1 00:00:00,160 --> 00:00:03,160 Speaker 1: I never know how to start these things, Like five 2 00:00:03,279 --> 00:00:06,280 Speaker 1: weeks before, we're just going at this one. Hello, everybody, 3 00:00:06,280 --> 00:00:08,920 Speaker 1: Welcome to Movie Mike's Movie Podcast. I am your host 4 00:00:09,000 --> 00:00:12,040 Speaker 1: Movie Mike on Twitter and Instagram at Mike Destro. Have 5 00:00:12,080 --> 00:00:14,560 Speaker 1: a really great episode for you guys. Today. I'm gonna 6 00:00:14,560 --> 00:00:18,239 Speaker 1: be talking to director John Lee Hancock, who directed The 7 00:00:18,280 --> 00:00:20,840 Speaker 1: Little Things. He's also done The blind Side, Would You 8 00:00:20,880 --> 00:00:23,720 Speaker 1: Love Right Dead? Love with sign And he also did 9 00:00:23,800 --> 00:00:26,639 Speaker 1: The Rookie He has. His name is John Hancock. Yeah, 10 00:00:26,720 --> 00:00:29,200 Speaker 1: John Lee Hancock. Isn't that what you say when somebody 11 00:00:29,400 --> 00:00:32,440 Speaker 1: you're John Hancock your signature was saying that's his name. Yeah, 12 00:00:32,600 --> 00:00:35,400 Speaker 1: I was just saying the coincidence. Yes, his name is 13 00:00:35,479 --> 00:00:37,880 Speaker 1: John Lee Hancock. Will talk to him about that movie, 14 00:00:37,960 --> 00:00:40,519 Speaker 1: The blind Side, basically just what it's like to be 15 00:00:40,560 --> 00:00:43,800 Speaker 1: a director on a big Hollywood movie. Kelsey, you're here 16 00:00:43,840 --> 00:00:45,599 Speaker 1: to co host the podcast. And also when we talk 17 00:00:45,640 --> 00:00:48,720 Speaker 1: about the movie Without Remorse and Michael B. Jordan's we'll 18 00:00:48,760 --> 00:00:51,720 Speaker 1: talk about the new Marvel lineup that came out, a 19 00:00:51,720 --> 00:00:53,920 Speaker 1: lot of stuff to talk about. Yeah, I actually, um, 20 00:00:53,960 --> 00:00:57,160 Speaker 1: I just updated my Instagram bio to read unofficial co 21 00:00:57,320 --> 00:01:00,800 Speaker 1: host and unpaid intern of the Movie Mike Movie Podcast. 22 00:01:00,800 --> 00:01:04,600 Speaker 1: I would just like the unpaid intern parts, okay, because 23 00:01:04,600 --> 00:01:06,840 Speaker 1: I do sometimes find you stories and sent you do 24 00:01:06,920 --> 00:01:08,360 Speaker 1: you do send in movie news? You know, it's like 25 00:01:08,400 --> 00:01:10,679 Speaker 1: a third job between my favorittime job in grad school. 26 00:01:10,680 --> 00:01:12,560 Speaker 1: So I just I wanted to put that out there 27 00:01:12,600 --> 00:01:15,360 Speaker 1: that I am the unofficial co host. All right, we'll 28 00:01:15,360 --> 00:01:18,360 Speaker 1: get all that in this episode. There we go, and 29 00:01:18,360 --> 00:01:20,160 Speaker 1: you also help me out when I can't speak yes, 30 00:01:20,200 --> 00:01:22,399 Speaker 1: which is often all right. Well, without any further ado, 31 00:01:22,800 --> 00:01:25,479 Speaker 1: let's get started. In a world where everyone and their 32 00:01:25,560 --> 00:01:30,160 Speaker 1: mother has a podcast, one man stands to infiltrate the 33 00:01:30,200 --> 00:01:33,920 Speaker 1: ears of listeners like never before in a movie podcast. 34 00:01:34,720 --> 00:01:38,280 Speaker 1: A man with so much movie knowledge, he's basically like 35 00:01:38,319 --> 00:01:42,800 Speaker 1: a walking I MTV with glasses from the Nashville Podcast 36 00:01:42,880 --> 00:01:49,160 Speaker 1: Network Movie Movie Podcast, about to talk to director John 37 00:01:49,240 --> 00:01:52,160 Speaker 1: Lee Hancock, who you probably know a lot of his movies. 38 00:01:52,200 --> 00:01:56,040 Speaker 1: He's directed The blind Side, Little Rookie, Saving Mr Banks, 39 00:01:56,080 --> 00:01:59,760 Speaker 1: The Founder, the Alumo, The Highwayman, and most recently directed 40 00:01:59,760 --> 00:02:01,640 Speaker 1: a move we called The Little Things, which I have 41 00:02:01,720 --> 00:02:05,320 Speaker 1: talked about on the podcast, starring Denzel Washington, Rommy Malick, 42 00:02:05,760 --> 00:02:08,079 Speaker 1: and Jared Leto. So we'll get into the making of 43 00:02:08,120 --> 00:02:10,480 Speaker 1: that movie, what it was like to direct three Oscar 44 00:02:10,520 --> 00:02:13,240 Speaker 1: winning actors. And then I also have to ask him 45 00:02:13,240 --> 00:02:15,880 Speaker 1: about the blind Side. And he's calling my cell phone now. 46 00:02:15,919 --> 00:02:18,960 Speaker 1: So let's get into a conversation with John Lee Hancock. Hey, 47 00:02:18,960 --> 00:02:22,280 Speaker 1: how's it going, John? I'm good, doing good. Hey, big 48 00:02:22,320 --> 00:02:24,120 Speaker 1: fan of all your work. Excited to get to talk 49 00:02:24,160 --> 00:02:26,600 Speaker 1: to you. Thanks for having me. I appreciate it. Well. 50 00:02:26,639 --> 00:02:28,399 Speaker 1: I want to first talk about The Little Things, which 51 00:02:28,400 --> 00:02:30,840 Speaker 1: is available now on blue ray and DVD. And you 52 00:02:30,960 --> 00:02:35,040 Speaker 1: filmed this movie back in obviously at that time you 53 00:02:35,080 --> 00:02:36,640 Speaker 1: didn't know what the world was gonna look like when 54 00:02:36,680 --> 00:02:39,880 Speaker 1: the movie finally came out. But I myself, I watched 55 00:02:39,880 --> 00:02:42,440 Speaker 1: it on HBO Maximum came out earlier this year, and 56 00:02:42,480 --> 00:02:44,560 Speaker 1: now everybody's getting a chance and now watch it at home. 57 00:02:45,240 --> 00:02:47,200 Speaker 1: How does that feel to you, Like, do you care 58 00:02:47,280 --> 00:02:50,560 Speaker 1: if people experience what you've worked on on the big 59 00:02:50,560 --> 00:02:52,680 Speaker 1: screen or you just care that anybody watches it in 60 00:02:52,720 --> 00:02:55,720 Speaker 1: any capacity? I think it's I think it's both. I'm 61 00:02:55,800 --> 00:02:58,160 Speaker 1: greedy that way. I would love people to have the 62 00:02:58,200 --> 00:03:02,200 Speaker 1: opportunity to watch movies, uh in the theater. And I 63 00:03:02,240 --> 00:03:05,120 Speaker 1: think you know, there's a certain spectacle to that with 64 00:03:05,360 --> 00:03:07,799 Speaker 1: certain movies, and I do little things the big visual 65 00:03:07,880 --> 00:03:12,000 Speaker 1: landscape to look at. That said, it's pretty great that 66 00:03:12,160 --> 00:03:15,280 Speaker 1: so many people have had access to the movie through streaming. 67 00:03:15,360 --> 00:03:19,399 Speaker 1: So I'm not I'm not completely agnostic about at all 68 00:03:20,160 --> 00:03:24,560 Speaker 1: that I've had great both in the theater and with streaming. 69 00:03:24,680 --> 00:03:26,720 Speaker 1: For yourself personally, like what if you're going to sit 70 00:03:26,720 --> 00:03:28,440 Speaker 1: down and watch a movie, how do you want to 71 00:03:28,440 --> 00:03:29,720 Speaker 1: take it and you want to go to the movie 72 00:03:29,720 --> 00:03:31,359 Speaker 1: theater or do you want to sit down and watch 73 00:03:31,400 --> 00:03:34,120 Speaker 1: it at home? I think it for me personally, it 74 00:03:34,200 --> 00:03:36,480 Speaker 1: depends on you know, if it's if it's a movie 75 00:03:36,480 --> 00:03:40,240 Speaker 1: I'm really excited to see, then yeah, I want to 76 00:03:40,240 --> 00:03:42,440 Speaker 1: go to the theater. If it's if it's one that 77 00:03:43,200 --> 00:03:46,440 Speaker 1: is kind of yes, you know some people some people 78 00:03:46,520 --> 00:03:48,000 Speaker 1: like this and you go, well, I'll give it a try. 79 00:03:48,080 --> 00:03:50,040 Speaker 1: Well that's that's more of a home thing. And that 80 00:03:50,080 --> 00:03:52,280 Speaker 1: doesn't mean that sometimes you don't turn it on and 81 00:03:52,400 --> 00:03:56,800 Speaker 1: become completely engrossed in it, um, but you like having 82 00:03:56,800 --> 00:03:59,720 Speaker 1: the options at least I do to do both. When 83 00:04:00,000 --> 00:04:02,400 Speaker 1: of filming, the little things like what's a typical day 84 00:04:02,440 --> 00:04:03,840 Speaker 1: like for you as an actor? Like from when you 85 00:04:03,880 --> 00:04:05,920 Speaker 1: wake up to when you get on set. How does 86 00:04:05,960 --> 00:04:08,920 Speaker 1: that kind of go. It's a little different for every movement, 87 00:04:09,040 --> 00:04:11,720 Speaker 1: but for the little things. We shot a lot of nights, 88 00:04:11,720 --> 00:04:14,520 Speaker 1: so that means you're going to work at you know, 89 00:04:14,920 --> 00:04:17,440 Speaker 1: one in the afternoon so that you can then start 90 00:04:17,440 --> 00:04:20,000 Speaker 1: shooting and want to get dark and you know, and 91 00:04:20,040 --> 00:04:24,040 Speaker 1: sometimes staying there until until first life the next morning. Um. 92 00:04:24,160 --> 00:04:27,039 Speaker 1: But just in general, whether it's days or nights, you're 93 00:04:27,279 --> 00:04:31,000 Speaker 1: you're there. You know, I wake up, I go through 94 00:04:31,040 --> 00:04:33,240 Speaker 1: all my notes again, I've got done of the night 95 00:04:33,320 --> 00:04:36,960 Speaker 1: before as well, go through all my notes, look at 96 00:04:37,000 --> 00:04:39,520 Speaker 1: my different shot list and ideas and things to look 97 00:04:39,520 --> 00:04:42,159 Speaker 1: for and put that in my pocket and then go 98 00:04:42,240 --> 00:04:44,640 Speaker 1: to work. And you know that if the actors arrived, 99 00:04:44,680 --> 00:04:47,000 Speaker 1: you have discussions with them about the day's work and 100 00:04:47,000 --> 00:04:49,680 Speaker 1: they're prepared for it as well, and then you roper 101 00:04:49,720 --> 00:04:52,680 Speaker 1: sleeves and start shooting. So what are those discussions like, 102 00:04:52,680 --> 00:04:55,840 Speaker 1: Because you have i mean three Oscar winning actors here 103 00:04:55,880 --> 00:04:58,120 Speaker 1: you're working with, what are those discussions in tail of 104 00:04:58,200 --> 00:04:59,760 Speaker 1: like what you talked to them about before you get 105 00:04:59,760 --> 00:05:01,680 Speaker 1: start it in to day. I think it's different for 106 00:05:01,720 --> 00:05:04,560 Speaker 1: every actor you work with. Everybody has a different process 107 00:05:04,640 --> 00:05:07,880 Speaker 1: and in a certain way. Every single actor he is 108 00:05:07,920 --> 00:05:10,200 Speaker 1: a method actor, and that they have a method, you know, 109 00:05:10,400 --> 00:05:13,200 Speaker 1: it leads to their excellence. And my job is to 110 00:05:13,240 --> 00:05:17,359 Speaker 1: provide an atmosphere that allows them to do their best work. So, 111 00:05:17,800 --> 00:05:20,880 Speaker 1: you know, one person might want to talk about specific 112 00:05:20,960 --> 00:05:24,839 Speaker 1: details of wardrobe for seeing. Another actor might want to 113 00:05:24,839 --> 00:05:28,560 Speaker 1: talk more philosophically about what the scene means. Another actor 114 00:05:28,640 --> 00:05:32,599 Speaker 1: might just want to be reminded of where this scene 115 00:05:32,640 --> 00:05:35,760 Speaker 1: that we're shooting falls and the linear, linear structure of 116 00:05:35,839 --> 00:05:38,280 Speaker 1: the of the plot. So everybody is different, and that 117 00:05:38,320 --> 00:05:40,320 Speaker 1: doesn't mean they're going to be the same from day 118 00:05:40,320 --> 00:05:43,040 Speaker 1: to day either, And so you're just you're just there 119 00:05:43,040 --> 00:05:46,000 Speaker 1: to help however you can it to kind of gently 120 00:05:46,720 --> 00:05:49,200 Speaker 1: guide the story and the actors. When it comes to 121 00:05:49,240 --> 00:05:51,880 Speaker 1: somebody like Denzel Washington, what do you Is there any 122 00:05:51,880 --> 00:05:54,400 Speaker 1: really like? Is there like a direction you give him? 123 00:05:54,480 --> 00:05:56,200 Speaker 1: Or is he more of this like, Okay, how do 124 00:05:56,279 --> 00:05:58,560 Speaker 1: I get my scene here? I think the most important 125 00:05:58,600 --> 00:06:01,520 Speaker 1: thing with a lot of actors, but with Denzel is 126 00:06:01,560 --> 00:06:05,760 Speaker 1: having lots and lots and lots of discussions in prep, 127 00:06:06,000 --> 00:06:09,160 Speaker 1: which was a huge advantage press on this money because 128 00:06:09,360 --> 00:06:11,960 Speaker 1: he would call all the time with really good questions 129 00:06:11,960 --> 00:06:14,840 Speaker 1: about scenes, and so like set up an office next 130 00:06:14,880 --> 00:06:16,960 Speaker 1: to mine and prep and said just come in and 131 00:06:17,000 --> 00:06:20,120 Speaker 1: we would sit for hours and talk about everything. We 132 00:06:20,240 --> 00:06:23,480 Speaker 1: talked specifically about the scenes, about lines of dialogue, what 133 00:06:23,520 --> 00:06:25,880 Speaker 1: they meant, but we would also talk about Joe Deacon 134 00:06:26,080 --> 00:06:29,159 Speaker 1: and what music you listened to, kind of how he 135 00:06:29,240 --> 00:06:32,320 Speaker 1: dressed at home, what his relationship you know, with his 136 00:06:32,480 --> 00:06:35,040 Speaker 1: with his daughters. Is all these different things that aren't 137 00:06:35,080 --> 00:06:38,760 Speaker 1: necessarily in the in the story, that are h into that. 138 00:06:39,360 --> 00:06:41,360 Speaker 1: And so when you when you spent all that time 139 00:06:41,400 --> 00:06:45,400 Speaker 1: talking ad nauseam about a scene, by the time you're there, 140 00:06:45,560 --> 00:06:47,400 Speaker 1: I mean he would go he would go good drive 141 00:06:47,440 --> 00:06:51,279 Speaker 1: and look at locations, um, you know, just on his 142 00:06:51,360 --> 00:06:54,120 Speaker 1: own suss him out. So by the time we get there, 143 00:06:54,480 --> 00:06:57,479 Speaker 1: we've talked about it so much that it's just kind 144 00:06:57,480 --> 00:06:59,719 Speaker 1: of like I remember, we remember we talked about the 145 00:06:59,760 --> 00:07:01,240 Speaker 1: how who was going to be over there? Well, there 146 00:07:01,240 --> 00:07:03,279 Speaker 1: it is. And then you know, when you've got something 147 00:07:03,400 --> 00:07:05,279 Speaker 1: like Denzel, the last thing you want to do is 148 00:07:05,320 --> 00:07:07,720 Speaker 1: try to hobble them in any way. I mean just 149 00:07:07,800 --> 00:07:09,560 Speaker 1: to say with Jared and Romney, and then you don't 150 00:07:09,560 --> 00:07:11,480 Speaker 1: want to hobble them and say here's how it is 151 00:07:11,520 --> 00:07:14,320 Speaker 1: in my head. Here it this way, because nobody wants 152 00:07:14,320 --> 00:07:15,720 Speaker 1: to do that and you're not gonna end up with 153 00:07:15,760 --> 00:07:17,920 Speaker 1: the best product. You want to work them to bring 154 00:07:17,960 --> 00:07:20,560 Speaker 1: to the table. There the characters, they become quickly that 155 00:07:20,680 --> 00:07:22,640 Speaker 1: they know more about the characters than you ever will, 156 00:07:22,800 --> 00:07:25,320 Speaker 1: very quickly, even though I made up made the characters. 157 00:07:25,360 --> 00:07:28,880 Speaker 1: So you want to give them a free reign to 158 00:07:28,560 --> 00:07:32,440 Speaker 1: to do something something that is very exciting. I love that. 159 00:07:32,440 --> 00:07:35,080 Speaker 1: That's great. You mentioned earlier about filming a night, which 160 00:07:35,080 --> 00:07:37,080 Speaker 1: I kind of realized now thinking back on the movie, 161 00:07:37,520 --> 00:07:39,960 Speaker 1: how it kind of had like this like almost like 162 00:07:40,000 --> 00:07:42,680 Speaker 1: a blue and red tone in certain in certain scenes. 163 00:07:43,400 --> 00:07:45,280 Speaker 1: Was it always the idea to kind of film it 164 00:07:45,280 --> 00:07:46,640 Speaker 1: a night, to kind of give it that kind of 165 00:07:46,680 --> 00:07:50,000 Speaker 1: more dramatic feel. Well, it was. It was written, you 166 00:07:50,040 --> 00:07:52,240 Speaker 1: know with it was written with lots of night sentence. 167 00:07:52,320 --> 00:07:55,679 Speaker 1: I just wanted to show how difficult the job was, UM, 168 00:07:55,800 --> 00:07:58,680 Speaker 1: and the toll it took. And this was, uh, you 169 00:07:58,720 --> 00:08:01,760 Speaker 1: know set and so it's pre b and a pre 170 00:08:01,880 --> 00:08:04,720 Speaker 1: cell phones. You know, every cop had have a roll 171 00:08:04,760 --> 00:08:08,000 Speaker 1: of quarters with them them, you know, to find in 172 00:08:08,080 --> 00:08:10,880 Speaker 1: no where the cell phones would have made calls. UM 173 00:08:10,920 --> 00:08:13,440 Speaker 1: and you just had to sit and stake out cars, 174 00:08:13,560 --> 00:08:17,920 Speaker 1: and there was no CCTV um, you know, cameras everywhere 175 00:08:17,920 --> 00:08:19,679 Speaker 1: and that kind of stuff, So it was just making 176 00:08:19,720 --> 00:08:22,200 Speaker 1: it difficult. I think part of the difficulty is and 177 00:08:22,440 --> 00:08:24,720 Speaker 1: you stay up all night watching the house in case somebody, 178 00:08:25,200 --> 00:08:27,520 Speaker 1: you know, a suspect walks out. Um. So it was 179 00:08:27,560 --> 00:08:29,840 Speaker 1: as it was as written, but that was just wanted 180 00:08:29,880 --> 00:08:32,280 Speaker 1: to make it real. It really tough on these homicide coups. 181 00:08:32,679 --> 00:08:35,400 Speaker 1: So when you finished the little things, what what is 182 00:08:35,400 --> 00:08:37,360 Speaker 1: the run time, like the very start of it before 183 00:08:37,360 --> 00:08:39,560 Speaker 1: it gets cut down any further, what's like the original 184 00:08:39,640 --> 00:08:42,479 Speaker 1: the runtime? Well, you've got I mean, you're doing a simbolage, 185 00:08:42,960 --> 00:08:47,400 Speaker 1: which is essentially your editor just putting all the scenes 186 00:08:47,440 --> 00:08:51,240 Speaker 1: together in the order, and that's usually very very long 187 00:08:51,360 --> 00:08:54,840 Speaker 1: before one you trimmed into the scenes into uh you know, 188 00:08:54,920 --> 00:08:57,720 Speaker 1: you start your removed scenes. You don't need um. But gosh, 189 00:08:57,760 --> 00:09:00,079 Speaker 1: what was then run two hours and forty five this 190 00:09:00,280 --> 00:09:03,400 Speaker 1: or something? Maybe you know, maybe three hours, but you 191 00:09:03,440 --> 00:09:06,319 Speaker 1: know it was that's the same for me. A run 192 00:09:06,400 --> 00:09:08,800 Speaker 1: time for the Rookie was three hours as well, so 193 00:09:09,720 --> 00:09:12,280 Speaker 1: it falls out pretty quickly. One of my favorite sports 194 00:09:12,280 --> 00:09:15,920 Speaker 1: movies is The blind Side, And I think because with 195 00:09:16,120 --> 00:09:18,360 Speaker 1: that movie, it's almost not so much just a movie 196 00:09:18,400 --> 00:09:20,959 Speaker 1: that's focused on sports, but it's the idea that you 197 00:09:21,000 --> 00:09:24,000 Speaker 1: can come from nothing and go on to accomplish great things. 198 00:09:24,000 --> 00:09:26,199 Speaker 1: I think that's why that movie kind of resonated so 199 00:09:26,280 --> 00:09:30,079 Speaker 1: much with me. And when you're doing that movie, how 200 00:09:30,120 --> 00:09:32,720 Speaker 1: do you kind of play the line of following along 201 00:09:32,720 --> 00:09:35,360 Speaker 1: exactly what happened in real life and also just making 202 00:09:35,400 --> 00:09:38,760 Speaker 1: something that's compelling to watch? Well, I mean, for you know, 203 00:09:38,880 --> 00:09:42,200 Speaker 1: job one is entertainment, right to make something compelling to 204 00:09:42,240 --> 00:09:45,480 Speaker 1: watch or it's something that's moving. But I think before 205 00:09:45,480 --> 00:09:47,800 Speaker 1: you take on a project, you look at it and say, 206 00:09:48,200 --> 00:09:51,319 Speaker 1: how much of this is true? Uh, you know, and 207 00:09:51,640 --> 00:09:54,719 Speaker 1: how much of this is made up? Stuff that supports 208 00:09:55,080 --> 00:09:58,440 Speaker 1: thematically what what the movie is about. And you know, 209 00:09:58,480 --> 00:10:00,800 Speaker 1: I just don't take on a project if you go 210 00:10:01,840 --> 00:10:05,640 Speaker 1: half of this as hocum, because you know, you want 211 00:10:05,640 --> 00:10:08,400 Speaker 1: to be as truthful as possible. They're always going to 212 00:10:08,480 --> 00:10:11,560 Speaker 1: be You're always going to take there may be three 213 00:10:11,559 --> 00:10:14,000 Speaker 1: different events that happened over the course of nine months 214 00:10:14,520 --> 00:10:16,560 Speaker 1: and you put them all in the same week. And 215 00:10:17,080 --> 00:10:20,240 Speaker 1: to me that that doesn't bother me. That within the 216 00:10:20,280 --> 00:10:23,480 Speaker 1: realm of me saying this is a true story. But 217 00:10:23,760 --> 00:10:26,160 Speaker 1: that's why everything says based on a true story, because 218 00:10:26,320 --> 00:10:29,439 Speaker 1: you know it's it's one. There are actors playing real people, 219 00:10:29,520 --> 00:10:33,920 Speaker 1: so it's not real. You know, Sandra Bullock, you know, 220 00:10:34,400 --> 00:10:37,520 Speaker 1: was not was not in was not living in Memphis. 221 00:10:37,559 --> 00:10:40,000 Speaker 1: So yeah, but I mean yeah, I think every every 222 00:10:40,040 --> 00:10:43,360 Speaker 1: every different writer, director has their own has their own 223 00:10:43,400 --> 00:10:45,360 Speaker 1: line they don't want to cross, and some of them have. 224 00:10:45,960 --> 00:10:47,520 Speaker 1: Some of them say, I don't you know, I don't 225 00:10:47,520 --> 00:10:50,520 Speaker 1: care to make stuff up. It's thematically in line with 226 00:10:50,600 --> 00:10:52,679 Speaker 1: what we're doing. I work in country music. I work 227 00:10:52,720 --> 00:10:55,560 Speaker 1: on a country music morning show, and I know Tim 228 00:10:55,640 --> 00:10:59,400 Speaker 1: McGraw as the country artists more so than I did 229 00:10:59,480 --> 00:11:02,079 Speaker 1: like the act What is the actor Tim McGraw? Like, 230 00:11:02,320 --> 00:11:05,040 Speaker 1: I mean, Tim was, Tim was a big, big star 231 00:11:05,440 --> 00:11:10,360 Speaker 1: and he he was doing some had done some acting, 232 00:11:10,440 --> 00:11:13,320 Speaker 1: was quite good, I thought, um, but was interested in 233 00:11:14,080 --> 00:11:17,240 Speaker 1: in playing the role. And Billy Bob Thornton put us 234 00:11:17,280 --> 00:11:20,000 Speaker 1: together and we started talking and I didn't want to. 235 00:11:20,120 --> 00:11:22,400 Speaker 1: I didn't want it to be kind of stunt casting. 236 00:11:22,440 --> 00:11:24,560 Speaker 1: I didn't want it to be Oh, and they got 237 00:11:24,600 --> 00:11:27,640 Speaker 1: Tim McGrath, even I thought, even though I thought he 238 00:11:27,679 --> 00:11:29,920 Speaker 1: was great in Friday Night Lights, that this was kind 239 00:11:29,920 --> 00:11:33,120 Speaker 1: of a different character, and he this is great with him. 240 00:11:33,320 --> 00:11:36,760 Speaker 1: He put himself on tape for the role and and 241 00:11:36,920 --> 00:11:40,280 Speaker 1: did two or three scenes from it with Faith reading 242 00:11:40,320 --> 00:11:42,960 Speaker 1: with him and sent him to me, and I thought 243 00:11:42,960 --> 00:11:45,400 Speaker 1: he was terrific. And that's so I said, great. My 244 00:11:45,440 --> 00:11:47,600 Speaker 1: final question for you is, with things kind of opening 245 00:11:47,600 --> 00:11:50,200 Speaker 1: back up, we're getting back into the movie theaters, how 246 00:11:50,200 --> 00:11:53,280 Speaker 1: do you think the overall movie going experience will change. 247 00:11:53,360 --> 00:11:55,000 Speaker 1: Are we going to go to a place to where 248 00:11:55,480 --> 00:11:58,640 Speaker 1: things become more available like on like on streaming the 249 00:11:58,679 --> 00:12:00,920 Speaker 1: day they are also releasing theaters, or the kind of 250 00:12:00,920 --> 00:12:03,880 Speaker 1: just going back to just full on theater releases. I 251 00:12:04,280 --> 00:12:07,560 Speaker 1: think probably a combination of of of everything. I think 252 00:12:07,640 --> 00:12:10,920 Speaker 1: one thing that that probably will happen is at the 253 00:12:10,920 --> 00:12:15,559 Speaker 1: bare minimum that the windows have already shrunk for some movies. 254 00:12:15,840 --> 00:12:18,199 Speaker 1: You know, and I understand, if you've got a big 255 00:12:18,240 --> 00:12:21,920 Speaker 1: blockbuster movie, it can sustain itself for you know, sixty 256 00:12:22,000 --> 00:12:24,200 Speaker 1: days or ninety days in a in a theater and 257 00:12:24,240 --> 00:12:27,360 Speaker 1: still continue to make money. Whereas you know, other movies, 258 00:12:27,400 --> 00:12:30,200 Speaker 1: adult dramas, things like that pretty much at you know, 259 00:12:30,240 --> 00:12:32,800 Speaker 1: a thirty day window is all they can is all 260 00:12:32,840 --> 00:12:35,920 Speaker 1: they can hold. So I think that that kind of 261 00:12:36,000 --> 00:12:38,800 Speaker 1: a window that is not one size fits all, but 262 00:12:38,840 --> 00:12:41,959 Speaker 1: it fits to the movies and whatever relationship studios and 263 00:12:42,360 --> 00:12:44,960 Speaker 1: the theaters have. But I think so, you know, there 264 00:12:45,000 --> 00:12:46,800 Speaker 1: will for some movies, there will there will be a 265 00:12:46,840 --> 00:12:49,920 Speaker 1: streaming compound in a theatrical component. I believe. I think 266 00:12:49,960 --> 00:12:52,280 Speaker 1: theaters will come back and come back strong. I think 267 00:12:52,320 --> 00:12:54,400 Speaker 1: everybody's going to be wanting to go to the theater. 268 00:12:54,480 --> 00:12:56,679 Speaker 1: I know I certainly can't wait to be able to 269 00:12:56,760 --> 00:12:59,760 Speaker 1: be back in the theater um. But we'll see, We'll 270 00:12:59,760 --> 00:13:04,200 Speaker 1: see if there's a delineation between you know, blockbusters are 271 00:13:04,240 --> 00:13:07,840 Speaker 1: for theater and adult dramas are for you know, streaming services. 272 00:13:08,000 --> 00:13:10,000 Speaker 1: I don't. I don't know. Do you think that changes 273 00:13:10,040 --> 00:13:12,440 Speaker 1: anything of like how you're going to approach your next 274 00:13:12,440 --> 00:13:14,440 Speaker 1: movie of like okay, that could kind of go and 275 00:13:14,559 --> 00:13:17,440 Speaker 1: be that in between. No, I mean, I mean, you know, 276 00:13:17,440 --> 00:13:20,920 Speaker 1: when I made The Highwayman for Netflix, which was a 277 00:13:20,920 --> 00:13:23,360 Speaker 1: great experience. I made it, you know, like it's going 278 00:13:23,400 --> 00:13:25,080 Speaker 1: to be seen in the theater. You don't, you don't 279 00:13:25,200 --> 00:13:27,120 Speaker 1: you don't ever shoot it, so you go, oh, so 280 00:13:27,200 --> 00:13:29,680 Speaker 1: somebody can watch it on their phone. Or watch it 281 00:13:29,760 --> 00:13:32,880 Speaker 1: on you know, their their monitor on their computer or something. 282 00:13:33,280 --> 00:13:36,160 Speaker 1: You make it the same way, um to be seen 283 00:13:36,160 --> 00:13:38,559 Speaker 1: in the theater. And you know, and and Netflix to 284 00:13:38,679 --> 00:13:41,360 Speaker 1: your credit, you know, put the home and in theaters 285 00:13:41,400 --> 00:13:43,640 Speaker 1: for you know, a couple of three weeks before it 286 00:13:43,679 --> 00:13:46,240 Speaker 1: was streaming. So no, you do you do it. You 287 00:13:46,280 --> 00:13:48,400 Speaker 1: do it exactly. I mean I do it exactly the 288 00:13:48,480 --> 00:13:51,040 Speaker 1: same one. We'll appreciate the time, John, Everybody go watch 289 00:13:51,080 --> 00:13:53,560 Speaker 1: the little Things, get the blue ray, watch it again 290 00:13:53,600 --> 00:13:55,880 Speaker 1: and they dreal mags do all the things. Appreciate the tive. 291 00:13:56,080 --> 00:14:03,559 Speaker 1: Thanks Mike. I'm gonna get into a movie review now. Kelsey, 292 00:14:03,600 --> 00:14:05,800 Speaker 1: you are back. You hung outside of the room and 293 00:14:05,840 --> 00:14:08,679 Speaker 1: I did an interview, right, okay, you think it went okay? 294 00:14:08,720 --> 00:14:10,559 Speaker 1: I think I was taking my final when you did 295 00:14:10,559 --> 00:14:13,280 Speaker 1: your interview. Do I sound like an idiot just saying 296 00:14:13,800 --> 00:14:15,680 Speaker 1: just hearing one half of an interview? I didn't hear 297 00:14:15,720 --> 00:14:17,520 Speaker 1: you because again, I was taking a final. Okay. You 298 00:14:17,520 --> 00:14:20,480 Speaker 1: were focused on trying to finish grad school. There you did, 299 00:14:20,520 --> 00:14:22,640 Speaker 1: and you did it this week? Did I finished? So 300 00:14:22,680 --> 00:14:24,960 Speaker 1: proud of you. Think it's amazing you have it all. 301 00:14:25,280 --> 00:14:27,480 Speaker 1: I have three letters after my name. Now, what are 302 00:14:27,520 --> 00:14:30,240 Speaker 1: the letters again. M p oh, so you have an 303 00:14:30,280 --> 00:14:34,080 Speaker 1: MPH and also the unpaid intern on this podcast, I do. 304 00:14:34,120 --> 00:14:37,280 Speaker 1: I have a lot of time. Gotta go update my resume. Well, 305 00:14:37,320 --> 00:14:41,080 Speaker 1: we're gonna get into talking about without remorse. Um, I 306 00:14:41,120 --> 00:14:43,520 Speaker 1: like Michael B. Jordan. Do you like him? Do you 307 00:14:43,560 --> 00:14:46,240 Speaker 1: find him attractive? Find him very attractive? It's got weird 308 00:14:46,320 --> 00:14:48,520 Speaker 1: to say no. After watching this movie, I was like, 309 00:14:48,560 --> 00:14:51,160 Speaker 1: I think I finally no. I got it before, but 310 00:14:51,240 --> 00:14:54,960 Speaker 1: this one really solidified it. So before we get into that, 311 00:14:55,560 --> 00:14:58,560 Speaker 1: here's just a little bit of the trailer. They took 312 00:14:58,600 --> 00:15:09,360 Speaker 1: everything from me, my family, I got nothing left a 313 00:15:09,480 --> 00:15:13,880 Speaker 1: series of strategic attacks the world. We have to respond. 314 00:15:14,360 --> 00:15:16,960 Speaker 1: I need to be on that team. A commander career, 315 00:15:17,280 --> 00:15:20,000 Speaker 1: you'll lead the mission. So what this movie is about 316 00:15:20,160 --> 00:15:22,680 Speaker 1: is Michael B. Jordan's character. He is a Navy seal 317 00:15:23,120 --> 00:15:26,920 Speaker 1: and he is avenging the murder of his wife, who 318 00:15:26,960 --> 00:15:30,320 Speaker 1: is pregnant in the movie, and then kind of discovers 319 00:15:30,320 --> 00:15:34,240 Speaker 1: this whole larger, bigger conspiracy that's going on. And it's 320 00:15:34,240 --> 00:15:36,520 Speaker 1: not that I wasn't expecting to like this movie. I 321 00:15:36,560 --> 00:15:39,040 Speaker 1: just liked it in a different way than I did, 322 00:15:39,720 --> 00:15:42,120 Speaker 1: if that makes sense. Because it's pretty much a full 323 00:15:42,160 --> 00:15:44,680 Speaker 1: on action movie. You don't really have to know a 324 00:15:44,720 --> 00:15:47,960 Speaker 1: whole lot about the backstory. You kind of get that 325 00:15:48,000 --> 00:15:49,600 Speaker 1: all in the movie. But I think it's a very 326 00:15:49,680 --> 00:15:52,280 Speaker 1: easy watch. And watching this movie in about twenty minutes in, 327 00:15:52,760 --> 00:15:54,480 Speaker 1: I was like, this is a movie that your dad 328 00:15:54,520 --> 00:15:56,600 Speaker 1: would love. Yeah that was We both looked each other 329 00:15:56,640 --> 00:15:58,440 Speaker 1: and we were like, my parents would love they would 330 00:15:58,480 --> 00:16:00,880 Speaker 1: love this, And I think that's a movie. This is 331 00:16:00,920 --> 00:16:03,040 Speaker 1: a movie that will It's kind of an easy pleaser. 332 00:16:03,120 --> 00:16:06,480 Speaker 1: You could put it on and like a big audience 333 00:16:06,480 --> 00:16:07,760 Speaker 1: would like it. Like I think it could be a 334 00:16:07,760 --> 00:16:10,120 Speaker 1: perfect just wide release of like, oh, anybody could go 335 00:16:10,160 --> 00:16:12,680 Speaker 1: in and watch this movie. And we're past Mother's Day now, 336 00:16:12,760 --> 00:16:14,400 Speaker 1: but with Father's Day coming around, if you need a 337 00:16:14,440 --> 00:16:16,280 Speaker 1: movie to watch with your dad, I think this is 338 00:16:16,320 --> 00:16:18,160 Speaker 1: a really good one. I don't think this would have 339 00:16:18,160 --> 00:16:22,040 Speaker 1: screamed Mother's Day lest your mom finds Michael B. Jordan's 340 00:16:22,040 --> 00:16:23,960 Speaker 1: attractive and then she might have wanted to watch this. 341 00:16:25,080 --> 00:16:28,600 Speaker 1: Maybe you did. But it's violent, but I think not 342 00:16:28,800 --> 00:16:31,440 Speaker 1: more violent than any other war movie, or actually wasn't 343 00:16:31,480 --> 00:16:34,640 Speaker 1: like gratuitously violent. Yeah, it's not as bloody as some 344 00:16:34,760 --> 00:16:37,600 Speaker 1: other recent movies. It's not as bloody as that. What 345 00:16:37,640 --> 00:16:40,720 Speaker 1: did you watch last week? The one with Bob Nobody? Yeah, 346 00:16:40,760 --> 00:16:42,760 Speaker 1: that's a lot more. That was literally just I walked 347 00:16:42,760 --> 00:16:44,480 Speaker 1: in the room and watched like the last twenty minutes 348 00:16:44,520 --> 00:16:47,000 Speaker 1: and it was just like blood everywhere. Yeah, it's the 349 00:16:47,080 --> 00:16:50,480 Speaker 1: gunfire is all pretty much just basic what you would 350 00:16:50,480 --> 00:16:52,200 Speaker 1: see in an action movie. There's no like straight on 351 00:16:52,240 --> 00:16:54,440 Speaker 1: head shots. You don't see a lot of blood or brains. 352 00:16:54,960 --> 00:16:58,400 Speaker 1: So I think in that regard, would you let your 353 00:16:58,440 --> 00:17:01,560 Speaker 1: brother to watch this? Yeah, they've watched worse. How old 354 00:17:01,560 --> 00:17:05,199 Speaker 1: are your brothers there? Eleven and fifteen? Is that right? 355 00:17:05,240 --> 00:17:06,920 Speaker 1: They both had a birthday since the last time that 356 00:17:07,080 --> 00:17:10,000 Speaker 1: I was checking with you, eleven and fifteen, So I 357 00:17:10,000 --> 00:17:12,520 Speaker 1: think they could watch this movie. I mean it's I'm 358 00:17:12,520 --> 00:17:14,720 Speaker 1: pretty sure my eleven year old brother watched Jackass a 359 00:17:14,720 --> 00:17:16,879 Speaker 1: couple of weeks ago. Because I asked you, I was like, 360 00:17:16,920 --> 00:17:19,119 Speaker 1: one age, did you start watching Chack? I mean I 361 00:17:19,119 --> 00:17:22,560 Speaker 1: started watching Jackuys in like third grade? Okay, there we go. 362 00:17:22,640 --> 00:17:25,000 Speaker 1: Maybe now, maybe later than that because it came out, 363 00:17:26,040 --> 00:17:27,520 Speaker 1: but yes, they could watch it. They watch all the 364 00:17:27,560 --> 00:17:30,960 Speaker 1: Marvel movies. I feel like this one was it R. Yeah, 365 00:17:30,960 --> 00:17:33,680 Speaker 1: it is rated R. Well, yeah, they probably still want 366 00:17:33,680 --> 00:17:36,440 Speaker 1: to watch it. Yeah, there's no over the top cursing, 367 00:17:36,480 --> 00:17:40,720 Speaker 1: there's no nudity. It's just like the violence. But there's 368 00:17:40,760 --> 00:17:43,040 Speaker 1: really nothing in this movie you wouldn't see on like 369 00:17:43,119 --> 00:17:47,359 Speaker 1: broadcast television these days, they play video games. Yeah, so 370 00:17:47,400 --> 00:17:49,480 Speaker 1: what did you think overall about this movie? I thought 371 00:17:49,480 --> 00:17:52,159 Speaker 1: it was good. I mean I didn't I don't even 372 00:17:52,200 --> 00:17:54,399 Speaker 1: think I read the description of it going into it. 373 00:17:54,400 --> 00:17:56,080 Speaker 1: I think I was just like, oh, Michael B. Jordan's 374 00:17:56,080 --> 00:17:59,000 Speaker 1: action movie wasn't the best movie I've ever seen, but 375 00:17:59,040 --> 00:18:01,440 Speaker 1: it kept me entertained. I don't think you're gonna walk 376 00:18:01,480 --> 00:18:03,120 Speaker 1: away from this movie and think like, man, I gotta 377 00:18:03,160 --> 00:18:06,360 Speaker 1: tell everybody gonna go watch this movie. But one, it's 378 00:18:06,400 --> 00:18:09,679 Speaker 1: easily accessible. It's on Amazon. I thought they were going 379 00:18:09,720 --> 00:18:11,480 Speaker 1: to charge like an extra fee to watch it. Nope, 380 00:18:11,480 --> 00:18:13,720 Speaker 1: it's free to watch. I thought that was a win there. 381 00:18:14,440 --> 00:18:17,399 Speaker 1: And then also I found like I didn't have to 382 00:18:17,520 --> 00:18:19,399 Speaker 1: think a lot while watching this movie, and that's a 383 00:18:19,480 --> 00:18:22,359 Speaker 1: little bit refreshing sometimes. And I will also say Jody 384 00:18:22,440 --> 00:18:25,639 Speaker 1: Turner Smith was great and it Yeah, as like the 385 00:18:25,880 --> 00:18:28,280 Speaker 1: I would say she was the female lead, Yeah she is. 386 00:18:28,440 --> 00:18:32,000 Speaker 1: She was awesome in it. And overall, there's nothing that 387 00:18:32,040 --> 00:18:34,399 Speaker 1: this movie is trying to do that it doesn't accomplish. 388 00:18:34,400 --> 00:18:36,000 Speaker 1: I think it kind of knows what kind of movie 389 00:18:36,000 --> 00:18:37,480 Speaker 1: it is. It's not going to try to be like 390 00:18:37,520 --> 00:18:40,720 Speaker 1: a really deep movie. It's not really going for another 391 00:18:40,840 --> 00:18:43,639 Speaker 1: level of like here's Michael B. Jordan's the situation. You 392 00:18:43,680 --> 00:18:47,000 Speaker 1: feel for his character. You watch him go through these 393 00:18:47,040 --> 00:18:48,840 Speaker 1: crazy things, which there was a lot of like cool 394 00:18:48,880 --> 00:18:53,280 Speaker 1: action sequences, like there's a scene again spoiler free where 395 00:18:53,320 --> 00:18:57,000 Speaker 1: they go down in a plane and then they're underwater 396 00:18:57,200 --> 00:18:59,600 Speaker 1: and that whole kind of sequence is like it was 397 00:18:59,760 --> 00:19:02,680 Speaker 1: that's probably hard to film. Yeah, that was really that one. 398 00:19:02,760 --> 00:19:05,000 Speaker 1: Like they did such a good job that it made 399 00:19:05,000 --> 00:19:08,879 Speaker 1: me feel claustrophoe, but yeah I did. And when you 400 00:19:08,880 --> 00:19:10,480 Speaker 1: know movies done a good job is when you feel 401 00:19:10,480 --> 00:19:12,280 Speaker 1: like you're in that situation and they're not going to 402 00:19:12,400 --> 00:19:14,720 Speaker 1: make it. You also felt kind of uneasy at the 403 00:19:14,720 --> 00:19:17,639 Speaker 1: start of this movie because you know what's coming. The 404 00:19:17,680 --> 00:19:20,480 Speaker 1: whole premise of the movie is that he is going 405 00:19:20,520 --> 00:19:22,840 Speaker 1: after these guys who murdered his wife. I did Hide 406 00:19:22,920 --> 00:19:25,040 Speaker 1: under the Blanket and you refused to watch, which I 407 00:19:25,040 --> 00:19:28,639 Speaker 1: never understood that, Like, even in scary movies. Why do 408 00:19:28,680 --> 00:19:30,480 Speaker 1: you hide I don't know, because I don't want to 409 00:19:30,480 --> 00:19:33,280 Speaker 1: see it. It might give me nightmares. But I told 410 00:19:33,320 --> 00:19:36,399 Speaker 1: you it was saved to come out. I don't know. 411 00:19:36,440 --> 00:19:38,560 Speaker 1: I just don't like watching stuff like that, like knowing 412 00:19:38,600 --> 00:19:41,080 Speaker 1: what was coming and they didn't really show it in 413 00:19:41,119 --> 00:19:44,560 Speaker 1: the movie. But still it's just like suspense things. I 414 00:19:44,600 --> 00:19:46,920 Speaker 1: can't handle that. It just freaks me out. I don't 415 00:19:46,920 --> 00:19:50,320 Speaker 1: like suspense, So suspense is not your thing. What about 416 00:19:50,960 --> 00:19:53,800 Speaker 1: violence on this level? Like that's what I was talking 417 00:19:53,800 --> 00:19:55,679 Speaker 1: about last week and I reviewed Nobody, Like what's your 418 00:19:55,800 --> 00:19:59,680 Speaker 1: level of violence? It's a good question. Is it gunshot 419 00:19:59,720 --> 00:20:02,080 Speaker 1: to the head or is it just over use of blood? 420 00:20:02,200 --> 00:20:04,120 Speaker 1: Or is it just straight up horror violence? Like where 421 00:20:04,200 --> 00:20:05,679 Speaker 1: where do you kind of draw the line of Like 422 00:20:05,720 --> 00:20:09,920 Speaker 1: I'm out, definitely no horror violence. I'm trying to think, 423 00:20:09,960 --> 00:20:13,760 Speaker 1: like zero Dark thirty was almost a little too violent 424 00:20:14,000 --> 00:20:18,680 Speaker 1: that I would say zero dark thirty is the line, Okay, yeah, 425 00:20:18,800 --> 00:20:21,320 Speaker 1: I would say this is below that. Yeah, there's just 426 00:20:21,359 --> 00:20:23,119 Speaker 1: I don't even know how to describe it. There's just 427 00:20:23,160 --> 00:20:26,119 Speaker 1: like certain things I can't watch. It's not even like blood, 428 00:20:26,240 --> 00:20:28,280 Speaker 1: Like I love medical shows. I can watch yark, I 429 00:20:28,280 --> 00:20:30,639 Speaker 1: can watch crazy Anatomy. That doesn't bother me. It's just 430 00:20:30,680 --> 00:20:33,919 Speaker 1: something about the level of violence in which the blood 431 00:20:34,000 --> 00:20:36,480 Speaker 1: is brought about. I'll counter with the other thing you're 432 00:20:36,480 --> 00:20:39,199 Speaker 1: really into, which I'm also into, is Dr pimple Popper, 433 00:20:40,040 --> 00:20:44,760 Speaker 1: which that's another level of but sometimes I can't. I'm 434 00:20:44,840 --> 00:20:47,000 Speaker 1: kind of surprised you're into that, to be honest, Now, 435 00:20:47,040 --> 00:20:49,440 Speaker 1: I love that kind of have like a like too 436 00:20:49,480 --> 00:20:52,160 Speaker 1: graphic to show that you don't watch I can't watch those, 437 00:20:52,160 --> 00:20:55,359 Speaker 1: but just like a nice black head. Yeah, so you 438 00:20:55,440 --> 00:20:59,320 Speaker 1: like them more, just like the lower scale Dr pimple 439 00:20:59,359 --> 00:21:01,639 Speaker 1: Popper at home you do you get really mad at me. 440 00:21:01,760 --> 00:21:04,320 Speaker 1: I run away from from you and you'r Dr pimble Popper. 441 00:21:04,880 --> 00:21:08,400 Speaker 1: I like the one the SI those are my favorite. 442 00:21:08,800 --> 00:21:10,639 Speaker 1: I've been in the Doctor pimple Poppa for a while. 443 00:21:11,000 --> 00:21:13,200 Speaker 1: I can't watch if it's like two people are gonna 444 00:21:13,240 --> 00:21:15,760 Speaker 1: stop listening, if it's too like lickey And that's all 445 00:21:15,760 --> 00:21:20,200 Speaker 1: all says. This has been our tangent on pimple popping, 446 00:21:20,240 --> 00:21:23,080 Speaker 1: insists and things that come out of the body. But 447 00:21:23,080 --> 00:21:25,840 Speaker 1: back to the movie. If you had to rate this movie, 448 00:21:25,920 --> 00:21:30,160 Speaker 1: what would you rate it? Three point seven five out 449 00:21:30,160 --> 00:21:32,960 Speaker 1: of five passports. Oh that's a pretty that's a pretty 450 00:21:32,960 --> 00:21:36,400 Speaker 1: solid score. I would give it three point five out 451 00:21:36,400 --> 00:21:39,760 Speaker 1: of five Russians. I just added up point to five 452 00:21:39,760 --> 00:21:41,919 Speaker 1: because Michael B. Jordan takes a shirt off a few times. 453 00:21:42,040 --> 00:21:45,480 Speaker 1: Oh okay, I mean he does look really good in 454 00:21:45,520 --> 00:21:48,160 Speaker 1: this movie. There's the scene where he gets shot up 455 00:21:48,640 --> 00:21:50,200 Speaker 1: and then he's in the hospital. I'm like, how did 456 00:21:50,200 --> 00:21:53,840 Speaker 1: he stay still ripped after spending time in the hospital, Like, 457 00:21:53,920 --> 00:21:55,760 Speaker 1: I have to work so hard just to maintain what 458 00:21:55,840 --> 00:21:59,639 Speaker 1: I have and he goes through being shot down, and 459 00:22:00,119 --> 00:22:04,960 Speaker 1: is they able to still be ripped? Man? The movies movies? Um, 460 00:22:05,000 --> 00:22:06,800 Speaker 1: but yeah, I feel like it's I also like that 461 00:22:06,840 --> 00:22:09,760 Speaker 1: it's not a straight on war movie, which I would 462 00:22:09,760 --> 00:22:11,440 Speaker 1: I wouldn't been in a place to watch a straight 463 00:22:11,440 --> 00:22:14,320 Speaker 1: on a warm movie. It's more of like this little 464 00:22:14,400 --> 00:22:18,480 Speaker 1: team of soldiers. It's like a like a recondission. There 465 00:22:18,520 --> 00:22:20,080 Speaker 1: you go. I think that's why I liked it. So 466 00:22:20,359 --> 00:22:22,439 Speaker 1: if you want to watch that movie, hop over to 467 00:22:22,440 --> 00:22:25,439 Speaker 1: Amazon and check it out. All Right, So I've kind 468 00:22:25,480 --> 00:22:28,399 Speaker 1: of been talking about recently how I'm not excited for 469 00:22:28,440 --> 00:22:30,520 Speaker 1: all the new Marvel stuff coming out. I'm like, you 470 00:22:30,560 --> 00:22:33,560 Speaker 1: know what, at the end of Endgame. I was kind 471 00:22:33,560 --> 00:22:35,800 Speaker 1: of good. I wasn't really excited about all the things, 472 00:22:35,840 --> 00:22:39,159 Speaker 1: and as they kept delaying everything, I was like, I 473 00:22:39,200 --> 00:22:40,880 Speaker 1: don't know that I even want to watch it when 474 00:22:40,880 --> 00:22:44,160 Speaker 1: it comes out. My excitement level for Marvel has kind 475 00:22:44,160 --> 00:22:46,840 Speaker 1: of gone down. And that's coming from somebody who's seen 476 00:22:46,880 --> 00:22:49,159 Speaker 1: every single Marvel movie and it's been all about it 477 00:22:49,200 --> 00:22:52,399 Speaker 1: for so long. But then last week they dropped that 478 00:22:52,480 --> 00:22:56,240 Speaker 1: three minute trailer, and the overall kind of message behind 479 00:22:56,240 --> 00:22:58,240 Speaker 1: that trailer then putting it out is like they're ready 480 00:22:58,280 --> 00:23:00,720 Speaker 1: for people to come back together and watch Marvel movies. 481 00:23:01,359 --> 00:23:04,680 Speaker 1: And after watching that trailer, I'm a little more hype now. 482 00:23:05,520 --> 00:23:07,480 Speaker 1: I think I'm hype again. I think it's just because 483 00:23:07,520 --> 00:23:09,400 Speaker 1: you haven't been able to go see a movie. Yeah, 484 00:23:09,440 --> 00:23:12,080 Speaker 1: And I think that's what it reminded me of because 485 00:23:12,280 --> 00:23:16,359 Speaker 1: in that opening sequence to that trailer, they show the 486 00:23:16,480 --> 00:23:18,560 Speaker 1: scene that came up that was out on the internet. 487 00:23:18,600 --> 00:23:22,919 Speaker 1: Of all the people watching Endgame on opening night in 488 00:23:22,960 --> 00:23:25,119 Speaker 1: the theater, you hear the roar when the big scene 489 00:23:25,160 --> 00:23:29,040 Speaker 1: happens and the entire theater erupts, and their whole thing 490 00:23:29,080 --> 00:23:30,960 Speaker 1: is like, we're ready to come back together again to 491 00:23:31,040 --> 00:23:34,480 Speaker 1: experience movies. To experience these characters. This is what it's 492 00:23:34,520 --> 00:23:36,720 Speaker 1: all about, this is what Marvel is great at. And 493 00:23:36,760 --> 00:23:39,520 Speaker 1: I kind of forgot that. It's been so long since 494 00:23:39,520 --> 00:23:42,199 Speaker 1: I've had that feeling and experience that and remember what 495 00:23:42,280 --> 00:23:44,439 Speaker 1: that was. That it's not only a movie you're watching 496 00:23:44,440 --> 00:23:47,320 Speaker 1: on the couch, taking in the story and trying to 497 00:23:47,400 --> 00:23:49,639 Speaker 1: take apart what you like from it. It's also a 498 00:23:49,680 --> 00:23:53,479 Speaker 1: shared experience. And I think that's why I loved Marvel, 499 00:23:53,560 --> 00:23:55,040 Speaker 1: and I kind of forgot about that. I think we 500 00:23:55,119 --> 00:24:17,280 Speaker 1: all kind of have lost that feelings example, So watching 501 00:24:17,320 --> 00:24:19,000 Speaker 1: that trailer again, I was like, you know what, I 502 00:24:19,080 --> 00:24:21,160 Speaker 1: am ready to get back into a theater and watch 503 00:24:21,240 --> 00:24:24,720 Speaker 1: a Marvel movie. And we're both fully backs now. I 504 00:24:24,760 --> 00:24:28,160 Speaker 1: think we're ready to kind of enter back into society 505 00:24:28,200 --> 00:24:30,440 Speaker 1: a little bit. But I still think going to see 506 00:24:30,440 --> 00:24:32,600 Speaker 1: an actual movie in theaters is still kind of down 507 00:24:32,600 --> 00:24:35,920 Speaker 1: there on the list. Like for me, I'm I'm still 508 00:24:36,040 --> 00:24:38,760 Speaker 1: looking at what's available for you know, on demand, Like 509 00:24:38,840 --> 00:24:41,239 Speaker 1: that's why I watched Nobody last week. That's also why 510 00:24:41,280 --> 00:24:43,359 Speaker 1: I haven't seen Four Good Days with Me Lacoonist because 511 00:24:43,359 --> 00:24:45,600 Speaker 1: it's only in theaters. I want to watch it, but 512 00:24:45,640 --> 00:24:47,480 Speaker 1: I'm like, I'm not ready to go back for that. 513 00:24:47,480 --> 00:24:48,919 Speaker 1: That's not the movie that's going to get me back 514 00:24:48,960 --> 00:24:50,720 Speaker 1: into a theater yet. We also don't have a free 515 00:24:50,720 --> 00:24:53,080 Speaker 1: weekend for the next time. That's also too We're pretty fast. 516 00:24:53,760 --> 00:24:57,040 Speaker 1: But anyway, they released the schedule now. Black Widow comes 517 00:24:57,040 --> 00:25:00,439 Speaker 1: out on July nine, which I am excited for if 518 00:25:00,480 --> 00:25:03,320 Speaker 1: anything else in between would make me excited to go 519 00:25:03,359 --> 00:25:05,359 Speaker 1: back to the theater. I think July nine is the 520 00:25:05,440 --> 00:25:08,000 Speaker 1: date plans that weekend too, so we won't be seeing 521 00:25:08,000 --> 00:25:11,239 Speaker 1: that one, okay, but maybe I'll sneak off and wanting him. 522 00:25:11,760 --> 00:25:13,879 Speaker 1: I'm just kidding, day get Marvel, Why do you have 523 00:25:13,920 --> 00:25:15,840 Speaker 1: to move with to July nine? Anyway, that's coming out, 524 00:25:16,240 --> 00:25:19,359 Speaker 1: maybe I can see it early on September three. Shang 525 00:25:19,440 --> 00:25:21,639 Speaker 1: Chai and The Legend of the Ten Rings comes out 526 00:25:22,040 --> 00:25:26,080 Speaker 1: on November five. The Eternals comes out December seventeen. Spider 527 00:25:26,080 --> 00:25:28,920 Speaker 1: Man No Way from Home comes out. Yeah. I am 528 00:25:28,960 --> 00:25:31,040 Speaker 1: super excited about that one. And there's been a lot 529 00:25:31,040 --> 00:25:34,360 Speaker 1: of theories going around on what's going on with that movie. 530 00:25:34,359 --> 00:25:36,480 Speaker 1: If they're bringing back Tobey Maguire, if they're bringing back 531 00:25:36,480 --> 00:25:40,840 Speaker 1: Andrew Garfield. Andrew Garfield has said in an interview that 532 00:25:40,960 --> 00:25:43,639 Speaker 1: he has not been contacted. We need to rewatch the 533 00:25:43,720 --> 00:25:47,560 Speaker 1: last one. But here's what he had to say. Listen, 534 00:25:47,960 --> 00:25:50,320 Speaker 1: I can't speak for anything else but for myself, Like 535 00:25:50,680 --> 00:25:55,280 Speaker 1: like they might be doing something, but then I ain't none, 536 00:25:55,760 --> 00:25:58,920 Speaker 1: like I ain't got cold. Doesn't sound like he's lying 537 00:25:58,960 --> 00:26:01,679 Speaker 1: to you, like I I don't think he is, Like 538 00:26:01,760 --> 00:26:04,680 Speaker 1: I don't think. I think something is going on there 539 00:26:04,760 --> 00:26:06,720 Speaker 1: because there's been so much speculation. But I've kind of 540 00:26:06,760 --> 00:26:08,800 Speaker 1: been tired of this speculation, Like I just want them 541 00:26:08,800 --> 00:26:10,680 Speaker 1: to announce it. I don't know how secretive they would 542 00:26:10,720 --> 00:26:13,960 Speaker 1: be about this, which Marvel is because there's some stuff 543 00:26:13,960 --> 00:26:16,520 Speaker 1: that leaked online of like crew members wearing the shirt 544 00:26:17,240 --> 00:26:19,760 Speaker 1: with like clues to who's in the movie. They've been 545 00:26:19,800 --> 00:26:21,720 Speaker 1: saying that Toby maguire is going to be in it. 546 00:26:21,800 --> 00:26:24,000 Speaker 1: But I don't really fall into the speculation. I just 547 00:26:24,000 --> 00:26:26,080 Speaker 1: want to know when it's announced, if he's in it 548 00:26:26,160 --> 00:26:28,240 Speaker 1: or not. He doesn't, It doesn't to me. It doesn't 549 00:26:28,240 --> 00:26:30,760 Speaker 1: sound like he's really aware of it. But he could 550 00:26:30,800 --> 00:26:33,760 Speaker 1: also be lying and throwing people off the trail, but 551 00:26:33,880 --> 00:26:36,120 Speaker 1: I think that would be I just think if those 552 00:26:36,240 --> 00:26:38,959 Speaker 1: three actors were all in one movie, that's what they 553 00:26:39,160 --> 00:26:40,879 Speaker 1: would be using to promote it. Do you think they 554 00:26:40,880 --> 00:26:42,600 Speaker 1: would hide that. I don't think they would hide that. 555 00:26:42,600 --> 00:26:44,040 Speaker 1: I also don't know how they would do that, and 556 00:26:44,080 --> 00:26:46,800 Speaker 1: I don't know if it would be that great. Yeah, 557 00:26:46,960 --> 00:26:49,119 Speaker 1: I just I just think they would be that would 558 00:26:49,119 --> 00:26:50,960 Speaker 1: be like the main thing, like here's Spider Man, here's 559 00:26:50,960 --> 00:26:53,640 Speaker 1: coming back, We're doing this big thing, And that's what 560 00:26:53,760 --> 00:26:57,199 Speaker 1: Marvel would be. So I am looking forward to that, 561 00:26:57,240 --> 00:26:59,760 Speaker 1: whatever it is. The last one I thought was really 562 00:26:59,760 --> 00:27:04,600 Speaker 1: good and probably underrated, I would say, but excited for 563 00:27:04,640 --> 00:27:11,240 Speaker 1: that one. Marvel spider Man just my favorite superhero. Who's yours? Oh? Marvel? Anyway? 564 00:27:11,600 --> 00:27:14,320 Speaker 1: Black Widow, Really I didn't know that. How did I 565 00:27:14,359 --> 00:27:16,840 Speaker 1: not know that? Why wouldn't it be a female followed 566 00:27:16,840 --> 00:27:20,760 Speaker 1: by Spider Man? There you go. On March now we're 567 00:27:20,760 --> 00:27:24,560 Speaker 1: getting into two. We got Doctor Strange in the Multiverse 568 00:27:24,600 --> 00:27:27,439 Speaker 1: of Madness. I don't think I've seen any of the doctors. Really, 569 00:27:28,080 --> 00:27:30,240 Speaker 1: wasn't that on our list? Yeah? Oh, it is on 570 00:27:30,280 --> 00:27:33,080 Speaker 1: the list. You need to watch those um On May 571 00:27:33,119 --> 00:27:35,919 Speaker 1: six is Store Love and Thunder. I think that one 572 00:27:35,960 --> 00:27:40,160 Speaker 1: will be really good. On July eight, they announced it's 573 00:27:40,160 --> 00:27:43,399 Speaker 1: called Black Panther. Wakonda Forever. So it's basically going to 574 00:27:43,520 --> 00:27:47,000 Speaker 1: be now in homage to Black Panther as Chadwick Boseman, 575 00:27:47,359 --> 00:27:48,679 Speaker 1: which I think would be good. I liked that they 576 00:27:48,720 --> 00:27:51,960 Speaker 1: gave it that title. I think that kind of they 577 00:27:51,960 --> 00:27:54,800 Speaker 1: were wondering on whether or not how to address his 578 00:27:54,920 --> 00:27:56,639 Speaker 1: death and if you're just gonna kind of move on 579 00:27:56,680 --> 00:27:58,760 Speaker 1: from his character. But I think this movie will be 580 00:27:58,800 --> 00:28:02,399 Speaker 1: pretty powerful. And then on November eleventh, two you have 581 00:28:02,560 --> 00:28:05,560 Speaker 1: The Marvels, which is actually Captain Marvel two, but they're 582 00:28:05,600 --> 00:28:08,560 Speaker 1: calling it the Marvels because they are bringing in the 583 00:28:08,640 --> 00:28:12,439 Speaker 1: character from wand Division. Monica Rambo from Wan Division is 584 00:28:12,440 --> 00:28:14,199 Speaker 1: going to be in that movie, so they're calling it 585 00:28:14,240 --> 00:28:17,840 Speaker 1: the Marvels. There's also a third character that could be great. 586 00:28:17,920 --> 00:28:23,680 Speaker 1: February three is ant Men in the Wasp. You still 587 00:28:23,720 --> 00:28:26,560 Speaker 1: have to watch those. I think those those are more 588 00:28:26,680 --> 00:28:30,520 Speaker 1: funny than they are just straight on normal superhero movies. 589 00:28:30,880 --> 00:28:32,760 Speaker 1: I think they're probably down there on the list for me, 590 00:28:32,840 --> 00:28:36,480 Speaker 1: but I still enjoy those. That's so long, you know 591 00:28:36,520 --> 00:28:38,960 Speaker 1: how I feel about movies coming out that far out. 592 00:28:39,200 --> 00:28:42,280 Speaker 1: I could be dead by that, Oh my gosh. And 593 00:28:42,320 --> 00:28:46,080 Speaker 1: then May five is guarding into the Galaxy volume three, 594 00:28:46,280 --> 00:28:48,600 Speaker 1: So that's a long time away. But I think all 595 00:28:48,680 --> 00:28:51,200 Speaker 1: of these are set in stone now, like this isn't 596 00:28:51,200 --> 00:28:53,840 Speaker 1: gonna move again. It better not move again, otherwise this 597 00:28:53,960 --> 00:28:57,080 Speaker 1: segment will make sense later. So for the sake of 598 00:28:57,120 --> 00:29:00,520 Speaker 1: the credibility of this podcast, Marvel, do not move any 599 00:29:00,560 --> 00:29:04,360 Speaker 1: more dates or I will go insane. You know how 600 00:29:04,360 --> 00:29:06,400 Speaker 1: I feel about not seeing a Marvel movie in almost 601 00:29:06,400 --> 00:29:09,080 Speaker 1: two years. I'm rolling my eyes because you're getting a 602 00:29:09,080 --> 00:29:13,640 Speaker 1: little dramatic. Gonna throw this table, okay, okay, well, anyway, 603 00:29:13,640 --> 00:29:16,560 Speaker 1: that's Marvel news. All right, we'll finish this up with 604 00:29:16,600 --> 00:29:19,160 Speaker 1: the movie news. Now. I saw a picture of Mark Wahlberg, 605 00:29:19,200 --> 00:29:22,160 Speaker 1: who is getting ready for a new movie called Father 606 00:29:22,280 --> 00:29:25,000 Speaker 1: stew and he has put on twenty pounds in three weeks. 607 00:29:25,040 --> 00:29:27,320 Speaker 1: So he posted a picture of him all like ripped up, 608 00:29:27,680 --> 00:29:29,240 Speaker 1: and then a picture of him kind of with like 609 00:29:29,280 --> 00:29:31,720 Speaker 1: a gut. Now, I know I've had to do dumb 610 00:29:31,720 --> 00:29:34,160 Speaker 1: things for work. How do you feel about this? I 611 00:29:34,200 --> 00:29:37,400 Speaker 1: think it's stupid having to do crazy things for work. Yes, 612 00:29:37,560 --> 00:29:40,120 Speaker 1: are we talking about you or Mark Wahlberg both? What 613 00:29:40,200 --> 00:29:42,040 Speaker 1: if I had to put on twenty pounds for work 614 00:29:42,320 --> 00:29:44,680 Speaker 1: in three weeks, that's just not healthy. Yeah, I mean 615 00:29:44,720 --> 00:29:48,360 Speaker 1: he's working with like a nutritionist to gain weight in 616 00:29:48,360 --> 00:29:50,840 Speaker 1: a healthy manner. But that's a lot of weight to 617 00:29:50,840 --> 00:29:52,720 Speaker 1: put on really quick. I think he's I mean the 618 00:29:52,800 --> 00:29:55,480 Speaker 1: thing about Mark Wallberg, he has such a crazy workout 619 00:29:55,520 --> 00:29:59,520 Speaker 1: routine beforehand that I feel like his body can take 620 00:29:59,560 --> 00:30:01,560 Speaker 1: it on. But it's also I mean, kind of a 621 00:30:01,560 --> 00:30:04,400 Speaker 1: shock to your body if you go so long eating healthy, 622 00:30:04,520 --> 00:30:06,640 Speaker 1: working out all the time and then you go into 623 00:30:06,680 --> 00:30:08,440 Speaker 1: this kind of mode. Yeah, because I feel like he 624 00:30:08,480 --> 00:30:11,040 Speaker 1: had to like eat so much to gain twenty pounds 625 00:30:11,080 --> 00:30:15,000 Speaker 1: because his metabolism is probably ridiculously high from working out. Yeah. 626 00:30:15,440 --> 00:30:18,320 Speaker 1: The other thing I think about situations like this is 627 00:30:18,360 --> 00:30:22,880 Speaker 1: whenever somebody wins an oscar for some kind of body transformation, 628 00:30:22,920 --> 00:30:25,440 Speaker 1: it's usually losing weight or putting on a lot of weight. 629 00:30:25,680 --> 00:30:29,320 Speaker 1: But I know, like Chris Hemsworth, who is super ripped up, 630 00:30:29,440 --> 00:30:32,800 Speaker 1: He's like, I don't get taken seriously because I am 631 00:30:32,880 --> 00:30:34,800 Speaker 1: like this, like because I'm so muscular. But I think 632 00:30:34,800 --> 00:30:38,120 Speaker 1: that's a whole other thing to like to maintain the 633 00:30:38,240 --> 00:30:41,360 Speaker 1: level of body it takes to be sore. I think 634 00:30:41,400 --> 00:30:44,160 Speaker 1: that's a thing within itself of like yo, like that's 635 00:30:44,200 --> 00:30:47,400 Speaker 1: an amazing accomplishment too. I know it's not a dramatic 636 00:30:47,480 --> 00:30:50,360 Speaker 1: change of like dropping weight like Christian Bale would do, 637 00:30:50,840 --> 00:30:52,560 Speaker 1: you know, one or the other way. But I think 638 00:30:52,600 --> 00:30:55,000 Speaker 1: that's another thing, like even the Rock maintaining what he 639 00:30:55,120 --> 00:30:57,840 Speaker 1: is to do those kind of movies, Like that's a 640 00:30:57,840 --> 00:30:59,880 Speaker 1: great accomplishment, but you don't see them really getting wreck 641 00:31:00,120 --> 00:31:02,920 Speaker 1: nice for that, So props to Mark Wahlberg, who I 642 00:31:02,920 --> 00:31:06,320 Speaker 1: think is an underrated actor. Marky Mark Marquis Mark. But 643 00:31:06,400 --> 00:31:08,680 Speaker 1: the most recent dumb thing I did for work, which 644 00:31:08,720 --> 00:31:10,520 Speaker 1: if you don't know, I am a writer and producer 645 00:31:10,560 --> 00:31:12,200 Speaker 1: on the Bobby Bones Show. I had to carry around 646 00:31:12,200 --> 00:31:14,520 Speaker 1: a purse for a week, which you weren't a big 647 00:31:14,640 --> 00:31:17,160 Speaker 1: fan of. Were you less a big fan of me 648 00:31:17,280 --> 00:31:19,360 Speaker 1: having to carry around the purse? And when I had 649 00:31:19,400 --> 00:31:21,960 Speaker 1: the idea of pepper spraying myself, don't even get me 650 00:31:22,000 --> 00:31:24,680 Speaker 1: started on the peppers. So it would be the pepper spray. 651 00:31:25,120 --> 00:31:27,960 Speaker 1: That was the dumbest thing you've ever done. Yeah, I 652 00:31:28,000 --> 00:31:31,760 Speaker 1: mean the purse thing. It was more I felt more embarrassed, 653 00:31:31,760 --> 00:31:33,560 Speaker 1: and I think you did. Yeah, I don't care if 654 00:31:33,560 --> 00:31:35,840 Speaker 1: you carry a purse, yeah, And I was just more 655 00:31:35,880 --> 00:31:38,280 Speaker 1: annoyed of like having to remember it all the time. Yeah, 656 00:31:38,360 --> 00:31:39,960 Speaker 1: it was kind of funny every morning when I was 657 00:31:39,960 --> 00:31:43,320 Speaker 1: half asleep and link, don't forget your purse today. Yeah 658 00:31:43,360 --> 00:31:45,120 Speaker 1: that was hard because I was like, I'm so used 659 00:31:45,120 --> 00:31:47,680 Speaker 1: to just taking my normal things. Having to add on 660 00:31:47,720 --> 00:31:50,680 Speaker 1: a purse is where I found the trouble, Like, I 661 00:31:50,720 --> 00:31:53,280 Speaker 1: don't care what people think about me. Yeah, guy wearing 662 00:31:53,320 --> 00:31:54,680 Speaker 1: a purse. Who cares? They're not going to see me 663 00:31:54,760 --> 00:31:57,880 Speaker 1: or remember me the next time I go there. The 664 00:31:57,880 --> 00:32:01,600 Speaker 1: pepper spray was by far also because you came home 665 00:32:01,720 --> 00:32:04,880 Speaker 1: and forgot that you probably shouldn't give me a kiss. Yeah, 666 00:32:05,040 --> 00:32:07,160 Speaker 1: and then my lips burned for an hour. That was 667 00:32:07,200 --> 00:32:10,000 Speaker 1: my bad, that was your bad. So but I mean, 668 00:32:11,080 --> 00:32:14,240 Speaker 1: I think that's a part of me having this type 669 00:32:14,280 --> 00:32:15,960 Speaker 1: of job that you've kind of had to adapt to, 670 00:32:16,040 --> 00:32:19,120 Speaker 1: and I commend you for it. I mean, and a 671 00:32:19,160 --> 00:32:20,880 Speaker 1: lot of the times I'm not even the ones having 672 00:32:20,920 --> 00:32:22,760 Speaker 1: to do the dumb things. Other people on that you 673 00:32:22,920 --> 00:32:25,280 Speaker 1: have to do much dumber things. I just sometimes come 674 00:32:25,320 --> 00:32:26,880 Speaker 1: up with the ideas that you come up with the 675 00:32:26,960 --> 00:32:30,040 Speaker 1: dumb and get looped into it. That one backfired on 676 00:32:30,160 --> 00:32:31,960 Speaker 1: me because that started out was an idea I had. 677 00:32:32,400 --> 00:32:34,120 Speaker 1: I was like, yeah, I'll submit it and it probably 678 00:32:34,160 --> 00:32:36,280 Speaker 1: won't be me, and it was yeah, and you really 679 00:32:36,320 --> 00:32:37,840 Speaker 1: kind of take one of your purses to work, and 680 00:32:37,840 --> 00:32:39,920 Speaker 1: I was like, probably not giving you my good purse. 681 00:32:40,840 --> 00:32:43,560 Speaker 1: So I carried around an abbey's old purse for which, 682 00:32:44,080 --> 00:32:46,280 Speaker 1: let me say this abby got way more. I feel 683 00:32:46,320 --> 00:32:49,280 Speaker 1: like she got secondhand hate because everybody was dogging on 684 00:32:49,320 --> 00:32:51,240 Speaker 1: the purse. I was like, gets the abbey's purse. This 685 00:32:51,360 --> 00:32:53,280 Speaker 1: is the purse look like a purse. Like, who's gonna 686 00:32:53,280 --> 00:32:55,160 Speaker 1: want the older Yeah, who's going to offer up a 687 00:32:55,240 --> 00:32:57,200 Speaker 1: nice purse for somebody else to carry around for a week? 688 00:32:57,240 --> 00:33:00,280 Speaker 1: Yeahs like Lunchbox getting it? And I was like, for 689 00:33:00,440 --> 00:33:03,840 Speaker 1: sure not getting Lunchbox my nice purse. But anyway, that'll 690 00:33:03,840 --> 00:33:05,960 Speaker 1: wrap it up for movie News And before I hop 691 00:33:06,000 --> 00:33:07,680 Speaker 1: out of here, every single week I give a shout 692 00:33:07,680 --> 00:33:10,200 Speaker 1: out to one of you guys listening. Anybody who sends 693 00:33:10,240 --> 00:33:13,760 Speaker 1: me a d M on Instagram, a message on Facebook, 694 00:33:13,840 --> 00:33:16,000 Speaker 1: or tweets me at my d stro or we have 695 00:33:16,080 --> 00:33:19,040 Speaker 1: the email movie Mike d at gmail dot com. And 696 00:33:19,080 --> 00:33:22,480 Speaker 1: this one actually comes to us from Twitter from Brian Brown, 697 00:33:22,520 --> 00:33:24,640 Speaker 1: who was talking about last week's episode about the best 698 00:33:24,760 --> 00:33:27,520 Speaker 1: years in film and he said, I really enjoy your 699 00:33:27,560 --> 00:33:30,160 Speaker 1: podcast and agree there are a lot of good years 700 00:33:30,200 --> 00:33:32,959 Speaker 1: in movies. I'm more of an eighties and a nineties 701 00:33:32,960 --> 00:33:34,640 Speaker 1: movies guy and wanted to give you a look at 702 00:33:34,640 --> 00:33:37,400 Speaker 1: a great year. Here are the top ten highest grossing 703 00:33:37,400 --> 00:33:41,160 Speaker 1: movies from four and all are considered classics. And I 704 00:33:41,200 --> 00:33:42,840 Speaker 1: looked at this year and I think it's a pretty 705 00:33:42,840 --> 00:33:46,600 Speaker 1: solid list. You have Beverly Hills Cop, Ghostbusters, Indiana Jones, 706 00:33:46,640 --> 00:33:51,000 Speaker 1: Gremlins at the Karate Kid, Police Academy, Footloose, and then 707 00:33:51,440 --> 00:33:53,280 Speaker 1: some other ones in the top ten there. But I 708 00:33:53,320 --> 00:33:57,240 Speaker 1: think that first top seven is a pretty strong case 709 00:33:57,280 --> 00:34:01,520 Speaker 1: for so appreciate you Ryan for listening and for tweeting, 710 00:34:01,880 --> 00:34:04,760 Speaker 1: and for everybody else who makes this a part of 711 00:34:05,360 --> 00:34:07,240 Speaker 1: You're a week. That's a big deal to me, especially 712 00:34:07,280 --> 00:34:09,480 Speaker 1: people who listen on Mondays. We love the Monday listeners, 713 00:34:09,480 --> 00:34:12,440 Speaker 1: don't We love the Monday Monday crew. I don't have 714 00:34:12,520 --> 00:34:14,520 Speaker 1: a name for you, guys. I don't think you guys 715 00:34:14,520 --> 00:34:16,799 Speaker 1: need a name. I just know you have a place 716 00:34:16,800 --> 00:34:21,479 Speaker 1: in my heart. The movie Monday Ars, the movie Monday Ars. 717 00:34:21,680 --> 00:34:23,560 Speaker 1: I'm just going off the dome here, Okay. The monthy 718 00:34:23,960 --> 00:34:28,240 Speaker 1: I kind of like the Monday crew. Okay, I'm sure whatever, 719 00:34:28,600 --> 00:34:31,520 Speaker 1: We'll appreciate you guys for listening. Hope you enjoyed the interview. 720 00:34:32,040 --> 00:34:34,880 Speaker 1: Until next week, we will talk to you then later