1 00:00:01,800 --> 00:00:04,479 Speaker 1: And that's what you really missed with Jenna. 2 00:00:04,559 --> 00:00:07,160 Speaker 2: And Kevin an iHeartRadio podcast. 3 00:00:09,480 --> 00:00:12,600 Speaker 1: Welcome to and that's what you really miss Kevin. 4 00:00:13,360 --> 00:00:17,480 Speaker 2: Yes, Yes, today's the day. 5 00:00:17,800 --> 00:00:22,680 Speaker 1: We get to speak to the mythical magical. I said 6 00:00:22,680 --> 00:00:27,320 Speaker 1: it wrong, mystical magical Jason Moraz Are you kidding? 7 00:00:27,960 --> 00:00:28,600 Speaker 2: I'm not ready. 8 00:00:28,760 --> 00:00:29,840 Speaker 1: We're such big fans. 9 00:00:30,800 --> 00:00:36,120 Speaker 2: Jason raz is the sweetest human with the sweetest voice. 10 00:00:36,280 --> 00:00:41,400 Speaker 1: I met him backstage at Waitress. I went to go 11 00:00:41,520 --> 00:00:45,159 Speaker 1: visit and he was doing doctor Pometer at that point, to. 12 00:00:45,360 --> 00:00:48,000 Speaker 2: Which I'm so mad I'm going to see him do. 13 00:00:48,000 --> 00:00:48,440 Speaker 3: That, Kevin. 14 00:00:48,560 --> 00:00:52,120 Speaker 1: To watch him sing you Matter to Me with Sarah 15 00:00:52,120 --> 00:00:54,160 Speaker 1: Brellis was such a treat. 16 00:00:54,560 --> 00:00:57,240 Speaker 2: I mean truly such a treat. 17 00:00:58,640 --> 00:01:02,680 Speaker 1: And he's featured on Sarah's twenty fifteen album What's Inside 18 00:01:02,680 --> 00:01:04,399 Speaker 1: the Songs from Waitress, so you should go listen to 19 00:01:04,440 --> 00:01:07,360 Speaker 1: that too. So it was like projecting him coming to 20 00:01:07,400 --> 00:01:07,680 Speaker 1: do it. 21 00:01:08,520 --> 00:01:11,480 Speaker 2: Those two singing together should not be allowed. 22 00:01:12,160 --> 00:01:15,120 Speaker 1: No, I know, I know, it was really something else. 23 00:01:15,959 --> 00:01:17,560 Speaker 2: I think they both have perfect pitch. 24 00:01:17,760 --> 00:01:18,559 Speaker 1: That would make sense. 25 00:01:19,080 --> 00:01:22,600 Speaker 2: What oh I I love to ask you more about that. 26 00:01:22,920 --> 00:01:27,160 Speaker 1: Yeah, yeah, yeah, yeah, Well you guys imagine we have 27 00:01:27,240 --> 00:01:28,960 Speaker 1: the wonderful, Jason raz enjoy. 28 00:01:29,560 --> 00:01:32,160 Speaker 3: Coming to you from a motel room on the side 29 00:01:32,200 --> 00:01:33,640 Speaker 3: of the one oh one freeway. 30 00:01:35,360 --> 00:01:38,360 Speaker 2: Santa Barbara, Oh, Santa Barbara is fancy. 31 00:01:38,680 --> 00:01:41,200 Speaker 3: Well, Santa Barbara's fancy, But a hotel. 32 00:01:40,959 --> 00:01:42,800 Speaker 2: Room on the side of the freeway maybe not so much. 33 00:01:43,080 --> 00:01:45,200 Speaker 3: Not so much. But that's okay, Jason. 34 00:01:45,240 --> 00:01:49,760 Speaker 1: I don't if you remember I came backstage when you 35 00:01:49,840 --> 00:01:53,640 Speaker 1: were doing waitress and met you. Oh, because I also 36 00:01:53,680 --> 00:01:56,680 Speaker 1: did waitress, like two were you doing? 37 00:01:57,440 --> 00:02:00,480 Speaker 3: Yeah, that's so cool. I think I saw you is done? 38 00:02:01,160 --> 00:02:01,840 Speaker 2: Really it did. 39 00:02:02,120 --> 00:02:06,559 Speaker 3: Yeah, that's so cool. Yeah, what a great show. 40 00:02:07,200 --> 00:02:09,760 Speaker 1: Truly, what a joy, what a joy. 41 00:02:10,400 --> 00:02:12,400 Speaker 3: I would do that job forever and ever. 42 00:02:13,400 --> 00:02:17,280 Speaker 1: No, right, I sing that music, hang out with those people, 43 00:02:17,800 --> 00:02:21,799 Speaker 1: the nicest people, and one of the funnest experiences I 44 00:02:21,880 --> 00:02:22,320 Speaker 1: ever had. 45 00:02:22,720 --> 00:02:25,519 Speaker 3: Yeah, mine too. Wow, small world. You know, if we 46 00:02:25,639 --> 00:02:27,760 Speaker 3: live long enough, maybe everyone in the world will get 47 00:02:27,800 --> 00:02:28,520 Speaker 3: to be in waitress. 48 00:02:29,320 --> 00:02:33,040 Speaker 2: I believe it. I will one day be in waitress. 49 00:02:33,160 --> 00:02:35,919 Speaker 3: Yes, you could be old Joe at some point, Kevin, 50 00:02:37,480 --> 00:02:38,919 Speaker 3: try to give you some suff like that. 51 00:02:41,240 --> 00:02:41,919 Speaker 2: I would love that. 52 00:02:42,760 --> 00:02:45,320 Speaker 1: Well, we know you're on tour, so thank you for 53 00:02:45,800 --> 00:02:49,079 Speaker 1: chatting the best and taking the time. 54 00:02:49,560 --> 00:02:53,440 Speaker 2: Also, by the way, please look up Jason's tour because 55 00:02:53,680 --> 00:02:57,720 Speaker 2: I've seen you several times live and if people haven't, 56 00:02:57,760 --> 00:03:00,840 Speaker 2: or if they have, then you too. Anyway, because you 57 00:03:01,320 --> 00:03:03,000 Speaker 2: have one of the craziest voices. 58 00:03:05,200 --> 00:03:07,760 Speaker 3: I don't know that it's simple. I try not to. 59 00:03:09,080 --> 00:03:12,799 Speaker 2: I will say it for you because I don't know 60 00:03:12,919 --> 00:03:16,120 Speaker 2: how you do it. But like, every time you hit 61 00:03:16,160 --> 00:03:17,959 Speaker 2: a high note, I'm like, oh, surely that's the top 62 00:03:18,000 --> 00:03:21,359 Speaker 2: of his range. And you just keep going up. You 63 00:03:21,520 --> 00:03:24,400 Speaker 2: just keep going and your voice never breaks and you 64 00:03:24,520 --> 00:03:26,519 Speaker 2: have like this beautiful rasp but you put in that. 65 00:03:26,560 --> 00:03:29,120 Speaker 2: I just yeah, so cool. 66 00:03:29,320 --> 00:03:30,040 Speaker 3: Thanks for saying. 67 00:03:30,120 --> 00:03:31,119 Speaker 2: So Yeah. 68 00:03:31,240 --> 00:03:33,960 Speaker 3: Our show right now is so much fun. We have costumes, 69 00:03:34,000 --> 00:03:36,480 Speaker 3: we have dance moves. It's kind of like a big 70 00:03:36,560 --> 00:03:43,000 Speaker 3: show choir kind of a feeling. Everybody plays instruments and 71 00:03:43,080 --> 00:03:46,440 Speaker 3: there's multiple multiple instruments. You know, people are changing out 72 00:03:46,440 --> 00:03:50,360 Speaker 3: and switching places and it's so fun and we and 73 00:03:50,440 --> 00:03:53,160 Speaker 3: the show's not you know, we don't do the same 74 00:03:53,240 --> 00:03:55,640 Speaker 3: song order every night, which is also fun where we're 75 00:03:55,680 --> 00:03:57,760 Speaker 3: still trying to make it exciting for ourselves. 76 00:03:58,160 --> 00:03:58,640 Speaker 2: So great. 77 00:03:59,320 --> 00:04:02,119 Speaker 3: So I think if you if you have them into 78 00:04:02,200 --> 00:04:05,280 Speaker 3: a show of mine yet, this would be the tour 79 00:04:05,520 --> 00:04:07,600 Speaker 3: to do it, and also, I don't know how long 80 00:04:07,640 --> 00:04:11,960 Speaker 3: I'm going to tour after this, you know, I don't know. 81 00:04:12,200 --> 00:04:14,480 Speaker 3: Living in a motel on the side of the freeway. 82 00:04:16,040 --> 00:04:18,880 Speaker 2: Tough people show up and they see you in the lights, 83 00:04:19,240 --> 00:04:21,479 Speaker 2: in the stage and all that, and they think that's 84 00:04:22,200 --> 00:04:22,680 Speaker 2: all it is. 85 00:04:23,040 --> 00:04:25,160 Speaker 3: They're seeing the best part of the day, you know. 86 00:04:25,320 --> 00:04:29,160 Speaker 3: They're saying, yeah, they're seeing the two hours that everybody 87 00:04:29,200 --> 00:04:33,160 Speaker 3: works all day to put together, you know. And then 88 00:04:34,080 --> 00:04:37,760 Speaker 3: after that the countdown begins to like, you know, pack 89 00:04:37,839 --> 00:04:39,920 Speaker 3: your stuff and get on the bus. You know, we've 90 00:04:39,960 --> 00:04:42,400 Speaker 3: got like, you know, crew that has to keep things moving, 91 00:04:43,320 --> 00:04:45,440 Speaker 3: and then we all squeeze into a bus that's too 92 00:04:45,480 --> 00:04:49,400 Speaker 3: small for all of us, pile of bags and the 93 00:04:49,600 --> 00:04:52,720 Speaker 3: gross you know, just the smells of the bus are 94 00:04:52,800 --> 00:04:56,240 Speaker 3: not pleasant, and you go bang them out night after night. 95 00:04:56,800 --> 00:05:00,200 Speaker 3: There's another job like it. It's like a circus, is 96 00:05:00,600 --> 00:05:01,160 Speaker 3: it really is. 97 00:05:01,520 --> 00:05:03,080 Speaker 1: We toured for a little bit and we got a 98 00:05:03,200 --> 00:05:06,560 Speaker 1: small taste of it, and we got some swanky you 99 00:05:06,640 --> 00:05:09,200 Speaker 1: know things along with it too, and it was not 100 00:05:09,279 --> 00:05:12,120 Speaker 1: a fair tour experience. 101 00:05:12,160 --> 00:05:17,080 Speaker 3: You know, you get you get all the whole spectrum. 102 00:05:17,279 --> 00:05:22,480 Speaker 2: Yes, that's right, Jenna I believe that. 103 00:05:23,080 --> 00:05:23,720 Speaker 1: I believe that. 104 00:05:23,920 --> 00:05:27,640 Speaker 3: Congrat thank you, thank you so much. 105 00:05:37,160 --> 00:05:40,760 Speaker 2: So on Glee we got to cover two of your songs, 106 00:05:41,200 --> 00:05:42,440 Speaker 2: Lucky and I Will give Up. 107 00:05:43,800 --> 00:05:44,000 Speaker 3: Now. 108 00:05:45,120 --> 00:05:47,880 Speaker 2: How does that work from your end? Do you hear 109 00:05:47,960 --> 00:05:52,440 Speaker 2: about like this show wants to use your music? Do 110 00:05:52,480 --> 00:05:55,400 Speaker 2: you approve of it? Had you heard of Glee? How 111 00:05:55,440 --> 00:05:56,480 Speaker 2: does that work from your end? 112 00:05:57,080 --> 00:05:57,279 Speaker 1: Yeah? 113 00:05:57,320 --> 00:05:59,719 Speaker 3: I heard of it and knew that they were taking, 114 00:06:00,560 --> 00:06:03,440 Speaker 3: you know, modern songs and spinning them into the script 115 00:06:03,760 --> 00:06:07,720 Speaker 3: and into the storyline for this musical television show. And 116 00:06:07,800 --> 00:06:10,880 Speaker 3: I just thought that's super cool. And as a songwriter, 117 00:06:11,000 --> 00:06:13,440 Speaker 3: you want to find homes for your songs. You want 118 00:06:13,480 --> 00:06:17,040 Speaker 3: to have places where they're played. And I think the 119 00:06:17,200 --> 00:06:20,480 Speaker 3: more interesting, the better, you know. I think anybody can 120 00:06:20,520 --> 00:06:22,520 Speaker 3: get their song streamed, anybody get their song on the radio, 121 00:06:22,640 --> 00:06:25,239 Speaker 3: but not everybody can get their song woven into a script, 122 00:06:25,880 --> 00:06:29,120 Speaker 3: into a storyline on a musical television show, you know. 123 00:06:29,279 --> 00:06:31,920 Speaker 3: So I find stuff like that, moments like that to 124 00:06:32,000 --> 00:06:35,560 Speaker 3: be really high honor. And and then I'm always curious, 125 00:06:35,640 --> 00:06:37,760 Speaker 3: is that you know how they're going to take a 126 00:06:37,839 --> 00:06:40,560 Speaker 3: song like I Won't give Up, which, you know, it 127 00:06:40,640 --> 00:06:44,560 Speaker 3: sounds like I'm singing to someone but you know, really, 128 00:06:44,600 --> 00:06:46,520 Speaker 3: I'm sitting at the table singing to myself to not 129 00:06:46,680 --> 00:06:48,960 Speaker 3: quit and I give up with myself after a heartache, 130 00:06:49,000 --> 00:06:51,039 Speaker 3: after a breakup, I still want to recognize the beauty 131 00:06:51,080 --> 00:06:53,240 Speaker 3: and the other person, but I still want to maintain 132 00:06:53,279 --> 00:06:57,040 Speaker 3: the beauty that I have inside, because when you go 133 00:06:57,120 --> 00:06:59,120 Speaker 3: through a breakup, you feel like a loser, you know. 134 00:06:59,240 --> 00:07:01,120 Speaker 3: And so I won't give up was a way for 135 00:07:01,200 --> 00:07:03,560 Speaker 3: me to say, Look, I don't want to walk away 136 00:07:03,600 --> 00:07:05,719 Speaker 3: from this, I don't want to walk over my dream. 137 00:07:05,760 --> 00:07:07,360 Speaker 3: I don't want to give up on thinking I'm a 138 00:07:07,400 --> 00:07:10,920 Speaker 3: cool guy. I won't give up, you know. So that 139 00:07:11,000 --> 00:07:14,760 Speaker 3: song was very healing for me. So whenever I see 140 00:07:14,800 --> 00:07:18,360 Speaker 3: people using it at weddings or in any ceremony in 141 00:07:18,400 --> 00:07:22,440 Speaker 3: their life and in the casically, you know, it was 142 00:07:23,480 --> 00:07:26,400 Speaker 3: pretty amazing just to see how a song idea from 143 00:07:27,120 --> 00:07:30,560 Speaker 3: your kitchen table can suddenly exist in some other universe. 144 00:07:31,360 --> 00:07:36,280 Speaker 1: Totally, yeah, totally did you now? Did you? Were you 145 00:07:36,440 --> 00:07:39,760 Speaker 1: curious after we use them? Did you not want to 146 00:07:39,760 --> 00:07:43,440 Speaker 1: see it done? Did you watch it? You don't also 147 00:07:43,520 --> 00:07:45,240 Speaker 1: have to tell us, But I'm just curious because like 148 00:07:45,360 --> 00:07:49,560 Speaker 1: as actors, some people watch their stuff and some people 149 00:07:49,720 --> 00:07:53,560 Speaker 1: cannot possibly watch their their work, So I'm just curious, 150 00:07:53,720 --> 00:07:55,360 Speaker 1: like what you are kind of processes. 151 00:07:57,360 --> 00:07:58,960 Speaker 3: I didn't see it in real time. I think I 152 00:07:59,000 --> 00:08:01,880 Speaker 3: saw it much later. I was touring a lot when 153 00:08:01,920 --> 00:08:07,280 Speaker 3: it came out, And honestly, I'm always working on the 154 00:08:07,360 --> 00:08:10,440 Speaker 3: next song, you know. Yeah, I don't think about the 155 00:08:10,680 --> 00:08:14,360 Speaker 3: old songs. I'm delighted, you know, don't get me wrong, 156 00:08:16,160 --> 00:08:19,000 Speaker 3: But as a creator, I'm always like, what I know 157 00:08:19,080 --> 00:08:22,000 Speaker 3: where my next song idea and where my next musical 158 00:08:22,200 --> 00:08:22,960 Speaker 3: expression will be. 159 00:08:23,320 --> 00:08:23,560 Speaker 1: Sure. 160 00:08:24,000 --> 00:08:25,800 Speaker 2: It was also so fun for us because we did 161 00:08:26,200 --> 00:08:29,600 Speaker 2: so many older songs as well, Like a big part 162 00:08:29,640 --> 00:08:32,120 Speaker 2: of the foundation of Glee was doing sort of eighties 163 00:08:32,200 --> 00:08:35,200 Speaker 2: and seventies music. Sure, And I remember when we first 164 00:08:35,240 --> 00:08:38,520 Speaker 2: did Lucky so excited. I had my fingers crossed that 165 00:08:38,559 --> 00:08:39,839 Speaker 2: I was doing it, but I didn't get to do it. 166 00:08:40,520 --> 00:08:44,480 Speaker 2: But Cordon Dana who did it. It works so beautifully 167 00:08:45,320 --> 00:08:48,439 Speaker 2: with their voices and in the storyline. And then it 168 00:08:48,600 --> 00:08:50,959 Speaker 2: was one of our favorite times during the show on 169 00:08:51,040 --> 00:08:53,480 Speaker 2: tour because they did that every single night all over 170 00:08:53,520 --> 00:08:54,000 Speaker 2: the world, and. 171 00:08:54,040 --> 00:08:55,319 Speaker 3: It was really. 172 00:08:56,720 --> 00:09:00,520 Speaker 2: Beautiful. I mean, like, I mean the most minised glimpse 173 00:09:00,640 --> 00:09:03,319 Speaker 2: maybe to what you are receiving every single night on 174 00:09:03,400 --> 00:09:05,360 Speaker 2: tour because we were all on stage for that, but 175 00:09:05,440 --> 00:09:07,959 Speaker 2: it's those two outperforming it, and so we're looking at 176 00:09:08,440 --> 00:09:12,920 Speaker 2: an arena full of people singing the song wow and yeah. 177 00:09:13,280 --> 00:09:15,640 Speaker 2: To hear them like that must just be the most 178 00:09:15,720 --> 00:09:19,720 Speaker 2: incredible feeling for you night of night on tour because 179 00:09:19,840 --> 00:09:24,319 Speaker 2: you have gigantic songs and songs that mean a lot 180 00:09:24,360 --> 00:09:26,360 Speaker 2: to people. I think a lot of your songs soundtrack 181 00:09:26,400 --> 00:09:28,760 Speaker 2: a lot of people's lives in a way, because you're 182 00:09:28,760 --> 00:09:31,920 Speaker 2: such a good storyteller. When you go out on tour, 183 00:09:32,040 --> 00:09:34,520 Speaker 2: do you do people just bum rush you of how 184 00:09:34,600 --> 00:09:36,360 Speaker 2: much these songs mean to them. 185 00:09:37,480 --> 00:09:41,880 Speaker 3: I don't get bum rushed, but I do, you know, receive. 186 00:09:42,520 --> 00:09:45,200 Speaker 3: You know, hear a lot of great stories about people, 187 00:09:45,360 --> 00:09:47,599 Speaker 3: how they've applied these songs to their lives, or what 188 00:09:47,720 --> 00:09:52,920 Speaker 3: they mean between friends and family. I wish I had 189 00:09:53,480 --> 00:09:56,120 Speaker 3: more of more songs like that, because they when they 190 00:09:56,240 --> 00:09:59,079 Speaker 3: hit in the set list, they pete. You know, the 191 00:09:59,120 --> 00:10:02,719 Speaker 3: show has these moments where suddenly the audience is just 192 00:10:03,040 --> 00:10:07,040 Speaker 3: singing so loud. I have a great singing audience and 193 00:10:07,160 --> 00:10:10,839 Speaker 3: it is a wonderful feeling that I never get tired of. 194 00:10:12,440 --> 00:10:13,920 Speaker 3: And like I said, I wish I had more songs 195 00:10:13,920 --> 00:10:16,160 Speaker 3: in the show like that, because occasionally, you know, I'll 196 00:10:16,200 --> 00:10:18,200 Speaker 3: do a few of those in a row, and then 197 00:10:18,240 --> 00:10:21,120 Speaker 3: I'll go to some obscure song and it's just quiet. 198 00:10:21,440 --> 00:10:25,320 Speaker 3: You know, the audience is like, Okay, we'll wait until 199 00:10:25,440 --> 00:10:30,240 Speaker 3: we know the next one. So sweet, But wow, I 200 00:10:30,280 --> 00:10:32,600 Speaker 3: didn't I didn't think about that about Lee on tour 201 00:10:32,679 --> 00:10:34,959 Speaker 3: and how that song would be sung. Thank you so much. 202 00:10:35,160 --> 00:10:39,280 Speaker 3: That's a great like visual to imagine arena full of 203 00:10:39,320 --> 00:10:45,920 Speaker 3: people and I'm not even there. Yeah, you know, if 204 00:10:46,000 --> 00:10:47,640 Speaker 3: I want to go on tour again, I might be 205 00:10:47,720 --> 00:10:50,640 Speaker 3: wrapping my tour years up and you can take my 206 00:10:50,800 --> 00:10:53,080 Speaker 3: songs and have That's very nice. 207 00:10:54,360 --> 00:10:58,760 Speaker 2: I think are over you could be a Jason Rats 208 00:10:58,800 --> 00:11:00,400 Speaker 2: cover group, you know what. 209 00:11:01,240 --> 00:11:02,800 Speaker 3: You know what when I'm on to I feel like 210 00:11:02,840 --> 00:11:06,240 Speaker 3: a Jason Rand's cover group, you know, I really do. 211 00:11:10,200 --> 00:11:14,920 Speaker 2: Who played the flash and he was also on Glee. 212 00:11:15,040 --> 00:11:17,120 Speaker 2: I was texting him before this because he and I 213 00:11:17,280 --> 00:11:21,080 Speaker 2: used to bond over your music. I love of your music. 214 00:11:21,160 --> 00:11:23,360 Speaker 2: So I was am like, is there anything you want 215 00:11:23,800 --> 00:11:25,400 Speaker 2: me to ask in your behalf? He's like, no, no, no, 216 00:11:25,480 --> 00:11:28,360 Speaker 2: I don't want to embarrass myself, but have a good, 217 00:11:28,600 --> 00:11:29,160 Speaker 2: good interview. 218 00:11:29,360 --> 00:11:29,920 Speaker 1: That's cute. 219 00:11:31,200 --> 00:11:34,280 Speaker 3: Hey tell your friend Grant that my friend of house 220 00:11:34,400 --> 00:11:36,679 Speaker 3: mixer e T. He looks he looks a little like 221 00:11:36,800 --> 00:11:40,600 Speaker 3: Rod Stewart. He is the biggest Flash fan, the biggest 222 00:11:41,320 --> 00:11:49,560 Speaker 3: Ye every show, whole series on a little catch him 223 00:11:49,600 --> 00:11:53,199 Speaker 3: watching it on a little iPad on the soundboard. What 224 00:11:53,280 --> 00:11:55,640 Speaker 3: are you doing, I'm watching the Flash. He's in a 225 00:11:55,720 --> 00:12:02,320 Speaker 3: digets like I'm watching the Flash show, very familiar with Grant. 226 00:12:11,200 --> 00:12:13,960 Speaker 2: Tell us about your new album, because you came out 227 00:12:13,960 --> 00:12:15,560 Speaker 2: a couple of weeks ago and it's so good. 228 00:12:16,080 --> 00:12:19,559 Speaker 3: Thanks. You know, I'm still trying to do things that 229 00:12:19,559 --> 00:12:22,079 Speaker 3: I haven't done yet. And as a singer songwriter who 230 00:12:22,160 --> 00:12:25,480 Speaker 3: typically writes some guitar piano, it's hard to like break 231 00:12:25,559 --> 00:12:29,199 Speaker 3: out of you know, pop formulaic structure, you know. And 232 00:12:29,640 --> 00:12:33,880 Speaker 3: but I've sort of always been in the acoustic rock lane, 233 00:12:34,600 --> 00:12:40,240 Speaker 3: and I wanted, but I've loved electronic music for my 234 00:12:40,360 --> 00:12:43,160 Speaker 3: whole life, you know. I love synthesizers and beats and 235 00:12:43,480 --> 00:12:46,599 Speaker 3: going to you know, dj C DJs and listen to 236 00:12:46,920 --> 00:12:50,440 Speaker 3: m and all that roller skate to disco and dance music. 237 00:12:50,520 --> 00:12:52,640 Speaker 3: And Michael Jackson was one of my heroes growing up, 238 00:12:52,760 --> 00:12:55,480 Speaker 3: and so I've never really gone down the dance music route, 239 00:12:55,520 --> 00:12:57,360 Speaker 3: and I tried that on this album. I wanted to 240 00:12:57,400 --> 00:12:59,800 Speaker 3: see if I could take the songs we were working 241 00:12:59,840 --> 00:13:01,640 Speaker 3: on and just go them up a little bit. So 242 00:13:01,760 --> 00:13:04,719 Speaker 3: we we wrote from that perspective of like, how could 243 00:13:04,760 --> 00:13:06,760 Speaker 3: what could we give our audience Because that's another thing 244 00:13:06,800 --> 00:13:09,360 Speaker 3: is we tour so much. We noticed that our audience 245 00:13:09,440 --> 00:13:12,319 Speaker 3: wants to actually participate in dance and do things, you know, 246 00:13:12,480 --> 00:13:15,400 Speaker 3: So we wrote an album that would would hope affect 247 00:13:15,480 --> 00:13:17,400 Speaker 3: our tour and it is, you know. Now we're like 248 00:13:17,440 --> 00:13:20,280 Speaker 3: a little singing and dancing group. I just watched the 249 00:13:20,320 --> 00:13:21,800 Speaker 3: Wham documentary and I'm. 250 00:13:21,720 --> 00:13:27,280 Speaker 4: So inspired by their They're just there, their their attention 251 00:13:27,559 --> 00:13:32,320 Speaker 4: to inclusivity and their their love of dance and bringing 252 00:13:32,400 --> 00:13:33,359 Speaker 4: joy to audiences. 253 00:13:33,960 --> 00:13:36,560 Speaker 3: I think that that document came out just the right 254 00:13:36,600 --> 00:13:39,200 Speaker 3: time for us here. We're launching, when we're launching the tour, 255 00:13:39,920 --> 00:13:41,760 Speaker 3: so we feel a little bit like Wham right now. 256 00:13:41,760 --> 00:13:43,760 Speaker 3: And that's kind of what the album feels like as well. 257 00:13:43,840 --> 00:13:49,920 Speaker 3: It's just like happy dancing, uh, cheering you on to 258 00:13:50,000 --> 00:13:51,720 Speaker 3: go live your dream type of songs. 259 00:13:52,760 --> 00:13:55,760 Speaker 1: We need more of that right now. So I'm glad 260 00:13:55,840 --> 00:13:58,880 Speaker 1: that you are sending that out into the world right now. 261 00:13:59,040 --> 00:13:59,280 Speaker 4: Yeah. 262 00:14:00,880 --> 00:14:04,199 Speaker 2: Yeah, it's a great album. It's called Mystical, Magical, Rhythmical 263 00:14:04,320 --> 00:14:07,120 Speaker 2: Radical Ride. Make sure you go stream it, by it, 264 00:14:07,320 --> 00:14:08,880 Speaker 2: download it, go see a tour. 265 00:14:09,559 --> 00:14:13,000 Speaker 3: Yeah, we're going to stream our tour live on August eleventh. 266 00:14:13,559 --> 00:14:15,640 Speaker 1: That's right from the bank Amphitheater. 267 00:14:16,440 --> 00:14:18,840 Speaker 2: That's right, Well, go check it out. 268 00:14:19,640 --> 00:14:22,120 Speaker 3: Yeah, if you can't get to a show, just tune in. 269 00:14:22,640 --> 00:14:24,800 Speaker 3: We're going to do our singing and dancing on a 270 00:14:24,840 --> 00:14:25,360 Speaker 3: live stream. 271 00:14:25,600 --> 00:14:25,800 Speaker 4: Do it. 272 00:14:25,840 --> 00:14:27,440 Speaker 1: We'll be dancing in our living rooms. 273 00:14:28,280 --> 00:14:32,440 Speaker 3: That's the best place to do it. Yeah, nobody's t shirt. 274 00:14:34,320 --> 00:14:36,240 Speaker 2: Eating a bowl of ice cream and dancing around. 275 00:14:36,600 --> 00:14:41,040 Speaker 1: That's right. Well, we won't keep you from your crazy 276 00:14:41,160 --> 00:14:44,400 Speaker 1: travel and your wonderful motel. Thank you for joining us. 277 00:14:44,640 --> 00:14:45,480 Speaker 1: Really great to see you. 278 00:14:45,960 --> 00:14:47,000 Speaker 2: Thank you so so much. 279 00:14:47,240 --> 00:14:52,000 Speaker 3: Thanks for having me on your program. Okay, goodbye, Oh. 280 00:14:51,920 --> 00:14:54,840 Speaker 2: My god, so nice guys. We just talked to Jason Rice. 281 00:14:55,480 --> 00:14:58,840 Speaker 2: We should really start using this podcast as a way 282 00:14:58,920 --> 00:15:01,800 Speaker 2: to just hang out with people were gigantic fans of. 283 00:15:02,400 --> 00:15:05,080 Speaker 1: Well, I remember, and I just didn't we didn't have 284 00:15:05,160 --> 00:15:09,080 Speaker 1: enough time. But I remember they would ask me on 285 00:15:09,160 --> 00:15:11,240 Speaker 1: the carpet what I would want to sing, and I 286 00:15:11,240 --> 00:15:13,320 Speaker 1: would do a lot of carpets with you, Kevin, and 287 00:15:13,520 --> 00:15:15,000 Speaker 1: I would be like, I don't want to tell them 288 00:15:15,040 --> 00:15:16,600 Speaker 1: what I want to sing anywhere. I'm tired of that. 289 00:15:16,680 --> 00:15:19,040 Speaker 1: I'd be like, well, I want Kevin to sing I'm yours, 290 00:15:19,680 --> 00:15:22,560 Speaker 1: and I would always pitch that one for you out 291 00:15:22,600 --> 00:15:26,000 Speaker 1: in the world. But we loved Jason Raz. We loved 292 00:15:26,080 --> 00:15:27,640 Speaker 1: listening to when we were such a big fan of his. 293 00:15:28,080 --> 00:15:31,480 Speaker 2: One of my earliest memories of living in LA when 294 00:15:31,520 --> 00:15:33,120 Speaker 2: I well, when I first started going to LA before 295 00:15:33,120 --> 00:15:36,720 Speaker 2: I properly moved there. I think I was thirteen or fourteen. 296 00:15:36,840 --> 00:15:39,360 Speaker 2: I made my mom drive me to a CD warehouse 297 00:15:39,520 --> 00:15:42,960 Speaker 2: is what it was called, to buy Jason Raz's very 298 00:15:43,040 --> 00:15:46,640 Speaker 2: first album. I remember it, oh so clearly. I went 299 00:15:46,720 --> 00:15:51,000 Speaker 2: and buy myself. I paid for it by myself because 300 00:15:51,040 --> 00:15:53,040 Speaker 2: I saw him like on VH one or something they're 301 00:15:53,080 --> 00:15:55,320 Speaker 2: doing like a new artist Spotlight, and I was like, 302 00:15:55,480 --> 00:15:58,800 Speaker 2: I want this guy to be so successful, because you know, 303 00:15:59,160 --> 00:16:02,960 Speaker 2: it was indie pop. It wasn't what everybody else was 304 00:16:03,040 --> 00:16:05,480 Speaker 2: doing at the time, and I felt like I need 305 00:16:05,560 --> 00:16:08,400 Speaker 2: to do my part and make sure Kevin he gets 306 00:16:08,400 --> 00:16:11,400 Speaker 2: to keep making music, and wow, wow, you know it's 307 00:16:11,440 --> 00:16:13,840 Speaker 2: like I said to him, soundtracks the rest of my life. 308 00:16:14,640 --> 00:16:16,800 Speaker 1: We got to see him from New York last a 309 00:16:16,840 --> 00:16:19,600 Speaker 1: couple of weeks ago, and he was really it was 310 00:16:19,760 --> 00:16:23,880 Speaker 1: really inspiring, and he's really wonderful, and you can tell 311 00:16:24,000 --> 00:16:27,120 Speaker 1: how much he loves his craft and how much he 312 00:16:27,240 --> 00:16:32,480 Speaker 1: respects it, and and it's so grounded, so just. 313 00:16:32,520 --> 00:16:35,360 Speaker 2: How naturally good he is at it too. It all 314 00:16:35,520 --> 00:16:36,680 Speaker 2: just comes pouring out. 315 00:16:37,000 --> 00:16:41,400 Speaker 1: So his eighth studio album is mystical, magical, rhythmic, rhythmical, 316 00:16:41,640 --> 00:16:46,920 Speaker 1: radical Ride. You try saying that ten times fast in 317 00:16:48,160 --> 00:16:51,080 Speaker 1: it's here, so go stream it. And then he's also 318 00:16:51,160 --> 00:16:53,880 Speaker 1: on tour and he's live streaming his August eleventh show. 319 00:16:55,200 --> 00:16:59,560 Speaker 1: So go to Jasonmraz dot veep's V E E p 320 00:16:59,840 --> 00:17:02,560 Speaker 1: s dot com to go scream that if you can't 321 00:17:02,600 --> 00:17:05,400 Speaker 1: go to a live show. And I hope you guys 322 00:17:05,480 --> 00:17:07,960 Speaker 1: enjoyed Jayson Riz. We're just gonna go gleek out even 323 00:17:08,040 --> 00:17:11,879 Speaker 1: more now because I'm overwhelmed. Yeah, that was exciting. 324 00:17:11,920 --> 00:17:14,680 Speaker 2: I'm fully overwhelmed. So thank you Jason for spending some 325 00:17:14,800 --> 00:17:17,640 Speaker 2: time with us. Thank you for allowing Glee to cover 326 00:17:17,920 --> 00:17:21,560 Speaker 2: a couple of your songs. Meant a lot to us 327 00:17:21,800 --> 00:17:26,280 Speaker 2: as a show and as fans. Correct See you next week, 328 00:17:26,680 --> 00:17:29,560 Speaker 2: and that's what you really missed, y'all. Thanks for listening 329 00:17:29,920 --> 00:17:32,399 Speaker 2: and follow us on Instagram at and that's what you 330 00:17:32,560 --> 00:17:34,720 Speaker 2: really miss pod. Make sure to write us a review 331 00:17:34,840 --> 00:17:36,960 Speaker 2: and leave us five stars. See you next time.