WEBVTT - Puppets

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<v Speaker 1>Strange Arrivals is a production of I Heard Radio and

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<v Speaker 1>Grim and Mild from Aaron Mackey. For the best experience,

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<v Speaker 1>listen with headphones. It's around a year and a half

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<v Speaker 1>ago now. My kids at the time were six and eight,

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<v Speaker 1>and this was during the lockdown restrictions in the UK,

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<v Speaker 1>so no parents could go into school grounds. Coincidentally, at

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<v Speaker 1>the school did this exercise. It's an English language exercise

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<v Speaker 1>where schools will present some kind of intriguing mystery and

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<v Speaker 1>they will have the children view the mystery and then

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<v Speaker 1>write about it later. I think they did another one previously,

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<v Speaker 1>which was a detective story. So the kids would arrive

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<v Speaker 1>at school and they'd go into a classroom and there

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<v Speaker 1>would be police tape and upturned chair and maybe some

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<v Speaker 1>documents scattered on the floor or something like. They said

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<v Speaker 1>of this kind of crime scene. They'd take the Georgian in,

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<v Speaker 1>they'd let them view it in a kind of structured way,

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<v Speaker 1>and then they'd take them away and ask them to

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<v Speaker 1>write about what they had seen, and to try and

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<v Speaker 1>kind of infer from what they had seen what they

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<v Speaker 1>thought might ha happened. The thing that got me thinking

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<v Speaker 1>about the Aerial School was when they staged this crashed

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<v Speaker 1>u e volte because it was during the restrictions on Luvelent.

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<v Speaker 1>None of the parents, apart from the parents who were

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<v Speaker 1>in on the hoax, if you like, had seen the

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<v Speaker 1>actual crash. Side kind of fascinating because I couldn't verify

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<v Speaker 1>anything of what they were saying, and none of the

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<v Speaker 1>other parents could tell me about it because no one

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<v Speaker 1>else knew about it. It It was just something that school did.

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<v Speaker 1>It was all very confusing like that. All of the

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<v Speaker 1>stories that I got back from both of them, because

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<v Speaker 1>they were slightly different ages six and eight, I saw

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<v Speaker 1>like a variation in how they reported it back to me.

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<v Speaker 1>They had all of these stories about this device that

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<v Speaker 1>had crashed in the school grounds. There was talk about

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<v Speaker 1>green goop charred like wreck, like a trail where the

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<v Speaker 1>thing had come into the playground. The younger one, my daughter,

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<v Speaker 1>was talking about an alien. Apparently there was like a

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<v Speaker 1>ruler that there was an alien going around the school,

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<v Speaker 1>but she hadn't actually seen it. My son give a

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<v Speaker 1>much more kind of detailed description and drawing, But when

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<v Speaker 1>I talked to him and asked him to describe it,

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<v Speaker 1>I hadn't seen the actual photograph of the object. I'd

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<v Speaker 1>only found that picture afterwards, and it was interesting to

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<v Speaker 1>see what he got right about it and what he

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<v Speaker 1>didn't get right about it, But just got me thinking

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<v Speaker 1>about how children recall things, like how perceptive they are,

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<v Speaker 1>like my son's in articulate bride kid, but he still

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<v Speaker 1>got some things wrong about what he'd seen, and they

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<v Speaker 1>really just made me think, because I had heard about

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<v Speaker 1>the Aerial School story previously, and I would read something

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<v Speaker 1>about it every now and again, but there wasn't any

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<v Speaker 1>very good solution. There wasn't very many good arguments about

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<v Speaker 1>what it was. It just always seemed like too shrouded

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<v Speaker 1>in mystery. I'm Toby Ball and this is Strange Arrivals,

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<v Speaker 1>Episode three Puppets. In season two of Strange Arrivals, we

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<v Speaker 1>examined how UFO folklore is created through a process involving

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<v Speaker 1>competing explanations of a UFO event, and it seems to

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<v Speaker 1>me that the Aerial School encounter is currently in the

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<v Speaker 1>early phase of this dynamic. Though the encounter occurred thirty

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<v Speaker 1>years ago, the details are just now reaching a large audience,

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<v Speaker 1>mostly through James Fox's twenty twenty film The Phenomenon. They

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<v Speaker 1>were trying to communicate trying to tell us something. Randal

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<v Speaker 1>Nick since twenty two film Aerial Phenomenon. This journey is

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<v Speaker 1>literally to pick up to pieces and put them back

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<v Speaker 1>together in any number of podcasts. So as we look

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<v Speaker 1>at the aerial school students accounts of their encounter, keep

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<v Speaker 1>in mind that the process of proposing and evaluating alternative

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<v Speaker 1>explanations for what the student saw is just underway. Basically,

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<v Speaker 1>what we're trying to do is we're trying to establish

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<v Speaker 1>a standard of evidence for UFO cases so we can

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<v Speaker 1>find ones that stand up to scrutiny and separate out

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<v Speaker 1>the ones that don't. And this one was among the

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<v Speaker 1>vast majority of cases that are supported only by horrible,

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<v Speaker 1>horrible evidence and no decent evidence. I'm Brian Dudding. I'm

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<v Speaker 1>probably best known as the host of the Skeptoid podcast.

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<v Speaker 1>Since two thousand and six, you've heard Brian on each

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<v Speaker 1>of the first two seasons of Strange Arrivals on a

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<v Speaker 1>Skeptoid podcast. He has covered hundreds of cases of the

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<v Speaker 1>mysterious and allegedly paranormal. Generally, the conclusion from the scientists

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<v Speaker 1>in Africa is that this was one of a very

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<v Speaker 1>common phenomenon in African schools. Of mass hysteria. And you know,

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<v Speaker 1>mass hysteria is a very unfortunately named phenomenon because it

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<v Speaker 1>sounds like it means people running around screaming and waving

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<v Speaker 1>their arms and acting hysterically, but it's not. In a

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<v Speaker 1>twenty eleven article for the Malawi Medical journal Research Psychologists,

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<v Speaker 1>Demobili Kukota includes the aerial school incident in a list

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<v Speaker 1>of cases of mass hysteria in African schools. He defines

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<v Speaker 1>mass hysteria as quote, a situation in which various people

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<v Speaker 1>all suffer from similar, unexplained symptoms. He also talks about

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<v Speaker 1>hysterical contagion, which he writes quote consists of quick dissemination

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<v Speaker 1>within a collection of people of a symptom or a

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<v Speaker 1>set of symptoms which no physical explanation can be found.

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<v Speaker 1>The article lists cases that occurred in South Africa, Tanzania, Malawi, Zimbabwe, Zambia,

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<v Speaker 1>and Uganda, but there's a difference between the aerial encounter

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<v Speaker 1>and the others described in the article. The other occurrences

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<v Speaker 1>all involve either physical effects such as itching, fainting, or

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<v Speaker 1>uncontrolled laughing, or strong psychological effects such as aggression and hallucinations.

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<v Speaker 1>Here's an example, also from Zimbabwe. In two thousand and nine,

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<v Speaker 1>a suspected case of mass hysteria struck Namanua Primary School

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<v Speaker 1>in Massavingo, Zimbabwe, where pupils were reportedly screaming wildly and

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<v Speaker 1>complaining of visions of strange snakelike creatures and lions. Teachers

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<v Speaker 1>said on average six pupils were affected every day. Some

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<v Speaker 1>of the pupils would collapse, scream or tell of visions

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<v Speaker 1>of snakes, lions, hyenas and crocodiles. Well others would behave

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<v Speaker 1>as if they were in a trance. The development forced

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<v Speaker 1>the authorities to dispatch passers to conduct prayer sessions at

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<v Speaker 1>the school. A reverend involved with this effort blame the

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<v Speaker 1>hysteria on quote evil spirits and demons and reported that

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<v Speaker 1>all had returned to normal. In the case of the

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<v Speaker 1>aerial school, I'm not entirely convinced by the mass hysteria hypothesis.

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<v Speaker 1>It really stands out in the articles being quite different

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<v Speaker 1>from the other examples. The aerial students don't have the

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<v Speaker 1>same psychological or physical reactions as the children in the

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<v Speaker 1>other cases. But as we explored last episode, the way

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<v Speaker 1>that the investigation was conducted into what did happen was

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<v Speaker 1>not conducive to getting to the truth. They had some

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<v Speaker 1>very deeply motivated UFO writers come and do this group

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<v Speaker 1>story sharing among the kids and sort of form this

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<v Speaker 1>narrative as a group, and kind of why we have

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<v Speaker 1>these recorded stories. There's no worse way to collect evidence

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<v Speaker 1>than to do kind of a group story sharing session

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<v Speaker 1>where everyone starts bringing up their recollections and then the

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<v Speaker 1>UFO author was acting as sort of a moderator and

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<v Speaker 1>collecting the story and forming it as it went. That's

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<v Speaker 1>not how you collect evidence to find out what actually happened,

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<v Speaker 1>and so we're left really only with the UFO author's

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<v Speaker 1>sort of interpretations and their preferred version of what they

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<v Speaker 1>think happens to these kits. Dunning points out that who

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<v Speaker 1>is doing the investigation is also important. With any investigation,

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<v Speaker 1>the ideal is to have someone who is objective and

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<v Speaker 1>interested only in determining the facts of the incident. This was,

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<v Speaker 1>of course not the case at Aerial School of Cynthia Hind.

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<v Speaker 1>He says, you would do it by someone who is objective.

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<v Speaker 1>You certainly wouldn't do it by someone who's actively writing

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<v Speaker 1>a book about how aliens are visiting the Earth. So

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<v Speaker 1>I mean They had the worst possible person interviewing the kids,

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<v Speaker 1>and they did it in the worst possible way. So

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<v Speaker 1>I mean, really, there's no way to go back and

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<v Speaker 1>find out if anything did happen. Another issue that Dunning

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<v Speaker 1>seizes on is that most of the students on the

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<v Speaker 1>playground that day did not, in fact see anything unusual.

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<v Speaker 1>Only sixty three of the more than two hundred students

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<v Speaker 1>reported seeing the UFO or the strange beings. You never

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<v Speaker 1>hear about the vast majority of the kids in the

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<v Speaker 1>playground who said nothing happened, and who wouldn't say that, no,

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<v Speaker 1>there was no spaceship. I'm sorry, I'm not going to

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<v Speaker 1>go on board with that story. Finally, Dunning mentions that

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<v Speaker 1>some biases and misconceptions about Africa are sometimes used to

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<v Speaker 1>bolster the case. An element that's often reported is that

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<v Speaker 1>this is some rural African school and these were poor

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<v Speaker 1>African children in the middle of the country and they

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<v Speaker 1>had no prior knowledge of aliens or UFOs or anything

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<v Speaker 1>like that, and that woudn't be further from the truth

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<v Speaker 1>at all. Aerial School was, as we have seen, an

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<v Speaker 1>expensive private school that largely catered to wealthier Zimbabweans. Many

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<v Speaker 1>from Harari, which was a large modern African city, and

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<v Speaker 1>of course they'd seen all the movies with UFOs, and

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<v Speaker 1>it's been pointed out that that's why the drawings that

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<v Speaker 1>they made of the spaceship, why they all looked just

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<v Speaker 1>exactly like the stereotypical flying saucer with the footpads and

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<v Speaker 1>the little bump on top and the little aliens getting

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<v Speaker 1>out and standing on it. The pictures all look very stereotypical,

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<v Speaker 1>and that's because these kids had the same modern experience

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<v Speaker 1>as anyone else with UFOs and aliens in the media.

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<v Speaker 1>So if we agree with dunning strong misgivings about the

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<v Speaker 1>investigation and have doubts that the aerial students saw an

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<v Speaker 1>actual alien craft, what did they see? As I said before,

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<v Speaker 1>UFO researchers are still in the early stages of developing

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<v Speaker 1>alternative theories about what happened, But an especially interesting theory

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<v Speaker 1>has been put forward by researcher and writer Gideon Reid,

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<v Speaker 1>who you heard of the opening of this episode, and

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<v Speaker 1>it involves puppets. Trust me, it's more compelling than it sounds.

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<v Speaker 1>After the break, strange arrivals will return in a moment.

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<v Speaker 1>It's a very difficult encounter to kind of unpack, And

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<v Speaker 1>what I was trying to do was to look at

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<v Speaker 1>what the most spontaneous things were that are in the

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<v Speaker 1>testimony and try and see them as clearly as possible

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<v Speaker 1>through all of the confusion and possible outside bias from

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<v Speaker 1>the people that were interviewing the children, and to just

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<v Speaker 1>try and imagine in a way while they could have been,

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<v Speaker 1>and then to try and find a real world clausibility.

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<v Speaker 1>This is Gideon Read on his blog gideer one dot com.

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<v Speaker 1>He's put forth a theory about the truth behind the

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<v Speaker 1>aerial school encounter that is both unusual and compelling. So

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<v Speaker 1>you know, I'm not saying that I think that this

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<v Speaker 1>is definitely what happened, but I found it really interesting

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<v Speaker 1>that when I was researching this, it seemed like a

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<v Speaker 1>fairly novel idea that no one else had really gone

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<v Speaker 1>down the root of the same degree that I had.

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<v Speaker 1>Unlike Brian Dunning and Demobili Kakoda, Read starts with the

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<v Speaker 1>assumption that the students did in fact see something, that

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<v Speaker 1>this was not simply a case of mass hysteria. They

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<v Speaker 1>all seemed really bright, really articulate, really self possessed, really truthful.

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<v Speaker 1>There's nothing in what I could see of those entries

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<v Speaker 1>that indicates any kind of prank they're playing, and it

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<v Speaker 1>he just got me thinking, what is it that these

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<v Speaker 1>kids saw them? Because they obviously saw something, but I

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<v Speaker 1>think the narrative or the interpretation of what they had

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<v Speaker 1>seen has been affected by outside voices, if you like.

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<v Speaker 1>Reid was doing his research while England and the rest

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<v Speaker 1>of the world was under COVID restrictions. During this time,

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<v Speaker 1>he became interested in making puppets for his kids to

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<v Speaker 1>play with, so he was doing research into puppet making

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<v Speaker 1>and watching them engage in creative play with the puppets.

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<v Speaker 1>At the same time, he was also thinking about Aerial

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<v Speaker 1>school and what could explain what happened there. Just all

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<v Speaker 1>of a sudden, these two things kind of connected in

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<v Speaker 1>a funny kind of way, Like I was thinking about

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<v Speaker 1>aerial school in the background, I was thinking about the

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<v Speaker 1>hoax thing and my kids primary school. I was thinking

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<v Speaker 1>about in the back of my head, like what these

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<v Speaker 1>kids could have seen. And then I started to listen

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<v Speaker 1>more intently to the Georgian denities, and I thought, there

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<v Speaker 1>are things in the gaps they say that are intriguing,

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<v Speaker 1>and there are specific parts of the descriptions of what

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<v Speaker 1>they saw which just seemed completely spontaneous to come out

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<v Speaker 1>of nowhere, Like I think Emily mentions that they had

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<v Speaker 1>stiff necks. Salas said that she didn't see any facial

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<v Speaker 1>expression movement on the face. There are other kids talking about,

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<v Speaker 1>you know, the whole thing about the figures moving in

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<v Speaker 1>slow motion or having strange jerky movements, or appearing disappearing.

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<v Speaker 1>All of those things just seemed to kind of map

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<v Speaker 1>on to the idea that maybe what they had seen

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<v Speaker 1>from a distance, because from why you understand, the observation

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<v Speaker 1>that they made was from at least a hundred meters away.

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<v Speaker 1>So those things just all side to kind of map

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<v Speaker 1>on to the idea that what these children might have

0:14:49.160 --> 0:14:54.480
<v Speaker 1>seen were puppets. That was like my original hunch, this

0:14:54.560 --> 0:14:57.560
<v Speaker 1>is all fining good, But why would there be puppets

0:14:57.600 --> 0:15:00.720
<v Speaker 1>across the field from aerial school and why would the

0:15:00.800 --> 0:15:05.680
<v Speaker 1>kids confuse them for aliens? Well, to start off with,

0:15:06.120 --> 0:15:08.920
<v Speaker 1>it turns out that during that time there were puppet

0:15:08.960 --> 0:15:13.600
<v Speaker 1>programs cropping up in many places in Southern Africa. I

0:15:13.920 --> 0:15:18.600
<v Speaker 1>also came across Gary Friedman's work with Public Against Days

0:15:18.800 --> 0:15:21.920
<v Speaker 1>and the Southern African country. Is this kind of huge,

0:15:22.400 --> 0:15:26.320
<v Speaker 1>rich program of workshops that he put together, and he

0:15:26.400 --> 0:15:29.360
<v Speaker 1>had all these people kind of traveling around all Africa

0:15:29.520 --> 0:15:32.960
<v Speaker 1>doing these One must have been quite difficult shows to

0:15:33.000 --> 0:15:35.400
<v Speaker 1>do it just going to rural community is talking about

0:15:35.440 --> 0:15:40.640
<v Speaker 1>public health. Here's Gary Friedman talking about his program to

0:15:40.720 --> 0:15:46.640
<v Speaker 1>raise AIDS awareness in the documentary Puppets in Prison. Puppets

0:15:46.640 --> 0:15:49.680
<v Speaker 1>in Prison is a short slice of life encapsulating eight

0:15:49.720 --> 0:15:52.480
<v Speaker 1>weeks of working with these young people. Our group have

0:15:52.560 --> 0:15:55.560
<v Speaker 1>really opened themselves up and exposed parts of their lives

0:15:55.560 --> 0:15:58.720
<v Speaker 1>which are very intimate and personal to them. We've taken

0:15:58.760 --> 0:16:02.560
<v Speaker 1>these parts and these mesages and transform them into short performances.

0:16:04.440 --> 0:16:08.800
<v Speaker 1>Freedman's program provided workshops so that local people could create

0:16:08.840 --> 0:16:11.560
<v Speaker 1>their own puppets and put on a public health show

0:16:11.680 --> 0:16:15.720
<v Speaker 1>about the AIDS crisis. Across Southern Africa. A slew of

0:16:15.760 --> 0:16:19.200
<v Speaker 1>puppets were being made. You can find pictures on the internet.

0:16:19.720 --> 0:16:22.800
<v Speaker 1>Some are the size of hand puppets or slightly larger.

0:16:23.280 --> 0:16:27.400
<v Speaker 1>Some are simply enormous heads with distinct faces and unblinking

0:16:27.400 --> 0:16:30.480
<v Speaker 1>eyes that were worn by people both in programs and

0:16:30.600 --> 0:16:34.560
<v Speaker 1>in public to draw attention to the show. The puppets

0:16:34.600 --> 0:16:37.040
<v Speaker 1>that are put together. As far as I've been able

0:16:37.080 --> 0:16:41.200
<v Speaker 1>to kind of find out by research, they have just

0:16:41.240 --> 0:16:45.440
<v Speaker 1>like a number of similarities to some of the children's descriptions,

0:16:45.560 --> 0:16:48.520
<v Speaker 1>both how the children describe the figures that they saw

0:16:49.160 --> 0:16:52.680
<v Speaker 1>and the drawings that they made. As in a lot

0:16:52.680 --> 0:16:55.560
<v Speaker 1>of puppetry you get. Most puppets, it seems, are a

0:16:55.600 --> 0:16:59.200
<v Speaker 1>lot of puppets have large eyes, because eyes are how

0:16:59.440 --> 0:17:02.920
<v Speaker 1>characters get to communicate with the audiences. A lot of

0:17:02.920 --> 0:17:05.280
<v Speaker 1>the pub is that they happened to make just have

0:17:05.640 --> 0:17:09.920
<v Speaker 1>kind of large, compelling eyes and gray skin, and this

0:17:10.080 --> 0:17:14.159
<v Speaker 1>is consistent with the testimony of the aerial students. And

0:17:14.280 --> 0:17:17.800
<v Speaker 1>it was all black and they had big black eyes.

0:17:18.800 --> 0:17:22.080
<v Speaker 1>I only remember that his eyes were quite big. A

0:17:22.160 --> 0:17:26.600
<v Speaker 1>black man. He was just a black and he had

0:17:26.720 --> 0:17:32.440
<v Speaker 1>big eyes. He had a big head and big black eyes,

0:17:32.600 --> 0:17:35.960
<v Speaker 1>and it was raised in a black body. There was

0:17:36.000 --> 0:17:39.600
<v Speaker 1>a huge variation in how the children describe what they saw,

0:17:40.000 --> 0:17:44.480
<v Speaker 1>and it goes some short, potbellied creatures. It almost looked

0:17:44.520 --> 0:17:48.439
<v Speaker 1>like a real person, except it was really plump. It's

0:17:48.600 --> 0:17:52.399
<v Speaker 1>like a tall, thin stick figure. I don't know what

0:17:52.480 --> 0:17:54.640
<v Speaker 1>it was, but it was rat And all I saw

0:17:54.800 --> 0:17:59.440
<v Speaker 1>was like a long thing, and he was very, very

0:17:59.520 --> 0:18:02.480
<v Speaker 1>very thick, you know. I was simultaneously like looking at

0:18:02.480 --> 0:18:06.080
<v Speaker 1>the puppetry workshops. All of these descriptions kind of funnel

0:18:06.160 --> 0:18:09.399
<v Speaker 1>into or can be mapped onto this idea of a

0:18:09.400 --> 0:18:14.479
<v Speaker 1>puppetry workshop. It makes Gideon wonder, what is more likely

0:18:15.000 --> 0:18:18.080
<v Speaker 1>that a group of unusual looking aliens happened to land

0:18:18.119 --> 0:18:21.040
<v Speaker 1>in this field, or that's something that's certainly out of

0:18:21.040 --> 0:18:24.640
<v Speaker 1>the ordinary but definitely earthly, is what the students saw.

0:18:25.800 --> 0:18:29.560
<v Speaker 1>There are the things that I found really interesting. In particular,

0:18:29.600 --> 0:18:33.040
<v Speaker 1>I think Salma's drawing. It's fascinating because she said in

0:18:33.080 --> 0:18:35.360
<v Speaker 1>her interviews that this is the one of the kind

0:18:35.359 --> 0:18:38.639
<v Speaker 1>of disembodied head amongst the little grass and the trees,

0:18:38.960 --> 0:18:42.159
<v Speaker 1>and she said in subsequent interviews that that's exactly what

0:18:42.320 --> 0:18:44.879
<v Speaker 1>she saw. And I'm looking at that, and then I

0:18:45.040 --> 0:18:48.840
<v Speaker 1>come across one of the larger puppets that are rap made,

0:18:49.040 --> 0:18:52.320
<v Speaker 1>which I think Thomas Richiocano in his article which I

0:18:52.520 --> 0:18:56.679
<v Speaker 1>quote in my first post, he nicknames the Gray Giants

0:18:56.680 --> 0:18:59.639
<v Speaker 1>who wrote this brilliant article about a rap where he

0:18:59.720 --> 0:19:02.520
<v Speaker 1>wrote this britty and kind of literary description of these

0:19:02.600 --> 0:19:06.919
<v Speaker 1>teheet total puppets wandering around the streets, kind of staring

0:19:07.000 --> 0:19:09.159
<v Speaker 1>up a crowd in order for them to come and

0:19:09.200 --> 0:19:11.680
<v Speaker 1>see the show that a rap we're about to put on.

0:19:13.320 --> 0:19:18.280
<v Speaker 1>Here is part of that quote. Shoeless children in tattered clothes,

0:19:18.320 --> 0:19:23.480
<v Speaker 1>scattered helter skelter, running down compact, unpaved, and garbage stone streets.

0:19:24.080 --> 0:19:27.280
<v Speaker 1>Their screaming was a blend of fear and excitement, their

0:19:27.280 --> 0:19:30.720
<v Speaker 1>faces going from shock to beaming smiles as they turned

0:19:31.080 --> 0:19:35.360
<v Speaker 1>their runs, alternating between flight and leaps of playfulness. Infants

0:19:35.400 --> 0:19:40.439
<v Speaker 1>wailed in spasms of tears. Adults stood curious, amazed, and bemused.

0:19:41.080 --> 0:19:43.080
<v Speaker 1>All of the action on the street came to a

0:19:43.119 --> 0:19:45.920
<v Speaker 1>halt as an eight foot tall figure with an enormous,

0:19:46.000 --> 0:19:49.439
<v Speaker 1>cartoon like gray head shopped the grim reality of the

0:19:49.520 --> 0:19:53.600
<v Speaker 1>slum into surreal with a perfect equatorial blue sky as

0:19:53.600 --> 0:19:58.479
<v Speaker 1>a backdrop. So Richio gives a description of the public

0:19:58.520 --> 0:20:01.520
<v Speaker 1>reaction to this kind of puppet in a setting where

0:20:01.560 --> 0:20:04.280
<v Speaker 1>it is clear that what they are seeing is a puppet.

0:20:04.760 --> 0:20:08.160
<v Speaker 1>Despite this knowledge, there is a strong and varied reaction

0:20:08.400 --> 0:20:12.560
<v Speaker 1>from both children and adults. It's not hard to extrapolate

0:20:12.600 --> 0:20:15.640
<v Speaker 1>this to a group of children at a distance, not

0:20:15.760 --> 0:20:18.760
<v Speaker 1>knowing what they were looking at. Then add the UFO

0:20:18.880 --> 0:20:23.000
<v Speaker 1>reported over Southern Africa just two days before an adults

0:20:23.040 --> 0:20:26.240
<v Speaker 1>asking if what they saw were aliens, and you very

0:20:26.320 --> 0:20:29.000
<v Speaker 1>possibly end up with what we see with the aerial

0:20:29.080 --> 0:20:33.400
<v Speaker 1>school students. As Gideon said at the beginning of this segment,

0:20:33.960 --> 0:20:36.920
<v Speaker 1>he is not himself completely convinced that this theory is

0:20:36.920 --> 0:20:40.760
<v Speaker 1>one hundred percent correct. He's offering it for others to evaluate,

0:20:41.080 --> 0:20:43.400
<v Speaker 1>and he is aware that it may be affected by

0:20:43.400 --> 0:20:47.920
<v Speaker 1>his own biases. I really kind of tried to think

0:20:47.960 --> 0:20:51.320
<v Speaker 1>about how I might be kind of falling into a

0:20:51.359 --> 0:20:56.160
<v Speaker 1>trap of just, oh, delaying all of these coincidenial elements

0:20:56.200 --> 0:21:00.480
<v Speaker 1>of puppetry at this encounter. In a way, it fits

0:21:00.760 --> 0:21:04.640
<v Speaker 1>perhaps my bias, which is that I don't particularly think

0:21:04.680 --> 0:21:07.960
<v Speaker 1>that it's likely that they saw something that's out this world,

0:21:08.480 --> 0:21:11.719
<v Speaker 1>so very aware that what I might be doing is

0:21:12.080 --> 0:21:15.440
<v Speaker 1>kind of fitting things to a pattern that already exists.

0:21:15.720 --> 0:21:19.320
<v Speaker 1>But I think that that is something that is done

0:21:19.960 --> 0:21:24.960
<v Speaker 1>frequently suddenly in uphology, where people are looking at different

0:21:25.040 --> 0:21:29.160
<v Speaker 1>encounters around the world and saying, well, that's just like this,

0:21:29.200 --> 0:21:31.280
<v Speaker 1>and that's just like this, so they must be the

0:21:31.320 --> 0:21:35.840
<v Speaker 1>same thing. We saw this in the previous episode with

0:21:35.960 --> 0:21:40.919
<v Speaker 1>Cynthia Hind's predisposition to find UFOs and aliens, and we

0:21:40.960 --> 0:21:44.159
<v Speaker 1>saw when John Mac arrived and interviewed the students to

0:21:44.200 --> 0:21:48.359
<v Speaker 1>find that the aliens seemed to be communicating telepathically with them,

0:21:48.359 --> 0:21:51.399
<v Speaker 1>giving them a message that just happened to dovetail with

0:21:51.480 --> 0:21:55.919
<v Speaker 1>Max's own strongly held beliefs. Indeed, Mac had been at

0:21:55.960 --> 0:21:59.800
<v Speaker 1>the forefront of alien abduction research, and it theorized that

0:21:59.840 --> 0:22:03.160
<v Speaker 1>the phenomenon was also a called to humankind to evolve

0:22:03.200 --> 0:22:08.280
<v Speaker 1>spiritually and embrace environmentalism and peace, just as Mac had

0:22:08.400 --> 0:22:12.040
<v Speaker 1>in his own life. Not only that, but Mac had

0:22:12.040 --> 0:22:16.879
<v Speaker 1>developed a framework for abductions that literally transcended the boundaries

0:22:16.920 --> 0:22:32.440
<v Speaker 1>of reality next time on Strange Arrivals. Strange Arrivals is

0:22:32.480 --> 0:22:36.720
<v Speaker 1>a production of iHeartRadio and Grim and Mild from Aaron Manky.

0:22:36.760 --> 0:22:39.840
<v Speaker 1>This episode was written and hosted by Toby Ball and

0:22:39.960 --> 0:22:44.399
<v Speaker 1>produced by rima Il Kayali, Jesse Funk, and Nawami Griffin,

0:22:44.800 --> 0:22:49.600
<v Speaker 1>with executive producers Alexander Williams, Matt Frederick, and Aaron Mankey

0:22:49.880 --> 0:22:54.359
<v Speaker 1>and supervising producer Josh Thame, with voice acting by rima

0:22:54.440 --> 0:22:58.640
<v Speaker 1>Ilkayali and Zachary Volbel. Learn more about the show at

0:22:58.680 --> 0:23:02.760
<v Speaker 1>Grimm and mild dot com slash Strange Arrivals. And find

0:23:02.800 --> 0:23:08.120
<v Speaker 1>more podcasts from iHeartRadio by visiting the iHeartRadio app, Apple Podcasts,

0:23:08.400 --> 0:23:10.640
<v Speaker 1>or wherever you listen to your favorite shows.