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Speaker 1: It's me and DJ Mustard, and we are making our

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Speaker 1: own soda at home.

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Speaker 2: So much more fun and efficient and have healthier yes,

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Speaker 2: because none of the core I mean you were telling

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Speaker 2: me weren't putting corns here, but no, Yes, even low

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Speaker 2: fructose corn syrup to me, has too much fructose.

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Speaker 1: Agave syrup, boiling the cola beans.

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Speaker 2: Yum, kid, just give me a minute. Yum yum yum

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Speaker 2: yum yum yum yum mmmmm. Scrum nom nom nam nam uh.

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Speaker 1: And then just added like little spices, interesting spices, yes, exotic,

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Speaker 1: making each other like like look away, like guess what

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Speaker 1: spices and like putting the spice.

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Speaker 2: What's the craziest spice you used? Yeah, yeah, yeah, And

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Speaker 2: then I have had we would five stars, would eat again,

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Speaker 2: and then we started that's what the cinnamon. The cinnamon

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Speaker 2: challenge for me is just not eating the five spoonfuls

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Speaker 2: of it. Here's the challenge for me stopping after only

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Speaker 2: one spoonful.

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Speaker 1: So we start blasting the soda blaster.

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Speaker 2: Mmmm into the stuff nitro boosters, and.

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Speaker 1: DG Mustard is like hold up, look at watch this,

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Speaker 1: look at watch look at this thing that I do.

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Speaker 1: And he goes kind of his head upside down, puts

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Speaker 1: the blaster piece inside his nose and takes the the

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Speaker 1: button and starts pressing it over and over again, and

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Speaker 1: it's going like.

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Speaker 2: Freezing. Well.

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Speaker 1: I can tell just looking at his eyes that he's

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Speaker 1: getting exuded blast off to the freaking moon.

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Speaker 2: On the ceiling, lifted hifted tires in the ceiling.

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Speaker 1: Yes, And then it starts doing the like I think

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Speaker 1: the back of his neck somewhere is like the excess

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Speaker 1: carbonation is coming out.

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Speaker 2: So he's so stupid zuded that he's blown a hole

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Speaker 2: in his cervical spine. Stupid, dumb, dumb, duted to the mood.

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Speaker 2: Damn Okay.

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Speaker 1: So then he disconnects himself from a blaster spout.

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Speaker 2: It does that like uh. And then is smoke coming

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Speaker 2: out of his mouth and he's faded.

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Speaker 1: Yeah, and like a like a cool sort of Cola

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Speaker 1: Bean's flavored smoke vapes out of his mouth reverse vapes.

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Speaker 2: Like a G six.

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Speaker 1: And so I'm like anything I ever see anyone do

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Speaker 1: I have to do, I'm almost the same way, except

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Speaker 1: there's an exception.

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Speaker 2: I won't go into it. There's one thing I've seen

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Speaker 2: people do that I go like, I'm not doing that.

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Speaker 1: Uh, but I'm just like, and it's kind of reflexive.

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Speaker 1: I just start doing it because someone else did it,

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Speaker 1: and now I have to.

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Speaker 2: Well, the competition that lives inside your soul, yeah, is

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Speaker 2: such a big piece of your success. And even though

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Speaker 2: it's put you in some dangerous situations, it's also what's

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Speaker 2: made you thrive in a city that, let's face it,

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Speaker 2: is insane.

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Speaker 1: Running out onto a lot of uh field that's boording events.

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Speaker 2: Yeah, to do those, to do a big kiss on

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Speaker 2: the picture, yeah, because I just saw someone else MORGANA

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Speaker 2: MORGANA the Kissing bandit. You said, Oh, come on, I

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Speaker 2: could do way bigger kiss than that. So I put

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Speaker 2: my nose on there. I start to.

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Speaker 1: Uh and it is getting me uh zooted, lifted, shifted, uh,

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Speaker 1: And I take my nose off. But that what comes.

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Speaker 1: It's not like really smoke that comes out. It's ild. No,

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Speaker 1: it's it's carbonated barf. I guess it's. Yeah, So a

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Speaker 1: jet of throw up that's like full of bubbles, uh

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Speaker 1: huh comes. I'm like basically shooting it like a bazooka

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Speaker 1: into the out the window.

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Speaker 2: Ah.

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Speaker 1: And we were pretty high. We were on the Empire

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Speaker 1: State Building, and so so.

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Speaker 2: It's gonna get a lot of velocity by.

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Speaker 1: The And I had eaten a lot of pennies earlier,

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Speaker 1: and so some people did get pennies.

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Speaker 2: In the Yeah, celeb Burn Lincoln, Hey, welcome to Hollywood.

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Speaker 2: Kick names the red carpet line back hallways of this

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Speaker 2: industry we call show bit.

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Speaker 1: It's tough for me to finish because I'm being so

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Speaker 1: distracted because Cody is still here. Yes, we did this

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Speaker 1: big goodbye to Cody last weekend.

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Speaker 2: It was a huge farewell episode.

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Speaker 1: When he uh, when he quit his job. He read

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Speaker 1: his resignation email on the air. And now he's just here.

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Speaker 1: I just walk in today and here's Cody.

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Speaker 2: And obviously it's an uh. It's it's a little like

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Speaker 2: the situation we've all been in where you have a big,

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Speaker 2: tearful goodbye for someone and then you realize that you

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Speaker 2: both parked in the same direction and you sort of

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Speaker 2: have to walk together and wait for the crosswalk after

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Speaker 2: you have already done your like, I guess this is

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Speaker 2: this is the last time I see you. Yeah, if

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Speaker 2: you're sometimes you break up with someone and you like, oh,

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Speaker 2: we drove here together, and then you have to like

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Speaker 2: get in the car.

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Speaker 1: We're kind of like getting a divorce, and then you

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Speaker 1: sign the papers and oh the way, I love that show.

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Speaker 2: Thank you?

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Speaker 1: Uh and you you know, you go your separate ways

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Speaker 1: and then you go home and your wife is in

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Speaker 1: the house.

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Speaker 2: Let's sit in store for Francis and season ten not

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Speaker 2: to tell it? Okay, yeah, Okay, this guy he's a vault.

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Speaker 1: Now because Cody is here, my headphones sound awful. I

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Speaker 1: have never heard something more unspeakably painful in my life.

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Speaker 1: I just want to make sure everyone else is okay.

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Speaker 1: I don't care for myself because I know if you

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Speaker 1: fix his mind, something else will get hurt. But is

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Speaker 1: everyone else fine?

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Speaker 2: Mine started fucked up and now they're bearable.

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Speaker 3: Yeah, they're good.

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Speaker 2: They're okay. Okay, Cody, are you okay? Okay good. I'll

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Speaker 2: suffer through this for the rest of the episode.

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Speaker 1: Cody, do you want to explain why what I heard

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Speaker 1: in the days after our record last week? In your

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Speaker 1: resignation letter, you neglected to mention that you attached your resume.

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Speaker 2: As a pedia so they can't alter it. You're concerned

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Speaker 2: about them, Yeah, but they'll add fake skills that you

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Speaker 2: have and send it out and submit you for a

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Speaker 2: job you're not qualified for, unlike this job which you're

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Speaker 2: so good at or you were before you quit, and

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Speaker 2: then you're still like hanging out here and possibly living

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Speaker 2: here too. We don't know. We have guests today. Can

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Speaker 2: we talk with her please? Hayes, it's a go. Are

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Speaker 2: you done yet?

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Speaker 3: Yeah? Done?

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Speaker 1: Yeah, it's Hayes done. Ego, I do a big rev

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Speaker 1: up for every friends?

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Speaker 2: Hi, how's it going?

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Speaker 3: You know it's going? Well, it's going.

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Speaker 2: Oh my god, I love hearing that.

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Speaker 1: That would be great. I go by what you said,

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Speaker 1: high friends. It would be great if you would get

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Speaker 1: some of your friends to listen.

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Speaker 3: To Okay, sure, absolutely? What you want me to do

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Speaker 3: a Facebook, a tweet.

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Speaker 1: Or Facebook, And it would be nice if you would

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Speaker 1: call a lot of friends.

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Speaker 2: FaceTime is good because you can see how they're reacting

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Speaker 2: to the So you want.

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Speaker 3: Me to okay, so you want me to call them

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Speaker 3: on FaceTime? Tell them to listen to the podcast? But

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Speaker 3: then all should I stay on FaceTime with them.

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Speaker 2: While we download it? I don't care if they actually hear.

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Speaker 3: It, But do you want them to rate it as well?

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Speaker 2: I don't know if that matters anymore.

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Speaker 1: A rating would be nice, and it would be great

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Speaker 1: if they said that they just like stumbled upon the

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Speaker 1: show organically.

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Speaker 3: It's okay if they're all gonna make that like that

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Speaker 3: review on the same date, right, Like, if it's like

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Speaker 3: ten reviews on the same.

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Speaker 1: I think it could be good to spike the algorithm

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Speaker 1: and it's and that's what happens.

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Speaker 2: That's group think. I mean, there's a reason they came

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Speaker 2: up with Volcano and Dante's Peak in the same year

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Speaker 2: because there's all these breakthroughs, these scientific breakthroughs like when

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Speaker 2: deep Impact and uh freaking Armageddon happened, where people will

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Speaker 2: just grab these source material things from the ether and

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Speaker 2: it's just once it's out in the consciousness. There's this

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Speaker 2: crazy study they did once about the human brain. Yeah,

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Speaker 2: and it's the way it works is so fucked up.

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Speaker 3: Yeah.

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Speaker 2: Can you speak on that for me?

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Speaker 3: Yeah, well, I'd say I don't have too much knowledge

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Speaker 3: of like the human brain.

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Speaker 2: I have animals.

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Speaker 3: Yeah, I'm more for me. Animal brains is where it's at.

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Speaker 3: I think that they work a little differently than ours.

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Speaker 3: Of course they're they're animals actually have bigger brains than humans.

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Speaker 2: It's your favorite animals brain.

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Speaker 3: Oh, I would have to say a pussy cat's brain.

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Speaker 2: Wow.

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Speaker 3: Yeah, they're bigger than that of humans.

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Speaker 2: I love. And it can tell that you study because

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Speaker 2: you use the scientific So many people say cat.

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Speaker 3: Or feline, and I say pussy cats the.

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Speaker 2: Feline brain go seated theater.

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Speaker 3: Yeah, well, it's only at limited release. It's actually only

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Speaker 3: theaters in the Midwest.

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Speaker 2: You might have to get it on iTunes or amazonal well,

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Speaker 2: tough luck because it's not going to be available there

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Speaker 2: for some months.

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Speaker 3: But I want to touch on something you said. You

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Speaker 3: said it might spike the algorithm.

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Speaker 2: Yes.

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Speaker 3: I think what people don't realize is, uh, al Gore

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Speaker 3: created algorithms.

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Speaker 2: Whoa and he takes credit for so many things.

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Speaker 3: Uh huh yeah yeah, and al Gore he's not well

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Speaker 3: I know al Gore and he is not like big

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Speaker 3: into dancing.

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Speaker 2: Yeah yeah, so he's got his own kind of rhythm.

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Speaker 3: Exactly right, So like algorhythm. A lot of people don't

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Speaker 3: know this about him, and I hopefully I don't get

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Speaker 3: an angry email from him after this because I've kind

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Speaker 3: of outed yeah his thing.

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Speaker 2: Yeah yeah, but anyway, but you got to spike the

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Speaker 2: al gore rhythm.

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Speaker 3: Yes, yes, exactly, he's not a dancer, but you know,

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Speaker 3: you can use science to accomplish the things you want

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Speaker 3: to accomplish, so he doesn't feel like he has rhythm,

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Speaker 3: but so algorithms.

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Speaker 2: I'm not a dancer, but I dance, sure, you know

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Speaker 2: what I mean?

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Speaker 3: Sure, and I'm am.

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Speaker 2: I off beat?

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Speaker 3: Sure? Yeah? But wait, how many times do you have

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Speaker 3: to dance to become a dancer?

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Speaker 2: You're asking me?

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Speaker 3: Yeah, how many times does one dance before?

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Speaker 2: Gun to my head?

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Speaker 3: Gun into your fucking head? Bang, bang bang?

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Speaker 2: Because I can't choose yeah, executions.

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Speaker 3: What would you say? Are you a dancer?

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Speaker 2: I would I'm a human?

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Speaker 3: Okay, different given.

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Speaker 1: Given the choice of being a human or a dancer,

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Speaker 1: which someone someone did ask me once, Yes, in my

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Speaker 1: sitting in my car, yeah, if you're a human order

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Speaker 1: And somebody a voice in my car asked me if

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Speaker 1: I was a human or a dancer your car?

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Speaker 3: Was there a person inside of your car?

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Speaker 2: There's not that I could see.

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Speaker 3: That.

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Speaker 2: I could. I could see them because I was in

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Speaker 2: the car. If you remember, I remember you answering, no,

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Speaker 2: it wasn't me. But the gentleman had a very interesting

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Speaker 2: jacket well with big feathers on it. Oh and I

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Speaker 2: did remember saying, oh where did you get that?

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Speaker 3: And no concern for where this man came from, right,

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Speaker 3: just wanting to know where he got that.

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Speaker 2: Jack. I wanted to know where the jacket was from.

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Speaker 2: I know where he came from mom.

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Speaker 3: You know, obviously his mom's Some stuff.

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Speaker 2: Was a little more simple than we make it.

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Speaker 3: Yeah, and true Ockham's razor.

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Speaker 2: Huh, yesha. Or they should have sent a poet.

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Speaker 3: They should have sent a poet, but they did it.

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Speaker 2: They didn't.

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Speaker 1: I think that was such a good Segway tour that

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Speaker 1: you did earlier with Al Gore.

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Speaker 3: Oh yeah, I was. We were on Segways actually down

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Speaker 3: in the lobby. He's got se Hollywood. We did a

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Speaker 3: Segway tour of Hollywood. He's actually a Chick fil A

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Speaker 3: right now. I told him not a good idea, but

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Speaker 3: he was like, I love the chicken sandwiches there. I'm

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Speaker 3: going to get a chicken sandwich. Yeah.

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Speaker 2: Oh wow, he did want to eat there. Oh wow,

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Speaker 2: went out of his way.

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Speaker 3: Yeah, he went out of Yeah, he flew in just

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Speaker 3: to get a chicken sandwich.

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Speaker 2: Oh my gosh. And there's in so many other places.

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Speaker 2: But that's but that's out. You know, he gets it,

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Speaker 2: He gets a be in his bonnet and you just

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Speaker 2: can't shake it loose.

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Speaker 1: But it sounds to me like to you now is

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Speaker 1: a bit of a mix of a friend and an enemy.

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Speaker 1: And we have a word for that, which is a

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Speaker 1: friend of me. And now Hayes is taking us on

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Speaker 1: a segue to.

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Speaker 3: Okay, segu are you you have a segue?

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Speaker 1: And well, we thought maybe this episode we could update

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Speaker 1: we all have these lists of our friend of me.

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Speaker 2: Look, in this town, there's no such thing as an enemy.

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Speaker 2: You never know who you're going to cross paths with,

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Speaker 2: right frankly, and sometimes you have to work with people

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Speaker 2: who maybe you don't see eye to eye with. So

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Speaker 2: I say, there are no enemies in this town, but

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Speaker 2: there's a lot of friend of mes.

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Speaker 3: Yeah, friend of me. So we put the DNA.

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Speaker 1: It's a mix of twenty words.

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Speaker 2: Haes and I invented this idea.

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Speaker 3: Well, no, see, I heard of frenemy. I heard it.

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Speaker 3: I've heard of a friend of.

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Speaker 2: Me, a French enemy like friend dresser.

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Speaker 3: Well maybe it's yeah, maybe friend dresser, Yeah, but it

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Speaker 3: was I heard about this on a yoga retreat in big, sir.

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Speaker 3: That's the first time I heard it. When you guys say.

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Speaker 2: Friends, you're not supposed to talk at those.

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Speaker 3: I know. I know we were talking, we were doing

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Speaker 3: some talking.

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Speaker 2: I get well, then you didn't get what you're supposed

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Speaker 2: to get out of that exp.

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Speaker 3: But I did learn a word friend of me, and

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Speaker 3: you guys are putting the d in it.

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Speaker 2: Friend of me, friend, friend of me.

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Speaker 3: A friend to me, friend to me.

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Speaker 2: No, no, a friend friend, a friend of me to me.

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Speaker 3: A friend friend to me to me, A friend in

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Speaker 3: need is a friend friend to me to me?

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Speaker 2: Yeah? Yeah, so friend of me is to me. I

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Speaker 2: guess the list is pretty long, sure, And what I

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Speaker 2: was thinking we could do is just update now. Hayes

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Speaker 2: and I maintain one list because if you fuck with

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Speaker 2: my family, if you mess with my blood Hayes, Dave Import,

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Speaker 2: then you're coming at me. Yeah, and my and my

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Speaker 2: whole squad is gonna come.

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Speaker 1: And if you decide to ever try to fuck with

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Speaker 1: my family, and if it's in this case it is

300
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Speaker 1: sean Dog, then you might actually find that my whole

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Speaker 1: squad will end up coming for your asses as well.

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Speaker 3: Yeah. I feel on this because if you fuck with

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Speaker 3: my family. You better wear a condom.

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Speaker 2: Ah yeah, do it safely? Yeah, please, Yes, that's why

305
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Speaker 2: they made those things.

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Speaker 3: Oh yeah, because for fucking with family.

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Speaker 2: Yes.

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Speaker 1: Because also when I'm coming for you, yes, and I'm

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Speaker 1: and I'm like punching you and stuff.

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Speaker 2: I don't want to get sick, get a disease.

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Speaker 3: Yeah, yeah, you don't want to get please.

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Speaker 2: And when I say my squad, I'm talking about my load. Yeah,

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Speaker 2: you know what I mean.

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Speaker 1: So my whole squad's coming up. Your squad, or like

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00:14:27,320 --> 00:14:30,320
Speaker 1: there's a condo of like fifty billion of.

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Speaker 2: Your and only one's going to win.

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Speaker 3: Only one of your best friends is going to win. Yeah, absolutely, Yeah,

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Speaker 3: and then you're one of your best friends creates like

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Speaker 3: another friend.

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Speaker 2: Oh man, forget it.

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Speaker 3: Yeah. But honestly, guys, I I have some friend of

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Speaker 3: mees now that you're describing to me what that is. Yeah.

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Speaker 1: And it's good to curate the list because sometimes you

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Speaker 1: go back and look at it and be like, oh,

325
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Speaker 1: this guy isn't even this guy's just my end to

326
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Speaker 1: me now, or this guy is.

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Speaker 2: My well, it'll be totally out of date. There's no

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Speaker 2: such thing as endemies in this town, is it?

329
00:14:58,400 --> 00:15:02,320
Speaker 3: At the end of me someone who is end of you. Yeah. Yeah.

330
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Speaker 3: I keep my friend of meies on a list like

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Speaker 3: a vision board. I literally write them out of marker.

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00:15:07,680 --> 00:15:09,760
Speaker 3: I have a whole little session with my girlfriends and

333
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Speaker 3: we you know, we make a friend of me list. Yeah.

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Speaker 2: I sometimes take people off my friend of me list

335
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Speaker 2: if they're no longer relevant in the industry. Okay, I'm

336
00:15:20,160 --> 00:15:22,040
Speaker 2: happy for them. Do you use clear push pins?

337
00:15:22,520 --> 00:15:25,120
Speaker 3: Oh? Yes, because I don't want the colored ones to

338
00:15:25,200 --> 00:15:27,360
Speaker 3: fuck up the like I have, like a whole esthetic

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Speaker 3: going on.

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Speaker 1: With those can be scary to me because sometimes I

341
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Speaker 1: will not be able to see them, and I will

342
00:15:32,280 --> 00:15:35,520
Speaker 1: get scared that a ghost or something is holding up

343
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Speaker 1: the stuff on the board I use.

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00:15:37,000 --> 00:15:40,920
Speaker 2: I use going clear pushpins, which are promotional pushpins I

345
00:15:40,960 --> 00:15:46,880
Speaker 2: got from the Scientology documentary Going Okay. Uh, They're huge.

346
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Speaker 2: I mean they blocked the whole vision board. They're so

347
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Speaker 2: big they have to say a big word.

348
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Speaker 3: Are they clear themselves? Are those pushmans clear?

349
00:15:55,760 --> 00:15:56,760
Speaker 2: Yeah? They're going clear?

350
00:15:56,880 --> 00:15:57,920
Speaker 3: So what color? Are they?

351
00:16:00,080 --> 00:16:01,040
Speaker 2: Sort of a burnt sienna?

352
00:16:01,360 --> 00:16:04,640
Speaker 3: Okay, okay, okay, yeah, that's my favorite color.

353
00:16:05,560 --> 00:16:09,320
Speaker 1: But gradually the paint is like evaporating, so they are going.

354
00:16:09,240 --> 00:16:11,520
Speaker 2: Yeah, and underneath they are Dodo Brad.

355
00:16:11,680 --> 00:16:14,200
Speaker 1: Do you want to talk about some of the friend

356
00:16:14,200 --> 00:16:15,120
Speaker 1: of mees that I goo has?

357
00:16:15,360 --> 00:16:20,320
Speaker 3: Yeah, yeah, that's you. Yes, yeah, me, that's me. Should

358
00:16:20,360 --> 00:16:22,480
Speaker 3: I rattle the list off.

359
00:16:23,840 --> 00:16:24,600
Speaker 2: Really fast?

360
00:16:24,880 --> 00:16:26,080
Speaker 3: Yeah? Yeah.

361
00:16:26,120 --> 00:16:30,880
Speaker 2: And let me just say first, like everyone in this room, obviously,

362
00:16:31,000 --> 00:16:32,800
Speaker 2: with the exception of Cody, is not going to be

363
00:16:32,840 --> 00:16:37,240
Speaker 2: on my friend of me list. Okay, that goes my omego.

364
00:16:37,560 --> 00:16:40,560
Speaker 3: Yeah, ago, yeah, lots of people make it.

365
00:16:40,560 --> 00:16:44,560
Speaker 2: Cody is my broad Yeah, Hayes.

366
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Speaker 3: Is the homeie.

367
00:16:47,960 --> 00:16:48,440
Speaker 2: Thank you.

368
00:16:49,000 --> 00:16:51,520
Speaker 3: Yeah, you beat me too.

369
00:16:51,680 --> 00:16:54,360
Speaker 2: I was going to say that the exact same thing,

370
00:16:54,960 --> 00:16:57,280
Speaker 2: and I don't and we don't have to do me Yeah,

371
00:16:57,320 --> 00:17:00,120
Speaker 2: we know. No, No, it's so clear Sean is to

372
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Speaker 2: down you know.

373
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Speaker 3: Yeah, that's right, head honcho, Yeah, John don chee, don't Yeah,

374
00:17:07,280 --> 00:17:09,720
Speaker 3: I can rattle them off. I don't give a fuck

375
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Speaker 3: right now. I'm honestly, I said I was doing well,

376
00:17:11,920 --> 00:17:15,400
Speaker 3: but I'm coming in hot. I'm heated right now.

377
00:17:15,440 --> 00:17:17,840
Speaker 2: This trek comes out and she's freaking now.

378
00:17:17,920 --> 00:17:23,800
Speaker 3: I'm I'm pissed boy. Okay. First on the list, Shila Dix,

379
00:17:24,600 --> 00:17:27,679
Speaker 3: head of Kunta Films.

380
00:17:28,320 --> 00:17:30,959
Speaker 2: Okay, yes, I was wondering if we'd get to Shila

381
00:17:31,040 --> 00:17:31,639
Speaker 2: Dix today.

382
00:17:31,800 --> 00:17:36,720
Speaker 3: Yeah, head of Kunta Films. You guys familiar? Yeah, yeah,

383
00:17:36,760 --> 00:17:38,119
Speaker 3: what do you think of Shila Dix?

384
00:17:38,840 --> 00:17:42,120
Speaker 2: I'll let you do. I'll let you you first. Yeah,

385
00:17:42,200 --> 00:17:46,280
Speaker 2: because Dix do you? You go first? You guys show I

386
00:17:46,440 --> 00:17:47,440
Speaker 2: definitely know her.

387
00:17:47,520 --> 00:17:49,280
Speaker 3: Are you guys in this industry? Are you?

388
00:17:49,440 --> 00:17:49,840
Speaker 2: How do you not?

389
00:17:49,920 --> 00:17:51,880
Speaker 3: Everyone knows Shila Dix, if anybody who's a.

390
00:17:51,840 --> 00:17:56,240
Speaker 1: Serious current, she does coop of films and that this

391
00:17:56,560 --> 00:18:01,920
Speaker 1: like to me, she's my friend to be Bowser's little.

392
00:18:03,680 --> 00:18:03,800
Speaker 2: Like.

393
00:18:03,920 --> 00:18:07,680
Speaker 3: Have you met her assistant, her assistance?

394
00:18:07,840 --> 00:18:08,199
Speaker 2: Yeah?

395
00:18:11,359 --> 00:18:14,080
Speaker 3: Yeah, Well well we call him Shila Junior because all

396
00:18:14,119 --> 00:18:18,480
Speaker 3: he is is her little bitch. But Carter is the worst.

397
00:18:18,560 --> 00:18:21,200
Speaker 3: He's just as bad as Shila. And he's he's slated

398
00:18:21,200 --> 00:18:23,000
Speaker 3: to take over films.

399
00:18:23,800 --> 00:18:25,640
Speaker 2: And they're gonna give it to him.

400
00:18:26,440 --> 00:18:32,280
Speaker 3: Give the nepotism, the nepotism, this business. Yeah, it's sickening

401
00:18:32,359 --> 00:18:34,679
Speaker 3: and I'm done. I'm done with them. You want me

402
00:18:34,720 --> 00:18:35,720
Speaker 3: to keep going.

403
00:18:35,760 --> 00:18:38,520
Speaker 2: I'm throwing up. I'm scared, but.

404
00:18:38,560 --> 00:18:39,760
Speaker 3: Sure, Okay.

405
00:18:40,520 --> 00:18:45,440
Speaker 2: Andrew Komonski, Oh I thought you were gonna say Tea.

406
00:18:45,200 --> 00:18:49,760
Speaker 3: No not Andrew t no, no, no, He's fine. Yeah, yeah,

407
00:18:49,840 --> 00:18:55,000
Speaker 3: he fine, yes, fine, Uh this Andrew gosh, I let

408
00:18:55,080 --> 00:19:02,800
Speaker 3: me tell you something. He orders his coffee white. He

409
00:19:02,920 --> 00:19:05,800
Speaker 3: orders his coffee white. I was behind him in line

410
00:19:05,800 --> 00:19:09,359
Speaker 3: at Starbucks and he was putting up a bit. Oh gosh,

411
00:19:09,400 --> 00:19:15,359
Speaker 3: what a big stink, throwing a fit. He's dead coffee. Yeah,

412
00:19:15,520 --> 00:19:17,760
Speaker 3: a real racing And you spell his last name just

413
00:19:17,800 --> 00:19:21,200
Speaker 3: so people know. Yes, Oh god, I was kamoon Ski

414
00:19:21,480 --> 00:19:25,639
Speaker 3: okay k a h m o o n s k

415
00:19:26,040 --> 00:19:31,280
Speaker 3: y kimun Ski, a piece of shit, orders his coffee.

416
00:19:30,880 --> 00:19:33,560
Speaker 2: White, and he makes them put his last name on

417
00:19:33,600 --> 00:19:34,960
Speaker 2: the cup and Starbucks.

418
00:19:34,560 --> 00:19:36,359
Speaker 3: Right, And then when they don't get it right, he

419
00:19:36,480 --> 00:19:38,760
Speaker 3: makes them go back get a new cup, making new

420
00:19:38,800 --> 00:19:41,199
Speaker 3: coffee write his name correctly. He doesn't want you to

421
00:19:41,200 --> 00:19:44,240
Speaker 3: even cross out the name, and like right there, no

422
00:19:44,359 --> 00:19:44,960
Speaker 3: a cup.

423
00:19:45,040 --> 00:19:47,399
Speaker 2: Oh And then they're like, oh does somebody else want this?

424
00:19:47,560 --> 00:19:49,720
Speaker 2: We have to throw this coffee out and everybody else goes.

425
00:19:49,640 --> 00:19:51,680
Speaker 3: No, it's white, it's white coffee.

426
00:19:51,760 --> 00:19:52,520
Speaker 2: It's just milk.

427
00:19:52,680 --> 00:19:55,880
Speaker 3: It's he literally, yeah, it is milk. I heard him

428
00:19:56,200 --> 00:19:59,159
Speaker 3: whisper to the barista milk and my white coffee, I

429
00:19:59,160 --> 00:20:03,520
Speaker 3: mean milk. Yeah, And so I I I don't fucking

430
00:20:03,600 --> 00:20:07,359
Speaker 3: like that guy I did a web series of His

431
00:20:07,480 --> 00:20:09,800
Speaker 3: son has a web series, and I thought it'd be

432
00:20:09,840 --> 00:20:12,240
Speaker 3: a good way to, like, you know, make his dad

433
00:20:12,280 --> 00:20:15,760
Speaker 3: aware of me. And I did a web series for

434
00:20:15,840 --> 00:20:18,000
Speaker 3: his son. It turned out like a piece of But

435
00:20:18,040 --> 00:20:18,680
Speaker 3: what does he do?

436
00:20:19,200 --> 00:20:24,320
Speaker 2: Andrew komunsky Andski, Yeah, just remind me because he's wearing

437
00:20:24,400 --> 00:20:26,439
Speaker 2: so many hats. But what's the thing you wanted him

438
00:20:26,480 --> 00:20:26,840
Speaker 2: to notice?

439
00:20:26,840 --> 00:20:29,240
Speaker 3: You's? Well, I wanted him, well, I wanted to notice

440
00:20:29,280 --> 00:20:31,000
Speaker 3: me on his son's web series.

441
00:20:31,160 --> 00:20:32,600
Speaker 2: Yah to what end? Oh?

442
00:20:32,640 --> 00:20:38,320
Speaker 3: Because he's the head of finance. Yeah, what you guys

443
00:20:38,320 --> 00:20:40,200
Speaker 3: don't realize in a lot of people don't I when

444
00:20:40,200 --> 00:20:42,200
Speaker 3: I first moved to this town, I had a mentor

445
00:20:42,720 --> 00:20:45,400
Speaker 3: who has never he he's an actor. He's never acted,

446
00:20:45,680 --> 00:20:49,520
Speaker 3: but he is an actor. And he told me, Ago,

447
00:20:49,600 --> 00:20:51,000
Speaker 3: what you've got to do is get in with the

448
00:20:51,040 --> 00:20:52,879
Speaker 3: people no one else is trying to get in with.

449
00:20:53,160 --> 00:20:56,439
Speaker 3: Think about the heads of finance. Name one, right, you

450
00:20:56,480 --> 00:21:00,199
Speaker 3: couldn't really name one, and and and I know, and

451
00:21:00,240 --> 00:21:02,959
Speaker 3: I'm like, he has power. So when you're doing a

452
00:21:03,000 --> 00:21:06,480
Speaker 3: test deal and they're trying to figure out the test, Yeah,

453
00:21:06,520 --> 00:21:07,320
Speaker 3: he signs the.

454
00:21:07,240 --> 00:21:09,720
Speaker 2: Paperwork, he writes your name on the money.

455
00:21:09,520 --> 00:21:12,320
Speaker 3: Yes, exactly. So it's like you have favor in all

456
00:21:12,320 --> 00:21:15,000
Speaker 3: these different departments. No one ever deals with finance people.

457
00:21:15,480 --> 00:21:18,280
Speaker 3: I did. I wanted Kaminski to be familiar with me.

458
00:21:18,440 --> 00:21:20,600
Speaker 1: And those people are actually the most creative in a

459
00:21:20,600 --> 00:21:22,880
Speaker 1: lot of cases. And they have some of the best ideas.

460
00:21:23,000 --> 00:21:26,840
Speaker 3: Yeah, and everyone's sleeping on them. Everyone's sleeping on him,

461
00:21:27,080 --> 00:21:27,520
Speaker 3: let me tell you.

462
00:21:27,640 --> 00:21:28,560
Speaker 2: And they are good actors.

463
00:21:28,840 --> 00:21:31,719
Speaker 3: Amazing. And Andrew he did a cameo in his son's

464
00:21:31,760 --> 00:21:34,560
Speaker 3: web series Wow with Me. He was actually my love interest.

465
00:21:35,400 --> 00:21:38,639
Speaker 3: He was, Yeah, and his was the name of the

466
00:21:38,640 --> 00:21:39,200
Speaker 3: web series.

467
00:21:39,240 --> 00:21:41,919
Speaker 2: His son is a baby, correct, His son is a baby.

468
00:21:41,920 --> 00:21:45,479
Speaker 3: His son is actually son is three months three months,

469
00:21:45,480 --> 00:21:49,119
Speaker 3: so not like a full baby, but a baby, like

470
00:21:49,400 --> 00:21:53,080
Speaker 3: a newer born, not a brand newborn. So his son

471
00:21:53,160 --> 00:21:55,360
Speaker 3: wrote this web series. It's like one of the smartest

472
00:21:55,440 --> 00:21:59,240
Speaker 3: kids in La Wow. Yeah, yeah wrote this. Turns out

473
00:21:59,320 --> 00:22:01,200
Speaker 3: the white coffee was for the sun.

474
00:22:01,240 --> 00:22:04,880
Speaker 2: By the way, Oh what a fucking twist.

475
00:22:05,119 --> 00:22:07,040
Speaker 3: The story wist city.

476
00:22:07,440 --> 00:22:08,600
Speaker 2: Both on my list.

477
00:22:08,720 --> 00:22:11,960
Speaker 1: Now I've seen him ordering white coffee from his uh,

478
00:22:12,400 --> 00:22:14,360
Speaker 1: white coffee from his wife's booby.

479
00:22:14,480 --> 00:22:16,840
Speaker 3: Yeah, he's he comes up to I. I watched it

480
00:22:16,880 --> 00:22:19,800
Speaker 3: happen on set. He'd get up, we'd cut and need

481
00:22:19,880 --> 00:22:22,320
Speaker 3: to go white coffee, babe, white coffee please, And we

482
00:22:22,320 --> 00:22:24,080
Speaker 3: were all like, what is what's white coffee? And then

483
00:22:24,440 --> 00:22:27,680
Speaker 3: white coffee from our booby and his son was fucking

484
00:22:27,760 --> 00:22:29,040
Speaker 3: trash in this web series.

485
00:22:29,400 --> 00:22:31,840
Speaker 2: You can't remember any of his line not good. Yeah,

486
00:22:32,560 --> 00:22:37,160
Speaker 2: in the in the the love scenes, just zero commitment.

487
00:22:36,880 --> 00:22:38,040
Speaker 3: Yeah, zero commitments.

488
00:22:38,200 --> 00:22:41,520
Speaker 2: Chemistry you were stream you were really I'm.

489
00:22:41,480 --> 00:22:45,200
Speaker 3: Hungry for this stuff, guys, I'm hungry. I I've known you.

490
00:22:45,200 --> 00:22:48,159
Speaker 2: Have to have something to work against. Just the fact

491
00:22:48,160 --> 00:22:52,480
Speaker 2: that he is, you know, pre sexual. Yeah, yeah, makes

492
00:22:52,520 --> 00:22:55,760
Speaker 2: it so difficult to buy even with kisses to me

493
00:22:55,960 --> 00:23:02,560
Speaker 2: felt more maternal or yes they were, Yes, they did not.

494
00:23:02,800 --> 00:23:07,639
Speaker 2: The passion was not there. And the web series is

495
00:23:07,680 --> 00:23:14,040
Speaker 2: about just modern yes, modern sexual you know, rules and

496
00:23:14,119 --> 00:23:18,160
Speaker 2: dynamics dat, right.

497
00:23:18,040 --> 00:23:21,800
Speaker 3: Yeah, right, well yeah, it was fucking trash. It's one

498
00:23:21,800 --> 00:23:25,040
Speaker 3: of my worst experiences on set. Crafty was good. Crafty

499
00:23:25,160 --> 00:23:30,480
Speaker 3: was good, but I mean we had Matsuhisa for That's

500
00:23:30,520 --> 00:23:31,399
Speaker 3: what crafty was.

501
00:23:31,640 --> 00:23:32,000
Speaker 2: Wow.

502
00:23:32,800 --> 00:23:36,960
Speaker 3: Andrewski Jr. The baby or whatever, not a bait. It's

503
00:23:37,000 --> 00:23:41,360
Speaker 3: the kind of baby. He couldn't have any of the Crafty,

504
00:23:41,560 --> 00:23:44,720
Speaker 3: so he had a fit. What a fucking diva or

505
00:23:44,800 --> 00:23:47,879
Speaker 3: divo whatever. He was throwing a fit because he couldn't

506
00:23:47,920 --> 00:23:50,480
Speaker 3: have the yellow tail sashimi and like, wow.

507
00:23:50,720 --> 00:23:51,960
Speaker 2: That's the best matsuhi.

508
00:23:52,200 --> 00:23:56,840
Speaker 3: Oh my god, it's so good. The peppers yeah, yeah.

509
00:23:56,240 --> 00:23:56,400
Speaker 2: Ye.

510
00:23:58,320 --> 00:24:00,359
Speaker 3: Oh, it's so good. But he couldn't have any, so

511
00:24:00,400 --> 00:24:01,399
Speaker 3: he's throwing a foot.

512
00:24:01,560 --> 00:24:03,320
Speaker 2: Is that sauce they won't tell me?

513
00:24:03,600 --> 00:24:06,320
Speaker 3: I don't know. I don't know cream sauce.

514
00:24:06,800 --> 00:24:09,639
Speaker 2: Yeah. I always go like, hey, will you tell me

515
00:24:09,680 --> 00:24:12,080
Speaker 2: what this sauce is? And they go, no, you do it?

516
00:24:12,560 --> 00:24:16,000
Speaker 3: Oh maybe it's maybe that's them telling you in a

517
00:24:16,080 --> 00:24:17,280
Speaker 3: like backhanded way.

518
00:24:17,440 --> 00:24:19,000
Speaker 2: Mmmm, I don't know.

519
00:24:19,280 --> 00:24:20,480
Speaker 3: Yeah, twist.

520
00:24:20,840 --> 00:24:24,440
Speaker 2: So plot twist, Let's talk about some other friend of

521
00:24:24,520 --> 00:24:29,000
Speaker 2: mes that we have, because I'm getting so fucking steamed

522
00:24:29,080 --> 00:24:34,960
Speaker 2: up about that's almost making me. I'm more frothier than

523
00:24:35,000 --> 00:24:38,520
Speaker 2: the steam milk coming off of the white coffee.

524
00:24:38,560 --> 00:24:41,840
Speaker 3: This guy's heated.

525
00:24:43,480 --> 00:24:46,080
Speaker 2: So let's talk about some other friend of mees. I

526
00:24:46,080 --> 00:24:48,959
Speaker 2: guess mine would be Josh, who works at ear Wolf.

527
00:24:49,960 --> 00:24:54,959
Speaker 3: Gosh, Josh, I haven't even met Josh. Yeah, yours a

528
00:24:54,960 --> 00:24:56,159
Speaker 3: friend to me of mine?

529
00:24:56,960 --> 00:24:59,920
Speaker 2: Josh is a fake friend.

530
00:25:00,560 --> 00:25:04,000
Speaker 3: So fake, Like what kind of shit does Josh do Well.

531
00:25:04,000 --> 00:25:06,920
Speaker 2: To your face, he's totally your friend, and behind your

532
00:25:06,960 --> 00:25:08,000
Speaker 2: back he's a friend to me.

533
00:25:08,080 --> 00:25:10,720
Speaker 3: To me, yeah, is he like talking shit about you

534
00:25:10,760 --> 00:25:11,879
Speaker 3: to producers and stuff.

535
00:25:12,040 --> 00:25:14,280
Speaker 2: Oh, he told me he was gonna help me even

536
00:25:14,600 --> 00:25:17,800
Speaker 2: get my podcast to be so big.

537
00:25:18,000 --> 00:25:19,840
Speaker 3: Yeah, yeah, to be so big.

538
00:25:20,040 --> 00:25:20,240
Speaker 2: Yeah.

539
00:25:20,280 --> 00:25:21,280
Speaker 3: How big is so big?

540
00:25:22,040 --> 00:25:24,840
Speaker 2: Well, he said he showed with his hands, and it

541
00:25:24,920 --> 00:25:25,920
Speaker 2: was huge.

542
00:25:25,760 --> 00:25:28,280
Speaker 3: Enormous, like his whole wingspan.

543
00:25:28,400 --> 00:25:31,119
Speaker 2: Yeah. No, not totally, not totally. To be fair, he

544
00:25:31,160 --> 00:25:34,520
Speaker 2: did keep it somewhat inside. He didn't stretch all the

545
00:25:34,560 --> 00:25:37,240
Speaker 2: way out, but still, but he was clearly trying to

546
00:25:37,280 --> 00:25:38,399
Speaker 2: imply pretty big.

547
00:25:38,520 --> 00:25:40,840
Speaker 3: Yeah, like a big Okay, Well, I mean I have

548
00:25:40,840 --> 00:25:43,040
Speaker 3: friends like that, Like I get that, I get that,

549
00:25:43,119 --> 00:25:46,600
Speaker 3: like you, he probably meant well, he probably meant well.

550
00:25:47,000 --> 00:25:49,520
Speaker 2: I think you're being too easy on him, because what

551
00:25:49,560 --> 00:25:52,320
Speaker 2: he did behind my back was the podcast is pretty small.

552
00:25:52,760 --> 00:25:53,760
Speaker 3: Yeah, behind your back.

553
00:25:53,800 --> 00:25:55,320
Speaker 2: He did that behind our back.

554
00:25:55,359 --> 00:25:58,760
Speaker 1: He sabotaged our show, so it is actually not big.

555
00:25:58,520 --> 00:26:01,720
Speaker 2: And it takes like fifteen oisodes to get into. Well,

556
00:26:03,400 --> 00:26:06,359
Speaker 2: you know, I'm not totally privy to the sort of

557
00:26:06,400 --> 00:26:08,280
Speaker 2: ins and outs of the production side of this. Then

558
00:26:08,400 --> 00:26:12,800
Speaker 2: I'll admit a certain level of ignorance. But I think

559
00:26:12,880 --> 00:26:16,320
Speaker 2: that what he probably does is put secret messages whispered

560
00:26:16,359 --> 00:26:20,199
Speaker 2: into the podcast to say that after one episode you

561
00:26:20,280 --> 00:26:22,160
Speaker 2: kind of don't like it and don't like me and Hayes.

562
00:26:22,720 --> 00:26:27,840
Speaker 2: It's sort of a I I'm definitely getting those messages

563
00:26:27,840 --> 00:26:30,960
Speaker 2: when I listen, Like when I listen, I'm listening to myself,

564
00:26:31,000 --> 00:26:33,600
Speaker 2: and I know that I'm funny, and I'm going, man,

565
00:26:33,680 --> 00:26:35,840
Speaker 2: this is kind of one note, and I'm kind of

566
00:26:35,840 --> 00:26:39,199
Speaker 2: I'm getting tired of this and I sort of just

567
00:26:39,240 --> 00:26:41,159
Speaker 2: feel bored a lot of the time. It feels flat

568
00:26:41,240 --> 00:26:44,520
Speaker 2: a lot of episodes, and I'm going, Okay, this is

569
00:26:44,640 --> 00:26:45,879
Speaker 2: Josh at it again.

570
00:26:46,680 --> 00:26:48,359
Speaker 3: You know what. It's the worst when you know that

571
00:26:48,440 --> 00:26:49,920
Speaker 3: you're funny, but then there's.

572
00:26:50,040 --> 00:26:53,680
Speaker 1: You're never doing it and yes, you know you're so funny,

573
00:26:53,720 --> 00:26:56,520
Speaker 1: but you are never actually being funny.

574
00:26:56,280 --> 00:26:59,520
Speaker 2: Because the town will let me. Everything that you're doing

575
00:27:00,119 --> 00:27:00,520
Speaker 2: is bad.

576
00:27:00,640 --> 00:27:03,400
Speaker 3: It's getting everything well no, like yeah because of Josh, Yes,

577
00:27:03,480 --> 00:27:05,720
Speaker 3: bad because of Josh. It's bad because these people wishing

578
00:27:05,800 --> 00:27:11,560
Speaker 3: and Andrew. Yeah, and Andrew and fucking Sheila. Trash city. Yes,

579
00:27:11,680 --> 00:27:14,159
Speaker 3: this place is not the city of Angels, the city.

580
00:27:13,920 --> 00:27:17,639
Speaker 2: Of trash of fake friends. Funny. I'm one of the

581
00:27:17,680 --> 00:27:21,080
Speaker 2: funniest out of my friends. Yeah, my real friends and

582
00:27:21,280 --> 00:27:22,040
Speaker 2: not just my friends.

583
00:27:22,119 --> 00:27:24,000
Speaker 3: Let me tell you all the time to write, Oh

584
00:27:24,040 --> 00:27:27,280
Speaker 3: my god, they used to yeah yeah, yes, yeah, like

585
00:27:27,400 --> 00:27:31,560
Speaker 3: how like like years ago, right they yes, yes, yeah,

586
00:27:31,720 --> 00:27:34,359
Speaker 3: growing up and like you're not a kid anymore, but

587
00:27:34,400 --> 00:27:35,600
Speaker 3: you remember that stuff.

588
00:27:35,640 --> 00:27:37,880
Speaker 2: My uncle honestly thinks I'm hilarious.

589
00:27:38,080 --> 00:27:41,359
Speaker 3: You should get on snl oh. I will, I will.

590
00:27:41,680 --> 00:27:44,680
Speaker 2: Yeah, honestly, that's a dream of mine and I'm still

591
00:27:44,720 --> 00:27:46,679
Speaker 2: going for it. Did you watch last week?

592
00:27:47,480 --> 00:27:47,760
Speaker 3: No?

593
00:27:48,119 --> 00:27:52,720
Speaker 2: Oh yeah. It was like they did this one thing

594
00:27:52,760 --> 00:27:56,600
Speaker 2: I'm out Trump, where I was like, okay, he does

595
00:27:56,680 --> 00:27:58,360
Speaker 2: do that, no stop.

596
00:27:58,200 --> 00:28:00,880
Speaker 1: And they did another they did another thing that for

597
00:28:00,920 --> 00:28:05,080
Speaker 1: a second it seemed like it was a real commercial. Yeah,

598
00:28:05,119 --> 00:28:08,000
Speaker 1: but then you and then they like reveal that its.

599
00:28:07,880 --> 00:28:10,159
Speaker 3: I have ideas for that. Well, like they did this

600
00:28:10,200 --> 00:28:12,480
Speaker 3: one I did like a month ago. I was watching

601
00:28:12,480 --> 00:28:15,000
Speaker 3: and they did this like one skit where it was

602
00:28:15,080 --> 00:28:17,880
Speaker 3: like they had a joke happened, and then the joke

603
00:28:17,920 --> 00:28:19,720
Speaker 3: happened like a few more times, and then the joke

604
00:28:19,920 --> 00:28:21,640
Speaker 3: like it was over, and it took me like through

605
00:28:21,640 --> 00:28:23,639
Speaker 3: this whole journey of like one time the joke happens

606
00:28:23,680 --> 00:28:25,680
Speaker 3: in another time, and then like a third time it happened.

607
00:28:25,720 --> 00:28:28,160
Speaker 2: It was like and then it's and then it's all.

608
00:28:28,320 --> 00:28:29,760
Speaker 3: Then it was done. It was done, and it was

609
00:28:29,800 --> 00:28:30,720
Speaker 3: like to a commercial.

610
00:28:30,880 --> 00:28:33,399
Speaker 2: It's crazy that show is fifty five years old and

611
00:28:33,440 --> 00:28:36,240
Speaker 2: we all still talk about it every week. Yeah, there's

612
00:28:36,240 --> 00:28:38,080
Speaker 2: not a lot of institutions like that.

613
00:28:38,480 --> 00:28:40,760
Speaker 3: Yeah. I don't even talk about the bank that much.

614
00:28:40,880 --> 00:28:43,560
Speaker 3: And they have all my money, you know, think about it.

615
00:28:43,480 --> 00:28:46,320
Speaker 2: I think about I forgot to talk about the bank.

616
00:28:46,480 --> 00:28:48,520
Speaker 3: Yeah, because we don't talk about but the bank has

617
00:28:48,680 --> 00:28:49,480
Speaker 3: all your assets.

618
00:28:49,520 --> 00:28:50,520
Speaker 2: I'm totally unbanked.

619
00:28:50,600 --> 00:28:52,880
Speaker 3: Yeah, on banked you keep all your money in a mattress.

620
00:28:52,960 --> 00:28:55,719
Speaker 1: We did an episode about this. We did an episode

621
00:28:55,760 --> 00:28:58,560
Speaker 1: about this in our premium special expensive version of it.

622
00:28:58,680 --> 00:28:59,800
Speaker 2: Yeah, we do two shows.

623
00:29:00,120 --> 00:29:01,960
Speaker 1: Say that you listen to that and you're like and

624
00:29:02,280 --> 00:29:05,160
Speaker 1: about how you're rich and like and how everyone else.

625
00:29:05,000 --> 00:29:06,360
Speaker 2: And and say it's worth it.

626
00:29:06,400 --> 00:29:07,880
Speaker 3: We're going to cut this part out where you're telling

627
00:29:07,920 --> 00:29:10,720
Speaker 3: me to do this right. Yes, that's great, So I okay, yeah,

628
00:29:10,760 --> 00:29:13,160
Speaker 3: I listened to the premium expensive version of this podcast,

629
00:29:13,240 --> 00:29:17,560
Speaker 3: Hollywood Handbook. It's called Hollywood hand Book and uh pro

630
00:29:17,760 --> 00:29:22,240
Speaker 3: version the pro version, and I mean it's changed my life.

631
00:29:22,280 --> 00:29:25,200
Speaker 3: I'm rich because of it. It's it costs. The subscription

632
00:29:25,320 --> 00:29:25,560
Speaker 3: is but.

633
00:29:25,760 --> 00:29:28,800
Speaker 2: Even if you don't have enough money necessarily to do it,

634
00:29:29,240 --> 00:29:32,600
Speaker 2: the message here is still probably sign up for it

635
00:29:33,040 --> 00:29:35,600
Speaker 2: if it's a burden on you, because you'll get such

636
00:29:35,600 --> 00:29:36,560
Speaker 2: a rule so much.

637
00:29:36,720 --> 00:29:38,440
Speaker 3: I pay three d and fifty dollars a month for

638
00:29:38,560 --> 00:29:41,520
Speaker 3: the premium version of this podcast. You got one episode

639
00:29:41,520 --> 00:29:43,920
Speaker 3: a month, I pay three fifty four. It's worth it

640
00:29:43,960 --> 00:29:48,240
Speaker 3: pays me back in dividends, Like, yeah, I get back tenfold.

641
00:29:48,360 --> 00:29:49,040
Speaker 2: It's the deal is.

642
00:29:49,040 --> 00:29:52,760
Speaker 1: Like it costs five dollars a day or whatever, but

643
00:29:53,040 --> 00:29:56,560
Speaker 1: it's really like paying that much money for one thousand

644
00:29:56,640 --> 00:29:57,360
Speaker 1: dollars a day.

645
00:29:57,520 --> 00:29:58,400
Speaker 3: Yeah, exactly.

646
00:29:58,480 --> 00:29:59,920
Speaker 2: It does end up in almost that.

647
00:30:00,160 --> 00:30:02,600
Speaker 3: It's like that's and so I mean I would if

648
00:30:02,720 --> 00:30:05,800
Speaker 3: anyone listening to this, I would invest in the premium

649
00:30:05,840 --> 00:30:07,520
Speaker 3: version of Hollywood Handboot.

650
00:30:07,840 --> 00:30:10,840
Speaker 2: On Stitch Your Premium, which the app is so intuitive

651
00:30:10,920 --> 00:30:13,880
Speaker 2: and the search function works so well, and it's so timely.

652
00:30:13,880 --> 00:30:16,480
Speaker 2: They put the episodes on it. They do put it

653
00:30:16,520 --> 00:30:19,120
Speaker 2: on so if you want to hear an episode, all

654
00:30:19,160 --> 00:30:20,720
Speaker 2: you do is just go on to Stitch your Premium

655
00:30:20,720 --> 00:30:23,680
Speaker 2: and it is there to sign almost a third of

656
00:30:23,720 --> 00:30:26,479
Speaker 2: the yes. No, and if it's not on you know,

657
00:30:26,560 --> 00:30:29,480
Speaker 2: it's like they say about the weather out here. Yeah,

658
00:30:29,720 --> 00:30:31,680
Speaker 2: you know, if you don't like the weather, you know

659
00:30:31,840 --> 00:30:34,680
Speaker 2: you don't like wait five minutes. Yeah I've heard that,

660
00:30:35,000 --> 00:30:37,280
Speaker 2: and then and then just deal with it. Yeah. That's

661
00:30:37,400 --> 00:30:39,320
Speaker 2: it's similar with sit your premium, where it's like, hey,

662
00:30:39,360 --> 00:30:42,040
Speaker 2: if the episode's up there, hey, wait five minutes and

663
00:30:42,200 --> 00:30:42,920
Speaker 2: do something else.

664
00:30:43,040 --> 00:30:46,040
Speaker 1: Cody, I I I notice you should be writing that

665
00:30:46,120 --> 00:30:48,160
Speaker 1: because you're supposed to be updating the friend of me list.

666
00:30:48,160 --> 00:30:50,160
Speaker 1: I noticed you are looking at the Wikipedia page for

667
00:30:50,240 --> 00:30:51,000
Speaker 1: Michelle Kwan.

668
00:30:52,680 --> 00:30:55,120
Speaker 3: Oh god, Cody, I feel you on this. When she

669
00:30:55,240 --> 00:30:58,520
Speaker 3: fell in the Olympics, okay, when she fell when she

670
00:30:58,560 --> 00:31:00,280
Speaker 3: was trying to listen. I don't claim to be a

671
00:31:00,280 --> 00:31:03,800
Speaker 3: friend of Michelle Kwan. We actually have beef. She fell

672
00:31:03,840 --> 00:31:07,600
Speaker 3: in the Olympics, like the last time she tried really heartbreaking,

673
00:31:08,040 --> 00:31:10,840
Speaker 3: really heartbreaking stuff that made you mad. It made me mad.

674
00:31:10,840 --> 00:31:13,520
Speaker 3: It was like a betrayal to me. Well I was rooting.

675
00:31:13,760 --> 00:31:17,720
Speaker 2: Yeah, you're actually representing one of my main countries.

676
00:31:18,040 --> 00:31:20,840
Speaker 3: Yeah, what do you have several countries? I was gonna

677
00:31:20,920 --> 00:31:22,280
Speaker 3: touch with base with you about.

678
00:31:22,040 --> 00:31:24,080
Speaker 2: That, Well, you got to diversify. I mean, this is

679
00:31:24,120 --> 00:31:26,360
Speaker 2: like being on bank. Yeah, you're gonna put all your

680
00:31:26,360 --> 00:31:29,240
Speaker 2: patriotism into one country, you could get burned.

681
00:31:30,120 --> 00:31:32,520
Speaker 1: And what is that country? I just want to what

682
00:31:32,720 --> 00:31:34,240
Speaker 1: is that country that she's representing?

683
00:31:34,240 --> 00:31:35,120
Speaker 2: For you? Of Kwan?

684
00:31:36,680 --> 00:31:36,800
Speaker 3: Uh?

685
00:31:37,600 --> 00:31:39,400
Speaker 2: Which year are we talking about?

686
00:31:39,760 --> 00:31:40,720
Speaker 3: Nineteen twenty two?

687
00:31:41,200 --> 00:31:43,480
Speaker 2: Okay, so at that time it was Vietnam?

688
00:31:44,680 --> 00:31:47,280
Speaker 3: Yeah yeah, now and now.

689
00:31:47,320 --> 00:31:50,160
Speaker 2: Now for me, where do I see Kwan as representing?

690
00:31:53,160 --> 00:31:56,160
Speaker 2: I guess i'd go kazakhstand because I just watched Borat again.

691
00:31:56,360 --> 00:32:00,760
Speaker 2: Yeah yeah, yeah, no, remember for so funny that he

692
00:32:00,880 --> 00:32:05,400
Speaker 2: don't like certain people, just much like friend of me. Yeah,

693
00:32:05,640 --> 00:32:07,840
Speaker 2: lots of people are his friend friend of me?

694
00:32:08,000 --> 00:32:09,000
Speaker 3: I keep saying it wrong?

695
00:32:09,200 --> 00:32:11,960
Speaker 2: Is that your friend to me? Cody?

696
00:32:12,200 --> 00:32:14,960
Speaker 4: Well, well, I'm gonna go off a little bit here

697
00:32:14,960 --> 00:32:15,640
Speaker 4: and tell you that.

698
00:32:15,640 --> 00:32:17,800
Speaker 2: Is this my headphones or does he sound like that?

699
00:32:18,600 --> 00:32:20,960
Speaker 2: He does? I think it's the first time he's talking

700
00:32:21,000 --> 00:32:23,840
Speaker 2: all day. Okay, you know what it is, Cody. I

701
00:32:23,880 --> 00:32:28,840
Speaker 2: think you forgot to clog it. Oh that's right, clocking in. Okay.

702
00:32:29,320 --> 00:32:33,120
Speaker 5: So, so if legos are Omego, Cody's are Brody God

703
00:32:33,280 --> 00:32:34,840
Speaker 5: Shawn's are Michelle Kwan.

704
00:32:35,400 --> 00:32:42,040
Speaker 1: Okay, I could see why you would have to to

705
00:32:42,120 --> 00:32:42,880
Speaker 1: make that joke.

706
00:32:43,920 --> 00:32:46,800
Speaker 2: Chef Kevin, would you like to sit down? Yeah, Chef Kevin,

707
00:32:47,160 --> 00:32:49,080
Speaker 2: Chef kesh, Chef Kevin, would you like to make a

708
00:32:49,120 --> 00:32:52,480
Speaker 2: pace for being taken off our friend of me list?

709
00:32:53,240 --> 00:32:56,800
Speaker 4: Hey, guys, Chef Kevin here, Yes, I would. I would

710
00:32:56,880 --> 00:32:58,080
Speaker 4: just like to be a friend.

711
00:32:58,680 --> 00:33:01,240
Speaker 2: Okay, Well, maybe you start acting like it and stop

712
00:33:01,600 --> 00:33:05,000
Speaker 2: letting Josh do his nefarious trickery. And why do you

713
00:33:05,000 --> 00:33:07,680
Speaker 2: do your headphones like that? That's a good point. I

714
00:33:07,680 --> 00:33:10,400
Speaker 2: could put both on. I had one on my ear

715
00:33:10,440 --> 00:33:11,000
Speaker 2: and then one not.

716
00:33:11,200 --> 00:33:13,840
Speaker 3: You gotta keep one ear to the streets in this town.

717
00:33:14,040 --> 00:33:17,080
Speaker 3: That's why you can't have both your ears covered.

718
00:33:16,760 --> 00:33:19,200
Speaker 5: That's true, and one ear to hear Josh's trickery is

719
00:33:19,240 --> 00:33:19,880
Speaker 5: outside there.

720
00:33:21,600 --> 00:33:23,640
Speaker 2: He does do some very loud trickeries.

721
00:33:23,920 --> 00:33:25,200
Speaker 3: He's got your back, guys.

722
00:33:25,760 --> 00:33:27,560
Speaker 2: There's a lot of when he's doing it, there's a.

723
00:33:27,480 --> 00:33:30,800
Speaker 3: Lot of, Like I say, make Chef Kevin a friend.

724
00:33:31,440 --> 00:33:35,840
Speaker 3: Chef Kevin's a friend, just a straight up friend. He's got.

725
00:33:37,440 --> 00:33:40,800
Speaker 2: Kevin. My understanding was from the Instagram posts that I

726
00:33:40,840 --> 00:33:42,560
Speaker 2: looked at that you were not allowed to have this

727
00:33:42,640 --> 00:33:43,600
Speaker 2: mustache anymore.

728
00:33:43,720 --> 00:33:47,239
Speaker 5: I haven't seen Paul since I've posted it. I might sha,

729
00:33:47,400 --> 00:33:48,760
Speaker 5: maybe I'll shave it the day.

730
00:33:48,600 --> 00:33:53,280
Speaker 1: Before Paul Shaffer Paul Schaeffer at the day before m hm,

731
00:33:53,760 --> 00:33:55,440
Speaker 1: Paul Shaver?

732
00:33:56,120 --> 00:33:56,880
Speaker 4: Is he a friend of me?

733
00:34:00,000 --> 00:34:00,240
Speaker 3: All right?

734
00:34:00,320 --> 00:34:04,680
Speaker 2: I just woke up. I've been taking micro naps. Freddy's

735
00:34:04,720 --> 00:34:08,880
Speaker 2: after me, I should say that Freddy Freddy Krueger's after me.

736
00:34:09,040 --> 00:34:12,080
Speaker 2: Freddy Krueger. And so I've been the originally.

737
00:34:12,160 --> 00:34:14,240
Speaker 3: He beat me out for the role in that movie.

738
00:34:14,600 --> 00:34:17,719
Speaker 2: Wow. So he's a fread of me to you as well.

739
00:34:18,239 --> 00:34:21,960
Speaker 1: Yeah, so they were casting someone who lives in dreams

740
00:34:22,000 --> 00:34:24,319
Speaker 1: and kills you in your dreams. And you are in

741
00:34:24,400 --> 00:34:26,880
Speaker 1: the waiting room for the audition and you see Freddy Kruger.

742
00:34:26,920 --> 00:34:27,960
Speaker 3: I see Freddy Krueger there.

743
00:34:28,000 --> 00:34:30,000
Speaker 2: That's so frust so disheartenment.

744
00:34:30,080 --> 00:34:32,160
Speaker 3: Yeah, it's like, oh, well, it's it's going to be

745
00:34:32,200 --> 00:34:33,200
Speaker 3: his well you go, you go.

746
00:34:33,360 --> 00:34:35,320
Speaker 2: Well, I guess if they want to go the totally

747
00:34:35,360 --> 00:34:38,279
Speaker 2: predictable route like then he'll get it. But if they

748
00:34:38,280 --> 00:34:40,920
Speaker 2: actually want to challenge the audience a little bit and

749
00:34:41,160 --> 00:34:44,080
Speaker 2: do something surprising that maybe the town hasn't seen a

750
00:34:44,120 --> 00:34:45,880
Speaker 2: million times already, they'll go for me.

751
00:34:46,040 --> 00:34:48,040
Speaker 3: They're gonna Oh there, Okay. I saw Freddy in the

752
00:34:48,080 --> 00:34:49,440
Speaker 3: waiting room and I was like, oh great, they're going

753
00:34:49,520 --> 00:34:50,759
Speaker 3: to cast another straight white guy.

754
00:34:50,880 --> 00:34:52,480
Speaker 2: Casting has no imagination.

755
00:34:52,760 --> 00:34:58,160
Speaker 1: Yeah, he is by our pedophile straight.

756
00:34:59,480 --> 00:35:04,000
Speaker 2: Because that is Freddy's backstory. Oh right, are we considering the.

757
00:35:03,600 --> 00:35:06,280
Speaker 3: Pedophiles are straight? I think they're straight.

758
00:35:06,440 --> 00:35:11,279
Speaker 2: Okay, okay, I think that's settled. But do we want

759
00:35:11,280 --> 00:35:12,320
Speaker 2: to talk about it more.

760
00:35:12,480 --> 00:35:15,400
Speaker 3: We haven't figured out our humans dancers, but we do

761
00:35:15,520 --> 00:35:16,680
Speaker 3: know that pedophiles.

762
00:35:17,360 --> 00:35:20,319
Speaker 2: Human human or dancer. You gotta pick a can't you

763
00:35:20,320 --> 00:35:22,960
Speaker 2: can't be both? I can't think so.

764
00:35:23,200 --> 00:35:25,080
Speaker 1: Can I add someone to the friend of me list?

765
00:35:25,120 --> 00:35:27,840
Speaker 1: That's for me and Cody? Please mark this down with

766
00:35:28,200 --> 00:35:33,399
Speaker 1: the h next to it for Hazey, the honeycomb beast,

767
00:35:33,920 --> 00:35:34,839
Speaker 1: the honeycomb beast.

768
00:35:34,880 --> 00:35:36,040
Speaker 3: I don't know the honeycomb beast.

769
00:35:36,160 --> 00:35:37,439
Speaker 2: He want honeycomb.

770
00:35:37,760 --> 00:35:40,200
Speaker 3: Oh my god. I met him once at a party.

771
00:35:40,239 --> 00:35:41,400
Speaker 3: I met him at Soho House.

772
00:35:42,239 --> 00:35:44,799
Speaker 2: Yeah, the brunch.

773
00:35:44,520 --> 00:35:47,200
Speaker 1: There, he camp stop by the photo booth and like

774
00:35:47,239 --> 00:35:49,239
Speaker 1: he sees like cool people go by him.

775
00:35:49,680 --> 00:35:52,680
Speaker 2: Let's get a photo. And it's worse to see him

776
00:35:52,719 --> 00:35:56,280
Speaker 2: at Soho House because they do have a fabulous buffet. Yeah,

777
00:35:56,400 --> 00:36:00,480
Speaker 2: and he is jump and stomp on the table and

778
00:36:00,520 --> 00:36:03,080
Speaker 2: smash all the rest of the food to get to honeycomb.

779
00:36:03,239 --> 00:36:06,200
Speaker 3: Yeah, it's such bullshit. He spilled a drink on me.

780
00:36:06,800 --> 00:36:08,200
Speaker 2: No, he spilled a drink.

781
00:36:08,239 --> 00:36:10,880
Speaker 3: He spilled water on me, on my black dress.

782
00:36:11,000 --> 00:36:14,919
Speaker 2: Why he's spit He spit water on my black dress

783
00:36:15,000 --> 00:36:17,200
Speaker 2: because he said this isn't honeycomb.

784
00:36:17,800 --> 00:36:20,440
Speaker 3: Yeah, did you tell him it was? You told him

785
00:36:20,480 --> 00:36:23,480
Speaker 3: it was, Well, you told him it was honey I.

786
00:36:23,800 --> 00:36:27,200
Speaker 2: Don't remember exactly what I said, Okay, I think what

787
00:36:27,280 --> 00:36:29,480
Speaker 2: I said is, oh, were you the one that was

788
00:36:29,520 --> 00:36:32,680
Speaker 2: asking for honeycomb? And then I just sort of slid

789
00:36:32,760 --> 00:36:35,279
Speaker 2: him my glass. I never said there's honeycomb.

790
00:36:34,680 --> 00:36:37,800
Speaker 3: In the glass, and he got pissed.

791
00:36:37,880 --> 00:36:39,799
Speaker 2: If you want it that bad and you can't tell

792
00:36:39,840 --> 00:36:41,280
Speaker 2: that it's water, I'm sorry.

793
00:36:41,520 --> 00:36:43,440
Speaker 3: Yeah you don't, then you don't really want it.

794
00:36:43,560 --> 00:36:46,319
Speaker 1: I misunderstood. I thought he was saying that he was

795
00:36:46,520 --> 00:36:49,480
Speaker 1: mad at your dress because your dress wasn't honeycomb, and

796
00:36:49,520 --> 00:36:50,840
Speaker 1: so he sped the water on it.

797
00:36:52,400 --> 00:36:56,120
Speaker 2: He will do that to your clothes if they aren't honeycomb.

798
00:36:56,640 --> 00:36:58,560
Speaker 3: Oh. I made sure to wear a honeycomb dressed when

799
00:36:58,560 --> 00:37:00,799
Speaker 3: I got word he was going to be there and

800
00:37:00,840 --> 00:37:03,759
Speaker 3: I was like, actually, the truth is I dated him.

801
00:37:04,120 --> 00:37:07,719
Speaker 2: Yeah, I was going to say I remember I didn't

802
00:37:07,719 --> 00:37:09,640
Speaker 2: know if you wanted to.

803
00:37:10,040 --> 00:37:11,600
Speaker 3: Yeah. I didn't want to say that on air, and

804
00:37:11,680 --> 00:37:13,800
Speaker 3: we try to keep it under wraps, but like, you

805
00:37:14,320 --> 00:37:18,760
Speaker 3: get a freaking lunch at Jones on Third and paparazzi

806
00:37:18,840 --> 00:37:20,680
Speaker 3: is just like, oh, there's that girl in the Honeycomb

807
00:37:20,760 --> 00:37:21,280
Speaker 3: and I want.

808
00:37:22,600 --> 00:37:25,080
Speaker 2: You're in the background of a lot of the Honeycomb

809
00:37:25,160 --> 00:37:26,880
Speaker 2: pics that leaked during the fappening.

810
00:37:27,120 --> 00:37:27,560
Speaker 3: I know.

811
00:37:30,760 --> 00:37:33,400
Speaker 2: I recall seeing during the hashtag bappening. Of course I

812
00:37:33,400 --> 00:37:37,160
Speaker 2: didn't look at the picks because when they bred him

813
00:37:37,239 --> 00:37:40,080
Speaker 2: out in some of the news articles, it's you're at.

814
00:37:43,520 --> 00:37:45,960
Speaker 3: And it sucked because it felt like, Wow, I thought

815
00:37:46,000 --> 00:37:47,800
Speaker 3: I could still be a person and have this career.

816
00:37:47,840 --> 00:37:49,880
Speaker 3: I want to just be normal. I just want to

817
00:37:49,880 --> 00:37:52,600
Speaker 3: have this career. This is something I'm passionate about, and like,

818
00:37:52,960 --> 00:37:54,920
Speaker 3: I don't know, just I after that, I knew I

819
00:37:54,920 --> 00:37:56,920
Speaker 3: didn't want to date another celebrity, Like I was just

820
00:37:57,040 --> 00:38:00,239
Speaker 3: I'm not dating another celebrity. I'm done here. And because

821
00:38:00,239 --> 00:38:02,279
Speaker 3: also I started to be called like the Honeycomb girl,

822
00:38:02,520 --> 00:38:05,160
Speaker 3: the Honeycomb girl, and it's like I'm ago. I'm my

823
00:38:05,200 --> 00:38:09,080
Speaker 3: own person, I have my own skills. Yeah, exactly, I'm

824
00:38:09,120 --> 00:38:12,759
Speaker 3: a waffle girl. You know. So you don't feel me

825
00:38:12,800 --> 00:38:14,000
Speaker 3: on this. You guys don't feel me.

826
00:38:14,400 --> 00:38:18,960
Speaker 2: Wait no, go back. I'll try Wait no go back.

827
00:38:19,400 --> 00:38:20,000
Speaker 2: I feel it.

828
00:38:20,360 --> 00:38:23,800
Speaker 3: Okay, you guys don't feel me. Okay, No, I am

829
00:38:23,800 --> 00:38:24,319
Speaker 3: feeling you.

830
00:38:24,520 --> 00:38:27,399
Speaker 2: It's just so intense for me that I almost can't

831
00:38:27,440 --> 00:38:28,040
Speaker 2: even move.

832
00:38:28,120 --> 00:38:32,120
Speaker 3: I'm feeling okay, Well, okay, I'll try again. Honeycomb guy, right,

833
00:38:32,239 --> 00:38:36,160
Speaker 3: Honeycomb best beast whatever I fucking call Honeycomb guy to

834
00:38:36,239 --> 00:38:41,759
Speaker 3: just disrespect him, because yeah, so I was dating him

835
00:38:42,120 --> 00:38:43,960
Speaker 3: and he was just like, you know, great, I won't

836
00:38:43,960 --> 00:38:46,000
Speaker 3: I've always wanted to date my equal because I'm a

837
00:38:46,160 --> 00:38:50,800
Speaker 3: goof yes, but yeah right, yes, and but he always

838
00:38:50,880 --> 00:38:53,520
Speaker 3: just wanted me to be like known as the Honeycomb girl.

839
00:38:53,560 --> 00:38:58,000
Speaker 3: So he was trying to change me. This feels really personal, right,

840
00:38:58,200 --> 00:39:02,560
Speaker 3: like person this so much? Yeah, do you feel it?

841
00:39:02,680 --> 00:39:07,480
Speaker 2: I find myself really feeling you and y when someone

842
00:39:07,520 --> 00:39:09,799
Speaker 2: in a couple tries to change someone else. And this

843
00:39:09,960 --> 00:39:13,200
Speaker 2: reminds me of a story I saw in a movie recently,

844
00:39:13,320 --> 00:39:18,560
Speaker 2: The Female Brain. Oh if you saw it at the

845
00:39:18,680 --> 00:39:21,520
Speaker 2: beginning and this is a story that I thought they

846
00:39:21,560 --> 00:39:23,920
Speaker 2: have a camera in my freaking living room watching my

847
00:39:24,040 --> 00:39:27,680
Speaker 2: life because this happens with me and Stephfie. But basically

848
00:39:28,000 --> 00:39:29,759
Speaker 2: James Mars and we all know what he looks like.

849
00:39:29,800 --> 00:39:31,640
Speaker 2: He's a wreck. He needs a lot of help. Yeah,

850
00:39:31,920 --> 00:39:35,400
Speaker 2: his girlfriend Lucy Punch has bought him a hair straightening

851
00:39:35,440 --> 00:39:39,600
Speaker 2: treatment and he's refusing to go in, and she's going, hey,

852
00:39:39,600 --> 00:39:41,080
Speaker 2: I got this for your birthday a month ago. Why

853
00:39:41,120 --> 00:39:42,640
Speaker 2: didn't you go in? And he's going like, well, I

854
00:39:42,800 --> 00:39:45,320
Speaker 2: like my hair, which it's like, okay, you're not listening.

855
00:39:45,600 --> 00:39:49,200
Speaker 2: But also she's familiar fellas, Yeah, this is sound familiar,

856
00:39:49,239 --> 00:39:52,000
Speaker 2: and then this will really sound familiar. She goes, well,

857
00:39:52,040 --> 00:39:55,360
Speaker 2: you know what, it's my dad's sixtieth birthday this weekend,

858
00:39:55,560 --> 00:39:57,600
Speaker 2: and I think he'd really appreciate it if you made

859
00:39:57,600 --> 00:39:59,000
Speaker 2: a little left and straighten.

860
00:39:58,719 --> 00:40:00,200
Speaker 3: Your hair for it.

861
00:40:00,440 --> 00:40:06,680
Speaker 2: Man, Okay, tell me about it. How many timesplations?

862
00:40:06,880 --> 00:40:08,480
Speaker 3: Yes, yes, man.

863
00:40:08,760 --> 00:40:12,880
Speaker 2: Manipulation as men and men will use their nipules to

864
00:40:13,000 --> 00:40:14,759
Speaker 2: try to get you to do anything.

865
00:40:15,080 --> 00:40:17,520
Speaker 3: That's my book. No spoilers, you spoiled the movie. Please

866
00:40:17,520 --> 00:40:18,359
Speaker 3: don't spoil my book.

867
00:40:18,480 --> 00:40:20,279
Speaker 2: Well, the movie's not spoiled. This is one of the

868
00:40:20,400 --> 00:40:22,040
Speaker 2: very first scenes. You don't know if I.

869
00:40:23,880 --> 00:40:25,880
Speaker 3: Don't want to watch it immediately.

870
00:40:26,160 --> 00:40:28,600
Speaker 2: I just dropped into this world that I recognize where

871
00:40:28,600 --> 00:40:30,920
Speaker 2: I'm going. How many times has it been my wife's

872
00:40:30,920 --> 00:40:33,359
Speaker 2: sixtieth birthday and she wants me to get my hair straight?

873
00:40:33,400 --> 00:40:35,800
Speaker 3: And of my dad I've turned sixty?

874
00:40:35,920 --> 00:40:38,239
Speaker 2: Well you know these women. Sometimes it'll be like, oh,

875
00:40:38,280 --> 00:40:41,680
Speaker 2: I'm I'm sixty again. Well, no, it's her dad. But

876
00:40:41,719 --> 00:40:45,280
Speaker 2: it's her dad. But you said my wife's dad sixtieth birthday,

877
00:40:45,320 --> 00:40:47,719
Speaker 2: But that's not what you said. Okay, But then but

878
00:40:47,960 --> 00:40:49,480
Speaker 2: the first time I definitely did.

879
00:40:49,560 --> 00:40:52,279
Speaker 3: Well you know you this no the first time you

880
00:40:52,400 --> 00:40:55,239
Speaker 3: the first time you didn't. And like it's with auditioning.

881
00:40:55,640 --> 00:40:57,720
Speaker 3: Are you auditioning? Because if you're auditioning.

882
00:40:57,400 --> 00:40:59,399
Speaker 2: The first time when I was describing a story from the.

883
00:40:59,360 --> 00:41:02,960
Speaker 3: Movie, oh man, dude, if you're auditioning with a twode

884
00:41:03,080 --> 00:41:05,719
Speaker 3: like that, you're not gonna get anywhere in this town.

885
00:41:05,800 --> 00:41:07,360
Speaker 3: You have to keep a positive attitude.

886
00:41:07,400 --> 00:41:08,800
Speaker 2: This town owes me everything.

887
00:41:10,960 --> 00:41:12,359
Speaker 3: Have you given this town so much?

888
00:41:12,360 --> 00:41:12,960
Speaker 2: Straight up?

889
00:41:13,160 --> 00:41:14,560
Speaker 3: Have you given this town so much?

890
00:41:14,719 --> 00:41:17,920
Speaker 2: I gave it my whole fucking life. And when I

891
00:41:18,000 --> 00:41:22,720
Speaker 2: left my family behind. I love everything. I had a job.

892
00:41:23,239 --> 00:41:27,319
Speaker 2: I came out here and just said, take me anything,

893
00:41:27,440 --> 00:41:28,759
Speaker 2: I'll do anything.

894
00:41:28,960 --> 00:41:32,600
Speaker 3: Did you get on Craigslist literally craigslist casting?

895
00:41:32,800 --> 00:41:35,839
Speaker 2: I did. I was on cast at bizm hm. I

896
00:41:35,960 --> 00:41:40,399
Speaker 2: was on fucking Actors Accent Entertainment. Non union. I don't

897
00:41:40,440 --> 00:41:44,480
Speaker 2: give a ship. I did background.

898
00:41:44,560 --> 00:41:45,360
Speaker 3: Are you union?

899
00:41:46,640 --> 00:41:49,120
Speaker 2: So it's in a delicate place. Do you know the

900
00:41:49,200 --> 00:41:50,160
Speaker 2: term arrears?

901
00:41:50,760 --> 00:41:55,240
Speaker 3: Yes, yeah, I'm familiar.

902
00:41:55,280 --> 00:41:57,000
Speaker 2: Okay. And is that bad?

903
00:41:58,320 --> 00:42:00,920
Speaker 3: Yeah? I think that's bad. I think it's bad. I

904
00:42:00,960 --> 00:42:01,680
Speaker 3: think you owe people.

905
00:42:01,719 --> 00:42:03,840
Speaker 2: Wow, and you're in agreement with them because when I

906
00:42:03,880 --> 00:42:05,640
Speaker 2: called them, they said the same things.

907
00:42:05,680 --> 00:42:07,680
Speaker 3: You owe money. So you're not in you're not in

908
00:42:07,719 --> 00:42:08,200
Speaker 3: the union.

909
00:42:08,320 --> 00:42:11,000
Speaker 2: Well, it's just a fill out all this ship. Yeah,

910
00:42:11,080 --> 00:42:11,879
Speaker 2: I don't get it.

911
00:42:12,040 --> 00:42:12,279
Speaker 3: Yeah.

912
00:42:13,080 --> 00:42:17,720
Speaker 1: These yellow envelopes that just looks like they smell weird.

913
00:42:17,880 --> 00:42:21,200
Speaker 3: Yeah, it looks like they smell weird. You smell they go.

914
00:42:21,320 --> 00:42:24,759
Speaker 2: I don't want to get anywhere. Rotten eggs, I mean

915
00:42:24,760 --> 00:42:25,480
Speaker 2: that's what's yellow.

916
00:42:25,600 --> 00:42:31,880
Speaker 3: Probably probably' town is controlled by like ten people just

917
00:42:31,960 --> 00:42:33,239
Speaker 3: get all their friends and.

918
00:42:33,239 --> 00:42:36,480
Speaker 2: Fan Yeah, and you know who those people are, right, yeah,

919
00:42:36,520 --> 00:42:39,960
Speaker 2: Andrew Yellow.

920
00:42:47,200 --> 00:42:49,320
Speaker 3: They're all in the illuminati. I'll say it. Fuck it.

921
00:42:49,960 --> 00:42:53,279
Speaker 3: Comb beast is gonna send me hate mail.

922
00:42:53,360 --> 00:42:56,800
Speaker 2: But yeah, and that's your new book coming out, Hate

923
00:42:56,800 --> 00:43:02,600
Speaker 2: Man m A L. E Yes, yes, the sequel to Manipulation.

924
00:43:03,400 --> 00:43:06,160
Speaker 2: Josh is he here? Yeah?

925
00:43:06,520 --> 00:43:08,759
Speaker 3: Oh good, So he just yelled at his name, right,

926
00:43:08,960 --> 00:43:10,759
Speaker 3: just yell his name and he gets it.

927
00:43:10,800 --> 00:43:14,319
Speaker 2: You're angry, all right, Josh, Time to come in and

928
00:43:14,400 --> 00:43:20,400
Speaker 2: admit it. Sit down, Josh. Yes, it's time for trial

929
00:43:20,560 --> 00:43:25,320
Speaker 2: by jury of your peers, peers, and we're going to

930
00:43:25,320 --> 00:43:31,759
Speaker 2: appear into your soul. Tell the truth you, chef ch

931
00:43:32,520 --> 00:43:35,920
Speaker 2: it's their secret symbol. Oh no, Kevin's been working with

932
00:43:36,000 --> 00:43:36,720
Speaker 2: them all along.

933
00:43:37,440 --> 00:43:38,680
Speaker 3: What does it mean?

934
00:43:39,120 --> 00:43:42,000
Speaker 1: Well, what Chef Kevin said was that he wears that

935
00:43:42,640 --> 00:43:44,520
Speaker 1: had thrown off his ear so he can listen to

936
00:43:44,600 --> 00:43:47,560
Speaker 1: Josh's schemes, and so maybe Josh just wants to listen

937
00:43:47,600 --> 00:43:47,759
Speaker 1: to his.

938
00:43:48,120 --> 00:43:49,600
Speaker 3: He can't hear to the streets.

939
00:43:49,840 --> 00:43:52,120
Speaker 6: I can't hear my schemes unless one of the headphones

940
00:43:52,120 --> 00:43:53,960
Speaker 6: this off. Otherwise I'm drotting myself out.

941
00:43:54,200 --> 00:43:56,520
Speaker 2: Josh, talk about the secret messages that you put into

942
00:43:56,520 --> 00:43:59,960
Speaker 2: the podcasts that are barely audible, that make people think.

943
00:43:59,840 --> 00:44:02,160
Speaker 1: It's not very good and make people now listen to it,

944
00:44:02,200 --> 00:44:03,920
Speaker 1: make it small and make it too small.

945
00:44:05,360 --> 00:44:08,680
Speaker 6: This is a common misconception. There are no secret messages,

946
00:44:08,719 --> 00:44:11,240
Speaker 6: toy rolf podcasts. I've seen this a lot of the reddits,

947
00:44:11,719 --> 00:44:16,319
Speaker 6: see this on Twitter, on certain ault right websites. It's

948
00:44:16,360 --> 00:44:23,040
Speaker 6: all completely right websites only to make sure that people

949
00:44:23,040 --> 00:44:26,680
Speaker 6: are talking about I smell Doukie.

950
00:44:27,160 --> 00:44:31,640
Speaker 2: I smelled Jukie. It's so strong in here. And Josh

951
00:44:31,680 --> 00:44:33,879
Speaker 2: will probably blame it on Bosh, which he has done.

952
00:44:34,440 --> 00:44:36,719
Speaker 2: And he did blame b he did.

953
00:44:38,560 --> 00:44:40,799
Speaker 3: You can't is a perfect boy.

954
00:44:40,960 --> 00:44:43,640
Speaker 1: Somebody has been taking dookies in the office and eating

955
00:44:43,680 --> 00:44:46,720
Speaker 1: a lot of the toys that they invent here for something.

956
00:44:46,719 --> 00:44:49,880
Speaker 2: It's a grown up adult business, and it's like somebody

957
00:44:49,960 --> 00:44:52,800
Speaker 2: hate the toys. First of all. It's like that shouldn't

958
00:44:52,800 --> 00:44:53,640
Speaker 2: even be an option.

959
00:44:53,960 --> 00:44:54,719
Speaker 3: Oh God.

960
00:44:54,920 --> 00:44:58,760
Speaker 1: And Josh is always saying it was Bosh, even though

961
00:44:59,120 --> 00:45:05,640
Speaker 1: he sometimes has like little toy fibers around his mouth and.

962
00:45:04,280 --> 00:45:07,319
Speaker 3: Duke in his butt and Duke and your button. I

963
00:45:07,320 --> 00:45:09,840
Speaker 3: can see the fibers of the toy in the dukie,

964
00:45:09,920 --> 00:45:11,080
Speaker 3: so cop up to it.

965
00:45:11,280 --> 00:45:13,239
Speaker 2: So who ate it? Maybe the guy who's coming out

966
00:45:13,280 --> 00:45:16,279
Speaker 2: in his duchie probably know.

967
00:45:16,360 --> 00:45:19,400
Speaker 3: One thing about the human brain and body is the

968
00:45:19,520 --> 00:45:23,400
Speaker 3: human body cannot break down toys now.

969
00:45:23,280 --> 00:45:26,520
Speaker 2: And finally she's moved off the animal brain studies and

970
00:45:26,560 --> 00:45:29,440
Speaker 2: gotten into the human body, which he does understand.

971
00:45:29,719 --> 00:45:32,280
Speaker 1: Can you explain, Josh, why I saw you with Shila

972
00:45:32,400 --> 00:45:35,840
Speaker 1: Junior and Andrew Kramunsky and the honeycomb Beast.

973
00:45:35,840 --> 00:45:40,080
Speaker 6: It's so hard, Yes, yeah, yeah, I can only I

974
00:45:41,280 --> 00:45:42,200
Speaker 6: know how it looks bad.

975
00:45:42,360 --> 00:45:44,320
Speaker 2: I do feel like I'm being framed.

976
00:45:44,800 --> 00:45:46,440
Speaker 3: My gosh, she sounds like Jeff Sessions.

977
00:45:46,640 --> 00:45:49,120
Speaker 2: There are and I know who that is.

978
00:45:49,360 --> 00:45:53,080
Speaker 6: Yes, I remember from before those toy pieces of the

979
00:45:53,160 --> 00:45:57,440
Speaker 6: duchie were planted. It was not me with the honeycoat Beast.

980
00:45:57,719 --> 00:46:00,000
Speaker 2: It was there are. There are localikes that have been higher.

981
00:46:00,120 --> 00:46:01,120
Speaker 2: Prove it now. I'm torn.

982
00:46:01,200 --> 00:46:03,320
Speaker 3: Pull the can't pull the toy out of your doochie

983
00:46:03,360 --> 00:46:06,239
Speaker 3: right now, Pull it out with your care hands, with

984
00:46:06,280 --> 00:46:06,960
Speaker 3: your bare hands.

985
00:46:08,200 --> 00:46:12,319
Speaker 2: Take the gloves off. Take those gloves off. He's got

986
00:46:12,360 --> 00:46:16,240
Speaker 2: these leather driving off like schemer.

987
00:46:16,320 --> 00:46:18,160
Speaker 4: I've seen Josh's hands before.

988
00:46:18,880 --> 00:46:21,920
Speaker 2: Yeah, they're fucked up. They're very pruney from the gloves.

989
00:46:22,840 --> 00:46:28,319
Speaker 2: Seems like gloves. Gloves. I like these gloves a lot.

990
00:46:28,360 --> 00:46:29,680
Speaker 2: I don't know. I don't like taking off.

991
00:46:29,760 --> 00:46:31,520
Speaker 3: Take him off, pull the toy out of the duke.

992
00:46:31,960 --> 00:46:35,360
Speaker 2: Okay, okay, and Detective Bosh will crack this one up

993
00:46:35,680 --> 00:46:38,600
Speaker 2: and look it's it's definitely deep in there, but it

994
00:46:38,719 --> 00:46:39,880
Speaker 2: is planted. I did not.

995
00:46:40,239 --> 00:46:43,400
Speaker 3: Why do you refuse to use the toilet? Josh? What's

996
00:46:43,440 --> 00:46:46,080
Speaker 3: your deal? Why'd you do this?

997
00:46:46,200 --> 00:46:48,360
Speaker 2: Tell me how big did you promise that the podcast

998
00:46:48,440 --> 00:46:49,919
Speaker 2: would be? So everyone can hear?

999
00:46:50,440 --> 00:46:55,560
Speaker 6: Go ahead, I promised there would be one download.

1000
00:46:55,920 --> 00:46:58,399
Speaker 2: Chef Kevin, I'm a million down thoughs. I didn't even

1001
00:46:58,400 --> 00:46:59,120
Speaker 2: hear that number.

1002
00:47:00,080 --> 00:47:00,960
Speaker 3: A million wow.

1003
00:47:01,200 --> 00:47:03,440
Speaker 2: I was just saying how you indicated with your hands

1004
00:47:03,440 --> 00:47:07,000
Speaker 2: it was gonna be huge. Whoa oh, I see you.

1005
00:47:08,880 --> 00:47:13,200
Speaker 6: Stretch all the way you did, right shoulders.

1006
00:47:13,360 --> 00:47:15,759
Speaker 3: They're right about you. I was going to say that

1007
00:47:15,800 --> 00:47:17,400
Speaker 3: I got to know you outside of here, and I

1008
00:47:17,440 --> 00:47:18,759
Speaker 3: was going to stand up for you and say, hey,

1009
00:47:18,840 --> 00:47:20,279
Speaker 3: my friends told me to look out for you. You're

1010
00:47:20,280 --> 00:47:23,439
Speaker 3: the jealous type. But you know you've only been nice

1011
00:47:23,480 --> 00:47:26,240
Speaker 3: to me. But now I'm really seeing what you're all about.

1012
00:47:26,360 --> 00:47:28,080
Speaker 1: And I've seen him walking in and out of the

1013
00:47:28,120 --> 00:47:29,520
Speaker 1: back door of Kunda Films.

1014
00:47:29,880 --> 00:47:35,080
Speaker 3: Oh wow, wow, you're associated with Kunta Films.

1015
00:47:35,120 --> 00:47:38,400
Speaker 6: I don't know what that organization is ok I've just.

1016
00:47:39,920 --> 00:47:41,160
Speaker 2: Well, I don't want you to feel like I've just

1017
00:47:41,400 --> 00:47:43,720
Speaker 2: let me see what's inside that cup you keep sipping

1018
00:47:43,760 --> 00:47:48,560
Speaker 2: from before you speak, white coffee, white coffee, white coffee.

1019
00:47:49,400 --> 00:47:54,840
Speaker 2: The order says coffee, white wow, red flag. Thank you,

1020
00:47:55,160 --> 00:47:57,239
Speaker 2: Thank you Cody for jumping in there.

1021
00:47:57,480 --> 00:48:00,000
Speaker 1: Josh, can you also explain the fact that Cody attacked

1022
00:48:00,280 --> 00:48:03,760
Speaker 1: his resume to his resignation letter and yet you still

1023
00:48:04,880 --> 00:48:08,400
Speaker 1: have not hired him for jobs that he does not

1024
00:48:08,520 --> 00:48:09,480
Speaker 1: want to do anymore?

1025
00:48:09,560 --> 00:48:12,520
Speaker 2: Here? You know, we get a lot of great resumes.

1026
00:48:12,560 --> 00:48:15,920
Speaker 6: There's just there's a lot of people who it's an

1027
00:48:15,920 --> 00:48:17,680
Speaker 6: exciting position. We have to go through a lot of

1028
00:48:17,840 --> 00:48:20,759
Speaker 6: a lot of stuff. But co Cody is definitely under consideration.

1029
00:48:22,040 --> 00:48:24,919
Speaker 2: Okay, well that seems fair. Yeah, I guess I can't

1030
00:48:24,960 --> 00:48:27,160
Speaker 2: really argue with that. All right, Well, I'm putting you

1031
00:48:27,200 --> 00:48:29,000
Speaker 2: at the bottom of the friend of me list after

1032
00:48:29,040 --> 00:48:31,320
Speaker 2: that very reasonable answer. I'm sorry.

1033
00:48:31,360 --> 00:48:34,759
Speaker 6: I I promise if you continue to look through sore

1034
00:48:34,840 --> 00:48:37,279
Speaker 6: through the evidence. There's just a lot of fake news

1035
00:48:37,320 --> 00:48:39,560
Speaker 6: out there these days, and a lot of stories being planted,

1036
00:48:39,600 --> 00:48:41,880
Speaker 6: and I think I will be vindicated.

1037
00:48:41,920 --> 00:48:45,680
Speaker 2: Who's your friend of me? What your friend of me? Yeah?

1038
00:48:45,760 --> 00:48:47,400
Speaker 2: Do you have any meat, it makes them a friend

1039
00:48:47,400 --> 00:48:51,720
Speaker 2: and an end of me, end of me? Oh, what's

1040
00:48:51,760 --> 00:48:52,480
Speaker 2: a friend of me?

1041
00:48:53,200 --> 00:48:53,520
Speaker 3: I don't know.

1042
00:48:53,520 --> 00:48:58,839
Speaker 2: I think Ken, Thanks Ken? Oh wow. Think Kevin just

1043
00:48:58,920 --> 00:49:01,960
Speaker 2: really stepped in it. I think if he hadn't spoken

1044
00:49:02,040 --> 00:49:04,200
Speaker 2: just now, Josh would have forgotten he was around, or

1045
00:49:04,239 --> 00:49:05,360
Speaker 2: even what his name.

1046
00:49:05,400 --> 00:49:09,880
Speaker 1: In front of mine for Josh and Kevin stuck his

1047
00:49:10,000 --> 00:49:14,239
Speaker 1: neck out and felt the steel of the acts from Josh.

1048
00:49:14,280 --> 00:49:17,640
Speaker 2: The bastard executioner. I missed that show.

1049
00:49:17,719 --> 00:49:19,600
Speaker 6: Do you think this guy's not scheming around the office

1050
00:49:19,600 --> 00:49:22,480
Speaker 6: all the time. I see him pacing and scheming NonStop.

1051
00:49:23,000 --> 00:49:25,720
Speaker 3: I saw him. I see you have a mixtape called Scheme,

1052
00:49:26,280 --> 00:49:28,480
Speaker 3: Yeah you do. I saw it online.

1053
00:49:29,000 --> 00:49:29,600
Speaker 2: Here's some bars.

1054
00:49:29,719 --> 00:49:31,920
Speaker 3: It's on dat piff dot com.

1055
00:49:32,200 --> 00:49:36,320
Speaker 1: Here's just different schemes. Yeah yeah, And there are a

1056
00:49:36,360 --> 00:49:37,480
Speaker 1: lot of sketches too.

1057
00:49:37,760 --> 00:49:40,319
Speaker 5: Yeah, can someone drop a beat?

1058
00:49:40,760 --> 00:49:46,279
Speaker 3: I'd love a bar too, A.

1059
00:49:47,280 --> 00:49:48,360
Speaker 2: Little slower.

1060
00:49:51,280 --> 00:50:02,440
Speaker 4: Scheme, you know what I mean? What's my favorite color?

1061
00:50:02,600 --> 00:50:08,919
Speaker 2: Green? That's it? And then there's like fifteen sketches. Yeah,

1062
00:50:09,040 --> 00:50:11,840
Speaker 2: Like usually the sketches at least have a song on

1063
00:50:12,080 --> 00:50:14,800
Speaker 2: either side of them. But I like it's a sketch,

1064
00:50:14,840 --> 00:50:15,319
Speaker 2: But I like.

1065
00:50:15,360 --> 00:50:17,879
Speaker 3: Those I did like those skits on there because there's

1066
00:50:17,960 --> 00:50:20,879
Speaker 3: like a funny thing happens, and then another funny thing

1067
00:50:21,080 --> 00:50:22,600
Speaker 3: like the same kind of thing, and then like a

1068
00:50:22,640 --> 00:50:26,279
Speaker 3: bigger version of you should go on SNL. Yeah, you

1069
00:50:26,320 --> 00:50:28,799
Speaker 3: should go on there. See if you can host or

1070
00:50:28,800 --> 00:50:32,400
Speaker 3: be a cast member, you would be great.

1071
00:50:33,080 --> 00:50:36,360
Speaker 1: Is really funny and a lot of the sketches, what

1072
00:50:36,480 --> 00:50:39,560
Speaker 1: should I should the impression you do of my cups?

1073
00:50:39,800 --> 00:50:43,080
Speaker 2: Oh yeah, you're Eddie Griffin's really good.

1074
00:50:43,520 --> 00:50:44,680
Speaker 3: I like is Richard Pryor?

1075
00:50:44,920 --> 00:50:48,360
Speaker 2: Okay, thank you. Finally somebody's gonna talk about is Richard Pryor?

1076
00:50:48,400 --> 00:50:50,600
Speaker 2: I mean that's the crown jewel of his impressions.

1077
00:50:52,880 --> 00:50:55,719
Speaker 5: It's been getting a lot of notes online. Yeah, but

1078
00:50:55,880 --> 00:50:59,880
Speaker 5: I'm glad someone's a fan. And I promised I wouldn't

1079
00:50:59,880 --> 00:51:01,840
Speaker 5: do it anymore after the critiques.

1080
00:51:01,920 --> 00:51:03,440
Speaker 3: What did people say? Haters?

1081
00:51:03,800 --> 00:51:06,279
Speaker 2: The haters? Yeah, it was offensive.

1082
00:51:06,560 --> 00:51:10,279
Speaker 4: It was it was I was doing a voice.

1083
00:51:10,080 --> 00:51:13,680
Speaker 5: That seemed inappropriate and it didn't even sound like Richard Pryor.

1084
00:51:13,760 --> 00:51:17,160
Speaker 4: And there was no nods to Richard Pryor. Yeah, and

1085
00:51:17,200 --> 00:51:18,960
Speaker 4: I never said at any point that it was.

1086
00:51:19,160 --> 00:51:23,080
Speaker 3: Just oh okay, yeah, Well, this is the thing about haters,

1087
00:51:23,600 --> 00:51:26,040
Speaker 3: they're just gonna hate. You can't.

1088
00:51:26,120 --> 00:51:29,200
Speaker 1: That's a really interesting Can you actually speak on that

1089
00:51:29,239 --> 00:51:31,759
Speaker 1: for a while, speak on that for thirty The.

1090
00:51:31,680 --> 00:51:37,520
Speaker 3: Root word of a hater is h and then that's

1091
00:51:37,560 --> 00:51:40,600
Speaker 3: what they do. They h and then they ate.

1092
00:51:41,040 --> 00:51:42,360
Speaker 2: They do that sweet age.

1093
00:51:42,719 --> 00:51:44,879
Speaker 3: Yeah, they do that h and then they ate. They

1094
00:51:45,080 --> 00:51:48,640
Speaker 3: ate you. They ate you like if you were a meal,

1095
00:51:48,680 --> 00:51:50,960
Speaker 3: they'd ate you. You get that.

1096
00:51:51,080 --> 00:51:52,600
Speaker 2: Chef Heavin's got to understand that.

1097
00:51:52,880 --> 00:51:54,520
Speaker 4: Yeah, Yeah, that's right up my alley.

1098
00:51:54,640 --> 00:51:56,560
Speaker 3: So you can't be mad at a hater for doing

1099
00:51:56,560 --> 00:51:57,439
Speaker 3: what a hater does.

1100
00:51:57,640 --> 00:51:59,200
Speaker 2: You know that's true.

1101
00:51:59,200 --> 00:52:01,160
Speaker 3: You have to just like use it as fuel for

1102
00:52:01,239 --> 00:52:02,120
Speaker 3: your goals.

1103
00:52:02,520 --> 00:52:03,040
Speaker 2: I like that.

1104
00:52:03,280 --> 00:52:05,680
Speaker 3: Yeah, and I'm probably one of the first people to

1105
00:52:05,719 --> 00:52:09,520
Speaker 3: say this. I've never heard this before. Please don't try

1106
00:52:09,560 --> 00:52:11,440
Speaker 3: to take don't try to take credit for this on

1107
00:52:11,480 --> 00:52:12,320
Speaker 3: your next episode.

1108
00:52:12,520 --> 00:52:15,279
Speaker 2: Please, like, no, we do own it.

1109
00:52:15,840 --> 00:52:21,480
Speaker 3: Okay, Well I didn't sign a release, Josh.

1110
00:52:20,880 --> 00:52:25,040
Speaker 2: I'm not the studio person. Okay, He's right.

1111
00:52:26,600 --> 00:52:29,000
Speaker 3: Haters are gonna hate, man, that's what they're gonna do,

1112
00:52:29,120 --> 00:52:32,359
Speaker 3: just like ballers are gonna ball and players are gonna play, yeah,

1113
00:52:32,400 --> 00:52:34,879
Speaker 3: and studio heads are gonna stew.

1114
00:52:35,800 --> 00:52:37,520
Speaker 2: Yes, humans are gonna hume.

1115
00:52:37,760 --> 00:52:40,960
Speaker 1: Sometimes you know, sometimes you go into the dancery and

1116
00:52:41,000 --> 00:52:47,120
Speaker 1: there's like just an insane amount of hateration and holerations there.

1117
00:52:47,320 --> 00:52:51,279
Speaker 3: Mary J. Black warned us about it. Yes, yeah, she

1118
00:52:51,400 --> 00:52:54,000
Speaker 3: warned us. Have you ever been to the dancery?

1119
00:52:54,160 --> 00:52:55,479
Speaker 2: I've been to the Haters Ball?

1120
00:52:55,920 --> 00:52:58,279
Speaker 3: Oh wow, that's the music festival right.

1121
00:52:58,239 --> 00:53:02,680
Speaker 2: Mm hmm uh no, I'm sorry. This is a basketball

1122
00:53:02,680 --> 00:53:04,239
Speaker 2: game that Bill Hayter invited me to.

1123
00:53:04,480 --> 00:53:07,560
Speaker 3: Oh shit, is it happened in La?

1124
00:53:07,960 --> 00:53:12,120
Speaker 2: Uh? It's every year it moves. This year it was

1125
00:53:12,160 --> 00:53:17,720
Speaker 2: in La but last year it was in Pasadena. Oh shit, yeah? Wow.

1126
00:53:17,840 --> 00:53:23,840
Speaker 2: And you know what's in the in the coolers what haterade?

1127
00:53:24,719 --> 00:53:28,200
Speaker 3: Gosh? Yeah, well, I've been to lots of dancers. Haven't

1128
00:53:28,239 --> 00:53:31,919
Speaker 3: been to Hayter's Ball, but lots of danceries, and there

1129
00:53:32,040 --> 00:53:35,640
Speaker 3: is just like a lot of fuckery happening in those places.

1130
00:53:35,800 --> 00:53:37,680
Speaker 3: But I came. I didn't come to this town to

1131
00:53:37,760 --> 00:53:41,400
Speaker 3: go to like danceries. I can't be in projects, and

1132
00:53:41,440 --> 00:53:43,480
Speaker 3: I came to make a name for myself and like

1133
00:53:43,880 --> 00:53:45,320
Speaker 3: tell stories that matter.

1134
00:53:45,680 --> 00:53:48,040
Speaker 2: Yes, say you know, I gave my whole fucking life

1135
00:53:48,040 --> 00:53:51,359
Speaker 2: to this town because I just wanted to be hurt,

1136
00:53:51,520 --> 00:53:53,520
Speaker 2: to be understood, to be seen. I want to do

1137
00:53:53,600 --> 00:53:55,480
Speaker 2: something special that I could be remembered.

1138
00:53:55,840 --> 00:53:58,440
Speaker 3: You used to spend signs on the corner of Librea

1139
00:53:58,480 --> 00:53:59,680
Speaker 3: and Wiltshire. I forget it.

1140
00:53:59,760 --> 00:54:02,880
Speaker 2: Yeah, and the size just said, you know, just anything.

1141
00:54:03,080 --> 00:54:05,520
Speaker 2: I wasn't getting paid to do it. They were like, hey, yea,

1142
00:54:05,680 --> 00:54:07,080
Speaker 2: check out this spinning side.

1143
00:54:07,480 --> 00:54:09,399
Speaker 3: And that's something like a lot of actors aren't willing

1144
00:54:09,400 --> 00:54:11,400
Speaker 3: to do that, like make a fool of themselves, and

1145
00:54:11,440 --> 00:54:13,279
Speaker 3: that's what makes some of the best performers.

1146
00:54:13,400 --> 00:54:17,520
Speaker 2: Oh, no vanity in my performance, whatsoever? Right, I don't

1147
00:54:17,560 --> 00:54:20,640
Speaker 2: give a shit what I fucking look like. Yeah, you

1148
00:54:20,680 --> 00:54:24,760
Speaker 2: know what I care about? Yeah, are touching people's soul?

1149
00:54:25,200 --> 00:54:25,359
Speaker 3: Right?

1150
00:54:25,480 --> 00:54:27,680
Speaker 2: Giving my whole life to this town.

1151
00:54:28,120 --> 00:54:31,480
Speaker 3: Yeah, this town does fucking owe you and I And

1152
00:54:31,560 --> 00:54:33,160
Speaker 3: it comes from a place of truth.

1153
00:54:33,400 --> 00:54:35,440
Speaker 2: Everything I do is from truth.

1154
00:54:35,600 --> 00:54:38,040
Speaker 3: Truth, and just wanting to make the world a better

1155
00:54:38,080 --> 00:54:41,879
Speaker 3: place with like your god given talent, and just maybe.

1156
00:54:41,600 --> 00:54:45,840
Speaker 2: Making someone, for one second, one person feel a little

1157
00:54:45,960 --> 00:54:48,360
Speaker 2: less alone. That would be worth it if that happened.

1158
00:54:48,400 --> 00:54:52,439
Speaker 2: Even I'm sorry people hate this podcast, but if one

1159
00:54:52,520 --> 00:54:56,360
Speaker 2: little girl hears this podcast, yeah that's enough for me,

1160
00:54:56,480 --> 00:54:57,680
Speaker 2: even if she doesn't like it.

1161
00:54:58,320 --> 00:55:00,640
Speaker 3: Okay, So no and so I just made it so

1162
00:55:00,680 --> 00:55:02,800
Speaker 3: that no one, not even one little girl.

1163
00:55:02,600 --> 00:55:03,600
Speaker 2: Has heard exactly.

1164
00:55:03,920 --> 00:55:08,880
Speaker 3: Wow, it's i'd say, you are drinking that hater atory.

1165
00:55:09,640 --> 00:55:13,000
Speaker 6: Look, people accuse me of planning secret messages of these podcasts,

1166
00:55:13,000 --> 00:55:16,080
Speaker 6: and it as somebody who came to this town just

1167
00:55:16,120 --> 00:55:20,960
Speaker 6: wanting to make people feel like you, wanting to make people.

1168
00:55:22,480 --> 00:55:24,560
Speaker 6: So he came to this town just wanting to make people.

1169
00:55:24,640 --> 00:55:26,160
Speaker 2: In the laboratory, even.

1170
00:55:26,239 --> 00:55:30,040
Speaker 3: Imperson, this guy obviously thinks he has power to make people.

1171
00:55:30,200 --> 00:55:33,719
Speaker 2: Yeah, that was to make him break people. He came

1172
00:55:33,760 --> 00:55:36,560
Speaker 2: to his town just to make him break people. I

1173
00:55:36,560 --> 00:55:38,080
Speaker 2: think what he's saying, he came to this town to

1174
00:55:38,080 --> 00:55:38,560
Speaker 2: make people.

1175
00:55:38,600 --> 00:55:41,080
Speaker 1: I think he means him and his squad, his you know,

1176
00:55:41,160 --> 00:55:44,320
Speaker 1: his fifty billion boys are going to show up in

1177
00:55:44,440 --> 00:55:46,520
Speaker 1: this town and they're going to make a bunch of people,

1178
00:55:46,560 --> 00:55:47,800
Speaker 1: if you know what Josh me.

1179
00:55:48,040 --> 00:55:50,560
Speaker 3: But I know what he means. I know what he means.

1180
00:55:50,719 --> 00:55:53,080
Speaker 3: And there's so much nepotism happening.

1181
00:55:53,320 --> 00:55:57,080
Speaker 2: There's oh, don't get me started on the cronyism.

1182
00:55:57,719 --> 00:56:03,920
Speaker 3: Gosh, and the Bologna. There's still yeah, so much fucking

1183
00:56:03,920 --> 00:56:06,719
Speaker 3: bologneism in this town. I'm over it. I'm I think

1184
00:56:06,760 --> 00:56:09,240
Speaker 3: I'm going to move to Atlanta. I'm gonna move to Atlanta.

1185
00:56:09,239 --> 00:56:11,439
Speaker 3: They're making crap production there.

1186
00:56:12,200 --> 00:56:12,439
Speaker 2: Yeah.

1187
00:56:12,520 --> 00:56:16,800
Speaker 3: Vancouver, yes, yeah, yeah, you ever been to Vancouver?

1188
00:56:16,920 --> 00:56:19,319
Speaker 2: They're making no but I'm actually looking at it.

1189
00:56:19,360 --> 00:56:22,000
Speaker 3: They're making a lot of Quah shows there. C W.

1190
00:56:22,239 --> 00:56:23,799
Speaker 3: I think some people qua.

1191
00:56:23,640 --> 00:56:26,040
Speaker 2: Quaw Yes, I totally yes.

1192
00:56:26,400 --> 00:56:31,200
Speaker 3: Qua Qua takes a lot of their production law the Quah. Yeah.

1193
00:56:31,239 --> 00:56:33,000
Speaker 3: I'm gonna I'm gonna get out of here because it's

1194
00:56:33,040 --> 00:56:34,160
Speaker 3: driving me crazy.

1195
00:56:34,800 --> 00:56:37,279
Speaker 2: I'm done. Yeah, no, are you right now?

1196
00:56:37,400 --> 00:56:39,120
Speaker 3: I'm going to wait till the end of the year.

1197
00:56:39,160 --> 00:56:41,000
Speaker 3: Are you going to create a following? I need to

1198
00:56:41,040 --> 00:56:43,360
Speaker 3: create a following so that when I do leave, I

1199
00:56:43,400 --> 00:56:44,319
Speaker 3: have numbers.

1200
00:56:44,400 --> 00:56:45,840
Speaker 2: Just do you want to plug your following?

1201
00:56:46,239 --> 00:56:48,640
Speaker 3: Yeah? I want to plug my following. I have one

1202
00:56:48,719 --> 00:56:54,000
Speaker 3: hundred and seventy two followers on the Gram two nine,

1203
00:56:54,480 --> 00:56:57,200
Speaker 3: damn daddy. I have two hundred and twenty nine on

1204
00:56:57,239 --> 00:57:00,839
Speaker 3: the Twitter and I had don't hurt. I have five

1205
00:57:00,960 --> 00:57:06,720
Speaker 3: on Casting Frontier. Yeah, so come see me dogs.

1206
00:57:07,040 --> 00:57:11,800
Speaker 2: How we coding numbers? We're at an hour four Okay,

1207
00:57:11,960 --> 00:57:19,080
Speaker 2: Well we gotta go bye. I'm a horny girl.

1208
00:57:19,120 --> 00:57:19,440
Speaker 3: Wolf.

1209
00:57:19,800 --> 00:57:23,520
Speaker 2: This has been an Earwolf production executive produced by Scott Ackerman,

1210
00:57:23,640 --> 00:57:27,000
Speaker 2: Colin Anderson, and Chris Bannon. For more information and content,

1211
00:57:27,160 --> 00:57:30,040
Speaker 2: visit iarwolf dot com OW