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Speaker 1: M h. We got some sad news recently. A a

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Speaker 1: towering figure in our lives, or at least in my life,

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Speaker 1: and someone who has figured uh kind of prominently on

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Speaker 1: this podcast passed away. David Combs, the incredible studio teacher

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Speaker 1: who we've we've brought up multiple times, passed away rather suddenly.

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Speaker 1: He was only in his early seventies. And we got

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Speaker 1: the news from our our other incredible studio teacher, Wesley Staples,

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Speaker 1: and so I thought we would take a moment. And

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Speaker 1: you know, we had actually been talking about having David

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Speaker 1: Wesley on this podcast just because we've they've come up

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Speaker 1: and they were such a huge part of our show,

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Speaker 1: in our lives, and you know, we've noticed that behind

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Speaker 1: the scenes stories tend to involve them. So anyway, this

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Speaker 1: is not great news, but you know, we thought we'd

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Speaker 1: just take a moment to talk about David.

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Speaker 2: Yeah, David was a I mean we, like writer said,

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Speaker 2: we've talked about him a lot on this podcast.

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Speaker 3: David was just a really really special, unique man.

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Speaker 4: He was.

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Speaker 2: I still think to this day, the smartest person I've

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Speaker 2: ever met in my life. Yeah, he was smart in

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Speaker 2: every subject. There was nothing he didn't know. There wasn't

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Speaker 2: anything you couldn't have a conversation with him about. Even

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Speaker 2: in just very casual conversation, you would learn so much

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Speaker 2: from him. He was also very quirky and weird in

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Speaker 2: some of the funniest ways. We've talked about how he

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Speaker 2: could just deliver very eccentric.

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Speaker 1: Yeah, and maybe and maybe, can we say, I think

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Speaker 1: he would be okay with this. A snob.

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Speaker 3: He was a snob. I think he can.

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Speaker 2: I think he just to pride in being a snob.

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Speaker 2: He brought me to my first museum. He brought me

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Speaker 2: to my first opera. He he once bought me an

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Speaker 2: art print and had it framed because at the time

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Speaker 2: I was dating Lance and there was something. We went

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Speaker 2: to this museum and there was a painting on the

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Speaker 2: wall that I really liked, and he bought me the

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Speaker 2: print of it because he said that the reason I

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Speaker 2: liked it is because it reminded me of Lance, and

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Speaker 2: I had never really put it together, but it was

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Speaker 2: a young woman looking lovingly at a young man, and

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Speaker 2: he said that he thought it you know that it

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Speaker 2: was that he remembered when we were at the museum together,

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Speaker 2: seeing me connect because I was not a museum kid.

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Speaker 2: I was like, this is so boring, Please don't make

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Speaker 2: me do this, and he was like, no, you're going

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Speaker 2: to go and you're going to like it. And he

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Speaker 2: said that he felt like that was the first moment

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Speaker 2: that I actually connected with an art piece, and so

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Speaker 2: he bought me the print and he had it framed

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Speaker 2: for me and I still have it, And yeah, I mean,

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Speaker 2: David could deliver just a soul crushing, soul crushing blow

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Speaker 2: and one sentence without meaning to.

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Speaker 3: Like the time when I was like, I have a

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Speaker 3: crush on David Letterman.

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Speaker 5: He's like, hmmm, so you're attracted to power.

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Speaker 2: He's also I told you guys that he's the one

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Speaker 2: who called a bathing suit a baving costume, and I

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Speaker 2: absolutely love it. A bothering costume I still called a

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Speaker 2: bothering costume. I have thought about David, I don't know,

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Speaker 2: once a month, every month since the time Boy Meets

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Speaker 2: World has ended, at least there are things that come

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Speaker 2: up in my life all the time. I the day

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Speaker 2: we got this news about David passing away, I was

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Speaker 2: having a hard time not being in tears all day.

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Speaker 2: And one of the memories that came up for me

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Speaker 2: that I then ended up telling producer Jensen Karp, husband

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Speaker 2: of this podcast, about that I thought you guys might

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Speaker 2: appreciate was that, for whatever reason, one day, my mom

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Speaker 2: wasn't able to take me home from work.

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Speaker 3: She couldn't pick me up, and.

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Speaker 2: I don't know why. I then didn't go home with

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Speaker 2: writer or Ben like I sometimes would. I would sometimes

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Speaker 2: go home to Encino with writer or Ben and my

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Speaker 2: mom would then leave Calabasis and pick me up in Encino.

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Speaker 2: But for whatever reason, that couldn't be done on this

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Speaker 2: one particular day, and so David Combs drove me home.

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Speaker 2: And David Combs in his car. It was very hot.

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Speaker 2: I don't think the air was working. We had the

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Speaker 2: windows down, and he talked the whole way home. He

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Speaker 2: also drove like in the slow lane, very slowly, and

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Speaker 2: and yeah.

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Speaker 1: I mean, I think some part of the eccentricity of

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Speaker 1: David is that he's the you know, he's the he

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Speaker 1: was the kind of guy who could tell you the

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Speaker 1: origin of a word, yeah, and it's history and the

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Speaker 1: history of its usage in seven different language. But then

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Speaker 1: he couldn't keep his car clean.

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Speaker 3: Correct, It was a not clean car.

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Speaker 2: It was very cramped feeling there was stuff everywhere, and

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Speaker 2: it was a long drive and we were in traffic

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Speaker 2: and there was no air, and the windows were down

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Speaker 2: and my hair was whipping all over the place. And

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Speaker 2: he got lost and I was like trying to tell

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Speaker 2: him where to go, but he wasn't. He also didn't

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Speaker 2: seem like a great driver, like maybe he was not

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Speaker 2: familiar with freeway, like real lifestyle.

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Speaker 3: Yes, very frazzled.

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Speaker 2: And I got he got We got home, and he

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Speaker 2: walked me up to the door and my mom opened

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Speaker 2: the door and David and my mom talked for a

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Speaker 2: little bit and then David left. And my mom had

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Speaker 2: been working in the garage. So the way our house

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Speaker 2: was set up was that the garage was directly next

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Speaker 2: door to like where the front door was. So I

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Speaker 2: walked in and my mom was like, I'm in the know.

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Speaker 2: I was like talking to my mom, and my Mom's like,

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Speaker 2: I'm working in the garage. Follow me into the garage.

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Speaker 2: So I follow her into the garage as David is

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Speaker 2: walking down and I start loudly complaining about this car

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Speaker 2: ride home with David.

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Speaker 3: I can't believe you made me go home with David.

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Speaker 2: Comes.

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Speaker 3: It was terrible. There was no air, condision. It was

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Speaker 3: a thousand degrees. My hair was whipping all over the

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Speaker 3: blays and he wouldn't roll out the windows.

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Speaker 2: And then we got lost, and he wasn't listening to me,

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Speaker 2: and there was stuff all over the car, and I'm

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Speaker 2: just acting like a little brat, just complaining about how

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Speaker 2: awful it was that I had to make this drive

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Speaker 2: home with David Combs.

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Speaker 3: And I was so mad, and David.

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Speaker 2: Heard every word Oh no, But David didn't let me

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Speaker 2: get away with it and just let me know no.

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Speaker 2: He turned around and he walked back up to the

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Speaker 2: front door, and he rang the doorbell and the doorball

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Speaker 2: rings and were like, who's that And I realized it's David,

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Speaker 2: and I opened the door and I go Hi.

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Speaker 5: He goes, Danielle. I heard everything you said. I'm sorry

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Speaker 5: that it was such an awful experience for you driving

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Speaker 5: in my car. I thought I was doing something nice

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Speaker 5: and wonderful for you, doing you the favor of taking

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Speaker 5: you home. And I have never been more mortified in

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Speaker 5: my entire life. And there have been times when I

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Speaker 5: have woken up at two o'clock in the morning, get around,

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Speaker 5: cannot go back to sleep yep because I'll be like,

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Speaker 5: remember that time in nineteen ninety four when David Combs

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Speaker 5: drove you home and he heard you talking bad, like

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Speaker 5: bad mouthing him, just absolutely devastating.

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Speaker 4: He was quite a guy.

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Speaker 6: Yeah, I was just gonna say very brief because I

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Speaker 6: was only with him for a year, because I only

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Speaker 6: had but he was my only teacher for a year,

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Speaker 6: like Wesley was never my teacher.

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Speaker 4: I only had David for one.

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Speaker 6: Year, and he would do very interesting and unique things

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Speaker 6: with you to pass the time. Because one of the

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Speaker 6: things that had happened was we've talked about this. I

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Speaker 6: was a terrible student before boy Mets World started, and

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Speaker 6: then you're sitting in there with one teacher who has

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Speaker 6: Danielle said, is one of, if not the smartest people

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Speaker 6: you'll ever meet your life. He spoke seven languages, he

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Speaker 6: used to meet a tutor to the show of Iran's Kids.

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Speaker 6: I mean it was he was a very smart and

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Speaker 6: my school back in Connecticut didn't know what to do

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Speaker 6: with me. So essentially they said, pick a college and

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Speaker 6: take whatever courses you want. So by a combination of

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Speaker 6: picking the courses I want and having David as my teacher,

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Speaker 6: he taught me to love learning, and what would happen

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Speaker 6: was I would have a week off in between, you know,

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Speaker 6: we'd have our week hiatus. But because I lived in Connecticut,

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Speaker 6: I wasn't flying home every time.

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Speaker 4: It was just too much.

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Speaker 6: So a lot of times David would take me places

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Speaker 6: and you would pick these places that were educational without

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Speaker 6: you knowing they would be educational.

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Speaker 1: So with you too, oh yeah.

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Speaker 6: So like one of the things we did, he called

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Speaker 6: me is like, hey, the LA Subway is opening up today.

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Speaker 4: It's the inaugural ride.

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Speaker 6: We're going. It was for one block. It was as

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Speaker 6: much as it was open. We drove downtown, we got

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Speaker 6: on the subway for the inaugural ride, We drove one block,

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Speaker 6: and we walked upstairs. He'd call me again later he goes,

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Speaker 6: have you ever been to the oldest street in Los Angeles?

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Speaker 6: Come on, we're going to It was at Alvarado Street.

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Speaker 6: We're going there to get some some good Mexican food.

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Speaker 3: Let's go.

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Speaker 6: And you'd pick you up and you'd go and you'd

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Speaker 6: do stuff, and it was just these little moments that

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Speaker 6: he would take with you. And then when we got

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Speaker 6: the closest was my final project for senior year in

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Speaker 6: Latin was to translate the Odyssey, and he and I

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Speaker 6: sat there every day and worked on Latin together. We'd

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Speaker 6: sat it, we sat on the couch and I would

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Speaker 6: want him to just translate it, and he's like, I'm

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Speaker 6: not translating this book for you.

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Speaker 4: He's like, that's this is not how this works.

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Speaker 6: And so we would we'd work through all the conjunctions

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Speaker 6: and so it was just it would.

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Speaker 1: Sit there with you guys. I don't know if you remember,

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Speaker 1: but that's how I learned the story of the Odyssey.

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Speaker 4: Oh did you really? Yeah.

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Speaker 1: I would sit with you guys while you were doing that,

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Speaker 1: because then I did it later when I because I

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Speaker 1: then decided to take Latin because you guys had done it.

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Speaker 1: I would sit there and listen to you, you know,

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Speaker 1: and you would basically be telling me the story of

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Speaker 1: the Odyssey because you would be translating him from the Latin.

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Speaker 4: So cool it was. He was brilliant, eccent, weird.

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Speaker 1: He could be rude, he.

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Speaker 4: Could be off putting.

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Speaker 6: He would do things that he would pick up right away,

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Speaker 6: like for a week he would ride his folding bike to.

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Speaker 4: School, can you remember that?

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Speaker 6: And then I'd have to drive him home because he'd

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Speaker 6: be like, well, I can't drive home, and I'd be like,

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Speaker 6: how'd you get here?

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Speaker 4: And he's like, I drove my bike on the freeway.

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Speaker 6: I'm like, you were on the freeway on that little

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Speaker 6: folding bike.

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Speaker 4: And it was just he was an odd.

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Speaker 6: Man who could really make learning a ton of fun.

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Speaker 6: And I wish I knew him better than I did,

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Speaker 6: and you and Danielle certainly knew him better than I did.

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Speaker 6: But he was a good guy and he will certainly

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Speaker 6: always hold a very special place in my heart, especially

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Speaker 6: when I think of anything intellectual. He's somehow in the

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Speaker 6: conversation and I'm honored to have.

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Speaker 4: Known him, I really am.

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Speaker 1: Yeah, you know, I think maybe it just needs to

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Speaker 1: be stated for our listeners who who don't know a

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Speaker 1: studio teacher usually is not this involved, right, But like

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Speaker 1: a studio teacher job is actually sort of like you know,

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Speaker 1: it varies from being basically a daycare, you know, where

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Speaker 1: you're just sort of there or like you're you're a

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Speaker 1: substitute teacher, like you're and you're a substitute teacher who's

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Speaker 1: there for all subjects. So you know, a lot of

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Speaker 1: them specialize in one or two things, but really they

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Speaker 1: specialize in just making sure that you get your homework

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Speaker 1: done basically, like they keep you in the classroom and

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Speaker 1: they oversee you doing your homework. And David, as obviously

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Speaker 1: from the stories you're hearing, just went so far above

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Speaker 1: on that. You know. He within the first the first

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Speaker 1: year of being on Boy Meet's World, he flew up

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Speaker 1: to my hometown to meet with all of my teachers

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Speaker 1: at my tiny school in the middle of the woods.

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Speaker 1: I mean I you know, I was a whole school

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Speaker 1: of only fifty kids, and he met with every one

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Speaker 1: of my teachers. Yeah. He took us to everything. He

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Speaker 1: took me to London and Paris for weeks. It took

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Speaker 1: me to my first ballet, my first opera. Took me

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Speaker 1: to movie screenings Clockwork, Orange Amazing, late night midnight screenings

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Speaker 1: of movies in la He brought David Trainer. He found

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Speaker 1: out David Traynor did Shakespeare, and he brought him into

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Speaker 1: our classroom to teach us Shakespeare.

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Speaker 3: Yeah.

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Speaker 1: It took me to poetry readings, local music shows. When

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Speaker 1: I wanted to leave high school early, he convinced me

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Speaker 1: to stay and instead got me signed up for correspondence

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Speaker 1: courses like you will at college courses got me, you know,

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Speaker 1: teaching that I mean, set me up for my interview

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Speaker 1: at Occidental College, where I ended up going to school.

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Speaker 1: I wasn't even going to apply. He just was like no,

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Speaker 1: and he set me up with the interview and I

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Speaker 1: got in. You know, I just changed my life.

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Speaker 2: Change that he didn't really, he really and he took

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Speaker 2: it upon himself to make sure that the kids he

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Speaker 2: came in contact with on TV shows were not going

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Speaker 2: to wind up being uncultured dummies because they had had

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Speaker 2: bad educations, because they had been taken out of real school.

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Speaker 2: He looked at it as an opportunity to actually give

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Speaker 2: you an even better education than you were going to

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Speaker 2: get at whatever school you came from, because you could

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Speaker 2: be one on one or three on one. However, many

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Speaker 2: kids were in his tiny little class on a set.

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Speaker 2: He really made sure we were well rounded, cultured, educated

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Speaker 2: little weirdos just like him.

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Speaker 3: And I think he succeeded.

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Speaker 1: The one thing that he did, and I know he

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Speaker 1: did this with you, Danielle. I don't know if he

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Speaker 1: ever did this with you Will, but that changed me irrevocably,

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Speaker 1: and I will always cherish is every once in a while.

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Speaker 1: You'd be in the classroom, usually not when you were

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Speaker 1: done with your regular schoolwork, and he would just pull

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Speaker 1: down a book because he had a classroom full of books,

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Speaker 1: and start reading poetry. Yes, and you know poems you

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Speaker 1: had never heard of poem like he would have, you know,

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Speaker 1: the great pantheon of English literature at his fingertips, John Dunn,

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Speaker 1: John Keats, Shakespeare, yeah, anybody. And he would read and

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Speaker 1: not only read and talk about the poems and like,

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Speaker 1: but he would start to cry. Yeah, And I remember

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Speaker 1: remember him weeping openly reading poetry. And I think about

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Speaker 1: that now. It's like, not only was this man like

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Speaker 1: engaging with us intellectually and saying, like, learn these things

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Speaker 1: because they're good for your brain, but he was unafraid

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Speaker 1: to show that art is emotional, that it changes you,

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Speaker 1: that it makes you feel things, and that you know,

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Speaker 1: and that it's okay to cry reading this poem or

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Speaker 1: listening to this poem, and like, you know, I read

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Speaker 1: poetry to my son all the time now, and I

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Speaker 1: would never I don't think I would ever do that

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Speaker 1: except for David.

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Speaker 2: Yeah, he also taught me how to read poetry, like

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Speaker 2: I remember him because he wouldn't just pull down books

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Speaker 2: and read it them himself. He would pull down a

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Speaker 2: book and open up to a thing and say, read

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Speaker 2: me this, Read this to me, and I would read it,

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Speaker 2: and I would read it the way I thought poetry

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Speaker 2: was supposed to be read, like with the pauses at

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Speaker 2: the end of every line or whatever. And he would say,

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Speaker 2: you don't have to pause there. You can just read

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Speaker 2: it like a story. You can just read through. You

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Speaker 2: can just read, you know, and I remember him, you know,

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Speaker 2: there's something for whatever reason that can feel intimidating. Poetry

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Speaker 2: can feel intimidating. He took away all of the intimidation

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Speaker 2: and just made it you just read it. You can

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Speaker 2: read it. You can read a small we can just

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Speaker 2: read it for two minutes. You don't have to sit

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Speaker 2: down and dedicate four hours to poetry. You can read

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Speaker 2: it for five minutes. You can read it before bed,

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Speaker 2: you can read it whenever. And so yeah, he David

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Speaker 2: Comb's truly a life changing man who we will miss

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Speaker 2: very much, and we just wanted to give that little

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Speaker 2: tribute to him because we were really, honestly, we were

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Speaker 2: a bit devastated to find out that news. So welcome

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Speaker 2: to Pod meets World. I'm Danielle Fischel, I'm right a strong,

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Speaker 2: and I'm Wilforde. So we are going to recap season two,

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Speaker 2: episode twenty two, Career Day, which originally aired May twelfth,

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Speaker 2: nineteen ninety five. The synopsis is that after Sean finds

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Speaker 2: out his mother has run away, his father takes off

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Speaker 2: to find her, leaving him completely alone looking for somewhere

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Speaker 2: to stay. Also, Eric is having trouble studying for the SATs,

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Speaker 2: and Alan feels like a disappointment at Corey's school. Career Day.

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Speaker 2: It was directed by David Traynor. It was written by

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Speaker 2: Matthew Nelson.

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Speaker 4: It is his first one, right, that's what I thought.

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Speaker 4: I wrote that down, was like, is this his first one?

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Speaker 4: I didn't think he was there at all in season two.

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Speaker 1: That's so amazing. Yeah, I didn't realize that. But because

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Speaker 1: there's something about this episode that felt very I don't know,

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Speaker 1: that just makes sense.

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Speaker 3: Yeah, it just makes sense now.

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Speaker 1: It makes sense, Like that's this feels like a Nelson episode.

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Speaker 4: It's Verry Nelson.

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Speaker 1: Yes, And you know we talked about how he was

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Speaker 1: like a Sean voice in the room. Yeah, and like

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Speaker 1: that's clear in this episode.

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Speaker 2: Yeah, yeah, Matthew Nelson. So it is guest starring Blake Clark,

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Speaker 2: who arrives for the first time as check Hunter, Jason

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Speaker 2: Marsden as Jason Mary, Darlene Vogel returns as Catherine Kat Tompkins,

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Speaker 2: and Peter Tork of the Monkeys as Jedediah Lawrence also

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Speaker 2: for the first time.

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Speaker 3: Dad Yes number one.

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Speaker 2: Will Esties returns as Alex So. To recap, we are

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Speaker 2: in mister Turner's classroom. Alan walks into mister Turner's classroom

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Speaker 2: for career Day. Corey is bummed. Corey says everyone will

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Speaker 2: know his dad isn't an NBA player. He's a grocer's son,

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Speaker 2: a son of a.

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Speaker 4: Grocer, son of a grocer, son of a grocer.

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Speaker 2: Alan comes over to Corey and Sean to read his

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Speaker 2: note cards about how many different kinds of rice they have.

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Speaker 2: Even Sean admits he's happy he isn't Corey. Jedediah Tapega's

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Speaker 2: dad is up first for career Day. He tells everyone

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Speaker 2: he is a luthier, someone who makes musical instruments. Sean

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Speaker 2: jokes and says that is the nuttiest religion.

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Speaker 4: I'm a Presbyterian, So to each his own.

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Speaker 2: Yeah, and Tapega tells her daddy to share who called

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Speaker 2: their house last night, and he says Tippy.

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Speaker 3: They don't want to hear that.

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Speaker 2: Sean and Corey can't believe Tippy and they start to

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Speaker 2: make fun of her, but to Pega turns around and

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Speaker 2: growls at them.

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Speaker 4: Are you ever this is a Tippy again? But is

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Speaker 4: there ever a Tippy again? Because that you figured that

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Speaker 4: I would stick somehow.

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Speaker 1: Or maybe the same actor playing her dad would stick.

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Speaker 6: Well, yeah, I know you figured Tippy is something where

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Speaker 6: it's like somebody that eventually donning.

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Speaker 1: It just felt like Season one, like this whole run

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Speaker 1: because like you turn to growling was very much like.

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Speaker 3: The original You're the original.

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Speaker 1: Topanga and then of course your dad being the sort

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Speaker 1: of hippy tippy musician.

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Speaker 3: Yeah, and you guys making fun of Tapanga for being that.

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Speaker 3: I mean it did. It felt very You.

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Speaker 1: Look extremely tanned.

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Speaker 4: To me, I was very tan, but then really.

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Speaker 1: Starting to deal with acne because I am also incredibly

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Speaker 1: made up this entire episode like I'm starting to out

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Speaker 1: something awful.

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Speaker 2: Yeah, I was trying to figure out because normally I'm

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Speaker 2: very tan. In the very early parts of the of

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Speaker 2: a season because I would have come back from Hawaii.

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Speaker 2: But I noticed that as well, and I wonder if

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Speaker 2: it was just a makeup choice.

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Speaker 1: Yeah, maybe maybe.

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Speaker 3: Or may the same thing.

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Speaker 1: Like we talked about when we were recapping the last episode,

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Speaker 1: there was this weird gap. Maybe we really did have

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Speaker 1: like a break, like a yeah break for some reason

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Speaker 1: this year.

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Speaker 4: Maybe why had to been something. I had to have

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Speaker 4: been something that happened.

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Speaker 2: Yeah, I'm not sure, so I guess uh it is

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Speaker 2: then revealed it was Bruce Springsteen who called the house.

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Speaker 2: Everyone is very impressed. Alan jokes, well, he can make

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Speaker 2: these guitars, but can he play them? And then Jedediah

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Speaker 2: starts playing the guitar perfectly like he's in the Monkeys,

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Speaker 2: and Alan even says he's toast, And then we.

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Speaker 3: Get our first little commercial break.

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Speaker 1: So, hey, little girl, your dad is your home?

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Speaker 4: Is your daddy home?

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Speaker 1: Joke? Really not good?

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Speaker 3: Yeah, no, I'm not great.

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Speaker 4: So Peters dad or mom? I can't remember which one

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Speaker 4: was my parents' college professor really in Connecticut. He taught

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Speaker 4: as think it was at the University Connecticut. He or she.

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Speaker 6: I don't know if it was his mom or dad,

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Speaker 6: but was one of their I think law professors back

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Speaker 6: in the day, and I remember telling that to Peter

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Speaker 6: and he was like, oh, okay.

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Speaker 1: Well that's meeting.

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Speaker 3: Good start. Okay.

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Speaker 2: So then we're in mister Turner's classroom. Alan is up

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Speaker 2: next for his career day presentation. Mister Turner jokes Alan

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Speaker 2: isn't going to talk about how much rice he stocks.

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Speaker 2: There's more to it than that, and Alan throws away

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Speaker 2: his first note guard with all the rice jokes, which is.

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Speaker 6: Again rusty, so good rusty. So he played the just

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Speaker 6: going back to the start of his like how many

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Speaker 6: how many rices do you think you have?

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Speaker 4: Like he's so excited.

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Speaker 6: I know, Sean's like ten, He's like ten won, He's

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Speaker 6: so excited, including the short grain short grains with a

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Speaker 6: long grade. He was he plays kind of goofy excited,

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Speaker 6: so well, yeah, and then he instantly can change into

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Speaker 6: Alan's the dad, but that kind of like, oh I'm

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Speaker 6: in my element, goofy excite.

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Speaker 4: Oh god, rusty.

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Speaker 1: Well, his range in this episode is awesome because he

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Speaker 1: went end up totally different that sort of goofy beginning yep,

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Speaker 1: and yeah, it's wonderful, so cool.

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Speaker 2: Alan nervously reads off his cards about being a grocer,

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Speaker 2: that he's proud of his job since everyone needs groceries.

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Speaker 2: He says they actually sell dreams, and a student will

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00:21:25,440 --> 00:21:28,760
Speaker 2: SD's yells what Isle, What Isle, which is funny.

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Speaker 4: Great, heckl what Isle.

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Speaker 3: So then we continue in Turner's classroom.

440
00:21:33,400 --> 00:21:35,560
Speaker 2: The speech is now over and Alan is walking around

441
00:21:35,600 --> 00:21:37,240
Speaker 2: the classroom handing out coupons.

442
00:21:37,440 --> 00:21:39,959
Speaker 4: Okay, so who didn't who didn't get a coupon? Who

443
00:21:40,040 --> 00:21:41,040
Speaker 4: didn't get a coupon?

444
00:21:42,720 --> 00:21:46,920
Speaker 2: He was great, it's so funny, and uh, Turner says

445
00:21:46,960 --> 00:21:50,119
Speaker 2: that took guts. Corey asks Sean if the presentation was

446
00:21:50,160 --> 00:21:52,199
Speaker 2: as bad as he thought, and Sean says no, he

447
00:21:52,240 --> 00:21:56,960
Speaker 2: got sixty cents off of apple jacks, and then Chet Hunter,

448
00:21:57,240 --> 00:22:01,280
Speaker 2: Sean's dad walks in for the first appearance.

449
00:22:00,920 --> 00:22:02,480
Speaker 1: Of a tornado.

450
00:22:03,600 --> 00:22:04,440
Speaker 3: It's all so great.

451
00:22:04,680 --> 00:22:07,879
Speaker 6: It's such a Nelson thing because it's such a great misdirect.

452
00:22:08,280 --> 00:22:10,560
Speaker 6: You think it's going to be an episode about how

453
00:22:10,960 --> 00:22:13,919
Speaker 6: Corey's embarrassed by his dad, and it's going to be

454
00:22:13,920 --> 00:22:17,200
Speaker 6: the stereotypical he doesn't have the cool job at work

455
00:22:17,560 --> 00:22:19,679
Speaker 6: and all the story is obviously going one way, and

456
00:22:19,720 --> 00:22:22,280
Speaker 6: then bam, here comes black and it takes it to

457
00:22:22,359 --> 00:22:24,880
Speaker 6: a whole different thing. I thought it was really clever

458
00:22:24,920 --> 00:22:26,720
Speaker 6: the way they set it up. They really thought you

459
00:22:26,720 --> 00:22:29,040
Speaker 6: were going one way, and then they just throw this.

460
00:22:31,720 --> 00:22:32,000
Speaker 2: It does.

461
00:22:32,119 --> 00:22:34,439
Speaker 4: That's what's even that's what's even more amazing about it.

462
00:22:34,320 --> 00:22:36,760
Speaker 1: It does come back around, yaf but.

463
00:22:36,680 --> 00:22:43,160
Speaker 7: Blake like a wrecking ball, and it's phenomenal. Oh so good, Yeah,

464
00:22:43,320 --> 00:22:46,720
Speaker 7: so good. So Chet apologizes for being late. He says

465
00:22:46,720 --> 00:22:49,040
Speaker 7: he was in the hall smoking. Don't endorse it, don't

466
00:22:49,080 --> 00:22:50,000
Speaker 7: deny it, don't.

467
00:22:49,760 --> 00:22:56,399
Speaker 2: Deny it, and he slaps Dusty on the back so hard.

468
00:22:56,600 --> 00:22:57,439
Speaker 3: It's so great.

469
00:22:58,480 --> 00:23:00,879
Speaker 2: Cory asks Sean what is DA does for work, and

470
00:23:00,920 --> 00:23:03,120
Speaker 2: Sean tells him to shush. He wants to find out too,

471
00:23:03,200 --> 00:23:07,359
Speaker 2: which is amazing. Chet says he doesn't make things or

472
00:23:07,359 --> 00:23:09,360
Speaker 2: sell food. It's hard to put a finger on what

473
00:23:09,440 --> 00:23:12,960
Speaker 2: he does, but he mostly buys and sells things. Corey

474
00:23:13,000 --> 00:23:16,199
Speaker 2: points out that Sean isn't breathing through his speech. You

475
00:23:16,240 --> 00:23:21,920
Speaker 2: go sorry, sorry, Chet says sometimes he sells a fridge,

476
00:23:21,960 --> 00:23:25,520
Speaker 2: sometimes a car, but what he sells best selling ideas.

477
00:23:25,960 --> 00:23:27,800
Speaker 2: He says he even came up with a twenty four

478
00:23:27,800 --> 00:23:31,240
Speaker 2: hour news station, and Tapega asks, you came up with CNN.

479
00:23:31,520 --> 00:23:34,280
Speaker 2: He says, yes, that's exactly what I called it, Chet

480
00:23:34,359 --> 00:23:37,440
Speaker 2: News Network, but he told it to a Southern man

481
00:23:37,480 --> 00:23:40,639
Speaker 2: in an elevator who stole his idea. He then asks

482
00:23:40,640 --> 00:23:43,720
Speaker 2: mister Turner his last name, and Turner says, no relation.

483
00:23:44,080 --> 00:23:49,120
Speaker 2: Really a little Ted Turner jokey. Corey says Sean's dad

484
00:23:49,160 --> 00:23:53,760
Speaker 2: is something, and Sean agrees, Yeah, he's something. Check continues

485
00:23:53,800 --> 00:23:56,359
Speaker 2: his dishonest rant and asks everyone who here has a

486
00:23:56,400 --> 00:23:59,720
Speaker 2: microwave oven. Students raise their hands and Chet then says

487
00:24:00,080 --> 00:24:03,159
Speaker 2: you're welcome. Uh So, then we're in the school cafeteria.

488
00:24:03,280 --> 00:24:06,200
Speaker 2: Eric tells Jason he's in the sat zone and all

489
00:24:06,240 --> 00:24:09,120
Speaker 2: his other senses are shut down and then he drops

490
00:24:09,160 --> 00:24:12,480
Speaker 2: his bowl of soup on his lap and doesn't notice.

491
00:24:12,680 --> 00:24:15,360
Speaker 1: And this is biggest laughs we've ever had.

492
00:24:15,920 --> 00:24:19,800
Speaker 6: I remember this, people loving all this physical stuff, and

493
00:24:19,840 --> 00:24:24,920
Speaker 6: it was this is also the start of dramatic show

494
00:24:25,040 --> 00:24:29,040
Speaker 6: going on. Give Eric wacky stuff to do as dramatic

495
00:24:29,040 --> 00:24:30,000
Speaker 6: show goes on around him.

496
00:24:30,000 --> 00:24:32,320
Speaker 4: This was like the genesis of that because I remember this.

497
00:24:32,359 --> 00:24:36,400
Speaker 4: I remember pulling soup into my lap and really there and.

498
00:24:36,480 --> 00:24:39,959
Speaker 1: I honestly didn't see what happened at first, Like it

499
00:24:40,040 --> 00:24:43,520
Speaker 1: kind of like boom, and then the audience just kept

500
00:24:43,720 --> 00:24:46,760
Speaker 1: going yeah, and I was like, what just happened? And

501
00:24:47,160 --> 00:24:50,280
Speaker 1: it didn't really register for me, Like so I kind

502
00:24:50,280 --> 00:24:51,000
Speaker 1: of missed it, but.

503
00:24:51,280 --> 00:24:54,080
Speaker 2: I saw it happen right off the bat. It also

504
00:24:54,280 --> 00:24:57,400
Speaker 2: missed has been you know. Jensen Cart, producer of this podcast,

505
00:24:57,440 --> 00:24:59,320
Speaker 2: also missed it.

506
00:24:58,680 --> 00:24:59,720
Speaker 3: And he was like, wait, what happened?

507
00:25:00,000 --> 00:25:02,120
Speaker 2: Said he just tipped his whole bowl of soup into

508
00:25:02,160 --> 00:25:04,280
Speaker 2: his lap, and the audience just I mean, you're right.

509
00:25:04,320 --> 00:25:06,920
Speaker 2: It's one of the longest audience laughs we've ever heard.

510
00:25:06,960 --> 00:25:08,959
Speaker 2: It was so funny.

511
00:25:11,040 --> 00:25:14,199
Speaker 6: You know, it's him giving the dead pan look and

512
00:25:14,320 --> 00:25:16,280
Speaker 6: still with the bread like there's no soup there. But

513
00:25:16,320 --> 00:25:21,399
Speaker 6: I'm like, sopping up stuff is so much as the

514
00:25:21,480 --> 00:25:23,399
Speaker 6: start of just they're going to do. They're going to

515
00:25:23,520 --> 00:25:26,040
Speaker 6: go act and be dramatic and I'm going to do

516
00:25:26,040 --> 00:25:29,560
Speaker 6: the wacky stuff. Yeah, which I had especially at the beginning,

517
00:25:29,560 --> 00:25:30,200
Speaker 6: I had no problem with.

518
00:25:30,280 --> 00:25:31,000
Speaker 4: I thought it was great.

519
00:25:31,000 --> 00:25:33,120
Speaker 3: It was kind of like all so funny.

520
00:25:32,800 --> 00:25:35,240
Speaker 1: And it's it's it's interesting that it is a storyline

521
00:25:35,240 --> 00:25:38,480
Speaker 1: which now is like the third time about you being

522
00:25:38,520 --> 00:25:40,920
Speaker 1: bad at school or in school, but.

523
00:25:41,040 --> 00:25:42,200
Speaker 4: Still they're studying.

524
00:25:42,440 --> 00:25:45,520
Speaker 6: It's like, yeah, you're trying hard, Yeah, trying to study

525
00:25:45,520 --> 00:25:46,719
Speaker 6: for the S A T. S. And I know how

526
00:25:46,760 --> 00:25:49,240
Speaker 6: important they are and and that kind of so it's, yeah,

527
00:25:49,400 --> 00:25:52,240
Speaker 6: I'm curious to see where the transition, the actual transition

528
00:25:52,320 --> 00:25:54,080
Speaker 6: is going to be to like, oh, it's he doesn't

529
00:25:54,119 --> 00:25:55,119
Speaker 6: care about it, just doesn't care.

530
00:25:55,400 --> 00:25:56,120
Speaker 4: Yeah.

531
00:25:56,760 --> 00:25:59,760
Speaker 2: So Jason tells Eric he spilled soup on his lap,

532
00:25:59,840 --> 00:26:03,480
Speaker 2: and then Eric says what and then he looks down

533
00:26:03,560 --> 00:26:07,439
Speaker 2: and starts screaming. Corey nearby is eating with Sean, and

534
00:26:07,480 --> 00:26:09,640
Speaker 2: he says he envies the son of a baseball player

535
00:26:09,680 --> 00:26:11,440
Speaker 2: who let the ball go under his legs at the

536
00:26:11,480 --> 00:26:15,760
Speaker 2: World Series. He's referencing Red Sox first baseman Bill Buckner.

537
00:26:15,960 --> 00:26:19,480
Speaker 4: He is eighty six. Yikes, you can still hear the call.

538
00:26:19,840 --> 00:26:24,159
Speaker 2: Oh yeah, But Sean says, Alan, wasn't that bad. Corey

539
00:26:24,240 --> 00:26:27,639
Speaker 2: asks the Candilope is your friend? And Sean admits that

540
00:26:27,680 --> 00:26:30,639
Speaker 2: part was bad. But I don't know, guys, Shady Mellon.

541
00:26:32,680 --> 00:26:33,840
Speaker 4: I didn't even think about that.

542
00:26:34,440 --> 00:26:38,879
Speaker 2: Shady Mellon's your friend, Shady Melon is your friend.

543
00:26:38,960 --> 00:26:40,000
Speaker 3: Everybody knows one.

544
00:26:40,280 --> 00:26:43,119
Speaker 2: Corey says Chet was amazing and told great stories, and

545
00:26:43,160 --> 00:26:44,280
Speaker 2: Sean says, yeah.

546
00:26:44,080 --> 00:26:45,800
Speaker 3: That's just what they were stories.

547
00:26:46,280 --> 00:26:48,879
Speaker 2: A student is eating cantalope nearby and says he's eating

548
00:26:48,920 --> 00:26:52,480
Speaker 2: Allen's best friend, and Corey says he has to transfer.

549
00:26:53,000 --> 00:26:55,679
Speaker 2: Chet and mister Feoene walk in, Mister Feenie closely following

550
00:26:55,800 --> 00:26:58,520
Speaker 2: Chet saying Chet is not allowed to be on campus

551
00:26:58,600 --> 00:27:01,280
Speaker 2: unless he is a student, faculty, your staff, but Chat

552
00:27:01,320 --> 00:27:04,080
Speaker 2: says he has business on this campus. Chet even tells

553
00:27:04,160 --> 00:27:07,120
Speaker 2: him he's George Feeney, principal of the high school, which

554
00:27:07,400 --> 00:27:08,440
Speaker 2: this is a great bit.

555
00:27:08,720 --> 00:27:09,440
Speaker 4: Yeah.

556
00:27:09,840 --> 00:27:11,840
Speaker 2: Feoene obviously has a problem with this, and he tells

557
00:27:11,880 --> 00:27:14,320
Speaker 2: him he is not George Feeney, and Chet says, I'm

558
00:27:14,320 --> 00:27:18,040
Speaker 2: parked in his spot, Ain't I so great? Sean then

559
00:27:18,080 --> 00:27:20,159
Speaker 2: runs over and explains to mister Feenie that Chet is

560
00:27:20,160 --> 00:27:23,440
Speaker 2: his dad. Feeney backs away and says he's very proud

561
00:27:23,440 --> 00:27:25,880
Speaker 2: of Sean. Chet says he's surprised to hear that. Mister

562
00:27:25,920 --> 00:27:29,680
Speaker 2: Feeney says, so am I, and then he leaves. As

563
00:27:29,720 --> 00:27:32,120
Speaker 2: Peoene leaves, Chet asks Sean if he kissed his mom

564
00:27:32,119 --> 00:27:34,640
Speaker 2: goodbye this morning, and Sean says yes. Chet says good.

565
00:27:34,640 --> 00:27:36,800
Speaker 2: That's going to have to last you a while. Chet

566
00:27:36,840 --> 00:27:39,200
Speaker 2: says she left them and Sean says she'll come back,

567
00:27:39,280 --> 00:27:41,640
Speaker 2: just like she always does. But Chet says this time

568
00:27:41,720 --> 00:27:44,400
Speaker 2: is different because she took off and took the house

569
00:27:44,440 --> 00:27:46,880
Speaker 2: with her, And then he says this great line, that's

570
00:27:46,920 --> 00:27:48,879
Speaker 2: the problem with having a mobile home.

571
00:27:49,160 --> 00:27:49,600
Speaker 3: It's a.

572
00:27:51,160 --> 00:27:53,119
Speaker 4: You can move it, you can move it.

573
00:27:53,359 --> 00:27:53,760
Speaker 3: Just great.

574
00:27:53,960 --> 00:28:00,080
Speaker 6: Can we talk a little bit about how dark that

575
00:28:00,200 --> 00:28:03,600
Speaker 6: is that your mom not only leaves you but is

576
00:28:03,680 --> 00:28:08,359
Speaker 6: taking all of your possessions forget Chet, just Sean taking

577
00:28:08,480 --> 00:28:11,160
Speaker 6: all of your possessions, the place you've got to live,

578
00:28:11,520 --> 00:28:13,560
Speaker 6: your bed, everything.

579
00:28:13,680 --> 00:28:16,600
Speaker 4: I'm out. That's super dark.

580
00:28:16,600 --> 00:28:20,160
Speaker 6: I know, I mean it is. It went from the

581
00:28:20,200 --> 00:28:22,800
Speaker 6: funny stuff in season one of like are my uncle

582
00:28:22,880 --> 00:28:23,880
Speaker 6: this or my aunt dad?

583
00:28:23,960 --> 00:28:25,760
Speaker 1: Or actually in the trailer park this season?

584
00:28:25,800 --> 00:28:29,880
Speaker 4: Man, is that really what it went? Because now it's like, yikes.

585
00:28:29,560 --> 00:28:32,680
Speaker 1: No, it's it's so it's so interesting, like this is

586
00:28:32,760 --> 00:28:35,399
Speaker 1: that transition that you know, we've sort of been building

587
00:28:35,440 --> 00:28:38,200
Speaker 1: towards it, but especially with basically Wrong Side of the

588
00:28:38,240 --> 00:28:44,120
Speaker 1: Tracks to now it's like this is taking Sean's poverty

589
00:28:44,760 --> 00:28:48,040
Speaker 1: and family situation which was based you know jokes, like

590
00:28:48,080 --> 00:28:52,160
Speaker 1: off the jokes and turning them on their head and

591
00:28:52,200 --> 00:28:54,600
Speaker 1: being like, yeah, what if this was the reality for

592
00:28:54,960 --> 00:28:57,120
Speaker 1: a kid, and it's great.

593
00:28:57,800 --> 00:28:59,360
Speaker 6: No, I agree, Oh, I think it's awesome, but it

594
00:28:59,400 --> 00:29:00,480
Speaker 6: is it's it's dark.

595
00:29:00,880 --> 00:29:04,560
Speaker 1: Yeah, yeah, no, it's cool and you gotta and and

596
00:29:04,600 --> 00:29:07,120
Speaker 1: you can only do that when you have somebody like Blake, right,

597
00:29:07,440 --> 00:29:12,440
Speaker 1: because it's like it's the the ridiculousness and the over

598
00:29:12,480 --> 00:29:18,240
Speaker 1: the topness of this guy makes that darkness softer or like, yeah,

599
00:29:18,600 --> 00:29:20,080
Speaker 1: but you know what I mean, like it's it's it's

600
00:29:20,120 --> 00:29:22,959
Speaker 1: it's okay. It's like you're able to be laughing at

601
00:29:23,000 --> 00:29:27,440
Speaker 1: it while also still recognizing that that is really awful off.

602
00:29:27,560 --> 00:29:29,640
Speaker 4: But he's the eternal optimist, which is great. You know,

603
00:29:29,640 --> 00:29:32,800
Speaker 4: he's always the glasses full and invented to glass anyway,

604
00:29:32,880 --> 00:29:35,640
Speaker 4: so nobody you know, he's that guy, and it's it

605
00:29:35,680 --> 00:29:36,640
Speaker 4: makes it work, you know.

606
00:29:36,840 --> 00:29:40,200
Speaker 1: So, But I'm curious because we do end up bringing

607
00:29:40,240 --> 00:29:45,080
Speaker 1: my mom into the show. And who's named Verna? Is

608
00:29:45,120 --> 00:29:45,520
Speaker 1: that right?

609
00:29:45,920 --> 00:29:48,600
Speaker 6: Because we were talking about how you never saw her

610
00:29:48,680 --> 00:29:52,560
Speaker 6: and you just it was it was like Vera from Cheers,

611
00:29:52,600 --> 00:29:54,360
Speaker 6: And when we do, I was like, oh, they actually

612
00:29:54,400 --> 00:29:57,520
Speaker 6: even named her Vernon similar Yeah, so she Yeah, I

613
00:29:57,520 --> 00:29:58,160
Speaker 6: don't remember what.

614
00:29:58,160 --> 00:29:59,840
Speaker 1: Season it is. I don't know if it's like fifth

615
00:29:59,920 --> 00:30:00,600
Speaker 1: or six.

616
00:30:00,480 --> 00:30:01,720
Speaker 4: Or whatever, but it's definitely late.

617
00:30:01,840 --> 00:30:02,080
Speaker 6: Yeah.

618
00:30:02,160 --> 00:30:04,000
Speaker 1: Yeah, we do some dramatic and I think we end

619
00:30:04,080 --> 00:30:08,320
Speaker 1: up kind of addressing these abandonment yes, yeah.

620
00:30:07,760 --> 00:30:08,480
Speaker 4: Yeah, it's good.

621
00:30:08,520 --> 00:30:11,120
Speaker 6: It gives it gives your character so much more depth.

622
00:30:12,360 --> 00:30:14,400
Speaker 6: Like god, Blake does just come in like a wrecking ball.

623
00:30:14,440 --> 00:30:16,920
Speaker 4: It's yeah, so great, so good.

624
00:30:25,840 --> 00:30:28,040
Speaker 2: So when Sewn asks what they're gonna do now, Chet

625
00:30:28,040 --> 00:30:29,880
Speaker 2: says they're going to go after her. Do you still

626
00:30:29,880 --> 00:30:32,560
Speaker 2: have that keen sense of smell? Sean says he can't

627
00:30:32,600 --> 00:30:35,720
Speaker 2: just ditch school. He's got to tell somebody. Chet says, okay,

628
00:30:35,720 --> 00:30:37,920
Speaker 2: but he has to leave before that little mustache man

629
00:30:37,960 --> 00:30:42,360
Speaker 2: has a duck. On his way out, Chett tells Corey

630
00:30:42,520 --> 00:30:45,160
Speaker 2: that his dad, the cantelope Man, is good people, mark

631
00:30:45,200 --> 00:30:45,640
Speaker 2: my word.

632
00:30:45,960 --> 00:30:46,640
Speaker 3: Then he leaves.

633
00:30:47,040 --> 00:30:50,040
Speaker 1: Cory kind of bothered me in the previous seed and

634
00:30:50,080 --> 00:30:52,480
Speaker 1: then in this one, just a logic point, Chet's not

635
00:30:52,640 --> 00:30:54,920
Speaker 1: there for rusties.

636
00:30:55,200 --> 00:30:56,560
Speaker 4: No, I thought the same things.

637
00:30:56,760 --> 00:30:59,800
Speaker 6: He's also not there for for Danielle's father, and he's

638
00:30:59,840 --> 00:31:03,440
Speaker 6: like stuff, and it's like, well, you weren't there for anything.

639
00:31:04,000 --> 00:31:06,920
Speaker 1: But hold on, hold on, stupid point.

640
00:31:07,080 --> 00:31:10,400
Speaker 2: They tried to address it by saying, sorry, I was late.

641
00:31:10,800 --> 00:31:13,920
Speaker 2: I was actually in the hall having a smoke, so

642
00:31:13,960 --> 00:31:15,720
Speaker 2: he overheard.

643
00:31:15,120 --> 00:31:18,520
Speaker 3: The whole thing. He over I was in the hall

644
00:31:18,680 --> 00:31:20,360
Speaker 3: having a smoke, all right, so that.

645
00:31:20,640 --> 00:31:22,640
Speaker 1: You could smoke in a school hallways.

646
00:31:22,520 --> 00:31:25,000
Speaker 3: Of course, not absolutely.

647
00:31:27,000 --> 00:31:27,440
Speaker 4: Right.

648
00:31:27,520 --> 00:31:29,480
Speaker 1: So that way they could reveal the character as a

649
00:31:29,600 --> 00:31:32,640
Speaker 1: correct but still have reference exactly.

650
00:31:32,680 --> 00:31:35,400
Speaker 2: So he missed I was late, but actually I wasn't

651
00:31:35,400 --> 00:31:36,800
Speaker 2: in the I was just in the hall having a.

652
00:31:36,800 --> 00:31:39,280
Speaker 4: Smile, because I missed that, and then I was just

653
00:31:39,600 --> 00:31:39,960
Speaker 4: me too.

654
00:31:40,440 --> 00:31:41,479
Speaker 3: Yeah, so they did come.

655
00:31:43,320 --> 00:31:45,800
Speaker 2: So Cory asks Sean if he's okay, and Sean pretends

656
00:31:45,840 --> 00:31:47,600
Speaker 2: like he's fine, and he goes to help his dad,

657
00:31:47,720 --> 00:31:50,800
Speaker 2: and Corey is left with concerns. And then we're in

658
00:31:50,800 --> 00:31:53,440
Speaker 2: the Matthew's kitchen. Eric and Jason walk in talking about

659
00:31:53,480 --> 00:31:56,400
Speaker 2: their SATs. Jason is using big s a T words

660
00:31:56,640 --> 00:31:59,360
Speaker 2: and eventually Eric yells at him to shut up. Alan

661
00:31:59,400 --> 00:32:01,400
Speaker 2: here's this and asks what's wrong? And Eric says he

662
00:32:01,440 --> 00:32:04,680
Speaker 2: has a stiffness in his back and all across his shoulders,

663
00:32:05,280 --> 00:32:08,360
Speaker 2: and Alan tells him, no, I don't remember any of this.

664
00:32:08,440 --> 00:32:08,959
Speaker 3: So funny.

665
00:32:09,080 --> 00:32:11,920
Speaker 4: I remember the burned clothes for some reason.

666
00:32:11,720 --> 00:32:13,920
Speaker 3: I know, because why are your clothes burned?

667
00:32:13,960 --> 00:32:15,640
Speaker 2: But I don't think we ever address it, do Well,

668
00:32:15,960 --> 00:32:17,400
Speaker 2: you have no idea what's happened to you?

669
00:32:17,520 --> 00:32:19,480
Speaker 6: Yeah, And I think I want to say that that

670
00:32:19,720 --> 00:32:23,720
Speaker 6: same outfit minus the burns has been worn before, or

671
00:32:24,800 --> 00:32:25,960
Speaker 6: I owned.

672
00:32:25,640 --> 00:32:28,280
Speaker 4: That exact same right was one of those things.

673
00:32:28,320 --> 00:32:32,240
Speaker 2: Yeah, Oh that's so funny. So Alan tells him that's

674
00:32:32,240 --> 00:32:36,200
Speaker 2: because he has a coat a coat hanger in his jacket. No, really,

675
00:32:36,320 --> 00:32:38,760
Speaker 2: you do, and he pulls out a full coat hanger.

676
00:32:40,400 --> 00:32:42,800
Speaker 2: This also reveals that all of his clothes are ripped

677
00:32:42,840 --> 00:32:44,640
Speaker 2: and burned. You like, take off your jacket and we

678
00:32:44,720 --> 00:32:47,320
Speaker 2: just see your clothes are completely shredded and burned. And

679
00:32:47,360 --> 00:32:52,440
Speaker 2: it's never explained. And I guess we've really just I

680
00:32:52,440 --> 00:32:54,680
Speaker 2: don't know so many things. I think the point might

681
00:32:54,720 --> 00:32:56,880
Speaker 2: be that there are if you're not really paying attention

682
00:32:56,880 --> 00:32:58,280
Speaker 2: and all your sensoress are gone, there are so many

683
00:32:58,280 --> 00:32:59,920
Speaker 2: things you could burn yourself on out in the work.

684
00:33:00,200 --> 00:33:01,080
Speaker 4: Just keep getting burned.

685
00:33:02,160 --> 00:33:04,640
Speaker 1: I mean, for the rest of the episode, is going

686
00:33:04,720 --> 00:33:07,960
Speaker 1: to keep hurting himself and burning himself or electrocuting himself

687
00:33:08,200 --> 00:33:11,920
Speaker 1: down into trees. And I was thinking, and it's fun

688
00:33:11,960 --> 00:33:14,760
Speaker 1: I'm just realizing now, Like, so the device is that

689
00:33:14,800 --> 00:33:18,120
Speaker 1: You're like, you've you're so focused on the SATs that

690
00:33:18,120 --> 00:33:22,120
Speaker 1: you've lost the ability to like basically function otherwise. Right,

691
00:33:22,440 --> 00:33:26,440
Speaker 1: But this does become eric and so in a way,

692
00:33:26,480 --> 00:33:29,880
Speaker 1: I wonder if this episode inaugurated that idea in the

693
00:33:29,920 --> 00:33:33,760
Speaker 1: writer's minds that you could you're just really funny to

694
00:33:33,800 --> 00:33:40,880
Speaker 1: watch being ridiculous. So they had this reason for you

695
00:33:41,000 --> 00:33:43,320
Speaker 1: to be this ridiculous and goofy, and then they just

696
00:33:43,560 --> 00:33:46,280
Speaker 1: kind of made that your character and just went with it.

697
00:33:46,560 --> 00:33:49,080
Speaker 1: And it also a lot of it happens off camera,

698
00:33:49,440 --> 00:33:51,760
Speaker 1: which I thought was interesting, and I feel like in

699
00:33:52,000 --> 00:33:54,479
Speaker 1: some ways as the show goes on, they brought it

700
00:33:54,520 --> 00:33:56,760
Speaker 1: on camera, like they you know, it has to sort

701
00:33:56,760 --> 00:33:59,120
Speaker 1: of start off camera because it's it's kind of cartoony

702
00:33:59,240 --> 00:34:02,480
Speaker 1: and ridiculous, but eventually you'll just be doing these kinds

703
00:34:02,480 --> 00:34:05,640
Speaker 1: of antics and physical humor on camera. Yeah.

704
00:34:05,680 --> 00:34:08,400
Speaker 6: Well, I think it's also I think they really like

705
00:34:08,600 --> 00:34:10,640
Speaker 6: you both said at the beginning, the laugh with the

706
00:34:10,719 --> 00:34:13,279
Speaker 6: soup was one of the biggest lasts we've gotten. That's

707
00:34:13,280 --> 00:34:15,680
Speaker 6: not just because I was being super funny. That is

708
00:34:15,719 --> 00:34:19,040
Speaker 6: because the rest of the episode is You're it's kind

709
00:34:19,040 --> 00:34:23,080
Speaker 6: of dramatic, so it makes the laughs the goofiness Sharper.

710
00:34:23,960 --> 00:34:25,799
Speaker 6: So you know, it's it's kind of you see this

711
00:34:25,920 --> 00:34:28,680
Speaker 6: juxtaposition of the two different storylines of this absurdity and

712
00:34:28,680 --> 00:34:30,759
Speaker 6: then this almost kind of soap opera drama that's going

713
00:34:30,800 --> 00:34:33,640
Speaker 6: on next to it, and so I think the writers realize, like, oh,

714
00:34:33,640 --> 00:34:36,279
Speaker 6: we can get him really sharp laughs, and we can

715
00:34:36,360 --> 00:34:38,520
Speaker 6: have them sucked into this part of the conversation. And

716
00:34:38,560 --> 00:34:40,680
Speaker 6: so all of a sudden, it's that that balance between

717
00:34:40,719 --> 00:34:42,080
Speaker 6: the two and it started to work.

718
00:34:42,120 --> 00:34:42,680
Speaker 4: It just did.

719
00:34:43,880 --> 00:34:45,799
Speaker 6: So it was, yeah, I noticed that as well, but

720
00:34:45,880 --> 00:34:48,200
Speaker 6: it was it was fun. I mean that's how I

721
00:34:48,239 --> 00:34:50,200
Speaker 6: looked at it, is like it was it was fun.

722
00:34:51,080 --> 00:34:53,040
Speaker 6: Put on clothes that are all burned and you're gonna

723
00:34:53,080 --> 00:34:56,160
Speaker 6: be making loud noises and burning yourself here burn It's like, okay,

724
00:34:56,320 --> 00:34:57,760
Speaker 6: like that just was goofy.

725
00:34:57,840 --> 00:34:58,359
Speaker 4: I loved it.

726
00:34:58,840 --> 00:35:01,240
Speaker 2: Eric says he's not gonna go to college just like Alan,

727
00:35:01,280 --> 00:35:03,279
Speaker 2: and Alan says he should go to college just so

728
00:35:03,320 --> 00:35:05,839
Speaker 2: that eventually, when one day he's at his son's career day,

729
00:35:05,880 --> 00:35:08,680
Speaker 2: he doesn't have to say he's a grosser. Eric asks,

730
00:35:08,719 --> 00:35:10,640
Speaker 2: what's the matter, We're all going to die anyway, and

731
00:35:10,719 --> 00:35:12,279
Speaker 2: Jason responds by saying.

732
00:35:12,040 --> 00:35:13,520
Speaker 3: Well, aren't we nihilistic?

733
00:35:13,880 --> 00:35:16,959
Speaker 2: Some might even say vacuitis showing off his new sat

734
00:35:17,080 --> 00:35:18,520
Speaker 2: smarts and Eric asks.

735
00:35:18,239 --> 00:35:20,520
Speaker 3: If you're so smart, why don't you understand shut up?

736
00:35:20,800 --> 00:35:22,200
Speaker 3: Which I thought was very funny.

737
00:35:23,400 --> 00:35:25,280
Speaker 2: Eric says he's going to do well with his street

738
00:35:25,320 --> 00:35:27,919
Speaker 2: smarts and natural instincts, and then he places his hand

739
00:35:27,960 --> 00:35:31,160
Speaker 2: on a hot stove and runs upstairs. Amy walks in

740
00:35:31,200 --> 00:35:34,319
Speaker 2: and asks what happens, and when she finds out, she says, again.

741
00:35:35,000 --> 00:35:38,080
Speaker 1: See, it's starting to establish that it's not just maybe

742
00:35:38,120 --> 00:35:40,440
Speaker 1: this is just Eric way, you know, like this is

743
00:35:40,480 --> 00:35:42,560
Speaker 1: where Yeah, yeah, we're getting there.

744
00:35:42,680 --> 00:35:44,279
Speaker 3: Yeah, we might call it that Eric is a little

745
00:35:44,280 --> 00:35:44,880
Speaker 3: bit clumsy.

746
00:35:45,280 --> 00:35:46,680
Speaker 4: Yeah.

747
00:35:46,800 --> 00:35:47,760
Speaker 3: So then we hear Eric.

748
00:35:47,600 --> 00:35:50,319
Speaker 2: From upstairs and Amy says, oh my fault, I left

749
00:35:50,320 --> 00:35:53,719
Speaker 2: the iron on. Amy asks Alan how career day went,

750
00:35:53,760 --> 00:35:55,880
Speaker 2: and Alan says he envies the baseball player who let

751
00:35:55,920 --> 00:35:57,960
Speaker 2: the ball go between his legs at the World Series.

752
00:35:58,400 --> 00:36:00,880
Speaker 2: Bill Buckner is really getting it rough this episode. So

753
00:36:01,040 --> 00:36:04,600
Speaker 2: was that the second the second second reference? YEA, they're

754
00:36:04,640 --> 00:36:05,400
Speaker 2: not going to let him go.

755
00:36:05,719 --> 00:36:06,080
Speaker 4: They are.

756
00:36:06,120 --> 00:36:09,040
Speaker 6: They have now they've all actually forgiven, not only forgiven Buckner,

757
00:36:09,080 --> 00:36:11,240
Speaker 6: but realize that all they hate towards them was ridiculous.

758
00:36:11,280 --> 00:36:12,960
Speaker 6: They invited him back to Fenway and.

759
00:36:13,040 --> 00:36:15,440
Speaker 3: Even this big day, he has a nice has.

760
00:36:15,280 --> 00:36:18,080
Speaker 1: A nice guy, like the Cubs fan who caught.

761
00:36:18,160 --> 00:36:20,520
Speaker 6: Yeah, which is another one where you know it's like

762
00:36:20,560 --> 00:36:22,759
Speaker 6: the team let the lead go. It's not it's not

763
00:36:22,800 --> 00:36:25,040
Speaker 6: that I mean it was. As a fan, you probably

764
00:36:25,040 --> 00:36:27,319
Speaker 6: you don't interfere with the thing, but you're also your

765
00:36:27,360 --> 00:36:28,879
Speaker 6: instinct is to reach up for a foul ball.

766
00:36:28,960 --> 00:36:31,439
Speaker 4: That's what you do as a fan. So it's tough

767
00:36:31,920 --> 00:36:32,440
Speaker 4: or buckner.

768
00:36:32,880 --> 00:36:35,200
Speaker 2: So Alan says he's boring because of his job, but

769
00:36:35,239 --> 00:36:37,399
Speaker 2: Amy says that's what he does for work, not all

770
00:36:37,440 --> 00:36:40,239
Speaker 2: he does. She also says, would I have married you

771
00:36:40,320 --> 00:36:43,560
Speaker 2: if you were boring? And Alan says apparently. Amy says,

772
00:36:43,600 --> 00:36:45,839
Speaker 2: I bet Corey is very proud of you and can't

773
00:36:45,840 --> 00:36:46,560
Speaker 2: wait to tell you.

774
00:36:47,040 --> 00:36:49,640
Speaker 3: Just in time. Corey comes in and asks if Sean called.

775
00:36:49,719 --> 00:36:52,200
Speaker 2: They say no, but they ask why, and Corey explains

776
00:36:52,200 --> 00:36:54,759
Speaker 2: that his mom took off. Alan and Amy are concerned.

777
00:36:55,280 --> 00:36:58,360
Speaker 2: The lights flicker and Eric yells again from upstairs. Jason

778
00:36:58,400 --> 00:37:00,920
Speaker 2: comes running down and tells them everything is fine. Your

779
00:37:00,920 --> 00:37:03,200
Speaker 2: son is fine. He just needs some ice, and then

780
00:37:03,320 --> 00:37:05,799
Speaker 2: clearly in a frenzy, he opens up the freezer door

781
00:37:05,840 --> 00:37:09,719
Speaker 2: and yanks out the entire bin of ice and goes That.

782
00:37:09,760 --> 00:37:10,799
Speaker 4: Was an ad lib from Jay.

783
00:37:10,840 --> 00:37:12,560
Speaker 6: I think at first it was like he goes in

784
00:37:12,560 --> 00:37:14,319
Speaker 6: there and he grabs some ice and then like runs

785
00:37:14,320 --> 00:37:16,000
Speaker 6: out with the ice, and then I think another take,

786
00:37:16,040 --> 00:37:17,319
Speaker 6: he just grabbed the whole thing and got a much

787
00:37:17,320 --> 00:37:19,439
Speaker 6: bigger laugh. I think that was I think that was Jay.

788
00:37:19,800 --> 00:37:20,839
Speaker 3: That's the way to get Jay.

789
00:37:20,880 --> 00:37:24,960
Speaker 1: Yeah, definitely, I love the the second half of this scene,

790
00:37:25,200 --> 00:37:26,960
Speaker 1: or actually, I just think the scene in general is

791
00:37:27,000 --> 00:37:30,040
Speaker 1: a great balance. You know, like nice to see Alan

792
00:37:30,120 --> 00:37:33,799
Speaker 1: and Amy talking to each other about parent feeling scenes. Man,

793
00:37:34,160 --> 00:37:38,000
Speaker 1: but just also like I love Alan's insecurity and yeah

794
00:37:38,000 --> 00:37:42,040
Speaker 1: for supporting that. You know, it's nice. It's been a while, yep.

795
00:37:42,200 --> 00:37:45,480
Speaker 2: Yeah, agree, It's a nice dynamic to see back. And

796
00:37:45,520 --> 00:37:48,399
Speaker 2: then we're mister Turner's apartment. Turner is on another date

797
00:37:48,440 --> 00:37:51,360
Speaker 2: with Miss Tompkins. They're getting cozy on the couch. She

798
00:37:51,480 --> 00:37:53,919
Speaker 2: says they've been dating for three months. She asks where

799
00:37:53,960 --> 00:37:56,240
Speaker 2: this is going. He tries to get out of answering,

800
00:37:56,239 --> 00:37:58,000
Speaker 2: and then there's a knock at the door. He tells

801
00:37:58,000 --> 00:38:00,680
Speaker 2: her he did not plan this, but he's obviously thrilled

802
00:38:00,800 --> 00:38:03,200
Speaker 2: to be saved by the knock and it's Sean at

803
00:38:03,239 --> 00:38:05,640
Speaker 2: the door, who has a question. Sean then notices Miss

804
00:38:05,719 --> 00:38:08,040
Speaker 2: Tompkins and he thinks they're just working late, and then

805
00:38:08,120 --> 00:38:11,239
Speaker 2: quickly realizes, oh, they're on a date.

806
00:38:11,600 --> 00:38:16,080
Speaker 4: That was a transition beat there, Why teachers, you.

807
00:38:16,040 --> 00:38:19,000
Speaker 3: Are sure we're late? Oh?

808
00:38:19,120 --> 00:38:24,000
Speaker 2: Very cute fun And then Sean apologizes and says he

809
00:38:24,040 --> 00:38:27,279
Speaker 2: didn't realize they have personal lives, which is also which

810
00:38:27,320 --> 00:38:31,520
Speaker 2: is so yeah, so real life.

811
00:38:32,000 --> 00:38:36,440
Speaker 3: Absolutely. Miss Tompkins says she'll leave, and Sean says, no, don't.

812
00:38:36,520 --> 00:38:37,239
Speaker 3: We'll all hang.

813
00:38:37,719 --> 00:38:40,320
Speaker 2: She kisses Turner on the cheek and says we'll talk.

814
00:38:40,920 --> 00:38:42,279
Speaker 2: Sean comes in and says I like her.

815
00:38:42,320 --> 00:38:43,520
Speaker 3: Do you like her? I like her?

816
00:38:44,120 --> 00:38:46,600
Speaker 2: And Turner asks Sean why he's there and why he's

817
00:38:46,600 --> 00:38:49,320
Speaker 2: out so late. Sean starts to explain his dad is

818
00:38:49,360 --> 00:38:51,800
Speaker 2: out looking for his mom, and then asks a pretend

819
00:38:51,960 --> 00:38:57,840
Speaker 2: random question about Forrest hemingway, of course, and Sean continues

820
00:38:57,880 --> 00:39:00,880
Speaker 2: to stall and walks around the apartment. Sean sees some

821
00:39:00,960 --> 00:39:02,880
Speaker 2: food on the kitchen table and he says, wow, you

822
00:39:02,960 --> 00:39:06,400
Speaker 2: guys were really having a dinner. Turner offers him some leftovers,

823
00:39:06,400 --> 00:39:08,600
Speaker 2: but Sean says, no, thanks, I already ate, and then

824
00:39:08,640 --> 00:39:10,600
Speaker 2: as Turner starts to put it away, Sean says, oh,

825
00:39:10,600 --> 00:39:13,560
Speaker 2: I might just pick at it, and then he starts feverishly.

826
00:39:13,000 --> 00:39:14,880
Speaker 1: Eating in Sean fashion.

827
00:39:15,120 --> 00:39:16,040
Speaker 4: An exact question.

828
00:39:16,520 --> 00:39:20,400
Speaker 6: Do you think Sean went to the apartment wanting to

829
00:39:20,440 --> 00:39:22,920
Speaker 6: spend the night there, or do you think he just

830
00:39:23,000 --> 00:39:26,520
Speaker 6: went because he needed to talk to somebody friendly and

831
00:39:26,600 --> 00:39:28,319
Speaker 6: was going to go back to the motel later, and

832
00:39:28,560 --> 00:39:30,320
Speaker 6: because he seemed to like the idea of the motel,

833
00:39:30,320 --> 00:39:32,000
Speaker 6: he seemed to like the idea of the pay per view.

834
00:39:32,080 --> 00:39:35,000
Speaker 4: I mean, do you think he went there with the sole.

835
00:39:35,600 --> 00:39:38,040
Speaker 6: Goal of, like, I want to crash with Turner tonight,

836
00:39:38,120 --> 00:39:39,800
Speaker 6: like I feel safer with somebody else around.

837
00:39:40,040 --> 00:39:42,439
Speaker 1: I don't think he thought it all that way through,

838
00:39:42,480 --> 00:39:46,040
Speaker 1: but I think those goals are the same. The immediate

839
00:39:46,239 --> 00:39:49,560
Speaker 1: the immediate need was, oh, Turner's apartment is right near

840
00:39:49,560 --> 00:39:51,719
Speaker 1: this hotel. I can walk here, right, I mean, I

841
00:39:51,719 --> 00:39:54,799
Speaker 1: should go see mister Turner and maybe maybe he has

842
00:39:54,840 --> 00:39:57,080
Speaker 1: some food, and then you know, and then like, but

843
00:39:57,239 --> 00:39:59,560
Speaker 1: I don't think Sean's thinking it all the way through,

844
00:39:59,640 --> 00:40:02,600
Speaker 1: but obviously that's what he really right.

845
00:40:02,560 --> 00:40:06,280
Speaker 4: It's like want in need, what he needed to be obviously.

846
00:40:06,680 --> 00:40:11,000
Speaker 1: Is apparent, and what he wants is more immediate than that,

847
00:40:11,000 --> 00:40:12,560
Speaker 1: and he's thinking he could just hang out with Turner.

848
00:40:12,680 --> 00:40:13,160
Speaker 3: Yeah.

849
00:40:13,200 --> 00:40:13,640
Speaker 4: Interesting.

850
00:40:14,080 --> 00:40:15,840
Speaker 2: Yeah, I was going to say, I think it's uh,

851
00:40:16,200 --> 00:40:18,040
Speaker 2: it's a little like how we've talked about the self

852
00:40:18,040 --> 00:40:22,560
Speaker 2: awareness certain characters have on Boy Meets World, where it

853
00:40:22,600 --> 00:40:25,440
Speaker 2: would be a very shan thing to say on the show.

854
00:40:26,560 --> 00:40:28,759
Speaker 2: I went to Turner's house because I really needed a

855
00:40:28,800 --> 00:40:30,840
Speaker 2: father figure and I needed somebody who felt like a

856
00:40:30,880 --> 00:40:34,799
Speaker 2: moral compass and someone to feel grounded. But ultimately, kid

857
00:40:34,880 --> 00:40:37,520
Speaker 2: logic he had, he just thought he would go there.

858
00:40:37,600 --> 00:40:39,360
Speaker 2: But deep down, we know, I know.

859
00:40:39,440 --> 00:40:42,640
Speaker 1: Yeah, of course this scene feels very immediate, it feels

860
00:40:42,760 --> 00:40:46,759
Speaker 1: very organic, it feels really real, Like, yeah, it's much

861
00:40:46,800 --> 00:40:53,120
Speaker 1: more meaningful and much more touching that Sean is exhausted

862
00:40:53,280 --> 00:40:56,479
Speaker 1: and starving and not in any way shape or form

863
00:40:56,520 --> 00:40:59,120
Speaker 1: presenting is that X you know he's show voting as

864
00:40:59,200 --> 00:40:59,880
Speaker 1: something else.

865
00:41:00,160 --> 00:41:04,360
Speaker 6: And you and Tony together is just great. It really

866
00:41:04,400 --> 00:41:07,319
Speaker 6: really great. It's such a good dynamic. The characters work

867
00:41:07,400 --> 00:41:10,040
Speaker 6: so well together, it is it's phenomenal.

868
00:41:10,120 --> 00:41:13,279
Speaker 1: Yeah, really, this this is so weird. But this is

869
00:41:13,360 --> 00:41:19,160
Speaker 1: like maybe the first scene that while I was watching it. God,

870
00:41:19,200 --> 00:41:22,480
Speaker 1: I don't know how to explain, like I saw myself

871
00:41:22,480 --> 00:41:25,799
Speaker 1: as a kid. M Like, I don't know why, Like

872
00:41:25,840 --> 00:41:28,640
Speaker 1: obviously I couldn't look at all the other episodes, but

873
00:41:28,760 --> 00:41:30,440
Speaker 1: I think in when I watched the other episodes, there

874
00:41:30,480 --> 00:41:32,279
Speaker 1: was something like I was putting myself in my own

875
00:41:32,320 --> 00:41:35,640
Speaker 1: shoes and like imagining like what it was like to

876
00:41:35,640 --> 00:41:37,239
Speaker 1: be acting in the scene if I could remember it

877
00:41:37,360 --> 00:41:40,279
Speaker 1: or if I did. But in this scene, I was like, oh,

878
00:41:40,320 --> 00:41:44,799
Speaker 1: that that's a kid. Yeah, yeah, yeah, it was like this,

879
00:41:44,960 --> 00:41:47,080
Speaker 1: and I just saw myself as this young and maybe

880
00:41:47,120 --> 00:41:49,680
Speaker 1: because I could see Indy's face on my own face,

881
00:41:49,760 --> 00:41:52,200
Speaker 1: like because he looks like me, and I could see

882
00:41:52,239 --> 00:41:54,400
Speaker 1: like there's there's a couple of beats where I just

883
00:41:54,840 --> 00:41:58,680
Speaker 1: really like, oh my I was young, like this little

884
00:41:59,000 --> 00:42:01,399
Speaker 1: vulnerable person, and this is the first time I felt

885
00:42:01,400 --> 00:42:02,440
Speaker 1: that way watching this show.

886
00:42:02,760 --> 00:42:03,040
Speaker 6: Weird.

887
00:42:03,640 --> 00:42:06,200
Speaker 2: Well, mister Turner asks Sean where he's staying until his

888
00:42:06,280 --> 00:42:08,440
Speaker 2: dad gets back, and Sean said his dad gave him

889
00:42:08,440 --> 00:42:11,040
Speaker 2: some money for a motel down the street. Turner is

890
00:42:11,080 --> 00:42:13,520
Speaker 2: concerned by what is alluded to being a shady motel

891
00:42:13,640 --> 00:42:15,799
Speaker 2: and asks if he's sure he's going to be okay there,

892
00:42:16,160 --> 00:42:18,759
Speaker 2: Turner says he can stay with him, and Sean says, now,

893
00:42:18,760 --> 00:42:20,720
Speaker 2: he already paid the guy five dollars to turn.

894
00:42:20,520 --> 00:42:22,240
Speaker 3: On the TV and he gave him clean sheets.

895
00:42:22,680 --> 00:42:24,799
Speaker 2: Turner tells him, well, while you're there, you know, you

896
00:42:24,840 --> 00:42:27,960
Speaker 2: can come over any time to relax, eat, talk or

897
00:42:28,000 --> 00:42:31,280
Speaker 2: not talk, just hang out. And as Turner keeps talking

898
00:42:31,320 --> 00:42:33,759
Speaker 2: and cleaning up, he eventually turns around to notice that

899
00:42:33,800 --> 00:42:38,440
Speaker 2: Sean has fallen asleep on the couch. Very sweet, touching moment.

900
00:42:39,200 --> 00:42:42,720
Speaker 2: Turner says, I talk and he sleeps. It's like class,

901
00:42:43,200 --> 00:42:47,600
Speaker 2: and he half acidly puts a blanket on Sean. And

902
00:42:47,840 --> 00:42:50,040
Speaker 2: the slow build of Turner as Sean's father figure is

903
00:42:50,080 --> 00:42:51,560
Speaker 2: just really starting to pay off here.

904
00:42:51,920 --> 00:42:54,879
Speaker 4: It's great. It's a great, great build and a great

905
00:42:54,920 --> 00:42:56,200
Speaker 4: start to what's going to come.

906
00:42:56,600 --> 00:42:59,960
Speaker 2: Yeah, so nice. And then we're in mister Feene's backyard.

907
00:43:00,040 --> 00:43:02,800
Speaker 2: Turner is there explaining to Phoenie Sean's current situation. He

908
00:43:02,840 --> 00:43:05,200
Speaker 2: couldn't just drop him back off at the motel last night.

909
00:43:05,560 --> 00:43:07,560
Speaker 2: Phoenie asks where Sean is now, and he says, he

910
00:43:07,600 --> 00:43:09,720
Speaker 2: dropped him off at the Matthew's house. And I love

911
00:43:11,000 --> 00:43:15,960
Speaker 2: seeing this dynamic of Foenie and Turner concerned.

912
00:43:15,520 --> 00:43:18,400
Speaker 3: Adults, but also Foenie being.

913
00:43:18,160 --> 00:43:21,440
Speaker 2: The person that Turner goes to to talk to him

914
00:43:21,480 --> 00:43:24,760
Speaker 2: about what's going on. Phoenie obviously knows these kids better

915
00:43:24,800 --> 00:43:28,560
Speaker 2: than he does. And so just the way it feels,

916
00:43:28,600 --> 00:43:31,960
Speaker 2: how naturally now Foenie and Turner are a part of

917
00:43:32,000 --> 00:43:38,319
Speaker 2: this Matthews and Sean Hunter family community. Yeah, this real

918
00:43:38,400 --> 00:43:42,920
Speaker 2: community of raising these children. Yep, that feels really nice.

919
00:43:43,000 --> 00:43:44,120
Speaker 4: It also makes perfect.

920
00:43:43,880 --> 00:43:46,239
Speaker 6: Sense where he says to him where wereri He's like, well,

921
00:43:46,239 --> 00:43:47,680
Speaker 6: I just dropped him off the Matthew's house. Like they

922
00:43:47,680 --> 00:43:49,400
Speaker 6: didn't have to explain why he was there. It's like,

923
00:43:49,440 --> 00:43:50,920
Speaker 6: of course he'd be there, exactly.

924
00:43:51,160 --> 00:43:51,719
Speaker 4: Yeah, it was great.

925
00:43:52,480 --> 00:43:54,520
Speaker 2: And then Phoene says Chet should be able to find

926
00:43:54,520 --> 00:43:56,680
Speaker 2: his way home. Even a pigeon can do that, but

927
00:43:56,760 --> 00:43:59,560
Speaker 2: Turner needs to be careful about being an authority figure,

928
00:43:59,640 --> 00:44:02,320
Speaker 2: and he says the line between the two is very fine,

929
00:44:02,760 --> 00:44:04,040
Speaker 2: and then Alan walks down, I'll.

930
00:44:03,880 --> 00:44:06,719
Speaker 1: Become a big theme of the next season. Right, That's

931
00:44:06,760 --> 00:44:09,160
Speaker 1: the whole dynamic is.

932
00:44:09,120 --> 00:44:11,680
Speaker 6: Fin And that's and that's genuinely a thing that matters

933
00:44:11,680 --> 00:44:13,279
Speaker 6: when you're when you're a teacher. I mean, that's a

934
00:44:13,360 --> 00:44:15,719
Speaker 6: that's a huge thing, is that there is that line,

935
00:44:16,000 --> 00:44:18,080
Speaker 6: Am I getting too involved in somebody's life?

936
00:44:18,120 --> 00:44:19,920
Speaker 4: And yeah, really.

937
00:44:19,719 --> 00:44:22,080
Speaker 2: Well it's a it's a fine line really if you

938
00:44:22,120 --> 00:44:24,960
Speaker 2: think about it, any relationship an adult has with a child,

939
00:44:25,280 --> 00:44:28,200
Speaker 2: there should it's a fine line between you know, because

940
00:44:28,200 --> 00:44:30,000
Speaker 2: I noticed it as a director, like, I want to

941
00:44:30,000 --> 00:44:32,680
Speaker 2: be there for the actors that are a lot of

942
00:44:32,680 --> 00:44:35,840
Speaker 2: times kids on the show, but I also can't be

943
00:44:35,960 --> 00:44:38,480
Speaker 2: involved in too much of your personal life and your

944
00:44:38,480 --> 00:44:41,920
Speaker 2: personal drama because you know it is it blurs.

945
00:44:41,960 --> 00:44:42,960
Speaker 4: The line blurs.

946
00:44:43,360 --> 00:44:46,880
Speaker 2: So those blurred lines between adults who have relationships whatever

947
00:44:46,920 --> 00:44:49,120
Speaker 2: those different types of relationships are, with kids. There's it's

948
00:44:49,120 --> 00:44:51,760
Speaker 2: always a fine line of not crossing crossing a boundary

949
00:44:52,760 --> 00:44:55,120
Speaker 2: because it's very easy to cross over one. It's very

950
00:44:55,200 --> 00:44:57,400
Speaker 2: hard to ever put the boundary back up. Once a

951
00:44:57,440 --> 00:45:00,400
Speaker 2: boundary has been knocked over, it's much harder build the

952
00:45:00,440 --> 00:45:04,480
Speaker 2: barrier again. So Alan walks out with the trash and

953
00:45:04,480 --> 00:45:06,520
Speaker 2: Turner thanks him again for coming on career day, and

954
00:45:06,560 --> 00:45:09,280
Speaker 2: Alan says, no problem anytime. If those kids ever get routy,

955
00:45:09,280 --> 00:45:11,759
Speaker 2: I'll just come on in and sedate them. And then

956
00:45:11,880 --> 00:45:13,880
Speaker 2: Amy walks out and says Alan needs to come back

957
00:45:13,920 --> 00:45:16,800
Speaker 2: inside because Chet Hunter is at their house. Turner asks

958
00:45:16,840 --> 00:45:18,840
Speaker 2: if it's okay for him to join. He has some

959
00:45:18,920 --> 00:45:21,160
Speaker 2: things he wants to say to Chet and they make

960
00:45:21,200 --> 00:45:24,080
Speaker 2: their way into the house. Phoene quickly calls Turner back,

961
00:45:24,120 --> 00:45:35,920
Speaker 2: and he says to tread softly. And then we're in

962
00:45:36,000 --> 00:45:38,080
Speaker 2: Corey and Eric's room. Corey and Sean are throwing a

963
00:45:38,080 --> 00:45:39,960
Speaker 2: ball back and forth, and Sean says he's staying at

964
00:45:39,960 --> 00:45:42,239
Speaker 2: a motel and invites Corey over to skateboard in the

965
00:45:42,239 --> 00:45:43,480
Speaker 2: pool and watch cable.

966
00:45:44,840 --> 00:45:45,960
Speaker 3: Have you ever talked about it?

967
00:45:46,680 --> 00:45:51,120
Speaker 2: I know, before I even got to that funny joke

968
00:45:51,160 --> 00:45:54,960
Speaker 2: about the cable, have we ever talked about you guys skateboarding?

969
00:45:56,200 --> 00:45:56,439
Speaker 1: Nope?

970
00:45:57,040 --> 00:46:00,640
Speaker 3: No, Suddenly you guys are skateboarding in a pool. So

971
00:46:00,719 --> 00:46:01,960
Speaker 3: you're like in a half pipe.

972
00:46:02,000 --> 00:46:04,040
Speaker 4: So you're good, You're really good.

973
00:46:05,040 --> 00:46:05,279
Speaker 3: Yeah.

974
00:46:05,360 --> 00:46:08,440
Speaker 2: I was like, wow, okay, So Cory says, no, we

975
00:46:08,480 --> 00:46:10,520
Speaker 2: have cable here, kid thing.

976
00:46:10,640 --> 00:46:13,680
Speaker 1: Actually yeah, now I guescape everybody's skateboards. But back then,

977
00:46:13,840 --> 00:46:17,560
Speaker 1: like California kids skateboard. It know about Philly kids, especially

978
00:46:17,600 --> 00:46:18,560
Speaker 1: not in empty pools.

979
00:46:18,680 --> 00:46:21,560
Speaker 2: But yeah, so Cory says, we have cable here, and

980
00:46:21,600 --> 00:46:23,040
Speaker 2: Sean says not like this.

981
00:46:25,000 --> 00:46:30,319
Speaker 1: We recently discovered that Indy did not know what channels were. What, Yeah,

982
00:46:30,400 --> 00:46:31,759
Speaker 1: why would he know what a channel is?

983
00:46:32,280 --> 00:46:33,880
Speaker 4: Don't channel on YouTube?

984
00:46:33,920 --> 00:46:34,200
Speaker 6: Isn't it?

985
00:46:34,239 --> 00:46:34,439
Speaker 7: Don't?

986
00:46:34,440 --> 00:46:35,880
Speaker 4: Ever? Doesn't everyone have their own YouTube?

987
00:46:35,920 --> 00:46:36,000
Speaker 1: Chan?

988
00:46:38,840 --> 00:46:40,600
Speaker 4: That was what all kids watch with YouTube?

989
00:46:40,760 --> 00:46:43,640
Speaker 1: No, he wants to, but we we act like we'll

990
00:46:43,640 --> 00:46:46,520
Speaker 1: only go to YouTube to look. I will not let

991
00:46:46,640 --> 00:46:49,000
Speaker 1: him watch YouTube. No, he doesn't know what a channel is.

992
00:46:49,040 --> 00:46:51,440
Speaker 1: And when we had to explain that it's something that's

993
00:46:51,480 --> 00:46:54,120
Speaker 1: just airing and you have to choose whether to watch

994
00:46:54,120 --> 00:46:56,239
Speaker 1: it or not. And then yeah, got into this whole

995
00:46:56,239 --> 00:46:59,319
Speaker 1: discussion about broadcast television and then and then I was like,

996
00:46:59,360 --> 00:47:01,480
Speaker 1: and then K came in. He's like, and then you

997
00:47:01,520 --> 00:47:04,400
Speaker 1: could pick what shows to watch? Him like, No, no, No,

998
00:47:05,120 --> 00:47:07,759
Speaker 1: that's all that meant. You had like forty channels, you

999
00:47:07,760 --> 00:47:12,080
Speaker 1: didn't care about three you did? He could not, and

1000
00:47:12,280 --> 00:47:14,880
Speaker 1: we wanted. We had like a forty five minute conversation

1001
00:47:14,960 --> 00:47:17,960
Speaker 1: about like the evolution of television, and then he was

1002
00:47:18,000 --> 00:47:21,000
Speaker 1: blown away to discover that basically, like right before he

1003
00:47:21,120 --> 00:47:25,240
Speaker 1: was born was when you could actually just pick something

1004
00:47:25,360 --> 00:47:26,560
Speaker 1: and watch it at any time.

1005
00:47:26,640 --> 00:47:28,280
Speaker 3: Oh my gosh, that's so still.

1006
00:47:28,280 --> 00:47:31,040
Speaker 1: Pick your show, pick your movie, any content you want,

1007
00:47:31,080 --> 00:47:33,320
Speaker 1: you can download like that didn't exist until.

1008
00:47:33,440 --> 00:47:36,160
Speaker 2: You'll still say, by the way, though, like watching something

1009
00:47:36,160 --> 00:47:37,960
Speaker 2: on streaming. If Adler goes, Mom, I don't want to

1010
00:47:37,960 --> 00:47:39,279
Speaker 2: watch the show, I'll say, okay, you want me to

1011
00:47:39,360 --> 00:47:42,759
Speaker 2: change the channel? Like I still I'll still say it's

1012
00:47:42,800 --> 00:47:44,560
Speaker 2: we're changing the channel. But really, then I'm like, so

1013
00:47:44,600 --> 00:47:47,879
Speaker 2: what do you want to watch? And name anything, name

1014
00:47:47,920 --> 00:47:49,520
Speaker 2: a thing, anything, I'll find it.

1015
00:47:49,600 --> 00:47:51,360
Speaker 3: I'll get it for you. So funny.

1016
00:47:51,760 --> 00:47:54,279
Speaker 2: So Corey says Sean can't live in a motel, and

1017
00:47:54,280 --> 00:47:56,400
Speaker 2: Sean says, why not, at least it can't drive away.

1018
00:47:56,880 --> 00:48:00,200
Speaker 2: Corey says he could stay with him their friends, and

1019
00:48:00,239 --> 00:48:02,799
Speaker 2: Sean says Corey doesn't have to worry about him. Just

1020
00:48:02,880 --> 00:48:05,760
Speaker 2: then Check calls for Sean to come downstairs, and Sean

1021
00:48:05,840 --> 00:48:07,520
Speaker 2: is excited, See my dad is back.

1022
00:48:07,640 --> 00:48:08,560
Speaker 3: Everything's great.

1023
00:48:09,360 --> 00:48:09,800
Speaker 4: I love it.

1024
00:48:09,880 --> 00:48:12,520
Speaker 6: I just very quickly loved the just that very quick

1025
00:48:12,560 --> 00:48:15,839
Speaker 6: beat between you and and Ben because I thought it

1026
00:48:15,920 --> 00:48:18,040
Speaker 6: was it wasn't about it had nothing to do with

1027
00:48:18,120 --> 00:48:20,759
Speaker 6: Corey and Sean, because Sean understands, like, I just want

1028
00:48:20,760 --> 00:48:21,800
Speaker 6: you to know I'm always with your friend, and you

1029
00:48:21,880 --> 00:48:23,880
Speaker 6: were like very earnestly like no, I know, like, I

1030
00:48:23,920 --> 00:48:25,200
Speaker 6: know you're there for me. It says nothing to do

1031
00:48:25,200 --> 00:48:26,560
Speaker 6: with you right now, and I know you'll always be

1032
00:48:26,600 --> 00:48:27,000
Speaker 6: there for me.

1033
00:48:27,200 --> 00:48:28,120
Speaker 4: It was really nice.

1034
00:48:28,160 --> 00:48:31,839
Speaker 1: And I love this episode for the fact that it

1035
00:48:31,880 --> 00:48:35,480
Speaker 1: doesn't become about Corey right, doesn't make it about himself.

1036
00:48:35,719 --> 00:48:37,840
Speaker 1: It seems a concern for his friend and he can

1037
00:48:37,920 --> 00:48:41,640
Speaker 1: still play a part of it. But it's not you know, it's.

1038
00:48:41,360 --> 00:48:45,759
Speaker 2: Not how he can also still recognize how his situation

1039
00:48:45,960 --> 00:48:49,120
Speaker 2: is different and why he still notices, Wow, my parents

1040
00:48:49,440 --> 00:48:50,239
Speaker 2: are reliable.

1041
00:48:50,520 --> 00:48:52,640
Speaker 1: And he still has the ending beat, which is so

1042
00:48:52,840 --> 00:48:56,279
Speaker 1: wonderful exactly, so he still has a character arc. It's

1043
00:48:56,360 --> 00:48:57,200
Speaker 1: just not selfish.

1044
00:48:57,280 --> 00:49:00,319
Speaker 6: It's just not like and I love that was great.

1045
00:49:00,320 --> 00:49:02,359
Speaker 6: You just kind of that like, no, we're good. I

1046
00:49:02,360 --> 00:49:04,080
Speaker 6: know you're my friend. I know you're always there if

1047
00:49:04,080 --> 00:49:05,160
Speaker 6: I need you, Like yeah, And.

1048
00:49:05,920 --> 00:49:09,000
Speaker 1: Storyline wise, you don't need this scene right right right

1049
00:49:09,080 --> 00:49:11,600
Speaker 1: as far as like the a storyline goes, you don't

1050
00:49:11,640 --> 00:49:13,680
Speaker 1: need this scene. So this is the first thing to go.

1051
00:49:13,800 --> 00:49:17,000
Speaker 1: And I think it's to our show's credit, to our

1052
00:49:17,000 --> 00:49:19,799
Speaker 1: writer's credit, that they make sure that you have this

1053
00:49:20,480 --> 00:49:23,960
Speaker 1: important grounding beat where like this, this friendship is not

1054
00:49:24,040 --> 00:49:26,920
Speaker 1: going anywhere yeah, yeah, and that Corey is there for him,

1055
00:49:26,960 --> 00:49:28,200
Speaker 1: and Sean is there for Corey.

1056
00:49:28,239 --> 00:49:29,920
Speaker 4: You know, it's just yeah, it's great.

1057
00:49:29,840 --> 00:49:30,319
Speaker 1: It's great.

1058
00:49:31,080 --> 00:49:34,359
Speaker 2: It's also really nice too that it helps set up

1059
00:49:34,440 --> 00:49:38,600
Speaker 2: that Sean, a kid who has been let down over

1060
00:49:38,680 --> 00:49:42,360
Speaker 2: and over and over again, still doesn't see it coming.

1061
00:49:42,680 --> 00:49:45,759
Speaker 2: That he still has the optimism that the minute his

1062
00:49:45,880 --> 00:49:49,279
Speaker 2: dad is there, he goes, see, it's fine, my dad's mad,

1063
00:49:49,480 --> 00:49:51,160
Speaker 2: everything's great, he says.

1064
00:49:51,719 --> 00:49:52,640
Speaker 3: And so at that.

1065
00:49:52,640 --> 00:49:56,640
Speaker 6: Age, I think you're still hoping. It's you can't think

1066
00:49:56,719 --> 00:49:59,360
Speaker 6: that badly about your parents.

1067
00:49:59,400 --> 00:50:01,040
Speaker 1: I don't think it's at that age. I think it's

1068
00:50:01,080 --> 00:50:01,839
Speaker 1: all your life.

1069
00:50:02,000 --> 00:50:04,920
Speaker 4: Yeah, I think better, you know.

1070
00:50:05,080 --> 00:50:07,360
Speaker 1: But the people I know who have been like severely

1071
00:50:07,400 --> 00:50:10,279
Speaker 1: let down by a parent, even in their forties, are

1072
00:50:10,320 --> 00:50:11,319
Speaker 1: still hoping that parent.

1073
00:50:11,520 --> 00:50:13,719
Speaker 6: Yeah, I think that's I think there's more of a

1074
00:50:13,760 --> 00:50:15,800
Speaker 6: realization of knowing that it's not going to happen.

1075
00:50:15,920 --> 00:50:16,680
Speaker 4: But yes, they are.

1076
00:50:16,600 --> 00:50:20,600
Speaker 1: Still conscious realization, but emotionally they're still stuck in that

1077
00:50:20,920 --> 00:50:23,080
Speaker 1: whatever age it was when they're hoping that their parents.

1078
00:50:23,160 --> 00:50:23,960
Speaker 4: It's probably true.

1079
00:50:24,200 --> 00:50:27,520
Speaker 1: Yeah, everybody I know who's yeah, it's it sucks. I mean,

1080
00:50:27,520 --> 00:50:31,480
Speaker 1: that's that's what's so hard about these things happening to children, right, Yeah,

1081
00:50:31,520 --> 00:50:34,799
Speaker 1: it gets and and and a parent. It's just it

1082
00:50:34,840 --> 00:50:40,080
Speaker 1: imprints so and if that parent imprints uh an abandonment. Man,

1083
00:50:40,640 --> 00:50:41,480
Speaker 1: that's really hard.

1084
00:50:41,640 --> 00:50:45,040
Speaker 6: Yeah, yeah, this this is tough. This whole storyline gets

1085
00:50:45,120 --> 00:50:46,480
Speaker 6: very real, very quickly.

1086
00:50:46,560 --> 00:50:47,440
Speaker 3: Yes it does.

1087
00:50:48,320 --> 00:50:50,319
Speaker 2: And then we're in the Matthews living room. Chet thanks

1088
00:50:50,360 --> 00:50:52,719
Speaker 2: Turner for taking care of Sean. The most important thing

1089
00:50:52,760 --> 00:50:54,680
Speaker 2: is that my boy is safe and being looked after.

1090
00:50:55,280 --> 00:50:58,000
Speaker 2: Sean asks Chet if you found mom and Chet says, yes,

1091
00:50:58,280 --> 00:51:00,120
Speaker 2: but she gave me the slip again. We have to

1092
00:51:00,160 --> 00:51:02,760
Speaker 2: respect that and that's why he's here. And Sean says,

1093
00:51:03,440 --> 00:51:06,080
Speaker 2: I thought, I'm why you're here, and Chet says he

1094
00:51:06,160 --> 00:51:11,560
Speaker 2: respects Adam, And you know, he just calls Alan Adam

1095
00:51:11,800 --> 00:51:14,680
Speaker 2: and Chet asks Alan for a favor because his wife

1096
00:51:14,719 --> 00:51:17,200
Speaker 2: is out there and she has his heart and also

1097
00:51:17,280 --> 00:51:20,640
Speaker 2: his wallet, his keys, and his major credit cards.

1098
00:51:20,760 --> 00:51:21,359
Speaker 1: He's got like.

1099
00:51:21,320 --> 00:51:25,520
Speaker 4: One speech after another. Blake has just got like monologue, monologue, monogue,

1100
00:51:25,520 --> 00:51:27,560
Speaker 4: and he's splitting attention. He's going over here, and then

1101
00:51:27,600 --> 00:51:28,920
Speaker 4: he's going over there, and then he's going over there.

1102
00:51:29,200 --> 00:51:31,520
Speaker 6: It's a really great performance for somebody who's never been

1103
00:51:31,560 --> 00:51:32,280
Speaker 6: on the show before.

1104
00:51:32,760 --> 00:51:35,680
Speaker 4: Who is stepping into a role like this. He really

1105
00:51:35,800 --> 00:51:36,239
Speaker 4: nails this.

1106
00:51:36,520 --> 00:51:42,160
Speaker 2: It's also so well written because you get this character,

1107
00:51:42,880 --> 00:51:45,680
Speaker 2: and not only do you get the character, but you

1108
00:51:45,840 --> 00:51:48,280
Speaker 2: somehow love the character.

1109
00:51:50,960 --> 00:51:56,600
Speaker 3: He is doing this awful thing. You're rooting for him.

1110
00:51:57,120 --> 00:52:00,440
Speaker 1: A lesser writing staff or a lesser writer would just

1111
00:52:00,520 --> 00:52:03,279
Speaker 1: make Check a villain, right, like, just make him the

1112
00:52:03,440 --> 00:52:09,120
Speaker 1: easy bad dad stereotype of some sort of layers. But

1113
00:52:09,200 --> 00:52:13,600
Speaker 1: instead you love Chet and and so you're you're in

1114
00:52:13,760 --> 00:52:16,040
Speaker 1: the same position as Sean where you want to like

1115
00:52:16,080 --> 00:52:19,759
Speaker 1: this guy and you don't, you know, you want to

1116
00:52:19,840 --> 00:52:20,600
Speaker 1: let him off the hook.

1117
00:52:21,120 --> 00:52:24,879
Speaker 2: You also are having the same optimism Sean has, which

1118
00:52:24,920 --> 00:52:27,200
Speaker 2: is this is going to work out right, You're going

1119
00:52:27,280 --> 00:52:28,959
Speaker 2: to do the right thing, right, like.

1120
00:52:31,960 --> 00:52:35,160
Speaker 4: Really well written, really well acted. It just worked. Yeah,

1121
00:52:35,239 --> 00:52:35,760
Speaker 4: it was great.

1122
00:52:35,960 --> 00:52:41,080
Speaker 2: It's really great. So he asks Alan to take care

1123
00:52:41,080 --> 00:52:44,040
Speaker 2: of Sean, and Corey likes that idea. Turner says Chet

1124
00:52:44,080 --> 00:52:46,839
Speaker 2: should probably ask his son what he thinks, and Sean

1125
00:52:46,920 --> 00:52:49,920
Speaker 2: says he's okay with it, But then Sewn also asks

1126
00:52:49,960 --> 00:52:52,520
Speaker 2: why he can't just go with his dad, and again

1127
00:52:52,640 --> 00:52:58,600
Speaker 2: it's one of those just heartbreaking moments where you realize

1128
00:52:58,800 --> 00:53:02,080
Speaker 2: like he would give up everything. Sean would give up

1129
00:53:02,160 --> 00:53:05,200
Speaker 2: everything just to be with his dad. I have to

1130
00:53:05,200 --> 00:53:08,279
Speaker 2: sleep under I have to sleep in a trash can,

1131
00:53:08,360 --> 00:53:11,359
Speaker 2: under a bridge, doesn't matter. I'd be with you. Leave

1132
00:53:11,400 --> 00:53:15,000
Speaker 2: my best friend like I don't care. You're my home

1133
00:53:16,280 --> 00:53:19,960
Speaker 2: is what he's saying. And it's just so painful. So

1134
00:53:20,200 --> 00:53:22,040
Speaker 2: Chet says no, he needs to stay back and go

1135
00:53:22,080 --> 00:53:24,080
Speaker 2: to school. Chet says it'll only be a couple of

1136
00:53:24,080 --> 00:53:26,880
Speaker 2: weeks and he will call in every night. Amy and

1137
00:53:26,920 --> 00:53:29,000
Speaker 2: Alan tell Sean that he is more than welcome to

1138
00:53:29,000 --> 00:53:31,800
Speaker 2: stay with them, and Chet is thankful for these fine people.

1139
00:53:32,200 --> 00:53:34,960
Speaker 2: Jason and Eric then walk in and Eric has a nosebleed.

1140
00:53:35,320 --> 00:53:37,640
Speaker 2: Eric asks how long that tree has been out there,

1141
00:53:38,360 --> 00:53:41,640
Speaker 2: and Chet says, come on, Sean, let's go get you

1142
00:53:41,680 --> 00:53:44,279
Speaker 2: a toothbrush and a new shirt before he leaves town.

1143
00:53:44,560 --> 00:53:48,000
Speaker 2: And he also asks Corey just to clarify, your name's Corky, right,

1144
00:53:48,280 --> 00:53:51,239
Speaker 2: which again he now doesn't know any of these people

1145
00:53:51,320 --> 00:53:53,440
Speaker 2: well enough, even though they are the most important people

1146
00:53:53,560 --> 00:53:56,960
Speaker 2: outside of mom and dad to Sean, and Corey is

1147
00:53:57,040 --> 00:53:59,399
Speaker 2: very excited to have Sean stay, and Alan make sure

1148
00:53:59,440 --> 00:54:01,280
Speaker 2: that Chet is coming back in a couple of weeks,

1149
00:54:01,480 --> 00:54:04,279
Speaker 2: and Chet says even Texas women couldn't keep me from

1150
00:54:04,280 --> 00:54:04,960
Speaker 2: coming back here.

1151
00:54:06,520 --> 00:54:12,040
Speaker 6: And then Random's assortment of words that's actually very Funny's

1152
00:54:12,040 --> 00:54:12,880
Speaker 6: going to have a duck.

1153
00:54:14,520 --> 00:54:17,200
Speaker 4: That's also that delivery. When he's got that kind of

1154
00:54:17,239 --> 00:54:17,560
Speaker 4: you know.

1155
00:54:18,719 --> 00:54:19,920
Speaker 3: I've heard of it, he's going to have it.

1156
00:54:20,600 --> 00:54:29,080
Speaker 4: Yeah, Yeah, they're great, the heart of duck great.

1157
00:54:29,440 --> 00:54:29,560
Speaker 6: Uh.

1158
00:54:30,320 --> 00:54:33,080
Speaker 2: Everyone leaves, and Turner tells Alan that Chet was right

1159
00:54:33,120 --> 00:54:36,480
Speaker 2: about one thing. Alan is a good man. And now,

1160
00:54:36,719 --> 00:54:39,000
Speaker 2: in this moment is when I realized, what did Turner

1161
00:54:39,080 --> 00:54:41,879
Speaker 2: want to say to Chet other than the line where

1162
00:54:41,880 --> 00:54:44,759
Speaker 2: he said, shouldn't you ask your son what he thinks

1163
00:54:44,760 --> 00:54:49,080
Speaker 2: about this? Turner never, Turner doesn't actually address I.

1164
00:54:49,200 --> 00:54:50,120
Speaker 4: Thought that same thing.

1165
00:54:50,200 --> 00:54:52,479
Speaker 6: And then the way I rationalized it in my mind

1166
00:54:52,560 --> 00:54:54,279
Speaker 6: is he said, I've got some things I want to

1167
00:54:54,280 --> 00:54:56,560
Speaker 6: say to that man, and he was pissed. And as

1168
00:54:56,600 --> 00:54:59,160
Speaker 6: he's getting there, that's when Phoene says, be very careful,

1169
00:54:59,560 --> 00:55:02,680
Speaker 6: don't cross the line. So I think it, you know,

1170
00:55:02,840 --> 00:55:05,720
Speaker 6: he auto, you know, course corrected in his mind.

1171
00:55:06,160 --> 00:55:08,520
Speaker 2: What he was going to say, could be that what

1172
00:55:08,560 --> 00:55:10,439
Speaker 2: he was going to say was listen, man, you can't

1173
00:55:10,480 --> 00:55:11,279
Speaker 2: ever do that again.

1174
00:55:11,360 --> 00:55:12,359
Speaker 3: Don't just leave your son.

1175
00:55:12,440 --> 00:55:15,839
Speaker 2: And then when he walked in the news was I'm

1176
00:55:15,880 --> 00:55:18,200
Speaker 2: leaving my son, and so he realized like, oh, this

1177
00:55:18,239 --> 00:55:21,359
Speaker 2: is a person who that message is not done exactly done.

1178
00:55:21,400 --> 00:55:21,560
Speaker 1: Deal.

1179
00:55:21,680 --> 00:55:23,120
Speaker 4: It's funny I thought that same thing where it was

1180
00:55:23,120 --> 00:55:24,680
Speaker 4: like he didn't actually address him.

1181
00:55:24,560 --> 00:55:28,640
Speaker 2: But yeah, so now alone, Corey thanks Alan for coming

1182
00:55:28,680 --> 00:55:31,279
Speaker 2: to career day, but he left out the most important thing,

1183
00:55:31,560 --> 00:55:33,640
Speaker 2: all of the stuff he does after work for his

1184
00:55:33,719 --> 00:55:36,799
Speaker 2: friends and his family. And Corey says he thought he

1185
00:55:36,920 --> 00:55:39,000
Speaker 2: was the son of a grocer, but he really is

1186
00:55:39,040 --> 00:55:40,000
Speaker 2: the son of his father.

1187
00:55:41,160 --> 00:55:44,040
Speaker 4: Very sweet, I know, amazing.

1188
00:55:44,280 --> 00:55:47,399
Speaker 1: It's an incredible line, it's an incredible beat. And then

1189
00:55:47,640 --> 00:55:51,960
Speaker 1: Rusty's reaction is so not gal I know, it's just

1190
00:55:52,000 --> 00:55:54,959
Speaker 1: so you and it's just like boom, I got you, dude,

1191
00:55:54,960 --> 00:55:57,400
Speaker 1: and like, yeah, oh this is like one of my

1192
00:55:57,440 --> 00:55:58,760
Speaker 1: favorite endings of ever.

1193
00:55:59,239 --> 00:56:00,920
Speaker 3: Agreed. It's so beautiful.

1194
00:56:01,000 --> 00:56:06,359
Speaker 2: He snacks him on the belly, yes, which he is

1195
00:56:06,440 --> 00:56:09,439
Speaker 2: so much, such a better reaction than a I'm gonna

1196
00:56:09,440 --> 00:56:10,960
Speaker 2: have a I'm gonna cry.

1197
00:56:11,560 --> 00:56:15,400
Speaker 6: It's so beautiful. He's got the typical sitcom music behind me,

1198
00:56:16,800 --> 00:56:18,400
Speaker 6: like all that. They didn't do any of that. It

1199
00:56:18,480 --> 00:56:21,919
Speaker 6: was just a father and son, awesome moment together yep.

1200
00:56:22,320 --> 00:56:23,280
Speaker 3: They shake hands.

1201
00:56:23,320 --> 00:56:25,560
Speaker 2: Basically they do a little high five hand shaky thing

1202
00:56:25,600 --> 00:56:29,720
Speaker 2: and it's the end of the episode and just beautiful.

1203
00:56:29,760 --> 00:56:32,200
Speaker 2: So we're in the tag in the school cafeteria. Eric

1204
00:56:32,239 --> 00:56:34,600
Speaker 2: and Jason are eating and talking with all their sat

1205
00:56:34,800 --> 00:56:35,920
Speaker 2: vocabulary words.

1206
00:56:36,280 --> 00:56:39,040
Speaker 6: Eric, we're talking. We're not actually eating, but pushing the

1207
00:56:39,040 --> 00:56:42,080
Speaker 6: pushing the food push. A lot of big words, a

1208
00:56:42,080 --> 00:56:44,600
Speaker 6: lot of big words. No, no actual bites, but a

1209
00:56:44,640 --> 00:56:45,520
Speaker 6: lot of big words.

1210
00:56:45,960 --> 00:56:48,160
Speaker 2: Eric is starting to feel confident with the test and

1211
00:56:48,200 --> 00:56:50,479
Speaker 2: he's healing and he's getting all of his senses back,

1212
00:56:50,760 --> 00:56:53,320
Speaker 2: and Jason admits he's now worried about the math section.

1213
00:56:53,800 --> 00:56:56,400
Speaker 2: Eric is terrified. He didn't realize there was a math section.

1214
00:56:56,760 --> 00:57:00,160
Speaker 2: Jason says it's half the test. Eric says half, so

1215
00:57:00,239 --> 00:57:00,840
Speaker 2: what like.

1216
00:57:05,080 --> 00:57:05,399
Speaker 1: Right there?

1217
00:57:05,440 --> 00:57:06,800
Speaker 3: Absolutely that could.

1218
00:57:06,640 --> 00:57:09,480
Speaker 1: Have just just got it because I killed me.

1219
00:57:09,680 --> 00:57:13,880
Speaker 3: It was so funny. And then Eric starts to panic.

1220
00:57:13,920 --> 00:57:16,040
Speaker 2: He gets up out of his seat and fully throws

1221
00:57:16,080 --> 00:57:19,360
Speaker 2: his lunch right on to mister Feenne. Again we get

1222
00:57:19,400 --> 00:57:22,320
Speaker 2: another big food gag joke, and mister Fane is.

1223
00:57:22,320 --> 00:57:24,720
Speaker 1: Just it's just not that great because it's like preset

1224
00:57:24,720 --> 00:57:25,640
Speaker 1: food on Phoenix.

1225
00:57:25,760 --> 00:57:28,680
Speaker 4: And also, if you notice, because Sue even said.

1226
00:57:28,800 --> 00:57:32,200
Speaker 6: Susan even said, as we were watching, She's like, was

1227
00:57:32,240 --> 00:57:33,520
Speaker 6: there spaghetti on your plate?

1228
00:57:33,560 --> 00:57:34,240
Speaker 4: I didn't even see that.

1229
00:57:34,280 --> 00:57:36,280
Speaker 6: So we went back and looked. No, there was, but

1230
00:57:36,360 --> 00:57:39,680
Speaker 6: it wasn't mixed with all the salt and everything, the

1231
00:57:39,680 --> 00:57:41,800
Speaker 6: sauce and everything. So it was like it went from

1232
00:57:41,840 --> 00:57:44,520
Speaker 6: being a white pasta with just a meatball on top

1233
00:57:44,600 --> 00:57:47,880
Speaker 6: to then being fully coated spaghetti all over the Yea, this.

1234
00:57:47,800 --> 00:57:50,560
Speaker 1: Went down clean. I think that that Michael and the

1235
00:57:50,640 --> 00:57:53,840
Speaker 1: team were like, we can't throw food at Bill Daniels,

1236
00:57:54,040 --> 00:57:56,439
Speaker 1: and so they just assumed, or do you think Bill

1237
00:57:56,600 --> 00:57:58,080
Speaker 1: was like, you're not throwing.

1238
00:57:57,800 --> 00:57:59,360
Speaker 3: Food at me. I don't think it has anything to

1239
00:57:59,560 --> 00:58:01,520
Speaker 3: me to do. This is to throw food, and the

1240
00:58:01,600 --> 00:58:03,400
Speaker 3: problem is it's not going to stick.

1241
00:58:03,520 --> 00:58:05,800
Speaker 2: It would hit him and fall straight down, So it

1242
00:58:05,800 --> 00:58:06,920
Speaker 2: wouldn't be enough of a.

1243
00:58:07,120 --> 00:58:11,880
Speaker 1: Directed many episodes with Michael Jacobs, that would not have

1244
00:58:11,880 --> 00:58:14,840
Speaker 1: stopped him. He would have insisted that we can do

1245
00:58:14,920 --> 00:58:18,720
Speaker 1: it live, and every time we had food or slime

1246
00:58:19,000 --> 00:58:22,200
Speaker 1: or anything on Girl Meets World, I had to actually

1247
00:58:22,240 --> 00:58:24,920
Speaker 1: try and make it happen. He would never let me

1248
00:58:25,000 --> 00:58:29,920
Speaker 1: do slime because the point the comedy comes from watching

1249
00:58:29,960 --> 00:58:32,439
Speaker 1: it happen. So whether it sticks or not. He would

1250
00:58:32,440 --> 00:58:33,760
Speaker 1: have been we have to do it lot.

1251
00:58:33,800 --> 00:58:35,720
Speaker 2: No, you're right, because it would have been funnier. The

1252
00:58:35,760 --> 00:58:38,440
Speaker 2: funny The reveal of him covered in it is not

1253
00:58:38,600 --> 00:58:40,680
Speaker 2: as funny as watching somebody get hit with it, even

1254
00:58:40,680 --> 00:58:43,040
Speaker 2: if it doesn't stick. So I don't know, maybe he

1255
00:58:43,160 --> 00:58:44,800
Speaker 2: wasn't as big of a maybe this is when he

1256
00:58:44,880 --> 00:58:45,200
Speaker 2: learned it.

1257
00:58:45,480 --> 00:58:49,320
Speaker 1: Yeah, this is either Bill saying, uh, you you're not

1258
00:58:49,400 --> 00:58:52,000
Speaker 1: gonna throw food, or I think my take is that

1259
00:58:52,080 --> 00:58:55,080
Speaker 1: they preemptively were like, we can't throw, we can't throw it.

1260
00:58:55,120 --> 00:58:56,640
Speaker 4: Must we have to.

1261
00:58:56,680 --> 00:58:58,520
Speaker 1: We have to just get him a pre made suit

1262
00:58:58,760 --> 00:59:00,640
Speaker 1: that hasn and have a beer review.

1263
00:59:00,720 --> 00:59:05,000
Speaker 2: You're watching the moment when Michael Jacobs learned you cannot

1264
00:59:05,040 --> 00:59:07,120
Speaker 2: do it, you have to do it live, and that

1265
00:59:07,640 --> 00:59:09,400
Speaker 2: this is a moment where he was like, yeah, let's

1266
00:59:09,400 --> 00:59:11,320
Speaker 2: do that. That sounds fine, let's pre set it. It'll

1267
00:59:11,320 --> 00:59:14,360
Speaker 2: be great. And that's not funny. It's not funny. It's

1268
00:59:14,400 --> 00:59:14,720
Speaker 2: not funny.

1269
00:59:14,720 --> 00:59:15,520
Speaker 3: I'm never doing that again.

1270
00:59:15,560 --> 00:59:16,240
Speaker 1: It's not as funny.

1271
00:59:16,240 --> 00:59:18,720
Speaker 3: And so now let's pay attention if we ever see

1272
00:59:18,760 --> 00:59:19,120
Speaker 3: it again.

1273
00:59:19,640 --> 00:59:22,640
Speaker 1: See, we've already done food and water fights and stuff,

1274
00:59:22,640 --> 00:59:24,439
Speaker 1: and we've all and it's always been live like, we've

1275
00:59:24,440 --> 00:59:27,720
Speaker 1: already done that on our show, and it's already been like,

1276
00:59:28,040 --> 00:59:29,680
Speaker 1: you know, you have to see it. The pie has

1277
00:59:29,720 --> 00:59:38,600
Speaker 1: to hit the face, right, We'll just show like, yeah.

1278
00:59:36,200 --> 00:59:37,080
Speaker 3: Well there we go.

1279
00:59:37,280 --> 00:59:41,680
Speaker 2: All right, So mister Feenie says, I hate sat Time

1280
00:59:41,880 --> 00:59:44,040
Speaker 2: and that is the end of our episode.

1281
00:59:44,520 --> 00:59:48,360
Speaker 3: So, I mean, what a great.

1282
00:59:48,960 --> 00:59:52,720
Speaker 2: Episode, one of our best, I think, one of the best,

1283
00:59:52,760 --> 00:59:54,040
Speaker 2: one of my favorites.

1284
00:59:55,200 --> 00:59:55,760
Speaker 3: Coming in.

1285
00:59:57,520 --> 01:00:01,200
Speaker 4: Strong. Yeah, Blake coming in strong, coming in strong.

1286
01:00:01,440 --> 01:00:05,800
Speaker 6: Tony Quinn and and you know DeShawn and mister Turner

1287
01:00:05,840 --> 01:00:06,840
Speaker 6: stuff coming in strong.

1288
01:00:06,920 --> 01:00:08,760
Speaker 4: It is. It's a great episode.

1289
01:00:09,000 --> 01:00:12,000
Speaker 2: Well, thank you guys for this joining us for this

1290
01:00:12,040 --> 01:00:14,200
Speaker 2: episode of Pod Meets World. Our next episode will be

1291
01:00:14,280 --> 01:00:17,800
Speaker 2: season two episode twenty three Home. It is the season

1292
01:00:17,880 --> 01:00:22,400
Speaker 2: finale of season two. I can't believe it. It originally

1293
01:00:22,480 --> 01:00:25,480
Speaker 2: aired May nineteenth, nineteen ninety five, and we will be

1294
01:00:25,560 --> 01:00:28,200
Speaker 2: welcoming back the guys from Brah Meets World for a

1295
01:00:28,240 --> 01:00:31,520
Speaker 2: full Pod Meets World season recap, so we have that

1296
01:00:31,640 --> 01:00:34,000
Speaker 2: to look forward to. As always, you can follow us

1297
01:00:34,040 --> 01:00:36,400
Speaker 2: on Instagram Podmeets World Show. You can send us your

1298
01:00:36,400 --> 01:00:39,800
Speaker 2: emails pod meets Worldshow at gmail dot com, and we

1299
01:00:39,880 --> 01:00:40,800
Speaker 2: have merch.

1300
01:00:41,120 --> 01:00:44,520
Speaker 4: Just another merchimanday, I.

1301
01:00:44,520 --> 01:00:48,480
Speaker 2: Love it Podmeetsworldshow dot com. Thank you all for joining us,

1302
01:00:48,560 --> 01:00:49,600
Speaker 2: will send us out.

1303
01:00:49,920 --> 01:00:51,720
Speaker 4: We love you all, pod dismissed.

1304
01:00:53,880 --> 01:00:56,600
Speaker 6: Pod Meets World is an iHeart podcast produced and hosted

1305
01:00:56,600 --> 01:01:00,440
Speaker 6: by Danielle Fischel, Wilfredell and Ryder Strong Executive producers, Jensen

1306
01:01:00,480 --> 01:01:03,760
Speaker 6: Carp and Amy Sugarman Executive in charge of production, Danielle Romo,

1307
01:01:03,880 --> 01:01:07,800
Speaker 6: producer and editor, Taras Sudbach, producer, Jackie Rodriguez, engineer and

1308
01:01:07,800 --> 01:01:10,480
Speaker 6: Boy Meets World superfan Easton Allen. Our theme song is

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Speaker 6: by Kyle Morton of Typhoon and you can follow us

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Speaker 6: on Instagram at Pod Meets World Show or email us

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Speaker 6: at podmeetsworldshowat gmail dot com