WEBVTT - There’s More (S4 E1"Ballroom & Biscotti”)

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<v Speaker 1>I am all in. That's you. I am all in

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<v Speaker 1>with Scott Patterson and I Heart Radio podcast. Hey everybody,

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<v Speaker 1>Scott Patterson, I am all in podcast. It's very very

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<v Speaker 1>early in the morning in southern California. But my intrepid crew,

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<v Speaker 1>Danielle Romo from the Berkeley Hotel, Amy Sugarman, Tara Suit

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<v Speaker 1>they have all decided to join me once again. I

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<v Speaker 1>am so appreciative. Good morning, ladies, Good morning. It's a

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<v Speaker 1>big day. It's a big day. Why is it a

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<v Speaker 1>big day. Oh, because it's a it's a season prem

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<v Speaker 1>isn't it. It did not. It did not, It did not,

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<v Speaker 1>it was It was in a laugh right. It was hysterical.

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<v Speaker 1>Actually it felt like though I will say, let's let's

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<v Speaker 1>pretend to that normal episode. I know you guys know

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<v Speaker 1>this how many pages or whatever? How many words pages

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<v Speaker 1>per script? This felt and sixty pages. That's more pages

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<v Speaker 1>than a normal hour show. And this felt like double that.

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<v Speaker 1>This felt like it had So I was like, yeah,

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<v Speaker 1>I have one random question. So like, luckily for us,

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<v Speaker 1>we don't have to wait months for the next season,

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<v Speaker 1>you know, to watch the next episode. What is that

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<v Speaker 1>on the acting end? Like do you go right into

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<v Speaker 1>another season or take time off, we take the summer off.

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<v Speaker 1>It's like high school. Yeah, oh that's so cute. Yeah,

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<v Speaker 1>so we did. We did freshman, sophomore, junior, senior, and

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<v Speaker 1>then we got our graduate degrees. Then we got a masters,

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<v Speaker 1>and then we did a PhD. I've always wondered that, like,

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<v Speaker 1>do actors just go right into the next series season? Okay, no, No,

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<v Speaker 1>you need a month to recover after shooting for nine months,

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<v Speaker 1>and the girls probably needed two months or three months

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<v Speaker 1>to recover. So yeah, people not go and do other

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<v Speaker 1>things normally because it was so much work. Like you

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<v Speaker 1>know how some people, some actors do a move in summer.

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<v Speaker 1>If you can get the work, yeah, you do it.

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<v Speaker 1>I mean you gotta you know, you gotta strike while

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<v Speaker 1>the iron's hot. Right, If you're on the air and

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<v Speaker 1>somebody wants to work with you on your hiatus, yeah

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<v Speaker 1>you go run and do it. Sure, Yeah, you suck

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<v Speaker 1>it up and do it. You know, because after the

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<v Speaker 1>show's off and the heat's off, you know, those offers

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<v Speaker 1>dry up, so right right right, they certainly do. Anyway, Um,

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<v Speaker 1>I was gonna bring up so but we'll move on. Yeah,

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<v Speaker 1>let's let's move on. Let's move on, all right, Danielle,

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<v Speaker 1>I guess you'll take us away. He's taking us away. Yeah,

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<v Speaker 1>I'll take you away. You're gonna synopsis size for us

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<v Speaker 1>in the morning. I got some coffee and I'm ready

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<v Speaker 1>for the synopsis. Okay. Season four, Episode one, Ballrooms in

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<v Speaker 1>Biscotti Air date September three, lor L and Rory turned

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<v Speaker 1>from their backpacking trip with loads of gifts for everyone

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<v Speaker 1>except for Kirk and Luke. Speaking of Luke, he drops

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<v Speaker 1>a bombshell of what really happened on the cruise with Nicole.

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<v Speaker 1>Rory is leaving for Yale sooner than she anticipated, and

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<v Speaker 1>Taylor gives her a hard time about leaving the town behind.

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<v Speaker 1>This is the great thing about this episode. They put

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<v Speaker 1>a clock on it. And I love that when they

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<v Speaker 1>put a clock on it, right, because what that means, well,

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<v Speaker 1>you know when they put a time time signature on it.

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<v Speaker 1>You know, you put a clock on something in a movie,

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<v Speaker 1>like you know, like Speed It had a clock a day. Yeah,

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<v Speaker 1>is that bus is going to blow up if it

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<v Speaker 1>goes under fifty miles or whatever? You know, if if

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<v Speaker 1>if it's like you know, and the audience anticipating, oh god,

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<v Speaker 1>you know, she had to go to school, they had

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<v Speaker 1>to get yea. So once that clock kicked in, it

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<v Speaker 1>was like, we're after the races here, and they have

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<v Speaker 1>so many things to get done in two days are

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<v Speaker 1>actually one day day and a half, you know, after

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<v Speaker 1>they found out, oh, she read that, she read it wrong.

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<v Speaker 1>She read the uh, the orientation let her wrong. The

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<v Speaker 1>dates got wrong. Oh no, we don't have a week.

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<v Speaker 1>We don't have a week. We don't have nine days.

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<v Speaker 1>I'm going Saturday. And I wonder if that's why I

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<v Speaker 1>felt like there was double the script, because maybe it

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<v Speaker 1>wasn't that. Maybe I just felt the like of that's

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<v Speaker 1>right exactly, Daniel. That's the urgency that was brought to

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<v Speaker 1>bear on the episode because they put a clock on it,

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<v Speaker 1>and it's a really clever device, really really clever. So

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<v Speaker 1>I don't know how you guys felt. I think I

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<v Speaker 1>know how Amy feels. I love this episode. I laughed, Uh,

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<v Speaker 1>I just laughed out loud, heartily, yes and um many

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<v Speaker 1>many times throughout the script. What did you guys think?

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<v Speaker 1>I agree? I mean, for one episode, we did not

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<v Speaker 1>have a mention of Jess or Dean, so it was

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<v Speaker 1>really much like very much Gilmore Girls you know, between Loria,

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<v Speaker 1>Lie Rory and Emily, I mean a they're in there too,

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<v Speaker 1>because between the three of them was like, this is

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<v Speaker 1>gilmore girls, like I just loved I love that about

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<v Speaker 1>this episode. Did you notice both are not in the credits,

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<v Speaker 1>So the opening credits, no Jess, no Milo, and no

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<v Speaker 1>Jared Pada Lucky in the credits anymore. I believe this

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<v Speaker 1>is the first time we've seen Liza in the credits.

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<v Speaker 1>I could be wrong, and you are third? You move

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<v Speaker 1>who did? Um? Your name's you did? I? Yeah, so

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<v Speaker 1>when you know when the opening credits, so first obviously

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<v Speaker 1>Lauren and then Alexis, and then you've moved up and

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<v Speaker 1>you are the third one that comes on. I didn't

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<v Speaker 1>realize that. And Lauren has sort of the same images

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<v Speaker 1>in the opening credits, but they put a new you know,

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<v Speaker 1>video montage of Alexis, and then I think, obviously, I

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<v Speaker 1>think you had new Oh it's the one where I'm

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<v Speaker 1>outside the diner. I'm no longer inside the dinner on

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<v Speaker 1>the pilot serving or the coffee. I have to watch

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<v Speaker 1>it closer for the next episode, but I know you

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<v Speaker 1>moved up, and I think Liza was added. I think

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<v Speaker 1>Eliza I think Liza was in season three. I think

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<v Speaker 1>she was listed as she was because I want to

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<v Speaker 1>say it was in her school uniform. Okay, okay, so

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<v Speaker 1>like that intro, No Milo, no, Jared's moved up. I

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<v Speaker 1>didn't think they did that until episode seven. I mean,

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<v Speaker 1>I'm season seven for for wow, I got her baby, uh,

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<v Speaker 1>most pooring weird as van driver on the planet. Like

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<v Speaker 1>he didn't even say goodby, didn't even stop. You mentioned

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<v Speaker 1>it because I thought, whoa, that's a van driver. Looks

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<v Speaker 1>frozen like he never I mean, if you're a van driver,

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<v Speaker 1>wouldn't you say, like have a nice night or I

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<v Speaker 1>don't know, and he just well like that. They didn't

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<v Speaker 1>want to give him. They didn't want to give him

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<v Speaker 1>a line because they might have to pay. Yeah, and

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<v Speaker 1>then we come in hot with that. Bet my gosh,

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<v Speaker 1>what a what a welcome relief that was to finally

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<v Speaker 1>have Sally Struthers right. Yeah, and a great scene, great scene,

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<v Speaker 1>morey was funny. That was That was a very funny scene,

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<v Speaker 1>great old everything was great about it. Yeah, they came

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<v Speaker 1>in just hot, like you know, it's a season for

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<v Speaker 1>me because you're like everything's happening right away. I just

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<v Speaker 1>can't imagine someone like when I get home from a trip,

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<v Speaker 1>someone just like walking into my house. Get away. They

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<v Speaker 1>were They're like, oh, like Rory's like, oh tired, Like

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<v Speaker 1>she knows she wants to go to bed. That was

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<v Speaker 1>a nice way of saying, like, get out of the house.

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<v Speaker 1>But they you. It's important to note that they told

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<v Speaker 1>her they were going to be home on a certain day.

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<v Speaker 1>They weren't. She panicked. She's like a very mother a

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<v Speaker 1>leaf figured. Yeah, there was no cell phones to text

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<v Speaker 1>and be like hey we're running a day late, right,

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<v Speaker 1>They couldn't, but they didn't. I guess they would, you

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<v Speaker 1>could know, but like it was like that what was it?

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<v Speaker 1>The anine texting? Yeah, they wouldn't spend the money to

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<v Speaker 1>call from Europe. The BlackBerry the only the thing I noticed.

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<v Speaker 1>Did any of you notice this something in Rory's bedroom?

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<v Speaker 1>M hmm. I think she keeps one of her hats

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<v Speaker 1>on a lamp, and I feel that that was a

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<v Speaker 1>fire hazard. That is a fire hazard. But I was like,

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<v Speaker 1>I've already been through a fire, right, we don't need

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<v Speaker 1>another one. Do you guys unpack right away or wait

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<v Speaker 1>a week? Like lor Lee check right away? I unpacked too,

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<v Speaker 1>as soon as I can. Yeah, I walk in the

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<v Speaker 1>I walk in suitcases, open clothes are going in the laundry.

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<v Speaker 1>How long do you keep your like, how long for

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<v Speaker 1>you to unpack? Scut? Um? I mean, you know, when

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<v Speaker 1>we come back from a ski trip, I mean that

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<v Speaker 1>stuff is still packed for the last Christmas. Kidding, but

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<v Speaker 1>you know why. But but there's always there's always a

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<v Speaker 1>washer dryer in the unit. So I wash everything before

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<v Speaker 1>we packed, before we leave, and then I just keep

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<v Speaker 1>it in the suitcase. But the dirt, Yeah, the dirty

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<v Speaker 1>stuff I take out, but that's in a separate bag.

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<v Speaker 1>I'm very organized about it that the the the dirty

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<v Speaker 1>stuff does not touch the clean stuff. So that's a

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<v Speaker 1>good move. Um, all right, I mean, let's just dig

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<v Speaker 1>into it. I just overall, here's an overall. Uh, there's

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<v Speaker 1>a general observation. Um. And this isn't like a this

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<v Speaker 1>isn't new to me. It just didn't dawn on me.

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<v Speaker 1>But it really drives home how fun it is to

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<v Speaker 1>watch these two girls together. And it's the show, it's

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<v Speaker 1>and and you know, I kept saying to myself, I

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<v Speaker 1>could watch this all day, and then I realized people

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<v Speaker 1>do watch this all day and it's because these two

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<v Speaker 1>are so delightful together. And it's just it's just the

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<v Speaker 1>yin and the yang of these two, because you know,

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<v Speaker 1>Laurela is so you know, she's she's a bit loud, right,

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<v Speaker 1>She's she's very present and energetic and full of you know,

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<v Speaker 1>good vibes and you know, vibrating fun and funny and

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<v Speaker 1>all this stuff. And and and and Alexa and and

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<v Speaker 1>Rory is just kind of hanging in there and and commenting,

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<v Speaker 1>and she's she's so much softer than her mother. And

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<v Speaker 1>it's just a wonderful combination to watch. It's really funny.

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<v Speaker 1>Uh And I thought Alexis was great in this episode.

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<v Speaker 1>Just ye, well, at first I couldn't figure out what

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<v Speaker 1>they're doing in this sort of opening scene after the credits,

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<v Speaker 1>and then then at Donamy, Oh my gosh, they're laying

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<v Speaker 1>out all the gifts. Yeah, but I do say flag

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<v Speaker 1>on the play, there is no way they would bring

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<v Speaker 1>all those gifts, including a gift for backpack and well

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<v Speaker 1>and forget Kirk. Now Luke they might have struggled with,

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<v Speaker 1>but they would never forget. I don't buy it, and

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<v Speaker 1>I don't think they would have forgot Kirk. I don't

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<v Speaker 1>think they would have forgot Luke. I was like, how

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<v Speaker 1>do you forget Luke? Like bring back some coffee beans

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<v Speaker 1>or something, because I think I think Laurel I was

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<v Speaker 1>trying to put Luke out of her mind because she

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<v Speaker 1>was so anxiety written about the potential of what could

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<v Speaker 1>happen and what eventually did happen exactly on the cruise,

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<v Speaker 1>I can't wait to get to that scene going order,

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<v Speaker 1>but I cannot wait to talk about there's so much

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<v Speaker 1>to talk about. So they've got their big backpacks on

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<v Speaker 1>their walking through the town and then we immediately see

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<v Speaker 1>Luke versus Taylor. Nothing has changed. They're back and it's

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<v Speaker 1>all the same. And this is our first time we

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<v Speaker 1>see the window between the two. You know what, I

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<v Speaker 1>kept thinking, why was he Why was Luke so irate?

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<v Speaker 1>It's free advertising, like anybody that comes in there. I

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<v Speaker 1>can look into the diner goal let's go get a

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<v Speaker 1>pie or let's get a coffee, and you know, kind

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<v Speaker 1>of vice versa. But still that's good for that's good

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<v Speaker 1>for Luke's business. Well, first of all, it is your building, though,

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<v Speaker 1>and so it seems a little obnoxious they made physical

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<v Speaker 1>changes to your building without checking with you, no doubt.

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<v Speaker 1>But I mean he had to see the obvious boon

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<v Speaker 1>to his business, right, not that he's lacking for customers,

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<v Speaker 1>but anybody that's in the tailor all day or anyone

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<v Speaker 1>in the shoppy I was thinking that that Luke just

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<v Speaker 1>needs to curtain. Yea, just a curtain can open it.

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<v Speaker 1>But parted exactly about the candy throwing. I mean it

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<v Speaker 1>was just sort of like that whole thing was just

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<v Speaker 1>a big old mess. But I thought it was hilarious.

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<v Speaker 1>They got out the biscotti two walking. Yeah, I'm not.

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<v Speaker 1>I can't comment on this. You guys comment on that rant.

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<v Speaker 1>That was a classic Luke what it? I love the

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<v Speaker 1>putting his hands through all the candy over the top.

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<v Speaker 1>But great, Right then we see Suki. Okay, so we

0:13:19.760 --> 0:13:24.360
<v Speaker 1>see Suki and she's more pregnant, and oh, I know,

0:13:24.679 --> 0:13:27.800
<v Speaker 1>what did you think of? Like Suki knows at the

0:13:27.880 --> 0:13:31.120
<v Speaker 1>boy and Jackson doesn't want to know. Did you find out?

0:13:31.280 --> 0:13:38.840
<v Speaker 1>Did you know? Yeah? Did I know in real life?

0:13:38.920 --> 0:13:41.640
<v Speaker 1>I r L. Did you find out if you were having?

0:13:42.080 --> 0:13:44.920
<v Speaker 1>Oh god, yeah, we knew well ahead. So does anyone

0:13:44.960 --> 0:13:47.920
<v Speaker 1>think Jackson's making the right call? You know, there are

0:13:47.960 --> 0:13:51.160
<v Speaker 1>some people that do that, and like, good for them,

0:13:51.160 --> 0:13:54.880
<v Speaker 1>but my anxiety cannot handle that. I'm too much of

0:13:54.920 --> 0:13:59.040
<v Speaker 1>a planner. Yeah, no, we yeah, we. I mean I

0:13:59.160 --> 0:14:02.400
<v Speaker 1>made the bedroom and and you know, had all the

0:14:02.440 --> 0:14:06.240
<v Speaker 1>little I think it's little sports equipment ready for him

0:14:06.320 --> 0:14:08.640
<v Speaker 1>and you know, all that stuff. I just love that

0:14:08.800 --> 0:14:12.880
<v Speaker 1>Suky had it all in the shed like goes gathering

0:14:12.960 --> 0:14:19.120
<v Speaker 1>gathering dust. I thought about that. It was a cute concept,

0:14:19.200 --> 0:14:22.240
<v Speaker 1>just like yeah, and I think it's sort of cute

0:14:22.280 --> 0:14:24.560
<v Speaker 1>that Jackson doesn't want to know and that Rory linked

0:14:24.600 --> 0:14:27.560
<v Speaker 1>up with him. Huh. I wonder if there's some kind

0:14:27.560 --> 0:14:32.360
<v Speaker 1>of correlation there between you know, when when when Laura

0:14:32.400 --> 0:14:35.120
<v Speaker 1>Lie and Rory went to Stars Hollow they I mean

0:14:35.160 --> 0:14:38.680
<v Speaker 1>she was raised in the shed at the Independence Inn, right,

0:14:39.040 --> 0:14:42.560
<v Speaker 1>that's funny little and then and then and then we

0:14:42.640 --> 0:14:46.040
<v Speaker 1>got another shed full of baby stuff. So and this

0:14:46.120 --> 0:14:49.600
<v Speaker 1>is where we learn that something's up, something's up with Luke.

0:14:50.560 --> 0:14:54.360
<v Speaker 1>What at that moment did you all think that he

0:14:54.440 --> 0:14:58.320
<v Speaker 1>was broken up, that it wasn't bad and he was

0:14:58.360 --> 0:15:01.360
<v Speaker 1>embarrassed by it, or you dumped him on the cruise

0:15:01.400 --> 0:15:07.880
<v Speaker 1>and you know, went off with Captain Stooping or something. Daniel,

0:15:07.880 --> 0:15:10.640
<v Speaker 1>what do you think yeah. In the in the beginning,

0:15:11.200 --> 0:15:14.400
<v Speaker 1>I was like, Okay, something obviously happened on the cruise.

0:15:14.520 --> 0:15:19.680
<v Speaker 1>What happened? Um, but I thought something embarrassing happened, like

0:15:19.840 --> 0:15:23.000
<v Speaker 1>whether like I didn't you know, I didn't really know

0:15:23.520 --> 0:15:25.640
<v Speaker 1>the extent of what we find out at the end

0:15:25.680 --> 0:15:28.640
<v Speaker 1>of the episode. But but yeah, in the beginning, I

0:15:28.680 --> 0:15:31.200
<v Speaker 1>was like, hmm, what happened on that cruise? But I

0:15:31.200 --> 0:15:33.640
<v Speaker 1>couldn't decide or like, at that point, I couldn't figure

0:15:33.680 --> 0:15:37.600
<v Speaker 1>out if you know, they were together or something weird happened.

0:15:38.400 --> 0:15:40.800
<v Speaker 1>I didn't go that far. I couldn't get I thought

0:15:40.760 --> 0:15:42.440
<v Speaker 1>it was I thought it was gonna be an opportunity

0:15:42.440 --> 0:15:44.960
<v Speaker 1>for him to start, you know, being a little signed

0:15:45.040 --> 0:15:52.120
<v Speaker 1>FELDI like, she's perfect in every way. But you know, okay, okay,

0:15:52.800 --> 0:15:56.560
<v Speaker 1>you know they didn't go there, right, she stores right,

0:15:58.280 --> 0:16:04.200
<v Speaker 1>all right, you were going to say something where she me, yeah,

0:16:04.240 --> 0:16:06.600
<v Speaker 1>this is a little little off topic, but not really.

0:16:06.760 --> 0:16:10.160
<v Speaker 1>Wasn't Melissa McCarthy actually pregnant during the show. Oh that's

0:16:10.200 --> 0:16:14.960
<v Speaker 1>such an important note because I just don't know, because

0:16:15.720 --> 0:16:20.080
<v Speaker 1>I don't know what, like which season, But like, I

0:16:20.600 --> 0:16:22.640
<v Speaker 1>know I heard it somewhere that she was pregnant. I

0:16:22.640 --> 0:16:25.560
<v Speaker 1>just I was wondering, we'll check that. We'll check that,

0:16:25.600 --> 0:16:28.160
<v Speaker 1>because it didn't look fake. She looked, I mean she looked.

0:16:28.200 --> 0:16:31.240
<v Speaker 1>It was a good fake. If it was fake, they

0:16:31.240 --> 0:16:33.240
<v Speaker 1>made her look pregnant. I just felt like I read

0:16:33.280 --> 0:16:38.440
<v Speaker 1>that suwhere. But anyway, so I think it's um interesting

0:16:38.920 --> 0:16:43.280
<v Speaker 1>that they that the writers made sure that Suki mentioned

0:16:44.360 --> 0:16:47.360
<v Speaker 1>something's up with Luke. And I don't know if that

0:16:47.400 --> 0:16:50.080
<v Speaker 1>was done because we know it immediately when you two

0:16:50.200 --> 0:16:52.920
<v Speaker 1>see each other. But so I thought it was an

0:16:52.960 --> 0:16:56.440
<v Speaker 1>interesting device, like they're giving us this sort of well

0:16:56.520 --> 0:17:00.320
<v Speaker 1>here comes to narrative. Yeah, the season four or this

0:17:00.360 --> 0:17:03.440
<v Speaker 1>is going to be a major theme in season four.

0:17:03.720 --> 0:17:05.880
<v Speaker 1>Here we are? I mean, has Luke ever been set

0:17:05.960 --> 0:17:08.280
<v Speaker 1>up like this before in an episode? Not really that

0:17:08.320 --> 0:17:11.440
<v Speaker 1>I can think of. Yeah, now now is the time

0:17:11.480 --> 0:17:15.880
<v Speaker 1>of Luke. Yeah, so it was it was very um yeah,

0:17:15.920 --> 0:17:20.199
<v Speaker 1>here we go. Then did you find out Daniel? Yeah, no,

0:17:20.400 --> 0:17:23.600
<v Speaker 1>she wasn't so her first I didn't think. Yeah, her

0:17:23.640 --> 0:17:26.160
<v Speaker 1>first kid was two thousand seven, and this is we're

0:17:26.200 --> 0:17:28.840
<v Speaker 1>still unless she had were your pregnancy, which God bless her.

0:17:29.160 --> 0:17:38.800
<v Speaker 1>But now so then we head to the diner, bon jour, Luke,

0:17:39.280 --> 0:17:42.600
<v Speaker 1>and off we go. So what did you think? What

0:17:42.680 --> 0:17:45.600
<v Speaker 1>did you guys think of that scene where we finally

0:17:45.600 --> 0:17:50.040
<v Speaker 1>get to see Luke and Lorala together again. Well, it's

0:17:50.040 --> 0:17:55.840
<v Speaker 1>certainly um piques your interest in wanting to know what

0:17:55.880 --> 0:17:58.280
<v Speaker 1>the heck went on because he ran away from it

0:17:58.400 --> 0:18:00.480
<v Speaker 1>so many times. But it was a scene. It was

0:18:00.520 --> 0:18:02.960
<v Speaker 1>a funny scene. Yeah, so okay, So what do you

0:18:03.080 --> 0:18:05.720
<v Speaker 1>do you think Luke would have told her right away?

0:18:06.080 --> 0:18:08.760
<v Speaker 1>Or do you think he would have sort of gotta go,

0:18:08.840 --> 0:18:14.560
<v Speaker 1>I got what's your you know, like, did that feel authentic?

0:18:15.240 --> 0:18:18.080
<v Speaker 1>I do? No, I don't think he would have done

0:18:18.080 --> 0:18:20.439
<v Speaker 1>it right there at the count. Yeah. Not not in

0:18:20.440 --> 0:18:22.680
<v Speaker 1>the diner. No, no, no, no, no no no. He's

0:18:22.720 --> 0:18:25.240
<v Speaker 1>not like that. He's not all gushy and he needs

0:18:25.280 --> 0:18:28.280
<v Speaker 1>to talk. And you know, it's like when the time

0:18:28.359 --> 0:18:30.360
<v Speaker 1>is right, when he's prodded. You know, he's that guy,

0:18:30.400 --> 0:18:32.760
<v Speaker 1>that's stubborn guy. You gotta really get it out of him,

0:18:32.960 --> 0:18:35.879
<v Speaker 1>got to drag it out of him, and she did. Yeah.

0:18:36.040 --> 0:18:38.400
<v Speaker 1>I wondered if he never wanted to tell her. I mean,

0:18:38.400 --> 0:18:41.440
<v Speaker 1>obviously probably had to tell her. Let's let's wait till

0:18:41.440 --> 0:18:42.720
<v Speaker 1>we get to that. I don't want to because I

0:18:42.720 --> 0:18:45.240
<v Speaker 1>have so much to talk about with that. So we

0:18:45.359 --> 0:18:51.680
<v Speaker 1>also learned the tailor's losing his mind with the ice

0:18:51.720 --> 0:18:58.359
<v Speaker 1>cream Queen. I thought, do you think he really would

0:18:58.359 --> 0:19:02.320
<v Speaker 1>have been that irritated? Hated he? That was the funniest

0:19:04.000 --> 0:19:12.240
<v Speaker 1>storyline all She's going to college. It will be so easy.

0:19:12.280 --> 0:19:15.840
<v Speaker 1>You just have a stage floor length dress. Oh that

0:19:15.960 --> 0:19:22.240
<v Speaker 1>was the ice cream Queen. Oh my god. They they

0:19:22.320 --> 0:19:27.399
<v Speaker 1>milk that so beautifully throughout that episode. It was hysterical.

0:19:29.080 --> 0:19:32.480
<v Speaker 1>That's how great Michael Winters is. And he said, you've

0:19:32.480 --> 0:19:36.080
<v Speaker 1>been trapesing all over year. I do think the significance

0:19:36.240 --> 0:19:40.159
<v Speaker 1>has to do with that. They're reminding us audience that

0:19:40.280 --> 0:19:42.720
<v Speaker 1>she's leaving the town and this is a big deal

0:19:42.840 --> 0:19:49.359
<v Speaker 1>to the town. Yet to be ice cream queen, that

0:19:49.359 --> 0:19:52.440
<v Speaker 1>sounds like a fun job. You get like unlimited ice

0:19:52.840 --> 0:19:56.879
<v Speaker 1>I want that job. What did you think about the

0:19:56.920 --> 0:20:00.760
<v Speaker 1>fact that Roy was really bothered by it? I think

0:20:00.800 --> 0:20:03.520
<v Speaker 1>she's also just stress, you know. I think that had

0:20:03.560 --> 0:20:07.600
<v Speaker 1>to do with it. She's overwhelmed. Then this is all

0:20:07.640 --> 0:20:13.680
<v Speaker 1>before she realizes, right, but he did. But he did

0:20:13.840 --> 0:20:17.280
<v Speaker 1>use her photograph without her authorization, and that's kind of

0:20:17.320 --> 0:20:27.439
<v Speaker 1>a violations Today, Damiel loves desist a big today if

0:20:27.480 --> 0:20:30.720
<v Speaker 1>you're really going to be named the queen. Nobody's gonna

0:20:30.720 --> 0:20:31.840
<v Speaker 1>go to you ahead of time and go like, do

0:20:31.880 --> 0:20:33.280
<v Speaker 1>you want to be the queen? Like, wouldn't that be

0:20:33.320 --> 0:20:37.560
<v Speaker 1>a surprise? No, you gotta ask somebody. You just slapped

0:20:37.560 --> 0:20:39.840
<v Speaker 1>her face right up there on a poster, big poster,

0:20:39.880 --> 0:20:42.679
<v Speaker 1>and they were stapling it all over town. And if

0:20:42.720 --> 0:20:45.240
<v Speaker 1>she has a commitment, yeah, and if she has to

0:20:45.240 --> 0:20:48.240
<v Speaker 1>have appearances and commitments and stuff like, I just got

0:20:48.240 --> 0:20:52.239
<v Speaker 1>to sign up for that. It's a big that's a

0:20:52.280 --> 0:20:57.440
<v Speaker 1>big responsibility being ice cream queen, Amy. I don't think

0:20:57.480 --> 0:21:01.320
<v Speaker 1>you realize the level of commitment that takes. So here's

0:21:01.359 --> 0:21:05.639
<v Speaker 1>what I love about Gilmore Girl. It's hilarious. Bit let's

0:21:05.720 --> 0:21:08.400
<v Speaker 1>call it like this sort of nonsense about the ice

0:21:08.440 --> 0:21:12.600
<v Speaker 1>cream Queen, and Taylor's all then a dither and Rory's like,

0:21:13.119 --> 0:21:15.359
<v Speaker 1>I don't have time, and then she's like, damn, I

0:21:15.440 --> 0:21:18.800
<v Speaker 1>letting the town down to me. It's so it is

0:21:18.840 --> 0:21:23.200
<v Speaker 1>a major thing because at its core it becomes about

0:21:23.720 --> 0:21:27.840
<v Speaker 1>her relationship with the town and the importance of the town,

0:21:28.000 --> 0:21:30.359
<v Speaker 1>and even the kids when they walk by, they're like

0:21:30.680 --> 0:21:40.280
<v Speaker 1>editor on a shamed spiral some and she was what

0:21:40.320 --> 0:21:43.240
<v Speaker 1>I want to, So I think, like, that's the brilliance,

0:21:43.359 --> 0:21:46.880
<v Speaker 1>is that you have this quirky craziness right like ice

0:21:46.920 --> 0:21:50.240
<v Speaker 1>Cream queen, but it's about so much more. That was

0:21:50.280 --> 0:21:53.439
<v Speaker 1>the way to work into this episode. This is hard

0:21:53.520 --> 0:21:56.679
<v Speaker 1>on the town, and this is hard on her. Mm

0:21:56.800 --> 0:22:01.240
<v Speaker 1>hmm yeah um. But the I mean, that's a that's

0:22:01.280 --> 0:22:05.600
<v Speaker 1>a common theme in all small towns, like somebody goes

0:22:05.600 --> 0:22:07.399
<v Speaker 1>off and makes it big and then forgets about that

0:22:07.480 --> 0:22:09.840
<v Speaker 1>that oh you're too big for us. Now you know

0:22:09.920 --> 0:22:11.560
<v Speaker 1>we used to call it when I played baseball, is

0:22:11.600 --> 0:22:13.240
<v Speaker 1>the minor leaguers would look over the fence at the

0:22:13.240 --> 0:22:15.840
<v Speaker 1>big leaguers, and the big leaguers wouldn't talk to us.

0:22:15.880 --> 0:22:18.720
<v Speaker 1>They diss us, and it's called getting big league, Like,

0:22:18.800 --> 0:22:22.760
<v Speaker 1>don't great analogy, don't big league us man? You know

0:22:22.840 --> 0:22:25.560
<v Speaker 1>you were You were minor leaguers once too, so stop it.

0:22:25.640 --> 0:22:27.880
<v Speaker 1>So every it's like, don't forget where you came from.

0:22:27.960 --> 0:22:30.400
<v Speaker 1>So it's it's a major theme in everybody's lives because

0:22:30.400 --> 0:22:35.560
<v Speaker 1>everybody's been treating everybody's been treated like that by someone comparison. Okay,

0:22:35.560 --> 0:22:37.240
<v Speaker 1>so now we find out that we screwed up the

0:22:37.280 --> 0:22:40.560
<v Speaker 1>calendar to the races, So this is that moment that

0:22:40.720 --> 0:22:45.000
<v Speaker 1>where you're like, we're off right, the clock starts. As

0:22:45.080 --> 0:22:50.320
<v Speaker 1>someone who is so organized, this stressed me out. I

0:22:50.359 --> 0:22:52.840
<v Speaker 1>put everything in a calendar. So if that was me,

0:22:52.880 --> 0:22:55.919
<v Speaker 1>I'd be so stressed. Well, she did put in her calendar,

0:22:56.000 --> 0:23:04.520
<v Speaker 1>but wrong. Yeah, especially like for such a big thing

0:23:05.080 --> 0:23:09.040
<v Speaker 1>going into college. You got the date wrong? Like that

0:23:09.200 --> 0:23:13.920
<v Speaker 1>is so stressful. Yeah, try to find the mattress. Yeah,

0:23:14.040 --> 0:23:17.159
<v Speaker 1>there's so much prep that goes into your first you know,

0:23:17.400 --> 0:23:24.200
<v Speaker 1>first time at college. You gotta get your mattress, bedsheets. Um,

0:23:24.400 --> 0:23:26.879
<v Speaker 1>no one needs a mattress. But but I'm so happy

0:23:26.920 --> 0:23:32.119
<v Speaker 1>they did because I also was very nervous about the germs. Yeah,

0:23:32.760 --> 0:23:35.680
<v Speaker 1>I think you do, don't you? Or know? I definitely

0:23:36.240 --> 0:23:38.679
<v Speaker 1>rolled in with there was a mattress already there that

0:23:38.760 --> 0:23:41.399
<v Speaker 1>I just did for sure. I slept on a weird

0:23:41.440 --> 0:23:50.359
<v Speaker 1>old mattress. Yeah, brief pause. The iconic silhouette shirt, Oh yeah,

0:23:50.680 --> 0:23:53.760
<v Speaker 1>that's a that was a big that was significant because

0:23:53.800 --> 0:23:56.720
<v Speaker 1>that was just a very cool loreal lines wearing that

0:23:56.760 --> 0:23:58.560
<v Speaker 1>shirt with the little girl and the little boy in

0:23:58.600 --> 0:24:02.520
<v Speaker 1>their silhouettes. And then actually Rory had a very cute

0:24:02.560 --> 0:24:05.960
<v Speaker 1>pink blouse too. Isn't this fashion stuff going to be

0:24:06.000 --> 0:24:08.840
<v Speaker 1>done in a separate segment, so I can go to

0:24:08.840 --> 0:24:12.439
<v Speaker 1>the bathroom and you guys can discuss this. Okay, then

0:24:12.480 --> 0:24:15.440
<v Speaker 1>let's talk about the beauty supply. Here we see Kirk.

0:24:15.680 --> 0:24:18.360
<v Speaker 1>I just love that he works there. Again, he had

0:24:18.440 --> 0:24:21.520
<v Speaker 1>he had good knowledge because I'm now I'm experiencing a

0:24:21.560 --> 0:24:23.560
<v Speaker 1>little bit of a breakout because I am using a

0:24:23.600 --> 0:24:29.280
<v Speaker 1>cream that's a little too heavy for me. Because that's true,

0:24:29.880 --> 0:24:33.199
<v Speaker 1>and his knowledge was like spot on. I was like, yeah, man,

0:24:33.560 --> 0:24:35.320
<v Speaker 1>where were you a week ago when I, you know,

0:24:35.400 --> 0:24:38.880
<v Speaker 1>asked for cream from the makeup department. Oh my god,

0:24:40.160 --> 0:24:44.840
<v Speaker 1>he's getting ready to skydive. Oh my god, twenty dollars

0:24:44.920 --> 0:24:47.560
<v Speaker 1>to jump out a plane. No, thank you? Like ask

0:24:47.600 --> 0:24:50.240
<v Speaker 1>for more, Kirk. Ye, I'm not even gonna let you.

0:24:50.520 --> 0:24:54.440
<v Speaker 1>Totally would have had to do a tandem yeah, oh yeah, yeah,

0:24:54.560 --> 0:24:57.920
<v Speaker 1>solo beginner and assault. Yeah, come on, and he's gonna

0:24:58.040 --> 0:25:02.440
<v Speaker 1>land right in stars hollow. God. So we move quickly,

0:25:02.560 --> 0:25:05.680
<v Speaker 1>like things move quickly, and suddenly they decide they're gonna

0:25:05.840 --> 0:25:13.120
<v Speaker 1>divide and conquer at Friday night dinner and Rory you know, Okay, First,

0:25:13.119 --> 0:25:14.639
<v Speaker 1>we do have the scene where war gets on the

0:25:14.680 --> 0:25:18.120
<v Speaker 1>mic though to address the Queen issue, The ice Cream

0:25:18.160 --> 0:25:21.680
<v Speaker 1>Queen is very funny. Just even when she's angry, she's

0:25:22.240 --> 0:25:23.840
<v Speaker 1>you know, I don't want to sound I don't want

0:25:23.840 --> 0:25:26.120
<v Speaker 1>to sound the way I'm about to sound. But even

0:25:26.119 --> 0:25:29.479
<v Speaker 1>when she's angry, she's cute. You know. Yeah, it's like

0:25:30.080 --> 0:25:33.119
<v Speaker 1>it's so gentle and it's so funny because she never

0:25:33.160 --> 0:25:36.120
<v Speaker 1>it never tips over into this sort of it never

0:25:36.160 --> 0:25:38.960
<v Speaker 1>tips over into rage or you know, it's it's it's

0:25:39.000 --> 0:25:42.159
<v Speaker 1>it's just it's really pleasant to watch. She's really easy

0:25:42.200 --> 0:25:45.720
<v Speaker 1>to watch. She's easy to spend time with, you know, totally.

0:25:46.520 --> 0:25:48.920
<v Speaker 1>It really really is. Because she won the town back

0:25:48.960 --> 0:25:52.200
<v Speaker 1>a little bit on slow clap, but she did. She did.

0:25:53.000 --> 0:25:55.880
<v Speaker 1>So let's talk about Friday night dinner because now we're

0:25:55.880 --> 0:26:01.639
<v Speaker 1>into the two most important parts of this episode. What

0:26:01.720 --> 0:26:04.520
<v Speaker 1>did you think you can tell Emily's looking for lower

0:26:04.600 --> 0:26:07.960
<v Speaker 1>Lie and when she answers the door right before she goes,

0:26:08.280 --> 0:26:12.560
<v Speaker 1>they are here, and it's like, oh no, it's not

0:26:12.640 --> 0:26:15.760
<v Speaker 1>a day. I knew we were in hot water right

0:26:15.800 --> 0:26:19.720
<v Speaker 1>then and there. But here's here's what it was so

0:26:20.320 --> 0:26:24.400
<v Speaker 1>great about this Friday night dinner because we haven't seen

0:26:24.480 --> 0:26:26.399
<v Speaker 1>one in a week or two, right, it's been a

0:26:26.400 --> 0:26:28.200
<v Speaker 1>week or two since we've had a Friday night dinner.

0:26:28.280 --> 0:26:30.120
<v Speaker 1>You mean it like on the show, right, we haven't

0:26:30.119 --> 0:26:33.280
<v Speaker 1>the show it's been they haven't had one in months,

0:26:33.440 --> 0:26:36.199
<v Speaker 1>in a couple of right and right, their characters haven't yea.

0:26:36.400 --> 0:26:39.840
<v Speaker 1>So it all started out so great with the gifts

0:26:39.920 --> 0:26:43.400
<v Speaker 1>and come on in and where you know, and then

0:26:44.200 --> 0:26:46.159
<v Speaker 1>you know when Richard comes down and it's all he

0:26:46.200 --> 0:26:49.000
<v Speaker 1>gets a gift and everybody's delightful and it's all great,

0:26:49.320 --> 0:26:54.440
<v Speaker 1>the mood is fantastic. What could go wrong? Well, everything

0:26:54.480 --> 0:26:57.880
<v Speaker 1>goes wrong. And I started accepting it. You know, if

0:26:57.920 --> 0:27:00.439
<v Speaker 1>we go through the entire spine of that. Laurea Lay

0:27:00.560 --> 0:27:04.560
<v Speaker 1>comes in and she's so tired she laughs her about off. Yeah,

0:27:04.640 --> 0:27:07.679
<v Speaker 1>let's let's focus on this whole part. Yeah, I mean,

0:27:07.720 --> 0:27:09.119
<v Speaker 1>I just want to make it. I want to make

0:27:09.119 --> 0:27:11.920
<v Speaker 1>an overall car. Let's do that because we'll get to

0:27:12.000 --> 0:27:15.000
<v Speaker 1>Luke and laure Lyte and but but but the thing

0:27:15.119 --> 0:27:17.960
<v Speaker 1>is is, you know what today I accepted it. I

0:27:18.000 --> 0:27:22.000
<v Speaker 1>finally accepted it. I said, you know what, Emily and

0:27:22.080 --> 0:27:25.600
<v Speaker 1>Laurel I that is their thing. It ain't going away.

0:27:26.200 --> 0:27:28.840
<v Speaker 1>It's always going to be this way. There's always going

0:27:28.880 --> 0:27:32.840
<v Speaker 1>to be something and thank God for it because it's funny,

0:27:33.560 --> 0:27:35.879
<v Speaker 1>and it's up to the writers to sort of, you know,

0:27:36.600 --> 0:27:39.439
<v Speaker 1>thrill and amaze us with you know, new angles on

0:27:39.480 --> 0:27:43.000
<v Speaker 1>how they're going to, uh, you know, tell this story

0:27:43.000 --> 0:27:45.639
<v Speaker 1>because it's they keep telling the same story over and

0:27:45.680 --> 0:27:48.840
<v Speaker 1>over again in different ways, which is really challenging, but

0:27:48.880 --> 0:27:51.000
<v Speaker 1>they do a great job with it. That's right. God,

0:27:51.000 --> 0:27:52.679
<v Speaker 1>that's such a great point that there this is the

0:27:52.760 --> 0:27:55.679
<v Speaker 1>same thing over and over because we know it's coming,

0:27:55.720 --> 0:27:58.000
<v Speaker 1>but we don't know how it's gonna come. And this

0:27:58.240 --> 0:28:01.680
<v Speaker 1>was really surprising and great. Yeah. Why yeah, at the end,

0:28:01.720 --> 0:28:04.640
<v Speaker 1>it's such an amazing pain. Why do you think Emily

0:28:05.680 --> 0:28:08.800
<v Speaker 1>was so bent that there was no Laura Lie because

0:28:08.800 --> 0:28:12.840
<v Speaker 1>in one aspect, she could have been just stoked to

0:28:12.880 --> 0:28:16.080
<v Speaker 1>have the time basically one on one, two on one

0:28:16.359 --> 0:28:19.280
<v Speaker 1>with Rory the night before she was leaving for college.

0:28:20.800 --> 0:28:22.679
<v Speaker 1>What why What do you make of the fact that

0:28:22.720 --> 0:28:26.720
<v Speaker 1>Emily was really I'm not happy about it because it's

0:28:26.760 --> 0:28:29.840
<v Speaker 1>still her daughter. It's still feels like a diss I

0:28:29.840 --> 0:28:31.480
<v Speaker 1>feel like she just wanted it to be back to

0:28:31.600 --> 0:28:34.280
<v Speaker 1>regular Friday night dinners because this is the first one

0:28:34.400 --> 0:28:38.640
<v Speaker 1>since the new agreement. I think we can say, um,

0:28:38.720 --> 0:28:40.600
<v Speaker 1>so there she was like, Oh, everything's back to normal,

0:28:40.760 --> 0:28:43.040
<v Speaker 1>you know, Laura Line. I think it was just but

0:28:43.080 --> 0:28:45.760
<v Speaker 1>I just I thought it was really funny that Rory

0:28:45.800 --> 0:28:50.600
<v Speaker 1>gets like Rory's held hostage because of it, Like do

0:28:50.680 --> 0:28:53.240
<v Speaker 1>you think, well, do you think Emily is doing that

0:28:53.480 --> 0:28:56.320
<v Speaker 1>in hopes that Lord like comes, Like I thought that

0:28:56.400 --> 0:28:58.080
<v Speaker 1>was it. I thought it was that she was there

0:28:58.080 --> 0:29:00.040
<v Speaker 1>for so long that Lauraa has to show up. I

0:29:00.080 --> 0:29:02.880
<v Speaker 1>think Emily knew exactly what she was doing, Like everything

0:29:03.000 --> 0:29:06.680
<v Speaker 1>was very calculated, Like even Richard called it out, Well,

0:29:06.720 --> 0:29:08.360
<v Speaker 1>why didn't you put in the soup fla when we

0:29:08.360 --> 0:29:11.360
<v Speaker 1>sat down for dinner? Those things takes hours, you know,

0:29:11.480 --> 0:29:14.400
<v Speaker 1>Like she knew exactly what she was doing. And I

0:29:14.440 --> 0:29:18.920
<v Speaker 1>do think that there's a lot of Emily that regrets

0:29:19.000 --> 0:29:24.640
<v Speaker 1>her relationship with Lorela in the beginning years of Loyalis Life,

0:29:25.120 --> 0:29:29.200
<v Speaker 1>Like there's a lot that she regrets and is not

0:29:29.400 --> 0:29:32.800
<v Speaker 1>happy about. And I feel like she's been trying to

0:29:32.880 --> 0:29:36.080
<v Speaker 1>fix it, even though she's she's very stubborn, but like

0:29:36.320 --> 0:29:41.640
<v Speaker 1>she's trying to reverse the damage that was done before.

0:29:41.760 --> 0:29:45.760
<v Speaker 1>Does that make sense? And she gets to do it sorry,

0:29:45.760 --> 0:29:48.880
<v Speaker 1>but she gets to do over with her granddaughter. Yeah,

0:29:48.920 --> 0:29:53.040
<v Speaker 1>but she misplaced love, that delayed love. She gets to

0:29:53.120 --> 0:29:56.480
<v Speaker 1>love her granddaughter. But I think she also the reason

0:29:56.480 --> 0:29:59.280
<v Speaker 1>why she cares so much about Lorla is she is

0:29:59.800 --> 0:30:03.240
<v Speaker 1>not happy with how that relationship turned out. So she's

0:30:03.240 --> 0:30:07.040
<v Speaker 1>still she's still somewhat hopeful that maybe it will kind

0:30:07.040 --> 0:30:09.880
<v Speaker 1>of you know, right, right, I think you're right. I

0:30:10.880 --> 0:30:14.200
<v Speaker 1>think you're right. I think there's a kernel of hope

0:30:14.680 --> 0:30:17.760
<v Speaker 1>that Laura comes around, and and that those two keep

0:30:17.800 --> 0:30:20.760
<v Speaker 1>disappointing each other for one reason or another, and and

0:30:20.960 --> 0:30:23.440
<v Speaker 1>everything gets lost in translation. But one point I want

0:30:23.440 --> 0:30:25.640
<v Speaker 1>to make I I don't I kind of disagree with

0:30:26.320 --> 0:30:29.840
<v Speaker 1>you Tara and you Danielle. I don't know that Emily

0:30:29.920 --> 0:30:34.800
<v Speaker 1>is so cynical and excuse my naive tech, that she

0:30:35.040 --> 0:30:38.920
<v Speaker 1>just wasn't purely delighted that she could spend some real

0:30:39.240 --> 0:30:44.160
<v Speaker 1>time with her granddaughter alone without an ulterior motive of

0:30:44.240 --> 0:30:46.680
<v Speaker 1>drawing Laura, because that would make her and that would

0:30:46.720 --> 0:30:50.280
<v Speaker 1>make her a person who uses her granddaughter to get

0:30:50.280 --> 0:30:53.360
<v Speaker 1>back at her her daughter. And I don't want to.

0:30:53.600 --> 0:30:59.000
<v Speaker 1>I don't want the mother the granddaughter grandmother relationship to

0:30:59.040 --> 0:31:02.400
<v Speaker 1>be tainted in that way. Right. I agree with you

0:31:02.520 --> 0:31:07.240
<v Speaker 1>up until when Laura came over and she was like, Mom,

0:31:07.240 --> 0:31:08.960
<v Speaker 1>this is my last night with my daughter before she

0:31:08.960 --> 0:31:11.760
<v Speaker 1>goes to college and she goes. I know, so why

0:31:11.840 --> 0:31:17.080
<v Speaker 1>aren't you here like that? I like with your sense.

0:31:18.400 --> 0:31:21.920
<v Speaker 1>I thought, oh, maybe she just wanted the LA and dinner.

0:31:22.320 --> 0:31:26.680
<v Speaker 1>But when we got to the ballroom dancing, I was like, no,

0:31:27.120 --> 0:31:31.600
<v Speaker 1>this is not They've never done that, They've never video. Danielle,

0:31:31.640 --> 0:31:35.520
<v Speaker 1>let me ask you this why And this might be

0:31:35.560 --> 0:31:38.400
<v Speaker 1>a silly question, and if it is, to just tell

0:31:38.400 --> 0:31:42.960
<v Speaker 1>me this is a silly question. But why would Emily

0:31:44.480 --> 0:31:48.440
<v Speaker 1>expect not to be included in her final night in town?

0:31:49.800 --> 0:31:52.520
<v Speaker 1>Why would Emily give that up when she has put

0:31:52.600 --> 0:32:00.440
<v Speaker 1>in so much to developing and helping Rory along this path. No,

0:32:00.560 --> 0:32:02.400
<v Speaker 1>I don't think she do, you know what I mean?

0:32:02.400 --> 0:32:04.719
<v Speaker 1>It's like, why do why do? Why do we as

0:32:04.760 --> 0:32:07.680
<v Speaker 1>an audience expect Emily to take a back seat at

0:32:07.720 --> 0:32:10.880
<v Speaker 1>this I did as an audience, though, You're right, I did.

0:32:11.640 --> 0:32:17.920
<v Speaker 1>She deserves the Friday night, I mean, just does, Like, Mom,

0:32:18.000 --> 0:32:21.880
<v Speaker 1>don't you understand you know, we're we're a separate nation,

0:32:22.080 --> 0:32:25.800
<v Speaker 1>We're not friendly. I wanted to spend time with my doubt.

0:32:25.800 --> 0:32:30.440
<v Speaker 1>Why couldn't Laurel, I share Rory with Emily on the

0:32:30.480 --> 0:32:37.640
<v Speaker 1>final night. Tell me why if Jess was still in

0:32:37.680 --> 0:32:43.560
<v Speaker 1>the picture, would Laurel not have expected that Rory would

0:32:43.560 --> 0:32:49.760
<v Speaker 1>spend her last night with him? Interesting? Interesting point. But

0:32:48.760 --> 0:32:53.240
<v Speaker 1>I but that's a hypothetical, and that's really hard to answer.

0:32:53.480 --> 0:32:56.320
<v Speaker 1>Right now. You're just, you know, you're just you're trying

0:32:56.360 --> 0:32:59.959
<v Speaker 1>to confuse this. I get I get where you're going.

0:33:00.240 --> 0:33:04.480
<v Speaker 1>I think, why, why does Emily have to get less?

0:33:04.840 --> 0:33:07.000
<v Speaker 1>I don't. I don't think she has to get less.

0:33:07.400 --> 0:33:10.440
<v Speaker 1>She she deserved her Friday night dinner. But a typical

0:33:10.480 --> 0:33:12.840
<v Speaker 1>Friday night dinner is you have your dinner and then

0:33:13.360 --> 0:33:17.600
<v Speaker 1>Rory goes back home, you know, like it's not the

0:33:17.760 --> 0:33:23.360
<v Speaker 1>ballroom dancing ten hours of videotapes. But I think Emily,

0:33:24.080 --> 0:33:26.760
<v Speaker 1>like said, there's a switch. She's like, Okay, I want

0:33:26.800 --> 0:33:28.640
<v Speaker 1>to drag this out as long as possible. Roy goes

0:33:29.000 --> 0:33:33.400
<v Speaker 1>goes to school tomorrow. But maybe if I keep extending,

0:33:33.480 --> 0:33:36.760
<v Speaker 1>extending it, Lorila is going to have no choice but

0:33:37.000 --> 0:33:41.680
<v Speaker 1>to come. Grandparents do get less. That is the role

0:33:41.720 --> 0:33:45.640
<v Speaker 1>of the grandparents. Like you guys, let's let's I have grandparents.

0:33:45.920 --> 0:33:50.440
<v Speaker 1>I did, and like my grandparents would have gotten Wednesday

0:33:50.560 --> 0:33:52.760
<v Speaker 1>before I went to college. Do you know what I'm saying,

0:33:52.760 --> 0:33:55.160
<v Speaker 1>They would have definitely gotten it. But also, let's not

0:33:55.240 --> 0:33:57.920
<v Speaker 1>forget she's coming back next Friday, Like, it's not like

0:33:59.280 --> 0:34:07.960
<v Speaker 1>you're back, she's not going abroad. The drama of her

0:34:08.080 --> 0:34:13.640
<v Speaker 1>leaving and all that. Okay, brief pause before we dig

0:34:13.680 --> 0:34:18.560
<v Speaker 1>into this more did Gilmore Girls? You guys, this is

0:34:18.600 --> 0:34:21.719
<v Speaker 1>like major, major important point. I almost want to like,

0:34:21.960 --> 0:34:25.239
<v Speaker 1>we'll be back after the break because this is so major. Well,

0:34:25.520 --> 0:34:27.160
<v Speaker 1>why don't you just say that we'll be back after

0:34:27.160 --> 0:34:30.719
<v Speaker 1>this break. We'll be back with the most major Gilmore

0:34:30.760 --> 0:34:34.319
<v Speaker 1>Girls thing that I have never noticed in all the

0:34:34.440 --> 0:34:39.799
<v Speaker 1>years until this moment. Oh, I can't wait. This is

0:34:39.840 --> 0:34:49.040
<v Speaker 1>exciting to be good. I'm about to burst. I believe

0:34:49.840 --> 0:34:56.520
<v Speaker 1>wholeheartedly now that Gilmore Girls invented Dancing with the Stars.

0:34:56.719 --> 0:35:01.960
<v Speaker 1>Oh my god, I wrote that down too literally shoote Okay,

0:35:02.000 --> 0:35:08.359
<v Speaker 1>because Mark Ballace's parents are in that is Mark Ballace's dad.

0:35:08.400 --> 0:35:13.200
<v Speaker 1>That even gets named Quirky Ballast who also did dance

0:35:13.200 --> 0:35:16.239
<v Speaker 1>on Dancing with the Stars. Okay, there's a lot to

0:35:16.440 --> 0:35:21.080
<v Speaker 1>the Yeah, somebody look up when Dancing with the Stars came.

0:35:22.040 --> 0:35:26.960
<v Speaker 1>I'm telling you, guys, some person was watching this going

0:35:28.160 --> 0:35:31.080
<v Speaker 1>there might be something to this. So Emily Kelly Bishop

0:35:31.120 --> 0:35:35.759
<v Speaker 1>in real life is a dancing so she did know

0:35:35.960 --> 0:35:44.240
<v Speaker 1>all the things she's talking about. Five l. Quirky Ballace

0:35:44.960 --> 0:35:49.520
<v Speaker 1>was fully talked about on this episode with video and

0:35:50.200 --> 0:35:55.280
<v Speaker 1>Emily talking about ballroom dancing and the whole thing. Okay, then,

0:35:55.760 --> 0:35:58.560
<v Speaker 1>so Quirky is Mark Ballace's dad who Mark is one

0:35:58.560 --> 0:36:01.120
<v Speaker 1>of the big dancers on Dance of the Star. Quirky

0:36:01.239 --> 0:36:04.280
<v Speaker 1>danced on Dancing with the Stars. That is there. Everything

0:36:04.360 --> 0:36:09.759
<v Speaker 1>she said was real. Mom, Shirley's his mom. It was

0:36:09.800 --> 0:36:13.640
<v Speaker 1>all not those were real references. The one that I

0:36:13.680 --> 0:36:16.320
<v Speaker 1>don't think was real though. I don't think Mark's actual

0:36:16.400 --> 0:36:19.840
<v Speaker 1>name is Quirky Jr. Or whatever she's called him. I

0:36:19.880 --> 0:36:22.840
<v Speaker 1>don't know google it. But maybe Mark has a brother.

0:36:22.960 --> 0:36:28.520
<v Speaker 1>Maybe Mark has a brother. Then okay, we'll think about this,

0:36:30.200 --> 0:36:35.239
<v Speaker 1>the three of them, Oh, Jackie our producer, Quirky Ballace's

0:36:35.280 --> 0:36:41.279
<v Speaker 1>real name is Mark Boom. Okay, So then think of

0:36:41.320 --> 0:36:44.719
<v Speaker 1>the significance in two ways. One we'll talk about the

0:36:44.800 --> 0:36:48.120
<v Speaker 1>significance in Gilmore World. How many times canna say quirky?

0:36:51.120 --> 0:36:54.279
<v Speaker 1>How many times can I say significance? The three of

0:36:54.320 --> 0:36:59.440
<v Speaker 1>them are loving watching this, so they're spending all this

0:36:59.600 --> 0:37:02.200
<v Speaker 1>time they don't leave, which we'll talk we'll talk about

0:37:02.200 --> 0:37:06.480
<v Speaker 1>all that literally, but somebody in the television worlds like

0:37:07.000 --> 0:37:12.879
<v Speaker 1>these three important people love watching ballroom dancing lightbulb. Can

0:37:12.920 --> 0:37:18.359
<v Speaker 1>I get Mark and ask? This is so literally, it's

0:37:18.440 --> 0:37:23.960
<v Speaker 1>so good because what was Mark on season one? Yeah,

0:37:24.000 --> 0:37:26.279
<v Speaker 1>he's like an o G he I know he's an

0:37:26.280 --> 0:37:29.640
<v Speaker 1>OG and he's and by the way, the timing of this,

0:37:29.640 --> 0:37:31.960
<v Speaker 1>this is his first season back this year in like

0:37:32.560 --> 0:37:35.440
<v Speaker 1>in like six or seven seasons, so the timing of

0:37:35.520 --> 0:37:38.040
<v Speaker 1>us watching this when like Dancing with the Stars and

0:37:38.440 --> 0:37:45.040
<v Speaker 1>he just started like I n oh, he started season five? Okay,

0:37:45.200 --> 0:37:48.960
<v Speaker 1>he's technically an og like, oh, he's awake? Wait, hold on,

0:37:49.160 --> 0:37:52.719
<v Speaker 1>can he's awake? Ok Wait, I'm gonna call you. I'm

0:37:52.719 --> 0:37:58.480
<v Speaker 1>gonna call him, just him click the zoom link. He

0:37:58.480 --> 0:38:00.640
<v Speaker 1>doesn't even be on video that way, he's in a

0:38:00.719 --> 0:38:03.560
<v Speaker 1>zoom Oh no. It was based on a BBC one

0:38:03.719 --> 0:38:08.360
<v Speaker 1>show Strictly Come Dancing, and that premier in two thousand

0:38:08.400 --> 0:38:13.000
<v Speaker 1>and four. When is he gonna be out? I'm asking it.

0:38:13.480 --> 0:38:19.560
<v Speaker 1>Thank you Jackie for that information. Jackie Rodriguez. Everybody she yeah, Mark,

0:38:19.600 --> 0:38:21.520
<v Speaker 1>he's our friends that like this was kind of fun

0:38:22.360 --> 0:38:27.399
<v Speaker 1>and be like, oh my god, what is he coming

0:38:27.440 --> 0:38:29.840
<v Speaker 1>on the zoom? He's in a zoom. I'm saying, you

0:38:29.880 --> 0:38:35.680
<v Speaker 1>get mentioned he's in a zoom already. This is so fun.

0:38:35.680 --> 0:38:38.760
<v Speaker 1>We're literally doing this on the fly. Yeah, it's gonna

0:38:38.760 --> 0:38:40.520
<v Speaker 1>tell us when he's ready, and then maybe he could

0:38:40.560 --> 0:38:43.399
<v Speaker 1>be on Towards the table of this episode. He wants

0:38:43.440 --> 0:38:45.399
<v Speaker 1>to know the question, and I'm gonna say, we want

0:38:45.440 --> 0:38:48.759
<v Speaker 1>to jump. Maybe he could do a new podcast where

0:38:48.760 --> 0:38:51.320
<v Speaker 1>he's never seen an episode of Dancing with the Stars

0:38:51.520 --> 0:38:54.400
<v Speaker 1>and he could recap every single one of you. Imagine

0:38:54.520 --> 0:39:02.000
<v Speaker 1>rewatching I cannot there's like thirty five seasons, so many seasons.

0:39:03.400 --> 0:39:07.640
<v Speaker 1>Danielle quickly, I'm like, Pisa, guys, I can't do that one,

0:39:08.719 --> 0:39:13.759
<v Speaker 1>or Survivor rewatch Survivor. I'm seeing the amazing race. He's all,

0:39:13.840 --> 0:39:15.600
<v Speaker 1>what's the question? And I'm like, if I ask you

0:39:15.640 --> 0:39:21.279
<v Speaker 1>on the text, everyone's as exciting. Yeah, but okay, so

0:39:22.160 --> 0:39:24.360
<v Speaker 1>hopefully it'll hit me back. Okay, so we'll get him on,

0:39:24.400 --> 0:39:26.560
<v Speaker 1>We'll get him on pop culture, We'll get him on otherwise.

0:39:26.600 --> 0:39:30.360
<v Speaker 1>Can I like the pop culture idea? That's fine? Yeah,

0:39:30.760 --> 0:39:33.360
<v Speaker 1>let's talk about the fact now forget to answer with

0:39:33.440 --> 0:39:37.560
<v Speaker 1>the stars. They they stayed. No, no, no, no, no no,

0:39:37.760 --> 0:39:41.839
<v Speaker 1>they didn't stay. Yeah, they did. I thought to say,

0:39:41.880 --> 0:39:46.000
<v Speaker 1>were back at home watching, So Emily went to bed.

0:39:46.440 --> 0:39:49.920
<v Speaker 1>Emily's in the scene she missed. We missed a scene.

0:39:50.480 --> 0:39:53.759
<v Speaker 1>She's not there yet because Luke and Lorela have their

0:39:53.800 --> 0:39:57.600
<v Speaker 1>convers But right, but I'm talking about we talked earlier

0:39:57.640 --> 0:40:00.640
<v Speaker 1>in this podcast. I said, we're gonna go through all

0:40:00.719 --> 0:40:05.440
<v Speaker 1>of this part because it's so major, Scott, you might

0:40:05.440 --> 0:40:10.319
<v Speaker 1>have looked away. The whole payoff is that Lora, Lye

0:40:10.400 --> 0:40:14.399
<v Speaker 1>and Rory are loving watching damp fake dancing with the stuff.

0:40:14.560 --> 0:40:17.480
<v Speaker 1>But I thought they talked, took the video home. What

0:40:17.560 --> 0:40:24.160
<v Speaker 1>I thought Emily. The camera pans out and Emily's next

0:40:24.200 --> 0:40:29.160
<v Speaker 1>to them asleep. No, I mean you could have, like

0:40:29.200 --> 0:40:32.640
<v Speaker 1>anyone could have missed that, because I almost did. I

0:40:32.680 --> 0:40:36.000
<v Speaker 1>thought they were home, and the whole bit was they

0:40:36.040 --> 0:40:38.640
<v Speaker 1>love the show so much, they're watching home. Will still

0:40:38.680 --> 0:40:41.799
<v Speaker 1>worked right, And that was I think what we were

0:40:41.840 --> 0:40:45.400
<v Speaker 1>sort of expected to think because it's on just the

0:40:45.400 --> 0:40:48.800
<v Speaker 1>two of them. Then it pans out and you see

0:40:50.280 --> 0:40:54.480
<v Speaker 1>you see Emily asleep. They stayed, So this is why

0:40:54.520 --> 0:40:57.600
<v Speaker 1>you have to watch these episodes twice. Yeah, it was

0:40:57.680 --> 0:40:59.719
<v Speaker 1>like times or four times. You know, there's always a

0:40:59.719 --> 0:41:01.520
<v Speaker 1>little stuff. If you would have looked down at your

0:41:01.520 --> 0:41:04.000
<v Speaker 1>paper to write your notes, yes, that's what I do.

0:41:04.120 --> 0:41:05.799
<v Speaker 1>Is like the very it was like the last like

0:41:05.960 --> 0:41:08.560
<v Speaker 1>three seconds of the of the show. I had all

0:41:08.600 --> 0:41:13.560
<v Speaker 1>these Mark Ballas quirky corking my head. I got distracted

0:41:14.120 --> 0:41:18.160
<v Speaker 1>and it's so major, Like it's so major, and I

0:41:18.160 --> 0:41:21.640
<v Speaker 1>think they were eating biscotti. Yeah, they were at the end,

0:41:22.280 --> 0:41:25.440
<v Speaker 1>And this begged me to question, and I wanted to

0:41:25.480 --> 0:41:29.480
<v Speaker 1>bring you guys who snacks on the Scottie's just like

0:41:29.560 --> 0:41:32.520
<v Speaker 1>breakfast with your coffee type thing. Yeah, but we're talking,

0:41:32.520 --> 0:41:34.759
<v Speaker 1>we're talking about the Gilmore girls. Well, and they just

0:41:34.840 --> 0:41:39.840
<v Speaker 1>got back from Europe with they're all thrown off. You know.

0:41:42.800 --> 0:41:49.640
<v Speaker 1>It was very, very very major that they stayed. Yes,

0:41:50.200 --> 0:41:53.480
<v Speaker 1>and Emily literally Emily was able to go to sleep

0:41:53.960 --> 0:41:58.359
<v Speaker 1>so soundly because everything she wanted everyone was there in

0:41:58.440 --> 0:42:02.960
<v Speaker 1>her house with her. And she even acknowledges like Richard

0:42:03.000 --> 0:42:09.719
<v Speaker 1>goes to bed like almost like I'm alone, Richard goes

0:42:09.760 --> 0:42:14.200
<v Speaker 1>to bed, I'm just here and they stay. She wanted

0:42:14.239 --> 0:42:16.000
<v Speaker 1>to look at the lengths she has to go to

0:42:16.160 --> 0:42:21.600
<v Speaker 1>if she's that cynical to intentionally use um Rory is

0:42:21.600 --> 0:42:26.480
<v Speaker 1>a honey trap for her daughter. Right right now, her

0:42:26.480 --> 0:42:28.839
<v Speaker 1>girls are there. She can rest easy because she's got

0:42:28.840 --> 0:42:32.160
<v Speaker 1>her girls there. She probably missed them, I think. I

0:42:32.200 --> 0:42:35.399
<v Speaker 1>think underneath it all, she loves them both dearly, and

0:42:35.520 --> 0:42:39.000
<v Speaker 1>she misses them, and she wants peace and she wants

0:42:39.160 --> 0:42:41.920
<v Speaker 1>and they've been gone in Europe for months. She's probably

0:42:41.960 --> 0:42:45.160
<v Speaker 1>missed them so much. And imagine, as a grandma, you

0:42:45.200 --> 0:42:49.400
<v Speaker 1>have your daughter and your granddaughter there watching ballroom like that,

0:42:49.520 --> 0:42:54.799
<v Speaker 1>you that's why she fell asleep, something that she loves. Right,

0:42:54.880 --> 0:42:59.040
<v Speaker 1>she was easy. I thought that was actually quite beautiful,

0:43:00.160 --> 0:43:04.319
<v Speaker 1>like and I missed it first of all. That is

0:43:04.360 --> 0:43:07.239
<v Speaker 1>the funny thing. It's really easy to miss because I,

0:43:07.360 --> 0:43:10.200
<v Speaker 1>like you, Scott, thought they were at home also, and

0:43:10.239 --> 0:43:13.360
<v Speaker 1>I thought, oh, but I'm like, that's what their couch.

0:43:13.719 --> 0:43:16.480
<v Speaker 1>I was like, that's like a weird couch. And then

0:43:16.520 --> 0:43:18.680
<v Speaker 1>I kept watching watching and I'm like, and I had

0:43:18.719 --> 0:43:22.640
<v Speaker 1>forgotten this because I think people miss it when they're

0:43:22.680 --> 0:43:25.759
<v Speaker 1>watching this episode. Yeah, it does make sense because I

0:43:25.800 --> 0:43:28.719
<v Speaker 1>thought the TV and it looked a little nicer than

0:43:31.200 --> 0:43:37.840
<v Speaker 1>the whole time I was literally like, oh my god. Wow. Okay,

0:43:37.920 --> 0:43:42.640
<v Speaker 1>so now we're going to reverse a tiny bit. The

0:43:42.880 --> 0:43:46.440
<v Speaker 1>mattress is getting loaded in the truck. I'm gonna give

0:43:46.440 --> 0:43:49.600
<v Speaker 1>you a B minus on that sound effect, but pretty good.

0:43:50.400 --> 0:43:52.399
<v Speaker 1>So because we're because we did go out of order.

0:43:52.600 --> 0:43:57.600
<v Speaker 1>So we're going back now to such a pivotal moment,

0:43:58.000 --> 0:44:01.279
<v Speaker 1>big moment. I don't even know where to start. Let's

0:44:01.280 --> 0:44:03.760
<v Speaker 1>start with you, Scott. Tell me everything you felt about

0:44:03.760 --> 0:44:08.640
<v Speaker 1>that scene. I love the way he dragged it out.

0:44:09.360 --> 0:44:12.799
<v Speaker 1>But there's more. But there's more. That's like a salesman

0:44:14.560 --> 0:44:19.360
<v Speaker 1>and there's more. Wait, there's more. Uh yeah, And I

0:44:19.840 --> 0:44:24.840
<v Speaker 1>just think, you know, I think that scene made it

0:44:24.920 --> 0:44:29.799
<v Speaker 1>so obvious that these two really belong together, or at

0:44:29.880 --> 0:44:32.600
<v Speaker 1>least they should give it a shot. You know, it's

0:44:32.600 --> 0:44:35.200
<v Speaker 1>like give it a shot. Yes, I mean it was

0:44:36.360 --> 0:44:39.359
<v Speaker 1>you know everybody. She was so relieved and he was

0:44:39.560 --> 0:44:43.200
<v Speaker 1>relieved that she was relieved, and they were both kind

0:44:43.200 --> 0:44:45.279
<v Speaker 1>of sitting there happy, even though he was trying to

0:44:45.600 --> 0:44:47.480
<v Speaker 1>kind of fake that it didn't Oh it didn't work

0:44:47.480 --> 0:44:50.279
<v Speaker 1>out and what a pickle. But he didn't care, you know,

0:44:50.480 --> 0:44:54.839
<v Speaker 1>he was with her. The faces, the acting of the

0:44:54.920 --> 0:44:57.439
<v Speaker 1>bodies and the faces and this and how about when

0:44:57.480 --> 0:45:02.439
<v Speaker 1>he says, so, first, did you propose? And he says yes,

0:45:02.640 --> 0:45:07.400
<v Speaker 1>and her face and I'm just like, and I felt

0:45:07.480 --> 0:45:12.000
<v Speaker 1>that Luke looked so sad. Not obviously Luke knows he's

0:45:12.000 --> 0:45:15.319
<v Speaker 1>already getting divorced. He looks so sad because he has

0:45:15.400 --> 0:45:21.000
<v Speaker 1>made her so sad. Then there's more we got married,

0:45:21.120 --> 0:45:23.960
<v Speaker 1>and then you see lord, I say, how could you

0:45:25.040 --> 0:45:31.640
<v Speaker 1>could you? M lengthy pause, there's get married because she

0:45:31.760 --> 0:45:34.279
<v Speaker 1>says how could you? Like, how could you do? At

0:45:34.280 --> 0:45:35.960
<v Speaker 1>first she's saying how could you do this to me?

0:45:36.360 --> 0:45:38.920
<v Speaker 1>And then she realizes like she can't say that, so

0:45:38.960 --> 0:45:43.480
<v Speaker 1>she says, how could you get married? And I'm like,

0:45:43.640 --> 0:45:48.120
<v Speaker 1>oh my god. That was the best dialogue between those

0:45:48.160 --> 0:45:52.719
<v Speaker 1>two so far. Yes, it was the most fraught with

0:45:52.840 --> 0:45:59.080
<v Speaker 1>tension and consequences and so revealing of how they both

0:45:59.080 --> 0:46:02.799
<v Speaker 1>felt about one another. There, yes, in a very unexpected way,

0:46:02.920 --> 0:46:08.879
<v Speaker 1>and the relief we're getting divorced, like literally in a

0:46:08.920 --> 0:46:15.760
<v Speaker 1>one minute period, full panicked, tried to check herself, she's

0:46:15.920 --> 0:46:22.040
<v Speaker 1>devastated and gets complete relief. Yeah, she made it look easy.

0:46:23.239 --> 0:46:26.400
<v Speaker 1>Laura Graham's not too bad? Is she? I was totally wrong?

0:46:27.400 --> 0:46:31.080
<v Speaker 1>She's not too bad. She isn't enius the acting in

0:46:31.160 --> 0:46:34.680
<v Speaker 1>that scene. Look, you're not too bad either that scene.

0:46:36.160 --> 0:46:41.040
<v Speaker 1>So that is probably one of the best scenes. And wait,

0:46:41.080 --> 0:46:45.480
<v Speaker 1>so Danielle, when when Luke first says when when Laura

0:46:45.520 --> 0:46:47.799
<v Speaker 1>Lee says, did you propose? And he says, yes, what

0:46:47.920 --> 0:46:53.360
<v Speaker 1>did your what did you happen? Okay? Why I was

0:46:53.400 --> 0:46:55.799
<v Speaker 1>a little shocked too, because I didn't know what was

0:46:55.800 --> 0:47:02.200
<v Speaker 1>going to happen. I'm shocked something. Wasn't it an Alaskan

0:47:02.360 --> 0:47:05.719
<v Speaker 1>cruise in the end of the season and now it's

0:47:05.760 --> 0:47:10.920
<v Speaker 1>the Caribbean because they went snorkeling seven countries? He says

0:47:11.040 --> 0:47:14.120
<v Speaker 1>seven country cruise. But I want to say in the

0:47:14.239 --> 0:47:17.960
<v Speaker 1>end of last season he's Alaska did But how you

0:47:17.960 --> 0:47:20.239
<v Speaker 1>got a seven country cruise? It since like a lot

0:47:20.480 --> 0:47:23.000
<v Speaker 1>And you know what they do. They come from Connecticut

0:47:23.239 --> 0:47:26.239
<v Speaker 1>and they dock right outside my window here. But if

0:47:26.239 --> 0:47:31.640
<v Speaker 1>you're the first stop, and then they Canada and Alaska.

0:47:33.600 --> 0:47:36.960
<v Speaker 1>Alaska's clear on the it's on the west coast of

0:47:36.960 --> 0:47:39.239
<v Speaker 1>the United States. Oh right, you're going around that way,

0:47:39.520 --> 0:47:44.040
<v Speaker 1>so that's a huge crew. But then yeah, they say

0:47:44.040 --> 0:47:47.320
<v Speaker 1>they snorkel in the in Alaska to call me, and

0:47:47.400 --> 0:47:53.440
<v Speaker 1>I guess you can in Alaska exactly, there's some flag

0:47:53.480 --> 0:47:57.040
<v Speaker 1>on the play there. Daniel then is seven countries, so

0:47:57.400 --> 0:48:00.960
<v Speaker 1>seven because what did your they do? When he then

0:48:00.960 --> 0:48:04.239
<v Speaker 1>says we got married, like what were you experiencing in

0:48:04.320 --> 0:48:06.920
<v Speaker 1>real time through this scene? It all happened so fast,

0:48:07.080 --> 0:48:09.080
<v Speaker 1>so like you don't really have a chance to process,

0:48:09.120 --> 0:48:13.080
<v Speaker 1>Like he was, like, I proposed, then we got married,

0:48:13.480 --> 0:48:15.279
<v Speaker 1>then we got divorced, and I was just like, like

0:48:15.360 --> 0:48:19.000
<v Speaker 1>literally like watching the screen, like what is happening? And

0:48:19.040 --> 0:48:22.560
<v Speaker 1>how did this happen so fast? I'm so confused. But

0:48:22.680 --> 0:48:26.680
<v Speaker 1>I was happy that they got divorced. But everyone happy.

0:48:29.280 --> 0:48:34.040
<v Speaker 1>I'm happy about that, right, I am, yes, sure, I

0:48:34.040 --> 0:48:38.360
<v Speaker 1>mean it was a great relief. But how interesting would

0:48:38.360 --> 0:48:41.960
<v Speaker 1>it have been? Okay, just think of the possibilities if

0:48:41.960 --> 0:48:44.880
<v Speaker 1>you said, and we're married, and that was that. I

0:48:44.960 --> 0:48:47.560
<v Speaker 1>mean right, I know that would have been I'm sure

0:48:47.560 --> 0:48:50.799
<v Speaker 1>they thought about it. More episodes for Trish, more for

0:48:50.840 --> 0:48:53.960
<v Speaker 1>her Lauren to play off of, and right, I mean right,

0:48:54.040 --> 0:48:56.600
<v Speaker 1>I'm sure the writers must have thought about it because obviously, look,

0:48:56.640 --> 0:49:00.359
<v Speaker 1>everyone knows the trajectories. He's so I wanted what made

0:49:00.360 --> 0:49:03.400
<v Speaker 1>them take the decision because they want that relationship to

0:49:03.440 --> 0:49:06.600
<v Speaker 1>be pure. They wanted to be as pure as possible

0:49:06.719 --> 0:49:10.040
<v Speaker 1>and that nothing, nothing can last in the face of

0:49:10.080 --> 0:49:14.680
<v Speaker 1>that heat. That's a point really good. So I thought

0:49:15.360 --> 0:49:22.600
<v Speaker 1>both of those scenes made this episode a ten out

0:49:22.640 --> 0:49:26.400
<v Speaker 1>of ten ice Cream Queens because the scene with Emily

0:49:26.800 --> 0:49:29.680
<v Speaker 1>just all that, everything from the Friday night dinner to

0:49:29.960 --> 0:49:33.200
<v Speaker 1>the payoff with Emily at the end, and this scene

0:49:33.200 --> 0:49:36.560
<v Speaker 1>with Luke and Lordly ten out of ten ice Cream Queens.

0:49:36.560 --> 0:49:40.880
<v Speaker 1>I mean, I thought they were both so amazing. Well,

0:49:41.560 --> 0:49:45.879
<v Speaker 1>even though yes, Tara, you make a salient point with

0:49:46.560 --> 0:49:49.919
<v Speaker 1>she's coming back in a week anyway, but still it's

0:49:50.280 --> 0:49:54.920
<v Speaker 1>it's the prodigal daughter leaving and she will return, but

0:49:55.000 --> 0:49:57.920
<v Speaker 1>she's going away. Life is going to be different for

0:49:57.560 --> 0:50:01.040
<v Speaker 1>for lor from pure on out. You know, she doesn't

0:50:01.040 --> 0:50:03.719
<v Speaker 1>have a job yet. She's gonna build up the new

0:50:03.840 --> 0:50:05.800
<v Speaker 1>end and the whole thing, and I hope that, hopefully

0:50:05.800 --> 0:50:08.440
<v Speaker 1>that works out for but she's gonna be left without

0:50:08.800 --> 0:50:11.919
<v Speaker 1>her best, bestest friend in the world that she will

0:50:11.920 --> 0:50:15.279
<v Speaker 1>ever have her own. Flush and Blood is going to

0:50:15.320 --> 0:50:17.879
<v Speaker 1>college and it's a big deal. And I got so

0:50:18.040 --> 0:50:20.760
<v Speaker 1>moved at the end by the thought of it. Because

0:50:20.800 --> 0:50:23.560
<v Speaker 1>Amy wrote a sort of a Dan type episode where

0:50:23.600 --> 0:50:25.600
<v Speaker 1>it was light and funny light and funny light and

0:50:25.600 --> 0:50:27.839
<v Speaker 1>funny light, and that heavy, heavy moment at the end,

0:50:28.520 --> 0:50:30.680
<v Speaker 1>you know, like big heavy moment to the point where

0:50:30.680 --> 0:50:33.080
<v Speaker 1>it was like, you know, it was eleven o'clock here

0:50:33.719 --> 0:50:37.600
<v Speaker 1>in the am and it's seven am, uh California time,

0:50:37.640 --> 0:50:40.760
<v Speaker 1>and I knew, I knew my little guy was still

0:50:40.880 --> 0:50:43.760
<v Speaker 1>kind of snoozing a little bit. So I called my FaceTime,

0:50:43.840 --> 0:50:47.000
<v Speaker 1>my wife, and she answered he was all snuggly with her,

0:50:47.000 --> 0:50:50.160
<v Speaker 1>and you know, yeah, because I'm missing those moments because

0:50:50.160 --> 0:50:52.279
<v Speaker 1>I'm here, you know what I mean. So I just

0:50:52.320 --> 0:50:54.399
<v Speaker 1>wanted to see I said, just let's let me see

0:50:54.480 --> 0:50:58.319
<v Speaker 1>him sleeping. Let me see him sleeping. He woke he

0:50:58.360 --> 0:51:00.960
<v Speaker 1>woke up, he woke up, and we talked to them.

0:51:01.000 --> 0:51:02.680
<v Speaker 1>I said, hey, buddy, have a good day at school.

0:51:03.320 --> 0:51:06.040
<v Speaker 1>And I just projected myself into the future when we're

0:51:06.040 --> 0:51:10.680
<v Speaker 1>gonna say goodbody going to call. Yeah, the show, this

0:51:10.880 --> 0:51:17.080
<v Speaker 1>TV show brings up emotions in you. And then it

0:51:17.280 --> 0:51:20.160
<v Speaker 1>transferred to, Oh, I gotta call my my my baby.

0:51:20.480 --> 0:51:24.879
<v Speaker 1>That's it. Yeah, I gotta miss my baby, gotta call him,

0:51:26.000 --> 0:51:27.719
<v Speaker 1>I gotta see him, I gotta talk to him. I

0:51:27.760 --> 0:51:30.600
<v Speaker 1>gotta tell him I love him. That's really that does

0:51:31.640 --> 0:51:34.359
<v Speaker 1>I like that you brought that up, because that's sort

0:51:34.400 --> 0:51:40.680
<v Speaker 1>of the magical thing about this show, Like it does

0:51:40.800 --> 0:51:45.040
<v Speaker 1>make you go, oh, my own parents, or my own grandparents,

0:51:45.239 --> 0:51:50.560
<v Speaker 1>or my boyfriend whatever it does, those emotions do sort

0:51:50.600 --> 0:51:52.480
<v Speaker 1>of carry through, and for the most part, I think

0:51:52.480 --> 0:51:56.040
<v Speaker 1>they're very lovely. What the emotions that brings up. It's

0:51:56.120 --> 0:52:00.239
<v Speaker 1>never painful things like when you watch some shows. This

0:52:00.280 --> 0:52:04.920
<v Speaker 1>show really is like Seinfeld does the same thing. It

0:52:04.960 --> 0:52:09.240
<v Speaker 1>gets you to recognize all the crazy stuff that happens

0:52:09.280 --> 0:52:11.799
<v Speaker 1>in your life that just just like that that you're

0:52:11.800 --> 0:52:14.440
<v Speaker 1>sitting on the screen, all that funny crazy stuff, right,

0:52:14.520 --> 0:52:20.080
<v Speaker 1>so relatable. I mean, do people watch uh an episode

0:52:20.080 --> 0:52:22.880
<v Speaker 1>of Chicago Fire or something and then like start calling

0:52:22.880 --> 0:52:26.319
<v Speaker 1>their friends all moved and saying, hey, but respect that

0:52:26.360 --> 0:52:28.840
<v Speaker 1>you brought up Chicago Fire more of a Chicago medgal.

0:52:29.000 --> 0:52:31.400
<v Speaker 1>But did you did you put out your cigarette? You know?

0:52:31.640 --> 0:52:35.239
<v Speaker 1>How you doing? You know? I mean, you know, I'm

0:52:35.280 --> 0:52:37.319
<v Speaker 1>not trying to trash anybody's shows, but I'm just saying

0:52:38.320 --> 0:52:41.719
<v Speaker 1>this show is so relatable. Yeah, I think you make

0:52:41.760 --> 0:52:44.160
<v Speaker 1>a perfect point, because I think there's other shows where

0:52:44.680 --> 0:52:48.000
<v Speaker 1>you're watching like like hardcore dramas and you're like, oh,

0:52:48.440 --> 0:52:52.160
<v Speaker 1>This reminds me of my terrible ex boyfriend that night, right,

0:52:52.280 --> 0:52:57.759
<v Speaker 1>This one is not they traumatize you to the point

0:52:57.760 --> 0:52:59.840
<v Speaker 1>where you just need to like you need to lie down.

0:53:00.200 --> 0:53:07.000
<v Speaker 1>This one really does bring up loveliness like love each other,

0:53:07.360 --> 0:53:10.920
<v Speaker 1>love your parents, love you. This is the healing, the

0:53:10.920 --> 0:53:15.160
<v Speaker 1>healing aspect of this show, the healing influence that every

0:53:15.160 --> 0:53:18.360
<v Speaker 1>fan tells me about at these conventions, And when I

0:53:18.400 --> 0:53:20.720
<v Speaker 1>meet them on the street, they just sell your show,

0:53:21.000 --> 0:53:22.879
<v Speaker 1>you know, because they all do the same thing I did.

0:53:23.040 --> 0:53:25.120
<v Speaker 1>They picked up a phone and they faced time their kid.

0:53:25.400 --> 0:53:28.800
<v Speaker 1>It reconnects people, It keeps people connected on a deeper level.

0:53:29.280 --> 0:53:32.880
<v Speaker 1>Wonderful influence on the culture. Hey, you want to do? Uh,

0:53:32.920 --> 0:53:36.840
<v Speaker 1>my crack team came up with something, alright, and we

0:53:36.880 --> 0:53:39.320
<v Speaker 1>gotta get to home. Here we go six oh three

0:53:40.040 --> 0:53:44.600
<v Speaker 1>plus six minutes and three si yes, exactly all right.

0:53:44.680 --> 0:53:46.839
<v Speaker 1>At eleven minutes and thirty eight seconds in the scene

0:53:46.840 --> 0:53:48.759
<v Speaker 1>where Jackson is saying he doesn't want to know the

0:53:48.800 --> 0:53:50.959
<v Speaker 1>sex of the baby, at the point where he says

0:53:51.360 --> 0:53:54.840
<v Speaker 1>Ricky Ricardo didn't know, you can see Rory's left side

0:53:54.960 --> 0:53:58.160
<v Speaker 1>and the shot and she's already wearing the button that

0:53:58.320 --> 0:54:09.120
<v Speaker 1>Jackson hasn't given her get At twelve minutes and eight seconds,

0:54:09.160 --> 0:54:12.320
<v Speaker 1>watch the right side of the screen as Suki throws

0:54:12.360 --> 0:54:15.800
<v Speaker 1>open the doors of the baby ship. You can see

0:54:15.840 --> 0:54:20.080
<v Speaker 1>a cast member's hand reach into the frame and grab

0:54:20.160 --> 0:54:27.560
<v Speaker 1>the door to hold it open. Think dank thing alright.

0:54:27.600 --> 0:54:30.920
<v Speaker 1>At around h sixteen to seventeen minutes in, when Laurel

0:54:31.000 --> 0:54:34.120
<v Speaker 1>I is telling her fake jam story, the dirty plate

0:54:34.520 --> 0:54:39.680
<v Speaker 1>next to her disappears and reappears a few times. H

0:54:41.160 --> 0:54:47.840
<v Speaker 1>come on Rory's button. At eighteen minutes and seventeen seconds,

0:54:47.960 --> 0:54:51.040
<v Speaker 1>it says I do not want to know the sex

0:54:51.120 --> 0:54:53.640
<v Speaker 1>of my baby, But at twenty minutes and fifty three

0:54:53.680 --> 0:54:58.239
<v Speaker 1>seconds it has magically changed to I don't want to

0:54:58.280 --> 0:55:00.000
<v Speaker 1>know the sex of my baby. So it went from

0:55:00.120 --> 0:55:09.520
<v Speaker 1>do not too, don't um and go ahead, gang yeah

0:55:10.320 --> 0:55:17.160
<v Speaker 1>script Ready for favorite one. The grand opening of Taylor

0:55:17.200 --> 0:55:19.719
<v Speaker 1>Soda Shop was supposed to I would have much more

0:55:19.760 --> 0:55:22.880
<v Speaker 1>smooth segue than that. Come on. The grand opening of

0:55:22.920 --> 0:55:25.480
<v Speaker 1>Taylor Soda Shop was supposed to have been in the

0:55:25.560 --> 0:55:31.120
<v Speaker 1>episode where Fran died Remember the Marching Band the funeral.

0:55:31.680 --> 0:55:35.279
<v Speaker 1>That episode was set several months before this one. That's

0:55:35.320 --> 0:55:42.600
<v Speaker 1>a long time to delay the grand Uh huh. Yeah,

0:55:43.120 --> 0:55:47.200
<v Speaker 1>that's a great, great catch. Do you think they were

0:55:47.200 --> 0:55:49.840
<v Speaker 1>just waiting for Rory to come back from their trip

0:55:49.960 --> 0:55:52.440
<v Speaker 1>so she can be the ebything queen. Yeah, it's a

0:55:52.440 --> 0:56:01.359
<v Speaker 1>good point. Okay. So minutes forty eight seconds, Rory brings

0:56:01.360 --> 0:56:03.560
<v Speaker 1>Emily a present in a gift bag, but she doesn't

0:56:03.560 --> 0:56:06.919
<v Speaker 1>even let Emily open it. She takes the gift out

0:56:06.960 --> 0:56:11.480
<v Speaker 1>herself and just hands it to Emily. Yeah. I remember that,

0:56:11.840 --> 0:56:15.040
<v Speaker 1>but but that's for speed sake, because you don't want

0:56:15.040 --> 0:56:18.920
<v Speaker 1>to take that time when you're shooting, because that's precious

0:56:18.920 --> 0:56:21.520
<v Speaker 1>screen time. It's just like, just get to the gift, right,

0:56:21.560 --> 0:56:24.759
<v Speaker 1>I mean, technically she opened the box. She did, she did.

0:56:24.840 --> 0:56:29.680
<v Speaker 1>I didn't notice. When Luke is helping Laureli load the truck,

0:56:30.000 --> 0:56:33.040
<v Speaker 1>he mentions that he has luggage because he just went

0:56:33.120 --> 0:56:36.400
<v Speaker 1>on a seven country clues what we're talking about, guys,

0:56:36.400 --> 0:56:39.080
<v Speaker 1>here we go. But in a previous episode he told

0:56:39.160 --> 0:56:42.920
<v Speaker 1>Laureli they were driving through Western Canada and then taking

0:56:42.960 --> 0:56:46.320
<v Speaker 1>a cruise to Alaska. Right, so then the snorkeling doesn't

0:56:46.400 --> 0:56:48.239
<v Speaker 1>match well, I mean it does match up. If they're

0:56:48.239 --> 0:56:50.080
<v Speaker 1>going to seven countries, they could have stopped in like

0:56:50.200 --> 0:56:54.920
<v Speaker 1>you know, Caribbean. But I don't think you snorkel in Alaska. Um,

0:56:55.040 --> 0:56:57.920
<v Speaker 1>what can I say? You know, it's uh, it's it's

0:56:57.920 --> 0:57:02.319
<v Speaker 1>a little confused anyway, all right, let's do favorite line. Um,

0:57:02.680 --> 0:57:07.239
<v Speaker 1>there's a million. I have one. Give it Tara, it's

0:57:07.360 --> 0:57:09.839
<v Speaker 1>um what so Taylor says, I don't understand why you're

0:57:09.880 --> 0:57:12.359
<v Speaker 1>as a diner and minds a stupid store, And Luke says,

0:57:12.560 --> 0:57:14.319
<v Speaker 1>look at this place, look at you. All you need

0:57:14.360 --> 0:57:16.960
<v Speaker 1>is six dancing penguins and Mary Poppins floating in the

0:57:17.000 --> 0:57:19.720
<v Speaker 1>corner to bring back two of the worst hours of

0:57:19.760 --> 0:57:26.800
<v Speaker 1>my childhood. That's a good one. So mine is simple,

0:57:27.400 --> 0:57:29.480
<v Speaker 1>and I know there's millions of good lines. I still

0:57:29.520 --> 0:57:34.160
<v Speaker 1>think there's more because it was two words that were

0:57:34.520 --> 0:57:38.880
<v Speaker 1>so important. Yeah, there's more, like so I'm going with that.

0:57:40.440 --> 0:57:46.520
<v Speaker 1>Um Daniel favorite, Yeah, I did. Mine was a little unexpected.

0:57:46.560 --> 0:57:49.720
<v Speaker 1>But it's when Rory gives Richard her gift and Emily

0:57:49.760 --> 0:57:53.720
<v Speaker 1>goes Richard says, I love this and Emily goes, yes,

0:57:53.760 --> 0:58:00.040
<v Speaker 1>and you're gonna love it. Outside on the patio, my

0:58:00.080 --> 0:58:03.280
<v Speaker 1>favorite lines, two little boys walked by. Rory said, thanks

0:58:03.280 --> 0:58:08.840
<v Speaker 1>a lot, Yale, can have you? I totally agree. Yeah,

0:58:08.880 --> 0:58:10.880
<v Speaker 1>that was good. That was good. There was a lot

0:58:10.880 --> 0:58:12.800
<v Speaker 1>of good stuff in here. There's also one more I

0:58:12.800 --> 0:58:16.400
<v Speaker 1>have to say. That was a chard. We had somebody

0:58:16.480 --> 0:58:21.600
<v Speaker 1>joining this home soon. Yes, what was that? What was that?

0:58:21.920 --> 0:58:24.640
<v Speaker 1>There's a surprise coming in Scott. You just let Tauras

0:58:24.680 --> 0:58:26.160
<v Speaker 1>say her thing and then we've got a little surprised.

0:58:26.200 --> 0:58:28.320
<v Speaker 1>I was just gonna say one last little tid but

0:58:28.440 --> 0:58:31.240
<v Speaker 1>that I loved is when Emily says to Richard, Lorela

0:58:31.320 --> 0:58:34.480
<v Speaker 1>has chores to do, and Richard says chores and she's like,

0:58:34.680 --> 0:58:37.360
<v Speaker 1>errand's you know, like chores because it's just like cleaning

0:58:37.360 --> 0:58:40.920
<v Speaker 1>my house. I still don't understand why they didn't just

0:58:41.000 --> 0:58:47.400
<v Speaker 1>say she was calling out the obvious bs Lorela, excuse right,

0:58:48.120 --> 0:58:51.200
<v Speaker 1>we're gonna bring Emily. Oh, because he has two minutes,

0:58:51.280 --> 0:58:54.760
<v Speaker 1>so we're gonna bring him. We have a guest. Oh

0:58:54.840 --> 0:58:59.440
<v Speaker 1>my god, what's happening here? Huh? All right, I'm I'm waiting.

0:58:59.560 --> 0:59:12.200
<v Speaker 1>I'm non tenderhooks here. What's going on? Everybody's waiting? Mark Dallas, Mark,

0:59:12.960 --> 0:59:18.200
<v Speaker 1>welcome to the podcast, my friends. On what is going on?

0:59:18.320 --> 0:59:20.640
<v Speaker 1>I think you know, we have many questions. Amy, you

0:59:20.720 --> 0:59:24.040
<v Speaker 1>have questions, so you have a series I don't know

0:59:24.680 --> 0:59:30.040
<v Speaker 1>anyone's ever told you this. So we're Gilmore Girls thing, right, Yes,

0:59:30.720 --> 0:59:36.640
<v Speaker 1>so Mark, I believe two things. Okay, Gilmore Girls invented

0:59:36.960 --> 0:59:41.040
<v Speaker 1>maybe in America, but Gilmore Girls invented Dancing with the Stars.

0:59:44.760 --> 0:59:54.120
<v Speaker 1>This was what years and yeah, we're all here, the

0:59:54.160 --> 1:00:00.480
<v Speaker 1>whole famis here. So this this episod It was two

1:00:00.520 --> 1:00:02.840
<v Speaker 1>thousand three and Dancing with the Stars premiered in two

1:00:02.840 --> 1:00:08.960
<v Speaker 1>thousand five. That's right, yeah, so right after Yeah, I mean, look,

1:00:09.080 --> 1:00:11.360
<v Speaker 1>I don't that could that's a very good theory. I

1:00:11.400 --> 1:00:17.720
<v Speaker 1>don't know. I don't know if it's totally accurate. It

1:00:17.880 --> 1:00:20.280
<v Speaker 1>came from the show came from England originally, you know,

1:00:20.400 --> 1:00:25.640
<v Speaker 1>strictly started it, but conceptually maybe it was a notion

1:00:25.720 --> 1:00:29.040
<v Speaker 1>of more girls. You know. But Mark, what about the

1:00:29.080 --> 1:00:34.040
<v Speaker 1>fact that your dad is fully not only your mom

1:00:34.080 --> 1:00:38.400
<v Speaker 1>and dad, but especially your dad gets a full shout

1:00:38.440 --> 1:00:42.640
<v Speaker 1>out in Gilmore Girls with video to remind, aren't they

1:00:42.680 --> 1:00:45.840
<v Speaker 1>they're watching a competition, right, yeah? Yes, yeah, they're like, oh,

1:00:45.840 --> 1:00:48.640
<v Speaker 1>that's Quirky and Shirley. Yeah, and then they say Quirky

1:00:48.680 --> 1:00:53.560
<v Speaker 1>Ballace Jr. Was that your nickname or no? Yeah? For

1:00:54.880 --> 1:00:58.040
<v Speaker 1>Emily who's played by Kelly Bishop, who's also a dancer

1:00:58.080 --> 1:01:01.920
<v Speaker 1>in real life, says and he has a son, Quirky Jr.

1:01:02.040 --> 1:01:05.440
<v Speaker 1>And I was literally so Scott, so you have the background.

1:01:05.680 --> 1:01:09.600
<v Speaker 1>Mark and I have been friends for like almost almost

1:01:09.600 --> 1:01:13.760
<v Speaker 1>twenty years, like a long time. So obviously when I

1:01:13.800 --> 1:01:17.280
<v Speaker 1>watched this back in the day, I didn't know the

1:01:17.320 --> 1:01:21.800
<v Speaker 1>Ballast family him watching this last night and I was like,

1:01:23.680 --> 1:01:31.160
<v Speaker 1>what is was like, I know Quirky Ballast Jr. I

1:01:31.280 --> 1:01:36.040
<v Speaker 1>was like, it's just like work. Like every every you know,

1:01:36.200 --> 1:01:38.160
<v Speaker 1>six months or so, I'll get a text from like

1:01:38.200 --> 1:01:40.520
<v Speaker 1>a random friendly like did you know you're on Gilmore?

1:01:40.600 --> 1:01:48.200
<v Speaker 1>Girl is six months are up? And here we are everybody,

1:01:48.200 --> 1:01:51.280
<v Speaker 1>because we talked in real time just moments ago. I

1:01:51.320 --> 1:01:53.960
<v Speaker 1>was like, you guys, I have to text Mark right now,

1:01:54.360 --> 1:01:58.080
<v Speaker 1>like you don't awake and it's I was like barely.

1:01:58.120 --> 1:02:01.160
<v Speaker 1>I was like, what's happening. You're more girls. I was like,

1:02:01.200 --> 1:02:05.520
<v Speaker 1>oh okay, And it's even crazier because now you're coming

1:02:05.520 --> 1:02:11.560
<v Speaker 1>back to Dancing with the Stars. Yeah, so it's like yeah,

1:02:11.680 --> 1:02:14.520
<v Speaker 1>you know, yeah, it's very funny. This all came up

1:02:14.600 --> 1:02:18.640
<v Speaker 1>very last minute. Um, you know, Conrad Green is back,

1:02:18.640 --> 1:02:22.080
<v Speaker 1>who's the original producer no, it's just one of the

1:02:22.120 --> 1:02:24.920
<v Speaker 1>best I think. And he called me randomly one day

1:02:24.960 --> 1:02:29.520
<v Speaker 1>while I was sweeping my steps and literally outside sweeping.

1:02:29.600 --> 1:02:32.440
<v Speaker 1>Went from like, you know, doing some how stuff BC

1:02:32.560 --> 1:02:34.000
<v Speaker 1>and I are working on a new record right now,

1:02:34.040 --> 1:02:40.600
<v Speaker 1>like I had the next six months plan. He was like, hello, mate, Conrad.

1:02:40.680 --> 1:02:43.000
<v Speaker 1>He's like, I'm coming back. Have you got one more

1:02:43.040 --> 1:02:48.920
<v Speaker 1>in you? I was like, I need more details, but

1:02:48.960 --> 1:02:51.520
<v Speaker 1>you have such an awesome partner. Like I'm totally waving

1:02:51.640 --> 1:02:54.760
<v Speaker 1>for you, guys, who's your partner? Who's your partner? I'm

1:02:54.760 --> 1:02:59.560
<v Speaker 1>with Charlie Damilio this time? God, but Scott. So what's

1:02:59.560 --> 1:03:01.920
<v Speaker 1>so funny about Mark? And I'll include Derek in this

1:03:02.000 --> 1:03:06.080
<v Speaker 1>too because they're my boys, Okay, and I mean this

1:03:06.200 --> 1:03:10.160
<v Speaker 1>in the best way possible. Suddenly Mark and Derek became

1:03:10.240 --> 1:03:14.600
<v Speaker 1>who I cared about more than their famous celebrity partner.

1:03:14.680 --> 1:03:21.200
<v Speaker 1>I'm like totally, So that was such an amazing thing.

1:03:21.640 --> 1:03:24.840
<v Speaker 1>But the other thing that's so crazy is in two

1:03:24.840 --> 1:03:27.400
<v Speaker 1>thousand three when this episode airs, Yes, your your mom

1:03:27.440 --> 1:03:30.280
<v Speaker 1>and dad were famous in the dancing world, but they

1:03:30.280 --> 1:03:35.800
<v Speaker 1>weren't necessarily famous like they became or you. It's like, no, yeah,

1:03:35.840 --> 1:03:37.840
<v Speaker 1>I mean I feel like at the time, you know,

1:03:37.960 --> 1:03:41.160
<v Speaker 1>in the eighties and nineties, and you know, maybe before

1:03:41.200 --> 1:03:43.760
<v Speaker 1>that would be like the forties fifties, like ballroom dancing

1:03:43.800 --> 1:03:46.280
<v Speaker 1>was such a it was a thing, you know, and

1:03:46.320 --> 1:03:49.040
<v Speaker 1>then it kind of like like it became like if

1:03:49.080 --> 1:03:51.480
<v Speaker 1>you know, you know, type of situation. It wasn't very

1:03:52.200 --> 1:03:56.760
<v Speaker 1>you know, out there all the time. Um, so yeah,

1:03:56.880 --> 1:03:58.560
<v Speaker 1>like kind of vanished, and then the show kind of

1:03:58.600 --> 1:04:02.360
<v Speaker 1>brought that interest back, you know, And I think it's just, um,

1:04:02.400 --> 1:04:04.240
<v Speaker 1>it's great to see, especially with where we are now

1:04:04.240 --> 1:04:07.240
<v Speaker 1>with social media and dancing and music and everything is

1:04:07.280 --> 1:04:10.640
<v Speaker 1>so fast and like to see kind of dance and

1:04:10.680 --> 1:04:13.240
<v Speaker 1>all that side of the arts kind of get a

1:04:13.240 --> 1:04:15.360
<v Speaker 1>second or a third or fourth life, if you will.

1:04:15.400 --> 1:04:18.040
<v Speaker 1>People are interesting in again, and you know, it's great

1:04:18.040 --> 1:04:20.960
<v Speaker 1>activity to learn how to move with your partner and

1:04:21.160 --> 1:04:23.800
<v Speaker 1>have a little night of something new and different. So

1:04:24.360 --> 1:04:27.320
<v Speaker 1>I think people find that it's fascinating to see two

1:04:27.360 --> 1:04:30.080
<v Speaker 1>people come together and you know, dance of who never

1:04:30.120 --> 1:04:33.200
<v Speaker 1>have so you know, it's fun. It's an oh my gosh,

1:04:33.440 --> 1:04:38.160
<v Speaker 1>dancing stars amazing. But the fact that Gilmore girls knew

1:04:38.640 --> 1:04:41.480
<v Speaker 1>in two thousand three, not only did they, I mean

1:04:41.520 --> 1:04:44.240
<v Speaker 1>they could have just acknowledged, Oh, let's watch the room dancing,

1:04:44.400 --> 1:04:48.200
<v Speaker 1>but that they call out your dad, who I mentioned

1:04:48.200 --> 1:04:52.400
<v Speaker 1>earlier did do Dancing with the Stars. Yeah, the fact

1:04:52.440 --> 1:04:56.040
<v Speaker 1>that these writers knew like this is the guy that

1:04:56.080 --> 1:05:00.439
<v Speaker 1>we're gonna mention, Well, you know, I wish I wish

1:05:00.480 --> 1:05:02.240
<v Speaker 1>we had had this call you six, my mom was

1:05:02.280 --> 1:05:07.560
<v Speaker 1>in town because you know, she's like back in the day,

1:05:07.640 --> 1:05:10.360
<v Speaker 1>like you know, eighties and nineties they were you know,

1:05:10.760 --> 1:05:13.960
<v Speaker 1>they were it. They were the world champion training Like

1:05:13.960 --> 1:05:17.480
<v Speaker 1>like my mom is still considered, you know that one

1:05:17.520 --> 1:05:21.280
<v Speaker 1>of the top coaches for this sport in the world.

1:05:21.320 --> 1:05:23.600
<v Speaker 1>Like she's elite of the elite. And now she judges.

1:05:24.360 --> 1:05:29.520
<v Speaker 1>She's lend now in England. She British version, which is

1:05:29.560 --> 1:05:32.439
<v Speaker 1>the original, you know, so it started in England, Like

1:05:33.520 --> 1:05:36.240
<v Speaker 1>I don't know when do we start to two thousand five,

1:05:36.280 --> 1:05:38.720
<v Speaker 1>so maybe a few years before that. And now so

1:05:38.840 --> 1:05:41.560
<v Speaker 1>she's head judge in the UK and they called her

1:05:41.840 --> 1:05:53.000
<v Speaker 1>the Queen of Latin. That's amazing, hilarious. Well, thank you

1:05:53.040 --> 1:05:58.720
<v Speaker 1>for jumping on. So so thanks for having me. Wait, Mark,

1:05:58.720 --> 1:06:01.600
<v Speaker 1>tell us what's going on with at Alexander Geene before

1:06:01.600 --> 1:06:04.000
<v Speaker 1>you jump out. So we you know, we've been um,

1:06:04.040 --> 1:06:06.600
<v Speaker 1>I think at the end of was it last year,

1:06:06.640 --> 1:06:08.200
<v Speaker 1>we we kind of decided to take like a bit

1:06:08.200 --> 1:06:10.520
<v Speaker 1>of a social media break and kind of be human,

1:06:10.640 --> 1:06:15.760
<v Speaker 1>and we built this new space we can record at home.

1:06:16.120 --> 1:06:17.760
<v Speaker 1>We spent the last couple of years learning all the

1:06:17.800 --> 1:06:19.960
<v Speaker 1>engineering side of things, so now we just can do

1:06:20.000 --> 1:06:23.120
<v Speaker 1>everything ourselves, which is great. So we we had the

1:06:23.160 --> 1:06:25.360
<v Speaker 1>next few months all lined up. We've got a single

1:06:25.440 --> 1:06:27.960
<v Speaker 1>dropping September twenty three, just called the Way You Move.

1:06:28.120 --> 1:06:30.480
<v Speaker 1>It's fast, it's fun, it's a sexy song, kind of

1:06:30.560 --> 1:06:33.120
<v Speaker 1>you know, got good vibes. So we're gonna try and

1:06:33.200 --> 1:06:35.160
<v Speaker 1>drop one every six weeks. I was like, okay, you know,

1:06:35.200 --> 1:06:39.040
<v Speaker 1>we're gonna organize our this is the only we're reorganizing

1:06:39.040 --> 1:06:48.000
<v Speaker 1>our house all up, Like sure, why not? So yeah,

1:06:48.000 --> 1:06:50.800
<v Speaker 1>we're gonna be dropping new music every four to six

1:06:50.840 --> 1:06:53.720
<v Speaker 1>weeks and you know, hopefully leading up to an album

1:06:53.760 --> 1:06:55.479
<v Speaker 1>and get out and play some more shows at some point.

1:06:55.880 --> 1:07:01.800
<v Speaker 1>We love nice and when this this this tonight is

1:07:01.840 --> 1:07:04.360
<v Speaker 1>the night so Dancing with the Stars premieres. Am I

1:07:04.360 --> 1:07:06.840
<v Speaker 1>getting that right? Yeah? No Monday, Monday? Right? But when

1:07:06.880 --> 1:07:09.080
<v Speaker 1>this air is this air is on Monday? Oh there

1:07:09.120 --> 1:07:11.880
<v Speaker 1>you go, So tonight night is the Night. Tonight is

1:07:11.880 --> 1:07:14.840
<v Speaker 1>the Night and it's on Disney Plus, so get your

1:07:14.880 --> 1:07:18.360
<v Speaker 1>Disney Plus get this. Good luck, thank you, It's going

1:07:18.400 --> 1:07:20.360
<v Speaker 1>to be cool. It's like we're making history. I guess

1:07:20.440 --> 1:07:25.840
<v Speaker 1>moving to streaming. So that's knows about that. Gilmore Girls

1:07:25.880 --> 1:07:30.120
<v Speaker 1>did did the same thing. Yeah, it'll go violent, it'll

1:07:30.160 --> 1:07:33.160
<v Speaker 1>go even more viral. Well, good luck and and listen.

1:07:33.160 --> 1:07:35.600
<v Speaker 1>Thanks for your time, thanks for coming on. Great meeting

1:07:35.600 --> 1:07:37.720
<v Speaker 1>you and you two, Scott, Thank you for having me.

1:07:37.720 --> 1:07:45.680
<v Speaker 1>Appreciate you. Yeah, we'll be streaming Monday night for sure.

1:07:45.800 --> 1:07:47.600
<v Speaker 1>I have it. I think I think I'll have a

1:07:47.680 --> 1:07:51.320
<v Speaker 1>day off. It would be nice. Good luck with them,

1:07:51.360 --> 1:07:56.360
<v Speaker 1>good luck, thanks for coming on. Really appreciate talking to

1:07:56.520 --> 1:08:02.440
<v Speaker 1>all season long. Bye bye. Oh we gotta end on that.

1:08:02.520 --> 1:08:07.160
<v Speaker 1>What a do? That was cool? Huh? All right? Everybody?

1:08:08.000 --> 1:08:10.760
<v Speaker 1>What that was? We should do that more often that

1:08:11.680 --> 1:08:14.640
<v Speaker 1>people listen to the end because isn't that fun? Isn't

1:08:14.640 --> 1:08:20.240
<v Speaker 1>that fun? Well? Next week full circle moment because the

1:08:20.360 --> 1:08:24.559
<v Speaker 1>Looralize go to Yale? Is that the exact title? What's

1:08:24.560 --> 1:08:31.200
<v Speaker 1>the exact title? The luralize first day at Yale? Yeah? Anyway,

1:08:31.280 --> 1:08:35.600
<v Speaker 1>thank you to Mark Ballace for coming on. Do a

1:08:35.600 --> 1:08:39.160
<v Speaker 1>little cameo for us. That was fun. Uh and that's

1:08:39.160 --> 1:08:42.639
<v Speaker 1>gonna do it for this episode. Thank you, ladies, and everybody,

1:08:42.720 --> 1:08:45.040
<v Speaker 1>stay safe, keep the cards and letters come and love

1:08:45.080 --> 1:09:17.280
<v Speaker 1>you all of us. M Hey, everybody, and don't forget

1:09:17.360 --> 1:09:21.440
<v Speaker 1>Follow us on Instagram at I Am All In podcast

1:09:21.520 --> 1:09:26.440
<v Speaker 1>and email us at Gilmore at I heart radio dot com.

1:09:26.439 --> 1:09:28.040
<v Speaker 1>Oh you gil More fans. If you're looking for the

1:09:28.040 --> 1:09:30.200
<v Speaker 1>best cup of coffee in the world, go to my

1:09:30.560 --> 1:09:33.720
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1:09:33.840 --> 1:09:36.280
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1:09:36.320 --> 1:09:46.679
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