1 00:00:00,480 --> 00:00:00,880 Speaker 1: Warning. 2 00:00:01,560 --> 00:00:06,080 Speaker 2: Today's episode of XRGC contains spoilers for The Running Man 3 00:00:06,160 --> 00:00:09,480 Speaker 2: by Edgar Wright, The Chair Company by Tim Robinson, and 4 00:00:09,600 --> 00:00:12,600 Speaker 2: All's Fair by Ryan Murphy and Kim Kardashian. 5 00:00:30,280 --> 00:00:34,160 Speaker 3: Hello, my name is Jason the Own and I'm Rosie Knight, 6 00:00:34,479 --> 00:00:37,960 Speaker 3: and welcome to XRG the x Ray Vision Group Chat, 7 00:00:37,960 --> 00:00:40,959 Speaker 3: a weekly roundtable whether our producers and special guests talk 8 00:00:41,000 --> 00:00:43,280 Speaker 3: about the things that we are excited about in pop culture. 9 00:00:43,720 --> 00:00:47,320 Speaker 4: In today's episode, we are gonna be talking about Edgar 10 00:00:47,360 --> 00:00:52,720 Speaker 4: Wright's remake of The Stephen King as Richard Bachman novella. Yes, 11 00:00:52,800 --> 00:00:55,800 Speaker 4: The Running Man, Me and Jason are both fans of, 12 00:00:55,920 --> 00:00:58,920 Speaker 4: and a movie, the Original starring Arno Swarzenegger that we're 13 00:00:58,920 --> 00:01:01,680 Speaker 4: also both fans of, and we're gonna ask a question. 14 00:01:01,440 --> 00:01:05,520 Speaker 5: Out it chill out is Edgar Wright the Flop King. 15 00:01:05,920 --> 00:01:09,520 Speaker 5: Sorry to ask that, Edgar, but it's important. We mean 16 00:01:09,560 --> 00:01:10,959 Speaker 5: it in a good way. Do you like Do you 17 00:01:11,000 --> 00:01:12,000 Speaker 5: make movies that we like? 18 00:01:12,080 --> 00:01:13,160 Speaker 1: The Flop? Yes? 19 00:01:13,240 --> 00:01:15,640 Speaker 5: Often you do. In segment two, we will be. 20 00:01:15,600 --> 00:01:19,960 Speaker 4: Bringing in super producer Ian to talk about The Chair Company, 21 00:01:20,360 --> 00:01:23,520 Speaker 4: and in All's Fair, we're gonna be asking the important 22 00:01:23,600 --> 00:01:27,160 Speaker 4: question with super producer Common is Ryan Murphy doing this 23 00:01:27,280 --> 00:01:27,920 Speaker 4: on purpose? 24 00:01:28,680 --> 00:01:29,880 Speaker 5: Is he doing it on purpose? 25 00:01:29,920 --> 00:01:30,200 Speaker 1: Guys? 26 00:01:30,280 --> 00:01:32,840 Speaker 5: Me and Common will mate the argument that he probably is. 27 00:01:33,240 --> 00:01:36,920 Speaker 4: But first we're gonna pitch why Jason should or shouldn't 28 00:01:37,000 --> 00:01:39,040 Speaker 4: spend his money on Running Man? 29 00:01:41,240 --> 00:01:46,800 Speaker 2: Okay, So, Edgar Write's adaptation of the Stephen King as 30 00:01:46,880 --> 00:01:52,160 Speaker 2: Richard Bachman novella The Running Man also a film in 31 00:01:52,200 --> 00:01:56,280 Speaker 2: the eighties, as you mentioned, starring Richard Dawson of Family 32 00:01:56,400 --> 00:02:00,280 Speaker 2: Feud and Arnold Sworgego Richardawson as the main villain. Wonderful, Yeah, 33 00:02:00,360 --> 00:02:01,520 Speaker 2: turned by Richard Dawson. 34 00:02:03,720 --> 00:02:04,360 Speaker 1: You have seen it. 35 00:02:04,440 --> 00:02:07,760 Speaker 2: I have not seen it. I've got I've got twenty 36 00:02:07,840 --> 00:02:12,800 Speaker 2: dollars plus food money burning a hole in my in 37 00:02:12,840 --> 00:02:16,440 Speaker 2: my pocket, and I'm wondering should I spend it at 38 00:02:16,440 --> 00:02:19,639 Speaker 2: the theater this weekend to go see The Running Man. 39 00:02:21,080 --> 00:02:22,600 Speaker 2: I'd love to hear your opinions. 40 00:02:22,880 --> 00:02:26,959 Speaker 3: Who let's start with you, Yes, let's start Eric, Let's 41 00:02:26,919 --> 00:02:28,200 Speaker 3: say I'm happy to start. 42 00:02:28,840 --> 00:02:32,040 Speaker 1: So, Jason, are you pro union? Of course? Yes? 43 00:02:32,720 --> 00:02:33,880 Speaker 5: Are you anti capital? 44 00:02:36,040 --> 00:02:37,560 Speaker 1: It's complex, but yes. 45 00:02:38,480 --> 00:02:42,840 Speaker 3: Idealistically yeah, idealistically what would you say? Idealistically? 46 00:02:43,000 --> 00:02:43,680 Speaker 5: Of course? 47 00:02:43,720 --> 00:02:45,680 Speaker 3: Of course We're all a part of this machine in 48 00:02:45,760 --> 00:02:48,160 Speaker 3: some way, and My other question, say you had a 49 00:02:48,240 --> 00:02:51,000 Speaker 3: daughter who was sick, would you do anything you could 50 00:02:51,080 --> 00:02:51,600 Speaker 3: to help her. 51 00:02:53,000 --> 00:02:56,280 Speaker 2: I'm familiar with this setup, and yes I would. 52 00:02:58,480 --> 00:03:01,200 Speaker 3: Boy, well, let me tell you, I can offer you 53 00:03:01,919 --> 00:03:05,800 Speaker 3: a good ninety minutes of running man. And when he's running, 54 00:03:05,840 --> 00:03:07,680 Speaker 3: it's great. And then when he starts driving, it goes 55 00:03:07,720 --> 00:03:10,320 Speaker 3: downhill a little bit. But boy, those minutes are running. 56 00:03:10,480 --> 00:03:13,600 Speaker 3: Oh they're so good. The beginning of this movie is 57 00:03:13,840 --> 00:03:14,320 Speaker 3: really the. 58 00:03:14,280 --> 00:03:17,480 Speaker 4: Beginning of this movie is it has the flavor of 59 00:03:17,480 --> 00:03:18,720 Speaker 4: greatness to it for sure. 60 00:03:19,120 --> 00:03:23,160 Speaker 3: So my spoiler, my big spoiler here is I don't 61 00:03:23,160 --> 00:03:25,760 Speaker 3: necessarily think anyone in this movie has chemistry with anyone 62 00:03:25,760 --> 00:03:29,240 Speaker 3: else on screen. But that's okay because I think I 63 00:03:29,280 --> 00:03:33,080 Speaker 3: think Glenn Powell is a capital M movie. This is 64 00:03:33,240 --> 00:03:36,720 Speaker 3: this is not the right role for him necessarily, but 65 00:03:36,800 --> 00:03:39,400 Speaker 3: it just reaffirms to me. You know, there's there is 66 00:03:39,440 --> 00:03:43,280 Speaker 3: a scene when Glenn Powell is uh Cara beaning or 67 00:03:43,520 --> 00:03:46,280 Speaker 3: like down the side of an apartment building naked. 68 00:03:46,280 --> 00:03:47,520 Speaker 1: He's wearing a towel. 69 00:03:47,760 --> 00:03:50,000 Speaker 3: He's not naked yet, he's in a towel and I 70 00:03:50,120 --> 00:03:52,480 Speaker 3: was like, oh shit, they're gonna get that towel off 71 00:03:52,520 --> 00:03:54,960 Speaker 3: of him and He's gonna be bare ass maker going 72 00:03:55,040 --> 00:03:58,680 Speaker 3: down this building and I'm excited for that, like as 73 00:03:58,720 --> 00:04:00,360 Speaker 3: a like as a movie. 74 00:04:02,840 --> 00:04:05,360 Speaker 1: Yeah, Glenn Powell, Texas. 75 00:04:04,920 --> 00:04:10,080 Speaker 2: Boy in the dude, the steaks out, the other side 76 00:04:10,120 --> 00:04:11,680 Speaker 2: of a BIMs out and the. 77 00:04:14,040 --> 00:04:15,000 Speaker 5: Chest is out. 78 00:04:15,600 --> 00:04:16,159 Speaker 1: Is happening. 79 00:04:16,200 --> 00:04:18,800 Speaker 5: The body's happening. Look, And I'm gonna say, you can. 80 00:04:18,680 --> 00:04:21,360 Speaker 4: Hand me and Joel agreeing on those But Joel, why 81 00:04:21,360 --> 00:04:23,760 Speaker 4: don't you give Jason some insight into why so I 82 00:04:24,400 --> 00:04:28,120 Speaker 4: shouldn't about I'm thinking about. 83 00:04:27,680 --> 00:04:30,040 Speaker 1: Okay, Joel, what do you have to say? 84 00:04:31,320 --> 00:04:33,440 Speaker 6: I'm gonna say you can wait until this movie pops 85 00:04:33,480 --> 00:04:35,960 Speaker 6: up on T n T where it is appropriate to 86 00:04:35,960 --> 00:04:36,440 Speaker 6: be aired. 87 00:04:37,200 --> 00:04:38,120 Speaker 1: Uh. 88 00:04:37,800 --> 00:04:44,960 Speaker 6: I would not pay cash money to screens. 89 00:04:44,480 --> 00:04:46,159 Speaker 1: Rosie with the Rufus shake. 90 00:04:47,480 --> 00:04:48,240 Speaker 7: You know you would not. 91 00:04:49,120 --> 00:04:52,680 Speaker 6: Here's here's my problem. While I too enjoy unions and 92 00:04:52,720 --> 00:04:55,920 Speaker 6: hate capitalism, being preached at by a white man who 93 00:04:55,920 --> 00:04:59,320 Speaker 6: is extremely wealthy for an hour is really, really a problem. 94 00:04:59,360 --> 00:05:02,240 Speaker 6: This movie convinced that Glenn Glenn Powell may not have 95 00:05:02,320 --> 00:05:05,479 Speaker 6: the juice. Here's why the movie is predicated on this 96 00:05:05,560 --> 00:05:08,560 Speaker 6: idea that this man has so much rage and righteous 97 00:05:08,600 --> 00:05:11,480 Speaker 6: anger at a system that has oppressed him and forces 98 00:05:11,520 --> 00:05:13,520 Speaker 6: his daughter to be sick, which doesn't need to be, 99 00:05:13,960 --> 00:05:18,000 Speaker 6: doesn't He's been, and he's he's reached a point of 100 00:05:18,080 --> 00:05:19,880 Speaker 6: rage where he will run and fight for his life 101 00:05:19,880 --> 00:05:23,160 Speaker 6: for thirty days. That's its beautiful premise. I think as 102 00:05:23,200 --> 00:05:26,880 Speaker 6: an actor then, like, in order to sustain rage across 103 00:05:26,880 --> 00:05:28,920 Speaker 6: a film, it takes a lot of effort, and it's 104 00:05:28,920 --> 00:05:31,000 Speaker 6: really hard the film actors. There's a lot of debate about, 105 00:05:31,000 --> 00:05:32,599 Speaker 6: like how much control do you actually have over a 106 00:05:32,640 --> 00:05:35,039 Speaker 6: final performance when edit happens and can make all your 107 00:05:35,080 --> 00:05:37,880 Speaker 6: choices for you da da da da. But I think 108 00:05:37,920 --> 00:05:41,520 Speaker 6: Glenn really falls down on the responsibility of how to 109 00:05:41,560 --> 00:05:45,080 Speaker 6: sustain believable rage throughout an entire picture. Aaron, did you 110 00:05:45,080 --> 00:05:45,880 Speaker 6: say this was ninety minutes? 111 00:05:45,880 --> 00:05:58,279 Speaker 3: Because I would have said, I said, I like. 112 00:05:55,680 --> 00:06:00,600 Speaker 6: That's when he wished forever long? On top of like 113 00:06:01,000 --> 00:06:03,440 Speaker 6: where what really upset me? I have not seen the 114 00:06:03,480 --> 00:06:06,600 Speaker 6: original film. I was talking to Rosie about it afterwards, 115 00:06:06,640 --> 00:06:10,360 Speaker 6: and the women in the original apparently have some agency 116 00:06:10,400 --> 00:06:11,080 Speaker 6: and some power. 117 00:06:11,320 --> 00:06:11,680 Speaker 4: And then. 118 00:06:13,200 --> 00:06:16,960 Speaker 6: I've never seen two more girlfriends slash Damsel in distressed 119 00:06:17,000 --> 00:06:19,240 Speaker 6: women in your entire life, And for this movie to 120 00:06:19,240 --> 00:06:21,479 Speaker 6: come out this year and these women do nothing but 121 00:06:21,560 --> 00:06:24,040 Speaker 6: stand in a corner and cry and be like, maybe 122 00:06:24,040 --> 00:06:26,640 Speaker 6: I'll put myself out if I have to because we're poor. 123 00:06:27,120 --> 00:06:28,719 Speaker 1: Uh, and then nothing else. That's it. 124 00:06:28,800 --> 00:06:32,160 Speaker 6: That is the whole scope of these women's entire lives. 125 00:06:32,240 --> 00:06:35,760 Speaker 6: I will say two kind things because I've been incredibly 126 00:06:35,800 --> 00:06:39,919 Speaker 6: cruel to this film. Michael Sira gives a painting performance 127 00:06:39,960 --> 00:06:41,680 Speaker 6: that is so delicious that. 128 00:06:41,680 --> 00:06:42,960 Speaker 1: It is so much fun. 129 00:06:43,320 --> 00:06:45,040 Speaker 6: I would rewatch that scene. Let me tell you something, 130 00:06:45,120 --> 00:06:49,920 Speaker 6: Jesus scene, That one scene is worth ninety nine cents. 131 00:06:49,960 --> 00:06:52,360 Speaker 1: Okay, is so good. It's really really fun. 132 00:06:52,640 --> 00:06:55,719 Speaker 6: And yeah, Glenn Powell's body is bodying, okay, and you 133 00:06:55,760 --> 00:06:58,880 Speaker 6: do get to see it in action, and that's pretty cool. 134 00:07:00,160 --> 00:07:03,520 Speaker 5: Coleman, Yeah, yeah, Okay. 135 00:07:03,520 --> 00:07:05,280 Speaker 4: So I'm going to come in with the kind of 136 00:07:05,720 --> 00:07:09,360 Speaker 4: it's not a medium, kind of in between because I 137 00:07:09,400 --> 00:07:11,400 Speaker 4: do agree with Joel on this. But what I'm going 138 00:07:11,480 --> 00:07:13,560 Speaker 4: to tell you, Jason is this is the kind of 139 00:07:13,640 --> 00:07:18,320 Speaker 4: movie that, in twenty twenty five feels both like you 140 00:07:18,360 --> 00:07:20,480 Speaker 4: should see it and you shouldn't see it. And that's 141 00:07:20,520 --> 00:07:23,400 Speaker 4: the weirdest thing, because I do agree. I think the 142 00:07:23,440 --> 00:07:26,080 Speaker 4: first half of this movie, the cast is unbelievable. Glen 143 00:07:26,120 --> 00:07:29,400 Speaker 4: paw willem h Macy, Lee Pace, Michael Sira, Amelia Jones, 144 00:07:29,480 --> 00:07:33,640 Speaker 4: Daniel Ezra, Jamie Lawson horribly on the use Coleman Domingo, 145 00:07:33,840 --> 00:07:36,120 Speaker 4: Josh Brolin the final two who are having the most 146 00:07:36,120 --> 00:07:39,160 Speaker 4: fun in the movie and doing the ash as the villains. 147 00:07:39,680 --> 00:07:41,800 Speaker 4: But the problem with the movie is the first hour 148 00:07:41,920 --> 00:07:47,160 Speaker 4: to me, felt like an incredible balance of satirizing the 149 00:07:47,360 --> 00:07:50,960 Speaker 4: old eightes action movie and the idea of a white 150 00:07:50,960 --> 00:07:53,640 Speaker 4: guy who saves all the oppressed people, and it felt 151 00:07:53,640 --> 00:07:56,760 Speaker 4: like almost a parody of itself thanks to egg writes 152 00:07:57,680 --> 00:08:00,560 Speaker 4: good kind of editing, thanks to the over the top 153 00:08:00,600 --> 00:08:03,880 Speaker 4: bombastic nature, thanks to a character choice that I thought 154 00:08:03,920 --> 00:08:06,040 Speaker 4: was really good throughout the movie but drops off in 155 00:08:06,080 --> 00:08:08,679 Speaker 4: the third act, which is he doesn't want to kill people. 156 00:08:09,080 --> 00:08:11,679 Speaker 5: He's just a normal guy who doesn't want to kill people. 157 00:08:12,040 --> 00:08:15,040 Speaker 4: That is a really good character beat that just disappears 158 00:08:15,040 --> 00:08:17,040 Speaker 4: in the second half of the movie. And Yeah, as 159 00:08:17,120 --> 00:08:20,640 Speaker 4: Joelle said, I often bring up the original Arnest Twatchenegger 160 00:08:20,680 --> 00:08:24,560 Speaker 4: Running Man and the Arnold Schwarzenegger Quier Cinema Hit Commando 161 00:08:25,120 --> 00:08:29,320 Speaker 4: because both of those movies actually have like women of 162 00:08:29,400 --> 00:08:33,679 Speaker 4: color and leading roles who are not defied. Yeah, and 163 00:08:33,880 --> 00:08:37,360 Speaker 4: Maria and Chia Alonso obviously the icon and she's also 164 00:08:37,400 --> 00:08:40,199 Speaker 4: in total recall. And we also then have you know 165 00:08:40,800 --> 00:08:43,640 Speaker 4: ray Dawn Chong sad that she you know, went back 166 00:08:43,640 --> 00:08:45,199 Speaker 4: to her home planet and we never heard from her 167 00:08:45,200 --> 00:08:48,840 Speaker 4: after that great performance. But but that both those movies 168 00:08:48,920 --> 00:08:52,320 Speaker 4: have women of color who are leading roles. Raydon Chong 169 00:08:52,400 --> 00:08:56,400 Speaker 4: in Commando is like an actual business woman, Like they 170 00:08:56,440 --> 00:09:01,320 Speaker 4: are less stereotypically cast than they are in this. And 171 00:09:01,360 --> 00:09:03,480 Speaker 4: also there is a strange choice they make where they 172 00:09:03,600 --> 00:09:08,360 Speaker 4: essentially they they basically cut the character into and they 173 00:09:08,400 --> 00:09:11,520 Speaker 4: have the supportive wife at home, who you know, I 174 00:09:11,559 --> 00:09:15,040 Speaker 4: will say, thankfully does not get fridged. But also like 175 00:09:15,200 --> 00:09:17,920 Speaker 4: there is a fake fridging that he believes that seems 176 00:09:18,240 --> 00:09:20,560 Speaker 4: so out of character in the movie. It makes no 177 00:09:20,720 --> 00:09:27,640 Speaker 4: sense with But it's a shame because I really do 178 00:09:27,679 --> 00:09:30,360 Speaker 4: feel like that first hour was pumping and pounding and 179 00:09:30,400 --> 00:09:32,480 Speaker 4: you're just super into it, and by the end I 180 00:09:32,520 --> 00:09:34,000 Speaker 4: was sort of like, yeah, I think I was still 181 00:09:34,040 --> 00:09:35,440 Speaker 4: I think I was still having fun. I think I 182 00:09:35,480 --> 00:09:37,560 Speaker 4: was still kind of loving it. But it's as I 183 00:09:37,600 --> 00:09:39,800 Speaker 4: sent to Joelle in an over dramatic text at like 184 00:09:39,800 --> 00:09:40,520 Speaker 4: two in the morning. 185 00:09:40,880 --> 00:09:44,920 Speaker 5: I was like, it's like a beautiful, shimmering surface of. 186 00:09:44,920 --> 00:09:47,680 Speaker 4: Fun that that shatters the moment you talk about it, 187 00:09:47,760 --> 00:09:50,760 Speaker 4: because literally the moment, the moment you have a conversation 188 00:09:50,840 --> 00:09:54,000 Speaker 4: with a sensible person about it, you're like, wait, no, 189 00:09:54,280 --> 00:09:55,200 Speaker 4: You're like, how did this? 190 00:09:55,360 --> 00:09:56,559 Speaker 5: But you know what, I should. 191 00:09:56,280 --> 00:09:58,800 Speaker 4: Have known all this was coming, guys, because as much 192 00:09:58,800 --> 00:10:01,640 Speaker 4: as I love him, I wish for the best for him. 193 00:10:02,080 --> 00:10:06,319 Speaker 4: Simon kim Berg, the man who wrote both Dark Phoenix movies, 194 00:10:07,160 --> 00:10:11,000 Speaker 4: is involved in this and produced it, and I feel like, 195 00:10:12,520 --> 00:10:14,840 Speaker 4: I just feel like it did not make it there. 196 00:10:15,000 --> 00:10:16,920 Speaker 5: It did not have the Edgar Wright juice. 197 00:10:17,000 --> 00:10:20,120 Speaker 4: To me, this ended up being more of a Last 198 00:10:20,160 --> 00:10:23,360 Speaker 4: Night in Soho than a Scott Pilgrim, and I do 199 00:10:23,480 --> 00:10:26,840 Speaker 4: believe it will lead to another Edgar Wright financial flop. 200 00:10:27,679 --> 00:10:28,600 Speaker 1: Let me give one more. 201 00:10:31,640 --> 00:10:31,720 Speaker 7: So. 202 00:10:31,920 --> 00:10:34,120 Speaker 3: We did have a conversation about Glen Powell as a 203 00:10:34,160 --> 00:10:36,920 Speaker 3: movie star and what's working and what's not working off 204 00:10:37,000 --> 00:10:39,440 Speaker 3: the air earlier this week, and one of the things 205 00:10:39,480 --> 00:10:42,120 Speaker 3: that came up, I think, Rosie, you said your favorite 206 00:10:42,120 --> 00:10:45,000 Speaker 3: thing that Glen Powell has done is hit Man, where 207 00:10:45,000 --> 00:10:48,079 Speaker 3: he's doing all yes cookie costumes and imity he does 208 00:10:48,320 --> 00:10:51,720 Speaker 3: good and characters and that it's really good. This that 209 00:10:51,840 --> 00:10:55,760 Speaker 3: remind you of why Glen Powell is a very interesting 210 00:10:55,960 --> 00:11:00,920 Speaker 3: and charismatic actor and I cannot enough of that stuff. 211 00:11:01,000 --> 00:11:03,440 Speaker 5: I agree he should be doing more like Man, He 212 00:11:03,440 --> 00:11:04,480 Speaker 5: should be doing more. 213 00:11:04,280 --> 00:11:07,000 Speaker 3: Weird character he needs to be he needs to be 214 00:11:07,040 --> 00:11:10,760 Speaker 3: a jerk like Twisters, or he needs to be charming 215 00:11:11,360 --> 00:11:12,360 Speaker 3: funny like hit Man. 216 00:11:13,320 --> 00:11:15,200 Speaker 1: Let's first of all. 217 00:11:15,120 --> 00:11:18,480 Speaker 2: Let me address Glenn Powell, who I believe does not 218 00:11:18,600 --> 00:11:21,160 Speaker 2: have the juice, or at least the juice that he 219 00:11:21,320 --> 00:11:23,120 Speaker 2: has has not fully been. 220 00:11:23,040 --> 00:11:25,480 Speaker 5: I think he has characters back to juice, That's what 221 00:11:25,600 --> 00:11:26,280 Speaker 5: I think he has. 222 00:11:29,360 --> 00:11:34,080 Speaker 2: He's in that he's in the kind of he's in 223 00:11:34,160 --> 00:11:38,440 Speaker 2: that very Hollywood catch twenty two where he's too good 224 00:11:38,480 --> 00:11:43,200 Speaker 2: looking to be the character actor and he is doesn't 225 00:11:43,240 --> 00:11:48,120 Speaker 2: have the leading man juice enough to be the main guy. Now, 226 00:11:50,320 --> 00:11:51,960 Speaker 2: I agree with you. Hit Man was the best thing 227 00:11:52,000 --> 00:11:56,360 Speaker 2: he was in. Also, you know everybody wants some where 228 00:11:56,400 --> 00:12:00,000 Speaker 2: he was part of an ensemble. And I'll just say 229 00:12:00,080 --> 00:12:04,240 Speaker 2: this about Glen Powell. It's a red flag to me 230 00:12:04,559 --> 00:12:08,080 Speaker 2: when an actor of the in the place in the 231 00:12:08,160 --> 00:12:13,120 Speaker 2: spot in his career like Glen Powell is when that 232 00:12:13,520 --> 00:12:16,040 Speaker 2: actor has the same hairstyle for too long. 233 00:12:16,360 --> 00:12:21,560 Speaker 4: Yes, Jason Hallim because the hair in this is actually 234 00:12:21,720 --> 00:12:22,360 Speaker 4: so bad. 235 00:12:22,440 --> 00:12:25,200 Speaker 2: In my opinion, You've got it like if you pull up, 236 00:12:25,240 --> 00:12:28,440 Speaker 2: if you just go Glenn Powell image search, you're gonna 237 00:12:28,480 --> 00:12:30,840 Speaker 2: get a lot of pictures of Glen Powell from different 238 00:12:30,840 --> 00:12:32,600 Speaker 2: points in his career, and he's. 239 00:12:32,600 --> 00:12:35,040 Speaker 1: Got basically the same kind of hair. 240 00:12:35,760 --> 00:12:39,000 Speaker 2: They're younger. He did have the shaved head, but it's 241 00:12:39,080 --> 00:12:43,839 Speaker 2: like he's trying to establish I am Glenn Powell. And 242 00:12:43,880 --> 00:12:46,720 Speaker 2: the fact that he's still trying to establish I am 243 00:12:46,760 --> 00:12:51,679 Speaker 2: Glen Powell. I look like this after twelve years of 244 00:12:51,720 --> 00:12:54,640 Speaker 2: being Glen Powell. I think we need we need something else. 245 00:12:55,440 --> 00:12:59,199 Speaker 2: Throw the hair long, shave it short, shave the side. 246 00:12:59,280 --> 00:13:03,439 Speaker 1: I think it. I mean big beard, do something. 247 00:13:03,600 --> 00:13:06,640 Speaker 3: Many different haircuts did Matt Damon have that worked? 248 00:13:06,720 --> 00:13:10,079 Speaker 5: But Glen hasn't found his r This is. 249 00:13:13,800 --> 00:13:17,800 Speaker 4: Matt demon Matt Das bring people to the screen, to 250 00:13:17,840 --> 00:13:19,280 Speaker 4: the cinema so far. 251 00:13:19,559 --> 00:13:21,640 Speaker 5: And that does not happen with Glen Pools. 252 00:13:23,720 --> 00:13:26,280 Speaker 3: You don't want a hair that is distracting away. 253 00:13:27,559 --> 00:13:33,080 Speaker 2: It's it's saying Glenn Powell's hair says cookie cutter, Hollywood, 254 00:13:33,160 --> 00:13:35,000 Speaker 2: good looking guy, and. 255 00:13:36,520 --> 00:13:38,840 Speaker 5: Like this you need a bit more grit. I think. 256 00:13:40,280 --> 00:13:46,800 Speaker 2: What is there with every like movie star? And and 257 00:13:46,840 --> 00:13:49,360 Speaker 2: one could debate whether movie stars are relevant today, like 258 00:13:49,440 --> 00:13:51,680 Speaker 2: let's sake, shallame who I think is legitimately a movie 259 00:13:51,679 --> 00:13:56,400 Speaker 2: star and zenda to to legitimate stars. Right, you feel like, 260 00:13:56,720 --> 00:14:02,280 Speaker 2: in a parasocial way, you understand that something essential about 261 00:14:02,320 --> 00:14:07,040 Speaker 2: them from the way they express themselves in their public persona, 262 00:14:07,240 --> 00:14:11,680 Speaker 2: in their images, in their in their marketing. Glen Powell 263 00:14:11,679 --> 00:14:14,600 Speaker 2: gives you the same look every fucking time, and so 264 00:14:15,040 --> 00:14:19,240 Speaker 2: what is he expressing that? He just looks like a 265 00:14:19,280 --> 00:14:22,200 Speaker 2: handsome guy? But what else the only Here's what I 266 00:14:22,240 --> 00:14:24,280 Speaker 2: responded to Glen Powell. When I see him, he's a 267 00:14:24,320 --> 00:14:27,000 Speaker 2: hat guy. I think me more into that. 268 00:14:27,160 --> 00:14:28,240 Speaker 1: I think I gotta. 269 00:14:30,080 --> 00:14:32,680 Speaker 2: Texas boy, give me the give me the hats, give 270 00:14:32,680 --> 00:14:32,960 Speaker 2: me the. 271 00:14:32,920 --> 00:14:35,760 Speaker 1: Bat, give me all that ship. Glenn Powell. 272 00:14:35,800 --> 00:14:39,360 Speaker 2: I also think, Glenn Powell, it's time for an ugly role. 273 00:14:39,720 --> 00:14:44,720 Speaker 1: It's time for your monster. It's time for that's Glenn Powell. 274 00:14:45,240 --> 00:14:49,680 Speaker 2: Yeah, and show me something else because the abs have 275 00:14:49,760 --> 00:14:54,520 Speaker 2: been out too much. It's top guns are running, man. 276 00:14:54,560 --> 00:14:56,920 Speaker 2: I'm hearing the ass, the Hams and the abs are 277 00:14:56,960 --> 00:15:00,920 Speaker 2: as everybody wants some the ab are out, the Sydney 278 00:15:00,960 --> 00:15:03,960 Speaker 2: Sweeney one, the abs are out, like, okay, what. 279 00:15:04,120 --> 00:15:05,560 Speaker 1: We've You've tried it. 280 00:15:05,600 --> 00:15:08,600 Speaker 2: Everybody's trying to do the Brad Pitt you know in 281 00:15:08,720 --> 00:15:11,280 Speaker 2: Thelman Louise, Like, holy shit, who. 282 00:15:11,120 --> 00:15:15,800 Speaker 6: Is that guy? He immediately spins off and I think 283 00:15:15,920 --> 00:15:19,960 Speaker 6: you're that was lightning in a bottle. Yeah, And Glenn 284 00:15:19,960 --> 00:15:23,920 Speaker 6: doesn't have a personality outside of the movies, like If 285 00:15:24,400 --> 00:15:26,560 Speaker 6: and Dias, like costuming on the Red Carpet. If you 286 00:15:26,600 --> 00:15:29,120 Speaker 6: think about Chalome in the park or at the side 287 00:15:29,120 --> 00:15:31,360 Speaker 6: of a Nick loves to add a. 288 00:15:31,640 --> 00:15:36,200 Speaker 4: He loves to be like preparing a unique experience. 289 00:15:35,480 --> 00:15:43,840 Speaker 3: For the Chalame Chalome also guy, though, and I love 290 00:15:44,800 --> 00:15:49,800 Speaker 3: Glenn Powell is thirty seven. He's lived three quarters of 291 00:15:49,800 --> 00:15:53,440 Speaker 3: his life with the Internet and social media. Okay, Timmoy 292 00:15:53,560 --> 00:15:57,560 Speaker 3: Shalome has multiple videos from. 293 00:15:57,400 --> 00:16:00,080 Speaker 2: Pre fame that are just out there circulating, and he 294 00:16:00,160 --> 00:16:02,360 Speaker 2: is embraced that he's that that's true. 295 00:16:02,400 --> 00:16:04,920 Speaker 5: He never denies that he is little Timmy Tim. 296 00:16:05,000 --> 00:16:07,160 Speaker 2: Okay, here's the thing that scares me about Glen Powell. 297 00:16:07,240 --> 00:16:08,920 Speaker 2: Let me just say, and I like Clen Powell. I 298 00:16:08,920 --> 00:16:12,880 Speaker 2: want to say that I like Clen Poe. Handsome, white 299 00:16:12,880 --> 00:16:15,680 Speaker 2: guy who I know nothing about, who has no social 300 00:16:15,720 --> 00:16:19,560 Speaker 2: media footprints. Yes, is not saying that anything about anything 301 00:16:19,720 --> 00:16:30,640 Speaker 2: at all, my eyebrowser That's all I'm gonna tell you, Jason. 302 00:16:30,760 --> 00:16:32,360 Speaker 1: This movie, like what's up with you? 303 00:16:32,760 --> 00:16:34,120 Speaker 5: This movie is. 304 00:16:34,080 --> 00:16:36,920 Speaker 4: Not gonna help you with that, because while the first 305 00:16:37,000 --> 00:16:40,240 Speaker 4: half of the movie would have you believe that it 306 00:16:40,280 --> 00:16:43,440 Speaker 4: is about this kind of like fight against an oppressive network, 307 00:16:43,480 --> 00:16:45,520 Speaker 4: I just have to put the end, guys. This is 308 00:16:45,560 --> 00:16:49,240 Speaker 4: also part of our subtext text conversation, can a movie 309 00:16:49,360 --> 00:16:52,480 Speaker 4: like can a company like Paramount actually put out a 310 00:16:52,520 --> 00:16:53,080 Speaker 4: movie like. 311 00:16:53,080 --> 00:16:56,600 Speaker 5: This where they're like, hey, guys, the corporation. 312 00:16:56,280 --> 00:16:59,000 Speaker 4: Is evil, The TV network that's trying to take over 313 00:16:59,040 --> 00:17:01,640 Speaker 4: the world is evil, and you're gonna feel. 314 00:17:01,440 --> 00:17:03,520 Speaker 5: I'm sorry lifted he puts out and Or. 315 00:17:03,960 --> 00:17:07,399 Speaker 4: See question that the suspension of disbelief for and Or 316 00:17:07,880 --> 00:17:11,200 Speaker 4: is so good that you feel like Tony Gilroy almost 317 00:17:11,280 --> 00:17:12,720 Speaker 4: Gilbray almost snuck it in. 318 00:17:12,960 --> 00:17:15,080 Speaker 5: This feels to me like the first two thirds of. 319 00:17:15,080 --> 00:17:17,840 Speaker 4: The movie had something and an idea of what they 320 00:17:17,840 --> 00:17:20,400 Speaker 4: were going to say by the end the third act 321 00:17:20,400 --> 00:17:22,520 Speaker 4: that like, he just shoots a bunch of guys and 322 00:17:22,560 --> 00:17:24,760 Speaker 4: now he has saved the world and I'm. 323 00:17:24,640 --> 00:17:26,280 Speaker 5: Like, this doesn't even make sense with the world. 324 00:17:26,920 --> 00:17:30,800 Speaker 2: You see the first paragraph of the Wikipedia summary of 325 00:17:31,040 --> 00:17:34,560 Speaker 2: Richard Backman's The Running Man. Okay, thanks for being On 326 00:17:34,680 --> 00:17:37,240 Speaker 2: twenty twenty five, the world's economy is in shambles. In 327 00:17:37,320 --> 00:17:42,240 Speaker 2: America has become a totalitarian dystopia. Ben Richards an impoverished, 328 00:17:42,240 --> 00:17:44,160 Speaker 2: twenty eight year old resident of fictional co op cities, 329 00:17:44,160 --> 00:17:47,240 Speaker 2: and I'm unable to find work, having been blacklisted from 330 00:17:47,240 --> 00:17:50,320 Speaker 2: his trade, his gravely her daughter Kathy needs medicine, and 331 00:17:50,320 --> 00:17:53,920 Speaker 2: his wife, Sheila, has resorted to prostitution. In desperation, Richard 332 00:17:53,960 --> 00:17:57,080 Speaker 2: turns to the Games Network, a government operated television station 333 00:17:57,400 --> 00:18:01,080 Speaker 2: that runs violent game shows. After rigorous physical and mental testing, 334 00:18:01,160 --> 00:18:03,280 Speaker 2: Richard is selected to appear in The Running Man, that 335 00:18:03,359 --> 00:18:06,920 Speaker 2: work's most popular, lucrative and dangerous program. There's a lot 336 00:18:06,920 --> 00:18:10,080 Speaker 2: of stuff in there about fascism, about like you know, 337 00:18:10,400 --> 00:18:13,399 Speaker 2: a bubbling rebellion against the government, all of which is 338 00:18:13,440 --> 00:18:16,760 Speaker 2: to say The nineteen eighty seven Running Man got around 339 00:18:16,800 --> 00:18:22,560 Speaker 2: this by essentially turning Ben into copaganda. 340 00:18:22,640 --> 00:18:23,840 Speaker 1: Ben Richard was a. 341 00:18:23,760 --> 00:18:27,199 Speaker 2: Cop, a good cop who refused to open fire on 342 00:18:27,359 --> 00:18:30,399 Speaker 2: food rioters and was therefore thrown into He was the 343 00:18:30,440 --> 00:18:33,200 Speaker 2: good cop and was therefore thrown into jail, and that's 344 00:18:33,240 --> 00:18:35,640 Speaker 2: he's a hero. And so then he got around what 345 00:18:35,720 --> 00:18:38,520 Speaker 2: we're talking about by saying, but cops are also good, 346 00:18:38,720 --> 00:18:41,960 Speaker 2: you know, like they can be good. It sounds to 347 00:18:42,040 --> 00:18:45,440 Speaker 2: be like The Running Man twenty twenty five has instead 348 00:18:45,720 --> 00:18:52,399 Speaker 2: completely turned to the dark side, and uh, that's unfortunate. 349 00:18:52,240 --> 00:18:53,720 Speaker 1: Size it would be more interesting. 350 00:18:53,920 --> 00:18:56,920 Speaker 5: Yeah, I think exactly what really happens is it's the edges. 351 00:18:57,880 --> 00:19:00,000 Speaker 6: It doesn't just smooth off the it is it completely 352 00:19:00,119 --> 00:19:03,480 Speaker 6: abandons the concept at one point, like if the concept 353 00:19:03,520 --> 00:19:06,919 Speaker 6: is here's a good guy fight quotes good guy, a 354 00:19:06,960 --> 00:19:10,440 Speaker 6: man with principles fighting in a world with none. At 355 00:19:10,440 --> 00:19:13,320 Speaker 6: one point his principle stopped becoming essential to his character. 356 00:19:13,359 --> 00:19:17,560 Speaker 6: There's nothing he won't do to continue the race. And 357 00:19:18,119 --> 00:19:20,680 Speaker 6: that's really strange. I think. Also is like the most 358 00:19:20,680 --> 00:19:24,240 Speaker 6: surreal experience of my life watching this movie on the 359 00:19:24,240 --> 00:19:27,960 Speaker 6: Paramount lot again because corporations say whatever, the don't care 360 00:19:27,960 --> 00:19:30,000 Speaker 6: about the message. They're just trying to get your ticket money. 361 00:19:30,280 --> 00:19:31,000 Speaker 1: But like the. 362 00:19:30,880 --> 00:19:33,320 Speaker 5: Fighting right now, and here's the huge spoiler. 363 00:19:33,320 --> 00:19:35,800 Speaker 1: Here's a huge spoiler and skip it. 364 00:19:36,960 --> 00:19:38,480 Speaker 6: The final shot of the movie is from shooting a 365 00:19:38,520 --> 00:19:42,600 Speaker 6: TV exec in the head, and it makes almost no 366 00:19:42,760 --> 00:19:44,920 Speaker 6: sense to like where you're at, like he like Againe, 367 00:19:45,359 --> 00:19:46,440 Speaker 6: very like Marvel. 368 00:19:46,520 --> 00:19:49,320 Speaker 5: Where they want you, they want you to you. 369 00:19:49,320 --> 00:19:52,440 Speaker 4: You believe in the character, and you go along with them, 370 00:19:52,480 --> 00:19:54,760 Speaker 4: and then at some point they're like, here's them killing 371 00:19:54,840 --> 00:19:58,800 Speaker 4: six people. You wouldn't do that, right, but would the union? 372 00:19:58,920 --> 00:20:01,520 Speaker 6: But no union member show up to back him. Ever, 373 00:20:01,880 --> 00:20:04,480 Speaker 6: there's like no sense of actual this community that he's 374 00:20:04,560 --> 00:20:05,800 Speaker 6: talking about that he's a part of. 375 00:20:05,840 --> 00:20:11,040 Speaker 8: It's just weird because I will say the issues around, yeah, 376 00:20:11,080 --> 00:20:14,320 Speaker 8: the butcher of Bakersfield and kind of the copaganda military 377 00:20:14,359 --> 00:20:17,159 Speaker 8: aspect of the eighty seven one all very true, but 378 00:20:17,280 --> 00:20:21,840 Speaker 8: also that also has an active rebellion against the network that. 379 00:20:21,800 --> 00:20:23,080 Speaker 1: You ere the good guys. 380 00:20:23,119 --> 00:20:24,000 Speaker 5: Who are the good guys? 381 00:20:24,080 --> 00:20:27,320 Speaker 4: There is no active rebellion that we learn about here, 382 00:20:27,400 --> 00:20:28,679 Speaker 4: just like poor people who. 383 00:20:28,560 --> 00:20:31,240 Speaker 5: Are angry about it. So it's very interesting. 384 00:20:31,760 --> 00:20:32,240 Speaker 1: Edgar Wright. 385 00:20:32,320 --> 00:20:34,600 Speaker 2: We love Edgar Wright. I love Edgar Wright's movies. 386 00:20:34,920 --> 00:20:36,040 Speaker 1: Edgar Wright is. 387 00:20:38,240 --> 00:20:43,119 Speaker 2: A wonderfully stylish and original director. When he is in 388 00:20:43,240 --> 00:20:46,520 Speaker 2: his bag, and he's in fact is and his bag 389 00:20:46,600 --> 00:20:55,959 Speaker 2: is a charming combination of action, heightened character, and humor. 390 00:20:57,840 --> 00:21:01,120 Speaker 1: His movies also flop a lot. They often fly. 391 00:21:01,200 --> 00:21:03,520 Speaker 5: They're good, but they often fly. Yeah, his biggest hit 392 00:21:03,560 --> 00:21:04,200 Speaker 5: was Baby Driver. 393 00:21:04,280 --> 00:21:07,879 Speaker 4: Other than that, it's not been huge box office numbers, 394 00:21:07,880 --> 00:21:10,160 Speaker 4: and it looks like from what they're saying, this will 395 00:21:10,160 --> 00:21:13,280 Speaker 4: also not be a huge box office number. Jason, what's 396 00:21:13,320 --> 00:21:16,280 Speaker 4: your favorite Edgar Wright movie even though it was a 397 00:21:16,320 --> 00:21:17,200 Speaker 4: financial flop? 398 00:21:20,480 --> 00:21:23,159 Speaker 5: Asked that mine Scott Pilgrim. I think that movie is incredible. 399 00:21:23,600 --> 00:21:27,440 Speaker 2: It's Scott Pilgrim, a movie that's whose reputation it far 400 00:21:27,800 --> 00:21:31,680 Speaker 2: outstrips any money it made and is now a cult classic, 401 00:21:31,760 --> 00:21:34,720 Speaker 2: even though at the time, and also it was. 402 00:21:34,760 --> 00:21:37,560 Speaker 4: Lucky because it's one of those rare movies, the last 403 00:21:37,600 --> 00:21:39,879 Speaker 4: of the era of movies that was able to really 404 00:21:39,920 --> 00:21:42,760 Speaker 4: really do well on like home video release. Obviously we 405 00:21:42,800 --> 00:21:45,040 Speaker 4: have the OD now and that does happen. But yeah, 406 00:21:45,160 --> 00:21:47,520 Speaker 4: it basically made no money at the cinema. It was 407 00:21:47,560 --> 00:21:50,080 Speaker 4: seen as a massive flop, but it made a lot 408 00:21:50,119 --> 00:21:52,679 Speaker 4: of money where people bought it home video gaming and 409 00:21:52,720 --> 00:21:55,080 Speaker 4: obviously boom, it's a cult classic. 410 00:21:55,280 --> 00:21:56,040 Speaker 1: Here's my takes. 411 00:21:56,119 --> 00:21:59,040 Speaker 2: Okay, here are my suggestions for both Edgar Wright and 412 00:21:59,080 --> 00:21:59,919 Speaker 2: Glenn Pearl. 413 00:22:00,280 --> 00:22:01,880 Speaker 5: Glen Powell manager. 414 00:22:01,880 --> 00:22:04,080 Speaker 2: They're kind of the same. I think Edgar right needs 415 00:22:04,119 --> 00:22:05,200 Speaker 2: to be doing indie movies. 416 00:22:05,520 --> 00:22:05,840 Speaker 4: Agreed. 417 00:22:06,119 --> 00:22:10,359 Speaker 2: I think the budget, the budget comes with too many strings, Edgar. 418 00:22:11,200 --> 00:22:18,280 Speaker 2: And what ends up happening is, listen, just accept that 419 00:22:18,320 --> 00:22:21,119 Speaker 2: you're never gonna make a movie that makes millions and 420 00:22:21,160 --> 00:22:23,879 Speaker 2: millions of dollars and make a good one so that 421 00:22:24,080 --> 00:22:29,080 Speaker 2: even if it fails or makes very little money, you know, like. 422 00:22:29,080 --> 00:22:31,639 Speaker 4: Hot Fuzzz type shit, you can say it's a great movie. 423 00:22:31,760 --> 00:22:34,439 Speaker 2: You can say it's a great movie and stop chasing 424 00:22:34,480 --> 00:22:37,840 Speaker 2: this shit please, And Glen Powell, I don't know, figure 425 00:22:37,880 --> 00:22:42,000 Speaker 2: out how you can be authentic yourself. Maybe I'll hate it, 426 00:22:42,600 --> 00:22:45,560 Speaker 2: but like, at least do that, yeah, because it just 427 00:22:45,680 --> 00:22:48,000 Speaker 2: feels like you feel faceless to me right now. 428 00:22:48,119 --> 00:22:51,399 Speaker 4: And he needs a signature role outside of hit Man, 429 00:22:51,520 --> 00:22:53,159 Speaker 4: Like I want to see him Man on the screen, 430 00:22:53,160 --> 00:22:55,119 Speaker 4: and then maybe I would, like on the big screen, 431 00:22:55,320 --> 00:22:57,520 Speaker 4: maybe I would feel like he'd made that impact. But 432 00:22:57,560 --> 00:22:59,479 Speaker 4: for most people, that was a Netflix movie that they 433 00:22:59,480 --> 00:23:01,959 Speaker 4: probably want once. So yeah, I want him to do 434 00:23:02,000 --> 00:23:05,040 Speaker 4: something that feels really true to him. I'm not gonna lie, guys. 435 00:23:05,040 --> 00:23:06,959 Speaker 4: I'll end us with this because we definitely talked way 436 00:23:07,000 --> 00:23:07,880 Speaker 4: too long about this movie. 437 00:23:07,880 --> 00:23:10,680 Speaker 5: But like I will I will I will end with this. 438 00:23:10,680 --> 00:23:13,280 Speaker 4: This did feel very time to me of him being like, 439 00:23:13,680 --> 00:23:15,200 Speaker 4: look look at me in this. 440 00:23:15,280 --> 00:23:18,359 Speaker 5: Movie h full of people of color. I'm not like 441 00:23:18,440 --> 00:23:19,280 Speaker 5: Sydney Sweeney. 442 00:23:19,280 --> 00:23:23,439 Speaker 4: Guys, I'm not like like It definitely weekly timed like that, 443 00:23:23,600 --> 00:23:27,400 Speaker 4: but also I didn't necessarily believe the relationships enough for it. 444 00:23:27,400 --> 00:23:30,639 Speaker 3: To not feel like that. I, for one, stand with 445 00:23:30,640 --> 00:23:33,199 Speaker 3: our pro union king Glenn Powell, and I'll use a 446 00:23:33,320 --> 00:23:36,639 Speaker 3: cookie cutter. If he's a cookie cutter, Hollywood star, I 447 00:23:36,680 --> 00:23:39,320 Speaker 3: will update my X ray cookie rankings and he will 448 00:23:39,320 --> 00:23:43,080 Speaker 3: be a top Thank you very much, Please appreciate Running Man. 449 00:23:43,160 --> 00:23:43,920 Speaker 1: One more quick. 450 00:23:44,160 --> 00:23:47,760 Speaker 2: I'm gonna leave us with this thought starter. Fans can 451 00:23:47,800 --> 00:23:50,560 Speaker 2: think about this at home as we sign off. Who 452 00:23:50,560 --> 00:23:55,120 Speaker 2: has the higher batting average, Stephen King or Richard Bachman? Okay, Oh, 453 00:23:55,760 --> 00:23:59,760 Speaker 2: let's move on to the next segment another day. Let's 454 00:23:59,760 --> 00:24:02,080 Speaker 2: see Wick break and right back to talk about the 455 00:24:02,200 --> 00:24:22,520 Speaker 2: Chair Company. Okay, the Chair Company, which is on HBO 456 00:24:23,119 --> 00:24:29,160 Speaker 2: and is the Tim Robinson conspiracy comedy thriller View has 457 00:24:29,240 --> 00:24:32,159 Speaker 2: just aired its fifth episode, and won't spoil that up, 458 00:24:32,200 --> 00:24:37,960 Speaker 2: but let's re quickly recap through episode four because I think. 459 00:24:38,440 --> 00:24:40,399 Speaker 5: People need to be watching this, I think. 460 00:24:40,240 --> 00:24:43,119 Speaker 1: He's one of the most fascinating shows on TV. 461 00:24:43,680 --> 00:24:46,120 Speaker 7: Very very entertaining, weird show. 462 00:24:46,280 --> 00:24:52,480 Speaker 2: And I think it captures something like ephemeral about being 463 00:24:52,520 --> 00:24:55,679 Speaker 2: alive and online in twenty twenty five. Okay, so the 464 00:24:55,760 --> 00:25:02,119 Speaker 2: Chair Company. Ron Trosper is a manager at this company 465 00:25:02,200 --> 00:25:06,520 Speaker 2: that develops malls Fisher Robe and in the middle of 466 00:25:06,600 --> 00:25:10,000 Speaker 2: the big presentation about this new mall project, he sits 467 00:25:10,040 --> 00:25:13,560 Speaker 2: in a chair manufactured by the chair company Techa Furniture Company, 468 00:25:13,560 --> 00:25:17,359 Speaker 2: Techa Office Furniture. The chair collapses. He falls flat on 469 00:25:17,400 --> 00:25:21,560 Speaker 2: his back. He's very embarrassing. He's like mildly concussed for 470 00:25:21,600 --> 00:25:26,520 Speaker 2: a second. He kind of looks up a coworker's dress 471 00:25:26,560 --> 00:25:28,720 Speaker 2: because again he's flat on his back on this stage 472 00:25:28,800 --> 00:25:31,119 Speaker 2: and need to do it. But this sparks a whole 473 00:25:31,359 --> 00:25:37,200 Speaker 2: hr hubub and Ron can't stop thinking about it. Ron 474 00:25:38,720 --> 00:25:41,760 Speaker 2: lives with his wife Barb, his daughter, Natalie's teenage son Seth. 475 00:25:41,800 --> 00:25:46,239 Speaker 2: They're all very normal. Barber is very practical and is 476 00:25:47,359 --> 00:25:51,679 Speaker 2: concerned about Ron's obsessions with different things, whether it's this 477 00:25:51,840 --> 00:25:58,440 Speaker 2: accident at work or his pickup truck tour company project. 478 00:25:57,960 --> 00:25:59,680 Speaker 1: To a cheap tour project. 479 00:25:59,920 --> 00:26:00,600 Speaker 9: He looks. 480 00:26:03,920 --> 00:26:07,399 Speaker 2: Uh, Natalie is out of the house, she's engaged, and 481 00:26:07,440 --> 00:26:11,560 Speaker 2: Seth is just a good, normal kid. Ron begins to 482 00:26:12,920 --> 00:26:16,320 Speaker 2: google Techa to find out how he can, you know, 483 00:26:16,400 --> 00:26:18,359 Speaker 2: get somebody on the phone who he can talk to 484 00:26:18,440 --> 00:26:21,439 Speaker 2: about this issue that he feels is very pressing with 485 00:26:21,520 --> 00:26:26,160 Speaker 2: Techa's chairs and their build qualities, trying to leave messages online, 486 00:26:26,200 --> 00:26:29,399 Speaker 2: He's trying to find. Every route he takes leads to 487 00:26:29,480 --> 00:26:30,240 Speaker 2: a dead end. 488 00:26:30,640 --> 00:26:32,400 Speaker 5: Painfully realistic by the way. 489 00:26:33,000 --> 00:26:33,240 Speaker 1: Yes. 490 00:26:34,320 --> 00:26:39,199 Speaker 2: Ron eventually meets Mike Santini, a security guard who claims 491 00:26:39,240 --> 00:26:42,280 Speaker 2: to have information about Techa and seems like a vaguely 492 00:26:42,880 --> 00:26:46,639 Speaker 2: mafia connected guy, or at least a guy who is 493 00:26:46,760 --> 00:26:51,480 Speaker 2: like comfortable in the underworld. Okay, and Mike suggests that 494 00:26:52,840 --> 00:26:56,240 Speaker 2: Techa is not what it seems, that it's actually a 495 00:26:56,280 --> 00:26:58,919 Speaker 2: series of shell companies hiding some sort of mystery, and 496 00:26:58,960 --> 00:27:02,159 Speaker 2: Mike becomes Ron's partner and investigating the chair. Coming together, 497 00:27:02,240 --> 00:27:05,240 Speaker 2: Mike and Ron, they follow leads. They go to warehouses, 498 00:27:05,560 --> 00:27:09,680 Speaker 2: they go, they look up and dresses of Techa executives, 499 00:27:10,040 --> 00:27:14,280 Speaker 2: and they find all everywhere they search, it's a it's 500 00:27:14,359 --> 00:27:17,200 Speaker 2: there's something some sort of dead end. Either the executive 501 00:27:17,240 --> 00:27:20,240 Speaker 2: doesn't exist or the phone number is not real, or 502 00:27:20,280 --> 00:27:23,440 Speaker 2: the warehouse doesn't actually belong to Techa, or the warehouse 503 00:27:23,520 --> 00:27:27,760 Speaker 2: as like a strange red ball inside nothing else and 504 00:27:27,920 --> 00:27:33,720 Speaker 2: nothing else. Ron becomes increasingly erratic as he chases these 505 00:27:35,000 --> 00:27:38,520 Speaker 2: threads down these various rabbit holes. His wife is like, 506 00:27:38,560 --> 00:27:40,800 Speaker 2: what's wrong with you? Or you doing jeep tours? And 507 00:27:41,800 --> 00:27:45,199 Speaker 2: he because he's fucking up big time at work and 508 00:27:45,240 --> 00:27:48,120 Speaker 2: again he's under this hr investigation for looking up his 509 00:27:48,119 --> 00:27:52,000 Speaker 2: coworkers dress with the chair when the chair collapse, and 510 00:27:52,200 --> 00:27:56,000 Speaker 2: he's beginning to suspect also because of these phone calls 511 00:27:56,000 --> 00:28:00,560 Speaker 2: he's getting about things that he's hasn't done, that's someone 512 00:28:01,359 --> 00:28:04,159 Speaker 2: has stolen his identity and is like signing him up 513 00:28:04,160 --> 00:28:09,320 Speaker 2: for stuff in And then finally, by episode four, you know, 514 00:28:09,400 --> 00:28:14,560 Speaker 2: everybody's very, very worried about Ron, and eventually he blurts 515 00:28:14,600 --> 00:28:17,280 Speaker 2: out to his daughter, here's what I'm you don't understand, Like, 516 00:28:17,359 --> 00:28:19,679 Speaker 2: I know I look crazy, but here's what I'm working on. 517 00:28:19,760 --> 00:28:22,720 Speaker 2: And he lays out the conspiracy theory, and it's basically 518 00:28:22,760 --> 00:28:29,240 Speaker 2: that Teca is a cover for an international opiate dealing 519 00:28:29,400 --> 00:28:35,760 Speaker 2: ring that manufactures opiates in the form of a pin 520 00:28:36,400 --> 00:28:39,320 Speaker 2: in the Teca chair that's meant to keep it stable, 521 00:28:39,680 --> 00:28:42,520 Speaker 2: and that once the chairs are shipped into the United States, 522 00:28:42,880 --> 00:28:45,800 Speaker 2: the pins that are opiates are removed so that they 523 00:28:45,840 --> 00:28:50,040 Speaker 2: can be then sold as drugs, making the chairs less stable, 524 00:28:50,120 --> 00:28:56,000 Speaker 2: thus leading to his accident on the stage during his presentation. 525 00:28:56,960 --> 00:28:59,440 Speaker 2: Natalie's like, oh my god, Dad, that's so cool. How'd 526 00:28:59,480 --> 00:29:01,800 Speaker 2: you figure that out? But they don't really follow it further. 527 00:29:02,560 --> 00:29:04,880 Speaker 2: And then we go to episode five, which I won't 528 00:29:04,920 --> 00:29:07,880 Speaker 2: spoil right that, all which is to say is you 529 00:29:07,880 --> 00:29:08,720 Speaker 2: should be watching. 530 00:29:08,480 --> 00:29:09,280 Speaker 1: With your company. 531 00:29:09,560 --> 00:29:10,480 Speaker 5: It's unbelievable. 532 00:29:10,520 --> 00:29:12,640 Speaker 4: I also want to say, guys, do not watch episode 533 00:29:12,680 --> 00:29:16,400 Speaker 4: five in public. There is some unbelievable HBO level nudity 534 00:29:16,800 --> 00:29:17,440 Speaker 4: that is. 535 00:29:17,320 --> 00:29:21,640 Speaker 5: Like crazy, You don't I love Jason. 536 00:29:21,680 --> 00:29:24,320 Speaker 4: How much of this that you understand is is really 537 00:29:24,400 --> 00:29:25,920 Speaker 4: and have touched on is about like the. 538 00:29:25,880 --> 00:29:27,640 Speaker 5: Notion of conspiracy theories. 539 00:29:27,640 --> 00:29:30,120 Speaker 4: Because as much as Tim is usually a silly billy 540 00:29:30,240 --> 00:29:34,080 Speaker 4: and kind of does these hilarious almost like comedies of 541 00:29:34,320 --> 00:29:37,280 Speaker 4: manners and kind of the worst versions of people that 542 00:29:37,320 --> 00:29:40,760 Speaker 4: you meet at office and stuff, this is like when 543 00:29:40,800 --> 00:29:45,240 Speaker 4: he laid out that conspiracy theory tis dra it was 544 00:29:45,320 --> 00:29:50,640 Speaker 4: like the most showbreaking, incredible deal and you just and 545 00:29:50,680 --> 00:29:53,640 Speaker 4: her face, like the acting on her face of trying 546 00:29:53,680 --> 00:29:54,360 Speaker 4: to act. 547 00:29:54,200 --> 00:29:57,600 Speaker 5: Like, yeah, this is definitely a real thing. 548 00:29:58,640 --> 00:29:59,080 Speaker 1: Uh. 549 00:29:59,120 --> 00:30:03,160 Speaker 4: It's just such an interesting, deep show about being online. 550 00:30:03,360 --> 00:30:09,080 Speaker 4: And that's I feel like we're getting a good We're 551 00:30:09,120 --> 00:30:11,400 Speaker 4: getting into a good space where people who make TV 552 00:30:11,440 --> 00:30:15,240 Speaker 4: and movies are starting to have those conversations pluribus. It's 553 00:30:15,280 --> 00:30:18,520 Speaker 4: definitely about like social media algorithms in AI and the 554 00:30:18,760 --> 00:30:22,719 Speaker 4: seeking such of making people placid by making them happy. 555 00:30:23,120 --> 00:30:25,480 Speaker 4: And this feels like it's about what happens when your 556 00:30:25,480 --> 00:30:30,040 Speaker 4: family gets locked into a conspiracy theory, Like how do 557 00:30:30,120 --> 00:30:32,400 Speaker 4: you deal with it when it takes over that whole life? 558 00:30:32,720 --> 00:30:36,360 Speaker 2: Yeah, that that's where he lays out the conspiracy theory. 559 00:30:36,440 --> 00:30:38,880 Speaker 1: The whole show. The show was just. 560 00:30:38,920 --> 00:30:44,720 Speaker 2: Kind of very creepy conspiracy and thriller coded up to 561 00:30:44,760 --> 00:30:47,080 Speaker 2: that point, but also like very jagged in that Tim 562 00:30:47,200 --> 00:30:50,960 Speaker 2: Robinson way where every scene has something crazy that happens 563 00:30:51,360 --> 00:30:53,440 Speaker 2: that gets paid off, but in a way that you 564 00:30:53,480 --> 00:30:57,160 Speaker 2: almost feel like the show is a series of absolutely 565 00:30:57,200 --> 00:31:00,760 Speaker 2: insane vignettes. Yeah, if they can act, You're not sure 566 00:31:00,760 --> 00:31:04,480 Speaker 2: how when he lays out the theory, it connects all 567 00:31:04,520 --> 00:31:07,360 Speaker 2: the vignettes. Suddenly everything all of a sudden kind of 568 00:31:07,400 --> 00:31:12,640 Speaker 2: makes sense. It clicks, and the show became heightened for 569 00:31:12,760 --> 00:31:14,680 Speaker 2: me in a way that I was not expecting. I 570 00:31:14,720 --> 00:31:18,280 Speaker 2: agree with you, it's a it's very much about like 571 00:31:18,320 --> 00:31:22,000 Speaker 2: it really captures the feeling of how much information we 572 00:31:22,080 --> 00:31:24,400 Speaker 2: have at our fingertips at all times, and how much 573 00:31:25,560 --> 00:31:29,120 Speaker 2: a lot of it is bullshit, untrustable. 574 00:31:28,800 --> 00:31:31,400 Speaker 4: And we don't we just have to change it, you know, 575 00:31:31,520 --> 00:31:32,080 Speaker 4: we don't. 576 00:31:32,680 --> 00:31:34,280 Speaker 5: We don't know how to do exactly. 577 00:31:34,840 --> 00:31:38,080 Speaker 4: I think a lot about that first episode where he's 578 00:31:38,160 --> 00:31:41,640 Speaker 4: looking for Techa. The amount of times I have tried to, 579 00:31:41,720 --> 00:31:44,320 Speaker 4: like have a phone call to an insurance company and 580 00:31:44,360 --> 00:31:45,800 Speaker 4: actually speak to like a real. 581 00:31:45,640 --> 00:31:48,160 Speaker 5: Human being is like innumerable. 582 00:31:48,200 --> 00:31:50,480 Speaker 4: And I've only lived in nine years, so it is 583 00:31:50,560 --> 00:31:54,560 Speaker 4: so much that feels very real about living in the Internet. 584 00:31:54,600 --> 00:31:57,840 Speaker 4: Ian half the season and where are you at now 585 00:31:58,000 --> 00:31:58,640 Speaker 4: on this show? 586 00:32:00,240 --> 00:32:03,200 Speaker 9: So for me, I came into it kind of skeptical, 587 00:32:03,440 --> 00:32:05,560 Speaker 9: like I'm not the biggest Tim Robinson fan, Like I 588 00:32:05,600 --> 00:32:08,080 Speaker 9: think you should leave. At times it's hard for me 589 00:32:08,160 --> 00:32:11,440 Speaker 9: to watch. Certain sketches or vignettes are really funny, but 590 00:32:11,720 --> 00:32:14,040 Speaker 9: most of the time, like the super cringy humor, it's 591 00:32:14,520 --> 00:32:16,920 Speaker 9: really painful for me to watch. So it's kind of 592 00:32:16,920 --> 00:32:18,640 Speaker 9: skeptical coming into this, but I was like, you know what, 593 00:32:18,680 --> 00:32:20,600 Speaker 9: I'll give it a chance, and I'd heard people talking 594 00:32:20,680 --> 00:32:24,240 Speaker 9: about it, so I watched it, and I will say 595 00:32:24,320 --> 00:32:27,880 Speaker 9: it is obviously very Tim Robinson codd, but it's different 596 00:32:28,040 --> 00:32:30,560 Speaker 9: enough from I think you should leave because there is 597 00:32:30,600 --> 00:32:34,760 Speaker 9: this bigger, overarching plot and you know, one thing we 598 00:32:34,760 --> 00:32:37,200 Speaker 9: were talking about is I think you should leave. It's 599 00:32:37,240 --> 00:32:39,840 Speaker 9: everyone else's normal. And then Tim Robinson is like the 600 00:32:39,880 --> 00:32:42,520 Speaker 9: one crazy person, and I feel like you do still 601 00:32:42,600 --> 00:32:44,680 Speaker 9: kind of get that here. There are a few other 602 00:32:44,800 --> 00:32:47,080 Speaker 9: characters who are as equally crazy and than saying like 603 00:32:47,120 --> 00:32:49,920 Speaker 9: Mike as a standout, Oh, I love for the most part, 604 00:32:49,960 --> 00:32:52,680 Speaker 9: like his wife for example, and his daughter, like they're 605 00:32:52,800 --> 00:32:56,240 Speaker 9: very like straight characters normal. So it's like him existing 606 00:32:56,240 --> 00:32:59,800 Speaker 9: in this chaotic space while everybody else around him is 607 00:32:59,800 --> 00:33:01,720 Speaker 9: like what the fuck is going on with everybody he 608 00:33:01,760 --> 00:33:04,080 Speaker 9: works with, with the exception of like Douglas, they're a 609 00:33:04,080 --> 00:33:06,120 Speaker 9: also like what's going on with you? You know? 610 00:33:06,880 --> 00:33:10,720 Speaker 7: So I I really do enjoy that. 611 00:33:10,800 --> 00:33:14,600 Speaker 9: But the way I've and especially like you mentioned after 612 00:33:14,840 --> 00:33:16,680 Speaker 9: he has a conversation with his daughter where he lays 613 00:33:16,720 --> 00:33:18,760 Speaker 9: it out, I'm like, that did also change it for me. 614 00:33:18,800 --> 00:33:20,840 Speaker 9: I was like, it made it really kind of like 615 00:33:21,000 --> 00:33:24,200 Speaker 9: sad almost and it becomes like tragic moment. And for me, 616 00:33:24,320 --> 00:33:27,240 Speaker 9: what it feels more of like a commentary about like 617 00:33:27,320 --> 00:33:29,920 Speaker 9: mental health, because the whole show kind of reads as 618 00:33:29,920 --> 00:33:31,840 Speaker 9: like he's having like a manic app Okay. 619 00:33:31,600 --> 00:33:33,840 Speaker 4: So I wanted to ask you about this, right, I 620 00:33:34,000 --> 00:33:37,960 Speaker 4: wonder if the show because I also had had that feeling. 621 00:33:38,040 --> 00:33:40,360 Speaker 4: But I'm like, I feel like that's a very you 622 00:33:40,440 --> 00:33:43,360 Speaker 4: got to make a lot of like smooth choices to 623 00:33:43,520 --> 00:33:46,200 Speaker 4: like deal with that in a way that's not, you know, 624 00:33:46,320 --> 00:33:46,840 Speaker 4: fucked up. 625 00:33:46,960 --> 00:33:49,080 Speaker 7: I'm reserving judgment to see how they went right. 626 00:33:49,200 --> 00:33:50,520 Speaker 5: But no, no, but I agree with you. 627 00:33:50,600 --> 00:33:53,400 Speaker 4: But my thought on it was like, did he get 628 00:33:53,880 --> 00:33:56,480 Speaker 4: is he just he just keeps getting for my brain injuries? 629 00:33:56,480 --> 00:34:00,520 Speaker 5: Throughout the show, he gets a TBI when he falls 630 00:34:00,520 --> 00:34:01,920 Speaker 5: off the chair, he hits his head. 631 00:34:02,120 --> 00:34:05,080 Speaker 4: Then he's constantly exploring he hits his head. I wonder 632 00:34:05,080 --> 00:34:07,240 Speaker 4: if there's some kind of elemental. 633 00:34:08,800 --> 00:34:11,080 Speaker 5: Pipe. There's a lot of traumatic brain injury stuff. 634 00:34:11,160 --> 00:34:13,960 Speaker 4: But my biggest feeling is this is Tim Robinson doing 635 00:34:14,000 --> 00:34:17,399 Speaker 4: his version of twin Peaks, like the stuff with the 636 00:34:17,440 --> 00:34:21,120 Speaker 4: empty buildings and the huge red ball. So the big 637 00:34:21,239 --> 00:34:25,160 Speaker 4: question is can they both solve the mystery and leave 638 00:34:25,200 --> 00:34:27,760 Speaker 4: it open enough that people will want a second season 639 00:34:27,880 --> 00:34:29,480 Speaker 4: or is this going to end up Twin Peaks in 640 00:34:29,520 --> 00:34:31,480 Speaker 4: itself or Yellow Jackets in itself. 641 00:34:31,840 --> 00:34:35,480 Speaker 2: It's an interesting question because I don't think that you 642 00:34:35,600 --> 00:34:45,640 Speaker 2: can really analyze Tim's work, whether it's Detroitter's Friendship or 643 00:34:45,760 --> 00:34:50,280 Speaker 2: this in kind of the typical way, because the character 644 00:34:50,320 --> 00:34:54,920 Speaker 2: there is Mike is probably the most distinct character that 645 00:34:54,960 --> 00:35:00,080 Speaker 2: I've seen in any of his work. Yes, right and 646 00:35:00,760 --> 00:35:05,080 Speaker 2: the case, and even then, they don't act like quote 647 00:35:05,160 --> 00:35:09,480 Speaker 2: unquote real people with real connections to each other. Everything 648 00:35:09,560 --> 00:35:15,000 Speaker 2: is extremely, extremely heightened, and so it was it was 649 00:35:15,040 --> 00:35:18,879 Speaker 2: surprising to me when I connected in that same way 650 00:35:18,880 --> 00:35:20,680 Speaker 2: with the show and that that you're talking about, where 651 00:35:20,680 --> 00:35:23,560 Speaker 2: all of a sudden it became you felt like, oh 652 00:35:23,600 --> 00:35:26,440 Speaker 2: my God, like here is there's a note of truth 653 00:35:26,440 --> 00:35:28,600 Speaker 2: to it. I will say that I think that what 654 00:35:28,600 --> 00:35:31,160 Speaker 2: what Ron is experiencing is real. I think Techa is 655 00:35:31,160 --> 00:35:34,240 Speaker 2: trying to ruin his life because I love that figured 656 00:35:34,280 --> 00:35:38,600 Speaker 2: out something right his conspiracy, Like, first of all, the 657 00:35:38,600 --> 00:35:41,320 Speaker 2: conspiracy absolutely tracks like it fits all the evidence and 658 00:35:41,360 --> 00:35:45,000 Speaker 2: there's no doubt, and there's no doubt that like people. 659 00:35:44,760 --> 00:35:47,959 Speaker 1: Are stealing his identity and trying. 660 00:35:47,680 --> 00:35:48,799 Speaker 5: Someone with him. 661 00:35:50,760 --> 00:35:51,800 Speaker 1: And the way that. 662 00:35:53,239 --> 00:35:55,759 Speaker 2: The way that addresses like a feeling I'm sure like 663 00:35:55,800 --> 00:35:57,759 Speaker 2: lots of people have had, which is that you're kind 664 00:35:57,760 --> 00:36:03,239 Speaker 2: of trapped in this in this machine, this technological like 665 00:36:03,400 --> 00:36:06,880 Speaker 2: economic machine. You have none of the levers to the machine, 666 00:36:07,239 --> 00:36:10,960 Speaker 2: and you're locked in like a rat somewhere and you're 667 00:36:11,000 --> 00:36:13,279 Speaker 2: not even sure where inside of it you are. 668 00:36:14,080 --> 00:36:15,879 Speaker 1: And that's Ron. 669 00:36:16,040 --> 00:36:18,680 Speaker 2: He's like continuously trying to explore, like what the fuck 670 00:36:18,760 --> 00:36:21,640 Speaker 2: is going on and he can't get anywhere. I also 671 00:36:21,680 --> 00:36:25,080 Speaker 2: think with regards to jump to the concussion thing, like 672 00:36:25,760 --> 00:36:30,160 Speaker 2: very clearly, Ron was always I mean, the thing is insane, 673 00:36:30,040 --> 00:36:30,680 Speaker 2: ye like, and. 674 00:36:30,680 --> 00:36:30,960 Speaker 4: That was. 675 00:36:32,960 --> 00:36:38,839 Speaker 9: He had of struggles because, like you know, in episode four, 676 00:36:38,880 --> 00:36:41,120 Speaker 9: we get all those flashbacks like to a few years ago, 677 00:36:41,160 --> 00:36:44,120 Speaker 9: and we see what the jeep tours, what actually happened, 678 00:36:44,120 --> 00:36:46,320 Speaker 9: because it was referenced a few times in previous episodes, 679 00:36:46,360 --> 00:36:47,400 Speaker 9: and then we finally see. 680 00:36:47,280 --> 00:36:51,840 Speaker 2: What he got it into the flashbacks, which are like and. 681 00:36:51,760 --> 00:36:53,920 Speaker 9: I think the flashback we also see the relationship with 682 00:36:53,960 --> 00:36:57,319 Speaker 9: his daughter, you know, and I think those flashbacks really 683 00:36:57,320 --> 00:37:01,839 Speaker 9: do serve again to show like the his family's like, oh, 684 00:37:01,840 --> 00:37:04,040 Speaker 9: we've seen this kind of behavior from him before, Like 685 00:37:04,120 --> 00:37:06,680 Speaker 9: is he going down this path again? Which really makes 686 00:37:06,680 --> 00:37:09,440 Speaker 9: me think like maybe there's like a history with some 687 00:37:09,520 --> 00:37:12,080 Speaker 9: kind of mental illness or something there he's having, you know, 688 00:37:12,200 --> 00:37:15,960 Speaker 9: like a manic break again because and it's really sad 689 00:37:16,000 --> 00:37:18,480 Speaker 9: from his daughter's perspective, because, like you said, when he's 690 00:37:18,560 --> 00:37:20,839 Speaker 9: laighing out this whole theory to her, which makes sense, 691 00:37:20,880 --> 00:37:22,680 Speaker 9: and we're like, okay, that like kind of tracks there 692 00:37:22,719 --> 00:37:25,360 Speaker 9: might be something there. You just see like the sadness 693 00:37:25,360 --> 00:37:27,040 Speaker 9: in her eyes and she's tracking him on the phone 694 00:37:27,080 --> 00:37:29,200 Speaker 9: and she's like, oh, it's happening again. And then we 695 00:37:29,280 --> 00:37:31,759 Speaker 9: cut back to that scene where she's like looking at 696 00:37:31,800 --> 00:37:33,960 Speaker 9: him through the door. It's like flashback in the garage 697 00:37:34,000 --> 00:37:36,080 Speaker 9: and he's like trying to get his jeep tour stuff together. 698 00:37:36,160 --> 00:37:39,600 Speaker 7: It's not working, and we're like, okay, like which is it. 699 00:37:39,600 --> 00:37:42,160 Speaker 9: There's this really interesting dynamic between like is this like 700 00:37:42,360 --> 00:37:45,160 Speaker 9: really a real conspiracy. Is somebody really out to get him? 701 00:37:45,280 --> 00:37:46,920 Speaker 9: Is it all in his head? Is he kind of 702 00:37:46,920 --> 00:37:47,600 Speaker 9: imagining it? 703 00:37:47,640 --> 00:37:48,240 Speaker 7: Is it both? 704 00:37:48,560 --> 00:37:49,880 Speaker 5: Is he a terrible businessman? 705 00:37:50,040 --> 00:37:52,640 Speaker 4: But somebody's also out to get him, Like I feel 706 00:37:52,640 --> 00:37:54,640 Speaker 4: like the Jeep Tours if I was gonna I mean, 707 00:37:54,680 --> 00:37:57,320 Speaker 4: it's not a show. There's not a story to theorize 708 00:37:57,320 --> 00:37:59,839 Speaker 4: on this show because it's so deranged. But I do 709 00:38:00,280 --> 00:38:02,640 Speaker 4: like somebody that was ejured in the Jeep Tours is 710 00:38:02,640 --> 00:38:04,279 Speaker 4: probably doing all of this to him, Like the. 711 00:38:04,280 --> 00:38:06,839 Speaker 5: Jeep Tours is such a big part of it that. 712 00:38:06,800 --> 00:38:08,520 Speaker 4: I feel like it's going to tie in. But yeah, 713 00:38:08,560 --> 00:38:10,520 Speaker 4: I mean a great series. Like, guys, you got to 714 00:38:10,560 --> 00:38:11,200 Speaker 4: watch this show. 715 00:38:11,600 --> 00:38:15,239 Speaker 2: I will say that. Another thing this show makes me 716 00:38:15,280 --> 00:38:17,799 Speaker 2: think about. It's just like how much wish I touched 717 00:38:17,840 --> 00:38:19,600 Speaker 2: on it earlier. But we just have too much information. 718 00:38:19,680 --> 00:38:20,560 Speaker 1: I remember when I was. 719 00:38:20,560 --> 00:38:24,680 Speaker 2: A kid, we we were watching me and my friends, 720 00:38:24,719 --> 00:38:25,520 Speaker 2: like in seventh. 721 00:38:25,360 --> 00:38:28,480 Speaker 1: ORTIEH Grade or whatever, we were watching Platoon and we 722 00:38:28,480 --> 00:38:31,839 Speaker 1: were like, Oh, this guy in Platoon. 723 00:38:31,640 --> 00:38:35,000 Speaker 2: Corey Glover, who is the lead singer, was the lead 724 00:38:35,000 --> 00:38:40,960 Speaker 2: singer in the you know, trailblazing black rock metal band 725 00:38:41,160 --> 00:38:41,840 Speaker 2: Living Color. 726 00:38:42,880 --> 00:38:43,600 Speaker 1: Corey Glover. 727 00:38:44,880 --> 00:38:47,120 Speaker 2: That's Corey Glover, the lead singer of Living Color. And 728 00:38:47,200 --> 00:38:53,200 Speaker 2: also Corey Glover is Danny Glover from Lethal Weapon Fame, 729 00:38:53,440 --> 00:38:57,680 Speaker 2: Danny Glover's son. I don't know how we got this information, 730 00:38:57,760 --> 00:39:01,160 Speaker 2: but somebody said that, and we just like debated it 731 00:39:01,280 --> 00:39:05,080 Speaker 2: back and forth for an entire summer. YEP, if it 732 00:39:05,120 --> 00:39:07,279 Speaker 2: was if that was a similar thing that happened today, 733 00:39:07,320 --> 00:39:09,040 Speaker 2: we'd go online and that would lead to you like 734 00:39:09,239 --> 00:39:11,279 Speaker 2: one rabbit hole, and then you'd be on something else. 735 00:39:11,360 --> 00:39:15,200 Speaker 2: Then you'd be like, yeah, Glover's grandmother like invented whiskey. 736 00:39:15,480 --> 00:39:19,680 Speaker 2: We'd be like, so far afield. Instead, we just had 737 00:39:19,719 --> 00:39:23,200 Speaker 2: to wonder about it until we eventually found like the 738 00:39:23,200 --> 00:39:24,800 Speaker 2: information in a magazine or something. 739 00:39:25,160 --> 00:39:27,200 Speaker 1: And this show. 740 00:39:27,000 --> 00:39:30,360 Speaker 2: Really gets at that feeling of you pull one thread, 741 00:39:30,680 --> 00:39:32,680 Speaker 2: you don't get any answers, but it leads to three 742 00:39:32,680 --> 00:39:35,600 Speaker 2: more threads. You pull those three things, you're like, okay, 743 00:39:35,640 --> 00:39:39,120 Speaker 2: remember the first thread, but you keep pulling threads and 744 00:39:39,120 --> 00:39:42,680 Speaker 2: now you're on thread like eighty and you completely forgot, 745 00:39:42,719 --> 00:39:44,879 Speaker 2: like why you got into this in the first place. 746 00:39:45,600 --> 00:39:48,920 Speaker 2: I spend too many nights doing that, whereas in the past, 747 00:39:48,960 --> 00:39:52,640 Speaker 2: you'd spend one summer being like, is that is Corey 748 00:39:52,680 --> 00:39:54,840 Speaker 2: Glover from Plato Danny Glover's son? 749 00:39:54,960 --> 00:39:55,839 Speaker 1: Yeah, we just don't know. 750 00:39:56,160 --> 00:39:58,480 Speaker 4: We used to play this game called the Movie Game, 751 00:39:58,520 --> 00:40:01,520 Speaker 4: where we basically it's basically six degrees of Kevin Bacon, 752 00:40:01,560 --> 00:40:03,080 Speaker 4: but I didn't know that, you know, but it was 753 00:40:03,120 --> 00:40:05,560 Speaker 4: like you pick one person from a movie and you 754 00:40:05,560 --> 00:40:06,480 Speaker 4: have to get to another. 755 00:40:06,520 --> 00:40:10,239 Speaker 5: So you pick, like, you know, someone from a really 756 00:40:10,239 --> 00:40:10,920 Speaker 5: old movie like. 757 00:40:10,880 --> 00:40:13,200 Speaker 4: Audrey Hepburn, and you pick Arnold Tortschenegger, and then you 758 00:40:13,239 --> 00:40:15,320 Speaker 4: have to pick six movies where they worked with someone 759 00:40:15,360 --> 00:40:17,759 Speaker 4: to get to the other person, right, And that was 760 00:40:17,800 --> 00:40:20,200 Speaker 4: something that if you had social media or the Internet, 761 00:40:20,239 --> 00:40:22,319 Speaker 4: you would just not be able to do. But we 762 00:40:22,360 --> 00:40:25,080 Speaker 4: would legit play it for like hours and we would 763 00:40:25,120 --> 00:40:26,400 Speaker 4: just all be believing each. 764 00:40:26,239 --> 00:40:30,200 Speaker 5: Other's like great top tips too. So yeah, I feel 765 00:40:30,239 --> 00:40:33,000 Speaker 5: that deeply as an older millennial. And yeah, what a 766 00:40:33,000 --> 00:40:34,680 Speaker 5: great show. You got to watch it. Guys. 767 00:40:35,080 --> 00:40:38,640 Speaker 2: Let's take a quick break and return with Carmen to 768 00:40:38,719 --> 00:40:41,560 Speaker 2: talk about whether Ryan Murphy is making a made a 769 00:40:41,600 --> 00:40:45,200 Speaker 2: purposefully shitty show with Paul's Fair criently on who. 770 00:41:00,080 --> 00:41:07,120 Speaker 10: Harman welcome, she's talking about horror or she is Yes, 771 00:41:09,120 --> 00:41:11,600 Speaker 10: bullied me into watching Fair. 772 00:41:13,440 --> 00:41:17,200 Speaker 2: Miraculous, starring Kim Kardashian and a bunch of Ryan murphy 773 00:41:17,640 --> 00:41:25,040 Speaker 2: h usual suspects, including Naomi Watts, Niassy Nash Bets, Sarah Close, 774 00:41:25,560 --> 00:41:27,920 Speaker 2: and the pilot was deranged. 775 00:41:28,160 --> 00:41:30,520 Speaker 1: It was almost some Robinson sketch and. 776 00:41:32,520 --> 00:41:40,120 Speaker 2: It's so looking crazy. And currently a lot of the 777 00:41:40,160 --> 00:41:43,080 Speaker 2: discourse online about this show is, did Ryan Murphy make 778 00:41:43,080 --> 00:41:44,000 Speaker 2: a bad show on purpose? 779 00:41:44,000 --> 00:41:47,600 Speaker 1: Did he did he purposefully go past camp to just. 780 00:41:47,680 --> 00:41:53,440 Speaker 2: Like like horrificness. I don't know about that. But but 781 00:41:53,560 --> 00:41:59,880 Speaker 2: Carmen as the as the as the trailblazer, who Lee 782 00:42:00,080 --> 00:42:02,839 Speaker 2: who led us to this topic to tell us about 783 00:42:02,920 --> 00:42:06,000 Speaker 2: your thoughts about All's fair and whether Ryan Murphy might 784 00:42:06,040 --> 00:42:07,720 Speaker 2: have done this on purpose? 785 00:42:08,480 --> 00:42:12,200 Speaker 11: He yes, thank you for bringing me here today to 786 00:42:12,239 --> 00:42:13,640 Speaker 11: talk about this, because I. 787 00:42:16,080 --> 00:42:19,160 Speaker 2: And IT could not give us what's the logline of 788 00:42:19,200 --> 00:42:19,520 Speaker 2: the show. 789 00:42:19,600 --> 00:42:20,520 Speaker 1: The show is about what? 790 00:42:21,360 --> 00:42:25,200 Speaker 11: Okay? So the show is about basically Kim Kardashian. Her 791 00:42:25,280 --> 00:42:28,000 Speaker 11: name is Alura Grant. These all, all of these women, 792 00:42:28,040 --> 00:42:30,800 Speaker 11: by the way, have ridiculous character names, which we're cann't do, 793 00:42:31,600 --> 00:42:33,719 Speaker 11: which is another reason why I know this is done 794 00:42:33,719 --> 00:42:39,000 Speaker 11: on purpose. But Alura Grant is leaving the law firm 795 00:42:39,040 --> 00:42:42,520 Speaker 11: that she has worked at, owned by Glenn Close, and 796 00:42:42,680 --> 00:42:46,239 Speaker 11: Glenn Close's character's name is, oh my god, what is it? 797 00:42:46,680 --> 00:42:51,240 Speaker 11: Dina standish incredible Dina. These all sound like drag names 798 00:42:51,280 --> 00:42:55,440 Speaker 11: of like a lawyer. Absolutely, and she is leaving Dina 799 00:42:55,520 --> 00:42:59,400 Speaker 11: Standish's law firm, starting her new law firm, taking with 800 00:42:59,600 --> 00:43:08,280 Speaker 11: Dina'sish's blessing, taking Naomi Watts who is Liberty, Ronson, Nisi Nash, 801 00:43:08,320 --> 00:43:14,200 Speaker 11: whose character's name is Emerald Green incredible, and Tiana Taylor's 802 00:43:14,280 --> 00:43:17,759 Speaker 11: character whose name is Milan. So she's taking all of 803 00:43:17,800 --> 00:43:20,319 Speaker 11: these women, starting her own law firm. And it is 804 00:43:20,360 --> 00:43:23,640 Speaker 11: a divorce law firm, but it's not any old divorce 805 00:43:23,680 --> 00:43:27,520 Speaker 11: law firm. It is like the top tier rich bitch 806 00:43:27,680 --> 00:43:31,720 Speaker 11: law firm. You need to get divorced from your husband 807 00:43:31,760 --> 00:43:35,960 Speaker 11: who is a multi multi millionaire, come to me. So 808 00:43:37,719 --> 00:43:40,960 Speaker 11: it is looking Camp straight in the eye. 809 00:43:41,200 --> 00:43:45,120 Speaker 4: That's I agree, Common, I think like. So, basically, when 810 00:43:45,160 --> 00:43:47,560 Speaker 4: the show came out, me and Joelle and Common were 811 00:43:47,560 --> 00:43:49,799 Speaker 4: messaging each other in the Scream Queens group chat and 812 00:43:49,800 --> 00:43:52,359 Speaker 4: we were like, hey, is this bad? 813 00:43:52,400 --> 00:43:54,239 Speaker 5: Everyone keeps texting me and saying it's bad. 814 00:43:54,320 --> 00:43:56,600 Speaker 4: Maybe I should work zero percent on Nara percent on 815 00:43:56,640 --> 00:44:00,840 Speaker 4: Moron Tomorrow's at the time now four percent because obviously 816 00:44:00,840 --> 00:44:04,759 Speaker 4: it has now got some champions post this conversation. But 817 00:44:04,800 --> 00:44:07,680 Speaker 4: basically came out zero percent cost hundreds of millions of dollars, 818 00:44:07,760 --> 00:44:10,319 Speaker 4: looks like a shond it's just one hundred million, one 819 00:44:10,400 --> 00:44:13,880 Speaker 4: hundred million dollars it costs. And you know what, I 820 00:44:13,880 --> 00:44:16,560 Speaker 4: got to say, the money is on the screen because 821 00:44:16,600 --> 00:44:18,879 Speaker 4: the visuals, Yeah, you see every penny. 822 00:44:18,920 --> 00:44:22,040 Speaker 5: The costumes are crazy, and there is so much like. 823 00:44:22,320 --> 00:44:25,319 Speaker 11: The wigs, there's a wig every scene. 824 00:44:25,560 --> 00:44:29,680 Speaker 5: There's also insane amounts of like wealth porn. But to me, 825 00:44:30,640 --> 00:44:31,719 Speaker 5: that adds like I. 826 00:44:31,640 --> 00:44:34,120 Speaker 4: Was speaking to my friend about it last night and 827 00:44:34,160 --> 00:44:35,680 Speaker 4: they were like, you know, we watched it because we 828 00:44:35,719 --> 00:44:37,520 Speaker 4: saw you saying that you were on the side that 829 00:44:37,600 --> 00:44:39,640 Speaker 4: it's good. It's so bad, it's good and I and 830 00:44:39,680 --> 00:44:41,799 Speaker 4: they were like, we hated it. It's wealth porn. I 831 00:44:41,840 --> 00:44:42,279 Speaker 4: was like, yeah. 832 00:44:42,280 --> 00:44:47,120 Speaker 5: But to me, Kim Kardashian putting on a giant ring 833 00:44:47,760 --> 00:44:49,200 Speaker 5: the size you know, with a. 834 00:44:49,160 --> 00:44:55,200 Speaker 4: Gem that looks so big, Taylor's engagement ring that looks 835 00:44:55,200 --> 00:44:56,839 Speaker 4: like it's like, to me, that just looks like it's 836 00:44:56,880 --> 00:44:57,720 Speaker 4: from party City. 837 00:44:57,800 --> 00:44:59,120 Speaker 5: So that's just campus ship. 838 00:44:59,280 --> 00:45:01,319 Speaker 4: Like I don't if I had to be a Kardashian 839 00:45:01,800 --> 00:45:05,280 Speaker 4: in real life or in a version where she has, 840 00:45:05,400 --> 00:45:08,400 Speaker 4: you know, jewels that cost more than like a small 841 00:45:08,440 --> 00:45:09,600 Speaker 4: GDP of a country. 842 00:45:09,840 --> 00:45:12,560 Speaker 5: To me, that adds to the campness, and. 843 00:45:12,600 --> 00:45:16,200 Speaker 4: I do feel like there is no way that Ryan 844 00:45:16,280 --> 00:45:19,680 Speaker 4: Murphy wrote this without knowing exactly what he was doing. Guys, 845 00:45:19,800 --> 00:45:24,279 Speaker 4: they have Sarah Paulson with the most vicious and probably 846 00:45:25,080 --> 00:45:30,120 Speaker 4: heartfelt delivery where she calls Kim Kardashian a comrag. 847 00:45:31,000 --> 00:45:33,280 Speaker 5: Like that is the level of this show. 848 00:45:33,520 --> 00:45:35,960 Speaker 11: Jason, you have pulled it from a real player. 849 00:45:36,080 --> 00:45:37,960 Speaker 5: Yeah, she felt like it did. Jason. 850 00:45:38,200 --> 00:45:42,239 Speaker 4: You have a very fun theory about this that I like, 851 00:45:42,280 --> 00:45:43,120 Speaker 4: which puts more of. 852 00:45:43,040 --> 00:45:44,799 Speaker 5: A petty vengeance spin on it. 853 00:45:44,880 --> 00:45:48,080 Speaker 2: Well, so, first of all, like let's dig into the 854 00:45:48,120 --> 00:45:50,200 Speaker 2: price tag and the Ryan Murphy of it all, and 855 00:45:50,239 --> 00:45:54,040 Speaker 2: it's stuntcasting of Kim Kardashian, who I don't know if 856 00:45:54,080 --> 00:45:57,040 Speaker 2: she's she's certainly in the top ten of Instagram followers 857 00:45:57,080 --> 00:45:57,920 Speaker 2: right still to this day. 858 00:45:57,920 --> 00:46:00,719 Speaker 4: I think over the yeah a million so say as well, 859 00:46:00,760 --> 00:46:02,720 Speaker 4: like he's worked with that before and it didn't pop. 860 00:46:02,800 --> 00:46:06,279 Speaker 5: So I don't know. Maybe they signed like a triple contract. 861 00:46:07,719 --> 00:46:10,440 Speaker 4: Contract because it didn't work for horror stories. 862 00:46:10,560 --> 00:46:11,320 Speaker 5: It didn't work. 863 00:46:12,080 --> 00:46:15,000 Speaker 2: Well, clearly the idea is, listen, we need to pump 864 00:46:15,040 --> 00:46:16,440 Speaker 2: up Hulu, we need subs. 865 00:46:17,960 --> 00:46:20,560 Speaker 1: Kim wants to continue. 866 00:46:20,080 --> 00:46:23,120 Speaker 2: Her drive into script it as the reality show is 867 00:46:23,280 --> 00:46:28,040 Speaker 2: kind of you know, now mining the same plot lines 868 00:46:28,080 --> 00:46:29,279 Speaker 2: for the fourth and fifth and. 869 00:46:29,280 --> 00:46:31,960 Speaker 1: Sixth time, and so like, what can we do? 870 00:46:32,320 --> 00:46:35,839 Speaker 2: Let's pair him, Let's pair her with Ryan Murphy, who 871 00:46:35,880 --> 00:46:38,840 Speaker 2: she's worked with before as a as a hit maker. 872 00:46:38,880 --> 00:46:41,759 Speaker 2: And as you mentioned, this might have been part of 873 00:46:41,800 --> 00:46:45,279 Speaker 2: an existing deal, although the Angler is reporting now that 874 00:46:46,440 --> 00:46:50,520 Speaker 2: this show came upon about as part of a meeting 875 00:46:50,719 --> 00:46:54,480 Speaker 2: that happened between Disney co chair Dana Walden and Chris Jenner, 876 00:46:55,320 --> 00:46:59,160 Speaker 2: with Chris Jenner urging and Kardashian who and with Chris 877 00:46:59,239 --> 00:47:04,919 Speaker 2: and Kardashian basically saying we need a project and Dana 878 00:47:04,920 --> 00:47:07,520 Speaker 2: Waller saying what about a reality show? And Kardashian and 879 00:47:07,560 --> 00:47:11,200 Speaker 2: jenn are saying, no, what about something scripted? Can can 880 00:47:11,280 --> 00:47:12,479 Speaker 2: Bryan Murphy write something? 881 00:47:12,560 --> 00:47:13,120 Speaker 1: So he wrote this? 882 00:47:13,200 --> 00:47:17,440 Speaker 4: Okay, wow, this to me, This to me is a 883 00:47:18,080 --> 00:47:20,880 Speaker 4: get what you be, careful what you wish for situation 884 00:47:21,040 --> 00:47:25,080 Speaker 4: in that case, because I do think whatever issues And look, guys, 885 00:47:25,080 --> 00:47:26,960 Speaker 4: go back and listen to ed Gan. We were saying 886 00:47:27,000 --> 00:47:29,240 Speaker 4: this motherfucker needed to be he needs to be stopped. 887 00:47:29,320 --> 00:47:33,120 Speaker 4: Like I do not I do not want I am 888 00:47:33,200 --> 00:47:34,760 Speaker 4: not a huge bacon nap. 889 00:47:34,920 --> 00:47:36,880 Speaker 5: I'm not a huge fan. I have massive critique. 890 00:47:36,880 --> 00:47:41,279 Speaker 4: Ex Grandpa, if you're gonna be making something, yeah, make 891 00:47:41,360 --> 00:47:42,480 Speaker 4: some fucking shit like this. 892 00:47:42,640 --> 00:47:43,120 Speaker 5: I'm sorry. 893 00:47:43,200 --> 00:47:46,040 Speaker 4: I texted everyone this feels like you're watching The Bold 894 00:47:46,080 --> 00:47:49,799 Speaker 4: and the Beautiful directed by John Waters. Like, to me, 895 00:47:50,400 --> 00:47:52,960 Speaker 4: that's the kind of trash I want. John Waters lives 896 00:47:52,960 --> 00:47:53,560 Speaker 4: in trash. 897 00:47:53,680 --> 00:47:55,600 Speaker 5: This is trash. It's the same to me. 898 00:47:55,840 --> 00:47:57,880 Speaker 4: Like, but I don't think him Kardashian and Chris Jenna 899 00:47:58,880 --> 00:47:59,960 Speaker 4: approached it with that way. 900 00:48:00,120 --> 00:48:01,600 Speaker 5: I think Ryan Muffy probably. 901 00:48:01,800 --> 00:48:04,200 Speaker 2: So this is my theory. So this is my theory. 902 00:48:06,200 --> 00:48:08,359 Speaker 2: Murphy signed on because he loves a check. 903 00:48:10,239 --> 00:48:13,359 Speaker 11: He never check right. 904 00:48:14,040 --> 00:48:18,080 Speaker 2: He got a bunch of his usual suspects he would 905 00:48:18,120 --> 00:48:20,359 Speaker 2: expect to be in good stuff or or at least 906 00:48:20,400 --> 00:48:23,760 Speaker 2: interesting stuff, right, Glenn close, yeh, He's done very interesting. 907 00:48:24,000 --> 00:48:28,680 Speaker 4: Lots of Emmy Golden Globe ostas around these. 908 00:48:28,520 --> 00:48:34,399 Speaker 1: Pauls and she and they and. 909 00:48:36,840 --> 00:48:40,560 Speaker 2: They start working on it. Kim and Chris Joanner have 910 00:48:40,680 --> 00:48:44,759 Speaker 2: notes about everything. They don't they want different dialogue, they 911 00:48:44,800 --> 00:48:47,960 Speaker 2: didn't want different scenes. There's gotta be a power struggle. 912 00:48:47,960 --> 00:48:52,040 Speaker 2: I can't imagine any world in which Kim Kardashian and 913 00:48:52,160 --> 00:48:54,600 Speaker 2: Chris Janner just go, Okay, Ryan, we like that, Let's 914 00:48:54,600 --> 00:48:54,880 Speaker 2: do it. 915 00:48:55,160 --> 00:48:55,359 Speaker 1: Yeah. 916 00:48:55,360 --> 00:48:58,080 Speaker 11: I mean, Chris's executive producer and. 917 00:48:58,000 --> 00:49:01,399 Speaker 4: She stage manages how kids maverage, so of course she's 918 00:49:01,440 --> 00:49:02,640 Speaker 4: gonna have a say about what. 919 00:49:02,600 --> 00:49:03,359 Speaker 5: TV shows there. 920 00:49:03,400 --> 00:49:07,600 Speaker 2: And so at a certain point Ryan just decided, I'm 921 00:49:07,600 --> 00:49:11,440 Speaker 2: gonna make this terror. I'm gonna I'm gonna embarrass you. 922 00:49:11,680 --> 00:49:14,960 Speaker 2: I'm gonna make this the lowest rated piece of shit 923 00:49:15,080 --> 00:49:21,080 Speaker 2: that everybody watches and hates, and I'm going to make 924 00:49:21,160 --> 00:49:24,960 Speaker 2: it so you will never have a career inscripted unless 925 00:49:25,000 --> 00:49:26,120 Speaker 2: it's something like this. 926 00:49:26,400 --> 00:49:28,359 Speaker 1: The idea as well, like. 927 00:49:28,640 --> 00:49:35,520 Speaker 2: A fucking dumpster dive sewer excursion that sucks ass but 928 00:49:36,440 --> 00:49:41,320 Speaker 2: does it in the most loud, fantastic, lavish, silk strewn, 929 00:49:41,800 --> 00:49:46,439 Speaker 2: diamond studded way possible because fuck you Kim Kardashian, fuck 930 00:49:46,440 --> 00:49:48,120 Speaker 2: you Christ Janner. And I can't say that, but I'll 931 00:49:48,160 --> 00:49:50,760 Speaker 2: say it. I crew tell love this theory. 932 00:49:50,960 --> 00:49:52,640 Speaker 4: And if this is true, it makes a lot of 933 00:49:52,680 --> 00:49:56,160 Speaker 4: sense because I do have to say that there are 934 00:49:56,440 --> 00:49:59,719 Speaker 4: a lot of options in this show where it does 935 00:49:59,760 --> 00:50:01,239 Speaker 4: feel like Kim Kardashian is. 936 00:50:01,200 --> 00:50:02,320 Speaker 5: Like the butt of the joke. 937 00:50:02,880 --> 00:50:05,880 Speaker 4: Even if she maybe doesn't know, for example, one of 938 00:50:05,920 --> 00:50:08,080 Speaker 4: the first time I don't think she does realize, and 939 00:50:08,120 --> 00:50:10,360 Speaker 4: that makes it even better in my opinion, because she 940 00:50:10,440 --> 00:50:11,800 Speaker 4: plays it completely sincere. 941 00:50:12,280 --> 00:50:13,160 Speaker 5: But also I. 942 00:50:13,120 --> 00:50:16,840 Speaker 4: Will say, like I feel like Nissi she knows exactly 943 00:50:16,880 --> 00:50:19,160 Speaker 4: what show she's in, and I or something I do 944 00:50:19,200 --> 00:50:22,040 Speaker 4: want to commend, which is so funny because like when 945 00:50:22,080 --> 00:50:24,640 Speaker 4: do you do this? But I also always do try 946 00:50:24,640 --> 00:50:26,800 Speaker 4: and shout out PR teams because you guys are working 947 00:50:26,840 --> 00:50:29,440 Speaker 4: so hard and we work with so many incredible PR teams. 948 00:50:29,640 --> 00:50:31,719 Speaker 4: But I have to say, I think the most impressive 949 00:50:31,760 --> 00:50:34,480 Speaker 4: thing about the way that they have handled this show 950 00:50:34,920 --> 00:50:39,239 Speaker 4: is actually once the reviews came in, they leaned into it, 951 00:50:39,520 --> 00:50:42,960 Speaker 4: they started doing they'd started doing like cuts of the 952 00:50:43,040 --> 00:50:44,200 Speaker 4: craziest moments. 953 00:50:44,320 --> 00:50:45,560 Speaker 5: Nissi Nash is out there. 954 00:50:45,680 --> 00:50:49,040 Speaker 4: Nisi Nash Betts is out there and she's showcasing the 955 00:50:49,120 --> 00:50:51,319 Speaker 4: scene where she's talking about where they, by the way, 956 00:50:51,360 --> 00:50:55,319 Speaker 4: are blackmailing someone in the first episode, like a billionaire 957 00:50:55,520 --> 00:51:00,160 Speaker 4: with like sexy pictures of him like BDSM clubs up 958 00:51:00,200 --> 00:51:03,000 Speaker 4: dressed as a fucking fuck piggy Daddy. 959 00:51:02,840 --> 00:51:04,680 Speaker 11: Or whatever, piggy Piggy. 960 00:51:04,800 --> 00:51:06,759 Speaker 4: I was just like, this is incredible I love you, 961 00:51:06,880 --> 00:51:10,480 Speaker 4: NISI and whoever decided that the way to approach it 962 00:51:10,520 --> 00:51:14,320 Speaker 4: was basically to be like they've been doing pr with Naomi. 963 00:51:15,360 --> 00:51:18,680 Speaker 5: Sarah Paulson, like some of the Glenn Close like women. 964 00:51:18,480 --> 00:51:22,400 Speaker 4: Who was so fantastically famous, and they're doing like videos 965 00:51:22,440 --> 00:51:24,840 Speaker 4: of them dancing around like talking about how that couns 966 00:51:24,880 --> 00:51:27,440 Speaker 4: and stuff like it's an incredible pay this. 967 00:51:28,120 --> 00:51:31,040 Speaker 2: Here's Here's what I feel like is the weakness in 968 00:51:31,080 --> 00:51:34,280 Speaker 2: my theory. Okay, I think Ryan Murphy is quite capable 969 00:51:34,440 --> 00:51:41,440 Speaker 2: of creating very loud shit TV. Yes we know that, 970 00:51:42,040 --> 00:51:46,400 Speaker 2: but why would why would he do this to Why 971 00:51:46,440 --> 00:51:47,359 Speaker 2: would you do this to Sarah? 972 00:51:47,360 --> 00:51:48,840 Speaker 1: Why would you do this Glenn Close? Why would do 973 00:51:49,960 --> 00:51:51,520 Speaker 1: Why would they be involved in it? 974 00:51:51,680 --> 00:51:51,799 Speaker 4: Right? 975 00:51:51,840 --> 00:51:55,279 Speaker 2: Why would they be Here's my retort to that. Okay, yeah, 976 00:51:57,160 --> 00:51:57,760 Speaker 2: why would. 977 00:51:57,600 --> 00:51:58,640 Speaker 1: They be involved in it? 978 00:51:59,760 --> 00:52:03,680 Speaker 2: Look around your television sometime and pay attention to the commercials. 979 00:52:03,920 --> 00:52:07,359 Speaker 2: Vince Vaughan and Owen Wilson doing cable TV commercials TV 980 00:52:07,480 --> 00:52:12,400 Speaker 2: for Infinity, so Magling, Kamel Nan Johnny doing direct TV commercials, 981 00:52:12,560 --> 00:52:16,840 Speaker 2: William Dafoe and Catherine Ohara doing Ultra Michel ob Blight commercials. 982 00:52:16,480 --> 00:52:20,040 Speaker 4: Guys from Scrubs doing t mobile commercials, it's. 983 00:52:19,880 --> 00:52:22,799 Speaker 2: All happen is not there in the way that it 984 00:52:22,920 --> 00:52:25,080 Speaker 2: used to be there in entertainment TV. 985 00:52:25,239 --> 00:52:27,839 Speaker 1: And of course, like I'm not trying to. 986 00:52:27,800 --> 00:52:31,120 Speaker 2: Say that these that they're poor or that I'm just 987 00:52:31,160 --> 00:52:35,359 Speaker 2: saying that from their perspective, the money is not coming 988 00:52:35,440 --> 00:52:37,600 Speaker 2: in the way it used to because I guarantee you 989 00:52:37,640 --> 00:52:40,680 Speaker 2: every single one of them would love to not be 990 00:52:40,800 --> 00:52:44,000 Speaker 2: doing commercials. I think Kanahey would love to not be 991 00:52:44,080 --> 00:52:47,920 Speaker 2: doing Sales Force and Uber Eats ads that they have 992 00:52:48,080 --> 00:52:53,240 Speaker 2: to because the projects are not there. So as for why, 993 00:52:53,480 --> 00:52:56,640 Speaker 2: like respected good actors would be. 994 00:52:56,600 --> 00:52:59,719 Speaker 1: In this, because the paycheck baby is. 995 00:53:01,480 --> 00:53:04,239 Speaker 4: Yah Sarah Poster having fun is a funny gay I 996 00:53:04,280 --> 00:53:05,239 Speaker 4: was gonna says. 997 00:53:07,000 --> 00:53:09,400 Speaker 5: I think she read that script and she probably. 998 00:53:09,200 --> 00:53:10,680 Speaker 4: Called Ryan and was like what the fuck and he 999 00:53:10,800 --> 00:53:15,239 Speaker 4: was like, laid down whatever the backstory want to guess. Yeah, 1000 00:53:15,400 --> 00:53:18,319 Speaker 4: just a great, a great, insane, divisive show and it's 1001 00:53:18,320 --> 00:53:21,359 Speaker 4: going to be one of the big talking points of 1002 00:53:21,400 --> 00:53:23,920 Speaker 4: the last seasons of Obvious Tears. 1003 00:53:24,040 --> 00:53:26,600 Speaker 2: Continue watching it, but I'm eager to see where they 1004 00:53:26,640 --> 00:53:27,759 Speaker 2: where the discords go. 1005 00:53:27,960 --> 00:53:30,600 Speaker 4: We'll text you, will text you, We'll text you the memes. 1006 00:53:30,920 --> 00:53:41,120 Speaker 2: Yeah, that's it for this episode Thanks for Listening by. 1007 00:53:41,800 --> 00:53:42,000 Speaker 3: X Ray. 1008 00:53:42,080 --> 00:53:44,640 Speaker 2: Vision is hosted by Jason Concepts Young and Rosie Knight 1009 00:53:44,719 --> 00:53:46,520 Speaker 2: and is a production of iHeart Podcast. 1010 00:53:46,880 --> 00:53:50,480 Speaker 4: Our executive producers are Joel Monique and Aaron Korfman. 1011 00:53:50,719 --> 00:53:52,759 Speaker 1: Our supervising producer is Abuzafar. 1012 00:53:53,160 --> 00:53:57,080 Speaker 4: Our producers are Common, Laurent Dean Jonathan and Bay Wack. 1013 00:53:57,239 --> 00:54:00,000 Speaker 2: A theme song is by Brian Vasquez, with alternate themes 1014 00:54:00,080 --> 00:54:01,320 Speaker 2: songs by Aaron Kauffman. 1015 00:54:01,480 --> 00:54:05,280 Speaker 4: Special thanks to Soul Rubin, Chris Lord, Kenny Goodman and Heidi. 1016 00:54:05,520 --> 00:54:06,719 Speaker 5: Our discord moderator 1017 00:54:15,360 --> 00:54:15,400 Speaker 3: M