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Speaker 1: With podcast, you get to keep up with the culture

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Speaker 1: up there. Podcast, you get more, more, more, getting a

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Speaker 1: lot of love. He's getting a whole lot of love.

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Speaker 1: And I like to see that, you know, I do.

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Speaker 1: I like to see that. Um, But I wouldn't be me,

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Speaker 1: I wouldn't be the realist nigga in it if I

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Speaker 1: didn't approach it with a bit of truth. Um, A

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Speaker 1: lot of these people, the same people that's posting them,

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Speaker 1: the same people that's begging him up, the same people

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Speaker 1: that's liking his status is now and acting like it's

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Speaker 1: so much love in the air. Let me back up

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Speaker 1: a little bit. There's a video going around in which

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Speaker 1: there's a preacher standing there saying we don't give up

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Speaker 1: on our black men and we love you and this

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Speaker 1: and that, and I'm pretty sure Kodak Black took that

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Speaker 1: with open arms. But where the fuck was you niggas

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Speaker 1: that when Kode Black was in that prison, being treated

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Speaker 1: like a motherfucking dog, when he was being starved, when

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Speaker 1: he was being put in situation when it forward thorns,

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Speaker 1: you know, beating on him, starving him for days. What

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Speaker 1: was all you motherfucker's at. That's why you see him

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Speaker 1: that he ain't giving no emotion or nothing because he no.

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Speaker 1: I think. I think what happens is you get behind

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Speaker 1: the walls and you realize, damn this, this whole ship

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Speaker 1: is fake and he's not dead. Practice. Yeah, yeah, I

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Speaker 1: feel like that it would street. You can be really

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Speaker 1: in the field and when we got it in the

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Speaker 1: head because I went there in the drinking the Gramms

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Speaker 1: nineteen ring right back to the time of the GRAMMT

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Speaker 1: like he came in to MEA no, man, you learn

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Speaker 1: that show. I didn't know. I hain't on me ed

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Speaker 1: it off future, put me on another love. Thanks for

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Speaker 1: watching another episode of It's Up There podcast. I am

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Speaker 1: your active and attractive host for another episode of the

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Speaker 1: fastest growing podcasts on the market right now. I definitely

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Speaker 1: want to say thank you father of y'all that's been

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Speaker 1: tuned in. It's been liking it. It's been subscribing, sharing,

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Speaker 1: and just engaging with the product and with the brain

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Speaker 1: and with the the lifestyle. And it's especially with the podcast.

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Speaker 1: You know, it's overwhelmed, you know, just being from where

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Speaker 1: I'm from and starting something like this without any direction,

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Speaker 1: and doing something like this without any predecessor, any blueprint,

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Speaker 1: without anybody being on the forefront of any type of information.

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Speaker 1: It was just important for me to see, you know

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Speaker 1: that people gravitating to it, and they liking it, and

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Speaker 1: they fucking with it. So I want to say thank

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Speaker 1: you for that. If you are watching the video portion

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Speaker 1: of this podcast and you want to keep up with

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Speaker 1: every episode, some of them don't have audio that I'm

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Speaker 1: dropping from a few months back in which we had

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Speaker 1: a lot of great conversations. I'm gonna urge you to

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Speaker 1: go on anywhere where you get podcasts and and type

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Speaker 1: in it's up that podcast will learning and hit that

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Speaker 1: subscribe button and just tap in. You may be at work,

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Speaker 1: you may be working out, you may be doing and

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Speaker 1: several different things that cause you to not be able

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Speaker 1: to see fogerfol Studios and what it is I bring

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Speaker 1: to the table from a visual element, but I want

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Speaker 1: y'all to also appreciate the audio side of it. We

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Speaker 1: up to a certain amount of listen to every episode,

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Speaker 1: which is a great it's a great feat for us.

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Speaker 1: It's a great thing for us. And again I want

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Speaker 1: to say thank you. Now, if you are listening to

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Speaker 1: the audio version of this podcast and you want to

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Speaker 1: see the video with the clips and high fog fol studios.

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Speaker 1: It is looking I'm gonna urge you for the time

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Speaker 1: being a head over to YouTube and type in fo

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Speaker 1: gerfo TV and then you can tap in with the

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Speaker 1: other side of the game, the other side of the podcast,

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Speaker 1: and get familiar with what it looked like. Yeah, look

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Speaker 1: at it, you know, yeah, look at it. You know.

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Speaker 1: Beautiful thing, beautiful thing. I got a lot to talk

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Speaker 1: about this week, as as as every week, you know,

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Speaker 1: as the world continues to evolve and continues to put

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Speaker 1: us in a position as well, that's a lot to

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Speaker 1: talk about, a lot to navigating at a lot of

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Speaker 1: things to get to first thing on that list. Again,

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Speaker 1: we're still doing this without notes, so we don't think

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Speaker 1: it's necessary just yet, as we building a platform, very

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Speaker 1: confident in a way that we communicate and knowing that

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Speaker 1: we can do this without so much poe preproduction, but

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Speaker 1: that'll be coming in the near future, just to kind

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Speaker 1: of tighten up any loose sins and tie up any

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Speaker 1: loose sins that that presents itself when we go to

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Speaker 1: talking about some of the great things that the culture

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Speaker 1: offer as well as some of the things that must

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Speaker 1: be examined and looked at in a way where you know,

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Speaker 1: you gotta take a long, hard look at it. You know.

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Speaker 1: Sometimes they say you study it long, you're study it wrong.

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Speaker 1: You know. So a lot of these times we just

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Speaker 1: we come in and we just say, man, this is

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Speaker 1: what we're feeling. You know, we lived that, we did it,

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Speaker 1: so we're able to speak from a standpoint of independence.

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Speaker 1: We're able to speak from a standpoint of relating to

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Speaker 1: some of these guys that really done something and not

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Speaker 1: being on the outside and being some little nigga that's

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Speaker 1: you know, never never been in on situation, never done anything,

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Speaker 1: and never put themselves in a situation to be on

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Speaker 1: the other side. You know, I want to send a

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Speaker 1: shout out to my city, man, because I get a

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Speaker 1: lot of calls from prison when niggas say, when I

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Speaker 1: get out, man, I gotta come high at you man.

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Speaker 1: You know, when I get out, I gotta come high

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Speaker 1: at you man. You know what I'm saying. And I

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Speaker 1: want to shout out the fridge and they're a tea

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Speaker 1: and Raymond Clay and all those guys that came and

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Speaker 1: sat down, man, after they did they be as life

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Speaker 1: sentences twenty seven years or thirty years shit like that.

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Speaker 1: UM put the platform, you know, at the forefront of

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Speaker 1: getting the information out to the youth. UM. And so

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Speaker 1: I want to start there. But let's seegue into talking

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Speaker 1: about Kodak Black Number one. Kodak Black has been pardoned

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Speaker 1: by Donald Trump and now is free. We want to

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Speaker 1: send a shout out to Kodak Black. Love and blessings

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Speaker 1: to Kodak Black. UM. Let's just talk about some of

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Speaker 1: the obvious things he's he has a he has a

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Speaker 1: different kind of look that he that he has now.

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Speaker 1: I think it's because he's now got skinnier, UM, and

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Speaker 1: he's getting a lot of love. He's getting a whole

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Speaker 1: lot of love. And I like to see that, you know,

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Speaker 1: I do. I like to see that. UM. But I

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Speaker 1: wouldn't be me. I wouldn't be the really snigger in

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Speaker 1: it if I didn't approach it with a bit of truth. UM.

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Speaker 1: A lot of these people, the same people that's posting

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Speaker 1: on the same people that's digging him up, the same

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Speaker 1: people that's liking his status is now and acting like

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Speaker 1: it's so much love in the air. Let me back

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Speaker 1: up a little bit. There's a video going around in

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Speaker 1: which there's a preacher standing there saying we don't give

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Speaker 1: up on our black men, and we love you and

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Speaker 1: this and that, and I'm pretty sure Kodak Black took

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Speaker 1: that with open arms. But where the fuck was you

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Speaker 1: niggas that when Kode Black was in that prison being

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Speaker 1: treated like a motherfucking dog, when he was being starved,

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Speaker 1: when he was being put in a situation when in

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Speaker 1: Forward Thorns, you know, beating on him, starving him for days.

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Speaker 1: What was all you motherfucker's at. That's why you see

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Speaker 1: him that herein't giving no emotion or nothing, because he knows.

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Speaker 1: I think. I think what happens is you get behind

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Speaker 1: the walls and you realize, damn this, this whole shit

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Speaker 1: is fake. This whole shit is a facade. That's why

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Speaker 1: you hear mentioned in that song. If you wasn't women,

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Speaker 1: I don't want to see you happier, you know, because

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Speaker 1: he know men, look at every I had a lawsuit.

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Speaker 1: Don't need folk for how they were treating me. None

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Speaker 1: of you motherfuckers weren't the running around screaming. They're doing

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Speaker 1: Kodak Black rone every interview, y'all. Motherfucker's wasn't putting me

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Speaker 1: in no situation to have my information out to the

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Speaker 1: people and have my ship going to way I can

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Speaker 1: look and say, man, you know what that motherfucker that

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Speaker 1: held me Now, Man, y'all might post it once, but

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Speaker 1: understand what was happening and what's fucked up about it

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Speaker 1: is it's because the trauma right that he that he

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Speaker 1: went through, and the and the and the heartache and

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Speaker 1: the pain that he went through. It don't weigh up

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Speaker 1: like all the love that y'all act like, y'all giving

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Speaker 1: a nigga. What was that when I needed it? I

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Speaker 1: don't need it now I'm who I am. But what

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Speaker 1: the fuck was that that? When I was in that place,

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Speaker 1: when I was doing bad, when the foe held me

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Speaker 1: back against the wild treatment bad, I had to smile

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Speaker 1: Jeff for the fun of it, but I would dan

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Speaker 1: in the inside. I was getting treated worse than slaves

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Speaker 1: were being treated, you understand me. And so being a

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Speaker 1: rapper man, because you you got if you're from the street,

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Speaker 1: you got street niggas that go in and tell you man,

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Speaker 1: then nigga forgot all about me. Man. I slung gang

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Speaker 1: for them, nigga, Man, the nigga forgot all about me.

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Speaker 1: Just picture being a nigga that will do all of

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Speaker 1: that on top of being a meeting. Now going in

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Speaker 1: there and then everybody you get out and everybody act

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Speaker 1: like his love. Some of them rappers, dude had five

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Speaker 1: ten thousand comments and I and you know, I was

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Speaker 1: posting it the whole time. Go check the Rutgers. You know,

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Speaker 1: not that it might not mean none, but I understood

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Speaker 1: the situation right. But a lot of those rappers that

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Speaker 1: was in his mentions and in his comments on that ship,

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Speaker 1: they never did post nothing. They never did say nothing.

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Speaker 1: Glad you home, bro, you to go, you this and

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Speaker 1: that where you niggas, was that it show you how

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Speaker 1: fake this game us? It show you how faked this

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Speaker 1: shitty this ship has got to be one of the

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Speaker 1: most fucked up things that the black culture has endured,

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Speaker 1: my nigga, the way that we show fake love, the

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Speaker 1: way that everybody act like they give a fuck. The

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Speaker 1: same way with the podcast. They see Charlemaine repost my

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Speaker 1: shit now the whole city liking it. The whole city

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Speaker 1: get on the bandwagon real quick because they see Lebron

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Speaker 1: James listened to one episode and he might post a

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Speaker 1: nast man. I always knew you were due. Boy. You

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Speaker 1: was a bad motherfucker boy. You've been one of the

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Speaker 1: realist niggas in it. Where you niggas was that when

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Speaker 1: I was saying, man, let's build this. Man, I need

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Speaker 1: help building this, hey man, everybody, everybody that out of

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Speaker 1: soul something too. Everybody bring me two thousand a piece.

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Speaker 1: I need faulty grand right quick to get to the

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Speaker 1: next level. Y'all bring me two grand a piece. I

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Speaker 1: to serve two hundred of you niggas where you niggas

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Speaker 1: was at then. But as soon as somebody else you

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Speaker 1: know that, y'all, Dick Ryde say, it's cool nn become

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Speaker 1: you the realist nigga in it, And we always knew

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Speaker 1: what you was. I mean, you can't take what the

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Speaker 1: nigga is regardless. But the point of the matter is

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Speaker 1: it's fucked up that that's the way we approach things.

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Speaker 1: You see what I'm saying like that, like the stats

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Speaker 1: don't count, like they ain't been taking stats out all

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Speaker 1: this time. Kodak Black been a real nigga. He don't

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Speaker 1: when it sat down several times, he don't took his

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Speaker 1: leg you understand me. Just like the fake love righty

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Speaker 1: rebel get just like the fake love. Bobby's murder gonna

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Speaker 1: get just like the fake hate. Takashi get. Y'all niggas

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Speaker 1: don't really hate the boy because he snitched out Jet playing,

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Speaker 1: And y'all niggas don't really love Bobby because he held

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Speaker 1: it down, y'all just playing. And y'all don't really love

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Speaker 1: cod that because he went through all of that and

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Speaker 1: he free because y'all niggas just playing. It's a fucked

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Speaker 1: up situation, man, And the culture is the coach has

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Speaker 1: bagged itself into a place where even with twenty one savage,

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Speaker 1: I've seen what twenty one seven when he went through

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Speaker 1: that ship where they were about to deport them out

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Speaker 1: of fake love, come out of nowhere, and you say

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Speaker 1: to yourself, what was this that when I needed it?

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Speaker 1: What was this said when ship got real? Especially, just

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Speaker 1: think about a nigga behind the walls man thinking I'm rich,

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Speaker 1: you can't do me like that. I'm famous, nigga. They

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Speaker 1: loved me out there and you get your people to

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Speaker 1: post man and then treating Kodak Black bad. They starved him.

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Speaker 1: He hasn't eight and six days this that and the

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Speaker 1: third and ain't nobody responding and then tipping them because

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Speaker 1: we had a little scuffle back in the day. You

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Speaker 1: don't you don't pull your resources to try to send

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Speaker 1: somebody up. That's see what's going on with Kodak master P.

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Speaker 1: And I love master P, but you know he was

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Speaker 1: he was going through a lot of things. Master P

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Speaker 1: wanted the people. I don't think showing no fake lott.

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Speaker 1: He ain't acting like he know. He just keep moving,

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Speaker 1: He keep hustling. He ain't really posting like, man, I'm

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Speaker 1: so glad you're home and this and that. He just

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Speaker 1: keep he keep on moving with what he got going on.

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Speaker 1: Because that situation was a little bit more. You know,

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Speaker 1: he felt like he tried to hip him and things

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Speaker 1: went side um and then you see Kodak Black go

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Speaker 1: get due his lawyer and them name on him because

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Speaker 1: he probably stayed up late nights. You probably came and

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Speaker 1: visit him every so often, working and working and working,

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Speaker 1: and you know the money is involved. But man, I

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Speaker 1: gotta you know what I'm saying, Like, if I own

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Speaker 1: a company and I come in here, man and I

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Speaker 1: see a motherfucker sweating every time I walk through, That's

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Speaker 1: why you got them type people in the White House

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Speaker 1: jobs that any time the boss man come they turn

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Speaker 1: it up a little bit. They understand that he needs

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Speaker 1: to see me getting down. You know, he may appreciate

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Speaker 1: me more than the lays and motherfucker right there. You

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Speaker 1: see what I'm saying. So um, as long as I

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Speaker 1: see you there for me, I really can't give a fuck.

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Speaker 1: Why you there? When he gets real, you understand me

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Speaker 1: regardless of whatever the agenda is. If you're there, I

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Speaker 1: can appreciate that, man, And I want to send that

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Speaker 1: out the Kodak that I understand what's going on. I

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Speaker 1: see what's going on. I see how fake these niggas

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Speaker 1: ire I just went through to come ins to say, man,

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Speaker 1: let me see who I'll lend this motherfuck then just

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Speaker 1: think if I have ten thousand of them people that

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Speaker 1: come in and post it, we will not accept how

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Speaker 1: y'all doing. Kodak Black. That's viral shit, that's trending shit.

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Speaker 1: Kodak Black was getting treated like that. It wasn't even trending.

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Speaker 1: You understand me, and they any better acting like it's

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Speaker 1: this and that him and I, like I say, I

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Speaker 1: supported them through the whole thing. My platform. I spoke

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Speaker 1: on it as much as I could. You get what

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Speaker 1: I'm saying. And UM, I just think, man, our coach

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Speaker 1: is in a really really really slippery place, you know,

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Speaker 1: the where we fake it. You know we're faking it.

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Speaker 1: You know, the love be fake, the hate really be

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Speaker 1: fake too. You know all this shit really be fake.

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Speaker 1: Nigga be fake man. He Nigga ain't never stood on nothing, man.

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Speaker 1: He Nigga be faking it, man. And I'm getting sick

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Speaker 1: of man, And get what after so long, I'm gonna

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Speaker 1: start calling the shit out, man, because though none of

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Speaker 1: them nigga paid me, you know what I'm saying, And

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Speaker 1: so I gotta look at it for what it is worth.

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Speaker 1: Ain't now one of you Nigga's head that dude down, man? Period?

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Speaker 1: And um, speaking of holding it down, Um, speaking of

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Speaker 1: holding it down, Congratulations to Joe Budden and to Joe

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Speaker 1: Budden Network. They now have teamed up with Patrearum to

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Speaker 1: now take the network some of the things from the

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Speaker 1: network over to Patreon. Um. I guess they got the

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Speaker 1: tears set up going on. Um. And they also giving

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Speaker 1: him some title. I won't repeat the title because I

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Speaker 1: really don't understand what it is. You know, or what

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Speaker 1: it means or high contribute to anything outside of him

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Speaker 1: getting a check. Um, But I want to say congratulations

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Speaker 1: to him, man. And I know it's for some creators

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Speaker 1: it seems a bit self serving when Joe Budden makes

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Speaker 1: these moves and goals on these rants. But I thought

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Speaker 1: about it and I said, I can I can see

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Speaker 1: where they would come from. That's saying that because I

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Speaker 1: see the videos already popping up. But I also I

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Speaker 1: also said to myself learning it's almost like this, if

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Speaker 1: he keeps, It's just like in a basketball game. If

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Speaker 1: that motherfucker keep getting open and hitting the shot, they

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Speaker 1: got to count for something. You know what I'm saying.

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Speaker 1: The whole point is if I can keep because you

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Speaker 1: hear me say that. Man. You know sometimes you look

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Speaker 1: at the track record to say, Man, where you fucked

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Speaker 1: it up with Spotify? You can never go back there.

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Speaker 1: You fucked it up with Complex, You can't go back there.

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Speaker 1: Spotify and Complex or big company is what Complex is

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Speaker 1: owned by Viacom, and Spotify is a big company in

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Speaker 1: which they probably won't do bigs. It's with you unless

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Speaker 1: you get big enough to what they have to do

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Speaker 1: business with you and I understand that that's the way

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Speaker 1: you look at at things, but I say, damn, if

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Speaker 1: you can keep getting millions of dollars right from different motherfuckers,

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Speaker 1: that's really all you need, you know what I'm saying.

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Speaker 1: It's almost like this, No, it's almost like in a relationship,

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Speaker 1: right if you can keep getting, if you keep fucking up,

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Speaker 1: but you can keep giving her to forgive you nobody,

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Speaker 1: don't give a fuck the links you gotta go through.

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Speaker 1: If you get your woman back, you get your woman back.

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Speaker 1: That's just that on that, you see what I'm saying.

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Speaker 1: He keeps finding a way to get a check. So

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Speaker 1: I think that's a beautiful thing. And I heard him

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Speaker 1: go on a rant on this show and talk about

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Speaker 1: how corporate you know, some of the corporate games and

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Speaker 1: some of the things that the corporate people do, and

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Speaker 1: how they make up these elaborate titles, and then he

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Speaker 1: proceeded to give us elaborate title, and then the title

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Speaker 1: he couldn't even really explain what it does and what

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Speaker 1: it means, and so they're right there. Just struck me

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Speaker 1: as odd. I would love to sit down with him

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Speaker 1: and see exactly what are we saying? The same way

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Speaker 1: with with with Charlemagne, the same way with some of

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Speaker 1: our other top dolls. Help us understand what that really

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Speaker 1: does for us, and help us understand how that really

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Speaker 1: helps anyone navigate outside of you. Now, I also want

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Speaker 1: to talk about this Patreon thing. I got holes in

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Speaker 1: my blood, huh. I also want to talk about this

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Speaker 1: Patreon thing. With Patreon, Um, it's been a thing. Now.

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Speaker 1: I don't want to come off as as unhappy because

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Speaker 1: I'm not. I live great now. You know I'm not rich,

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Speaker 1: but I live damn good. Right. The point I'm making

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Speaker 1: is you heard me last episode talk about how the

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Speaker 1: black guys do do clubhouse to watch the game with

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Speaker 1: their people, and the white guys going high stream woot

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Speaker 1: the war and they get ten fifteen thousand people to

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Speaker 1: pay five six dollars to watch it with them. You know,

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Speaker 1: that's a real thing. What I what I say is though.

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Speaker 1: What I say is though, it just it isn't a

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Speaker 1: new thing. You know, people like Queens Flip been doing Patreon,

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Speaker 1: people like Tims a Girl, All the white comic guys

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Speaker 1: been doing Patreon except Joe Roland. You're times the girls,

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Speaker 1: your your your your brain, uh Collins, your Tim Dillon's see.

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Speaker 1: This is where I'm well versed in the game. Even

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Speaker 1: Andrew shows you see what I'm saying. This is why

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Speaker 1: I'm well versed in the game. And I didn't see

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Speaker 1: Andrew Charlomagne talk about it. I'm not sure why, but

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Speaker 1: but nonetheless, I just want to say the Patroon thing

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Speaker 1: isn't a new business model that Joe Buttons bringing to

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Speaker 1: the game. I think he has shared more light on

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Speaker 1: it for people like us, right, more people like us

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Speaker 1: pay attention to it. But the white guys have already

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Speaker 1: been now and they've already been doing it. So, um,

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Speaker 1: I just want to kind of speak to that, you know,

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Speaker 1: because I think sometimes we can he can come off

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Speaker 1: as you know, he's creating some new you know thing,

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Speaker 1: you know, and pushing shifting the culture. I think it's

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Speaker 1: something right, you can say he's shifting the culture because

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Speaker 1: he's a big podcast. It's coming there. But this has

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Speaker 1: been a thing. This has been a hustle for guys.

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Speaker 1: This has been the way guys getting to an extra bag.

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Speaker 1: You know. Um, I'm sure that Rory and Mall are

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Speaker 1: glad that the deal is closed. In Parks and his

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Speaker 1: other thirty people whoever he has, you know, And I'm

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Speaker 1: glad for them. Um, But but I think, UM, when

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Speaker 1: you go to talking about let the real moves be made,

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Speaker 1: letting me work and get out the way and this

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Speaker 1: and that, it just ain't connecting for me. And I'm

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Speaker 1: a big fan. I'm top tier over there. I gave

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Speaker 1: you twenty five a month, So I'm not speaking from

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Speaker 1: a bitter place. I'm speaking for the creator, for the

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Speaker 1: for the person that needs the information that you that

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Speaker 1: you're kind of put the cape on like you given

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Speaker 1: you know. Um, I've I've, I've I've scounded all corners

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Speaker 1: of the Internet to try to figure this thing out.

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Speaker 1: From a non privileged position, It's what I'm gonna start

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Speaker 1: calling it because I don't want to attack people that's

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Speaker 1: been in the industry when that's why I'm intending to

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Speaker 1: head too. But from a non privileged position. UM, I've

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00:24:25,880 --> 00:24:29,399
Speaker 1: looked hind low for results and resources on how to

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Speaker 1: pivot to the audience. UM. I understand the consistency thing.

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Speaker 1: I understand the clip thing. I understand the the the

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Speaker 1: drops and the I understand the episodes and the and

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Speaker 1: the critique and the culture. I understand all of those things,

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Speaker 1: but access to the audience. See, my fight is a

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Speaker 1: little different than Joe Button. Joe Button's fight is for

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Speaker 1: access to the ads all these other podcasts that you

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Speaker 1: talk about that you say, and we know because I

400
00:25:04,200 --> 00:25:06,480
Speaker 1: spoke about it as well, that only ten percent of

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Speaker 1: podcasters get paid. So there's ninety percent of people that's

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00:25:10,280 --> 00:25:14,440
Speaker 1: looking for access to the audience that y'all seeming to

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Speaker 1: won't share. But you can stand on clubhouse and talk

404
00:25:17,119 --> 00:25:20,960
Speaker 1: for nothing for twenty twenty two days in a row, right,

405
00:25:22,280 --> 00:25:26,320
Speaker 1: Sometimes you got to introduce You got to introduce these

406
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Speaker 1: things to the culture so that someone can pay attention

407
00:25:29,280 --> 00:25:32,280
Speaker 1: to it and maybe say, damn that is that's true?

408
00:25:32,320 --> 00:25:36,520
Speaker 1: Because how are you fighting for us when nine podcasts

409
00:25:36,600 --> 00:25:40,399
Speaker 1: don't get paid. How is you stepping up and fighting

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00:25:40,440 --> 00:25:44,280
Speaker 1: for podcasters and the creator when ninety percent of us

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Speaker 1: don't get paid. We're looking for access to audience. You're

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00:25:48,680 --> 00:25:52,000
Speaker 1: looking for access to ads. I fight is a little different. See,

413
00:25:52,880 --> 00:25:55,960
Speaker 1: you're trying to stay rich. We're trying to get rich,

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Speaker 1: or if not even get rich, let the people judge.

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Speaker 1: What it is is that we bring to the coach

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Speaker 1: on some level, you know, without having to sign everything

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00:26:05,920 --> 00:26:09,119
Speaker 1: over that we got you know, or or you know,

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Speaker 1: it's just so much talk about ownership and how the

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00:26:12,600 --> 00:26:15,800
Speaker 1: games are being played, and we can have those same

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Speaker 1: conversations from that ninety percent that people talk about that

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00:26:19,000 --> 00:26:21,200
Speaker 1: don't get paid and say, hey man, there's so many

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Speaker 1: games being played with the audience. They won't repost you

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Speaker 1: even if you got good points and great episodes. You

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00:26:27,960 --> 00:26:32,440
Speaker 1: gotta do. You gotta slick stir the water, you know,

425
00:26:33,359 --> 00:26:36,560
Speaker 1: and you gotta slick do things. That's that that causes

426
00:26:36,920 --> 00:26:40,440
Speaker 1: you know, friction for them to even for this bad

427
00:26:40,480 --> 00:26:43,080
Speaker 1: to even really get rolling, you know. And I think

428
00:26:43,119 --> 00:26:48,160
Speaker 1: it's I think it's irresponsible to speak for the creator, right,

429
00:26:50,600 --> 00:26:52,960
Speaker 1: you speak for the teen percent that gets paid. You're

430
00:26:53,000 --> 00:26:55,280
Speaker 1: telling them to move out the way, let the work

431
00:26:55,400 --> 00:26:58,840
Speaker 1: get done to where we're getting the monetization in a

432
00:26:59,040 --> 00:27:03,200
Speaker 1: good place. This and that there's ninety percent of people

433
00:27:03,240 --> 00:27:05,520
Speaker 1: that ain't even got there that's looking to hey man,

434
00:27:06,119 --> 00:27:10,880
Speaker 1: I need access to the audience. Why don't you take

435
00:27:13,280 --> 00:27:18,280
Speaker 1: hundred thousand dollars and get with somebody and create something

436
00:27:20,640 --> 00:27:24,120
Speaker 1: that kicks out. A little game kicks out because if

437
00:27:24,200 --> 00:27:26,680
Speaker 1: anybody's invested, you get with me and we can do it.

438
00:27:26,800 --> 00:27:32,520
Speaker 1: I got an idea for a podcast information style app

439
00:27:32,760 --> 00:27:37,280
Speaker 1: right where where where we create a community where these

440
00:27:37,400 --> 00:27:40,120
Speaker 1: ninety percent of people who don't get paid and don't

441
00:27:40,160 --> 00:27:43,360
Speaker 1: steal my ideal without giving me some money, any one

442
00:27:43,440 --> 00:27:45,560
Speaker 1: of you fucking niggas. That's why I'm putting this out

443
00:27:45,640 --> 00:27:49,080
Speaker 1: so we make sure it's on record. You got ninety

444
00:27:49,119 --> 00:27:53,320
Speaker 1: percent of people not getting paid for doing podcast. Let's

445
00:27:53,400 --> 00:27:56,400
Speaker 1: find an app. What then information funnels down to where

446
00:27:56,800 --> 00:27:59,440
Speaker 1: now they got access to ads? Or let's create a

447
00:27:59,480 --> 00:28:04,000
Speaker 1: big boy ad company, partner it with a social media

448
00:28:04,320 --> 00:28:11,240
Speaker 1: esque platform dealing with podcasts right specifically, create us specifically,

449
00:28:11,359 --> 00:28:15,159
Speaker 1: not even podcasts, it's creators specifically. We can niche it

450
00:28:15,280 --> 00:28:19,199
Speaker 1: first to podcasts and then start fucking helping paint us

451
00:28:19,320 --> 00:28:25,399
Speaker 1: find people that want to need art, helping you know,

452
00:28:25,920 --> 00:28:28,520
Speaker 1: people that listen to this type of thing, find this

453
00:28:28,720 --> 00:28:31,760
Speaker 1: tight and this is a culture base. This is for everyone.

454
00:28:31,840 --> 00:28:37,359
Speaker 1: This can be for whites, blacks, Asians, Africans, Jewish people,

455
00:28:37,440 --> 00:28:39,640
Speaker 1: this can be for everybody. What it does is you

456
00:28:39,800 --> 00:28:43,360
Speaker 1: help these people scour through this ninety percent of shit

457
00:28:43,840 --> 00:28:46,440
Speaker 1: now for you to get on a certain till right,

458
00:28:46,560 --> 00:28:50,840
Speaker 1: so you tear it out right till five would be oh,

459
00:28:50,920 --> 00:28:54,760
Speaker 1: the audio is good, the videos good, got great interviews, this,

460
00:28:54,920 --> 00:28:57,600
Speaker 1: and that there's an algorithm to it to where you

461
00:28:57,680 --> 00:29:00,280
Speaker 1: can cut through the bullshit and you get the people

462
00:29:00,320 --> 00:29:04,000
Speaker 1: that deserve access to the audience, access to the audience,

463
00:29:05,160 --> 00:29:07,640
Speaker 1: you know, um, and not just shit on him and say,

464
00:29:08,800 --> 00:29:12,560
Speaker 1: you know, ninety percent of you niggas don't even get paid. Um,

465
00:29:13,400 --> 00:29:16,000
Speaker 1: And I just think it's it's it's it's it's important

466
00:29:16,000 --> 00:29:20,920
Speaker 1: to acknowledge that there's two fights going on, and I'm

467
00:29:21,000 --> 00:29:22,920
Speaker 1: in lead of the charge of the access to the

468
00:29:23,000 --> 00:29:27,040
Speaker 1: audience fight. You know, all you rich niggas keep fighting

469
00:29:27,080 --> 00:29:30,520
Speaker 1: over your next millions while I'm down here fighting to

470
00:29:30,640 --> 00:29:32,400
Speaker 1: try to make sure that a nigga who will come

471
00:29:32,440 --> 00:29:34,680
Speaker 1: out the street to do a podcast to try to

472
00:29:34,800 --> 00:29:38,640
Speaker 1: make sure he can stop hustling, get some sort of

473
00:29:38,800 --> 00:29:43,160
Speaker 1: traction when it's deserved, get some sort of audience when

474
00:29:43,240 --> 00:29:46,440
Speaker 1: it's when it's when it's you know, when it's when

475
00:29:46,480 --> 00:29:51,640
Speaker 1: it's deserved. You know what I'm saying, And um, yeah,

476
00:29:52,160 --> 00:29:54,760
Speaker 1: you know, we gotta stop, we gotta we gotta understand

477
00:29:54,800 --> 00:29:56,720
Speaker 1: there's two different fights going on and how to go

478
00:29:56,840 --> 00:30:00,520
Speaker 1: about getting to the next level with both though, Um,

479
00:30:02,520 --> 00:30:05,840
Speaker 1: so I do. And also, man, I've been seeing something

480
00:30:05,880 --> 00:30:12,640
Speaker 1: that's been tripping me out, the silhouette challenge, you know.

481
00:30:12,800 --> 00:30:16,240
Speaker 1: And I'm a nigger, so we enjoy the silhouette challenge.

482
00:30:16,280 --> 00:30:18,680
Speaker 1: We like to see that. And that's pretty cool how

483
00:30:18,760 --> 00:30:21,200
Speaker 1: they're doing that, you know, and then they pretty and

484
00:30:21,320 --> 00:30:28,080
Speaker 1: thick and curving all of that. Um. I think that's

485
00:30:28,160 --> 00:30:31,040
Speaker 1: something that needs to be said though. And this doesn't

486
00:30:31,080 --> 00:30:38,280
Speaker 1: go for my only fan girls and my entertainers, influencers,

487
00:30:38,400 --> 00:30:40,720
Speaker 1: people that make money off this type of thing, because

488
00:30:40,720 --> 00:30:43,520
Speaker 1: you've already made a conscious decision to go a certain

489
00:30:43,640 --> 00:30:46,280
Speaker 1: route to secure your future. And I respect the hustle,

490
00:30:46,960 --> 00:30:49,960
Speaker 1: you know. Like I say, I always compel the stripper

491
00:30:51,880 --> 00:30:56,680
Speaker 1: and the entertain and influencer right, not to the hippite

492
00:30:57,640 --> 00:31:02,280
Speaker 1: like doctor Um, I say, your bourgeoise, not you, but

493
00:31:02,520 --> 00:31:06,480
Speaker 1: the the regular ones, right or the ones that made

494
00:31:06,520 --> 00:31:10,840
Speaker 1: a decision and probably it's right there at being in

495
00:31:10,920 --> 00:31:15,040
Speaker 1: a great place. I always compare the strip of the

496
00:31:15,200 --> 00:31:19,040
Speaker 1: entertaining influencer to the local rapper. They're trying to break

497
00:31:19,120 --> 00:31:25,440
Speaker 1: through and and find another a boost for to find

498
00:31:25,480 --> 00:31:29,400
Speaker 1: another again. You know, some of them need access to audience.

499
00:31:29,720 --> 00:31:31,360
Speaker 1: You got some of them that when they spent their

500
00:31:31,440 --> 00:31:34,720
Speaker 1: hard earned money at twenty grand on their body, ten

501
00:31:34,840 --> 00:31:38,000
Speaker 1: on their titties, keep their hair done. There is done

502
00:31:38,040 --> 00:31:41,080
Speaker 1: out less. She not making as much of her only fans.

503
00:31:41,120 --> 00:31:44,040
Speaker 1: She might be prettier than these girls, body might be better,

504
00:31:44,440 --> 00:31:47,160
Speaker 1: but she don't have no access to audience only fans.

505
00:31:47,320 --> 00:31:50,440
Speaker 1: Is kind of leveling that out as they're letting people

506
00:31:50,480 --> 00:31:53,040
Speaker 1: know this person in the top five percent of creators.

507
00:31:53,560 --> 00:31:56,680
Speaker 1: But what if you got all of that, but you

508
00:31:56,800 --> 00:31:59,400
Speaker 1: ain't really going the next level. See, that's where they

509
00:31:59,440 --> 00:32:02,400
Speaker 1: beat you out. That what they hustle. So at the

510
00:32:02,480 --> 00:32:05,400
Speaker 1: same time, you do gotta you probably gotta get your

511
00:32:05,480 --> 00:32:07,520
Speaker 1: hustle up with that a little bit and turn it

512
00:32:07,640 --> 00:32:10,640
Speaker 1: up a little more. But again, just access to to

513
00:32:10,880 --> 00:32:15,400
Speaker 1: to audience. Man. On on both sides. Um, but I

514
00:32:15,520 --> 00:32:19,920
Speaker 1: think with the silhouette challenge, those people who've you know,

515
00:32:20,040 --> 00:32:22,680
Speaker 1: your only fans, girls, your strippers that make money off

516
00:32:22,760 --> 00:32:27,000
Speaker 1: they body. I'll let y'all good. What I've seen on

517
00:32:27,120 --> 00:32:30,920
Speaker 1: the other side is a lot of regular women. Um.

518
00:32:32,080 --> 00:32:34,800
Speaker 1: And when I say rugglar, I mean just your working nurse.

519
00:32:35,000 --> 00:32:41,640
Speaker 1: You're working, uh you know, call send a girl doing

520
00:32:41,720 --> 00:32:46,600
Speaker 1: the silhouette challenge. Um. And I'm not sure how that

521
00:32:46,840 --> 00:32:50,640
Speaker 1: adds to anything for those type of individuals this in

522
00:32:50,840 --> 00:32:54,280
Speaker 1: or uh with this in some circumstances where they need

523
00:32:54,520 --> 00:32:57,120
Speaker 1: some sort of man or hopefully they need a man

524
00:32:57,200 --> 00:32:59,480
Speaker 1: to take them serious. Because I think nothing great in

525
00:32:59,560 --> 00:33:04,880
Speaker 1: this life than having a bond and a family shout

526
00:33:04,920 --> 00:33:06,960
Speaker 1: out my mom, I love you forever, you know that,

527
00:33:07,840 --> 00:33:12,160
Speaker 1: But nothing more in this life is is more precious

528
00:33:12,240 --> 00:33:15,000
Speaker 1: than that, right outside of Mama. You know, can't nobody

529
00:33:15,040 --> 00:33:19,280
Speaker 1: to replace Mama, But having that companion, having that that

530
00:33:19,480 --> 00:33:21,800
Speaker 1: one that you not only share that love with, but

531
00:33:21,920 --> 00:33:25,360
Speaker 1: you share intimacy with, Right, that's a that's a beautiful

532
00:33:25,440 --> 00:33:29,000
Speaker 1: thing on a lot of levels. UM and and I'm

533
00:33:29,040 --> 00:33:33,560
Speaker 1: trying to speak to how I think UM from a

534
00:33:33,640 --> 00:33:37,080
Speaker 1: stupid standpoint, really far is from me because again I

535
00:33:37,240 --> 00:33:42,960
Speaker 1: watch it, but I'm concerned with the level of how

536
00:33:43,040 --> 00:33:45,720
Speaker 1: to water balls over and it and it and it

537
00:33:45,920 --> 00:33:48,840
Speaker 1: and it latches on to that regular girl with twenty

538
00:33:48,920 --> 00:33:53,480
Speaker 1: one likes on a silhouette challenge, and fourteen of those

539
00:33:53,680 --> 00:33:59,680
Speaker 1: people I never see a two of those people have girlfriends,

540
00:34:00,200 --> 00:34:05,840
Speaker 1: and the other three ain't even in the same city. Right, So, basically,

541
00:34:05,960 --> 00:34:09,239
Speaker 1: for no reason, now, the one person that you may

542
00:34:09,600 --> 00:34:12,640
Speaker 1: have had that looked at you in a way where

543
00:34:12,680 --> 00:34:14,680
Speaker 1: I want to really wife her. I want to really

544
00:34:15,800 --> 00:34:17,879
Speaker 1: I want to take that thing to the next level.

545
00:34:17,960 --> 00:34:20,319
Speaker 1: If I can, or even just get to know this girl.

546
00:34:20,440 --> 00:34:23,640
Speaker 1: Then I'm following. But then I see her do something

547
00:34:23,719 --> 00:34:27,440
Speaker 1: like that and say down, I ain't know that was

548
00:34:27,520 --> 00:34:31,520
Speaker 1: in a playbook. She didn't pour out the hell marror

549
00:34:31,719 --> 00:34:35,440
Speaker 1: on first down. You see what I'm saying, because I

550
00:34:35,480 --> 00:34:38,000
Speaker 1: ain't got the second down, third down, I ain't. I

551
00:34:38,040 --> 00:34:39,800
Speaker 1: don't know what the sex is, I don't know what

552
00:34:39,920 --> 00:34:43,400
Speaker 1: the conversation is. I just seen her and followed her,

553
00:34:43,480 --> 00:34:46,520
Speaker 1: and now I'm kind of interested. And if she knew

554
00:34:46,560 --> 00:34:50,200
Speaker 1: who I was, will being a she respect this game.

555
00:34:50,320 --> 00:34:53,480
Speaker 1: I gosh, you respect this money and this lifestyle I'm living.

556
00:34:54,160 --> 00:34:56,719
Speaker 1: But we'll never make it that now. So I just

557
00:34:57,280 --> 00:35:00,239
Speaker 1: every to me, you gotta be six enough to due.

558
00:35:00,400 --> 00:35:03,359
Speaker 1: You gotta be thick enough and look by the right,

559
00:35:03,640 --> 00:35:06,960
Speaker 1: not thick enough, but you gotta be pretty or whatever

560
00:35:07,040 --> 00:35:09,279
Speaker 1: in your own right. You gotta be great in your

561
00:35:09,320 --> 00:35:19,759
Speaker 1: own right right, six enough, confident enough, beautiful enough. And

562
00:35:19,880 --> 00:35:22,600
Speaker 1: this isn't subjective to me. This is in the eye

563
00:35:22,600 --> 00:35:28,719
Speaker 1: of the beholder. Um you know, you know, um, but

564
00:35:28,880 --> 00:35:35,279
Speaker 1: you also gotta be smarter enough. Uh, And a lot

565
00:35:35,320 --> 00:35:39,239
Speaker 1: of in certain cases, don't do that for someone that

566
00:35:39,400 --> 00:35:42,520
Speaker 1: you that you mentioned with. Maybe send it to your

567
00:35:42,600 --> 00:35:45,200
Speaker 1: guy you see what I'm saying. Or send it to

568
00:35:45,320 --> 00:35:48,560
Speaker 1: that dude that you know busting you down. You see

569
00:35:48,640 --> 00:35:52,040
Speaker 1: what I'm saying. And um, and see how that goes.

570
00:35:52,080 --> 00:35:54,880
Speaker 1: And then a couple ones they've made a conscious decision

571
00:35:54,960 --> 00:35:58,040
Speaker 1: again they locked in so they they feeling like, man,

572
00:35:58,160 --> 00:36:01,400
Speaker 1: this I ain't And I know a lot of women

573
00:36:01,440 --> 00:36:04,000
Speaker 1: are saying, I ain't studying nobod if nigga don't like me,

574
00:36:04,120 --> 00:36:07,879
Speaker 1: then sudden you know I'm not. I don't. I don't.

575
00:36:07,960 --> 00:36:11,320
Speaker 1: I reject that notion. You know, I reject that notion

576
00:36:11,440 --> 00:36:13,920
Speaker 1: in a lot of instances. And I don't ever talk

577
00:36:13,920 --> 00:36:16,400
Speaker 1: about one hundred percent or anything. It'll be dumb to

578
00:36:16,520 --> 00:36:20,120
Speaker 1: do so. Um. But when you hear me speak generally

579
00:36:20,320 --> 00:36:24,839
Speaker 1: like that, understanding, I'm saying the majority of the situations

580
00:36:24,880 --> 00:36:29,080
Speaker 1: and again making myself clear, I'm not talking about the

581
00:36:29,200 --> 00:36:31,400
Speaker 1: ones that's made a decision that this is how I'm

582
00:36:31,440 --> 00:36:34,000
Speaker 1: gonna feed my little boy. This how I'm gonna feed

583
00:36:34,120 --> 00:36:39,240
Speaker 1: my little girl. You know, off off capitalizing off this internet.

584
00:36:39,800 --> 00:36:41,880
Speaker 1: You understand me and what I'm trying to do with

585
00:36:42,000 --> 00:36:45,680
Speaker 1: this internet gonna supersede me? Want some love from something

586
00:36:45,760 --> 00:36:48,399
Speaker 1: nigga or you know, being in that called what I'm

587
00:36:48,520 --> 00:36:50,839
Speaker 1: doing there, I'm in the top one percent. I made

588
00:36:51,200 --> 00:36:55,200
Speaker 1: three hundred katish year. You see what I'm saying, you know,

589
00:36:55,400 --> 00:36:58,319
Speaker 1: off this body and off this look. And I made

590
00:36:58,320 --> 00:37:01,239
Speaker 1: a conscious decision, like I can't be talking to the

591
00:37:01,360 --> 00:37:06,200
Speaker 1: wars that go every night or twosday through Saty go

592
00:37:06,400 --> 00:37:08,680
Speaker 1: to the strip club getting nagked and pop that thing.

593
00:37:08,840 --> 00:37:11,320
Speaker 1: Some of them nice slow and then others it's great,

594
00:37:11,400 --> 00:37:14,880
Speaker 1: So I can't be talking about y'all. What I'm talking

595
00:37:14,920 --> 00:37:17,839
Speaker 1: about it is because if you look at the statistics,

596
00:37:17,880 --> 00:37:22,800
Speaker 1: a lot of women meet their companions off online, you

597
00:37:22,920 --> 00:37:28,279
Speaker 1: know what I'm saying. And um, again, you're kind of

598
00:37:28,360 --> 00:37:30,279
Speaker 1: riding the fence, and I think you're just playing a

599
00:37:30,360 --> 00:37:33,360
Speaker 1: game that may not put you in a position to

600
00:37:34,239 --> 00:37:39,040
Speaker 1: capitalize on your on your qualities, you know. Um And

601
00:37:39,320 --> 00:37:44,719
Speaker 1: and that's just how I'm looking at them, um and

602
00:37:44,880 --> 00:37:47,040
Speaker 1: I and I also man want to want to kind

603
00:37:47,080 --> 00:37:53,160
Speaker 1: of spend some time, you know, looking at my old friend,

604
00:37:53,480 --> 00:37:57,520
Speaker 1: you know, looking at my guy, my my my, my

605
00:37:57,719 --> 00:38:01,680
Speaker 1: evil twin, you know, um, and just kind of looking

606
00:38:01,719 --> 00:38:04,719
Speaker 1: at certain things, but just looking at the situation with

607
00:38:04,920 --> 00:38:12,600
Speaker 1: Kevin Hart and Andrew Shows. You know. Um, for those

608
00:38:12,640 --> 00:38:15,000
Speaker 1: of you that don't know, Kevin Hart is in a

609
00:38:15,120 --> 00:38:18,279
Speaker 1: position to I think it was get a deal with

610
00:38:18,480 --> 00:38:23,400
Speaker 1: Serious Film for a new show, and he ended up

611
00:38:23,440 --> 00:38:25,719
Speaker 1: calling the Inside Jokes that led us to this, So

612
00:38:25,840 --> 00:38:28,160
Speaker 1: I want to kind of speak about it, you know.

613
00:38:28,280 --> 00:38:31,440
Speaker 1: And if you're a fan of Charlotte Mains and Andrew Shows,

614
00:38:31,520 --> 00:38:36,319
Speaker 1: then um, and then you know that Andrew Shows has

615
00:38:36,360 --> 00:38:38,680
Speaker 1: a show called Inside Jokes, who I think he did

616
00:38:38,800 --> 00:38:41,879
Speaker 1: one season and got out the way, probably cranking back

617
00:38:41,960 --> 00:38:44,000
Speaker 1: up soon. You know, COVID to be over and it

618
00:38:44,120 --> 00:38:47,520
Speaker 1: was kind of well comics sit down and they kind

619
00:38:47,560 --> 00:38:52,520
Speaker 1: of go through jokes, right. So Kevin Hart had announced, Hey, y'all,

620
00:38:52,600 --> 00:38:57,120
Speaker 1: new show coming on you know, um called Inside Jokes.

621
00:38:57,239 --> 00:39:00,640
Speaker 1: But we'll see there. You know, it was slight different.

622
00:39:00,800 --> 00:39:04,359
Speaker 1: I think Shots is based on bad jokes and they

623
00:39:04,440 --> 00:39:07,239
Speaker 1: try to make them better. Kevin Harts is just based

624
00:39:07,320 --> 00:39:10,719
Speaker 1: on jokes, period, little slight difference, not enough to be

625
00:39:11,000 --> 00:39:18,680
Speaker 1: unique in any way. So a couple of things after

626
00:39:18,840 --> 00:39:23,799
Speaker 1: Kevin Hart announced this show, Andrew Shows made a clear man.

627
00:39:23,880 --> 00:39:26,120
Speaker 1: Hey man, you gotta have seen I got mellons of

628
00:39:26,239 --> 00:39:29,439
Speaker 1: views on this on YouTube, y'all Like, y'all ain't even

629
00:39:29,520 --> 00:39:34,359
Speaker 1: YouTube and nothing like somebody tried to steal my podcast name.

630
00:39:34,440 --> 00:39:36,719
Speaker 1: I had to get a cease and desist typed up.

631
00:39:36,760 --> 00:39:39,839
Speaker 1: He cost me money to do that. And it's like, bro,

632
00:39:40,000 --> 00:39:42,920
Speaker 1: y'all ain't even googling if I called my ship this

633
00:39:43,200 --> 00:39:46,040
Speaker 1: was this or what it is now? There's two ways

634
00:39:46,120 --> 00:39:48,920
Speaker 1: to look at that. So so when you're dealing with

635
00:39:49,040 --> 00:39:52,920
Speaker 1: someone as big as Kevin Hart, you gotta understand that

636
00:39:53,000 --> 00:39:57,200
Speaker 1: he's probably not involved in the creative process as much

637
00:39:57,239 --> 00:39:59,799
Speaker 1: as you would think that he that he is as

638
00:40:00,239 --> 00:40:03,880
Speaker 1: chicasual fan or your casual person that sees him on

639
00:40:04,040 --> 00:40:08,080
Speaker 1: Good Morning America and things like that. There's a very

640
00:40:08,320 --> 00:40:14,680
Speaker 1: niched um audience that understands that Kevin Hart is a

641
00:40:14,840 --> 00:40:19,719
Speaker 1: brand at this point. You know, Kevin Hart isn't one

642
00:40:19,760 --> 00:40:23,200
Speaker 1: of the players in the jersey. He's now become the

643
00:40:23,680 --> 00:40:27,839
Speaker 1: bull on the Chicago Bulls logo. He's the logo at

644
00:40:27,920 --> 00:40:31,800
Speaker 1: this point. You know, so you got Jordan is the

645
00:40:31,880 --> 00:40:34,040
Speaker 1: only player that got up to that point to where

646
00:40:34,239 --> 00:40:38,239
Speaker 1: damn near and is I'm gonna say not. Damn is

647
00:40:38,280 --> 00:40:41,600
Speaker 1: bigger than the logos he played for, but most times,

648
00:40:41,719 --> 00:40:44,279
Speaker 1: and Lebron is too. Lebron James is bigger than the

649
00:40:44,360 --> 00:40:47,520
Speaker 1: logos that he's that he's put on his body, But

650
00:40:47,680 --> 00:40:50,040
Speaker 1: a lot of times that jersey you put in you

651
00:40:50,080 --> 00:40:53,960
Speaker 1: ain't bigger than that. You see what I'm saying. That

652
00:40:54,200 --> 00:40:58,479
Speaker 1: jersey you put on that motherfucker's been going for Green

653
00:40:58,560 --> 00:41:01,920
Speaker 1: Bay Packers, been going for since the seventis or whatever.

654
00:41:02,200 --> 00:41:05,239
Speaker 1: You see what I'm saying. So what I'm saying is

655
00:41:05,680 --> 00:41:08,960
Speaker 1: Kevin Hard is now ran like a team. That ship

656
00:41:09,120 --> 00:41:12,480
Speaker 1: is now ran like a wild or business. It's no

657
00:41:12,600 --> 00:41:15,880
Speaker 1: longer just Kevin Hard doing like I'm doing, you know,

658
00:41:16,040 --> 00:41:18,960
Speaker 1: taking some time and riding his bike around his neighborhood

659
00:41:19,040 --> 00:41:22,240
Speaker 1: and putting some headphones on and just trying to zone

660
00:41:22,320 --> 00:41:24,120
Speaker 1: out and come up with the name of a show.

661
00:41:25,040 --> 00:41:27,440
Speaker 1: You know what it took me to name my podcast

662
00:41:27,560 --> 00:41:33,400
Speaker 1: this in two thousand and fifteen. Two thousand and fifteen,

663
00:41:33,880 --> 00:41:37,839
Speaker 1: it's when I name this podcast this six years ago.

664
00:41:38,640 --> 00:41:41,440
Speaker 1: Cardi b just now dropping up and it stuck them

665
00:41:41,520 --> 00:41:45,720
Speaker 1: batting Ruge Nigga's timing. It's up the Man two thousand

666
00:41:45,760 --> 00:41:49,040
Speaker 1: and six fifteen is when Loom had this up there podcast.

667
00:41:49,160 --> 00:41:52,120
Speaker 1: Go check the days. You see what I'm saying, And

668
00:41:52,440 --> 00:41:55,000
Speaker 1: not that I'm saying anything about any of those people.

669
00:41:55,040 --> 00:41:59,440
Speaker 1: I'm just saying the creative mold you gotta be in

670
00:41:59,600 --> 00:42:02,359
Speaker 1: and say, Man, I don't want to make the name

671
00:42:02,400 --> 00:42:04,839
Speaker 1: of the small fucker sound like nobody else is. An't

672
00:42:04,840 --> 00:42:07,600
Speaker 1: you scoing with the internet? Do anybody got anything like

673
00:42:07,800 --> 00:42:11,920
Speaker 1: this at that time? There's a no on that. You

674
00:42:12,000 --> 00:42:17,440
Speaker 1: see what I'm saying. So again, what we would expect now,

675
00:42:17,600 --> 00:42:21,719
Speaker 1: even though Kevin Hart himself is not involved in what

676
00:42:21,880 --> 00:42:24,360
Speaker 1: we were to expect the people that's passing that idea

677
00:42:24,440 --> 00:42:26,920
Speaker 1: to him to at least do a simple YouTube search,

678
00:42:27,680 --> 00:42:32,600
Speaker 1: a simple Google search, a simple podcast search. And I

679
00:42:32,680 --> 00:42:34,920
Speaker 1: didn't think about this, but what if they did do it?

680
00:42:35,719 --> 00:42:38,880
Speaker 1: Inside Jokes podcast. I think shots to still pop up

681
00:42:38,920 --> 00:42:41,840
Speaker 1: because he got so many views, So how the algorithm works,

682
00:42:43,680 --> 00:42:49,840
Speaker 1: you know, I'm I'm about sure that they'll pop up now. Again,

683
00:42:50,760 --> 00:42:53,360
Speaker 1: this is why you see people try to hold the

684
00:42:53,560 --> 00:42:58,759
Speaker 1: NFL liable when the NFL player does something or that's

685
00:42:58,800 --> 00:43:01,880
Speaker 1: the position that they especially with black men. When you

686
00:43:02,400 --> 00:43:05,960
Speaker 1: when you see somebody like Ray Rice have that very

687
00:43:06,160 --> 00:43:10,879
Speaker 1: unfortunate abusive situation that he had with his wife. UM,

688
00:43:11,480 --> 00:43:14,720
Speaker 1: and and how people put the pressure on the NFIL

689
00:43:14,840 --> 00:43:18,840
Speaker 1: to respond because he not bigger than the NFL. Y'all

690
00:43:18,920 --> 00:43:22,799
Speaker 1: need to say something, you know what I'm saying. Um,

691
00:43:23,800 --> 00:43:27,800
Speaker 1: We would expect that Kevin Hart has some sort of

692
00:43:27,960 --> 00:43:30,600
Speaker 1: chicks and balances that these guys got to go through

693
00:43:31,040 --> 00:43:35,160
Speaker 1: when approaching him with ideas, UM and just putting him

694
00:43:35,200 --> 00:43:37,719
Speaker 1: in a position to understand that, man, this has been

695
00:43:37,920 --> 00:43:41,160
Speaker 1: looked into and it's a beautiful thing. We're coming with this.

696
00:43:41,840 --> 00:43:45,880
Speaker 1: But to have me apologizing now, you make me look stupid.

697
00:43:46,960 --> 00:43:50,040
Speaker 1: Now I gotta go out and make a video apologizing now.

698
00:43:50,280 --> 00:43:53,000
Speaker 1: He didn't have to, and he didn't do it in

699
00:43:53,120 --> 00:43:55,759
Speaker 1: my opinion, because of shows. Even though Shows is a

700
00:43:55,840 --> 00:43:58,640
Speaker 1: big he's a big dog and commented now he's worked

701
00:43:58,719 --> 00:44:02,320
Speaker 1: itself into that position. But Kevin, in my opinion, didn't

702
00:44:02,320 --> 00:44:08,440
Speaker 1: do that because of shows. He did that because of Charlemagne. Again,

703
00:44:08,560 --> 00:44:12,320
Speaker 1: anything from the Black Side comes from Charlemagne. In regards

704
00:44:12,400 --> 00:44:16,480
Speaker 1: to Andrew's shows, he did something for the White Side.

705
00:44:16,640 --> 00:44:19,800
Speaker 1: And then he with with I cost I'm telling you

706
00:44:19,880 --> 00:44:22,800
Speaker 1: I know this game with I cash you get you

707
00:44:22,880 --> 00:44:25,880
Speaker 1: know some of the Indian side and they respect you

708
00:44:26,000 --> 00:44:28,000
Speaker 1: and we and we fucked with you on this side,

709
00:44:28,080 --> 00:44:35,440
Speaker 1: but we fuck with you on circumstances or Charlemagne, you know.

710
00:44:35,880 --> 00:44:39,360
Speaker 1: Um And I'm not sure who came at who with

711
00:44:39,520 --> 00:44:42,320
Speaker 1: the idea about the podcast, but it was in the

712
00:44:42,400 --> 00:44:45,360
Speaker 1: early stages and you were able to morph into something.

713
00:44:45,880 --> 00:44:48,719
Speaker 1: You know, and I think you're selling maybe you know

714
00:44:48,880 --> 00:44:51,640
Speaker 1: it's it's it's high, so you should you should be okay.

715
00:44:52,320 --> 00:44:54,640
Speaker 1: But I think Kevin Hard done that because all that

716
00:44:54,840 --> 00:45:00,120
Speaker 1: Charlemagne homeboy man and Charlemagne, Me and Charlemagne got this going. Know,

717
00:45:00,360 --> 00:45:02,680
Speaker 1: he hold me down. Any time my name brought up,

718
00:45:02,760 --> 00:45:05,879
Speaker 1: he you know again, it's on the strength of Charlemagne,

719
00:45:06,040 --> 00:45:08,560
Speaker 1: the same way I just was talking about, the game

720
00:45:08,760 --> 00:45:13,279
Speaker 1: is fake as soon as they see Charlemagne repost my

721
00:45:13,480 --> 00:45:18,080
Speaker 1: podcast names up. Everybody loved it far as people that

722
00:45:18,160 --> 00:45:22,239
Speaker 1: should have loved it to begin with. You understand me.

723
00:45:22,480 --> 00:45:25,440
Speaker 1: I ain't talking about access to the regular audience we

724
00:45:25,600 --> 00:45:28,720
Speaker 1: need that it's up and coming podcasts. I'm talking about

725
00:45:29,160 --> 00:45:31,880
Speaker 1: the people that should have loved it to begin with.

726
00:45:32,880 --> 00:45:35,800
Speaker 1: You understand me. It just will put them in a situation,

727
00:45:35,920 --> 00:45:38,600
Speaker 1: so it's it's so much fake love. When you look

728
00:45:38,640 --> 00:45:43,759
Speaker 1: at you say, Andrew Showed, why would Kevin Hard apologize? Oh, Charlemagne,

729
00:45:43,960 --> 00:45:48,160
Speaker 1: that's his homing and Kevin Hard's a good dude. Kevin

730
00:45:48,200 --> 00:45:50,560
Speaker 1: Hard's a good dude. But you're seeing Joe Budden go

731
00:45:50,640 --> 00:45:54,239
Speaker 1: through and then ignore. But if their phone call wh

732
00:45:54,400 --> 00:45:57,120
Speaker 1: it came from, and I see what you're doing, Joe

733
00:45:57,200 --> 00:46:00,200
Speaker 1: Budden getting all of Jay z Old people. I don't

734
00:46:00,239 --> 00:46:01,640
Speaker 1: know if you're trying to appeal to him of what.

735
00:46:01,800 --> 00:46:05,200
Speaker 1: But I'm peeping that as well. But anyway, they said

736
00:46:05,239 --> 00:46:09,319
Speaker 1: something about see the thing. Yeah, he ignored that, they

737
00:46:09,400 --> 00:46:12,320
Speaker 1: went through mall, he ignored it. But if somebody's Steve

738
00:46:12,480 --> 00:46:16,080
Speaker 1: Stout or Leo Corn would have called and hey, man,

739
00:46:16,239 --> 00:46:18,320
Speaker 1: you know I got a podcast over here. I read it.

740
00:46:18,400 --> 00:46:20,359
Speaker 1: It's like that, man, he would have changed the name,

741
00:46:20,440 --> 00:46:23,960
Speaker 1: maybe came out apologize. But what I'm saying there, it's

742
00:46:23,960 --> 00:46:28,879
Speaker 1: a relationship basis. It's on a relationship basis when those

743
00:46:29,000 --> 00:46:32,560
Speaker 1: kind of things happen. But congrats to Andrew Shows for

744
00:46:33,239 --> 00:46:36,759
Speaker 1: being in that situation. Having someone like Kevin Hart, the

745
00:46:36,840 --> 00:46:41,600
Speaker 1: biggest star in the world as far as comedian comedians

746
00:46:41,640 --> 00:46:45,440
Speaker 1: are concerned, recognize him on that type of level, that's

747
00:46:45,520 --> 00:46:49,600
Speaker 1: something you can never take away from him now. But

748
00:46:49,719 --> 00:46:52,440
Speaker 1: I think it'll be irresponsible to think that he did

749
00:46:52,600 --> 00:46:58,200
Speaker 1: that because you know now, it's because it's Charlomagne respectfully.

750
00:46:59,120 --> 00:47:02,160
Speaker 1: You know again, I gotta create content. It's my job

751
00:47:02,239 --> 00:47:06,120
Speaker 1: to put it out there. It's my job to put

752
00:47:06,200 --> 00:47:08,759
Speaker 1: it down, and it's your job to pick it up. Man.

753
00:47:09,520 --> 00:47:11,839
Speaker 1: You see what I'm saying. It's my job to put

754
00:47:11,880 --> 00:47:16,080
Speaker 1: it down, it's your job to pick it up, you know. Um.

755
00:47:17,560 --> 00:47:22,640
Speaker 1: And speaking of that, right, I saw um shout out

756
00:47:22,760 --> 00:47:25,359
Speaker 1: Gilly the Kid and Wallow million dollars worth a game.

757
00:47:25,440 --> 00:47:33,640
Speaker 1: I saw their latest podcast with Funk Flex and they

758
00:47:33,719 --> 00:47:40,120
Speaker 1: brought Drake up and they bought whole. Um. Gilly the

759
00:47:40,239 --> 00:47:44,440
Speaker 1: Kid took the position of whole. Funk Flex took the

760
00:47:44,480 --> 00:47:47,200
Speaker 1: position of Drake with a bunch of smearing going on

761
00:47:47,600 --> 00:47:51,000
Speaker 1: number one. I want to address that, like, if you

762
00:47:51,160 --> 00:47:55,160
Speaker 1: fuck with a nigga, just fuck with a nigga, don't

763
00:47:55,320 --> 00:47:58,360
Speaker 1: what is this? I fuck with him? But he's corny

764
00:47:59,040 --> 00:48:03,759
Speaker 1: coming from funk Flex or coming from man one? Any

765
00:48:03,960 --> 00:48:08,000
Speaker 1: what do you tell about man who's saying? Who corny? Man?

766
00:48:08,480 --> 00:48:12,320
Speaker 1: What de folk be? Who can any you nigga's dress?

767
00:48:14,440 --> 00:48:17,640
Speaker 1: Is any you niggas really really got some flavoring style

768
00:48:17,760 --> 00:48:21,000
Speaker 1: and what this culture really is made up of? Do

769
00:48:21,120 --> 00:48:23,600
Speaker 1: you niggas really really move a needle when we talk

770
00:48:23,640 --> 00:48:27,960
Speaker 1: about that, because if we're just talking about game, I

771
00:48:28,160 --> 00:48:31,719
Speaker 1: got game, So I don't you know game respect game?

772
00:48:32,360 --> 00:48:34,360
Speaker 1: You see what I'm saying. So it ain't no situation

773
00:48:34,480 --> 00:48:37,480
Speaker 1: where I'm looking at no nigga thinking, man, he the

774
00:48:37,560 --> 00:48:41,560
Speaker 1: coolest nigga doing it now one of them guys. So

775
00:48:41,719 --> 00:48:44,040
Speaker 1: what We're sitting up having a conversation about one of

776
00:48:44,080 --> 00:48:47,920
Speaker 1: the richest rappers in the lad teen year being Corny,

777
00:48:49,640 --> 00:48:55,759
Speaker 1: Who's saying who Corny? Nowaday at? Like it's like you

778
00:48:55,920 --> 00:48:59,760
Speaker 1: getting smacked out him and talking bad about the nigga

779
00:48:59,760 --> 00:49:05,520
Speaker 1: the game into a fight and won his fight. Like

780
00:49:06,000 --> 00:49:10,480
Speaker 1: this ship just was weird. But advancing the conversation, you know,

781
00:49:10,600 --> 00:49:16,120
Speaker 1: they talked about Drake and um and I'm from the South,

782
00:49:16,440 --> 00:49:21,200
Speaker 1: you know, but they talked about Drake and m Gillett

783
00:49:21,280 --> 00:49:23,279
Speaker 1: was just like jay Z jay Z and I fuck

784
00:49:23,320 --> 00:49:28,480
Speaker 1: with Hold Hove is the goat hold his dad nigga nigga.

785
00:49:28,560 --> 00:49:31,040
Speaker 1: When I was young, how I got in the rap nigga?

786
00:49:32,040 --> 00:49:36,000
Speaker 1: I wrote down every bar Jay Z said up on

787
00:49:36,160 --> 00:49:40,800
Speaker 1: Blueprint as a young nigga every single bar and was

788
00:49:41,080 --> 00:49:44,120
Speaker 1: studying it. Man, how the fuck is he going in

789
00:49:44,239 --> 00:49:46,200
Speaker 1: and now of this ship? What the fuck is going

790
00:49:46,880 --> 00:49:49,719
Speaker 1: studied it? I was then That's when I was like,

791
00:49:49,920 --> 00:49:55,480
Speaker 1: oh shit, I can do this. But jay z Zee

792
00:49:55,560 --> 00:49:57,359
Speaker 1: when I when I thought about that the other day,

793
00:49:57,400 --> 00:49:59,400
Speaker 1: I said, damn, and I remember doing that as a

794
00:49:59,480 --> 00:50:02,480
Speaker 1: young nigga, But you don't see that in my style

795
00:50:03,680 --> 00:50:06,520
Speaker 1: because what I was doing was just he wasn't the

796
00:50:06,600 --> 00:50:08,360
Speaker 1: only rapper. I was doing that too. It was a

797
00:50:08,440 --> 00:50:10,720
Speaker 1: couple of more. Motherfucker. But I was trying to figure

798
00:50:10,760 --> 00:50:13,680
Speaker 1: the game out and figure out what I'm standing on

799
00:50:13,920 --> 00:50:16,279
Speaker 1: and what's the foundation of this ship because at the

800
00:50:16,400 --> 00:50:19,719
Speaker 1: time I think whatever Blueprinting was, I was a young,

801
00:50:19,880 --> 00:50:23,480
Speaker 1: young nigga, it was the hardest shit going, you know

802
00:50:23,600 --> 00:50:26,799
Speaker 1: what I'm saying. But um yeah, so so giling them

803
00:50:26,880 --> 00:50:30,840
Speaker 1: was saying that Jay was way better than than than Drake,

804
00:50:30,960 --> 00:50:34,480
Speaker 1: and how Drake is a R and B single You're

805
00:50:34,480 --> 00:50:36,840
Speaker 1: gonna have a singing nigga in top five, is what

806
00:50:37,040 --> 00:50:43,800
Speaker 1: Gillis said. Do y'all not know Drake be rapping? Rapping

807
00:50:46,640 --> 00:50:50,560
Speaker 1: like y'all really gonna act like Drake ain't rapping rapping

808
00:50:50,640 --> 00:50:54,000
Speaker 1: home and then this whole game when you bust the

809
00:50:54,120 --> 00:50:56,960
Speaker 1: whole game open like that, you y'all gonna act like

810
00:50:57,080 --> 00:51:02,680
Speaker 1: that don't mean nothing. And I see Flex and everybody

811
00:51:02,800 --> 00:51:07,400
Speaker 1: bring up the ghost writers. And you just heard me

812
00:51:07,520 --> 00:51:10,680
Speaker 1: talk about how Kevin Hard is not one of the players.

813
00:51:11,400 --> 00:51:14,239
Speaker 1: And this is a metaphor. If if we compared to

814
00:51:14,520 --> 00:51:17,560
Speaker 1: two basketball teams, the Chicago Bulls, he's not one of

815
00:51:17,600 --> 00:51:20,440
Speaker 1: the players. He's now turned into the Chicago bull He's

816
00:51:20,480 --> 00:51:27,120
Speaker 1: now the logo. When Drake started helping people, I think

817
00:51:27,160 --> 00:51:29,399
Speaker 1: he put him in a position to say, oh shit,

818
00:51:30,239 --> 00:51:32,880
Speaker 1: this shit bigger than like I'm over here writing with

819
00:51:33,080 --> 00:51:35,480
Speaker 1: Kanye West, and he gonna see it like it's him,

820
00:51:37,760 --> 00:51:39,880
Speaker 1: and then they gonna respect him and hold him in

821
00:51:39,960 --> 00:51:42,480
Speaker 1: high regard. So I'm gonna I'm gonna look at the

822
00:51:42,520 --> 00:51:46,719
Speaker 1: situation and say, damn, I could take a little load

823
00:51:46,800 --> 00:51:49,000
Speaker 1: off of me by this little nigga kind of cool,

824
00:51:49,160 --> 00:51:51,959
Speaker 1: he kind of come up with some shit. Come fuck

825
00:51:52,040 --> 00:51:53,759
Speaker 1: with me, man, We're gonna sit there and see what

826
00:51:53,880 --> 00:51:57,839
Speaker 1: we can come up with. It's almost like a shelf, right,

827
00:51:58,880 --> 00:52:03,640
Speaker 1: if I got the roast beef and the macaroni made,

828
00:52:03,880 --> 00:52:05,839
Speaker 1: and I just tell you, hey, man, cut me up

829
00:52:05,880 --> 00:52:10,000
Speaker 1: some potatoes, some onions and carriage over and then they

830
00:52:10,120 --> 00:52:13,439
Speaker 1: try to take something off the cooking for that. Well,

831
00:52:13,480 --> 00:52:15,600
Speaker 1: he can't be the best chef. They got a nigga

832
00:52:15,960 --> 00:52:19,319
Speaker 1: cutting up here potatoes and his onions, his carriage. Man,

833
00:52:19,440 --> 00:52:22,520
Speaker 1: he can't be the best chef out there because the

834
00:52:22,600 --> 00:52:24,799
Speaker 1: best chef got to cook here. He got to cut

835
00:52:24,880 --> 00:52:27,359
Speaker 1: it potato, he got to cut it onion, he got

836
00:52:28,440 --> 00:52:30,880
Speaker 1: You know what I'm saying, When when? When? When? What

837
00:52:31,040 --> 00:52:34,760
Speaker 1: is we ignoring that this game is? Are we ignoring

838
00:52:34,840 --> 00:52:37,480
Speaker 1: that people to see what Drake said right ten percent

839
00:52:37,520 --> 00:52:40,040
Speaker 1: of their ship when he's probably right ninety percent of it.

840
00:52:41,760 --> 00:52:44,279
Speaker 1: When they said, well, hold didn't Hold, didn't sell like

841
00:52:44,480 --> 00:52:50,520
Speaker 1: Drake seiling Hold going platinum and then he might go triple.

842
00:52:51,239 --> 00:52:53,920
Speaker 1: It wasn't no diamonds involved until he got to a

843
00:52:54,000 --> 00:52:57,040
Speaker 1: point where he was looked at like the goat like

844
00:52:57,200 --> 00:53:00,319
Speaker 1: he is. You understand me, He doing different ships, so's

845
00:53:00,360 --> 00:53:03,319
Speaker 1: to here a different type nigga. But we're talking about

846
00:53:03,360 --> 00:53:07,240
Speaker 1: how Drake it's currently putting up six to a game,

847
00:53:09,480 --> 00:53:16,719
Speaker 1: you understand me, and getting twenty boards currently. Are we

848
00:53:16,840 --> 00:53:20,640
Speaker 1: gonna ignore that most people in that position right ten

849
00:53:20,680 --> 00:53:24,200
Speaker 1: percent of their ship, and he writing ninety percent of

850
00:53:24,480 --> 00:53:27,600
Speaker 1: or maybe now one hundred percent, because again, the lions

851
00:53:27,640 --> 00:53:30,000
Speaker 1: got blurred for him when he got so he gets

852
00:53:30,080 --> 00:53:32,839
Speaker 1: so big, now the lions get blurred. It's like, damn,

853
00:53:32,920 --> 00:53:35,600
Speaker 1: oh shit, I'm righting for Kanye. I just wrote and

854
00:53:35,719 --> 00:53:38,680
Speaker 1: helped on something for Beyonce. I just and now all

855
00:53:38,719 --> 00:53:41,400
Speaker 1: these people on my level, it's almost like being a

856
00:53:42,239 --> 00:53:45,000
Speaker 1: stop player on the team. Everybody pulling up in the

857
00:53:45,120 --> 00:53:48,560
Speaker 1: bitter list. Nigga, you got to pull up in a

858
00:53:48,640 --> 00:53:51,680
Speaker 1: bend low or you ain't part of the You must

859
00:53:51,760 --> 00:53:54,640
Speaker 1: not be. He ain't making that now. Of course people

860
00:53:54,719 --> 00:53:56,440
Speaker 1: gonna go the other way. But I'm saying, for the

861
00:53:56,560 --> 00:53:59,320
Speaker 1: most part, when you pull up on a practice squad,

862
00:53:59,440 --> 00:54:03,839
Speaker 1: or you pull up up at the practice field at

863
00:54:03,880 --> 00:54:07,640
Speaker 1: the NFL or the GM for NBA, and you see

864
00:54:07,680 --> 00:54:11,839
Speaker 1: the Lamborghinis in the bent listening to the ferraris them

865
00:54:12,000 --> 00:54:15,799
Speaker 1: is the top players. So when you come in as

866
00:54:15,840 --> 00:54:18,200
Speaker 1: a top player, they set the standard like damn, man

867
00:54:18,600 --> 00:54:20,719
Speaker 1: shoot out, Damn I gotta be driving one of them

868
00:54:20,760 --> 00:54:22,720
Speaker 1: for nigga to look at me like the top player.

869
00:54:23,600 --> 00:54:26,200
Speaker 1: And also the little niggas get caught in that you

870
00:54:26,280 --> 00:54:28,719
Speaker 1: ain't even making that much money trying to pull up

871
00:54:28,760 --> 00:54:31,880
Speaker 1: in a Ferrari because you want to look like the

872
00:54:32,000 --> 00:54:34,960
Speaker 1: top player. But that's another conversation. But them top player

873
00:54:35,120 --> 00:54:38,520
Speaker 1: niggas pulling up in certain kind of ship Number one,

874
00:54:39,000 --> 00:54:41,359
Speaker 1: that's the only time they really sometimes get the drive

875
00:54:41,440 --> 00:54:43,480
Speaker 1: the car they spend all the money on. So they're

876
00:54:43,480 --> 00:54:46,480
Speaker 1: definitely taking something good or down there, you see what

877
00:54:46,520 --> 00:54:49,440
Speaker 1: I'm saying. But it's just a the lions got blurred

878
00:54:49,520 --> 00:54:52,680
Speaker 1: for for Drake Man when he when he got itself

879
00:54:52,719 --> 00:54:57,120
Speaker 1: in that situation, you know, helping them type of people,

880
00:54:57,760 --> 00:55:02,840
Speaker 1: you know, And I think that it placed him in

881
00:55:02,920 --> 00:55:07,000
Speaker 1: a position because all these people like me, all these

882
00:55:07,040 --> 00:55:09,600
Speaker 1: people winning graham Is and the same shit I'm doing,

883
00:55:09,719 --> 00:55:13,640
Speaker 1: they're selling big boys shit, so they got to be

884
00:55:13,760 --> 00:55:16,279
Speaker 1: and their names come up on the list, so it

885
00:55:16,440 --> 00:55:18,960
Speaker 1: got to be what we're doing. Ain't nobody never said

886
00:55:19,080 --> 00:55:23,200
Speaker 1: Kanye West on my list and put in parenthesee questionable

887
00:55:23,360 --> 00:55:29,360
Speaker 1: pin No, none of you niggas, and ain't nobody selling

888
00:55:29,480 --> 00:55:32,120
Speaker 1: like that boy. So it was this confusing for me

889
00:55:32,239 --> 00:55:34,080
Speaker 1: to hear that. And then when you hear singing and

890
00:55:34,200 --> 00:55:37,000
Speaker 1: this ship, when you hear niggas get on there with

891
00:55:37,120 --> 00:55:41,200
Speaker 1: the trap rap and the singing and the kind of

892
00:55:41,640 --> 00:55:45,719
Speaker 1: and kind of mashed that up, you know, in the

893
00:55:45,840 --> 00:55:47,919
Speaker 1: singing when you hit niggas, get on with the trap

894
00:55:48,040 --> 00:55:49,880
Speaker 1: rap and the singing and then try to kind of

895
00:55:49,960 --> 00:55:56,480
Speaker 1: mash that up. That's a product of Drake, you see

896
00:55:56,560 --> 00:55:59,040
Speaker 1: what I'm saying. And so we gotta respect not only

897
00:55:59,360 --> 00:56:03,279
Speaker 1: he checked South every box contribution to the game. The

898
00:56:03,360 --> 00:56:05,640
Speaker 1: only thing ain't done yet was putting in his own

899
00:56:05,719 --> 00:56:08,759
Speaker 1: and that's what Jay got him at. You know what

900
00:56:08,840 --> 00:56:12,160
Speaker 1: I'm saying. A lot of people would debate then say,

901
00:56:12,320 --> 00:56:16,320
Speaker 1: Jane putting nobody really on. I would reject that and

902
00:56:16,440 --> 00:56:19,800
Speaker 1: we can have that conversation whoever wants to. But I'm saying,

903
00:56:20,360 --> 00:56:22,879
Speaker 1: the only thing I haven't seen Drake Dunn was put

904
00:56:23,000 --> 00:56:26,040
Speaker 1: some people on. Now what people gonna respond to that

905
00:56:26,160 --> 00:56:28,800
Speaker 1: and say, is well, what you think about when he

906
00:56:28,880 --> 00:56:32,480
Speaker 1: gets on them songs with the blockboard jabs and the

907
00:56:33,560 --> 00:56:36,839
Speaker 1: fitted wasps and the you know, some of these people,

908
00:56:36,880 --> 00:56:39,040
Speaker 1: they say, is already on. Fine, he just kind of

909
00:56:39,040 --> 00:56:41,759
Speaker 1: stepping in. But some of these people he taking to

910
00:56:41,840 --> 00:56:44,520
Speaker 1: the next level as well. You know, some of these

911
00:56:44,600 --> 00:56:48,080
Speaker 1: people he taking to the next level. Is well so um.

912
00:56:49,440 --> 00:56:52,160
Speaker 1: You know, it's a doubleheaded sward. You know what I'm saying.

913
00:56:53,000 --> 00:56:56,520
Speaker 1: You could do more examining of that. But I think

914
00:56:56,600 --> 00:57:00,279
Speaker 1: he one of the most influential rappers level. I think

915
00:57:00,360 --> 00:57:04,200
Speaker 1: he one of the most um salt after rappers ever.

916
00:57:04,400 --> 00:57:11,920
Speaker 1: He spent ten years on the charts. You don't do that, man,

917
00:57:12,000 --> 00:57:14,239
Speaker 1: and then turn around and rap how he rapped on

918
00:57:14,800 --> 00:57:18,240
Speaker 1: his intro talking about his mama and this and that.

919
00:57:18,680 --> 00:57:21,160
Speaker 1: Niggas ain't doing that. Once you niggas get a taste

920
00:57:21,200 --> 00:57:24,760
Speaker 1: of that, man, you niggas is not rapping like that. No, mold.

921
00:57:25,400 --> 00:57:28,880
Speaker 1: I gotta applaudability to even stay grounded enough to even

922
00:57:29,000 --> 00:57:32,080
Speaker 1: still get in there and find the words to talk

923
00:57:32,240 --> 00:57:35,640
Speaker 1: like that. Some of y'all can't talk like that. On

924
00:57:35,760 --> 00:57:39,720
Speaker 1: the bottom and not the not the bought my Mama house.

925
00:57:39,800 --> 00:57:43,640
Speaker 1: And I'm just talking about the cadence, the creativity, what

926
00:57:43,760 --> 00:57:47,320
Speaker 1: the melon did to even the beat choice to switch

927
00:57:47,400 --> 00:57:49,800
Speaker 1: it up from this style on this track to that

928
00:57:50,000 --> 00:57:52,880
Speaker 1: style on that track. When you hear a rapper catch one,

929
00:57:52,960 --> 00:57:56,000
Speaker 1: you're gonna hear that shit again, and hear that shit again.

930
00:57:56,280 --> 00:58:00,480
Speaker 1: That's why you see the baby rejected. He had reject

931
00:58:00,600 --> 00:58:05,000
Speaker 1: it because that boxes me in. You understand me, y'all

932
00:58:05,080 --> 00:58:07,360
Speaker 1: like that packing the mail, I'm gone. Then y'all want

933
00:58:07,400 --> 00:58:10,840
Speaker 1: me to keep doing that, No, sir, I gotta find

934
00:58:10,880 --> 00:58:13,640
Speaker 1: a different thing to do or I'm gonna box myself

935
00:58:13,760 --> 00:58:16,360
Speaker 1: in and I ain't gonna last long. You got Drake

936
00:58:16,440 --> 00:58:19,600
Speaker 1: selling tens of millions, doing shit a certain way, and

937
00:58:19,800 --> 00:58:22,040
Speaker 1: then next time he found a different way to do it.

938
00:58:22,280 --> 00:58:24,600
Speaker 1: The time after that, you find another way to do it.

939
00:58:25,760 --> 00:58:29,440
Speaker 1: Come home, man, what he's y'all niggas talking about the

940
00:58:29,560 --> 00:58:31,760
Speaker 1: same way with Joe Button When I said he's finding

941
00:58:31,800 --> 00:58:34,240
Speaker 1: a way to keep getting them some millions from you niggas,

942
00:58:35,840 --> 00:58:38,840
Speaker 1: he finding him a motherfucking way to keep getting some millions.

943
00:58:38,920 --> 00:58:41,520
Speaker 1: Regardless if you're saying, well, he's not really adding nothing.

944
00:58:41,640 --> 00:58:44,720
Speaker 1: He's adding value at the time, right, and he's putting

945
00:58:45,200 --> 00:58:48,400
Speaker 1: a certain demographic eyes on whatever he's standing next to

946
00:58:48,960 --> 00:58:51,800
Speaker 1: give him that, But he's not really adding value to

947
00:58:51,920 --> 00:58:55,200
Speaker 1: the game, like he's saying, So what are we really

948
00:58:55,280 --> 00:59:00,440
Speaker 1: getting out of this? We? You understand me because reason

949
00:59:00,520 --> 00:59:03,760
Speaker 1: a lot of people is tuning into him and now

950
00:59:03,960 --> 00:59:07,240
Speaker 1: have first of all, because of the academics mash up

951
00:59:07,560 --> 00:59:10,400
Speaker 1: that did so much for the career. I'm not sure

952
00:59:10,440 --> 00:59:12,720
Speaker 1: that he acknowledge is that the way that he should,

953
00:59:13,200 --> 00:59:16,200
Speaker 1: But that mash up with academics pivoted him with a

954
00:59:16,280 --> 00:59:20,640
Speaker 1: lot it was early in podcast and then pivoted him

955
00:59:20,680 --> 00:59:24,000
Speaker 1: with a lot of listeners that new academics and just said,

956
00:59:24,080 --> 00:59:26,320
Speaker 1: I'm gonna look over him, man, they got academics and

957
00:59:26,440 --> 00:59:28,400
Speaker 1: Joe Button, I'm gonna look and see what's going on.

958
00:59:29,160 --> 00:59:31,840
Speaker 1: And then when he left Complex and was scared, half

959
00:59:31,880 --> 00:59:34,880
Speaker 1: of them people left with him. They still stayed fans

960
00:59:34,960 --> 00:59:37,960
Speaker 1: and act but they left for him and started to

961
00:59:38,080 --> 00:59:40,760
Speaker 1: take a liking to him again. Access to the audience,

962
00:59:42,920 --> 00:59:45,520
Speaker 1: Access to the audience. I listened to some of them

963
00:59:45,600 --> 00:59:48,080
Speaker 1: podcasts from back in the day, and I just I

964
00:59:48,240 --> 00:59:51,040
Speaker 1: looked at him, you know, on video, like talking about

965
00:59:51,120 --> 00:59:54,400
Speaker 1: Takashi back in and before he snitched and before, and

966
00:59:54,520 --> 00:59:56,000
Speaker 1: I just looked at him and said, look, how to

967
00:59:56,080 --> 00:59:59,520
Speaker 1: eat niggas. Look, man, they looked like they ain't had

968
00:59:59,640 --> 01:00:03,880
Speaker 1: no money. The grand they took the hard work. It

969
01:00:04,040 --> 01:00:09,760
Speaker 1: took one hundred and thirteen, one hundred and sixty podcasts

970
01:00:10,000 --> 01:00:17,400
Speaker 1: in and niggas got dirty T shirts on, niggas got

971
01:00:17,520 --> 01:00:21,520
Speaker 1: fucked up outfits on the camera is up too high

972
01:00:22,760 --> 01:00:26,040
Speaker 1: and you see somebody at the ground level. You understand me,

973
01:00:26,120 --> 01:00:29,240
Speaker 1: when I came in the game back then, my jade,

974
01:00:29,280 --> 01:00:31,360
Speaker 1: and they should tell you I would. I was paying

975
01:00:32,000 --> 01:00:34,920
Speaker 1: niggas the record, paying niggas to do this, paying niggas.

976
01:00:35,080 --> 01:00:37,600
Speaker 1: I had to pay these niggas the same way I'm

977
01:00:37,640 --> 01:00:40,880
Speaker 1: sure he did. But the point I'm making is access

978
01:00:40,920 --> 01:00:44,520
Speaker 1: to the audience was granting when him and academics did

979
01:00:44,640 --> 01:00:47,920
Speaker 1: that thing. Charlomagne, access to the audience was granting when

980
01:00:48,640 --> 01:00:50,960
Speaker 1: he spent off from the breakfast club. He can come

981
01:00:51,000 --> 01:00:53,840
Speaker 1: and drop the brilliant idiots name there, would allow speaker

982
01:00:54,000 --> 01:00:56,919
Speaker 1: name there. And then on top of that, Combat Jack

983
01:00:57,000 --> 01:01:00,640
Speaker 1: had already built a certain level of listenership away from

984
01:01:00,760 --> 01:01:04,720
Speaker 1: that space, away from that to rest your real radio space,

985
01:01:05,240 --> 01:01:07,640
Speaker 1: and built a certain fan base on the Internet and

986
01:01:07,720 --> 01:01:11,560
Speaker 1: created that company with guess what, he was given access

987
01:01:11,640 --> 01:01:14,800
Speaker 1: to the audience once they sign somebody come on Combat

988
01:01:14,920 --> 01:01:18,040
Speaker 1: Jack Show. They had a system access to the audience.

989
01:01:18,400 --> 01:01:22,440
Speaker 1: The same way when you've seen um shout out Star Brim,

990
01:01:23,040 --> 01:01:25,800
Speaker 1: when you're seeing Star Brim getting up podcast, access to

991
01:01:25,920 --> 01:01:30,000
Speaker 1: the audience. They bring on brilliant idiots. She do a run,

992
01:01:30,240 --> 01:01:32,200
Speaker 1: She come over here, she sit over here, she sit

993
01:01:32,280 --> 01:01:35,520
Speaker 1: over there. You did what I'm saying. Access to the audience.

994
01:01:36,440 --> 01:01:41,480
Speaker 1: It's important in this podcast space. And then you can

995
01:01:41,560 --> 01:01:43,640
Speaker 1: get some innovators in there to see how we can

996
01:01:43,760 --> 01:01:46,720
Speaker 1: make some money because we can't fight with you about

997
01:01:47,240 --> 01:01:51,080
Speaker 1: how you pivot and make money without that audience. When

998
01:01:51,120 --> 01:01:54,080
Speaker 1: a nigga trying to get up to twenty five thirty

999
01:01:54,160 --> 01:01:57,000
Speaker 1: five thousand people so he can show you what he

1000
01:01:57,080 --> 01:02:00,439
Speaker 1: can do with that many people, you understand me. Show

1001
01:02:00,440 --> 01:02:02,480
Speaker 1: you how he can make two million dollars a year

1002
01:02:02,800 --> 01:02:06,880
Speaker 1: out fifty thousand listeners. You know what I'm saying. When

1003
01:02:06,920 --> 01:02:10,640
Speaker 1: you niggas is up there with four hundred thousand listeners

1004
01:02:11,960 --> 01:02:14,640
Speaker 1: and and and trying to still fight this a game,

1005
01:02:14,760 --> 01:02:16,959
Speaker 1: which you know, I don't know what game I'm gonna

1006
01:02:16,960 --> 01:02:18,800
Speaker 1: be fighting when I get up there, because I can't

1007
01:02:18,840 --> 01:02:21,600
Speaker 1: see that fire yet. I'm still down here trying to

1008
01:02:21,640 --> 01:02:25,600
Speaker 1: put a in the ball, y'all. Nigga's dribbling and taking shots.

1009
01:02:25,960 --> 01:02:30,360
Speaker 1: I'm trying to put a in the basketball. You understand me?

1010
01:02:30,480 --> 01:02:34,560
Speaker 1: And um, yeah, man, you know what I'm saying. I

1011
01:02:34,680 --> 01:02:39,200
Speaker 1: just think, you know, I just think that it's just

1012
01:02:39,360 --> 01:02:40,880
Speaker 1: a It's just a hell of a thing. And I

1013
01:02:40,960 --> 01:02:43,680
Speaker 1: can't even I don't even remember what I was talking about, man,

1014
01:02:44,440 --> 01:02:46,440
Speaker 1: I don't even remember my thing. I was talking about

1015
01:02:46,560 --> 01:02:51,680
Speaker 1: the the Drake thing and what he brought to the game,

1016
01:02:51,840 --> 01:02:54,440
Speaker 1: and it just kind of morphed in the legs. That's

1017
01:02:54,480 --> 01:03:00,120
Speaker 1: the beautiful thing about podcasting, man. It does that, you know,

1018
01:03:00,600 --> 01:03:03,200
Speaker 1: it definitely does that, and so that that's a beautiful

1019
01:03:03,280 --> 01:03:06,320
Speaker 1: thing that it does. It gets the juices going and

1020
01:03:06,440 --> 01:03:08,600
Speaker 1: you get the talking and talking and talking, and then

1021
01:03:08,680 --> 01:03:14,440
Speaker 1: it spawns and spawns and spawns and the other things. Um, yeah, man,

1022
01:03:14,520 --> 01:03:17,640
Speaker 1: but RP combat jack Man. Shout out to them, boy man.

1023
01:03:17,760 --> 01:03:21,720
Speaker 1: But anyway, that's what I was talking about, that whole

1024
01:03:21,840 --> 01:03:24,800
Speaker 1: situation and how Joe Budden got access to the audience

1025
01:03:24,840 --> 01:03:30,040
Speaker 1: from academics and whatever. Um. I saw a sex tape

1026
01:03:30,720 --> 01:03:33,480
Speaker 1: or a post of a six tape, right and I

1027
01:03:33,600 --> 01:03:37,960
Speaker 1: went and watched it. It was a fat boy scum

1028
01:03:38,120 --> 01:03:44,520
Speaker 1: with some girl, you know, And it hasn't really blew

1029
01:03:44,680 --> 01:03:47,600
Speaker 1: up or nothing, you know. And I'm advanced the conversation quick.

1030
01:03:47,680 --> 01:03:50,400
Speaker 1: But for those of you that haven't, you know, don't

1031
01:03:50,440 --> 01:03:52,560
Speaker 1: know nothing about it. I hit on it a little bit,

1032
01:03:52,640 --> 01:03:58,840
Speaker 1: but I advanced the conversation fat boy SYSC had dropped

1033
01:03:58,880 --> 01:04:01,560
Speaker 1: the tape or now he dropped the tape. A sex

1034
01:04:01,640 --> 01:04:04,880
Speaker 1: tape was leaked in which he was with some girl saying,

1035
01:04:05,040 --> 01:04:08,640
Speaker 1: you know, they was having in of course, and she

1036
01:04:08,840 --> 01:04:11,280
Speaker 1: kept saying, you bet not put a baby in me,

1037
01:04:11,440 --> 01:04:13,280
Speaker 1: you bet not put a babe in me, and he

1038
01:04:13,480 --> 01:04:16,120
Speaker 1: was saying, yeah, I am, Yeah, I am, and I

1039
01:04:16,240 --> 01:04:20,400
Speaker 1: guess she felt him ejaculate, so she got upset. We'll

1040
01:04:20,480 --> 01:04:25,600
Speaker 1: not upset, she said these things. Now, this can get

1041
01:04:25,720 --> 01:04:31,640
Speaker 1: slippery right, the way that people the way that people

1042
01:04:31,760 --> 01:04:36,000
Speaker 1: can take this can get slippery. Right. On one hand, see,

1043
01:04:36,080 --> 01:04:39,320
Speaker 1: certain things you do don't don't translate well on camera,

1044
01:04:39,480 --> 01:04:43,560
Speaker 1: especially when you're having six you know, it just don't

1045
01:04:43,640 --> 01:04:47,200
Speaker 1: translate well. Especially just think about like the choke thing.

1046
01:04:48,160 --> 01:04:51,640
Speaker 1: You know what I'm saying. You know I'm aggressive in

1047
01:04:51,760 --> 01:04:55,440
Speaker 1: the bedroom, so I get it right, But if you

1048
01:04:55,520 --> 01:04:58,800
Speaker 1: were to see that on camera, it's like, what does that?

1049
01:04:59,520 --> 01:05:01,720
Speaker 1: You know what I'm mean? Because when she's saying you

1050
01:05:01,840 --> 01:05:03,920
Speaker 1: bet not do this, and then you say it's it's

1051
01:05:04,080 --> 01:05:06,520
Speaker 1: I'm doing it. Fuck with you telling that might be

1052
01:05:06,640 --> 01:05:11,080
Speaker 1: a that might be an understanding that y'all got to get.

1053
01:05:11,200 --> 01:05:14,160
Speaker 1: Y'all off for this is what y'all do to stay

1054
01:05:14,240 --> 01:05:17,120
Speaker 1: on that level, you know what I mean and be

1055
01:05:17,280 --> 01:05:20,840
Speaker 1: in a situation to really really capitalize on the intimacy,

1056
01:05:21,520 --> 01:05:24,200
Speaker 1: you know. Um, but again I just think it it

1057
01:05:24,400 --> 01:05:27,840
Speaker 1: translates fucked up. Like it just don't come off right,

1058
01:05:28,840 --> 01:05:33,320
Speaker 1: you know what I mean, It just don't come off right.

1059
01:05:33,400 --> 01:05:38,040
Speaker 1: It just it looks bad fares she's saying, don't do this,

1060
01:05:38,240 --> 01:05:42,200
Speaker 1: and you do this. You understand me, man, That camera

1061
01:05:42,400 --> 01:05:45,480
Speaker 1: bad motherfucker, you know what I'm saying. But clearly after

1062
01:05:45,600 --> 01:05:48,120
Speaker 1: they were done, there wasn't no real fighting it man,

1063
01:05:48,200 --> 01:05:50,080
Speaker 1: you got me for I don't know who you're thinking.

1064
01:05:50,520 --> 01:05:53,080
Speaker 1: And she didn't move or none. So you know, I

1065
01:05:53,160 --> 01:05:56,960
Speaker 1: want to take it like it's an understanding, you know

1066
01:05:59,120 --> 01:06:01,200
Speaker 1: with the two in the visual wasn't what's going on.

1067
01:06:01,440 --> 01:06:03,800
Speaker 1: But I just wanted to speak on that to say, man,

1068
01:06:03,920 --> 01:06:07,680
Speaker 1: sometimes what you do what you do on camera, Um,

1069
01:06:07,840 --> 01:06:11,240
Speaker 1: when you be an intimate, it just don't come off

1070
01:06:11,360 --> 01:06:15,080
Speaker 1: well man, you know, it just don't come out well. Um,

1071
01:06:15,520 --> 01:06:19,240
Speaker 1: what else I want to talk about? I ain't talking

1072
01:06:19,280 --> 01:06:25,160
Speaker 1: about that shit either, but yeah, man, so you know,

1073
01:06:25,320 --> 01:06:28,920
Speaker 1: I just I just uh, you know, again, it's just

1074
01:06:29,040 --> 01:06:32,160
Speaker 1: a beautiful thing. Man, This this whole podcast is space

1075
01:06:32,240 --> 01:06:36,760
Speaker 1: though it's getting interested. Um, it's getting it's getting better.

1076
01:06:37,240 --> 01:06:40,640
Speaker 1: You know, it's getting better for some, but it's getting

1077
01:06:41,040 --> 01:06:43,920
Speaker 1: it's it's it's it's it's it's getting better for some,

1078
01:06:44,200 --> 01:06:46,760
Speaker 1: and they portraying it like it's it's it's it's getting

1079
01:06:46,800 --> 01:06:50,920
Speaker 1: better for all. Um again, access the audience, man, from

1080
01:06:50,920 --> 01:06:55,600
Speaker 1: a non privileged position, you know, Um, y'all fighting on

1081
01:06:55,760 --> 01:06:58,800
Speaker 1: y'all twenty six chick. In this game, you got certain

1082
01:06:58,840 --> 01:07:02,520
Speaker 1: people fighting for their first and second you know, and

1083
01:07:02,760 --> 01:07:05,280
Speaker 1: y'all content ain't no better than the person's you know,

1084
01:07:06,400 --> 01:07:08,400
Speaker 1: putting a lot into it, you know what I'm saying,

1085
01:07:08,480 --> 01:07:11,280
Speaker 1: doing it the right way. It's just again, access to

1086
01:07:11,400 --> 01:07:15,200
Speaker 1: the audience. What else do I want to talk about? Man?

1087
01:07:18,560 --> 01:07:20,960
Speaker 1: You know, I was talking to my home boy about

1088
01:07:22,280 --> 01:07:28,479
Speaker 1: the whole thing, you know, with tipping tiny and how

1089
01:07:30,080 --> 01:07:31,959
Speaker 1: you know I kind of hit on it last week.

1090
01:07:32,080 --> 01:07:36,320
Speaker 1: But how when you decide to have those threesomes and

1091
01:07:36,440 --> 01:07:38,840
Speaker 1: things like that, you have to make sure that your

1092
01:07:38,920 --> 01:07:45,000
Speaker 1: counterpart isn't insecuring any way, man, Because you can let

1093
01:07:45,040 --> 01:07:48,160
Speaker 1: the woman be somewhat insecure or the man whoever's in

1094
01:07:48,520 --> 01:07:52,880
Speaker 1: the position to make the decisions about it. Be someone insecuring,

1095
01:07:52,960 --> 01:07:55,640
Speaker 1: be creating an atmosphere that can come down the line

1096
01:07:55,680 --> 01:08:02,240
Speaker 1: and beat bite you in the ass, you know, like

1097
01:08:02,400 --> 01:08:04,120
Speaker 1: when you see somebody that said, well we had to

1098
01:08:04,200 --> 01:08:08,000
Speaker 1: take drugs. Yeah, because I don't want you to get

1099
01:08:08,040 --> 01:08:10,240
Speaker 1: back there and thank you for to talk to my dude,

1100
01:08:12,160 --> 01:08:14,080
Speaker 1: like you know what you're here for, Get to it.

1101
01:08:15,600 --> 01:08:17,200
Speaker 1: You know what I'm saying, I really don't want to

1102
01:08:17,240 --> 01:08:19,880
Speaker 1: be doing this anyway, but this his thing. And I

1103
01:08:19,920 --> 01:08:23,320
Speaker 1: ain't losing my nigga to y'all about this shit. You

1104
01:08:23,479 --> 01:08:25,479
Speaker 1: know what I'm saying a lot of us, man, y'all

1105
01:08:25,520 --> 01:08:28,639
Speaker 1: got to really peep the game. You know. Again, it's

1106
01:08:28,680 --> 01:08:30,600
Speaker 1: my job to put it down. It's your job to

1107
01:08:30,680 --> 01:08:36,479
Speaker 1: pick it up. You know. It's up that podcast we're learning, man.

1108
01:08:37,439 --> 01:08:41,160
Speaker 1: But again, it's been another episode, another great episode, another

1109
01:08:41,240 --> 01:08:46,040
Speaker 1: situation that I hope y'all enjoy. I'm thinking about doing

1110
01:08:46,120 --> 01:08:52,120
Speaker 1: the Patreon thing. Seeing Joe button him doing and Tim's

1111
01:08:52,120 --> 01:08:54,280
Speaker 1: a gur and like I said, a lot of those

1112
01:08:54,360 --> 01:08:57,600
Speaker 1: people that I name, just seeing them being able to

1113
01:08:57,680 --> 01:09:00,559
Speaker 1: do it and say, you know what, I'm thinking about

1114
01:09:00,600 --> 01:09:03,599
Speaker 1: doing it too, man. But I think again, it's almost

1115
01:09:03,640 --> 01:09:08,439
Speaker 1: like going independent, you know, and that's in the rap game,

1116
01:09:08,560 --> 01:09:11,240
Speaker 1: like it's cool to be independent once you got your audience,

1117
01:09:11,960 --> 01:09:15,080
Speaker 1: but you're asking for twenty five dollars. We what we're doing.

1118
01:09:16,439 --> 01:09:18,200
Speaker 1: You know, you got to even get me on your

1119
01:09:18,240 --> 01:09:22,080
Speaker 1: playlist first. You know what I'm saying. So it's it's

1120
01:09:22,120 --> 01:09:24,479
Speaker 1: a it's a very slippery thing when you're in the

1121
01:09:24,560 --> 01:09:27,600
Speaker 1: building stage. You know what I'm saying, and I just

1122
01:09:27,720 --> 01:09:31,240
Speaker 1: think that needs to be said as well. But again,

1123
01:09:31,280 --> 01:09:34,439
Speaker 1: it's up that podcast we're learning, man, the fastest growing

1124
01:09:34,560 --> 01:09:37,000
Speaker 1: podcast in the world. It's my job to put it down.

1125
01:09:37,080 --> 01:09:39,400
Speaker 1: It's your job to pick it up. I am your

1126
01:09:39,439 --> 01:09:42,760
Speaker 1: active and attractive host man for another episode. I appreciate

1127
01:09:42,840 --> 01:09:46,080
Speaker 1: you for watching, listening, like subscribe, share, get it to

1128
01:09:46,200 --> 01:09:49,760
Speaker 1: your people. Just tell one person. If everybody that listen

1129
01:09:49,800 --> 01:09:52,120
Speaker 1: to me, now, tell one person. Man, that'll do me

1130
01:09:52,200 --> 01:09:54,640
Speaker 1: some justice. So just tell one person, tell them to

1131
01:09:54,760 --> 01:09:57,120
Speaker 1: tell somebody, and we're gone.