0:20:50.800 --> 0:20:52.119
<v Speaker 1>we're going to do this and this is going to

0:20:52.160 --> 0:20:55.120
<v Speaker 1>be different. That's gonna be different. Over the years we realized, oh,

0:20:55.119 --> 0:20:57.439
<v Speaker 1>they just want to see a desk and the guests

0:20:57.480 --> 0:21:01.440
<v Speaker 1>and a band and don't fuck around with it. It's

0:21:01.520 --> 0:21:05.879
<v Speaker 1>it's a great format. It's it's Steve Allen invented it

0:21:06.040 --> 0:21:09.680
<v Speaker 1>fifty some years ago and it's exactly as it was then.

0:21:09.720 --> 0:21:10.359
<v Speaker 2>For a reason.

0:21:10.600 --> 0:21:13.160
<v Speaker 3>Yeah, do you feel like, I know you're not part

0:21:13.200 --> 0:21:15.639
<v Speaker 3>of the decision making process on this at all, but

0:21:16.800 --> 0:21:18.879
<v Speaker 3>do you feel like there will be like the Tonight

0:21:18.920 --> 0:21:20.760
<v Speaker 3>Show would be the last show to get canceled?

0:21:20.760 --> 0:21:22.080
<v Speaker 2>I would assus yes, I think so.

0:21:22.480 --> 0:21:24.640
<v Speaker 3>Do you think that that show will last a really

0:21:24.680 --> 0:21:26.359
<v Speaker 3>long time? Or do you feel like eventually all these

0:21:26.359 --> 0:21:29.120
<v Speaker 3>shows go away and have to get reinvented and whatever.

0:21:29.800 --> 0:21:32.119
<v Speaker 1>I think there's I don't think there's a reason for

0:21:32.200 --> 0:21:34.679
<v Speaker 1>these shows to go away. I think there are different

0:21:34.920 --> 0:21:37.040
<v Speaker 1>there are ways. You know, it started out. These shows

0:21:37.040 --> 0:21:41.119
<v Speaker 1>started out because it was there were a way to

0:21:41.160 --> 0:21:45.119
<v Speaker 1>get high priced talent for almost free. That was the

0:21:45.160 --> 0:21:48.040
<v Speaker 1>whole trick. That was the whole reason they started these shows.

0:21:48.200 --> 0:21:51.840
<v Speaker 1>It was deemed to be promotional. So the idea that

0:21:51.880 --> 0:21:54.080
<v Speaker 1>these shows need to cost one hundred and twenty million

0:21:54.119 --> 0:21:56.640
<v Speaker 1>dollars crazy don't need to cost one hundred and twenty

0:21:56.640 --> 0:21:57.840
<v Speaker 1>million dollars.

0:21:57.600 --> 0:21:59.480
<v Speaker 2>And somebody will figure it out, and.

0:21:59.440 --> 0:22:02.480
<v Speaker 1>Just that's like what a hot Ones is makes the

0:22:02.720 --> 0:22:06.480
<v Speaker 1>similar concept for considerably less money, right Yeah, I mean

0:22:06.520 --> 0:22:08.639
<v Speaker 1>I think you could still have the same format. You

0:22:08.640 --> 0:22:10.119
<v Speaker 1>can still have a band, you can have all of

0:22:10.160 --> 0:22:12.440
<v Speaker 1>those things and still do the show for a lot

0:22:12.520 --> 0:22:14.639
<v Speaker 1>less money. It's just the people aren't going to make it.

0:22:14.680 --> 0:22:16.479
<v Speaker 1>The host is not going to make as much money,

0:22:16.760 --> 0:22:18.439
<v Speaker 1>and audience isn't going to be as big.

0:22:18.600 --> 0:22:20.800
<v Speaker 2>But that's okay, because I.

0:22:20.720 --> 0:22:23.280
<v Speaker 1>Mean I love seeing these you know, I love the

0:22:23.359 --> 0:22:27.159
<v Speaker 1>idea that people can make a living with two hundred

0:22:27.240 --> 0:22:30.440
<v Speaker 1>thousand viewers every day or every night, and they can

0:22:30.520 --> 0:22:34.200
<v Speaker 1>talk about weirdly specific things, and those people who are

0:22:34.240 --> 0:22:37.879
<v Speaker 1>really interested in those weirdly specific things have a place

0:22:38.280 --> 0:22:40.560
<v Speaker 1>to take those to absorb that stuff.

0:22:40.600 --> 0:22:41.720
<v Speaker 2>I think that's great.

0:22:41.840 --> 0:22:44.320
<v Speaker 1>I love the idea that a sixteen year old can

0:22:44.359 --> 0:22:46.760
<v Speaker 1>have their own TV show. What is the weirdest channel

0:22:46.800 --> 0:22:51.359
<v Speaker 1>you follow on YouTube or TikTok? Not on TikTok, I

0:22:51.440 --> 0:22:55.560
<v Speaker 1>do not put that on my phone. I follow let's

0:22:55.560 --> 0:22:58.520
<v Speaker 1>see on YouTube. Well, weirdly, my eight year old son,

0:22:58.920 --> 0:23:02.520
<v Speaker 1>he adds subscription to our list and there suddenly were

0:23:02.560 --> 0:23:07.640
<v Speaker 1>like eleven Jesus channels on my thing? Is this kid

0:23:07.920 --> 0:23:10.359
<v Speaker 1>a priest or maybe the Messiah? I don't know what

0:23:10.520 --> 0:23:14.040
<v Speaker 1>it is, but yeah, that's the weirdest one on our list.

0:23:14.320 --> 0:23:17.960
<v Speaker 2>Okay, I have one last question for you. Who's going

0:23:18.040 --> 0:23:21.600
<v Speaker 2>to be the next CEO of Disney? Oh?

0:23:22.080 --> 0:23:25.320
<v Speaker 1>I'm never mentioned in this right and nobody ever, I mean,

0:23:25.359 --> 0:23:29.120
<v Speaker 1>like there are never any serious discussion. Well, I will

0:23:29.160 --> 0:23:32.760
<v Speaker 1>just say I wasn't. Actually, it will be very foolish

0:23:32.760 --> 0:23:36.480
<v Speaker 1>for me to answer that question. But I happened to

0:23:36.560 --> 0:23:39.680
<v Speaker 1>love Dana Walden very much, and I think she's done

0:23:39.680 --> 0:23:43.200
<v Speaker 1>a great job, and I think what has happened over

0:23:43.240 --> 0:23:47.520
<v Speaker 1>the last like three weeks I think was very unfair

0:23:47.560 --> 0:23:51.560
<v Speaker 1>to my bosses at Disney. I don't think anyone should

0:23:51.600 --> 0:23:53.600
<v Speaker 1>ever be put in a position like this.

0:23:53.800 --> 0:23:56.920
<v Speaker 2>It is insane. And I hope that.

0:23:56.760 --> 0:24:01.520
<v Speaker 1>We drew a really, really bold red line as Americans

0:24:01.560 --> 0:24:04.119
<v Speaker 1>about what we will and will not accept them. I

0:24:04.240 --> 0:24:07.440
<v Speaker 1>really hope that that's what comes out of all of it.

0:24:10.359 --> 0:24:12.560
<v Speaker 3>That was not actually my last question because I did

0:24:12.600 --> 0:24:14.320
<v Speaker 3>not think you were going to answer it, but I

0:24:14.359 --> 0:24:17.120
<v Speaker 3>appreciate it. I guess related to that, if you could

0:24:17.119 --> 0:24:19.600
<v Speaker 3>give you talk about how comedies change, if you could

0:24:19.600 --> 0:24:21.639
<v Speaker 3>give one piece of advice to an up andcoming comedian

0:24:21.680 --> 0:24:24.040
<v Speaker 3>when you are an up and coming broadcaster, when you

0:24:24.040 --> 0:24:26.240
<v Speaker 3>see those people and you see the changes in media

0:24:26.280 --> 0:24:28.600
<v Speaker 3>around you, what do you other than like follow your passion?

0:24:28.640 --> 0:24:29.879
<v Speaker 2>What do you tell them to do?

0:24:30.119 --> 0:24:32.959
<v Speaker 1>I would tell them what I didn't get to do

0:24:33.119 --> 0:24:35.840
<v Speaker 1>when I was a kid. And sometimes I fantasize about

0:24:36.080 --> 0:24:38.560
<v Speaker 1>just starting all over again, because what I had to

0:24:38.600 --> 0:24:41.159
<v Speaker 1>do when I started in radio was hang around the

0:24:41.240 --> 0:24:43.760
<v Speaker 1>radio station for like three years, and then they let

0:24:43.800 --> 0:24:45.800
<v Speaker 1>me on a little bit, and then they let me

0:24:45.840 --> 0:24:47.520
<v Speaker 1>on a little more and then when they thought I

0:24:47.640 --> 0:24:50.240
<v Speaker 1>was funny, they let me on more. But it took

0:24:50.320 --> 0:24:52.800
<v Speaker 1>so long for me to get on the air and

0:24:52.880 --> 0:24:56.640
<v Speaker 1>to learn to do the job that now I would

0:24:56.720 --> 0:25:00.359
<v Speaker 1>say start doing a podcast or a youth start a

0:25:00.400 --> 0:25:03.360
<v Speaker 1>YouTube channel. Do it every single day. It doesn't matter

0:25:03.400 --> 0:25:06.439
<v Speaker 1>if anybody's watching it. Just keep doing it over and

0:25:06.520 --> 0:25:09.119
<v Speaker 1>over and over and over again, and you're gonna get

0:25:09.720 --> 0:25:11.960
<v Speaker 1>If you have any talent, you're going to get good

0:25:11.960 --> 0:25:15.320
<v Speaker 1>at it. And if you're good, I mean really, YouTube

0:25:15.960 --> 0:25:20.960
<v Speaker 1>is very It's if something is good, it will catch on,

0:25:21.400 --> 0:25:25.200
<v Speaker 1>you know, if something is interesting, people will take note

0:25:25.200 --> 0:25:28.440
<v Speaker 1>of it and it may take five years, but you'll

0:25:28.440 --> 0:25:29.840
<v Speaker 1>have something at the end of it.

0:25:30.720 --> 0:25:32.640
<v Speaker 2>This is great. Thanks for doing that. That was advice for you.

0:25:32.760 --> 0:25:34.880
<v Speaker 2>I appreciate it. That's