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Speaker 1: Welcome back to another episode of Alchemy Day. It's COVID edition.

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Speaker 1: I'm your host, Kevin Pollock. Yes, that Kevin pollockle Oh gosh,

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Speaker 1: I don't know. Maybe we'll learn to care more about

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Speaker 1: personal hygiene when we when we go out. Maybe we'll

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Speaker 1: never complish means without covering our mouths ever again, Maybe

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Speaker 1: we'll give an actual funk about one another on a

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Speaker 1: daily basis. Yeah, maybe, but I digress. Let's meet our alchemy,

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Speaker 1: shall we? No particular order to say hello to Chris Ovarado?

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Speaker 1: See your man Ray? Do you see a silver lining

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Speaker 1: possibly peeking through? Yeah? Right, of course. If not, I'd

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Speaker 1: be dead. Yes, I do. Ah and Genius was his name? Oh, James,

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Speaker 1: you're recording the videos that right? I actually second it

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Speaker 1: is videos. Okay, Chris, you have the option to hold

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Speaker 1: that photo of again at anytime. Get those mules back

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Speaker 1: from sister Sarah. It's Craig Kakoski kakaw. What did Lincoln

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Speaker 1: allegedly say shortly before he was assassinated. I've heard this

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Speaker 1: is good. Um, I I yelped it, um, yelped it.

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Speaker 1: I'm gonna I'm gonna pinch one off before before we

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Speaker 1: watch this, Uh Mary, when the guy comes around, get

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Speaker 1: me a coke and a bag of salted peanuts. C

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Speaker 1: and D were correct, the first two not so much.

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Speaker 1: Uh hold the damn door for the return of founding

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Speaker 1: member Vanessa Ragler Venete, which quarantine meal has surprised you? Um?

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Speaker 1: Floor food? Did you see food? I believe yeah, you'll

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Speaker 1: find yourself finding food on the floor that usually you

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Speaker 1: would take to the trash, but these days might as well. Right,

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Speaker 1: the five second rule has become a minute forty I

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Speaker 1: think just whenever you find it. The clock doesn't start

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Speaker 1: until you've looked at it. Venicia, We've got so many emails,

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Speaker 1: just so you know from our wonderful listeners. Uh load

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Speaker 1: these many weeks without you and man oh man is

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Speaker 1: there's never ending love for you here and out there,

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Speaker 1: So welcome back and apologies of course for the auspices.

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Speaker 1: Quiet Larry James Heeny's here, Jimmy James Smith's to your understanding.

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Speaker 1: Can of two can talk? Uh? Is it two can apparent? Parent?

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Speaker 1: Is it two key? And a parent on Australian accent?

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Speaker 1: First of all, first of all, I don't think two

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Speaker 1: can talk? Toucan toucan? Is is just a two can.

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Speaker 1: It's a it's a question a parent um Your answered

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Speaker 1: though through through the mush is correct. Two can cannot

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Speaker 1: talk only the one representing was it fruit loops, which

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Speaker 1: was a two can on? Yeah? Yeah, that that two

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Speaker 1: can tough to shut that two can up, but not

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Speaker 1: the actual ones in the wilderney for their money, Jane,

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Speaker 1: I guess purd is my word to bring me to

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Speaker 1: my exit. Yep. And and last, but may the fireflies

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Speaker 1: you catch need new bulbs if you think at least

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Speaker 1: it's Joey Greer, Oh jam Joe, why won't you tell

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Speaker 1: the folks what you will be doing later? It's a

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Speaker 1: secret project. I'm working with the n s A and

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Speaker 1: NASA and so n s A and then the other

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Speaker 1: one that where you add an A between the end

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Speaker 1: and the S. So it's a pretty big deal. I

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Speaker 1: don't want to get involved with it, but it does

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Speaker 1: have to do with the birds, so that's what I

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Speaker 1: want to saying. I also want to know I'm making note.

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Speaker 1: No one else could see this, but James had a

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Speaker 1: giant pot of coffee that he was pouring into his coffee.

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Speaker 1: Hold it up one more times, Hold it up one

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Speaker 1: more time. Just a ship. That's the cup with your

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Speaker 1: with I believe your face on it. Whoa, that is

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Speaker 1: a sizeable French press? Is that you do? You drink

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Speaker 1: that whole thing? This is my I just started it,

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Speaker 1: but it is my second. No. No, have you been

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Speaker 1: up since five am? No? I got up at eight.

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Speaker 1: Well now you're just bragging, dude, that's crazy and unhelped.

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Speaker 1: I hope, I hope. It's a long time before this

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Speaker 1: is relevant. But I'd love to see your autopsy. You

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Speaker 1: know what. I'm one of the healthiest people I know.

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Speaker 1: Coffee is like a miracle elixir. Here's to it. Let's

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Speaker 1: do a damn show, shall we? First, though, a message

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Speaker 1: from Patreon v i P member Mike del Rosso, who

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Speaker 1: just bumped his contribution from five dollars to ten dollars.

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Speaker 1: What the hell doubling down on our insanity? I thanked

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Speaker 1: him via the Patreon messaging and then this is what

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Speaker 1: he wrote. Back until three years ago, I shift at restaurants.

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Speaker 1: I still work with food, but now at a major

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Speaker 1: healthcare provider. If this pandemic had happened, then I would

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Speaker 1: would have been homeless. I feel very lucky to be

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Speaker 1: where I am now. You and your crazy crew of

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Speaker 1: mischiefs helped to keep a bit of normalcy in this

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Speaker 1: batship doomsday scenario, and extra five dollars is the least

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Speaker 1: I can do to show some appreciations. Silver Lining the

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Speaker 1: phone delays from the new Skype sessions at a nice

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Speaker 1: layer of bad timing to comedy you're doing. He's assuming

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Speaker 1: we're on Skype. I guess I'll let him know we're

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Speaker 1: also not on Discord. Seriously, last Tuesday I almost fell

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Speaker 1: in the shower laughing when Joey's Internet connection started to

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Speaker 1: bog down. Fucking priceless. Much love and respect to you

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Speaker 1: and the team. Stay healthy, be smart, Mike. Well, thank

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Speaker 1: you Mike for that and for all of it. All

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Speaker 1: of our scene suggestions are from other patron v i

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Speaker 1: P members or our listener emails. If you'd like to

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Speaker 1: submit yours via listener email, please all right to the

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Speaker 1: podcast at your name here at Alchemy this dot com.

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Speaker 1: That's your name here at Alchemy. Thanks Joey. See Number

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Speaker 1: one comes from Jans, who wrote, I love the show.

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Speaker 1: I've been waiting for a worthy suggestion to email. I

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Speaker 1: overheard this while boarding a plane. Oh gosh, I remember

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Speaker 1: we were allowed to fly. It's like I always say,

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Speaker 1: this is what he overheard. It's like I always say

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Speaker 1: Nick is consistent and he's charming, but he is not

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Speaker 1: consistently charming end quote. This statement what's hugely interesting to me,

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Speaker 1: and I wanted to know what Nick's life is like

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Speaker 1: that he's so charming and so consistent, but not both.

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Speaker 1: It seemed like you all might have an idea. Everyone

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Speaker 1: has cycled in and out of my favorites right now.

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Speaker 1: I love all interactions between Vanessa and Joey. Well. Well,

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Speaker 1: a welcome return. Thanks James from Michigan. Uh, ticket, Please

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Speaker 1: can I see your tickets? This ticket was printed up

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Speaker 1: at my printer is a little bit low and ink,

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Speaker 1: but you can clearly see that this is a ticket. Well,

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Speaker 1: I think we need to discuss what your definition of

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Speaker 1: the word clearly is because mine is to find utterly

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Speaker 1: and uh, I can yes, it's listen, it's it's the

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Speaker 1: type of language you use in the air. Okay, I

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Speaker 1: don't want the overhead bins to be taken. Can you

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Speaker 1: check my ticket? Oh? Yes, of course, miss I'm gonna

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Speaker 1: need to put this in the overhead band. I'm so

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Speaker 1: sorry to interrupt, but I have to I have to

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Speaker 1: get there before that. There's a rush for the bins.

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Speaker 1: Can I see your ticket please? Okay, sir, can you

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Speaker 1: see how well printed this is? Hersus on the phone.

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Speaker 1: It's not even it's like it's crystal clear. It's very

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Speaker 1: good resolution and sh and she didn't take part of

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Speaker 1: a tree to board the plane, did she? Oh? Is that? Oh?

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Speaker 1: I don't want to get in between. I don't know

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Speaker 1: if this is a lover's quarrel. I just need to

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Speaker 1: get on. I need to get my bag up. Mess.

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Speaker 1: Do you need help with the bag? Be happy to

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Speaker 1: help you with it. But you're helping me and leave.

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Speaker 1: But you're the gate agent. Yes, I better have been

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Speaker 1: allowed to board you. I'm sorry the gate sirr. The

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Speaker 1: gate agent is hitting on me. Active military is the veterans?

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Speaker 1: They allowed to wait? Mr veteran? The gate agent is.

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Speaker 1: I have not served? I just I just wanted to go.

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Speaker 1: You've not You've not been served? No, I haven't. I'm

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Speaker 1: thinking about doing it. So can I board? You're thinking

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Speaker 1: about signing up for the Armed forces, and therefore you

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Speaker 1: like early boarding. That's miss. You're cleared to board the

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Speaker 1: plan by the way, than okay, thank you so much

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Speaker 1: for the offer. I'll lift my bag myself, but I

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Speaker 1: needed this today and thank you by right on my neck.

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Speaker 1: That was fantastic. All right, Well, thank You'll see you inside, sir.

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Speaker 1: Hold on a second, Yeah, I need some I d

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Speaker 1: uh group group yes, yes, group one, sir. Yeah, you're

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Speaker 1: banging my way through. You're welcome to go on board.

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Speaker 1: Thank you, sir. Oh, sir, yes, please, I need a

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Speaker 1: so I need a form of I d uh. This

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Speaker 1: is my name? This is my name? Was like good

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Speaker 1: enough for why you're so charming and you seem you

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Speaker 1: seem like you really know what you're talking about. I mean,

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Speaker 1: I'm tempted to let you on board, but I do

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Speaker 1: need to see an I D circuit part of me,

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Speaker 1: part of me captain coming, Yes, yes, captain, thank you.

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Speaker 1: What's your name? Bud Mine? Nope, I know you. I

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Speaker 1: see your name tag This guy right here who's just singing,

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Speaker 1: what's your name? Nam? Yeah, I'm trying to find what

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Speaker 1: is that the actor Gerard Butler, not the actor never mind?

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Speaker 1: What's your name, sir? The one who was here first

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Speaker 1: with the oh Sam oh okay, never mind? Then thought

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Speaker 1: one of you was going to be Nick all right,

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Speaker 1: could you all my way? Then? Nope? I'm god, that's

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Speaker 1: my favorite pilot. Hey Sam, what now? You want to

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Speaker 1: get a drink? I gotta get on is flight? Yeah?

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Speaker 1: I mean too, you want to get a drink? I can't.

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Speaker 1: Don't need to try here? Sure if you want to

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Speaker 1: get a drink, sir? Is any way to get your

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Speaker 1: ticket on your phone instead of this faded version? I

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Speaker 1: can try? Yeah, the airline sends you an email loaded

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Speaker 1: from excuse me. I know you'd offered to help, you'd

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Speaker 1: offered to help earlier. Well, the monsters from Group one

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Speaker 1: did what they always do. All the overhead bands are full.

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Speaker 1: Oh no, and you'd offered to help, and all the

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Speaker 1: overhead binds are full. And I can't fit this under

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Speaker 1: my seat. I don't want to check it under the plane.

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Speaker 1: I'm sorry, Michael, I'm so sorry. Ma'am. You've left the plane.

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Speaker 1: You've departed the plane. You cannot re enter the plane. Oh,

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Speaker 1: this bitch, this is one of those groups. She doesn't

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Speaker 1: work for the airline. She's from Group one. Don't it's true,

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Speaker 1: but it's part of Group one. I have access to

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Speaker 1: employee confidentiality agreements and ma'am, hey, my co pilot. Good

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Speaker 1: to see you today, Bud. You know, I did my

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Speaker 1: favorite trick when I was walking on. I asked everybody

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Speaker 1: if their name was Nick, but obviously my name's Nick.

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Speaker 1: It's one of my favorite things to do. Remind me

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Speaker 1: of your name again. Skills Skills, Skills, Skill Skills. Where

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Speaker 1: are you from? Skills? Sat Louis, Oh yeah, oh yeah,

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Speaker 1: you know my name is Nick. They called me Captain

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Speaker 1: Nick around here. Oh. I think everyone's well aware of that.

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Speaker 1: Captain Nick. It's great to see you again. How's the family?

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Speaker 1: Five five five? But I'd like hearing that. Yeah, well,

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Speaker 1: it's true. There's word on the street about about Captain Nick.

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Speaker 1: You don't say yep uh. Part of the people on

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Speaker 1: the street there are saying that you're extremely charming, and

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Speaker 1: another part of the people are saying that you're consistent,

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Speaker 1: which I realized that. You know, it suggests that you're professional,

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Speaker 1: and I think that's called for given your Hey, um,

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Speaker 1: may I call you Mr? Nick? I don't, I'll just

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Speaker 1: call you Captain. So there's a little kerfuffle. I don't

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Speaker 1: want to weary you seems hold on, I don't mean

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Speaker 1: interrupts it in my lap, Please Okay, that's much better.

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Speaker 1: There's a kerfuffle, and then is that the group one

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Speaker 1: is turned on the other four groups and there's there's

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Speaker 1: not enough people on the plane. It's not heavy enough,

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Speaker 1: and I don't know what to do. Okay, okay, okay,

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Speaker 1: why don't I take care of this. Let's talk to

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Speaker 1: him over the sticky real quick get away. These are

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Speaker 1: my overhead bends one, damn it one, you animals, I'm

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Speaker 1: an exit rope, but please, I'm an exit rope. Please.

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Speaker 1: I'm a gold member Lifetime Achiever Level Penultimate Wizard. Okay,

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Speaker 1: so I'm entitled to as much overhead bend space as

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Speaker 1: I can possibly get. Well, there's more of us in

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Speaker 1: coach than there are in first class. Oh yeah, I

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Speaker 1: try it. Rise up, Coach, Rise up, Hey, ladies and gentlemen,

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Speaker 1: this is Captain Nick speaking. At this point, I imagine

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Speaker 1: you are all engaged in all but I'm here to

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Speaker 1: tell you stop. Have a good day. Thanks you kid?

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Speaker 1: Do you know? Do you know skill? Do your kids

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Speaker 1: need me to get you anything? Cocktail? Oh I brought tears? Okay, great,

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Speaker 1: what do you got said? Sorry about that, pal, I

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Speaker 1: didn't realize this was Captain Knick's flight. Uh okay, I

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Speaker 1: I hit you pretty hard. I think I'm all right.

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Speaker 1: I think I'm okay. Are you still gonna be able

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Speaker 1: to do your exit road duties? My ribs are punctured.

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Speaker 1: My lungs punctured my ribs. Does that make sense? No? No,

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Speaker 1: how does that happen? I think my my long punctured

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Speaker 1: my ribs. There seems to be a lot of lungs

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Speaker 1: going into my ribs right now. I'll call ahead so

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Speaker 1: so an ambulance can meet us in Cincinnati. Then just

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Speaker 1: lay back and relax, pal first class like this. Maybe

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Speaker 1: I should take the windows seat in the excitent row

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Speaker 1: because I don't know if you'll be able to do it.

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Speaker 1: Of course, I'll do whatever I need to do. This

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Speaker 1: is my dudey, I'll do it. Ladies and gentlemen, Now

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Speaker 1: that everything is calm down, I'm gonna let you win

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Speaker 1: a little surprise, a little treat your old boy. Captain

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Speaker 1: Nick here knows a good tire guy in Cincinnati. He's

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Speaker 1: the entire king of Cincinnati. And I have cards on

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Speaker 1: your way out if you want to pick one up.

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Speaker 1: What's their slogan? Uh? I can hear you. I can

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Speaker 1: hear you. The slogan is, uh shit, I got this.

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Speaker 1: I got this. Capt Nick Good. The slogan in is

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Speaker 1: kick as tire. No. I don't think that was a skill.

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Speaker 1: And I don't mean to something about the fact that

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Speaker 1: if you don't have tires you need them. Oh, I

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Speaker 1: don't remember either. I better go to Kevin Service. It was, yeah,

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Speaker 1: you're cute, wonderful. What the hell do you mean. I

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Speaker 1: can't get on the plane. It's still on the tarmact

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Speaker 1: it hasn't left. I need an I D. I don't

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Speaker 1: know how many times I gotta tell you, sir, need

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Speaker 1: an I D. I'm gonna close these doors in seconds. Okay, okay, okay,

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Speaker 1: hold on, here we go. Look check this out. Huh

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Speaker 1: library card fantastic. Stilllympus has fallen right. Paging Gerard Butler.

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Speaker 1: Paging Gerard. But that's me, that's me. Where do I

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Speaker 1: go after? Where do I go? Actor? They said the actors,

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Speaker 1: but that was secondary, so that might be someone's name

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Speaker 1: is the actor? They were talking to me George Butler? First, okay,

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Speaker 1: where do I go to? People? And one of them

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Speaker 1: was just the name the actor. I don't know. It's

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Speaker 1: a goddamn international airport. All right, paging passenger Gerard Butler.

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Speaker 1: Also paging passenger the actor. Okay, there you go. You

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Speaker 1: see do you see what I'm saying? Where where do

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Speaker 1: I go? Where do I go? You go to a

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Speaker 1: white phone? Okay? Oh great, so we're I just gotta

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Speaker 1: hunt for that, Jesus great with a treasure map. The

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Speaker 1: hell is this? Alright? There's no white phone back there?

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Speaker 1: I see a white phone back there. Just let me

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Speaker 1: pick it up. Okay, Hello, hello, Hello, this is captain Nick. Hello,

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Speaker 1: this is Gerard Butler. Whoa the actor? Uh? No, I'm

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Speaker 1: not the actor. Okay, thank god, you were saying. I

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Speaker 1: was told a page. All right, what's the issue. But

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Speaker 1: there's some kind of page of some kind of loose

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Speaker 1: pages in a book. Pritty good sir? Might I use

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Speaker 1: that courtesy phone? No, I was paged, sir, Thank you

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Speaker 1: very much. Sir, was paged. I'm the actor. Oh you're

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Speaker 1: the actor. I'm Gerard Butler. All right, No, no, I'm

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Speaker 1: not the actor. No right, I'm not. Are you there

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Speaker 1: with Are you there with the actor? Yes? Put them

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Speaker 1: on you. Look they want to talk to you. Make

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Speaker 1: a quick good day, sir, the actor. It's captain nick

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Speaker 1: you ow, don't think I've forgotten. Uh well, I'm doing

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Speaker 1: an equity job in Cincinnati. Uh okay, can we just

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Speaker 1: go back to one al right? Actor? Actor? Actor? Yeah, alright,

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Speaker 1: I love what you're doing, love it all the U

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Speaker 1: the Yeah, I love it, very very good stuff here.

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Speaker 1: Uh the some of the choices though, I'm not really

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Speaker 1: getting I don't know why you have to turn into

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Speaker 1: a dog at some point. Yep, there you go. Uh

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Speaker 1: so just kind of just you know, why don't we

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Speaker 1: take a twenty well, why don't we take a twenty hour? Sorry,

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Speaker 1: I'm sorry, I'm sorry. Producer here, can I speak to

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Speaker 1: you director? Yeah? Yes, of course the twenty hour breaks.

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Speaker 1: Do you have this this production under control? Of course

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Speaker 1: I do. I'm the director. Are you talking about Well,

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Speaker 1: i'm producer. It's important to me that I know everything's going. Okay.

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Speaker 1: Get your hands out of the goddamn process. You're the money,

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Speaker 1: that's all you got, That's all you are. I asked

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Speaker 1: for creative control when I joined onto this fucking film,

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Speaker 1: and I said yeah, but I didn't mean my my

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Speaker 1: fucking tozies were crossed. I got executive producer breeding down

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Speaker 1: my back. Man. Well then you talk to him. That's

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Speaker 1: not my problem. Where's actor actors on twenty her break?

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Speaker 1: Jesus Christ, producer and executive producer here, director, why don't

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Speaker 1: you take a five days done? Thank you? Producer? EP?

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Speaker 1: You can, you should, and I'd like to replace the director. Okay,

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Speaker 1: I think the actor is ready to step up and

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Speaker 1: also be the director. Let's call him in please. I

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Speaker 1: think he's I got to use that white phone right there.

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Speaker 1: Part of me I know this is the actor actor. Hey,

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Speaker 1: producer here? Yes, hellosa Hi. Oh it's nice to hear yours. Um,

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Speaker 1: now we understand you were just you're taking to twenties?

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Speaker 1: That correct? Yes, I met the airport now ship. Don't

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Speaker 1: give me a twity. I'm gonna take advantage of it.

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Speaker 1: I'm flying to Cincinnati if I'm an audition, an audition.

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Speaker 1: But you're not even done with this project. Look, the

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Speaker 1: only thing that matters to an actor is the next job.

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Speaker 1: Very well, I booked this one already. Wow. Wow, okay, um,

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Speaker 1: well EP is here. You want to say something to you? Yes?

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Speaker 1: Please put them on? Is this the this is the

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Speaker 1: if I may call you that call me listen the um.

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Speaker 1: It would behoove everyone if you would not get on

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Speaker 1: that flight. Come back to the production. We'd like you

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Speaker 1: to direct the film. And when I say we, I

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Speaker 1: mean me so I the actor will also be the director,

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Speaker 1: but not the narrator. No, no, really, who did your book?

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00:21:06,480 --> 00:21:12,840
Speaker 1: Who did you book? James Heeney Heeny? Reasonable choice, we

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00:21:12,960 --> 00:21:15,760
Speaker 1: like to think, so all right, Yeah, I have a

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Speaker 1: little tape of him now during the opening scene, if

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Speaker 1: you'd like to hear it as the director. Okay, here

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Speaker 1: we go, opening st James Heeny, Take four Patrick, A

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Speaker 1: long long time ago, in a relatively closer space than

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Speaker 1: you'd expect, there was a man and this man grew

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Speaker 1: from a little boy became a young adult. Is he

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Speaker 1: doing an accident? Can you turn that audiobook down? All

336
00:21:41,119 --> 00:21:44,120
Speaker 1: right's a long flight. I can't turn it down. There's

337
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Speaker 1: no volume. Okay, Well, then put some headphones on, all right,

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Speaker 1: I don't have headphones. I'm not a millionaire. Jesus, you

339
00:21:50,520 --> 00:21:52,760
Speaker 1: don't have to be a millionaire. You can be a billionaire.

340
00:21:53,119 --> 00:21:55,240
Speaker 1: You can put headphones on if you don't like it,

341
00:21:55,320 --> 00:21:59,000
Speaker 1: or maybe maybe sir, you could learn something. Oh well,

342
00:21:59,000 --> 00:22:01,119
Speaker 1: I've plugged my ear holes up, thank you very much.

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00:22:01,160 --> 00:22:03,840
Speaker 1: So I can't do that, Oh you plugged your ear

344
00:22:03,880 --> 00:22:07,080
Speaker 1: holds up, well, then it shouldn't be bothering you. It

345
00:22:07,160 --> 00:22:09,640
Speaker 1: is okay, it wasn't a good job. I botched it,

346
00:22:09,960 --> 00:22:14,520
Speaker 1: all right, Your guys argument in front of me? Um,

347
00:22:14,640 --> 00:22:17,919
Speaker 1: have you heard of books with words that you just

348
00:22:17,960 --> 00:22:21,680
Speaker 1: read in your own head? What's that? We'll check this out.

349
00:22:21,880 --> 00:22:24,600
Speaker 1: It's got pages. So instead of using an audience, is

350
00:22:24,640 --> 00:22:27,800
Speaker 1: that a sandwich? Is that a horrible sandwich? What kind

351
00:22:27,840 --> 00:22:30,040
Speaker 1: of sandwich is that? It's not a sandwich? This is

352
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Speaker 1: a book. It's literally share that sandwich. It's the whole

353
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Speaker 1: plane group one here. I can claim any sandwich to anybody.

354
00:22:44,040 --> 00:22:52,320
Speaker 1: We're all group one, asshole and that scene one scene one. J. G.

355
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Speaker 1: Ballard would be very happy with what we did, so

356
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Speaker 1: extraordinarily pleased. We got to the bottom of Nick oh Man.

357
00:22:59,640 --> 00:23:03,399
Speaker 1: Did we we proved a consistency or lack there? Up?

358
00:23:07,680 --> 00:23:13,680
Speaker 1: Never to Nichols who wrote Alchemy? This gets a movie deal?

359
00:23:13,880 --> 00:23:17,359
Speaker 1: Does it take off? Or crash and burn? Keep up

360
00:23:17,400 --> 00:23:22,960
Speaker 1: the comedy? Gold Craig, excuse me, ep e E D

361
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Speaker 1: E D. I don't know I have a name, Okay.

362
00:23:28,600 --> 00:23:35,399
Speaker 1: Linda gold Schmidt, uh Linda ms Mrs uh Gold Schmidt. Uh.

363
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Speaker 1: I was looking over the some some of the uh,

364
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Speaker 1: some of the request for some of the actors, and

365
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Speaker 1: I just want to make sure that I clear with

366
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Speaker 1: you before I go ahead, and you're wasting my time.

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Speaker 1: I'm sorry, I'm sorry. I saw some of the so

368
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Speaker 1: we have Mr Pollock obviously. He wanted just you know,

369
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Speaker 1: for a fresh cold brew in a fruit platter for

370
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Speaker 1: that great Chris Alvarado. He wanted some new slide custom

371
00:24:00,640 --> 00:24:07,240
Speaker 1: fit Ka Kaki pleaded for uh. Mr yes for Craig

372
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Speaker 1: Kolowski Kamowski. I'm not sure if I'm saying that correctly.

373
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Speaker 1: He wanted a two friendship bulldogs, so we had we

374
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Speaker 1: could just find those. Uh for oh my god, so

375
00:24:18,920 --> 00:24:21,400
Speaker 1: hot in here? Are you? Are you okay? Are you hot?

376
00:24:21,480 --> 00:24:25,480
Speaker 1: Or don't take your shirt off in front of me? Sorry? Sorry,

377
00:24:25,520 --> 00:24:29,960
Speaker 1: I'm sorry. I put your shirt back on. I'm sorry.

378
00:24:29,960 --> 00:24:34,080
Speaker 1: I'm sorry. Here here okay? And I'm a very married

379
00:24:34,160 --> 00:24:40,359
Speaker 1: woman as mrs. And uh for Joey I, Oh, he

380
00:24:40,440 --> 00:24:44,280
Speaker 1: wanted a new Samsung flip phone. UH. And he requested

381
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Speaker 1: uh the agents phone numbers, the several agents phone numbers,

382
00:24:48,240 --> 00:24:52,280
Speaker 1: and UH said, okay, or why is it? What? Wait?

383
00:24:52,280 --> 00:24:54,639
Speaker 1: What what about the phone numbers? I don't know. That

384
00:24:54,720 --> 00:24:56,679
Speaker 1: was just part of the request. I just wanted to

385
00:24:56,720 --> 00:25:00,480
Speaker 1: go to sever His request is several agents phone numbers. Yes,

386
00:25:00,520 --> 00:25:02,280
Speaker 1: I don't. I don't think he has an agent. So

387
00:25:02,320 --> 00:25:04,680
Speaker 1: I think he just wants these cold calleag people during

388
00:25:04,680 --> 00:25:07,640
Speaker 1: the filming and it's we're not gonna no, no, that's

389
00:25:07,640 --> 00:25:09,920
Speaker 1: a no. Okay, So yes, on the flip floone, flip

390
00:25:09,920 --> 00:25:14,760
Speaker 1: flip floone? What's wrong with you? Is it hot? Is

391
00:25:14,800 --> 00:25:20,600
Speaker 1: it hot here? It's not hot any here? Okay? Sorry? Sorry,

392
00:25:20,640 --> 00:25:25,240
Speaker 1: I thought involuntary. I was involuntary. I have Vanessa Rigland. Uh.

393
00:25:25,680 --> 00:25:29,879
Speaker 1: She wanted a homemade's in she's in this to me,

394
00:25:30,280 --> 00:25:33,280
Speaker 1: supporting role, supporting role, very very light, very light. She

395
00:25:33,359 --> 00:25:35,560
Speaker 1: wanted a crystal homemade of crystals. She's just one of

396
00:25:35,560 --> 00:25:39,080
Speaker 1: the homemade of crystals. And that's no problem on that.

397
00:25:39,160 --> 00:25:42,800
Speaker 1: So that's no problem okay. And then um uh the

398
00:25:42,880 --> 00:25:45,440
Speaker 1: last one here, Oh my god, oh my god, did

399
00:25:45,480 --> 00:25:47,920
Speaker 1: you just piss my floor? I am so that was

400
00:25:47,960 --> 00:25:55,160
Speaker 1: involved hot? Are you hot? What is going on? Not hot?

401
00:25:55,200 --> 00:25:58,200
Speaker 1: You're going to have to drink your piss? Yes, yes,

402
00:25:58,359 --> 00:26:04,040
Speaker 1: Mrs Man. Yeah, I think i'd have a carpet. Hey, James, Man,

403
00:26:04,119 --> 00:26:07,320
Speaker 1: that's a cool trailer. Thank you. I don't know if

404
00:26:07,359 --> 00:26:08,840
Speaker 1: I don't know if you noticed, but I'm wearing some

405
00:26:09,040 --> 00:26:13,840
Speaker 1: new pants, pantalones. Those are nice. Why do they have

406
00:26:13,920 --> 00:26:16,320
Speaker 1: a big crease up the front. Oh that's called the

407
00:26:16,400 --> 00:26:20,760
Speaker 1: polat my man, I'm bringing it back. So man, I

408
00:26:20,800 --> 00:26:22,280
Speaker 1: don't know about you, but I've been trying to rest

409
00:26:22,480 --> 00:26:27,159
Speaker 1: and Craigs bulldogs keep barking. Man, I haven't heard them.

410
00:26:27,200 --> 00:26:31,320
Speaker 1: I got this soundproof trailer. Oh is that is that

411
00:26:32,640 --> 00:26:37,040
Speaker 1: behind you? I'm sorry closed the door behind you? Oh?

412
00:26:37,160 --> 00:26:41,240
Speaker 1: Sorry about that. Just listen. Do you hear that? M

413
00:26:41,960 --> 00:26:46,840
Speaker 1: it's fucking silence Chris. No French bulldogs, no nothing. It's

414
00:26:46,920 --> 00:26:50,439
Speaker 1: like an isolation tank, but it's a trailer. Hold on coffee.

415
00:26:51,160 --> 00:26:56,600
Speaker 1: No French bulldogs, No Joey career. He's inside. Once he's

416
00:26:56,640 --> 00:26:59,320
Speaker 1: in here, I can't silence him. But still, I see

417
00:26:59,359 --> 00:27:02,560
Speaker 1: what you're doing. You asked for the one thing maybe

418
00:27:02,600 --> 00:27:04,520
Speaker 1: we all should have asked for, which is a break

419
00:27:04,600 --> 00:27:07,200
Speaker 1: from each other. Well, I sure ship didn't want some

420
00:27:07,320 --> 00:27:11,439
Speaker 1: pleated pants. I could. Yeah, I'm an idiot. I'm an idiot.

421
00:27:11,680 --> 00:27:14,399
Speaker 1: I'm sorry. I didn't mean to say that. No, no, no,

422
00:27:14,520 --> 00:27:17,840
Speaker 1: you're making me. You're right. I'm such a yes guy.

423
00:27:17,920 --> 00:27:19,399
Speaker 1: You know. Oh, whatever you want to do when I

424
00:27:19,520 --> 00:27:21,960
Speaker 1: take craigs dogs out for walks all the time, you do?

425
00:27:22,200 --> 00:27:24,560
Speaker 1: You know? I I get Joey my agent's phone number. Dude,

426
00:27:24,840 --> 00:27:31,520
Speaker 1: you did, Yeah, but like Bridge, you requested one thing

427
00:27:31,600 --> 00:27:34,800
Speaker 1: that will shut everybody else out. This is my little

428
00:27:34,880 --> 00:27:38,120
Speaker 1: sanctuary when I were on set filming, just a little

429
00:27:38,160 --> 00:27:42,240
Speaker 1: place to go with escape. Is that incentense I smell? Yeah,

430
00:27:42,480 --> 00:27:46,000
Speaker 1: it's not chompa. Oh, not chompa. That's that o G ship.

431
00:27:46,640 --> 00:27:50,160
Speaker 1: Well yeah, hey, guys, open up. It's make Graig Atkowski.

432
00:27:50,240 --> 00:27:54,080
Speaker 1: That's what I sound like. It's cannon. Uh. If you

433
00:27:54,119 --> 00:27:56,480
Speaker 1: don't say anything, it's also soundproof. On the outside, he

434
00:27:56,520 --> 00:27:59,280
Speaker 1: won't know that we're in here. Guys, open up, and

435
00:27:59,520 --> 00:28:02,879
Speaker 1: somebody to walk my dogs. Shit, you can't hear it.

436
00:28:03,920 --> 00:28:05,960
Speaker 1: I can't hear why we can hear him. It's it's

437
00:28:06,280 --> 00:28:08,080
Speaker 1: just keep your voice down. I think, hold on here,

438
00:28:08,160 --> 00:28:10,960
Speaker 1: let me test it out. Hey, Craig, you're a fucking chump.

439
00:28:11,320 --> 00:28:15,440
Speaker 1: Nobody really likes you. You're only here because Kevin think

440
00:28:15,480 --> 00:28:18,120
Speaker 1: you're okay. I think I think something might be wrong

441
00:28:18,200 --> 00:28:21,440
Speaker 1: with it because if this great, Hey, Craig, whyt to

442
00:28:21,480 --> 00:28:23,560
Speaker 1: go funk yourself? And you know what, I kiss both

443
00:28:23,600 --> 00:28:26,720
Speaker 1: your dogs on the mouth, Chris, Chris, if we can

444
00:28:26,800 --> 00:28:29,119
Speaker 1: hear him, it's all right, I heard all that. That

445
00:28:30,119 --> 00:28:36,200
Speaker 1: open the door, Craig. Sorry, we're doing uh we were playing. Um,

446
00:28:36,680 --> 00:28:41,720
Speaker 1: why don't you come inside? This is a soundproof trailer, Craig,

447
00:28:41,760 --> 00:28:49,520
Speaker 1: are you okay? You're like crying into the crafty. We

448
00:28:49,600 --> 00:28:51,360
Speaker 1: all want to we all want to eat that. So

449
00:28:51,520 --> 00:28:53,000
Speaker 1: I don't want you. I don't want you to cry,

450
00:28:53,080 --> 00:28:54,560
Speaker 1: but I especially don't want you to cry on the

451
00:28:54,600 --> 00:29:01,240
Speaker 1: cream cheese. I'm sorry. They shouldn't leave out so many nuts. Uh. Look,

452
00:29:01,720 --> 00:29:03,840
Speaker 1: I just found out what Chris Alvarado really thinks would be.

453
00:29:04,440 --> 00:29:09,440
Speaker 1: What is he thinking? It thinks I'm a chump? Oh,

454
00:29:09,560 --> 00:29:15,239
Speaker 1: you just found out. Really, you know this. I did

455
00:29:15,360 --> 00:29:18,040
Speaker 1: have a suspicion. But Craig, I I'm not in the

456
00:29:18,120 --> 00:29:22,640
Speaker 1: movie very much. Can we make it about me for

457
00:29:22,760 --> 00:29:24,640
Speaker 1: a second. Can you stop crying? And can we make

458
00:29:24,680 --> 00:29:27,479
Speaker 1: it about me for a second. Well, you you've got

459
00:29:27,560 --> 00:29:30,880
Speaker 1: two good scenes, but every other scene at the top

460
00:29:31,000 --> 00:29:34,640
Speaker 1: it says Vanessa is not in this scene. Yeah, it's

461
00:29:34,640 --> 00:29:36,640
Speaker 1: a good part of the dialogue to God, damn it,

462
00:29:36,720 --> 00:29:39,840
Speaker 1: you look. Just make it happen. Okay, yes, I'm gonna

463
00:29:39,840 --> 00:29:44,840
Speaker 1: give a I'm gonna sign. You don't have an agent, Joey,

464
00:29:44,920 --> 00:29:48,400
Speaker 1: you can just turn it down a fucking not. I'm sorry.

465
00:29:48,480 --> 00:29:50,560
Speaker 1: I was just I was actually just talking to my agent.

466
00:29:50,840 --> 00:29:55,440
Speaker 1: I think you're talking to a book on tape. Craig,

467
00:29:55,480 --> 00:29:57,520
Speaker 1: I think you're freaking idiot, and everyone thinks that Greg

468
00:29:58,520 --> 00:30:07,040
Speaker 1: you do nodded on the locks. Jesus, what a bagel

469
00:30:07,040 --> 00:30:10,840
Speaker 1: spread pull sucking together? Man, all right, I can't have this.

470
00:30:10,960 --> 00:30:13,320
Speaker 1: I can't have this energy right before I go shoot

471
00:30:13,320 --> 00:30:16,360
Speaker 1: with scores is easy? Okay, I cannot have this. I

472
00:30:16,520 --> 00:30:21,160
Speaker 1: cannot have this. Excuse me, what you're working with scores? Yes, yeah,

473
00:30:21,240 --> 00:30:25,360
Speaker 1: I am okay, my Asian hooked it up. Okay, there's

474
00:30:25,480 --> 00:30:31,240
Speaker 1: capers on these salmon. I'm sorry, p A, Hello, what

475
00:30:31,960 --> 00:30:34,800
Speaker 1: I'm just having? What capers and salmon? I'm sorry? Yeah,

476
00:30:34,840 --> 00:30:38,800
Speaker 1: this is the actors crafty. You see that bullish ship

477
00:30:38,960 --> 00:30:41,600
Speaker 1: over there in the corner on the floor, Yeah, that's yours. Okay,

478
00:30:41,760 --> 00:30:44,560
Speaker 1: have at it now. It's sucking nuts. It's just like

479
00:30:44,680 --> 00:30:47,160
Speaker 1: I'm on the lamb with this guy. He's like sending

480
00:30:47,160 --> 00:30:49,800
Speaker 1: me all these different like scraps. I gotta read. Buddy,

481
00:30:50,040 --> 00:30:57,000
Speaker 1: you're on the lamb with running away. It doesn't know. Hey, buddy,

482
00:30:57,040 --> 00:30:59,360
Speaker 1: stop eating our guddamn food. Alright, I'm not eating that

483
00:30:59,440 --> 00:31:03,719
Speaker 1: bullshit the floor. I'm not doing this is our god

484
00:31:04,320 --> 00:31:10,280
Speaker 1: all right, huh, this is our goddamn table. It's for actors. Hey, Joey, Hey, man,

485
00:31:10,360 --> 00:31:13,040
Speaker 1: it's your agent. U. Hey, did you get your teeth

486
00:31:13,080 --> 00:31:15,880
Speaker 1: fixed or not? No? No, no, it's kind of what

487
00:31:15,960 --> 00:31:22,840
Speaker 1: I'm calling about. Man, I cannot what Glenn Beck's and

488
00:31:23,000 --> 00:31:31,800
Speaker 1: Rince open that. Listen, you and I are officially on

489
00:31:32,040 --> 00:31:35,120
Speaker 1: the lamb. Good those guys. Yeah, when those guys kick

490
00:31:35,160 --> 00:31:37,280
Speaker 1: my fucking teeth, they say, get the funk out of

491
00:31:37,280 --> 00:31:39,680
Speaker 1: the studio city, and that means you and me ball

492
00:31:39,960 --> 00:31:43,680
Speaker 1: good good, good things are good. How often I'm not

493
00:31:43,800 --> 00:31:46,320
Speaker 1: doing that? Okay, you need the flospher often, get the

494
00:31:46,360 --> 00:31:50,280
Speaker 1: funk out of there. There, it's like teeth out, Put

495
00:31:50,320 --> 00:31:52,080
Speaker 1: me on the put me on the phone with the doctor. Yeah,

496
00:31:52,120 --> 00:31:55,680
Speaker 1: there you go. Take this. Yes, hey, my agent is

497
00:31:55,680 --> 00:31:58,840
Speaker 1: not going to floss. All right, Well, clearly he's not

498
00:31:58,880 --> 00:32:01,360
Speaker 1: gonna floss. Yeah, he's like of f us right, really

499
00:32:01,360 --> 00:32:06,720
Speaker 1: advanced gum disease A figure it out. Okay, Okay, it's

500
00:32:07,000 --> 00:32:09,840
Speaker 1: it's reversible, but you need to put some work in. Okay, Well,

501
00:32:09,880 --> 00:32:12,880
Speaker 1: then put some working buddy. All right, I'm saying. I'm

502
00:32:12,880 --> 00:32:15,000
Speaker 1: saying that he has to put some work in at home. Look, man,

503
00:32:15,040 --> 00:32:18,479
Speaker 1: he's put in working with me, with me. Okay, who

504
00:32:18,520 --> 00:32:21,120
Speaker 1: are you again? You know who I am? You heard

505
00:32:21,160 --> 00:32:23,360
Speaker 1: my voice? All right? You know who I am? All right,

506
00:32:23,720 --> 00:32:25,320
Speaker 1: you know I'm not Gerard Butler, but you know who

507
00:32:25,360 --> 00:32:29,000
Speaker 1: I am? The actor? Yeah? Well no, yes, I did

508
00:32:29,080 --> 00:32:31,840
Speaker 1: just put my age back on. Okay, I did want

509
00:32:31,880 --> 00:32:34,280
Speaker 1: to talk to you anyway. Look, with the most important

510
00:32:34,360 --> 00:32:36,920
Speaker 1: years that you and I are officially on the lamb.

511
00:32:37,000 --> 00:32:41,720
Speaker 1: All right, I'm here. Good news, y'all. Good news, y'all

512
00:32:42,320 --> 00:32:45,920
Speaker 1: officially booked. Did hey, stop eating the goddamn food on

513
00:32:46,040 --> 00:32:48,400
Speaker 1: the table, man, I'm not eating the bowl of shit

514
00:32:48,520 --> 00:32:53,000
Speaker 1: over there, some of those capers that came out of

515
00:32:53,040 --> 00:32:56,160
Speaker 1: my nose. What you guys, I think I'm just gonna walk.

516
00:32:56,280 --> 00:32:58,320
Speaker 1: I think I'm gonna do some walk in two scenes

517
00:32:58,400 --> 00:33:00,160
Speaker 1: and just we're going to roll with it because we're

518
00:33:00,200 --> 00:33:02,520
Speaker 1: used to improvising, and I'm just gonna I feel like

519
00:33:02,560 --> 00:33:04,880
Speaker 1: if I'm on set, I'm just gonna walk in, but

520
00:33:04,960 --> 00:33:09,040
Speaker 1: you're not on the call sheet. I hate you so much.

521
00:33:09,520 --> 00:33:12,240
Speaker 1: All Right, hey, everybody, I'm glad you're all here. Um see,

522
00:33:12,320 --> 00:33:14,200
Speaker 1: I'm here with James and Kevin obviously. So now that

523
00:33:14,280 --> 00:33:17,240
Speaker 1: we are here, what's getting ready for the big shoot day?

524
00:33:17,400 --> 00:33:20,760
Speaker 1: I was thinking, um, we should probably clear the air

525
00:33:20,880 --> 00:33:22,360
Speaker 1: before we get started because I want this to be

526
00:33:22,440 --> 00:33:24,640
Speaker 1: a nice, pure experience for all of us. Okay, yeah,

527
00:33:24,680 --> 00:33:27,360
Speaker 1: let's get it all out there. Good good, Um, listen,

528
00:33:27,920 --> 00:33:30,240
Speaker 1: I said some things about Craig that I meant but

529
00:33:30,440 --> 00:33:33,520
Speaker 1: I regret saying. And so that's done. You know, that's

530
00:33:33,600 --> 00:33:35,280
Speaker 1: that's out there. That's why Why do you regret it?

531
00:33:35,320 --> 00:33:37,560
Speaker 1: If you meant it, I regret that he heard it

532
00:33:37,560 --> 00:33:43,600
Speaker 1: because I'm kind of a coward that way. Fair, fair assessment. Alright, accepted,

533
00:33:43,880 --> 00:33:46,440
Speaker 1: Thank you, Thank you. No. I just think, James, I

534
00:33:46,520 --> 00:33:48,680
Speaker 1: think maybe you might want to say some things about

535
00:33:48,800 --> 00:33:51,320
Speaker 1: why your request was to shut us out, you know,

536
00:33:51,480 --> 00:33:54,680
Speaker 1: before we get started here. Well, Vanessa's not shooting today,

537
00:33:54,680 --> 00:33:57,600
Speaker 1: but before we get started today, if you guys need me,

538
00:33:57,880 --> 00:34:04,200
Speaker 1: I'm available always great to James. Well, the reason I

539
00:34:04,320 --> 00:34:07,280
Speaker 1: shut you guys out is like, I want when we're

540
00:34:07,400 --> 00:34:11,080
Speaker 1: together to be electric and if I'm with you guys

541
00:34:11,200 --> 00:34:16,520
Speaker 1: all the time, it's just boring. So I keep myself

542
00:34:16,560 --> 00:34:21,560
Speaker 1: at my trailer so that there's electricity and chemistry and

543
00:34:21,760 --> 00:34:25,879
Speaker 1: for God's sake, alchemy when we get together. Let's see

544
00:34:25,880 --> 00:34:28,880
Speaker 1: what you did there. I don't know that we can

545
00:34:29,040 --> 00:34:32,399
Speaker 1: argue with that. Once again, James has brought us back

546
00:34:32,480 --> 00:34:35,640
Speaker 1: to where I'm guys. I'm sorry. I know I'm not

547
00:34:35,880 --> 00:34:39,040
Speaker 1: technically a call sheep, but I am. You know I'm here. Um.

548
00:34:39,200 --> 00:34:41,359
Speaker 1: I just noticed that there's a body double for all

549
00:34:41,440 --> 00:34:48,640
Speaker 1: my scenes. H yeah, but it's all just us, you know,

550
00:34:48,760 --> 00:34:50,759
Speaker 1: at the coffee shop, and so I just don't know

551
00:34:50,800 --> 00:34:52,200
Speaker 1: why there has to be a body double for all

552
00:34:52,280 --> 00:34:53,879
Speaker 1: my Listen. I didn't want to do this, but I'm

553
00:34:53,880 --> 00:34:57,120
Speaker 1: gonna throw Vanessa under the bus, Kevin. She plans on

554
00:34:57,360 --> 00:35:00,640
Speaker 1: jumping into these two these scenes doing walking impressions. I

555
00:35:00,760 --> 00:35:02,120
Speaker 1: heard her say she was gonna do a bunch of

556
00:35:02,200 --> 00:35:05,440
Speaker 1: walking and that's your thing, and I just feel like

557
00:35:05,480 --> 00:35:08,640
Speaker 1: she's trying to sabotage the movie. I appreciate that, James,

558
00:35:08,680 --> 00:35:11,360
Speaker 1: and I'd like everyone to take notice that what James

559
00:35:11,440 --> 00:35:15,960
Speaker 1: has done is stab Vanessa in the face and not

560
00:35:16,160 --> 00:35:18,640
Speaker 1: my body, double my face. I'm sorry, don't you call me?

561
00:35:19,200 --> 00:35:26,560
Speaker 1: Hi's here? Hey? How are you na good? Venis not

562
00:35:27,040 --> 00:35:29,800
Speaker 1: much older in real life. You have to go, you

563
00:35:30,000 --> 00:35:32,040
Speaker 1: have to go. No, she can't. She's see in the

564
00:35:32,120 --> 00:35:35,880
Speaker 1: scene we're talking about. She's in the scene today. Well

565
00:35:36,239 --> 00:35:39,960
Speaker 1: in all the scenes. He listen to her Australian accent. Vanessa,

566
00:35:40,120 --> 00:35:43,759
Speaker 1: you're gonna love it. Lay it down, Venete two kids

567
00:35:43,800 --> 00:35:51,479
Speaker 1: a parrot immacular was really good. Also, okay, I better

568
00:35:51,520 --> 00:35:53,960
Speaker 1: wow joey Um, Why don't you show everybody how good

569
00:35:53,960 --> 00:35:56,759
Speaker 1: of a kisser you are? James, come here, do it?

570
00:35:56,880 --> 00:36:00,520
Speaker 1: Freak boy? How about just the James come here? Oh?

571
00:36:01,440 --> 00:36:08,960
Speaker 1: I just don't know if I'm wrong here? Okay? Who

572
00:36:09,840 --> 00:36:14,440
Speaker 1: those two dogs dead over there? Oh? God? Though I

573
00:36:14,600 --> 00:36:21,080
Speaker 1: was I was breeding that. Um Mrs a gold Gold

574
00:36:21,200 --> 00:36:24,720
Speaker 1: gold flush we have. My name is Linda gold, Schmidt

575
00:36:25,080 --> 00:36:29,359
Speaker 1: told Schmidt, ma'am mrs Mrs Um. I'm sorry to bother

576
00:36:29,400 --> 00:36:32,160
Speaker 1: you just want to there's some problems set there seems

577
00:36:32,200 --> 00:36:36,000
Speaker 1: to be uh, some some hiccups. What is wrong with you?

578
00:36:37,880 --> 00:36:40,480
Speaker 1: What is your role? What are you here for? What

579
00:36:40,640 --> 00:36:42,840
Speaker 1: are you trying to tell me, how would you have

580
00:36:42,920 --> 00:36:44,439
Speaker 1: me to answer that? Would we answer that in order?

581
00:36:44,719 --> 00:36:48,200
Speaker 1: Or my role is I am your assistant. I am

582
00:36:48,320 --> 00:36:51,399
Speaker 1: here uh to let you know what's going on on set.

583
00:36:51,480 --> 00:36:56,560
Speaker 1: And my role is not me me meator. Okay, it's involuntary.

584
00:36:56,560 --> 00:36:59,439
Speaker 1: I'm sorry, I so, I I so what So what's

585
00:36:59,480 --> 00:37:02,560
Speaker 1: happening is Craig's dogs have past and he's sewn them

586
00:37:02,600 --> 00:37:05,200
Speaker 1: together to make one big dog and he's carrying it

587
00:37:05,280 --> 00:37:07,840
Speaker 1: around every scene and on setting everyone, making everyone pettit.

588
00:37:08,600 --> 00:37:12,279
Speaker 1: James James has taken on the role of detective for

589
00:37:12,320 --> 00:37:15,280
Speaker 1: some reason, and he seems to be narking on everybody.

590
00:37:15,320 --> 00:37:18,880
Speaker 1: And yeah, I don't understand there's no detective in the picture.

591
00:37:19,200 --> 00:37:22,080
Speaker 1: I know, I know, I know. Uh. And probably the

592
00:37:22,120 --> 00:37:25,759
Speaker 1: biggest hiccup is that the Vanessa has um well she

593
00:37:25,960 --> 00:37:29,800
Speaker 1: she killed her standing and so there there's there's we

594
00:37:29,960 --> 00:37:32,800
Speaker 1: need to fix that. Help that we're gonna have to

595
00:37:32,880 --> 00:37:34,640
Speaker 1: go on the Lamb. This whole production is going on

596
00:37:34,760 --> 00:37:38,680
Speaker 1: the Lamb's get the word out. Let everybody know, put

597
00:37:38,760 --> 00:37:41,319
Speaker 1: it in the walks. This production is on the Lamb,

598
00:37:41,400 --> 00:37:48,480
Speaker 1: and we're moving. Okay, okay, okay, noted, take your pants off? Yes, yes, okay,

599
00:37:48,600 --> 00:37:54,080
Speaker 1: that's a company move. Everybody company moved. Bullshit, I just

600
00:37:54,239 --> 00:37:57,640
Speaker 1: shut this up. Alright, we're now all officially on the lamb.

601
00:37:57,760 --> 00:38:02,000
Speaker 1: That means no more communicado with your family member zos. Okay,

602
00:38:02,280 --> 00:38:05,680
Speaker 1: wait on a twenty hours. We are we are officially

603
00:38:05,760 --> 00:38:09,440
Speaker 1: on a twenty now. I always thought the lamb was

604
00:38:09,560 --> 00:38:16,560
Speaker 1: pregnant and seen too. You always thought on the lamb

605
00:38:16,600 --> 00:38:20,520
Speaker 1: meant with child phrase for like with child on the lamb,

606
00:38:20,680 --> 00:38:25,560
Speaker 1: isn't it? Is it? Nope? Nope, it's because Jesus Christ

607
00:38:25,680 --> 00:38:32,880
Speaker 1: is the Lamb of God. Okay, keep talking. Yeah, thank you.

608
00:38:33,280 --> 00:38:35,680
Speaker 1: By the way, I forgot to mention to my fellow alchemists,

609
00:38:35,680 --> 00:38:37,880
Speaker 1: thank you so much for the wonderful Passover wishes. It

610
00:38:37,960 --> 00:38:42,120
Speaker 1: was much appreciated. I forgot. Oh yeah, yeah for you,

611
00:38:42,719 --> 00:38:45,520
Speaker 1: yeah yeah, it's a very big day. And there he

612
00:38:45,760 --> 00:38:51,640
Speaker 1: is alive in the stories of your people. You know

613
00:38:51,840 --> 00:38:58,359
Speaker 1: that you are Jewish and it's a beautiful heritage. Yeah,

614
00:38:58,880 --> 00:39:01,640
Speaker 1: thank you for that for ne welcome. I love pass

615
00:39:02,640 --> 00:39:07,359
Speaker 1: It is pretty great. And Egyptians died. Now, I don't

616
00:39:07,360 --> 00:39:10,719
Speaker 1: know a lot about any religion, but was pass Over

617
00:39:11,040 --> 00:39:14,239
Speaker 1: like a self isolation kind of thing? Weren't they? Like

618
00:39:14,400 --> 00:39:17,600
Speaker 1: keeping to themselves or something very good. James, it is

619
00:39:17,800 --> 00:39:19,880
Speaker 1: very good. We were staying indoors and we put the

620
00:39:19,960 --> 00:39:23,799
Speaker 1: blood of the lamb, bringing it all back on the door,

621
00:39:24,000 --> 00:39:30,800
Speaker 1: so the full circa blood on the and sing. I

622
00:39:30,880 --> 00:39:33,400
Speaker 1: will say for the record on the lamb lamb it

623
00:39:33,520 --> 00:39:36,800
Speaker 1: just spelled l A M. It's true, got nothing to

624
00:39:36,840 --> 00:39:39,640
Speaker 1: do with the animal, James, feel better or worse? Worse?

625
00:39:40,000 --> 00:39:42,120
Speaker 1: Now I get to know what the acronym is. What

626
00:39:42,239 --> 00:39:47,440
Speaker 1: does LAMB stand for? Joey, No, it's not. It's not

627
00:39:47,560 --> 00:39:50,200
Speaker 1: a word, So what the hell does it mean? Alright?

628
00:39:50,480 --> 00:39:54,920
Speaker 1: It sound sound? We gotta we got to move. If

629
00:39:54,960 --> 00:39:58,320
Speaker 1: the listeners wants to google before James has a chance

630
00:39:58,880 --> 00:40:01,440
Speaker 1: and send us the deaf and it's your name here

631
00:40:01,480 --> 00:40:07,600
Speaker 1: at alchemy there dot com. See three comes to us

632
00:40:07,600 --> 00:40:11,520
Speaker 1: from Martin who wrote, Dear Alchemists, thanks so very much

633
00:40:11,600 --> 00:40:14,120
Speaker 1: for all the laughs. Nothing makes me laugh harder than

634
00:40:14,280 --> 00:40:17,040
Speaker 1: carrying jokes from the first scene all the way to

635
00:40:17,120 --> 00:40:22,160
Speaker 1: the last. Here is my scene suggestion. In an alternate universe,

636
00:40:22,320 --> 00:40:28,600
Speaker 1: what if Jesus Christ was just the best magician and

637
00:40:28,760 --> 00:40:33,080
Speaker 1: illusionists of his time. J C goes around making miracles

638
00:40:33,160 --> 00:40:36,240
Speaker 1: with the help of his disciples. Sleight of hand turns

639
00:40:36,320 --> 00:40:42,680
Speaker 1: blood into wine, multiplying the fish, walking on the water, etcetera. Judas,

640
00:40:42,960 --> 00:40:45,920
Speaker 1: as always, of course, is the disciple who ruins the

641
00:40:45,960 --> 00:40:49,399
Speaker 1: illusion by giving away the trick. Thanks a million Martin

642
00:40:49,480 --> 00:40:56,799
Speaker 1: from Canada. Okay, uh, who who's next? I am? I am?

643
00:40:56,920 --> 00:41:00,839
Speaker 1: I am, yes, yes, Jesus, I am. I'm very sick,

644
00:41:01,560 --> 00:41:04,040
Speaker 1: very very sick. And describe your symptoms if you would

645
00:41:04,080 --> 00:41:07,279
Speaker 1: pay my My lungs are piercing my ribs and I

646
00:41:08,680 --> 00:41:11,399
Speaker 1: don't know what to do. I can't work it. It's

647
00:41:11,440 --> 00:41:16,719
Speaker 1: hard to breathe. Rib lungs is one of my specialties.

648
00:41:16,800 --> 00:41:20,640
Speaker 1: What I'm going to do, watch my hand. Okay, I'm

649
00:41:20,640 --> 00:41:28,600
Speaker 1: gonna place them here. Place this one up here. Okay,

650
00:41:30,000 --> 00:41:32,200
Speaker 1: you've got to just close your eyes and trust me.

651
00:41:33,440 --> 00:41:39,239
Speaker 1: And this is a rabbit. Oh my god, hold hold

652
00:41:39,239 --> 00:41:43,040
Speaker 1: the right out of that well. I feel better. You're welcome.

653
00:41:43,200 --> 00:41:46,120
Speaker 1: Oh my gosh, I feel better, my child, You're welcome.

654
00:41:46,200 --> 00:41:50,200
Speaker 1: I feel so much better. Thank you, thank you, thank you,

655
00:41:50,880 --> 00:41:54,239
Speaker 1: thank you so much. Just just say thank you, thank

656
00:41:54,280 --> 00:41:57,400
Speaker 1: you so much. Thank my fate. If you wanted to

657
00:41:57,440 --> 00:42:04,440
Speaker 1: plan something bleeding, yes, sir, how can I help my family?

658
00:42:04,480 --> 00:42:06,719
Speaker 1: What they're very hungry, and all we have is this

659
00:42:06,880 --> 00:42:10,560
Speaker 1: one loaf of bread. And how many in your family? Four?

660
00:42:11,920 --> 00:42:15,280
Speaker 1: Just four? Huh, Well there's me and then four others,

661
00:42:15,760 --> 00:42:17,560
Speaker 1: and we have a dog that if we could do

662
00:42:17,680 --> 00:42:20,719
Speaker 1: something about the dog, that would be cool, but definitely secondary.

663
00:42:20,760 --> 00:42:25,120
Speaker 1: Wish we just have this one of bread. You have

664
00:42:25,280 --> 00:42:28,080
Speaker 1: one loaf of bread. This one would like to feed

665
00:42:28,239 --> 00:42:33,719
Speaker 1: a family of five and a canine if possible. This

666
00:42:33,960 --> 00:42:38,160
Speaker 1: can it's not mandatory. Turn around three times and say

667
00:42:38,200 --> 00:42:43,239
Speaker 1: I believe, I believe, I believe, No, no, just I

668
00:42:43,360 --> 00:42:51,440
Speaker 1: believe once. Yeay. Sorry, I'm sorry. There's a really big

669
00:42:51,520 --> 00:42:53,960
Speaker 1: line out there. Yeah, get back in line, sir. But

670
00:42:54,080 --> 00:42:56,759
Speaker 1: I still have this loaf of bread. What hell do

671
00:42:56,800 --> 00:42:58,279
Speaker 1: you mean you you waited there with the loaf of

672
00:42:58,360 --> 00:43:01,640
Speaker 1: bread to get it? What for him to magically breaking

673
00:43:01,719 --> 00:43:03,880
Speaker 1: up and make more bread? That was only one goddamn

674
00:43:03,960 --> 00:43:05,880
Speaker 1: load for bread, dude to stay at that. I don't know.

675
00:43:06,080 --> 00:43:09,200
Speaker 1: He starts miracles, I see him. Sometimes he posts rabbits

676
00:43:09,200 --> 00:43:13,799
Speaker 1: out of asses. Sometimes it's probably bread. Oh my god,

677
00:43:14,880 --> 00:43:17,239
Speaker 1: you can look at this. You get the kids both

678
00:43:17,320 --> 00:43:19,560
Speaker 1: that we don't have any goddamn bread because you wanted

679
00:43:19,600 --> 00:43:22,000
Speaker 1: to go over there and see the show. Uh, it

680
00:43:22,200 --> 00:43:23,839
Speaker 1: wasn't just seeing the show. I thought that he would

681
00:43:23,840 --> 00:43:29,279
Speaker 1: give us bread for everybody. We had a loaf of bread.

682
00:43:29,760 --> 00:43:32,520
Speaker 1: We had a huge loave of bread. We still have

683
00:43:32,760 --> 00:43:35,200
Speaker 1: the huge loaf of bread. Oh really, but you dropped

684
00:43:35,200 --> 00:43:36,840
Speaker 1: it on the ground and kicked it, and then a

685
00:43:36,840 --> 00:43:38,680
Speaker 1: whole bunch of people in lives that are ripping at it.

686
00:43:38,920 --> 00:43:42,280
Speaker 1: So what we got, I'll just little pieces of bread? Yes, sweetheart,

687
00:43:42,360 --> 00:43:44,440
Speaker 1: let's talk away from the children really quick. Oh why

688
00:43:44,560 --> 00:43:46,759
Speaker 1: so they can't hear you? Lies? Is that right? So

689
00:43:46,960 --> 00:43:52,319
Speaker 1: I'm the bad guy again. No not, they're hearing it. Sweetheart. Listen,

690
00:43:52,400 --> 00:43:55,480
Speaker 1: let me just whisper it. Maybe we should the dog.

691
00:43:56,680 --> 00:43:59,320
Speaker 1: Oh you want to eat the kids? Give me for

692
00:43:59,440 --> 00:44:03,640
Speaker 1: a second, what is it, mama? Your dad wants to

693
00:44:03,760 --> 00:44:11,960
Speaker 1: eat Moses? Is it that fun? Huh? Kids from today?

694
00:44:12,640 --> 00:44:18,520
Speaker 1: You want to know where the bread is? Huh? Yeahs oh, Corina,

695
00:44:18,600 --> 00:44:20,319
Speaker 1: you want to know where the bread is? Well, let

696
00:44:20,400 --> 00:44:24,040
Speaker 1: me tell you all right, it's on the floor, all right.

697
00:44:25,280 --> 00:44:28,280
Speaker 1: Your father decided to use that as a ticket Brice

698
00:44:28,719 --> 00:44:35,399
Speaker 1: to go off. There's no bread. We're probably gonna starve

699
00:44:35,480 --> 00:44:38,279
Speaker 1: and die, so just so you know, but we do

700
00:44:38,520 --> 00:44:42,560
Speaker 1: have this dog that we could eat. I'm gonna eat

701
00:44:42,600 --> 00:44:49,279
Speaker 1: the damn dog, all right. You better get out there,

702
00:44:49,400 --> 00:44:56,680
Speaker 1: and you betterfied. It's a frend's toast. Okay, yeah, Hi,

703
00:44:56,760 --> 00:45:01,160
Speaker 1: I'm next in line. Okay. The kind of miracle you're

704
00:45:01,160 --> 00:45:05,880
Speaker 1: looking for? Um, what kind of a miracle am I

705
00:45:05,960 --> 00:45:10,880
Speaker 1: looking for? I'm looking for somebody who it's pretending not

706
00:45:11,080 --> 00:45:13,239
Speaker 1: to be a piece of ship to come clean and

707
00:45:13,320 --> 00:45:16,279
Speaker 1: tell everybody that he is a piece of ship. I'm sorry.

708
00:45:16,400 --> 00:45:19,080
Speaker 1: Has have centurions been allowed to go in or not?

709
00:45:19,080 --> 00:45:22,279
Speaker 1: I don't know. I'm in group one, I understand it.

710
00:45:22,320 --> 00:45:25,120
Speaker 1: But centurions been allowed to go in or no? Centurions

711
00:45:25,160 --> 00:45:28,279
Speaker 1: have not gone in yet? Okay I'm not a centurion. No,

712
00:45:28,400 --> 00:45:33,080
Speaker 1: I'm a citizen, but I just haven't, sir. I'm so sorry.

713
00:45:33,120 --> 00:45:36,680
Speaker 1: Sorry regarding your miracle, sir, with this No, no, no,

714
00:45:36,840 --> 00:45:39,080
Speaker 1: you didn't ask for a miracle. You asked if centurions

715
00:45:39,120 --> 00:45:40,600
Speaker 1: have been allowed to go in? Here? Are you talking

716
00:45:40,640 --> 00:45:43,719
Speaker 1: to me? I'm not talking to you. You're looking at

717
00:45:43,760 --> 00:45:48,440
Speaker 1: me because you're demanding my attention in an uncomfortable way. Well,

718
00:45:48,480 --> 00:45:51,960
Speaker 1: I'm roman, I can see that from the outfit. To

719
00:45:52,080 --> 00:45:58,000
Speaker 1: slide right past you too, Hi there, Jesus Christ, is it? Yes,

720
00:45:58,480 --> 00:46:01,440
Speaker 1: you may call me Jesus. Hey Jesus. Yeah, my my

721
00:46:01,680 --> 00:46:03,520
Speaker 1: arm hurts. Can you fix that thing for me? Please?

722
00:46:04,000 --> 00:46:07,319
Speaker 1: Your arm hurts? Yeah, that's right. Well, you know as

723
00:46:07,360 --> 00:46:15,400
Speaker 1: a jewelshit healer. Bull. Sorry, I'm sorry, but you just

724
00:46:15,719 --> 00:46:19,040
Speaker 1: I just brought you into a motherfucking magic off. Do

725
00:46:19,120 --> 00:46:23,279
Speaker 1: you know who I am? Judas? That's right, Judas. I

726
00:46:23,400 --> 00:46:29,160
Speaker 1: can't believe you would do shit. Damn alright, somebody, somebody

727
00:46:29,200 --> 00:46:31,319
Speaker 1: who's really sick. Step up here, you, sir. You look

728
00:46:31,360 --> 00:46:34,880
Speaker 1: weird as I feel free. I feel fine. What's what?

729
00:46:35,520 --> 00:46:42,840
Speaker 1: What's this? Break? Is fast moving around? Huh? Next? That

730
00:46:43,000 --> 00:46:49,000
Speaker 1: is impressive. Next, go ahead, j C take this one. Okay,

731
00:46:49,440 --> 00:46:53,040
Speaker 1: what is your affliction? Well? Do you think that motherfucker

732
00:46:53,120 --> 00:46:58,080
Speaker 1: look at me consuming too much of the wine? No,

733
00:46:58,520 --> 00:47:05,319
Speaker 1: that's not correct. Forgets again? Okay, um, lack of hygiene?

734
00:47:05,920 --> 00:47:10,720
Speaker 1: Well might be do stem from that? I have a protrusion?

735
00:47:11,440 --> 00:47:16,719
Speaker 1: Oh look at that? Yeah, it's bugging me? Is that

736
00:47:16,840 --> 00:47:20,600
Speaker 1: coming from inside Paris? To be coming from inside my vessel?

737
00:47:20,760 --> 00:47:24,279
Speaker 1: So I'm on need to I saw some other healers

738
00:47:24,400 --> 00:47:28,120
Speaker 1: and they were stumped. But I guess you could take

739
00:47:28,120 --> 00:47:29,799
Speaker 1: a crack at it. It would feel good to get

740
00:47:29,880 --> 00:47:33,080
Speaker 1: this thing off. Can I get can I? Okay? I

741
00:47:33,200 --> 00:47:37,080
Speaker 1: want you to close your eyes. I did have leprodsly recently,

742
00:47:37,200 --> 00:47:40,240
Speaker 1: but I'm recovered. I do very well with the lepers.

743
00:47:41,040 --> 00:47:44,920
Speaker 1: Big big fan. While he's doing this, I need everybody

744
00:47:45,000 --> 00:47:47,600
Speaker 1: else in the house to start asking yourself some questions.

745
00:47:48,280 --> 00:47:51,279
Speaker 1: Do you want to follow a man like that? A

746
00:47:51,320 --> 00:47:59,160
Speaker 1: guy who does parlor tricks? Ask yourself this question? Man

747
00:47:59,239 --> 00:48:05,640
Speaker 1: who gets it? And one up here talk like a

748
00:48:05,760 --> 00:48:09,600
Speaker 1: little dog. You just say the choice you've made. Oh sorry,

749
00:48:09,640 --> 00:48:13,200
Speaker 1: I was out loud the whole time. Erro estes omiano.

750
00:48:13,960 --> 00:48:17,480
Speaker 1: Break it up and break it the hell up. Oh shit,

751
00:48:18,239 --> 00:48:22,919
Speaker 1: I'm punch just pilot. You know who I am. Don't

752
00:48:22,920 --> 00:48:28,799
Speaker 1: call me Pepe, everybody it's peep. Don't call me. Don't

753
00:48:28,800 --> 00:48:33,640
Speaker 1: call me, don't call me. All right, Crucify everybody here,

754
00:48:34,000 --> 00:48:39,279
Speaker 1: Crucify everything. You can crucify yourself, and you can suck

755
00:48:39,360 --> 00:48:42,040
Speaker 1: my boil while you're at it. All right, you know what,

756
00:48:42,280 --> 00:48:44,040
Speaker 1: Just crucify that one. I'm not sure if it deman

757
00:48:44,160 --> 00:48:47,839
Speaker 1: or a woman. Crucify it right now. We're gonna find out.

758
00:48:49,960 --> 00:48:51,919
Speaker 1: You're telling me to crucify that one. Yeah, I'm telling

759
00:48:51,920 --> 00:48:55,320
Speaker 1: you we're not like that, We're not good like that.

760
00:48:55,719 --> 00:48:58,000
Speaker 1: And who are you to give out any orders? Can

761
00:48:58,080 --> 00:49:02,000
Speaker 1: you please get the allow of this area? Are you?

762
00:49:02,320 --> 00:49:06,200
Speaker 1: This is peeing me? Oh? All right, I am seriously

763
00:49:06,320 --> 00:49:11,440
Speaker 1: I cut you know what, I don't even I'm about

764
00:49:11,520 --> 00:49:14,279
Speaker 1: to make you much smaller than you were when you

765
00:49:14,480 --> 00:49:20,480
Speaker 1: first arrived, smaller, smaller. He's just getting further away. I'm

766
00:49:20,480 --> 00:49:29,800
Speaker 1: gonna make you bigger, bigger, bigger, more, quiet, louder, quick, quiet.

767
00:49:30,080 --> 00:49:36,359
Speaker 1: I don't want to interrupt it. A caesar, A caesar, Caesar, Yes,

768
00:49:36,440 --> 00:49:40,600
Speaker 1: so what's easy? Season? A seeson, A seesar. That seems

769
00:49:40,640 --> 00:49:47,319
Speaker 1: to be something wrong with the Jews, with the jeers. Yes,

770
00:49:47,920 --> 00:49:52,960
Speaker 1: that seems to be a public uprising, a public aporizing.

771
00:49:54,400 --> 00:49:56,759
Speaker 1: Come on, listen, not to beat around the bush. Tell

772
00:49:56,840 --> 00:50:00,480
Speaker 1: me what's happening. That is a the is the thing

773
00:50:00,680 --> 00:50:04,960
Speaker 1: up with a guy and he's doing this thing and

774
00:50:05,040 --> 00:50:09,640
Speaker 1: let's making people. Couldn't a specificity? Come on? Okay, okay, okay, okay, okay.

775
00:50:09,960 --> 00:50:15,440
Speaker 1: So from what I heard, okay, from what I heard,

776
00:50:16,120 --> 00:50:19,920
Speaker 1: that is that there's a man as Judas and has

777
00:50:19,960 --> 00:50:22,120
Speaker 1: at doing these things that I'm making people get the

778
00:50:22,200 --> 00:50:26,200
Speaker 1: big and the people can't craze crazy and uh, and

779
00:50:26,360 --> 00:50:29,560
Speaker 1: then there was this uh, I don't know how to

780
00:50:29,640 --> 00:50:33,040
Speaker 1: say this. There was this uh talking Latin. If you

781
00:50:33,120 --> 00:50:35,919
Speaker 1: want no, no, I want to practice I want okay, okay,

782
00:50:36,200 --> 00:50:41,319
Speaker 1: I want to practice it. This linguis okay, okay, okay,

783
00:50:41,360 --> 00:50:49,600
Speaker 1: okay okay. So uh, Judas had done this. Uh knock knock, Mary, Mary,

784
00:50:49,640 --> 00:50:55,800
Speaker 1: are you in there? Hey, it's me Judas. Hey Judas,

785
00:50:55,880 --> 00:50:58,040
Speaker 1: I didn't expect you to come by my heart today

786
00:50:58,360 --> 00:51:02,279
Speaker 1: at the door. No, that who's that, Joseph? Who's that?

787
00:51:03,320 --> 00:51:07,319
Speaker 1: Is that? Joseph? It's Joseph. I'm in the bathroom. Joe.

788
00:51:07,600 --> 00:51:09,560
Speaker 1: Just shut up for a second. I'm just talking to

789
00:51:09,960 --> 00:51:14,279
Speaker 1: Judas is just stopping by. Yeah, I'm gonna put it

790
00:51:14,280 --> 00:51:18,759
Speaker 1: on my head, Rocks and just zone up. Look, your

791
00:51:18,800 --> 00:51:21,440
Speaker 1: son is acting now. He's he's he's acting like a

792
00:51:21,480 --> 00:51:29,040
Speaker 1: real piece of ship, Jim Jesus. Oh. Oh, he's usually

793
00:51:29,160 --> 00:51:32,000
Speaker 1: so good. He's not. He's not right now. And and

794
00:51:32,320 --> 00:51:34,880
Speaker 1: I don't want to tell you why he's acting the

795
00:51:34,920 --> 00:51:37,000
Speaker 1: way he is, but I'm assuming it's because of who

796
00:51:37,080 --> 00:51:39,760
Speaker 1: his dad is. Because you you are great, Mary, Everyone

797
00:51:39,840 --> 00:51:45,520
Speaker 1: loves you. Thank you, sweetie. Do you dates? Oh please,

798
00:51:45,520 --> 00:51:47,520
Speaker 1: I'm not gonna I can't take your dates. You can

799
00:51:47,600 --> 00:51:50,600
Speaker 1: take I haven't. I've got more than enough. I'll take

800
00:51:50,600 --> 00:51:58,239
Speaker 1: a date. Okay, it's a date. God uh so, um

801
00:51:58,680 --> 00:52:02,400
Speaker 1: Jesus yeah, actually a real piece of shit. M hmmm.

802
00:52:02,719 --> 00:52:04,719
Speaker 1: And I'm wondering. You know, you're his mom, if maybe

803
00:52:06,160 --> 00:52:07,919
Speaker 1: what do you maybe? If you want to buy the bread,

804
00:52:07,920 --> 00:52:11,040
Speaker 1: you're gonna have to pay me. Well, I don't have

805
00:52:11,160 --> 00:52:13,560
Speaker 1: any money, so it's thinking maybe I could help with

806
00:52:14,760 --> 00:52:18,440
Speaker 1: duties around the shop. Well, half forties are in the shop. Look,

807
00:52:18,480 --> 00:52:20,719
Speaker 1: how therty you are? You're coming in here. I want

808
00:52:20,760 --> 00:52:24,560
Speaker 1: to work at my fucking bread station. It's just I

809
00:52:24,680 --> 00:52:28,680
Speaker 1: think he's offering you a blowjob. You think, Oh wait,

810
00:52:28,840 --> 00:52:31,239
Speaker 1: that wasn't exactly what I was offering. Well, well, well

811
00:52:31,400 --> 00:52:35,360
Speaker 1: look everything's finally we are align on it. Papa. Just

812
00:52:35,440 --> 00:52:38,799
Speaker 1: get us the bread? How hard it? Okay? Okay, they're

813
00:52:38,920 --> 00:52:42,520
Speaker 1: just probably something else we could do. Just do it

814
00:52:42,600 --> 00:52:45,400
Speaker 1: all right. Just give the guy what he needs, sweetheart,

815
00:52:45,480 --> 00:52:49,080
Speaker 1: Please just let me do the negotiating. I'm quite the businessman. Honestly,

816
00:52:50,880 --> 00:52:53,640
Speaker 1: the guy wants a blowjob. It seems like I hate

817
00:52:53,680 --> 00:52:56,000
Speaker 1: to get involved in the family mother brother. It seems

818
00:52:56,000 --> 00:52:57,920
Speaker 1: like if you just gives like our blowsop, he'll give

819
00:52:57,960 --> 00:53:00,680
Speaker 1: you bread. Well, I mean negotiation were with he asked

820
00:53:00,680 --> 00:53:02,279
Speaker 1: what he wants, I give it a thing, and then

821
00:53:02,360 --> 00:53:04,120
Speaker 1: we find a medium in the middle. What if I

822
00:53:04,239 --> 00:53:10,640
Speaker 1: give you my dog for some bread the dog. There's

823
00:53:10,680 --> 00:53:12,200
Speaker 1: a lot of us in line here. They would like

824
00:53:12,320 --> 00:53:14,680
Speaker 1: a chance at that man's knob in order to get

825
00:53:14,760 --> 00:53:18,279
Speaker 1: a loaf. So suck it or move on. Yeah, that's

826
00:53:18,280 --> 00:53:29,600
Speaker 1: what I'm saying. I'm with that guy, move on, move on?

827
00:53:29,840 --> 00:53:34,200
Speaker 1: Do it? Where do I do this? Just right here? Yes?

828
00:53:35,440 --> 00:53:37,960
Speaker 1: I just maybe we could come with my come with

829
00:53:38,160 --> 00:53:42,480
Speaker 1: Maybe we're gonna go somewhere. Come on, Okay, this place is.

830
00:53:43,480 --> 00:53:45,279
Speaker 1: I don't like to do this without getting the know

831
00:53:45,520 --> 00:53:49,399
Speaker 1: the bloke before it goes down. Say again, I don't

832
00:53:49,480 --> 00:53:53,040
Speaker 1: like to do this until I'll get to know the

833
00:53:53,200 --> 00:53:58,359
Speaker 1: bloke before it goes down. Okay, Well, I'd really rather

834
00:53:58,520 --> 00:54:01,680
Speaker 1: keep it more of a business relation and ship, Mike,

835
00:54:01,920 --> 00:54:05,040
Speaker 1: Now one does business with people? Fight down? Now? Okay,

836
00:54:05,120 --> 00:54:20,759
Speaker 1: Well I'm sagittious. Could see three and any better? No, No,

837
00:54:20,920 --> 00:54:28,239
Speaker 1: it couldn't. That is our show for today. Let's thank

838
00:54:28,280 --> 00:54:32,560
Speaker 1: all of our alchemists in no particular order. Veniche, thank you, John,

839
00:54:33,600 --> 00:54:38,200
Speaker 1: thanks for loving me. Play it yes and please come

840
00:54:38,239 --> 00:54:43,640
Speaker 1: back a sap. I'll be right here trap hell Okay,

841
00:54:44,400 --> 00:54:47,120
Speaker 1: well we're coming for you. And much love to you

842
00:54:47,360 --> 00:54:52,759
Speaker 1: and your completely and utterly lovely family. Thanks, extreme health

843
00:54:52,800 --> 00:54:56,000
Speaker 1: to you all please. Craig Atkowski, much health to you

844
00:54:56,360 --> 00:55:00,439
Speaker 1: and Carla and the three kids. Yeah. We we don't

845
00:55:00,480 --> 00:55:02,560
Speaker 1: know who they are or where they are, but they're

846
00:55:02,600 --> 00:55:04,840
Speaker 1: out there somewhere. I don't know if anyone knows this

847
00:55:05,000 --> 00:55:09,160
Speaker 1: about me and the Kis, but I'm convinced they have children.

848
00:55:10,920 --> 00:55:13,680
Speaker 1: That makes sense. Yeah, to see us with it each

849
00:55:13,719 --> 00:55:19,439
Speaker 1: children ever ever? Yeah, but Koski on Twitter, just find

850
00:55:19,480 --> 00:55:22,400
Speaker 1: out what's going on in my life. Love to will do.

851
00:55:23,440 --> 00:55:27,120
Speaker 1: Chris Alvarado, Thank you for having me. I like doing this.

852
00:55:29,040 --> 00:55:33,919
Speaker 1: Appreciate your honesty and directness. James Heeney, thanks for having

853
00:55:34,040 --> 00:55:38,680
Speaker 1: me here. Uh Spare Supply has a show every single

854
00:55:38,880 --> 00:55:44,839
Speaker 1: Wednesday at seven pm Pacific Standard time on Twitch at

855
00:55:44,880 --> 00:55:49,200
Speaker 1: twitch dot tv. Forward Slash west Side Comedy Theater, Thank you,

856
00:55:49,400 --> 00:55:55,200
Speaker 1: Thank you for that. Joseph of Kria, Yes, you know

857
00:55:55,400 --> 00:55:58,800
Speaker 1: I want to say, get on due lingo right language,

858
00:55:59,840 --> 00:56:03,400
Speaker 1: you know, get on it can you recommend any particular language.

859
00:56:03,400 --> 00:56:07,839
Speaker 1: I'm learning Latin right now. You're learning Latin right now. Huh.

860
00:56:08,719 --> 00:56:13,080
Speaker 1: Let's see, how do I say? Uh? See alchemy this?

861
00:56:13,560 --> 00:56:20,239
Speaker 1: It's just alchemy this. But noman s Peter, My name

862
00:56:20,320 --> 00:56:27,160
Speaker 1: is Peter. Peter. Olivia dormi dormant. Olivia sleeps at home.

863
00:56:28,280 --> 00:56:33,560
Speaker 1: Feminina non dormant. Can we not talk too? We are dormant.

864
00:56:33,840 --> 00:56:36,799
Speaker 1: The woman doesn't sleep, but the man sleeps. So when

865
00:56:36,840 --> 00:56:39,959
Speaker 1: you said learn a language, you meant right now, Yeah,

866
00:56:40,480 --> 00:56:44,279
Speaker 1: I sit learn a dead one. It's not spoken. It's

867
00:56:44,280 --> 00:56:49,120
Speaker 1: not utilizing everything criticized. It really is. You know you

868
00:56:49,160 --> 00:56:53,400
Speaker 1: don't know, you don't. I love you all madly and

869
00:56:53,480 --> 00:56:56,720
Speaker 1: wish you all extreme health. Let's thank our wonderful producer

870
00:56:56,800 --> 00:57:03,319
Speaker 1: and engineer to the stars, Mr Doug Bain, and all

871
00:57:03,400 --> 00:57:05,640
Speaker 1: of you, thank you so much for sticking with us,

872
00:57:05,680 --> 00:57:08,440
Speaker 1: and stay healthy and and follow the damn orders and

873
00:57:09,200 --> 00:57:14,279
Speaker 1: rules and regulations that you're being instructed by your governors,

874
00:57:14,600 --> 00:57:18,520
Speaker 1: at least the smart ones, and they're still like ten

875
00:57:18,760 --> 00:57:25,120
Speaker 1: nine holdout governors. Who was eight Indiana's fucking world was

876
00:57:25,240 --> 00:57:30,040
Speaker 1: right now? Oh buddy, Well, bless you all and be

877
00:57:30,200 --> 00:57:33,720
Speaker 1: safe and until next time, remember we love you and

878
00:58:02,280 --> 00:58:03,200
Speaker 1: be a football