WEBVTT - Mini Crush #35

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<v Speaker 1>Hey, everybody, Welcome to Mini Crush Monday edition, Early morning edition.

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<v Speaker 1>It's a Monday on a Friday day. Boy. No, I'm

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<v Speaker 1>just I can't. I need to stop reading comments of

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<v Speaker 1>this whole What are they saying to you? Cavan On hearing? No, No,

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<v Speaker 1>I thought you meant like iTunes comments. No, our people

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<v Speaker 1>are great. Yeah, that's Kavanaught. Businesses never read the comments

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<v Speaker 1>and sonkers. No, I know, I've I've learned that lesson

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<v Speaker 1>in the hard way. God, I can I can manage

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<v Speaker 1>to stomach everything on my own terms. When I read

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<v Speaker 1>the comments on what like on like like a news site,

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<v Speaker 1>or like on this or even Facebook from other people,

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<v Speaker 1>it's just I can't. I can't even take it. What

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<v Speaker 1>are they saying, Chuck, what are they saying? Oh? No,

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<v Speaker 1>I know you don't want to go down this this dark,

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<v Speaker 1>dark path. Were we keep Movie Crush politics free? Right? Oh?

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<v Speaker 1>We have to it's it's it's in the contract. It's

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<v Speaker 1>in the Movie Crush compact. All right, everybody. So a

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<v Speaker 1>couple of bits of business of business here early on,

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<v Speaker 1>thanks to Laura from the Netherlands, we got our first

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<v Speaker 1>gift Batman returns trading cards. Oh that's where those came from. You.

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<v Speaker 1>You kind of chucked these trading cars. That's what Chuck does.

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<v Speaker 1>He chucks things onto my desk. And I'm like, and

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<v Speaker 1>then you said gift and I was like, I thought

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<v Speaker 1>you meant like, this is a gift from you to

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<v Speaker 1>me exactly how it went down, said this is our

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<v Speaker 1>first band gift. I didn't hear that. And then you

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<v Speaker 1>pounded your fist on my desk. Yeah. They were awesome.

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<v Speaker 1>They were vintage man like and uh, I remember their

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<v Speaker 1>tops trading cards and uh no bubble gum. But that's

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<v Speaker 1>cool because they each had like one of the really

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<v Speaker 1>fancy laminated kind of cards that the more high gloss photos.

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<v Speaker 1>There was always one in each pack special card. I

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<v Speaker 1>didn't see that. I wonder if I didn't get my

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<v Speaker 1>special card, well, you can have one of mine. I

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<v Speaker 1>got three. Uh. And then she also Laura suggested she

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<v Speaker 1>wrote us a nice letter and suggested at the end

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<v Speaker 1>Peter Weir as a great overlook director. Um. I am

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<v Speaker 1>totally on board with that. Peter Weir is one of

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<v Speaker 1>my favorite all time directors and hugely underrated. So look

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<v Speaker 1>for a segment on Peter Weir. Uh and on that

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<v Speaker 1>I want to apologize folks, although I think you've been

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<v Speaker 1>enjoying this format, but I've been a little bit busy

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<v Speaker 1>lately in life and work. I have a lot of

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<v Speaker 1>things converging that has made me legit as busy as

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<v Speaker 1>I've ever been in my life. So if you've noticed

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<v Speaker 1>in these mini crushes lately, I haven't been doing I

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<v Speaker 1>have not abandoned, but I haven't been doing some of

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<v Speaker 1>those older segments like recommended viewing and uh stuff like that.

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<v Speaker 1>Those require a little bit more time and research for me.

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<v Speaker 1>So I've been lazy everyone, and I've been counting on

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<v Speaker 1>you to provide the content for these crowdsourcing man It's

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<v Speaker 1>the way of the future. But people seem to like it.

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<v Speaker 1>Of course they do, so I appreciate it everyone. I

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<v Speaker 1>will I will return to some of those beloved earlier segments,

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<v Speaker 1>um once things settled down for me, which should be November.

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<v Speaker 1>If I make it through this month, I will be well.

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<v Speaker 1>I believe in you joke, and I have a statement

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<v Speaker 1>to make on Facebook. A couple of weeks ago, I

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<v Speaker 1>said something about having guests on that have done bad

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<v Speaker 1>things in their past, like eventually this is gonna come

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<v Speaker 1>up with the me Too movement, Hollywood people being creeps

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<v Speaker 1>and what would I do when face with a Sophie's

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<v Speaker 1>choice of Hey, here's a guest from like a PR person.

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<v Speaker 1>Do you want to have this person on? And that happened.

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<v Speaker 1>So I posted on face Book on the movie Crush page, like,

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<v Speaker 1>I need advice everyone, What do I do? What do

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<v Speaker 1>you think? I don't want to lose your trust as

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<v Speaker 1>a listener, um, But I do also believe in second

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<v Speaker 1>chances for a lot of people and their misdeeds. Not everyone,

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<v Speaker 1>was it, Louisy? Kay? No, I'm not gonna have Bill

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<v Speaker 1>Cosby on here. Well he's not. He's not going on

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<v Speaker 1>anyone to show anyone anytime soon. I'm not gonna have

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<v Speaker 1>Harvey Weinstein on here now. But it's tough, um, And

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<v Speaker 1>I'm trying to decide if I should name this person.

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<v Speaker 1>You know what, I'm not because that's not fair. I

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<v Speaker 1>don't think that's fair to do. But here here's how

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<v Speaker 1>it went down. I got a PR rep got in

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<v Speaker 1>touch and said, hey, this person is is sort of

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<v Speaker 1>uh is interested in coming on movie Crush and they're

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<v Speaker 1>doing press now for the first time in a while. Uh.

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<v Speaker 1>And again it is not luisy K, I can confirm

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<v Speaker 1>that null um and what and what what do you think?

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<v Speaker 1>What would you talk about? Which you know that was

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<v Speaker 1>very loaded thing to say. I knew it, knew what

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<v Speaker 1>she was asking though, like would you bring this up,

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<v Speaker 1>these past misdeeds? So I thought long and hard. I

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<v Speaker 1>consulted you all as listeners. There was a really great

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<v Speaker 1>back and forth, hundreds of comments and replies, and everyone

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<v Speaker 1>was really thoughtful, um as in full of thought, very

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<v Speaker 1>considerate and how you went about answering these questions and

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<v Speaker 1>talking to each other, and it was really kind of

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<v Speaker 1>great to see. I think no one got snippy or mad,

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<v Speaker 1>or was shitty or sarcastic. Everyone was really like, took

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<v Speaker 1>it seriously um And I appreciate that, and I think

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<v Speaker 1>that in itself to me, and I even said so

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<v Speaker 1>on the post was made me feel good about this

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<v Speaker 1>community of listeners um that we have here. So uh,

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<v Speaker 1>here's what I did. I thought long and hard, talked

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<v Speaker 1>to Emily about it as well, of course, and I

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<v Speaker 1>decided I would write this. Uh the this woman back

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<v Speaker 1>at the PR agency, I said this. I said, here's

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<v Speaker 1>the deal. I am a really big fan of this person.

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<v Speaker 1>I am a big big fan of his work over

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<v Speaker 1>the years, and ordinarily it would be a really good

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<v Speaker 1>get for this show. UM, top quality award winning actor.

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<v Speaker 1>I said, but I can't whitewash this. I can't ignore

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<v Speaker 1>this because that would do a disservice to my listeners. Um.

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<v Speaker 1>But I don't also want to make this a referendum

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<v Speaker 1>on this person or put this person on trial and

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<v Speaker 1>make them uncomfortable, because that's shitty to do to invite

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<v Speaker 1>someone on your show and then and then have like

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<v Speaker 1>a gotcha moment. Yeah, I'm not into that, Eve, That's

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<v Speaker 1>not cool. That's not what the show is. The show

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<v Speaker 1>is about talking about movies. And I said, of this

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<v Speaker 1>episode would be us doing that, I said, but I

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<v Speaker 1>would want to bring it up in the spirit of

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<v Speaker 1>having a dialogue about their progress and their uh regrets

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<v Speaker 1>and um in in the hope that we could all

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<v Speaker 1>move forward as a people and let me guess they passed. Well.

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<v Speaker 1>I gotta response back that I believe, And she said,

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<v Speaker 1>you know what. I showed this to him like verbatim,

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<v Speaker 1>and he actually really appreciated where you're coming from and

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<v Speaker 1>degrees and would do this. But our time in uh

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<v Speaker 1>New York is shorter than we thought. I don't think

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<v Speaker 1>we can do this now, but he does want to

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<v Speaker 1>come on in the future. That might have been a

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<v Speaker 1>bullshit way of saying like, Nope, we're only gonna do

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<v Speaker 1>you know, super friendly whitewashing ones. I guess so. But

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<v Speaker 1>like you said, in the past, isn't the soft past

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<v Speaker 1>just the non response? That's true. I could have gotten

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<v Speaker 1>no response or I don't know. Something about the way

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<v Speaker 1>she worded her response rang true, though, and I believe

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<v Speaker 1>that he was down with the way I presented the terms.

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<v Speaker 1>For lack of a better word, good on you, Chuck,

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<v Speaker 1>I mean, seriously, And it is tough because you know,

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<v Speaker 1>we're in the midst of this time where so many

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<v Speaker 1>genuinely awful people are getting taken to task and there

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<v Speaker 1>it's not a gray area per se. But is there redemption?

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<v Speaker 1>Can there be redemption for people that it depends on

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<v Speaker 1>the severity of the act and the willingness to make

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<v Speaker 1>it up to it and make moments how long ago?

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<v Speaker 1>What like people are a lot of people on our

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<v Speaker 1>Facebook page said, was this like someone in the last

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<v Speaker 1>year that did something awful? Was this something happened years ago?

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<v Speaker 1>Watching the Kavanaugh thing, they all made a very big

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<v Speaker 1>point of this is very serious. But it was thirty

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<v Speaker 1>six years ago, so it's like it's a weird time.

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<v Speaker 1>It's a very weird time. I mean, I have seen

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<v Speaker 1>this person that was gonna come on movie crush make

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<v Speaker 1>public amends seemed very genuinely regretful. It has had big

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<v Speaker 1>ramifications on his life. UM rightfully so. But it isn't

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<v Speaker 1>like the thing though, isn't sort of like, Okay, I'm

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<v Speaker 1>gonna make amends and me a kulpa, you know, because

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<v Speaker 1>I got caught and because it's fucking with my money.

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<v Speaker 1>I don't know, man, I think you have to make

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<v Speaker 1>that judgment yourself, whether whether you know to take it

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<v Speaker 1>at face value or whether they think anytime someone apologizes

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<v Speaker 1>publicly for something like that, every single person who watches

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<v Speaker 1>and listens has to make up their own mind about

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<v Speaker 1>whether or not they think that's a is uh genuine.

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<v Speaker 1>I felt like this guy's was genuine. And by the way,

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<v Speaker 1>when I said that it missed his life up in

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<v Speaker 1>a lot of way, I'm not saying like for him.

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<v Speaker 1>I'm saying there are a lot of a lot of

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<v Speaker 1>people on our Facebook page, UM talked about ramifications of

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<v Speaker 1>career in life and stuff like that. So that's that's

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<v Speaker 1>the only reason I bring that up. So it's a

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<v Speaker 1>weird time. I'm kind of glad this all happened because, um,

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<v Speaker 1>it's uh, it's just a weird time. And I don't

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<v Speaker 1>think anyone quite knows what to do. Some people have

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<v Speaker 1>a zero tolerance policy with anything like that person needs

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<v Speaker 1>to be dead and go away forever. Um. I don't know.

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<v Speaker 1>It's all tough, and I'm sure there are people have

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<v Speaker 1>there chomping in the bit, like who are you talking about?

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<v Speaker 1>But you know what, I think, at the end of

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<v Speaker 1>the day, it doesn't really matter. It doesn't because it's like,

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<v Speaker 1>it's it's it's a it's it's it's a very common

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<v Speaker 1>situation that we're in now, and there are grades of it,

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<v Speaker 1>and it's a matter of like where do you stand

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<v Speaker 1>on you know, being able to forgive and move on

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<v Speaker 1>and let people continue to live their lives or whether

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<v Speaker 1>you just like, you know, shut somebody down forever and

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<v Speaker 1>all time. And I think there's some people that deserve

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<v Speaker 1>to be shut down forever and all time. Yeah, Bill

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<v Speaker 1>Cosby's going to jail. Um, But also do like it's

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<v Speaker 1>a personal thing. Don't support that person's career anymore than

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<v Speaker 1>don't support them with your dollars. Um. I think it's

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<v Speaker 1>a very personal decision. So and also this the other thing,

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<v Speaker 1>since I'm on the stangent I'm sick of, is this

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<v Speaker 1>whole It's started with the locker room talk and this

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<v Speaker 1>boy's will be boys and in the Kavanaugh hearing with

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<v Speaker 1>you know, we drank beer and we did this, and like,

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<v Speaker 1>I never did that ship. I never got drunk in

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<v Speaker 1>high school to the point where I did something awful

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<v Speaker 1>to a woman. I always treated women and girls with

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<v Speaker 1>respect growing up because I was raised to do that.

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<v Speaker 1>So this I reject the notion that, like of locker

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<v Speaker 1>room talking, boys will be boys. Like, No, that's not

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<v Speaker 1>all boys and all men were not all like that.

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<v Speaker 1>So that's a shit excuse um for any actor or

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<v Speaker 1>politician to try it out there. Um. Anyway, I'm on

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<v Speaker 1>a soapbox. Let's get back to many crushing. Yeah, all right, everyone,

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<v Speaker 1>what can cleanse the palette better than troupe time? I'm

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<v Speaker 1>going to the movie crushers page as I do now,

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<v Speaker 1>I don't put these out anymore. Good lord, four seventy

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<v Speaker 1>two tropes. I love it. I love it. Keep them coming, everyone,

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<v Speaker 1>All right, I'm gonna start out this week everyone, And

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<v Speaker 1>by the way, I delete these as I go, so

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<v Speaker 1>if you've I don't know. If you get a notification

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<v Speaker 1>that your your comment has been deleted, it's not because

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<v Speaker 1>I don't like you because you did something wrong. Uh.

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<v Speaker 1>This because that's the only way I can keep up

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<v Speaker 1>with these tropes, just to delete them as I go

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<v Speaker 1>and hopefully the list get shorter. But it really doesn't.

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<v Speaker 1>Gabriel Cortez says, uh, when the heroes nice boss is

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<v Speaker 1>actually the bad guy and the mean boss is actually

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<v Speaker 1>the good guy, typical in spy cop thrillers. You got

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<v Speaker 1>five likes for that, Gabriel, that's a good one that

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<v Speaker 1>for sure happens. Um here with these tropes, everyone not required.

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<v Speaker 1>But uh, if you can think of a specific example

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<v Speaker 1>in a movie for some of these, that might be

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<v Speaker 1>fun too. Um farouk uh Baracott, great name. I love

0:12:55.960 --> 0:12:59.720
<v Speaker 1>the name, faruke U. The evil guy has a mustache goatee.

0:13:00.240 --> 0:13:04.319
<v Speaker 1>Very true. Bonus points for twirling it while laughing. Uh. Yeah,

0:13:04.360 --> 0:13:06.400
<v Speaker 1>I don't know if that trope has really ever happened

0:13:06.559 --> 0:13:10.040
<v Speaker 1>except for the initial You can't pay the rent I

0:13:10.080 --> 0:13:14.160
<v Speaker 1>can't pay the rent. You must pay the rent. Man.

0:13:14.400 --> 0:13:15.839
<v Speaker 1>I don't even know where that came from. That was

0:13:15.880 --> 0:13:19.120
<v Speaker 1>like a kid thing, uh, with a dastardly guy and

0:13:19.160 --> 0:13:22.680
<v Speaker 1>a and a lady. Yeah she was she tied to

0:13:22.760 --> 0:13:25.640
<v Speaker 1>the train tracks at the time, but it was something

0:13:25.679 --> 0:13:29.640
<v Speaker 1>like that. Remember Kenneth Branda's villain character and Wild Wild

0:13:29.640 --> 0:13:32.840
<v Speaker 1>West really really fit into this trope. He's got like

0:13:32.840 --> 0:13:34.640
<v Speaker 1>a crazy I never saw that. Yeah, it's not good,

0:13:34.760 --> 0:13:37.360
<v Speaker 1>don't worry about it. But you know the story though, right,

0:13:37.440 --> 0:13:39.680
<v Speaker 1>you know how it's like the Giant Spider, Giant Spider.

0:13:39.760 --> 0:13:43.680
<v Speaker 1>That's how fucking dude whose name I've forgotten now, well

0:13:43.720 --> 0:13:46.480
<v Speaker 1>he tells the story. But it was this producer who

0:13:46.600 --> 0:13:49.760
<v Speaker 1>used to be Barbara Streisand's hairdresser. Uh. And I can't

0:13:49.760 --> 0:13:52.160
<v Speaker 1>remember his name now, but he was like he was

0:13:52.200 --> 0:13:54.520
<v Speaker 1>a producer on like you know, the Tim Burton Batman,

0:13:54.559 --> 0:13:56.240
<v Speaker 1>I think, And that's sort of what got him like

0:13:56.320 --> 0:13:59.520
<v Speaker 1>really in the whole superhero world. And he was working

0:13:59.520 --> 0:14:01.960
<v Speaker 1>with Evan Smith to get him to write a draft

0:14:02.000 --> 0:14:04.920
<v Speaker 1>for this new Superman movie that Nick Cage was eventually

0:14:05.280 --> 0:14:08.640
<v Speaker 1>supposed to star in, and he insisted and he took

0:14:08.640 --> 0:14:10.800
<v Speaker 1>had a meeting in his house and he said, you

0:14:10.880 --> 0:14:14.000
<v Speaker 1>gotta have a giant spider and that ship and yeah,

0:14:14.840 --> 0:14:16.800
<v Speaker 1>well and then and then while while last is that

0:14:16.800 --> 0:14:21.040
<v Speaker 1>he finally got his giant spider sort of the great,

0:14:20.760 --> 0:14:23.800
<v Speaker 1>big big climax because he produced that movie as well.

0:14:24.400 --> 0:14:27.440
<v Speaker 1>Oh that's great, what a specific weird thing. I gotta

0:14:27.440 --> 0:14:31.160
<v Speaker 1>have a giant spider. Everybody, all right, we are moving

0:14:31.160 --> 0:14:37.240
<v Speaker 1>on then too. Um. Lauren Feeney says the maid or

0:14:37.280 --> 0:14:41.120
<v Speaker 1>gardener who never speaks any English, very true. That is

0:14:41.160 --> 0:14:43.600
<v Speaker 1>a probably a bit of a racist trope if you

0:14:43.640 --> 0:14:47.120
<v Speaker 1>think about it, and oftentimes in the past at least

0:14:47.120 --> 0:14:51.440
<v Speaker 1>has been played for comic effect. Um, you know, like

0:14:51.520 --> 0:14:55.280
<v Speaker 1>the the gardener out there who desperately needs to say

0:14:55.280 --> 0:14:58.400
<v Speaker 1>something to the homeowner but they don't speak English. Yeah,

0:14:58.400 --> 0:15:01.040
<v Speaker 1>it's like it reminds me of Manuel on Fawlty Towers.

0:15:01.080 --> 0:15:03.840
<v Speaker 1>Have you seen Faulty Towers? Dude, I loved Faulty. That's

0:15:03.960 --> 0:15:09.280
<v Speaker 1>so great, But that character is very problematic Manuel Well, sure, yeah,

0:15:09.320 --> 0:15:11.600
<v Speaker 1>because he like doesn't speak English and he's trying to

0:15:11.680 --> 0:15:16.360
<v Speaker 1>learn English, but he's always getting into Kokie misadventures because

0:15:16.400 --> 0:15:18.880
<v Speaker 1>he can't quite express himself even though he's the one

0:15:18.920 --> 0:15:21.200
<v Speaker 1>that always knows the thing that's going to solve the

0:15:21.240 --> 0:15:25.720
<v Speaker 1>problem for Faulty John Clie's character, Um, but he can't

0:15:25.760 --> 0:15:27.680
<v Speaker 1>quite express it to him. And then Faulty just gets

0:15:27.920 --> 0:15:30.640
<v Speaker 1>enraged at him because he this. You know, he can't

0:15:30.640 --> 0:15:33.360
<v Speaker 1>speak English, and that's that's the literally the heart of

0:15:33.360 --> 0:15:35.960
<v Speaker 1>the joke, because he can't speak English. Yeah, alright. We

0:15:36.000 --> 0:15:38.200
<v Speaker 1>move on to Michael Green. The water spray from a

0:15:38.240 --> 0:15:40.560
<v Speaker 1>car too close to the curb after a rainy date

0:15:40.600 --> 0:15:43.280
<v Speaker 1>that splashes the guy or the gal waiting at the

0:15:43.320 --> 0:15:47.040
<v Speaker 1>bus stop after an already crappy morning. Michael, you are

0:15:47.120 --> 0:15:49.440
<v Speaker 1>on the money there, my friend. That is a trope

0:15:49.440 --> 0:15:53.560
<v Speaker 1>of all tropes. Water splash from the car. I think

0:15:53.560 --> 0:15:55.320
<v Speaker 1>about that when it's raining hard and I see people

0:15:55.360 --> 0:15:58.800
<v Speaker 1>walking on the street. I've seen people get seriously splashed

0:15:58.800 --> 0:16:01.000
<v Speaker 1>and always feel bad for him. I'm having a deja

0:16:01.040 --> 0:16:02.920
<v Speaker 1>vu moment here, Chuck. I feel like we've if we

0:16:02.960 --> 0:16:04.960
<v Speaker 1>haven't mentioned it in trope time, we've certainly mentioned it

0:16:04.960 --> 0:16:07.720
<v Speaker 1>in some context before. But it's also like it's all

0:16:07.720 --> 0:16:11.080
<v Speaker 1>about adding insult to injury, where it's like someone's already

0:16:11.080 --> 0:16:13.440
<v Speaker 1>having a terrible day and then you know all this

0:16:13.480 --> 0:16:15.760
<v Speaker 1>bad stuffs happened that their dog died, and then they're

0:16:15.760 --> 0:16:19.040
<v Speaker 1>walking along and then it's like, seriously, it's like the splash.

0:16:19.080 --> 0:16:22.880
<v Speaker 1>It's like, come on, come on. They always say that too,

0:16:23.120 --> 0:16:27.920
<v Speaker 1>come on, come on, alright, Michael Castro with the poker trope,

0:16:28.360 --> 0:16:30.360
<v Speaker 1>good guy always wins the big pot at the end

0:16:30.400 --> 0:16:34.600
<v Speaker 1>with an amazing hand. That is true, Michael, and very

0:16:34.720 --> 0:16:39.680
<v Speaker 1>much a movie trope because if you've ever played poker, um,

0:16:39.760 --> 0:16:42.480
<v Speaker 1>you know, sometimes you get that amazing hand, but most

0:16:42.520 --> 0:16:47.240
<v Speaker 1>hands in with a bluff on a pair of jack's.

0:16:48.680 --> 0:16:51.720
<v Speaker 1>You know, that's real poker, everybody, which I really have

0:16:51.800 --> 0:16:53.760
<v Speaker 1>no no idea about, not much of a poke. Well.

0:16:53.800 --> 0:16:56.600
<v Speaker 1>And also the bad guy cheats. That's a bit of

0:16:56.600 --> 0:16:59.280
<v Speaker 1>a trope too. The bad guys chets. He's either guy

0:16:59.360 --> 0:17:02.120
<v Speaker 1>like a and a s up as sleeve or he

0:17:02.360 --> 0:17:05.360
<v Speaker 1>has a secret card under the table that he shuffles

0:17:05.400 --> 0:17:09.600
<v Speaker 1>into the deck where just see where that happened. I

0:17:09.680 --> 0:17:13.160
<v Speaker 1>just saw a movie. I can't remember what it was. Now,

0:17:13.280 --> 0:17:16.800
<v Speaker 1>have you seen Rounders? I watched that pretty recently and

0:17:16.880 --> 0:17:18.560
<v Speaker 1>I think it holds up. That's a good poker I

0:17:18.560 --> 0:17:20.760
<v Speaker 1>thought it was a good poker movie. Yeah, remember Maverick,

0:17:20.920 --> 0:17:24.080
<v Speaker 1>that was another good poker movie. It's Mel Gibson cowboy

0:17:24.080 --> 0:17:27.400
<v Speaker 1>poker movie. Yeah, that's a There was the old TV

0:17:27.440 --> 0:17:31.960
<v Speaker 1>show Maverick and that's the movie version. Years later, Don

0:17:32.040 --> 0:17:36.600
<v Speaker 1>Morris nervous kid must use asthma and Haylor for sure.

0:17:37.240 --> 0:17:39.280
<v Speaker 1>And I'm gonna go ahead and read down here because

0:17:39.320 --> 0:17:42.320
<v Speaker 1>Don Morris and Kelly Shank had a little convo. Uh

0:17:42.359 --> 0:17:44.760
<v Speaker 1>and Kelly said, and they never use the in haler

0:17:45.480 --> 0:17:49.200
<v Speaker 1>the right way. Never. Don replies to Kelly, what's the

0:17:49.280 --> 0:17:52.320
<v Speaker 1>right way? What's the right way? Well, I don't know.

0:17:52.640 --> 0:17:56.840
<v Speaker 1>Um well, Don says, never ever and also in Hailer's

0:17:56.840 --> 0:17:59.680
<v Speaker 1>a the opposite of calming. And then Kelly responds, exactly

0:17:59.720 --> 0:18:02.679
<v Speaker 1>of ever seen the women and my family have asthma

0:18:02.800 --> 0:18:05.439
<v Speaker 1>tax because they're nervous or overly excited. It's usually air

0:18:05.520 --> 0:18:09.919
<v Speaker 1>quality over exertion. That's a good point. So we have

0:18:10.000 --> 0:18:12.600
<v Speaker 1>some asthmatics really getting Yeah, well, I guess the thing too,

0:18:12.640 --> 0:18:14.240
<v Speaker 1>is like the idea of an inhaler is that it

0:18:14.240 --> 0:18:16.520
<v Speaker 1>gives you instant relief or like that's sort of I

0:18:16.520 --> 0:18:18.560
<v Speaker 1>think what the trope is playing on. Whereas if you

0:18:18.600 --> 0:18:21.960
<v Speaker 1>were really having an anxiety attack, it's not quite as

0:18:22.040 --> 0:18:23.720
<v Speaker 1>a media of a thing, if you like popped a

0:18:23.760 --> 0:18:26.320
<v Speaker 1>pill or something like that. In Haler is almost like,

0:18:28.400 --> 0:18:30.360
<v Speaker 1>you know, it's like, okay, I'm better now. Yeah. Yeah.

0:18:30.840 --> 0:18:32.399
<v Speaker 1>The way you did that made me think of Dennis

0:18:32.400 --> 0:18:38.600
<v Speaker 1>Hopper inhaling its matress and get out of the car.

0:18:41.119 --> 0:18:47.960
<v Speaker 1>Such a great scar really really insane. Frank booth Man, God,

0:18:48.119 --> 0:18:50.720
<v Speaker 1>oh my god, my brother I might have told the

0:18:50.720 --> 0:18:52.520
<v Speaker 1>story before. He told me about that movie when he

0:18:52.520 --> 0:18:53.960
<v Speaker 1>was in college and I was in high school. He

0:18:54.000 --> 0:18:56.719
<v Speaker 1>was like, man, uh, you gotta watch this movie called

0:18:56.760 --> 0:18:59.520
<v Speaker 1>Blue Velvet. I never heard of David Lynch at that point.

0:19:00.119 --> 0:19:03.159
<v Speaker 1>And you know, Scott always fed me good culture, but

0:19:04.680 --> 0:19:08.080
<v Speaker 1>that was a mind blower in high school. Cannon Fatigue,

0:19:08.800 --> 0:19:12.560
<v Speaker 1>great name horror movie trope. Group of people always split

0:19:12.640 --> 0:19:16.240
<v Speaker 1>up and are inevitably picked off one by one for sure.

0:19:17.600 --> 0:19:20.359
<v Speaker 1>And then Joel responds to him, Joel Coleman and no

0:19:20.400 --> 0:19:23.840
<v Speaker 1>one wears sensible shoes when running through the woods. Uh,

0:19:24.160 --> 0:19:26.000
<v Speaker 1>that's true. Sometimes you don't have a choice, though, Joel.

0:19:26.080 --> 0:19:28.280
<v Speaker 1>If you're all of a sudden face with a murder,

0:19:28.480 --> 0:19:32.119
<v Speaker 1>you gotta you know the old saying, dodge the murderer

0:19:32.160 --> 0:19:38.480
<v Speaker 1>with the shoes. You're in be the shoes you want

0:19:38.480 --> 0:19:42.800
<v Speaker 1>to see in the world. What, Yeah, that's crazy, don't

0:19:42.840 --> 0:19:46.760
<v Speaker 1>worry about it. Um Oh, here's a good one, Tom Skidmore,

0:19:47.600 --> 0:19:51.560
<v Speaker 1>this is a quote trope, a line trope. Take these

0:19:51.560 --> 0:19:54.000
<v Speaker 1>handcuffs off and we'll see who the tough guy is.

0:19:55.920 --> 0:19:58.639
<v Speaker 1>That's a good one. I here's nothing good trope as

0:19:58.760 --> 0:20:04.280
<v Speaker 1>the really really painful, uncomfortable close up shot of somebody

0:20:04.760 --> 0:20:08.679
<v Speaker 1>squeezing their hands out of some sort of bond, you know,

0:20:08.920 --> 0:20:11.439
<v Speaker 1>whether it's like wire wrapped around the wrists or the

0:20:11.480 --> 0:20:14.159
<v Speaker 1>handcuffs or like you break your thumb and do it

0:20:14.240 --> 0:20:17.399
<v Speaker 1>or whatever, you know, super cut of that. I know

0:20:17.480 --> 0:20:19.760
<v Speaker 1>I would not want to see that the nail file

0:20:19.800 --> 0:20:22.399
<v Speaker 1>that you managed to saw through like, that's that's fine.

0:20:22.720 --> 0:20:26.400
<v Speaker 1>I'm more talking about like the really painful, bloody bruise,

0:20:26.960 --> 0:20:30.200
<v Speaker 1>like pulling the hand out of some kind of horrible situations.

0:20:30.480 --> 0:20:32.919
<v Speaker 1>That there's a really crazy shot like that in Mandy,

0:20:33.119 --> 0:20:35.840
<v Speaker 1>which I keep harping on, which I really really wanted

0:20:35.880 --> 0:20:37.960
<v Speaker 1>to see it. I know, you know how I can

0:20:37.960 --> 0:20:40.720
<v Speaker 1>see it, and so I will watch it very soon. Good,

0:20:40.800 --> 0:20:44.480
<v Speaker 1>all right. Gabriel Cortez says the context varies a lot

0:20:44.480 --> 0:20:48.879
<v Speaker 1>in this one, but it's so overused. Here's the situation, everyone,

0:20:49.000 --> 0:20:52.359
<v Speaker 1>Person one, I need to tell you something important. Person

0:20:52.400 --> 0:20:55.480
<v Speaker 1>to me too, let me say my thing. First, Person

0:20:55.480 --> 0:20:58.240
<v Speaker 1>too says their thing. Person Too then says, now, what

0:20:58.280 --> 0:21:00.760
<v Speaker 1>did you want to tell me? Person one says something

0:21:00.800 --> 0:21:04.959
<v Speaker 1>other than the original thing that they wanted to say. Uh,

0:21:05.000 --> 0:21:08.639
<v Speaker 1>that's a big one. And it's usually like in the

0:21:08.680 --> 0:21:10.960
<v Speaker 1>context of person one is in love with person to

0:21:11.560 --> 0:21:13.359
<v Speaker 1>have something I want to tell you, and they're clearly

0:21:13.359 --> 0:21:15.439
<v Speaker 1>going to out themselves and say that I love you.

0:21:15.880 --> 0:21:18.840
<v Speaker 1>Person Too says something like I'm going on a date

0:21:18.880 --> 0:21:22.240
<v Speaker 1>this Friday. And then person number one says they're They're like,

0:21:22.359 --> 0:21:24.320
<v Speaker 1>what were you gonna tell me? What was your important

0:21:24.320 --> 0:21:29.840
<v Speaker 1>thing in? Person number one says, oh, I I I

0:21:29.960 --> 0:21:33.040
<v Speaker 1>got off work early today. I have a really bad

0:21:33.080 --> 0:21:38.640
<v Speaker 1>bunyan thinking about going on the pediatrists can check that.

0:21:38.640 --> 0:21:41.600
<v Speaker 1>That's a good one. Gabriel, very good. And then we

0:21:41.640 --> 0:21:45.640
<v Speaker 1>will finish up troupe time with one of my favorite

0:21:45.680 --> 0:21:52.679
<v Speaker 1>movie crushers, Stellin Carlson, my pal. Everyone, Uh, here we go.

0:21:52.760 --> 0:21:56.160
<v Speaker 1>Person walks into a saloon, the piano stops playing, people

0:21:56.200 --> 0:21:58.680
<v Speaker 1>stop playing cards. Feels like a trope, but I might

0:21:58.720 --> 0:22:02.159
<v Speaker 1>have just seen several parodies of this one specific scene. No, no,

0:22:02.240 --> 0:22:03.879
<v Speaker 1>I'm sure it started off as a trope and then

0:22:03.880 --> 0:22:06.280
<v Speaker 1>it became, you know, just part of the zeit geis

0:22:06.320 --> 0:22:08.760
<v Speaker 1>to the point where it's definitely it's been both it's

0:22:08.760 --> 0:22:12.000
<v Speaker 1>still in parody as those are the best kinds of

0:22:12.040 --> 0:22:15.200
<v Speaker 1>tropes that are elevated so high that then you can

0:22:15.200 --> 0:22:17.880
<v Speaker 1>parody them and still you can do whatever you Yeah, exactly,

0:22:17.960 --> 0:22:23.640
<v Speaker 1>I love it. Good stuff Stelling and it's Stellan okay

0:22:23.680 --> 0:22:25.920
<v Speaker 1>because I like Stelling. Yeah, I mean you can, I

0:22:25.920 --> 0:22:28.119
<v Speaker 1>think you can lean into the stuff. But uh, you know,

0:22:28.160 --> 0:22:31.879
<v Speaker 1>you got like the Scarce guards, the Stelling Scarce Guard. Yeah.

0:22:32.080 --> 0:22:34.760
<v Speaker 1>And I don't say Stellen Brown, but you could. He

0:22:34.840 --> 0:22:37.119
<v Speaker 1>might say it that way, not to ask him. You know.

0:22:37.119 --> 0:22:40.760
<v Speaker 1>One of my favorite all time bad funny Saturday Live

0:22:40.840 --> 0:22:45.000
<v Speaker 1>bits was, uh, Peter stars Guard was the host and

0:22:45.040 --> 0:22:48.800
<v Speaker 1>that was during the Stars Yes, and he did it

0:22:48.920 --> 0:22:51.240
<v Speaker 1>was so stupid. I love it. I love dumb jokes.

0:22:51.560 --> 0:22:53.960
<v Speaker 1>He did a whole bit on the Stars Guard Stars

0:22:53.960 --> 0:22:57.560
<v Speaker 1>Guard that he invented, which was like guards you against stars. Yeah,

0:22:57.560 --> 0:22:59.399
<v Speaker 1>it was I think they just used like a little

0:22:59.520 --> 0:23:04.080
<v Speaker 1>uh allergy mask or whatever as the prop but it

0:23:04.160 --> 0:23:07.400
<v Speaker 1>was The Stars Guard Stars Classics. That's very funny, good,

0:23:07.440 --> 0:23:17.159
<v Speaker 1>good word play, wonderful. All right, we're gonna move on

0:23:17.160 --> 0:23:26.960
<v Speaker 1>to social studies, everybody. So I posted a question this morning, um,

0:23:27.000 --> 0:23:29.199
<v Speaker 1>and I didn't give you much time, so I apologize

0:23:29.240 --> 0:23:32.639
<v Speaker 1>for that. But like I said, things have been busy lately,

0:23:33.280 --> 0:23:38.399
<v Speaker 1>so let's go. Oh. Actually, boy, people are up early.

0:23:39.160 --> 0:23:42.680
<v Speaker 1>I got a hundred and fifty three comments. Geez, here's

0:23:42.680 --> 0:23:45.280
<v Speaker 1>a question, what's your favorite documentary? In fact, I might

0:23:45.359 --> 0:23:46.880
<v Speaker 1>leave this one open everyone and just kind of read

0:23:46.880 --> 0:23:49.200
<v Speaker 1>on it from time to time because this falls under

0:23:49.240 --> 0:23:54.240
<v Speaker 1>the the category of recommendations from listeners, which are always great.

0:23:54.320 --> 0:23:56.040
<v Speaker 1>So I'm gonna leave this up. We're gonna go with

0:23:56.080 --> 0:24:00.480
<v Speaker 1>Amanda Galina searching for sugar Man for sure? Do you

0:24:00.520 --> 0:24:02.359
<v Speaker 1>see that one? Noll? Now, we've talked about this and

0:24:02.400 --> 0:24:04.960
<v Speaker 1>I still have yet to see it. I've heard nothing

0:24:05.000 --> 0:24:10.280
<v Speaker 1>but glowing reviews. Well it's a music guy right up here, ally, Um,

0:24:10.280 --> 0:24:13.439
<v Speaker 1>Tom's uh, well this Tom again? Tom Skidmore says the

0:24:13.480 --> 0:24:16.040
<v Speaker 1>Barkley Marathons. I haven't heard of that either, but he

0:24:16.080 --> 0:24:19.440
<v Speaker 1>gives it a rating of amaze balls. That's top rating

0:24:19.720 --> 0:24:23.199
<v Speaker 1>if you're talking balls. How many amaze balls? Well, just

0:24:23.600 --> 0:24:25.800
<v Speaker 1>and out of one amaze balls. But that's all you need.

0:24:25.840 --> 0:24:29.760
<v Speaker 1>That's like, okay, yeah, we should consider switching the Mini

0:24:30.119 --> 0:24:33.639
<v Speaker 1>Crush to judgment review system from thumbs to amaze balls

0:24:34.520 --> 0:24:38.879
<v Speaker 1>or maybe amaze balls would be a perfect score, but

0:24:39.000 --> 0:24:41.480
<v Speaker 1>then other balls ratings. No, I think we stick with

0:24:41.560 --> 0:24:43.520
<v Speaker 1>thumbs if we're giving it like a grade, like a

0:24:43.640 --> 0:24:45.239
<v Speaker 1>you know, like three out of five thombs. But if

0:24:45.240 --> 0:24:49.160
<v Speaker 1>it's five out of five, then it becomes one amaze ball. Okay,

0:24:49.440 --> 0:24:51.840
<v Speaker 1>five thumbs equal? What to make Yeah, there's something really

0:24:51.880 --> 0:24:55.000
<v Speaker 1>dirty about that, you know, speaking of Brick Kavanaugh. Um,

0:24:55.160 --> 0:25:00.360
<v Speaker 1>no one was talking about Breaca. Uh. Let me see here.

0:25:02.240 --> 0:25:05.600
<v Speaker 1>Eric Golden says, not a film, but Anthony Bourdain's shows

0:25:06.320 --> 0:25:10.119
<v Speaker 1>no reservations and parts unknown spotlight human stories across the

0:25:10.160 --> 0:25:13.679
<v Speaker 1>globe through a great New York attitude of not judging

0:25:13.720 --> 0:25:17.320
<v Speaker 1>a book by its cover, healthy reminder of empathy and exploration.

0:25:17.560 --> 0:25:20.239
<v Speaker 1>R I P. Eric, I read that because you were

0:25:20.280 --> 0:25:22.720
<v Speaker 1>right on the money man. Not a documentary, but it's

0:25:22.760 --> 0:25:27.280
<v Speaker 1>got all the great um it qualifies to me as

0:25:27.280 --> 0:25:29.720
<v Speaker 1>a documentary even though it's a multi part series. You know,

0:25:29.760 --> 0:25:32.240
<v Speaker 1>I'm ashamed to say that I had never really seen

0:25:32.359 --> 0:25:35.360
<v Speaker 1>his show until after he passed away, and I watched

0:25:35.400 --> 0:25:38.040
<v Speaker 1>a handful. Um which one the one where he went

0:25:38.040 --> 0:25:40.360
<v Speaker 1>to both I was no reservations where he went to Columbia.

0:25:40.440 --> 0:25:42.800
<v Speaker 1>I saw that one. And it's just so great because

0:25:42.840 --> 0:25:46.240
<v Speaker 1>he's just such an intuitive was such an intuitive, kind

0:25:46.800 --> 0:25:51.720
<v Speaker 1>like giving, you know, generous guy who genuinely wanted to

0:25:53.200 --> 0:25:55.120
<v Speaker 1>just be a part of what he was a part

0:25:55.160 --> 0:25:56.760
<v Speaker 1>of and just like the experienced thing. And that's what

0:25:56.880 --> 0:25:58.680
<v Speaker 1>that's the hallmark of a good documentary. And it's like

0:25:58.720 --> 0:26:02.120
<v Speaker 1>someone who really can get in there and not not

0:26:02.359 --> 0:26:04.520
<v Speaker 1>call attention to the fact that, hey, we're making a thing.

0:26:04.560 --> 0:26:06.240
<v Speaker 1>It's just kind of like be the thing and live

0:26:06.320 --> 0:26:09.360
<v Speaker 1>the thing. And I could also see why he might

0:26:09.400 --> 0:26:11.840
<v Speaker 1>have had some of the sadness that he had. Um.

0:26:11.880 --> 0:26:14.760
<v Speaker 1>I mean, you can't know somebody's heart in that way,

0:26:14.760 --> 0:26:18.399
<v Speaker 1>but it's like you could tell that he knew that

0:26:18.440 --> 0:26:21.040
<v Speaker 1>he was privileged and that he was able to do

0:26:21.080 --> 0:26:24.240
<v Speaker 1>all these amazing things and experience all these fantastic uh

0:26:24.800 --> 0:26:26.760
<v Speaker 1>parts of different cultures. But you could also tell that

0:26:26.800 --> 0:26:29.040
<v Speaker 1>it may be bothered him a little bit that he

0:26:29.280 --> 0:26:32.120
<v Speaker 1>was just kind of swooping in there and then air

0:26:32.160 --> 0:26:34.080
<v Speaker 1>lifting out while the people that he left on the

0:26:34.080 --> 0:26:36.840
<v Speaker 1>ground were still going through life and not the most

0:26:36.840 --> 0:26:38.920
<v Speaker 1>optimal of circumstances. You could tell it that could probably

0:26:38.920 --> 0:26:40.480
<v Speaker 1>like war on him a little bit after time. That's

0:26:40.520 --> 0:26:44.199
<v Speaker 1>my theory. Yeah, I agree, man. I think I was

0:26:44.240 --> 0:26:47.720
<v Speaker 1>a big fan of the guy. Uh. And I think, um,

0:26:47.760 --> 0:26:51.639
<v Speaker 1>authenticity is a trait that is very attractive to me

0:26:51.760 --> 0:26:55.080
<v Speaker 1>and people, and Anthony Bourdain, if nothing else, was a

0:26:55.119 --> 0:26:58.040
<v Speaker 1>very genuine authentic guy. Always liked him and as a

0:26:58.080 --> 0:26:59.879
<v Speaker 1>big top chef fans who was always a treat when

0:26:59.880 --> 0:27:03.280
<v Speaker 1>you is on there as a guest judge. H Stephanie

0:27:03.720 --> 0:27:07.080
<v Speaker 1>greg Olas says lately it's absolutely Won't You Be My Neighbor?

0:27:07.560 --> 0:27:09.800
<v Speaker 1>Not sure it's my all time favorite, but the last

0:27:09.800 --> 0:27:14.119
<v Speaker 1>waltz is pretty amazing. Uh, such great performances, when I

0:27:14.160 --> 0:27:17.440
<v Speaker 1>think is the most perfect concert film I've ever seen. Stephanie, Um,

0:27:17.520 --> 0:27:19.280
<v Speaker 1>you are welcome to come over and move into my

0:27:19.320 --> 0:27:23.240
<v Speaker 1>house and live with me and my wife and my daughter. Um,

0:27:23.440 --> 0:27:26.879
<v Speaker 1>no problem, You're you're our new roommate. Because I just

0:27:26.920 --> 0:27:29.600
<v Speaker 1>saw Won't You Be My Neighbor a couple of weeks ago,

0:27:30.359 --> 0:27:34.800
<v Speaker 1>and it is a beautiful, beautiful film and I defy

0:27:34.880 --> 0:27:37.320
<v Speaker 1>anyone to watch that movie and not to cry like

0:27:37.400 --> 0:27:40.880
<v Speaker 1>a baby. Um great, I haven't seen it yet, but

0:27:41.800 --> 0:27:43.359
<v Speaker 1>I don't know. I could use a good cry. Is

0:27:43.400 --> 0:27:46.480
<v Speaker 1>it a positive cry? Yes? Yeah, that's how to keep

0:27:46.520 --> 0:27:50.479
<v Speaker 1>hearing it. It is now more than ever. Everyone go watch. Uh,

0:27:51.080 --> 0:27:53.440
<v Speaker 1>won't you be my neighbor? You need it? Okay, I

0:27:53.920 --> 0:27:56.439
<v Speaker 1>want it, Chuck, I want it. Mr Fred Rogers is

0:27:56.520 --> 0:27:59.520
<v Speaker 1>a He's one of those where's the real deal? Right? Yeah? Man,

0:27:59.600 --> 0:28:02.879
<v Speaker 1>you're like waiting for the the real story, the cracks.

0:28:02.920 --> 0:28:05.080
<v Speaker 1>What was he really like? He was really fucking Fred

0:28:05.200 --> 0:28:11.560
<v Speaker 1>Rogers on and off to the core, genuinely great, great,

0:28:11.840 --> 0:28:15.399
<v Speaker 1>great man and just curious to write. Curious and just

0:28:16.960 --> 0:28:19.760
<v Speaker 1>I mean the way he treated kids. And John Hodgment

0:28:19.800 --> 0:28:21.600
<v Speaker 1>told me this when I had a U when when

0:28:21.600 --> 0:28:25.400
<v Speaker 1>I got Ruby I he said, my friend, he said,

0:28:25.440 --> 0:28:28.800
<v Speaker 1>you will never get better parenting advice than you will

0:28:28.840 --> 0:28:31.480
<v Speaker 1>from Fred Rogers. He went go get his books on

0:28:31.560 --> 0:28:35.720
<v Speaker 1>child rearing. He was a true genius, and um, beyond genius.

0:28:35.760 --> 0:28:39.320
<v Speaker 1>I mean there was obviously some human sciences to it

0:28:39.400 --> 0:28:43.200
<v Speaker 1>and psychology to it that was valid, but he just

0:28:43.320 --> 0:28:49.280
<v Speaker 1>respected children and there what they had to say and

0:28:49.320 --> 0:28:52.840
<v Speaker 1>their emotions and their feelings. It was not a put on.

0:28:53.000 --> 0:28:57.680
<v Speaker 1>It was it was real and a pretty great lesson

0:28:58.240 --> 0:29:00.760
<v Speaker 1>for everyone in this day and age. And the Last

0:29:00.760 --> 0:29:04.400
<v Speaker 1>Waltz Stephanie, good Lord, do you want to be my roommate?

0:29:04.600 --> 0:29:08.280
<v Speaker 1>Is that what you're after? Everyone knows the band is

0:29:08.320 --> 0:29:09.959
<v Speaker 1>one of my favorite bands of all time. Oh, you're

0:29:09.960 --> 0:29:12.880
<v Speaker 1>talking about Last Waltz. That's a good one. That's a

0:29:12.920 --> 0:29:14.960
<v Speaker 1>good times. Have I seen it? Yeah, it's really great.

0:29:15.120 --> 0:29:17.040
<v Speaker 1>Just the thing about that too, is like it's a

0:29:17.080 --> 0:29:21.320
<v Speaker 1>performance documentary performance film, and the performances are amazing, and

0:29:21.360 --> 0:29:23.720
<v Speaker 1>but the backstage stuff and all of the stuff surrounding it,

0:29:23.720 --> 0:29:25.800
<v Speaker 1>it's like it's like a real slice of life, and

0:29:26.000 --> 0:29:28.960
<v Speaker 1>it doesn't feel like here's bonus material of the dudes

0:29:29.040 --> 0:29:31.680
<v Speaker 1>kicking it backstage. It's very like time and place and

0:29:31.760 --> 0:29:36.360
<v Speaker 1>Neil Young's there. And is that cocaine booger old cocaine bugger? Yeah,

0:29:36.600 --> 0:29:40.000
<v Speaker 1>everyone brings that up. It's because it's great, it's funny.

0:29:40.120 --> 0:29:43.640
<v Speaker 1>That's one of the great document pieces of documentary lore

0:29:43.680 --> 0:29:46.640
<v Speaker 1>of all time, is the Neil Young cocaine Bugger. Uh. Yeah.

0:29:46.680 --> 0:29:49.440
<v Speaker 1>I've read all the band doctor books and biographies and

0:29:49.480 --> 0:29:52.080
<v Speaker 1>I'm a huge, huge, fan was that I was lucky

0:29:52.200 --> 0:29:55.280
<v Speaker 1>enough to see the great lem On Helm before he

0:29:55.320 --> 0:29:58.840
<v Speaker 1>passed away perform with my good buddy Eddie. And by

0:29:58.840 --> 0:30:02.080
<v Speaker 1>the way, on Once you Be my name her Um

0:30:02.280 --> 0:30:04.959
<v Speaker 1>Scotty who just was on the show and it's been

0:30:05.000 --> 0:30:06.800
<v Speaker 1>on the show before with the close Encounters of the

0:30:06.840 --> 0:30:10.680
<v Speaker 1>third time, he uh shot some of those interviews. So

0:30:11.160 --> 0:30:13.760
<v Speaker 1>stick around for the credits everyone additional camera work. Scott

0:30:13.760 --> 0:30:16.200
<v Speaker 1>I polito, very proud of my pal for that one.

0:30:18.120 --> 0:30:21.880
<v Speaker 1>All right, let's do a couple of more here. Um

0:30:21.920 --> 0:30:26.800
<v Speaker 1>Adam Papuga says, Fog of war for sure, dude, great

0:30:26.840 --> 0:30:29.280
<v Speaker 1>great movie. The inside of Robert McNamara into some of

0:30:29.760 --> 0:30:33.840
<v Speaker 1>America's more controversial periods was gripping viewing, and Errol Morris's

0:30:33.840 --> 0:30:37.040
<v Speaker 1>stylistic choices as a director were fantastic. Do you ever

0:30:37.080 --> 0:30:38.680
<v Speaker 1>see that one? I did? And that one's neat too,

0:30:38.720 --> 0:30:40.920
<v Speaker 1>because it's so simple. It's like just a lot of

0:30:41.040 --> 0:30:44.840
<v Speaker 1>McNamara just talking and but but it's the way he

0:30:45.160 --> 0:30:48.040
<v Speaker 1>edits it and the way he captures the guy's personality

0:30:48.080 --> 0:30:52.320
<v Speaker 1>and experience. And Morris is a very no nonsense doc maker,

0:30:52.480 --> 0:30:56.320
<v Speaker 1>you know, yeah his in Tarratron, Yeah yeah, And I

0:30:56.320 --> 0:30:58.640
<v Speaker 1>guess he started off doing a lot of like recreation

0:30:58.720 --> 0:31:01.000
<v Speaker 1>type stuff, like with thin blue line, which is great,

0:31:01.120 --> 0:31:02.760
<v Speaker 1>it is great, but then he kind of moved away

0:31:02.760 --> 0:31:04.440
<v Speaker 1>from that and got a little bit more in the

0:31:04.560 --> 0:31:09.000
<v Speaker 1>kind of veritas kind of you know, documentary style. Um,

0:31:09.000 --> 0:31:12.320
<v Speaker 1>really really great. Yeah. Yeah, for everyone who doesn't know

0:31:12.360 --> 0:31:14.479
<v Speaker 1>what the interratron is, that weird word I just throughout

0:31:14.880 --> 0:31:18.400
<v Speaker 1>That was what Errol Morris called his his his invention,

0:31:18.480 --> 0:31:21.920
<v Speaker 1>which was if you've ever seen in Errol Morris documentary, um,

0:31:22.040 --> 0:31:23.960
<v Speaker 1>they were. People are doing this more and more now

0:31:23.960 --> 0:31:25.640
<v Speaker 1>because of Errol Morris, but at the time it was

0:31:25.720 --> 0:31:29.560
<v Speaker 1>very unusual and that most framing of a documentary shot

0:31:30.320 --> 0:31:33.960
<v Speaker 1>is an over the shoulder. That is a well, not

0:31:34.000 --> 0:31:36.800
<v Speaker 1>in over the shoulder. I take that back. It's a

0:31:36.840 --> 0:31:41.560
<v Speaker 1>person talking to someone else. The person being interviewed for

0:31:41.640 --> 0:31:43.960
<v Speaker 1>lack of a better word, is on camera, and that

0:31:44.040 --> 0:31:46.600
<v Speaker 1>camera is set up to the usually to the left

0:31:46.680 --> 0:31:49.200
<v Speaker 1>or right of the person interviewing, so you have this

0:31:49.280 --> 0:31:53.040
<v Speaker 1>sort of angled shot of a person looking past the

0:31:53.120 --> 0:31:55.920
<v Speaker 1>camera to clearly what is a human being. Errol Morris

0:31:55.920 --> 0:31:58.200
<v Speaker 1>brought it to the first person and he had been

0:31:58.200 --> 0:32:00.240
<v Speaker 1>in something called the interrotron. So what he what he

0:32:00.280 --> 0:32:02.000
<v Speaker 1>did was he had to jerry rigg it at first,

0:32:02.000 --> 0:32:03.680
<v Speaker 1>but then was able to build it for real as

0:32:03.800 --> 0:32:06.880
<v Speaker 1>as it developed as a piece of technology. But it

0:32:07.040 --> 0:32:11.960
<v Speaker 1>is basically, it's superimposes Errol Morris's face on a screen

0:32:12.440 --> 0:32:15.720
<v Speaker 1>that sits in front of the camera lens. So the

0:32:15.800 --> 0:32:20.560
<v Speaker 1>person being interviewed is speaking to Errol Morris's face. Like

0:32:21.000 --> 0:32:24.160
<v Speaker 1>imagine putting an iPad in front of a camera lens,

0:32:24.200 --> 0:32:26.760
<v Speaker 1>but you could shoot through that iPad as well, So

0:32:26.880 --> 0:32:29.560
<v Speaker 1>Errol Morris's face is there. They're speaking to him directly,

0:32:30.280 --> 0:32:32.520
<v Speaker 1>but you're but you're looking directly into the lens. So

0:32:32.560 --> 0:32:36.360
<v Speaker 1>that's what gets that first person effect of the people

0:32:36.440 --> 0:32:38.800
<v Speaker 1>speaking directly to camera. And he became very well known

0:32:38.800 --> 0:32:41.680
<v Speaker 1>for that shot, and a lot of documentaries since then

0:32:41.720 --> 0:32:47.880
<v Speaker 1>have utilized that. And uh, it's a great effect. So innovator, genius,

0:32:48.040 --> 0:32:51.000
<v Speaker 1>Errol Morris. Everyone knows a rape about Batman. It's a

0:32:51.040 --> 0:32:54.000
<v Speaker 1>good one, Adam. Uh, these are great everyone. I'm just

0:32:54.040 --> 0:32:57.600
<v Speaker 1>gonna keep keep reading these off every couple of weeks

0:32:57.640 --> 0:33:00.440
<v Speaker 1>and keep adding them and then go to check it out.

0:33:00.440 --> 0:33:03.360
<v Speaker 1>We've got a couple of great threads on recommendations now,

0:33:04.240 --> 0:33:07.800
<v Speaker 1>so we're gonna finish up Noll. There's been a long

0:33:07.800 --> 0:33:11.880
<v Speaker 1>one because of all my ranting. You know, man, it's uh,

0:33:12.040 --> 0:33:15.120
<v Speaker 1>it's it's the time to rant. It's like that bird song,

0:33:15.240 --> 0:33:19.480
<v Speaker 1>A time to rant, a time to rave. You just

0:33:19.480 --> 0:33:22.720
<v Speaker 1>started to fun Neil Diamond, that was great speaking of

0:33:22.720 --> 0:33:27.040
<v Speaker 1>blast Waltz. Oh yeah, that's right, man, it was really good.

0:33:27.080 --> 0:33:30.640
<v Speaker 1>Time to dig your own grave. I want to hear it.

0:33:30.680 --> 0:33:33.600
<v Speaker 1>Turn on your heart light next. Is that from the

0:33:33.640 --> 0:33:36.400
<v Speaker 1>care Bears movie. No, it was a Neil Diamond song

0:33:36.440 --> 0:33:40.480
<v Speaker 1>that was just not from ET, but about Oh okay,

0:33:40.760 --> 0:33:46.440
<v Speaker 1>he wrote a song about Oh man, did I tell

0:33:46.440 --> 0:33:48.840
<v Speaker 1>you that the kid, the guy who played uh Elliott

0:33:48.840 --> 0:33:51.600
<v Speaker 1>on ET? Always see him around town and he's always

0:33:51.640 --> 0:33:55.200
<v Speaker 1>hanging out by himself. You see Henry Thomas in Atlanta

0:33:55.240 --> 0:33:57.239
<v Speaker 1>all over the place. Yeah, I've tried to get him

0:33:57.280 --> 0:33:59.480
<v Speaker 1>on the show. I told you this. I thought he

0:33:59.880 --> 0:34:02.320
<v Speaker 1>was at this aerial pink show at the earl Is

0:34:02.360 --> 0:34:04.479
<v Speaker 1>this local venue, and then I saw I saw him

0:34:04.480 --> 0:34:07.520
<v Speaker 1>at my local bar, the local and uh yeah, the

0:34:07.560 --> 0:34:09.640
<v Speaker 1>people are people just like bugging the ship up. No,

0:34:09.960 --> 0:34:12.880
<v Speaker 1>he's always by himself. He seems to like be like

0:34:12.920 --> 0:34:16.640
<v Speaker 1>kind of a solitary lone wolf type dude. Yeah, and

0:34:16.680 --> 0:34:18.600
<v Speaker 1>I know he's he's he must be gettable. I know

0:34:18.640 --> 0:34:20.200
<v Speaker 1>people that know him. I don't know what he's working

0:34:20.200 --> 0:34:22.320
<v Speaker 1>on in town, but he's definitely around because well, you

0:34:22.400 --> 0:34:24.279
<v Speaker 1>might have told me, because that's when I might have

0:34:24.320 --> 0:34:27.480
<v Speaker 1>emailed his publicist and said, hey, I know Henry Thomason

0:34:27.480 --> 0:34:30.279
<v Speaker 1>town had really loved and they just just know soft path.

0:34:30.560 --> 0:34:32.600
<v Speaker 1>Think I ever, yeah, I think it was a soft patch.

0:34:32.800 --> 0:34:35.720
<v Speaker 1>I might not have. It's so frustrating lately, really annoying.

0:34:36.280 --> 0:34:38.919
<v Speaker 1>Amy Schumer's in town this weekend. I can't I can't

0:34:38.920 --> 0:34:41.799
<v Speaker 1>get a hold of her. Yeah, she's a tough one.

0:34:41.920 --> 0:34:43.879
<v Speaker 1>She's a unicorn. Tear and kill him, you know when

0:34:43.920 --> 0:34:45.400
<v Speaker 1>I don't know, you probably didn't hear that one, But

0:34:45.440 --> 0:34:49.080
<v Speaker 1>who's that he's He was on Saturday Night Line. Oh yeah,

0:34:49.120 --> 0:34:52.480
<v Speaker 1>he was talking about this bar in Atlanta, and he

0:34:52.520 --> 0:34:54.160
<v Speaker 1>was like, you know, we're hanging out in the lobby

0:34:54.200 --> 0:34:55.319
<v Speaker 1>of the bar that we were staying in, and they

0:34:55.320 --> 0:34:57.400
<v Speaker 1>were like four or five actors that weren't even on

0:34:57.400 --> 0:35:00.040
<v Speaker 1>our movie hanging out there. Bill Murray was there, and

0:35:00.040 --> 0:35:02.160
<v Speaker 1>I was like, what part is That's what I would

0:35:02.160 --> 0:35:05.319
<v Speaker 1>tell was that, Oh it was it was Lows. That's yeah,

0:35:05.480 --> 0:35:07.600
<v Speaker 1>he said it might have been Lows. No, I heard

0:35:07.640 --> 0:35:11.200
<v Speaker 1>this story from Matt from my other show Stuff. Don't

0:35:11.239 --> 0:35:12.600
<v Speaker 1>want you to know. He must have listened to the

0:35:12.640 --> 0:35:14.280
<v Speaker 1>episode and heard it, and I think it was Los

0:35:14.360 --> 0:35:17.960
<v Speaker 1>because Lows is apparently like a storied Atlanta hotel, so

0:35:18.000 --> 0:35:19.920
<v Speaker 1>that's where the actors. I think that's where the actors saying,

0:35:19.920 --> 0:35:22.279
<v Speaker 1>all right, no, you know what I think. Uh, We're

0:35:22.280 --> 0:35:25.080
<v Speaker 1>gonna skip comment card this week. I feel like this

0:35:25.120 --> 0:35:27.719
<v Speaker 1>episode is chock full and I'm frankly eager to get

0:35:27.719 --> 0:35:30.319
<v Speaker 1>onto the next episode because I'm excited about what I'm

0:35:30.440 --> 0:35:34.000
<v Speaker 1>going to do. It's very special one. So thanks everyone

0:35:34.040 --> 0:35:38.160
<v Speaker 1>for listening and thanks for enduring the rants. But the

0:35:38.440 --> 0:35:41.560
<v Speaker 1>bonus is because of those rants, you got to hear

0:35:41.680 --> 0:35:45.040
<v Speaker 1>Noel's best Neil Diamond, and that wouldn't have happened, So

0:35:45.120 --> 0:35:51.279
<v Speaker 1>I think we can all be Thanks Sweet Caroline, good time.

0:35:51.480 --> 0:36:12.400
<v Speaker 1>Something tastes like wood, Yeah,