1 00:00:01,760 --> 00:00:04,800 Speaker 1: Hey, discos, need a little more Disgraceland in your life, 2 00:00:05,160 --> 00:00:08,039 Speaker 1: just to touch to get you through. Yeah me too. 3 00:00:08,760 --> 00:00:12,000 Speaker 1: This is the podcast that comes after the podcast. Welcome 4 00:00:12,000 --> 00:00:30,760 Speaker 1: to Disgraceland, the after Party. Welcome to the Disgraceland bonus episode, 5 00:00:30,800 --> 00:00:33,200 Speaker 1: a little thing we like to call the after party. 6 00:00:33,240 --> 00:00:35,200 Speaker 1: This is the show after the show, the party after 7 00:00:35,240 --> 00:00:37,040 Speaker 1: the party, the bridge to get you from one full 8 00:00:37,080 --> 00:00:39,840 Speaker 1: episode of Disgraceland to the other. The backyard, to dig 9 00:00:39,880 --> 00:00:42,920 Speaker 1: into the dirt, our mission to uncover the truth, to 10 00:00:42,960 --> 00:00:46,360 Speaker 1: confront the myth, to reclaim the story. On this bonus episode, 11 00:00:46,400 --> 00:00:48,960 Speaker 1: we are talking about our new episode on Houdini with 12 00:00:49,000 --> 00:00:51,640 Speaker 1: the Red Hot Chili Peppers making in appearance. We're rewinding 13 00:00:51,960 --> 00:00:55,160 Speaker 1: back to our Norwegian black metal in Misfits episodes for 14 00:00:55,200 --> 00:00:59,040 Speaker 1: the Halloween season, previewing next week's brand new episode on 15 00:00:59,200 --> 00:01:02,160 Speaker 1: Judas Priest, talking about one of the worst humans ever 16 00:01:02,240 --> 00:01:04,760 Speaker 1: right now, a crap singer from a crap band, and 17 00:01:04,800 --> 00:01:08,400 Speaker 1: we get into your voicemails, text, dms, and as always, 18 00:01:08,440 --> 00:01:11,000 Speaker 1: a whole lot of rosie. This is the podcast for 19 00:01:11,040 --> 00:01:14,560 Speaker 1: the musically obsessed, the outsiders, the independent thinkers who know 20 00:01:14,640 --> 00:01:17,560 Speaker 1: that the best history is the history that gets buried. 21 00:01:17,560 --> 00:01:20,600 Speaker 1: Disgraceland is where I tell the stories they didn't want told, 22 00:01:20,760 --> 00:01:23,919 Speaker 1: the kind you'll end up telling someone else. All right, discos, 23 00:01:24,160 --> 00:01:40,720 Speaker 1: let's get into it, all right. This prison, it holds 24 00:01:40,760 --> 00:01:45,640 Speaker 1: criminals so notorious they call the prison the Monster Mansion. 25 00:01:46,360 --> 00:01:50,000 Speaker 1: It's filled to the brim with predators, the worst of 26 00:01:50,080 --> 00:01:56,520 Speaker 1: the worst, serial killers, cannibals, rapists, and the criminals are 27 00:01:56,840 --> 00:02:00,800 Speaker 1: too depraved to be held in general population. Yes, for 28 00:02:01,000 --> 00:02:04,960 Speaker 1: fear of what they'll potentially do to others, but more 29 00:02:05,000 --> 00:02:07,960 Speaker 1: out of fear of what will be done to them. Now. 30 00:02:08,000 --> 00:02:13,000 Speaker 1: There's a hierarchy in all prisons, and England's Monster Mansion 31 00:02:13,520 --> 00:02:16,720 Speaker 1: not only holds the worst of the worst, it also 32 00:02:16,880 --> 00:02:21,440 Speaker 1: holds the lowest of the low. And this is where 33 00:02:22,000 --> 00:02:27,280 Speaker 1: lost prophets ex singer the convicted pedophile Ian Watkins, was 34 00:02:27,440 --> 00:02:32,200 Speaker 1: murdered last week. On the morning of October eleventh, as 35 00:02:32,240 --> 00:02:36,320 Speaker 1: the cell doors were unlocked and the prisoners were allowed 36 00:02:36,360 --> 00:02:41,919 Speaker 1: to move about, two prisoners ambushed Ian Watkins in his cell. 37 00:02:43,040 --> 00:02:46,200 Speaker 1: One of them stabbed Watkins in the neck with a shank, 38 00:02:47,040 --> 00:02:54,119 Speaker 1: reportedly hitting his jugular. Blood went everywhere, spewed violently quickly 39 00:02:54,600 --> 00:02:59,840 Speaker 1: covered the cell. The alarms blared and for a minute 40 00:03:00,200 --> 00:03:05,880 Speaker 1: chaos ensued before guards got controlled the situation. The bloodshed 41 00:03:06,639 --> 00:03:09,840 Speaker 1: was described by a source on the scene as horrific, 42 00:03:09,880 --> 00:03:13,400 Speaker 1: with blood everywhere, and that the event was quote shocking 43 00:03:13,960 --> 00:03:18,560 Speaker 1: even by prison standards. The forty seven year old Ian 44 00:03:18,639 --> 00:03:24,600 Speaker 1: Watkins was quickly pronounced dead, His two attackers were apprehended. 45 00:03:25,680 --> 00:03:31,160 Speaker 1: His fans, his groupies, yes, he still has groupies, even 46 00:03:31,560 --> 00:03:35,280 Speaker 1: young ones who still correspond with him in prison. His 47 00:03:35,360 --> 00:03:40,360 Speaker 1: ex bandmates and his victims. We haven't heard from any 48 00:03:40,400 --> 00:03:45,680 Speaker 1: of them, aside from a fairly narcissistic ex post from 49 00:03:45,960 --> 00:03:51,000 Speaker 1: Lost Prophets guitarist Lee Gaze using this occasion of Ian 50 00:03:51,040 --> 00:03:54,760 Speaker 1: Watkins's death to lament the downfall of their band from 51 00:03:54,760 --> 00:03:59,840 Speaker 1: thirteen years ago, due to, of course, Ian Watkins's depray 52 00:04:00,160 --> 00:04:06,440 Speaker 1: to crimes. In twenty thirteen, Watkins pleaded guilty to attempted 53 00:04:06,520 --> 00:04:10,640 Speaker 1: rape and sexual assault of a child under thirteen. He 54 00:04:10,680 --> 00:04:15,240 Speaker 1: also pleaded guilty to three counts of sexual assault involving children, 55 00:04:15,880 --> 00:04:21,680 Speaker 1: to six counts of taking, making, or possessing indecent imagery, 56 00:04:22,160 --> 00:04:27,040 Speaker 1: and one count of possessing an extreme pornographic image involving 57 00:04:27,040 --> 00:04:30,279 Speaker 1: a sex act on an animal. One of this Dude's 58 00:04:30,360 --> 00:04:35,280 Speaker 1: victims was a two year old boy, a two year 59 00:04:35,279 --> 00:04:39,240 Speaker 1: old boy, the son of one of his girlfriends, a 60 00:04:39,279 --> 00:04:44,039 Speaker 1: woman that the singer once texted saying, quote, if you 61 00:04:44,240 --> 00:04:48,680 Speaker 1: belong to me, so does your baby unquote. Let that 62 00:04:48,839 --> 00:04:54,200 Speaker 1: sink in. There's been a reason that I haven't covered 63 00:04:54,200 --> 00:04:57,760 Speaker 1: this story. A lot of you have written me before. 64 00:04:59,080 --> 00:05:01,640 Speaker 1: I get an email about this every couple months or 65 00:05:01,640 --> 00:05:05,280 Speaker 1: so and have for years. And I hate this shit, 66 00:05:05,720 --> 00:05:10,479 Speaker 1: I really do. And it's it's so dark, it's so 67 00:05:10,880 --> 00:05:15,680 Speaker 1: depraved that you know I've done Uh, I've done similar 68 00:05:15,720 --> 00:05:17,839 Speaker 1: episodes in the past, as you know, on some really 69 00:05:17,920 --> 00:05:21,320 Speaker 1: dark stuff. And you know, when you're researching it, you're 70 00:05:21,360 --> 00:05:24,800 Speaker 1: just in it in your fucking head. Man. It's like 71 00:05:26,240 --> 00:05:29,120 Speaker 1: it take it takes a beating, Your soul takes a beating. 72 00:05:29,360 --> 00:05:33,120 Speaker 1: It's it's tough for me, and I know everybody's different. 73 00:05:33,440 --> 00:05:35,600 Speaker 1: It's tough for me to have my head in places 74 00:05:35,640 --> 00:05:38,880 Speaker 1: like this, Uh, deeply in places like this for a 75 00:05:38,920 --> 00:05:41,719 Speaker 1: long periods of time. And uh, you know, for some 76 00:05:41,839 --> 00:05:45,039 Speaker 1: it's not you know, you know, it's funny. I was 77 00:05:46,360 --> 00:05:49,239 Speaker 1: I got this buddy who's an ex New York City cop, 78 00:05:49,720 --> 00:05:52,160 Speaker 1: and uh, I was talking to him a couple of 79 00:05:52,160 --> 00:05:57,600 Speaker 1: weeks ago, and he was just you know, I asked him, 80 00:05:57,640 --> 00:06:00,279 Speaker 1: you know, we're we're at a party and and things 81 00:06:00,279 --> 00:06:03,680 Speaker 1: had kind of lightened up and we were getting that 82 00:06:03,760 --> 00:06:05,520 Speaker 1: we were getting heavy on some stuff, and I asked 83 00:06:05,600 --> 00:06:09,400 Speaker 1: him about some of the worst things that he'd seen 84 00:06:09,680 --> 00:06:11,640 Speaker 1: when he was a cop in New York and he 85 00:06:11,720 --> 00:06:17,280 Speaker 1: retired very young, and you know, I'm not going to 86 00:06:17,320 --> 00:06:20,159 Speaker 1: repeat what he told me, but the fact that this 87 00:06:20,200 --> 00:06:25,839 Speaker 1: guy's not traumatized by it is just it's astonishing to 88 00:06:25,920 --> 00:06:30,120 Speaker 1: me that some people can compartmentalize these types of experiences, 89 00:06:31,000 --> 00:06:34,560 Speaker 1: this type of information. And again, everybody deals with it differently. 90 00:06:34,600 --> 00:06:36,520 Speaker 1: And a lot of you have asked me to cover 91 00:06:37,040 --> 00:06:39,719 Speaker 1: this horrific story and I haven't done it. I was 92 00:06:39,760 --> 00:06:43,479 Speaker 1: planned on doing it, though, and I'm now going to 93 00:06:43,640 --> 00:06:46,440 Speaker 1: for sure, now that there's a real ending here, I'm 94 00:06:46,440 --> 00:06:49,400 Speaker 1: going to get into it. But it's so dark, and 95 00:06:49,560 --> 00:06:52,520 Speaker 1: especially that that quote gives you a taste of how 96 00:06:52,600 --> 00:06:55,160 Speaker 1: dark it is. If you belong to me, So does 97 00:06:55,160 --> 00:07:05,719 Speaker 1: your baby just a special kind of evil. During the 98 00:07:05,760 --> 00:07:09,800 Speaker 1: investigation into Ian Watkins's crimes, authorities got a hold of 99 00:07:09,840 --> 00:07:15,040 Speaker 1: his laptop and they figured out that his login password 100 00:07:16,000 --> 00:07:25,320 Speaker 1: was I fuck kids. I mean. A senior investigator assigned 101 00:07:25,400 --> 00:07:30,240 Speaker 1: to Watkins's case said that Ian Watkins was quote potentially 102 00:07:30,280 --> 00:07:35,280 Speaker 1: the most dangerous sex offender he'd ever seen. I mean, 103 00:07:36,400 --> 00:07:38,280 Speaker 1: I don't know how I'm gonna tell this story, but 104 00:07:38,320 --> 00:07:41,400 Speaker 1: I'm going to. I want to know more about why 105 00:07:41,480 --> 00:07:45,000 Speaker 1: he was killed. There's no word yet on why Ian 106 00:07:45,080 --> 00:07:49,520 Speaker 1: Watkins was murdered. Now many are assuming that it's prison justice. 107 00:07:50,040 --> 00:07:52,840 Speaker 1: It's back to what I was saying earlier about the 108 00:07:52,920 --> 00:07:57,840 Speaker 1: hierarchy in prison. You know, convicts cleaning out the lowest 109 00:07:58,200 --> 00:08:02,320 Speaker 1: of the low from among their ranks. However, in twenty 110 00:08:02,400 --> 00:08:07,119 Speaker 1: twenty three, not that long ago, a couple inmates took 111 00:08:07,400 --> 00:08:11,320 Speaker 1: Ian Walkins hostage in jail and beat and tortured him 112 00:08:11,400 --> 00:08:15,840 Speaker 1: for six hours. Now, this had nothing to do reportedly 113 00:08:16,360 --> 00:08:20,119 Speaker 1: about Ian Watkins's crimes, the crimes that led him to jail, 114 00:08:20,280 --> 00:08:24,080 Speaker 1: the abuse. It was reportedly over a drug debt. Ian 115 00:08:24,160 --> 00:08:27,400 Speaker 1: Watkins was an addict. He's got a lot of experience 116 00:08:27,560 --> 00:08:31,120 Speaker 1: and out of jail with drugs. So I don't know 117 00:08:31,160 --> 00:08:33,920 Speaker 1: why he was killed. I don't think anyone does right 118 00:08:33,960 --> 00:08:37,199 Speaker 1: now as of the recording of this episode. But we're 119 00:08:37,200 --> 00:08:39,120 Speaker 1: going to find out and we're going to do an 120 00:08:39,120 --> 00:08:40,760 Speaker 1: episode on this, and we're going to find a way 121 00:08:40,760 --> 00:08:45,240 Speaker 1: to do it that isn't completely sensationalized and it gets 122 00:08:45,280 --> 00:08:50,679 Speaker 1: to the evil at the heart of this singer from 123 00:08:50,920 --> 00:08:57,120 Speaker 1: the band Lost Profits. Details are still emerging from this case, 124 00:08:57,960 --> 00:09:00,560 Speaker 1: you know, as we get them in, we'll start putting 125 00:09:00,559 --> 00:09:04,200 Speaker 1: this together, putting the research together on Like I said, 126 00:09:04,240 --> 00:09:08,120 Speaker 1: Ian Watkins from Lost Profits Disgraceful Crimes in a full 127 00:09:08,280 --> 00:09:12,679 Speaker 1: episode soon. This is one of those stories, as I mentioned, 128 00:09:13,040 --> 00:09:16,280 Speaker 1: many of you have recommended even before Ian's death, and 129 00:09:16,440 --> 00:09:19,839 Speaker 1: there's a course a lot about this story that is 130 00:09:20,240 --> 00:09:23,800 Speaker 1: hard to digest, but I don't know, just I believe 131 00:09:23,840 --> 00:09:26,200 Speaker 1: it's important to cover the worst of the worst, and 132 00:09:26,240 --> 00:09:29,000 Speaker 1: this is one of those reminders. Is Halloween season that 133 00:09:29,480 --> 00:09:34,920 Speaker 1: true monsters walk among us. Ian Watkins from Lost Prophets 134 00:09:35,600 --> 00:09:40,520 Speaker 1: is about as disgraceful a musician that I've come across 135 00:09:40,520 --> 00:09:44,240 Speaker 1: in all of my years doing this. He deserves a 136 00:09:44,440 --> 00:09:49,640 Speaker 1: special place in whatever the haull of disgrace is. He's 137 00:09:49,720 --> 00:09:51,679 Speaker 1: up there with the worst of the worst. Like I said, 138 00:09:51,960 --> 00:09:57,000 Speaker 1: up there with the Spade coolies, Big Lurch. Truly a bad, 139 00:09:57,120 --> 00:10:01,920 Speaker 1: bad man, an absolute monster, and that's you know, that's 140 00:10:02,000 --> 00:10:04,439 Speaker 1: part of the whole this whole season, this whole Halloween 141 00:10:04,559 --> 00:10:06,960 Speaker 1: thing that we're doing. There's the fun side of it. 142 00:10:07,400 --> 00:10:10,080 Speaker 1: There's the sort of comic book side of it, the 143 00:10:10,080 --> 00:10:13,920 Speaker 1: Freddy Krueger Jason Voorhees side of it, and then there's 144 00:10:14,080 --> 00:10:19,440 Speaker 1: the the real evil side of it. And we know 145 00:10:19,480 --> 00:10:21,720 Speaker 1: what side of the street this Sean Walkin's story is on. 146 00:10:22,320 --> 00:10:25,040 Speaker 1: I want to kind of slowly start to turn the 147 00:10:25,080 --> 00:10:29,320 Speaker 1: ship now toward the more fun side of the street here, 148 00:10:29,360 --> 00:10:34,319 Speaker 1: because you know, it's just a better hang. Like I said, monsters, 149 00:10:34,360 --> 00:10:36,600 Speaker 1: this guy was a monster. Monsters. They come in all 150 00:10:36,640 --> 00:10:40,280 Speaker 1: shapes and sizes, the real life monsters like Ian Walkins, 151 00:10:40,280 --> 00:10:42,560 Speaker 1: and the make believe kind, the less literal, the more 152 00:10:43,000 --> 00:10:46,440 Speaker 1: literary types of monsters. It happened to me, be more 153 00:10:46,480 --> 00:10:50,000 Speaker 1: fun when this month rolls around the ones in our fiction, 154 00:10:50,679 --> 00:10:53,320 Speaker 1: in the horror movies that we watch, and yes, in 155 00:10:53,400 --> 00:10:57,600 Speaker 1: the songs that we listen to, especially during the Halloween season. Now, 156 00:10:58,080 --> 00:11:00,600 Speaker 1: this has been a big topic around here, these parts 157 00:11:00,880 --> 00:11:03,600 Speaker 1: scary music, spooky music. I should say we did. We 158 00:11:03,640 --> 00:11:05,440 Speaker 1: did a bunch on it last week. We're gonna take 159 00:11:05,480 --> 00:11:10,240 Speaker 1: a different road into the into that subject today similarly 160 00:11:10,400 --> 00:11:13,880 Speaker 1: but not that different, but not exactly the same either. 161 00:11:14,760 --> 00:11:18,840 Speaker 1: Kind of running with this theme of of this monster 162 00:11:19,000 --> 00:11:22,720 Speaker 1: theme here, Zeth and I will be ticking through some 163 00:11:23,080 --> 00:11:26,960 Speaker 1: music recommendations of our favorite monster songs in the exclusive 164 00:11:27,000 --> 00:11:29,200 Speaker 1: section of this episode in a bit, and I promise 165 00:11:29,320 --> 00:11:33,000 Speaker 1: you that our recommendations will be tunes that you've likely 166 00:11:33,360 --> 00:11:36,080 Speaker 1: never heard. We're not gonna be recommending the Monster Mash 167 00:11:36,200 --> 00:11:39,079 Speaker 1: or Godzilla by Blue Oyster Cull, even though I love 168 00:11:39,200 --> 00:11:41,520 Speaker 1: both of those songs. You're gonna be getting tunes that 169 00:11:41,600 --> 00:11:46,400 Speaker 1: will make great additions to your October listening routine. And 170 00:11:46,440 --> 00:11:50,680 Speaker 1: like I said, it'll be real monster fair both literal 171 00:11:50,840 --> 00:11:54,400 Speaker 1: and literary. Okay, tunes that you're not gonna get anywhere else. 172 00:11:54,440 --> 00:11:59,040 Speaker 1: Tunes that will pull on your gen X heartstrings. Okay, 173 00:11:59,080 --> 00:12:02,160 Speaker 1: tunes that will make you long for an era long gone, 174 00:12:02,160 --> 00:12:04,920 Speaker 1: an era you are either part of a miss dearly 175 00:12:05,160 --> 00:12:08,400 Speaker 1: or missed and want to feel like you were there 176 00:12:08,440 --> 00:12:12,679 Speaker 1: and want to live in it. Nineties era Monster music recommendations, 177 00:12:12,679 --> 00:12:14,959 Speaker 1: That's what I'm talking about. Songs about the worst of 178 00:12:15,000 --> 00:12:17,400 Speaker 1: the worst from the nineteen nineties coming up in the 179 00:12:17,480 --> 00:12:19,920 Speaker 1: exclusive section of this after party. But you've got to 180 00:12:19,960 --> 00:12:22,080 Speaker 1: be an All Access member to listen. That's currently just 181 00:12:22,400 --> 00:12:24,880 Speaker 1: five dollars a month to become a member on Apple 182 00:12:24,960 --> 00:12:29,440 Speaker 1: Podcasts or Patreon less if you nab that Patreon promotion 183 00:12:29,520 --> 00:12:32,840 Speaker 1: that's currently running. And reminder, this five dollars a month 184 00:12:33,080 --> 00:12:35,000 Speaker 1: cost is going up in a couple of weeks, So 185 00:12:35,080 --> 00:12:37,960 Speaker 1: get in at just five bucks a month now, why 186 00:12:38,040 --> 00:12:40,680 Speaker 1: you can and not only nab extra content like this, 187 00:12:40,840 --> 00:12:44,880 Speaker 1: but also add free listening. All right, I'm gonna take 188 00:12:44,880 --> 00:12:46,680 Speaker 1: a break and I'll be back in a flash with 189 00:12:46,760 --> 00:13:12,920 Speaker 1: your voicemails, texts and emails. Yes, yes, yes, welcome back, 190 00:13:12,960 --> 00:13:15,560 Speaker 1: Welcome back, Welcome back. This week, if you've been dialed 191 00:13:15,600 --> 00:13:18,080 Speaker 1: into your disgrace sland feed, you heard our episode on 192 00:13:18,160 --> 00:13:20,840 Speaker 1: Houdini with a freaky styly guest appearance by the Red 193 00:13:20,920 --> 00:13:25,320 Speaker 1: Hot Chili Peppers and an exclusive mini episode on Slipknots 194 00:13:25,400 --> 00:13:30,520 Speaker 1: experience in the same Haunted Houdini home. Patreon and Apple 195 00:13:30,559 --> 00:13:33,880 Speaker 1: subscribers they got the miniapp Did you all right? Coming 196 00:13:33,960 --> 00:13:37,319 Speaker 1: up next after this episode, we are continuing our romp 197 00:13:37,440 --> 00:13:41,760 Speaker 1: toward All Hallows Eve with classic Creepy Crawley rewind episodes 198 00:13:41,800 --> 00:13:45,079 Speaker 1: this week on the Norwegian black metal scene, and also 199 00:13:45,160 --> 00:13:47,040 Speaker 1: on one of the greatest bands to ever do it, 200 00:13:47,280 --> 00:13:50,600 Speaker 1: the Misfits next week, coming at you, those leather clad 201 00:13:50,640 --> 00:13:55,079 Speaker 1: Birmingham defenders of the Faith the Mighty Judas Priest, our 202 00:13:55,200 --> 00:13:59,400 Speaker 1: new episode on Priest. The band's origins, the relationship to 203 00:13:59,440 --> 00:14:02,600 Speaker 1: the whole safe Tannic panic thing that overtook North America 204 00:14:02,640 --> 00:14:05,160 Speaker 1: in the eighties, how the band got roped into that 205 00:14:05,280 --> 00:14:09,560 Speaker 1: disgraceful PMRC delio with Tipper Gore, and the suicide pack 206 00:14:09,679 --> 00:14:12,880 Speaker 1: lawsuit that threatened to ruin the band. That and a 207 00:14:12,920 --> 00:14:15,640 Speaker 1: whole lot of hot leather daddy action that you're not 208 00:14:15,679 --> 00:14:18,680 Speaker 1: gonna want to miss in our next episode on Judas 209 00:14:18,679 --> 00:14:22,040 Speaker 1: Priest coming up next week in your Disgraced Land feed. Now, 210 00:14:22,200 --> 00:14:24,960 Speaker 1: when you're listening to this episode on Priest, I want 211 00:14:25,000 --> 00:14:27,360 Speaker 1: you to be thinking about, well, this is an easy one. 212 00:14:27,560 --> 00:14:30,400 Speaker 1: I want to know who, in your opinion, is the 213 00:14:30,440 --> 00:14:33,240 Speaker 1: greatest metal band of all time and I want to 214 00:14:33,280 --> 00:14:37,040 Speaker 1: know why. Okay, Judas Priest part of the first generation 215 00:14:37,120 --> 00:14:39,800 Speaker 1: of great metal bands along with Black Sabbath, and this 216 00:14:39,920 --> 00:14:43,920 Speaker 1: episode deals with the question of who the greatest metal icons? 217 00:14:44,200 --> 00:14:48,280 Speaker 1: Who were they? Judas Priest in my estimation is definitely 218 00:14:48,360 --> 00:14:50,440 Speaker 1: one of them. But are they the best? Are are 219 00:14:50,480 --> 00:14:52,040 Speaker 1: they better than Black Sabbath? Can he give it to 220 00:14:52,120 --> 00:14:53,040 Speaker 1: them over Black Sabbath? 221 00:14:53,360 --> 00:14:53,840 Speaker 2: I don't know. 222 00:14:54,280 --> 00:14:57,360 Speaker 1: I yeah, we'll talk about it more next week six 223 00:14:57,480 --> 00:15:01,480 Speaker 1: one seven nine oh six six three. Call me, send 224 00:15:01,520 --> 00:15:03,880 Speaker 1: me a text, lead me a voicemail, and let me 225 00:15:03,920 --> 00:15:07,400 Speaker 1: know who your metal icons are, and you know why 226 00:15:07,440 --> 00:15:10,160 Speaker 1: you love them, What they do for you, how they 227 00:15:10,200 --> 00:15:14,120 Speaker 1: make you feel, how you relate to their music, their lyrics, 228 00:15:14,160 --> 00:15:17,880 Speaker 1: their heaviness, how these bands, these artists compel you. I 229 00:15:17,960 --> 00:15:20,800 Speaker 1: want to know heavy music. I have a special place 230 00:15:20,840 --> 00:15:22,360 Speaker 1: in my heart for heavy music, and I know a 231 00:15:22,360 --> 00:15:24,200 Speaker 1: lot of you do as well. And even if you're 232 00:15:24,240 --> 00:15:27,360 Speaker 1: just one of these fly by night heavy music fans 233 00:15:27,400 --> 00:15:29,680 Speaker 1: like whatever, Like you're you're into what you're into and 234 00:15:29,720 --> 00:15:31,400 Speaker 1: it's not heavy, and who gives a shit? Right, hollod 235 00:15:31,440 --> 00:15:33,360 Speaker 1: o Its is cool even though they're not heavy metal. Right, 236 00:15:33,400 --> 00:15:35,560 Speaker 1: So you're at the you're at the football game or whatever, 237 00:15:35,720 --> 00:15:38,400 Speaker 1: and you know, just that song comes on by Metallica 238 00:15:38,520 --> 00:15:40,120 Speaker 1: or by I don't know, I don't know, I mean 239 00:15:40,160 --> 00:15:43,800 Speaker 1: Auzy whoever? It is, right, but it gets you going, right, 240 00:15:44,040 --> 00:15:46,800 Speaker 1: hockey fans, you know what I'm talking about that audio 241 00:15:46,880 --> 00:15:49,120 Speaker 1: Slave song comes I can't stand it. I don't like 242 00:15:49,160 --> 00:15:50,880 Speaker 1: audio Slave, but if I'm in a Bruins game an 243 00:15:50,880 --> 00:15:53,800 Speaker 1: audio Slave comes on, I'm like, all right, I'm listening. 244 00:15:54,720 --> 00:15:56,720 Speaker 1: What's this? What's the music that does that for you? 245 00:15:56,840 --> 00:15:58,960 Speaker 1: The heavy music? Let me know? Six one seven nine 246 00:15:59,040 --> 00:16:02,720 Speaker 1: oh six six six three to eight voicemail and text. 247 00:16:02,840 --> 00:16:05,000 Speaker 1: All right, speaking of calling me, I'm in the phone 248 00:16:05,000 --> 00:16:06,920 Speaker 1: both right now. It's someone across the hall. I'm hanging 249 00:16:06,960 --> 00:16:10,320 Speaker 1: on the telephone, which means it's time to hear from 250 00:16:10,360 --> 00:16:12,880 Speaker 1: you guys on last week's question of the week via 251 00:16:12,960 --> 00:16:17,440 Speaker 1: your voicemail and text. And that question was which songs 252 00:16:17,760 --> 00:16:22,240 Speaker 1: spooky out? Which tunes give you the hebgbis what music 253 00:16:22,640 --> 00:16:27,840 Speaker 1: is must listen for you around this particular time this season, 254 00:16:28,120 --> 00:16:31,320 Speaker 1: the spookiest time of year. The five to two oh 255 00:16:31,520 --> 00:16:34,560 Speaker 1: writes in Hey Jake, first time writing in It's Halloween, 256 00:16:34,680 --> 00:16:38,040 Speaker 1: so I haven't heard you even mentioned the genre of psychobilly, 257 00:16:38,360 --> 00:16:44,760 Speaker 1: the perfect mix of can't be spooky halloween rockabilly. Checkout Necromantics, 258 00:16:45,120 --> 00:16:49,400 Speaker 1: horror pops and coffincats too well. Listen five to two oh. 259 00:16:49,600 --> 00:16:52,840 Speaker 1: We just dropped last week. I know it's not strictly psycleobilly, 260 00:16:52,880 --> 00:16:55,400 Speaker 1: but we just dropped our Cramps episode in the feed 261 00:16:55,440 --> 00:16:57,720 Speaker 1: a little rewind taste for you. Go check that out, 262 00:16:58,120 --> 00:17:01,120 Speaker 1: all right, Obviously there's a psycho billy connection there, and 263 00:17:01,120 --> 00:17:03,720 Speaker 1: I'm pretty sure we do an okay job of explaining 264 00:17:03,760 --> 00:17:06,120 Speaker 1: that connection in the episode. Haven't listened in a while, 265 00:17:06,119 --> 00:17:07,960 Speaker 1: but it's available for you at the top of your feet, 266 00:17:07,960 --> 00:17:10,120 Speaker 1: that Cramps episode. Go check that out, give it a spin. 267 00:17:11,160 --> 00:17:15,600 Speaker 1: Four one two. Has nobody mentioned Frankie teardrop by Suicide 268 00:17:15,680 --> 00:17:20,000 Speaker 1: as the scariest song ever? If not, consider it mentioned 269 00:17:20,240 --> 00:17:23,439 Speaker 1: scary as fuck? So scary I can't listen to it 270 00:17:23,440 --> 00:17:25,520 Speaker 1: all the way through. I may also be a punk 271 00:17:25,560 --> 00:17:28,600 Speaker 1: ass bitch, though, so there's that too. Four one two. 272 00:17:29,480 --> 00:17:32,840 Speaker 1: You know, I read punk ass Bitch, and I guess, 273 00:17:32,920 --> 00:17:35,280 Speaker 1: you know, it kind of makes sense with Frankie Teardrop, 274 00:17:35,320 --> 00:17:38,120 Speaker 1: But I was like, hey, these are harsh words. And 275 00:17:38,640 --> 00:17:42,160 Speaker 1: then I scrolled up here in the text thread history 276 00:17:42,640 --> 00:17:47,159 Speaker 1: you've texted a couple times, and uh, I was like, 277 00:17:47,200 --> 00:17:49,560 Speaker 1: who's this dude writing punk ass bitch? 278 00:17:49,680 --> 00:17:51,159 Speaker 2: And it appears. 279 00:17:52,320 --> 00:17:54,320 Speaker 1: From this earlier text where you say what's up, Jake, 280 00:17:54,359 --> 00:17:56,840 Speaker 1: it appears you're a woman. Okay four one two, Okay, 281 00:17:56,880 --> 00:17:58,440 Speaker 1: I mean, I'm not gonna quibble. I guess with your 282 00:17:58,720 --> 00:18:01,200 Speaker 1: you know if you're saying punk ass bitch also appears 283 00:18:01,200 --> 00:18:04,920 Speaker 1: at your Pittsburgh Pirates fan yinser's what's up? How did 284 00:18:04,960 --> 00:18:07,359 Speaker 1: so many of you end up in our audience? I 285 00:18:07,359 --> 00:18:10,160 Speaker 1: don't know, but I love it? Keep it coming seven 286 00:18:10,280 --> 00:18:14,240 Speaker 1: seven five, writes in say, since you have two Judas 287 00:18:14,320 --> 00:18:17,280 Speaker 1: Priest songs on your list of great Halloween songs, why 288 00:18:17,320 --> 00:18:19,880 Speaker 1: not make it three? Beyond the Realms of Death from 289 00:18:19,920 --> 00:18:23,160 Speaker 1: Stained Class is one of my all time fave priestudents. 290 00:18:23,200 --> 00:18:25,119 Speaker 1: You're gonna hear all about stay in Class in this 291 00:18:25,480 --> 00:18:28,040 Speaker 1: Judas Priest episode seven seven five that we've got come 292 00:18:28,080 --> 00:18:35,240 Speaker 1: in your way next week eight one six rights in garage. Uh, 293 00:18:35,280 --> 00:18:38,000 Speaker 1: they're making fun of my voice. It's okay. You want 294 00:18:38,040 --> 00:18:41,479 Speaker 1: to make fun of someone with a someone's accent? That 295 00:18:41,560 --> 00:18:42,960 Speaker 1: is that cool? Is that what we're doing? 296 00:18:43,000 --> 00:18:45,119 Speaker 2: Now? Just goes my kid? 297 00:18:45,320 --> 00:18:48,560 Speaker 1: Make fun of me all you want. Terry Sadler emails 298 00:18:48,640 --> 00:18:54,879 Speaker 1: us subject terrifying tunes message in Every Home a Heartache 299 00:18:55,119 --> 00:18:59,879 Speaker 1: by Roxy Music, Psycho by Eddie Noak, Genie's Afraid of 300 00:18:59,920 --> 00:19:04,200 Speaker 1: the Dark by Dolly Parton and Porter Wagoner the best 301 00:19:04,640 --> 00:19:10,120 Speaker 1: rock a Rolla Terry Terry, Thank you, Terry's terrifying tunes. 302 00:19:10,480 --> 00:19:13,080 Speaker 1: I love this. I love this because I only know 303 00:19:13,200 --> 00:19:16,199 Speaker 1: one of these songs. I know Psycho if it's the 304 00:19:16,200 --> 00:19:19,439 Speaker 1: one I'm thinking of. I know the Leon Payne Elvis 305 00:19:19,480 --> 00:19:23,120 Speaker 1: Costello one. You dig I'm Psycho, don't you Mama? That one? 306 00:19:24,160 --> 00:19:26,600 Speaker 1: I'm guessing that's the same one, because it feels like 307 00:19:26,640 --> 00:19:28,919 Speaker 1: you're on a country tip here. You got every in it. Well, 308 00:19:28,960 --> 00:19:30,800 Speaker 1: I don't know every home in Every Home A Heartache 309 00:19:30,840 --> 00:19:32,879 Speaker 1: by Roxy Music. I don't know that tune. And you know, 310 00:19:32,920 --> 00:19:36,000 Speaker 1: I actually heard a Roxy Music song this morning, came 311 00:19:36,040 --> 00:19:39,000 Speaker 1: on randomly, and I thought to myself, I need to 312 00:19:39,080 --> 00:19:43,879 Speaker 1: I need to listen to more Brian Ferry, more Roxy Music. 313 00:19:44,200 --> 00:19:47,320 Speaker 1: So I appreciate this. Genie's Afraid of the Dark by 314 00:19:47,359 --> 00:19:51,320 Speaker 1: Dolly and Porter. This sounds awesome. No idea what this is, 315 00:19:51,359 --> 00:19:54,239 Speaker 1: but it sounds like, yeah, I kind of know I 316 00:19:54,280 --> 00:19:56,560 Speaker 1: know where they're going with this. That's so that whole 317 00:19:56,560 --> 00:19:59,520 Speaker 1: country politan kind of We're gonna get scary on you here. 318 00:19:59,720 --> 00:20:01,760 Speaker 1: Some one's dying, that's all I'm saying. I bet you 319 00:20:01,840 --> 00:20:05,639 Speaker 1: someone died and Genie's Afraid of the Dark, Terry's terrifying tunes. 320 00:20:05,680 --> 00:20:07,760 Speaker 1: Appreciate the email, guys, you want to email me Disgrace 321 00:20:07,840 --> 00:20:11,600 Speaker 1: Lampod at gmail dot com. You want to hit me 322 00:20:11,720 --> 00:20:15,280 Speaker 1: up on the socials, that's at Disgrace Lamppod. Marissa del 323 00:20:15,320 --> 00:20:19,240 Speaker 1: Gatto writes in Hey Jake, longtime listener, the best spooky 324 00:20:19,280 --> 00:20:22,800 Speaker 1: ban of all time is Queens of the Stone Age. 325 00:20:23,040 --> 00:20:27,640 Speaker 1: Have you listened yet to Live at the Catacombs. It's dark, wet, drippy, 326 00:20:27,760 --> 00:20:31,159 Speaker 1: spooky and haunting, and they are keeping rock and roll alive. 327 00:20:32,040 --> 00:20:34,800 Speaker 1: And I wrote back to her, I'm husband yet, but 328 00:20:34,880 --> 00:20:39,480 Speaker 1: I need to thank you. Was listening to Queen's yesterday 329 00:20:39,520 --> 00:20:41,080 Speaker 1: at the gym and I think I hurt myself. That's 330 00:20:41,119 --> 00:20:43,800 Speaker 1: a true story, ladies and gentlemen. And Marissa went on 331 00:20:43,840 --> 00:20:45,359 Speaker 1: to say, get the vinyl light of Candle in the 332 00:20:45,440 --> 00:20:47,160 Speaker 1: Dark and listen to it loud. It's like you can 333 00:20:47,240 --> 00:20:50,479 Speaker 1: hear the spirits all right, Marissa. I dig that New 334 00:20:50,600 --> 00:20:54,679 Speaker 1: York City hardcore legend. Gavin van Vlack writes in Halloween 335 00:20:54,840 --> 00:20:59,280 Speaker 1: song Bela Lugosi's Dead Bawhus. I gotta admit and I 336 00:20:59,359 --> 00:21:02,760 Speaker 1: admitted it to Gavin bajaus is A is A. It's 337 00:21:02,800 --> 00:21:05,760 Speaker 1: a whiff for me. Man, It's a black hole in 338 00:21:05,800 --> 00:21:09,760 Speaker 1: my musical knowledge. I know I've heard this song before, 339 00:21:09,840 --> 00:21:12,440 Speaker 1: but I can't say that I'm familiar with this whole thing. 340 00:21:13,160 --> 00:21:17,600 Speaker 1: Gavin also recommended Sisters of Mercy Vision thing all right, Oh, 341 00:21:17,600 --> 00:21:19,280 Speaker 1: and then ghost Town by the Specials. Ghost Town by 342 00:21:19,280 --> 00:21:21,760 Speaker 1: the Specials. I know we've got that record on. It's 343 00:21:22,119 --> 00:21:25,520 Speaker 1: currently pulled out in our living room sort of vinyl 344 00:21:25,520 --> 00:21:29,439 Speaker 1: turntable area. It's not mine though, it's my son's, and 345 00:21:29,520 --> 00:21:31,360 Speaker 1: I didn't buy it for him, got it himself. 346 00:21:31,640 --> 00:21:32,959 Speaker 2: I like that, all right. 347 00:21:33,040 --> 00:21:38,159 Speaker 1: Let's check out this voicemail from the four eight Oh. 348 00:21:38,320 --> 00:21:40,439 Speaker 3: Hey, Jake, this is Jessica and the four eight oh 349 00:21:40,840 --> 00:21:44,080 Speaker 3: longtime listener, first time caller. Hopefully I'm not too late 350 00:21:44,119 --> 00:21:47,480 Speaker 3: for the after party. Question about the spooky story, but 351 00:21:47,760 --> 00:21:52,119 Speaker 3: my old house was very haunted. Lots of strange occurrences 352 00:21:52,119 --> 00:21:56,000 Speaker 3: happened there. The worst one, however, was one time my 353 00:21:56,080 --> 00:21:58,919 Speaker 3: oldest son was about two or three years old, and 354 00:21:59,000 --> 00:22:01,560 Speaker 3: I was measuring him against a growth chart that we 355 00:22:01,640 --> 00:22:03,720 Speaker 3: had on the wall, and all of a sudden, he 356 00:22:03,760 --> 00:22:06,760 Speaker 3: got this really scared look on his face. And he 357 00:22:06,920 --> 00:22:09,240 Speaker 3: clung onto my leg and I said, oh, buddy, what's 358 00:22:09,240 --> 00:22:13,080 Speaker 3: the matter. And he said, there's a man and I said, 359 00:22:13,119 --> 00:22:17,320 Speaker 3: he said right in back of you. There was nobody there, 360 00:22:17,440 --> 00:22:21,000 Speaker 3: and I completely froze and then ran out of the room. 361 00:22:21,040 --> 00:22:24,840 Speaker 3: But yeah, definitely one of the more spooky occurrences there. 362 00:22:24,880 --> 00:22:26,440 Speaker 3: But thanks again for a great pod. 363 00:22:26,840 --> 00:22:29,919 Speaker 1: Thanks for the spooky story, Jessica. Happy to hear that 364 00:22:30,040 --> 00:22:34,119 Speaker 1: everybody's all right. You want to send in more spooky stories? 365 00:22:34,200 --> 00:22:35,960 Speaker 1: Keep them coming. We're talking about that a couple of 366 00:22:35,960 --> 00:22:37,760 Speaker 1: weeks ago, but you want. I love it. I'm here 367 00:22:37,800 --> 00:22:40,560 Speaker 1: for it. That's what That's what October is for. Keep 368 00:22:40,600 --> 00:22:45,200 Speaker 1: them coming, guys, nine one three Texans, Sabbath forever. It's 369 00:22:45,400 --> 00:22:48,960 Speaker 1: cruel and usual to ask such a broad question, but 370 00:22:49,000 --> 00:22:51,560 Speaker 1: if there's a gun to my head, I'm blasting war pigs. 371 00:22:51,800 --> 00:22:55,720 Speaker 1: Rest in peace, Ozzie. Thank you. Love the show, especially 372 00:22:55,720 --> 00:23:01,520 Speaker 1: the Halloween episodes. Madison Miller Casemo responded to Madison, I said, hey, 373 00:23:01,560 --> 00:23:03,760 Speaker 1: you got it. Hope you dig the Judas Priest episode 374 00:23:03,800 --> 00:23:06,240 Speaker 1: coming up on Tuesday, and then Madison responded, sorry, I 375 00:23:06,240 --> 00:23:07,680 Speaker 1: think you might have the wrong number. I'm not sure 376 00:23:07,680 --> 00:23:13,520 Speaker 1: who this is. Madison it's Jake. It's Jake texting from Disgraceland. 377 00:23:14,080 --> 00:23:19,160 Speaker 1: Come on Madison, Screaming Lotus emails us disgracelamdpod at gmail 378 00:23:19,200 --> 00:23:23,320 Speaker 1: dot com. I finally joined Disgracelands Patreon. I talk a 379 00:23:23,359 --> 00:23:26,680 Speaker 1: lot about your podcast my music students and have turned 380 00:23:26,800 --> 00:23:28,720 Speaker 1: a lot of them onto it. You provide such a 381 00:23:28,720 --> 00:23:30,679 Speaker 1: great source of music history. Thanks for everything that you do, 382 00:23:30,720 --> 00:23:33,040 Speaker 1: and really happy to support your business and passion. See 383 00:23:33,160 --> 00:23:37,080 Speaker 1: on Patreon. Rock and ROLLA best Mike Mouldy Aguelo Aguello 384 00:23:37,160 --> 00:23:39,639 Speaker 1: a Gwello. I'm fucking up that last name. I know 385 00:23:39,760 --> 00:23:41,919 Speaker 1: I am, and I apologize, Mike, So I'm gonna give 386 00:23:41,920 --> 00:23:45,040 Speaker 1: you a little plug. Here's Mike's emailing from Screaming Lotus 387 00:23:45,119 --> 00:23:48,400 Speaker 1: Music lessons. If you're in the five oh three, give 388 00:23:48,480 --> 00:23:50,919 Speaker 1: Mike a little Google search there if you need some 389 00:23:51,000 --> 00:23:53,720 Speaker 1: music lessons. Mike, we appreciate you and all the kind 390 00:23:53,760 --> 00:23:55,800 Speaker 1: things you're saying, and also your support. Over on the 391 00:23:55,840 --> 00:23:59,640 Speaker 1: Patreon box, Mike's getting hooked up with ad free podcast 392 00:23:59,680 --> 00:24:03,439 Speaker 1: listening guys and exclusive content like the conversation Zeth and 393 00:24:03,480 --> 00:24:07,280 Speaker 1: I are going to be getting into fairly shortly, but 394 00:24:07,400 --> 00:24:24,440 Speaker 1: right now I'm gonna take a quick break back in flash. 395 00:24:24,520 --> 00:24:28,240 Speaker 1: You know, I got almost forty eight hours of sports 396 00:24:28,240 --> 00:24:31,040 Speaker 1: fan blists this week. The Patriots won. Drake May look great, 397 00:24:31,240 --> 00:24:35,600 Speaker 1: Mike Vrabel, I'm convinced is the right coach. I watched 398 00:24:35,680 --> 00:24:38,800 Speaker 1: up up in the New England area, back in my hometown, 399 00:24:39,800 --> 00:24:42,840 Speaker 1: sat in a big living room with my stepdad and 400 00:24:42,880 --> 00:24:46,640 Speaker 1: my son, and my brother in law and his family 401 00:24:46,680 --> 00:24:49,119 Speaker 1: and just a bunch of dudes from New England sitting 402 00:24:49,160 --> 00:24:54,040 Speaker 1: around watching the Patriots. I can't explain how fucking awesome 403 00:24:54,080 --> 00:24:56,080 Speaker 1: that felt to do. I haven't done that in a while. 404 00:24:57,480 --> 00:24:59,840 Speaker 1: Just you know, it's real shitty out. It was ra 405 00:25:00,119 --> 00:25:02,680 Speaker 1: and on Sunday it was just you know, that kind 406 00:25:02,680 --> 00:25:03,639 Speaker 1: of made it even better. 407 00:25:03,720 --> 00:25:05,080 Speaker 2: I don't know why, it just did. 408 00:25:05,640 --> 00:25:07,640 Speaker 1: Just felt very familiar to me. And the Pats won 409 00:25:07,680 --> 00:25:11,040 Speaker 1: and it was fantastic, and I flew home and you know, now, 410 00:25:11,280 --> 00:25:13,200 Speaker 1: just you know, I was walking through the world yesterday 411 00:25:13,200 --> 00:25:15,360 Speaker 1: thinking how great it was to finally have a football 412 00:25:15,400 --> 00:25:19,639 Speaker 1: team that doesn't suck again, and just how you know 413 00:25:19,680 --> 00:25:22,400 Speaker 1: excited I am about this whole Drake May Mike Rabel thing. 414 00:25:23,480 --> 00:25:28,280 Speaker 1: And then bam this morning, get hit with this Red 415 00:25:28,320 --> 00:25:31,040 Speaker 1: Sox news so listen before I get into it. This 416 00:25:31,119 --> 00:25:33,560 Speaker 1: sixty second sports rant and under thirty seconds is once 417 00:25:33,600 --> 00:25:36,359 Speaker 1: again sponsored by five Hour Energies new Pumpkin Spice flavor, 418 00:25:36,400 --> 00:25:38,359 Speaker 1: your favorite fall drink in an energy shot. You can 419 00:25:38,400 --> 00:25:41,160 Speaker 1: pick up a Pumpkin Spice five hour Energy shot available 420 00:25:41,200 --> 00:25:43,560 Speaker 1: online at five hour Energy dot com or Amazon Mac. 421 00:25:43,600 --> 00:25:47,040 Speaker 1: Give me that ticker, you know. After the Red Sox 422 00:25:47,160 --> 00:25:50,320 Speaker 1: ended their season, most every Sox fan sitting here going 423 00:25:50,560 --> 00:25:53,399 Speaker 1: we overachieved this year, all right with this roster. This 424 00:25:53,480 --> 00:25:56,679 Speaker 1: is super young team. This team has glaring holes that 425 00:25:56,760 --> 00:25:59,560 Speaker 1: need to be addressed in free agency. The front office 426 00:25:59,560 --> 00:26:02,760 Speaker 1: needs to bring another picture, another starting pitcher, by the way, 427 00:26:02,800 --> 00:26:05,520 Speaker 1: a stud, a real number two, if not a second ace. 428 00:26:05,600 --> 00:26:07,520 Speaker 1: No sniffing around the margins with the ghost of Tommy 429 00:26:07,560 --> 00:26:10,040 Speaker 1: John's triple a cousin. We need a real arm and 430 00:26:10,080 --> 00:26:13,520 Speaker 1: we need a real bat. Just one more big bat. 431 00:26:13,560 --> 00:26:15,520 Speaker 1: Go get us Pete Polar Bear a Lonzo, bring back 432 00:26:15,560 --> 00:26:20,000 Speaker 1: kyleeg Schworber. And then, and then, and then we get 433 00:26:20,040 --> 00:26:24,439 Speaker 1: this news this morning that Alex Bregman is most likely 434 00:26:24,920 --> 00:26:27,840 Speaker 1: opting out of his contract and heading to free agency. 435 00:26:27,960 --> 00:26:29,639 Speaker 1: So now the Red Sox not only have to have 436 00:26:29,680 --> 00:26:32,480 Speaker 1: a stud pitcher and free agency come their way. They 437 00:26:32,480 --> 00:26:34,920 Speaker 1: also got to get that big bat still, and then 438 00:26:35,240 --> 00:26:38,360 Speaker 1: they have to re sign Alex Bregman. I can tell you, 439 00:26:38,640 --> 00:26:41,919 Speaker 1: can I prehet the Red Sox for something that they 440 00:26:41,960 --> 00:26:45,440 Speaker 1: haven't done yet, because I can almost all but guarantee 441 00:26:45,480 --> 00:26:49,040 Speaker 1: you that this pathetic, yes I said it, pathetic front 442 00:26:49,080 --> 00:26:52,239 Speaker 1: office doesn't make all three of these moves. There's no 443 00:26:52,760 --> 00:26:56,120 Speaker 1: way at best they'll make two. And if they do, 444 00:26:56,240 --> 00:26:58,720 Speaker 1: I guarantee they're going to use those two moves to 445 00:26:58,960 --> 00:27:02,119 Speaker 1: justify not making the third move. Because that's typical of 446 00:27:02,119 --> 00:27:04,560 Speaker 1: this front office, the Red Sox in the past decade, 447 00:27:04,720 --> 00:27:09,600 Speaker 1: the way they work. They find ways to justify being mid. 448 00:27:09,680 --> 00:27:12,640 Speaker 1: They find ways to spin us the fan base, into 449 00:27:12,680 --> 00:27:16,440 Speaker 1: believing that they actually care about competing with the Yankees 450 00:27:16,480 --> 00:27:19,760 Speaker 1: front office when they don't. They really don't. We're just 451 00:27:19,800 --> 00:27:21,639 Speaker 1: a line it and we're a bigger part of a 452 00:27:21,680 --> 00:27:25,160 Speaker 1: bigger business. It's going to be a long offseason. I'm 453 00:27:25,160 --> 00:27:27,320 Speaker 1: telling you that right now, just like this was a 454 00:27:27,359 --> 00:27:30,680 Speaker 1: long sixty second sport rant and under thirty seconds. 455 00:27:30,320 --> 00:27:33,800 Speaker 2: Matt one forty six, Jake. 456 00:27:34,280 --> 00:27:37,719 Speaker 1: Yeah, Well them's the breaks. That was The Sports ran 457 00:27:37,760 --> 00:27:40,640 Speaker 1: sponsor by five Hour energies new pumpkin spice flavor. These 458 00:27:40,640 --> 00:27:43,399 Speaker 1: new Pumpkin Spice five hour Energy shots are fall in 459 00:27:43,520 --> 00:27:47,359 Speaker 1: a bottle and bring that classic pumpkin spice flavor that 460 00:27:47,400 --> 00:27:50,159 Speaker 1: we all know and love our favorite fall drink in 461 00:27:50,200 --> 00:27:52,440 Speaker 1: an energy shot. You can pick up a Pumpkin Spice 462 00:27:52,480 --> 00:27:55,679 Speaker 1: five hour Energy shot available online at five hour Energy 463 00:27:55,720 --> 00:27:59,080 Speaker 1: dot com or Amazon. All right, so you guys know 464 00:27:59,440 --> 00:28:02,400 Speaker 1: that the true crime is just our own unique way 465 00:28:02,480 --> 00:28:05,400 Speaker 1: into music history with Disgraced Land. Same goes for Hollywood Land. 466 00:28:05,560 --> 00:28:08,440 Speaker 1: True crime is just our lane in. It's our excuse 467 00:28:08,720 --> 00:28:12,480 Speaker 1: to talk about music and to talk about movies that 468 00:28:12,520 --> 00:28:15,320 Speaker 1: we love. Sometimes though, we just want to talk about 469 00:28:15,359 --> 00:28:17,840 Speaker 1: great music and great musicians and great movies and great 470 00:28:17,840 --> 00:28:22,080 Speaker 1: actors and actresses. Okay, just because some great musician didn't 471 00:28:22,119 --> 00:28:24,600 Speaker 1: commit some awful crime or have some awful crime happen 472 00:28:24,680 --> 00:28:26,760 Speaker 1: to them, or some great actor or actress you know, 473 00:28:26,880 --> 00:28:28,520 Speaker 1: same thing, doesn't mean we don't want to talk to them, 474 00:28:28,560 --> 00:28:31,199 Speaker 1: all right, Zeth Lundy, doctor Lundy, to you and to 475 00:28:31,240 --> 00:28:33,400 Speaker 1: me over in Double Love Us is Hollywood Land. Feed 476 00:28:33,680 --> 00:28:36,879 Speaker 1: has been killing it lately with this ongoing conversation about 477 00:28:36,880 --> 00:28:39,080 Speaker 1: Hollywood history that he's been happening with you guys. You 478 00:28:39,120 --> 00:28:41,920 Speaker 1: know this assuming you're listening. If you're not, and you 479 00:28:42,000 --> 00:28:44,520 Speaker 1: love movies and you want a conversation on film history 480 00:28:44,520 --> 00:28:46,280 Speaker 1: that you're not going to get anywhere else, and what 481 00:28:46,280 --> 00:28:48,960 Speaker 1: are you waiting for? You need to subscribe to Hollywood Land. 482 00:28:49,040 --> 00:28:51,080 Speaker 1: But anyways, back to what I was saying, we Zeth, 483 00:28:51,480 --> 00:28:54,720 Speaker 1: myself and all you guys, sometimes we just want to 484 00:28:54,760 --> 00:28:57,040 Speaker 1: talk about the music and the movies that we love, 485 00:28:57,360 --> 00:29:01,480 Speaker 1: even if we don't have a crime angle. And since 486 00:29:01,880 --> 00:29:04,800 Speaker 1: Zeth has started over in Hollywood Land, he's had some 487 00:29:04,840 --> 00:29:09,040 Speaker 1: pretty major icons die on his watch, Robert Redford a 488 00:29:09,040 --> 00:29:13,440 Speaker 1: couple of weeks ago, and most recently Diane Keaton, and Zeth, 489 00:29:13,600 --> 00:29:16,160 Speaker 1: being the talented doctor that he is, has found this 490 00:29:16,320 --> 00:29:19,680 Speaker 1: unique skill in paying tribute to these giants of the screen. 491 00:29:19,960 --> 00:29:21,480 Speaker 1: If you want to hear what Zeth has to say 492 00:29:21,480 --> 00:29:24,040 Speaker 1: about Diane Keaton, who, make no bones about it, was 493 00:29:24,080 --> 00:29:27,320 Speaker 1: a giant talent, get on over to Hollywood Land and 494 00:29:27,360 --> 00:29:30,160 Speaker 1: whatever podcast have to use and hit subscribe. Here's the 495 00:29:30,200 --> 00:29:31,200 Speaker 1: taste of what you're missing. 496 00:29:33,080 --> 00:29:35,280 Speaker 4: I got to take a second and talk about the 497 00:29:35,360 --> 00:29:38,520 Speaker 4: late great Diane Keaton, who we just lost a few 498 00:29:38,600 --> 00:29:42,240 Speaker 4: days ago at the age of seventy nine. Sometimes I 499 00:29:42,280 --> 00:29:45,920 Speaker 4: actually forgot that her name was Diane Keaton and just 500 00:29:45,960 --> 00:29:49,680 Speaker 4: call her Annie Hall, because her entire persona, her style, 501 00:29:49,720 --> 00:29:52,840 Speaker 4: it was so entwined, at least in my mind, with 502 00:29:53,000 --> 00:29:55,520 Speaker 4: that great role she played in the nineteen seventy seven 503 00:29:55,760 --> 00:29:58,560 Speaker 4: What He Allen film, the film that earned her her 504 00:29:58,880 --> 00:30:03,000 Speaker 4: Academy Award for Best Actress. Her maiden name actually was Hall. 505 00:30:03,560 --> 00:30:06,560 Speaker 4: She changed it to Keaton, which was her mother's maiden name, 506 00:30:06,560 --> 00:30:08,920 Speaker 4: when she joined the Union, and there was already another 507 00:30:08,960 --> 00:30:13,160 Speaker 4: actress registered under the name Diane Hall. But Woody Allen 508 00:30:13,200 --> 00:30:15,720 Speaker 4: wrote that role for her, and so I've got to 509 00:30:15,760 --> 00:30:18,880 Speaker 4: think that the character was in many ways an echo 510 00:30:19,000 --> 00:30:22,080 Speaker 4: of the real Diane Keaton, just like Woody's character in 511 00:30:22,120 --> 00:30:24,640 Speaker 4: many ways as an echo of him. This was, of course, 512 00:30:24,720 --> 00:30:28,200 Speaker 4: five years after her big break as Kay and the Godfather, 513 00:30:28,640 --> 00:30:32,320 Speaker 4: a role she won out after Francis Ford Coppola auditioned 514 00:30:32,320 --> 00:30:35,840 Speaker 4: something like a hundred actresses. And this role, the role 515 00:30:35,880 --> 00:30:37,880 Speaker 4: of Kay, is so different from Annie Hall. I mean, 516 00:30:37,960 --> 00:30:41,840 Speaker 4: there's so much that Diane Keaton is doing in this movie, 517 00:30:41,840 --> 00:30:44,880 Speaker 4: but doing it low key. I mean, the whole movie 518 00:30:45,000 --> 00:30:47,960 Speaker 4: is in her face at the very end when Michael 519 00:30:48,000 --> 00:30:50,360 Speaker 4: lies to her and then the door shuts on him 520 00:30:50,400 --> 00:30:53,000 Speaker 4: as he's becoming the thing he never wanted to be, 521 00:30:53,520 --> 00:30:57,760 Speaker 4: which is basically the devil. But it's all in her face, 522 00:30:57,880 --> 00:31:01,160 Speaker 4: Your your entire understanding of what's happened, of what's just 523 00:31:01,240 --> 00:31:04,080 Speaker 4: happened over the course of the two plus hours, what's 524 00:31:04,120 --> 00:31:07,400 Speaker 4: going to happen. You see her seeing this and you're like, 525 00:31:07,480 --> 00:31:11,280 Speaker 4: oh fuck. It's one of the greatest non veriable pieces 526 00:31:11,320 --> 00:31:14,479 Speaker 4: of acting, of reacting ever on screen. 527 00:31:16,440 --> 00:31:18,840 Speaker 1: All right, that's the Hollywood Lamb Podcast. Make sure you're 528 00:31:18,880 --> 00:31:22,560 Speaker 1: following on Apple Podcasts, Spotify, or wherever you get your podcasts. 529 00:31:22,600 --> 00:31:24,960 Speaker 1: Speaking to people and things that we love. I am 530 00:31:25,080 --> 00:31:27,800 Speaker 1: stoked to get into this conversation with Zeth on the 531 00:31:27,920 --> 00:31:30,640 Speaker 1: music from the nineties about the worst of the worst, 532 00:31:30,800 --> 00:31:34,840 Speaker 1: the monsters, the slack demons, the creepers who give us 533 00:31:34,880 --> 00:31:38,680 Speaker 1: the creeps. Ian Watkins's murder last week in the Monster 534 00:31:38,760 --> 00:31:42,760 Speaker 1: Mansion inspired this drive down the dark Side. The recommendations 535 00:31:42,760 --> 00:31:45,160 Speaker 1: called the sac and I hope you are all signed 536 00:31:45,200 --> 00:31:47,320 Speaker 1: up as Rock and Roller members on Apple Podcasts or 537 00:31:47,360 --> 00:31:51,320 Speaker 1: Patreon so that you can hear this exclusive content. As always, 538 00:31:51,320 --> 00:31:53,040 Speaker 1: that cost is a mere five bucks a month, but 539 00:31:53,080 --> 00:31:55,000 Speaker 1: that cost is going up before the end of the month, 540 00:31:55,240 --> 00:31:57,200 Speaker 1: so now is the time to become a Disgrace and 541 00:31:57,280 --> 00:31:59,840 Speaker 1: All Access members so you can hear at a reasonable price. 542 00:31:59,840 --> 00:32:03,280 Speaker 1: Of course, exclusive content like we have coming up right now, 543 00:32:03,320 --> 00:32:07,280 Speaker 1: as well as it being ad free. If not, either way, 544 00:32:07,560 --> 00:32:08,400 Speaker 1: see you after the. 545 00:32:08,320 --> 00:32:22,960 Speaker 2: Break, all right. 546 00:32:22,960 --> 00:32:26,720 Speaker 1: Aside from Black Sabbath, I don't know that we mentioned 547 00:32:26,960 --> 00:32:30,480 Speaker 1: any artists that we've previously covered in Disgrace and Today. 548 00:32:31,040 --> 00:32:33,600 Speaker 1: I guess that means that we're pretty forward thinking, pretty 549 00:32:33,600 --> 00:32:36,200 Speaker 1: forward looking, I should say. Maybe it also means we 550 00:32:36,240 --> 00:32:41,560 Speaker 1: need new episodes on Sisters of Mercy, maybe port his 551 00:32:41,640 --> 00:32:44,360 Speaker 1: head nine inch Nails. If you don't know what I'm 552 00:32:44,400 --> 00:32:45,960 Speaker 1: talking about, that means you didn't hear Zeth and I 553 00:32:45,960 --> 00:32:49,040 Speaker 1: in the All Access section. Matt will have the Black 554 00:32:49,080 --> 00:32:51,760 Speaker 1: Sabbath episode details in the show notes of this after 555 00:32:51,800 --> 00:32:54,760 Speaker 1: part if you want to easily find that story. Right now. However, 556 00:32:54,800 --> 00:32:57,760 Speaker 1: we are going to recap number one. This week's full episode, 557 00:32:57,760 --> 00:32:59,560 Speaker 1: whod Need with a special appearance by the Red Hot 558 00:32:59,640 --> 00:33:02,360 Speaker 1: Chili Peper, is available for your listening pleasure at the 559 00:33:02,400 --> 00:33:05,320 Speaker 1: top of your feed. Number two. Also, there's a new 560 00:33:05,360 --> 00:33:08,720 Speaker 1: mini episode for All Access members on Slipknot number three. 561 00:33:08,800 --> 00:33:11,400 Speaker 1: Rewind episodes coming out right after this after party on 562 00:33:11,480 --> 00:33:15,160 Speaker 1: Norwegian Black Metal and the Misfits number four next week, 563 00:33:15,240 --> 00:33:18,240 Speaker 1: our new episode on Judas Priest Vive that's tribute to 564 00:33:18,280 --> 00:33:21,720 Speaker 1: Diane Keaton in this week's Hollywoodland Wrap Party episode number 565 00:33:21,800 --> 00:33:24,480 Speaker 1: six six one seven nine O six six six three eight. 566 00:33:24,520 --> 00:33:26,960 Speaker 1: Your voice keeps us digging into the dark corners of 567 00:33:27,040 --> 00:33:30,360 Speaker 1: music history. So keep calling, keep texting, get your answers 568 00:33:30,360 --> 00:33:32,080 Speaker 1: into me on this week's question of the week, or 569 00:33:32,120 --> 00:33:35,080 Speaker 1: with whatever or with whatever else you want to talk about. Seven. 570 00:33:35,120 --> 00:33:38,400 Speaker 1: Don't forget this goes. This isn't just content. It's a community, 571 00:33:38,480 --> 00:33:41,800 Speaker 1: a community of the obsessed. No one cares about music, books, 572 00:33:41,800 --> 00:33:44,320 Speaker 1: records in the crime and grime that ties them all together, 573 00:33:44,440 --> 00:33:48,520 Speaker 1: like you do. And well that's a disgrace, all right. 574 00:33:48,600 --> 00:33:52,080 Speaker 1: On September twenty fourth, nineteen ninety one, the Ghost of 575 00:33:52,080 --> 00:33:55,560 Speaker 1: Houdini's housemates, the Red Hot Chili Peppers released their excellent 576 00:33:55,680 --> 00:33:59,840 Speaker 1: album Blood Sugar, Sex Magic with a K. Here's what 577 00:34:00,040 --> 00:34:03,600 Speaker 1: America was listening to on that day, according to the 578 00:34:03,600 --> 00:34:09,399 Speaker 1: Billboard Charts. Number one, I Adore Mia More, Color Me Bad. 579 00:34:10,080 --> 00:34:15,839 Speaker 1: Last week two weeks on chart nine number two. Good 580 00:34:15,920 --> 00:34:20,920 Speaker 1: Vibrations Marky Mark and the Funky Bunch last week six 581 00:34:21,480 --> 00:34:26,840 Speaker 1: weeks on chart, week number three. Motown Philly Promise is 582 00:34:26,920 --> 00:34:30,560 Speaker 1: to Met. Last week for my last weeks on chart, 583 00:34:30,680 --> 00:34:34,520 Speaker 1: Last fifties on chart number four. Things that make You 584 00:34:34,640 --> 00:34:38,319 Speaker 1: Go Everything you see and see Your Music Factor Call 585 00:34:38,400 --> 00:34:41,759 Speaker 1: You last week's last five, last weeks on charts and 586 00:34:42,000 --> 00:34:45,279 Speaker 1: tax on chart number five. The Promise of a New 587 00:34:45,360 --> 00:35:01,800 Speaker 1: Day Paula Abdu last week weeks on chart t Quit 588 00:35:02,000 --> 00:35:04,040 Speaker 1: talking and start mixing