WEBVTT - Two Women and a Pig with Hannah Gadsby 

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<v Speaker 1>Okay, guys, here are my dates for the High and

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<v Speaker 1>Mighty Tour. In August you can find me in Red Bank,

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<v Speaker 1>New Jersey, Montclair, New Jersey, and Calgary that's Canada. And

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<v Speaker 1>September I will be in Santa Barbara, San Diego, New

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<v Speaker 1>York City, Philly, and New Haven, Connecticut. October is Atlanta, Baltimore, Saginaw, Michigan, Pittsburgh, Toronto, Boise,

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<v Speaker 1>Idaho and Spokane. And then in November I'll be in

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<v Speaker 1>San Francisco. I'm coming to Salt Lake City, Austin, Houston,

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<v Speaker 1>Dallas Babies, I'll be there. And then in December I

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<v Speaker 1>am closing out my tour in Denver and Vancouver. So

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<v Speaker 1>get your tickets at Chelseahandler dot com for the High

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<v Speaker 1>and Mighty Tour. Hi Catherine, Hi Chelsea.

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<v Speaker 2>Are you on a boat?

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<v Speaker 1>Where am I? I'm on the Amalfi Coast.

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<v Speaker 3>Hell, Yes, I am off shore on the month.

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<v Speaker 1>I've decided to work in oil? Where you are? I'm

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<v Speaker 1>on an oiler. You're an oil rigger, yes, I'm an

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<v Speaker 1>oil I felt like I had to get down to

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<v Speaker 1>my roots, and that is oil rigging. You know how

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<v Speaker 1>popular that's been.

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<v Speaker 4>Down to your roots in and down into the sea.

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<v Speaker 1>Yes, I just am happy that I'm not in America

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<v Speaker 1>right now, and I'm enjoying my free time while I

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<v Speaker 1>have it. I have the month of July off before

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<v Speaker 1>I get back on tour. Everybody, I'll be back in August.

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<v Speaker 1>And in the meantime, I am drinking and swimming and

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<v Speaker 1>acting like the way God intended me to behave.

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<v Speaker 4>And meanwhile, like the powers that be over here are

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<v Speaker 4>dropping like flies.

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<v Speaker 1>So I know, I can't believe. Though, When are they

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<v Speaker 1>gonna admit that Mitch McConnell's dead? I mean, this is

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<v Speaker 1>absolutely ridiculous.

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<v Speaker 4>I know that photo that they posted is like clearly

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<v Speaker 4>AI because the newspaper he was holding like the picture

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<v Speaker 4>is wrong.

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<v Speaker 2>I saw a thing about it online.

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<v Speaker 1>It's yeah, But if the Democrats can't get it together

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<v Speaker 1>to get them to prove that Mitch McConnell is dead

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<v Speaker 1>before that special election kicks in, then they deserve that,

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<v Speaker 1>you know what I mean, like, get it together, and

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<v Speaker 1>you cannot. This is weekend at Bernie's. I mean, I

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<v Speaker 1>honestly was laughing when I heard this. I'm like, this

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<v Speaker 1>is seriously happening in our country.

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<v Speaker 4>And you heard the thing about his assistant called to

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<v Speaker 4>cancel his like country club reservation, and they're like, why

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<v Speaker 4>do you need to cancel She's like, my boss is dead.

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<v Speaker 4>That was like two weeks ago.

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<v Speaker 1>Oh oh, no, I didn't hear that. That's even better.

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<v Speaker 2>I mean, this is good.

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<v Speaker 1>They're gonna make movies about this. It's so stupid. I mean,

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<v Speaker 1>they're gonna make movies about a lot of this.

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<v Speaker 3>It's fully Wagged the Dog totally.

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<v Speaker 1>Yeah, that was a good movie. It's Wag the Dog

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<v Speaker 1>beats Weekend at Bernie's. But Wag the Dog is good

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<v Speaker 1>for anyone. If you're listening and you haven't seen that movie,

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<v Speaker 1>it's worth seeing that movie.

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<v Speaker 2>Absolutely.

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<v Speaker 4>Oh and also we should mention, since we recorded this episode,

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<v Speaker 4>poor Bonnie Tyler has passed away, which is a subject

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<v Speaker 4>of conversation.

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<v Speaker 1>Oh, yes, Bonnie Tyler died. Yes, this comes up in

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<v Speaker 1>this conversation. They were gonna go on a cruise with

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<v Speaker 1>Bonnie Tyler. Well you'll hear it. Listen to the episode.

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<v Speaker 3>Yes, yes, we had a really good time talking to them.

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<v Speaker 1>You know, our guests from their blockbuster comedy specials Now

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<v Speaker 1>at Douglas and then Something Special and their new special

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<v Speaker 1>Woof is on YouTube now, so please welcome Hannah Gatsby. Hi,

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<v Speaker 1>Hannah Gadsby, Hi, welcome to America.

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<v Speaker 2>Oh, thank you so much having me.

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<v Speaker 3>Oh my god, I love you. I love you.

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<v Speaker 2>I thank you.

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<v Speaker 1>Yeah, I do.

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<v Speaker 3>I think you're such a breath of fresh air.

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<v Speaker 2>You should spend more time with me. I change.

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<v Speaker 3>It's easy to love from Afar.

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<v Speaker 2>Yeah, I like to keep the distance.

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<v Speaker 1>Well, you are keeping the distance because you live in

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<v Speaker 1>fucking Tasmania, which.

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<v Speaker 2>Is oh no, no, no, no, no, no no.

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<v Speaker 1>Oh you're from Tasmania.

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<v Speaker 2>You mean, but I'm on the mainland these days.

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<v Speaker 1>How did you get over to the mainland?

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<v Speaker 2>Oh? Ships, ahoy, we've got a faery.

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<v Speaker 1>I've been to Tasmania.

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<v Speaker 2>Now tell me about that.

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<v Speaker 1>I was doing, you know, some dates in Australia. So

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<v Speaker 1>I thought my cousin and I thought, oh, we should

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<v Speaker 1>go somewhere we've never been. And somebody said you should

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<v Speaker 1>go to Tasmania.

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<v Speaker 2>And he said that to you.

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<v Speaker 1>In Australia, this guy, Johnny, his name is Johnny Cox.

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<v Speaker 1>Actually I'd like to yeah, exactly, I'd like to shout

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<v Speaker 1>him out. And he said, but before you go, you

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<v Speaker 1>have to read Robert Hughes's book the Fatal Shore.

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<v Speaker 2>That's intense homework.

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<v Speaker 1>This is a book that is about eight hundred pages.

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<v Speaker 2>Have you read it, Hannah, Yes, yes I did. Yeah.

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<v Speaker 2>When I was studying out history, I didn't read at all,

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<v Speaker 2>flick through.

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<v Speaker 1>Well I did.

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<v Speaker 3>I read all of it, and.

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<v Speaker 1>Thank you, thank you. I love books. I love books.

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<v Speaker 1>I read your book. I loved your book. I read

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<v Speaker 1>that book and I was in Tasmania and it was

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<v Speaker 1>such a disturbing book because it talks about the colonization

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<v Speaker 1>which started in Tasmania for all of Australia and.

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<v Speaker 2>All the people that they would are going to pull

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<v Speaker 2>you up.

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<v Speaker 1>Maybe I didn't entertain that, let's have a chat this okay.

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<v Speaker 2>So Tasmania was the second penal colony, its great word

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<v Speaker 2>after Sydney. Because they landed in Sydney set up the

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<v Speaker 2>jail situation. They thought, it's quite nice here. This is

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<v Speaker 2>hardly punishment, and then like, let's find somewhere terrible. And

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<v Speaker 2>that's when they said, well Tasmania, Like it's so it

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<v Speaker 2>was the second one. And then what were you going

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<v Speaker 2>to say about Tasmania. I take a while to warm up.

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<v Speaker 1>It's no problem, afilin Tasmania was the more severe penal

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<v Speaker 1>quality where they took the really bad guys and where

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<v Speaker 1>they had And funnily enough, when you go to Sydney,

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<v Speaker 1>like if you go on a boat ride in Sydney

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<v Speaker 1>and you're coming back in, you're like, can you imagine

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<v Speaker 1>bringing a bunch of prisoners and criminals here? Like and

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<v Speaker 1>then why you're like, this is paradise, Like why would

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<v Speaker 1>you be against that? So but obviously it wasn't paradise

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<v Speaker 1>because the book The Brutality a Fatal Shore is that

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<v Speaker 1>book gave me for four days in a row in

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<v Speaker 1>Tasmania reading about the whipping and the lashing, and they

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<v Speaker 1>would hang these guys by the post and then the

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<v Speaker 1>guys were eating people. They would trying to escape and

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<v Speaker 1>they're in the rest here.

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<v Speaker 2>That's that's Alexander Piace you're talking about there. So when

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<v Speaker 2>they've gone, oh, Tasmania is terrible, and then I'm like,

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<v Speaker 2>well it's coming together. Let's find another island. So they

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<v Speaker 2>found another island on the east coast, the furthest away

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<v Speaker 2>you can get from Hobart, which is the only town

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<v Speaker 2>in town. And Alexander Peace and a bunch of his

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<v Speaker 2>buddies on this island broke out and then like, we've

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<v Speaker 2>got to make our way to Hobat and it is

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<v Speaker 2>and it is still really dense wilderness, Like there are

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<v Speaker 2>parts of the eastern coast of Tasmania that no one's

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<v Speaker 2>been no west west coast that's where I'm from, that

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<v Speaker 2>no one's really been through, you know. So it's dense

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<v Speaker 2>and ancient forest, right. And they made their way to

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<v Speaker 2>Hobut eventually, but only Alexander Piace arrived because he had it.

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<v Speaker 2>He just eighties other escapeees on away, like one by one,

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<v Speaker 2>and and then they said, well you should go back

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<v Speaker 2>to this island. And then he escaped again and some

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<v Speaker 2>people went with him, and at that time he just

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<v Speaker 2>they got to the beach of the mainland of Tasmania

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<v Speaker 2>and he just ate them there. He's like, I don't

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<v Speaker 2>need to walk this far. I just like eating people now.

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<v Speaker 1>No, yeah, yeah, that's what I happened.

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<v Speaker 2>I'm told we were elated. Whenever we're get in trouble,

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<v Speaker 2>you're at Alexander Pears.

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<v Speaker 1>That's good, that's a good recall for his name.

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<v Speaker 2>Well.

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<v Speaker 1>Another thing, though, is in Sydney and in Tasmania, all

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<v Speaker 1>the streets or lots of the streets are named after

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<v Speaker 1>these prison wardens. So you're walking down the street all

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<v Speaker 1>the names from the book, I'm like, why does this

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<v Speaker 1>sound familiar? And then I'm like, oh, this was named

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<v Speaker 1>after one of the prison wardens. Did you ever notice that?

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<v Speaker 2>Of course, of course, we're very proud of our terrible history.

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<v Speaker 2>I'm a direct descendant of a lady off the first fleet.

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<v Speaker 2>It wasn't quite the first fleet, it was the second fleet.

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<v Speaker 2>I think they talked about it, and that's all the

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<v Speaker 2>the floating brothel because they realized everyone was dying, and

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<v Speaker 2>then they thought, you know, we should just send a

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<v Speaker 2>lot of women down there. And so it was just

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<v Speaker 2>a ship full of women. And my descendants stole a

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<v Speaker 2>Bible classic and that was the only ship that arrived

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<v Speaker 2>with more people on it than left because they just

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<v Speaker 2>had babies on the way. They had a birthing tent

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<v Speaker 2>on the deck because usually when you'd stop in all

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<v Speaker 2>the ports on the way, if there were women on

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<v Speaker 2>the ship, they'd be rowed to other ships to have

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<v Speaker 2>a bit of a plow and and.

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<v Speaker 3>No, just want to put that out there, but kind

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<v Speaker 3>of funny and.

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<v Speaker 1>That there's just the language.

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<v Speaker 2>Sorry, And then so but there's a lady on board

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<v Speaker 2>who took all these young women under her wing and

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<v Speaker 2>established the floating brothel. And it was just like, no,

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<v Speaker 2>these guys can come here and I'll protect all these women.

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<v Speaker 2>So and then they had a berthing tent on board,

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<v Speaker 2>and I think they had three or four berths because

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<v Speaker 2>it took takes so long to get there. My descendant.

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<v Speaker 2>They landed in Sydney and everyone's like women. And then

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<v Speaker 2>they so they sent her off to Norfolk Island, which

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<v Speaker 2>is just off the way off the east coast of Australia,

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<v Speaker 2>and that they colonized that because they thought Norfolk pines

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<v Speaker 2>are great for building boats and they're not. So then

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<v Speaker 2>they're just stuck there on this wild island. There. They

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<v Speaker 2>lived in threes. Polygamy was established there and every household

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<v Speaker 2>got two women and a pig, and so it's pretty wild.

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<v Speaker 2>And then she went to Tasmania. I don't come from

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<v Speaker 2>good stock.

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<v Speaker 3>Wow, two women and a pig.

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<v Speaker 2>Yeah. She eventually got, you know, after she served a sentence.

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<v Speaker 2>She got a huge plot of land outside Sandy Bay

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<v Speaker 2>in Sandy Bay in Hobart, which is the posh suburb

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<v Speaker 2>like you know, but she sold it for a barrel

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<v Speaker 2>of rum obviously. Mm hmmm, yeah, so that's yeah, the

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<v Speaker 2>Fatal Show is Yeah, I quite I quite like that's

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<v Speaker 2>an uplifting book for me. It's full of hope.

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<v Speaker 1>Well, I'm just thinking, like, two women in a pig

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<v Speaker 1>is better than being on your own with the pig

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<v Speaker 1>and a guy, you know what I mean.

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<v Speaker 5>A pig sounds great if a man is not there, like.

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<v Speaker 1>But even if a man is there, I would want

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<v Speaker 1>another woman and if I absolutely you know what I mean,

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<v Speaker 1>better than to be alone with the pig and the man.

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<v Speaker 2>Yeah, not many of those marriages lasted.

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<v Speaker 1>Congratulations on your marriage. How long have you been married now?

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<v Speaker 2>Thank you? Hello? Five years? Five years?

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<v Speaker 1>What words of wisdom? What kernels of wisdom have you

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<v Speaker 1>picked up from being married for five years?

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<v Speaker 2>Look, I think five years is not long enough to

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<v Speaker 2>just like let me do you know, like that's I

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<v Speaker 2>haven't even out to the seven year itch.

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<v Speaker 1>Let me let me rephrasee it. Then, let me rephrase it.

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<v Speaker 1>How has marriage impacted the way that you see yourself

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<v Speaker 1>as an individual on this earth?

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<v Speaker 2>Oh? Well, cohabitating that someone has made me understand just

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<v Speaker 2>how badly I operate through life. So it's having a

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<v Speaker 2>constant witness. That's both alarming and comforting, you know, just

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<v Speaker 2>you know, being seen by someone all the time. I

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<v Speaker 2>quite enjoy it because I have the capacity to disappear. Yeah,

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<v Speaker 2>I've really enjoyed it. Nice. And that's not very funny.

0:11:41.280 --> 0:11:43.040
<v Speaker 1>No, and you don't have to be funny. I mean

0:11:43.080 --> 0:11:44.200
<v Speaker 1>it's a serious question.

0:11:44.679 --> 0:11:54.600
<v Speaker 2>Well, I've made a rod for my back, haven't I.

0:11:54.600 --> 0:11:57.959
<v Speaker 1>I watched your new special. It's called Wolf. Everybody listening.

0:11:58.080 --> 0:12:02.600
<v Speaker 1>It's now out on YouTube. It's Hannah Gatsby's newest special

0:12:03.520 --> 0:12:07.720
<v Speaker 1>and it's very non traditional. I liked it. I liked

0:12:08.240 --> 0:12:10.720
<v Speaker 1>the opening particularly. I want to bring that up because

0:12:10.720 --> 0:12:14.120
<v Speaker 1>I have a big history. We're probably of the same age.

0:12:14.240 --> 0:12:17.840
<v Speaker 1>I have a history of Cabbage Patch children in my

0:12:17.920 --> 0:12:21.559
<v Speaker 1>life and I as soon as you started talking about that,

0:12:21.679 --> 0:12:26.440
<v Speaker 1>it brought me back to the time where parents were

0:12:26.600 --> 0:12:29.240
<v Speaker 1>going to Toys r Us at six o'clock in the morning,

0:12:29.720 --> 0:12:33.640
<v Speaker 1>standing in line for Toys r Us to open to

0:12:33.720 --> 0:12:36.839
<v Speaker 1>get the right cabbage Patch kid for their daughter, which

0:12:36.880 --> 0:12:39.520
<v Speaker 1>was me, and they never got the right one. I

0:12:39.559 --> 0:12:43.360
<v Speaker 1>got two premies before I got a real one, and

0:12:43.440 --> 0:12:46.320
<v Speaker 1>one of them had to say, yeah, they had got me.

0:12:46.440 --> 0:12:49.720
<v Speaker 3>Like the Rudders, the runts of the litter the rudders.

0:12:56.559 --> 0:12:59.400
<v Speaker 1>Exactly, so I got two of them. Then I got

0:12:59.400 --> 0:13:02.000
<v Speaker 1>a fake cabinet because my dad was like, fuck this shit,

0:13:02.080 --> 0:13:04.240
<v Speaker 1>I'm not standing in line at Toys r us at

0:13:04.280 --> 0:13:06.600
<v Speaker 1>six o'clock in the morning, and I was like why not.

0:13:07.120 --> 0:13:09.600
<v Speaker 1>I'm like everyone, I need to bring a cabbage patch

0:13:09.640 --> 0:13:12.800
<v Speaker 1>to school to be legitimate, Like I have to legitimize myself.

0:13:13.240 --> 0:13:14.679
<v Speaker 1>Did you have a cabbage patch?

0:13:15.360 --> 0:13:19.200
<v Speaker 2>There was nothing a cabbage patch doll could do to

0:13:19.360 --> 0:13:22.880
<v Speaker 2>legitimize me, Like I think you have to be edging

0:13:22.920 --> 0:13:27.760
<v Speaker 2>toward legitimacy. But no, I got a I think called

0:13:27.800 --> 0:13:31.080
<v Speaker 2>an ice cream doll, like it was a fake one.

0:13:31.120 --> 0:13:34.320
<v Speaker 2>You know, when cabbage patch dolls took off, other people like, well,

0:13:34.400 --> 0:13:37.800
<v Speaker 2>let's people prefer ice cream. You think the ice cream

0:13:37.840 --> 0:13:40.200
<v Speaker 2>doll would have taken off before a cabbage patch doll,

0:13:40.280 --> 0:13:46.120
<v Speaker 2>you know, like cabbage right ice cream? Correct. I didn't

0:13:46.200 --> 0:13:50.000
<v Speaker 2>like dolls, so I wasn't and they were not. They

0:13:50.040 --> 0:13:54.080
<v Speaker 2>were ugly. They were objectively ugly, and they always used

0:13:54.120 --> 0:13:57.960
<v Speaker 2>to confuse me why everyone was excited about them. And

0:13:58.000 --> 0:14:01.559
<v Speaker 2>then but you trace it. It keeps happening like la

0:14:01.559 --> 0:14:07.560
<v Speaker 2>boo boos, and every generation has this and like I

0:14:07.600 --> 0:14:10.960
<v Speaker 2>think the trick is dolls of frightening.

0:14:13.000 --> 0:14:15.560
<v Speaker 5>But there is actually an answer to your question because

0:14:15.600 --> 0:14:17.599
<v Speaker 5>you're talking the special about like where did all the

0:14:17.600 --> 0:14:21.080
<v Speaker 5>cabbage patch dolls go? And there was I think I

0:14:21.080 --> 0:14:23.400
<v Speaker 5>think it was a my strange addiction that they covered

0:14:23.400 --> 0:14:26.480
<v Speaker 5>this on. But there is this couple in like Ohio

0:14:27.000 --> 0:14:31.120
<v Speaker 5>and they have like fifteen thousand cabbage patch dolls and

0:14:31.120 --> 0:14:33.440
<v Speaker 5>they have names for all of them, and they have

0:14:33.480 --> 0:14:36.280
<v Speaker 5>parties with their friends, and they have like a special

0:14:36.360 --> 0:14:39.200
<v Speaker 5>building that's you know, heat temperature regulated.

0:14:39.280 --> 0:14:42.960
<v Speaker 1>It's very imagine they have friends. I think there's a

0:14:43.000 --> 0:14:44.760
<v Speaker 1>list that there's a litter that's a kind.

0:14:44.560 --> 0:14:47.320
<v Speaker 2>Of obsession that truly include a lot.

0:14:47.600 --> 0:14:49.560
<v Speaker 1>What did you play with when you were growing up

0:14:49.840 --> 0:14:53.280
<v Speaker 1>if you didn't like cabbage patch kids?

0:14:52.600 --> 0:14:59.520
<v Speaker 2>I liked to play with my with my animals. I

0:14:59.520 --> 0:15:03.360
<v Speaker 2>had a dog. I just smucked about. Really we lived.

0:15:03.800 --> 0:15:07.720
<v Speaker 2>We were sort of quite feral. There's a lot of swimming.

0:15:08.160 --> 0:15:09.000
<v Speaker 2>I played golf.

0:15:09.920 --> 0:15:10.840
<v Speaker 1>Do you still play gold?

0:15:12.360 --> 0:15:15.320
<v Speaker 2>I picked it up again. I used to play. I

0:15:15.360 --> 0:15:18.280
<v Speaker 2>was a state champion. Wow, the state was Tasmania. So

0:15:18.280 --> 0:15:21.600
<v Speaker 2>we can just back off the impressiveness there, excuse you?

0:15:22.160 --> 0:15:25.320
<v Speaker 2>And so that that was what I did on weekends.

0:15:25.320 --> 0:15:27.960
<v Speaker 2>I would play. It was a little country golf club,

0:15:28.080 --> 0:15:30.200
<v Speaker 2>so basically girls just hanging out with the elderly.

0:15:31.040 --> 0:15:34.120
<v Speaker 1>Yeah. Well, I mean I know you you suffer from

0:15:34.240 --> 0:15:37.920
<v Speaker 1>social anxiety and that you've talked about panic attacks and such.

0:15:38.040 --> 0:15:39.440
<v Speaker 1>Was that happening when you were a kid too?

0:15:40.400 --> 0:15:42.240
<v Speaker 2>No, because I was just hanging out with old people.

0:15:42.680 --> 0:15:48.280
<v Speaker 2>Take the stress right off. Tea and biscuits. They don't care.

0:15:48.320 --> 0:15:51.200
<v Speaker 2>They're just happy someone's talking to them. I just walked

0:15:51.200 --> 0:15:54.520
<v Speaker 2>the walk the straight. I knew who had who had

0:15:54.520 --> 0:15:57.640
<v Speaker 2>bad mobility and biscuits they can get away from me.

0:15:58.480 --> 0:16:00.960
<v Speaker 1>So tell us when did that stuff? Like when did

0:16:00.960 --> 0:16:04.280
<v Speaker 1>you start identifying that something or that you felt some

0:16:04.440 --> 0:16:07.840
<v Speaker 1>way about your like disposition or that you had panic

0:16:07.840 --> 0:16:10.680
<v Speaker 1>attacks or that you had anxiety, Like at what age

0:16:10.720 --> 0:16:13.720
<v Speaker 1>did that become relevant to you or that you had

0:16:13.760 --> 0:16:15.600
<v Speaker 1>a name for it. Yeah.

0:16:15.960 --> 0:16:18.160
<v Speaker 2>Not. While I was a child, you didn't have a

0:16:18.240 --> 0:16:22.080
<v Speaker 2>name for it. I just got tired. I'm sort of avoidant,

0:16:22.120 --> 0:16:24.280
<v Speaker 2>and I get burnt out and tired, So I just

0:16:24.320 --> 0:16:27.400
<v Speaker 2>become a potato as as opposed to a jittery bug.

0:16:27.920 --> 0:16:31.960
<v Speaker 2>But as I've gotten older and like, I just can't

0:16:32.200 --> 0:16:36.080
<v Speaker 2>impress upon people enough. Just how isolated my childhood was.

0:16:36.200 --> 0:16:40.280
<v Speaker 2>Like it's Tasmania. As you know, Chelsea is very isolated.

0:16:40.280 --> 0:16:41.880
<v Speaker 2>It's like it's a hop, skip and a jump to

0:16:42.000 --> 0:16:44.800
<v Speaker 2>get there, and it is. But in the eighties it

0:16:44.880 --> 0:16:48.440
<v Speaker 2>was even more isolated. You know, there just wasn't we

0:16:48.480 --> 0:16:51.320
<v Speaker 2>had two or three channels on television. Leaving the state

0:16:51.400 --> 0:16:56.800
<v Speaker 2>was prohibitively expensive, you know, and it's incredibly inbred. It's

0:16:56.840 --> 0:17:01.280
<v Speaker 2>like it's a bit like Iceland actually, you know. Yeah,

0:17:01.440 --> 0:17:04.159
<v Speaker 2>Iceland and Tasmania get studied a lot because of the

0:17:04.200 --> 0:17:07.800
<v Speaker 2>purity of our genetic pool. Wow. They say purity, but

0:17:07.920 --> 0:17:08.880
<v Speaker 2>I say it's you.

0:17:08.840 --> 0:17:12.399
<v Speaker 1>Know, you don't meet a lot of Icelandic people that

0:17:12.440 --> 0:17:14.520
<v Speaker 1>have left Iceland, you know what I mean. They're not

0:17:14.560 --> 0:17:16.800
<v Speaker 1>about in the world, Like you don't run into people

0:17:16.840 --> 0:17:19.600
<v Speaker 1>from Iceland. And you're the first person I've met, well,

0:17:19.640 --> 0:17:22.640
<v Speaker 1>the first person that I know of that's from Tasmania.

0:17:23.160 --> 0:17:25.760
<v Speaker 2>There's a couple of people like I can't remember who

0:17:25.760 --> 0:17:27.360
<v Speaker 2>they are, so we probably shouldn't talk about.

0:17:27.359 --> 0:17:29.240
<v Speaker 1>You also can't have that kind of competition.

0:17:29.800 --> 0:17:33.280
<v Speaker 2>No, Although I'm not a very competitive person, I'd rather

0:17:33.359 --> 0:17:37.400
<v Speaker 2>not a very big part of being Australian is understanding

0:17:37.440 --> 0:17:39.080
<v Speaker 2>the power of being second best.

0:17:40.920 --> 0:17:43.800
<v Speaker 1>Well, right now, right now, you're doing a lot better

0:17:43.840 --> 0:17:45.760
<v Speaker 1>than we are, so I wouldn't.

0:17:45.880 --> 0:17:48.359
<v Speaker 2>I know. I think that's a lot to do with

0:17:48.440 --> 0:17:52.240
<v Speaker 2>our attitude because you guys are so hopeful, you're always striving,

0:17:52.320 --> 0:17:56.760
<v Speaker 2>and sometimes being still is better. I think it's really interesting.

0:17:57.000 --> 0:18:00.280
<v Speaker 2>I think we're an interesting experiment because of you know,

0:18:00.320 --> 0:18:06.479
<v Speaker 2>we're both settled, we're both American Australia both exist because

0:18:06.560 --> 0:18:09.600
<v Speaker 2>Britain couldn't get this shit together and they still can't

0:18:09.600 --> 0:18:11.920
<v Speaker 2>get their shit together, but they don't think about that.

0:18:12.600 --> 0:18:15.560
<v Speaker 2>Britain should never be responsible for drawing maps.

0:18:16.080 --> 0:18:18.480
<v Speaker 1>Yeah, you know what, You raise a very good point.

0:18:18.720 --> 0:18:21.320
<v Speaker 2>Like they've just shown time and time again that every

0:18:21.359 --> 0:18:25.080
<v Speaker 2>time they draw up a new border, bad stuff happens

0:18:25.359 --> 0:18:29.800
<v Speaker 2>for centuries. But also, but you guys were settled because you're, like,

0:18:30.240 --> 0:18:33.720
<v Speaker 2>you know, hopeful and thought that Britain wasn't pure enough,

0:18:33.920 --> 0:18:37.879
<v Speaker 2>and we were settled because you know, they needed somewhere

0:18:37.880 --> 0:18:41.359
<v Speaker 2>to send the dregs. So we understood who we are

0:18:41.400 --> 0:18:43.919
<v Speaker 2>from the beginning. Your country is built on this, like

0:18:43.960 --> 0:18:46.040
<v Speaker 2>we're better than that, and we're just like we're not

0:18:46.119 --> 0:18:48.080
<v Speaker 2>even good enough. For that dirty Island.

0:18:51.359 --> 0:18:53.840
<v Speaker 1>Dirty do you know? When I went to Tasmania for

0:18:53.920 --> 0:18:57.159
<v Speaker 1>that first like three months before the trip. Once we

0:18:57.200 --> 0:18:59.359
<v Speaker 1>booked the trip, I was convinced I was going to

0:18:59.520 --> 0:19:01.359
<v Speaker 1>Africa because of towns.

0:19:01.119 --> 0:19:04.720
<v Speaker 2>In here, oh mad the amount of times, the amount

0:19:04.720 --> 0:19:09.240
<v Speaker 2>of times people think I'm from Africa.

0:19:10.800 --> 0:19:13.040
<v Speaker 1>Well, if the shoe fits.

0:19:13.119 --> 0:19:18.840
<v Speaker 2>It doesn't. Yeah, I was doing it. I had one

0:19:18.840 --> 0:19:22.720
<v Speaker 2>of those lovely general meetings back in the day. This

0:19:22.840 --> 0:19:26.440
<v Speaker 2>is when I was too naive to have meetings in Hollywood.

0:19:27.640 --> 0:19:30.159
<v Speaker 2>My success is really funny because it's just I just

0:19:30.200 --> 0:19:33.280
<v Speaker 2>got launched into a place that really only very ambitious

0:19:33.280 --> 0:19:37.560
<v Speaker 2>people belong and it was so you know, i'd given up.

0:19:37.600 --> 0:19:41.159
<v Speaker 2>I was too old, not too old, but like I

0:19:41.520 --> 0:19:44.680
<v Speaker 2>was forty, and you just get enough information to go, well,

0:19:44.720 --> 0:19:47.080
<v Speaker 2>I'm never going to be a superstar. I'll just hang

0:19:47.119 --> 0:19:50.000
<v Speaker 2>out here and do my thing. And then all of

0:19:50.040 --> 0:19:52.480
<v Speaker 2>a sudden I was in a place where I really

0:19:52.560 --> 0:19:56.119
<v Speaker 2>needed to have different muscles anyway. So I was taking

0:19:56.119 --> 0:19:59.080
<v Speaker 2>these meetings and not making the most of them. But

0:19:59.160 --> 0:20:03.960
<v Speaker 2>that funny ultimately, and I think it was Warner Brothers

0:20:04.200 --> 0:20:08.960
<v Speaker 2>and they were all, you know, you know, when there's

0:20:09.000 --> 0:20:11.760
<v Speaker 2>a feeding frenzy on, you know, and they're all very

0:20:11.800 --> 0:20:16.320
<v Speaker 2>excited this is past. And they made me a cup

0:20:16.320 --> 0:20:18.160
<v Speaker 2>of tea. They were very keen to make me tea,

0:20:18.320 --> 0:20:21.040
<v Speaker 2>or they asked me if I wanted tea, and so

0:20:21.600 --> 0:20:24.080
<v Speaker 2>I said yes because it's tea. Then at the forgetting

0:20:24.119 --> 0:20:28.080
<v Speaker 2>I was in America, no offense, and they're like, oh no,

0:20:29.119 --> 0:20:30.960
<v Speaker 2>Like they offered me take didn't know how to make

0:20:31.000 --> 0:20:34.639
<v Speaker 2>it and made like the hottest water in a paper

0:20:34.680 --> 0:20:37.880
<v Speaker 2>cup and I couldn't hold it. And it's like, thank

0:20:37.880 --> 0:20:39.199
<v Speaker 2>you for the tea. And I'm like, I'm gonna have

0:20:39.200 --> 0:20:41.360
<v Speaker 2>to drink this because they're like, is it good. I'm like,

0:20:41.400 --> 0:20:44.520
<v Speaker 2>it's too hot. And then they went around the table

0:20:45.040 --> 0:20:47.760
<v Speaker 2>telling us each who they were and why I should

0:20:47.800 --> 0:20:50.160
<v Speaker 2>be interested, and of course they bought in the whole

0:20:50.160 --> 0:20:53.879
<v Speaker 2>department of reality television. And you know that who's the

0:20:53.880 --> 0:20:56.159
<v Speaker 2>guy with the cowboy hat? He was there, the one

0:20:56.160 --> 0:20:57.119
<v Speaker 2>who's ruined the world.

0:20:57.280 --> 0:21:01.360
<v Speaker 1>Oh oh, the guy that did The Apprentice. Yeah, yeah,

0:21:01.680 --> 0:21:03.080
<v Speaker 1>I don't know his name, but I know who you're

0:21:03.119 --> 0:21:03.680
<v Speaker 1>talking about.

0:21:04.000 --> 0:21:07.520
<v Speaker 2>Yeah, giddy up. He was there and someone else in

0:21:07.600 --> 0:21:09.600
<v Speaker 2>his team was talking and they're like, oh, we've done

0:21:09.640 --> 0:21:12.480
<v Speaker 2>the Bachelor. The Bachelor you've seen The Bachelor. The Bachelor's amazing.

0:21:12.520 --> 0:21:15.600
<v Speaker 2>It's very big in Australia. I'm not sure about Tanzania,

0:21:17.440 --> 0:21:21.679
<v Speaker 2>and I'm like, I was, you know, I'm like, I

0:21:21.680 --> 0:21:23.480
<v Speaker 2>was gonna say, I think he means Tasmania. But then

0:21:23.680 --> 0:21:27.920
<v Speaker 2>the tea burst through and then there was no more.

0:21:28.000 --> 0:21:30.600
<v Speaker 2>There's no more meeting. So I really nailed that one.

0:21:31.040 --> 0:21:33.640
<v Speaker 1>When was the last time you were here? Probably when

0:21:33.680 --> 0:21:34.560
<v Speaker 1>I saw it with you?

0:21:34.640 --> 0:21:36.600
<v Speaker 2>Yeah, when you saw me. Yeah, that was a hell

0:21:36.640 --> 0:21:38.080
<v Speaker 2>of a party, wasn't it.

0:21:38.080 --> 0:21:41.960
<v Speaker 1>It was? It was. That's a good party, actually really,

0:21:42.480 --> 0:21:44.960
<v Speaker 1>I mean I had a good time.

0:21:45.520 --> 0:21:48.240
<v Speaker 2>It feels like any party with comedians is like a

0:21:48.280 --> 0:21:49.560
<v Speaker 2>wedding with only brides.

0:21:52.040 --> 0:21:55.280
<v Speaker 1>I like a daytime event. I like a daytime party,

0:21:55.560 --> 0:21:57.639
<v Speaker 1>and I like to meet. I like to get that

0:21:57.720 --> 0:22:00.800
<v Speaker 1>fucking shit over with, like and not so for that,

0:22:01.000 --> 0:22:03.080
<v Speaker 1>I like it, and I like when all the comedians

0:22:03.160 --> 0:22:05.320
<v Speaker 1>because the truth of the matter is, you don't get

0:22:05.359 --> 0:22:08.800
<v Speaker 1>to see a lot of comedians in real life unless

0:22:08.840 --> 0:22:11.240
<v Speaker 1>you're working out at comedy clubs. You know, when you're

0:22:11.280 --> 0:22:13.840
<v Speaker 1>touring and stuff, you see your people and you don't

0:22:13.880 --> 0:22:15.720
<v Speaker 1>really get to mingle with them. So I do like

0:22:15.800 --> 0:22:18.080
<v Speaker 1>that aspect. Of that party, and I love that it's

0:22:18.080 --> 0:22:21.040
<v Speaker 1>in the daytime, and I love that. Yes, I like

0:22:21.119 --> 0:22:23.840
<v Speaker 1>that party. That's a party that I will go to.

0:22:24.359 --> 0:22:26.760
<v Speaker 1>You obviously feel what differently.

0:22:27.280 --> 0:22:30.760
<v Speaker 2>I just don't like parties. Yeah, right, And then what

0:22:30.960 --> 0:22:33.720
<v Speaker 2>concerned me about that party was the moment when speeches

0:22:33.760 --> 0:22:36.040
<v Speaker 2>started happening. But I don't no one knew where the

0:22:36.080 --> 0:22:40.119
<v Speaker 2>speeches were. And so you just hear this voice over

0:22:40.200 --> 0:22:47.040
<v Speaker 2>the cast over the garden going Excuseberry, Hello, and everyone's

0:22:47.040 --> 0:22:49.119
<v Speaker 2>just sort of looking around. I'm like, you're trying to

0:22:49.440 --> 0:22:53.880
<v Speaker 2>run a live comedy festival. You need to know where

0:22:53.880 --> 0:22:56.480
<v Speaker 2>to put a stage, and I have people understand where

0:22:56.520 --> 0:22:58.800
<v Speaker 2>to look when you're talking. So I was worried about

0:22:58.800 --> 0:22:59.640
<v Speaker 2>the logistics.

0:23:01.720 --> 0:23:05.280
<v Speaker 1>So I heard what you said earlier about America, and

0:23:05.359 --> 0:23:07.280
<v Speaker 1>I like what you say. I think I agree with you.

0:23:07.320 --> 0:23:10.200
<v Speaker 1>We think we're better than everybody. What are your other

0:23:10.320 --> 0:23:14.640
<v Speaker 1>impressions of America, Like your first impressions when you came

0:23:14.680 --> 0:23:16.000
<v Speaker 1>over here for the first time.

0:23:16.760 --> 0:23:19.480
<v Speaker 2>I mean, Americans are very friendly and I enjoy that.

0:23:20.160 --> 0:23:24.440
<v Speaker 2>Sometimes your voices can pitch a bit loud, but that's

0:23:25.040 --> 0:23:28.639
<v Speaker 2>the accent. The way that you speak. You really your

0:23:28.680 --> 0:23:30.360
<v Speaker 2>tongue gets out of the way and there's a lot

0:23:30.400 --> 0:23:33.080
<v Speaker 2>of noise comes out. I've learned the American accent, but

0:23:33.119 --> 0:23:35.320
<v Speaker 2>I will not speak because it is too loud coming

0:23:35.359 --> 0:23:39.359
<v Speaker 2>from within. I started easily, so the only way I

0:23:39.359 --> 0:23:42.400
<v Speaker 2>can speak American is with if I do like a Batman,

0:23:44.080 --> 0:23:47.680
<v Speaker 2>So I can speak American, but I won't go louder

0:23:47.680 --> 0:23:52.359
<v Speaker 2>than that. I like Americans. I married one. Yeah. I

0:23:52.359 --> 0:23:55.000
<v Speaker 2>think it's always an interesting thing when you have an

0:23:55.080 --> 0:23:58.440
<v Speaker 2>idea of a culture and then when you have to mingle,

0:23:58.640 --> 0:24:01.640
<v Speaker 2>it breaks apart, like the idea of a national identity

0:24:01.680 --> 0:24:05.639
<v Speaker 2>always breaks apart because individuals ruin everything. This is true.

0:24:06.080 --> 0:24:08.040
<v Speaker 1>This is true. How did you and your How did

0:24:08.080 --> 0:24:09.000
<v Speaker 1>you and your wife meet?

0:24:09.359 --> 0:24:12.080
<v Speaker 2>Jenny was my producer of Nannette when I took it

0:24:12.160 --> 0:24:16.199
<v Speaker 2>to New York, so she was looking after me. This

0:24:16.320 --> 0:24:19.199
<v Speaker 2>was before it went on to Netflix, and she was

0:24:19.240 --> 0:24:21.760
<v Speaker 2>so good at her job, like she knew what I

0:24:21.800 --> 0:24:23.440
<v Speaker 2>wanted before I wanted it. She's like, oh, do you

0:24:23.480 --> 0:24:27.160
<v Speaker 2>want a cup of tea? And I'm like, no, oh, oh,

0:24:27.359 --> 0:24:30.560
<v Speaker 2>actually I think I do. You know. That kept happening.

0:24:31.040 --> 0:24:33.520
<v Speaker 2>So when I was gearing up to do my first

0:24:33.560 --> 0:24:37.720
<v Speaker 2>world tour and we were spoken, she was at a

0:24:37.760 --> 0:24:41.120
<v Speaker 2>loose end and we I brought her on to sort

0:24:41.119 --> 0:24:45.320
<v Speaker 2>of help me tour. We had a strong working relationship

0:24:45.359 --> 0:24:47.800
<v Speaker 2>before I wore her down.

0:24:48.040 --> 0:24:49.240
<v Speaker 1>And how did you make your move?

0:24:50.280 --> 0:24:54.399
<v Speaker 2>I didn't. We apparently we looked back on it, and apparently,

0:24:54.800 --> 0:24:57.399
<v Speaker 2>you know, we we were dating for a year before

0:24:57.400 --> 0:24:59.800
<v Speaker 2>we understood that we were dating. We just did everything

0:25:00.800 --> 0:25:04.960
<v Speaker 2>you go that was romantic. Didn't clock that. And Jenny

0:25:05.000 --> 0:25:08.560
<v Speaker 2>was being very professional. She's very professional, very good job.

0:25:08.600 --> 0:25:11.320
<v Speaker 2>And I was just hyper aware of the you know,

0:25:11.720 --> 0:25:19.359
<v Speaker 2>Weinstein factor, which was my employee. So you know, we

0:25:20.600 --> 0:25:23.439
<v Speaker 2>how long was it, Ginny? Nine months?

0:25:23.560 --> 0:25:26.639
<v Speaker 1>We're nine months you were and you were working together

0:25:26.680 --> 0:25:29.679
<v Speaker 1>for nine months before you became a couple. Yeah, and

0:25:29.720 --> 0:25:31.320
<v Speaker 1>we know you're not good at a party. We know

0:25:31.400 --> 0:25:33.639
<v Speaker 1>you don't like parties. We know you don't want to.

0:25:34.800 --> 0:25:38.040
<v Speaker 2>Oh, Chelsea, I have to tell you something. I'm doing

0:25:38.040 --> 0:25:43.600
<v Speaker 2>a gay cruise in August through the Mediterranean. Three thousand people.

0:25:47.800 --> 0:25:52.440
<v Speaker 2>I accepted because it's through the Mediterranean and sailing through

0:25:52.480 --> 0:25:56.159
<v Speaker 2>the path of totality for the Total Eclipse, and the

0:25:56.160 --> 0:25:59.440
<v Speaker 2>headline act was going to be Bonnie Tyler, but she's

0:25:59.560 --> 0:26:03.600
<v Speaker 2>now in an induced coma and not going so now

0:26:03.640 --> 0:26:07.879
<v Speaker 2>I'm just on a boat, and I thought, you know

0:26:07.960 --> 0:26:11.400
<v Speaker 2>who might know how to handle that is Chelsea Handler.

0:26:11.440 --> 0:26:12.720
<v Speaker 2>Have you done a cruise?

0:26:13.040 --> 0:26:16.639
<v Speaker 1>You know what, Hannah? Even I know not to do

0:26:16.680 --> 0:26:17.520
<v Speaker 1>a fucking cruise.

0:26:17.680 --> 0:26:19.240
<v Speaker 2>Fucking hell? What have I done?

0:26:19.680 --> 0:26:22.159
<v Speaker 3>I mean, I really think you should get out of that.

0:26:23.000 --> 0:26:29.119
<v Speaker 2>Really something I do a lot. I'm like, I don't

0:26:29.160 --> 0:26:31.040
<v Speaker 2>like these things. I don't like these things, and then

0:26:31.160 --> 0:26:34.600
<v Speaker 2>for some reason sometimes I just inexplicably move toward a thing.

0:26:34.840 --> 0:26:35.240
<v Speaker 2>I do that?

0:26:35.600 --> 0:26:36.719
<v Speaker 1>Should I do that too?

0:26:36.880 --> 0:26:39.960
<v Speaker 2>So? Yeah, so that's what this is. So I guess

0:26:39.960 --> 0:26:42.840
<v Speaker 2>I'm anyway. So you've not done a cruise.

0:26:42.920 --> 0:26:45.800
<v Speaker 1>I haven't. I have an aversion to cruises, and that

0:26:46.040 --> 0:26:46.919
<v Speaker 1>what's your version?

0:26:46.960 --> 0:26:47.960
<v Speaker 2>It's probably the same as so.

0:26:47.920 --> 0:26:51.439
<v Speaker 1>Many people, the amount of people stuck on one pile

0:26:51.720 --> 0:26:56.159
<v Speaker 1>of essential basically garbage, because that's what you're doing.

0:26:56.440 --> 0:26:58.440
<v Speaker 3>You're floating on garbage.

0:26:58.359 --> 0:27:01.679
<v Speaker 1>And it's too many people, and it's you run. I

0:27:01.680 --> 0:27:04.200
<v Speaker 1>don't want I don't want to be trapped. It's everything

0:27:04.240 --> 0:27:08.440
<v Speaker 1>that you already think, is what I'm saying out loud.

0:27:09.200 --> 0:27:10.000
<v Speaker 2>What have I done?

0:27:10.320 --> 0:27:12.280
<v Speaker 1>How long? How long is the cruise?

0:27:12.520 --> 0:27:16.200
<v Speaker 2>I did it for Bonnie? Nine nine nights? Nine?

0:27:16.240 --> 0:27:18.080
<v Speaker 3>Okay, I thought we're going to say nine months.

0:27:18.080 --> 0:27:22.040
<v Speaker 2>I'm like, what, Yes, I'm doing a reverse convict.

0:27:23.840 --> 0:27:25.720
<v Speaker 1>I was like, how long is the sun totality?

0:27:25.760 --> 0:27:26.840
<v Speaker 2>I thought that was like a night.

0:27:28.000 --> 0:27:30.439
<v Speaker 1>Okay, so nine days in the Mediterranean. I mean you

0:27:30.440 --> 0:27:33.119
<v Speaker 1>should just bring your journal and keep track of everything.

0:27:33.160 --> 0:27:34.640
<v Speaker 1>I'm assuming Jenny's going with.

0:27:34.560 --> 0:27:37.840
<v Speaker 2>You, Yes, Jenny. I think we'll have a lot of fun.

0:27:37.960 --> 0:27:39.639
<v Speaker 1>Is there going to be gambling on the cruise?

0:27:40.680 --> 0:27:42.520
<v Speaker 2>Yes, they all have a casino. I think it's a

0:27:42.560 --> 0:27:43.800
<v Speaker 2>gamble to go on from.

0:27:46.400 --> 0:27:48.719
<v Speaker 1>That is funny. That is funny that you signed up

0:27:48.720 --> 0:27:51.200
<v Speaker 1>for Bonnie Tyler and now she's in a coma. I mean,

0:27:51.800 --> 0:27:53.120
<v Speaker 1>I mean, how glorious.

0:27:52.680 --> 0:27:56.960
<v Speaker 2>Would that be, Little Bonnie Tyler, little Welsh witch, just

0:27:57.359 --> 0:28:01.119
<v Speaker 2>belting out total eclips of the heart doing an eclipse

0:28:01.359 --> 0:28:02.000
<v Speaker 2>on a boat.

0:28:04.560 --> 0:28:08.600
<v Speaker 1>Well maybe she'll come too in the Timeez not, when

0:28:08.640 --> 0:28:09.879
<v Speaker 1>do you set sail.

0:28:11.440 --> 0:28:14.679
<v Speaker 2>In August? It's done. I'm stuck on a boat without that.

0:28:15.000 --> 0:28:16.919
<v Speaker 3>They're going to have to get some musical act.

0:28:16.840 --> 0:28:19.359
<v Speaker 2>And everyone's going to be so excited. And I can't

0:28:19.440 --> 0:28:22.359
<v Speaker 2>rain on their parade. They've saved up for it. This

0:28:22.400 --> 0:28:27.840
<v Speaker 2>is their yea as much as it's my nightmare, and

0:28:27.880 --> 0:28:31.200
<v Speaker 2>then I have to do two hours of comedy during

0:28:31.320 --> 0:28:38.560
<v Speaker 2>the Moroccan themed night party, and but back to back,

0:28:39.240 --> 0:28:42.560
<v Speaker 2>and I'm just like, oh, yeah, I'm sure I'll be funny.

0:28:42.400 --> 0:28:43.960
<v Speaker 1>Like an early show and a lad show.

0:28:44.760 --> 0:28:45.040
<v Speaker 2>Yeah.

0:28:45.240 --> 0:28:50.280
<v Speaker 1>Oh, I mean take pictures, is all I have to say.

0:28:50.680 --> 0:28:52.240
<v Speaker 3>And take some videos as well.

0:28:52.840 --> 0:28:54.960
<v Speaker 2>Okay what I might do, And this is what I

0:28:55.000 --> 0:28:56.760
<v Speaker 2>tend to do because I don't live on the surface

0:28:56.760 --> 0:29:00.480
<v Speaker 2>of reality. I like to you know, the constant posting

0:29:00.480 --> 0:29:02.920
<v Speaker 2>of what you're doing now is not not anything I've

0:29:02.920 --> 0:29:05.640
<v Speaker 2>ever been able. It seems to be too soon, right,

0:29:06.080 --> 0:29:09.680
<v Speaker 2>So I'll keep a daily diary and then post it later.

0:29:10.120 --> 0:29:13.600
<v Speaker 1>Yeah, that's fine, that's better. It's better that way anyway.

0:29:13.640 --> 0:29:16.120
<v Speaker 1>I like when I see people post about their trips

0:29:16.560 --> 0:29:18.760
<v Speaker 1>after they've had some thought put into it, rather than

0:29:18.800 --> 0:29:21.680
<v Speaker 1>it means. I agree with that. So you're way ahead

0:29:21.720 --> 0:29:22.800
<v Speaker 1>of the game in that department.

0:29:24.560 --> 0:29:28.280
<v Speaker 2>Only they're just like so they're sending all the things,

0:29:28.280 --> 0:29:30.440
<v Speaker 2>and they're just like, as long as you cover up

0:29:30.520 --> 0:29:34.480
<v Speaker 2>your balls, your penis, and your vagina at breakfast, anything goes.

0:29:34.520 --> 0:29:36.680
<v Speaker 1>And I'm like, oh, that was that in writing?

0:29:37.040 --> 0:29:37.880
<v Speaker 2>It was in writing?

0:29:38.040 --> 0:29:40.640
<v Speaker 1>Wow, I would use that as a that would be

0:29:40.680 --> 0:29:41.840
<v Speaker 1>a big red flag.

0:29:42.240 --> 0:29:44.760
<v Speaker 2>Well, they send it after you sign the contract, so.

0:29:45.040 --> 0:29:47.720
<v Speaker 4>Right, it's like a nine day party, which it is

0:29:47.800 --> 0:29:48.960
<v Speaker 4>going to be a party.

0:29:49.040 --> 0:29:51.040
<v Speaker 1>But I do do you drink or do you.

0:29:51.640 --> 0:29:52.560
<v Speaker 2>I probably will?

0:29:52.680 --> 0:29:53.400
<v Speaker 1>Yeah, I need to.

0:29:54.160 --> 0:29:56.560
<v Speaker 3>You don't strike me as someone who drinks or does drugs.

0:29:56.800 --> 0:30:01.560
<v Speaker 2>Oh, come on, I do. I'm a dark horse.

0:30:08.000 --> 0:30:11.520
<v Speaker 1>When Your Special Neat came out, it was humongous. It

0:30:11.640 --> 0:30:16.120
<v Speaker 1>had a huge cultural impact and huge reaction from people.

0:30:16.400 --> 0:30:18.960
<v Speaker 1>I want to know how that impacted you and what

0:30:19.000 --> 0:30:19.960
<v Speaker 1>you thought about.

0:30:19.680 --> 0:30:23.520
<v Speaker 2>That it was massive. I don't think I kind of

0:30:23.560 --> 0:30:25.880
<v Speaker 2>appreciated because you're in the middle of it and it's

0:30:26.600 --> 0:30:30.040
<v Speaker 2>quite intense, and it was just such a I think

0:30:30.120 --> 0:30:33.120
<v Speaker 2>what I struggled the most with as it's you know,

0:30:33.120 --> 0:30:36.720
<v Speaker 2>I've moved away from it, is that it like, it

0:30:36.760 --> 0:30:39.200
<v Speaker 2>was such a personal show, and up until the moment

0:30:39.240 --> 0:30:41.600
<v Speaker 2>it went on Netflix, it was mine, and you know,

0:30:41.640 --> 0:30:43.920
<v Speaker 2>the story was who I was telling in the room.

0:30:44.440 --> 0:30:47.280
<v Speaker 2>And I'm a live performer. I've not done much screen.

0:30:47.920 --> 0:30:50.120
<v Speaker 2>I've done a little bit, but not with my work,

0:30:50.200 --> 0:30:52.920
<v Speaker 2>you know, so my audience was built on people I'd

0:30:52.960 --> 0:30:55.440
<v Speaker 2>spoken to who were sharing the same room as me,

0:30:55.520 --> 0:31:00.280
<v Speaker 2>and this was my first adventure into not that you know,

0:31:00.360 --> 0:31:05.200
<v Speaker 2>so by understanding of who my audience really disintegrated. And

0:31:05.240 --> 0:31:07.280
<v Speaker 2>then when you start to write new shows and stuff,

0:31:07.320 --> 0:31:09.960
<v Speaker 2>you're like, who are you talking to anymore? And I've

0:31:09.960 --> 0:31:12.080
<v Speaker 2>always struggled with that, like who do you know who

0:31:12.120 --> 0:31:15.800
<v Speaker 2>your audience is? Chelsea? And does that like do you

0:31:15.840 --> 0:31:18.520
<v Speaker 2>sometimes go, well, I'm changing a little bit as a human.

0:31:19.080 --> 0:31:22.000
<v Speaker 2>How do you bring your audience along with that without

0:31:22.120 --> 0:31:25.280
<v Speaker 2>sort of alienating them? Because people really do like your

0:31:25.280 --> 0:31:28.640
<v Speaker 2>old stuff better than your new stuff, and like it's

0:31:28.680 --> 0:31:31.440
<v Speaker 2>always this constant conversation and because you don't, I don't,

0:31:31.520 --> 0:31:34.400
<v Speaker 2>you know, I'm at a loss, like I feel at Sea.

0:31:35.160 --> 0:31:37.280
<v Speaker 2>I think the biggest feeling for me at the moment

0:31:37.360 --> 0:31:42.800
<v Speaker 2>is I quite afraid because I'm not a benign figure now,

0:31:42.840 --> 0:31:46.480
<v Speaker 2>so anytime I speak up about something, it's a you know,

0:31:46.760 --> 0:31:49.560
<v Speaker 2>it can be a problem. I'm a lightning rod, like

0:31:49.600 --> 0:31:54.480
<v Speaker 2>it or not. And and you know, it's not like

0:31:54.760 --> 0:31:58.040
<v Speaker 2>me too worked. You know, who would have thought hashtag

0:31:58.160 --> 0:32:03.000
<v Speaker 2>was not actually equal to actual structures of power. And

0:32:03.080 --> 0:32:08.000
<v Speaker 2>so we're in the middle of this disastrous and angry backlash.

0:32:08.640 --> 0:32:11.840
<v Speaker 2>And I you know, as soon as I poked my

0:32:11.880 --> 0:32:14.960
<v Speaker 2>head up I'm a target and so that that feels

0:32:15.040 --> 0:32:18.360
<v Speaker 2>quite frightening. So on the one hand, I've trauma bonded

0:32:18.400 --> 0:32:21.840
<v Speaker 2>on a grand scale, so I could start a cult.

0:32:22.800 --> 0:32:26.479
<v Speaker 2>But on the other hand, it's like, you know, there

0:32:26.520 --> 0:32:29.360
<v Speaker 2>are angry people at people are angry at me. Still.

0:32:29.560 --> 0:32:30.960
<v Speaker 1>Yeah, Well, first of a, if you're going to start

0:32:31.000 --> 0:32:32.240
<v Speaker 1>a cult, you're going to have to go back to

0:32:32.240 --> 0:32:34.880
<v Speaker 1>Tasmania to do it, because that's the proper place for that,

0:32:35.000 --> 0:32:39.000
<v Speaker 1>the proper backdrop. But what about the opposite part of that,

0:32:39.160 --> 0:32:42.120
<v Speaker 1>all the love and adulation you got, didn't you notice

0:32:42.160 --> 0:32:44.680
<v Speaker 1>that as well? I totally hear what you're saying, and

0:32:44.720 --> 0:32:48.880
<v Speaker 1>I think people are really hateful and bigoted and everything. Yeah,

0:32:48.920 --> 0:32:52.600
<v Speaker 1>everything we're experiencing in the United States specifically and on

0:32:52.640 --> 0:32:56.040
<v Speaker 1>a global level, but specific to me because that's my experience.

0:32:56.440 --> 0:33:00.560
<v Speaker 1>Our experience is everything feels like a like the overturning

0:33:00.600 --> 0:33:04.440
<v Speaker 1>of Roe v Wades feels like a repercussion of me too,

0:33:04.640 --> 0:33:07.680
<v Speaker 1>and feels like a repercussion of times up, like men

0:33:07.680 --> 0:33:09.400
<v Speaker 1>are like, oh, you think you're gonna tell on us?

0:33:09.440 --> 0:33:13.200
<v Speaker 2>And then no. I think what we're discovering is there's

0:33:13.240 --> 0:33:16.880
<v Speaker 2>a reactivity where culture is saying we would rather not

0:33:16.920 --> 0:33:20.680
<v Speaker 2>feel bad, and we would rather not feel bad about

0:33:21.680 --> 0:33:25.240
<v Speaker 2>this and continue to do this like it's just like, oh,

0:33:25.280 --> 0:33:28.520
<v Speaker 2>we've just discovered they have no shame mm hm. And

0:33:28.560 --> 0:33:30.680
<v Speaker 2>that's you know, that's what you have to do the

0:33:30.720 --> 0:33:33.560
<v Speaker 2>other side of it, you know. I mean, when you've

0:33:34.040 --> 0:33:38.440
<v Speaker 2>got sort of complex trauma going on, hearing positive affectation

0:33:38.560 --> 0:33:43.680
<v Speaker 2>is incredibly difficult. My team drip feeds me praise, you know,

0:33:43.720 --> 0:33:45.960
<v Speaker 2>we've got a nice message from a fan, you know,

0:33:46.000 --> 0:33:47.920
<v Speaker 2>because sometimes I can't take it on and then I

0:33:48.000 --> 0:33:49.960
<v Speaker 2>resent the fan for writing. I'm like, why are you

0:33:50.040 --> 0:33:54.240
<v Speaker 2>talking to me? But over time I've and because the

0:33:54.280 --> 0:33:57.920
<v Speaker 2>heats disappeared a little bit, you know, and I'm left

0:33:57.960 --> 0:34:01.280
<v Speaker 2>with my fans, and I have a really lovely fan base.

0:34:02.120 --> 0:34:06.280
<v Speaker 2>So I'm learning how to exist in that. It's nice,

0:34:06.360 --> 0:34:09.319
<v Speaker 2>you know, and I do like my fans, and that's

0:34:09.360 --> 0:34:12.560
<v Speaker 2>where that's where our work is now. You know, I

0:34:12.680 --> 0:34:14.799
<v Speaker 2>sort of hit that crossroad where it's just like you

0:34:14.880 --> 0:34:21.520
<v Speaker 2>need to have wide public you know, I guess success

0:34:21.719 --> 0:34:25.480
<v Speaker 2>and then you can have a career, Whereas now you

0:34:25.600 --> 0:34:27.239
<v Speaker 2>so that if you can find your audience, you can

0:34:27.280 --> 0:34:30.239
<v Speaker 2>have a career. And so I have an audience and

0:34:30.280 --> 0:34:34.440
<v Speaker 2>that feels really privileged. You know. I feel like younger

0:34:34.880 --> 0:34:39.719
<v Speaker 2>comics are really struggling to find, you know, because industries

0:34:39.760 --> 0:34:43.600
<v Speaker 2>in such flux. The world we know has changed, so

0:34:43.600 --> 0:34:45.759
<v Speaker 2>it's not like we can give actual advice to new

0:34:45.800 --> 0:34:48.480
<v Speaker 2>comics because the landscape is so different in the way

0:34:48.520 --> 0:34:50.880
<v Speaker 2>they're finding their audience is so different. So it just

0:34:50.920 --> 0:34:53.839
<v Speaker 2>feels like a really unstable landscape. But I feel very

0:34:53.920 --> 0:34:56.640
<v Speaker 2>grateful for my fans.

0:34:57.080 --> 0:34:58.080
<v Speaker 3>And you want awards.

0:34:58.080 --> 0:34:59.919
<v Speaker 1>I mean, you want a Peabody Award. You won the Emmy,

0:35:00.080 --> 0:35:03.719
<v Speaker 1>didn't you for your so you must have that must

0:35:03.800 --> 0:35:04.520
<v Speaker 1>have felt good.

0:35:05.440 --> 0:35:07.920
<v Speaker 2>Yeah, I felt frightened for about the Emmy because I

0:35:08.000 --> 0:35:13.600
<v Speaker 2>did beat out Beyonce and speaking of dedicated fan bases,

0:35:14.920 --> 0:35:20.080
<v Speaker 2>so my first first words were sorry. But that's probably

0:35:20.120 --> 0:35:24.080
<v Speaker 2>the Australian part of me. It was so big for me.

0:35:25.640 --> 0:35:28.000
<v Speaker 2>What other people understood it to be and what I

0:35:28.120 --> 0:35:30.239
<v Speaker 2>understood it to be has taken a long time to

0:35:30.280 --> 0:35:32.439
<v Speaker 2>sort of synthesize. But I feel like I'm there now.

0:35:32.520 --> 0:35:36.440
<v Speaker 2>But it's it's over, is there?

0:35:36.640 --> 0:35:40.000
<v Speaker 1>Is that one of the reasons what what you're describing

0:35:40.160 --> 0:35:43.279
<v Speaker 1>why you didn't want to film this standup special in

0:35:43.320 --> 0:35:44.919
<v Speaker 1>a more in the traditional way.

0:35:46.440 --> 0:35:48.680
<v Speaker 2>Well, when I mean, as soon as I started doing

0:35:48.719 --> 0:35:50.600
<v Speaker 2>that tool Wolf, it was clear I was in a

0:35:50.640 --> 0:35:55.040
<v Speaker 2>bad way, Like I was in a very bad mental

0:35:55.080 --> 0:35:58.839
<v Speaker 2>health situation. And you know, you could just see other

0:35:58.880 --> 0:36:01.720
<v Speaker 2>people who you know, in the middle of a working

0:36:01.800 --> 0:36:04.320
<v Speaker 2>phase and under stress and not in good mental health,

0:36:04.360 --> 0:36:07.800
<v Speaker 2>they say and do things that are very destructive, not necessary,

0:36:07.840 --> 0:36:10.879
<v Speaker 2>and and I'm like, you know, because you can't when

0:36:10.880 --> 0:36:13.720
<v Speaker 2>you're you know, sitting on an anxiety that a tour

0:36:13.880 --> 0:36:17.879
<v Speaker 2>means you can't tamp that down. You du like, right,

0:36:17.920 --> 0:36:20.879
<v Speaker 2>I'm on tour now, I'm constantly traveling, I'm putting out work,

0:36:20.880 --> 0:36:24.120
<v Speaker 2>I'm self promoting, I'm in the public eye. You don't

0:36:24.160 --> 0:36:26.600
<v Speaker 2>get to tamp that down. So if you're starting up here,

0:36:26.640 --> 0:36:28.520
<v Speaker 2>I'm like, this is a dangerous space to be. And

0:36:28.840 --> 0:36:31.960
<v Speaker 2>in a volatile time, you know, like it's things were

0:36:31.960 --> 0:36:36.279
<v Speaker 2>really heating up, particularly for my people, because you know,

0:36:36.320 --> 0:36:39.239
<v Speaker 2>that was the time when you know, the scapegoating of

0:36:40.080 --> 0:36:43.600
<v Speaker 2>trans and queer people really you know, started to drop.

0:36:44.160 --> 0:36:47.279
<v Speaker 2>And you know, because people forget because the Internet makes

0:36:47.320 --> 0:36:49.359
<v Speaker 2>it feel like we have a voice, but we don't

0:36:49.400 --> 0:36:52.600
<v Speaker 2>actually have protections. But the voice bit upset people. So

0:36:52.680 --> 0:36:55.120
<v Speaker 2>we became the scapegoat, so you know it's fear. I

0:36:55.160 --> 0:36:59.359
<v Speaker 2>was afraid, and also you know it's a physiological thing

0:36:59.400 --> 0:37:03.560
<v Speaker 2>for me. I don't like change, and tour is nothing

0:37:03.600 --> 0:37:07.880
<v Speaker 2>but change. So I understood that, and I'm like, I

0:37:07.920 --> 0:37:10.759
<v Speaker 2>don't want because I do overthink it a bit because

0:37:10.800 --> 0:37:12.560
<v Speaker 2>of the nature of the natte. I understand that my

0:37:12.680 --> 0:37:17.640
<v Speaker 2>fan base hang on to my work because, like I said,

0:37:17.640 --> 0:37:20.920
<v Speaker 2>I've trauma bonded, like it means stuff to people that

0:37:21.200 --> 0:37:23.440
<v Speaker 2>it's that has nothing to do with me, But I

0:37:23.480 --> 0:37:26.520
<v Speaker 2>am the figurehead of that, and I take that really seriously,

0:37:26.680 --> 0:37:31.080
<v Speaker 2>like I don't want to abuse that, you know, because

0:37:31.320 --> 0:37:33.480
<v Speaker 2>you know when I did Nanetta, it was like I

0:37:33.480 --> 0:37:35.759
<v Speaker 2>didn't I didn't give a trigger warning, you know, like

0:37:35.800 --> 0:37:38.919
<v Speaker 2>it was a the angry as people of course were

0:37:38.960 --> 0:37:44.640
<v Speaker 2>men and particularly male comedians, and then it filters down

0:37:44.680 --> 0:37:49.120
<v Speaker 2>from there. But there was also I knew that risk

0:37:49.320 --> 0:37:52.120
<v Speaker 2>and I was happy to take that. But the other risk,

0:37:52.200 --> 0:37:54.400
<v Speaker 2>which was always an unknown for me, is like it's

0:37:54.719 --> 0:37:58.280
<v Speaker 2>people have experienced similar trauma. This could either be cathartic

0:37:58.360 --> 0:38:00.439
<v Speaker 2>or really damaging. Like I took a little of care

0:38:00.640 --> 0:38:03.280
<v Speaker 2>in the show writing a show that it was something

0:38:03.400 --> 0:38:05.480
<v Speaker 2>that could hold as a piece of work, like I

0:38:05.640 --> 0:38:09.319
<v Speaker 2>wasn't you know, this wasn't you know me sort of

0:38:09.360 --> 0:38:11.759
<v Speaker 2>trauma bombing, like I'd work this out, like I thought

0:38:11.760 --> 0:38:15.120
<v Speaker 2>about this, this was you know, you know, I channeled

0:38:15.200 --> 0:38:18.960
<v Speaker 2>a funneled a rage instead of just sprayed a rage.

0:38:19.320 --> 0:38:21.359
<v Speaker 1>Yes, well said, that's exactly right.

0:38:21.760 --> 0:38:24.400
<v Speaker 2>But having said that, it's like all my decisions, I'm like,

0:38:24.480 --> 0:38:28.480
<v Speaker 2>I feel a duty of care to that audience not

0:38:28.640 --> 0:38:31.680
<v Speaker 2>to muck about, and I was up here with this anxiety,

0:38:31.760 --> 0:38:34.800
<v Speaker 2>so and you know, I look back on this decision,

0:38:34.840 --> 0:38:38.440
<v Speaker 2>I'm going, that's a decision only an anxious mind would make.

0:38:38.520 --> 0:38:41.160
<v Speaker 2>But I really and I think it worked out in

0:38:41.200 --> 0:38:45.200
<v Speaker 2>a way. I'm just like, how did I channel this

0:38:45.800 --> 0:38:51.439
<v Speaker 2>instability and direct that to Netflix in my career because

0:38:51.520 --> 0:38:55.279
<v Speaker 2>it's a victimless crime, you know, like if I make

0:38:55.400 --> 0:38:59.120
<v Speaker 2>these odd decisions, and like, you know everyone and this stage,

0:38:59.160 --> 0:39:02.960
<v Speaker 2>Netflix was like everything's funny, and so I ran in

0:39:03.000 --> 0:39:06.880
<v Speaker 2>an experiment like are you funny? Though? Like can you

0:39:07.000 --> 0:39:10.239
<v Speaker 2>be the joke? And I think I've told too many

0:39:10.520 --> 0:39:14.600
<v Speaker 2>hostile jokes about Netflix to really truly be welcome on

0:39:14.680 --> 0:39:17.840
<v Speaker 2>the platform. But it's a two way street, Like I

0:39:18.120 --> 0:39:24.000
<v Speaker 2>don't Netflix fucking sucks, like they made transphobia profitable and

0:39:24.080 --> 0:39:28.720
<v Speaker 2>they formed very deliberately a feeding frenzy on a tiny,

0:39:28.800 --> 0:39:33.520
<v Speaker 2>tiny minority, and we have no recourse, you know. And

0:39:33.560 --> 0:39:35.160
<v Speaker 2>I remember at this party that we went to in

0:39:35.239 --> 0:39:37.960
<v Speaker 2>Netflix and this you know, Ted stood up once everyone

0:39:38.000 --> 0:39:40.840
<v Speaker 2>worked out where to look, and he's like, we have

0:39:41.000 --> 0:39:46.279
<v Speaker 2>made the world less to busif because we've opened up

0:39:46.320 --> 0:39:49.960
<v Speaker 2>free speech. You know, I mean, speech just needs to

0:39:49.960 --> 0:39:53.879
<v Speaker 2>be free because it's important and it's powerful and it

0:39:54.040 --> 0:39:59.120
<v Speaker 2>can you know, make people feel things, and you know,

0:39:59.239 --> 0:40:02.040
<v Speaker 2>when you're adjuit people, then you can maneuver for people.

0:40:02.320 --> 0:40:07.120
<v Speaker 2>You know, it's flooding the zone. And they paid no care,

0:40:07.800 --> 0:40:11.920
<v Speaker 2>absolutely no care. And because I am that person, you know,

0:40:11.960 --> 0:40:14.400
<v Speaker 2>whenever it's like if you can't say you know, the

0:40:15.719 --> 0:40:18.160
<v Speaker 2>you know, the transphobic debate within comedy, I was the

0:40:18.160 --> 0:40:21.760
<v Speaker 2>figurehead and they pulled me into that, you know, Ted

0:40:22.000 --> 0:40:25.080
<v Speaker 2>put me up as that, like we have Dave Chappelle

0:40:25.160 --> 0:40:27.520
<v Speaker 2>and we have Hannah Gatsby, but I don't get paid

0:40:27.719 --> 0:40:32.240
<v Speaker 2>nearly enough for that, right, you know, like I don't

0:40:32.280 --> 0:40:35.879
<v Speaker 2>have those protections. I don't, you know, like and it

0:40:35.920 --> 0:40:39.080
<v Speaker 2>was just a very vile time. So I channeled that

0:40:39.480 --> 0:40:41.759
<v Speaker 2>and I only went to the Netflix as a joke thing,

0:40:41.840 --> 0:40:45.760
<v Speaker 2>so that you know, I used it as they paid

0:40:45.760 --> 0:40:50.640
<v Speaker 2>for my airline tickets and my top surgery and I

0:40:50.680 --> 0:40:53.719
<v Speaker 2>haven't spoken about my top surgery publicly, but it's just like,

0:40:53.960 --> 0:40:56.120
<v Speaker 2>you know what, that's a good use of their money.

0:40:57.360 --> 0:41:00.000
<v Speaker 2>And it just, you know, it feels so hostile because

0:41:00.120 --> 0:41:03.000
<v Speaker 2>for a lot of those guys, it's just sport. They're

0:41:03.040 --> 0:41:05.560
<v Speaker 2>just like what can I say? Who can I upset?

0:41:05.760 --> 0:41:09.200
<v Speaker 2>How close to the edge can I skate? I'm like,

0:41:09.280 --> 0:41:12.000
<v Speaker 2>good on you, But there are people who are trying

0:41:12.000 --> 0:41:16.560
<v Speaker 2>to live there and are actually you know, we're losing

0:41:16.600 --> 0:41:22.480
<v Speaker 2>our rights, you know, and it's people hostile and I

0:41:22.520 --> 0:41:25.759
<v Speaker 2>think Netflix was really cavalier with that. And it's not

0:41:25.920 --> 0:41:28.839
<v Speaker 2>like I expect anything to change. People hate us now.

0:41:28.920 --> 0:41:31.800
<v Speaker 2>It's been established, like people are sick of us talking,

0:41:32.080 --> 0:41:36.560
<v Speaker 2>and the tide is too angry and activated about you know,

0:41:36.800 --> 0:41:41.480
<v Speaker 2>everything else. There's no point trying to change that now,

0:41:41.920 --> 0:41:45.680
<v Speaker 2>Like it's too big and too angry, and we are

0:41:45.760 --> 0:41:49.080
<v Speaker 2>a scapegoat and people are distressed, and it's a moment

0:41:49.160 --> 0:41:53.920
<v Speaker 2>in history where people like you know, people are scared

0:41:53.920 --> 0:41:58.400
<v Speaker 2>of losing equality of life that they currently exist in

0:41:58.520 --> 0:42:01.520
<v Speaker 2>and that's across the whole spectrum, from billionaires to people

0:42:01.520 --> 0:42:05.279
<v Speaker 2>living in abject poverty. But it's not the responsibility of

0:42:05.360 --> 0:42:09.200
<v Speaker 2>people who are on the struggle bus to sort of

0:42:09.480 --> 0:42:13.000
<v Speaker 2>rain in their terror. It's the people who have genuine

0:42:13.440 --> 0:42:17.160
<v Speaker 2>privilege that have a responsibility and they're not taking it.

0:42:18.520 --> 0:42:21.560
<v Speaker 1>So did you decide not to go back to Netflix

0:42:21.600 --> 0:42:21.799
<v Speaker 1>for this?

0:42:22.080 --> 0:42:25.239
<v Speaker 2>Is that? It was that A, I don't think we're speaking. Oh,

0:42:25.280 --> 0:42:27.320
<v Speaker 2>I think I don't think I'm on the radar anymore.

0:42:27.360 --> 0:42:30.560
<v Speaker 1>Well, it's like, I mean, so you're on the radar

0:42:30.680 --> 0:42:32.520
<v Speaker 1>for sure because you were at the party.

0:42:33.080 --> 0:42:34.719
<v Speaker 2>I mean no, I don't think I'm on Like, I'm

0:42:34.760 --> 0:42:36.520
<v Speaker 2>sure I'm on the radiar, but I'm not like I

0:42:36.520 --> 0:42:37.400
<v Speaker 2>don't think did.

0:42:37.239 --> 0:42:38.600
<v Speaker 1>You go to them and try to sell them the

0:42:38.719 --> 0:42:39.800
<v Speaker 1>special they're special?

0:42:40.400 --> 0:42:42.560
<v Speaker 2>No, that's what this point the point of it was

0:42:42.719 --> 0:42:45.799
<v Speaker 2>like it's like I deliberately made something they because they

0:42:45.800 --> 0:42:47.879
<v Speaker 2>had the first ride of refusal, and so I made

0:42:47.880 --> 0:42:51.759
<v Speaker 2>something they Yeah, it doesn't exist. It's just an animation

0:42:51.960 --> 0:42:55.160
<v Speaker 2>and an audio only and I knew, like I wasn't

0:42:55.160 --> 0:42:57.279
<v Speaker 2>like I'm going to stick it to them, Like I

0:42:57.320 --> 0:42:59.400
<v Speaker 2>know it's a losing battle. But when you're like I

0:42:59.440 --> 0:43:02.560
<v Speaker 2>was in dist so I thought, this is these are

0:43:02.640 --> 0:43:05.320
<v Speaker 2>victimist crimes, Like it doesn't matter. I can't do anything

0:43:05.320 --> 0:43:08.080
<v Speaker 2>to Netflix, They're too big, it's over, it's done whatever.

0:43:08.760 --> 0:43:13.000
<v Speaker 2>But a little fight felt good in that sort of distress.

0:43:13.080 --> 0:43:16.560
<v Speaker 1>I was feeling, Yeah, you must feel a big I mean,

0:43:17.400 --> 0:43:19.879
<v Speaker 1>the way you're talking about it makes me really kind

0:43:19.920 --> 0:43:25.000
<v Speaker 1>of understand, have a better understanding of the responsibility that

0:43:25.040 --> 0:43:28.520
<v Speaker 1>you must feel and or the own and the onus

0:43:28.560 --> 0:43:31.719
<v Speaker 1>that you must feel for like being a figurehead and

0:43:32.320 --> 0:43:36.000
<v Speaker 1>what that means to people, because I hear what you're saying,

0:43:36.239 --> 0:43:41.279
<v Speaker 1>and yeah, it's pretty it's pretty hard to watch men

0:43:41.360 --> 0:43:47.759
<v Speaker 1>get away with such bad comedy and picking on the

0:43:47.800 --> 0:43:51.760
<v Speaker 1>people that need the like need the allies the most,

0:43:51.920 --> 0:43:54.120
<v Speaker 1>like picking on that. It's like, if you're such a

0:43:54.120 --> 0:43:57.400
<v Speaker 1>good comedian, why aren't you going over there and thinking

0:43:57.400 --> 0:44:00.800
<v Speaker 1>of something more clever and picking on the higher levels

0:44:00.800 --> 0:44:04.920
<v Speaker 1>of like fruit that are that are so easy to grab.

0:44:04.800 --> 0:44:07.160
<v Speaker 2>Well, it doesn't do good for your career. Like that's

0:44:07.160 --> 0:44:09.600
<v Speaker 2>what I did. I went for the high fruit, and

0:44:10.000 --> 0:44:18.640
<v Speaker 2>you know they don't love it. You know, it's it's

0:44:18.640 --> 0:44:22.400
<v Speaker 2>a complex time to be alive. Though this isn't personal

0:44:22.640 --> 0:44:25.799
<v Speaker 2>it's everybody is distressed.

0:44:26.440 --> 0:44:28.520
<v Speaker 3>Yeah, how do you handle your stress?

0:44:28.600 --> 0:44:29.799
<v Speaker 1>Now? What do you do?

0:44:30.440 --> 0:44:35.319
<v Speaker 2>I've clocked off. I don't listen to the news. I

0:44:35.400 --> 0:44:39.080
<v Speaker 2>don't I'm not on social media. I am early onset quaint.

0:44:39.960 --> 0:44:41.919
<v Speaker 2>I'm going on a cruise, but I don't think that'll

0:44:41.960 --> 0:44:42.520
<v Speaker 2>help me connect.

0:44:42.640 --> 0:44:44.680
<v Speaker 1>Now that cruise is going to set you back.

0:44:45.280 --> 0:44:48.640
<v Speaker 2>I think I'm running experiment of like, what is it

0:44:48.760 --> 0:44:53.880
<v Speaker 2>like to be a human not involved in social media?

0:44:54.520 --> 0:44:57.200
<v Speaker 1>I'm sure it's fruitful. It's much more fruitful than.

0:44:57.160 --> 0:45:00.560
<v Speaker 2>Being Yeah, but it's also interesting because you I'm losing

0:45:00.719 --> 0:45:04.880
<v Speaker 2>you're losing touch. So as a comedian, it's like, you know,

0:45:04.920 --> 0:45:06.760
<v Speaker 2>what do you talk about? Then? How do you connect

0:45:06.760 --> 0:45:11.680
<v Speaker 2>to people? But it is very calm. I highly recommend it.

0:45:12.040 --> 0:45:13.640
<v Speaker 1>How long have you been off social media?

0:45:14.200 --> 0:45:14.399
<v Speaker 3>Yeah?

0:45:14.400 --> 0:45:16.040
<v Speaker 2>About four years? Four or five years?

0:45:16.200 --> 0:45:17.160
<v Speaker 1>Wow.

0:45:17.880 --> 0:45:19.480
<v Speaker 2>Yeah, it's too dangerous for me.

0:45:19.800 --> 0:45:21.480
<v Speaker 1>Yeah, I know, I hear you. I hear you. I

0:45:21.480 --> 0:45:24.160
<v Speaker 1>think it's probably dangerous for most people. But people are

0:45:24.440 --> 0:45:25.800
<v Speaker 1>so addicted that they can't.

0:45:25.880 --> 0:45:29.719
<v Speaker 2>It's really this is you know, I'm not an economist,

0:45:29.760 --> 0:45:34.319
<v Speaker 2>and I don't understand you know, broad economic principles, but

0:45:35.560 --> 0:45:39.640
<v Speaker 2>it's a logical extension of capitalism. You know, it's like

0:45:40.440 --> 0:45:43.400
<v Speaker 2>making money now is culture. So you know, for a

0:45:43.440 --> 0:45:47.480
<v Speaker 2>long time it's culture happened elsewhere, but now making money

0:45:47.560 --> 0:45:50.960
<v Speaker 2>is our culture. It's not cultural capital, it's just capital capital.

0:45:51.719 --> 0:45:56.640
<v Speaker 2>And that's what social media is. It's you know, turning

0:45:56.719 --> 0:46:00.319
<v Speaker 2>art into data points. And now everyone's trying to create

0:46:00.400 --> 0:46:03.120
<v Speaker 2>all the time, all the time. If you don't say something,

0:46:03.160 --> 0:46:05.239
<v Speaker 2>you don't exist. If you don't put yourself on the screen,

0:46:05.480 --> 0:46:08.480
<v Speaker 2>don't exist. And you know, people are talking about it

0:46:08.520 --> 0:46:14.200
<v Speaker 2>over here, and then it's constantly moving and I I,

0:46:14.239 --> 0:46:18.200
<v Speaker 2>as an organism, cannot cope, you know. But I grew

0:46:18.280 --> 0:46:22.440
<v Speaker 2>up in such isolation. And I see people my age

0:46:22.640 --> 0:46:26.240
<v Speaker 2>losing their minds because they're on social media too much.

0:46:26.760 --> 0:46:28.120
<v Speaker 2>They melted.

0:46:28.840 --> 0:46:31.160
<v Speaker 1>My sisters and I were on a girl's weekend. We

0:46:31.200 --> 0:46:35.760
<v Speaker 1>went to Sedona, Arizona, and my sister Simone was saying,

0:46:36.800 --> 0:46:39.960
<v Speaker 1>we were talking about the state of affairs in our country,

0:46:40.560 --> 0:46:43.600
<v Speaker 1>and she was like, we have no culture left. America

0:46:43.680 --> 0:46:46.280
<v Speaker 1>has no culture, and that's the capital.

0:46:46.560 --> 0:46:46.920
<v Speaker 2>Yeah.

0:46:47.200 --> 0:46:51.080
<v Speaker 1>Yeah, And it's like the price you pay for capitalism,

0:46:51.120 --> 0:46:54.279
<v Speaker 1>which sounds in theory like a great idea, but put

0:46:54.320 --> 0:46:57.839
<v Speaker 1>to practice, ends up being something completely opposite. Of what

0:46:57.880 --> 0:47:01.000
<v Speaker 1>the intention is and then the average that comes with

0:47:01.200 --> 0:47:06.560
<v Speaker 1>the capitalism, and then this whole experience with technology and

0:47:06.600 --> 0:47:09.680
<v Speaker 1>what's happened. It's like there's no soul, Like the soul

0:47:09.719 --> 0:47:12.960
<v Speaker 1>of our country is gone and has diminished so greatly

0:47:13.120 --> 0:47:16.319
<v Speaker 1>that I don't know, like I do you feel like

0:47:16.400 --> 0:47:18.200
<v Speaker 1>the soul is gone in Australia?

0:47:18.440 --> 0:47:20.040
<v Speaker 3>Do you feel the same way.

0:47:20.840 --> 0:47:25.160
<v Speaker 2>It's gonna happen? You know, there's a slide beginning, but

0:47:25.200 --> 0:47:28.239
<v Speaker 2>we're a bit delayed. It's not as bad here, but

0:47:28.320 --> 0:47:30.920
<v Speaker 2>it's just there's no escaping it. I don't think, you know,

0:47:30.960 --> 0:47:35.640
<v Speaker 2>because the we're going to continue having more and more

0:47:36.320 --> 0:47:41.120
<v Speaker 2>natural disasters and no infrastructure to help people, you know,

0:47:41.239 --> 0:47:44.600
<v Speaker 2>recover from these things. You know, natural to the existence

0:47:44.640 --> 0:47:47.759
<v Speaker 2>of being human is ebb and flow. And the way

0:47:47.760 --> 0:47:50.720
<v Speaker 2>we've built things is like we always strive and building, building,

0:47:50.719 --> 0:47:53.840
<v Speaker 2>and we've just created a pile of fucking jenger and

0:47:54.800 --> 0:47:57.759
<v Speaker 2>we just got to watch it. You know, were you?

0:47:57.960 --> 0:47:58.160
<v Speaker 2>But you?

0:47:58.320 --> 0:48:01.160
<v Speaker 1>I mean, at least your country was smart enough to

0:48:02.040 --> 0:48:04.960
<v Speaker 1>prohibit social media for sixteen year olds and.

0:48:05.080 --> 0:48:07.840
<v Speaker 2>Under all, Australian kids are going to reach eighteen like

0:48:07.880 --> 0:48:12.960
<v Speaker 2>their homeschooled you know, it's going to have these like

0:48:13.840 --> 0:48:16.439
<v Speaker 2>you know, like what does that mean for and they're

0:48:16.480 --> 0:48:21.480
<v Speaker 2>on social media? Well, no, it's not like it's been successful.

0:48:21.680 --> 0:48:22.560
<v Speaker 1>It hasn't.

0:48:23.440 --> 0:48:25.120
<v Speaker 2>No, their kids know how to get around it.

0:48:25.560 --> 0:48:28.279
<v Speaker 1>Yeah, but parents aren't parents held responsible if their kids

0:48:28.280 --> 0:48:30.480
<v Speaker 1>are on social media. There, I know they did that.

0:48:30.560 --> 0:48:31.239
<v Speaker 1>There they didn't do.

0:48:31.760 --> 0:48:32.239
<v Speaker 2>I don't know.

0:48:32.520 --> 0:48:36.279
<v Speaker 1>I mean, that's one step. That's a major step that

0:48:36.440 --> 0:48:37.400
<v Speaker 1>needed to be taken.

0:48:37.800 --> 0:48:40.920
<v Speaker 2>It is. Yeah, I mean, I think the regulation of

0:48:42.080 --> 0:48:45.840
<v Speaker 2>social media and Silicon Valley, like, I mean, I started

0:48:45.920 --> 0:48:48.279
<v Speaker 2>to think, what's going to happen once the circle jerk

0:48:48.320 --> 0:48:52.239
<v Speaker 2>that is Silicon Valley collapses? You know, like it's going

0:48:52.320 --> 0:48:56.680
<v Speaker 2>to imploded. It's something, you know, it's just a it's wild.

0:48:56.800 --> 0:48:59.319
<v Speaker 2>It's a wild time to be alive. It is so

0:48:59.480 --> 0:49:04.719
<v Speaker 2>many unstable men with huge swarts of power, and it's

0:49:04.800 --> 0:49:08.040
<v Speaker 2>just like that's we know this doesn't work.

0:49:12.800 --> 0:49:15.600
<v Speaker 1>Okay, let me ask you a question. If it's in

0:49:15.719 --> 0:49:20.480
<v Speaker 1>order to avoid this cruise that you're performing on, you

0:49:20.560 --> 0:49:23.040
<v Speaker 1>had to go on a boat with Jeff Bezos and

0:49:23.160 --> 0:49:27.680
<v Speaker 1>Lauren Sanchez, that's option one. I'm gonna give you a selection. Okay.

0:49:27.760 --> 0:49:31.080
<v Speaker 1>One option is Jeff Bezos and Lauren Sanchez. You have

0:49:31.120 --> 0:49:32.960
<v Speaker 1>to go away with just the two of them on

0:49:33.080 --> 0:49:36.320
<v Speaker 1>the boat and have every meal with them for a week,

0:49:36.560 --> 0:49:38.359
<v Speaker 1>for a week, for the nine days. Sorry, you're going

0:49:38.360 --> 0:49:40.480
<v Speaker 1>for nine days, So nine days you can either go

0:49:40.520 --> 0:49:43.320
<v Speaker 1>with them. You can go with Elon Musk and whoever

0:49:43.360 --> 0:49:46.640
<v Speaker 1>he's dating, or you can go with Mark Zuckerberg and

0:49:46.680 --> 0:49:48.080
<v Speaker 1>his wife for the nine days.

0:49:48.080 --> 0:49:49.960
<v Speaker 3>You have to choose one of those couples.

0:49:50.239 --> 0:49:52.640
<v Speaker 2>Okay, well not Elon Musk.

0:49:55.719 --> 0:50:01.239
<v Speaker 1>Sorry I threw that one. I'm sure they are the

0:50:01.280 --> 0:50:03.600
<v Speaker 1>same way about the same thing, so.

0:50:03.400 --> 0:50:08.120
<v Speaker 2>They're a trifecta. I think I could cope with all

0:50:08.160 --> 0:50:14.360
<v Speaker 2>of them because I would make them jump overboard. I could,

0:50:14.719 --> 0:50:18.200
<v Speaker 2>you know, if it's just them, I could work them.

0:50:18.600 --> 0:50:20.920
<v Speaker 2>I would win on one on one with any of

0:50:20.960 --> 0:50:27.440
<v Speaker 2>those guys like I can't. I will outrage. I know

0:50:27.600 --> 0:50:29.840
<v Speaker 2>how to annoy people like that. I've met Jeff. I

0:50:29.880 --> 0:50:30.600
<v Speaker 2>annoyed him.

0:50:31.120 --> 0:50:33.040
<v Speaker 1>Did you When did you meet him?

0:50:33.640 --> 0:50:38.600
<v Speaker 2>I went to his silly little camp, oh Amazon for Amazon? Yeah? Yeah,

0:50:38.680 --> 0:50:41.480
<v Speaker 2>how was that? It was weird? It was a cult.

0:50:41.520 --> 0:50:44.520
<v Speaker 2>And I told him, why don't they stop trying to

0:50:44.840 --> 0:50:47.959
<v Speaker 2>start a cult? You're not charming enough.

0:50:48.160 --> 0:50:53.279
<v Speaker 1>Ah, I know he really isn't he did?

0:50:53.320 --> 0:50:56.279
<v Speaker 2>He did all the things. They invite people, but they

0:50:56.280 --> 0:50:58.480
<v Speaker 2>don't tell them why, and sometimes they invite you back,

0:50:58.480 --> 0:51:03.120
<v Speaker 2>and sometimes they don't. It's what I want. And he

0:51:03.239 --> 0:51:05.640
<v Speaker 2>was trying, you know, He's like, oh, let's get all

0:51:05.640 --> 0:51:08.080
<v Speaker 2>this culture here. I'm like, what the culture you're actively

0:51:08.080 --> 0:51:10.040
<v Speaker 2>trying to destroy? Cool story, buddy.

0:51:10.680 --> 0:51:13.080
<v Speaker 1>Yeah. I once went to one of those think tanks

0:51:13.200 --> 0:51:17.040
<v Speaker 1>weekends for Google years ago, and I just remember I

0:51:17.120 --> 0:51:19.319
<v Speaker 1>met some interesting people that I'm still in touch with,

0:51:19.880 --> 0:51:24.879
<v Speaker 1>but overall it felt like you were, yeah, a part

0:51:24.920 --> 0:51:27.160
<v Speaker 1>of a group that wasn't going to age. Well.

0:51:31.320 --> 0:51:33.520
<v Speaker 2>Yeah, think tank's are funny concept.

0:51:33.920 --> 0:51:36.879
<v Speaker 1>It is a funny concept. As soon as if once

0:51:36.880 --> 0:51:38.480
<v Speaker 1>you all get together, you're going to come up with

0:51:38.520 --> 0:51:40.960
<v Speaker 1>all these great ideas and solutions.

0:51:40.840 --> 0:51:46.680
<v Speaker 2>Because we know committees work will Yeah, aren't you happy

0:51:46.719 --> 0:51:55.000
<v Speaker 2>you don't have a child? You know, Klinder, But who's

0:51:55.000 --> 0:51:57.040
<v Speaker 2>going to look after me when I'm old? You know?

0:51:57.080 --> 0:51:59.440
<v Speaker 2>The genis why you have children? No, that is not

0:51:59.480 --> 0:52:04.680
<v Speaker 2>why you have children. Look part of me, Yes, absolutely,

0:52:04.760 --> 0:52:09.680
<v Speaker 2>because it's just so much to think about. And then

0:52:09.760 --> 0:52:11.120
<v Speaker 2>as like, as soon as you have a child, you've

0:52:11.160 --> 0:52:13.439
<v Speaker 2>got to start booking them in for their education. It's

0:52:13.480 --> 0:52:18.320
<v Speaker 2>so much, you know, so much decision making. And then

0:52:18.680 --> 0:52:23.240
<v Speaker 2>but I think, you know, the idea of children remained

0:52:23.280 --> 0:52:28.560
<v Speaker 2>sensible because it's like it keeps you connected. I think

0:52:28.600 --> 0:52:33.799
<v Speaker 2>I'm going to recede. I'm I'm just full witch. I'm

0:52:33.840 --> 0:52:35.560
<v Speaker 2>great guarding Greg grey Garden.

0:52:35.600 --> 0:52:37.920
<v Speaker 1>Why don't you go out and about at all? I mean,

0:52:38.040 --> 0:52:40.200
<v Speaker 1>you're not going to receive by just because you're off

0:52:40.239 --> 0:52:41.560
<v Speaker 1>of social media. I don't buy that.

0:52:42.520 --> 0:52:45.359
<v Speaker 2>No, I'm actively trying to go out and about. I

0:52:45.400 --> 0:52:48.439
<v Speaker 2>really became a lock in. I got the anxiety was bad,

0:52:48.480 --> 0:52:50.799
<v Speaker 2>and then I became a habit. I didn't recover from

0:52:50.840 --> 0:52:54.439
<v Speaker 2>the pandemic. I just wasn't leaving the house. So I've

0:52:54.480 --> 0:52:58.400
<v Speaker 2>started taking myself on little jaunts and just rebuilding my

0:52:58.480 --> 0:53:01.440
<v Speaker 2>confidence because you know, when the net happened, like I

0:53:01.440 --> 0:53:04.560
<v Speaker 2>couldn't go out. It was really a lot, you know,

0:53:04.600 --> 0:53:07.520
<v Speaker 2>and I wasn't used to being perceived. You know. I

0:53:07.640 --> 0:53:09.880
<v Speaker 2>was someone who could go out and observe and that's

0:53:10.160 --> 0:53:14.279
<v Speaker 2>how I lived, you know, skulking. So it sort of

0:53:14.320 --> 0:53:16.120
<v Speaker 2>like took me a long time. Now. I took myself

0:53:16.120 --> 0:53:19.520
<v Speaker 2>to the football as I went to a major sporting

0:53:19.560 --> 0:53:22.879
<v Speaker 2>event the other day, being in a crowd was kind

0:53:22.880 --> 0:53:25.720
<v Speaker 2>of exciting a lot of men. I think it's important

0:53:25.719 --> 0:53:28.120
<v Speaker 2>to keep an eye on the patriarchy. So I'm following

0:53:28.200 --> 0:53:30.360
<v Speaker 2>Australian rules football and Formula one.

0:53:30.680 --> 0:53:32.799
<v Speaker 1>I saw that you were into Formula one and I

0:53:32.880 --> 0:53:35.080
<v Speaker 1>was wondering what that was about. I've been to a

0:53:35.080 --> 0:53:37.600
<v Speaker 1>Formula one race. I went last summer in.

0:53:38.160 --> 0:53:40.680
<v Speaker 2>Nahtich One, Miami, or I was in Europe.

0:53:40.760 --> 0:53:43.600
<v Speaker 1>I was in Europe. Oh, I must have been in Barcelona.

0:53:43.640 --> 0:53:48.160
<v Speaker 1>Outside of Barcelona. Yeh yes, yes, yeah classic.

0:53:48.920 --> 0:53:51.240
<v Speaker 2>How did you go? Too noisy? Right? Too much?

0:53:51.280 --> 0:53:53.680
<v Speaker 3>I loved it. The catering was incredible.

0:53:54.000 --> 0:53:56.120
<v Speaker 2>I mean, what did you have? What's now everything?

0:53:56.200 --> 0:54:01.080
<v Speaker 1>They had beautiful catering stations upstairs in that VIP section

0:54:01.480 --> 0:54:03.160
<v Speaker 1>and you could get a steak, and then you could

0:54:03.160 --> 0:54:05.120
<v Speaker 1>get pasta and then you could get I mean they

0:54:05.160 --> 0:54:07.920
<v Speaker 1>had everything you could imagine. And it wasn't like just

0:54:08.080 --> 0:54:10.840
<v Speaker 1>nice food at a VIP event. It was next level,

0:54:11.000 --> 0:54:14.400
<v Speaker 1>like it was beautiful food, beautiful drinks. I mean I

0:54:14.440 --> 0:54:16.879
<v Speaker 1>barely watched the racing, you know, I wasn't really there

0:54:16.920 --> 0:54:17.120
<v Speaker 1>for that.

0:54:17.320 --> 0:54:18.440
<v Speaker 2>Did you do the grid walk?

0:54:18.880 --> 0:54:20.399
<v Speaker 1>I did? I did do the grid walk?

0:54:20.560 --> 0:54:24.680
<v Speaker 2>Did you get that really insanely awkward interview was his name?

0:54:25.320 --> 0:54:26.280
<v Speaker 1>Yes, I did.

0:54:28.320 --> 0:54:31.240
<v Speaker 2>Obsessed with him. He have you ever watched that happen

0:54:31.480 --> 0:54:33.920
<v Speaker 2>outside of the one you participated in?

0:54:34.920 --> 0:54:36.839
<v Speaker 1>I have watched it. I don't know that I saw

0:54:36.920 --> 0:54:40.080
<v Speaker 1>that interview. I've seen one, but not that interview.

0:54:40.160 --> 0:54:42.839
<v Speaker 2>He's just walking through. Nobody wants to talk to him,

0:54:43.320 --> 0:54:45.319
<v Speaker 2>and he's just him and the cameraman and they don't

0:54:45.320 --> 0:54:47.400
<v Speaker 2>know how to follow each other, and he has the

0:54:47.400 --> 0:54:50.520
<v Speaker 2>most awkward conversation. I live for it.

0:54:50.640 --> 0:54:53.480
<v Speaker 1>The whole thing was quite awkward actually, because, yeah, they

0:54:53.560 --> 0:54:55.920
<v Speaker 1>put you down with all the other like VIPs or

0:54:55.960 --> 0:54:58.359
<v Speaker 1>celebrities that are there, and I'm not in a Formula one,

0:54:58.360 --> 0:55:00.279
<v Speaker 1>so I don't even want to be like, I don't

0:55:00.280 --> 0:55:02.080
<v Speaker 1>even want to be seen there because I don't want

0:55:02.120 --> 0:55:04.160
<v Speaker 1>to have to answer questions about Formula one? Do you

0:55:04.200 --> 0:55:06.480
<v Speaker 1>know what I mean? I'm just gonna sound like a

0:55:06.520 --> 0:55:08.839
<v Speaker 1>fucking asshole. So I was like, please, I don't want

0:55:08.840 --> 0:55:11.440
<v Speaker 1>to be interviewed. And then they wrangle you and they

0:55:11.480 --> 0:55:13.399
<v Speaker 1>ask you questions and you're just trying to be as

0:55:13.880 --> 0:55:17.920
<v Speaker 1>banal as possible in your answers and responses. But yeah,

0:55:17.960 --> 0:55:20.680
<v Speaker 1>it was quite a It was an interesting watching those

0:55:20.680 --> 0:55:24.360
<v Speaker 1>guys get into those cars. That was where they're like,

0:55:24.480 --> 0:55:27.680
<v Speaker 1>they're holding these hoses to them to keep them cool

0:55:27.719 --> 0:55:30.640
<v Speaker 1>with air conditioning because they're so so they're blowing this

0:55:30.719 --> 0:55:34.520
<v Speaker 1>freezing cool well free on I think, onto them or

0:55:34.520 --> 0:55:37.840
<v Speaker 1>not free on, but whatever it's called coolant there. They're

0:55:38.120 --> 0:55:39.960
<v Speaker 1>blowing it onto them as they get in these suits

0:55:39.960 --> 0:55:42.399
<v Speaker 1>and their cars. And these guys are dripping before they

0:55:42.440 --> 0:55:44.560
<v Speaker 1>even take off, and that's before the car.

0:55:44.680 --> 0:55:47.560
<v Speaker 3>The door is closed. So I was more like shocked

0:55:47.560 --> 0:55:47.960
<v Speaker 3>by the.

0:55:47.920 --> 0:55:48.880
<v Speaker 2>Door is closed.

0:55:50.080 --> 0:55:56.440
<v Speaker 1>There's no door, right, whatever that is, it's a tough thing.

0:55:55.400 --> 0:55:57.440
<v Speaker 3>They just.

0:56:00.040 --> 0:56:03.280
<v Speaker 2>Put a little like oh yeah yeah, like a heavy scoff.

0:56:03.320 --> 0:56:03.839
<v Speaker 2>That was my.

0:56:03.840 --> 0:56:07.239
<v Speaker 1>Takeaway that there was a door. So obviously I was

0:56:07.239 --> 0:56:09.000
<v Speaker 1>playing very close to touch it. But I was more

0:56:09.280 --> 0:56:11.799
<v Speaker 1>I was more concerned about their temperatures. I couldn't get

0:56:11.800 --> 0:56:14.480
<v Speaker 1>my mind off of how hot they must be.

0:56:14.120 --> 0:56:16.520
<v Speaker 5>Because of all the fire retardant they're wearing or what.

0:56:17.360 --> 0:56:19.480
<v Speaker 1>I think. It's a pretty high. Also, it's just a

0:56:19.560 --> 0:56:22.880
<v Speaker 1>hot sport, like they're sitting there running motors and reving

0:56:22.960 --> 0:56:25.439
<v Speaker 1>engines and so it's really hot in that room where

0:56:25.440 --> 0:56:25.680
<v Speaker 1>you go.

0:56:25.960 --> 0:56:29.040
<v Speaker 2>No, famously, not a lot of trees on a Formula

0:56:29.040 --> 0:56:29.520
<v Speaker 2>one track.

0:56:31.600 --> 0:56:34.840
<v Speaker 1>Well, Hannah Gadsby, this has been a very big pleasure.

0:56:35.280 --> 0:56:38.160
<v Speaker 1>I really enjoy you. I am glad that you have

0:56:38.239 --> 0:56:39.520
<v Speaker 1>Jenny in your life.

0:56:39.800 --> 0:56:41.600
<v Speaker 2>Yes, yes, we're glad.

0:56:41.480 --> 0:56:43.839
<v Speaker 1>And I'm glad that you're doing well. And your new

0:56:43.920 --> 0:56:46.800
<v Speaker 1>special is fantastic. It's called Wolf.

0:56:47.400 --> 0:56:49.160
<v Speaker 3>Everybody can watch it on YouTube.

0:56:49.680 --> 0:56:53.560
<v Speaker 2>It's also a full album like it, certainly the twenty

0:56:53.560 --> 0:56:56.400
<v Speaker 2>minutes on YouTube, and then there's like the eighty minute

0:56:56.400 --> 0:56:57.800
<v Speaker 2>show on audio only.

0:56:58.040 --> 0:57:01.000
<v Speaker 1>I like, yeah, And so it's like a book on tape,

0:57:01.080 --> 0:57:04.720
<v Speaker 1>but fun much funnier, much funnier than any funny book

0:57:04.719 --> 0:57:06.399
<v Speaker 1>on tape, that's right.

0:57:06.520 --> 0:57:09.480
<v Speaker 2>I like tape tape, funny book tape.

0:57:09.520 --> 0:57:15.799
<v Speaker 1>Doors. You know, we're bringing all the stuff back tape, doors, driveways, heat, whatever. Okay, well,

0:57:15.840 --> 0:57:17.800
<v Speaker 1>well Hannah, we'll let you go. Thank you so much

0:57:17.800 --> 0:57:18.720
<v Speaker 1>for your time today.

0:57:18.760 --> 0:57:20.360
<v Speaker 2>We're doing questions, food.

0:57:20.480 --> 0:57:23.080
<v Speaker 1>We ended up talking. We ended up talking for a

0:57:23.120 --> 0:57:25.520
<v Speaker 1>full hour. This was a full hour, so we don't

0:57:25.560 --> 0:57:28.680
<v Speaker 1>have to take questions. I'm so looking forward to I

0:57:28.760 --> 0:57:31.120
<v Speaker 1>knew you weren't looking forward to that, so I kind

0:57:31.120 --> 0:57:33.880
<v Speaker 1>of was like, let's just keep talking. You I had answers,

0:57:37.240 --> 0:57:39.360
<v Speaker 1>all right, I love it. Thank you so much for

0:57:39.400 --> 0:57:40.480
<v Speaker 1>being with us.

0:57:40.760 --> 0:57:44.880
<v Speaker 2>It's been lovely. I one day will hang out.

0:57:45.440 --> 0:57:47.600
<v Speaker 1>Yeah, well when I come to Australia, I'll hit you up.

0:57:48.480 --> 0:57:50.440
<v Speaker 2>Yeah. I have a plus fun on the cruise if

0:57:50.480 --> 0:57:50.760
<v Speaker 2>you want.

0:57:51.000 --> 0:57:52.800
<v Speaker 1>Okay, let me think about that, let me sleep on

0:57:52.840 --> 0:57:53.840
<v Speaker 1>that and get back to you.

0:57:55.240 --> 0:57:58.600
<v Speaker 2>Well, best wishes. You're doing a mouthless job. I also

0:57:58.760 --> 0:58:03.160
<v Speaker 2>enjoy you. I enjoy how you've evolved. It's not not

0:58:03.360 --> 0:58:05.280
<v Speaker 2>as in you had to evolve, but in like as

0:58:05.280 --> 0:58:08.440
<v Speaker 2>a human, we evolve and it's hard to do that

0:58:08.480 --> 0:58:10.400
<v Speaker 2>in the public eye when people want to pin you

0:58:10.440 --> 0:58:14.280
<v Speaker 2>where they understand you and I think you you've navigated

0:58:14.360 --> 0:58:15.320
<v Speaker 2>quite a graceful career.

0:58:15.520 --> 0:58:18.320
<v Speaker 3>Oh that's so nice of you. Thank you, Thank you.

0:58:18.920 --> 0:58:19.520
<v Speaker 2>I can do it.

0:58:20.280 --> 0:58:24.040
<v Speaker 1>Yes, you can lo poo. That's Spanish for you can

0:58:24.080 --> 0:58:24.360
<v Speaker 1>do it.

0:58:24.800 --> 0:58:27.040
<v Speaker 3>Well, that's Spash for I can do it.

0:58:27.200 --> 0:58:30.880
<v Speaker 1>Oh, thank you, Chelsea. Chelsea, I can't speak English or

0:58:30.920 --> 0:58:31.880
<v Speaker 1>Spanish anymore.

0:58:34.640 --> 0:58:35.880
<v Speaker 2>I don't know what to say to that.

0:58:35.920 --> 0:58:36.640
<v Speaker 1>Adios.

0:58:37.400 --> 0:58:40.080
<v Speaker 2>Oh of course, goodbye.

0:58:40.000 --> 0:58:40.560
<v Speaker 1>Bye, Hannah.

0:58:41.320 --> 0:58:44.000
<v Speaker 6>If you want advice from Chelsea, right into Dear Chelsea

0:58:44.120 --> 0:58:47.480
<v Speaker 6>podcast at gmail dot com. Dear Chelsea is a production

0:58:47.680 --> 0:58:51.520
<v Speaker 6>of iHeartMedia. Follow Chelsea on all socials at Chelsea Handler

0:58:51.600 --> 0:58:55.120
<v Speaker 6>and find Catherine on TikTok at flash Cadabra. Dear Chelsea

0:58:55.240 --> 0:58:59.400
<v Speaker 6>is edited and engineered by Brandon Dickert executive producer Catherine Law.

0:58:59.680 --> 0:59:02.960
<v Speaker 6>Find full video episodes and minisodes now on Netflix, and

0:59:03.000 --> 0:59:12.000
<v Speaker 6>get tickets to see Chelsea live at chelseahanmler dot com