WEBVTT - Michael Elias

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<v Speaker 1>Welcome to Ruthie's Table four, a production of iHeartRadio and

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<v Speaker 1>Adamized Studios.

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<v Speaker 2>Michael Elias is impressive, an actor, director of movies and television,

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<v Speaker 2>a writer of novels and screenplays, a black belt in karate.

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<v Speaker 2>He is generous, funny, he has great ethics, and he

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<v Speaker 2>is a fantastic cook. They tell me that I fell

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<v Speaker 2>in love with him the moment we met. Michael Elias

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<v Speaker 2>is impressive, and Michael Elias is my brother. Michael. The

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<v Speaker 2>recipe that you've chosen is ricotta alfhourno. Would you like

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<v Speaker 2>to read it?

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<v Speaker 1>Ricotta alfhourno and takes a handful of fresh mint leaves,

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<v Speaker 1>basil and parsley. You need five hundred grams of buffalo ricotta,

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<v Speaker 1>one hundred and twenty millileaters, double cream, two eggs, one

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<v Speaker 1>hundred fifty grams of parmesan, and black olives. Preheat the

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<v Speaker 1>oven to one hundred and ninety degrees centigrade. Coat the

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<v Speaker 1>bottom and sides of a round spring formed tin with

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<v Speaker 1>butter and parmesan. Put their herbs in a food processor

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<v Speaker 1>with half of the ricotta and cream, and you blend

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<v Speaker 1>until bright green. Add the remainder of the ricotta and cream.

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<v Speaker 1>Add the eggs one by one, season with sea salt

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<v Speaker 1>and black pepper. Finally, fold in the parmesan spoon into

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<v Speaker 1>the tin and spread the olives over the top. Bake

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<v Speaker 1>for twenty minutes the torch the rise and have a

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<v Speaker 1>brown crust, but still be salt in the center.

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<v Speaker 2>I was very pleased that you chose this recipe, and

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<v Speaker 2>I checked today because I was one hundred percent sure.

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<v Speaker 2>But in nineteen eighty seven, the first day, September tenth,

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<v Speaker 2>that we opened the River Cafe, this recipe, this dish

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<v Speaker 2>we caught to Alfoorna, was on the menu. And so

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<v Speaker 2>it does take us right back to the history and

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<v Speaker 2>to the early days before we go into our childhood,

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<v Speaker 2>your childhood. Would you tell me about the first days

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<v Speaker 2>of the River Cafe.

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<v Speaker 1>Well, I remember the River Cafe as a place that

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<v Speaker 1>made great hamburgers.

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<v Speaker 2>Careful, I always tell Viva it was an Italian restaurant

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<v Speaker 2>from days.

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<v Speaker 1>Oh well, it evolved into an Italian restaurant, and it

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<v Speaker 1>had a sensibility in the beginning that was Italian that

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<v Speaker 1>only could be increased with the edition of Italian dishes.

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<v Speaker 1>So goodbye to the hamburger. The croissants and the French

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<v Speaker 1>fries which I miss. I still miss. They were great.

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<v Speaker 1>So that was my introduction to the River Cafe and

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<v Speaker 1>probably the next time I came back was full blown Italian.

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<v Speaker 1>Was so wonderful to see all these this is for

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<v Speaker 1>the first time, and including the ricotta alfourna, which I

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<v Speaker 1>probably had at a family dinner that you cooked, and

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<v Speaker 1>here it was on the menu. And then the next

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<v Speaker 1>thing I know, it was on a recipe and I

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<v Speaker 1>could make it, and I made it all the time.

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<v Speaker 2>I think that Ken, you're being kind of modest, because

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<v Speaker 2>really your involvement in the River Cafe in the early

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<v Speaker 2>days was so supportive to rosen To myself. You made

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<v Speaker 2>baseball hats and T shirts from la You were constantly

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<v Speaker 2>on the phone sending people to this tiny little restaurant

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<v Speaker 2>in the middle of nowhere. I remember you wrote a

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<v Speaker 2>review of it. Do you remember that?

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<v Speaker 1>Absolutely? And I remember the baseball caps and T shirts

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<v Speaker 1>that I had printed up with the menu, and I

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<v Speaker 1>would arrive in London with a steamer trunk full of

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<v Speaker 1>T shirts and baseball caps. I was the Willie Lowman

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<v Speaker 1>of the of the River Cafe. I saw it get

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<v Speaker 1>bigger and bigger. The food always was great, but it

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<v Speaker 1>was such an exciting place, and it was designed by

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<v Speaker 1>Richard Richard Rogers, so it was just stepping into a beautiful,

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<v Speaker 1>beautiful world of the most delicious food and wonderful people.

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<v Speaker 1>It was something to be supported, and not only in

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<v Speaker 1>our family but all our friends.

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<v Speaker 2>And you were actually also not just an amateur because

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<v Speaker 2>you were involved in restaurants in Los Angeles, weren't you,

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<v Speaker 2>with Mamaison and Spago and other restaurants.

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<v Speaker 1>Well, I invested in two restaurants in my life, one

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<v Speaker 1>financially Spargo and the other emotionally, The River Cafe, and

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<v Speaker 1>they both paid off until I found out that I

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<v Speaker 1>was the only investor in Spargo who didn't know that

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<v Speaker 1>you could eat there for free. So I eat all

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<v Speaker 1>my bills beautifully.

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<v Speaker 2>We grew up in a town about as far away

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<v Speaker 2>from London or from Los Angeles or the glamour of

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<v Speaker 2>Spago or other restaurants. Where do you think that came from?

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<v Speaker 1>What was it?

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<v Speaker 2>Can you describe the early memories you have of food

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<v Speaker 2>in our house.

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<v Speaker 1>Well, we grew up in the Catskill Mountains and we

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<v Speaker 1>had a family in New York City, and the food

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<v Speaker 1>in our families. Our grandparents was Kosher Eastern European Jewish food.

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<v Speaker 2>They were Hungarian.

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<v Speaker 1>They were Hungarian, Yeah, Rosy and Sam. She was a

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<v Speaker 1>great cook. She made these beautiful red stuffed cabbage and

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<v Speaker 1>roast chickens, and she ground all the meat for whatever

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<v Speaker 1>she was making herself. And my father had six sisters

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<v Speaker 1>and they all cooked. They made grandma's recipes, and so

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<v Speaker 1>everybody loved food, and we always had big family dinners

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<v Speaker 1>in the backyard under the trees. It was wonderful.

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<v Speaker 2>Our grandmother's mother was a very passionate cook, wasn't she.

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<v Speaker 2>I remember two stories. She came to see you for

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<v Speaker 2>her first grandson from New York, which is quite an

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<v Speaker 2>arduous trip, and she traveled and her mother put you

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<v Speaker 2>in the crib and put you in a beautiful little

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<v Speaker 2>outfit and everything. And when she rang the bell and

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<v Speaker 2>came in, our mother said to her mother in law,

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<v Speaker 2>would you like to come and see the baby? And

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<v Speaker 2>she said, apparently, let's eat first. So I think that

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<v Speaker 2>that was that one, and then the other one was

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<v Speaker 2>that she would bring her own rolling pin to roll

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<v Speaker 2>out the strudles.

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<v Speaker 1>I think what was different for us, at least was

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<v Speaker 1>that our father, Fred, who gone to medical school in

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<v Speaker 1>Europe in Germany and Switzerland, was actually rather sophisticated in

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<v Speaker 1>terms of food and came back with the European tastes.

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<v Speaker 1>I'm not saying he taught my mother these recipes. Could

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<v Speaker 1>barely boil water, but we had sour brotten, we had

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<v Speaker 1>tippers and eggs and onion and for a Sunday breakfast,

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<v Speaker 1>egg plant palmerjan. So we had really interesting food growing up,

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<v Speaker 1>and I think we all demanded it for the rest

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<v Speaker 1>of our lives. And I think he was an influence

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<v Speaker 1>in that.

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<v Speaker 2>You've described cooking at home, the meals that you had

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<v Speaker 2>with our parents, the detail really of the kind of

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<v Speaker 2>food that our grandmother cooked, the experiences of eating in

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<v Speaker 2>her house. And when you left all this home life

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<v Speaker 2>that you had in Woodburn you went to college in Maryland.

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<v Speaker 2>What was it like leaving home and having to fend

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<v Speaker 2>for yourself food wise? Was it a segue into something

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<v Speaker 2>that was easier? Did you seek out food or did

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<v Speaker 2>you try different foods?

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<v Speaker 1>So Annapolis, Maryland was the home with the crab and

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<v Speaker 1>the oyster. You could go down to the docks and

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<v Speaker 1>eat both. Then moving to New York, I found out

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<v Speaker 1>I couldn't afford any of those things because I was

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<v Speaker 1>a struggling actor or the concept of restaurants. Most of

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<v Speaker 1>them were on afford and we depended on the kindness

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<v Speaker 1>of friends who were in the publishing business and they

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<v Speaker 1>had expense accounts and they would take us to lunch

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<v Speaker 1>and that was wonderful.

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<v Speaker 2>What year was this.

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<v Speaker 1>It was in the early mid sixties. I was working

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<v Speaker 1>in off off Broadway Theater, the Living Theater.

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<v Speaker 2>You were living in New York and you were acting

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<v Speaker 2>in New York, and then you went to Europe and

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<v Speaker 2>was that a revelation of what the food would be

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<v Speaker 2>like outside of the United States.

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<v Speaker 1>Well, my first stop was London to see you and Richard,

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<v Speaker 1>and in those days, we of course had great meals

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<v Speaker 1>at your apartment. And I remember being introduced to Greek

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<v Speaker 1>food because you used to love to go to Soho

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<v Speaker 1>and you had favorite Greek restaurants.

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<v Speaker 2>That's right, right, yeah, we did. Also it was what

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<v Speaker 2>we could afford in those days. I think it was

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<v Speaker 2>called Jimmy's. It was on Wader Streets, one of the

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<v Speaker 2>first restaurants which it took me to and he went

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<v Speaker 2>down these stairs and it was just incredibly noisy and fun.

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<v Speaker 2>It was a days when you could either eat fancy

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<v Speaker 2>British or French food, or you could go and have

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<v Speaker 2>a great time and noise and pay very little. But

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<v Speaker 2>it would be Greek or Italian or you know. And

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<v Speaker 2>then you went to that very foreign country called Los Angeles.

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<v Speaker 1>The Living Theater went on to Paris, and I went

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<v Speaker 1>back to New York and resumed my life as an actor,

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<v Speaker 1>then eventually made my way to Los Angeles, where I

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<v Speaker 1>had a writing career.

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<v Speaker 2>Was that a big change in going from the food

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<v Speaker 2>of New York to the food of Los Angeles.

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<v Speaker 1>I think I went in nineteen sixty nine, and yes,

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<v Speaker 1>it was very different. First of all, there were these

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<v Speaker 1>enormous supermarkets that were open twenty four hours a day,

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<v Speaker 1>and I had never seen so many fruits and vegetables,

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<v Speaker 1>and they were like giant warehouses, brightly lit, and you

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<v Speaker 1>going at four o'clock in the morning and buy food.

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<v Speaker 1>And then there were Mexican restaurants, and as I said,

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<v Speaker 1>you know, I met my first talk of the farmers

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<v Speaker 1>market with this wonderful Mexican restaurant, and that became my love,

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<v Speaker 1>I would say, Mexican food Mexican.

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<v Speaker 2>Yeah, I remember you took us to that place in

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<v Speaker 2>Santa Barbara that was a roadside super Rica, super Rika

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<v Speaker 2>super Rica, which.

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<v Speaker 1>Was made famous by Julia Child saying this is the

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<v Speaker 1>best Mexican restaurant on the West Coast, and she was right.

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<v Speaker 1>That was a fat day. Or because you get up

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<v Speaker 1>really early on Sunday morning, you drive to Tijuana, you

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<v Speaker 1>could drive to Rosa, Rita Beach where they had a

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<v Speaker 1>little restaurant that served broiled quail and the most exquisite

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<v Speaker 1>baked potatoes.

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<v Speaker 2>I remember you took us there. Remember that when Richard

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<v Speaker 2>was teaching you Sela, we drove down very well.

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<v Speaker 1>There was a basque restaurant in Tijuana that was very famous,

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<v Speaker 1>and another one called Caesars, which where they invented caesar salad,

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<v Speaker 1>so they would make us caesar salad for you at

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<v Speaker 1>or at your table and then go home.

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<v Speaker 2>But you saw the evolution from probably sixty nine through

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<v Speaker 2>the eighties and nineties of the food scene in California,

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<v Speaker 2>whether it was San Francisco with Alice Walters or as

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<v Speaker 2>you said, La with Wolfgang Puck.

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<v Speaker 1>That's the thing about Los Angeles food, and there are

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<v Speaker 1>chefs who bring in everything, and they're not afraid and

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<v Speaker 1>they figure out these incredible combinations. I think it was

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<v Speaker 1>Wolfgang Puck who changed the world. I mean he really

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<v Speaker 1>did to open a first class restaurant and serve pizza.

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<v Speaker 1>Not only that, it was revolutionary, and he was also

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<v Speaker 1>the first one to say I'm going to use Pacific

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<v Speaker 1>influences in the food. So all of a sudden you

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<v Speaker 1>got the Japanese influence and the Chinese and very subtle

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<v Speaker 1>into this what was basically an Italian restaurant. Also, I

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<v Speaker 1>think he was one of the first celebrity chefs. He

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<v Speaker 1>would bring you something or the waiter would say, Wolfgang

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<v Speaker 1>wants you to try this, and people would melt. You know,

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<v Speaker 1>movie stars and he never saw a movie.

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<v Speaker 2>He was in the restaurant the other day. He came

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<v Speaker 2>after such a long time. He came in and we

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<v Speaker 2>were all so excited to have Wolfgang, who has restaurants

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<v Speaker 2>in every country and restaurants in every airport. And I

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<v Speaker 2>said to him, Wolfgang, I want to be like you.

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<v Speaker 2>I want to have forty restaurants. And he said, Ruthie,

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<v Speaker 2>I want to be like you. I want to have one.

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<v Speaker 2>And he was so so charming and He has been

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<v Speaker 2>a huge influence. And I remember eating with you at

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<v Speaker 2>mam Maison, which was a very fancy French restaurant, and

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<v Speaker 2>saying that his next one was going to be a

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<v Speaker 2>pizza place, and we were all completely mystified, but you

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<v Speaker 2>know he did it. When you moved to Los Angeles

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<v Speaker 2>and you described the foods markets and the Mexican food

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<v Speaker 2>and discovery of artichokes and avocados, and the sun and

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<v Speaker 2>the farms and the markets, what was your work like

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<v Speaker 2>and what were you doing there.

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<v Speaker 1>I was a comedy writer and I wrote a variety shows,

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<v Speaker 1>Glenn Campbell, The Mother's Brothers, Leslie ugham Is at the

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<v Speaker 1>same time writing sitcoms for All in the Family, Mary

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<v Speaker 1>Tyler Moore. I was a pretty busy fellow with my

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<v Speaker 1>partner at the time. At the same time, I was

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<v Speaker 1>writing television, which I considered a day job and I

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<v Speaker 1>loved it, but I always knew that I wanted to

0:13:42.360 --> 0:13:45.880
<v Speaker 1>do something by myself, so I started writing screenplays.

0:13:46.400 --> 0:13:48.920
<v Speaker 2>Can you tell us about the movies that you've made?

0:13:48.960 --> 0:13:52.320
<v Speaker 1>Yeah. The first one was The Frisco Kid with Gene

0:13:52.320 --> 0:13:55.960
<v Speaker 1>Wilder and Harrison Ford, and it was about a young

0:13:56.080 --> 0:13:59.200
<v Speaker 1>rabbi who comes from Poland to America at the time

0:13:59.200 --> 0:14:01.720
<v Speaker 1>of the gold Rush, makes his way across the country

0:14:01.720 --> 0:14:05.120
<v Speaker 1>to San Francisco. And then I teamed up with Steve

0:14:05.200 --> 0:14:08.520
<v Speaker 1>Martin and we wrote The Jerk, and then my partner

0:14:08.559 --> 0:14:12.560
<v Speaker 1>and I, Rich Eustace, wrote Young Doctors in Love. And

0:14:12.559 --> 0:14:15.240
<v Speaker 1>then I had my passion project, as it were, which

0:14:15.280 --> 0:14:18.960
<v Speaker 1>was a movie, a screenplay about two jazz musicians, which

0:14:19.400 --> 0:14:22.760
<v Speaker 1>I wrote and insisted that I direct, and I attracted

0:14:22.920 --> 0:14:26.520
<v Speaker 1>Jeff Goldblum and Forrest Whitaker and made this movie called

0:14:26.560 --> 0:14:29.840
<v Speaker 1>Lush Life. We ate well from that point on. I mean,

0:14:29.880 --> 0:14:32.520
<v Speaker 1>there was no restaurant in LA that we couldn't afford.

0:14:33.120 --> 0:14:36.040
<v Speaker 1>But at the same time, eating in a restaurant for

0:14:36.160 --> 0:14:38.640
<v Speaker 1>me is I always ask the question could I make

0:14:38.640 --> 0:14:42.160
<v Speaker 1>this at home? And La has so many ethnic restaurants

0:14:42.160 --> 0:14:49.760
<v Speaker 1>now Cambodian, Laotian, Mexicans of every region, and Chinese and Japanese,

0:14:49.960 --> 0:14:52.040
<v Speaker 1>and that I can't make at home, and I wouldn't

0:14:52.040 --> 0:14:54.400
<v Speaker 1>even try. And that's the fun of going out in

0:14:54.440 --> 0:14:55.239
<v Speaker 1>Los Angeles.

0:14:55.480 --> 0:14:57.240
<v Speaker 2>How did you handle food as a director?

0:14:57.360 --> 0:15:03.400
<v Speaker 1>On one movie set, I insisted on we all eat together, director, writer,

0:15:04.160 --> 0:15:07.040
<v Speaker 1>all the crew, actors, and we talk about what we're doing,

0:15:07.160 --> 0:15:10.440
<v Speaker 1>and I think that communal experience is important in the creation.

0:15:10.560 --> 0:15:13.280
<v Speaker 1>I hate it when everybody goes off to their dressing

0:15:13.360 --> 0:15:16.040
<v Speaker 1>rooms and has their sandwiches or whatever they have. I

0:15:16.120 --> 0:15:20.400
<v Speaker 1>wrote a French film and visited the set and they

0:15:20.480 --> 0:15:23.320
<v Speaker 1>took a French lunch. They took two hours. Yeah, it

0:15:23.400 --> 0:15:25.880
<v Speaker 1>was great. At a certain point, I think I was

0:15:26.440 --> 0:15:28.760
<v Speaker 1>finished with television and I decided to write novels.

0:15:28.800 --> 0:15:30.520
<v Speaker 2>You know, we talked about the way you ate when

0:15:30.520 --> 0:15:33.840
<v Speaker 2>you were making a television show, and we've spoken about

0:15:33.880 --> 0:15:37.360
<v Speaker 2>the way you prefer to eat when you're directing a movie,

0:15:37.920 --> 0:15:40.920
<v Speaker 2>all which involve a lot of people. You know, you're

0:15:40.920 --> 0:15:45.120
<v Speaker 2>feeding people, you're eating with people. But writing a novel

0:15:45.240 --> 0:15:48.600
<v Speaker 2>is a very solitary experience. Here it's you and your laptop.

0:15:48.800 --> 0:15:52.240
<v Speaker 1>Somebody asked me my writing schedule, and I say, it's

0:15:52.480 --> 0:15:55.240
<v Speaker 1>doing everything I can to avoid writing until there's nothing

0:15:55.320 --> 0:15:58.440
<v Speaker 1>left to do, and then I start writing. And I

0:15:58.480 --> 0:16:00.560
<v Speaker 1>put in three or four hours. And one of the

0:16:00.600 --> 0:16:03.560
<v Speaker 1>things that I like to do is shop for food,

0:16:04.160 --> 0:16:08.360
<v Speaker 1>cook and then write. So you're correct, writing is a

0:16:08.400 --> 0:16:11.160
<v Speaker 1>solitary thing. And if you write at home in a

0:16:11.200 --> 0:16:14.840
<v Speaker 1>home office, you're only a few a few feet from

0:16:14.880 --> 0:16:18.000
<v Speaker 1>the refrigerator. That's a place to go, and that's the

0:16:18.120 --> 0:16:20.400
<v Speaker 1>place to go when you can't think of the next sentence.

0:16:20.760 --> 0:16:23.120
<v Speaker 1>You can always find the next piece of cheese. So

0:16:23.880 --> 0:16:26.920
<v Speaker 1>it's for me, it's sometimes that's a distraction. So that's

0:16:27.320 --> 0:16:28.760
<v Speaker 1>that's my process.

0:16:29.040 --> 0:16:29.960
<v Speaker 2>Tell us about the books.

0:16:30.200 --> 0:16:33.960
<v Speaker 1>My most recent book is about a young policewoman in

0:16:34.120 --> 0:16:38.960
<v Speaker 1>a queen's homicide detective trying to find the killer of

0:16:39.000 --> 0:16:41.800
<v Speaker 1>her father, who was an abortion provider and he was

0:16:41.840 --> 0:16:47.080
<v Speaker 1>assassinated by an anti abortion terrorist like other doctors, and

0:16:47.480 --> 0:16:51.560
<v Speaker 1>at the same time, she's investigating murders that may emanate

0:16:51.640 --> 0:16:56.360
<v Speaker 1>from a women's shelter, and somehow I managed to combine

0:16:56.400 --> 0:17:01.000
<v Speaker 1>the two. I like to write about what my characters eat.

0:17:01.640 --> 0:17:05.760
<v Speaker 1>I feel it's just as important as their size, the

0:17:05.840 --> 0:17:08.919
<v Speaker 1>color of their hair and eyes, and their character. So

0:17:09.000 --> 0:17:11.479
<v Speaker 1>I write a lot about food, and the writers who

0:17:11.560 --> 0:17:13.880
<v Speaker 1>write about food attract me. I think it's very important.

0:17:13.920 --> 0:17:15.880
<v Speaker 2>So when you're writing a book and you're thinking about

0:17:15.920 --> 0:17:19.840
<v Speaker 2>the character and you're putting them through the day or

0:17:19.880 --> 0:17:23.560
<v Speaker 2>their work, and you have really interesting food scenes and

0:17:23.920 --> 0:17:28.119
<v Speaker 2>the way they seek food, is that important to you?

0:17:29.040 --> 0:17:31.400
<v Speaker 1>Yeah, If she goes to her boyfriend's house and he's

0:17:31.400 --> 0:17:33.520
<v Speaker 1>a cook, and I always say, well, what would I

0:17:33.560 --> 0:17:35.960
<v Speaker 1>cook from my girlfriend when she came over? What would

0:17:36.040 --> 0:17:38.200
<v Speaker 1>lead us? You know? Would we have a shower before

0:17:38.200 --> 0:17:40.880
<v Speaker 1>we cook? And so that's important. And I talk about

0:17:40.880 --> 0:17:43.879
<v Speaker 1>the lousy food she eats when she's has to be

0:17:43.960 --> 0:17:47.480
<v Speaker 1>on a steakout and she's got a foot long submarine

0:17:47.480 --> 0:17:51.040
<v Speaker 1>sandwich that she can only eat half of and a

0:17:51.480 --> 0:17:57.200
<v Speaker 1>lousy soda that's bubbling in her stomach. And so that's

0:17:57.240 --> 0:18:00.280
<v Speaker 1>important to me. I don't like it when I read

0:18:00.320 --> 0:18:02.320
<v Speaker 1>a novel and they say we stopped for dinner and

0:18:02.359 --> 0:18:06.440
<v Speaker 1>then moved on. Well, what did you have dinner? Yeah?

0:18:06.560 --> 0:18:09.439
<v Speaker 2>Do you think that your parents understood you a passion

0:18:09.520 --> 0:18:12.160
<v Speaker 2>for food? I mean when you would go home having

0:18:12.200 --> 0:18:16.119
<v Speaker 2>been in Paris and London and la and cooked and

0:18:16.200 --> 0:18:18.480
<v Speaker 2>eaton and then you would go visit them at home.

0:18:19.080 --> 0:18:19.920
<v Speaker 2>How did that work?

0:18:20.119 --> 0:18:23.400
<v Speaker 1>Well? I think I'm undemanding as long as it's good.

0:18:23.560 --> 0:18:28.520
<v Speaker 1>And I think Sun returning home from college from Europe

0:18:28.640 --> 0:18:33.040
<v Speaker 1>from anywhere two daughters too. Parents want to make the

0:18:33.080 --> 0:18:35.439
<v Speaker 1>best food for them, and they and they did. And

0:18:35.480 --> 0:18:39.879
<v Speaker 1>the summers in Woodstock when we had fresh corn and

0:18:39.960 --> 0:18:43.159
<v Speaker 1>people would put the water on the stove and have

0:18:43.280 --> 0:18:45.760
<v Speaker 1>it boiling, so that when they came back from the

0:18:45.800 --> 0:18:48.639
<v Speaker 1>corn stand, which was at the edge of a corn field,

0:18:49.240 --> 0:18:53.679
<v Speaker 1>they would just tear off the cover and throw the

0:18:53.720 --> 0:18:57.000
<v Speaker 1>corn in. And they were almost like contests who could

0:18:57.040 --> 0:19:01.520
<v Speaker 1>have the freshest corn, And they were tomatoes and farm

0:19:01.680 --> 0:19:04.800
<v Speaker 1>stands with such a part of our life in the summer.

0:19:05.240 --> 0:19:07.280
<v Speaker 1>You took farm to table, That's what it was. We

0:19:07.320 --> 0:19:12.040
<v Speaker 1>never used the expression. And then they became. Then there

0:19:12.119 --> 0:19:16.399
<v Speaker 1>was a period when there were these kind of I

0:19:16.440 --> 0:19:22.240
<v Speaker 1>don't like the word boutique farmers who made the who

0:19:22.280 --> 0:19:27.280
<v Speaker 1>grew the vegetables for Wolfgang and the other restaurants that followed,

0:19:27.680 --> 0:19:33.760
<v Speaker 1>and of course everything was baby vegetables, baby carrots, baby asparagus,

0:19:33.800 --> 0:19:37.560
<v Speaker 1>baby ripped untimely from the soil. Who come to.

0:19:37.560 --> 0:19:41.200
<v Speaker 2>Your plate growing up in Woodstock were actually I probably

0:19:41.280 --> 0:19:44.000
<v Speaker 2>grew up more in Woodstock and you'd already left. But

0:19:44.080 --> 0:19:46.680
<v Speaker 2>when you came back you became very close to the

0:19:46.800 --> 0:19:52.160
<v Speaker 2>artist Philip Guston, and I know that he also loved

0:19:52.200 --> 0:19:54.720
<v Speaker 2>to eat, and a lot of his paintings reflect having

0:19:55.240 --> 0:19:59.639
<v Speaker 2>overeaten a kind of viver love of food, and he

0:19:59.720 --> 0:20:03.600
<v Speaker 2>loved and I was wondering whether you might describe eating,

0:20:03.880 --> 0:20:07.719
<v Speaker 2>or cooking or just being with Philip Guston in those days.

0:20:07.920 --> 0:20:11.520
<v Speaker 1>He loved very simple food. He loved those big hamburgers

0:20:11.560 --> 0:20:16.480
<v Speaker 1>and fries, and he also loved some new sophisticated food.

0:20:16.640 --> 0:20:20.159
<v Speaker 1>The last time I saw him was in San Francisco

0:20:20.240 --> 0:20:22.720
<v Speaker 1>in nineteen eighty when they had a retrospective and I

0:20:22.760 --> 0:20:24.960
<v Speaker 1>went to San Francisco and there was a big dinner

0:20:24.960 --> 0:20:27.520
<v Speaker 1>for him and invited me to come to this. And

0:20:27.560 --> 0:20:29.800
<v Speaker 1>then he took me aside and he says, I'm coming

0:20:29.840 --> 0:20:33.000
<v Speaker 1>to La after this, and I want you to arrange

0:20:33.040 --> 0:20:35.359
<v Speaker 1>a dinner party for me. I said, I'm happy to.

0:20:35.840 --> 0:20:42.800
<v Speaker 1>He said just comedians. He said, no art critics please.

0:20:42.960 --> 0:20:46.920
<v Speaker 1>And Philip was a funny guy. Did well, you know he.

0:20:46.960 --> 0:20:51.119
<v Speaker 2>Died, oh before he came to before Yeah, he died

0:20:51.359 --> 0:20:57.520
<v Speaker 2>actually tragically. He died in our house having dinner, yeah,

0:20:56.840 --> 0:21:01.040
<v Speaker 2>with our parents. Something that I think our father really

0:21:01.080 --> 0:21:05.000
<v Speaker 2>never recovered from that. That Philip the heart attack.

0:21:05.280 --> 0:21:08.439
<v Speaker 1>Yeah, well, our father was a doctor and it was

0:21:08.480 --> 0:21:12.680
<v Speaker 1>such a massive heart attack for eating, smoking, drinking hamburgers

0:21:12.680 --> 0:21:16.280
<v Speaker 1>and fries and everything else, and that he couldn't he

0:21:16.320 --> 0:21:19.760
<v Speaker 1>couldn't save his life. And it really affected him and

0:21:19.800 --> 0:21:23.399
<v Speaker 1>they were really close. I think that was that Fred,

0:21:23.440 --> 0:21:27.560
<v Speaker 1>our father, lost his best friend, So that was really sad.

0:21:50.480 --> 0:21:55.280
<v Speaker 2>Michael, you've talked about eating in restaurants, about eating in

0:21:55.320 --> 0:21:59.200
<v Speaker 2>our parents' house, but you really haven't talked about, as

0:21:59.240 --> 0:22:01.000
<v Speaker 2>I said in my n touch in the fact that

0:22:01.040 --> 0:22:04.280
<v Speaker 2>you are a really good cook, and so what is

0:22:04.320 --> 0:22:05.960
<v Speaker 2>cooking like for you at home?

0:22:06.400 --> 0:22:09.359
<v Speaker 1>I think what I like to cook is from you,

0:22:09.880 --> 0:22:14.719
<v Speaker 1>and it's a connection to you, which is risotto. And

0:22:15.040 --> 0:22:18.040
<v Speaker 1>I think I make really good risotto and it's from

0:22:18.080 --> 0:22:24.040
<v Speaker 1>your recipe. The Amarone risotto is my favorite, and it's

0:22:24.359 --> 0:22:29.359
<v Speaker 1>just connects us. It's about showing love for somebody you

0:22:29.480 --> 0:22:32.720
<v Speaker 1>love and feeling loved by somebody who cooks for you,

0:22:33.640 --> 0:22:37.080
<v Speaker 1>who loves you. And I've had those two experiences of

0:22:37.640 --> 0:22:41.000
<v Speaker 1>cooking for my son when I was a single father

0:22:41.600 --> 0:22:47.040
<v Speaker 1>and cooking the things that he loved, and marrying Bianca Roberts,

0:22:47.080 --> 0:22:51.520
<v Speaker 1>who is a great cook, and everything she cooks is

0:22:51.560 --> 0:22:54.400
<v Speaker 1>with love for me. She has the experience of living

0:22:54.440 --> 0:22:59.640
<v Speaker 1>in France and Switzerland, and she makes the best French dishes,

0:23:00.080 --> 0:23:04.840
<v Speaker 1>and her blanket a veal is something that is special

0:23:04.880 --> 0:23:08.720
<v Speaker 1>for me. So those are two things. So that's my

0:23:08.880 --> 0:23:11.679
<v Speaker 1>connection to food. And sometimes it doesn't matter what it is.

0:23:11.880 --> 0:23:17.359
<v Speaker 1>It's just a way of showing and getting the warmth

0:23:17.400 --> 0:23:19.760
<v Speaker 1>and comfort of somebody who you love.

0:23:19.880 --> 0:23:23.439
<v Speaker 2>I think we've talked about food is a memory, food

0:23:23.720 --> 0:23:28.880
<v Speaker 2>is history, food is family, food is friends and travel,

0:23:29.800 --> 0:23:34.000
<v Speaker 2>Food is life, and food is death. Food is also comfort.

0:23:34.240 --> 0:23:38.520
<v Speaker 2>It is comfort is the comfort we have when we're alone,

0:23:38.640 --> 0:23:42.360
<v Speaker 2>or we're sad or in pain, or it's just been

0:23:42.560 --> 0:23:45.360
<v Speaker 2>as simple as a hard day of just a hard day,

0:23:45.440 --> 0:23:48.119
<v Speaker 2>or maybe even a hard couple of hours. And so

0:23:48.880 --> 0:23:51.879
<v Speaker 2>a question that I always ask everyone else, so I

0:23:51.880 --> 0:23:55.879
<v Speaker 2>would like to ask my brother is what would be

0:23:56.480 --> 0:23:59.919
<v Speaker 2>your comfort food? Michael Elias?

0:24:00.920 --> 0:24:04.440
<v Speaker 1>I think my comfort food would be our aunt Florence's

0:24:04.960 --> 0:24:07.280
<v Speaker 1>cheese Blinzers. What is a blinsa?

0:24:07.520 --> 0:24:09.639
<v Speaker 2>I know what a blinsa is, and you know, but

0:24:09.680 --> 0:24:12.040
<v Speaker 2>there might be a whole lot of people out there

0:24:12.080 --> 0:24:13.880
<v Speaker 2>that do not know what a blinsa is.

0:24:14.200 --> 0:24:21.040
<v Speaker 1>Oh, A blinca is a thin pancake stuffed with delicious

0:24:21.440 --> 0:24:25.360
<v Speaker 1>kind of sweetened cottage cheese and some sugar and then

0:24:25.640 --> 0:24:30.240
<v Speaker 1>fold it over and fried in butter, and you put

0:24:30.320 --> 0:24:33.119
<v Speaker 1>sour cream on it or apple sauce. To your taste.

0:24:33.160 --> 0:24:36.080
<v Speaker 1>I'm a sour cream guy. Our aunt Florence lived in

0:24:36.160 --> 0:24:41.439
<v Speaker 1>Stockton and periodically she would send me via a bus

0:24:41.560 --> 0:24:45.000
<v Speaker 1>a box of her frozen cheese Blinzers, and I would

0:24:45.080 --> 0:24:46.960
<v Speaker 1>eat them until there were no more, and then she

0:24:47.000 --> 0:24:49.720
<v Speaker 1>would send me another box. And the last box she

0:24:49.800 --> 0:24:53.080
<v Speaker 1>sent me she died while I was in the middle

0:24:53.080 --> 0:24:56.920
<v Speaker 1>of eating those cheese Blinzers, and I wanted to make

0:24:57.000 --> 0:25:01.120
<v Speaker 1>them last as long as I could. So whenever I'm

0:25:01.160 --> 0:25:07.359
<v Speaker 1>feeling when I need something that really connects me to

0:25:07.880 --> 0:25:13.000
<v Speaker 1>my family, our family, our heritage, the generosity and the

0:25:13.040 --> 0:25:17.600
<v Speaker 1>beauty of the women who cooked in our family, I

0:25:17.680 --> 0:25:21.320
<v Speaker 1>go and find somewhere a deli that I can get

0:25:21.560 --> 0:25:22.320
<v Speaker 1>cheese Blintzes.

0:25:23.400 --> 0:25:28.719
<v Speaker 2>Well, this is a connection. And I might not be

0:25:28.800 --> 0:25:33.320
<v Speaker 2>a Blins, but I am your sister, and I love you,

0:25:33.680 --> 0:25:37.440
<v Speaker 2>and I think we find comfort in each other, loving

0:25:37.520 --> 0:25:39.719
<v Speaker 2>each other, and I'm so happy we did this together.

0:25:40.400 --> 0:25:47.040
<v Speaker 2>Thank you, Michael. If you like listening to Ruthie's Table

0:25:47.119 --> 0:25:51.160
<v Speaker 2>for would you please make sure to rate and review

0:25:51.320 --> 0:25:56.320
<v Speaker 2>the podcast on the iHeartRadio app, Apple Podcasts, Spotify, or

0:25:56.359 --> 0:25:59.280
<v Speaker 2>wherever you get your podcasts. Thank you.

0:26:00.680 --> 0:26:07.400
<v Speaker 1>A