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Speaker 1: I am all in. That's you. I am all in

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Speaker 1: with Scott Patterson and I Heart Radio podcast. Hey everybody,

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Speaker 1: Scott Patterson, I am all in podcast. It's very very

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Speaker 1: early in the morning in southern California. But my intrepid crew,

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Speaker 1: Danielle Romo from the Berkeley Hotel, Amy Sugarman, Tara Suit

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Speaker 1: they have all decided to join me once again. I

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Speaker 1: am so appreciative. Good morning, ladies, Good morning. It's a

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Speaker 1: big day. It's a big day. Why is it a

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Speaker 1: big day. Oh, because it's a it's a season prem

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Speaker 1: isn't it. It did not. It did not, It did not,

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Speaker 1: it was It was in a laugh right. It was hysterical.

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Speaker 1: Actually it felt like though I will say, let's let's

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Speaker 1: pretend to that normal episode. I know you guys know

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Speaker 1: this how many pages or whatever? How many words pages

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Speaker 1: per script? This felt and sixty pages. That's more pages

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Speaker 1: than a normal hour show. And this felt like double that.

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Speaker 1: This felt like it had So I was like, yeah,

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Speaker 1: I have one random question. So like, luckily for us,

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Speaker 1: we don't have to wait months for the next season,

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Speaker 1: you know, to watch the next episode. What is that

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Speaker 1: on the acting end? Like do you go right into

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Speaker 1: another season or take time off, we take the summer off.

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Speaker 1: It's like high school. Yeah, oh that's so cute. Yeah,

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Speaker 1: so we did. We did freshman, sophomore, junior, senior, and

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Speaker 1: then we got our graduate degrees. Then we got a masters,

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Speaker 1: and then we did a PhD. I've always wondered that, like,

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Speaker 1: do actors just go right into the next series season? Okay, no, No,

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Speaker 1: you need a month to recover after shooting for nine months,

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Speaker 1: and the girls probably needed two months or three months

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Speaker 1: to recover. So yeah, people not go and do other

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Speaker 1: things normally because it was so much work. Like you

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Speaker 1: know how some people, some actors do a move in summer.

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Speaker 1: If you can get the work, yeah, you do it.

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Speaker 1: I mean you gotta you know, you gotta strike while

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Speaker 1: the iron's hot. Right, If you're on the air and

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Speaker 1: somebody wants to work with you on your hiatus, yeah

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Speaker 1: you go run and do it. Sure, Yeah, you suck

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Speaker 1: it up and do it. You know, because after the

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Speaker 1: show's off and the heat's off, you know, those offers

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Speaker 1: dry up, so right right right, they certainly do. Anyway, Um,

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Speaker 1: I was gonna bring up so but we'll move on. Yeah,

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Speaker 1: let's let's move on. Let's move on, all right, Danielle,

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Speaker 1: I guess you'll take us away. He's taking us away. Yeah,

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Speaker 1: I'll take you away. You're gonna synopsis size for us

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Speaker 1: in the morning. I got some coffee and I'm ready

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Speaker 1: for the synopsis. Okay. Season four, Episode one, Ballrooms in

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Speaker 1: Biscotti Air date September three, lor L and Rory turned

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Speaker 1: from their backpacking trip with loads of gifts for everyone

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Speaker 1: except for Kirk and Luke. Speaking of Luke, he drops

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Speaker 1: a bombshell of what really happened on the cruise with Nicole.

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Speaker 1: Rory is leaving for Yale sooner than she anticipated, and

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Speaker 1: Taylor gives her a hard time about leaving the town behind.

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Speaker 1: This is the great thing about this episode. They put

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Speaker 1: a clock on it. And I love that when they

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Speaker 1: put a clock on it, right, because what that means, well,

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Speaker 1: you know when they put a time time signature on it.

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Speaker 1: You know, you put a clock on something in a movie,

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Speaker 1: like you know, like Speed It had a clock a day. Yeah,

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Speaker 1: is that bus is going to blow up if it

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Speaker 1: goes under fifty miles or whatever? You know, if if

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Speaker 1: if it's like you know, and the audience anticipating, oh god,

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Speaker 1: you know, she had to go to school, they had

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Speaker 1: to get yea. So once that clock kicked in, it

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Speaker 1: was like, we're after the races here, and they have

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Speaker 1: so many things to get done in two days are

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Speaker 1: actually one day day and a half, you know, after

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Speaker 1: they found out, oh, she read that, she read it wrong.

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Speaker 1: She read the uh, the orientation let her wrong. The

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Speaker 1: dates got wrong. Oh no, we don't have a week.

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Speaker 1: We don't have a week. We don't have nine days.

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Speaker 1: I'm going Saturday. And I wonder if that's why I

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Speaker 1: felt like there was double the script, because maybe it

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Speaker 1: wasn't that. Maybe I just felt the like of that's

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Speaker 1: right exactly, Daniel. That's the urgency that was brought to

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Speaker 1: bear on the episode because they put a clock on it,

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Speaker 1: and it's a really clever device, really really clever. So

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Speaker 1: I don't know how you guys felt. I think I

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Speaker 1: know how Amy feels. I love this episode. I laughed, Uh,

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Speaker 1: I just laughed out loud, heartily, yes and um many

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Speaker 1: many times throughout the script. What did you guys think?

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Speaker 1: I agree? I mean, for one episode, we did not

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Speaker 1: have a mention of Jess or Dean, so it was

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Speaker 1: really much like very much Gilmore Girls you know, between Loria,

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Speaker 1: Lie Rory and Emily, I mean a they're in there too,

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Speaker 1: because between the three of them was like, this is

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Speaker 1: gilmore girls, like I just loved I love that about

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Speaker 1: this episode. Did you notice both are not in the credits,

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Speaker 1: So the opening credits, no Jess, no Milo, and no

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Speaker 1: Jared Pada Lucky in the credits anymore. I believe this

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Speaker 1: is the first time we've seen Liza in the credits.

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Speaker 1: I could be wrong, and you are third? You move

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Speaker 1: who did? Um? Your name's you did? I? Yeah, so

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Speaker 1: when you know when the opening credits, so first obviously

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Speaker 1: Lauren and then Alexis, and then you've moved up and

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Speaker 1: you are the third one that comes on. I didn't

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Speaker 1: realize that. And Lauren has sort of the same images

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Speaker 1: in the opening credits, but they put a new you know,

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Speaker 1: video montage of Alexis, and then I think, obviously, I

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Speaker 1: think you had new Oh it's the one where I'm

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Speaker 1: outside the diner. I'm no longer inside the dinner on

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Speaker 1: the pilot serving or the coffee. I have to watch

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Speaker 1: it closer for the next episode, but I know you

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Speaker 1: moved up, and I think Liza was added. I think

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Speaker 1: Eliza I think Liza was in season three. I think

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Speaker 1: she was listed as she was because I want to

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Speaker 1: say it was in her school uniform. Okay, okay, so

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Speaker 1: like that intro, No Milo, no, Jared's moved up. I

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Speaker 1: didn't think they did that until episode seven. I mean,

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Speaker 1: I'm season seven for for wow, I got her baby, uh,

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Speaker 1: most pooring weird as van driver on the planet. Like

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Speaker 1: he didn't even say goodby, didn't even stop. You mentioned

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Speaker 1: it because I thought, whoa, that's a van driver. Looks

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Speaker 1: frozen like he never I mean, if you're a van driver,

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Speaker 1: wouldn't you say, like have a nice night or I

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Speaker 1: don't know, and he just well like that. They didn't

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Speaker 1: want to give him. They didn't want to give him

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Speaker 1: a line because they might have to pay. Yeah, and

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Speaker 1: then we come in hot with that. Bet my gosh,

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Speaker 1: what a what a welcome relief that was to finally

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Speaker 1: have Sally Struthers right. Yeah, and a great scene, great scene,

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Speaker 1: morey was funny. That was That was a very funny scene,

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Speaker 1: great old everything was great about it. Yeah, they came

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Speaker 1: in just hot, like you know, it's a season for

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Speaker 1: me because you're like everything's happening right away. I just

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Speaker 1: can't imagine someone like when I get home from a trip,

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Speaker 1: someone just like walking into my house. Get away. They

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Speaker 1: were They're like, oh, like Rory's like, oh tired, Like

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Speaker 1: she knows she wants to go to bed. That was

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Speaker 1: a nice way of saying, like, get out of the house.

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Speaker 1: But they you. It's important to note that they told

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Speaker 1: her they were going to be home on a certain day.

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Speaker 1: They weren't. She panicked. She's like a very mother a

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Speaker 1: leaf figured. Yeah, there was no cell phones to text

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Speaker 1: and be like hey we're running a day late, right,

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Speaker 1: They couldn't, but they didn't. I guess they would, you

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Speaker 1: could know, but like it was like that what was it?

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Speaker 1: The anine texting? Yeah, they wouldn't spend the money to

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Speaker 1: call from Europe. The BlackBerry the only the thing I noticed.

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Speaker 1: Did any of you notice this something in Rory's bedroom?

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Speaker 1: M hmm. I think she keeps one of her hats

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Speaker 1: on a lamp, and I feel that that was a

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Speaker 1: fire hazard. That is a fire hazard. But I was like,

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Speaker 1: I've already been through a fire, right, we don't need

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Speaker 1: another one. Do you guys unpack right away or wait

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Speaker 1: a week? Like lor Lee check right away? I unpacked too,

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Speaker 1: as soon as I can. Yeah, I walk in the

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Speaker 1: I walk in suitcases, open clothes are going in the laundry.

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Speaker 1: How long do you keep your like, how long for

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Speaker 1: you to unpack? Scut? Um? I mean, you know, when

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Speaker 1: we come back from a ski trip, I mean that

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Speaker 1: stuff is still packed for the last Christmas. Kidding, but

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Speaker 1: you know why. But but there's always there's always a

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Speaker 1: washer dryer in the unit. So I wash everything before

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Speaker 1: we packed, before we leave, and then I just keep

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Speaker 1: it in the suitcase. But the dirt, Yeah, the dirty

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Speaker 1: stuff I take out, but that's in a separate bag.

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Speaker 1: I'm very organized about it that the the the dirty

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Speaker 1: stuff does not touch the clean stuff. So that's a

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Speaker 1: good move. Um, all right, I mean, let's just dig

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Speaker 1: into it. I just overall, here's an overall. Uh, there's

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Speaker 1: a general observation. Um. And this isn't like a this

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Speaker 1: isn't new to me. It just didn't dawn on me.

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Speaker 1: But it really drives home how fun it is to

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Speaker 1: watch these two girls together. And it's the show, it's

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Speaker 1: and and you know, I kept saying to myself, I

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Speaker 1: could watch this all day, and then I realized people

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Speaker 1: do watch this all day and it's because these two

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Speaker 1: are so delightful together. And it's just it's just the

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Speaker 1: yin and the yang of these two, because you know,

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Speaker 1: Laurela is so you know, she's she's a bit loud, right,

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Speaker 1: She's she's very present and energetic and full of you know,

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Speaker 1: good vibes and you know, vibrating fun and funny and

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Speaker 1: all this stuff. And and and and Alexa and and

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Speaker 1: Rory is just kind of hanging in there and and commenting,

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Speaker 1: and she's she's so much softer than her mother. And

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Speaker 1: it's just a wonderful combination to watch. It's really funny.

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Speaker 1: Uh And I thought Alexis was great in this episode.

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Speaker 1: Just ye, well, at first I couldn't figure out what

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Speaker 1: they're doing in this sort of opening scene after the credits,

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Speaker 1: and then then at Donamy, Oh my gosh, they're laying

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Speaker 1: out all the gifts. Yeah, but I do say flag

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Speaker 1: on the play, there is no way they would bring

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Speaker 1: all those gifts, including a gift for backpack and well

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Speaker 1: and forget Kirk. Now Luke they might have struggled with,

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Speaker 1: but they would never forget. I don't buy it, and

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Speaker 1: I don't think they would have forgot Kirk. I don't

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Speaker 1: think they would have forgot Luke. I was like, how

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Speaker 1: do you forget Luke? Like bring back some coffee beans

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Speaker 1: or something, because I think I think Laurel I was

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Speaker 1: trying to put Luke out of her mind because she

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Speaker 1: was so anxiety written about the potential of what could

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Speaker 1: happen and what eventually did happen exactly on the cruise,

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Speaker 1: I can't wait to get to that scene going order,

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Speaker 1: but I cannot wait to talk about there's so much

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Speaker 1: to talk about. So they've got their big backpacks on

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Speaker 1: their walking through the town and then we immediately see

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Speaker 1: Luke versus Taylor. Nothing has changed. They're back and it's

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Speaker 1: all the same. And this is our first time we

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Speaker 1: see the window between the two. You know what, I

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Speaker 1: kept thinking, why was he Why was Luke so irate?

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Speaker 1: It's free advertising, like anybody that comes in there. I

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Speaker 1: can look into the diner goal let's go get a

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Speaker 1: pie or let's get a coffee, and you know, kind

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Speaker 1: of vice versa. But still that's good for that's good

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Speaker 1: for Luke's business. Well, first of all, it is your building, though,

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Speaker 1: and so it seems a little obnoxious they made physical

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Speaker 1: changes to your building without checking with you, no doubt.

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Speaker 1: But I mean he had to see the obvious boon

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Speaker 1: to his business, right, not that he's lacking for customers,

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Speaker 1: but anybody that's in the tailor all day or anyone

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Speaker 1: in the shoppy I was thinking that that Luke just

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Speaker 1: needs to curtain. Yea, just a curtain can open it.

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Speaker 1: But parted exactly about the candy throwing. I mean it

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Speaker 1: was just sort of like that whole thing was just

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Speaker 1: a big old mess. But I thought it was hilarious.

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Speaker 1: They got out the biscotti two walking. Yeah, I'm not.

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Speaker 1: I can't comment on this. You guys comment on that rant.

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Speaker 1: That was a classic Luke what it? I love the

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Speaker 1: putting his hands through all the candy over the top.

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Speaker 1: But great, Right then we see Suki. Okay, so we

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Speaker 1: see Suki and she's more pregnant, and oh, I know,

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Speaker 1: what did you think of? Like Suki knows at the

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Speaker 1: boy and Jackson doesn't want to know. Did you find out?

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Speaker 1: Did you know? Yeah? Did I know in real life?

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Speaker 1: I r L. Did you find out if you were having?

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Speaker 1: Oh god, yeah, we knew well ahead. So does anyone

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Speaker 1: think Jackson's making the right call? You know, there are

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Speaker 1: some people that do that, and like, good for them,

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Speaker 1: but my anxiety cannot handle that. I'm too much of

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Speaker 1: a planner. Yeah, no, we yeah, we. I mean I

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Speaker 1: made the bedroom and and you know, had all the

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Speaker 1: little I think it's little sports equipment ready for him

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Speaker 1: and you know, all that stuff. I just love that

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Speaker 1: Suky had it all in the shed like goes gathering

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Speaker 1: gathering dust. I thought about that. It was a cute concept,

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Speaker 1: just like yeah, and I think it's sort of cute

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Speaker 1: that Jackson doesn't want to know and that Rory linked

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Speaker 1: up with him. Huh. I wonder if there's some kind

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Speaker 1: of correlation there between you know, when when when Laura

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Speaker 1: Lie and Rory went to Stars Hollow they I mean

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Speaker 1: she was raised in the shed at the Independence Inn, right,

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Speaker 1: that's funny little and then and then and then we

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Speaker 1: got another shed full of baby stuff. So and this

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Speaker 1: is where we learn that something's up, something's up with Luke.

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Speaker 1: What at that moment did you all think that he

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Speaker 1: was broken up, that it wasn't bad and he was

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Speaker 1: embarrassed by it, or you dumped him on the cruise

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Speaker 1: and you know, went off with Captain Stooping or something. Daniel,

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Speaker 1: what do you think yeah. In the in the beginning,

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Speaker 1: I was like, Okay, something obviously happened on the cruise.

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Speaker 1: What happened? Um, but I thought something embarrassing happened, like

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Speaker 1: whether like I didn't you know, I didn't really know

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Speaker 1: the extent of what we find out at the end

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Speaker 1: of the episode. But but yeah, in the beginning, I

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Speaker 1: was like, hmm, what happened on that cruise? But I

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Speaker 1: couldn't decide or like, at that point, I couldn't figure

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Speaker 1: out if you know, they were together or something weird happened.

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Speaker 1: I didn't go that far. I couldn't get I thought

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Speaker 1: it was I thought it was gonna be an opportunity

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Speaker 1: for him to start, you know, being a little signed

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Speaker 1: FELDI like, she's perfect in every way. But you know, okay, okay,

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Speaker 1: you know they didn't go there, right, she stores right,

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Speaker 1: all right, you were going to say something where she me, yeah,

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Speaker 1: this is a little little off topic, but not really.

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Speaker 1: Wasn't Melissa McCarthy actually pregnant during the show. Oh that's

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Speaker 1: such an important note because I just don't know, because

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Speaker 1: I don't know what, like which season, But like, I

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Speaker 1: know I heard it somewhere that she was pregnant. I

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Speaker 1: just I was wondering, we'll check that. We'll check that,

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Speaker 1: because it didn't look fake. She looked, I mean she looked.

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Speaker 1: It was a good fake. If it was fake, they

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Speaker 1: made her look pregnant. I just felt like I read

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Speaker 1: that suwhere. But anyway, so I think it's um interesting

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Speaker 1: that they that the writers made sure that Suki mentioned

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Speaker 1: something's up with Luke. And I don't know if that

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Speaker 1: was done because we know it immediately when you two

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Speaker 1: see each other. But so I thought it was an

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Speaker 1: interesting device, like they're giving us this sort of well

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Speaker 1: here comes to narrative. Yeah, the season four or this

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Speaker 1: is going to be a major theme in season four.

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Speaker 1: Here we are? I mean, has Luke ever been set

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Speaker 1: up like this before in an episode? Not really that

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Speaker 1: I can think of. Yeah, now now is the time

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Speaker 1: of Luke. Yeah, so it was it was very um yeah,

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Speaker 1: here we go. Then did you find out Daniel? Yeah, no,

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Speaker 1: she wasn't so her first I didn't think. Yeah, her

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Speaker 1: first kid was two thousand seven, and this is we're

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Speaker 1: still unless she had were your pregnancy, which God bless her.

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Speaker 1: But now so then we head to the diner, bon jour, Luke,

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Speaker 1: and off we go. So what did you think? What

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Speaker 1: did you guys think of that scene where we finally

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Speaker 1: get to see Luke and Lorala together again. Well, it's

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Speaker 1: certainly um piques your interest in wanting to know what

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Speaker 1: the heck went on because he ran away from it

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Speaker 1: so many times. But it was a scene. It was

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Speaker 1: a funny scene. Yeah, so okay, So what do you

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Speaker 1: do you think Luke would have told her right away?

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Speaker 1: Or do you think he would have sort of gotta go,

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Speaker 1: I got what's your you know, like, did that feel authentic?

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Speaker 1: I do? No, I don't think he would have done

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Speaker 1: it right there at the count. Yeah. Not not in

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Speaker 1: the diner. No, no, no, no, no no no. He's

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Speaker 1: not like that. He's not all gushy and he needs

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Speaker 1: to talk. And you know, it's like when the time

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Speaker 1: is right, when he's prodded. You know, he's that guy,

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Speaker 1: that's stubborn guy. You gotta really get it out of him,

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Speaker 1: got to drag it out of him, and she did. Yeah.

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Speaker 1: I wondered if he never wanted to tell her. I mean,

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Speaker 1: obviously probably had to tell her. Let's let's wait till

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Speaker 1: we get to that. I don't want to because I

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Speaker 1: have so much to talk about with that. So we

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Speaker 1: also learned the tailor's losing his mind with the ice

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Speaker 1: cream Queen. I thought, do you think he really would

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Speaker 1: have been that irritated? Hated he? That was the funniest

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Speaker 1: storyline all She's going to college. It will be so easy.

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Speaker 1: You just have a stage floor length dress. Oh that

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Speaker 1: was the ice cream Queen. Oh my god. They they

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Speaker 1: milk that so beautifully throughout that episode. It was hysterical.

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Speaker 1: That's how great Michael Winters is. And he said, you've

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Speaker 1: been trapesing all over year. I do think the significance

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Speaker 1: has to do with that. They're reminding us audience that

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Speaker 1: she's leaving the town and this is a big deal

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Speaker 1: to the town. Yet to be ice cream queen, that

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Speaker 1: sounds like a fun job. You get like unlimited ice

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Speaker 1: I want that job. What did you think about the

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Speaker 1: fact that Roy was really bothered by it? I think

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Speaker 1: she's also just stress, you know. I think that had

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Speaker 1: to do with it. She's overwhelmed. Then this is all

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Speaker 1: before she realizes, right, but he did. But he did

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Speaker 1: use her photograph without her authorization, and that's kind of

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Speaker 1: a violations Today, Damiel loves desist a big today if

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Speaker 1: you're really going to be named the queen. Nobody's gonna

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Speaker 1: go to you ahead of time and go like, do

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Speaker 1: you want to be the queen? Like, wouldn't that be

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Speaker 1: a surprise? No, you gotta ask somebody. You just slapped

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Speaker 1: her face right up there on a poster, big poster,

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Speaker 1: and they were stapling it all over town. And if

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Speaker 1: she has a commitment, yeah, and if she has to

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Speaker 1: have appearances and commitments and stuff like, I just got

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Speaker 1: to sign up for that. It's a big that's a

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Speaker 1: big responsibility being ice cream queen, Amy. I don't think

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Speaker 1: you realize the level of commitment that takes. So here's

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Speaker 1: what I love about Gilmore Girl. It's hilarious. Bit let's

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Speaker 1: call it like this sort of nonsense about the ice

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Speaker 1: cream Queen, and Taylor's all then a dither and Rory's like,

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Speaker 1: I don't have time, and then she's like, damn, I

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Speaker 1: letting the town down to me. It's so it is

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Speaker 1: a major thing because at its core it becomes about

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Speaker 1: her relationship with the town and the importance of the town,

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Speaker 1: and even the kids when they walk by, they're like

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Speaker 1: editor on a shamed spiral some and she was what

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Speaker 1: I want to, So I think, like, that's the brilliance,

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Speaker 1: is that you have this quirky craziness right like ice

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Speaker 1: Cream queen, but it's about so much more. That was

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Speaker 1: the way to work into this episode. This is hard

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Speaker 1: on the town, and this is hard on her. Mm

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Speaker 1: hmm yeah um. But the I mean, that's a that's

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Speaker 1: a common theme in all small towns, like somebody goes

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Speaker 1: off and makes it big and then forgets about that

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Speaker 1: that oh you're too big for us. Now you know

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Speaker 1: we used to call it when I played baseball, is

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Speaker 1: the minor leaguers would look over the fence at the

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Speaker 1: big leaguers, and the big leaguers wouldn't talk to us.

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Speaker 1: They diss us, and it's called getting big league, Like,

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Speaker 1: don't great analogy, don't big league us man? You know

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Speaker 1: you were You were minor leaguers once too, so stop it.

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Speaker 1: So every it's like, don't forget where you came from.

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Speaker 1: So it's it's a major theme in everybody's lives because

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Speaker 1: everybody's been treating everybody's been treated like that by someone comparison. Okay,

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Speaker 1: so now we find out that we screwed up the

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Speaker 1: calendar to the races, So this is that moment that

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Speaker 1: where you're like, we're off right, the clock starts. As

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Speaker 1: someone who is so organized, this stressed me out. I

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Speaker 1: put everything in a calendar. So if that was me,

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Speaker 1: I'd be so stressed. Well, she did put in her calendar,

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00:22:56,000 --> 00:23:04,520
Speaker 1: but wrong. Yeah, especially like for such a big thing

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Speaker 1: going into college. You got the date wrong? Like that

378
00:23:09,200 --> 00:23:13,920
Speaker 1: is so stressful. Yeah, try to find the mattress. Yeah,

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Speaker 1: there's so much prep that goes into your first you know,

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Speaker 1: first time at college. You gotta get your mattress, bedsheets. Um,

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Speaker 1: no one needs a mattress. But but I'm so happy

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00:23:26,920 --> 00:23:32,119
Speaker 1: they did because I also was very nervous about the germs. Yeah,

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00:23:32,760 --> 00:23:35,680
Speaker 1: I think you do, don't you? Or know? I definitely

384
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Speaker 1: rolled in with there was a mattress already there that

385
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Speaker 1: I just did for sure. I slept on a weird

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Speaker 1: old mattress. Yeah, brief pause. The iconic silhouette shirt, Oh yeah,

387
00:23:50,680 --> 00:23:53,760
Speaker 1: that's a that was a big that was significant because

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Speaker 1: that was just a very cool loreal lines wearing that

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Speaker 1: shirt with the little girl and the little boy in

390
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Speaker 1: their silhouettes. And then actually Rory had a very cute

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Speaker 1: pink blouse too. Isn't this fashion stuff going to be

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Speaker 1: done in a separate segment, so I can go to

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Speaker 1: the bathroom and you guys can discuss this. Okay, then

394
00:24:12,480 --> 00:24:15,440
Speaker 1: let's talk about the beauty supply. Here we see Kirk.

395
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Speaker 1: I just love that he works there. Again, he had

396
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Speaker 1: he had good knowledge because I'm now I'm experiencing a

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Speaker 1: little bit of a breakout because I am using a

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00:24:23,600 --> 00:24:29,280
Speaker 1: cream that's a little too heavy for me. Because that's true,

399
00:24:29,880 --> 00:24:33,199
Speaker 1: and his knowledge was like spot on. I was like, yeah, man,

400
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Speaker 1: where were you a week ago when I, you know,

401
00:24:35,400 --> 00:24:38,880
Speaker 1: asked for cream from the makeup department. Oh my god,

402
00:24:40,160 --> 00:24:44,840
Speaker 1: he's getting ready to skydive. Oh my god, twenty dollars

403
00:24:44,920 --> 00:24:47,560
Speaker 1: to jump out a plane. No, thank you? Like ask

404
00:24:47,600 --> 00:24:50,240
Speaker 1: for more, Kirk. Ye, I'm not even gonna let you.

405
00:24:50,520 --> 00:24:54,440
Speaker 1: Totally would have had to do a tandem yeah, oh yeah, yeah,

406
00:24:54,560 --> 00:24:57,920
Speaker 1: solo beginner and assault. Yeah, come on, and he's gonna

407
00:24:58,040 --> 00:25:02,440
Speaker 1: land right in stars hollow. God. So we move quickly,

408
00:25:02,560 --> 00:25:05,680
Speaker 1: like things move quickly, and suddenly they decide they're gonna

409
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Speaker 1: divide and conquer at Friday night dinner and Rory you know, Okay, First,

410
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Speaker 1: we do have the scene where war gets on the

411
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Speaker 1: mic though to address the Queen issue, The ice Cream

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Speaker 1: Queen is very funny. Just even when she's angry, she's

413
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Speaker 1: you know, I don't want to sound I don't want

414
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Speaker 1: to sound the way I'm about to sound. But even

415
00:25:26,119 --> 00:25:29,479
Speaker 1: when she's angry, she's cute. You know. Yeah, it's like

416
00:25:30,080 --> 00:25:33,119
Speaker 1: it's so gentle and it's so funny because she never

417
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Speaker 1: it never tips over into this sort of it never

418
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Speaker 1: tips over into rage or you know, it's it's it's

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Speaker 1: it's just it's really pleasant to watch. She's really easy

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Speaker 1: to watch. She's easy to spend time with, you know, totally.

421
00:25:46,520 --> 00:25:48,920
Speaker 1: It really really is. Because she won the town back

422
00:25:48,960 --> 00:25:52,200
Speaker 1: a little bit on slow clap, but she did. She did.

423
00:25:53,000 --> 00:25:55,880
Speaker 1: So let's talk about Friday night dinner because now we're

424
00:25:55,880 --> 00:26:01,639
Speaker 1: into the two most important parts of this episode. What

425
00:26:01,720 --> 00:26:04,520
Speaker 1: did you think you can tell Emily's looking for lower

426
00:26:04,600 --> 00:26:07,960
Speaker 1: Lie and when she answers the door right before she goes,

427
00:26:08,280 --> 00:26:12,560
Speaker 1: they are here, and it's like, oh no, it's not

428
00:26:12,640 --> 00:26:15,760
Speaker 1: a day. I knew we were in hot water right

429
00:26:15,800 --> 00:26:19,720
Speaker 1: then and there. But here's here's what it was so

430
00:26:20,320 --> 00:26:24,400
Speaker 1: great about this Friday night dinner because we haven't seen

431
00:26:24,480 --> 00:26:26,399
Speaker 1: one in a week or two, right, it's been a

432
00:26:26,400 --> 00:26:28,200
Speaker 1: week or two since we've had a Friday night dinner.

433
00:26:28,280 --> 00:26:30,120
Speaker 1: You mean it like on the show, right, we haven't

434
00:26:30,119 --> 00:26:33,280
Speaker 1: the show it's been they haven't had one in months,

435
00:26:33,440 --> 00:26:36,199
Speaker 1: in a couple of right and right, their characters haven't yea.

436
00:26:36,400 --> 00:26:39,840
Speaker 1: So it all started out so great with the gifts

437
00:26:39,920 --> 00:26:43,400
Speaker 1: and come on in and where you know, and then

438
00:26:44,200 --> 00:26:46,159
Speaker 1: you know when Richard comes down and it's all he

439
00:26:46,200 --> 00:26:49,000
Speaker 1: gets a gift and everybody's delightful and it's all great,

440
00:26:49,320 --> 00:26:54,440
Speaker 1: the mood is fantastic. What could go wrong? Well, everything

441
00:26:54,480 --> 00:26:57,880
Speaker 1: goes wrong. And I started accepting it. You know, if

442
00:26:57,920 --> 00:27:00,439
Speaker 1: we go through the entire spine of that. Laurea Lay

443
00:27:00,560 --> 00:27:04,560
Speaker 1: comes in and she's so tired she laughs her about off. Yeah,

444
00:27:04,640 --> 00:27:07,679
Speaker 1: let's let's focus on this whole part. Yeah, I mean,

445
00:27:07,720 --> 00:27:09,119
Speaker 1: I just want to make it. I want to make

446
00:27:09,119 --> 00:27:11,920
Speaker 1: an overall car. Let's do that because we'll get to

447
00:27:12,000 --> 00:27:15,000
Speaker 1: Luke and laure Lyte and but but but the thing

448
00:27:15,119 --> 00:27:17,960
Speaker 1: is is, you know what today I accepted it. I

449
00:27:18,000 --> 00:27:22,000
Speaker 1: finally accepted it. I said, you know what, Emily and

450
00:27:22,080 --> 00:27:25,600
Speaker 1: Laurel I that is their thing. It ain't going away.

451
00:27:26,200 --> 00:27:28,840
Speaker 1: It's always going to be this way. There's always going

452
00:27:28,880 --> 00:27:32,840
Speaker 1: to be something and thank God for it because it's funny,

453
00:27:33,560 --> 00:27:35,879
Speaker 1: and it's up to the writers to sort of, you know,

454
00:27:36,600 --> 00:27:39,439
Speaker 1: thrill and amaze us with you know, new angles on

455
00:27:39,480 --> 00:27:43,000
Speaker 1: how they're going to, uh, you know, tell this story

456
00:27:43,000 --> 00:27:45,639
Speaker 1: because it's they keep telling the same story over and

457
00:27:45,680 --> 00:27:48,840
Speaker 1: over again in different ways, which is really challenging, but

458
00:27:48,880 --> 00:27:51,000
Speaker 1: they do a great job with it. That's right. God,

459
00:27:51,000 --> 00:27:52,679
Speaker 1: that's such a great point that there this is the

460
00:27:52,760 --> 00:27:55,679
Speaker 1: same thing over and over because we know it's coming,

461
00:27:55,720 --> 00:27:58,000
Speaker 1: but we don't know how it's gonna come. And this

462
00:27:58,240 --> 00:28:01,680
Speaker 1: was really surprising and great. Yeah. Why yeah, at the end,

463
00:28:01,720 --> 00:28:04,640
Speaker 1: it's such an amazing pain. Why do you think Emily

464
00:28:05,680 --> 00:28:08,800
Speaker 1: was so bent that there was no Laura Lie because

465
00:28:08,800 --> 00:28:12,840
Speaker 1: in one aspect, she could have been just stoked to

466
00:28:12,880 --> 00:28:16,080
Speaker 1: have the time basically one on one, two on one

467
00:28:16,359 --> 00:28:19,280
Speaker 1: with Rory the night before she was leaving for college.

468
00:28:20,800 --> 00:28:22,679
Speaker 1: What why What do you make of the fact that

469
00:28:22,720 --> 00:28:26,720
Speaker 1: Emily was really I'm not happy about it because it's

470
00:28:26,760 --> 00:28:29,840
Speaker 1: still her daughter. It's still feels like a diss I

471
00:28:29,840 --> 00:28:31,480
Speaker 1: feel like she just wanted it to be back to

472
00:28:31,600 --> 00:28:34,280
Speaker 1: regular Friday night dinners because this is the first one

473
00:28:34,400 --> 00:28:38,640
Speaker 1: since the new agreement. I think we can say, um,

474
00:28:38,720 --> 00:28:40,600
Speaker 1: so there she was like, Oh, everything's back to normal,

475
00:28:40,760 --> 00:28:43,040
Speaker 1: you know, Laura Line. I think it was just but

476
00:28:43,080 --> 00:28:45,760
Speaker 1: I just I thought it was really funny that Rory

477
00:28:45,800 --> 00:28:50,600
Speaker 1: gets like Rory's held hostage because of it, Like do

478
00:28:50,680 --> 00:28:53,240
Speaker 1: you think, well, do you think Emily is doing that

479
00:28:53,480 --> 00:28:56,320
Speaker 1: in hopes that Lord like comes, Like I thought that

480
00:28:56,400 --> 00:28:58,080
Speaker 1: was it. I thought it was that she was there

481
00:28:58,080 --> 00:29:00,040
Speaker 1: for so long that Lauraa has to show up. I

482
00:29:00,080 --> 00:29:02,880
Speaker 1: think Emily knew exactly what she was doing, Like everything

483
00:29:03,000 --> 00:29:06,680
Speaker 1: was very calculated, Like even Richard called it out, Well,

484
00:29:06,720 --> 00:29:08,360
Speaker 1: why didn't you put in the soup fla when we

485
00:29:08,360 --> 00:29:11,360
Speaker 1: sat down for dinner? Those things takes hours, you know,

486
00:29:11,480 --> 00:29:14,400
Speaker 1: Like she knew exactly what she was doing. And I

487
00:29:14,440 --> 00:29:18,920
Speaker 1: do think that there's a lot of Emily that regrets

488
00:29:19,000 --> 00:29:24,640
Speaker 1: her relationship with Lorela in the beginning years of Loyalis Life,

489
00:29:25,120 --> 00:29:29,200
Speaker 1: Like there's a lot that she regrets and is not

490
00:29:29,400 --> 00:29:32,800
Speaker 1: happy about. And I feel like she's been trying to

491
00:29:32,880 --> 00:29:36,080
Speaker 1: fix it, even though she's she's very stubborn, but like

492
00:29:36,320 --> 00:29:41,640
Speaker 1: she's trying to reverse the damage that was done before.

493
00:29:41,760 --> 00:29:45,760
Speaker 1: Does that make sense? And she gets to do it sorry,

494
00:29:45,760 --> 00:29:48,880
Speaker 1: but she gets to do over with her granddaughter. Yeah,

495
00:29:48,920 --> 00:29:53,040
Speaker 1: but she misplaced love, that delayed love. She gets to

496
00:29:53,120 --> 00:29:56,480
Speaker 1: love her granddaughter. But I think she also the reason

497
00:29:56,480 --> 00:29:59,280
Speaker 1: why she cares so much about Lorla is she is

498
00:29:59,800 --> 00:30:03,240
Speaker 1: not happy with how that relationship turned out. So she's

499
00:30:03,240 --> 00:30:07,040
Speaker 1: still she's still somewhat hopeful that maybe it will kind

500
00:30:07,040 --> 00:30:09,880
Speaker 1: of you know, right, right, I think you're right. I

501
00:30:10,880 --> 00:30:14,200
Speaker 1: think you're right. I think there's a kernel of hope

502
00:30:14,680 --> 00:30:17,760
Speaker 1: that Laura comes around, and and that those two keep

503
00:30:17,800 --> 00:30:20,760
Speaker 1: disappointing each other for one reason or another, and and

504
00:30:20,960 --> 00:30:23,440
Speaker 1: everything gets lost in translation. But one point I want

505
00:30:23,440 --> 00:30:25,640
Speaker 1: to make I I don't I kind of disagree with

506
00:30:26,320 --> 00:30:29,840
Speaker 1: you Tara and you Danielle. I don't know that Emily

507
00:30:29,920 --> 00:30:34,800
Speaker 1: is so cynical and excuse my naive tech, that she

508
00:30:35,040 --> 00:30:38,920
Speaker 1: just wasn't purely delighted that she could spend some real

509
00:30:39,240 --> 00:30:44,160
Speaker 1: time with her granddaughter alone without an ulterior motive of

510
00:30:44,240 --> 00:30:46,680
Speaker 1: drawing Laura, because that would make her and that would

511
00:30:46,720 --> 00:30:50,280
Speaker 1: make her a person who uses her granddaughter to get

512
00:30:50,280 --> 00:30:53,360
Speaker 1: back at her her daughter. And I don't want to.

513
00:30:53,600 --> 00:30:59,000
Speaker 1: I don't want the mother the granddaughter grandmother relationship to

514
00:30:59,040 --> 00:31:02,400
Speaker 1: be tainted in that way. Right. I agree with you

515
00:31:02,520 --> 00:31:07,240
Speaker 1: up until when Laura came over and she was like, Mom,

516
00:31:07,240 --> 00:31:08,960
Speaker 1: this is my last night with my daughter before she

517
00:31:08,960 --> 00:31:11,760
Speaker 1: goes to college and she goes. I know, so why

518
00:31:11,840 --> 00:31:17,080
Speaker 1: aren't you here like that? I like with your sense.

519
00:31:18,400 --> 00:31:21,920
Speaker 1: I thought, oh, maybe she just wanted the LA and dinner.

520
00:31:22,320 --> 00:31:26,680
Speaker 1: But when we got to the ballroom dancing, I was like, no,

521
00:31:27,120 --> 00:31:31,600
Speaker 1: this is not They've never done that, They've never video. Danielle,

522
00:31:31,640 --> 00:31:35,520
Speaker 1: let me ask you this why And this might be

523
00:31:35,560 --> 00:31:38,400
Speaker 1: a silly question, and if it is, to just tell

524
00:31:38,400 --> 00:31:42,960
Speaker 1: me this is a silly question. But why would Emily

525
00:31:44,480 --> 00:31:48,440
Speaker 1: expect not to be included in her final night in town?

526
00:31:49,800 --> 00:31:52,520
Speaker 1: Why would Emily give that up when she has put

527
00:31:52,600 --> 00:32:00,440
Speaker 1: in so much to developing and helping Rory along this path. No,

528
00:32:00,560 --> 00:32:02,400
Speaker 1: I don't think she do, you know what I mean?

529
00:32:02,400 --> 00:32:04,719
Speaker 1: It's like, why do why do? Why do we as

530
00:32:04,760 --> 00:32:07,680
Speaker 1: an audience expect Emily to take a back seat at

531
00:32:07,720 --> 00:32:10,880
Speaker 1: this I did as an audience, though, You're right, I did.

532
00:32:11,640 --> 00:32:17,920
Speaker 1: She deserves the Friday night, I mean, just does, Like, Mom,

533
00:32:18,000 --> 00:32:21,880
Speaker 1: don't you understand you know, we're we're a separate nation,

534
00:32:22,080 --> 00:32:25,800
Speaker 1: We're not friendly. I wanted to spend time with my doubt.

535
00:32:25,800 --> 00:32:30,440
Speaker 1: Why couldn't Laurel, I share Rory with Emily on the

536
00:32:30,480 --> 00:32:37,640
Speaker 1: final night. Tell me why if Jess was still in

537
00:32:37,680 --> 00:32:43,560
Speaker 1: the picture, would Laurel not have expected that Rory would

538
00:32:43,560 --> 00:32:49,760
Speaker 1: spend her last night with him? Interesting? Interesting point. But

539
00:32:48,760 --> 00:32:53,240
Speaker 1: I but that's a hypothetical, and that's really hard to answer.

540
00:32:53,480 --> 00:32:56,320
Speaker 1: Right now. You're just, you know, you're just you're trying

541
00:32:56,360 --> 00:32:59,959
Speaker 1: to confuse this. I get I get where you're going.

542
00:33:00,240 --> 00:33:04,480
Speaker 1: I think, why, why does Emily have to get less?

543
00:33:04,840 --> 00:33:07,000
Speaker 1: I don't. I don't think she has to get less.

544
00:33:07,400 --> 00:33:10,440
Speaker 1: She she deserved her Friday night dinner. But a typical

545
00:33:10,480 --> 00:33:12,840
Speaker 1: Friday night dinner is you have your dinner and then

546
00:33:13,360 --> 00:33:17,600
Speaker 1: Rory goes back home, you know, like it's not the

547
00:33:17,760 --> 00:33:23,360
Speaker 1: ballroom dancing ten hours of videotapes. But I think Emily,

548
00:33:24,080 --> 00:33:26,760
Speaker 1: like said, there's a switch. She's like, Okay, I want

549
00:33:26,800 --> 00:33:28,640
Speaker 1: to drag this out as long as possible. Roy goes

550
00:33:29,000 --> 00:33:33,400
Speaker 1: goes to school tomorrow. But maybe if I keep extending,

551
00:33:33,480 --> 00:33:36,760
Speaker 1: extending it, Lorila is going to have no choice but

552
00:33:37,000 --> 00:33:41,680
Speaker 1: to come. Grandparents do get less. That is the role

553
00:33:41,720 --> 00:33:45,640
Speaker 1: of the grandparents. Like you guys, let's let's I have grandparents.

554
00:33:45,920 --> 00:33:50,440
Speaker 1: I did, and like my grandparents would have gotten Wednesday

555
00:33:50,560 --> 00:33:52,760
Speaker 1: before I went to college. Do you know what I'm saying,

556
00:33:52,760 --> 00:33:55,160
Speaker 1: They would have definitely gotten it. But also, let's not

557
00:33:55,240 --> 00:33:57,920
Speaker 1: forget she's coming back next Friday, Like, it's not like

558
00:33:59,280 --> 00:34:07,960
Speaker 1: you're back, she's not going abroad. The drama of her

559
00:34:08,080 --> 00:34:13,640
Speaker 1: leaving and all that. Okay, brief pause before we dig

560
00:34:13,680 --> 00:34:18,560
Speaker 1: into this more did Gilmore Girls? You guys, this is

561
00:34:18,600 --> 00:34:21,719
Speaker 1: like major, major important point. I almost want to like,

562
00:34:21,960 --> 00:34:25,239
Speaker 1: we'll be back after the break because this is so major. Well,

563
00:34:25,520 --> 00:34:27,160
Speaker 1: why don't you just say that we'll be back after

564
00:34:27,160 --> 00:34:30,719
Speaker 1: this break. We'll be back with the most major Gilmore

565
00:34:30,760 --> 00:34:34,319
Speaker 1: Girls thing that I have never noticed in all the

566
00:34:34,440 --> 00:34:39,799
Speaker 1: years until this moment. Oh, I can't wait. This is

567
00:34:39,840 --> 00:34:49,040
Speaker 1: exciting to be good. I'm about to burst. I believe

568
00:34:49,840 --> 00:34:56,520
Speaker 1: wholeheartedly now that Gilmore Girls invented Dancing with the Stars.

569
00:34:56,719 --> 00:35:01,960
Speaker 1: Oh my god, I wrote that down too literally shoote Okay,

570
00:35:02,000 --> 00:35:08,359
Speaker 1: because Mark Ballace's parents are in that is Mark Ballace's dad.

571
00:35:08,400 --> 00:35:13,200
Speaker 1: That even gets named Quirky Ballast who also did dance

572
00:35:13,200 --> 00:35:16,239
Speaker 1: on Dancing with the Stars. Okay, there's a lot to

573
00:35:16,440 --> 00:35:21,080
Speaker 1: the Yeah, somebody look up when Dancing with the Stars came.

574
00:35:22,040 --> 00:35:26,960
Speaker 1: I'm telling you, guys, some person was watching this going

575
00:35:28,160 --> 00:35:31,080
Speaker 1: there might be something to this. So Emily Kelly Bishop

576
00:35:31,120 --> 00:35:35,759
Speaker 1: in real life is a dancing so she did know

577
00:35:35,960 --> 00:35:44,240
Speaker 1: all the things she's talking about. Five l. Quirky Ballace

578
00:35:44,960 --> 00:35:49,520
Speaker 1: was fully talked about on this episode with video and

579
00:35:50,200 --> 00:35:55,280
Speaker 1: Emily talking about ballroom dancing and the whole thing. Okay, then,

580
00:35:55,760 --> 00:35:58,560
Speaker 1: so Quirky is Mark Ballace's dad who Mark is one

581
00:35:58,560 --> 00:36:01,120
Speaker 1: of the big dancers on Dance of the Star. Quirky

582
00:36:01,239 --> 00:36:04,280
Speaker 1: danced on Dancing with the Stars. That is there. Everything

583
00:36:04,360 --> 00:36:09,759
Speaker 1: she said was real. Mom, Shirley's his mom. It was

584
00:36:09,800 --> 00:36:13,640
Speaker 1: all not those were real references. The one that I

585
00:36:13,680 --> 00:36:16,320
Speaker 1: don't think was real though. I don't think Mark's actual

586
00:36:16,400 --> 00:36:19,840
Speaker 1: name is Quirky Jr. Or whatever she's called him. I

587
00:36:19,880 --> 00:36:22,840
Speaker 1: don't know google it. But maybe Mark has a brother.

588
00:36:22,960 --> 00:36:28,520
Speaker 1: Maybe Mark has a brother. Then okay, we'll think about this,

589
00:36:30,200 --> 00:36:35,239
Speaker 1: the three of them, Oh, Jackie our producer, Quirky Ballace's

590
00:36:35,280 --> 00:36:41,279
Speaker 1: real name is Mark Boom. Okay, So then think of

591
00:36:41,320 --> 00:36:44,719
Speaker 1: the significance in two ways. One we'll talk about the

592
00:36:44,800 --> 00:36:48,120
Speaker 1: significance in Gilmore World. How many times canna say quirky?

593
00:36:51,120 --> 00:36:54,279
Speaker 1: How many times can I say significance? The three of

594
00:36:54,320 --> 00:36:59,440
Speaker 1: them are loving watching this, so they're spending all this

595
00:36:59,600 --> 00:37:02,200
Speaker 1: time they don't leave, which we'll talk we'll talk about

596
00:37:02,200 --> 00:37:06,480
Speaker 1: all that literally, but somebody in the television worlds like

597
00:37:07,000 --> 00:37:12,879
Speaker 1: these three important people love watching ballroom dancing lightbulb. Can

598
00:37:12,920 --> 00:37:18,359
Speaker 1: I get Mark and ask? This is so literally, it's

599
00:37:18,440 --> 00:37:23,960
Speaker 1: so good because what was Mark on season one? Yeah,

600
00:37:24,000 --> 00:37:26,279
Speaker 1: he's like an o G he I know he's an

601
00:37:26,280 --> 00:37:29,640
Speaker 1: OG and he's and by the way, the timing of this,

602
00:37:29,640 --> 00:37:31,960
Speaker 1: this is his first season back this year in like

603
00:37:32,560 --> 00:37:35,440
Speaker 1: in like six or seven seasons, so the timing of

604
00:37:35,520 --> 00:37:38,040
Speaker 1: us watching this when like Dancing with the Stars and

605
00:37:38,440 --> 00:37:45,040
Speaker 1: he just started like I n oh, he started season five? Okay,

606
00:37:45,200 --> 00:37:48,960
Speaker 1: he's technically an og like, oh, he's awake? Wait, hold on,

607
00:37:49,160 --> 00:37:52,719
Speaker 1: can he's awake? Ok Wait, I'm gonna call you. I'm

608
00:37:52,719 --> 00:37:58,480
Speaker 1: gonna call him, just him click the zoom link. He

609
00:37:58,480 --> 00:38:00,640
Speaker 1: doesn't even be on video that way, he's in a

610
00:38:00,719 --> 00:38:03,560
Speaker 1: zoom Oh no. It was based on a BBC one

611
00:38:03,719 --> 00:38:08,360
Speaker 1: show Strictly Come Dancing, and that premier in two thousand

612
00:38:08,400 --> 00:38:13,000
Speaker 1: and four. When is he gonna be out? I'm asking it.

613
00:38:13,480 --> 00:38:19,560
Speaker 1: Thank you Jackie for that information. Jackie Rodriguez. Everybody she yeah, Mark,

614
00:38:19,600 --> 00:38:21,520
Speaker 1: he's our friends that like this was kind of fun

615
00:38:22,360 --> 00:38:27,399
Speaker 1: and be like, oh my god, what is he coming

616
00:38:27,440 --> 00:38:29,840
Speaker 1: on the zoom? He's in a zoom. I'm saying, you

617
00:38:29,880 --> 00:38:35,680
Speaker 1: get mentioned he's in a zoom already. This is so fun.

618
00:38:35,680 --> 00:38:38,760
Speaker 1: We're literally doing this on the fly. Yeah, it's gonna

619
00:38:38,760 --> 00:38:40,520
Speaker 1: tell us when he's ready, and then maybe he could

620
00:38:40,560 --> 00:38:43,399
Speaker 1: be on Towards the table of this episode. He wants

621
00:38:43,440 --> 00:38:45,399
Speaker 1: to know the question, and I'm gonna say, we want

622
00:38:45,440 --> 00:38:48,759
Speaker 1: to jump. Maybe he could do a new podcast where

623
00:38:48,760 --> 00:38:51,320
Speaker 1: he's never seen an episode of Dancing with the Stars

624
00:38:51,520 --> 00:38:54,400
Speaker 1: and he could recap every single one of you. Imagine

625
00:38:54,520 --> 00:39:02,000
Speaker 1: rewatching I cannot there's like thirty five seasons, so many seasons.

626
00:39:03,400 --> 00:39:07,640
Speaker 1: Danielle quickly, I'm like, Pisa, guys, I can't do that one,

627
00:39:08,719 --> 00:39:13,759
Speaker 1: or Survivor rewatch Survivor. I'm seeing the amazing race. He's all,

628
00:39:13,840 --> 00:39:15,600
Speaker 1: what's the question? And I'm like, if I ask you

629
00:39:15,640 --> 00:39:21,279
Speaker 1: on the text, everyone's as exciting. Yeah, but okay, so

630
00:39:22,160 --> 00:39:24,360
Speaker 1: hopefully it'll hit me back. Okay, so we'll get him on,

631
00:39:24,400 --> 00:39:26,560
Speaker 1: We'll get him on pop culture, We'll get him on otherwise.

632
00:39:26,600 --> 00:39:30,360
Speaker 1: Can I like the pop culture idea? That's fine? Yeah,

633
00:39:30,760 --> 00:39:33,360
Speaker 1: let's talk about the fact now forget to answer with

634
00:39:33,440 --> 00:39:37,560
Speaker 1: the stars. They they stayed. No, no, no, no, no no,

635
00:39:37,760 --> 00:39:41,839
Speaker 1: they didn't stay. Yeah, they did. I thought to say,

636
00:39:41,880 --> 00:39:46,000
Speaker 1: were back at home watching, So Emily went to bed.

637
00:39:46,440 --> 00:39:49,920
Speaker 1: Emily's in the scene she missed. We missed a scene.

638
00:39:50,480 --> 00:39:53,759
Speaker 1: She's not there yet because Luke and Lorela have their

639
00:39:53,800 --> 00:39:57,600
Speaker 1: convers But right, but I'm talking about we talked earlier

640
00:39:57,640 --> 00:40:00,640
Speaker 1: in this podcast. I said, we're gonna go through all

641
00:40:00,719 --> 00:40:05,440
Speaker 1: of this part because it's so major, Scott, you might

642
00:40:05,440 --> 00:40:10,319
Speaker 1: have looked away. The whole payoff is that Lora, Lye

643
00:40:10,400 --> 00:40:14,399
Speaker 1: and Rory are loving watching damp fake dancing with the stuff.

644
00:40:14,560 --> 00:40:17,480
Speaker 1: But I thought they talked, took the video home. What

645
00:40:17,560 --> 00:40:24,160
Speaker 1: I thought Emily. The camera pans out and Emily's next

646
00:40:24,200 --> 00:40:29,160
Speaker 1: to them asleep. No, I mean you could have, like

647
00:40:29,200 --> 00:40:32,640
Speaker 1: anyone could have missed that, because I almost did. I

648
00:40:32,680 --> 00:40:36,000
Speaker 1: thought they were home, and the whole bit was they

649
00:40:36,040 --> 00:40:38,640
Speaker 1: love the show so much, they're watching home. Will still

650
00:40:38,680 --> 00:40:41,799
Speaker 1: worked right, And that was I think what we were

651
00:40:41,840 --> 00:40:45,400
Speaker 1: sort of expected to think because it's on just the

652
00:40:45,400 --> 00:40:48,800
Speaker 1: two of them. Then it pans out and you see

653
00:40:50,280 --> 00:40:54,480
Speaker 1: you see Emily asleep. They stayed, So this is why

654
00:40:54,520 --> 00:40:57,600
Speaker 1: you have to watch these episodes twice. Yeah, it was

655
00:40:57,680 --> 00:40:59,719
Speaker 1: like times or four times. You know, there's always a

656
00:40:59,719 --> 00:41:01,520
Speaker 1: little stuff. If you would have looked down at your

657
00:41:01,520 --> 00:41:04,000
Speaker 1: paper to write your notes, yes, that's what I do.

658
00:41:04,120 --> 00:41:05,799
Speaker 1: Is like the very it was like the last like

659
00:41:05,960 --> 00:41:08,560
Speaker 1: three seconds of the of the show. I had all

660
00:41:08,600 --> 00:41:13,560
Speaker 1: these Mark Ballas quirky corking my head. I got distracted

661
00:41:14,120 --> 00:41:18,160
Speaker 1: and it's so major, Like it's so major, and I

662
00:41:18,160 --> 00:41:21,640
Speaker 1: think they were eating biscotti. Yeah, they were at the end,

663
00:41:22,280 --> 00:41:25,440
Speaker 1: And this begged me to question, and I wanted to

664
00:41:25,480 --> 00:41:29,480
Speaker 1: bring you guys who snacks on the Scottie's just like

665
00:41:29,560 --> 00:41:32,520
Speaker 1: breakfast with your coffee type thing. Yeah, but we're talking,

666
00:41:32,520 --> 00:41:34,759
Speaker 1: we're talking about the Gilmore girls. Well, and they just

667
00:41:34,840 --> 00:41:39,840
Speaker 1: got back from Europe with they're all thrown off. You know.

668
00:41:42,800 --> 00:41:49,640
Speaker 1: It was very, very very major that they stayed. Yes,

669
00:41:50,200 --> 00:41:53,480
Speaker 1: and Emily literally Emily was able to go to sleep

670
00:41:53,960 --> 00:41:58,359
Speaker 1: so soundly because everything she wanted everyone was there in

671
00:41:58,440 --> 00:42:02,960
Speaker 1: her house with her. And she even acknowledges like Richard

672
00:42:03,000 --> 00:42:09,719
Speaker 1: goes to bed like almost like I'm alone, Richard goes

673
00:42:09,760 --> 00:42:14,200
Speaker 1: to bed, I'm just here and they stay. She wanted

674
00:42:14,239 --> 00:42:16,000
Speaker 1: to look at the lengths she has to go to

675
00:42:16,160 --> 00:42:21,600
Speaker 1: if she's that cynical to intentionally use um Rory is

676
00:42:21,600 --> 00:42:26,480
Speaker 1: a honey trap for her daughter. Right right now, her

677
00:42:26,480 --> 00:42:28,839
Speaker 1: girls are there. She can rest easy because she's got

678
00:42:28,840 --> 00:42:32,160
Speaker 1: her girls there. She probably missed them, I think. I

679
00:42:32,200 --> 00:42:35,399
Speaker 1: think underneath it all, she loves them both dearly, and

680
00:42:35,520 --> 00:42:39,000
Speaker 1: she misses them, and she wants peace and she wants

681
00:42:39,160 --> 00:42:41,920
Speaker 1: and they've been gone in Europe for months. She's probably

682
00:42:41,960 --> 00:42:45,160
Speaker 1: missed them so much. And imagine, as a grandma, you

683
00:42:45,200 --> 00:42:49,400
Speaker 1: have your daughter and your granddaughter there watching ballroom like that,

684
00:42:49,520 --> 00:42:54,799
Speaker 1: you that's why she fell asleep, something that she loves. Right,

685
00:42:54,880 --> 00:42:59,040
Speaker 1: she was easy. I thought that was actually quite beautiful,

686
00:43:00,160 --> 00:43:04,319
Speaker 1: like and I missed it first of all. That is

687
00:43:04,360 --> 00:43:07,239
Speaker 1: the funny thing. It's really easy to miss because I,

688
00:43:07,360 --> 00:43:10,200
Speaker 1: like you, Scott, thought they were at home also, and

689
00:43:10,239 --> 00:43:13,360
Speaker 1: I thought, oh, but I'm like, that's what their couch.

690
00:43:13,719 --> 00:43:16,480
Speaker 1: I was like, that's like a weird couch. And then

691
00:43:16,520 --> 00:43:18,680
Speaker 1: I kept watching watching and I'm like, and I had

692
00:43:18,719 --> 00:43:22,640
Speaker 1: forgotten this because I think people miss it when they're

693
00:43:22,680 --> 00:43:25,759
Speaker 1: watching this episode. Yeah, it does make sense because I

694
00:43:25,800 --> 00:43:28,719
Speaker 1: thought the TV and it looked a little nicer than

695
00:43:31,200 --> 00:43:37,840
Speaker 1: the whole time I was literally like, oh my god. Wow. Okay,

696
00:43:37,920 --> 00:43:42,640
Speaker 1: so now we're going to reverse a tiny bit. The

697
00:43:42,880 --> 00:43:46,440
Speaker 1: mattress is getting loaded in the truck. I'm gonna give

698
00:43:46,440 --> 00:43:49,600
Speaker 1: you a B minus on that sound effect, but pretty good.

699
00:43:50,400 --> 00:43:52,399
Speaker 1: So because we're because we did go out of order.

700
00:43:52,600 --> 00:43:57,600
Speaker 1: So we're going back now to such a pivotal moment,

701
00:43:58,000 --> 00:44:01,279
Speaker 1: big moment. I don't even know where to start. Let's

702
00:44:01,280 --> 00:44:03,760
Speaker 1: start with you, Scott. Tell me everything you felt about

703
00:44:03,760 --> 00:44:08,640
Speaker 1: that scene. I love the way he dragged it out.

704
00:44:09,360 --> 00:44:12,799
Speaker 1: But there's more. But there's more. That's like a salesman

705
00:44:14,560 --> 00:44:19,360
Speaker 1: and there's more. Wait, there's more. Uh yeah, And I

706
00:44:19,840 --> 00:44:24,840
Speaker 1: just think, you know, I think that scene made it

707
00:44:24,920 --> 00:44:29,799
Speaker 1: so obvious that these two really belong together, or at

708
00:44:29,880 --> 00:44:32,600
Speaker 1: least they should give it a shot. You know, it's

709
00:44:32,600 --> 00:44:35,200
Speaker 1: like give it a shot. Yes, I mean it was

710
00:44:36,360 --> 00:44:39,359
Speaker 1: you know everybody. She was so relieved and he was

711
00:44:39,560 --> 00:44:43,200
Speaker 1: relieved that she was relieved, and they were both kind

712
00:44:43,200 --> 00:44:45,279
Speaker 1: of sitting there happy, even though he was trying to

713
00:44:45,600 --> 00:44:47,480
Speaker 1: kind of fake that it didn't Oh it didn't work

714
00:44:47,480 --> 00:44:50,279
Speaker 1: out and what a pickle. But he didn't care, you know,

715
00:44:50,480 --> 00:44:54,839
Speaker 1: he was with her. The faces, the acting of the

716
00:44:54,920 --> 00:44:57,439
Speaker 1: bodies and the faces and this and how about when

717
00:44:57,480 --> 00:45:02,439
Speaker 1: he says, so, first, did you propose? And he says yes,

718
00:45:02,640 --> 00:45:07,400
Speaker 1: and her face and I'm just like, and I felt

719
00:45:07,480 --> 00:45:12,000
Speaker 1: that Luke looked so sad. Not obviously Luke knows he's

720
00:45:12,000 --> 00:45:15,319
Speaker 1: already getting divorced. He looks so sad because he has

721
00:45:15,400 --> 00:45:21,000
Speaker 1: made her so sad. Then there's more we got married,

722
00:45:21,120 --> 00:45:23,960
Speaker 1: and then you see lord, I say, how could you

723
00:45:25,040 --> 00:45:31,640
Speaker 1: could you? M lengthy pause, there's get married because she

724
00:45:31,760 --> 00:45:34,279
Speaker 1: says how could you? Like, how could you do? At

725
00:45:34,280 --> 00:45:35,960
Speaker 1: first she's saying how could you do this to me?

726
00:45:36,360 --> 00:45:38,920
Speaker 1: And then she realizes like she can't say that, so

727
00:45:38,960 --> 00:45:43,480
Speaker 1: she says, how could you get married? And I'm like,

728
00:45:43,640 --> 00:45:48,120
Speaker 1: oh my god. That was the best dialogue between those

729
00:45:48,160 --> 00:45:52,719
Speaker 1: two so far. Yes, it was the most fraught with

730
00:45:52,840 --> 00:45:59,080
Speaker 1: tension and consequences and so revealing of how they both

731
00:45:59,080 --> 00:46:02,799
Speaker 1: felt about one another. There, yes, in a very unexpected way,

732
00:46:02,920 --> 00:46:08,879
Speaker 1: and the relief we're getting divorced, like literally in a

733
00:46:08,920 --> 00:46:15,760
Speaker 1: one minute period, full panicked, tried to check herself, she's

734
00:46:15,920 --> 00:46:22,040
Speaker 1: devastated and gets complete relief. Yeah, she made it look easy.

735
00:46:23,239 --> 00:46:26,400
Speaker 1: Laura Graham's not too bad? Is she? I was totally wrong?

736
00:46:27,400 --> 00:46:31,080
Speaker 1: She's not too bad. She isn't enius the acting in

737
00:46:31,160 --> 00:46:34,680
Speaker 1: that scene. Look, you're not too bad either that scene.

738
00:46:36,160 --> 00:46:41,040
Speaker 1: So that is probably one of the best scenes. And wait,

739
00:46:41,080 --> 00:46:45,480
Speaker 1: so Danielle, when when Luke first says when when Laura

740
00:46:45,520 --> 00:46:47,799
Speaker 1: Lee says, did you propose? And he says, yes, what

741
00:46:47,920 --> 00:46:53,360
Speaker 1: did your what did you happen? Okay? Why I was

742
00:46:53,400 --> 00:46:55,799
Speaker 1: a little shocked too, because I didn't know what was

743
00:46:55,800 --> 00:47:02,200
Speaker 1: going to happen. I'm shocked something. Wasn't it an Alaskan

744
00:47:02,360 --> 00:47:05,719
Speaker 1: cruise in the end of the season and now it's

745
00:47:05,760 --> 00:47:10,920
Speaker 1: the Caribbean because they went snorkeling seven countries? He says

746
00:47:11,040 --> 00:47:14,120
Speaker 1: seven country cruise. But I want to say in the

747
00:47:14,239 --> 00:47:17,960
Speaker 1: end of last season he's Alaska did But how you

748
00:47:17,960 --> 00:47:20,239
Speaker 1: got a seven country cruise? It since like a lot

749
00:47:20,480 --> 00:47:23,000
Speaker 1: And you know what they do. They come from Connecticut

750
00:47:23,239 --> 00:47:26,239
Speaker 1: and they dock right outside my window here. But if

751
00:47:26,239 --> 00:47:31,640
Speaker 1: you're the first stop, and then they Canada and Alaska.

752
00:47:33,600 --> 00:47:36,960
Speaker 1: Alaska's clear on the it's on the west coast of

753
00:47:36,960 --> 00:47:39,239
Speaker 1: the United States. Oh right, you're going around that way,

754
00:47:39,520 --> 00:47:44,040
Speaker 1: so that's a huge crew. But then yeah, they say

755
00:47:44,040 --> 00:47:47,320
Speaker 1: they snorkel in the in Alaska to call me, and

756
00:47:47,400 --> 00:47:53,440
Speaker 1: I guess you can in Alaska exactly, there's some flag

757
00:47:53,480 --> 00:47:57,040
Speaker 1: on the play there. Daniel then is seven countries, so

758
00:47:57,400 --> 00:48:00,960
Speaker 1: seven because what did your they do? When he then

759
00:48:00,960 --> 00:48:04,239
Speaker 1: says we got married, like what were you experiencing in

760
00:48:04,320 --> 00:48:06,920
Speaker 1: real time through this scene? It all happened so fast,

761
00:48:07,080 --> 00:48:09,080
Speaker 1: so like you don't really have a chance to process,

762
00:48:09,120 --> 00:48:13,080
Speaker 1: Like he was, like, I proposed, then we got married,

763
00:48:13,480 --> 00:48:15,279
Speaker 1: then we got divorced, and I was just like, like

764
00:48:15,360 --> 00:48:19,000
Speaker 1: literally like watching the screen, like what is happening? And

765
00:48:19,040 --> 00:48:22,560
Speaker 1: how did this happen so fast? I'm so confused. But

766
00:48:22,680 --> 00:48:26,680
Speaker 1: I was happy that they got divorced. But everyone happy.

767
00:48:29,280 --> 00:48:34,040
Speaker 1: I'm happy about that, right, I am, yes, sure, I

768
00:48:34,040 --> 00:48:38,360
Speaker 1: mean it was a great relief. But how interesting would

769
00:48:38,360 --> 00:48:41,960
Speaker 1: it have been? Okay, just think of the possibilities if

770
00:48:41,960 --> 00:48:44,880
Speaker 1: you said, and we're married, and that was that. I

771
00:48:44,960 --> 00:48:47,560
Speaker 1: mean right, I know that would have been I'm sure

772
00:48:47,560 --> 00:48:50,799
Speaker 1: they thought about it. More episodes for Trish, more for

773
00:48:50,840 --> 00:48:53,960
Speaker 1: her Lauren to play off of, and right, I mean right,

774
00:48:54,040 --> 00:48:56,600
Speaker 1: I'm sure the writers must have thought about it because obviously, look,

775
00:48:56,640 --> 00:49:00,359
Speaker 1: everyone knows the trajectories. He's so I wanted what made

776
00:49:00,360 --> 00:49:03,400
Speaker 1: them take the decision because they want that relationship to

777
00:49:03,440 --> 00:49:06,600
Speaker 1: be pure. They wanted to be as pure as possible

778
00:49:06,719 --> 00:49:10,040
Speaker 1: and that nothing, nothing can last in the face of

779
00:49:10,080 --> 00:49:14,680
Speaker 1: that heat. That's a point really good. So I thought

780
00:49:15,360 --> 00:49:22,600
Speaker 1: both of those scenes made this episode a ten out

781
00:49:22,640 --> 00:49:26,400
Speaker 1: of ten ice Cream Queens because the scene with Emily

782
00:49:26,800 --> 00:49:29,680
Speaker 1: just all that, everything from the Friday night dinner to

783
00:49:29,960 --> 00:49:33,200
Speaker 1: the payoff with Emily at the end, and this scene

784
00:49:33,200 --> 00:49:36,560
Speaker 1: with Luke and Lordly ten out of ten ice Cream Queens.

785
00:49:36,560 --> 00:49:40,880
Speaker 1: I mean, I thought they were both so amazing. Well,

786
00:49:41,560 --> 00:49:45,879
Speaker 1: even though yes, Tara, you make a salient point with

787
00:49:46,560 --> 00:49:49,919
Speaker 1: she's coming back in a week anyway, but still it's

788
00:49:50,280 --> 00:49:54,920
Speaker 1: it's the prodigal daughter leaving and she will return, but

789
00:49:55,000 --> 00:49:57,920
Speaker 1: she's going away. Life is going to be different for

790
00:49:57,560 --> 00:50:01,040
Speaker 1: for lor from pure on out. You know, she doesn't

791
00:50:01,040 --> 00:50:03,719
Speaker 1: have a job yet. She's gonna build up the new

792
00:50:03,840 --> 00:50:05,800
Speaker 1: end and the whole thing, and I hope that, hopefully

793
00:50:05,800 --> 00:50:08,440
Speaker 1: that works out for but she's gonna be left without

794
00:50:08,800 --> 00:50:11,919
Speaker 1: her best, bestest friend in the world that she will

795
00:50:11,920 --> 00:50:15,279
Speaker 1: ever have her own. Flush and Blood is going to

796
00:50:15,320 --> 00:50:17,879
Speaker 1: college and it's a big deal. And I got so

797
00:50:18,040 --> 00:50:20,760
Speaker 1: moved at the end by the thought of it. Because

798
00:50:20,800 --> 00:50:23,560
Speaker 1: Amy wrote a sort of a Dan type episode where

799
00:50:23,600 --> 00:50:25,600
Speaker 1: it was light and funny light and funny light and

800
00:50:25,600 --> 00:50:27,839
Speaker 1: funny light, and that heavy, heavy moment at the end,

801
00:50:28,520 --> 00:50:30,680
Speaker 1: you know, like big heavy moment to the point where

802
00:50:30,680 --> 00:50:33,080
Speaker 1: it was like, you know, it was eleven o'clock here

803
00:50:33,719 --> 00:50:37,600
Speaker 1: in the am and it's seven am, uh California time,

804
00:50:37,640 --> 00:50:40,760
Speaker 1: and I knew, I knew my little guy was still

805
00:50:40,880 --> 00:50:43,760
Speaker 1: kind of snoozing a little bit. So I called my FaceTime,

806
00:50:43,840 --> 00:50:47,000
Speaker 1: my wife, and she answered he was all snuggly with her,

807
00:50:47,000 --> 00:50:50,160
Speaker 1: and you know, yeah, because I'm missing those moments because

808
00:50:50,160 --> 00:50:52,279
Speaker 1: I'm here, you know what I mean. So I just

809
00:50:52,320 --> 00:50:54,399
Speaker 1: wanted to see I said, just let's let me see

810
00:50:54,480 --> 00:50:58,319
Speaker 1: him sleeping. Let me see him sleeping. He woke he

811
00:50:58,360 --> 00:51:00,960
Speaker 1: woke up, he woke up, and we talked to them.

812
00:51:01,000 --> 00:51:02,680
Speaker 1: I said, hey, buddy, have a good day at school.

813
00:51:03,320 --> 00:51:06,040
Speaker 1: And I just projected myself into the future when we're

814
00:51:06,040 --> 00:51:10,680
Speaker 1: gonna say goodbody going to call. Yeah, the show, this

815
00:51:10,880 --> 00:51:17,080
Speaker 1: TV show brings up emotions in you. And then it

816
00:51:17,280 --> 00:51:20,160
Speaker 1: transferred to, Oh, I gotta call my my my baby.

817
00:51:20,480 --> 00:51:24,879
Speaker 1: That's it. Yeah, I gotta miss my baby, gotta call him,

818
00:51:26,000 --> 00:51:27,719
Speaker 1: I gotta see him, I gotta talk to him. I

819
00:51:27,760 --> 00:51:30,600
Speaker 1: gotta tell him I love him. That's really that does

820
00:51:31,640 --> 00:51:34,359
Speaker 1: I like that you brought that up, because that's sort

821
00:51:34,400 --> 00:51:40,680
Speaker 1: of the magical thing about this show, Like it does

822
00:51:40,800 --> 00:51:45,040
Speaker 1: make you go, oh, my own parents, or my own grandparents,

823
00:51:45,239 --> 00:51:50,560
Speaker 1: or my boyfriend whatever it does, those emotions do sort

824
00:51:50,600 --> 00:51:52,480
Speaker 1: of carry through, and for the most part, I think

825
00:51:52,480 --> 00:51:56,040
Speaker 1: they're very lovely. What the emotions that brings up. It's

826
00:51:56,120 --> 00:52:00,239
Speaker 1: never painful things like when you watch some shows. This

827
00:52:00,280 --> 00:52:04,920
Speaker 1: show really is like Seinfeld does the same thing. It

828
00:52:04,960 --> 00:52:09,240
Speaker 1: gets you to recognize all the crazy stuff that happens

829
00:52:09,280 --> 00:52:11,799
Speaker 1: in your life that just just like that that you're

830
00:52:11,800 --> 00:52:14,440
Speaker 1: sitting on the screen, all that funny crazy stuff, right,

831
00:52:14,520 --> 00:52:20,080
Speaker 1: so relatable. I mean, do people watch uh an episode

832
00:52:20,080 --> 00:52:22,880
Speaker 1: of Chicago Fire or something and then like start calling

833
00:52:22,880 --> 00:52:26,319
Speaker 1: their friends all moved and saying, hey, but respect that

834
00:52:26,360 --> 00:52:28,840
Speaker 1: you brought up Chicago Fire more of a Chicago medgal.

835
00:52:29,000 --> 00:52:31,400
Speaker 1: But did you did you put out your cigarette? You know?

836
00:52:31,640 --> 00:52:35,239
Speaker 1: How you doing? You know? I mean, you know, I'm

837
00:52:35,280 --> 00:52:37,319
Speaker 1: not trying to trash anybody's shows, but I'm just saying

838
00:52:38,320 --> 00:52:41,719
Speaker 1: this show is so relatable. Yeah, I think you make

839
00:52:41,760 --> 00:52:44,160
Speaker 1: a perfect point, because I think there's other shows where

840
00:52:44,680 --> 00:52:48,000
Speaker 1: you're watching like like hardcore dramas and you're like, oh,

841
00:52:48,440 --> 00:52:52,160
Speaker 1: This reminds me of my terrible ex boyfriend that night, right,

842
00:52:52,280 --> 00:52:57,759
Speaker 1: This one is not they traumatize you to the point

843
00:52:57,760 --> 00:52:59,840
Speaker 1: where you just need to like you need to lie down.

844
00:53:00,200 --> 00:53:07,000
Speaker 1: This one really does bring up loveliness like love each other,

845
00:53:07,360 --> 00:53:10,920
Speaker 1: love your parents, love you. This is the healing, the

846
00:53:10,920 --> 00:53:15,160
Speaker 1: healing aspect of this show, the healing influence that every

847
00:53:15,160 --> 00:53:18,360
Speaker 1: fan tells me about at these conventions, And when I

848
00:53:18,400 --> 00:53:20,720
Speaker 1: meet them on the street, they just sell your show,

849
00:53:21,000 --> 00:53:22,879
Speaker 1: you know, because they all do the same thing I did.

850
00:53:23,040 --> 00:53:25,120
Speaker 1: They picked up a phone and they faced time their kid.

851
00:53:25,400 --> 00:53:28,800
Speaker 1: It reconnects people, It keeps people connected on a deeper level.

852
00:53:29,280 --> 00:53:32,880
Speaker 1: Wonderful influence on the culture. Hey, you want to do? Uh,

853
00:53:32,920 --> 00:53:36,840
Speaker 1: my crack team came up with something, alright, and we

854
00:53:36,880 --> 00:53:39,320
Speaker 1: gotta get to home. Here we go six oh three

855
00:53:40,040 --> 00:53:44,600
Speaker 1: plus six minutes and three si yes, exactly all right.

856
00:53:44,680 --> 00:53:46,839
Speaker 1: At eleven minutes and thirty eight seconds in the scene

857
00:53:46,840 --> 00:53:48,759
Speaker 1: where Jackson is saying he doesn't want to know the

858
00:53:48,800 --> 00:53:50,959
Speaker 1: sex of the baby, at the point where he says

859
00:53:51,360 --> 00:53:54,840
Speaker 1: Ricky Ricardo didn't know, you can see Rory's left side

860
00:53:54,960 --> 00:53:58,160
Speaker 1: and the shot and she's already wearing the button that

861
00:53:58,320 --> 00:54:09,120
Speaker 1: Jackson hasn't given her get At twelve minutes and eight seconds,

862
00:54:09,160 --> 00:54:12,320
Speaker 1: watch the right side of the screen as Suki throws

863
00:54:12,360 --> 00:54:15,800
Speaker 1: open the doors of the baby ship. You can see

864
00:54:15,840 --> 00:54:20,080
Speaker 1: a cast member's hand reach into the frame and grab

865
00:54:20,160 --> 00:54:27,560
Speaker 1: the door to hold it open. Think dank thing alright.

866
00:54:27,600 --> 00:54:30,920
Speaker 1: At around h sixteen to seventeen minutes in, when Laurel

867
00:54:31,000 --> 00:54:34,120
Speaker 1: I is telling her fake jam story, the dirty plate

868
00:54:34,520 --> 00:54:39,680
Speaker 1: next to her disappears and reappears a few times. H

869
00:54:41,160 --> 00:54:47,840
Speaker 1: come on Rory's button. At eighteen minutes and seventeen seconds,

870
00:54:47,960 --> 00:54:51,040
Speaker 1: it says I do not want to know the sex

871
00:54:51,120 --> 00:54:53,640
Speaker 1: of my baby, But at twenty minutes and fifty three

872
00:54:53,680 --> 00:54:58,239
Speaker 1: seconds it has magically changed to I don't want to

873
00:54:58,280 --> 00:55:00,000
Speaker 1: know the sex of my baby. So it went from

874
00:55:00,120 --> 00:55:09,520
Speaker 1: do not too, don't um and go ahead, gang yeah

875
00:55:10,320 --> 00:55:17,160
Speaker 1: script Ready for favorite one. The grand opening of Taylor

876
00:55:17,200 --> 00:55:19,719
Speaker 1: Soda Shop was supposed to I would have much more

877
00:55:19,760 --> 00:55:22,880
Speaker 1: smooth segue than that. Come on. The grand opening of

878
00:55:22,920 --> 00:55:25,480
Speaker 1: Taylor Soda Shop was supposed to have been in the

879
00:55:25,560 --> 00:55:31,120
Speaker 1: episode where Fran died Remember the Marching Band the funeral.

880
00:55:31,680 --> 00:55:35,279
Speaker 1: That episode was set several months before this one. That's

881
00:55:35,320 --> 00:55:42,600
Speaker 1: a long time to delay the grand Uh huh. Yeah,

882
00:55:43,120 --> 00:55:47,200
Speaker 1: that's a great, great catch. Do you think they were

883
00:55:47,200 --> 00:55:49,840
Speaker 1: just waiting for Rory to come back from their trip

884
00:55:49,960 --> 00:55:52,440
Speaker 1: so she can be the ebything queen. Yeah, it's a

885
00:55:52,440 --> 00:56:01,359
Speaker 1: good point. Okay. So minutes forty eight seconds, Rory brings

886
00:56:01,360 --> 00:56:03,560
Speaker 1: Emily a present in a gift bag, but she doesn't

887
00:56:03,560 --> 00:56:06,919
Speaker 1: even let Emily open it. She takes the gift out

888
00:56:06,960 --> 00:56:11,480
Speaker 1: herself and just hands it to Emily. Yeah. I remember that,

889
00:56:11,840 --> 00:56:15,040
Speaker 1: but but that's for speed sake, because you don't want

890
00:56:15,040 --> 00:56:18,920
Speaker 1: to take that time when you're shooting, because that's precious

891
00:56:18,920 --> 00:56:21,520
Speaker 1: screen time. It's just like, just get to the gift, right,

892
00:56:21,560 --> 00:56:24,759
Speaker 1: I mean, technically she opened the box. She did, she did.

893
00:56:24,840 --> 00:56:29,680
Speaker 1: I didn't notice. When Luke is helping Laureli load the truck,

894
00:56:30,000 --> 00:56:33,040
Speaker 1: he mentions that he has luggage because he just went

895
00:56:33,120 --> 00:56:36,400
Speaker 1: on a seven country clues what we're talking about, guys,

896
00:56:36,400 --> 00:56:39,080
Speaker 1: here we go. But in a previous episode he told

897
00:56:39,160 --> 00:56:42,920
Speaker 1: Laureli they were driving through Western Canada and then taking

898
00:56:42,960 --> 00:56:46,320
Speaker 1: a cruise to Alaska. Right, so then the snorkeling doesn't

899
00:56:46,400 --> 00:56:48,239
Speaker 1: match well, I mean it does match up. If they're

900
00:56:48,239 --> 00:56:50,080
Speaker 1: going to seven countries, they could have stopped in like

901
00:56:50,200 --> 00:56:54,920
Speaker 1: you know, Caribbean. But I don't think you snorkel in Alaska. Um,

902
00:56:55,040 --> 00:56:57,920
Speaker 1: what can I say? You know, it's uh, it's it's

903
00:56:57,920 --> 00:57:02,319
Speaker 1: a little confused anyway, all right, let's do favorite line. Um,

904
00:57:02,680 --> 00:57:07,239
Speaker 1: there's a million. I have one. Give it Tara, it's

905
00:57:07,360 --> 00:57:09,839
Speaker 1: um what so Taylor says, I don't understand why you're

906
00:57:09,880 --> 00:57:12,359
Speaker 1: as a diner and minds a stupid store, And Luke says,

907
00:57:12,560 --> 00:57:14,319
Speaker 1: look at this place, look at you. All you need

908
00:57:14,360 --> 00:57:16,960
Speaker 1: is six dancing penguins and Mary Poppins floating in the

909
00:57:17,000 --> 00:57:19,720
Speaker 1: corner to bring back two of the worst hours of

910
00:57:19,760 --> 00:57:26,800
Speaker 1: my childhood. That's a good one. So mine is simple,

911
00:57:27,400 --> 00:57:29,480
Speaker 1: and I know there's millions of good lines. I still

912
00:57:29,520 --> 00:57:34,160
Speaker 1: think there's more because it was two words that were

913
00:57:34,520 --> 00:57:38,880
Speaker 1: so important. Yeah, there's more, like so I'm going with that.

914
00:57:40,440 --> 00:57:46,520
Speaker 1: Um Daniel favorite, Yeah, I did. Mine was a little unexpected.

915
00:57:46,560 --> 00:57:49,720
Speaker 1: But it's when Rory gives Richard her gift and Emily

916
00:57:49,760 --> 00:57:53,720
Speaker 1: goes Richard says, I love this and Emily goes, yes,

917
00:57:53,760 --> 00:58:00,040
Speaker 1: and you're gonna love it. Outside on the patio, my

918
00:58:00,080 --> 00:58:03,280
Speaker 1: favorite lines, two little boys walked by. Rory said, thanks

919
00:58:03,280 --> 00:58:08,840
Speaker 1: a lot, Yale, can have you? I totally agree. Yeah,

920
00:58:08,880 --> 00:58:10,880
Speaker 1: that was good. That was good. There was a lot

921
00:58:10,880 --> 00:58:12,800
Speaker 1: of good stuff in here. There's also one more I

922
00:58:12,800 --> 00:58:16,400
Speaker 1: have to say. That was a chard. We had somebody

923
00:58:16,480 --> 00:58:21,600
Speaker 1: joining this home soon. Yes, what was that? What was that?

924
00:58:21,920 --> 00:58:24,640
Speaker 1: There's a surprise coming in Scott. You just let Tauras

925
00:58:24,680 --> 00:58:26,160
Speaker 1: say her thing and then we've got a little surprised.

926
00:58:26,200 --> 00:58:28,320
Speaker 1: I was just gonna say one last little tid but

927
00:58:28,440 --> 00:58:31,240
Speaker 1: that I loved is when Emily says to Richard, Lorela

928
00:58:31,320 --> 00:58:34,480
Speaker 1: has chores to do, and Richard says chores and she's like,

929
00:58:34,680 --> 00:58:37,360
Speaker 1: errand's you know, like chores because it's just like cleaning

930
00:58:37,360 --> 00:58:40,920
Speaker 1: my house. I still don't understand why they didn't just

931
00:58:41,000 --> 00:58:47,400
Speaker 1: say she was calling out the obvious bs Lorela, excuse right,

932
00:58:48,120 --> 00:58:51,200
Speaker 1: we're gonna bring Emily. Oh, because he has two minutes,

933
00:58:51,280 --> 00:58:54,760
Speaker 1: so we're gonna bring him. We have a guest. Oh

934
00:58:54,840 --> 00:58:59,440
Speaker 1: my god, what's happening here? Huh? All right, I'm I'm waiting.

935
00:58:59,560 --> 00:59:12,200
Speaker 1: I'm non tenderhooks here. What's going on? Everybody's waiting? Mark Dallas, Mark,

936
00:59:12,960 --> 00:59:18,200
Speaker 1: welcome to the podcast, my friends. On what is going on?

937
00:59:18,320 --> 00:59:20,640
Speaker 1: I think you know, we have many questions. Amy, you

938
00:59:20,720 --> 00:59:24,040
Speaker 1: have questions, so you have a series I don't know

939
00:59:24,680 --> 00:59:30,040
Speaker 1: anyone's ever told you this. So we're Gilmore Girls thing, right, Yes,

940
00:59:30,720 --> 00:59:36,640
Speaker 1: so Mark, I believe two things. Okay, Gilmore Girls invented

941
00:59:36,960 --> 00:59:41,040
Speaker 1: maybe in America, but Gilmore Girls invented Dancing with the Stars.

942
00:59:44,760 --> 00:59:54,120
Speaker 1: This was what years and yeah, we're all here, the

943
00:59:54,160 --> 01:00:00,480
Speaker 1: whole famis here. So this this episod It was two

944
01:00:00,520 --> 01:00:02,840
Speaker 1: thousand three and Dancing with the Stars premiered in two

945
01:00:02,840 --> 01:00:08,960
Speaker 1: thousand five. That's right, yeah, so right after Yeah, I mean, look,

946
01:00:09,080 --> 01:00:11,360
Speaker 1: I don't that could that's a very good theory. I

947
01:00:11,400 --> 01:00:17,720
Speaker 1: don't know. I don't know if it's totally accurate. It

948
01:00:17,880 --> 01:00:20,280
Speaker 1: came from the show came from England originally, you know,

949
01:00:20,400 --> 01:00:25,640
Speaker 1: strictly started it, but conceptually maybe it was a notion

950
01:00:25,720 --> 01:00:29,040
Speaker 1: of more girls. You know. But Mark, what about the

951
01:00:29,080 --> 01:00:34,040
Speaker 1: fact that your dad is fully not only your mom

952
01:00:34,080 --> 01:00:38,400
Speaker 1: and dad, but especially your dad gets a full shout

953
01:00:38,440 --> 01:00:42,640
Speaker 1: out in Gilmore Girls with video to remind, aren't they

954
01:00:42,680 --> 01:00:45,840
Speaker 1: they're watching a competition, right, yeah? Yes, yeah, they're like, oh,

955
01:00:45,840 --> 01:00:48,640
Speaker 1: that's Quirky and Shirley. Yeah, and then they say Quirky

956
01:00:48,680 --> 01:00:53,560
Speaker 1: Ballace Jr. Was that your nickname or no? Yeah? For

957
01:00:54,880 --> 01:00:58,040
Speaker 1: Emily who's played by Kelly Bishop, who's also a dancer

958
01:00:58,080 --> 01:01:01,920
Speaker 1: in real life, says and he has a son, Quirky Jr.

959
01:01:02,040 --> 01:01:05,440
Speaker 1: And I was literally so Scott, so you have the background.

960
01:01:05,680 --> 01:01:09,600
Speaker 1: Mark and I have been friends for like almost almost

961
01:01:09,600 --> 01:01:13,760
Speaker 1: twenty years, like a long time. So obviously when I

962
01:01:13,800 --> 01:01:17,280
Speaker 1: watched this back in the day, I didn't know the

963
01:01:17,320 --> 01:01:21,800
Speaker 1: Ballast family him watching this last night and I was like,

964
01:01:23,680 --> 01:01:31,160
Speaker 1: what is was like, I know Quirky Ballast Jr. I

965
01:01:31,280 --> 01:01:36,040
Speaker 1: was like, it's just like work. Like every every you know,

966
01:01:36,200 --> 01:01:38,160
Speaker 1: six months or so, I'll get a text from like

967
01:01:38,200 --> 01:01:40,520
Speaker 1: a random friendly like did you know you're on Gilmore?

968
01:01:40,600 --> 01:01:48,200
Speaker 1: Girl is six months are up? And here we are everybody,

969
01:01:48,200 --> 01:01:51,280
Speaker 1: because we talked in real time just moments ago. I

970
01:01:51,320 --> 01:01:53,960
Speaker 1: was like, you guys, I have to text Mark right now,

971
01:01:54,360 --> 01:01:58,080
Speaker 1: like you don't awake and it's I was like barely.

972
01:01:58,120 --> 01:02:01,160
Speaker 1: I was like, what's happening. You're more girls. I was like,

973
01:02:01,200 --> 01:02:05,520
Speaker 1: oh okay, And it's even crazier because now you're coming

974
01:02:05,520 --> 01:02:11,560
Speaker 1: back to Dancing with the Stars. Yeah, so it's like yeah,

975
01:02:11,680 --> 01:02:14,520
Speaker 1: you know, yeah, it's very funny. This all came up

976
01:02:14,600 --> 01:02:18,640
Speaker 1: very last minute. Um, you know, Conrad Green is back,

977
01:02:18,640 --> 01:02:22,080
Speaker 1: who's the original producer no, it's just one of the

978
01:02:22,120 --> 01:02:24,920
Speaker 1: best I think. And he called me randomly one day

979
01:02:24,960 --> 01:02:29,520
Speaker 1: while I was sweeping my steps and literally outside sweeping.

980
01:02:29,600 --> 01:02:32,440
Speaker 1: Went from like, you know, doing some how stuff BC

981
01:02:32,560 --> 01:02:34,000
Speaker 1: and I are working on a new record right now,

982
01:02:34,040 --> 01:02:40,600
Speaker 1: like I had the next six months plan. He was like, hello, mate, Conrad.

983
01:02:40,680 --> 01:02:43,000
Speaker 1: He's like, I'm coming back. Have you got one more

984
01:02:43,040 --> 01:02:48,920
Speaker 1: in you? I was like, I need more details, but

985
01:02:48,960 --> 01:02:51,520
Speaker 1: you have such an awesome partner. Like I'm totally waving

986
01:02:51,640 --> 01:02:54,760
Speaker 1: for you, guys, who's your partner? Who's your partner? I'm

987
01:02:54,760 --> 01:02:59,560
Speaker 1: with Charlie Damilio this time? God, but Scott. So what's

988
01:02:59,560 --> 01:03:01,920
Speaker 1: so funny about Mark? And I'll include Derek in this

989
01:03:02,000 --> 01:03:06,080
Speaker 1: too because they're my boys, Okay, and I mean this

990
01:03:06,200 --> 01:03:10,160
Speaker 1: in the best way possible. Suddenly Mark and Derek became

991
01:03:10,240 --> 01:03:14,600
Speaker 1: who I cared about more than their famous celebrity partner.

992
01:03:14,680 --> 01:03:21,200
Speaker 1: I'm like totally, So that was such an amazing thing.

993
01:03:21,640 --> 01:03:24,840
Speaker 1: But the other thing that's so crazy is in two

994
01:03:24,840 --> 01:03:27,400
Speaker 1: thousand three when this episode airs, Yes, your your mom

995
01:03:27,440 --> 01:03:30,280
Speaker 1: and dad were famous in the dancing world, but they

996
01:03:30,280 --> 01:03:35,800
Speaker 1: weren't necessarily famous like they became or you. It's like, no, yeah,

997
01:03:35,840 --> 01:03:37,840
Speaker 1: I mean I feel like at the time, you know,

998
01:03:37,960 --> 01:03:41,160
Speaker 1: in the eighties and nineties, and you know, maybe before

999
01:03:41,200 --> 01:03:43,760
Speaker 1: that would be like the forties fifties, like ballroom dancing

1000
01:03:43,800 --> 01:03:46,280
Speaker 1: was such a it was a thing, you know, and

1001
01:03:46,320 --> 01:03:49,040
Speaker 1: then it kind of like like it became like if

1002
01:03:49,080 --> 01:03:51,480
Speaker 1: you know, you know, type of situation. It wasn't very

1003
01:03:52,200 --> 01:03:56,760
Speaker 1: you know, out there all the time. Um, so yeah,

1004
01:03:56,880 --> 01:03:58,560
Speaker 1: like kind of vanished, and then the show kind of

1005
01:03:58,600 --> 01:04:02,360
Speaker 1: brought that interest back, you know, And I think it's just, um,

1006
01:04:02,400 --> 01:04:04,240
Speaker 1: it's great to see, especially with where we are now

1007
01:04:04,240 --> 01:04:07,240
Speaker 1: with social media and dancing and music and everything is

1008
01:04:07,280 --> 01:04:10,640
Speaker 1: so fast and like to see kind of dance and

1009
01:04:10,680 --> 01:04:13,240
Speaker 1: all that side of the arts kind of get a

1010
01:04:13,240 --> 01:04:15,360
Speaker 1: second or a third or fourth life, if you will.

1011
01:04:15,400 --> 01:04:18,040
Speaker 1: People are interesting in again, and you know, it's great

1012
01:04:18,040 --> 01:04:20,960
Speaker 1: activity to learn how to move with your partner and

1013
01:04:21,160 --> 01:04:23,800
Speaker 1: have a little night of something new and different. So

1014
01:04:24,360 --> 01:04:27,320
Speaker 1: I think people find that it's fascinating to see two

1015
01:04:27,360 --> 01:04:30,080
Speaker 1: people come together and you know, dance of who never

1016
01:04:30,120 --> 01:04:33,200
Speaker 1: have so you know, it's fun. It's an oh my gosh,

1017
01:04:33,440 --> 01:04:38,160
Speaker 1: dancing stars amazing. But the fact that Gilmore girls knew

1018
01:04:38,640 --> 01:04:41,480
Speaker 1: in two thousand three, not only did they, I mean

1019
01:04:41,520 --> 01:04:44,240
Speaker 1: they could have just acknowledged, Oh, let's watch the room dancing,

1020
01:04:44,400 --> 01:04:48,200
Speaker 1: but that they call out your dad, who I mentioned

1021
01:04:48,200 --> 01:04:52,400
Speaker 1: earlier did do Dancing with the Stars. Yeah, the fact

1022
01:04:52,440 --> 01:04:56,040
Speaker 1: that these writers knew like this is the guy that

1023
01:04:56,080 --> 01:05:00,439
Speaker 1: we're gonna mention, Well, you know, I wish I wish

1024
01:05:00,480 --> 01:05:02,240
Speaker 1: we had had this call you six, my mom was

1025
01:05:02,280 --> 01:05:07,560
Speaker 1: in town because you know, she's like back in the day,

1026
01:05:07,640 --> 01:05:10,360
Speaker 1: like you know, eighties and nineties they were you know,

1027
01:05:10,760 --> 01:05:13,960
Speaker 1: they were it. They were the world champion training Like

1028
01:05:13,960 --> 01:05:17,480
Speaker 1: like my mom is still considered, you know that one

1029
01:05:17,520 --> 01:05:21,280
Speaker 1: of the top coaches for this sport in the world.

1030
01:05:21,320 --> 01:05:23,600
Speaker 1: Like she's elite of the elite. And now she judges.

1031
01:05:24,360 --> 01:05:29,520
Speaker 1: She's lend now in England. She British version, which is

1032
01:05:29,560 --> 01:05:32,439
Speaker 1: the original, you know, so it started in England, Like

1033
01:05:33,520 --> 01:05:36,240
Speaker 1: I don't know when do we start to two thousand five,

1034
01:05:36,280 --> 01:05:38,720
Speaker 1: so maybe a few years before that. And now so

1035
01:05:38,840 --> 01:05:41,560
Speaker 1: she's head judge in the UK and they called her

1036
01:05:41,840 --> 01:05:53,000
Speaker 1: the Queen of Latin. That's amazing, hilarious. Well, thank you

1037
01:05:53,040 --> 01:05:58,720
Speaker 1: for jumping on. So so thanks for having me. Wait, Mark,

1038
01:05:58,720 --> 01:06:01,600
Speaker 1: tell us what's going on with at Alexander Geene before

1039
01:06:01,600 --> 01:06:04,000
Speaker 1: you jump out. So we you know, we've been um,

1040
01:06:04,040 --> 01:06:06,600
Speaker 1: I think at the end of was it last year,

1041
01:06:06,640 --> 01:06:08,200
Speaker 1: we we kind of decided to take like a bit

1042
01:06:08,200 --> 01:06:10,520
Speaker 1: of a social media break and kind of be human,

1043
01:06:10,640 --> 01:06:15,760
Speaker 1: and we built this new space we can record at home.

1044
01:06:16,120 --> 01:06:17,760
Speaker 1: We spent the last couple of years learning all the

1045
01:06:17,800 --> 01:06:19,960
Speaker 1: engineering side of things, so now we just can do

1046
01:06:20,000 --> 01:06:23,120
Speaker 1: everything ourselves, which is great. So we we had the

1047
01:06:23,160 --> 01:06:25,360
Speaker 1: next few months all lined up. We've got a single

1048
01:06:25,440 --> 01:06:27,960
Speaker 1: dropping September twenty three, just called the Way You Move.

1049
01:06:28,120 --> 01:06:30,480
Speaker 1: It's fast, it's fun, it's a sexy song, kind of

1050
01:06:30,560 --> 01:06:33,120
Speaker 1: you know, got good vibes. So we're gonna try and

1051
01:06:33,200 --> 01:06:35,160
Speaker 1: drop one every six weeks. I was like, okay, you know,

1052
01:06:35,200 --> 01:06:39,040
Speaker 1: we're gonna organize our this is the only we're reorganizing

1053
01:06:39,040 --> 01:06:48,000
Speaker 1: our house all up, Like sure, why not? So yeah,

1054
01:06:48,000 --> 01:06:50,800
Speaker 1: we're gonna be dropping new music every four to six

1055
01:06:50,840 --> 01:06:53,720
Speaker 1: weeks and you know, hopefully leading up to an album

1056
01:06:53,760 --> 01:06:55,479
Speaker 1: and get out and play some more shows at some point.

1057
01:06:55,880 --> 01:07:01,800
Speaker 1: We love nice and when this this this tonight is

1058
01:07:01,840 --> 01:07:04,360
Speaker 1: the night so Dancing with the Stars premieres. Am I

1059
01:07:04,360 --> 01:07:06,840
Speaker 1: getting that right? Yeah? No Monday, Monday? Right? But when

1060
01:07:06,880 --> 01:07:09,080
Speaker 1: this air is this air is on Monday? Oh there

1061
01:07:09,120 --> 01:07:11,880
Speaker 1: you go, So tonight night is the Night. Tonight is

1062
01:07:11,880 --> 01:07:14,840
Speaker 1: the Night and it's on Disney Plus, so get your

1063
01:07:14,880 --> 01:07:18,360
Speaker 1: Disney Plus get this. Good luck, thank you, It's going

1064
01:07:18,400 --> 01:07:20,360
Speaker 1: to be cool. It's like we're making history. I guess

1065
01:07:20,440 --> 01:07:25,840
Speaker 1: moving to streaming. So that's knows about that. Gilmore Girls

1066
01:07:25,880 --> 01:07:30,120
Speaker 1: did did the same thing. Yeah, it'll go violent, it'll

1067
01:07:30,160 --> 01:07:33,160
Speaker 1: go even more viral. Well, good luck and and listen.

1068
01:07:33,160 --> 01:07:35,600
Speaker 1: Thanks for your time, thanks for coming on. Great meeting

1069
01:07:35,600 --> 01:07:37,720
Speaker 1: you and you two, Scott, Thank you for having me.

1070
01:07:37,720 --> 01:07:45,680
Speaker 1: Appreciate you. Yeah, we'll be streaming Monday night for sure.

1071
01:07:45,800 --> 01:07:47,600
Speaker 1: I have it. I think I think I'll have a

1072
01:07:47,680 --> 01:07:51,320
Speaker 1: day off. It would be nice. Good luck with them,

1073
01:07:51,360 --> 01:07:56,360
Speaker 1: good luck, thanks for coming on. Really appreciate talking to

1074
01:07:56,520 --> 01:08:02,440
Speaker 1: all season long. Bye bye. Oh we gotta end on that.

1075
01:08:02,520 --> 01:08:07,160
Speaker 1: What a do? That was cool? Huh? All right? Everybody?

1076
01:08:08,000 --> 01:08:10,760
Speaker 1: What that was? We should do that more often that

1077
01:08:11,680 --> 01:08:14,640
Speaker 1: people listen to the end because isn't that fun? Isn't

1078
01:08:14,640 --> 01:08:20,240
Speaker 1: that fun? Well? Next week full circle moment because the

1079
01:08:20,360 --> 01:08:24,559
Speaker 1: Looralize go to Yale? Is that the exact title? What's

1080
01:08:24,560 --> 01:08:31,200
Speaker 1: the exact title? The luralize first day at Yale? Yeah? Anyway,

1081
01:08:31,280 --> 01:08:35,600
Speaker 1: thank you to Mark Ballace for coming on. Do a

1082
01:08:35,600 --> 01:08:39,160
Speaker 1: little cameo for us. That was fun. Uh and that's

1083
01:08:39,160 --> 01:08:42,639
Speaker 1: gonna do it for this episode. Thank you, ladies, and everybody,

1084
01:08:42,720 --> 01:08:45,040
Speaker 1: stay safe, keep the cards and letters come and love

1085
01:08:45,080 --> 01:09:17,280
Speaker 1: you all of us. M Hey, everybody, and don't forget

1086
01:09:17,360 --> 01:09:21,440
Speaker 1: Follow us on Instagram at I Am All In podcast

1087
01:09:21,520 --> 01:09:26,440
Speaker 1: and email us at Gilmore at I heart radio dot com.

1088
01:09:26,439 --> 01:09:28,040
Speaker 1: Oh you gil More fans. If you're looking for the

1089
01:09:28,040 --> 01:09:30,200
Speaker 1: best cup of coffee in the world, go to my

1090
01:09:30,560 --> 01:09:33,720
Speaker 1: website for my company, scott EP dot com s C

1091
01:09:33,840 --> 01:09:36,280
Speaker 1: O T T y P dot com, scott ep dot

1092
01:09:36,320 --> 01:09:46,679
Speaker 1: com Grade one Specialty Coffee. Yeah.