WEBVTT - Wesley Jonathan Meets World

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<v Speaker 1>So recently we were in Austin, Texas, and we were

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<v Speaker 1>gifted one of the most thoughtful gifts anybody has ever

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<v Speaker 1>given us. And we have been the recipients of a

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<v Speaker 1>lot of thoughtful gifts because we have incredibly thoughtful, detail

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<v Speaker 1>oriented fans who just know us so well and care

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<v Speaker 1>so much about Boy Meets World and have given us

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<v Speaker 1>so many thoughtful gifts, but we were truly blown away

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<v Speaker 1>by this particular gift. It was given to us by

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<v Speaker 1>a kind gentleman named Ray Bats. And I'm going to

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<v Speaker 1>let the two of you describe what this gift was

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<v Speaker 1>so good, I.

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<v Speaker 2>Mean, it was so and could you want to start right?

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<v Speaker 2>You taught me how to play, so why don't you start?

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<v Speaker 3>So?

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<v Speaker 4>As we've mentioned on the show before, I am a

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<v Speaker 4>huge Magic the Gathering fan, and since the age of

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<v Speaker 4>twelve thirteen when my brother bought a pack of Unlimited,

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<v Speaker 4>which is the one of the early editions pack of Unlimited,

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<v Speaker 4>and we learned how to play. So by the time

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<v Speaker 4>by first season A Boy, I was already playing Yeah,

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<v Speaker 4>And then I got Will into it and we would

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<v Speaker 4>play backstage, and then I kind of fell out of it,

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<v Speaker 4>but then I got back into it. In my thirties

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<v Speaker 4>and have been playing more recently and having you know

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<v Speaker 4>so well. We played Let's see, we played after Shiloh's

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<v Speaker 4>heart surgery, remember when he was recovering. You came over

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<v Speaker 4>and we played Magic all day. So that was probably

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<v Speaker 4>the last time. It was like five years ago. Anyway,

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<v Speaker 4>we've been talking about playing magic on this show, and Ray,

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<v Speaker 4>who is a game designer in his own right, decided

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<v Speaker 4>to make us custom Magic the Gathering Decks, where each

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<v Speaker 4>card is an original card based on either an in

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<v Speaker 4>joke from boy Me's world or a reference to something

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<v Speaker 4>that we've talked about on this podcast. And it is

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<v Speaker 4>a fully playable deck of magic. Three fully playable we

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<v Speaker 4>each got one. We each got one and their commander decks.

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<v Speaker 4>So the commanders of the decks are based on us.

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<v Speaker 4>So mine is Writer, Eternal night Holder, and uh based

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<v Speaker 4>on the mechanics of the game. You add shirt tokens

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<v Speaker 4>to my commander, so I am a legendary plains Walker

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<v Speaker 4>human director who gets shirt tokens so I can have

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<v Speaker 4>too much shirts as my magic character. There's an artifact

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<v Speaker 4>card that is the Jacket, which is a reference to

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<v Speaker 4>the leather jacket that I've lost. There's a creature called

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<v Speaker 4>the Mailbox Bomber based on the like. There are so

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<v Speaker 4>many references. It's an endless and and he had artwork

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<v Speaker 4>created for every card, for every card, which he did

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<v Speaker 4>through Ai. There's a Shady Melon card, Shady Eskimo of

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<v Speaker 4>halted Progress, which is a creature who gets in your way,

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<v Speaker 4>I mean, and he figured out there's an Angela's purse.

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<v Speaker 4>In fact, he figured out all these things like.

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<v Speaker 2>I have I have Duckies, the Horses of the Ocean,

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<v Speaker 2>which is a flying creature. There is uh, there's one

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<v Speaker 2>that's just called phone acting, which is an instant I mean,

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<v Speaker 2>there's all these. The Phenie call the Collar of Feenie

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<v Speaker 2>is another instant card you can use. My commander deck

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<v Speaker 2>is it's will the Collar of Merchan. You get these

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<v Speaker 2>merch tokens as you're going there, So every card is

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<v Speaker 2>so clever. And I am not kidding when I say

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<v Speaker 2>we got them. He handed them to us. We could

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<v Speaker 2>have sat there right then and gone through every card,

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<v Speaker 2>but obviously we're doing our meet and greets, so we

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<v Speaker 2>didn't have time, so we had to put them aside.

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<v Speaker 2>I came home and I spent a joyous hour going

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<v Speaker 2>card by card and looking at every single one of

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<v Speaker 2>these things. They are incredible.

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<v Speaker 4>And he says you can play it with other magic

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<v Speaker 4>decks too, So it's not even like my foot maybe

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<v Speaker 4>it was only playable within the three of us, but

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<v Speaker 4>it's actually integrates with the regular rules of magic. Oh

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<v Speaker 4>so yeah, man, so impressive, so thoughtful and just so

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<v Speaker 4>fun and funny and touching, like really genuinely touching, like

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<v Speaker 4>the amount of thought and energy. And like, I shared

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<v Speaker 4>this with my my, my fellow magic geeks, so I

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<v Speaker 4>play with I like immediately like texted those look at that,

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<v Speaker 4>and they're like that is insane, Like it's mind blowing.

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<v Speaker 5>It is.

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<v Speaker 2>It's it's so cool. Wait, I think we have one.

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<v Speaker 2>Do we have one up?

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<v Speaker 6>Yeah?

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<v Speaker 7>You have a photo?

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<v Speaker 2>Wow at these, I mean, just look at these.

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<v Speaker 1>So we will post these photos on Instagram so you

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<v Speaker 1>guys can appreciate them as well.

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<v Speaker 2>The mail box bomber.

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<v Speaker 1>Yeah, and I'd like to give a special shout out

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<v Speaker 1>to I believe his wife who was with him, who

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<v Speaker 1>also was putting in She said I was the official sleever,

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<v Speaker 1>so she was the person who was putting them in

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<v Speaker 1>individual sleeves, and she said, I was a part of

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<v Speaker 1>this as well, and she most certainly was so thank

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<v Speaker 1>you so much.

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<v Speaker 4>Ray.

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<v Speaker 3>So cool.

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<v Speaker 2>And he also he said to us, he kind of

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<v Speaker 2>he like handed us the cards and then he kind

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<v Speaker 2>of ducked his head a little bit and he said,

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<v Speaker 2>I hope you don't mind, but I inserted myself too.

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<v Speaker 2>And so there's a Ray card. There's actually one of

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<v Speaker 2>the cards is for Ray and it was just it

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<v Speaker 2>was the coolest thing ever. Yeah, yes, very cool.

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<v Speaker 7>Great.

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<v Speaker 1>So you guys continue to amaze us and we just

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<v Speaker 1>absolutely love seeing you at our live shows, which, by

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<v Speaker 1>the way, we are still rescheduling those live shows that

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<v Speaker 1>we had to cancel for December. It has been a

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<v Speaker 1>little bit difficult to find a time when those venues

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<v Speaker 1>have had availability, so I just want you to know

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<v Speaker 1>they are being rescheduled. We look forward to seeing you

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<v Speaker 1>all and hopefully being able to announce those dates very soon.

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<v Speaker 2>Hello, Connecticut, Pod Meets World Live is coming to you

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<v Speaker 2>my hometown.

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<v Speaker 5>Now.

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<v Speaker 2>My two co hosts have had their fun with their

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<v Speaker 2>little jokes and insults, but now it's time for every

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<v Speaker 2>single one of you to put down your butter churns

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<v Speaker 2>and drive your carriages. I kid, my fellow nutmakers down

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<v Speaker 2>to the Bushnell Theater in Hartford on March seventeenth, right

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<v Speaker 2>near where I was born. It is going to be

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<v Speaker 2>a very special night for a very awesome state. Now

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<v Speaker 2>more behind the scenes stories, interactive games, questions and answers.

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<v Speaker 2>Those are certainly on the agenda. But I also have

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<v Speaker 2>to imagine that our costume contest there where you can

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<v Speaker 2>dresses anything from Boy or Pod meets World cough cough,

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<v Speaker 2>grappling hook, is going to go off. The winner gets

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<v Speaker 2>a legit nineties Boy meets World script signed by all

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<v Speaker 2>of us from my personal collection, because as you know,

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<v Speaker 2>I don't throw anything away. And tickets are available now, Hartford, Connecticut,

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<v Speaker 2>the Bushnel Theater on March seventeenth. I can't believe I

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<v Speaker 2>finally get to say that. Go to Podmeets worldshow dot

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<v Speaker 2>com right now to join us. Oh, I can't wait

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<v Speaker 2>to see you there.

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<v Speaker 7>Welcome to Pod Meets World.

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<v Speaker 2>I'm Danielle Fischel, I'm right or Strong, and I'm Will

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<v Speaker 2>the caller.

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<v Speaker 1>Of I think we can all agree that one of

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<v Speaker 1>the more fever dream episodes of Boy Meets World was

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<v Speaker 1>the New Year's themed set piece focused Train of Fools,

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<v Speaker 1>and since we hadn't yet traveled through time to the

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<v Speaker 1>fifties when we first rewatched Eric force a kiss on

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<v Speaker 1>Charisma Carpenter, we didn't think it could get more bananas.

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<v Speaker 1>Then mister b and definitely not Potzi came along and

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<v Speaker 1>took that title. But Train of Fools had its day

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<v Speaker 1>in the sun, and one of the very high points

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<v Speaker 1>of this chaotic episode was the work of actor Wesley Jonathan,

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<v Speaker 1>who played TJ, a fellow teen stuck with us on

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<v Speaker 1>New Year's Eve whose main focus was getting the party started.

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<v Speaker 1>And during our season two wrap up with Bruh Meets World,

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<v Speaker 1>when we asked who they wanted to see stop by

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<v Speaker 1>for season three, they were quick to mention Wesley, a

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<v Speaker 1>rare black actor on set who was also known for

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<v Speaker 1>starring in the NBC sitcom City Guys Then What I

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<v Speaker 1>Like About You opposite Genie Garth and Amanda Bynes for

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<v Speaker 1>eighty six episodes. He'd been seen on Sister Sister, Moesha,

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<v Speaker 1>Smart Guy, A Different World, Boston Public, and was one

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<v Speaker 1>of the stars of the glorious two thousand and five

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<v Speaker 1>skating movie Roll Bounce. He has done it all, including

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<v Speaker 1>work with one of us a little more recently, and

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<v Speaker 1>now we are excited to start the party on Pod

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<v Speaker 1>meets World with this week's exciting guest.

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<v Speaker 7>Let's welcome Wesley Jonathan Fast.

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<v Speaker 3>Hello.

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<v Speaker 4>Hi, you doing.

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<v Speaker 6>I'm doing, I'm doing, I'm doing all right?

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<v Speaker 2>Good? And another person coming on who looks exactly the

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<v Speaker 2>same eaged Oh well, thank you.

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<v Speaker 6>You guys look good too.

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<v Speaker 7>Thank you. We made you watch your episode last night,

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<v Speaker 7>and we will.

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<v Speaker 1>Get into our memories of working together later. But what

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<v Speaker 1>did you think about the episode now? Watching it nearly

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<v Speaker 1>thirty years later?

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<v Speaker 6>I watched Let's see.

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<v Speaker 3>I have a nine year old little girl and she's

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<v Speaker 3>just now I mean, she's always known me to be

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<v Speaker 3>an actor, but like it's just now starting to resonate

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<v Speaker 3>with her.

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<v Speaker 6>So she's watching all the old shouls on stream streaming.

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<v Speaker 3>She looked at it and the first thing she thought

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<v Speaker 3>was the same thing I thought, is like, what's with

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<v Speaker 3>the hair? So yeah, man, I look back and was like,

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<v Speaker 3>oh my god was I thinking? But when I think

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<v Speaker 3>about it, I was like, it was that was people

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<v Speaker 3>were doing that, That's what they were doing. But it's

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<v Speaker 3>just like my hair was just crazy.

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<v Speaker 4>It was like, oh my god, I was doing that

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<v Speaker 4>that's how bad it is.

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<v Speaker 2>It's also a boy meets World, which is very hair centric. Yes,

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<v Speaker 2>oh man, all about the hair.

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<v Speaker 3>I know.

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<v Speaker 1>And we're not even making any measure mention of the

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<v Speaker 1>fact that mister Feene is on an ad in the subway.

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<v Speaker 7>Like there's there's just some weird many moments they're just

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<v Speaker 7>like not really, they don't really make a whole lot

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<v Speaker 7>of sense.

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<v Speaker 1>I mean, Eric is trying to kiss a supermodel who

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<v Speaker 1>wants to date high.

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<v Speaker 2>Schooler, which is which that's like the fourth weirdest thing.

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<v Speaker 2>So that's that's how you know the episode's bizarre when

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<v Speaker 2>that's like the fourth weirdest thing.

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<v Speaker 4>You're on the subway by yourself, Yeah, like just ready

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<v Speaker 4>to party, Like what.

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<v Speaker 5>Are what's happening?

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<v Speaker 1>Okay, so let's take it back. We like to start

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<v Speaker 1>with some origin story stuff. You were just nine years

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<v Speaker 1>old when you started acting, right.

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<v Speaker 6>Yes, I was about nine yep.

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<v Speaker 1>Okay, we've noticed that, like nine or ten seems to

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<v Speaker 1>be a very common age to like jump into the

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<v Speaker 1>entertainment industry.

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<v Speaker 7>Did your parents get you into it?

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<v Speaker 3>Yes, well my mom because I was raised you know,

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<v Speaker 3>a single family home.

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<v Speaker 6>My mom and a cousin of mine.

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<v Speaker 3>She was an actress, and they I would always I

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<v Speaker 3>was always dancing. I wanted to be a singer and

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<v Speaker 3>a dancer. Originally, I've been dancing since I was like

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<v Speaker 3>four or five years old. So I wanted to be

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<v Speaker 3>I wanted to be bigger than Michael Jackson in my

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<v Speaker 3>little mind, and so I was always dancing at like

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<v Speaker 3>you know, reunions and you know, family gatherings and weddings

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<v Speaker 3>and anywhere I would see a reflection of myself. Grocery store,

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<v Speaker 3>I would I would be moon walking or dancing and

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<v Speaker 3>doing something so amazing. It came like they had a

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<v Speaker 3>conversation and they were you know, like and they sat

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<v Speaker 3>me down, and I'll never forget it because this is

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<v Speaker 3>like right when Nintendo had just like roughly I guess

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<v Speaker 3>came out. It was like the Gold Zelda, and it

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<v Speaker 3>was just like, you know, we didn't have any money,

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<v Speaker 3>you know what I mean. So they sat me down, like, hey,

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<v Speaker 3>would you want to do like commercials and TV and

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<v Speaker 3>stuff like that. You know, you can buy Nintendo games,

0:11:48.240 --> 0:11:51.120
<v Speaker 3>and they're trying to lure me into this thing. I

0:11:51.160 --> 0:11:54.000
<v Speaker 3>was like, you know, and I didn't care. I was like,

0:11:54.480 --> 0:11:56.400
<v Speaker 3>I don't you know of course I want those things,

0:11:56.440 --> 0:11:59.360
<v Speaker 3>but like I just liked to perform. So like the

0:11:59.360 --> 0:12:01.079
<v Speaker 3>first thing, I said, could I sing and dance? And

0:12:01.080 --> 0:12:02.800
<v Speaker 3>they're like, well, yeah, it's all you know, it's all

0:12:02.840 --> 0:12:05.000
<v Speaker 3>the same, you know, same thing. I'm like, okay, sure,

0:12:05.160 --> 0:12:08.400
<v Speaker 3>So what do I have to do? And then they

0:12:08.760 --> 0:12:11.640
<v Speaker 3>got some head shots, taking some Ten's old classic black

0:12:11.679 --> 0:12:15.120
<v Speaker 3>and white by ten shots and it's I don't know

0:12:15.120 --> 0:12:18.320
<v Speaker 3>what they did. They ended up getting an interview with

0:12:18.440 --> 0:12:22.520
<v Speaker 3>an agency, HERB Tannon, which is a really popular agency.

0:12:22.760 --> 0:12:26.120
<v Speaker 7>I remember that agent, yeah right.

0:12:26.360 --> 0:12:28.920
<v Speaker 3>And I got an interview with Herb Tennant and I

0:12:28.960 --> 0:12:31.160
<v Speaker 3>went in there and uh, you know, it was a

0:12:33.160 --> 0:12:35.760
<v Speaker 3>white lady, Joyce Stevenson, who was my agent for many

0:12:35.800 --> 0:12:39.000
<v Speaker 3>many years, even up until recently. She was like managing

0:12:39.320 --> 0:12:41.679
<v Speaker 3>my commercial area. But she passed away about a couple

0:12:41.679 --> 0:12:44.080
<v Speaker 3>of years ago. But she took me in a room

0:12:44.320 --> 0:12:46.640
<v Speaker 3>with another white guy, whatever the case may be, and

0:12:46.640 --> 0:12:48.559
<v Speaker 3>they asked me questions what did I like to do?

0:12:48.720 --> 0:12:50.280
<v Speaker 3>And I sit dance and they were like, oh, you

0:12:50.280 --> 0:12:52.440
<v Speaker 3>don't have to dance, you dance for us, and I

0:12:52.440 --> 0:12:54.480
<v Speaker 3>said sure, and they were like you want some music

0:12:54.800 --> 0:12:58.360
<v Speaker 3>and I was like, oh no, I got the music

0:12:58.400 --> 0:12:58.679
<v Speaker 3>in here.

0:12:58.679 --> 0:12:59.839
<v Speaker 6>They're like yeah, sure.

0:12:59.720 --> 0:13:02.800
<v Speaker 3>It was like yeah, They're like, well why, I was like, well,

0:13:02.920 --> 0:13:12.240
<v Speaker 3>because yeah, your music is different from mine.

0:13:12.880 --> 0:13:14.200
<v Speaker 4>Keep playing on Peter and.

0:13:14.240 --> 0:13:24.240
<v Speaker 5>Mary Metallica and you know, different different.

0:13:24.679 --> 0:13:27.280
<v Speaker 6>Yeah yeah, I like guns and Roses at the time.

0:13:27.440 --> 0:13:30.240
<v Speaker 3>But I was like I can't dance that, So so

0:13:30.360 --> 0:13:32.360
<v Speaker 3>I ended up just you know, doing a little something,

0:13:32.559 --> 0:13:34.440
<v Speaker 3>and uh, they ended up signing me.

0:13:34.840 --> 0:13:36.959
<v Speaker 6>I mean right on, you know, right on the spot

0:13:37.000 --> 0:13:37.560
<v Speaker 6>pretty much.

0:13:37.600 --> 0:13:41.240
<v Speaker 3>And and and uh after that, we're on a few auditions.

0:13:41.280 --> 0:13:43.320
<v Speaker 3>And the one thing about me is I had no

0:13:43.400 --> 0:13:45.440
<v Speaker 3>acting experience. The only thing I did have was that

0:13:45.480 --> 0:13:47.719
<v Speaker 3>I wasn't. I was one of those kids that could

0:13:47.760 --> 0:13:50.360
<v Speaker 3>take direction. I wasn't most of us who are kid

0:13:50.400 --> 0:13:51.960
<v Speaker 3>acting with you guys know, we don't.

0:13:52.440 --> 0:13:53.240
<v Speaker 6>We're not normal.

0:13:54.960 --> 0:13:55.600
<v Speaker 4>That's fair enough.

0:13:55.679 --> 0:13:57.160
<v Speaker 6>I think that's about.

0:13:59.480 --> 0:13:59.600
<v Speaker 4>Right.

0:13:59.840 --> 0:14:01.920
<v Speaker 6>So it's like I was one of those kids, like

0:14:02.000 --> 0:14:02.480
<v Speaker 6>a robot.

0:14:02.480 --> 0:14:05.280
<v Speaker 3>You tell me to go there, say that, stand over

0:14:05.320 --> 0:14:07.040
<v Speaker 3>here and say that and wait for this que And

0:14:07.080 --> 0:14:11.679
<v Speaker 3>that was it. And my first job was twenty one

0:14:11.760 --> 0:14:14.080
<v Speaker 3>Jump Street, the TV show with Johnny Depp.

0:14:14.160 --> 0:14:16.040
<v Speaker 2>Like you're on twenty one Jump Street?

0:14:16.080 --> 0:14:17.920
<v Speaker 4>Which episode job I was?

0:14:17.960 --> 0:14:20.240
<v Speaker 3>I was on an episode of Creative U dude jabbar actually,

0:14:21.440 --> 0:14:24.000
<v Speaker 3>and it was a pretty nice role. I opened up

0:14:24.000 --> 0:14:26.280
<v Speaker 3>the show with another kid and then we closed the show.

0:14:26.280 --> 0:14:30.680
<v Speaker 3>It's about basketball and drugs and crack and yeah, man,

0:14:30.760 --> 0:14:31.840
<v Speaker 3>it was a great show.

0:14:31.920 --> 0:14:34.120
<v Speaker 2>That was a great show. Twenty one Jump Street.

0:14:34.160 --> 0:14:35.280
<v Speaker 6>Yeah, it was a great show.

0:14:35.320 --> 0:14:37.760
<v Speaker 3>And I didn't really know the severity, Like we flew

0:14:37.760 --> 0:14:41.600
<v Speaker 3>to Vancouver shot for two weeks and when I flew

0:14:41.720 --> 0:14:44.360
<v Speaker 3>back and they finally, you know, let us know when

0:14:44.400 --> 0:14:46.320
<v Speaker 3>it was gonna air. And I told all the kids

0:14:46.320 --> 0:14:48.680
<v Speaker 3>at school, all my friends and teachers that, yo, remember

0:14:48.680 --> 0:14:50.760
<v Speaker 3>I was absent and I wanted to go shoot the show,

0:14:50.840 --> 0:14:53.360
<v Speaker 3>and you know, and I had never as a kid

0:14:53.400 --> 0:14:55.560
<v Speaker 3>watched the show. I just knew the theme song, you know

0:14:55.560 --> 0:14:58.440
<v Speaker 3>what I mean, because again I was musically like, you know, inclined.

0:14:59.080 --> 0:15:02.720
<v Speaker 3>So the night of the show airing, I watched it

0:15:03.280 --> 0:15:06.320
<v Speaker 3>and I cringed. I was just like, as a kid,

0:15:06.600 --> 0:15:08.240
<v Speaker 3>oh my god, I sound like that. I looked like

0:15:08.280 --> 0:15:14.200
<v Speaker 3>that kidding me? Was it was awful. So again, being

0:15:14.280 --> 0:15:16.680
<v Speaker 3>kid act was a little you know, weird. I'm not

0:15:16.800 --> 0:15:18.680
<v Speaker 3>you know, the typical kid be like yeah, you know,

0:15:18.880 --> 0:15:21.160
<v Speaker 3>but it wasn't that case. I was very like, I

0:15:21.200 --> 0:15:22.880
<v Speaker 3>don't like that, if I do it again, I got

0:15:22.880 --> 0:15:26.560
<v Speaker 3>to do it better. And when I went to school,

0:15:26.840 --> 0:15:30.080
<v Speaker 3>the kids, you know, everybody went crazy.

0:15:30.080 --> 0:15:31.720
<v Speaker 6>Man, everybody was bugging out that whole day.

0:15:31.800 --> 0:15:35.920
<v Speaker 3>That was what made me go, ah, now I must

0:15:36.000 --> 0:15:36.800
<v Speaker 3>feel that again.

0:15:37.040 --> 0:15:39.520
<v Speaker 6>I got yeah, right.

0:15:39.840 --> 0:15:42.560
<v Speaker 2>That's that drug. That's drug the first time.

0:15:42.640 --> 0:15:42.840
<v Speaker 4>Yeah.

0:15:43.120 --> 0:15:45.960
<v Speaker 3>So afterwards I was like, you know, after school, I was,

0:15:46.080 --> 0:15:47.560
<v Speaker 3>I mean the whole day I didn't do anything. I

0:15:47.560 --> 0:15:49.520
<v Speaker 3>was just looking at the clock waiting for like the

0:15:49.760 --> 0:15:51.960
<v Speaker 3>belder Ring and mom. That picked me up to be like, yo,

0:15:52.040 --> 0:15:54.520
<v Speaker 3>what's next, what's the next audition? I gotta get it,

0:15:54.560 --> 0:15:55.120
<v Speaker 3>you know what I mean.

0:15:56.000 --> 0:15:57.520
<v Speaker 6>So that was it.

0:15:57.520 --> 0:15:59.560
<v Speaker 3>That was the beginning of how And then after that

0:15:59.640 --> 0:16:05.280
<v Speaker 3>I started watching TV shows really uh uh in more depth,

0:16:05.400 --> 0:16:09.280
<v Speaker 3>like you know, Three's Company and Growing Pains and and

0:16:10.480 --> 0:16:13.440
<v Speaker 3>just you know that whole the whole genre. Who's the Boss,

0:16:13.480 --> 0:16:15.960
<v Speaker 3>And then we can go on and on and you know,

0:16:16.120 --> 0:16:18.360
<v Speaker 3>different strokes. Those are the things that you know, you

0:16:18.360 --> 0:16:21.360
<v Speaker 3>grew up watching. And I would remember and listen to

0:16:21.400 --> 0:16:23.880
<v Speaker 3>the rhythm and the comedy beats, the last the holes,

0:16:24.000 --> 0:16:27.480
<v Speaker 3>even at that age, and it was like all right,

0:16:27.520 --> 0:16:29.240
<v Speaker 3>you know. So then when I got my shot to

0:16:29.280 --> 0:16:31.080
<v Speaker 3>do different shows. It was like I started putting my

0:16:31.240 --> 0:16:33.520
<v Speaker 3>little flag and guest star on all, you know, all

0:16:33.520 --> 0:16:38.320
<v Speaker 3>the different shows and Boy Meets World. What. I'm sure Danielle,

0:16:38.600 --> 0:16:40.360
<v Speaker 3>you're going to ask about that and how it got

0:16:40.360 --> 0:16:42.440
<v Speaker 3>that because there was a little story behind now I do.

0:16:42.600 --> 0:16:43.440
<v Speaker 7>I want to get into that.

0:16:43.480 --> 0:16:45.200
<v Speaker 1>But before we get into that, I want to talk

0:16:45.240 --> 0:16:50.680
<v Speaker 1>about City Guys because our listeners were very excited when

0:16:51.040 --> 0:16:53.440
<v Speaker 1>they knew we would be talking to you. How old

0:16:53.480 --> 0:16:56.080
<v Speaker 1>were you when you were the star of City Guys.

0:16:56.440 --> 0:16:57.920
<v Speaker 6>Yeah, I got City Guys.

0:16:57.920 --> 0:17:02.000
<v Speaker 3>I think right when I was seventeen getting ready to

0:17:02.080 --> 0:17:04.480
<v Speaker 3>be eighteen. I was like, it was that transition. I

0:17:04.480 --> 0:17:07.520
<v Speaker 3>think that from the from the Yeah, I was about

0:17:07.560 --> 0:17:08.399
<v Speaker 3>seventeen eighteen.

0:17:08.800 --> 0:17:10.320
<v Speaker 6>Yeah, yeah, and that.

0:17:10.240 --> 0:17:13.920
<v Speaker 3>Was It's funny because City Guys, seeing as it goes

0:17:13.960 --> 0:17:15.560
<v Speaker 3>to show you, I had already been in the business,

0:17:15.680 --> 0:17:18.679
<v Speaker 3>you know, almost ten years, you know what I mean

0:17:18.720 --> 0:17:21.560
<v Speaker 3>pretty much you know longer ten years and even then

0:17:21.720 --> 0:17:26.000
<v Speaker 3>just having been on quite a few guest starring roles

0:17:26.119 --> 0:17:27.080
<v Speaker 3>and looking at.

0:17:26.920 --> 0:17:29.160
<v Speaker 6>My peers, I didn't I didn't.

0:17:31.280 --> 0:17:33.480
<v Speaker 3>I don't know. City Guys is weird because that was

0:17:33.520 --> 0:17:37.520
<v Speaker 3>a very very I didn't want to be I didn't mind.

0:17:37.280 --> 0:17:39.879
<v Speaker 6>Doing one season. In my mind, I was like, cool.

0:17:40.320 --> 0:17:42.359
<v Speaker 6>You know. The thing about it was that it was

0:17:42.400 --> 0:17:43.200
<v Speaker 6>Saturday morning.

0:17:44.640 --> 0:17:49.560
<v Speaker 3>I wanted to be on Prime Time, right, I want to.

0:17:50.720 --> 0:17:53.000
<v Speaker 6>I wanted to be where y'all was at, you know, right.

0:17:53.440 --> 0:17:56.200
<v Speaker 1>I mean I mean this very respectfully. It was a

0:17:56.200 --> 0:17:58.560
<v Speaker 1>little like right or strong on our show? Who was

0:17:58.560 --> 0:18:00.480
<v Speaker 1>By the time then he got Boy Meets World was

0:18:00.520 --> 0:18:03.639
<v Speaker 1>already this was like his third or fourth major show.

0:18:04.080 --> 0:18:06.159
<v Speaker 1>He was a little like, yeah, this is what I

0:18:06.200 --> 0:18:08.520
<v Speaker 1>really want to be doing. This is like he felt

0:18:08.520 --> 0:18:12.399
<v Speaker 1>a little like he was slumming it a bit. He

0:18:12.600 --> 0:18:15.440
<v Speaker 1>was like, this is keeping me from all this real

0:18:15.480 --> 0:18:16.520
<v Speaker 1>stuff I'm supposed to.

0:18:16.520 --> 0:18:18.879
<v Speaker 4>Yes, totally well, And did you feel like you were

0:18:18.960 --> 0:18:20.840
<v Speaker 4>it was taken away from music too. Were you still

0:18:20.880 --> 0:18:23.480
<v Speaker 4>like thinking you were going to be into music or no?

0:18:23.480 --> 0:18:24.200
<v Speaker 6>No, not really.

0:18:24.440 --> 0:18:26.479
<v Speaker 3>Even during that time, I was playing around with it,

0:18:26.520 --> 0:18:29.199
<v Speaker 3>but I wasn't really serious because I think once I

0:18:29.240 --> 0:18:32.000
<v Speaker 3>got once the acting bug hit, it kind of over

0:18:32.200 --> 0:18:35.720
<v Speaker 3>over road. Yeah, it's a go over so for me though,

0:18:35.760 --> 0:18:39.480
<v Speaker 3>the same feeling rider was that I felt like city

0:18:39.520 --> 0:18:40.640
<v Speaker 3>guys at first.

0:18:41.240 --> 0:18:43.240
<v Speaker 6>For many years, actually I felt city guys.

0:18:43.240 --> 0:18:46.240
<v Speaker 3>That was like, okay, here we are shooting at Sunset

0:18:46.320 --> 0:18:49.600
<v Speaker 3>and Gower, whereas stage four think was married with Children's

0:18:49.600 --> 0:18:54.800
<v Speaker 3>Old stage and we were shooting in between Moesha, which

0:18:54.800 --> 0:18:58.080
<v Speaker 3>I guest starred on, and The Parkers and here are

0:18:58.080 --> 0:19:01.520
<v Speaker 3>my peers on you know, Prime Time, you know night

0:19:02.520 --> 0:19:03.240
<v Speaker 3>three times as.

0:19:03.160 --> 0:19:05.880
<v Speaker 6>Much money, and it's like and.

0:19:05.880 --> 0:19:08.720
<v Speaker 3>I'm here and I'm like, I'm stuck in this contract

0:19:08.720 --> 0:19:10.520
<v Speaker 3>and I'm like, yo, I'm good enough to be over

0:19:10.560 --> 0:19:12.240
<v Speaker 3>there or or you know, doing something.

0:19:12.320 --> 0:19:12.520
<v Speaker 6>Yeah.

0:19:12.560 --> 0:19:15.040
<v Speaker 3>So it was like that immature, very immature kind of

0:19:15.119 --> 0:19:17.840
<v Speaker 3>mentality where it was like, hey, listen, your average eighteen

0:19:17.920 --> 0:19:19.720
<v Speaker 3>year old is not making the money that you make.

0:19:20.080 --> 0:19:22.600
<v Speaker 6>That's first off. But I couldn't see that at the time.

0:19:22.640 --> 0:19:24.200
<v Speaker 6>I mean they told me then when I would I

0:19:24.200 --> 0:19:25.520
<v Speaker 6>would cry when I was like.

0:19:26.080 --> 0:19:29.000
<v Speaker 3>I couldn't do a film because we're shooting, or I

0:19:29.000 --> 0:19:32.040
<v Speaker 3>couldn't do this. You know that that that tuzzle war, right,

0:19:32.200 --> 0:19:36.160
<v Speaker 3>So over the years they would tell me, listen, once

0:19:36.240 --> 0:19:39.280
<v Speaker 3>is all over, you're gonna you're gonna look back and

0:19:39.280 --> 0:19:41.800
<v Speaker 3>you're gonna appreciate it, YadA, YadA, YadA, you gonna just

0:19:41.880 --> 0:19:44.679
<v Speaker 3>other memories and blah blah blah. Yeah, yeah, whatever, and

0:19:44.800 --> 0:19:47.200
<v Speaker 3>with to make a long story short, they were absolutely right,

0:19:47.320 --> 0:19:51.359
<v Speaker 3>City guys. I owe everything for me to even be

0:19:52.480 --> 0:19:54.000
<v Speaker 3>to move on to what I like about you with

0:19:54.040 --> 0:19:54.960
<v Speaker 3>the Man of the Bonds.

0:19:54.760 --> 0:19:56.720
<v Speaker 6>Right after that.

0:19:56.720 --> 0:20:02.320
<v Speaker 3>That show gave me a foundation of just everything from

0:20:02.359 --> 0:20:06.200
<v Speaker 3>from really really appreciating what you have being taught. I'm

0:20:06.200 --> 0:20:08.480
<v Speaker 3>being paid to go to school pretty much. That that

0:20:08.640 --> 0:20:11.719
<v Speaker 3>was training, you know, uh and being paid for it.

0:20:11.800 --> 0:20:12.000
<v Speaker 6>You know.

0:20:12.359 --> 0:20:15.080
<v Speaker 3>Yes, it was Saturday morning, but I made the best

0:20:15.119 --> 0:20:17.000
<v Speaker 3>of it. I said, Okay, look, Saturday morning. It was

0:20:17.000 --> 0:20:20.240
<v Speaker 3>the first show on Saturday Morning that a black you know,

0:20:20.400 --> 0:20:22.720
<v Speaker 3>black kid or black guy, we was starring it. No

0:20:22.760 --> 0:20:26.040
<v Speaker 3>other show ever seen that. They've never seen a female,

0:20:26.160 --> 0:20:29.040
<v Speaker 3>a black African American female as a principal, you know.

0:20:29.080 --> 0:20:31.560
<v Speaker 3>That was our miss, mister Belding. They had never seen that.

0:20:31.600 --> 0:20:34.040
<v Speaker 3>They never seen a rap song in the beginning, you

0:20:34.080 --> 0:20:36.560
<v Speaker 3>know those things that. So I said, Okay, I sat

0:20:36.640 --> 0:20:38.639
<v Speaker 3>back and after I knew that we were in for

0:20:38.680 --> 0:20:41.560
<v Speaker 3>the law, what can I do to make this show

0:20:41.600 --> 0:20:43.480
<v Speaker 3>even more different? So I started growing out my hair,

0:20:43.600 --> 0:20:46.800
<v Speaker 3>wearing you know, braids and the French braids and corn

0:20:46.880 --> 0:20:51.680
<v Speaker 3>rolls in my hair. Then I encouraged, uh, the other

0:20:52.240 --> 0:20:54.119
<v Speaker 3>Stephen Daniel, the other guy who played l train on

0:20:54.160 --> 0:20:55.320
<v Speaker 3>the shows and grow your hair out.

0:20:55.359 --> 0:20:57.679
<v Speaker 6>Man, let's let's let's let's let's streak this up.

0:20:57.720 --> 0:20:59.399
<v Speaker 3>If they really won't, you know, I'm standing as much

0:20:59.400 --> 0:21:02.000
<v Speaker 3>as we can, you know what I mean. And they

0:21:02.000 --> 0:21:02.800
<v Speaker 3>gave us a lot of.

0:21:02.840 --> 0:21:03.880
<v Speaker 6>Leadway on that show.

0:21:03.920 --> 0:21:05.800
<v Speaker 3>So I mean, I City Guys was one and then

0:21:06.040 --> 0:21:11.360
<v Speaker 3>again people to this very day still remember that show absolutely. Well.

0:21:11.600 --> 0:21:13.800
<v Speaker 2>That's the thing about Saturday Morning is so interesting. It's

0:21:13.800 --> 0:21:17.600
<v Speaker 2>a weird combination because it's less people watching but more kids.

0:21:18.960 --> 0:21:22.480
<v Speaker 2>So in a way, you're you're you can almost be

0:21:22.640 --> 0:21:26.160
<v Speaker 2>more important in people's lives on a Saturday morning show

0:21:26.240 --> 0:21:28.639
<v Speaker 2>because kids sit there and they're just stuck to the TV.

0:21:29.640 --> 0:21:31.640
<v Speaker 2>And so you know that you get kind of adults

0:21:31.640 --> 0:21:34.320
<v Speaker 2>watching the primetime shows and adults and kids, but man,

0:21:34.320 --> 0:21:37.480
<v Speaker 2>you've got that audience of kids just sitting there staring.

0:21:37.560 --> 0:21:39.040
<v Speaker 2>I mean, you can make a lot of difference on

0:21:39.080 --> 0:21:40.000
<v Speaker 2>a Saturday morning show.

0:21:40.119 --> 0:21:43.040
<v Speaker 7>And was created by Peter Engel, who's same creator of

0:21:43.080 --> 0:21:43.760
<v Speaker 7>Saved by the Bell.

0:21:43.960 --> 0:21:47.080
<v Speaker 3>The Bell correct, correct, Yeah, So I mean it already

0:21:47.080 --> 0:21:49.320
<v Speaker 3>had a following just because of that alone, had the

0:21:49.400 --> 0:21:49.920
<v Speaker 3>whole lot.

0:21:50.040 --> 0:21:54.320
<v Speaker 1>Yeah, And really amazing of you to recognize even back

0:21:54.359 --> 0:21:56.480
<v Speaker 1>then as a teen where you're you know, we all

0:21:56.520 --> 0:21:58.600
<v Speaker 1>have that same experience where we look back at ourselves

0:21:58.640 --> 0:22:00.199
<v Speaker 1>as teens and we think, man, if I could tell

0:22:00.280 --> 0:22:03.359
<v Speaker 1>myself one thing, it would be to appreciate it more. Yes,

0:22:03.440 --> 0:22:07.800
<v Speaker 1>but really truly incredible and admirable that you realized even

0:22:07.840 --> 0:22:10.520
<v Speaker 1>back then that, even though it wasn't exactly where you

0:22:10.560 --> 0:22:14.560
<v Speaker 1>wanted to be, the potential for you to break glass ceilings.

0:22:14.040 --> 0:22:17.239
<v Speaker 7>Everywhere all around you was there and you you did it,

0:22:17.320 --> 0:22:18.080
<v Speaker 7>and you you.

0:22:18.119 --> 0:22:20.399
<v Speaker 1>Like, it's just that's really great. I love that you

0:22:20.440 --> 0:22:23.200
<v Speaker 1>were even aware of that back then. Our very own

0:22:23.440 --> 0:22:26.959
<v Speaker 1>Trina McGee appeared on three episodes of City Guys.

0:22:27.240 --> 0:22:28.960
<v Speaker 7>Do you remember working with her?

0:22:29.520 --> 0:22:32.439
<v Speaker 6>Yes? I do, Yes, I do. In fact, I still

0:22:33.040 --> 0:22:33.320
<v Speaker 6>I think.

0:22:33.400 --> 0:22:36.480
<v Speaker 3>I think me and her follow each other on one Instagram.

0:22:36.520 --> 0:22:40.680
<v Speaker 3>I think it is yes Trina. It was weird because

0:22:40.680 --> 0:22:43.080
<v Speaker 3>when Trina, I think she done that three episodes as

0:22:43.119 --> 0:22:45.320
<v Speaker 3>my girlfriend. And thinking about when Trina got on air

0:22:45.480 --> 0:22:47.960
<v Speaker 3>was that I knew her because of the show. But

0:22:48.000 --> 0:22:50.720
<v Speaker 3>it was ironic that the episode that I did, she

0:22:50.880 --> 0:22:52.399
<v Speaker 3>wasn't or wasn't the.

0:22:52.400 --> 0:22:54.119
<v Speaker 2>Season she wasn't there.

0:22:54.200 --> 0:22:54.920
<v Speaker 7>Yeah, she wasn't there.

0:22:54.960 --> 0:22:59.040
<v Speaker 1>She joined us in season five and your episode was season.

0:22:58.720 --> 0:23:01.520
<v Speaker 6>Three three, right, okay, so yeah, that's what it was.

0:23:01.560 --> 0:23:03.520
<v Speaker 3>And I think we talked about it briefly with her

0:23:03.560 --> 0:23:05.760
<v Speaker 3>and she I don't think she had any idea, so

0:23:05.800 --> 0:23:06.720
<v Speaker 3>I told her. I was like, you know, I was,

0:23:06.880 --> 0:23:08.520
<v Speaker 3>I was on Boy Meets World years ago. I just

0:23:08.520 --> 0:23:11.600
<v Speaker 3>don't know what what you know, what what year lost?

0:23:11.600 --> 0:23:15.280
<v Speaker 6>What year it was? But Treda was sweet. She was cool, man.

0:23:16.200 --> 0:23:17.760
<v Speaker 6>And I would tell her in her face she's crazy

0:23:17.800 --> 0:23:23.840
<v Speaker 6>as a role is it? Uh?

0:23:23.840 --> 0:23:28.120
<v Speaker 3>I love her and death crazy. Yeah, man, we had

0:23:28.119 --> 0:23:30.119
<v Speaker 3>we had it was it was cool man, you know

0:23:30.119 --> 0:23:31.560
<v Speaker 3>what I mean. I thought that I thought it was

0:23:31.600 --> 0:23:33.840
<v Speaker 3>great to how she represented, you know, as a young

0:23:33.880 --> 0:23:35.560
<v Speaker 3>black woman on Boy Meet's World.

0:23:35.560 --> 0:23:36.879
<v Speaker 6>I thought that was really cool and that was a

0:23:36.960 --> 0:23:39.640
<v Speaker 6>nice spot for her. So yeah, she did. Yeah that's

0:23:39.680 --> 0:23:41.640
<v Speaker 6>how small those worlds inter Twine. Man.

0:23:42.320 --> 0:23:45.080
<v Speaker 1>Now, you guys had some really great guest stars. I'm

0:23:45.080 --> 0:23:46.600
<v Speaker 1>going to name a few other guest stars that you

0:23:46.640 --> 0:23:48.240
<v Speaker 1>had and you can tell me if you remember them.

0:23:48.240 --> 0:23:50.920
<v Speaker 1>And truthfully, writer and I barely remember anybody, so don't

0:23:50.920 --> 0:23:54.280
<v Speaker 1>feel bad. But Adam Brody was a guest star. He

0:23:54.400 --> 0:23:55.760
<v Speaker 1>was customer number two.

0:23:56.600 --> 0:24:00.239
<v Speaker 4>Yes, big part, big part, customer number two.

0:24:00.520 --> 0:24:01.520
<v Speaker 7>Of course he remembers that one.

0:24:01.600 --> 0:24:01.760
<v Speaker 6>Yeah.

0:24:02.920 --> 0:24:09.160
<v Speaker 1>Bravo Housewife. Kyle Richards played Katie Wow. Yeah, Jerry Turtle

0:24:09.200 --> 0:24:14.760
<v Speaker 1>Ferrara was delivery boy Turtle yep, yep. Sarah Shaw he

0:24:14.760 --> 0:24:21.959
<v Speaker 1>played cheerleader, and Vanessa Lasha was hot girl yes ye.

0:24:22.320 --> 0:24:25.000
<v Speaker 2>Did anybody on this show actually have names? Or was

0:24:25.080 --> 0:24:28.360
<v Speaker 2>everybody just delivery guy? And you know.

0:24:28.320 --> 0:24:31.040
<v Speaker 3>What's crazy about this? As a cast, we joke about

0:24:31.080 --> 0:24:33.440
<v Speaker 3>this when we get together. We're like, do you understand

0:24:33.840 --> 0:24:36.760
<v Speaker 3>we ninety eight degrees? There were oh, there's a lot

0:24:36.760 --> 0:24:40.680
<v Speaker 3>of people. You still didn't name everybody but Sherman Hemsley,

0:24:40.920 --> 0:24:47.400
<v Speaker 3>who played mister Yes, George Jefferson Smon. Sir Hemsley did

0:24:47.400 --> 0:24:51.840
<v Speaker 3>an episode ninety eight degrees. As we know, they did

0:24:51.840 --> 0:24:56.520
<v Speaker 3>an episode so ironically, you know, Vanessa.

0:24:55.560 --> 0:24:59.080
<v Speaker 7>You could have set them up, could have you could.

0:24:59.560 --> 0:25:02.840
<v Speaker 3>But but they didn't. Let me tell you, guys, we

0:25:02.920 --> 0:25:07.680
<v Speaker 3>laugh because we're like, do everybody, I mean everybody ran

0:25:07.760 --> 0:25:12.479
<v Speaker 3>through our socity guys and they all became big bona

0:25:12.480 --> 0:25:15.480
<v Speaker 3>fide stars blowing up and then we look at each

0:25:15.480 --> 0:25:16.560
<v Speaker 3>other like what happened with us?

0:25:17.920 --> 0:25:20.080
<v Speaker 4>If you guys were holding down the fort and else

0:25:20.200 --> 0:25:20.840
<v Speaker 4>was moving through.

0:25:22.080 --> 0:25:24.400
<v Speaker 3>We're the launching path for everybody else's career and they

0:25:24.440 --> 0:25:25.320
<v Speaker 3>take off and we don't.

0:25:25.400 --> 0:25:27.719
<v Speaker 6>I mean, Adam Rody, come on, it's crazy.

0:25:28.040 --> 0:25:28.480
<v Speaker 4>I'm sorry.

0:25:28.480 --> 0:25:30.879
<v Speaker 2>I have to ask because I am a television fanatic.

0:25:31.040 --> 0:25:32.920
<v Speaker 2>It is, it's my my first love.

0:25:33.640 --> 0:25:34.640
<v Speaker 4>What was it like.

0:25:34.560 --> 0:25:37.240
<v Speaker 2>Working with Sherman Hemsley, I mean television royalty?

0:25:37.800 --> 0:25:40.959
<v Speaker 6>Yo, when he trust me, I can't believe it.

0:25:41.160 --> 0:25:44.959
<v Speaker 3>I think about it now again, that's me being spoiled

0:25:45.040 --> 0:25:47.760
<v Speaker 3>and just I first of all, get grew up watching

0:25:47.920 --> 0:25:49.000
<v Speaker 3>jeff Jefferson's.

0:25:49.760 --> 0:25:50.800
<v Speaker 6>When we got.

0:25:50.640 --> 0:25:54.840
<v Speaker 3>Him, I was like, yo, exactly, like, oh, this legendary

0:25:54.920 --> 0:25:58.320
<v Speaker 3>is iconic, you know, Sherman Hemsley, George Jefferson, like you know,

0:25:58.359 --> 0:25:59.160
<v Speaker 3>and he was such.

0:25:58.960 --> 0:25:59.960
<v Speaker 6>A cool dude.

0:26:00.119 --> 0:26:01.919
<v Speaker 3>Man he was, he was. It was probably one of

0:26:01.960 --> 0:26:04.080
<v Speaker 3>the he couldn't get it. Matter of fact, here's a

0:26:04.160 --> 0:26:07.040
<v Speaker 3>quick story. There was a scene we did and he

0:26:07.080 --> 0:26:10.639
<v Speaker 3>couldn't get his line correctly. And you know, he's getting

0:26:10.680 --> 0:26:12.040
<v Speaker 3>older at the time, you know what I mean. He

0:26:12.040 --> 0:26:15.119
<v Speaker 3>couldn't get his lines right and he was so frustrated

0:26:15.160 --> 0:26:17.000
<v Speaker 3>with himself. We were doing a live studio audience at

0:26:17.000 --> 0:26:18.600
<v Speaker 3>that time. That's just back when we all had you know,

0:26:18.640 --> 0:26:23.080
<v Speaker 3>the audience, and uh, he couldn't get his line, man,

0:26:23.160 --> 0:26:26.080
<v Speaker 3>and he said he must have dropped the F bomb

0:26:26.160 --> 0:26:30.719
<v Speaker 3>or something fun. And at the time you had to

0:26:30.720 --> 0:26:33.960
<v Speaker 3>be there. But to see George Jefferson cursed out of frustration,

0:26:36.080 --> 0:26:36.520
<v Speaker 3>it was.

0:26:36.520 --> 0:26:37.679
<v Speaker 6>So dang funny.

0:26:37.720 --> 0:26:40.000
<v Speaker 3>I was in tears to the points to where they

0:26:40.000 --> 0:26:43.320
<v Speaker 3>had to stop and pull met. I was crying, maker,

0:26:43.560 --> 0:26:46.879
<v Speaker 3>come off my face, and I said, dude, George Jefferson

0:26:46.960 --> 0:26:50.359
<v Speaker 3>and that person and the whole audience to kids was like, oh,

0:26:50.720 --> 0:26:54.159
<v Speaker 3>so he was great. It's about as humble as they

0:26:54.200 --> 0:26:56.960
<v Speaker 3>can be. Cool as a fan, I'm glad, but I

0:26:57.000 --> 0:26:57.600
<v Speaker 3>didn't Here's.

0:26:57.440 --> 0:26:59.399
<v Speaker 6>The things I did. I can't find I didn't get

0:26:59.400 --> 0:27:00.159
<v Speaker 6>a picture with him.

0:27:00.560 --> 0:27:02.119
<v Speaker 7>Oh, I didn't get it.

0:27:02.520 --> 0:27:04.120
<v Speaker 3>I didn't get a picture with them. I can't believe

0:27:04.119 --> 0:27:07.120
<v Speaker 3>I'm looking through all my old stuff. I mean, yeah,

0:27:07.200 --> 0:27:10.040
<v Speaker 3>screen time, but I didn't get an actual still picture

0:27:10.040 --> 0:27:11.720
<v Speaker 3>into the barrier. Dale's what was that thinking?

0:27:11.800 --> 0:27:11.960
<v Speaker 6>You know?

0:27:12.200 --> 0:27:15.200
<v Speaker 1>Yeah, it's funny because you can't, especially as a kid,

0:27:15.480 --> 0:27:20.160
<v Speaker 1>you can't imagine a future where photographic evidence is going

0:27:20.200 --> 0:27:20.920
<v Speaker 1>to mean.

0:27:20.800 --> 0:27:21.480
<v Speaker 7>A lot to you.

0:27:21.480 --> 0:27:23.600
<v Speaker 1>You're like, I've worked with I'm working with this person,

0:27:23.640 --> 0:27:25.520
<v Speaker 1>I worked with them all week. I have the memories.

0:27:25.560 --> 0:27:27.320
<v Speaker 1>It was not you know, I'm living in the moment.

0:27:27.560 --> 0:27:31.440
<v Speaker 1>But then thirty years later, when you're still sitting here

0:27:31.720 --> 0:27:34.240
<v Speaker 1>and you're talking about these people that are icons and

0:27:34.240 --> 0:27:35.840
<v Speaker 1>that you got to share time with them, It's so

0:27:35.960 --> 0:27:40.280
<v Speaker 1>crazy how important that like tangible proof of your previous

0:27:40.320 --> 0:27:41.760
<v Speaker 1>life becomes to you.

0:27:41.760 --> 0:27:44.480
<v Speaker 6>You know. Yeah, now, you're right, You're absolutely right.

0:27:56.200 --> 0:27:58.520
<v Speaker 1>I promise we're going to get to boy Meets World.

0:27:58.520 --> 0:28:00.679
<v Speaker 1>But you have so many things I'm to talk to

0:28:00.680 --> 0:28:02.400
<v Speaker 1>you about. So I want to talk to you about

0:28:02.520 --> 0:28:07.960
<v Speaker 1>Roll Bounce, where are you Disco Champions, Sweetness Active, Roller

0:28:08.000 --> 0:28:12.440
<v Speaker 1>Skated with bow Wow, Megan Good, Nick Cannon, Mike Epps

0:28:12.480 --> 0:28:14.240
<v Speaker 1>and Sean McBride.

0:28:14.080 --> 0:28:17.280
<v Speaker 6>And Charlie Murphy and flew of others.

0:28:17.359 --> 0:28:20.600
<v Speaker 1>Yes, Okay, what memories do you have from that set?

0:28:20.840 --> 0:28:22.760
<v Speaker 1>And how many bruises did you end up with?

0:28:23.640 --> 0:28:28.040
<v Speaker 3>Oh? Yeah, you know, it's a whole nother podcast for

0:28:28.119 --> 0:28:29.520
<v Speaker 3>us to share.

0:28:29.680 --> 0:28:32.320
<v Speaker 6>The how I got that role.

0:28:33.000 --> 0:28:33.680
<v Speaker 7>Talk about it.

0:28:34.160 --> 0:28:37.479
<v Speaker 3>Okay, So I'm going to try to some something, you know,

0:28:38.120 --> 0:28:40.040
<v Speaker 3>sum it up. You guys know when they call us

0:28:40.040 --> 0:28:41.960
<v Speaker 3>Sometimes you have a relationship with a cast and director

0:28:41.960 --> 0:28:45.240
<v Speaker 3>and they'll call you up and to do a table

0:28:45.240 --> 0:28:47.160
<v Speaker 3>read for a new project that hasn't you.

0:28:47.080 --> 0:28:49.840
<v Speaker 6>Know, they haven't bought yeah, exactly.

0:28:49.920 --> 0:28:53.680
<v Speaker 3>So they called me in uh and wanted me to

0:28:53.680 --> 0:28:55.400
<v Speaker 3>come in and just help with this table read.

0:28:55.400 --> 0:28:56.680
<v Speaker 6>They're selling this movie.

0:28:56.480 --> 0:28:58.680
<v Speaker 3>Roll Bounce, and then you know, producers wanted to see

0:28:58.680 --> 0:29:00.440
<v Speaker 3>if they liked it, and Yata ytta just you know,

0:29:00.480 --> 0:29:04.960
<v Speaker 3>the very very beginning skeletons of it. And it was

0:29:05.000 --> 0:29:07.440
<v Speaker 3>funny because me and Dion Bascall, who was on City Guys,

0:29:07.760 --> 0:29:10.200
<v Speaker 3>we were a part of this table read. Make a

0:29:10.200 --> 0:29:15.080
<v Speaker 3>long story short, They love the film a Fox Searchlight

0:29:15.520 --> 0:29:18.120
<v Speaker 3>ends up putting money out behind it to get it up.

0:29:18.000 --> 0:29:19.280
<v Speaker 6>On its feet. All right.

0:29:19.320 --> 0:29:20.920
<v Speaker 3>So I'm like, okay, cool, you know, and I've read

0:29:21.040 --> 0:29:24.440
<v Speaker 3>the character Sweetness at that time. And then come to

0:29:24.480 --> 0:29:27.000
<v Speaker 3>find out they you know, ended up wanting me to

0:29:27.120 --> 0:29:29.440
<v Speaker 3>audition for it. Now in my mind, I'm going, well,

0:29:29.440 --> 0:29:32.640
<v Speaker 3>I just did my audition. But ego, right, ego. So

0:29:32.680 --> 0:29:34.440
<v Speaker 3>it's like, all right, fine, I love the role. I

0:29:34.480 --> 0:29:36.480
<v Speaker 3>loved the film. It was a great you know, great script.

0:29:36.760 --> 0:29:38.000
<v Speaker 3>I'll go in and audition.

0:29:37.800 --> 0:29:40.760
<v Speaker 6>For it, you know. My mind like it's fair, but fine,

0:29:41.320 --> 0:29:43.880
<v Speaker 6>So I go in audition.

0:29:44.320 --> 0:29:47.640
<v Speaker 3>You know the process call back, come back, and then

0:29:47.640 --> 0:29:49.920
<v Speaker 3>you don't hear nothing quiet not the time.

0:29:50.120 --> 0:29:51.680
<v Speaker 6>So you guys know this is intertwine.

0:29:51.760 --> 0:29:54.280
<v Speaker 3>At the time I was shooting What I Like About You,

0:29:54.600 --> 0:29:56.080
<v Speaker 3>we were probably are this.

0:29:56.040 --> 0:29:59.880
<v Speaker 6>Was like the fourth seat. Yeah, like third or fourth season.

0:30:00.840 --> 0:30:02.840
<v Speaker 3>So let me pause frame on that because that's a

0:30:02.840 --> 0:30:04.760
<v Speaker 3>part of the story of What I Like about You.

0:30:04.880 --> 0:30:09.040
<v Speaker 3>So them to find out I don't hear anything for

0:30:09.080 --> 0:30:11.920
<v Speaker 3>a while, and come to find out they're shooting roll

0:30:12.040 --> 0:30:17.080
<v Speaker 3>Bounds in Chicago, and I'm like, well, the only the

0:30:17.160 --> 0:30:20.120
<v Speaker 3>only role hadn't cast it with Sweetness was my character.

0:30:20.960 --> 0:30:23.120
<v Speaker 3>And I was like when I found out, I was like,

0:30:23.680 --> 0:30:26.400
<v Speaker 3>what's what's up with that? And they're like, well, they're

0:30:26.440 --> 0:30:28.760
<v Speaker 3>trying to figure out if they want it's.

0:30:28.600 --> 0:30:29.280
<v Speaker 6>A true story.

0:30:29.720 --> 0:30:35.720
<v Speaker 3>They want Usher to play Sweetness or omar On from

0:30:35.720 --> 0:30:39.240
<v Speaker 3>B two K to play these two people were up

0:30:39.360 --> 0:30:42.320
<v Speaker 3>all right now that the studio liked me, but they

0:30:42.320 --> 0:30:44.560
<v Speaker 3>would have rather had obviously Usher.

0:30:44.360 --> 0:30:47.320
<v Speaker 6>Or o Mario, because why the studios are beating counters.

0:30:47.360 --> 0:30:50.440
<v Speaker 3>They it's all about the draw, right, But me and

0:30:50.440 --> 0:30:53.360
<v Speaker 3>as actor, as an artist, I'm saying it's ridiculous. I'm

0:30:53.360 --> 0:30:56.719
<v Speaker 3>so tired of fighting this constant battle you know political

0:30:57.240 --> 0:30:59.840
<v Speaker 3>issues where it's like, look you got bow wow, who's

0:30:59.840 --> 0:31:01.600
<v Speaker 3>are already the start of this film? You put us

0:31:01.920 --> 0:31:03.680
<v Speaker 3>or Marian? You got a music video, it's not a

0:31:03.680 --> 0:31:08.160
<v Speaker 3>film anymore. You got music artist, You're an actor, thank you.

0:31:08.760 --> 0:31:11.080
<v Speaker 3>So it's the struggle we all have, right. So then

0:31:11.080 --> 0:31:15.560
<v Speaker 3>it's like malholmily caused me the director and says, hey, man,

0:31:16.000 --> 0:31:18.960
<v Speaker 3>I'm fighting for you for this what what's you know?

0:31:19.400 --> 0:31:20.920
<v Speaker 6>What's going on You're life?

0:31:21.080 --> 0:31:23.840
<v Speaker 3>I mean there were he's loft into a show, YadA

0:31:23.880 --> 0:31:26.640
<v Speaker 3>YadA YadA. That was an issue so Warner Brothers. I

0:31:26.640 --> 0:31:28.920
<v Speaker 3>had to you know, it was crazy. I fought really hard.

0:31:29.080 --> 0:31:31.200
<v Speaker 3>So I told him I live, man, So why do

0:31:31.240 --> 0:31:32.920
<v Speaker 3>you want to do this role? Because the Road didn't

0:31:32.920 --> 0:31:35.320
<v Speaker 3>have my agency managers, nobody wanted me to. They're like,

0:31:35.520 --> 0:31:37.440
<v Speaker 3>this role doesn't even speak. He didn't even do anything.

0:31:37.480 --> 0:31:39.719
<v Speaker 3>They didn't see what I saw. I said, he doesn't

0:31:39.800 --> 0:31:44.280
<v Speaker 3>have to speak. You don't understand. I was like, it's

0:31:45.600 --> 0:31:49.000
<v Speaker 3>the character. Every young man, old man, and you know

0:31:49.200 --> 0:31:53.040
<v Speaker 3>middle aged man wants to be sweetness. Every young, middle

0:31:53.040 --> 0:31:55.960
<v Speaker 3>aged or older woman wants to be with sweetness. I said,

0:31:55.960 --> 0:31:58.400
<v Speaker 3>this dude's gotta be funny. He's gotta be sexy, he's

0:31:58.400 --> 0:32:01.440
<v Speaker 3>gotta be scary, he's got to be all these colors.

0:32:01.520 --> 0:32:03.960
<v Speaker 3>Or you don't have a villain. You don't have, you know.

0:32:04.800 --> 0:32:08.000
<v Speaker 3>So he was like, man, all right, I'm sold. Let

0:32:08.000 --> 0:32:10.080
<v Speaker 3>me call you back. Yeah, yeah, yeah, da.

0:32:09.920 --> 0:32:13.239
<v Speaker 6>Cleans up the phone. I'm telling now, I'm fighting. I'm

0:32:13.280 --> 0:32:13.920
<v Speaker 6>gonna call them.

0:32:13.960 --> 0:32:16.560
<v Speaker 3>You know, everybody execs and you know what like about

0:32:16.600 --> 0:32:17.840
<v Speaker 3>you and I'm the writers.

0:32:17.440 --> 0:32:20.240
<v Speaker 7>And I look, man, let me you gotta let me,

0:32:20.600 --> 0:32:20.959
<v Speaker 7>let me out.

0:32:21.960 --> 0:32:24.960
<v Speaker 3>I will listen write me out for because it overlapped perfectly.

0:32:24.960 --> 0:32:29.000
<v Speaker 3>I just would have missed one episode. So that's one week, right,

0:32:29.040 --> 0:32:31.120
<v Speaker 3>we all know that, right, So I said, dude, just

0:32:31.320 --> 0:32:33.880
<v Speaker 3>out forfeit the bread. Just you know, the money, just

0:32:34.320 --> 0:32:37.720
<v Speaker 3>wipe me out, bail me out, keep the money.

0:32:37.760 --> 0:32:38.560
<v Speaker 6>I don't I don't need it.

0:32:38.640 --> 0:32:41.280
<v Speaker 3>Just just just just make some arrangements to where do

0:32:41.360 --> 0:32:43.080
<v Speaker 3>you guys let me go to Chicago for two months

0:32:43.080 --> 0:32:48.320
<v Speaker 3>and do this movie. And they were reluctant. They felt

0:32:48.400 --> 0:32:53.320
<v Speaker 3>my passion and my pain through it, and uh ultimately ended.

0:32:53.160 --> 0:32:56.320
<v Speaker 6>Up doing it. Keep in mind, I didn't know how

0:32:56.360 --> 0:32:57.720
<v Speaker 6>to skate prior to the movie.

0:33:00.560 --> 0:33:07.400
<v Speaker 8>You skating, right, That's exactly what happened, right, I got

0:33:07.400 --> 0:33:08.880
<v Speaker 8>the roll, hung up, the phone was like, yeah, I

0:33:08.880 --> 0:33:15.440
<v Speaker 8>got it, and I was like, oh, So.

0:33:16.440 --> 0:33:18.200
<v Speaker 4>It was like the most actor thing to do. But

0:33:20.880 --> 0:33:23.120
<v Speaker 4>I could juggle. I could do it.

0:33:24.120 --> 0:33:25.960
<v Speaker 6>I can do it all. Don't even worry about it. Right,

0:33:26.720 --> 0:33:29.479
<v Speaker 6>So what happened was I ended up.

0:33:30.720 --> 0:33:34.400
<v Speaker 3>I ended up getting the role, and I flew. I

0:33:34.440 --> 0:33:36.320
<v Speaker 3>had a week to fly out. So I'm thinking to myself,

0:33:36.360 --> 0:33:39.840
<v Speaker 3>I can't I can't skate. So I went and bust

0:33:39.880 --> 0:33:43.120
<v Speaker 3>some skates to see how bad I really was. And

0:33:43.160 --> 0:33:45.320
<v Speaker 3>when I put them on and went to like I

0:33:45.360 --> 0:33:47.840
<v Speaker 3>was living in an apartment in alley, my alleyway, and

0:33:47.880 --> 0:33:50.800
<v Speaker 3>I was like, oh my gosh, oh look, because I

0:33:50.840 --> 0:33:53.800
<v Speaker 3>did dance, that is an easy part, but skating was

0:33:53.800 --> 0:33:54.680
<v Speaker 3>a whole other beast.

0:33:56.200 --> 0:33:57.880
<v Speaker 2>You had a week, you had a week.

0:33:58.280 --> 0:34:01.800
<v Speaker 6>Well, I had a week before I flu out, right.

0:34:02.040 --> 0:34:05.080
<v Speaker 3>But when we got there, though, they put us through

0:34:05.080 --> 0:34:05.960
<v Speaker 3>skate boot camps.

0:34:06.000 --> 0:34:06.920
<v Speaker 6>So I trained.

0:34:07.760 --> 0:34:11.160
<v Speaker 3>I trained from like eight am to six pm from

0:34:11.200 --> 0:34:16.520
<v Speaker 3>every day with like professional you know skaters, and because

0:34:16.560 --> 0:34:20.719
<v Speaker 3>of legal purposes and insurance purposes, we all had doubles, right,

0:34:21.480 --> 0:34:24.160
<v Speaker 3>but I was not into that because my double he

0:34:24.280 --> 0:34:27.359
<v Speaker 3>was great. He was fantastic, but I wanted to show

0:34:27.400 --> 0:34:29.080
<v Speaker 3>people that I did most of my stuff. So I

0:34:29.160 --> 0:34:31.879
<v Speaker 3>was like, I was obsessed. I would go from eight

0:34:31.880 --> 0:34:34.360
<v Speaker 3>am to six pm at the skating rink, take my

0:34:34.440 --> 0:34:37.560
<v Speaker 3>skates home, and I'll be in the hotel skating on

0:34:37.680 --> 0:34:39.960
<v Speaker 3>rug in my hotel. So we talked about bruises and

0:34:40.000 --> 0:34:43.480
<v Speaker 3>swords and I was soaking and eb some salt and

0:34:43.760 --> 0:34:44.640
<v Speaker 3>tire bomb.

0:34:44.400 --> 0:34:48.520
<v Speaker 6>Was my best tire bomb jar. It was a mess.

0:34:48.800 --> 0:34:52.960
<v Speaker 3>So I trained extremely hard. I was probably in the

0:34:52.960 --> 0:34:56.320
<v Speaker 3>best shape of my life. And if I wasn't on skates,

0:34:56.480 --> 0:34:59.640
<v Speaker 3>I was down there in the gym lifting weights. I

0:34:59.680 --> 0:35:02.600
<v Speaker 3>didn't go I didn't really go out with all the

0:35:02.680 --> 0:35:05.200
<v Speaker 3>guys and you know, we're party like you know I was.

0:35:05.280 --> 0:35:06.040
<v Speaker 6>I had a mission.

0:35:06.200 --> 0:35:08.000
<v Speaker 7>Yeah, you were there to prove yourself.

0:35:08.239 --> 0:35:11.120
<v Speaker 3>Yes, I was pissed off. I was This is the

0:35:11.120 --> 0:35:12.080
<v Speaker 3>best way to describe it.

0:35:12.120 --> 0:35:13.000
<v Speaker 6>I was angry.

0:35:13.160 --> 0:35:18.160
<v Speaker 3>I was fed up with constantly fighting that somebody's got

0:35:18.160 --> 0:35:21.000
<v Speaker 3>a bigger name than you. That's somebody, you know, that's

0:35:21.080 --> 0:35:23.120
<v Speaker 3>the thing that we do. And it's like, dude, come on,

0:35:23.320 --> 0:35:25.680
<v Speaker 3>like yo, just give me give me a shot. Watch

0:35:25.760 --> 0:35:27.279
<v Speaker 3>And that was that was that was the whole thing.

0:35:27.400 --> 0:35:30.360
<v Speaker 3>So that's how that was a short version of a

0:35:30.560 --> 0:35:31.840
<v Speaker 3>robounce and how that came to me.

0:35:31.960 --> 0:35:34.200
<v Speaker 7>Man, Man, that's so cool.

0:35:34.320 --> 0:35:36.280
<v Speaker 2>That was a fun movie. That was a really fun movie.

0:35:36.640 --> 0:35:39.399
<v Speaker 1>Then I want to take the pause off of what

0:35:39.480 --> 0:35:42.520
<v Speaker 1>I like about you, because you mentioned that Amanda Bynes

0:35:42.520 --> 0:35:46.759
<v Speaker 1>and Jenny Garth yea like working specifically with Amanda, who

0:35:46.880 --> 0:35:50.080
<v Speaker 1>was such a genius for those types of comedic roles.

0:35:50.120 --> 0:35:53.320
<v Speaker 1>She was always being compared to Lucille Ball.

0:35:53.200 --> 0:35:56.840
<v Speaker 6>And you know, the first year it was like the

0:35:56.840 --> 0:35:57.520
<v Speaker 6>sticky thing.

0:35:58.040 --> 0:36:00.879
<v Speaker 3>You know, they took the whole Nickelodeon thing and kind

0:36:00.880 --> 0:36:03.600
<v Speaker 3>of was trying to fuse it into her new show

0:36:03.600 --> 0:36:09.440
<v Speaker 3>of prime time television. And I don't know behind the

0:36:09.480 --> 0:36:13.240
<v Speaker 3>scenes what happened, but I know that I'm pretty sure

0:36:13.719 --> 0:36:20.000
<v Speaker 3>Jenny Garth and even Amanda had issues with it because

0:36:20.040 --> 0:36:23.200
<v Speaker 3>after the first season, our whole format kind of changed,

0:36:23.440 --> 0:36:26.440
<v Speaker 3>like it was a lot more adult like, it was

0:36:26.480 --> 0:36:29.840
<v Speaker 3>a lot more driven to you know, the relationships of

0:36:30.320 --> 0:36:34.440
<v Speaker 3>you know, Jenny and Amanda and their dating lives, and

0:36:34.920 --> 0:36:38.719
<v Speaker 3>it just took a lot more mature kind of air.

0:36:38.920 --> 0:36:43.080
<v Speaker 3>And I actually appreciated it because Amanda's she's growing up.

0:36:43.120 --> 0:36:45.239
<v Speaker 6>She's no longer the Nickelodeon. She's a you know, a

0:36:45.239 --> 0:36:45.760
<v Speaker 6>young woman.

0:36:45.880 --> 0:36:51.840
<v Speaker 3>So Dan Schneider, who did all of the Nickelodeon stuff

0:36:51.880 --> 0:36:53.640
<v Speaker 3>with her and everything else.

0:36:53.440 --> 0:36:55.600
<v Speaker 6>And still doing it run and running the whole kid thing.

0:36:56.880 --> 0:37:00.279
<v Speaker 3>He I think he ended up. They ended up, you know,

0:37:00.440 --> 0:37:02.880
<v Speaker 3>getting some new producers in there and some new execs

0:37:02.920 --> 0:37:06.400
<v Speaker 3>you know, uh in there and uh Will Calhoun and

0:37:06.880 --> 0:37:10.760
<v Speaker 3>uh just and and they kind of changed the format

0:37:10.800 --> 0:37:14.960
<v Speaker 3>of the show. Amanda at the time was a sweetheart.

0:37:15.960 --> 0:37:17.560
<v Speaker 3>She was just you know, like I said, she was

0:37:17.600 --> 0:37:21.080
<v Speaker 3>just she was cool. She was I want to say,

0:37:21.160 --> 0:37:23.200
<v Speaker 3>not well behind the ears. She knew the industry, but

0:37:23.239 --> 0:37:28.520
<v Speaker 3>I felt like she was more well, yeah, there you go,

0:37:28.760 --> 0:37:30.560
<v Speaker 3>just kind of with life, you know what I mean,

0:37:30.880 --> 0:37:33.319
<v Speaker 3>like kind of just being exposed now to like all right,

0:37:34.040 --> 0:37:36.319
<v Speaker 3>you know, I'm driving, I'm doing this and I got

0:37:36.360 --> 0:37:38.000
<v Speaker 3>you know, I got some money, and I'm a.

0:37:37.960 --> 0:37:39.840
<v Speaker 6>Young lady and what is this all about?

0:37:40.040 --> 0:37:43.080
<v Speaker 3>You know? And uh And we would always tea you know,

0:37:43.160 --> 0:37:45.400
<v Speaker 3>tease and talk about talk. I was talked to her

0:37:45.480 --> 0:37:49.479
<v Speaker 3>and tease her about things. And in my role, here's

0:37:49.480 --> 0:37:50.440
<v Speaker 3>the funny thing about that.

0:37:50.560 --> 0:37:52.479
<v Speaker 6>They won't tell you this, but I'm gonna tell you.

0:37:52.640 --> 0:37:53.320
<v Speaker 6>In my opinion.

0:37:53.320 --> 0:37:55.359
<v Speaker 3>When I was auditioning for What I Like About You,

0:37:56.160 --> 0:38:00.759
<v Speaker 3>I tested with like I felt like the three to

0:38:01.080 --> 0:38:02.719
<v Speaker 3>five white guys, I was.

0:38:02.719 --> 0:38:04.040
<v Speaker 6>The only black dude.

0:38:05.560 --> 0:38:08.560
<v Speaker 3>I don't think when they wrote that they were picturing

0:38:08.640 --> 0:38:11.760
<v Speaker 3>me a black guy being her best friend. They won't

0:38:11.800 --> 0:38:13.759
<v Speaker 3>tell you that, but I based on what I saw

0:38:13.840 --> 0:38:18.120
<v Speaker 3>on the sides and everything else, like y'all, y'all, y'all pictured,

0:38:18.640 --> 0:38:21.000
<v Speaker 3>you know, and y'all picture some white boy, skater kind

0:38:21.040 --> 0:38:22.720
<v Speaker 3>of kid, it's gonna be her best friend.

0:38:23.200 --> 0:38:25.399
<v Speaker 6>I look in the room we're testing and going, okay,

0:38:25.400 --> 0:38:26.200
<v Speaker 6>here's as we do.

0:38:26.239 --> 0:38:28.680
<v Speaker 3>We signed each other up right the compensation like you know,

0:38:30.480 --> 0:38:34.279
<v Speaker 3>you know, and I'm saying, okay, now, I know this

0:38:34.400 --> 0:38:38.879
<v Speaker 3>is gonna probably go, but okay, I'm I'm gonna they

0:38:38.880 --> 0:38:39.920
<v Speaker 3>got Okay, that's what I'm gonna do.

0:38:40.000 --> 0:38:42.920
<v Speaker 6>This's what I'm gonna do. Now, I'm gonna do my

0:38:43.000 --> 0:38:43.680
<v Speaker 6>thing right.

0:38:43.960 --> 0:38:47.040
<v Speaker 3>I'm going I'm gonna be black, but I ain't gonna

0:38:47.040 --> 0:38:50.400
<v Speaker 3>be black scary, Whereas it's like, oh.

0:38:49.520 --> 0:38:52.920
<v Speaker 6>Oh my god, he's just he's just a FuG. You know,

0:38:54.560 --> 0:38:56.160
<v Speaker 6>I have him on the w.

0:38:56.680 --> 0:38:59.080
<v Speaker 2>Thank you for coming, Thank you for coming, sir, Thank

0:38:59.120 --> 0:39:01.520
<v Speaker 2>you for coming. Sir, please please walk out to her.

0:39:02.120 --> 0:39:03.799
<v Speaker 3>So, but I'm gonna but I'm gonna give it a

0:39:03.840 --> 0:39:06.840
<v Speaker 3>little spin, a little spice, a little a little soul

0:39:06.960 --> 0:39:09.120
<v Speaker 3>on there as opposed to what they're gonna do. I

0:39:09.239 --> 0:39:12.279
<v Speaker 3>knew that because these I knew these white guys were

0:39:12.280 --> 0:39:15.320
<v Speaker 3>going to pretty much have the same genre of vibe

0:39:15.400 --> 0:39:17.799
<v Speaker 3>to their thing. What would be different from me is

0:39:17.880 --> 0:39:20.680
<v Speaker 3>being me and just being that cool. You know, hey, listen,

0:39:21.160 --> 0:39:24.560
<v Speaker 3>I'm you know, I'm likable on either side from black folks,

0:39:24.640 --> 0:39:27.799
<v Speaker 3>from white folks that find in between that middle. That's

0:39:27.800 --> 0:39:30.880
<v Speaker 3>what I went for. So I got the role, and

0:39:30.960 --> 0:39:33.440
<v Speaker 3>I think I told I think I told Dan Snyder.

0:39:33.440 --> 0:39:34.719
<v Speaker 3>I was like, man, you ain't mean that to be No,

0:39:34.840 --> 0:39:36.640
<v Speaker 3>you didn't mean this role to be no black kid.

0:39:36.680 --> 0:39:40.879
<v Speaker 3>He's like, don't say that, Yeah.

0:39:39.360 --> 0:39:41.319
<v Speaker 6>Shut up here, and we laughed about it.

0:39:41.840 --> 0:39:47.160
<v Speaker 3>But being her best friend on the show, that that,

0:39:47.360 --> 0:39:48.959
<v Speaker 3>to me was like one of the things that was.

0:39:49.040 --> 0:39:51.680
<v Speaker 6>Very very cool and very different that, you know what

0:39:51.680 --> 0:39:51.960
<v Speaker 6>I mean.

0:39:52.160 --> 0:39:54.920
<v Speaker 3>And there was no romance, romantic kind of you know,

0:39:55.320 --> 0:39:58.200
<v Speaker 3>in your window with that, everybody wanted us to do that.

0:39:58.320 --> 0:40:00.200
<v Speaker 3>You could tell people were writing in like, hey, you

0:40:00.200 --> 0:40:01.359
<v Speaker 3>guys gonna get together and I.

0:40:01.320 --> 0:40:04.440
<v Speaker 6>Was like, no, it shouldn't. That would be expected, you

0:40:04.520 --> 0:40:04.880
<v Speaker 6>know what I mean.

0:40:04.880 --> 0:40:06.640
<v Speaker 3>It's kind of you know, it's kind of it was

0:40:06.719 --> 0:40:10.280
<v Speaker 3>kind of like, uh, with you guys, with with Ben Savage,

0:40:10.360 --> 0:40:11.520
<v Speaker 3>right then you gotta start off.

0:40:11.480 --> 0:40:16.320
<v Speaker 7>His friends, right, Yes, he stands me right.

0:40:17.280 --> 0:40:19.879
<v Speaker 6>Right, So no, they kept it.

0:40:20.320 --> 0:40:23.480
<v Speaker 3>It was just like no, Gary, my character had his

0:40:23.560 --> 0:40:26.080
<v Speaker 3>own dating life, Jay Garth had theirs.

0:40:25.800 --> 0:40:27.799
<v Speaker 6>And we just all came together and the end.

0:40:27.840 --> 0:40:33.000
<v Speaker 3>But then we brought on new people. Nick Xano and it.

0:40:33.040 --> 0:40:36.160
<v Speaker 9>Was just n was on that show, and I was

0:40:36.280 --> 0:40:37.719
<v Speaker 9>just like, I don't want to say that was his

0:40:37.840 --> 0:40:40.239
<v Speaker 9>first first gig, but I think that was like I

0:40:40.280 --> 0:40:43.960
<v Speaker 9>think first major thing for Like I could be wrong, Nick, so.

0:40:43.960 --> 0:40:47.200
<v Speaker 3>Correct me, but yeah, that's one of his big like

0:40:47.280 --> 0:40:49.279
<v Speaker 3>this first big thing, like you know what I mean

0:40:49.280 --> 0:40:54.160
<v Speaker 3>on that scale. And Simon Rex was originally on there.

0:40:54.239 --> 0:40:56.360
<v Speaker 3>That's first that first year when it was kind of sticky,

0:40:56.640 --> 0:40:59.719
<v Speaker 3>and that was tough because I had bonded with because

0:40:59.719 --> 0:41:00.560
<v Speaker 3>it was only four of us.

0:41:00.560 --> 0:41:03.920
<v Speaker 6>It was just me, Jenny, Amanda and Signment. It was

0:41:03.920 --> 0:41:04.799
<v Speaker 6>only four of us.

0:41:05.120 --> 0:41:08.239
<v Speaker 3>And when they were going in a different direction and

0:41:08.280 --> 0:41:11.719
<v Speaker 3>they and he didn't get picked the show.

0:41:11.760 --> 0:41:14.160
<v Speaker 6>I picked up. But he didn't. That was that was

0:41:14.200 --> 0:41:16.879
<v Speaker 6>a little tough, especially after he had just bought a horse.

0:41:17.400 --> 0:41:20.799
<v Speaker 2>Oh yeah, by anything season one?

0:41:21.480 --> 0:41:23.320
<v Speaker 6>Never okay, wait right.

0:41:23.280 --> 0:41:25.200
<v Speaker 3>This is what Look this is this is something I

0:41:25.280 --> 0:41:29.080
<v Speaker 3>learned prior to this, had already done fifteen years plus.

0:41:29.080 --> 0:41:34.040
<v Speaker 6>I knew the game. So first first season, you chill.

0:41:34.239 --> 0:41:45.880
<v Speaker 2>Yeah, don't buy anything season one, don't sign the least.

0:41:43.920 --> 0:41:45.719
<v Speaker 4>Season one yep, month to month.

0:41:46.120 --> 0:41:48.279
<v Speaker 6>That's real. So I was like, well he did it.

0:41:48.320 --> 0:41:50.400
<v Speaker 6>I was like, because when we rolled up with it,

0:41:50.480 --> 0:41:52.799
<v Speaker 6>I was that's nice. I was like, you.

0:41:54.880 --> 0:41:57.400
<v Speaker 3>Deal with like you know, you don't know.

0:41:57.600 --> 0:41:59.799
<v Speaker 6>He's like that shouldn't be fun. Be fun, and mind

0:42:00.160 --> 0:42:01.759
<v Speaker 6>I'm going, been there, done that.

0:42:04.000 --> 0:42:04.680
<v Speaker 3>He's still.

0:42:08.600 --> 0:42:09.280
<v Speaker 6>That's right.

0:42:10.520 --> 0:42:13.200
<v Speaker 1>I want to talk to you about Boy Meets World

0:42:13.320 --> 0:42:16.839
<v Speaker 1>and Train of Fools. So do you remember getting that role?

0:42:17.560 --> 0:42:19.319
<v Speaker 6>I do? I do?

0:42:19.400 --> 0:42:23.040
<v Speaker 3>It was okay, so check this out. So Michael Jacobs,

0:42:23.120 --> 0:42:28.440
<v Speaker 3>your guys is a big dog, right he he was

0:42:28.480 --> 0:42:29.719
<v Speaker 3>doing the show. And I don't know if you got

0:42:29.719 --> 0:42:33.799
<v Speaker 3>because typically when we work with a producer, we kind

0:42:33.800 --> 0:42:36.640
<v Speaker 3>of know their their whole run, you know what I mean,

0:42:36.680 --> 0:42:38.719
<v Speaker 3>They're all their shows, their new shows are coming up

0:42:38.760 --> 0:42:41.560
<v Speaker 3>with But he was doing a show, a new show

0:42:41.600 --> 0:42:43.120
<v Speaker 3>called Misery Loves Company.

0:42:43.280 --> 0:42:45.600
<v Speaker 7>Yes, it's come up a few times on World.

0:42:45.640 --> 0:42:48.120
<v Speaker 3>Yeah, all right, see there we go. Now see now

0:42:48.600 --> 0:42:54.560
<v Speaker 3>Misery Loves Company. H Dennis Boots, Karasu, Chris was a Maloney,

0:42:54.640 --> 0:43:00.120
<v Speaker 3>Chris Uh, and Julius Carrey. It was four dudes, right, and.

0:43:00.120 --> 0:43:01.560
<v Speaker 6>That that's where he met.

0:43:02.600 --> 0:43:04.320
<v Speaker 4>He was on our show multiple times.

0:43:05.160 --> 0:43:07.040
<v Speaker 6>So okay, that's what so so you start to see

0:43:07.040 --> 0:43:08.560
<v Speaker 6>the connection, right. Yeah.

0:43:08.800 --> 0:43:11.799
<v Speaker 3>So Julius Carrey, who passed away rest in Peace was

0:43:12.680 --> 0:43:17.239
<v Speaker 3>ironically I grew up watching him from a huge film

0:43:17.280 --> 0:43:18.840
<v Speaker 3>called The Last Dragon.

0:43:18.600 --> 0:43:21.600
<v Speaker 2>Which is one of the best movies ever made in

0:43:21.719 --> 0:43:25.040
<v Speaker 2>the history of the world. Was one of the greatest

0:43:25.120 --> 0:43:27.320
<v Speaker 2>characters ever ever.

0:43:27.320 --> 0:43:32.360
<v Speaker 6>So check this out. This is great. Okay. So I audition, No,

0:43:32.400 --> 0:43:33.480
<v Speaker 6>I didn't audition. I'm sorry.

0:43:35.640 --> 0:43:38.160
<v Speaker 3>Oh I did audition for Misery lest Company. I got

0:43:38.160 --> 0:43:41.200
<v Speaker 3>the role to play Julius Carey's son.

0:43:41.680 --> 0:43:44.600
<v Speaker 7>Okay, I can see that, and it was.

0:43:45.719 --> 0:43:48.719
<v Speaker 3>It was I did out of thirteen episode I was

0:43:48.719 --> 0:43:52.400
<v Speaker 3>signed on to do eight, so that technically was my

0:43:52.440 --> 0:43:55.640
<v Speaker 3>first regular and I was a regular series regular series regular.

0:43:55.880 --> 0:43:59.600
<v Speaker 6>So I had the job. We shot I don't even

0:43:59.600 --> 0:44:00.520
<v Speaker 6>know how many was shot.

0:44:00.960 --> 0:44:05.520
<v Speaker 3>But the only aired I think three yeah, and let

0:44:05.520 --> 0:44:08.920
<v Speaker 3>me tell you that was my first that was my

0:44:09.000 --> 0:44:13.399
<v Speaker 3>first regular series show. It just didn't take off. And

0:44:14.239 --> 0:44:17.760
<v Speaker 3>Michael Jacobs was real cool. He saw I was bummed

0:44:17.840 --> 0:44:19.480
<v Speaker 3>or whatever the case may be, and it was like,

0:44:19.520 --> 0:44:21.120
<v Speaker 3>all right, everybody parted ways.

0:44:21.239 --> 0:44:23.600
<v Speaker 6>I didn't think anything of it. Got a call.

0:44:24.840 --> 0:44:26.480
<v Speaker 3>I want to say, every guy, the show was my

0:44:26.600 --> 0:44:30.200
<v Speaker 3>first offer as an actor.

0:44:30.760 --> 0:44:34.439
<v Speaker 4>Without having to audition, right.

0:44:34.440 --> 0:44:36.600
<v Speaker 6>I really want I'm thinking back to all the work.

0:44:36.719 --> 0:44:39.960
<v Speaker 3>I really think this is my first time being offered like, hey,

0:44:40.000 --> 0:44:41.360
<v Speaker 3>you don't have to audition, it's yours.

0:44:41.560 --> 0:44:44.799
<v Speaker 6>Michael feeling.

0:44:47.880 --> 0:44:52.919
<v Speaker 3>And he I think he said that. He was like, man,

0:44:53.080 --> 0:44:55.280
<v Speaker 3>I'm so sorry this didn't work out with the show.

0:44:55.440 --> 0:44:58.239
<v Speaker 3>This is political stuff that you know, you know, but

0:44:58.280 --> 0:44:59.600
<v Speaker 3>I want you to go. You know, this has a

0:44:59.680 --> 0:45:01.440
<v Speaker 3>nice li role on a Boy Meets World. But of

0:45:01.520 --> 0:45:04.040
<v Speaker 3>course Boys World, right, it was the hit show at

0:45:04.040 --> 0:45:06.719
<v Speaker 3>the time. I know that that's great, you know, so

0:45:07.719 --> 0:45:10.440
<v Speaker 3>because I said, yeah, you know, I want you to

0:45:10.480 --> 0:45:13.359
<v Speaker 3>do that, and it's like cool, absolutely, So that's how

0:45:13.400 --> 0:45:17.399
<v Speaker 3>I got all your guys showing. What's funny is that

0:45:17.400 --> 0:45:22.239
<v Speaker 3>that that set the subway set little do you guys know,

0:45:22.480 --> 0:45:26.840
<v Speaker 3>we use that same subway set on City Guys. Really,

0:45:27.480 --> 0:45:29.359
<v Speaker 3>there's an episode on City Guys where we're on the

0:45:29.400 --> 0:45:33.160
<v Speaker 3>subway and I kid you not, I'm looking around and

0:45:33.200 --> 0:45:35.640
<v Speaker 3>everybody's like we're rehearsal and just kind of we're.

0:45:35.480 --> 0:45:39.240
<v Speaker 6>You know, looking around and I'm.

0:45:38.640 --> 0:45:40.040
<v Speaker 3>Quiet, and everybody's like, what are you looking at it?

0:45:40.120 --> 0:45:45.160
<v Speaker 3>I was like, this is gonna be I said you.

0:45:45.280 --> 0:45:47.720
<v Speaker 3>I was on Boy Means World on this exact set.

0:45:49.560 --> 0:45:52.400
<v Speaker 3>It's different. Yes, it's got a different little advertisements and

0:45:52.440 --> 0:45:54.839
<v Speaker 3>things on it, but I was like, this is it.

0:45:54.880 --> 0:45:56.400
<v Speaker 3>This has got to be it. I was like and

0:45:56.440 --> 0:45:59.480
<v Speaker 3>just started thinking like, well, actually, studios interchange a lot

0:45:59.520 --> 0:46:02.040
<v Speaker 3>of their you know, you know, rent rent this and

0:46:02.080 --> 0:46:05.840
<v Speaker 3>rent that. So I'm pretty sure if I can go

0:46:05.880 --> 0:46:09.160
<v Speaker 3>back and find the episode of City Guys that you got,

0:46:09.239 --> 0:46:11.880
<v Speaker 3>you guys are backmil and go yeah, that's it.

0:46:13.400 --> 0:46:14.560
<v Speaker 6>Yeah, it's so funny.

0:46:14.640 --> 0:46:17.480
<v Speaker 2>I just it's so I'm sorry. I I you know,

0:46:17.560 --> 0:46:21.640
<v Speaker 2>me and Tangents. But you mentioned Julius uh and you

0:46:21.760 --> 0:46:27.480
<v Speaker 2>mentioned uh I'm his movie. So The Last Dragon meant

0:46:27.520 --> 0:46:30.919
<v Speaker 2>so much to me growing up that I just wanted

0:46:30.920 --> 0:46:34.000
<v Speaker 2>to be Bruce Leroy and when he came, when he

0:46:34.160 --> 0:46:37.480
<v Speaker 2>was on the show we got to do. We did

0:46:37.480 --> 0:46:40.600
<v Speaker 2>a scene together where Eric is sneak attacking h to

0:46:40.719 --> 0:46:44.239
<v Speaker 2>Panga everywhere she goes, and he and I worked out

0:46:44.360 --> 0:46:46.839
<v Speaker 2>a scene where I said, you know, if I jump

0:46:46.880 --> 0:46:48.360
<v Speaker 2>on your back, He's like, Oh, if you jump on

0:46:48.400 --> 0:46:50.640
<v Speaker 2>my back, I can grab you and flip you over,

0:46:51.280 --> 0:46:54.719
<v Speaker 2>do a full flip over the thing. And I looked

0:46:54.719 --> 0:46:56.400
<v Speaker 2>at him at one point I went, I have to

0:46:56.400 --> 0:46:59.080
<v Speaker 2>tell you how important what we're about to do means

0:46:59.120 --> 0:47:02.640
<v Speaker 2>to me, because I feel like your shown up and

0:47:02.680 --> 0:47:04.360
<v Speaker 2>I'm Bruce Lee Roy and we're in the middle of

0:47:04.400 --> 0:47:05.960
<v Speaker 2>a fight, and he's like, well, that's very nice of

0:47:05.960 --> 0:47:07.040
<v Speaker 2>you to say it. I was like, you have no

0:47:07.080 --> 0:47:09.480
<v Speaker 2>idea how important this movie was, Like this was my

0:47:09.840 --> 0:47:13.640
<v Speaker 2>childhood was this movie. And so the idea that we

0:47:13.680 --> 0:47:17.560
<v Speaker 2>did a martial arts move together on set was like

0:47:17.640 --> 0:47:20.640
<v Speaker 2>I almost cried that day. It was awesome to me.

0:47:21.000 --> 0:47:22.719
<v Speaker 3>Yeah, dude, I didn't even know I was working with

0:47:22.840 --> 0:47:25.960
<v Speaker 3>him until Like, it's just because the hair.

0:47:26.160 --> 0:47:28.319
<v Speaker 6>His hair was low cut and short. That's just so

0:47:28.480 --> 0:47:30.280
<v Speaker 6>different and it was so different.

0:47:42.440 --> 0:47:45.160
<v Speaker 7>So back to Boy Meets World, Train of Fools.

0:47:45.400 --> 0:47:48.719
<v Speaker 1>Do you have any Do you have any specific memories

0:47:48.880 --> 0:47:52.680
<v Speaker 1>of filming that day of being on set, like, do

0:47:52.719 --> 0:47:54.720
<v Speaker 1>you have any cool subway stories?

0:47:55.920 --> 0:47:57.520
<v Speaker 7>Lots of partying extras?

0:47:57.880 --> 0:48:00.359
<v Speaker 6>I remember, yeah, remember that.

0:48:00.440 --> 0:48:03.080
<v Speaker 3>I remember there was a there was a cute French

0:48:03.160 --> 0:48:06.440
<v Speaker 3>made uh uh Arima Carpenter.

0:48:06.680 --> 0:48:08.600
<v Speaker 4>Yeah, that was Carpenter.

0:48:08.880 --> 0:48:13.040
<v Speaker 3>Yeah, yeah, I remember that. I was eyeballing her. Uh

0:48:14.480 --> 0:48:15.000
<v Speaker 3>let's see.

0:48:15.320 --> 0:48:18.839
<v Speaker 6>I remember I remember thinking, I remember everybody had frush

0:48:18.920 --> 0:48:19.560
<v Speaker 6>on you. I was.

0:48:19.800 --> 0:48:27.799
<v Speaker 3>I remember thinking like, man, yeah.

0:48:25.080 --> 0:48:27.160
<v Speaker 2>That was the famous subway episode too. It was the

0:48:27.160 --> 0:48:29.960
<v Speaker 2>famous subway outfit to wasn't it, Daniel? Yeah, like the

0:48:30.040 --> 0:48:31.640
<v Speaker 2>orange orange.

0:48:31.200 --> 0:48:34.000
<v Speaker 1>The orange yeah, wearing a short skirt like I mean,

0:48:34.120 --> 0:48:35.240
<v Speaker 1>white tights or something.

0:48:35.440 --> 0:48:37.760
<v Speaker 6>Yeah.

0:48:37.960 --> 0:48:40.680
<v Speaker 3>I remember being nervous maybe the first run at it,

0:48:40.880 --> 0:48:43.759
<v Speaker 3>but once once I got the gist of what was

0:48:43.760 --> 0:48:46.480
<v Speaker 3>going on. Then because I felt this, I felt a

0:48:46.520 --> 0:48:50.439
<v Speaker 3>little pressure because I didn't audition for it, you know something,

0:48:51.280 --> 0:48:53.680
<v Speaker 3>you know what I mean, Like when we auditioned for us,

0:48:53.760 --> 0:48:56.560
<v Speaker 3>all right, we got it, they want me. Yeah, but

0:48:56.600 --> 0:48:59.920
<v Speaker 3>it's like yeah to offer and then you do it there,

0:49:00.440 --> 0:49:01.400
<v Speaker 3>maybe we shouldn't have gave it.

0:49:01.400 --> 0:49:07.440
<v Speaker 1>So, you know, it's like we're always second guessing ourselves

0:49:07.480 --> 0:49:08.800
<v Speaker 1>always always.

0:49:09.040 --> 0:49:11.960
<v Speaker 2>So you remember remember that week though, where we were

0:49:12.000 --> 0:49:14.960
<v Speaker 2>getting I mean the direction that week, did we have

0:49:15.000 --> 0:49:16.400
<v Speaker 2>an we didn't have an audience.

0:49:17.320 --> 0:49:19.799
<v Speaker 6>That was shot Yeah, that with the audience and we

0:49:19.880 --> 0:49:20.560
<v Speaker 6>can't do that.

0:49:21.600 --> 0:49:24.120
<v Speaker 2>Yeah, all the camera angles and there was like a

0:49:24.320 --> 0:49:26.040
<v Speaker 2>hundred shots on one page.

0:49:26.080 --> 0:49:26.960
<v Speaker 5>For Jeff McCracken.

0:49:27.280 --> 0:49:30.840
<v Speaker 7>It was no music, but lots of dancing.

0:49:30.520 --> 0:49:31.440
<v Speaker 6>Lots of dancing.

0:49:31.640 --> 0:49:35.480
<v Speaker 3>Yes, yes, yes, it was pre taped and it was

0:49:35.719 --> 0:49:38.000
<v Speaker 3>oh my god. Yeah, it was a lot of like

0:49:38.160 --> 0:49:40.440
<v Speaker 3>this miming dancing and most uncomfortable.

0:49:40.719 --> 0:49:44.240
<v Speaker 7>Yeah, it's Wednesday at eleven a m. Get your party

0:49:44.280 --> 0:49:48.080
<v Speaker 7>on with the music go, you.

0:49:48.040 --> 0:49:50.400
<v Speaker 2>Know, people shaking the subway to make it seem like

0:49:50.440 --> 0:49:52.200
<v Speaker 2>it was. It was moving and yeah.

0:49:52.280 --> 0:49:55.360
<v Speaker 3>Yeah. I also remember thinking it was cool to uh

0:49:55.920 --> 0:50:00.000
<v Speaker 3>work with Ben because I was such a fan of Friends.

0:50:00.280 --> 0:50:04.160
<v Speaker 3>Speaking of which, ironically, Fred directed one episode of What

0:50:04.239 --> 0:50:05.080
<v Speaker 3>I Like About.

0:50:04.840 --> 0:50:08.240
<v Speaker 2>You Okay early in his career.

0:50:08.320 --> 0:50:09.680
<v Speaker 6>Yeah, yeah, man, this is yeah.

0:50:09.760 --> 0:50:11.960
<v Speaker 3>So Fred did an episode and when he I saw

0:50:12.000 --> 0:50:14.279
<v Speaker 3>his name, I was like, what first to do us?

0:50:14.280 --> 0:50:16.880
<v Speaker 6>That's what I'm talking about. I don't even think. I

0:50:17.080 --> 0:50:18.799
<v Speaker 6>don't even think I mentioned to him that I was.

0:50:19.120 --> 0:50:20.440
<v Speaker 6>Maybe I did mentioned it.

0:50:20.600 --> 0:50:23.759
<v Speaker 3>I was on Boyman's World, but yeah, I thought I

0:50:23.760 --> 0:50:25.960
<v Speaker 3>remember being I was like, that was cool, man, because

0:50:25.960 --> 0:50:28.120
<v Speaker 3>I remember seeing Ben as a little kid tag along

0:50:28.200 --> 0:50:30.480
<v Speaker 3>right behind Fred on films, and I thought it was

0:50:30.520 --> 0:50:32.800
<v Speaker 3>pretty cool. But I was a big fan of Fred,

0:50:32.920 --> 0:50:34.160
<v Speaker 3>so I thought that was really cool.

0:50:34.600 --> 0:50:37.200
<v Speaker 1>Well, and years after Boy Meets World ended, you would

0:50:37.239 --> 0:50:40.400
<v Speaker 1>later end up acting with Right or Strong in a

0:50:40.440 --> 0:50:44.000
<v Speaker 1>short film you guys played. You played a cop as

0:50:44.120 --> 0:50:47.200
<v Speaker 1>cold Blan. Did you guys reminisce about boy Meets World

0:50:47.239 --> 0:50:47.839
<v Speaker 1>when you were there?

0:50:48.480 --> 0:50:49.520
<v Speaker 6>What did we did?

0:50:49.600 --> 0:50:50.279
<v Speaker 3>We talk about that?

0:50:51.560 --> 0:50:54.080
<v Speaker 4>We made the connection. We were like, oh yeah, yeah.

0:50:55.120 --> 0:50:56.560
<v Speaker 4>I was like, how could I forget that?

0:50:58.080 --> 0:50:59.400
<v Speaker 3>I feel like I had I feel like I was

0:50:59.520 --> 0:51:02.040
<v Speaker 3>whatever because Right, I know how it is when you're

0:51:02.080 --> 0:51:04.360
<v Speaker 3>on a series and you've done one hundred and plus

0:51:04.400 --> 0:51:07.880
<v Speaker 3>episodes of something and you got so many guest stars

0:51:07.960 --> 0:51:09.720
<v Speaker 3>that have run through. I think I had to remind

0:51:09.800 --> 0:51:14.799
<v Speaker 3>Rider like yeah, man, yeah exactly, because that was.

0:51:14.719 --> 0:51:16.120
<v Speaker 4>The time when I was like blocking boy me the

0:51:16.160 --> 0:51:16.759
<v Speaker 4>world out of my.

0:51:16.719 --> 0:51:20.239
<v Speaker 6>Life when I was a kid.

0:51:20.280 --> 0:51:24.640
<v Speaker 2>We're cops, now, we're cop Please call me Officer Rigby. Please,

0:51:24.719 --> 0:51:27.080
<v Speaker 2>oh my god, please refer to me by my character name,

0:51:27.120 --> 0:51:27.640
<v Speaker 2>if you would.

0:51:30.320 --> 0:51:32.080
<v Speaker 4>You and me we took a picture. I have I

0:51:32.080 --> 0:51:33.600
<v Speaker 4>think it was like one of the right one. Like

0:51:33.680 --> 0:51:35.439
<v Speaker 4>I just joined Twitter, so it's one of the first

0:51:35.440 --> 0:51:37.520
<v Speaker 4>things I tweeted out was a picture of you and me.

0:51:38.000 --> 0:51:40.480
<v Speaker 4>Really yeah, because I was so stoked because I got

0:51:40.520 --> 0:51:44.480
<v Speaker 4>like the kind of holster that like yeah, yeah, but

0:51:44.760 --> 0:51:47.200
<v Speaker 4>like this is awesome. We're so badass. I was like,

0:51:47.239 --> 0:51:49.480
<v Speaker 4>let's take a badass photo. Like, so there's a photo

0:51:49.480 --> 0:51:51.759
<v Speaker 4>of you just looking as tough as we can. I'll

0:51:51.800 --> 0:51:54.640
<v Speaker 4>post it. Was amazing. It's one of my favorite photos, Like, wow,

0:51:54.680 --> 0:51:55.880
<v Speaker 4>we actually look like cops.

0:51:55.920 --> 0:51:56.439
<v Speaker 6>This is great.

0:51:56.440 --> 0:51:58.479
<v Speaker 3>Will me a favorite and send me that, man, because

0:51:58.480 --> 0:52:00.680
<v Speaker 3>I remember that. I remember get about the whole.

0:52:00.520 --> 0:52:02.760
<v Speaker 4>Was like we were so stoked.

0:52:02.880 --> 0:52:04.720
<v Speaker 6>Yeah, hilarious.

0:52:05.120 --> 0:52:07.200
<v Speaker 2>Plus, how do you forget the Subway episode? I mean

0:52:07.200 --> 0:52:11.600
<v Speaker 2>that week of shooting was is just etched in my

0:52:11.719 --> 0:52:14.480
<v Speaker 2>mind almost every minute of it because it was that

0:52:14.560 --> 0:52:17.360
<v Speaker 2>was that was a brutal sitcom. Really rarely do you

0:52:17.400 --> 0:52:20.960
<v Speaker 2>have a brutal week on sitcom, and so when you do,

0:52:21.080 --> 0:52:21.759
<v Speaker 2>it sticks out.

0:52:21.800 --> 0:52:22.560
<v Speaker 4>That was brutal.

0:52:22.600 --> 0:52:23.439
<v Speaker 2>That was a tough week.

0:52:23.800 --> 0:52:26.120
<v Speaker 3>It was I remember it was very very drop because

0:52:26.719 --> 0:52:31.480
<v Speaker 3>I like the your Guys lines. I rememorized them as

0:52:31.520 --> 0:52:36.000
<v Speaker 3>I was sitting Oh my gosh dude, Rebecca Alexa, Rebecca Alexa, Rebecca.

0:52:35.800 --> 0:52:41.440
<v Speaker 2>Rebecca Alexa, Rebecca Alexa, supermodel who wants to date a

0:52:41.520 --> 0:52:42.239
<v Speaker 2>high school girl?

0:52:42.800 --> 0:52:42.920
<v Speaker 3>Right?

0:52:43.680 --> 0:52:46.120
<v Speaker 2>High school guy, guy girl. It doesn't matter, they're in

0:52:46.160 --> 0:52:50.359
<v Speaker 2>high school. It's all wrong, it's all wrong. For God's says,

0:52:50.440 --> 0:52:51.200
<v Speaker 2>it's all wrong.

0:52:52.400 --> 0:52:54.920
<v Speaker 1>Yeah, I have another thing I wanted to talk to

0:52:54.920 --> 0:52:59.520
<v Speaker 1>you about. So, shows like Sister, Sister, Smart Guy, Milisha,

0:52:59.600 --> 0:53:03.319
<v Speaker 1>a Different World, all of which you appeared on, have

0:53:03.520 --> 0:53:07.000
<v Speaker 1>really seen a massive resurgence in nostalgia because of the

0:53:07.280 --> 0:53:11.319
<v Speaker 1>limited representation at the time, when most millennials were growing up,

0:53:11.360 --> 0:53:13.239
<v Speaker 1>there wasn't a ton of black representation.

0:53:13.880 --> 0:53:15.799
<v Speaker 7>What did those shows mean to.

0:53:15.840 --> 0:53:20.319
<v Speaker 1>Black actors and their careers and just as important, what

0:53:20.320 --> 0:53:22.280
<v Speaker 1>does it mean to a black audience.

0:53:25.960 --> 0:53:30.240
<v Speaker 3>Well, well, it means that our stories, when our stories

0:53:30.480 --> 0:53:33.000
<v Speaker 3>want to be heard, they should be told that we

0:53:33.200 --> 0:53:37.160
<v Speaker 3>have stories and don't want to sound cliche that it matters,

0:53:37.320 --> 0:53:41.439
<v Speaker 3>but yeah, our stories, our stories are important as well,

0:53:41.520 --> 0:53:45.359
<v Speaker 3>you know, to be told those shows meant a lot

0:53:45.400 --> 0:53:50.600
<v Speaker 3>to me because especially a Different World along the lines

0:53:50.640 --> 0:53:52.480
<v Speaker 3>of like the Cosby shows, because of the shows that

0:53:52.520 --> 0:53:55.200
<v Speaker 3>I grow watching as well, and to be able to

0:53:56.080 --> 0:54:03.200
<v Speaker 3>actually be on a show like A Different World was

0:54:03.280 --> 0:54:05.040
<v Speaker 3>huge because it's like, these are shows that I watched,

0:54:05.040 --> 0:54:07.040
<v Speaker 3>these are shows that I've never thought in a million

0:54:07.120 --> 0:54:10.880
<v Speaker 3>years that I would be on. So it's important as

0:54:10.920 --> 0:54:13.320
<v Speaker 3>a community. It's important. It's not even just the black folks,

0:54:13.320 --> 0:54:17.320
<v Speaker 3>but it's important that our story is told to other folks,

0:54:17.360 --> 0:54:19.520
<v Speaker 3>you know what I mean, everyone's story, you know, everybody

0:54:19.600 --> 0:54:25.000
<v Speaker 3>who cultural backgrounds has stories, and that these stories should

0:54:25.000 --> 0:54:27.360
<v Speaker 3>be recognized, acknowledged.

0:54:27.280 --> 0:54:29.000
<v Speaker 6>And uh and seeing.

0:54:29.480 --> 0:54:34.160
<v Speaker 3>So uh, yeah, it's just you know, back then again

0:54:34.200 --> 0:54:37.640
<v Speaker 3>it was it was like now it's a little different.

0:54:37.680 --> 0:54:38.880
<v Speaker 3>You know, it's a lot a little bit, it's a

0:54:38.920 --> 0:54:42.239
<v Speaker 3>lot better, a lot better. But back then it was like, yeah, man,

0:54:42.280 --> 0:54:44.520
<v Speaker 3>it was Neil and Haystacks here and there. You know,

0:54:44.560 --> 0:54:47.720
<v Speaker 3>you get to you know, you get these shows, and

0:54:48.160 --> 0:54:49.919
<v Speaker 3>but yeah, it's just it's it's it's it's again.

0:54:49.960 --> 0:54:52.239
<v Speaker 6>It's it's better. It's better. It's got a long way

0:54:52.239 --> 0:54:53.319
<v Speaker 6>to go, but it's still it's better.

0:54:54.320 --> 0:54:58.400
<v Speaker 2>It also just showed though, that good TV is good TV.

0:54:58.760 --> 0:54:59.960
<v Speaker 6>There you go, that's what you know.

0:55:00.239 --> 0:55:03.600
<v Speaker 2>A Different World is a great show. The show was

0:55:03.640 --> 0:55:07.600
<v Speaker 2>a great show. Different strokes. These are all just good shows.

0:55:08.680 --> 0:55:10.399
<v Speaker 2>And I think that's one of the things I think

0:55:10.440 --> 0:55:14.920
<v Speaker 2>good is good. You know, they're just good.

0:55:15.360 --> 0:55:17.880
<v Speaker 6>In the end, it's good. It's it's.

0:55:19.200 --> 0:55:23.240
<v Speaker 3>You know, you have again the what's Happening good times

0:55:23.280 --> 0:55:26.400
<v Speaker 3>and you said all in the Family and uh Sanford

0:55:26.440 --> 0:55:29.359
<v Speaker 3>and Son, all these shows at the end of the day,

0:55:30.200 --> 0:55:33.000
<v Speaker 3>taking color out of it. Obviously you have to see

0:55:33.000 --> 0:55:35.280
<v Speaker 3>it for what it is. But if you take color

0:55:35.320 --> 0:55:37.080
<v Speaker 3>out of it at the end, it's just the darn

0:55:37.120 --> 0:55:37.600
<v Speaker 3>good show.

0:55:38.719 --> 0:55:39.799
<v Speaker 6>You know. It is what it is.

0:55:40.040 --> 0:55:44.800
<v Speaker 3>So you can't take that away and try to undermine

0:55:44.800 --> 0:55:47.200
<v Speaker 3>it just because oh it's a cast full of black folks. No,

0:55:47.239 --> 0:55:49.160
<v Speaker 3>does it make you laugh? That's that's all that matters.

0:55:49.440 --> 0:55:51.560
<v Speaker 3>It's entertaining you, that's all that matters. Doesn't matter.

0:55:52.080 --> 0:55:54.680
<v Speaker 6>So yeah, those shows, man.

0:55:54.520 --> 0:55:58.359
<v Speaker 3>Are again that that's in my mind. They all help

0:55:58.800 --> 0:56:01.520
<v Speaker 3>me because I didn't take any at my first acting

0:56:01.600 --> 0:56:04.160
<v Speaker 3>class or workshop I think I was twenty. This is

0:56:04.200 --> 0:56:06.319
<v Speaker 3>like during like City Guys, and I just I went

0:56:06.480 --> 0:56:08.360
<v Speaker 3>to do it just because a friend was running in.

0:56:09.000 --> 0:56:11.560
<v Speaker 6>But prior to that, how did I learn?

0:56:11.600 --> 0:56:13.800
<v Speaker 3>I learned by watching the shows that we watched and

0:56:13.840 --> 0:56:15.319
<v Speaker 3>the shows that we were on, you know what I mean.

0:56:15.440 --> 0:56:19.719
<v Speaker 3>Just that's how I really got uh to understand the

0:56:19.800 --> 0:56:23.840
<v Speaker 3>comedy of sitcom at least just by watching you know

0:56:23.880 --> 0:56:27.759
<v Speaker 3>what I mean, and mimicking and uh, that's that was

0:56:27.760 --> 0:56:29.240
<v Speaker 3>my that was my acting school.

0:56:29.280 --> 0:56:29.440
<v Speaker 6>You know.

0:56:30.680 --> 0:56:34.880
<v Speaker 1>Well, Wesley, you are very important to an entire generation

0:56:35.200 --> 0:56:38.640
<v Speaker 1>of kids, and we are so honored that you were

0:56:39.200 --> 0:56:41.879
<v Speaker 1>willing to spend your time with us today talking about

0:56:41.920 --> 0:56:45.200
<v Speaker 1>some of your favorite memories. You've been an absolutely fascinating

0:56:45.200 --> 0:56:47.960
<v Speaker 1>guest and it's been so nice to reconnect with you.

0:56:48.080 --> 0:56:50.520
<v Speaker 1>So thank you so much for joining us here today

0:56:50.560 --> 0:56:52.800
<v Speaker 1>and sharing so much of your story with us.

0:56:53.239 --> 0:56:56.160
<v Speaker 3>Ah Man, thank you. That meant a lot. Sometimes, you know,

0:56:56.160 --> 0:56:58.399
<v Speaker 3>we forget, we get in our way and it's like, man,

0:56:58.600 --> 0:57:01.600
<v Speaker 3>you know, you know, it's like all his work just

0:57:01.680 --> 0:57:05.319
<v Speaker 3>kick me to the side. But that means a lot.

0:57:05.320 --> 0:57:06.960
<v Speaker 3>I appreciate it. And it was great to hook up

0:57:06.960 --> 0:57:08.600
<v Speaker 3>with you guys and see you guys again. You guys

0:57:08.680 --> 0:57:09.239
<v Speaker 3>look good man.

0:57:09.280 --> 0:57:10.600
<v Speaker 6>We all hanging tough, man.

0:57:10.480 --> 0:57:11.160
<v Speaker 7>Yes we are.

0:57:11.480 --> 0:57:12.000
<v Speaker 3>We are.

0:57:12.120 --> 0:57:14.920
<v Speaker 1>We're hanging in there, and I really hope we get

0:57:14.960 --> 0:57:16.240
<v Speaker 1>an opportunity to see you again.

0:57:16.320 --> 0:57:18.200
<v Speaker 7>We've talked about it a few times.

0:57:18.320 --> 0:57:19.960
<v Speaker 1>We really do need to plan it, but we are

0:57:20.000 --> 0:57:24.320
<v Speaker 1>planning on having a huge Boy meets World Reunion, and

0:57:24.360 --> 0:57:27.000
<v Speaker 1>we are wanting to invite as many people who are

0:57:27.040 --> 0:57:28.919
<v Speaker 1>as willing to come. So if you're willing to come

0:57:28.920 --> 0:57:31.120
<v Speaker 1>to our party, we will see you in person again.

0:57:32.120 --> 0:57:33.080
<v Speaker 6>Please invite me to the.

0:57:34.640 --> 0:57:40.360
<v Speaker 7>Hey nice, Thank you so much. We'll see you again.

0:57:40.440 --> 0:57:41.200
<v Speaker 7>Thank you. Wesley.

0:57:41.440 --> 0:57:42.960
<v Speaker 6>All right, bye bye bye bye bye.

0:57:44.120 --> 0:57:44.320
<v Speaker 3>Man.

0:57:44.400 --> 0:57:46.720
<v Speaker 1>That was so fun, so good to see him. He's

0:57:46.920 --> 0:57:48.000
<v Speaker 1>endlessly fascinating.

0:57:48.440 --> 0:57:50.480
<v Speaker 2>We have to have this party. I want to see

0:57:50.520 --> 0:57:52.960
<v Speaker 2>these people so badly. I mean, he I want to

0:57:53.000 --> 0:57:55.560
<v Speaker 2>talk to him about just being on the sets he

0:57:55.720 --> 0:58:00.360
<v Speaker 2>was on. I mean, he worked with Sherman Hemsley. It's like, yeah,

0:58:00.440 --> 0:58:03.480
<v Speaker 2>so television Royalty. I love that he just like fell

0:58:03.520 --> 0:58:04.360
<v Speaker 2>into acting too.

0:58:04.520 --> 0:58:06.520
<v Speaker 4>Yeah, like oh I just learned how to act by

0:58:06.800 --> 0:58:09.680
<v Speaker 4>doing it on every television show that was like casting.

0:58:09.800 --> 0:58:10.040
<v Speaker 3>Yeah.

0:58:10.400 --> 0:58:11.840
<v Speaker 2>I wanted to ask him, That's what I want to thing.

0:58:11.840 --> 0:58:13.040
<v Speaker 2>I forgot to ask him. I want to ask him

0:58:13.040 --> 0:58:14.720
<v Speaker 2>where he was from. Was he born and raised in

0:58:14.840 --> 0:58:17.600
<v Speaker 2>la I think so must Yeah, Okay, so he's from

0:58:17.640 --> 0:58:19.080
<v Speaker 2>around here. Okay, Yeah, I didn't know. I didn't know

0:58:19.080 --> 0:58:20.840
<v Speaker 2>if he was from around here. He had moved in

0:58:20.880 --> 0:58:21.520
<v Speaker 2>like the like the.

0:58:21.480 --> 0:58:22.000
<v Speaker 7>Rest of us.

0:58:22.120 --> 0:58:24.080
<v Speaker 1>Yeah, he's from He's from l A and then he

0:58:24.120 --> 0:58:25.960
<v Speaker 1>moved to Germany for a few years as a as

0:58:25.960 --> 0:58:27.640
<v Speaker 1>a youngster. He lived in Germany as a young kid,

0:58:27.640 --> 0:58:28.520
<v Speaker 1>but he didn't talk about that.

0:58:28.720 --> 0:58:32.280
<v Speaker 4>So what story the so cool?

0:58:32.360 --> 0:58:35.320
<v Speaker 2>I love how he remembers Rebecca Alexa too. He had

0:58:35.360 --> 0:58:37.840
<v Speaker 2>to say it so many times, Okay, so if we

0:58:37.880 --> 0:58:40.720
<v Speaker 2>had to say the name so many times Rebecca.

0:58:40.840 --> 0:58:43.400
<v Speaker 1>Well, thank you all for joining us for this episode

0:58:43.400 --> 0:58:45.520
<v Speaker 1>of Pod Meets World. As always, you can follow us

0:58:45.520 --> 0:58:47.520
<v Speaker 1>on Instagram pod Meets World Show. You can send us

0:58:47.560 --> 0:58:50.480
<v Speaker 1>your emails pod Meets World Show at gmail dot com

0:58:50.760 --> 0:58:56.920
<v Speaker 1>and we have March March Pod Meets World Show dot com.

0:58:57.240 --> 0:58:59.360
<v Speaker 7>We'll see y'all next time. We'll send us out.

0:58:59.480 --> 0:59:04.120
<v Speaker 2>We love you all. Pod dismissed. Podmets World is Niheart

0:59:04.200 --> 0:59:08.000
<v Speaker 2>podcast producer and hosted by Danielle Fischel, Wilfredell and Ryder Strong.

0:59:08.320 --> 0:59:11.840
<v Speaker 2>Executive producers Jensen Carp and Amy Sugarman. Executive in charge

0:59:11.880 --> 0:59:16.320
<v Speaker 2>of production, Danielle Romo, producer and editor, Tara sudbachsch producer,

0:59:16.400 --> 0:59:19.600
<v Speaker 2>Maddy Moore, engineer and Boy Meets World super fan Easton Allen.

0:59:19.840 --> 0:59:22.000
<v Speaker 2>Our theme song is by Kyle Morton of typhoon and

0:59:22.040 --> 0:59:24.479
<v Speaker 2>you can follow us on Instagram at Podmeats World Show

0:59:24.760 --> 0:59:29.360
<v Speaker 2>or email us at Podmeats Worldshow at gmail dot com.