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Speaker 1: Dead wash them.

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Speaker 2: I don't do like a voice, do like a cool.

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Speaker 3: Voice doing wait quote, don't do a voice or do

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Speaker 3: a cool.

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Speaker 2: Voice, like just trying to make it sound cool.

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Speaker 3: Well, you did almost like a Sean Connery thing. I

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Speaker 3: think that's sort of like.

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Speaker 1: Sean Connery James fun.

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Speaker 3: But that's like the epitomen.

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Speaker 4: Whatever the fuck you want, man, what I'm not trying.

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Speaker 4: If you want me to do whatever you want, it

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Speaker 4: will do town. You've been podcasting for.

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Speaker 5: Something, Jesse, Right, like crip Keeper, than I like it

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Speaker 5: a lot more. Well, I'm just thinking dead makes me

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Speaker 5: think of like death.

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Speaker 3: I'm kind of a twisted guy.

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Speaker 5: So I hear dead and I immediately go to this

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Speaker 5: sort of macabre, morbid, kind of gothic place, and then

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Speaker 5: I go, well, who embodies that? Probably the crypt Keeper.

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Speaker 5: And it wasn't a perfect impression, but I thought it was.

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Speaker 2: I thought it was really good.

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Speaker 3: Close.

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Speaker 1: Yeah, yeah, yeah.

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Speaker 4: Probably make a joke at that time too, crip Keeper.

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Speaker 4: Probably make a joke about my Ambi Aleck.

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Speaker 5: He would here goes dead Blossom a very special episode.

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Speaker 3: Six must have killed her.

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Speaker 5: And six was Blossom's friend on the show.

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Speaker 3: Maybe Tony relapsed Tony was her brother who was sober

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Speaker 3: from I.

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Speaker 6: Think you're probably the exact age difference where I don't

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Speaker 6: know anything about Blossom.

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Speaker 2: So this is how whoa?

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Speaker 4: I think crip Keeper doing Jesse's It's in Jesse's name,

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Speaker 4: so it's not really important to me.

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Speaker 1: I guess that you know, gotcha?

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Speaker 3: Excuse me, excuse me.

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Speaker 5: Just grab this for me real quick and get this

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Speaker 5: on camera. So, Lorne, this is crip Keeper doing Joey

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Speaker 5: from Blossom.

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Speaker 1: Cool?

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Speaker 2: Whoa?

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Speaker 1: Whoa? Whoa?

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Speaker 4: Lauren has the show on kind of while he's studying,

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Speaker 4: and so like, Lorne is getting his doctorate?

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Speaker 2: Really yeah, do you know what?

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Speaker 1: Just let him finish his whole drink? Please?

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Speaker 3: Uh piss porn? Am I wrong?

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Speaker 2: It's never too late to learn.

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Speaker 6: Is it an MFA or is it is it a

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Speaker 6: well you said doctor ate, but I guess you could do.

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Speaker 2: Is it in the performance over the study.

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Speaker 3: Of the the do you? I?

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Speaker 4: All I know is his doctor name. They have you

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Speaker 4: pick a doctor name when you become a doctor, and

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Speaker 4: his doctor name is doctor flash and splash.

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Speaker 6: So okay, I think that sounds performative, but it also

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Speaker 6: might be you would assume he's probably also done the

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Speaker 6: research on it.

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Speaker 4: Mm hmmm, Well he's studying. I just said he's studying.

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Speaker 4: You're right, sorry, but he listens to the show while

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Speaker 4: he's studying, and so he's it's kind of like background

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Speaker 4: noise for him.

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Speaker 1: So you have to be like blorn, like.

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Speaker 4: When we want to deliver something that get him to

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Speaker 4: look at you.

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Speaker 5: Should we do a voice for dude as well, because

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Speaker 5: we introduced him with the voice.

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Speaker 4: I'm not okay, watch this, I have it. Oh good, Luke, Luke,

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Speaker 4: I am your podcast host. Now come on, or Luke,

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Speaker 4: I am your tailor.

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Speaker 2: Luke, I am your tailor.

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Speaker 3: Yes, let out.

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Speaker 1: Ya gotta let it out a little bit. Yeah, that's

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Speaker 1: the last time you were in.

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Speaker 3: We're all getting older.

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Speaker 2: Yeah, yeah, Like I mean, you seem stunned. I'm not stunned.

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Speaker 6: I think it's just it's I felt like that yours

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Speaker 6: His was a little more inspired, you know, like.

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Speaker 3: Have you got have you heard that before the Luke

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Speaker 3: thing and with the Star.

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Speaker 1: Wars hate their own voices.

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Speaker 2: Yeah, it's not my own voice. Keeper for him good

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Speaker 2: and he did. Let's just let's just get this out there.

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Speaker 2: The crypt Keeper was fucking awesome. We all like to

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Speaker 2: the crypt I did, and.

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Speaker 5: So is there something you just it felt a little

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Speaker 5: let me go to.

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Speaker 1: See the Sean Connery one.

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Speaker 3: So I was almost like the terminator talking to you.

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Speaker 3: If you really go back and listen to what I did,

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Speaker 3: it was a little more like.

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Speaker 2: It was much more like saying the saying the Star

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Speaker 2: Wars thing.

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Speaker 3: It's hard to your podcast with your voice for me,

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Speaker 3: come with me if you want to podcast.

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Speaker 1: You guys, So I like that you're new to this.

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Speaker 4: Yeah, the show is called Stores. It's out now. Jesse

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Speaker 4: Ferrar is the first guest, which I guess is something

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Speaker 4: we're doing that. I mean, we just had some other

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Speaker 4: people that had him as the first guest.

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Speaker 3: Yeah, those birds.

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Speaker 4: Yeah, the thing about JFA please please please Okay, I'm

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Speaker 4: sorry h this, and I swear to God I'm helping you.

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Speaker 4: I understand from like from yourself, and I've listened to

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Speaker 4: your show. I know this is like a problem. This

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Speaker 4: is a growth area and is letting people talk.

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Speaker 3: It's on my list.

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Speaker 5: He's listened to the show, and I gotta tell you, guys,

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Speaker 5: that's on my list.

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Speaker 1: I gotta check this show out in the queue.

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Speaker 2: Yeah, but that's a compliment, that's a compliment. Oh that

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Speaker 2: your god.

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Speaker 5: Yeah, I can't wait to listen. Obviously I've been crazy lately.

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Speaker 1: I want to go into my own. Q is getting

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Speaker 1: so long and it's.

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Speaker 3: Getting rather thick around the middle the queues. Uh, it's bursting.

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Speaker 4: I worry I'm going to come over one day to

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Speaker 4: feed him and stuff and it's going to have tipped over.

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Speaker 3: Right, and he's going to be I'll be trapped under

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Speaker 3: the cue.

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Speaker 2: What a way to go though, Yeah, like when you're

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Speaker 2: in a grain silo and it just sort of swallows

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Speaker 2: you over time.

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Speaker 5: You remember the Burgess Meredith twilight zone or so he

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Speaker 5: finally has time to read the books, but.

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Speaker 3: He likes his glasses.

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Speaker 5: Something like that is going to happen to me with

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Speaker 5: my podcast.

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Speaker 7: You Yeah, I guess my air pods, will you know,

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Speaker 7: malfunction like in the Yeah, the electromagnetic pulse or whatever.

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Speaker 2: Or they'll run out of charge.

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Speaker 5: That's yeah, I mean we get Yeah, Well, let's pitch

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Speaker 5: on it for a little bit, because you guys seem

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Speaker 5: to want to like work shopping.

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Speaker 3: What could happen to run out of charge?

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Speaker 2: There's something with your ears?

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Speaker 3: Well the speaker, Uh, just.

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Speaker 2: To be clear in the Burgess, Meredith, Twilight Zone. Nothing's

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Speaker 2: wrong with his His eyes don't explode like no, they

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Speaker 2: don't like shatter like glad that there.

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Speaker 1: Is something wrong with his eyes.

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Speaker 5: Yes, well see something wrong with his eyes, but not

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Speaker 5: as a result of the disaster.

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Speaker 3: That's like the thing he uses to.

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Speaker 5: Augment his vision and to be able to enjoy the

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Speaker 5: written word is damaged. So that's why the AirPods felt

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Speaker 5: like a closer.

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Speaker 6: Okay, similar what about the speaker on your phone though,

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Speaker 6: Like that's not really accounted. There's no equivalent to that

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Speaker 6: in the original, so I don't it feels like you'd

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Speaker 6: have to.

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Speaker 3: Cover that and then I could listen to it.

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Speaker 2: Just there's another alternative way.

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Speaker 5: We've been talking a lot about diegetic versus non diagetic

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Speaker 5: sound on the show lately, so that's interesting. Uh, it

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Speaker 5: kind of sort of dovetails with this conversation a little bit.

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Speaker 4: The show has a bonus bonus episodes already. Yeah huh,

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Speaker 4: that's right, video feed as well as things fully loaded. Yeah,

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Speaker 4: got all the all the topics from from the word go.

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Speaker 1: Yeah.

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Speaker 2: Yeah, Well we thought we would, you know, come out

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Speaker 2: strong on out of the stretch, but we want people

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Speaker 2: know we're serious, okay.

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Speaker 4: And people are saying they listened to the one episode

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Speaker 4: and they say.

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Speaker 3: Does this room feel stuffy or something?

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Speaker 1: It's their ambition. I swear to god, I don't want

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Speaker 1: to do.

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Speaker 2: You see all this ship, it's like Mickey Mouse ship.

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Speaker 2: You look around, Uh huh, it's like I'm in fucking

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Speaker 2: disney World. Yeah, I see the podcasters.

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Speaker 6: And maybe it's more like you're not Sperry Farm, because

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Speaker 6: I do feel like you go to disney World or

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Speaker 6: Disneyland and there is an.

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Speaker 2: Air of I can't go to Knotsberry Farm anymore? Why

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Speaker 2: roller coaster hurt my ass? Really better the old one?

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Speaker 1: Have you guys been hurt his ass so much? He

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Speaker 1: got in trouble.

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Speaker 2: You gotta get rid of this guy. I mean, I

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Speaker 2: was complaining a lot.

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Speaker 3: To answer your question, Luke, I have nots.

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Speaker 1: I am not. I have not.

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Speaker 2: Now that's right, right? What's a good place?

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Speaker 1: So you put it on an hour and forty five

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Speaker 1: minute episode?

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Speaker 2: Is that too?

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Speaker 1: Number one?

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Speaker 4: And then instead of allowing a customer to say, okay,

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Speaker 4: I'm gonna sit with this.

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Speaker 2: Can I say something? They're not customers, they're friends. Anyone

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Speaker 2: who supports in his party.

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Speaker 1: I believe that everyone listening to your show is your friend.

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Speaker 5: At this stage, there are no customers, right, we're pre revenue.

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Speaker 1: On this thing. And what's the what's the nature of

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Speaker 1: the bonus show.

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Speaker 4: We'll get to the main feed, but how was it

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Speaker 4: additive to the Well, the first main feed episode, which

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Speaker 4: is about stores.

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Speaker 2: Right, and the first bonus episode is entitled the History

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Speaker 2: of Candy. Okay, and candy is something they sell at.

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Speaker 1: The store store.

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Speaker 2: I didn't even think of that, but that does make sense.

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Speaker 3: First story is J Penny and Penny Candy is Penny Candy.

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Speaker 4: And I definitely don't they thought of that that we've

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Speaker 4: got a concept of stores at all.

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Speaker 3: That they were catching up to feel.

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Speaker 2: Pat and Pats are producer. We do already have a producer.

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Speaker 6: If you're listening to this, if you're hearing this, please

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Speaker 6: add that into the description Penny j C Penny Candy

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Speaker 6: to go along with this week's episode.

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Speaker 5: I just think this is worth mentioning on the main

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Speaker 5: feed as we talk about podcast producers that we were

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Speaker 5: speculating on who Mark Maron's final guest would be, and

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Speaker 5: Kevin thought the most exciting thing would be if he

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Speaker 5: interviewed his producer.

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Speaker 3: A very genuine way. I'll probably talking.

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Speaker 1: The whole day.

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Speaker 3: I've been silent all day.

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Speaker 5: I think it'll be his producer talk about the wild

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Speaker 5: ride they've been on. Make the podcast as equal partners.

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Speaker 2: I'll put fifty bucks on it. I'm that confident it's

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Speaker 2: going to happen.

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Speaker 5: Okay, wow, and it's time for me to put my

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Speaker 5: money where my mouth.

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Speaker 4: Is always becomes about money, so fat, like yeah, everything.

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Speaker 5: I'll put fifty bucks of my dad's insurance money on it.

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Speaker 3: All right, dog, let's go do it.

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Speaker 1: I mean, let's talk about the money.

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Speaker 4: You've got a producer already, Yeah, yeah, No advertisers yet, no,

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Speaker 4: not yet. How big a hole are we comfortable digging

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Speaker 4: before we start to you know, look up.

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Speaker 5: That models kind of evaporate the like old Silicon Valley,

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Speaker 5: kind of just like burning capital and just assuming that

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Speaker 5: you're going to ultimately be able to like monetize it.

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Speaker 2: Well, we're almost not interested in profit, right, Yeah, it's okay, okay,

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Speaker 2: form the.

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Speaker 3: Platform.

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Speaker 2: It's like, if this exists and we can continue to

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Speaker 2: exist within it, then that's its own.

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Speaker 4: You know, that's enough, like eCos not being interested in

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Speaker 4: profit is fine. How interested are you in debt?

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Speaker 1: Yeah? Because there's profit and no profit.

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Speaker 5: I would say, like existing world down there, right to

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Speaker 5: exist within sort of your voice and tone as it were.

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Speaker 5: You don't need to be making a show.

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Speaker 1: Mm hmmm.

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Speaker 2: So what would what would you do instead of making

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Speaker 2: a show?

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Speaker 3: Just hang out?

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Speaker 1: Yeah, just kind of hang out.

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Speaker 2: Not try and make any I haven't. I haven't gotten

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Speaker 2: a lot of good responses from that personal that I have.

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Speaker 3: Okay, so this is a pivot.

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Speaker 2: Well, it's fun.

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Speaker 3: The show is to solve a problem you found. I

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Speaker 3: wasn't getting that. That's interesting.

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Speaker 6: I'm gonna friendship didn't really work for it was not really,

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Speaker 6: it was.

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Speaker 4: Not think is like a lot of stuff that you

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Speaker 4: are not having a good experience with. The thinking is,

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Speaker 4: what if we throw some money behind this exactly what exactly,

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Speaker 4: maybe we'll make this failed venture more successful.

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Speaker 5: Maybe if it feels intentional, you know what I mean,

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Speaker 5: like ironic in some way.

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Speaker 1: Yeah.

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Speaker 4: Yeah, well, I mean what I'd love to do is

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Speaker 4: just like break it out, break out the pen and

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Speaker 4: paper and just like go note for note through this

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Speaker 4: through the show and then like see what we see

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Speaker 4: what you all think?

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Speaker 1: I mean, I'm sure you've listened back to it, and I'm

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Speaker 1: sure you have.

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Speaker 2: Obviously me and Luke obviously we have listened to it.

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Speaker 2: We listened to all our episodes and we know, yeah,

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Speaker 2: we're very familiar.

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Speaker 4: Have one episode. So just just when we're talking about

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Speaker 4: the numbers, I'm.

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Speaker 5: Just so shocked, like, starting with a bonus episode, it's.

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Speaker 2: To what their whistle though, I mean, I actually think

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Speaker 2: it's pretty no.

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Speaker 4: Sorry, I don't know what you think. Wedding a whistle

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Speaker 4: is whist whistle.

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Speaker 1: Wedding whistle.

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Speaker 4: Is just getting people interested in something it's not satisfying

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Speaker 4: their demand, and then flooding them with with more of

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Speaker 4: it you are throwing.

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Speaker 5: I've never heard of the second episode of a podcast

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Speaker 5: being a bonus episode.

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Speaker 2: What guy walks up to you wet whistle, gives you

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Speaker 2: a wet whistle? You're not sucking on that thing?

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Speaker 3: Come on, So you think whistles are for sucking up.

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Speaker 4: Probably makes it's not necessarily the noise.

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Speaker 2: Suck on it first to get the water. I guess

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Speaker 2: I wasn't even to be honest, I wasn't even thinking

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Speaker 2: about the noise. Just you know, yeah, oh my god,

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Speaker 2: this thing, just the whistle, this fucking crazy noise I had, Yeah,

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Speaker 2: I didn't, just sucking on my.

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Speaker 1: Whistle and it like shrieked at me.

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Speaker 3: I swallowed the little ball inside.

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Speaker 1: In a cartoon.

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Speaker 4: They would like try to make you think that that

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Speaker 4: would like somehow make you whistle when you like burped,

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Speaker 4: But you wouldn't actually do that.

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Speaker 1: It's not a little ball just being in there that.

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Speaker 2: Have to swallowly.

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Speaker 3: There's like a system of airflow.

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Speaker 6: There's a design to think if the whistle got stuck

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Speaker 6: in your esophagain.

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Speaker 3: I'm talking about whistle geting stuck. I'm talking about was

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Speaker 3: getting a little yeah.

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Speaker 8: Okay, okay, yeah, okay, So Kevin, do we have this

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Speaker 8: thing queue up?

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Speaker 2: Can I just say I just want to thank you

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Speaker 2: guys for making the time to do this.

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Speaker 3: Oh my god, I'm actually kidding.

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Speaker 2: I've been listening.

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Speaker 4: I've been listening for a half minutes when the first

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Speaker 4: you came in, and it's my favorite and I've been

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Speaker 4: listening for so long and you guys have really affected like.

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Speaker 1: You Sorry, it's really a music. Yeah you're talking over

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Speaker 1: well that was.

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Speaker 2: Me speaking, so it's actually kind of this outworks.

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Speaker 5: I just want to say, that's that's very nice and

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Speaker 5: I've it's a credit to Kevin, but I was thinking

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Speaker 5: as we were on here, and we've talked about like

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Speaker 5: JF being a guest on your show and also on

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Speaker 5: Libby and Charlotte and their show, and then we also

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Speaker 5: have had.

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Speaker 3: Somebody else in this same vein recently. Oh well the

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Speaker 3: guys Brian Quimby.

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Speaker 5: Yeah, so like and I went on their show, and

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Speaker 5: we're in this new ecosystem and it feels very clearly

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Speaker 5: and by the way, love having you, right, it feels like.

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Speaker 3: So obviously a tear down from where we used.

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Speaker 5: To be totally, but it feels sustainable and like we

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Speaker 5: are still in the game, you know, you know what

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Speaker 5: I mean, Like a guest on like Comedy Bang Bank

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Speaker 5: and we go, oh, there's new people coming in, and

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Speaker 5: now we guessed on and have guests who just like,

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Speaker 5: I guess heard that episode of Comedy Bang Band.

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Speaker 4: Like you're sort of still you have Scott Ackerman on

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Speaker 4: the show, and I'm like like sweating, like, oh, Scott

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Speaker 4: Ackerman's here, you know, Like that to me is like

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Speaker 4: rarefied air.

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Speaker 1: Now.

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Speaker 2: I would say the experience of booking the show was

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Speaker 2: somewhat shocking to me because I'm sorry about that because

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Speaker 2: well no, I just mean how like quickly because Kevin

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Speaker 2: basically was like, hey, do you want to do this?

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Speaker 2: And then and then I was like, oh yeah sure,

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Speaker 2: and he like he was like, can you do it tomorrow?

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Speaker 1: Should be.

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Speaker 3: Right, It should have been like the access scene.

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Speaker 5: Let me talk to the guys if I can get

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Speaker 5: you bedded in some way exactly, maybe you put out

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Speaker 5: a second episode.

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Speaker 3: That's not a bonus. Let's get something.

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Speaker 6: But it feels like those things are almost like handholding, right,

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Speaker 6: It's what you said, the moving down a tier and

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Speaker 6: then the ease for which we got on the show,

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Speaker 6: or maybe.

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Speaker 2: Related.

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Speaker 4: It feels a little bit like you know how Peter

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Speaker 4: is like taking the blood of all those like younger people,

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Speaker 4: like he like connects.

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Speaker 2: Yeah, the blood you want to first name the blood?

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Speaker 4: Yeah, yeah, well he's like yeah, yeah. It feels like

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Speaker 4: that a little bit to me, where it's like it's great,

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Speaker 4: like it's making us younger, which is great, But we

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Speaker 4: wouldn't have to do it if we weren't like kind

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Speaker 4: of fucked up, yes, and like getting kind of nasty,

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Speaker 4: you know what I mean.

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Speaker 5: We had yeah, kind of handled our initial run at

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Speaker 5: this thing correctly, we wouldn't need the blood right.

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Speaker 1: We might help have not great to need it.

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Speaker 6: We wouldn't even be here if you had handled the

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Speaker 6: right correctly like with this, Yeah, we wouldn't.

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00:18:03,359 --> 00:18:09,879
Speaker 4: He that goes so far without saying okay, yes, but

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00:18:09,880 --> 00:18:10,720
Speaker 4: but you are here.

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00:18:11,040 --> 00:18:11,280
Speaker 1: Yeah.

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00:18:11,480 --> 00:18:13,080
Speaker 2: But the benefit of this is now you get to

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Speaker 2: meet all of Kevin's friends, which is I mean, how

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Speaker 2: fun is that?

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00:18:16,200 --> 00:18:19,080
Speaker 1: Yeah? Have you have you guys done podcast simulator yet?

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00:18:19,200 --> 00:18:20,120
Speaker 2: Yeah?

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00:18:20,160 --> 00:18:22,000
Speaker 1: I did it? Okay, I was busy.

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Speaker 3: Kevin's sloppy second.

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Speaker 1: Look, he.

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00:18:27,560 --> 00:18:30,400
Speaker 4: Was asked, he got asked it, and he said yes,

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Speaker 4: and I got busy.

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Speaker 1: Yeah, stepped on my thing. God damn it.

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Speaker 2: Also also also I got busy. Sorry, Sorry, I got busy.

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00:18:40,720 --> 00:18:43,040
Speaker 2: What did you get busy with? Having COVID?

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00:18:43,400 --> 00:18:43,920
Speaker 1: Oh?

396
00:18:44,000 --> 00:18:45,199
Speaker 2: Contracting COVID nineteen?

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Speaker 4: So Jesse, I'll just say thank you so much for

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00:18:48,080 --> 00:18:50,959
Speaker 4: the kind words just for me. If I'm going on

399
00:18:51,000 --> 00:18:53,480
Speaker 4: a show that there is an inspiration to me, the

400
00:18:53,480 --> 00:18:56,040
Speaker 4: first thing I say wouldn't be Hey, shut the fuck up,

401
00:18:56,080 --> 00:18:57,520
Speaker 4: don't do that voice.

402
00:18:58,480 --> 00:19:01,720
Speaker 1: Don't do a voice show. We do the thing we're

403
00:19:01,720 --> 00:19:02,480
Speaker 1: most famous for.

404
00:19:02,520 --> 00:19:05,960
Speaker 3: Our our characters are hilarious characters.

405
00:19:06,080 --> 00:19:11,080
Speaker 4: The characters we invite into the studio every week and

406
00:19:11,160 --> 00:19:14,679
Speaker 4: I get one, I get three words in, and I

407
00:19:14,720 --> 00:19:15,040
Speaker 4: get a.

408
00:19:15,520 --> 00:19:18,119
Speaker 1: You shut the fuck up with the fucking voice.

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Speaker 5: Also, Luke was so quiet when he was complimenting the

410
00:19:20,600 --> 00:19:21,400
Speaker 5: show and saying what.

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Speaker 6: I don't I mean, I don't know the show. Yeah,

412
00:19:23,640 --> 00:19:25,560
Speaker 6: I mean I've listened to it, but it's like you

413
00:19:25,560 --> 00:19:25,920
Speaker 6: want me to.

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Speaker 2: Luke went viral and a halfpack hat I did.

415
00:19:30,760 --> 00:19:31,399
Speaker 1: It's my vocal.

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00:19:31,560 --> 00:19:33,240
Speaker 2: I didn't know what it was, but I went viral

417
00:19:33,240 --> 00:19:33,520
Speaker 2: in it.

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00:19:34,680 --> 00:19:37,280
Speaker 3: Okay, here's no I don't. I don't need to smoke

419
00:19:37,359 --> 00:19:40,240
Speaker 3: up my ass. I don't need a big wet whistle

420
00:19:40,320 --> 00:19:41,080
Speaker 3: shoved in there.

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Speaker 2: I can respect that you guys have been doing this

422
00:19:45,680 --> 00:19:52,360
Speaker 2: a long time. Yeah wow, I can't really wow. Ten

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00:19:52,480 --> 00:19:55,720
Speaker 2: years of fun, fun, and I worked, and I'm excited

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Speaker 2: to hear your guys notes. Jesse said that work.

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Speaker 3: Well, let's say ten years of fun, but ten of it.

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00:20:00,000 --> 00:20:03,360
Speaker 3: It has been fun. Jesse said, it's been spaced out.

427
00:20:03,720 --> 00:20:04,440
Speaker 2: You know we're gonna get you.

428
00:20:04,480 --> 00:20:06,960
Speaker 6: Guys are gonna give us like you just said, You're

429
00:20:06,960 --> 00:20:09,560
Speaker 6: gonna go go on with these guys. They're they're titans

430
00:20:09,560 --> 00:20:11,880
Speaker 6: of the field or were, and you guys are gonna

431
00:20:11,920 --> 00:20:13,520
Speaker 6: give us, You're gonna tell us what to do better.

432
00:20:14,320 --> 00:20:17,280
Speaker 4: I'm trying to you guys are running out the clock

433
00:20:17,359 --> 00:20:19,879
Speaker 4: on me. It's been I mean I marked when we

434
00:20:19,960 --> 00:20:22,240
Speaker 4: started and a half.

435
00:20:22,240 --> 00:20:24,960
Speaker 5: I interrupted it to kind of get into just like

436
00:20:25,560 --> 00:20:27,719
Speaker 5: just to do a little state of the union for

437
00:20:27,840 --> 00:20:31,040
Speaker 5: us on like where we're at in terms of like

438
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Speaker 5: I'm trying to think of the you know, the equivalent.

439
00:20:33,920 --> 00:20:37,119
Speaker 3: But that became it's not at this level, you know

440
00:20:37,160 --> 00:20:37,680
Speaker 3: what I mean.

441
00:20:37,800 --> 00:20:40,439
Speaker 5: But it is like, oh, it's like, oh, I was

442
00:20:40,440 --> 00:20:42,480
Speaker 5: in the Beatles, now I'm in the Traveling.

443
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Speaker 3: Wilberries, you know what I mean. It's just like it's

444
00:20:44,720 --> 00:20:46,360
Speaker 3: still fun.

445
00:20:46,280 --> 00:20:48,720
Speaker 4: And you're only in the Traveling Wilberries because you were

446
00:20:48,720 --> 00:20:49,440
Speaker 4: in the Beatles.

447
00:20:49,600 --> 00:20:51,240
Speaker 1: Yes, yeah, you're.

448
00:20:51,080 --> 00:20:53,320
Speaker 6: In Wings though, I mean it's not the Beatles, but

449
00:20:53,320 --> 00:20:54,560
Speaker 6: you're in Wings.

450
00:20:55,040 --> 00:20:55,359
Speaker 1: Yeah.

451
00:20:55,560 --> 00:20:59,000
Speaker 4: I At some point I think someone might say that

452
00:20:59,000 --> 00:21:01,600
Speaker 4: the stuff they're doing is actually better now than what

453
00:21:01,680 --> 00:21:04,960
Speaker 4: they were doing before. But they will say, actually, yeah, yeah,

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00:21:05,119 --> 00:21:07,720
Speaker 4: it'll be like such a heterodox.

455
00:21:07,160 --> 00:21:09,200
Speaker 3: But it's not that because we weren't the Beatles. It's

456
00:21:09,200 --> 00:21:10,439
Speaker 3: not a good equivalent right now.

457
00:21:10,480 --> 00:21:12,679
Speaker 4: But we're also not the Traveling Wilberries, though I'm not

458
00:21:12,720 --> 00:21:14,640
Speaker 4: even close because we weren't.

459
00:21:14,640 --> 00:21:17,119
Speaker 5: We weren't starting from there, so I'm even trying to

460
00:21:17,160 --> 00:21:22,600
Speaker 5: think of what it, you know, Linda McCartney, No, I mean,

461
00:21:22,640 --> 00:21:24,920
Speaker 5: because it's more like I mean, and this again is

462
00:21:24,960 --> 00:21:27,480
Speaker 5: still elevant, but it would be like what is it?

463
00:21:27,560 --> 00:21:29,200
Speaker 3: Jeff Land would be like we were in E l

464
00:21:29,280 --> 00:21:31,440
Speaker 3: O and now we're in the Traveling Wilbury's. But that's

465
00:21:31,520 --> 00:21:33,720
Speaker 3: kind of almost because you're with all.

466
00:21:33,560 --> 00:21:37,040
Speaker 6: These Yeah, maybe it's like the Beatles, like Ringo is

467
00:21:37,080 --> 00:21:39,000
Speaker 6: in the Beatles and then he was the voice of

468
00:21:39,040 --> 00:21:41,440
Speaker 6: Thomas the Tank Engine.

469
00:21:42,760 --> 00:21:44,879
Speaker 5: Yeah, but we weren't in the Beatles, so I was

470
00:21:44,880 --> 00:21:46,439
Speaker 5: trying to move away from the Beatles.

471
00:21:46,680 --> 00:21:48,680
Speaker 3: The Beatles are very popular.

472
00:21:48,400 --> 00:21:52,280
Speaker 2: Right, so it was Thomas is can we please? Yeah?

473
00:21:52,320 --> 00:21:55,080
Speaker 1: But I desperate to hear this show.

474
00:21:55,600 --> 00:21:59,640
Speaker 6: Welcome everybody to the inaugural episode of Stores, a podcast

475
00:21:59,640 --> 00:22:02,639
Speaker 6: where we visit some of your favorite stores chain stores

476
00:22:03,080 --> 00:22:06,639
Speaker 6: all across America, and dare I say, at some point

477
00:22:06,720 --> 00:22:09,879
Speaker 6: maybe beyond what if we work?

478
00:22:09,960 --> 00:22:12,800
Speaker 2: If we grind? We pointed at you, like you go

479
00:22:12,840 --> 00:22:16,400
Speaker 2: to Tim Horton's in Canada or like seven eleven, Yeah,

480
00:22:16,440 --> 00:22:17,720
Speaker 2: but in Japan.

481
00:22:18,520 --> 00:22:23,120
Speaker 4: Yes, I mean, if I were you, I would love

482
00:22:23,240 --> 00:22:27,080
Speaker 4: this moment back. I would love another I would love

483
00:22:27,119 --> 00:22:31,040
Speaker 4: another swing at this. And just the examples that we're

484
00:22:31,160 --> 00:22:35,400
Speaker 4: using talking about global stores. I mean, what's in everyone's

485
00:22:35,400 --> 00:22:37,399
Speaker 4: head as they're listening to this is this like this

486
00:22:37,640 --> 00:22:38,399
Speaker 4: lawn's been.

487
00:22:38,320 --> 00:22:41,000
Speaker 1: Mode, It's it's dough boys, right right.

488
00:22:41,440 --> 00:22:44,760
Speaker 4: You had an opportunity to say it's not dough boys,

489
00:22:45,000 --> 00:22:47,240
Speaker 4: it's stores, it's not restaurants.

490
00:22:47,600 --> 00:22:47,879
Speaker 2: Yeah.

491
00:22:47,920 --> 00:22:52,920
Speaker 1: Well, but then that was undercut somewhat.

492
00:22:52,200 --> 00:22:56,199
Speaker 4: By the first example you give, being a restaurant that

493
00:22:56,280 --> 00:22:58,000
Speaker 4: the dough Boys have done I mean.

494
00:22:58,480 --> 00:23:01,880
Speaker 3: Time five times in them. Yeah, they're there right now.

495
00:23:02,200 --> 00:23:04,000
Speaker 2: And those are actually friends of ours, so and they've

496
00:23:04,000 --> 00:23:05,040
Speaker 2: given us their blessing.

497
00:23:05,080 --> 00:23:06,840
Speaker 1: So actually, now that's a good use of.

498
00:23:06,800 --> 00:23:09,399
Speaker 3: Actually now, actually it's coming in strong.

499
00:23:10,280 --> 00:23:12,520
Speaker 2: I guess we thought, you know, we thought about it,

500
00:23:12,560 --> 00:23:12,800
Speaker 2: and we.

501
00:23:12,760 --> 00:23:14,320
Speaker 3: Said buckling under the weight.

502
00:23:19,280 --> 00:23:21,600
Speaker 2: We didn't want to call attention to it. Look, we're

503
00:23:21,600 --> 00:23:22,600
Speaker 2: not We're not idiots.

504
00:23:22,680 --> 00:23:25,760
Speaker 6: We understand there's why did you?

505
00:23:25,960 --> 00:23:26,679
Speaker 1: Then? Why did you?

506
00:23:27,280 --> 00:23:29,800
Speaker 2: We didn't think about it until I guess yeah, And

507
00:23:30,000 --> 00:23:32,080
Speaker 2: can you say something about our tone of voice at

508
00:23:32,119 --> 00:23:33,600
Speaker 2: the beginning of our very first episode.

509
00:23:33,640 --> 00:23:36,199
Speaker 4: It will sound like we are out of breath, like

510
00:23:36,240 --> 00:23:39,199
Speaker 4: you just sort of like, yeah, I know the feeling.

511
00:23:39,359 --> 00:23:42,960
Speaker 6: Yeah, but now I mean comparing that even to this morning,

512
00:23:42,960 --> 00:23:44,960
Speaker 6: We've got, you know, a few weeks under our belt.

513
00:23:44,680 --> 00:23:47,520
Speaker 4: A little guy in there, the little greatest showman that

514
00:23:47,560 --> 00:23:50,000
Speaker 4: we all have inside. You know, when the when the

515
00:23:50,080 --> 00:23:53,119
Speaker 4: lights go on the first time, you're like, ready, buddy.

516
00:23:53,040 --> 00:23:56,880
Speaker 1: Yeah, but hey buddy, where'd you go? Wake up? You know?

517
00:23:57,560 --> 00:24:00,640
Speaker 1: Wake up buddy? Wake up? Yeah? That's right? Is that? Okay? Hey,

518
00:24:00,640 --> 00:24:01,280
Speaker 1: we got buddy.

519
00:24:01,600 --> 00:24:06,240
Speaker 3: I'm holding a mirror under his nose. See if there's

520
00:24:06,280 --> 00:24:10,680
Speaker 3: any fog. I'm still trying to think of the right

521
00:24:10,760 --> 00:24:12,640
Speaker 3: example of our life cycle.

522
00:24:14,520 --> 00:24:18,760
Speaker 4: It's gonna take I I I wouldn't put pressure on

523
00:24:18,800 --> 00:24:19,479
Speaker 4: you to do it right now.

524
00:24:19,480 --> 00:24:23,480
Speaker 1: It's gonna take a long time. Is that the work?

525
00:24:23,720 --> 00:24:28,120
Speaker 3: It's like you're you're brecking meer, You're on Franklin and back.

526
00:24:28,240 --> 00:24:30,360
Speaker 1: Yes, okay, yes, yes.

527
00:24:31,960 --> 00:24:35,639
Speaker 3: Then then you're on men at work?

528
00:24:36,640 --> 00:24:37,399
Speaker 1: Yeah. Sure.

529
00:24:37,920 --> 00:24:41,400
Speaker 5: So you went from a you went from like a

530
00:24:41,440 --> 00:24:45,240
Speaker 5: TNT something that some people knew light dramedy.

531
00:24:45,800 --> 00:24:49,400
Speaker 1: It was kind of like mentioned a joke, Yeah.

532
00:24:49,320 --> 00:24:51,919
Speaker 5: A little bit funny, but still you know, it's like,

533
00:24:52,040 --> 00:24:55,359
Speaker 5: what's a show, And now you have like a TBS

534
00:24:55,440 --> 00:24:56,840
Speaker 5: sitcom that.

535
00:24:56,720 --> 00:24:59,800
Speaker 3: You're like part of, like a five person ensemble.

536
00:24:59,400 --> 00:25:02,159
Speaker 4: On you're the main guy on it, and then like

537
00:25:02,880 --> 00:25:04,280
Speaker 4: these other people are.

538
00:25:04,880 --> 00:25:07,000
Speaker 5: Yes, but the but you went from being like, oh,

539
00:25:07,040 --> 00:25:09,800
Speaker 5: Mark Paul Gosler's back on TV and he's my buddy

540
00:25:09,880 --> 00:25:13,920
Speaker 5: and you know, uh and Kumail's there, and now it's like.

541
00:25:14,080 --> 00:25:16,240
Speaker 4: That's right, and you're watching you see someone like Kumail

542
00:25:16,280 --> 00:25:19,359
Speaker 4: on set and you're like you're you're you just know

543
00:25:19,480 --> 00:25:21,040
Speaker 4: you're watching him on the way by.

544
00:25:21,400 --> 00:25:24,800
Speaker 5: Yeah, and then you get there right now, so that

545
00:25:24,880 --> 00:25:27,439
Speaker 5: would be, yeah, the early days of Hollywood Handbook. Then

546
00:25:27,480 --> 00:25:29,920
Speaker 5: you get to men at work and you're like, Okay,

547
00:25:30,000 --> 00:25:32,320
Speaker 5: now I'm like I'm kind of the main guy, but

548
00:25:32,400 --> 00:25:36,400
Speaker 5: I'm introducing like the you know, a guy who did

549
00:25:36,440 --> 00:25:38,080
Speaker 5: one season of Buffy or something.

550
00:25:38,119 --> 00:25:39,600
Speaker 3: Now is like my best buddy.

551
00:25:39,960 --> 00:25:45,320
Speaker 5: Yeah, the dude from uh Las Vegas, Yeah, is here.

552
00:25:45,480 --> 00:25:54,160
Speaker 5: And it's just starting to feel like, oh, oh.

553
00:25:51,400 --> 00:25:53,960
Speaker 3: Okay, I'm still in the game.

554
00:25:54,080 --> 00:25:54,840
Speaker 1: I used to be working.

555
00:25:55,560 --> 00:25:56,120
Speaker 2: I try one.

556
00:25:56,160 --> 00:25:59,080
Speaker 6: I think I might Yeah, a different store, No, No,

557
00:26:00,080 --> 00:26:01,880
Speaker 6: a different sort of like where you guys are at

558
00:26:02,560 --> 00:26:05,280
Speaker 6: what you've given me? Yeah, Okay, do you remember cheers

559
00:26:05,320 --> 00:26:10,119
Speaker 6: of course. Yeah, and then there's Frasier, arguably even more

560
00:26:10,440 --> 00:26:15,840
Speaker 6: important in the zeitgeists the argument. And then maybe where

561
00:26:15,840 --> 00:26:18,520
Speaker 6: you guys are at, is it a hypothetical world where

562
00:26:18,560 --> 00:26:20,840
Speaker 6: they tried to give Eddie the dog his own show.

563
00:26:22,560 --> 00:26:26,040
Speaker 2: Right, hero dog?

564
00:26:28,280 --> 00:26:30,560
Speaker 1: He's a hero in the show. That's nice.

565
00:26:30,680 --> 00:26:33,600
Speaker 2: He could as a cop, Eddie the villainous dog.

566
00:26:34,440 --> 00:26:35,720
Speaker 1: Eddie's dad is a cop.

567
00:26:37,560 --> 00:26:39,760
Speaker 3: I mean, really, what we're doing is the new Fraser.

568
00:26:40,200 --> 00:26:45,359
Speaker 5: Yeah right, we're just still doing fra Yeah, but nobody

569
00:26:45,520 --> 00:26:48,400
Speaker 5: likes it. And there's all new people around, a bunch

570
00:26:48,440 --> 00:26:51,639
Speaker 5: of the people that were there and everybody liked and.

571
00:26:51,840 --> 00:26:56,679
Speaker 4: Use our our our creativity to see if we can

572
00:26:56,720 --> 00:26:59,479
Speaker 4: come up with a better example for what you can

573
00:26:59,560 --> 00:27:02,080
Speaker 4: like plug back in. And I also don't want to

574
00:27:02,080 --> 00:27:07,360
Speaker 4: go too hard on Luke for stepping up in that moment, because.

575
00:27:07,000 --> 00:27:09,840
Speaker 5: I'm trying to just what I noticed from dead Blossom

576
00:27:09,960 --> 00:27:12,720
Speaker 5: Jesse is that he was laying there like a dead blossom.

577
00:27:13,040 --> 00:27:19,640
Speaker 4: Well, Jesse then came in with seven eleven, which I'm

578
00:27:19,840 --> 00:27:22,280
Speaker 4: struggling to come up with the worst example of a

579
00:27:22,440 --> 00:27:26,719
Speaker 4: global store that you could go to. Lou And once again,

580
00:27:29,200 --> 00:27:32,560
Speaker 4: once again steps up and says, but yeah.

581
00:27:32,400 --> 00:27:35,000
Speaker 1: Well we could be we could go there in Japan, that's.

582
00:27:34,920 --> 00:27:37,600
Speaker 2: What because he understood what I meant when the reason

583
00:27:37,640 --> 00:27:41,320
Speaker 2: that I brought up seven eleven was because it has

584
00:27:41,359 --> 00:27:44,160
Speaker 2: a cultural significance in Japan that it doesn't have here.

585
00:27:44,240 --> 00:27:46,800
Speaker 5: Well, I'm glad he understood what you meant, because no

586
00:27:46,840 --> 00:27:54,000
Speaker 5: one listens because you I'm gonna have to. I'm gonna

587
00:27:54,040 --> 00:27:56,600
Speaker 5: have to because it's not getting through to you. You're

588
00:27:56,640 --> 00:27:59,520
Speaker 5: going I said something, and my good friend who was

589
00:27:59,520 --> 00:28:01,800
Speaker 5: in the room with me understood. Yeah, and he cleaned

590
00:28:01,840 --> 00:28:05,320
Speaker 5: up your fucking mess as well, and he had to

591
00:28:07,000 --> 00:28:07,919
Speaker 5: because you didn't do it.

592
00:28:07,960 --> 00:28:10,639
Speaker 2: I wouldn't treat my worst enemy the way you're treating

593
00:28:10,640 --> 00:28:11,280
Speaker 2: me right now.

594
00:28:11,600 --> 00:28:16,560
Speaker 5: Oh really, Well, I'd like to be your worst enemy then,

595
00:28:17,240 --> 00:28:26,000
Speaker 5: because hang on again, yeah yeah, because uh, then I

596
00:28:26,040 --> 00:28:30,760
Speaker 5: wouldn't have to get spoken to by you with any

597
00:28:30,880 --> 00:28:34,160
Speaker 5: kind of intention and care, which is actually all I'm doing.

598
00:28:34,520 --> 00:28:35,160
Speaker 1: I'm trying to.

599
00:28:35,080 --> 00:28:37,200
Speaker 3: Help and kind of help you would give.

600
00:28:37,320 --> 00:28:40,080
Speaker 4: I don't want to wait, wait, I just want to

601
00:28:40,160 --> 00:28:41,840
Speaker 4: like just a small edit on that one.

602
00:28:42,040 --> 00:28:44,920
Speaker 1: Say that again, Say again, what did I say?

603
00:28:45,080 --> 00:28:47,080
Speaker 3: He said I wouldn't talk to my enemy.

604
00:28:47,160 --> 00:28:49,280
Speaker 2: I wouldn't talk to my worst enemy the way you're

605
00:28:49,320 --> 00:28:49,760
Speaker 2: talking to me.

606
00:28:49,840 --> 00:28:51,680
Speaker 1: Right, well, I would, and I am.

607
00:28:52,960 --> 00:28:58,920
Speaker 3: That's really okay. Let me do it again again.

608
00:28:59,160 --> 00:29:01,760
Speaker 2: Yeah, I would treat my worst enemy the way that

609
00:29:01,800 --> 00:29:02,440
Speaker 2: you're treating me.

610
00:29:02,720 --> 00:29:12,960
Speaker 1: Oh yeah, that's that's really clean. Yeah, So what if

611
00:29:12,960 --> 00:29:13,320
Speaker 1: it's me?

612
00:29:15,880 --> 00:29:19,320
Speaker 4: I would say, like, for an example of an international store,

613
00:29:19,840 --> 00:29:21,760
Speaker 4: I would say, or a store in Japan that we

614
00:29:21,840 --> 00:29:26,960
Speaker 4: don't know even the name of because it's it's from Japan, Right,

615
00:29:27,160 --> 00:29:28,840
Speaker 4: that's what you're explained. That's what you can go and

616
00:29:28,880 --> 00:29:30,360
Speaker 4: tell people about experience.

617
00:29:30,560 --> 00:29:33,479
Speaker 2: Sorry, your pitch Instead of saying seven to eleven is,

618
00:29:33,600 --> 00:29:36,600
Speaker 2: I should have said, or somewhere in Japan I don't.

619
00:29:36,480 --> 00:29:40,520
Speaker 4: Know, Yes, that's exactly right, Yes, okay, or unless you

620
00:29:40,680 --> 00:29:44,320
Speaker 4: know a Japanese store, which clearly you don't.

621
00:29:44,680 --> 00:29:49,680
Speaker 5: Even don't they have like crazy vending machines, Yes, one

622
00:29:49,680 --> 00:29:51,920
Speaker 5: of those crazy vending machines.

623
00:29:51,960 --> 00:29:52,720
Speaker 2: I agree with you.

624
00:29:52,720 --> 00:29:57,120
Speaker 4: You're not gonna like need to be reaching for like

625
00:29:57,440 --> 00:29:59,560
Speaker 4: vending machines as stories. You're not gonna get to like

626
00:29:59,560 --> 00:30:02,920
Speaker 4: episode nine hundred and be like, yeah, okay, if we ever.

627
00:30:02,760 --> 00:30:05,440
Speaker 1: Get to vending machines, count we got to do something new.

628
00:30:05,680 --> 00:30:08,000
Speaker 2: That's we know we've we should have already moved on

629
00:30:08,080 --> 00:30:10,160
Speaker 2: in our careers. I think if we get there.

630
00:30:10,640 --> 00:30:12,920
Speaker 5: I think it would be valid to do it if

631
00:30:12,960 --> 00:30:15,760
Speaker 5: you were going internationally, you were going global, and you

632
00:30:15,800 --> 00:30:18,720
Speaker 5: were saying, like, here's something that's different about this other

633
00:30:18,840 --> 00:30:22,280
Speaker 5: culture from is that there some of the stuff that

634
00:30:22,400 --> 00:30:25,800
Speaker 5: we think of as only available in a store is

635
00:30:25,920 --> 00:30:30,080
Speaker 5: actually something that they would get from a vending machine.

636
00:30:30,320 --> 00:30:33,600
Speaker 1: Okay, okay, but again I agree with you, it's not

637
00:30:33,640 --> 00:30:34,840
Speaker 1: gonna We're not.

638
00:30:34,800 --> 00:30:37,000
Speaker 3: Gonna get there right. First of all, you're not going

639
00:30:37,080 --> 00:30:37,760
Speaker 3: to go to Japan.

640
00:30:39,080 --> 00:30:41,440
Speaker 5: You're not welcome, You're not allowed. It not s very farm.

641
00:30:41,440 --> 00:30:42,920
Speaker 5: You think they're gonna let you into Japan.

642
00:30:43,360 --> 00:30:46,160
Speaker 2: It's very farm. I've never heard it with that emphasis before.

643
00:30:46,960 --> 00:30:48,680
Speaker 2: Would you want to I'm allowed in Japan?

644
00:30:48,760 --> 00:30:49,360
Speaker 3: How'd you want to?

645
00:30:50,080 --> 00:30:50,160
Speaker 5: No?

646
00:30:50,280 --> 00:30:53,840
Speaker 2: I just it's just interesting. Sorry, I didn't mean to

647
00:30:53,840 --> 00:30:58,600
Speaker 2: grind it.

648
00:30:59,440 --> 00:31:00,800
Speaker 1: Play more this show.

649
00:31:01,240 --> 00:31:02,960
Speaker 2: And I just want to make sure that everyone knows

650
00:31:02,960 --> 00:31:05,440
Speaker 2: that Luke basically took the reins for the intro, but

651
00:31:05,480 --> 00:31:07,080
Speaker 2: we're we're both in charge.

652
00:31:07,120 --> 00:31:07,840
Speaker 1: I wondered about that.

653
00:31:08,840 --> 00:31:13,280
Speaker 4: I wonder I wondered who who named him smart president

654
00:31:13,320 --> 00:31:17,960
Speaker 4: of the podcast? What process was involved there? It turns

655
00:31:17,960 --> 00:31:20,320
Speaker 4: out there was none at all equal partners. We're both

656
00:31:20,360 --> 00:31:25,000
Speaker 4: in charge, both in charge of the podcast. Like also

657
00:31:25,360 --> 00:31:29,280
Speaker 4: that talk too much the same talk too much, the same,

658
00:31:29,360 --> 00:31:30,000
Speaker 4: the same.

659
00:31:30,000 --> 00:31:31,640
Speaker 2: Both of us, same cadences.

660
00:31:31,680 --> 00:31:35,920
Speaker 4: A bit of mulch in there, just like a little

661
00:31:35,960 --> 00:31:38,840
Speaker 4: bit of like wet loam.

662
00:31:37,680 --> 00:31:39,960
Speaker 1: Yeah, just a little though.

663
00:31:40,280 --> 00:31:42,920
Speaker 4: I think you could turn out dump some more in there,

664
00:31:43,200 --> 00:31:45,680
Speaker 4: use the shovel that you're digging your financial hole in,

665
00:31:45,760 --> 00:31:48,520
Speaker 4: and like put some of that extra molt you got

666
00:31:48,640 --> 00:31:51,280
Speaker 4: in in the back of the throat.

667
00:31:51,120 --> 00:31:54,520
Speaker 2: Like this, I think I want to get more in there,

668
00:31:54,800 --> 00:31:57,320
Speaker 2: like I mean, I can also tweak away from I mean,

669
00:31:57,360 --> 00:31:59,520
Speaker 2: I can tweak away from Luke. If that would.

670
00:31:59,360 --> 00:32:01,920
Speaker 4: Help, I would turn up the dial on your thing,

671
00:32:01,960 --> 00:32:06,080
Speaker 4: which is kind of a Peter Griffin almost affectation.

672
00:32:06,800 --> 00:32:10,640
Speaker 3: Obviously not as charming, but like the but with that

673
00:32:10,840 --> 00:32:11,280
Speaker 3: sort of.

674
00:32:11,400 --> 00:32:15,160
Speaker 5: Sound, that tone you have the I lean into that

675
00:32:15,240 --> 00:32:16,920
Speaker 5: harder you.

676
00:32:17,000 --> 00:32:21,240
Speaker 3: I want on a packa day minimum. Yeah yeah, really

677
00:32:22,280 --> 00:32:26,360
Speaker 3: smoke yes, but smokey.

678
00:32:25,920 --> 00:32:28,840
Speaker 1: And snip that filter off before you get in there.

679
00:32:29,000 --> 00:32:31,440
Speaker 2: Everyone in my life, I'm sorry, I just was reeling

680
00:32:31,480 --> 00:32:33,640
Speaker 2: for twenty seconds. Everyone in my life.

681
00:32:33,480 --> 00:32:35,360
Speaker 1: Unless you're trying to turn it down now.

682
00:32:37,720 --> 00:32:40,240
Speaker 2: Everyone in my life tells me I sound like Peter Griffin,

683
00:32:40,240 --> 00:32:41,640
Speaker 2: and then I'm acting like Peter Griffin.

684
00:32:41,720 --> 00:32:42,840
Speaker 1: You have heard that before.

685
00:32:43,040 --> 00:32:45,160
Speaker 4: I mean, it's just from everyone I've ever met in

686
00:32:45,200 --> 00:32:46,400
Speaker 4: my entire life, that's all.

687
00:32:46,760 --> 00:32:49,400
Speaker 2: It's and a bunch of strangers that have only seen me.

688
00:32:49,680 --> 00:32:52,239
Speaker 4: And the Peter Griffin voice. It's interesting because it's not

689
00:32:52,400 --> 00:32:53,960
Speaker 4: like a New England guy voice.

690
00:32:54,000 --> 00:32:55,480
Speaker 1: No, it's a Peter Griffin voice.

691
00:32:55,760 --> 00:32:58,600
Speaker 4: You know how there was like the transatlantic accent of

692
00:32:58,640 --> 00:33:01,640
Speaker 4: like the high society per right, and then like uh

693
00:33:01,920 --> 00:33:04,200
Speaker 4: like turn of the end. Theatrical yours is like the

694
00:33:04,320 --> 00:33:07,080
Speaker 4: dumb guy version of that.

695
00:33:07,080 --> 00:33:09,560
Speaker 1: That was like the old movie mo.

696
00:33:10,120 --> 00:33:14,640
Speaker 4: Yeah, it was not a character that existed in the world.

697
00:33:14,720 --> 00:33:16,320
Speaker 3: It's not like a Three Stooges.

698
00:33:17,680 --> 00:33:21,120
Speaker 2: Yeah, it was like it's not Can I tell you

699
00:33:21,200 --> 00:33:23,520
Speaker 2: how amazing it is how they are stumbling on all

700
00:33:23,560 --> 00:33:26,560
Speaker 2: of this stuff completely independent. It's really quite amazing.

701
00:33:26,560 --> 00:33:28,200
Speaker 6: You have to know that these are the two things

702
00:33:28,280 --> 00:33:30,840
Speaker 6: that he is used as a cudgel against him the most.

703
00:33:31,240 --> 00:33:35,360
Speaker 1: It is Peter, it is it is my entire life,

704
00:33:36,640 --> 00:33:37,160
Speaker 1: these things.

705
00:33:37,200 --> 00:33:40,080
Speaker 6: But it is not beautiful. It's not beautiful. It's like

706
00:33:40,120 --> 00:33:43,760
Speaker 6: they are reckoned. It shows what how like how symbolic?

707
00:33:44,040 --> 00:33:44,560
Speaker 3: Very clear?

708
00:33:44,880 --> 00:33:49,640
Speaker 2: Yeah, I guess so, I guess you're you're an oath Okay.

709
00:33:50,280 --> 00:33:53,200
Speaker 4: So I I think I would really op it up

710
00:33:53,400 --> 00:33:54,160
Speaker 4: like going forward.

711
00:33:54,200 --> 00:33:56,240
Speaker 2: And can I say this about Peter Griffin, He actually

712
00:33:56,280 --> 00:34:00,880
Speaker 2: has moments of striking intelligence. Sure, I think that's what

713
00:34:01,080 --> 00:34:04,760
Speaker 2: Quagmire but don't we don't like que You have seen

714
00:34:04,760 --> 00:34:08,520
Speaker 2: that clip of Quagmire talking to Brian where.

715
00:34:07,960 --> 00:34:10,040
Speaker 3: You're gonna have to narrow it down?

716
00:34:10,080 --> 00:34:14,520
Speaker 2: Yeah, talking to Brian about the way he asks, oh,

717
00:34:16,040 --> 00:34:18,040
Speaker 2: takes down. It's like a TikTok and it'll.

718
00:34:17,800 --> 00:34:19,600
Speaker 3: Have Brian gets read for film.

719
00:34:19,800 --> 00:34:21,520
Speaker 1: Yes, yeah, yeah, I've.

720
00:34:21,360 --> 00:34:23,520
Speaker 4: Seen it and there's like words printed on it that

721
00:34:23,560 --> 00:34:26,799
Speaker 4: says he wasn't expecting that, yes, yeah yeah, And then

722
00:34:26,800 --> 00:34:31,520
Speaker 4: there's a going back and forth across the frame. It

723
00:34:31,520 --> 00:34:33,960
Speaker 4: seems like it might be inverted and kind of squashed

724
00:34:34,040 --> 00:34:34,759
Speaker 4: a little bit, and.

725
00:34:34,840 --> 00:34:36,960
Speaker 6: All the comments are like dead ass, he did not

726
00:34:37,080 --> 00:34:40,200
Speaker 6: have to go that hard or just a skeleton of Bojie.

727
00:34:41,360 --> 00:34:42,000
Speaker 3: Yeah, I have.

728
00:34:42,120 --> 00:34:43,439
Speaker 2: Seen that Skullmoji.

729
00:34:43,560 --> 00:34:44,520
Speaker 3: That's good skull.

730
00:34:44,680 --> 00:34:47,279
Speaker 5: So I actually think so like if you were to

731
00:34:47,360 --> 00:34:50,080
Speaker 5: take Hayes's no and you did like a do that's

732
00:34:50,120 --> 00:34:52,960
Speaker 5: not it. It's it's more leaning into the voice that

733
00:34:52,960 --> 00:34:55,560
Speaker 5: we're talking about, where when he's giving examples, he goes

734
00:34:55,600 --> 00:34:56,680
Speaker 5: like Tim Hortons can go.

735
00:34:57,200 --> 00:34:59,479
Speaker 3: Yeah, our seven eleven boss, and.

736
00:34:59,400 --> 00:35:03,640
Speaker 5: It's and he has to go like, yeah, I guess

737
00:35:03,680 --> 00:35:06,960
Speaker 5: if it was in Japan, like you nufflehead.

738
00:35:06,800 --> 00:35:12,040
Speaker 4: So you got your curly and Larry okay saying cheese

739
00:35:12,080 --> 00:35:14,000
Speaker 4: it at the end of the episode.

740
00:35:13,880 --> 00:35:17,920
Speaker 3: Yeah, cheese it fellas.

741
00:35:19,200 --> 00:35:23,400
Speaker 5: Why iata that that is actually feeling like a really

742
00:35:23,520 --> 00:35:26,200
Speaker 5: classic comedy nam where I know what both of your

743
00:35:26,280 --> 00:35:27,000
Speaker 5: roles are.

744
00:35:27,360 --> 00:35:29,320
Speaker 3: And I have a reason to be listening.

745
00:35:29,400 --> 00:35:31,120
Speaker 2: Yeah, you're already on the ride, so you just get

746
00:35:31,120 --> 00:35:34,640
Speaker 2: to enjoy it. Just easy, Okay.

747
00:35:34,880 --> 00:35:36,800
Speaker 5: I think you want to make people comfortable.

748
00:35:36,960 --> 00:35:37,759
Speaker 3: I mean, we've been.

749
00:35:37,760 --> 00:35:41,279
Speaker 1: Made your as urt really bad.

750
00:35:41,960 --> 00:35:45,920
Speaker 4: But like like you're talking about the rod, yeah.

751
00:35:45,840 --> 00:35:49,560
Speaker 2: Yeah, bump under one of my cheeks had like a

752
00:35:49,560 --> 00:35:50,279
Speaker 2: weird hunt.

753
00:35:50,840 --> 00:35:53,960
Speaker 4: They're supposed to be kind of sunken in and you're

754
00:35:53,960 --> 00:35:57,200
Speaker 4: saying on one side it was actually kind of puffed hours.

755
00:35:56,840 --> 00:36:02,000
Speaker 2: A lump yeah wow from age Yeah, convect So that's

756
00:36:02,000 --> 00:36:03,880
Speaker 2: what happens with age on the seats.

757
00:36:03,920 --> 00:36:07,120
Speaker 1: I guess if the roller coaster is going down, so fast.

758
00:36:07,360 --> 00:36:10,440
Speaker 1: It's like, here's how intense a roller coaster is. It's

759
00:36:10,560 --> 00:36:16,320
Speaker 1: making the butt.

760
00:36:14,080 --> 00:36:16,880
Speaker 2: Wind is going against it so hard where the plastic

761
00:36:16,960 --> 00:36:24,120
Speaker 2: is being Yeah, not as crazy, Kevin durring right the

762
00:36:24,160 --> 00:36:24,720
Speaker 2: same amount.

763
00:36:24,760 --> 00:36:26,680
Speaker 6: I'm just saying like, well, I was trying to do

764
00:36:26,719 --> 00:36:28,480
Speaker 6: that to help you because you've already done so much

765
00:36:28,560 --> 00:36:32,760
Speaker 6: work and I have a natural.

766
00:36:32,520 --> 00:36:37,359
Speaker 4: U cut that down a little bit and I get that.

767
00:36:37,440 --> 00:36:37,760
Speaker 2: Okay.

768
00:36:37,840 --> 00:36:40,080
Speaker 4: Yeah, Like we talked about taking air out of the episode,

769
00:36:40,120 --> 00:36:42,600
Speaker 4: there was literally a gust of we've.

770
00:36:42,440 --> 00:36:44,480
Speaker 2: Been telling Pat to put more in. So that was

771
00:36:44,960 --> 00:36:48,280
Speaker 2: that was actually, yeah, it adds a gravitas.

772
00:36:48,360 --> 00:36:52,200
Speaker 6: Yeah what we're saying, because then you're like, you'rek because

773
00:36:52,440 --> 00:36:54,719
Speaker 6: so much of podcasting it's just this in a in

774
00:36:54,719 --> 00:36:55,920
Speaker 6: in one ear out the other.

775
00:36:55,960 --> 00:36:59,040
Speaker 2: You're at your you know, spreadsheet job. But you take

776
00:36:59,040 --> 00:37:00,120
Speaker 2: a pause like, yeah.

777
00:37:00,360 --> 00:37:03,319
Speaker 1: If you want a table luke, because you just have

778
00:37:03,400 --> 00:37:04,319
Speaker 1: this can.

779
00:37:04,280 --> 00:37:06,000
Speaker 2: Right next to your dick. That's kind of been just

780
00:37:06,160 --> 00:37:07,439
Speaker 2: like I kind of forgot.

781
00:37:07,360 --> 00:37:10,080
Speaker 1: Is it full or you know you haven't opened it yet.

782
00:37:10,200 --> 00:37:12,040
Speaker 2: No, it's it's mostly empty, Okay.

783
00:37:12,200 --> 00:37:14,120
Speaker 6: I just I didn't want to, Like I was worried

784
00:37:14,120 --> 00:37:15,719
Speaker 6: if I kept grabbing it I would knock it over.

785
00:37:15,880 --> 00:37:17,760
Speaker 5: Okay, you can have we can get you a table

786
00:37:17,960 --> 00:37:20,200
Speaker 5: about the strengths that they have for a moment, because

787
00:37:20,239 --> 00:37:22,080
Speaker 5: it is it is early.

788
00:37:22,600 --> 00:37:24,759
Speaker 4: For them to be It's ten am. And what we

789
00:37:24,840 --> 00:37:31,360
Speaker 4: have yacked off elmonade tea tea, it's good and a

790
00:37:31,680 --> 00:37:33,800
Speaker 4: and a mint? Is that a mint?

791
00:37:34,080 --> 00:37:34,360
Speaker 3: Mint?

792
00:37:34,400 --> 00:37:36,200
Speaker 2: Your I wanted to bring. We wanted to bring our

793
00:37:36,239 --> 00:37:36,800
Speaker 2: a games.

794
00:37:36,880 --> 00:37:41,359
Speaker 3: These guys are interesting. Yeah, and there's more more than

795
00:37:41,400 --> 00:37:42,279
Speaker 3: meets the eye here.

796
00:37:43,719 --> 00:37:47,960
Speaker 4: It's international too. It's very globally and inflected.

797
00:37:48,080 --> 00:37:50,560
Speaker 5: Yes, well, he's the one who had the specifically knew

798
00:37:50,600 --> 00:37:53,440
Speaker 5: the name of a he's our global warming.

799
00:37:53,360 --> 00:37:55,160
Speaker 3: The name of a country, our globe walk.

800
00:37:55,360 --> 00:37:56,960
Speaker 2: Yes, right, he knows all that stuff.

801
00:37:57,040 --> 00:37:58,759
Speaker 1: Let's hear a little can I show you so?

802
00:37:58,880 --> 00:38:01,040
Speaker 2: Luke keeps mentioning that I have this notebook full of

803
00:38:01,160 --> 00:38:04,239
Speaker 2: things and this is basically this was basically just like.

804
00:38:04,200 --> 00:38:06,600
Speaker 3: I never heard it get mentioned.

805
00:38:06,760 --> 00:38:09,799
Speaker 4: I didn't either, and I and the episode I think

806
00:38:09,800 --> 00:38:13,680
Speaker 4: we've gotten like maybe twenty seconds in and so like,

807
00:38:13,719 --> 00:38:16,480
Speaker 4: I'm pretty sure it hasn't come up, he said.

808
00:38:16,560 --> 00:38:20,160
Speaker 5: Luke keeps mentioning it. Now, maybe it got mentioned one Luke.

809
00:38:20,000 --> 00:38:23,440
Speaker 4: Said, I wonder I wonder if it was and you

810
00:38:23,440 --> 00:38:26,640
Speaker 4: guys are used to the visual element. Luke said, you've

811
00:38:26,640 --> 00:38:31,319
Speaker 4: done all this work, and then he goes right, And

812
00:38:31,400 --> 00:38:36,120
Speaker 4: I wonder if during that noise he was gesturing to

813
00:38:36,640 --> 00:38:37,320
Speaker 4: the notebook.

814
00:38:37,400 --> 00:38:39,160
Speaker 1: But that's not mentioning Jesse.

815
00:38:39,640 --> 00:38:40,640
Speaker 3: Luke keeps mentioning.

816
00:38:40,719 --> 00:38:43,360
Speaker 2: Well, okay, he was mentioning it off pot I suppose

817
00:38:43,400 --> 00:38:43,879
Speaker 2: to what I'm mean.

818
00:38:44,000 --> 00:38:48,080
Speaker 5: Yeah, So as the listener, I don't know that, right,

819
00:38:48,200 --> 00:38:50,800
Speaker 5: And so when you say it, it kind of takes

820
00:38:50,840 --> 00:38:51,719
Speaker 5: me out of it.

821
00:38:52,040 --> 00:38:55,040
Speaker 2: Hate the way you look at me, man, it's making

822
00:38:55,080 --> 00:38:59,040
Speaker 2: me like furious again. Everywhere you look at me. It's

823
00:38:59,080 --> 00:39:02,719
Speaker 2: like the drums of fucking war in my ears. And

824
00:39:02,760 --> 00:39:05,920
Speaker 2: it's like something and he like something primarily is telling

825
00:39:05,920 --> 00:39:06,960
Speaker 2: me that what he.

826
00:39:06,920 --> 00:39:09,560
Speaker 1: Does for a show that he like his favorite show.

827
00:39:09,400 --> 00:39:11,440
Speaker 2: It was now it was And then I you know,

828
00:39:11,520 --> 00:39:13,080
Speaker 2: you get in the room with someone and that's a

829
00:39:13,120 --> 00:39:16,120
Speaker 2: whole thing. Yeah right, it's like.

830
00:39:16,520 --> 00:39:20,760
Speaker 4: You were enjoying everyone else's pain all this time. Well,

831
00:39:21,000 --> 00:39:22,480
Speaker 4: and what I love about it is it will never

832
00:39:22,560 --> 00:39:23,040
Speaker 4: happen to me.

833
00:39:23,160 --> 00:39:23,880
Speaker 3: Yeah, won't be me.

834
00:39:24,600 --> 00:39:27,960
Speaker 1: My favorite out that it's not me.

835
00:39:28,120 --> 00:39:29,720
Speaker 2: We're just gonna get along, and I'm.

836
00:39:31,320 --> 00:39:33,200
Speaker 3: I'm the exception that proves the rule.

837
00:39:34,480 --> 00:39:35,560
Speaker 2: It's my favorite phrase.

838
00:39:37,520 --> 00:39:39,640
Speaker 3: Let's go around and say our favorite phrases.

839
00:39:39,920 --> 00:39:43,880
Speaker 4: Later we got Luke's exactly.

840
00:39:44,239 --> 00:39:45,920
Speaker 1: Can you say uh?

841
00:39:46,400 --> 00:39:48,640
Speaker 4: Later, just a little bit later in the episode, you

842
00:39:48,680 --> 00:39:52,080
Speaker 4: have a phrase, uh, an interesting phrase about forgiveness.

843
00:39:52,200 --> 00:39:56,560
Speaker 1: Can you say, uh? What it was? Asking for for?

844
00:39:57,000 --> 00:39:58,400
Speaker 2: Like ask for permission?

845
00:39:58,719 --> 00:39:59,400
Speaker 3: For permission?

846
00:40:00,400 --> 00:40:04,880
Speaker 6: Hold on, Well, that's me remembering ask fermentation your mamte

847
00:40:05,040 --> 00:40:06,080
Speaker 6: kind of a fermented drink.

848
00:40:06,200 --> 00:40:10,960
Speaker 1: Yeah, he's ferments mamante? Is it?

849
00:40:11,360 --> 00:40:13,319
Speaker 4: He's gonna take That's why he hadn't open that. He's

850
00:40:13,360 --> 00:40:16,560
Speaker 4: gonna take it home and pour it into the jug.

851
00:40:16,800 --> 00:40:19,040
Speaker 4: I'm making my own four three x's on.

852
00:40:19,040 --> 00:40:21,479
Speaker 2: It, making mood shut.

853
00:40:22,920 --> 00:40:28,279
Speaker 6: I believe the phrase was correct me if I'm wrong, Jesse, Uh,

854
00:40:28,680 --> 00:40:29,719
Speaker 6: is it ask for.

855
00:40:31,320 --> 00:40:32,960
Speaker 2: Or don't ask for?

856
00:40:33,600 --> 00:40:33,960
Speaker 1: Ask for?

857
00:40:34,120 --> 00:40:36,960
Speaker 2: It is better to ask for forgiveness than ask for permission?

858
00:40:37,960 --> 00:40:40,000
Speaker 1: Yes? Was that it? So?

859
00:40:40,200 --> 00:40:41,399
Speaker 2: We recorded this a while ago.

860
00:40:42,440 --> 00:40:45,160
Speaker 1: Yeah, I think you're all. I think you're both brog

861
00:40:45,920 --> 00:40:49,120
Speaker 1: All right, play more.

862
00:40:49,680 --> 00:40:53,000
Speaker 2: Anxiety thing, just just for me before the podcast started,

863
00:40:53,040 --> 00:40:56,440
Speaker 2: just to write some just just to keep my mind occupied. Okay,

864
00:40:56,560 --> 00:40:58,880
Speaker 2: here's what I have written down. Here's the big notebook

865
00:40:58,920 --> 00:41:04,760
Speaker 2: that you were so and Jesse's here for this part. No, sorry,

866
00:41:05,600 --> 00:41:09,400
Speaker 2: you are dead blossom Jesse. Now this is another note.

867
00:41:10,800 --> 00:41:15,680
Speaker 2: Jesse is Jesse fer our. Oh no, you have.

868
00:41:16,239 --> 00:41:21,000
Speaker 4: You have seated the territory by making yourself dead blossom

869
00:41:21,080 --> 00:41:26,840
Speaker 4: Jesse or dB J I support your ambition to become

870
00:41:27,800 --> 00:41:31,000
Speaker 4: Jesse and make him something.

871
00:41:32,800 --> 00:41:34,320
Speaker 3: Or you did, Yeah.

872
00:41:34,200 --> 00:41:36,480
Speaker 5: You did call him JF immediately and I went, okay,

873
00:41:36,560 --> 00:41:38,640
Speaker 5: let me translate this from what I know, which is

874
00:41:38,640 --> 00:41:40,200
Speaker 5: that he is Jesse and you're not.

875
00:41:40,400 --> 00:41:44,440
Speaker 2: But that there's in our lives at least. Okay, I

876
00:41:44,440 --> 00:41:46,640
Speaker 2: think about my life.

877
00:41:46,880 --> 00:41:50,680
Speaker 4: I'd push him onto your territory and make him red

878
00:41:50,760 --> 00:41:58,960
Speaker 4: bosom Jesse, right, because we know everyone what he's bright

879
00:41:59,160 --> 00:42:01,920
Speaker 4: red from willing boosomy.

880
00:42:04,200 --> 00:42:05,080
Speaker 2: You could feel the heat.

881
00:42:05,200 --> 00:42:08,439
Speaker 4: So then you're just Jesse and he's red bosom Jesse,

882
00:42:08,840 --> 00:42:12,560
Speaker 4: red boosom.

883
00:42:12,960 --> 00:42:16,840
Speaker 1: You've never I mean you see his that's.

884
00:42:16,640 --> 00:42:18,000
Speaker 2: A boosom a boosom.

885
00:42:18,200 --> 00:42:21,880
Speaker 5: Yeah, what do you think he's doing to it to

886
00:42:21,920 --> 00:42:23,000
Speaker 5: get it so red?

887
00:42:23,400 --> 00:42:27,640
Speaker 2: Letting bugs bite it all over again? It's just well,

888
00:42:27,880 --> 00:42:30,359
Speaker 2: I don't know, for I've never seen my guess. There

889
00:42:30,440 --> 00:42:32,920
Speaker 2: is a in the back of when he's streaming on Twitch,

890
00:42:33,000 --> 00:42:36,120
Speaker 2: there's a glass chamber in the background that you can

891
00:42:36,200 --> 00:42:40,839
Speaker 2: see that has two portholes, okay, and it's.

892
00:42:40,680 --> 00:42:43,759
Speaker 5: Full of almost like Austin Power's penis pump, but it's

893
00:42:43,920 --> 00:42:47,400
Speaker 5: just for it's just for his bosom and he's like

894
00:42:47,400 --> 00:42:52,040
Speaker 5: maybe hooking, and it's full of there's bugs inside.

895
00:42:52,239 --> 00:42:56,120
Speaker 3: And again, no, I got to rewatch that good movie.

896
00:42:56,520 --> 00:42:57,920
Speaker 3: I got to rewatch that.

897
00:42:58,320 --> 00:43:01,279
Speaker 2: This peenis pump isn't full of sects what doesn't need

898
00:43:01,320 --> 00:43:02,000
Speaker 2: to be because.

899
00:43:01,719 --> 00:43:04,200
Speaker 3: That, yeah, I'll take your word for it.

900
00:43:04,280 --> 00:43:06,799
Speaker 5: I guess I do have to rewatch it because in

901
00:43:06,840 --> 00:43:08,920
Speaker 5: my mind I didn't have my face pressed to the.

902
00:43:08,920 --> 00:43:10,920
Speaker 1: Screen on the on the pump, you know.

903
00:43:11,680 --> 00:43:14,520
Speaker 5: I guess it wasn't frame by frame to go through

904
00:43:14,560 --> 00:43:16,080
Speaker 5: the pump, Like how does the pump work.

905
00:43:16,640 --> 00:43:20,160
Speaker 4: I'm not walking down in the movie theater to the

906
00:43:20,160 --> 00:43:22,200
Speaker 4: front of the screen getting a ladder.

907
00:43:21,800 --> 00:43:24,680
Speaker 6: Out rending a theater just for you. You don't invite

908
00:43:24,680 --> 00:43:26,600
Speaker 6: your friends, and you go in there and you get

909
00:43:26,719 --> 00:43:27,600
Speaker 6: up close and you.

910
00:43:27,520 --> 00:43:30,200
Speaker 4: See you climb the ladder and I'm trying to your

911
00:43:30,239 --> 00:43:31,520
Speaker 4: face rest right out of.

912
00:43:31,440 --> 00:43:34,000
Speaker 1: The get my my famous notebook.

913
00:43:33,640 --> 00:43:36,920
Speaker 5: Genus pump moment wasn't exactly the Zapruder film for me

914
00:43:37,040 --> 00:43:38,560
Speaker 5: the way it was for you guys.

915
00:43:38,719 --> 00:43:42,279
Speaker 6: But uh, fat Maaster was in the second one too,

916
00:43:42,480 --> 00:43:44,399
Speaker 6: she would you need to be on I'm just saying,

917
00:43:44,480 --> 00:43:46,319
Speaker 6: I'm just saying you wouldn't be able to hug a fat

918
00:43:46,360 --> 00:43:48,759
Speaker 6: master that you could have hugged, not even MIDI me,

919
00:43:49,719 --> 00:43:50,720
Speaker 6: you get ug Scotti.

920
00:43:51,320 --> 00:43:53,640
Speaker 2: You know Scotti, all right?

921
00:43:53,920 --> 00:43:56,960
Speaker 1: But I know even that's just that you're thinking of Scotty, don't.

922
00:43:57,640 --> 00:44:00,600
Speaker 2: But is it Scotty is his son's on the steth

923
00:44:00,719 --> 00:44:01,680
Speaker 2: Green isn't in the first one.

924
00:44:01,800 --> 00:44:03,319
Speaker 3: Is in the first one, but he's in the first one.

925
00:44:03,360 --> 00:44:08,000
Speaker 4: But the way you're saying is from the first one

926
00:44:08,040 --> 00:44:10,400
Speaker 4: was zip it zipp it scupt.

927
00:44:11,760 --> 00:44:14,160
Speaker 6: I mean, we're laughing just thinking about it. Goddamn, you

928
00:44:14,200 --> 00:44:16,040
Speaker 6: don't even see the movie years.

929
00:44:16,800 --> 00:44:22,240
Speaker 4: So I noticed that Jesse hasn't been allowed to speak yet.

930
00:44:22,960 --> 00:44:23,600
Speaker 2: What do you mean me?

931
00:44:25,760 --> 00:44:29,040
Speaker 1: I guess we can do that whole secrets again. Jesse

932
00:44:29,400 --> 00:44:37,839
Speaker 1: is Jesse? Right? You are dead Blossom Jesse or dbj right?

933
00:44:37,880 --> 00:44:38,320
Speaker 1: For now?

934
00:44:38,840 --> 00:44:39,520
Speaker 2: What's sad is?

935
00:44:39,560 --> 00:44:42,719
Speaker 6: I was legitimately confused that wasn't trying to further the bit.

936
00:44:43,200 --> 00:44:48,280
Speaker 2: So thank you for clarifying. That's why we call him Jef. Sorry, Okay,

937
00:44:48,480 --> 00:44:48,719
Speaker 2: yeah

938
00:44:49,800 --> 00:44:53,239
Speaker 1: You know what, Goodbye